WEBVTT - Bryan Cranston: a nice guy on what it means to be bad

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<v Speaker 1>I'm Katie Curry and I'm Brian Cranston. And this is

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<v Speaker 1>next question. I think I have a future. Yeah, let's

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<v Speaker 1>try it again, um, this time a little per year.

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<v Speaker 1>That's right. My guest today is Brian Cranston. Those of

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<v Speaker 1>you who haven't been living under a rock, note that

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<v Speaker 1>Brian is a force, a performer, is comfortable on screens

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<v Speaker 1>large and small, as he is on a Broadway stage.

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<v Speaker 1>But more than anything, honestly, he's just an all around

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<v Speaker 1>good human being, and as I found out during our conversation,

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<v Speaker 1>also an avid reader of Wake Up Call. I get

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<v Speaker 1>your newsletter every morning you open it, more importantly I do,

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<v Speaker 1>I read it all the time. So friends, be like

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<v Speaker 1>Brian Cranston, informed and entertained with wake Up Call. That's

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<v Speaker 1>our daily news letter, delivered Monday through Saturday in your inbox,

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<v Speaker 1>bright and early. In it, we break down the top

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<v Speaker 1>news stories of the day. We answer all of your

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<v Speaker 1>pressing questions, and we scour the internet for the best

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<v Speaker 1>entertainment tidbits, streaming recommendations, recipes, and health and wellness tips.

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<v Speaker 1>It's like a one stop shop for smart, dissy people

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<v Speaker 1>like you and Brian Cranston. Okay, done, with the shameless plug,

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<v Speaker 1>Let's get back to business. Bryan Cranston, and welcome back

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<v Speaker 1>to the podcast. How are you're looking very scruffy these days?

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<v Speaker 1>You've got a big beard going. What's that about? You know,

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<v Speaker 1>it's it's about. I'm doing a second season of Your

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<v Speaker 1>Honor for Showtime, right, which did incredibly well. By the way,

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<v Speaker 1>I loved Your Honor, but I read recently it was

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<v Speaker 1>like one of the biggest shows on Showtime in a

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<v Speaker 1>long time. Yeah, they tell us it was the highest

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<v Speaker 1>rated UM series they ever had, so that's pretty good.

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<v Speaker 1>And so they wanted to do another one, and and

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<v Speaker 1>I said, I'd like to do another season, but only

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<v Speaker 1>if we follow in an honest, authentic way where that

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<v Speaker 1>character would go. Because it seems to me, with all

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<v Speaker 1>due respect Mr Cranston, that this series did not exactly

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<v Speaker 1>lend itself to a second series. I mean, things tied

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<v Speaker 1>up pretty neatly, very traumatically. I might add I don't

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<v Speaker 1>want any spoilers here, but I had a hard time

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<v Speaker 1>when I heard there was going to be a second season.

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<v Speaker 1>I thought, how are you going to do that? I

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<v Speaker 1>thought the same thing because it ended tragically, which is

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<v Speaker 1>not which is a not a the wrong way to

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<v Speaker 1>end that first season. Um, And then I thought, well,

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<v Speaker 1>if the first season was about a man losing his

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<v Speaker 1>sense of principles and dignity and integrity, can the second

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<v Speaker 1>season be about redemption? Is? And I think our society

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<v Speaker 1>is yearning for that to actually stand. Where does forgiveness

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<v Speaker 1>exist in our in our society now? It seems so coarse,

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<v Speaker 1>it seems so vitriolic. You know that that, you know,

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<v Speaker 1>we we've had people who have been leading this country

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<v Speaker 1>who believe that forgiveness and and apology are signs of

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<v Speaker 1>weaknesses in the human character. And I don't believe that.

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<v Speaker 1>I believe it's actually a strength. And in fact, you've

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<v Speaker 1>been pretty vocal if I recall about sort of cancel culture,

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<v Speaker 1>haven't you? Well? I did you? Did you get a

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<v Speaker 1>little hot water that baron? Well, you know what happened.

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<v Speaker 1>I was doing I was doing a play in London

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<v Speaker 1>and I had a film coming out. So the BBC

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<v Speaker 1>wanted to do an interview with me, and I said okay,

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<v Speaker 1>And they said they're gonna want you to talk about uh,

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<v Speaker 1>President Trump, And I said okay, And they're gonna want

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<v Speaker 1>to talk about the Me Too movement. I said, okay, Um,

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<v Speaker 1>all of which you know, it's it's a wake up

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<v Speaker 1>call in many regards for both of those issues. The

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<v Speaker 1>question came to me, do you think that M. Kevin

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<v Speaker 1>Spacey can resurrect his career? And I was taken aback

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<v Speaker 1>a little bit about that, about that directness, and then

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<v Speaker 1>I realized the association the BBC is asking that because

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<v Speaker 1>Kevin Spacey was the artistic director of the old VIC Theater,

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<v Speaker 1>right And uh, I said, I don't think so. But

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<v Speaker 1>if he does a lot of personal work on himself,

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<v Speaker 1>if he really goes into therapy and really gets to

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<v Speaker 1>the root of what was causing this behavior of his

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<v Speaker 1>and not in a two month dude ranch kind of

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<v Speaker 1>thing in Colorado, but a real earnest attempt to figure

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<v Speaker 1>things out, and if he if he showed genuine contrition,

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<v Speaker 1>maybe in five to ten years, UM, society would accept

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<v Speaker 1>him back if he did all that work that did

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<v Speaker 1>I did. Um. We were in a redlining situation at

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<v Speaker 1>the time where they thought I was trying to defend him,

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<v Speaker 1>but really I was trying to look at a bigger

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<v Speaker 1>picture of our society. Where does it all fit? And

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<v Speaker 1>so when this idea to possibly do a second season

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<v Speaker 1>of Your Honor came along. I thought, I think this

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<v Speaker 1>might help people people who live in despair and in pain. Um,

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<v Speaker 1>how do they cope? How can they find a pathway

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<v Speaker 1>to the rest of their lives? And I think it's

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<v Speaker 1>a service. You personally went through it yourself. You had

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<v Speaker 1>to figure out a path to get through so that

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<v Speaker 1>you can be strong again. And I'm I'm marvel at

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<v Speaker 1>your ability to be able to do that. You mean,

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<v Speaker 1>from from the death of my husband. Yeah, you know.

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<v Speaker 1>I think also this sort of public shaming, which I

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<v Speaker 1>didn't experience, but but certainly many high profile figures have. Uh.

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<v Speaker 1>Sometimes it's definitely warranted. But I think you're right at

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<v Speaker 1>what point is can there be or should there be redemption?

