1
00:00:01,720 --> 00:00:04,640
Speaker 1: Hey, discos, need a little more Disgraceland in your life,

2
00:00:05,080 --> 00:00:08,000
Speaker 1: just to touch to get you through. Yeah, me too.

3
00:00:08,680 --> 00:00:11,120
Speaker 1: This is the podcast that comes after the podcast.

4
00:00:11,560 --> 00:00:26,079
Speaker 2: Welcome to Disgraceland after Bertie.

5
00:00:28,400 --> 00:00:31,800
Speaker 1: Welcome to the Disgraceland bonus episode, A little thing we

6
00:00:31,960 --> 00:00:35,040
Speaker 1: like to call the after party. This is the show

7
00:00:35,159 --> 00:00:37,400
Speaker 1: after the show, the party after the party, the bridge

8
00:00:37,400 --> 00:00:39,640
Speaker 1: to get you from one full episode of Disgraceland to

9
00:00:39,680 --> 00:00:42,920
Speaker 1: the other, the backyard to dig into the dirt. On

10
00:00:43,080 --> 00:00:47,440
Speaker 1: this episode we are talking about Lil Kim, a literal

11
00:00:47,520 --> 00:00:50,760
Speaker 1: Red Sox heartbreaker from a caller fiddler, and of course

12
00:00:50,880 --> 00:00:54,640
Speaker 1: your voicemails, text, dms and more and as always, a

13
00:00:54,760 --> 00:01:11,479
Speaker 1: whole lotter Rosie. All right, disc goes, let's get into it. Yes, yes, yes,

14
00:01:11,560 --> 00:01:13,920
Speaker 1: Welcome to the Disgrace LANMD bonus episode where we are

15
00:01:13,959 --> 00:01:16,120
Speaker 1: hoping to not purgere ourselves and get sent to the

16
00:01:16,120 --> 00:01:20,080
Speaker 1: big house. Like this week's subject of Disgraceland, Lil Kim,

17
00:01:20,600 --> 00:01:24,240
Speaker 1: Little Kim on record might be the baddest female artists

18
00:01:24,280 --> 00:01:26,360
Speaker 1: of them all. As we outlined in this week's full

19
00:01:26,400 --> 00:01:30,199
Speaker 1: episode of Little Kim in Disgraceland and Off Record, Little

20
00:01:30,240 --> 00:01:31,240
Speaker 1: Kim was also.

21
00:01:31,120 --> 00:01:32,800
Speaker 3: Bad, bad, bad.

22
00:01:33,240 --> 00:01:36,759
Speaker 1: Lying is bad. Lying is not good in any aspect

23
00:01:36,800 --> 00:01:38,680
Speaker 1: of your life, and it will not get you very

24
00:01:38,760 --> 00:01:42,240
Speaker 1: far in criminal court, okay. And shootouts. Shootouts are also

25
00:01:42,680 --> 00:01:46,520
Speaker 1: you got it, bad shootouts in broad daylight, especially bad

26
00:01:46,600 --> 00:01:49,480
Speaker 1: in the middle of a major city like downtown Manhattan.

27
00:01:49,840 --> 00:01:55,080
Speaker 1: Also the makings of bad, bad individuals. The crime, Okay,

28
00:01:55,120 --> 00:01:58,440
Speaker 1: the crime here at the heart of the Little Kim story.

29
00:01:58,880 --> 00:02:01,520
Speaker 1: It's again detail in the full episode. I'm not going

30
00:02:01,560 --> 00:02:03,640
Speaker 1: to go through the whole thing again, but what I

31
00:02:03,680 --> 00:02:07,320
Speaker 1: want to drill down into here in this bonus episode,

32
00:02:08,000 --> 00:02:09,560
Speaker 1: the part of the story that I thought was interesting

33
00:02:09,560 --> 00:02:11,000
Speaker 1: that I didn't get to spend a lot of time

34
00:02:11,520 --> 00:02:13,800
Speaker 1: on sometime, but not a lot of time on in

35
00:02:13,880 --> 00:02:17,200
Speaker 1: the full episode, is the punishment for the crime that

36
00:02:17,240 --> 00:02:21,000
Speaker 1: Little Kim committed. And look, it's a simple story. Little

37
00:02:21,080 --> 00:02:23,639
Speaker 1: Kim and her crew. They were involved in a shootout.

38
00:02:23,919 --> 00:02:26,440
Speaker 1: Little Kim lied on the stand to protect her crew,

39
00:02:26,800 --> 00:02:29,440
Speaker 1: and Little Kim was proven to be a liar. She

40
00:02:29,600 --> 00:02:33,320
Speaker 1: perjured herself. She was sentenced to real time a year

41
00:02:33,520 --> 00:02:35,160
Speaker 1: in a day, and she did almost all that time.

42
00:02:35,200 --> 00:02:36,880
Speaker 1: She got out on her good behavior a couple months

43
00:02:36,919 --> 00:02:39,360
Speaker 1: shaved off her sentence or something like that I can't remember.

44
00:02:39,120 --> 00:02:39,840
Speaker 3: Exactly what it was.

45
00:02:40,520 --> 00:02:45,400
Speaker 1: The judge who this is ridiculous. The judge who sentenced

46
00:02:45,400 --> 00:02:49,440
Speaker 1: Little Kim was inspired by Martha Stewart's sentencing for her

47
00:02:49,560 --> 00:02:53,920
Speaker 1: crime of insider trading. But Martha Stewart got to do

48
00:02:53,960 --> 00:02:56,320
Speaker 1: her time in a minimum security prison that Little Kim

49
00:02:56,360 --> 00:03:00,639
Speaker 1: was sent to Philadelphia Federal Detention Center. Now argue whether

50
00:03:00,720 --> 00:03:02,400
Speaker 1: or not that's fair or not, or what the reasons

51
00:03:02,400 --> 00:03:05,560
Speaker 1: behind it were. The type of crime that Little Kim

52
00:03:05,680 --> 00:03:08,600
Speaker 1: perjured herself over versus the type of crime that Martha

53
00:03:08,639 --> 00:03:12,120
Speaker 1: Stewart was involved with. But lying is lying, and uh,

54
00:03:12,600 --> 00:03:18,239
Speaker 1: the punishments here were different. Okay, Little Kim, like Martha Stewart, though,

55
00:03:18,720 --> 00:03:24,080
Speaker 1: thrived After her release from prison, Little Kim dropped her

56
00:03:24,120 --> 00:03:27,760
Speaker 1: fourth album, The Naked Truth from Behind Bars. It was

57
00:03:27,800 --> 00:03:30,400
Speaker 1: something like her first week in jail or something in prison.

58
00:03:30,400 --> 00:03:33,480
Speaker 1: Excuse me that that record came out and it was

59
00:03:33,480 --> 00:03:37,760
Speaker 1: a smash and for a moment there upon Little Kim's

60
00:03:37,760 --> 00:03:41,760
Speaker 1: release and throughout the mid odds, her career thrived like

61
00:03:43,520 --> 00:03:45,520
Speaker 1: it was. It was a whole other thing. It was

62
00:03:45,560 --> 00:03:47,600
Speaker 1: a whole new act. It was huge. It was massive,

63
00:03:47,720 --> 00:03:51,440
Speaker 1: I mean record sales, big, albums, the whole the whole

64
00:03:51,440 --> 00:03:55,680
Speaker 1: thing shows everything. So you know, the question is this

65
00:03:55,720 --> 00:03:57,280
Speaker 1: is what I want to get into. There's the issue

66
00:03:57,320 --> 00:04:01,200
Speaker 1: of the punishment. Was the punishment fair right? The judge

67
00:04:01,200 --> 00:04:03,640
Speaker 1: was said to have been inspired by Martha Stewart sentencaying,

68
00:04:03,680 --> 00:04:05,800
Speaker 1: and that's what influenced the sentence sing of Little Kim.

69
00:04:06,080 --> 00:04:08,080
Speaker 1: Yet the types of prisons they were sentenced to were

70
00:04:08,080 --> 00:04:10,120
Speaker 1: two totally different things. Okay, so number one was the

71
00:04:10,440 --> 00:04:14,160
Speaker 1: punishment fair. Number two to going to prison help Kim's

72
00:04:14,920 --> 00:04:20,440
Speaker 1: career did help her career thrive. It's my opinion that

73
00:04:20,600 --> 00:04:25,320
Speaker 1: prison definitely helped Tupac's career after he got out of jail,

74
00:04:25,880 --> 00:04:30,480
Speaker 1: California Love Banger banger single and his death row profile.

