WEBVTT - Part One: Samizdat: How to Self-Publish During a Dictatorship

0:00:01.680 --> 0:00:04.840
<v Speaker 1>Cool Zone Media.

0:00:05.120 --> 0:00:07.640
<v Speaker 2>Hello, and welcome to Cool People Who Did Cool Stuff.

0:00:07.680 --> 0:00:10.640
<v Speaker 2>You're a weekly reminder that when there's bad things, there's

0:00:10.720 --> 0:00:14.600
<v Speaker 2>people trying to do good things, or at least interesting things.

0:00:15.320 --> 0:00:17.919
<v Speaker 2>I'm your host, Margaret Kiljoy, and my guest this week

0:00:18.360 --> 0:00:19.759
<v Speaker 2>is Katie Stole. Hi.

0:00:19.840 --> 0:00:23.520
<v Speaker 3>How are you ugh, I'm okay, I'm good. I'm glad

0:00:23.520 --> 0:00:25.120
<v Speaker 3>to be here, happy to be here.

0:00:25.120 --> 0:00:27.640
<v Speaker 2>In fact, Yeah, the world's going great.

0:00:27.880 --> 0:00:31.480
<v Speaker 3>The world's going great. Nevertheless, I would love to hear

0:00:31.640 --> 0:00:35.120
<v Speaker 3>some stories about cool people who did cool stuff. Not

0:00:35.240 --> 0:00:37.480
<v Speaker 3>that we don't have a ton of cool people doing

0:00:37.560 --> 0:00:39.960
<v Speaker 3>cool stuff right now at this moment in time.

0:00:40.600 --> 0:00:43.560
<v Speaker 2>It's true. Hey, completely unrelated. There's been all this stuff

0:00:43.560 --> 0:00:47.479
<v Speaker 2>about people bringing down the stock value of Tesla. But anyway,

0:00:48.040 --> 0:00:49.279
<v Speaker 2>through all kinds of methods.

0:00:50.200 --> 0:00:52.680
<v Speaker 3>Yeah, anyway, I'm happy to be here. I feel like

0:00:52.760 --> 0:00:56.160
<v Speaker 3>this is a bright light in the world, being able

0:00:56.200 --> 0:00:58.760
<v Speaker 3>to commit talk about good things.

0:00:59.040 --> 0:01:02.240
<v Speaker 2>I know, and people want to hear more good things.

0:01:02.640 --> 0:01:05.920
<v Speaker 2>Which of your various news shows should they listen to

0:01:06.000 --> 0:01:06.399
<v Speaker 2>or watch?

0:01:06.760 --> 0:01:11.920
<v Speaker 3>Oh well, I'll plug even more news. People know us

0:01:11.959 --> 0:01:14.720
<v Speaker 3>from some more News. A lot of people know me

0:01:14.760 --> 0:01:17.480
<v Speaker 3>and Cody from that, which is our YouTube show. But

0:01:17.800 --> 0:01:20.039
<v Speaker 3>we also have our podcast Even More News, which we're

0:01:20.040 --> 0:01:23.360
<v Speaker 3>now doing twice a week. Monday's we release one we

0:01:23.400 --> 0:01:27.399
<v Speaker 3>record Monday morning, release Monday evening, I know, and then

0:01:27.680 --> 0:01:30.880
<v Speaker 3>another one that we record Thursday's release Friday. We just

0:01:30.880 --> 0:01:33.119
<v Speaker 3>needed to add an extra episode because there's so much

0:01:33.160 --> 0:01:36.080
<v Speaker 3>to talk about and we couldn't get through it all.

0:01:36.319 --> 0:01:37.479
<v Speaker 2>Yeah, that actually makes sense.

0:01:37.880 --> 0:01:40.200
<v Speaker 3>And also we now are doing video versions of them,

0:01:40.240 --> 0:01:44.640
<v Speaker 3>putting on YouTube because apparently a lot of people like

0:01:44.760 --> 0:01:47.360
<v Speaker 3>to listen to podcasts with their eyes. I don't know,

0:01:48.440 --> 0:01:49.120
<v Speaker 3>so we're doing that.

0:01:49.520 --> 0:01:52.000
<v Speaker 2>I don't understand it. I'm going to pretend to understand

0:01:52.000 --> 0:01:54.720
<v Speaker 2>it once they make us pivot to video, but for now,

0:01:55.240 --> 0:01:56.280
<v Speaker 2>I don't understand it.

0:01:56.880 --> 0:01:59.600
<v Speaker 3>Yeah, it's a whole other world out there, but yeah,

0:01:59.720 --> 0:02:02.640
<v Speaker 3>sure plug that. We try to We try to find

0:02:02.640 --> 0:02:05.080
<v Speaker 3>bright spots out there too, but we do talk about

0:02:05.080 --> 0:02:06.400
<v Speaker 3>the bad spots.

0:02:07.160 --> 0:02:11.040
<v Speaker 2>That makes sense. Yeah, So, Katie, have you ever thought

0:02:11.040 --> 0:02:14.040
<v Speaker 2>about what it would be like to be a journalist

0:02:14.160 --> 0:02:17.400
<v Speaker 2>or a writer during like an authoritarian regime?

0:02:17.520 --> 0:02:20.960
<v Speaker 3>Is that every cross my mind from time to time?

0:02:21.080 --> 0:02:21.840
<v Speaker 3>It sure does.

0:02:22.400 --> 0:02:26.919
<v Speaker 2>Just a fun thought experiment. This week, for no particular reason,

0:02:27.120 --> 0:02:30.280
<v Speaker 2>I thought, what a fun and random time to tell

0:02:30.320 --> 0:02:33.840
<v Speaker 2>the story about how people have continued cultural production and

0:02:33.919 --> 0:02:38.800
<v Speaker 2>news during dictatorship. But first, I'm being reminded by my

0:02:38.919 --> 0:02:41.680
<v Speaker 2>producer Sophie that I should do the rest of my introduction,

0:02:42.080 --> 0:02:45.079
<v Speaker 2>like introducing Sophie. Here's my producer, Hi, Sophie.

0:02:45.080 --> 0:02:50.160
<v Speaker 1>How are you, Hi, Magpie. Hi Katie. You're doing great, Magpie.

0:02:50.400 --> 0:02:55.920
<v Speaker 2>Thanks. Thanks. And we also have an audio engineer named Rory.

0:02:56.160 --> 0:02:59.040
<v Speaker 1>Hi Rory, Hey, Roy, Hi Rory.

0:03:00.120 --> 0:03:01.960
<v Speaker 2>And our theme music is written for us by unwoman.

0:03:02.800 --> 0:03:05.560
<v Speaker 2>And I think that's the rest of the introduction. You

0:03:06.760 --> 0:03:09.000
<v Speaker 2>think I would know. I'm on episode like a one

0:03:09.080 --> 0:03:11.680
<v Speaker 2>hundred and fifty. Well, actually like three hundred, because there's

0:03:11.800 --> 0:03:13.679
<v Speaker 2>two of every thing.

0:03:14.400 --> 0:03:17.800
<v Speaker 3>Yeah, anyway, congratulations, that's a lot of episodes.

0:03:18.160 --> 0:03:21.760
<v Speaker 2>Thank you. It's it's been a wild ride. It's every

0:03:21.800 --> 0:03:23.840
<v Speaker 2>now and then. I have these moments where I'm like,

0:03:23.840 --> 0:03:27.200
<v Speaker 2>like my most recent like substack post is basically like

0:03:27.240 --> 0:03:29.160
<v Speaker 2>it's a really weird moment to read history books for

0:03:29.160 --> 0:03:31.480
<v Speaker 2>a living, but you actually read news for a living,

0:03:31.600 --> 0:03:33.600
<v Speaker 2>and that's maybe even weirder.

0:03:34.000 --> 0:03:36.880
<v Speaker 3>Also a weird thing to do for a living, especially

0:03:37.160 --> 0:03:37.640
<v Speaker 3>right now.

0:03:37.880 --> 0:03:40.680
<v Speaker 2>Yeah, yeahm h. So we're going to just tell a

0:03:40.680 --> 0:03:44.800
<v Speaker 2>fun family story for no particular reason about continuing cultural

0:03:44.800 --> 0:03:50.440
<v Speaker 2>production during dictatorship. This week's story is about samas dot,

0:03:51.000 --> 0:03:54.280
<v Speaker 2>the underground publishing within the Soviet Union and the Communist

0:03:54.280 --> 0:03:56.640
<v Speaker 2>Bloc countries during the Cold War. You ever you ever

0:03:56.680 --> 0:03:57.720
<v Speaker 2>heard much about this stuff?

0:03:58.000 --> 0:03:58.800
<v Speaker 3>No, not at all.

0:03:58.840 --> 0:04:02.720
<v Speaker 2>Actually, I like it's funny because so many people use

0:04:02.800 --> 0:04:05.640
<v Speaker 2>samas dot as a I mean, I hadn't run across

0:04:05.640 --> 0:04:07.920
<v Speaker 2>it a ton myself. It's one of those words where

0:04:07.920 --> 0:04:09.200
<v Speaker 2>if you don't know what it means, you kind of

0:04:09.240 --> 0:04:11.720
<v Speaker 2>just ignore it because you're like, I don't know what

0:04:11.760 --> 0:04:13.600
<v Speaker 2>that means, and arrest the sentence makes sense that you

0:04:13.640 --> 0:04:17.159
<v Speaker 2>just sort of ignore the word. Yeah, Okay, there's an

0:04:17.240 --> 0:04:22.160
<v Speaker 2>irony here. I'm doing this whole episode about how people

0:04:23.160 --> 0:04:27.600
<v Speaker 2>created stuff and distributed it during the dictatorship of the

0:04:28.160 --> 0:04:32.680
<v Speaker 2>Soviet era. This is the single episode where I could

0:04:32.720 --> 0:04:35.560
<v Speaker 2>not find a source that was not behind an academic paywall.

0:04:35.800 --> 0:04:39.200
<v Speaker 2>This is the most i'vory towered. I had to talk

0:04:39.240 --> 0:04:43.120
<v Speaker 2>to all of my friends with academic privileges to get

0:04:43.160 --> 0:04:46.679
<v Speaker 2>access to this. Yeah, so there's a little irony there

0:04:46.960 --> 0:04:52.520
<v Speaker 2>that's interesting. Yeah, the shortest version of it is, for

0:04:52.560 --> 0:04:55.440
<v Speaker 2>more or less the entire time, there was a Soviet Union,

0:04:55.920 --> 0:04:59.520
<v Speaker 2>there was strict censorship of the press, and the entire

0:04:59.560 --> 0:05:03.520
<v Speaker 2>time there strict censorship, they were people evading that censorship

0:05:03.560 --> 0:05:06.440
<v Speaker 2>through various means. By the time you get to the

0:05:06.520 --> 0:05:10.240
<v Speaker 2>nineteen sixties and the nineteen seventies, there's this whole culture

0:05:10.440 --> 0:05:14.760
<v Speaker 2>that springs up around samisdot or self publishing. But we'll

0:05:14.760 --> 0:05:16.960
<v Speaker 2>talk about why. It's actually a really clever play on

0:05:17.000 --> 0:05:22.200
<v Speaker 2>words later, in which people would distribute hand typed copies

0:05:22.240 --> 0:05:25.800
<v Speaker 2>of poems, novels, and news because they couldn't even access

0:05:25.839 --> 0:05:30.640
<v Speaker 2>like xerox machines. These were generally typed on carbon paper

0:05:30.839 --> 0:05:34.320
<v Speaker 2>and then retyped by their recipients like chain letters.