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<v Speaker 1>And I don't know the answer to that, but I

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<v Speaker 1>think that's such a a topic that's so right for

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<v Speaker 1>exploration and and getting back to Your Honor can for

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<v Speaker 1>people who haven't seen the first series, and I urged

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<v Speaker 1>them to do so so they can see the second

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<v Speaker 1>series when it comes out. Can you just basically give

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<v Speaker 1>us the nutshell of this character because I found him

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<v Speaker 1>so fascinating. Michael days Otto is a Superior Court judge

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<v Speaker 1>in New Orleans, Louisiana. He has a seventeen year old son,

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<v Speaker 1>and his wife was a photojournalist who was murdered a

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<v Speaker 1>year earlier. Through a course of of the remembrance of

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<v Speaker 1>the day that she passed, my son, who was distraught

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<v Speaker 1>and it is an asthmatic, gets into a a car

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<v Speaker 1>accident and he hits a young boy on a motorcycle.

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<v Speaker 1>He panics and leaves the scene of the accident almost immediately,

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<v Speaker 1>feeling guilty and realizing he's made a mistake, and he

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<v Speaker 1>confesses to me, his father, what happened. And after receiving

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<v Speaker 1>that devastating news and dealing with that by itself, I

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<v Speaker 1>convey to him that we need to do the right thing.

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<v Speaker 1>We need to turn you in and be responsible, because

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<v Speaker 1>if you don't do that now, you will forever be

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<v Speaker 1>damaged by that decision. So I go to turn him

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<v Speaker 1>into the police um and I'm going to hire a

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<v Speaker 1>lawyer for him and and see how things end up.

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<v Speaker 1>And what happens is that at the police station, I

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<v Speaker 1>noticed the parents of the boy who died in that

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<v Speaker 1>car accident, and they are part of the most violent

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<v Speaker 1>and dangerous UH mob in all of Louisiana, and I know,

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<v Speaker 1>or at least I feel I know that that man,

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<v Speaker 1>if he found out my son killed his son, he

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<v Speaker 1>would go and kill my son within the structure of

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<v Speaker 1>the um of course system. So I make an immediate

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<v Speaker 1>decision not to turn my son in. From that point on,

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<v Speaker 1>everything unraveled deeper and deeper. It's not the crime, it's

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<v Speaker 1>the cover up. And I found the character so fascinating

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<v Speaker 1>because of all these sort of ethical lapses and how

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<v Speaker 1>one leads to another, to another to another. And I

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<v Speaker 1>don't know, I'm obsessed with characters who are guilt ridden.

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<v Speaker 1>I don't know if you remember that movie Bob Roberts.

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<v Speaker 1>I think it was called and it was with was

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<v Speaker 1>that Tim Robbins, And I think he commits a crime.

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<v Speaker 1>And the idea of doing something and being like having

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<v Speaker 1>to hide that and feel this overwhelming, overflowing guilt. I

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<v Speaker 1>have nightmares about that. I don't know why those characters.

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<v Speaker 1>I think that's my biggest fear, like not doing something

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<v Speaker 1>wrong but having to hide it because you feel like

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<v Speaker 1>you'll be exposed. Yes, of course, but but when you

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<v Speaker 1>think about it, that's one of the wonderful things about

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<v Speaker 1>human beings is that we do carry guilt and we

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<v Speaker 1>we do have that because we are we are an

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<v Speaker 1>made to that, we're social animals. We want to strive

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<v Speaker 1>to do what is best. I really believe that. And um,

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<v Speaker 1>when when we explore in this season of Your Honor,

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<v Speaker 1>the idea that my character is is going through despair

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<v Speaker 1>and grief, Um, I think it's a valuable thing to

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<v Speaker 1>it and the movement that he makes. I had to

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<v Speaker 1>really convince the people at show time. It's like, trust me,

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<v Speaker 1>I think this will work. But you wanted to do it. Yeah,

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<v Speaker 1>you wanted to do it. Well, I wanted to do

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<v Speaker 1>that if if they weren't saying to you, this show

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<v Speaker 1>did so well, we need a second season. They did,

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<v Speaker 1>And I said, I will do a second season if

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<v Speaker 1>I can do this with that character. Got it, But

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<v Speaker 1>otherwise I don't have to do another one. Now. How

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<v Speaker 1>is Michael different from Walter White? And are their similarities

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<v Speaker 1>in their characters because they are they are sort of

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<v Speaker 1>at their core good people who because of circumstances, become

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<v Speaker 1>bad people. Yeah. Well, I think I think what what

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<v Speaker 1>Walter White taught me is that nothing is black and

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<v Speaker 1>white in the pun But um, there's a lot of

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<v Speaker 1>gray area. I don't think human beings are just one

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<v Speaker 1>thing we have. We have good qualities and we have

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<v Speaker 1>bad qualities. We have things about us that we're proud

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<v Speaker 1>of and things that were I need to improve in

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<v Speaker 1>this area. Hopefully they're not criminal. But but that's human beings. Um.

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<v Speaker 1>The difference, and well, the common denominator is that Michael

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<v Speaker 1>Desiatto and Walter White were played by the same person,

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<v Speaker 1>So there's always going to be a through line of that,

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<v Speaker 1>does Michael we're tidy Whitey's he does not. He does

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<v Speaker 1>not he's a boxer. Yeah. Um. But the difference is

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<v Speaker 1>is that the attempts. We we want to see characters

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<v Speaker 1>attempting to do the right thing at the best of

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<v Speaker 1>their ability. But if they're damaged and troubled people men

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<v Speaker 1>in this case, uh, then they may not be capable

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<v Speaker 1>of doing the right thing at the right time. Always,

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<v Speaker 1>and it's always about sort of how one bad decision

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<v Speaker 1>can change everything in an instant. You've said you're attracted

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<v Speaker 1>to damage characters who still have some manner of humanity

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<v Speaker 1>and decency within them despite their flaws and shortcomings. So

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<v Speaker 1>I guess that does describe Michael and Walter I think

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<v Speaker 1>that's the and those are the kinds of characters I

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<v Speaker 1>get offered is to play really damnage, you're such a

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<v Speaker 1>nice guy. How is that? Well? I can I can relate.

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<v Speaker 1>I mean, I'm here are such why you are human?