75
00:04:31,120 --> 00:04:35,160
Speaker 1: Post prison, he was huge, huge, and again California Love

76
00:04:35,240 --> 00:04:38,120
Speaker 1: might be his best song. Lil Wayne weapons and drug charges.

77
00:04:38,200 --> 00:04:41,000
Speaker 1: It resulted in an eight to twelve month sentence. We

78
00:04:41,080 --> 00:04:44,480
Speaker 1: detailed the Lil Wayne stuff back in season seven of Disgraceland.

79
00:04:45,000 --> 00:04:48,880
Speaker 1: Post prison, Low Wayne, huge, okay, huge even now he's

80
00:04:48,960 --> 00:04:52,880
Speaker 1: nothing if not culturally relevant, He's massive. Steve Earle, Steve Earl.

81
00:04:52,920 --> 00:04:54,280
Speaker 1: I don't know if a lot of you know Steve Earl.

82
00:04:54,320 --> 00:05:00,880
Speaker 1: He's this hardcore troubadour Americana country guy, great songwriter, you know,

83
00:05:01,000 --> 00:05:03,800
Speaker 1: was supposed to be the heir to Bob Dylan. Started

84
00:05:03,839 --> 00:05:06,440
Speaker 1: hanging around with guns n' roses in the eighties, got

85
00:05:06,440 --> 00:05:09,800
Speaker 1: hooked on a lot of drugs, did time for narcotics

86
00:05:09,839 --> 00:05:13,880
Speaker 1: beef and wrote an incredible record Train of Coming from

87
00:05:13,880 --> 00:05:16,719
Speaker 1: Behind Bars. And you know when he did that, he

88
00:05:16,720 --> 00:05:18,200
Speaker 1: got out of jail. That record came out and he

89
00:05:18,200 --> 00:05:20,680
Speaker 1: get a Grammy nomination for the album after his release

90
00:05:20,680 --> 00:05:24,080
Speaker 1: from prison. Merle Haggard another country guy much earlier than

91
00:05:24,120 --> 00:05:27,080
Speaker 1: Steve Ear. Obviously, his entire career came post prison time

92
00:05:27,120 --> 00:05:31,120
Speaker 1: in San Quentin. Paul McCartney. Paul McCartney, he did time.

93
00:05:31,160 --> 00:05:33,360
Speaker 1: It was only ten days and it was in nineteen eighty,

94
00:05:33,360 --> 00:05:35,880
Speaker 1: but it was in a real prison in Japan. And

95
00:05:36,040 --> 00:05:38,960
Speaker 1: correct me if I'm wrong. But Paul McCartney has had

96
00:05:39,080 --> 00:05:43,000
Speaker 1: quite the career over the past forty years. So what

97
00:05:43,160 --> 00:05:47,960
Speaker 1: about the musicians who are currently behind bars? YNW. Melly

98
00:05:48,080 --> 00:05:51,000
Speaker 1: or what about take K forty seven or Big Lurch,

99
00:05:51,120 --> 00:05:53,320
Speaker 1: two artists that we covered back in season one of

100
00:05:53,360 --> 00:05:57,159
Speaker 1: Disgracelander or R Kelly who's in jail right now? Who

101
00:05:57,160 --> 00:05:59,200
Speaker 1: we haven't covered who I'm waiting to cover who I'm

102
00:05:59,480 --> 00:06:02,159
Speaker 1: still trying to figure out how to cover, or or

103
00:06:02,200 --> 00:06:05,080
Speaker 1: Suge Knight. I know sug Knight is not a musician,

104
00:06:05,120 --> 00:06:07,960
Speaker 1: but he's definitely the music industry. Uh. He's been featured

105
00:06:07,960 --> 00:06:11,599
Speaker 1: heavily on the show, in multiple episodes on Tupac and

106
00:06:11,640 --> 00:06:15,919
Speaker 1: then Notorious Big. When these guys get out, more specifically

107
00:06:15,960 --> 00:06:19,800
Speaker 1: these artists, are they gonna have careers if they get out?

108
00:06:20,000 --> 00:06:20,200
Speaker 4: You know?

109
00:06:20,760 --> 00:06:23,000
Speaker 1: Are they gonna have bigger careers? Six one seven, nine

110
00:06:23,040 --> 00:06:25,640
Speaker 1: oh six, six six three eight. Let me know your answer,

111
00:06:25,720 --> 00:06:28,400
Speaker 1: and let me know which musician has had the best

112
00:06:28,440 --> 00:06:32,599
Speaker 1: post prison career in your eyes, Lil kim Merle Haggard,

113
00:06:32,880 --> 00:06:36,800
Speaker 1: Lil Wayne, Paul McCartney. And assuming they're ever released, can

114
00:06:36,839 --> 00:06:39,599
Speaker 1: we expect any careers at all from r Kelly take

115
00:06:39,880 --> 00:06:41,480
Speaker 1: or Big Lurch. I think I know the answer to

116
00:06:41,520 --> 00:06:43,840
Speaker 1: that one, but I'm gonna ask anyways. Six one seven

117
00:06:43,920 --> 00:06:46,480
Speaker 1: nine oh six, six six three eight. Leave your answer

118
00:06:46,560 --> 00:06:48,840
Speaker 1: via voicemail or text, or you can hit me at

119
00:06:48,839 --> 00:06:54,240
Speaker 1: this Gray lampod on Instagram, TikTok, Facebook, wherever, Twitter.

120
00:06:54,440 --> 00:07:08,200
Speaker 3: I'll be back in the flash.

121
00:07:08,279 --> 00:07:10,000
Speaker 1: All right, we are back, and you know the drill,

122
00:07:10,080 --> 00:07:11,440
Speaker 1: as I said there at the end of that block

123
00:07:11,520 --> 00:07:13,840
Speaker 1: six one seven nine oh six six six three eight,

124
00:07:13,880 --> 00:07:17,360
Speaker 1: to send a text or leave a voicemail like Amber

125
00:07:17,400 --> 00:07:20,160
Speaker 1: here from North Carolina in the two five.

126
00:07:20,000 --> 00:07:24,520
Speaker 4: Two, Hey Jake, it's Amber from North Carolina. And the

127
00:07:25,160 --> 00:07:28,840
Speaker 4: two I gotta say. My top five are Lupe Fiasco,

128
00:07:29,080 --> 00:07:35,400
Speaker 4: Brother Ali, Biggy, Atmosphere and I don't know. I guess

129
00:07:35,440 --> 00:07:40,560
Speaker 4: I'll throw on Twist or Common or one of those two.

130
00:07:40,880 --> 00:07:42,880
Speaker 4: All right, Thanks for the great work up in a

131
00:07:42,920 --> 00:07:46,080
Speaker 4: long time listener, Keep up, all.

132
00:07:46,080 --> 00:07:48,800
Speaker 1: Right, Thanks for the voicemail Amber. Amber was kind enough

133
00:07:48,800 --> 00:07:52,040
Speaker 1: to send us to send in her top five MC's.

134
00:07:52,880 --> 00:07:54,520
Speaker 1: This is a question that surfaced in one of our

135
00:07:54,560 --> 00:07:57,000
Speaker 1: bonus episodes from a couple of days back. Solid List.

136
00:07:57,120 --> 00:07:59,920
Speaker 1: But Amber, I don't know that I have any of

137
00:08:00,040 --> 00:08:03,040
Speaker 1: your top fives on my list. Mine are decidedly more

138
00:08:03,040 --> 00:08:06,720
Speaker 1: old school and will likely generate much side eye from

139
00:08:06,720 --> 00:08:10,440
Speaker 1: you youngins. Number one, I Go ice Cube, number two,

140
00:08:10,600 --> 00:08:15,080
Speaker 1: Jay Z three, Slick Rick four, Chuck D five. Can

141
00:08:15,080 --> 00:08:18,360
Speaker 1: I say all three Beastie Boys for number five? Can I?

142
00:08:18,360 --> 00:08:19,920
Speaker 1: I can't. I'm making up the rules, so That's what

143
00:08:19,960 --> 00:08:24,240
Speaker 1: I'm gonna do. Ad Rock Mike d MCA combined for

144
00:08:24,640 --> 00:08:29,160
Speaker 1: number five. That's my top five MC list. Got a

145
00:08:29,200 --> 00:08:31,560
Speaker 1: lot of incoming on this. I feel like this deserves

146
00:08:31,600 --> 00:08:35,280
Speaker 1: its own sort of episode or something. There's Like I

147
00:08:35,320 --> 00:08:38,760
Speaker 1: said in our mini episode, the fiftieth anniversary of hip

148
00:08:38,760 --> 00:08:42,240
Speaker 1: hop is coming up. I want to explore this question

149
00:08:42,400 --> 00:08:46,360
Speaker 1: more Top five MC's of all time. We've got fifty

150
00:08:46,480 --> 00:08:52,240
Speaker 1: years to choose from? Is eminem on this list? Who else?