0:05:34.360 --> 0:05:38.919
<v Speaker 3>But good, that's yeah, beautiful actually, yeah. Just the idea

0:05:39.080 --> 0:05:42.920
<v Speaker 3>of people receiving a hand type poem or what have

0:05:43.000 --> 0:05:45.279
<v Speaker 3>you and then typing it up and paying it sending

0:05:45.360 --> 0:05:47.120
<v Speaker 3>it forward, I think is really beautiful.

0:05:47.440 --> 0:05:49.840
<v Speaker 2>I know totally, especially with the like crime level where

0:05:49.880 --> 0:05:52.400
<v Speaker 2>you're like, well, I can go to jail for the

0:05:52.400 --> 0:05:55.880
<v Speaker 2>foreseeable future if they catch me with this poem about

0:05:55.920 --> 0:05:59.440
<v Speaker 2>being sad about the ocean or whatever it is, because

0:05:59.440 --> 0:06:03.440
<v Speaker 2>not all of it political, but it was all wildly illegal,

0:06:03.920 --> 0:06:06.120
<v Speaker 2>and there was a body count attached, although by the

0:06:06.200 --> 0:06:09.280
<v Speaker 2>end of it people are mostly getting time in prison

0:06:09.520 --> 0:06:11.799
<v Speaker 2>in a camp that kills about ten percent of the people,

0:06:11.960 --> 0:06:17.680
<v Speaker 2>but better than earlier where they're just dying. And samas

0:06:17.720 --> 0:06:21.080
<v Speaker 2>dot as a culture lasted until basically nineteen eighty seven,

0:06:21.360 --> 0:06:25.000
<v Speaker 2>when Mikhail Gorbachev, the last leader of the Soviet Union,

0:06:25.320 --> 0:06:28.159
<v Speaker 2>relaxed censorship and people were finally able to publish what

0:06:28.160 --> 0:06:33.080
<v Speaker 2>they wanted. That's one version of it. It's possible, and

0:06:33.120 --> 0:06:35.719
<v Speaker 2>I've read two different sources that have different positions on this,

0:06:36.360 --> 0:06:39.240
<v Speaker 2>that political samas dot actually continued for a few more

0:06:39.320 --> 0:06:42.520
<v Speaker 2>years until the USSR actually fell completely in think nineteen

0:06:42.560 --> 0:06:46.080
<v Speaker 2>ninety two. Okay, because at least some people seem to

0:06:46.080 --> 0:06:49.920
<v Speaker 2>be censored still despite this like overall loosening.

0:06:50.800 --> 0:06:52.400
<v Speaker 3>It might be some mixture of both.

0:06:53.120 --> 0:06:56.480
<v Speaker 2>Yeah, it's like almost everyone got to start publishing, and

0:06:56.520 --> 0:06:59.239
<v Speaker 2>basically the anarchosynical list didn't, is the best I can tell.

0:06:59.680 --> 0:07:00.880
<v Speaker 3>Yeah.

0:07:01.120 --> 0:07:03.799
<v Speaker 2>The other annoying thing about researching samas dot, which actually

0:07:03.800 --> 0:07:07.400
<v Speaker 2>overall I really enjoyed, besides the whole Ivory Tower problem,

0:07:08.000 --> 0:07:11.040
<v Speaker 2>is that because it was caught up in the Cold War,

0:07:11.760 --> 0:07:15.880
<v Speaker 2>there's this Western narrative around it. That's basically like some

0:07:16.040 --> 0:07:20.880
<v Speaker 2>good anti communists who wanted individual liberty and capitalism risked

0:07:21.000 --> 0:07:24.720
<v Speaker 2>everything to spread the one real truth about what was happening.

0:07:26.080 --> 0:07:29.720
<v Speaker 2>And there is a little bit of that, right, But

0:07:30.120 --> 0:07:33.160
<v Speaker 2>there's not a lot a bit of that. Nor was

0:07:33.200 --> 0:07:38.280
<v Speaker 2>this a like we're all desperate for novels from the West. Please, Westerners,

0:07:38.360 --> 0:07:43.120
<v Speaker 2>come and save us with your superior storytelling. Some literature

0:07:43.120 --> 0:07:45.960
<v Speaker 2>from the West snuck in and was distributed to samas dot.

0:07:46.000 --> 0:07:48.800
<v Speaker 2>But a lot of it was about cultural production in

0:07:48.880 --> 0:07:50.800
<v Speaker 2>the Soviet Union. And actually a lot of it was

0:07:50.800 --> 0:07:53.120
<v Speaker 2>about getting cultural production out of the Soviet Union in

0:07:53.200 --> 0:07:55.040
<v Speaker 2>really cool ways. There's like all this like spy shit

0:07:55.040 --> 0:07:59.200
<v Speaker 2>where people are like using microfiche like little m hm

0:07:59.600 --> 0:08:02.679
<v Speaker 2>and like fucking taking photos of all of the book

0:08:02.720 --> 0:08:05.720
<v Speaker 2>manuscript pages and then like giving them to like foreign

0:08:05.760 --> 0:08:08.200
<v Speaker 2>dignitaries and shit who are like smuggling them out.

0:08:08.280 --> 0:08:09.440
<v Speaker 3>Oh wait, that's pretty cool.

0:08:10.080 --> 0:08:12.320
<v Speaker 2>Yeah, And not all of it was even like this

0:08:12.360 --> 0:08:14.080
<v Speaker 2>is how it is in the Soviet Union. Some of

0:08:14.120 --> 0:08:16.640
<v Speaker 2>it was like this is my poem about how I

0:08:16.680 --> 0:08:20.520
<v Speaker 2>wish I didn't have cancer or whatever, you know. Yeah, yeah,

0:08:20.680 --> 0:08:25.560
<v Speaker 2>But mostly samisdat was a culture samis dot was fun

0:08:25.600 --> 0:08:29.520
<v Speaker 2>and exciting. It was inherently cool because it was countercultural.

0:08:30.480 --> 0:08:32.800
<v Speaker 2>A lot of it was parody, a lot of it

0:08:32.840 --> 0:08:35.800
<v Speaker 2>was like artsy as fuck. Something that we've seen again

0:08:35.840 --> 0:08:37.880
<v Speaker 2>and again in our episodes where we talk about resistance

0:08:37.920 --> 0:08:42.120
<v Speaker 2>to authoritarian communism in particular, is that a lot of

0:08:42.160 --> 0:08:46.000
<v Speaker 2>the people who are out in front challenging like Soviet

0:08:46.000 --> 0:08:49.920
<v Speaker 2>era rules and things like that are artists, and they're

0:08:49.960 --> 0:08:54.280
<v Speaker 2>basically challenging dictatorship through cultural production of plays and poems

0:08:54.320 --> 0:08:58.040
<v Speaker 2>and songs and all of this stuff. And a lot

0:08:58.080 --> 0:09:01.760
<v Speaker 2>of it was self consciously what they could called ludic playful.

0:09:03.559 --> 0:09:07.400
<v Speaker 2>And the CIA has poisoned all of our brains about

0:09:07.400 --> 0:09:09.920
<v Speaker 2>the USSR, to be clear, but not in the way

0:09:10.400 --> 0:09:14.079
<v Speaker 2>that authoritarian leftists claim. If you've ever critiqued the USSR

0:09:14.200 --> 0:09:16.120
<v Speaker 2>on social media, you end up with a lot of

0:09:16.160 --> 0:09:20.480
<v Speaker 2>people who are like, but actually, you know, everything was

0:09:20.520 --> 0:09:23.079
<v Speaker 2>perfect there and you only are listening to the CIA's

0:09:23.120 --> 0:09:25.960
<v Speaker 2>lies or whatever. Right, And the thing is is that

0:09:25.960 --> 0:09:30.400
<v Speaker 2>the CIA did lie about the Soviet Union and build

0:09:30.400 --> 0:09:34.160
<v Speaker 2>this false narrative, but not in the way that people claim.

0:09:34.920 --> 0:09:38.280
<v Speaker 2>The CIA worked hard in the twentieth century to make

0:09:38.320 --> 0:09:42.240
<v Speaker 2>sure that every bit of dissidence in the USSR was

0:09:42.320 --> 0:09:46.200
<v Speaker 2>co opted to seem like it's pro capitalism and pro

0:09:46.280 --> 0:09:51.200
<v Speaker 2>Western But while there's some of that, almost everything I've

0:09:51.240 --> 0:09:54.280
<v Speaker 2>seen about resistance to the USSR from within the Soviet

0:09:54.280 --> 0:09:59.600
<v Speaker 2>Bloc comes from socialists, people who believe that we should

0:09:59.600 --> 0:10:02.400
<v Speaker 2>all take care of each other. They just didn't want

0:10:02.800 --> 0:10:05.960
<v Speaker 2>a corrupt state apparatus. They didn't want this like weird

0:10:06.080 --> 0:10:07.840
<v Speaker 2>bad oligarchy instead.

0:10:08.200 --> 0:10:10.440
<v Speaker 3>I know, it's so interesting how we boil things down

0:10:10.480 --> 0:10:13.760
<v Speaker 3>to either you're a capitalist or you are a socialist,

0:10:13.920 --> 0:10:17.520
<v Speaker 3>or it's like yeah, you know, it's like, well, yeah,

0:10:17.520 --> 0:10:20.720
<v Speaker 3>I know I want this thing, but not by that person.

0:10:20.920 --> 0:10:23.920
<v Speaker 3>It's like I want our food system to be overhauled,

0:10:24.000 --> 0:10:25.000
<v Speaker 3>just not by our FK.

0:10:25.600 --> 0:10:29.640
<v Speaker 2>Yeah, totally, you know, totally. No. This is such a

0:10:29.679 --> 0:10:32.360
<v Speaker 2>perfect example of it, where you're like, well, I too

0:10:32.480 --> 0:10:36.800
<v Speaker 2>want more natural food in my diet. I also want

0:10:36.840 --> 0:10:42.120
<v Speaker 2>to keep getting vaccines on a regular basis exactly and

0:10:42.559 --> 0:10:47.640
<v Speaker 2>not have the worms eat my brain. Ideally, Yeah, that

0:10:47.880 --> 0:10:50.640
<v Speaker 2>should happen after I die. It's like a general rule.

0:10:50.760 --> 0:10:53.200
<v Speaker 3>Yes, then I'm fine, please have at it.

0:10:53.440 --> 0:10:57.480
<v Speaker 2>Yeah that's that's my hope for one day, but not

0:10:57.559 --> 0:11:02.720
<v Speaker 2>for now. So for some weird reason. I think studying

0:11:02.720 --> 0:11:06.240
<v Speaker 2>how people lived and acted and resisted under authoritarian regimes

0:11:06.320 --> 0:11:10.640
<v Speaker 2>is going to be increasingly important. And Okay, this is

0:11:10.679 --> 0:11:13.320
<v Speaker 2>a kind of tangent. I'm now offscript. There's this thing

0:11:13.360 --> 0:11:15.640
<v Speaker 2>where like we all kind of look at what's happening

0:11:15.720 --> 0:11:18.400
<v Speaker 2>right now, and it's very very easy to draw connections

0:11:18.440 --> 0:11:22.840
<v Speaker 2>to Nazi Germany. Right, that is a reasonable place to

0:11:22.880 --> 0:11:27.040
<v Speaker 2>look for our historical parallels. But it's not the only place,

0:11:27.160 --> 0:11:30.360
<v Speaker 2>Like the world is full of dictatorships that we can

0:11:30.440 --> 0:11:30.840
<v Speaker 2>look to.