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<v Speaker 1>But I mean I don't know you that well, but

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<v Speaker 1>I would say you're incredibly decent and um and and

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<v Speaker 1>morally upstanding individual. You know, I feel like you have

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<v Speaker 1>certain values that you adhere to and you know you've

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<v Speaker 1>got I don't know, and you've here before have played

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<v Speaker 1>pretty wholesome characters prior to breaking bad. So you know,

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<v Speaker 1>how how come we're just now seeing this the darker

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<v Speaker 1>side of Brian Cranston. Well, when you when you think

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<v Speaker 1>of it from a standpoint of dramatic narrative, the most

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<v Speaker 1>interesting things to play are damaged people. We don't want

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<v Speaker 1>to see in our dramas. We don't want to see

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<v Speaker 1>people do all the right things all the time. They

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<v Speaker 1>would never make it into a show or a movie,

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<v Speaker 1>right because it's not interesting. So there's going to be

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<v Speaker 1>a turn. There's going to be uh problems in that

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<v Speaker 1>person's life that they are either capable or incapable of overcoming.

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<v Speaker 1>And that's that's what makes drama so fascinating. You're the

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<v Speaker 1>happy beneficiary of this national obsession I think with crime

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<v Speaker 1>and sort of thrillers and who done it? And I'm

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<v Speaker 1>curious what you think about that whole trend, because everything

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<v Speaker 1>seems to either be based on true crime or a

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<v Speaker 1>fiction fictionalized version of some kind of terrible event. Well,

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<v Speaker 1>I know, I am more interested in the human element

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<v Speaker 1>of it and whether that takes me in the genre

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<v Speaker 1>of crime or a medical or whatever the main areas

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<v Speaker 1>of interest are. I'm always interested in the story. Does

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<v Speaker 1>the story where he resonate with me and and so

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<v Speaker 1>you look at you look at Breaking Bad. And Breaking

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<v Speaker 1>Bad was a story of a man's plight and struggle

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<v Speaker 1>through this horrific prognosis of of a limited life, and

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<v Speaker 1>he wanted to set his family up for after he's gone,

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<v Speaker 1>and and so he elicited a lot of sympathies of that. Yeah,

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<v Speaker 1>it's just his decision making UM and and also an

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<v Speaker 1>indictment of the health system that a fully employed teacher

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<v Speaker 1>needs to have a second job in order to pay

0:15:39.520 --> 0:15:45.360
<v Speaker 1>for the special needs son and his care. UM. So

0:15:46.440 --> 0:15:51.440
<v Speaker 1>and then you have UM your Honor, which had the

0:15:52.720 --> 0:15:56.520
<v Speaker 1>concept of what would you do to save the life

0:15:56.560 --> 0:15:59.640
<v Speaker 1>of your child? And if you ask any parent, it's like,

0:15:59.680 --> 0:16:02.480
<v Speaker 1>I would do anything to save the life of my child.

0:16:02.600 --> 0:16:04.920
<v Speaker 1>I would do anything. And I asked people, would you

0:16:04.960 --> 0:16:09.520
<v Speaker 1>become would you willingly become a criminal if you knew

0:16:09.840 --> 0:16:12.000
<v Speaker 1>that by doing so you would save the life of

0:16:12.000 --> 0:16:14.680
<v Speaker 1>your child? Yes? I would. Okay, then we take it

0:16:14.720 --> 0:16:18.440
<v Speaker 1>a step further. Would you allow an innocent person to

0:16:18.480 --> 0:16:21.720
<v Speaker 1>be hurt or killed in the line of saving yours?

0:16:21.760 --> 0:16:25.360
<v Speaker 1>You know? And then all of a sudden, oh, you

0:16:25.440 --> 0:16:29.720
<v Speaker 1>can't go back. My character can't retrace his steps and

0:16:30.280 --> 0:16:33.840
<v Speaker 1>clean it up and make good on something. His spiral

0:16:33.960 --> 0:16:37.880
<v Speaker 1>already started and he is in this mess. And that's

0:16:37.920 --> 0:16:42.000
<v Speaker 1>what to to echo your point is that we have

0:16:42.160 --> 0:16:45.440
<v Speaker 1>to try to make the best decisions at that time

0:16:45.640 --> 0:16:50.360
<v Speaker 1>that you can. My character didn't have the luxury of thinking,

0:16:50.680 --> 0:16:54.080
<v Speaker 1>what are the repercussions of this initial decision. I remember

0:16:54.120 --> 0:16:56.640
<v Speaker 1>that scene where he's watching the family. I think he

0:16:56.720 --> 0:17:00.320
<v Speaker 1>was in the parking lot. Uh, Michael was, and he

0:17:00.400 --> 0:17:03.720
<v Speaker 1>thought he made that split second decision. Nope, this isn't

0:17:03.720 --> 0:17:06.520
<v Speaker 1>going to happen. We're not going to do the right thing.

0:17:06.840 --> 0:17:11.359
<v Speaker 1>And the rest of the series obviously unfolds, and he

0:17:11.400 --> 0:17:15.000
<v Speaker 1>gets deeper and deeper and deeper, and to you know,

0:17:15.080 --> 0:17:19.080
<v Speaker 1>lie begets lie begets lie. Um. I love the series,

0:17:19.200 --> 0:17:21.359
<v Speaker 1>and I think it was critically acclaimed. I think it

0:17:21.480 --> 0:17:24.200
<v Speaker 1>got a lot of nice reviews. But you don't read

0:17:24.240 --> 0:17:28.919
<v Speaker 1>reviews ever, ever, ever, ever. I did, um up until

0:17:29.240 --> 0:17:34.720
<v Speaker 1>about seven eight years ago, when I read a couple

0:17:35.359 --> 0:17:42.040
<v Speaker 1>reviews about a movie that I did that I thought was, Oh, well,

0:17:42.080 --> 0:17:45.720
<v Speaker 1>that doesn't that's not helpful to me. Um, what movie

0:17:45.840 --> 0:17:48.480
<v Speaker 1>was it? Well, I don't want to I don't want

0:17:48.480 --> 0:17:51.679
<v Speaker 1>to throw this reviewer under the bus. Oh, go ahead,

0:17:52.000 --> 0:17:54.399
<v Speaker 1>we like to do that here on next question. We

0:17:54.560 --> 0:17:58.880
<v Speaker 1>like to throw people under the bus. Come on, Brian. Especially,

0:17:58.880 --> 0:18:03.679
<v Speaker 1>it sounds like this person me deserve it. Yeah, because

0:18:04.119 --> 0:18:11.720
<v Speaker 1>this person was lazy and claimed certain things that an

0:18:11.880 --> 0:18:17.360
<v Speaker 1>easy little research into it and this person would have found,

0:18:17.920 --> 0:18:21.840
<v Speaker 1>oh I'm wrong about that and about this. And so

0:18:21.960 --> 0:18:25.960
<v Speaker 1>I found the laziness of that to be irritating. And

0:18:26.000 --> 0:18:29.040
<v Speaker 1>I also realized and and so I said, I don't

0:18:29.040 --> 0:18:33.160
<v Speaker 1>think reading reviews helps me at all, And so I don't.