151
00:08:52,320 --> 00:08:56,120
Speaker 1: Who are we forgetting? Who are we not talking about? Nas? God,

152
00:08:56,120 --> 00:08:58,839
Speaker 1: there's so many, Lil Wayne, there's there's so many here

153
00:08:59,360 --> 00:09:03,480
Speaker 1: that we should probably litigate to some degree. I'm not

154
00:09:03,600 --> 00:09:07,640
Speaker 1: exactly sure in what forum, but I want to dig

155
00:09:07,679 --> 00:09:10,160
Speaker 1: in a little deeper. Six one seven, nine oh six

156
00:09:10,240 --> 00:09:13,360
Speaker 1: six six three eight. We'll get into more of your

157
00:09:13,360 --> 00:09:16,560
Speaker 1: top five mcs. Keep the recommendations on that one coming

158
00:09:16,760 --> 00:09:19,640
Speaker 1: your suggestions let me know, all right. I've been talking

159
00:09:19,679 --> 00:09:23,240
Speaker 1: a lot about sports lately, mainly baseball and a little

160
00:09:23,280 --> 00:09:28,120
Speaker 1: basketball sort of with some levity, but mainly baseball because

161
00:09:28,240 --> 00:09:33,160
Speaker 1: I'm once again obsessed with the sport. And despite the

162
00:09:33,200 --> 00:09:35,240
Speaker 1: Red Sox and how they've been playing this year, though

163
00:09:35,240 --> 00:09:37,480
Speaker 1: they have been good, over the last weekend, they just

164
00:09:37,520 --> 00:09:39,280
Speaker 1: swept the Yankees, and I was there for one of

165
00:09:39,320 --> 00:09:43,400
Speaker 1: the games. Yeah, I'm just I'm all in on the

166
00:09:43,480 --> 00:09:45,880
Speaker 1: Red Sox. I'm all in on the College World Series

167
00:09:45,880 --> 00:09:48,600
Speaker 1: for the first time in my life. I'm all in

168
00:09:48,800 --> 00:09:52,480
Speaker 1: on the Miami Marlins as a National League team. A

169
00:09:52,520 --> 00:09:53,840
Speaker 1: lot of this has to do with my kids. I

170
00:09:53,840 --> 00:09:56,880
Speaker 1: talked about this before, but we got this message here.

171
00:09:58,679 --> 00:10:01,600
Speaker 1: This might be a Hall of Fame disgraced voicemail here

172
00:10:01,600 --> 00:10:02,719
Speaker 1: from Mark in the four to oh one.

173
00:10:02,920 --> 00:10:06,559
Speaker 5: Let's listen to it, Jake, this is mock in Providence.

174
00:10:06,600 --> 00:10:08,360
Speaker 5: I'm going to speak nice and slow. I'm not going

175
00:10:08,400 --> 00:10:12,640
Speaker 5: to overmodulate. The Boston Red Sox. The last home game

176
00:10:12,679 --> 00:10:16,960
Speaker 5: I saw was October first, two thousand and four, Sunday night.

177
00:10:17,440 --> 00:10:21,600
Speaker 5: The Red Slobs were down all and three. I had ticket,

178
00:10:21,640 --> 00:10:24,200
Speaker 5: I had box seats near my girlfriend. We were freezing out,

179
00:10:24,360 --> 00:10:29,160
Speaker 5: fucking asses off. In the fourth running inning, I said, Pat,

180
00:10:29,559 --> 00:10:32,640
Speaker 5: let's get the hell out of here. We jump, We

181
00:10:32,679 --> 00:10:36,080
Speaker 5: get on the tee, drive out to the get out

182
00:10:36,080 --> 00:10:40,120
Speaker 5: in the t station with thirteen stops, get in the

183
00:10:40,200 --> 00:10:44,199
Speaker 5: cargo home. Red Sox famously stole a base, David Ortiz

184
00:10:44,240 --> 00:10:46,319
Speaker 5: hit a home run. They won the Royal Series.

185
00:10:46,640 --> 00:10:47,240
Speaker 4: I left.

186
00:10:47,520 --> 00:10:51,440
Speaker 5: I'm the joke of the town. Can't believe it. First

187
00:10:51,480 --> 00:10:54,000
Speaker 5: game and then following year in two thousand and five,

188
00:10:54,360 --> 00:10:57,160
Speaker 5: they get their rings. Guy across the street says, I'm pumped.

189
00:10:57,160 --> 00:10:59,720
Speaker 5: I'm going to watch this game. I took the day off.

190
00:11:00,000 --> 00:11:02,800
Speaker 5: I was working in a bank. They heled me a

191
00:11:02,880 --> 00:11:07,120
Speaker 5: day off. Within one hour of the game starting, the

192
00:11:07,200 --> 00:11:10,160
Speaker 5: ambulances pull up to his house. He died of a

193
00:11:10,200 --> 00:11:13,280
Speaker 5: fucking hot attack. He was so excited. He owned the

194
00:11:13,280 --> 00:11:16,120
Speaker 5: old time. It's tap in Providence, Rhode Island. True story,

195
00:11:16,120 --> 00:11:17,520
Speaker 5: none of it nothing, none.

196
00:11:17,400 --> 00:11:18,000
Speaker 4: Of it's fault.

197
00:11:18,320 --> 00:11:22,040
Speaker 5: If you want google it. That was the first opening

198
00:11:22,120 --> 00:11:24,800
Speaker 5: day of nineteen of two thousand and five. But I

199
00:11:24,840 --> 00:11:26,839
Speaker 5: was there two thousand and four, and I missed the

200
00:11:26,920 --> 00:11:31,040
Speaker 5: whole motherfucking thing. Okay, trying not to overmodulate. That was

201
00:11:31,080 --> 00:11:34,640
Speaker 5: a terrible phone call I made thanks Rock and Roller.

202
00:11:35,840 --> 00:11:40,240
Speaker 1: Wild story Mark, Dude. I don't even know what to

203
00:11:40,280 --> 00:11:43,920
Speaker 1: say except the channel my inner de Niro and from

204
00:11:43,960 --> 00:11:47,839
Speaker 1: Copland and just say, you blew it. You blew it.

205
00:11:49,240 --> 00:11:51,600
Speaker 1: Should have stated that game, dude. Although I don't blame

206
00:11:51,600 --> 00:11:52,800
Speaker 1: me for you leaving, I PROBA would have done the

207
00:11:52,800 --> 00:11:55,640
Speaker 1: same thing. Seriously, that's that's like just in my nature

208
00:11:55,679 --> 00:11:59,319
Speaker 1: to do that. But uh, yeah, man, I don't I

209
00:11:59,320 --> 00:12:01,600
Speaker 1: don't know what to tell. Yeah, that's an all that's

210
00:12:01,600 --> 00:12:04,080
Speaker 1: an all timer. That story belongs in like a fucking

211
00:12:04,280 --> 00:12:07,800
Speaker 1: Matt Damon movie or something. Uh sorry to hear about

212
00:12:07,800 --> 00:12:11,240
Speaker 1: your friend's heart attack as well. That is brutal, you know,

213
00:12:11,360 --> 00:12:13,680
Speaker 1: And Mark, you know you're free to overmodulate with me

214
00:12:13,760 --> 00:12:17,560
Speaker 1: anytime you want, brother, all right. Also, Mark, you worked

215
00:12:17,559 --> 00:12:19,440
Speaker 1: in a bank and you're from Providence, so I'm not

216
00:12:19,440 --> 00:12:21,040
Speaker 1: convinced that you're not a character from the Friends of

217
00:12:21,120 --> 00:12:23,640
Speaker 1: Eddie Coyle. So by all means, uh, stay in touch

218
00:12:23,840 --> 00:12:26,720
Speaker 1: and stay out of prison. Okay, Uh, Socks might be

219
00:12:26,760 --> 00:12:28,600
Speaker 1: clawn back this year. Like I said earlier, I was

220
00:12:28,760 --> 00:12:30,680
Speaker 1: as one of the games over the weekend was supposed

221
00:12:30,720 --> 00:12:35,080
Speaker 1: to go uh Saturday night with my two sons and

222
00:12:35,160 --> 00:12:39,440
Speaker 1: my stepdad little Father's day plan. It poured out. They

223
00:12:39,520 --> 00:12:42,959
Speaker 1: rescheduled for Sunday and we get there, we sit down,

224
00:12:43,160 --> 00:12:47,040
Speaker 1: Yankees go up uh two to oh first inning. It's like,

225
00:12:47,160 --> 00:12:49,400
Speaker 1: oh boy, this is gonna be brutal.