0:11:31.480 --> 0:11:35.719
<v Speaker 3>I know, I was just recently, like yesterday, I had

0:11:35.720 --> 0:11:38.080
<v Speaker 3>this thought of, like we could compare it to so

0:11:38.160 --> 0:11:41.080
<v Speaker 3>many things, maybe we should start mixing it up. Yeah,

0:11:41.120 --> 0:11:44.040
<v Speaker 3>instead of just well, it's the most readily available for

0:11:44.240 --> 0:11:47.959
<v Speaker 3>most people to you know, totally relate to, but.

0:11:48.440 --> 0:11:51.520
<v Speaker 2>Most especially white people in America and probably just people

0:11:51.720 --> 0:11:54.280
<v Speaker 2>raised in the American educational system. Yeah, know a hell

0:11:54.320 --> 0:11:56.240
<v Speaker 2>of a lot more about Nazi Germany than they do

0:11:56.360 --> 0:12:00.480
<v Speaker 2>about like other terrible systems, including the one that's slaved

0:12:00.480 --> 0:12:03.200
<v Speaker 2>and genocided here on this very continent called the United

0:12:03.240 --> 0:12:04.120
<v Speaker 2>States of America.

0:12:04.280 --> 0:12:07.880
<v Speaker 3>Right exactly, we know way more about that than our

0:12:08.080 --> 0:12:09.760
<v Speaker 3>own history.

0:12:09.960 --> 0:12:13.240
<v Speaker 2>But AnyWho, and so there's all these other places that

0:12:13.240 --> 0:12:15.800
<v Speaker 2>we can look and like. The thing that's interesting about

0:12:15.800 --> 0:12:18.000
<v Speaker 2>the USSR and Soviet block countries, especially by the time

0:12:18.000 --> 0:12:20.040
<v Speaker 2>you're talking about the sixties and seventies, is you're talking

0:12:20.080 --> 0:12:22.240
<v Speaker 2>about what does resistance look like for people who like

0:12:23.040 --> 0:12:27.400
<v Speaker 2>grew up inside this authoritarian system, you know, whereas when

0:12:27.400 --> 0:12:29.960
<v Speaker 2>we look at the directly fascist governments, they didn't last

0:12:30.040 --> 0:12:34.160
<v Speaker 2>an entire generation. They were well, Franco did, actually, so

0:12:34.200 --> 0:12:36.240
<v Speaker 2>franco Is Spain is another good place that we can

0:12:36.240 --> 0:12:38.360
<v Speaker 2>look to for I don't know. I think this is

0:12:38.400 --> 0:12:39.600
<v Speaker 2>the thing I'm going to be doing for a little

0:12:39.640 --> 0:12:44.280
<v Speaker 2>while is looking at how people resisted dictatorships for no

0:12:44.640 --> 0:12:45.400
<v Speaker 2>good reasons.

0:12:45.160 --> 0:12:48.560
<v Speaker 3>Again, no apparent reason. Yeah, feels like a good idea.

0:12:48.760 --> 0:12:50.280
<v Speaker 2>Yeah, I'm going to do it until.

0:12:50.320 --> 0:12:52.880
<v Speaker 3>It might be how can information in there for no

0:12:52.960 --> 0:12:53.560
<v Speaker 3>real reason?

0:12:53.640 --> 0:12:58.920
<v Speaker 2>But maybe yeah, yeah, exactly. So what we have instead

0:12:59.440 --> 0:13:02.680
<v Speaker 2>of the commune system is the capitalist system, and it

0:13:02.840 --> 0:13:07.240
<v Speaker 2>asks that we interject this program with the sponsors.

0:13:07.600 --> 0:13:18.720
<v Speaker 4>So, oh, here are those sponsors, and we're back.

0:13:20.480 --> 0:13:27.200
<v Speaker 3>So the context, you should see her face, big old smile.

0:13:27.760 --> 0:13:32.480
<v Speaker 2>Yeah, Russia has a long history of people passing around

0:13:32.559 --> 0:13:36.959
<v Speaker 2>manuscripts rather than finished books in order to bypass censorship,

0:13:37.160 --> 0:13:39.280
<v Speaker 2>because it is worth noting it wasn't like the Bolsheviks

0:13:39.320 --> 0:13:42.000
<v Speaker 2>came in and before that, like they were like happy

0:13:42.040 --> 0:13:45.360
<v Speaker 2>and free under the Czar, you know, like serfdom had

0:13:45.360 --> 0:13:49.480
<v Speaker 2>only been abolished in sixty seventy years earlier, and like

0:13:49.920 --> 0:13:54.960
<v Speaker 2>it was a very big unevened in autocratic society. In

0:13:55.040 --> 0:13:58.240
<v Speaker 2>seventeen ninety there was this book that was opposed to Serfdom,

0:13:58.800 --> 0:14:02.599
<v Speaker 2>a Journey from Peter's to Moscow, and it was confiscated

0:14:02.600 --> 0:14:05.880
<v Speaker 2>by the cops. So folks started passing around person to

0:14:05.960 --> 0:14:09.720
<v Speaker 2>person the actual original manuscripts of it, and they're just like,

0:14:10.160 --> 0:14:13.000
<v Speaker 2>so you have this like kind of lending library basically.

0:14:14.280 --> 0:14:17.160
<v Speaker 2>And then in eighteen twenty five you have the Decembrist Revolts,

0:14:17.320 --> 0:14:18.800
<v Speaker 2>which I think we've covered a little bit in the

0:14:18.880 --> 0:14:22.040
<v Speaker 2>Nihilist episodes, but there's so many revolts during all of

0:14:22.080 --> 0:14:25.400
<v Speaker 2>this time, which is where the band gets its name.

0:14:25.480 --> 0:14:28.200
<v Speaker 3>But I was going to ask, but I just said

0:14:28.760 --> 0:14:30.680
<v Speaker 3>to me in my brain, I went and like, don't ask.

0:14:30.760 --> 0:14:31.640
<v Speaker 3>That's a silly question.

0:14:31.720 --> 0:14:35.120
<v Speaker 2>Yeah, no, it almost certainly is. I haven't even specifically

0:14:35.120 --> 0:14:36.680
<v Speaker 2>looked it up, but like that's where they get their name.

0:14:36.680 --> 0:14:41.000
<v Speaker 2>That's who the Decembrists are is a group of revolutionaries. Yeah.

0:14:41.040 --> 0:14:42.920
<v Speaker 3>Cool, love that even more.

0:14:43.200 --> 0:14:48.240
<v Speaker 2>Yeah. And they had people passing around manuscripts, and folks

0:14:48.240 --> 0:14:52.080
<v Speaker 2>started having shit published internationally, like especially like printed in England,

0:14:52.160 --> 0:14:56.160
<v Speaker 2>and then smuggled into the country. Maybe most famously of

0:14:56.200 --> 0:14:58.960
<v Speaker 2>all these pre Soviet Samas Dots, which don't have that

0:14:59.040 --> 0:15:01.520
<v Speaker 2>name yet. That name isn't coined until either fifty eight

0:15:01.600 --> 0:15:03.840
<v Speaker 2>or sixty two, probably sixty two, but I've read both.

0:15:05.360 --> 0:15:09.400
<v Speaker 2>In eighteen forty eight, Doskievsky, whose name I will probably

0:15:09.440 --> 0:15:12.800
<v Speaker 2>die not knowing how to pronounce properly, he got eight

0:15:12.880 --> 0:15:16.120
<v Speaker 2>years in prison for passing around a letter that criticized

0:15:16.160 --> 0:15:19.000
<v Speaker 2>the Orthodox Church and for trying to use a private

0:15:19.040 --> 0:15:23.600
<v Speaker 2>printing press to evade censors. So it's not a not

0:15:23.680 --> 0:15:29.080
<v Speaker 2>a fucking free society, Nope. But as far as I

0:15:29.080 --> 0:15:32.680
<v Speaker 2>can tell, in the Czaris Times, it was largely the intelligentsia,

0:15:32.800 --> 0:15:35.440
<v Speaker 2>the sort of upper middle class of academics and shit,

0:15:36.080 --> 0:15:38.680
<v Speaker 2>who had access to this sort of proto samis Dot.

0:15:39.520 --> 0:15:43.720
<v Speaker 2>As cool as secret handwritten publishing is, it doesn't break

0:15:43.760 --> 0:15:46.520
<v Speaker 2>out of a specific social circle, and it doesn't break

0:15:46.520 --> 0:15:51.000
<v Speaker 2>across class barriers and things that are mass produced have

0:15:51.080 --> 0:15:54.160
<v Speaker 2>a much better chance of actually like reaching the masses.

0:15:56.240 --> 0:15:59.120
<v Speaker 2>By the dawn of the twentieth century, a lot of

0:15:59.160 --> 0:16:03.040
<v Speaker 2>illegal literature is being kind of mass produced. As best

0:16:03.080 --> 0:16:06.280
<v Speaker 2>as I can tell, the Bolsheviks themselves, who sort of

0:16:07.000 --> 0:16:10.160
<v Speaker 2>whatever we've done, like probably at least ten episodes about

0:16:10.280 --> 0:16:13.480
<v Speaker 2>the Bolsheviks and the Mensheviks and the anarchists and the

0:16:13.560 --> 0:16:16.320
<v Speaker 2>s rs and all of that, the people who are

0:16:16.320 --> 0:16:18.240
<v Speaker 2>going to have the revolution but aren't able to have

0:16:18.280 --> 0:16:23.280
<v Speaker 2>it yet. Yeah, the Bolsheviks themselves relied on underground publishing

0:16:23.440 --> 0:16:26.720
<v Speaker 2>before the revolution, And I've read a while ago for

0:16:26.760 --> 0:16:29.600
<v Speaker 2>a different episode a ton about how different radical groups

0:16:29.640 --> 0:16:33.440
<v Speaker 2>were regularly getting shit printed overseas and smuggled into the country,

0:16:33.960 --> 0:16:36.040
<v Speaker 2>and often in bulk. Like I think people were like

0:16:36.080 --> 0:16:38.560
<v Speaker 2>going to Switzerland and printing like a fuck ton of

0:16:38.640 --> 0:16:42.040
<v Speaker 2>leaflets and pamphlets and stuff, and then like bringing them

0:16:42.040 --> 0:16:47.680
<v Speaker 2>back in however they can, into Russia. But the Bolsheviks,

0:16:48.480 --> 0:16:51.600
<v Speaker 2>even from the beginning, while they believe that they should

0:16:51.600 --> 0:16:54.560
<v Speaker 2>be able to print whatever they want, they don't think

0:16:54.600 --> 0:16:57.360
<v Speaker 2>that other people should be able to print whatever they want, Okay,

0:16:58.200 --> 0:17:02.480
<v Speaker 2>including other socialists, some communists and the anarchists and all

0:17:02.520 --> 0:17:06.480
<v Speaker 2>of those people. And I will compare this too, and

0:17:06.560 --> 0:17:09.640
<v Speaker 2>I suspect that the Mensheviks and the SRS also probably did.