0:18:33.280 --> 0:18:36.520
<v Speaker 1>I don't read reviews on when I do a Broadway

0:18:36.560 --> 0:18:39.720
<v Speaker 1>show or when I do a movie because it it's

0:18:39.760 --> 0:18:45.520
<v Speaker 1>not going to change anything. Um and I actually most

0:18:45.520 --> 0:18:49.320
<v Speaker 1>people are saying, you could have nine great reviews and

0:18:49.359 --> 0:18:51.200
<v Speaker 1>one bad one, and the one you're going to think

0:18:51.200 --> 0:18:54.600
<v Speaker 1>about is the bad one. Isn't a true No matter

0:18:54.640 --> 0:18:59.320
<v Speaker 1>how many things you've done and how many times you've

0:18:59.359 --> 0:19:04.400
<v Speaker 1>been reviewed or critiqued, it still hurts. I think when

0:19:04.440 --> 0:19:06.719
<v Speaker 1>people say mean things about you. You know, are you

0:19:06.720 --> 0:19:10.240
<v Speaker 1>on Twitter? By the way, Well, are you leaving Twitter?

0:19:10.440 --> 0:19:13.480
<v Speaker 1>I'm not. I'm not active. You're not active? But you

0:19:13.520 --> 0:19:16.119
<v Speaker 1>would you do you want to stay on it? I

0:19:16.119 --> 0:19:19.520
<v Speaker 1>haven't really given it much thought. I certainly my whole

0:19:19.720 --> 0:19:25.760
<v Speaker 1>point I I long for the chance once again to

0:19:25.880 --> 0:19:32.320
<v Speaker 1>have a respectful, logical disagreement with someone who has who's

0:19:32.359 --> 0:19:36.040
<v Speaker 1>more conservative than I am. I'm more liberal, but I

0:19:36.119 --> 0:19:40.480
<v Speaker 1>and I want to have that debate again and not

0:19:40.680 --> 0:19:44.720
<v Speaker 1>lose respect for each other, knowing that we're both trying

0:19:44.800 --> 0:19:49.359
<v Speaker 1>to get to an accomplishment that benefits the country. That's

0:19:49.440 --> 0:19:52.560
<v Speaker 1>that's the goal. Uh, we've kind of lost that. I

0:19:52.560 --> 0:19:55.800
<v Speaker 1>think we've been conditioned not to want it, given the

0:19:55.920 --> 0:20:00.960
<v Speaker 1>kind of discourse or lack thereof that is everywhere. It's

0:20:01.000 --> 0:20:04.520
<v Speaker 1>almost assigned. Well, just as compromise on Capitol Hill is

0:20:04.560 --> 0:20:10.440
<v Speaker 1>a sign of weakness. Compromise or even uh, calm discussion

0:20:10.920 --> 0:20:14.199
<v Speaker 1>seems to be a sign of weakness, openness, kind of

0:20:14.359 --> 0:20:18.960
<v Speaker 1>willingness to listen. It has all been kind of I think,

0:20:20.520 --> 0:20:22.239
<v Speaker 1>I don't know, people just don't want to do it.

0:20:22.320 --> 0:20:24.920
<v Speaker 1>I agree with you, And I think what I was

0:20:24.960 --> 0:20:31.360
<v Speaker 1>saying earlier, same thing, um, asking forgiveness, apologizing signs of weakness.

0:20:31.640 --> 0:20:35.000
<v Speaker 1>I think that goes along with that that our country

0:20:35.119 --> 0:20:40.080
<v Speaker 1>has been a come courser and and harder. And I

0:20:40.119 --> 0:20:43.280
<v Speaker 1>think if if we can contribute anything to this is

0:20:43.359 --> 0:20:47.480
<v Speaker 1>to be able to try to break down that kind

0:20:47.480 --> 0:20:53.879
<v Speaker 1>of calloused attitude and dogma and be able to step

0:20:53.960 --> 0:20:59.560
<v Speaker 1>back in and saying let's have a respectful debate on

0:20:59.600 --> 0:21:03.680
<v Speaker 1>what is best for our society, our country, our state,

0:21:03.680 --> 0:21:05.919
<v Speaker 1>at our city, or whatever the case. I want to

0:21:05.920 --> 0:21:10.280
<v Speaker 1>see if I can help bring the country together with

0:21:10.440 --> 0:21:18.080
<v Speaker 1>less divisiveness and more spirit of unity, that would be great. Um.

0:21:18.760 --> 0:21:23.280
<v Speaker 1>When when I see people who have integrity and I

0:21:23.320 --> 0:21:24.960
<v Speaker 1>want to meet them, I want to talk to them.

0:21:24.960 --> 0:21:27.720
<v Speaker 1>It doesn't matter what side of the aisle they happen

0:21:27.800 --> 0:21:43.800
<v Speaker 1>to be on. I know you don't read reviews, Brian,

0:21:44.400 --> 0:21:47.120
<v Speaker 1>but I did want to read this letter from Anthony

0:21:47.160 --> 0:21:50.240
<v Speaker 1>Hopkins because it was so lovely and I just made

0:21:50.280 --> 0:21:53.480
<v Speaker 1>me like Anthony Hopkins even more than I already do.

0:21:54.119 --> 0:21:58.800
<v Speaker 1>He wrote that your performance as Walter his performance. I

0:21:58.800 --> 0:22:02.600
<v Speaker 1>guess this was to you, right. Your performance as Walter

0:22:02.720 --> 0:22:06.560
<v Speaker 1>White was the best acting I have seen ever. I

0:22:06.600 --> 0:22:09.639
<v Speaker 1>have never watched anything like it. Brilliant. I know there's

0:22:09.720 --> 0:22:12.800
<v Speaker 1>so much smoke blowing and sickening bullshit in this business,

0:22:13.160 --> 0:22:16.040
<v Speaker 1>and I've sort of lost belief in anything, really, but

0:22:16.160 --> 0:22:20.480
<v Speaker 1>this work of yours spectacular, absolutely stunning. From what started

0:22:20.480 --> 0:22:23.360
<v Speaker 1>as a black comedy descended into a labyrinth of blood

0:22:23.359 --> 0:22:27.480
<v Speaker 1>destruction and hell, it was like a great Jacobean, Shakespearean

0:22:27.640 --> 0:22:30.360
<v Speaker 1>or Greek tragedy. When you've read that, you I mean,

0:22:30.520 --> 0:22:33.919
<v Speaker 1>obviously you read that he wrote, he delivered it, or

0:22:33.960 --> 0:22:35.879
<v Speaker 1>he had it sent to your house. Yeah, it was

0:22:36.119 --> 0:22:39.200
<v Speaker 1>it was dull. I was actually um in Boston at

0:22:39.200 --> 0:22:42.400
<v Speaker 1>the time doing the out of town version of All

0:22:42.440 --> 0:22:47.280
<v Speaker 1>the Way and the play you did about LBJ, right,

0:22:47.520 --> 0:22:52.199
<v Speaker 1>and we had just closed that show there and I

0:22:52.240 --> 0:22:55.359
<v Speaker 1>got this letter that was forwarded from We have the

0:22:55.400 --> 0:22:58.760
<v Speaker 1>same agent, and so it was forwarded from the agents,

0:22:58.960 --> 0:23:03.280
<v Speaker 1>and I read it and oh my god. But I

0:23:03.280 --> 0:23:06.080
<v Speaker 1>I am not the one to want to make these

0:23:06.080 --> 0:23:08.439
<v Speaker 1>things public, and I didn't intend to make this public.