226
00:12:50,360 --> 00:12:50,480
Speaker 5: Uh.

227
00:12:50,559 --> 00:12:52,240
Speaker 1: Then the Socks came back and they won and it

228
00:12:52,240 --> 00:12:53,960
Speaker 1: was actually a really great game. It wasn't a blow out.

229
00:12:54,000 --> 00:12:55,400
Speaker 1: It was close for a while and then the Socks

230
00:12:55,440 --> 00:12:58,600
Speaker 1: went ahead comfortably. It was an awesome time. Only thing

231
00:12:58,720 --> 00:13:01,280
Speaker 1: that was that was weird and is, like I can

232
00:13:01,400 --> 00:13:03,280
Speaker 1: I've been to a lot of Red Sox Yankees games

233
00:13:03,320 --> 00:13:07,000
Speaker 1: at Fenway, and I have never ever seen this many

234
00:13:07,080 --> 00:13:10,200
Speaker 1: Yankees fans at a Red Sox game in my life.

235
00:13:11,200 --> 00:13:13,760
Speaker 1: It wasn't fifty to fifty, but it felt like it

236
00:13:13,840 --> 00:13:17,000
Speaker 1: at times. It felt close. It was brutal and just

237
00:13:17,000 --> 00:13:20,880
Speaker 1: like Yankees fans like brazen. I remember a time when

238
00:13:21,320 --> 00:13:25,200
Speaker 1: that was not allowed at all, not even close. I

239
00:13:25,200 --> 00:13:27,720
Speaker 1: suppose it's better than it is now, but still it was.

240
00:13:28,320 --> 00:13:31,760
Speaker 1: It was a little like what the fuck? Anyways, Yankees lost,

241
00:13:31,840 --> 00:13:34,679
Speaker 1: Yankees got swept, all right, So there you have it. Also,

242
00:13:34,960 --> 00:13:37,640
Speaker 1: I just gotta say to Red Sox fans, the Yankee

243
00:13:37,720 --> 00:13:41,120
Speaker 1: suck chant right like it's it doesn't work when the

244
00:13:41,200 --> 00:13:44,480
Speaker 1: Yankees are four games up in the standings, we sound

245
00:13:44,520 --> 00:13:47,959
Speaker 1: like assholes. Okay, it's an asshole chant if you're behind

246
00:13:48,040 --> 00:13:50,920
Speaker 1: the other team, unless you're in like a division series

247
00:13:51,040 --> 00:13:53,760
Speaker 1: or something and it's a one game playoff or something

248
00:13:53,840 --> 00:13:55,720
Speaker 1: like that, and you know, somebody fucks up on the

249
00:13:55,760 --> 00:13:58,280
Speaker 1: other team or stuff. I get that, but when you're down,

250
00:13:58,679 --> 00:14:01,960
Speaker 1: when you're down four games in the fucking standings, like,

251
00:14:02,040 --> 00:14:04,760
Speaker 1: come on, we're better than that, Boston. All right, enough sports,

252
00:14:04,840 --> 00:14:08,199
Speaker 1: let's do this voicemail from the eight oh one.

253
00:14:08,480 --> 00:14:11,319
Speaker 6: Hey dud, Yeah, man, I love your show. I love

254
00:14:11,400 --> 00:14:13,679
Speaker 6: the lyrical way you put your words together. I mean

255
00:14:13,760 --> 00:14:16,360
Speaker 6: it's not just a fantastic stories, but it's like.

256
00:14:16,960 --> 00:14:18,280
Speaker 5: Poetry listening to you.

257
00:14:18,440 --> 00:14:21,360
Speaker 6: And I really liked your thing on Robert Johnson.

258
00:14:21,720 --> 00:14:23,320
Speaker 5: And there's a lot of stuff.

259
00:14:23,080 --> 00:14:26,920
Speaker 6: For years I haven't heard yet, so hey, but I

260
00:14:27,040 --> 00:14:29,880
Speaker 6: was listening to your after party with Justin Bieber and

261
00:14:29,920 --> 00:14:33,560
Speaker 6: you're talking about bad dads, and you might check out

262
00:14:33,640 --> 00:14:35,960
Speaker 6: Rick Jains. He was like a kind of a pop

263
00:14:36,000 --> 00:14:37,080
Speaker 6: star in the seventies.

264
00:14:37,120 --> 00:14:39,320
Speaker 1: I think it was like soul pop punk.

265
00:14:39,560 --> 00:14:43,080
Speaker 6: Hit bad killed him from what I understand, and alsos,

266
00:14:43,080 --> 00:14:45,960
Speaker 6: you could do a show about rock stars who themselves

267
00:14:45,960 --> 00:14:49,520
Speaker 6: are bad dads, like John Lennon. He used to brag

268
00:14:49,600 --> 00:14:53,000
Speaker 6: about how he loves hitting women. And John Lennon also

269
00:14:53,080 --> 00:14:55,520
Speaker 6: loved his first wife and child with no child support.

270
00:14:56,000 --> 00:14:59,720
Speaker 6: So anyway, some ideas and thanks you for the great

271
00:15:00,120 --> 00:15:04,640
Speaker 6: oh and got you good bye, Adios adio.

272
00:15:04,800 --> 00:15:05,960
Speaker 4: Some Sacramento.

273
00:15:06,160 --> 00:15:06,400
Speaker 5: Bye.

274
00:15:07,560 --> 00:15:09,960
Speaker 1: All right, thank you, ado one for the kind words

275
00:15:09,960 --> 00:15:14,440
Speaker 1: about Robert Johnson and for your listenership. A couple of things.

276
00:15:15,160 --> 00:15:17,560
Speaker 1: I believe you're a new listener, so I'm gonna just

277
00:15:17,760 --> 00:15:19,720
Speaker 1: give you a couple things here. Believe you're confusing Rick

278
00:15:19,840 --> 00:15:23,480
Speaker 1: James with Marvin Gaye. But but, but, but, ado One,

279
00:15:23,600 --> 00:15:25,800
Speaker 1: I have have no fear at to one. We have

280
00:15:25,880 --> 00:15:30,000
Speaker 1: episodes on both artists, including Marvin Gaye's murder at the

281
00:15:30,000 --> 00:15:33,440
Speaker 1: hands of his father just in time for Father's Day

282
00:15:33,720 --> 00:15:36,760
Speaker 1: and also on Father's Day. I hear you on John Lennon, However,

283
00:15:36,800 --> 00:15:39,320
Speaker 1: I think the story is a little more nuanced. For

284
00:15:39,440 --> 00:15:41,560
Speaker 1: what I mean on that, check out the three John

285
00:15:41,640 --> 00:15:45,800
Speaker 1: Lennon episodes that we've done, specifically the two parter that's

286
00:15:46,280 --> 00:15:48,280
Speaker 1: further back in the archive, and we get into his

287
00:15:48,360 --> 00:15:52,800
Speaker 1: relationship with with Sean not so much Julian. But yeah,

288
00:15:52,960 --> 00:15:56,040
Speaker 1: John Lennon not a perfect guy, made some mistakes, atoned

289
00:15:56,080 --> 00:15:59,360
Speaker 1: for a lot of them. Definitely not a black and

290
00:15:59,360 --> 00:16:02,120
Speaker 1: white situation. So check that out eight oh one and

291
00:16:02,400 --> 00:16:03,680
Speaker 1: let me know what you think. All right, get back

292
00:16:03,680 --> 00:16:08,280
Speaker 1: to me. Leave another voicemail. Okay, good voicemails. Trying to

293
00:16:08,360 --> 00:16:11,680
Speaker 1: keep these episodes tight, trying to keep them to about

294
00:16:11,680 --> 00:16:14,800
Speaker 1: twenty five thirty minutes. So you know we've got I

295
00:16:14,800 --> 00:16:16,840
Speaker 1: don't know if you guys know we've got these other We've

296
00:16:16,840 --> 00:16:19,600
Speaker 1: got this other bonus episode that was mini episode we're

297
00:16:19,600 --> 00:16:21,800
Speaker 1: doing excuse me on Monday's, we're teeing up the week.