0:17:09.640 --> 0:17:11.639
<v Speaker 2>But I do know that the anarchists did believe in

0:17:11.640 --> 0:17:13.840
<v Speaker 2>a free press. And so even when the Bolsheviks were

0:17:13.880 --> 0:17:15.920
<v Speaker 2>like in the middle of attacking the anarchists, the anarchists

0:17:15.960 --> 0:17:18.000
<v Speaker 2>were like, well, we can't tell you can't print your newspapers.

0:17:18.040 --> 0:17:19.600
<v Speaker 2>We can only tell you that you can't take over

0:17:20.400 --> 0:17:25.520
<v Speaker 2>you know, Yeah, which I think is cool as shit. Yeah, like, yeah,

0:17:25.760 --> 0:17:28.200
<v Speaker 2>in our anarchist society in Ukraine, you can print anti

0:17:28.240 --> 0:17:30.879
<v Speaker 2>anarchist stuff. Why would we tell you that you can't.

0:17:30.880 --> 0:17:33.439
<v Speaker 3>Well, right, that's the point. If you want freedom of

0:17:33.480 --> 0:17:36.760
<v Speaker 3>the press, you have to include things that you don't

0:17:37.320 --> 0:17:38.879
<v Speaker 3>necessarily like totally.

0:17:39.560 --> 0:17:41.560
<v Speaker 2>And I don't know whether they I don't know whether

0:17:41.640 --> 0:17:44.560
<v Speaker 2>or not they expanded that to like the monarchists who

0:17:44.560 --> 0:17:47.080
<v Speaker 2>were trying to kill them all. I don't know how

0:17:47.119 --> 0:17:47.520
<v Speaker 2>far it.

0:17:47.480 --> 0:17:50.879
<v Speaker 3>Went or not, but yeah, like what's the line.

0:17:50.960 --> 0:17:53.760
<v Speaker 2>But yeah, but they probably weren't killing the poets. We'll

0:17:53.760 --> 0:17:55.840
<v Speaker 2>get to them. We'll get to the Bolsheviks killing poets

0:17:55.880 --> 0:17:59.159
<v Speaker 2>in a little bit. Actually, in the next paragraph. We'll

0:17:59.160 --> 0:18:02.359
<v Speaker 2>get to it, oh perfect, as soon as the Bolsheviks

0:18:02.400 --> 0:18:05.639
<v Speaker 2>seized power and put down the Russian Revolution. My super

0:18:05.640 --> 0:18:07.719
<v Speaker 2>short version of it that's very biased by my position

0:18:08.359 --> 0:18:11.560
<v Speaker 2>is that it was a pluralistic revolution of all sorts

0:18:11.560 --> 0:18:14.119
<v Speaker 2>of different socialist factions, and then the Bolsheviks were like,

0:18:14.160 --> 0:18:17.200
<v Speaker 2>just kidding, it's our revolution, went into a civil war

0:18:17.640 --> 0:18:22.120
<v Speaker 2>to kill all of the other competing factions and put

0:18:22.160 --> 0:18:29.000
<v Speaker 2>them down by force, and they instituted censorship. By the

0:18:29.000 --> 0:18:31.800
<v Speaker 2>time the USSR came into being in nineteen twenty two,

0:18:32.680 --> 0:18:37.679
<v Speaker 2>all literary production was state controlled and sponsored, which is like,

0:18:38.000 --> 0:18:40.920
<v Speaker 2>there's an upside to this, right, if you're a professional writer,

0:18:41.320 --> 0:18:43.240
<v Speaker 2>the States like, all right, well, we'll pay you to

0:18:43.640 --> 0:18:46.560
<v Speaker 2>be a poet, will pay you to make books and stuff.

0:18:46.640 --> 0:18:51.720
<v Speaker 2>Right if they liked you. If they didn't like you, well,

0:18:52.160 --> 0:18:55.239
<v Speaker 2>depending on who's in charge that year, they'll kill you,

0:18:56.000 --> 0:18:58.080
<v Speaker 2>or they'll put you in prison into a labor camp,

0:18:58.160 --> 0:19:00.879
<v Speaker 2>or they'll send you to Siberia, or if you're really lucky,

0:19:00.920 --> 0:19:03.959
<v Speaker 2>they just won't publish you and you'll be unemployed.

0:19:04.920 --> 0:19:08.560
<v Speaker 3>It's like a step in the right direction and concept,

0:19:08.640 --> 0:19:13.600
<v Speaker 3>but not in execution when we're still utilizing the tactics

0:19:13.960 --> 0:19:17.320
<v Speaker 3>from before against people that frighten you.

0:19:17.960 --> 0:19:21.120
<v Speaker 2>Yeah, totally. And it was not just like people who

0:19:21.119 --> 0:19:24.680
<v Speaker 2>wrote anti Bolshevik stuff. It was like literally just well,

0:19:24.720 --> 0:19:28.080
<v Speaker 2>we don't like that. You know. They had very specific

0:19:28.240 --> 0:19:31.280
<v Speaker 2>rules about what kind of literature and what kind of

0:19:31.480 --> 0:19:37.280
<v Speaker 2>art was encouraged and allowed and published. And among those

0:19:37.280 --> 0:19:41.840
<v Speaker 2>that they started killing right away were poets, I guess. Okay,

0:19:41.840 --> 0:19:43.600
<v Speaker 2>so it's like worth pointing out when we think about

0:19:43.600 --> 0:19:46.640
<v Speaker 2>poetry nowadays, we're like, oh, poetry is really cool, or like, oh,

0:19:46.680 --> 0:19:48.359
<v Speaker 2>poetry is that thing that we hate when our friends

0:19:48.400 --> 0:19:49.840
<v Speaker 2>tell us that they do, because then they'll try and

0:19:49.840 --> 0:19:51.320
<v Speaker 2>make us read their poetry. But we don't want to

0:19:51.320 --> 0:19:52.800
<v Speaker 2>read their poetry because we don't want to tell them

0:19:52.840 --> 0:19:55.040
<v Speaker 2>how we feel about it because that would hurt their feelings.

0:19:55.400 --> 0:20:01.159
<v Speaker 2>You know. Yeah, before the fucking modern era, well, I

0:20:01.160 --> 0:20:03.960
<v Speaker 2>guess the modern era includes all this before like TV

0:20:04.160 --> 0:20:07.320
<v Speaker 2>and shit, poetry was the They were like the fucking

0:20:07.440 --> 0:20:10.560
<v Speaker 2>rock stars, you know, like in England you have people

0:20:10.640 --> 0:20:12.800
<v Speaker 2>like lining up around the block for the new poem

0:20:12.880 --> 0:20:15.480
<v Speaker 2>that drops from Lord Byron or whatever the fuck you know.

0:20:16.480 --> 0:20:19.640
<v Speaker 2>And I mean it's not because they were like inherently

0:20:19.680 --> 0:20:21.480
<v Speaker 2>like smarter and cooler they totally would have watched TV

0:20:21.520 --> 0:20:22.159
<v Speaker 2>if they had TV.

0:20:22.440 --> 0:20:24.679
<v Speaker 3>But right, that's but that was what was available.

0:20:25.040 --> 0:20:25.240
<v Speaker 2>Yeah.

0:20:25.400 --> 0:20:28.440
<v Speaker 3>But also you thought differently of poetry in general.

0:20:28.440 --> 0:20:30.399
<v Speaker 2>Right exactly. And so when we say they're coming for

0:20:30.440 --> 0:20:33.560
<v Speaker 2>the poets, it's a different thing. It's not like, oh,

0:20:33.600 --> 0:20:35.720
<v Speaker 2>this person with this kind of niche hobby where they're

0:20:35.760 --> 0:20:38.359
<v Speaker 2>sort of self indulgent or whatever. I really like poetry

0:20:38.400 --> 0:20:40.480
<v Speaker 2>and modern poetry. I'm not trying to talk shit, just

0:20:40.520 --> 0:20:42.600
<v Speaker 2>it's seen differently. Yeah, and I don't want to read

0:20:42.600 --> 0:20:46.520
<v Speaker 2>your poetry, dear listener, I'm sorry or whatever. Anyway, Okay,

0:20:47.359 --> 0:20:51.440
<v Speaker 2>there was this poetry movement called the Acmeists that started

0:20:51.440 --> 0:20:54.200
<v Speaker 2>in the early twentieth century I want to say the

0:20:54.280 --> 0:20:57.960
<v Speaker 2>nineteen tents, but don't quote me and the Acmeists. Acme

0:20:58.119 --> 0:21:01.200
<v Speaker 2>comes from the same place as like literally like roadrunner

0:21:01.240 --> 0:21:03.600
<v Speaker 2>and shit, right, you know, like the Acme brand or whatever,

0:21:04.119 --> 0:21:06.680
<v Speaker 2>because Acme comes from like a Greek word that sort

0:21:06.680 --> 0:21:09.840
<v Speaker 2>of means like it's used to mean the best. It's

0:21:09.880 --> 0:21:13.119
<v Speaker 2>like the okay, the top of a game or whatever.

0:21:14.040 --> 0:21:18.160
<v Speaker 2>So the Acmists they were a response to the symbolists

0:21:18.200 --> 0:21:20.680
<v Speaker 2>who came before them, and they were like, if you

0:21:20.720 --> 0:21:23.880
<v Speaker 2>want to write about something, just write about it as

0:21:23.920 --> 0:21:28.160
<v Speaker 2>clearly and succinctly as you can. And so this makes

0:21:28.200 --> 0:21:30.000
<v Speaker 2>it sound like they're poetry is going to be all

0:21:30.160 --> 0:21:34.680
<v Speaker 2>like utilitarian and kind of blocky, but it actually really isn't,

0:21:34.760 --> 0:21:36.760
<v Speaker 2>at least not the poet I read for this. The

0:21:36.800 --> 0:21:39.040
<v Speaker 2>poet I read for this is now one of my

0:21:39.080 --> 0:21:43.280
<v Speaker 2>favorite poets. And it's just it's beautiful stuff. And I

0:21:43.280 --> 0:21:45.960
<v Speaker 2>don't know enough about how to contrast it to symbolism,

0:21:46.000 --> 0:21:48.840
<v Speaker 2>because I'm like, well, there's still metaphor in it, you know, right,

0:21:50.040 --> 0:21:54.720
<v Speaker 2>But the Bolsheviks they're killing people. For example, they kill

0:21:54.720 --> 0:21:59.600
<v Speaker 2>one of the Acmists, a poet named Nikolai Gumelev, and

0:21:59.680 --> 0:22:04.080
<v Speaker 2>he was not a lefty. He was a monarchist, and

0:22:04.119 --> 0:22:06.959
<v Speaker 2>he was executed in nineteen twenty one without a trial.