0:23:09.040 --> 0:23:11.800
<v Speaker 1>But he gave praise to not just me, but the

0:23:11.840 --> 0:23:14.399
<v Speaker 1>whole cast, and I felt I wanted to share that

0:23:14.480 --> 0:23:17.280
<v Speaker 1>with the cast, and I should have said, please, don't

0:23:17.320 --> 0:23:20.800
<v Speaker 1>put this out on social media. I did not think

0:23:20.840 --> 0:23:23.639
<v Speaker 1>in those terms, and I sent it to my cast

0:23:23.720 --> 0:23:26.240
<v Speaker 1>and say, I think you all should read this, isn't

0:23:26.240 --> 0:23:32.240
<v Speaker 1>it lovely? Lovely and mind blowing? And then someone within

0:23:32.280 --> 0:23:34.840
<v Speaker 1>our cast put it out on social media and it

0:23:34.880 --> 0:23:39.360
<v Speaker 1>went everywhere, and that wasn't the intention. I actually cringe

0:23:39.359 --> 0:23:42.080
<v Speaker 1>a little bit because I would have rather have been

0:23:42.160 --> 0:23:45.639
<v Speaker 1>just a private, private moment. Well, having said that, what

0:23:45.760 --> 0:23:50.080
<v Speaker 1>a nice gesture and what beautiful words, and coming from

0:23:50.160 --> 0:23:53.080
<v Speaker 1>one of the best actors to ever live. And is

0:23:53.119 --> 0:23:56.720
<v Speaker 1>there so much smoke blowing and sickening bullshit in your business?

0:23:57.640 --> 0:24:03.560
<v Speaker 1>Please that you're saying that rhetorically? Yeah, how do you?

0:24:03.640 --> 0:24:06.560
<v Speaker 1>How do you deal with sort of the bullshit of

0:24:06.600 --> 0:24:11.360
<v Speaker 1>show biz? Same way you do? You creates and you're

0:24:11.359 --> 0:24:14.399
<v Speaker 1>not in show business, of course you are. You're in

0:24:14.400 --> 0:24:19.439
<v Speaker 1>show business. I mean, I mean is to entertain, and

0:24:19.520 --> 0:24:23.280
<v Speaker 1>you do you entertain? You inform. We're all in the

0:24:23.320 --> 0:24:26.280
<v Speaker 1>business of entertainment when you think about it, whether you're

0:24:26.320 --> 0:24:29.879
<v Speaker 1>creating a service or a product, we're in entertainment, and

0:24:30.680 --> 0:24:32.600
<v Speaker 1>I think the way to manage it. And what I

0:24:32.640 --> 0:24:36.400
<v Speaker 1>tell young young actors or writers or directors people want

0:24:36.400 --> 0:24:39.800
<v Speaker 1>to be in the business, get your personal life in order.

0:24:40.640 --> 0:24:44.000
<v Speaker 1>Get that straight. Make sure that you're in you love

0:24:44.080 --> 0:24:50.080
<v Speaker 1>the work and not the idea of some uh effect

0:24:50.200 --> 0:24:57.159
<v Speaker 1>of some result. Yes you're not. Don't look ahead it

0:24:57.320 --> 0:25:00.359
<v Speaker 1>like I'm I'm out to get fame and fortune, because

0:25:01.359 --> 0:25:04.439
<v Speaker 1>that's that's the fool's erind isn't it. It is, because

0:25:04.680 --> 0:25:08.159
<v Speaker 1>I wouldn't know how to approach that. Just focus on

0:25:08.240 --> 0:25:10.680
<v Speaker 1>what you do and what you love to do, and

0:25:10.760 --> 0:25:15.280
<v Speaker 1>if you're meant to get anything from that, it will happen.

0:25:16.480 --> 0:25:20.080
<v Speaker 1>So I'm you know, just you kind of you. I

0:25:20.119 --> 0:25:23.040
<v Speaker 1>think you've again I'm acting like I've known you since

0:25:23.080 --> 0:25:25.600
<v Speaker 1>you were five. But it seems to me that you

0:25:25.680 --> 0:25:29.720
<v Speaker 1>are very grounded and you really have never lost perspective

0:25:29.920 --> 0:25:33.600
<v Speaker 1>per se. Also, you know, you were a successful actor,

0:25:33.720 --> 0:25:38.080
<v Speaker 1>but you're huge sort of success came later in life. Yeah,

0:25:38.160 --> 0:25:42.280
<v Speaker 1>I think that's it was a benefit because you know,

0:25:42.320 --> 0:25:47.200
<v Speaker 1>I've I've been married for thirty four years and lovely Robin,

0:25:47.560 --> 0:25:50.320
<v Speaker 1>and we have a we have a very good life,

0:25:50.440 --> 0:25:54.960
<v Speaker 1>and but it's very very normal. And I remember when

0:25:55.000 --> 0:25:56.600
<v Speaker 1>I was on Malcolm in the Middle and I was

0:25:56.680 --> 0:25:59.960
<v Speaker 1>nominated for an Emmy and we go to the Emmys

0:26:00.080 --> 0:26:03.439
<v Speaker 1>and I'm in my tuxedo and everybody Brian brianber and

0:26:03.480 --> 0:26:07.159
<v Speaker 1>taking pictures, pictures, pictures with Robin and I and and

0:26:07.240 --> 0:26:09.600
<v Speaker 1>we're getting the limo and we're the red carpet and

0:26:09.640 --> 0:26:14.280
<v Speaker 1>it's all fancy Hollywood, Mollywood and uh. And we go

0:26:14.400 --> 0:26:18.160
<v Speaker 1>home and I pay the babysitter and say goodnight, and

0:26:18.280 --> 0:26:20.920
<v Speaker 1>Robin walks into the kitchen and turns her nose and goes,