298
00:16:21,840 --> 00:16:23,880
Speaker 1: I'm answering the emails over there. Now we've got the

299
00:16:23,880 --> 00:16:27,040
Speaker 1: wrap party where I'm also answering voicemails and texts. Gonna

300
00:16:27,040 --> 00:16:30,080
Speaker 1: hope to be doing more of that on social media

301
00:16:30,160 --> 00:16:33,040
Speaker 1: as well, and really round out this engagement with you

302
00:16:33,080 --> 00:16:36,920
Speaker 1: guys as best as I possibly can. Let's though, for

303
00:16:37,040 --> 00:16:39,520
Speaker 1: the time being right here, move on from the voicemails

304
00:16:39,520 --> 00:16:44,000
Speaker 1: and get into some texts, all right. Last, let's see

305
00:16:44,240 --> 00:16:48,360
Speaker 1: in the pre party episode we talk about odd music

306
00:16:48,440 --> 00:16:54,240
Speaker 1: collaborations in our mini episode on Monday with because of

307
00:16:54,240 --> 00:16:58,400
Speaker 1: the little Kim Tommy Lee thing that went down, so

308
00:16:58,480 --> 00:17:02,600
Speaker 1: I asked you guys for some of your stranger music collaborations.

309
00:17:02,720 --> 00:17:04,720
Speaker 1: Got this one from the three one four? Okay for

310
00:17:04,800 --> 00:17:07,240
Speaker 1: odd music collaborations. I don't know if you can get

311
00:17:07,280 --> 00:17:11,800
Speaker 1: any weirder than Bing Crosby and David Bowie doing Little

312
00:17:12,080 --> 00:17:15,439
Speaker 1: Drummer boy. Yes, that is weird, super weird, but it

313
00:17:15,520 --> 00:17:18,280
Speaker 1: works somehow. A lot of other you guys will know

314
00:17:18,320 --> 00:17:19,680
Speaker 1: that one. I got a weird one coming up for

315
00:17:19,800 --> 00:17:22,560
Speaker 1: you here later in this in this episode. And when I

316
00:17:22,600 --> 00:17:24,520
Speaker 1: read that text, the reason I picked that text to read,

317
00:17:24,520 --> 00:17:26,240
Speaker 1: I read all the text in real time. I don't

318
00:17:26,280 --> 00:17:29,160
Speaker 1: sort of like prevet them or anything. When I read

319
00:17:29,200 --> 00:17:32,320
Speaker 1: it here, when I glanced at it, I read bing

320
00:17:32,400 --> 00:17:34,720
Speaker 1: Crosby as David Crosby, and my brain went, oh my god,

321
00:17:34,800 --> 00:17:39,080
Speaker 1: David Crosby and David Bowie collaborated together. That's fucked up.

322
00:17:39,119 --> 00:17:41,560
Speaker 1: But of course it was the big Crosby one. All right,

323
00:17:41,640 --> 00:17:45,680
Speaker 1: let's move on. In reference to our summer soundtrack question

324
00:17:45,720 --> 00:17:48,480
Speaker 1: from a couple of weeks back from the two eight one,

325
00:17:48,520 --> 00:17:50,560
Speaker 1: we've got a text here, Summer of Love. Oh, we're

326
00:17:50,560 --> 00:17:53,880
Speaker 1: asking about best summer jams in light of Summertime by

327
00:17:53,920 --> 00:17:57,760
Speaker 1: Will Smith. So two eight one writes in hijake Summer

328
00:17:57,760 --> 00:17:59,600
Speaker 1: of Love by the b fifty Tiers, I don't know

329
00:17:59,640 --> 00:18:02,119
Speaker 1: that song Summer of sixty nine by Brian Adams. I

330
00:18:02,119 --> 00:18:04,560
Speaker 1: know that song. I bought that on forty five when

331
00:18:04,600 --> 00:18:08,639
Speaker 1: I was a little boy. How cheesy was I? Boys?

332
00:18:08,640 --> 00:18:11,840
Speaker 1: Of Summer by Don Henley, yup, great one, Summer Nights

333
00:18:11,880 --> 00:18:15,280
Speaker 1: by Grease or in Greece, I should say, and Last

334
00:18:15,320 --> 00:18:16,560
Speaker 1: Summer by the Motels.

335
00:18:17,160 --> 00:18:18,119
Speaker 3: I don't know that one.

336
00:18:18,200 --> 00:18:21,080
Speaker 1: And bonus track Hot Child in the City. All right.

337
00:18:21,200 --> 00:18:23,560
Speaker 1: That's a solid list there, solid list, some classic rock

338
00:18:23,600 --> 00:18:27,160
Speaker 1: ones there. What else we got here? From the eight

339
00:18:27,280 --> 00:18:31,480
Speaker 1: sixty four Jake Father of all podcasts, Happy Father's Day

340
00:18:31,480 --> 00:18:34,560
Speaker 1: from your number one fan, Elaine Laney from the eight

341
00:18:34,640 --> 00:18:38,280
Speaker 1: six to four. Thank you Laney. I appreciate that. Let's

342
00:18:38,280 --> 00:18:41,480
Speaker 1: see what else we got here? Got another text here

343
00:18:41,520 --> 00:18:44,520
Speaker 1: from the four one? Oh is that right? It says

344
00:18:44,800 --> 00:18:47,240
Speaker 1: thanks for the food Fighter interview. Got my t shirt

345
00:18:47,280 --> 00:18:50,560
Speaker 1: been online three hours? Grab two Madonna tickets for Boston

346
00:18:51,160 --> 00:18:56,000
Speaker 1: eight thirty one twenty three. That's awesome, have fun at Madonna.

347
00:18:56,119 --> 00:18:58,440
Speaker 1: I'm a little bummed. I bought Madonna tickets, which she

348
00:18:58,520 --> 00:19:01,040
Speaker 1: was supposed to come about two years ago, and maybe

349
00:19:01,119 --> 00:19:04,320
Speaker 1: I might have been more three years ago. She canceled

350
00:19:05,080 --> 00:19:07,639
Speaker 1: and it really pissed me off. For some reason. I

351
00:19:07,640 --> 00:19:11,040
Speaker 1: was really excited to go. So when she announced these shows,

352
00:19:11,040 --> 00:19:13,600
Speaker 1: I says, like, fuck that, fuck Madonna. But that's just silly.

353
00:19:14,080 --> 00:19:16,040
Speaker 1: I don't know I should probably go see Madonna. I

354
00:19:16,040 --> 00:19:19,240
Speaker 1: don't think she's gonna be around tour much longer. No,

355
00:19:19,400 --> 00:19:22,320
Speaker 1: I don't mean that to sound like there's anything ominous happening,

356
00:19:22,320 --> 00:19:24,200
Speaker 1: But you know, how long can people tour for? That's

357
00:19:24,200 --> 00:19:26,400
Speaker 1: all I'm saying. All Right, all right, get a text

358
00:19:26,440 --> 00:19:28,439
Speaker 1: here from the five oh waight, Hey Jake. This is

359
00:19:28,480 --> 00:19:30,480
Speaker 1: Tracy from the five O eight, And it's not my

360
00:19:30,520 --> 00:19:34,320
Speaker 1: aunt Tracy because she spells her name differently. She says,

361
00:19:34,400 --> 00:19:37,000
Speaker 1: I'm admittedly playing ketchup on episodes, and I'm about to

362
00:19:37,000 --> 00:19:39,120
Speaker 1: listen to the Beiber episode, not my music, but I'm

363
00:19:39,119 --> 00:19:41,119
Speaker 1: so glad that you did it. I feel like his

364
00:19:41,200 --> 00:19:43,760
Speaker 1: story is exactly the type of story that the podcast

365
00:19:43,840 --> 00:19:45,760
Speaker 1: is about, no matter what his style of music is.