0:22:07.680 --> 0:22:10.720
<v Speaker 2>He wasn't executed for taking action against the communist revolution,

0:22:11.119 --> 0:22:14.440
<v Speaker 2>but writing poetry that they didn't like and having ideas

0:22:14.480 --> 0:22:19.840
<v Speaker 2>they didn't like. Wow, So art begins to go underground,

0:22:20.560 --> 0:22:24.480
<v Speaker 2>and artists learn whole new methods of distribution right away,

0:22:25.200 --> 0:22:27.040
<v Speaker 2>including and I don't know if they actually use this,

0:22:27.119 --> 0:22:31.480
<v Speaker 2>but they could have our sponsor, our perennial sponsor, the potato.

0:22:32.080 --> 0:22:35.080
<v Speaker 2>Did you know that you can print with a potato?

0:22:35.720 --> 0:22:37.560
<v Speaker 2>Did you know that you can cut a potato in

0:22:37.600 --> 0:22:40.359
<v Speaker 2>half and then carve out whatever you would like and

0:22:40.400 --> 0:22:43.600
<v Speaker 2>put it on an ink blot or whatever you call

0:22:43.640 --> 0:22:46.760
<v Speaker 2>those things pad an ink pad. I didn't.

0:22:46.920 --> 0:22:47.760
<v Speaker 3>I did not know that.

0:22:47.880 --> 0:22:51.840
<v Speaker 1>Actually, yeah, that's why the potato is so perfect.

0:22:52.160 --> 0:22:53.800
<v Speaker 2>I know you can do anything with a potato.

0:22:54.000 --> 0:22:56.719
<v Speaker 3>I've got some potatoes in the fridge, leftovers tonight.

0:22:58.480 --> 0:23:03.119
<v Speaker 2>I want potatoes now, our French fries after this. Anyway,

0:23:03.840 --> 0:23:07.960
<v Speaker 2>besides potatoes, apparently there's some other ads for some weird reason,

0:23:08.880 --> 0:23:20.280
<v Speaker 2>and here they are, and we're back back. We're so back.

0:23:21.680 --> 0:23:25.480
<v Speaker 2>So artists start learning whole new methods of distribution, including

0:23:25.640 --> 0:23:28.520
<v Speaker 2>why I literally have no evidence that they did potato woodcuts.

0:23:28.560 --> 0:23:30.400
<v Speaker 2>They probably didn't. It would not have been the most

0:23:30.400 --> 0:23:35.920
<v Speaker 2>effective means. But take, for example, the acmeust poet Anna Akmatova,

0:23:36.480 --> 0:23:39.320
<v Speaker 2>who has been heralded as one of the country's great

0:23:39.359 --> 0:23:42.880
<v Speaker 2>poets before and during the revolution. And she's the main

0:23:42.920 --> 0:23:47.280
<v Speaker 2>poet who I read during that. Yeah, no, she's fucking amazing.

0:23:47.320 --> 0:23:51.320
<v Speaker 2>Her poetry is like puts a little rip into your soul.

0:23:51.440 --> 0:23:53.480
<v Speaker 2>But then it's like but it's okay. It's okay, like

0:23:53.520 --> 0:23:54.760
<v Speaker 2>pets the wound.

0:23:54.880 --> 0:23:56.879
<v Speaker 3>You know, it's like that's kind of poetry.

0:23:57.520 --> 0:24:01.080
<v Speaker 2>Yeah, she was not a monarch. You can't say like

0:24:01.119 --> 0:24:03.600
<v Speaker 2>the acmeus had the following political tendency, at least that

0:24:03.640 --> 0:24:05.439
<v Speaker 2>I've found, because I've read about three of them, and

0:24:05.480 --> 0:24:07.119
<v Speaker 2>one of them was lefty him, one of them was

0:24:07.200 --> 0:24:10.280
<v Speaker 2>a political and one of them was a socialist. She

0:24:10.440 --> 0:24:14.600
<v Speaker 2>was the non political one. She didn't seem to stop

0:24:14.680 --> 0:24:17.720
<v Speaker 2>the communists and I don't know whatever, Yeah, just trying

0:24:17.720 --> 0:24:22.120
<v Speaker 2>to write poetry. Later, the communists worked hard to sort

0:24:22.119 --> 0:24:25.680
<v Speaker 2>of claim she was a good Soviet patriot. She wasn't

0:24:25.680 --> 0:24:29.240
<v Speaker 2>that either. She was just a poet. When all of

0:24:29.240 --> 0:24:32.359
<v Speaker 2>her friends started emigrating during the revolution and after the

0:24:32.400 --> 0:24:35.120
<v Speaker 2>Bolshevik stole the Revolution in particular, and started like doing

0:24:35.200 --> 0:24:39.600
<v Speaker 2>things like killing poets, she refused to leave, which is

0:24:39.800 --> 0:24:43.159
<v Speaker 2>probably a familiar thought to everyone living in this country

0:24:43.240 --> 0:24:45.479
<v Speaker 2>right now is marginalized in a way that might make

0:24:45.520 --> 0:24:49.879
<v Speaker 2>them vulnerable. She would say shit like a poet can

0:24:49.920 --> 0:24:53.280
<v Speaker 2>only write in the country she's from, which I don't

0:24:53.280 --> 0:24:56.800
<v Speaker 2>think that's true, but you're allowed to decide that for yourself.

0:24:56.880 --> 0:24:58.920
<v Speaker 3>That was her truth. Anyway.

0:24:59.280 --> 0:25:02.879
<v Speaker 2>Yeah, since she's already kind of a big deal poet.

0:25:02.960 --> 0:25:05.639
<v Speaker 2>When the Bolsheviks capture all the big rich villas and

0:25:05.680 --> 0:25:08.560
<v Speaker 2>shit from all the rich people, they offer all the

0:25:08.560 --> 0:25:12.640
<v Speaker 2>big deal artists people places to stay in those palaces,

0:25:13.200 --> 0:25:16.200
<v Speaker 2>so she gets to live kind of one of my dreams,

0:25:16.480 --> 0:25:18.520
<v Speaker 2>which is to live collectively, which is like you and

0:25:18.560 --> 0:25:20.879
<v Speaker 2>all your friends take over some rich person's palace and

0:25:20.880 --> 0:25:22.399
<v Speaker 2>then all live in a palace. But you just just

0:25:22.440 --> 0:25:23.520
<v Speaker 2>like eighty of you or whatever.

0:25:23.600 --> 0:25:26.400
<v Speaker 3>You know, Yeah, that is the dream.

0:25:26.440 --> 0:25:27.959
<v Speaker 2>But they're like, okay, you can move here. But then

0:25:28.000 --> 0:25:30.640
<v Speaker 2>they're like, but we don't actually like your poetry. It's

0:25:30.640 --> 0:25:33.679
<v Speaker 2>not the right kind of poetry, so they refuse to

0:25:33.680 --> 0:25:37.679
<v Speaker 2>publish her. She's not towing the party line. She's not

0:25:37.840 --> 0:25:40.600
<v Speaker 2>really writing politically, near as I can tell. Later she's

0:25:40.600 --> 0:25:43.720
<v Speaker 2>going to write politically and response to what happens to her.

0:25:43.840 --> 0:25:48.000
<v Speaker 2>But she used to be married to Gumalev, the monarchist

0:25:48.040 --> 0:25:51.000
<v Speaker 2>that they'd executed, but she'd actually divorced him, but she

0:25:51.080 --> 0:25:54.800
<v Speaker 2>divorced him well before the revolution started, and so they

0:25:54.800 --> 0:25:56.800
<v Speaker 2>weren't married when he died. But she does have a

0:25:56.920 --> 0:25:59.679
<v Speaker 2>kid with him. She has a kid named Lev Gumalev

0:26:00.600 --> 0:26:04.080
<v Speaker 2>and pretty much because Lev was the kid of someone

0:26:04.119 --> 0:26:07.160
<v Speaker 2>that they'd executed without a trial, they throw him.

0:26:07.040 --> 0:26:08.960
<v Speaker 3>Into jail ah Man.

0:26:11.200 --> 0:26:15.560
<v Speaker 2>So Anna starts hanging out outside the jail every day.

0:26:15.680 --> 0:26:18.280
<v Speaker 2>She starts writing a poem about it, about her time

0:26:18.400 --> 0:26:21.879
<v Speaker 2>hanging outside this prison. And the poem is called Requiem,

0:26:22.920 --> 0:26:25.520
<v Speaker 2>and she has to write it line by line because

0:26:25.520 --> 0:26:26.960
<v Speaker 2>it's not just like she's like, Oh, I'm going to

0:26:27.000 --> 0:26:29.280
<v Speaker 2>write it and I can't publish it. She's like not

0:26:29.400 --> 0:26:30.920
<v Speaker 2>allowed to fucking write.

0:26:30.600 --> 0:26:33.879
<v Speaker 3>It, you know, wow at all, Like not even just

0:26:34.000 --> 0:26:34.800
<v Speaker 3>in your journal.

0:26:35.480 --> 0:26:38.720
<v Speaker 2>Yeah. She writes it line by line and then burns

0:26:38.800 --> 0:26:42.720
<v Speaker 2>each line in her ash tray after she finishes writing it, wow,

0:26:42.960 --> 0:26:45.040
<v Speaker 2>because if the censors see it, they will throw her

0:26:45.080 --> 0:26:50.480
<v Speaker 2>into prison. And so she memorizes this with her friends.

0:26:50.960 --> 0:26:53.840
<v Speaker 2>She goes line by line and whispers it to her

0:26:53.880 --> 0:26:58.480
<v Speaker 2>friends until they memorize it too. People did this for

0:26:58.600 --> 0:27:04.320
<v Speaker 2>poetry sometimes sometimes just until Stalin dies in nineteen fifty

0:27:04.960 --> 0:27:09.440
<v Speaker 2>two three. Sometimes they're doing it until the fall of

0:27:09.480 --> 0:27:12.800
<v Speaker 2>the Soviet Union. You know, this poem does not get

0:27:12.800 --> 0:27:17.040
<v Speaker 2>published in the USSR until nineteen eighty seven or eighty eight, wow,

0:27:17.119 --> 0:27:20.040
<v Speaker 2>or eighty nine. I've read both eighty seven and eighty nine.

0:27:20.119 --> 0:27:21.360
<v Speaker 2>Eighty eight didn't never.

0:27:21.200 --> 0:27:23.320
<v Speaker 3>Mind, well that's right in between.

0:27:23.440 --> 0:27:27.359
<v Speaker 2>So yeah, yeah, exactly. And the story of how she

0:27:27.440 --> 0:27:30.600
<v Speaker 2>came to write this poem is right in the opening

0:27:30.640 --> 0:27:33.320
<v Speaker 2>of the poem. Most of it is more proper poetry,

0:27:33.320 --> 0:27:35.639
<v Speaker 2>but there's like a prose paragraph kind of section at

0:27:35.680 --> 0:27:37.679
<v Speaker 2>the top, and so I'm just going to read that.

0:27:39.200 --> 0:27:42.080
<v Speaker 2>During the frightening period of the Yezhov Terror, which is

0:27:42.119 --> 0:27:44.240
<v Speaker 2>the name of one of the guys leading Stalin's purchase,

0:27:45.119 --> 0:27:48.440
<v Speaker 2>I spent seventeen months waiting in prison cues in Leningrad.