0:26:20.960 --> 0:26:24.679
<v Speaker 1>oh my god, what's And she discovers there's something stinky

0:26:25.000 --> 0:26:28.240
<v Speaker 1>in the garbage and she just picks up the plastic

0:26:28.240 --> 0:26:31.560
<v Speaker 1>garbage bag and shoves it in my hands. And I

0:26:31.600 --> 0:26:34.000
<v Speaker 1>don't say a word because that's my job. And I

0:26:34.040 --> 0:26:36.679
<v Speaker 1>opened the back door and I'm and no, it's starting

0:26:36.720 --> 0:26:39.200
<v Speaker 1>to drip. Something is really bad in here. And I'm

0:26:39.240 --> 0:26:43.920
<v Speaker 1>holding the dripping garbage, smelly garbage bag out at arm's

0:26:44.040 --> 0:26:47.800
<v Speaker 1>length so it doesn't drip on my tuxedo and I'm

0:26:47.880 --> 0:26:52.040
<v Speaker 1>walking out to the garbage and I realized, not twenty

0:26:52.080 --> 0:26:55.879
<v Speaker 1>minutes ago, people were please picture, let me take a picture.

0:26:55.880 --> 0:26:58.880
<v Speaker 1>Will you have an autographer? And now I'm taking smelly

0:26:58.880 --> 0:27:02.960
<v Speaker 1>garbage out of the and I smiled, because that's it.

0:27:03.520 --> 0:27:08.320
<v Speaker 1>That's the reality of it, that's real life, that's tangible.

0:27:08.840 --> 0:27:12.399
<v Speaker 1>It's right there, smelly garbage and all. And that's what

0:27:12.520 --> 0:27:14.760
<v Speaker 1>I want to embrace. I want to embrace the reality

0:27:14.760 --> 0:27:17.400
<v Speaker 1>of life. And if you can create a foundation of that,

0:27:18.440 --> 0:27:22.160
<v Speaker 1>then you have room to dream and go and take chances.

0:27:22.560 --> 0:27:25.840
<v Speaker 1>But you because you always have your kind of like

0:27:25.880 --> 0:27:29.960
<v Speaker 1>an invisible tether to something that's real. And that's why

0:27:30.040 --> 0:27:33.120
<v Speaker 1>you should get sort of your personal life in order,

0:27:33.160 --> 0:27:37.000
<v Speaker 1>because that is really what matters, that's what counts. And

0:27:37.680 --> 0:27:40.080
<v Speaker 1>and you know, I think, I think for so many

0:27:40.119 --> 0:27:43.399
<v Speaker 1>young people who experience fame at a very early age,

0:27:43.480 --> 0:27:48.119
<v Speaker 1>we see how destructive and toxic it is. And now,

0:27:49.000 --> 0:27:51.720
<v Speaker 1>I don't know, we live in a culture where everybody

0:27:51.840 --> 0:27:54.919
<v Speaker 1>can be famous on social media for one thing or another,

0:27:55.119 --> 0:28:00.280
<v Speaker 1>and I worry about the impact it has on young

0:28:00.400 --> 0:28:03.840
<v Speaker 1>people and sort of getting you know, and I experienced

0:28:03.880 --> 0:28:07.679
<v Speaker 1>this myself. You know, I think you get endorphins from

0:28:08.080 --> 0:28:13.880
<v Speaker 1>external validation and affirmation and the idea that that they

0:28:14.040 --> 0:28:17.399
<v Speaker 1>their sense of self is predicated upon their the number

0:28:17.440 --> 0:28:21.679
<v Speaker 1>of likes or the followers. It's it's a very unhealthy

0:28:21.720 --> 0:28:25.920
<v Speaker 1>I think recipe for living life as a healthy kind

0:28:25.920 --> 0:28:30.800
<v Speaker 1>of grounded person. It's an extremely unhealthy way of life.

0:28:30.880 --> 0:28:33.920
<v Speaker 1>I think from our perspective, people of a certain age,

0:28:33.960 --> 0:28:35.960
<v Speaker 1>looking back, we didn't have that when we were young.

0:28:37.200 --> 0:28:39.640
<v Speaker 1>What do we do? How do we help this generation

0:28:39.840 --> 0:28:43.480
<v Speaker 1>and the younger generations to come to to realize what

0:28:43.720 --> 0:28:48.600
<v Speaker 1>is really important to them? I think you know this, No,

0:28:48.920 --> 0:28:51.320
<v Speaker 1>you know. It used to be where if you weren't

0:28:51.360 --> 0:28:54.480
<v Speaker 1>invited to a party and Monday morning you heard there

0:28:54.520 --> 0:28:56.760
<v Speaker 1>was a party. Oh, that's kind of a bummer. I

0:28:56.800 --> 0:29:00.360
<v Speaker 1>didn't I wasn't invited, which happens to me. Um. But

0:29:00.520 --> 0:29:05.640
<v Speaker 1>now it's instantaneous that party is happening right now because

0:29:05.640 --> 0:29:11.040
<v Speaker 1>you're seeing that you are not there. That that is

0:29:11.200 --> 0:29:18.520
<v Speaker 1>devastating to young formidable mind. Yeah, listen, I'm glad even

0:29:18.560 --> 0:29:22.280
<v Speaker 1>though they're still only twenty six and thirty one. I

0:29:22.320 --> 0:29:25.960
<v Speaker 1>feel really bad for parents who are having to to

0:29:26.040 --> 0:29:28.160
<v Speaker 1>deal with it, and I think they just need to

0:29:28.200 --> 0:29:31.080
<v Speaker 1>take take it away, you know, take it away and

0:29:31.120 --> 0:29:33.280
<v Speaker 1>have hours where they can be on their phones. But

0:29:33.640 --> 0:29:37.440
<v Speaker 1>we digress, Brian, we digress. Let's talk about um that

0:29:37.560 --> 0:29:40.960
<v Speaker 1>your your mescal company, and I want to know what

0:29:41.040 --> 0:29:43.760
<v Speaker 1>else kind of you're excited about these days? Are you

0:29:43.760 --> 0:29:46.320
<v Speaker 1>going to do well? Before we talk about mescal? And

0:29:46.360 --> 0:29:48.200
<v Speaker 1>I have to be I have a confession to make.

0:29:48.880 --> 0:29:51.800
<v Speaker 1>I know what your confession is. I don't. I know.

0:29:52.160 --> 0:29:54.880
<v Speaker 1>I know that the last time we had dinner, we're

0:29:55.000 --> 0:29:57.560
<v Speaker 1>having mescal, and you went, I don't know. Can I

0:29:57.600 --> 0:30:00.880
<v Speaker 1>have something else? I don't have, dare you? I don't.