366
00:19:46,040 --> 00:19:48,000
Speaker 1: I'm interested to hear you take on it. I've often

367
00:19:48,000 --> 00:19:49,800
Speaker 1: wondered how I would have handled that much money and

368
00:19:49,840 --> 00:19:51,800
Speaker 1: freedom at that age. I'm pretty sure I'd have engaged

369
00:19:51,840 --> 00:19:54,280
Speaker 1: in some bad behavior too, so I've always given him

370
00:19:54,320 --> 00:19:56,520
Speaker 1: a little slack love the pod. Thanks for doing what

371
00:19:56,560 --> 00:20:00,960
Speaker 1: you do, Tracy. Thanks Tracy, and yeah, you know, from

372
00:20:00,960 --> 00:20:03,440
Speaker 1: the beginning, this podcast has not been about a particular

373
00:20:03,520 --> 00:20:06,399
Speaker 1: style of music. I definitely follow my interests, and I

374
00:20:06,440 --> 00:20:10,520
Speaker 1: am more inclined to the classic rock, punk, rock hip

375
00:20:10,560 --> 00:20:14,359
Speaker 1: hop universe than I am the pop universe. But still,

376
00:20:14,400 --> 00:20:17,040
Speaker 1: to me, it's all about the humanity. It's all about

377
00:20:17,040 --> 00:20:20,200
Speaker 1: the human stories. So I'll go in any direction I can,

378
00:20:20,280 --> 00:20:22,880
Speaker 1: and I'm happy to hear that you are here for

379
00:20:23,200 --> 00:20:25,760
Speaker 1: Thank you, Tracy. All right, we'll do one more text

380
00:20:25,760 --> 00:20:28,240
Speaker 1: here from the nine two eight Greetings Jake, love all

381
00:20:28,280 --> 00:20:30,840
Speaker 1: the Double Elvis offerings. Just listen to the after party

382
00:20:30,840 --> 00:20:33,600
Speaker 1: episode with Chris Shifflett, and I automatically thought of a

383
00:20:33,600 --> 00:20:35,440
Speaker 1: couple of guitar players he should try to get Tim

384
00:20:35,480 --> 00:20:39,080
Speaker 1: Henson and Scotty Lapage, both of Polifia. If you've not

385
00:20:39,160 --> 00:20:40,840
Speaker 1: heard these guys, you should thank you for your hard

386
00:20:40,840 --> 00:20:43,080
Speaker 1: work and keep the episodes coming, please, you got it?

387
00:20:43,160 --> 00:20:45,320
Speaker 1: Nine two eight. I've never heard of Tim Henson and

388
00:20:45,359 --> 00:20:47,800
Speaker 1: Scotty la Page, but I will pass this message along

389
00:20:48,560 --> 00:20:50,840
Speaker 1: to the folks at Double Elvis, to the producers and

390
00:20:50,880 --> 00:20:52,760
Speaker 1: to Chris. And of course this is in reference to

391
00:20:52,800 --> 00:20:54,800
Speaker 1: the Chris Shiflett from the Foo Fighters podcast that we

392
00:20:54,880 --> 00:20:58,439
Speaker 1: produce for Double Elvis called Shred with Shifty. This is

393
00:20:58,600 --> 00:21:00,480
Speaker 1: If you guys don't know about this, you probably do

394
00:21:00,480 --> 00:21:02,359
Speaker 1: because I interviewed Chris in the Last after Party, But

395
00:21:02,400 --> 00:21:06,000
Speaker 1: if you don't, it is a podcast Chris has with

396
00:21:06,040 --> 00:21:08,480
Speaker 1: a video component where Chris sits down with some amazing

397
00:21:08,520 --> 00:21:11,440
Speaker 1: guitar players and they go through their legendary riffs as

398
00:21:11,440 --> 00:21:14,760
Speaker 1: sort of a tutorial of sorts. And this was some

399
00:21:14,800 --> 00:21:17,359
Speaker 1: pretty big, heavy hitters that you're going to want to

400
00:21:17,680 --> 00:21:19,600
Speaker 1: You're gonna want to learn your risks from. So, sirch

401
00:21:19,640 --> 00:21:23,000
Speaker 1: Shred was shifty. Where you get your podcasts? All right? Uh,

402
00:21:23,160 --> 00:21:26,080
Speaker 1: you guys know six one seven nine oh six six

403
00:21:26,280 --> 00:21:30,320
Speaker 1: six three eight. That is the way to contact me.

404
00:21:30,720 --> 00:21:33,160
Speaker 1: Leave me a voicemail, semi a text, but you can

405
00:21:33,240 --> 00:21:39,159
Speaker 1: also get in touch via Instagram, Facebook and even sometimes Twitter.

406
00:21:39,240 --> 00:21:43,000
Speaker 1: I will respond, but mainly Instagram, Facebook and TikTok. And

407
00:21:43,240 --> 00:21:47,120
Speaker 1: let's do a couple DM responses here. Let me pull

408
00:21:47,200 --> 00:21:50,199
Speaker 1: up the old Instagram machine, make sure I got the

409
00:21:50,280 --> 00:21:54,920
Speaker 1: right stuff. Here we go, So this one from who

410
00:21:55,000 --> 00:21:59,000
Speaker 1: is this from? Ashley? Lauren writes, First of all, I'll

411
00:21:59,040 --> 00:22:01,960
Speaker 1: say picture of the bon Scott statue, which is a

412
00:22:01,960 --> 00:22:06,080
Speaker 1: pretty great statue. It says bon Scott's statue in Fremantle

413
00:22:06,119 --> 00:22:08,359
Speaker 1: where he grew up. My friend's dad told me the

414
00:22:08,440 --> 00:22:10,840
Speaker 1: other day he was a professional footballer in Frio in

415
00:22:10,880 --> 00:22:14,040
Speaker 1: the seventies and bon Scott always stole the girls. He

416
00:22:14,080 --> 00:22:17,000
Speaker 1: picked up that he couldn't compete, but he couldn't hate

417
00:22:17,040 --> 00:22:19,600
Speaker 1: him because he was too good of a guy. That's

418
00:22:19,600 --> 00:22:22,920
Speaker 1: a pretty cool message, Thank you, Ashley Lauren. What else

419
00:22:23,000 --> 00:22:26,240
Speaker 1: we got? I apologize if I screw up the pronunciation

420
00:22:26,320 --> 00:22:29,240
Speaker 1: of your name here, but I got Janette vecki Arelli.

421
00:22:29,880 --> 00:22:32,600
Speaker 3: I think that's right. I think that's right.

422
00:22:33,240 --> 00:22:36,440
Speaker 1: It says very simply put, I love your podcast so much.

423
00:22:36,560 --> 00:22:39,560
Speaker 1: I come home from hikes and I constantly quote did

424
00:22:39,600 --> 00:22:43,320
Speaker 1: you know? To my husband? Love that? Thanks Janette. That

425
00:22:43,400 --> 00:22:48,240
Speaker 1: makes me happy, all right? This one is from the

426
00:22:48,400 --> 00:22:51,320
Speaker 1: Carpet beat Nicks on Instagram. Hate Jake. I'd love it

427
00:22:51,359 --> 00:22:54,680
Speaker 1: if shift he could interview David Rawlings how he shreds

428
00:22:54,680 --> 00:22:56,680
Speaker 1: on an acoustic as wild. But I'd also be curious

429
00:22:56,680 --> 00:22:59,120
Speaker 1: how he plays with Gillian Welsh's voice or Gillian Welsch.

430
00:22:59,160 --> 00:23:01,239
Speaker 1: I never know which one it is. Also, what are

431
00:23:01,240 --> 00:23:04,159
Speaker 1: the numbers you give on your callers and emailers? The

432
00:23:04,240 --> 00:23:09,320
Speaker 1: numbers the numbers you give on your callers and emailers? Well,

433
00:23:09,320 --> 00:23:11,400
Speaker 1: there's six, one, seven, nine, oh, six six six three eight,

434
00:23:11,400 --> 00:23:15,080
Speaker 1: that's how you call it. As for David Rawlings, that's

435
00:23:15,119 --> 00:23:18,840
Speaker 1: an incredible suggestion for shred was shifty. I saw David

436
00:23:18,920 --> 00:23:25,560
Speaker 1: Rawlings and Gillian Slash Gillian Welch back and I don't know,

437
00:23:25,640 --> 00:23:32,480
Speaker 1: maybe it was like four five in Boston, and my goodness,

438
00:23:32,760 --> 00:23:35,720
Speaker 1: were they good and he was especially good. The guy's

439
00:23:35,760 --> 00:23:40,160
Speaker 1: a monster guitar player, all right, at disgrace lampod that's

440
00:23:40,160 --> 00:23:42,240
Speaker 1: how you get in touching me on Instagram, Twitter, Facebook

441
00:23:42,359 --> 00:23:45,600
Speaker 1: and TikTok six one seven nine six six six three eight,

442
00:23:45,720 --> 00:23:47,439
Speaker 1: leave a voicemail on a text. I'm gonna take a

443
00:23:47,480 --> 00:24:02,280
Speaker 1: quick break. I'll be back in a second with some recommendations.

444
00:24:03,960 --> 00:24:07,480
Speaker 1: All right, the recommendations part. This is the recommendation's part,

445
00:24:07,520 --> 00:24:09,720
Speaker 1: the part where we recommend the things that need recommending,

446
00:24:09,760 --> 00:24:13,520
Speaker 1: The recommendations part. Guys, all right, what I'm watching? Yes,

447
00:24:14,040 --> 00:24:16,439
Speaker 1: the movie recommendations part is now in the Badlands Bonus

448
00:24:16,520 --> 00:24:19,320
Speaker 1: Rap Party episode. However, it is here in the after

449
00:24:19,400 --> 00:24:21,919
Speaker 1: Party where we still dig into music related video content,

450
00:24:21,960 --> 00:24:25,919
Speaker 1: including documentaries and biopicks. In on that I was, you know,

451
00:24:25,960 --> 00:24:27,960
Speaker 1: I was home alone over the weekend whilst with my kids,

452
00:24:27,960 --> 00:24:31,240
Speaker 1: but my wife was away, so you know, my wife's

453
00:24:31,240 --> 00:24:34,400
Speaker 1: not watching TV with me. I'm kind of just like cruising.