0:27:49.160 --> 0:27:53.080
<v Speaker 2>One day, somehow someone picked me out. On that occasion,

0:27:53.080 --> 0:27:56.040
<v Speaker 2>there was a woman standing behind me, her lips blue

0:27:56.080 --> 0:27:59.280
<v Speaker 2>with cold, who of course had never in her life

0:27:59.359 --> 0:28:03.119
<v Speaker 2>heard my name. Jolted out of the torpor characteristic of

0:28:03.119 --> 0:28:06.840
<v Speaker 2>all of us, she said into my ear. Everyone whispered

0:28:06.840 --> 0:28:13.800
<v Speaker 2>there could anyone ever describe this? And I answered I can.

0:28:14.160 --> 0:28:17.480
<v Speaker 2>It was then that something like a smile slid across

0:28:17.520 --> 0:28:22.440
<v Speaker 2>what had previously been just a face. And so yeah,

0:28:22.480 --> 0:28:26.200
<v Speaker 2>after spending seventeen months hanging out outside this prison waiting

0:28:26.200 --> 0:28:27.520
<v Speaker 2>to find out what's going to happen to her kid,

0:28:27.560 --> 0:28:31.880
<v Speaker 2>who's done literally nothing wrong. She writes this poem and

0:28:32.680 --> 0:28:35.560
<v Speaker 2>it survives because her and other people memorized it. And

0:28:35.560 --> 0:28:37.280
<v Speaker 2>I'm going to read some of that poem. I don't

0:28:37.520 --> 0:28:39.760
<v Speaker 2>sometimes I read poetry on this show, but it's not

0:28:39.840 --> 0:28:40.600
<v Speaker 2>a huge thing I do.

0:28:40.800 --> 0:28:42.360
<v Speaker 3>We've read that other piece very well.

0:28:43.040 --> 0:28:46.520
<v Speaker 2>Oh thanks, And I kind of figure like this is

0:28:46.520 --> 0:28:48.520
<v Speaker 2>such an important part of the culture resistance, so I

0:28:48.600 --> 0:28:51.560
<v Speaker 2>feel like reading some of it. Yeah. Also, I think

0:28:51.600 --> 0:28:54.640
<v Speaker 2>some of it applies right now as we watch people

0:28:54.640 --> 0:28:57.120
<v Speaker 2>getting disappeared off of the streets. Because that is happening.

0:28:57.280 --> 0:28:58.240
<v Speaker 3>I mean it's chilling.

0:28:58.520 --> 0:29:00.959
<v Speaker 2>Yeah, yeah, because we often are like, well, what if

0:29:00.960 --> 0:29:02.880
<v Speaker 2>they come for us? They are already coming for people

0:29:02.880 --> 0:29:03.479
<v Speaker 2>in this country.

0:29:03.520 --> 0:29:05.520
<v Speaker 3>This is just a we've been doing a fun bit

0:29:05.600 --> 0:29:08.920
<v Speaker 3>about how it's for no particular reason why this is important.

0:29:09.200 --> 0:29:14.000
<v Speaker 3>Obviously it's the same thing, bit different, but the same

0:29:14.320 --> 0:29:16.720
<v Speaker 3>for people speaking out.

0:29:17.160 --> 0:29:19.760
<v Speaker 2>Yeah, for criticizing El Salvador.

0:29:19.760 --> 0:29:22.760
<v Speaker 3>For yeah, these people, all Salvador people trying to get

0:29:22.800 --> 0:29:25.720
<v Speaker 3>into this country and their social media being checked. What

0:29:25.720 --> 0:29:26.680
<v Speaker 3>are we talking about here?

0:29:26.920 --> 0:29:29.440
<v Speaker 2>Yeah? Anyway, it's funny because the people who are listening

0:29:29.440 --> 0:29:30.920
<v Speaker 2>to this a year from now are either going to

0:29:30.960 --> 0:29:33.360
<v Speaker 2>be like, who we pulled back from that cliff, or

0:29:33.400 --> 0:29:35.120
<v Speaker 2>people are going to be like, oh, that was really

0:29:35.160 --> 0:29:38.600
<v Speaker 2>cute that those are your biggest problems. Back now anyway,

0:29:39.120 --> 0:29:43.640
<v Speaker 2>here's a piece, a bit of requiem. We are everywhere

0:29:43.680 --> 0:29:47.440
<v Speaker 2>the same, listening to the scrape and turn of hateful keys,

0:29:48.000 --> 0:29:52.080
<v Speaker 2>and the heavy tread of marching soldiers, waking early, as

0:29:52.120 --> 0:29:55.800
<v Speaker 2>if for early mass walking through the capital, run wild,

0:29:56.000 --> 0:30:01.360
<v Speaker 2>gone to seed, we'd meet the dead life, the sun

0:30:01.760 --> 0:30:06.959
<v Speaker 2>lower every day, the never mistier, but hope still sings

0:30:07.000 --> 0:30:11.680
<v Speaker 2>forever in the distance. It happened like this, when only

0:30:11.720 --> 0:30:16.440
<v Speaker 2>the dead were smiling, glad of their release. You were

0:30:16.480 --> 0:30:20.760
<v Speaker 2>taken away at dawn. I followed you, as one does

0:30:20.800 --> 0:30:24.600
<v Speaker 2>when a corpse is being removed. Children were crying in

0:30:24.640 --> 0:30:29.040
<v Speaker 2>the darkened house. A candle flared, illuminating the Mother of God.

0:30:29.800 --> 0:30:32.760
<v Speaker 2>The cold of an icon was on your lips, a

0:30:32.840 --> 0:30:36.680
<v Speaker 2>death cold sweat on your brow. I will never forget this.

0:30:37.760 --> 0:30:40.840
<v Speaker 2>I will gather to wail with the wives of the

0:30:40.960 --> 0:30:46.120
<v Speaker 2>murdered STRELSTI inconsolably beneath the Kremlin towers.

0:30:46.840 --> 0:30:48.640
<v Speaker 3>Wow, that's beautiful.

0:30:49.360 --> 0:30:52.880
<v Speaker 2>Yeah, Like, I'm just like, yeah, I had heard of

0:30:52.920 --> 0:30:55.640
<v Speaker 2>her before. She's one of my best friend's favorite poets,

0:30:55.640 --> 0:30:57.760
<v Speaker 2>but I hadn't really sat down with her before this.

0:30:58.280 --> 0:31:02.240
<v Speaker 2>Yeah the poet almost published abroad in the nineteen sixties,

0:31:02.400 --> 0:31:05.440
<v Speaker 2>but yeah, published in Russia in nineteen eighty seven or

0:31:05.520 --> 0:31:09.960
<v Speaker 2>nineteen eighty nine. Her Son spent years in prison. They

0:31:10.000 --> 0:31:11.880
<v Speaker 2>let him out long enough to fight in World War

0:31:11.920 --> 0:31:12.920
<v Speaker 2>Two in the Red Army.

0:31:13.040 --> 0:31:14.960
<v Speaker 3>Oh how nice of them, and.

0:31:14.920 --> 0:31:16.960
<v Speaker 2>Then they put him back in prison afterwards.

0:31:16.960 --> 0:31:22.040
<v Speaker 3>Come on, fucking wild.

0:31:22.080 --> 0:31:26.480
<v Speaker 2>I know, Okay, I did the one thing, lev her Son.

0:31:27.400 --> 0:31:31.000
<v Speaker 2>He's a bastard. Like when he gets out, he gets

0:31:31.000 --> 0:31:34.680
<v Speaker 2>out when Stalin dies, he becomes a bastard race scientist man.

0:31:35.440 --> 0:31:38.080
<v Speaker 2>He builds up this whole belief system that ethnicities are

0:31:38.080 --> 0:31:41.200
<v Speaker 2>like their own organisms that have their own characteristics, and like,

0:31:41.280 --> 0:31:47.400
<v Speaker 2>oh no, he's a heavy influence on fucking Putin's race science. Okay, well,

0:31:47.600 --> 0:31:49.120
<v Speaker 2>you know, but he hadn't done any of that before

0:31:49.160 --> 0:31:49.800
<v Speaker 2>they locked him.

0:31:49.760 --> 0:31:53.440
<v Speaker 3>Up, and maybe maybe some of that happened to him inside.

0:31:53.480 --> 0:31:53.920
<v Speaker 3>I don't know.

0:31:54.240 --> 0:31:56.960
<v Speaker 2>Yeah, Like, yeah, it's funny because there's a couple of

0:31:56.960 --> 0:31:59.720
<v Speaker 2>these moments where I'm like, look, some of the people

0:31:59.760 --> 0:32:01.360
<v Speaker 2>that they locked up, we're bad people.

0:32:01.480 --> 0:32:04.160
<v Speaker 3>But like, yeah, sure, but the principle of it has

0:32:04.760 --> 0:32:05.560
<v Speaker 3>remains true.

0:32:05.720 --> 0:32:08.080
<v Speaker 2>It's like, I still got to give people trials and.

0:32:08.120 --> 0:32:10.960
<v Speaker 3>Like exactly, even the shitty people.

0:32:11.600 --> 0:32:16.720
<v Speaker 2>Yeah. So his mom's crew of acmists. They're having a

0:32:16.720 --> 0:32:18.920
<v Speaker 2>hell of a hard time under the new Bolshevik regime.

0:32:19.800 --> 0:32:22.880
<v Speaker 2>One of the more prominent early victims of Bolshevik crackdown

0:32:22.880 --> 0:32:27.240
<v Speaker 2>and self publishing was a Jewish socialist named Ossip Mandelstam.

0:32:28.080 --> 0:32:32.440
<v Speaker 2>He's one of the acmists. He supported the revolution. I

0:32:32.480 --> 0:32:35.040
<v Speaker 2>think he was with the SRS and then later the Bolsheviks.

0:32:35.760 --> 0:32:39.720
<v Speaker 2>And soon after the Bolsheviks take power, they're like, all right,

0:32:40.040 --> 0:32:43.480
<v Speaker 2>all art must serve the revolution and he's like, wait,

0:32:43.480 --> 0:32:44.680
<v Speaker 2>what h.

0:32:44.960 --> 0:32:48.680
<v Speaker 3>That's not what I was revolutionarying for evlutionary ing.

0:32:48.920 --> 0:32:52.360
<v Speaker 2>Well whatever, Yeah, I like Oscar Wilde's take on this,

0:32:52.400 --> 0:32:55.720
<v Speaker 2>which is, you don't have art for socialism sake, your

0:32:55.800 --> 0:32:58.280
<v Speaker 2>socialism for art's sake. Yeah.

0:32:59.040 --> 0:33:02.760
<v Speaker 3>That one always the right phrasing. Yeah, yeah, that was good.