0:30:00.960 --> 0:30:04.160
<v Speaker 1>It's too smoky for me. I just I don't have

0:30:04.200 --> 0:30:07.680
<v Speaker 1>a palette for it. Yeah, you know, when you grow up,

0:30:07.880 --> 0:30:10.200
<v Speaker 1>you know you'll you'll have an opportune A lot of

0:30:10.280 --> 0:30:13.240
<v Speaker 1>the good news is a lot of people do listen.

0:30:13.320 --> 0:30:17.560
<v Speaker 1>How's the company going? It's gangbusters? Really. Aaron, Paul and

0:30:17.640 --> 0:30:20.600
<v Speaker 1>I started this three and a half years ago, and

0:30:20.640 --> 0:30:23.160
<v Speaker 1>we were then like, I think there's a hundred and

0:30:23.200 --> 0:30:27.640
<v Speaker 1>twenty five or six different mescal brands in the world,

0:30:27.760 --> 0:30:31.000
<v Speaker 1>and we were right there with them. Three and a

0:30:31.040 --> 0:30:35.080
<v Speaker 1>half years later, we're now number four, and yeah, we

0:30:35.160 --> 0:30:38.120
<v Speaker 1>have our eyes set on being number one. It's a

0:30:38.200 --> 0:30:40.920
<v Speaker 1>nice lofty goal for it. We should say the name

0:30:40.960 --> 0:30:45.840
<v Speaker 1>of the brand for you know, shameless plug. And what

0:30:45.960 --> 0:30:49.520
<v Speaker 1>I like about your origin story, as they say, is

0:30:49.560 --> 0:30:52.320
<v Speaker 1>that you didn't kind of just slap your name on

0:30:52.360 --> 0:30:55.280
<v Speaker 1>a bottle. You actually did the work. You all went

0:30:55.320 --> 0:30:58.920
<v Speaker 1>to Mexico, you went on, you know, a journey to

0:30:59.080 --> 0:31:01.920
<v Speaker 1>find the best mescal. I say, I think I said

0:31:01.920 --> 0:31:07.000
<v Speaker 1>it wrong, Miscal mescal, Mescal mescal, and you really you

0:31:07.080 --> 0:31:09.959
<v Speaker 1>did the work. You know, That's the only way that

0:31:10.080 --> 0:31:12.160
<v Speaker 1>I wanted to do it. Aaron and I have the

0:31:12.200 --> 0:31:15.959
<v Speaker 1>same work ethic. We come from blue collar families and

0:31:16.480 --> 0:31:19.120
<v Speaker 1>we don't really know any other way, but just keep

0:31:19.120 --> 0:31:21.360
<v Speaker 1>your head down and do the do the work, put

0:31:21.400 --> 0:31:26.160
<v Speaker 1>in the hours. And whether it's mescal or your own

0:31:26.200 --> 0:31:29.360
<v Speaker 1>acting career, if you don't put in the hours and

0:31:29.400 --> 0:31:31.240
<v Speaker 1>put in the work, you're not going to be successful.

0:31:31.840 --> 0:31:36.240
<v Speaker 1>That's a guarantee. UM. So we went down to Wahaca, Mexico,

0:31:36.720 --> 0:31:42.080
<v Speaker 1>and we sampled almost a hundred different mescals that we

0:31:42.320 --> 0:31:47.080
<v Speaker 1>didn't have brands connected to them, and we had very

0:31:47.120 --> 0:31:50.240
<v Speaker 1>different palettes. I have, I tease him, I have a

0:31:50.280 --> 0:31:54.840
<v Speaker 1>sophisticated palette and he has kind of a a brown

0:31:54.880 --> 0:31:57.800
<v Speaker 1>paper bag in the parking lot palette, according to you,

0:31:57.920 --> 0:32:02.440
<v Speaker 1>according to me exactly, he know, but he he loves

0:32:02.440 --> 0:32:06.040
<v Speaker 1>a strong scotch. He loves a burning sensation. I'm not

0:32:06.120 --> 0:32:10.800
<v Speaker 1>that way. You're a smooth I want to smooth. I

0:32:10.880 --> 0:32:15.840
<v Speaker 1>want to be introduced and seduced into my spirits. So

0:32:15.880 --> 0:32:18.160
<v Speaker 1>you're having a lot of fun with that, right, I mean?

0:32:18.520 --> 0:32:23.000
<v Speaker 1>Where the dos umbres? And what about theater um? You

0:32:23.040 --> 0:32:25.320
<v Speaker 1>know I loved all the way. I also saw you

0:32:25.400 --> 0:32:27.920
<v Speaker 1>a network. We went to see you at a play

0:32:28.000 --> 0:32:30.200
<v Speaker 1>in a play in Los Angeles that I thought was

0:32:30.240 --> 0:32:32.920
<v Speaker 1>wonderful written by I think someone who works with my

0:32:33.000 --> 0:32:37.840
<v Speaker 1>daughter on a show called The Boys. Right, yeah, and

0:32:38.920 --> 0:32:42.480
<v Speaker 1>obviously you love the theater um? And and do you

0:32:42.560 --> 0:32:47.200
<v Speaker 1>have any plans to revisit something? Or why you look

0:32:47.280 --> 0:32:50.560
<v Speaker 1>at me like that? Because it's one other thing that

0:32:50.680 --> 0:32:54.200
<v Speaker 1>I can't really talk about developing something, and I know

0:32:54.800 --> 0:32:57.480
<v Speaker 1>you're gonna want me to, I can't you give me

0:32:57.520 --> 0:33:00.360
<v Speaker 1>a little bit of a hint. Yeah, it's it's going

0:33:00.360 --> 0:33:04.640
<v Speaker 1>to be a Broadway play. Oh well, that's good. That's exciting.

0:33:05.000 --> 0:33:08.560
<v Speaker 1>It's it's very exciting. I have a couple more hurdles

0:33:08.600 --> 0:33:14.160
<v Speaker 1>to go to before actually gets into an actual reality

0:33:14.240 --> 0:33:18.520
<v Speaker 1>of casting and these things. But um, and it's something

0:33:18.560 --> 0:33:20.840
<v Speaker 1>that is a little a bit beyond. It's it's going

0:33:20.880 --> 0:33:24.880
<v Speaker 1>to be a musical. And I'm not I'm an actor

0:33:24.960 --> 0:33:28.120
<v Speaker 1>that can carry a tune, but I'm not a singer.