454
00:24:34,640 --> 00:24:38,720
Speaker 1: I'm just I'm just surfing. I'm just watching ten minutes

455
00:24:38,760 --> 00:24:41,720
Speaker 1: of this, twenty minutes of that, half an hour, that

456
00:24:41,920 --> 00:24:44,399
Speaker 1: hour of that stand up way too late. Caught a

457
00:24:44,440 --> 00:24:46,600
Speaker 1: little bit of coal miner's daughter over the weekend that

458
00:24:46,720 --> 00:24:48,720
Speaker 1: was just on. I can't remember what network it was on.

459
00:24:49,800 --> 00:24:51,720
Speaker 1: For those of you who don't know this movie, I

460
00:24:51,760 --> 00:24:53,840
Speaker 1: feel like there are so many music biopics that get

461
00:24:53,880 --> 00:24:56,960
Speaker 1: mentioned and this one seldomly is mentioned as one of

462
00:24:56,960 --> 00:24:59,000
Speaker 1: the best, and I think it might be the best

463
00:24:59,080 --> 00:25:02,840
Speaker 1: music biopick out there. It's I didn't watch the whole

464
00:25:02,840 --> 00:25:05,320
Speaker 1: thing again, so I don't know. I can't confidently say that,

465
00:25:05,359 --> 00:25:08,320
Speaker 1: but it's the story of Loretta Lynn. Sissy Spasic plays

466
00:25:08,400 --> 00:25:12,119
Speaker 1: Loretta Lynn. Levon Helm from the band plays their dad.

467
00:25:12,640 --> 00:25:16,440
Speaker 1: It's just what I love about this movie is that

468
00:25:16,720 --> 00:25:20,879
Speaker 1: it is a hardcore reality check against the other biopicks

469
00:25:20,920 --> 00:25:25,399
Speaker 1: out there. Without giving anything away, it's raw, it's real,

470
00:25:25,960 --> 00:25:29,880
Speaker 1: there's a grit to it. I believe it's early eighties.

471
00:25:30,080 --> 00:25:35,080
Speaker 1: It feels seventies though, and it's just it's not yet

472
00:25:35,480 --> 00:25:41,639
Speaker 1: the sort of Hollywood music biopick industry machine had not

473
00:25:41,760 --> 00:25:45,960
Speaker 1: yet created this mold for these types of movies, So

474
00:25:46,040 --> 00:25:48,600
Speaker 1: this one kind of exists, existed on its own for

475
00:25:48,640 --> 00:25:52,800
Speaker 1: a while and could afford to be grittier and raw

476
00:25:52,840 --> 00:25:55,840
Speaker 1: and more raw and real. And it's just tremendous and

477
00:25:55,880 --> 00:25:59,840
Speaker 1: it's a great Lorettelin's story in and of itself is fantastic,

478
00:25:59,840 --> 00:26:01,600
Speaker 1: and I do a great job putting it on the screen.

479
00:26:01,640 --> 00:26:03,760
Speaker 1: So I highly recommend cole Miners daughter. If you haven't

480
00:26:03,760 --> 00:26:06,119
Speaker 1: seen it, highly recommend watching it again. If you have

481
00:26:06,200 --> 00:26:09,679
Speaker 1: seen it, just you know, caught my eye over the weekend,

482
00:26:09,760 --> 00:26:13,320
Speaker 1: figured it worth mentioning what I'm listening to. I don't

483
00:26:13,320 --> 00:26:16,320
Speaker 1: know why, Maybe because the weather's getting warmer, maybe because

484
00:26:16,320 --> 00:26:18,199
Speaker 1: I've been working out more and I need this for

485
00:26:18,200 --> 00:26:20,119
Speaker 1: the workouts. But I've been listening to a ton of

486
00:26:20,160 --> 00:26:24,880
Speaker 1: Hohosker Doo, just all of it, really, the entire catalog,

487
00:26:25,359 --> 00:26:28,560
Speaker 1: even the sad stuff. Something about it I find to

488
00:26:28,600 --> 00:26:33,399
Speaker 1: be incredibly motivating. But still, there's so many great Huskar

489
00:26:33,480 --> 00:26:36,480
Speaker 1: Dow records. Zen Arcade is one of not just my

490
00:26:36,560 --> 00:26:39,280
Speaker 1: favorite Husker Doo albums, but one of my favorite double

491
00:26:39,320 --> 00:26:43,000
Speaker 1: albums of all time. People will argue that there's filler

492
00:26:43,040 --> 00:26:44,960
Speaker 1: on it, but I think even the so called filler

493
00:26:45,080 --> 00:26:48,679
Speaker 1: is fantastic on this album. The grant Heart songs on

494
00:26:48,720 --> 00:26:51,680
Speaker 1: this record are fucking great. Turn on the News, oh

495
00:26:51,720 --> 00:26:56,080
Speaker 1: my God, but also Flip your wig, New Day Rising.

496
00:26:56,800 --> 00:27:00,560
Speaker 1: Just it's this constant. It's banger after banger after banger,

497
00:27:00,560 --> 00:27:04,000
Speaker 1: and the production is so fucking shitty and eighties and

498
00:27:04,359 --> 00:27:06,919
Speaker 1: crappy eighties punk. I love it. I love it so

499
00:27:07,119 --> 00:27:11,639
Speaker 1: much and I've rediscovered it. And if there are people

500
00:27:11,640 --> 00:27:13,800
Speaker 1: out there are who are into this type of music

501
00:27:13,800 --> 00:27:17,200
Speaker 1: but have not gotten into Whoskardo for whatever reason, because

502
00:27:17,400 --> 00:27:20,240
Speaker 1: because they weren't Black Flag, because because they weren't the

503
00:27:20,280 --> 00:27:23,439
Speaker 1: sex Pistols, they weren't the Pixies. Who fucking cares? They

504
00:27:23,440 --> 00:27:26,919
Speaker 1: are their own thing, and just they are tremendous. So

505
00:27:27,200 --> 00:27:28,840
Speaker 1: you know, if you got questions on where to start

506
00:27:28,880 --> 00:27:31,840
Speaker 1: with Whoskardo, hit me up, ask me. I will point

507
00:27:31,880 --> 00:27:33,840
Speaker 1: you in the right direction. Shit, if I get enough

508
00:27:33,880 --> 00:27:36,159
Speaker 1: incoming on this, I'll even make my own mix, my

509
00:27:36,359 --> 00:27:41,280
Speaker 1: entry level correspondence course, hohoskerdo mix for you folks out there.

510
00:27:41,320 --> 00:27:43,680
Speaker 1: Six one seven nine oh six six six three eight

511
00:27:43,760 --> 00:27:47,280
Speaker 1: at disgrace lampod. I've also been listening to a ton

512
00:27:47,720 --> 00:27:52,080
Speaker 1: of Fiddler, so much so that I had about a

513
00:27:52,119 --> 00:27:55,840
Speaker 1: week ago, I had to forcibly stop myself from listening

514
00:27:55,920 --> 00:28:01,760
Speaker 1: to this band because their songs were so ingrained into

515
00:28:01,800 --> 00:28:05,720
Speaker 1: my my like wormholing into my brain. It's all I

516
00:28:05,720 --> 00:28:09,840
Speaker 1: could think about. Were these these fucking silly songs about

517
00:28:10,240 --> 00:28:13,840
Speaker 1: all about the same thing, getting completely fucked up in

518
00:28:13,880 --> 00:28:17,639
Speaker 1: the most juvenile, sort of early twenties, uh you know,

519
00:28:17,800 --> 00:28:22,560
Speaker 1: post teenage kind of way. This band, they're they're not

520
00:28:22,600 --> 00:28:25,199
Speaker 1: a new band by any means. They've been around for

521
00:28:25,240 --> 00:28:27,840
Speaker 1: a while, but and I've known about them for a

522
00:28:27,840 --> 00:28:29,520
Speaker 1: while and I and I've listened to them here and

523
00:28:29,560 --> 00:28:32,280
Speaker 1: there for a while. But recently I've just really dug

524
00:28:32,280 --> 00:28:36,960
Speaker 1: into this, this band. I saw a live clip on Instagram,

525
00:28:37,000 --> 00:28:39,600
Speaker 1: something popped up in my stories and it really took me,

526
00:28:39,800 --> 00:28:42,080
Speaker 1: captured me. So I just, you know, went into the

527
00:28:42,120 --> 00:28:45,760
Speaker 1: wormhole and I've yet to come out. I can't they

528
00:28:45,800 --> 00:28:48,960
Speaker 1: have this they have this Spotify, you know, Spotify does

529
00:28:49,000 --> 00:28:50,880
Speaker 1: this sort of like this is the band? You know,

530
00:28:50,920 --> 00:28:52,880
Speaker 1: It's like, you know, or what are thirty songs on

531
00:28:53,000 --> 00:28:55,840
Speaker 1: that band that they're supposed to be a comprehensive look

532
00:28:55,840 --> 00:28:58,000
Speaker 1: at the group. There's not There's not one bad fucking

533
00:28:58,080 --> 00:29:02,240
Speaker 1: song on the Spotify. This is Fiddler playlist. I mean it,

534
00:29:02,280 --> 00:29:05,600
Speaker 1: there's not one bad song. There's not one skip on it.