0:33:03.080 --> 0:33:07.800
<v Speaker 2>Yeah, And unfortunately the Bolsheviks must not have heard of

0:33:07.880 --> 0:33:12.040
<v Speaker 2>Oscar Wilder. They totally wouldn't have become Bolsheviks. They were like, no,

0:33:12.160 --> 0:33:15.120
<v Speaker 2>we don't really like that free expression stuff. And so

0:33:15.240 --> 0:33:20.200
<v Speaker 2>he starts writing politically but not actually about politics. He

0:33:20.240 --> 0:33:23.360
<v Speaker 2>starts writing about the autonomy of the individual versus giving

0:33:23.360 --> 0:33:26.360
<v Speaker 2>yourself over to the state, and he starts writing the

0:33:26.440 --> 0:33:30.440
<v Speaker 2>personal as political in a really direct way, like literally,

0:33:30.480 --> 0:33:33.720
<v Speaker 2>it becomes a revolutionary or counter revolutionary if you're a

0:33:33.720 --> 0:33:39.960
<v Speaker 2>Bolshevik act to write about individual love, not even like oh,

0:33:40.080 --> 0:33:43.160
<v Speaker 2>loving a person is better than loving the state, just

0:33:43.240 --> 0:33:47.040
<v Speaker 2>literally being like I'm in love with this person, yeah,

0:33:47.080 --> 0:33:51.160
<v Speaker 2>instead of writing about the love for your comrades. So

0:33:51.200 --> 0:33:53.680
<v Speaker 2>he's struggling to get published as a poet, and he

0:33:53.720 --> 0:33:58.400
<v Speaker 2>supports himself writing children's books. Throughout the nineteen twenties, you

0:33:58.400 --> 0:34:01.600
<v Speaker 2>get the first culture of what will later be called Samisdak,

0:34:01.640 --> 0:34:04.160
<v Speaker 2>but it's still not called that at this time, and

0:34:04.240 --> 0:34:07.760
<v Speaker 2>kind of around Osip, the Jewish socialist guy, they're called

0:34:07.960 --> 0:34:12.640
<v Speaker 2>underwoods because of the brand of typewriter that everyone was

0:34:12.760 --> 0:34:16.520
<v Speaker 2>using is an underwood, and they would pass around their

0:34:16.560 --> 0:34:21.440
<v Speaker 2>poetry and their books an original manuscript like type written form.

0:34:22.560 --> 0:34:25.200
<v Speaker 2>Osip is very aware the eye of Sourn is like

0:34:25.280 --> 0:34:27.359
<v Speaker 2>on him, so for I had to get a Lord

0:34:27.400 --> 0:34:29.879
<v Speaker 2>of the Rings reference in here so much, that's right, Yeah, yeah,

0:34:29.920 --> 0:34:30.120
<v Speaker 2>thank you.

0:34:30.280 --> 0:34:30.440
<v Speaker 1>Yeah.

0:34:31.239 --> 0:34:33.200
<v Speaker 2>So for a while he and his wife fuck off

0:34:33.239 --> 0:34:35.960
<v Speaker 2>to Armenia basically one of his higher up. He's like,

0:34:36.120 --> 0:34:39.560
<v Speaker 2>the literary scene is kind of close to power, and

0:34:39.640 --> 0:34:43.960
<v Speaker 2>so like Stalin's like kind of paying attention to him, right,

0:34:44.280 --> 0:34:46.560
<v Speaker 2>and he's like, I don't like that. And so one

0:34:46.560 --> 0:34:48.360
<v Speaker 2>of his other friends is a little bit more in

0:34:48.480 --> 0:34:50.799
<v Speaker 2>with everyone gets them basically being like, oh, yeah, we

0:34:50.840 --> 0:34:53.399
<v Speaker 2>totally need someone over in Armenia while you go over

0:34:53.440 --> 0:34:55.520
<v Speaker 2>there for a while. And he's like, I will.

0:34:56.200 --> 0:34:59.000
<v Speaker 3>Bid move sounds like I know, I know.

0:35:00.400 --> 0:35:05.760
<v Speaker 2>Meanwhile, he has this friend named Vladimir Mayakovsky, and nineteen thirty,

0:35:06.520 --> 0:35:10.880
<v Speaker 2>this poet Vladimir kills himself. And this man had been

0:35:10.880 --> 0:35:15.520
<v Speaker 2>a committed Bolshevik revolutionary. He had spent years writing pro

0:35:15.560 --> 0:35:19.240
<v Speaker 2>communist poetry during the revolution. He was like the soul

0:35:19.480 --> 0:35:23.239
<v Speaker 2>of Soviet poetry according to everyone for a while, right

0:35:24.840 --> 0:35:28.719
<v Speaker 2>until he found himself banned and censored like all other

0:35:28.760 --> 0:35:32.400
<v Speaker 2>people who actually believed in art and beauty and shit

0:35:32.480 --> 0:35:36.759
<v Speaker 2>like that. And so he killed himself, and in my

0:35:36.840 --> 0:35:39.839
<v Speaker 2>mind as yet another victim of Stalin. From my point

0:35:39.840 --> 0:35:42.520
<v Speaker 2>of view, many many of the original Bolsheviks are killed

0:35:42.560 --> 0:35:47.480
<v Speaker 2>by Stalin. In the nineteen thirties. After he died, Stalin

0:35:47.600 --> 0:35:50.120
<v Speaker 2>was like, oh, he was great, and he loved us

0:35:50.160 --> 0:35:53.200
<v Speaker 2>and we loved him, which has just got to be

0:35:53.239 --> 0:35:57.759
<v Speaker 2>a horrid fate for your legacy. Osip comes back from

0:35:57.840 --> 0:36:00.920
<v Speaker 2>Armenia and he starts writing poetry that he couldn't publish

0:36:00.960 --> 0:36:04.640
<v Speaker 2>because well, he just couldn't get anything published. So at

0:36:04.640 --> 0:36:07.040
<v Speaker 2>this point he's like, he starts writing poetry about how

0:36:07.080 --> 0:36:09.880
<v Speaker 2>he's doomed to die, that the Bolsheviks are going to

0:36:09.960 --> 0:36:13.640
<v Speaker 2>kill him. That is the poetry he writes. And then

0:36:14.160 --> 0:36:17.360
<v Speaker 2>in nineteen thirty three he wrote a poem that accused

0:36:17.440 --> 0:36:21.879
<v Speaker 2>Stalin of murder ooh, and two of the lines from

0:36:21.880 --> 0:36:27.560
<v Speaker 2>it are he rolls the executions on his tongue like berries. Oooh.

0:36:28.320 --> 0:36:31.720
<v Speaker 2>He wishes he could hug them like big friends from home.

0:36:33.880 --> 0:36:36.560
<v Speaker 2>He didn't even publish this, he just started spreading it

0:36:36.600 --> 0:36:38.640
<v Speaker 2>mostly by word of mouth and on like one or

0:36:38.640 --> 0:36:41.799
<v Speaker 2>two typewritten manuscripts, And most of his friends are like,

0:36:42.239 --> 0:36:43.080
<v Speaker 2>the fuck are you doing?

0:36:43.280 --> 0:36:45.560
<v Speaker 3>And they're like, why would you even say that to me? Man?

0:36:46.280 --> 0:36:49.640
<v Speaker 2>Yeah, So he was arrested and tortured and exiled and

0:36:49.719 --> 0:36:52.279
<v Speaker 2>then died in a prison camp of heart failure. YEP.

0:36:53.800 --> 0:36:58.600
<v Speaker 2>Poets and authors kept going memorizing everything that they could,

0:36:59.200 --> 0:37:01.360
<v Speaker 2>so that it could be public one day when society

0:37:01.440 --> 0:37:06.560
<v Speaker 2>was free once more. One author, Marina zvechya Yeva, sold

0:37:06.560 --> 0:37:09.640
<v Speaker 2>her little hand bound, hand sewn poetry journals and called

0:37:09.640 --> 0:37:15.680
<v Speaker 2>it Overcoming Gutenberg. Other people called it quote writing for

0:37:15.760 --> 0:37:18.560
<v Speaker 2>the desk drawer, since they knew it could never go anywhere.

0:37:18.560 --> 0:37:20.560
<v Speaker 2>They were just like, I'm writing this other one for

0:37:20.880 --> 0:37:23.520
<v Speaker 2>no one, But you couldn't actually keep it in a

0:37:23.520 --> 0:37:25.320
<v Speaker 2>regular old desk drawer because that's what's going to be

0:37:25.480 --> 0:37:26.520
<v Speaker 2>tossed by the fucking series.

0:37:26.560 --> 0:37:28.360
<v Speaker 3>I was going to say, it doesn't sound like you

0:37:28.360 --> 0:37:30.800
<v Speaker 3>should leave it just laying around and needs to be

0:37:30.880 --> 0:37:32.720
<v Speaker 3>hidden under some floorboards or something.

0:37:33.160 --> 0:37:34.640
<v Speaker 2>Yeah, they are literally burying it.

0:37:35.280 --> 0:37:35.640
<v Speaker 3>Yeah.

0:37:35.840 --> 0:37:40.120
<v Speaker 2>Yeah. During the peak of Stalin's terror in the nineteen

0:37:40.160 --> 0:37:44.400
<v Speaker 2>thirties and forties, there weren't underwoods going around anymore. Not really.

0:37:44.640 --> 0:37:48.480
<v Speaker 2>There weren't people passing manuscripts anymore. There were just whispered

0:37:48.480 --> 0:37:52.799
<v Speaker 2>words and memorization like Requiem. People would have to hide

0:37:52.800 --> 0:37:55.440
<v Speaker 2>the fact that they were writers at all. Many of

0:37:55.480 --> 0:37:58.279
<v Speaker 2>them were writing from labor camps where they'd been sent

0:37:58.400 --> 0:38:04.480
<v Speaker 2>for writing. But then in nineteen fifty three, Joseph Stalin

0:38:05.160 --> 0:38:11.680
<v Speaker 2>made perhaps his great contribution to global communism. He died.

0:38:14.040 --> 0:38:16.239
<v Speaker 2>The man who replaced him for about ten years was

0:38:16.239 --> 0:38:20.279
<v Speaker 2>a guy named Nikita Krushev, And the overall vibe of

0:38:20.280 --> 0:38:22.840
<v Speaker 2>this guy is like, hey, I'm not Stalin, which is

0:38:22.840 --> 0:38:26.360
<v Speaker 2>a good vibe to have coming in after Stalin. Absolutely,

0:38:27.520 --> 0:38:31.000
<v Speaker 2>this fundamental dictorial nature of the USSR doesn't go away

0:38:31.080 --> 0:38:33.800
<v Speaker 2>under him, but he lessens it up quite a lot.

0:38:34.040 --> 0:38:38.680
<v Speaker 2>It's not like free press, but more stuff is getting

0:38:38.719 --> 0:38:43.680
<v Speaker 2>approved right, Okay, not free, but for your yeah, totally.

0:38:43.760 --> 0:38:46.560
<v Speaker 2>You can't just do whatever you want willy nilly like

0:38:46.600 --> 0:38:48.480
<v Speaker 2>writes stuff down and let people read it.

0:38:49.000 --> 0:38:51.080
<v Speaker 3>Sure, that would be wild.

0:38:51.080 --> 0:38:55.080
<v Speaker 2>Yeah, but it's easier to get it approved. And so

0:38:56.200 --> 0:38:58.480
<v Speaker 2>some people are able to start writing again under Krushev.

0:38:59.040 --> 0:39:00.680
<v Speaker 2>Don't worry, like ten years old is going to get

0:39:00.680 --> 0:39:07.000
<v Speaker 2>ousted for not being whatever. Yeah, and more stuff is

0:39:07.040 --> 0:39:10.600
<v Speaker 2>allowed through, including a book by perhaps the most famous

0:39:10.600 --> 0:39:13.960
<v Speaker 2>author going to talk about this week. He is not

0:39:14.440 --> 0:39:16.799
<v Speaker 2>quite cool people who did cool stuff, but he's a

0:39:16.880 --> 0:39:19.080
<v Speaker 2>complicated guy who did cool stuff.

0:39:19.480 --> 0:39:20.560
<v Speaker 3>Okay, okay.