0:33:28.600 --> 0:33:31.440
<v Speaker 1>But it's original. It's it's not a remake. No, it

0:33:31.600 --> 0:33:39.000
<v Speaker 1>is a it is a revival, a revival. Yes, well,

0:33:39.080 --> 0:33:41.239
<v Speaker 1>I'll tell you this as soon as I know, and

0:33:41.280 --> 0:33:44.080
<v Speaker 1>I've I've gotten the green light when to do it.

0:33:44.120 --> 0:33:48.000
<v Speaker 1>I'll come and I'll mention it to you first. Okay,

0:33:48.040 --> 0:33:50.760
<v Speaker 1>I'll get a scoop here on next question? How old

0:33:50.760 --> 0:33:54.760
<v Speaker 1>are you Brian Cranspin, I'm I'm No, you're not, You're

0:33:55.160 --> 0:33:58.240
<v Speaker 1>you're my Are we the same, mate? I'm sixty six okay,

0:33:58.360 --> 0:34:01.760
<v Speaker 1>and I'm almost sixty six. And it's so great to

0:34:01.840 --> 0:34:07.480
<v Speaker 1>see you like doing your thing, taking on new challenges

0:34:08.480 --> 0:34:12.719
<v Speaker 1>and you know, and and not going quietly into this

0:34:12.800 --> 0:34:15.719
<v Speaker 1>good night. You know, it's nice to do you ever

0:34:15.800 --> 0:34:18.240
<v Speaker 1>want to retire? Do you ever want to take it easy? Personally?

0:34:18.280 --> 0:34:20.680
<v Speaker 1>I don't because I think I would shrivel up and

0:34:20.680 --> 0:34:27.520
<v Speaker 1>die if I didn't work. I would, Um, my mother, God,

0:34:27.520 --> 0:34:30.640
<v Speaker 1>bless her. She she had Alzheimer's, and she she died

0:34:30.680 --> 0:34:36.560
<v Speaker 1>of Alzheimer's fifteen years ago now, and so the possibility

0:34:37.040 --> 0:34:42.560
<v Speaker 1>of of that in a hereditary sense is there. And

0:34:42.719 --> 0:34:45.719
<v Speaker 1>I often said, as long as I'm enjoying and having fun,

0:34:46.000 --> 0:34:50.239
<v Speaker 1>I will continue to work. If I don't want to

0:34:50.280 --> 0:34:54.600
<v Speaker 1>struggle to remember lines, I don't want to be nervous

0:34:54.600 --> 0:34:57.839
<v Speaker 1>and anxious about any of that. If it comes to that,

0:34:57.920 --> 0:35:02.480
<v Speaker 1>then I would retire immediately. Um, I am not going

0:35:02.520 --> 0:35:05.760
<v Speaker 1>to be the person on stage with an earpiece being

0:35:05.800 --> 0:35:08.600
<v Speaker 1>fed his lines and then I just hear it and

0:35:08.640 --> 0:35:11.000
<v Speaker 1>repeat it. Here, it repeat it. It sounds pretty good

0:35:11.000 --> 0:35:15.600
<v Speaker 1>to me. No, God that that that itself puts more

0:35:15.680 --> 0:35:20.640
<v Speaker 1>anxiety inducing thoughts in my head than memorizing. You know.

0:35:20.800 --> 0:35:24.600
<v Speaker 1>That's that's part of it. But if if I ever

0:35:24.640 --> 0:35:28.640
<v Speaker 1>lose the joy of performing, then I'll retire right away.

0:35:29.200 --> 0:35:31.960
<v Speaker 1>But so far, no, I love it. What a gift

0:35:32.680 --> 0:35:35.720
<v Speaker 1>I get. I have to constantly say, I can't believe

0:35:36.160 --> 0:35:40.560
<v Speaker 1>what I get to do. This is just unbelievable that

0:35:40.719 --> 0:35:43.040
<v Speaker 1>I get to play. I get to play for a living.

0:35:43.719 --> 0:35:48.160
<v Speaker 1>And so when Monday comes around, I'm excited because I

0:35:48.200 --> 0:35:52.120
<v Speaker 1>get to go back to work and play. Uh, it's

0:35:52.200 --> 0:35:54.960
<v Speaker 1>just that it's just the best but a great way

0:35:55.000 --> 0:35:59.760
<v Speaker 1>to live. Yeah, it is. I've been very fortunate. Thank you, Brian,

0:36:00.040 --> 0:36:04.440
<v Speaker 1>Thank you Katie. You can watch Brian Cranston and the

0:36:04.480 --> 0:36:08.719
<v Speaker 1>second season of Your Honors starting Sunday, June on Showtime.

0:36:09.480 --> 0:36:12.120
<v Speaker 1>And to all of my Next Question listeners, this is

0:36:12.160 --> 0:36:15.719
<v Speaker 1>actually the last episode of our regular season. We're going

0:36:15.800 --> 0:36:18.879
<v Speaker 1>to take a bit of a brief hiatus and cook

0:36:18.960 --> 0:36:23.279
<v Speaker 1>up something new, new topics, new guests, and before too long,

0:36:23.400 --> 0:36:26.640
<v Speaker 1>a whole new season of Next Question, and you know what,

0:36:27.120 --> 0:36:31.160
<v Speaker 1>we might even change the name. So if you have suggestions,

0:36:31.360 --> 0:36:34.040
<v Speaker 1>let us know, but don't stray too far. I have

0:36:34.080 --> 0:36:36.799
<v Speaker 1>a few live events and bonus interviews that I'll be

0:36:36.800 --> 0:36:41.320
<v Speaker 1>sharing with you on this very feed Until then, Thanks

0:36:41.320 --> 0:36:47.879
<v Speaker 1>so much for listening everyone, you'll hear us soon. Next

0:36:47.960 --> 0:36:50.239
<v Speaker 1>Question with Katie Curic is a production of I Heart

0:36:50.280 --> 0:36:54.800
<v Speaker 1>Media and Katie Kurk Media. The executive producers Army, Katie Kuric,

0:36:54.920 --> 0:36:59.560
<v Speaker 1>and Courtney Litz. The supervising producer is Lauren Hansen, Associate

0:36:59.560 --> 0:37:04.040
<v Speaker 1>producer Derek Clements and Adriana Fasio. The show is edited

0:37:04.120 --> 0:37:08.400
<v Speaker 1>and mixed by Derrek Clements. For more information about today's episode,

0:37:08.520 --> 0:37:11.040
<v Speaker 1>or to sign up for my morning newsletter, wake Up Call,

0:37:11.360 --> 0:37:14.040
<v Speaker 1>go to Katie currect dot com. You can also find

0:37:14.080 --> 0:37:17.000
<v Speaker 1>me at Katie Currek on Instagram and all my social

0:37:17.040 --> 0:37:21.040
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