535
00:29:05,600 --> 00:29:09,480
Speaker 1: It's that good. But warning, if you're looking for variety,

536
00:29:09,720 --> 00:29:12,120
Speaker 1: this ain't your band. They do the ac DC thing,

537
00:29:12,160 --> 00:29:14,960
Speaker 1: it's like, or the Ramones thing. It's like, you know,

538
00:29:15,000 --> 00:29:17,440
Speaker 1: we do one thing and we do it really fucking well.

539
00:29:17,760 --> 00:29:21,440
Speaker 1: And that thing with regards to Fiddler is you know,

540
00:29:22,080 --> 00:29:31,680
Speaker 1: fast in your face, raw southern California slash modern punk,

541
00:29:32,960 --> 00:29:34,600
Speaker 1: and every single song is about getting fucked up in

542
00:29:34,640 --> 00:29:36,680
Speaker 1: your life, falling apart. So if you're into that kind

543
00:29:36,720 --> 00:29:40,160
Speaker 1: of thing, I highly recommend Fiddler. All right, my vintage

544
00:29:40,240 --> 00:29:42,480
Speaker 1: video watching over the weekend. Now, this is a direct

545
00:29:43,160 --> 00:29:47,680
Speaker 1: correlation to another topic we have going on here about

546
00:29:47,720 --> 00:29:52,680
Speaker 1: the weirdest collaborations. And I don't know if the find

547
00:29:52,760 --> 00:29:56,160
Speaker 1: folks at Meta and Instagram have figured out a way

548
00:29:56,480 --> 00:29:59,760
Speaker 1: to make the Instagram machines algorithm just sort of like

549
00:30:00,040 --> 00:30:03,080
Speaker 1: ump out of the phone through the air into my ears,

550
00:30:03,680 --> 00:30:07,720
Speaker 1: wrap itself around my brain, pull my interest out back

551
00:30:07,760 --> 00:30:10,640
Speaker 1: through my ears and into the phone, and maybe they're

552
00:30:10,640 --> 00:30:12,920
Speaker 1: listening to their course. They're listening. I don't know what

553
00:30:12,960 --> 00:30:15,080
Speaker 1: it was. But as we're sort of having this talk

554
00:30:15,080 --> 00:30:19,480
Speaker 1: about weird collaborations, this video pops up with Neil Young

555
00:30:20,000 --> 00:30:23,760
Speaker 1: and Devo playing together. One of those things where how

556
00:30:23,800 --> 00:30:25,920
Speaker 1: the fuck did I not know about this? This is

557
00:30:25,920 --> 00:30:28,440
Speaker 1: why I love the Internet more than this is the

558
00:30:28,440 --> 00:30:30,640
Speaker 1: main reason I love the Internet. There are these things

559
00:30:30,680 --> 00:30:32,840
Speaker 1: that have happened in music history. I've read so much

560
00:30:33,000 --> 00:30:36,280
Speaker 1: music history. It's shocking to me that when I come

561
00:30:36,280 --> 00:30:39,120
Speaker 1: across things like this that are right in my wheelhouse

562
00:30:39,160 --> 00:30:42,080
Speaker 1: that I did not know existed. I did not know

563
00:30:42,280 --> 00:30:48,720
Speaker 1: Neil Young and Devo played together, and it's incredible, as

564
00:30:48,760 --> 00:30:52,160
Speaker 1: you would expect, it's great. So if you know about

565
00:30:52,160 --> 00:30:55,080
Speaker 1: this already, congratulations and forgive me for boring you. But

566
00:30:55,120 --> 00:30:57,760
Speaker 1: if you do not know about this, you have to

567
00:30:57,800 --> 00:30:59,239
Speaker 1: search this out. I'm going to try to figure out

568
00:30:59,240 --> 00:31:02,120
Speaker 1: a way to post to someone Instagram. Highly recommend the

569
00:31:02,280 --> 00:31:09,040
Speaker 1: Neil Young Devo collaboration. Tremendous stuff. Again, I'm down for

570
00:31:09,080 --> 00:31:11,400
Speaker 1: this weird collaboration topic. You want to keep it going.

571
00:31:11,440 --> 00:31:13,760
Speaker 1: Six one seven nine oh six six six three eight

572
00:31:13,800 --> 00:31:16,479
Speaker 1: for that and any other kind of music or music

573
00:31:16,640 --> 00:31:20,000
Speaker 1: video or music related content recommendations. You guys have six

574
00:31:20,040 --> 00:31:22,440
Speaker 1: one seven, nine oh six six sixty three eight, hit

575
00:31:22,480 --> 00:31:25,360
Speaker 1: me up there or at Disgraceland Pod on the socials,

576
00:31:25,360 --> 00:31:49,880
Speaker 1: and I'll be back in a flash. All right, let's recap,

577
00:31:49,920 --> 00:31:52,800
Speaker 1: shall we. Number one Lil Kim is the latest episode

578
00:31:52,840 --> 00:31:57,040
Speaker 1: of Disgraceland in your feeds right now. That's the Disgraceland

579
00:31:57,120 --> 00:31:59,640
Speaker 1: feed number two over in the bad Lands feed. This

580
00:31:59,680 --> 00:32:03,000
Speaker 1: week We've got an episode on Mel Gibson. Number three

581
00:32:03,160 --> 00:32:06,240
Speaker 1: next week in the disgrace Land feed. Arrowsmith number four

582
00:32:06,760 --> 00:32:09,120
Speaker 1: my number six one seven nine oh six six six

583
00:32:09,280 --> 00:32:11,960
Speaker 1: three eight. Call me on the telephone or text me,

584
00:32:12,240 --> 00:32:14,960
Speaker 1: leave me a voicemail, hit me at disgrace Land pod.

585
00:32:15,240 --> 00:32:18,800
Speaker 1: All right, in honor a lil Kim, me reading you

586
00:32:19,080 --> 00:32:23,680
Speaker 1: the phone book from the early odds. In Manhattan, Salinger

587
00:32:24,040 --> 00:32:29,120
Speaker 1: Saul one eighty one, Franklin Wa five dash five eight

588
00:32:29,520 --> 00:32:34,920
Speaker 1: zero zero, Cell Intro n two thirty seven F one

589
00:32:35,040 --> 00:32:40,600
Speaker 1: one six l e High four Dash nine seven nine zero,

590
00:32:41,280 --> 00:32:46,680
Speaker 1: Selino John one oh one East Broadway Worth two Dash

591
00:32:46,720 --> 00:32:52,400
Speaker 1: five nine four nine, Selenski Beatrice one oh five Avenue

592
00:32:52,440 --> 00:32:56,800
Speaker 1: b Grammercy five dash eight two eight nine.

593
00:32:57,040 --> 00:33:02,800
Speaker 7: Sallas AA ten West sixty six TR four Dash one

594
00:33:02,880 --> 00:33:08,320
Speaker 7: three three four Sallas Marcia two sixty West End Ave

595
00:33:08,920 --> 00:33:14,520
Speaker 7: TR seven Dash one four six nine Sallason Raymond j

596
00:33:14,840 --> 00:33:20,440
Speaker 7: U six Dash one six nine seven Salisbury and one

597
00:33:20,560 --> 00:33:24,880
Speaker 7: twenty five Saint Mark's Place, Oh, Dash four seven seven

598
00:33:25,360 --> 00:33:27,120
Speaker 7: zero three Selika

599
00:33:27,960 --> 00:33:30,920
Speaker 1: Quit talking and start mixing good