0:39:20.840 --> 0:39:22.520
<v Speaker 2>A reoccurring theme on this show.

0:39:22.840 --> 0:39:25.560
<v Speaker 3>Uh oh, that's could be its own spinoff. I guess,

0:39:25.840 --> 0:39:26.120
<v Speaker 3>I know.

0:39:26.239 --> 0:39:29.040
<v Speaker 2>Really that's the secret subtext of half of the episodes.

0:39:29.080 --> 0:39:33.040
<v Speaker 2>It's like your heroes were more complicated than you thought. Yeah, yeah,

0:39:33.080 --> 0:39:35.160
<v Speaker 2>but not in a like so fuck them forever way,

0:39:35.239 --> 0:39:37.319
<v Speaker 2>but you know, no, well some of them, but.

0:39:37.520 --> 0:39:41.400
<v Speaker 3>Yeah, sure, but you can understand that people are complex.

0:39:41.480 --> 0:39:42.440
<v Speaker 3>In fact, we all are.

0:39:42.840 --> 0:39:45.960
<v Speaker 2>Yeah, well not me. I fortunately have been blessed by

0:39:46.000 --> 0:39:46.959
<v Speaker 2>never doing anything wrong.

0:39:48.680 --> 0:39:49.319
<v Speaker 3>Good for you.

0:39:49.760 --> 0:39:51.960
<v Speaker 2>Yeah no, and uh, anyone who tries to bring it

0:39:52.000 --> 0:39:53.840
<v Speaker 2>to my attention I've done something wrong is actually the

0:39:53.840 --> 0:39:56.000
<v Speaker 2>one doing something wrong is really important for people who

0:39:56.040 --> 0:39:56.760
<v Speaker 2>you're in the Goolag.

0:39:56.960 --> 0:39:59.080
<v Speaker 1>You're perfect, We've been established, and.

0:39:59.040 --> 0:40:01.080
<v Speaker 2>That's why I should be in charge the Narco Gulag.

0:40:01.360 --> 0:40:05.279
<v Speaker 3>That's absolutely, that's right. If they criticize you, then there

0:40:05.360 --> 0:40:07.560
<v Speaker 3>must be something deeply evil about them.

0:40:08.040 --> 0:40:08.200
<v Speaker 5>Yeah.

0:40:08.200 --> 0:40:10.760
<v Speaker 2>I was thinking, like, well, they're not like permanently flawed.

0:40:10.800 --> 0:40:13.800
<v Speaker 2>They could just be taught again. We'll call them teaching

0:40:13.840 --> 0:40:17.920
<v Speaker 2>again camps. Oh yeah, do it better this time? Is

0:40:18.360 --> 0:40:20.880
<v Speaker 2>the subtitle build back Better?

0:40:23.160 --> 0:40:23.600
<v Speaker 3>All right?

0:40:24.560 --> 0:40:28.080
<v Speaker 2>And that book, the more famous one and the author

0:40:28.400 --> 0:40:30.839
<v Speaker 2>and the rise of Samasdak culture, which I still hasn't

0:40:30.840 --> 0:40:33.240
<v Speaker 2>even been called that yet. We're going to talk about

0:40:33.920 --> 0:40:34.600
<v Speaker 2>on Wednesday.

0:40:35.280 --> 0:40:38.879
<v Speaker 3>Ooh, Wednesday, I know, I don't know, I just wanted

0:40:38.880 --> 0:40:40.120
<v Speaker 3>to add some flair. I don't know.

0:40:40.800 --> 0:40:44.359
<v Speaker 2>How are you feeling about underground publishing so far?

0:40:45.080 --> 0:40:47.880
<v Speaker 3>I think this is really rad. There's so many parallels

0:40:47.920 --> 0:40:52.880
<v Speaker 3>to be brought to as we've established modern day. I

0:40:52.920 --> 0:40:58.960
<v Speaker 3>think it's cool. It sounds pretty punk rock, Yeah, complicated, scary, terrifying,

0:41:00.160 --> 0:41:05.319
<v Speaker 3>potentially demoralizing era where people such as these that you've

0:41:05.360 --> 0:41:07.280
<v Speaker 3>outlined here are vital.

0:41:08.040 --> 0:41:08.440
<v Speaker 2>Yeah.

0:41:08.600 --> 0:41:09.520
<v Speaker 3>Yeah.

0:41:09.719 --> 0:41:11.040
<v Speaker 2>One of the things that I think about on a

0:41:11.080 --> 0:41:13.160
<v Speaker 2>regular basis. A long time ago, I did an episode

0:41:13.160 --> 0:41:17.640
<v Speaker 2>about the Warsaw Ghetto uprising, and when I think about that,

0:41:17.719 --> 0:41:22.600
<v Speaker 2>like closed doomed society, the things that they smuggled in.

0:41:22.719 --> 0:41:27.080
<v Speaker 2>There was three things that mattered to them, which was food, arms,

0:41:27.760 --> 0:41:31.600
<v Speaker 2>and the means of printing. Like, the means of printing

0:41:31.719 --> 0:41:34.759
<v Speaker 2>was so important to people, and I think that's a

0:41:34.760 --> 0:41:37.480
<v Speaker 2>thing that we sometimes take for granted. And obviously it

0:41:37.520 --> 0:41:41.280
<v Speaker 2>would be harder to silence the free production of stuff

0:41:41.360 --> 0:41:44.640
<v Speaker 2>in the modern era, but not impossible. Like, for example,

0:41:45.239 --> 0:41:48.240
<v Speaker 2>did you know that every commercially available like home printer,

0:41:48.520 --> 0:41:50.839
<v Speaker 2>leaves a fingerprint that can be tracked forensically.

0:41:51.880 --> 0:41:52.840
<v Speaker 3>I didn't know.

0:41:53.000 --> 0:41:55.719
<v Speaker 2>I didn't know that. Isn't that fun? It's one of

0:41:55.719 --> 0:41:58.200
<v Speaker 2>those things where you're like, when you're in like normal

0:41:58.239 --> 0:42:01.799
<v Speaker 2>time society, you're like, well, all right, I mean I'm

0:42:01.840 --> 0:42:05.240
<v Speaker 2>not doing anything wrong, so whatever. You know, there's free speech.

0:42:06.120 --> 0:42:10.480
<v Speaker 2>But when you're like, oh, if you live in a dictatorship.

0:42:09.920 --> 0:42:15.640
<v Speaker 3>Right, we're actually so much more traceable, trackable, detectable, yeah,

0:42:15.680 --> 0:42:18.120
<v Speaker 3>than you could even imagine, even if you're reading something

0:42:18.160 --> 0:42:20.719
<v Speaker 3>on your computer and not posting it. Well, it's I

0:42:20.719 --> 0:42:23.680
<v Speaker 3>guess that's imaginable at this point, people have access to

0:42:23.760 --> 0:42:25.000
<v Speaker 3>your hard drives.

0:42:25.040 --> 0:42:27.120
<v Speaker 2>But yeah, depending, but yeah.

0:42:27.160 --> 0:42:31.799
<v Speaker 3>Depending, and then there's other forms of censorship. It's it's

0:42:31.800 --> 0:42:32.520
<v Speaker 3>all relatable.

0:42:33.040 --> 0:42:36.640
<v Speaker 2>Yeah, but it's not hopeless. And I mean, one, we're

0:42:36.719 --> 0:42:39.439
<v Speaker 2>also not there yet, or we might not get there.

0:42:39.480 --> 0:42:42.400
<v Speaker 2>We might continue to have it not free speech, well

0:42:42.440 --> 0:42:44.000
<v Speaker 2>except for, of course, the people who get pulled off

0:42:44.040 --> 0:42:47.520
<v Speaker 2>the streets for participating in protective free speech activities. Besides

0:42:47.600 --> 0:42:50.840
<v Speaker 2>those people, God damn it, what a fucking time.

0:42:53.280 --> 0:42:57.360
<v Speaker 3>Yeah. Yeah, I like to remind myself we aren't. Actually

0:42:57.760 --> 0:43:02.120
<v Speaker 3>it's happening, but it's we're not the endgame. There's still

0:43:02.160 --> 0:43:04.520
<v Speaker 3>time for us to change this outcome.

0:43:04.960 --> 0:43:08.800
<v Speaker 2>Yeah, totally, But I also think it's it's worth people

0:43:08.880 --> 0:43:11.640
<v Speaker 2>understanding that, among other things to prepare for. I think

0:43:11.680 --> 0:43:14.400
<v Speaker 2>it's worth people thinking about how they would continue to

0:43:14.480 --> 0:43:17.960
<v Speaker 2>produce culture under different circumstances.

0:43:18.840 --> 0:43:21.160
<v Speaker 3>Now is the time to have those conversations and to

0:43:21.200 --> 0:43:23.120
<v Speaker 3>have with yourself with other people.

0:43:23.400 --> 0:43:25.160
<v Speaker 2>Yeah, but we're not going to tell you how we're

0:43:25.200 --> 0:43:27.040
<v Speaker 2>gonna Well, we're just going to keep going forever because

0:43:27.040 --> 0:43:27.879
<v Speaker 2>everyone loves us.

0:43:28.239 --> 0:43:33.319
<v Speaker 3>Yeah, you can't stop me from podcasting. Maybe they could, Yeah, right,

0:43:33.400 --> 0:43:34.840
<v Speaker 3>that's hope.

0:43:35.239 --> 0:43:35.640
<v Speaker 2>I think.

0:43:36.400 --> 0:43:39.800
<v Speaker 5>I don't think it's like that's like a conversation Robert

0:43:39.840 --> 0:43:43.799
<v Speaker 5>and I have like every couple hours, like, hmmm, we

0:43:43.840 --> 0:43:45.920
<v Speaker 5>could keep doing this, I think.

0:43:46.000 --> 0:43:49.160
<v Speaker 3>Right, yeah, totally, yeah, yeah, probably.

0:43:51.280 --> 0:43:54.279
<v Speaker 2>Anyway, we'll probably be back on Wednesday.

0:43:54.719 --> 0:43:56.440
<v Speaker 3>We'll probably see you Wednesday, folks.

0:43:57.040 --> 0:44:00.600
<v Speaker 1>In the meantime, listen to you know, all the things

0:44:00.600 --> 0:44:01.920
<v Speaker 1>that we that we do.

0:44:01.840 --> 0:44:05.680
<v Speaker 3>While while you can, oh yeah, while you can.

0:44:05.719 --> 0:44:09.000
<v Speaker 2>When politics with prop Listen to sixteenth Minute of Fame,

0:44:09.239 --> 0:44:12.239
<v Speaker 2>Listen to Better Offline. That's it. Those are all the

0:44:12.280 --> 0:44:13.120
<v Speaker 2>cools on media shows.

0:44:13.200 --> 0:44:13.399
<v Speaker 1>Right.

0:44:13.880 --> 0:44:15.720
<v Speaker 2>No, no, those other.

0:44:15.600 --> 0:44:19.560
<v Speaker 5>Ones forgot it could happen here. Forgot weird little guys.

0:44:19.840 --> 0:44:22.520
<v Speaker 2>Oh I did forget weird little guys. I'm so sorry.

0:44:23.120 --> 0:44:25.960
<v Speaker 2>I mean, and also it could happen here and behind

0:44:25.960 --> 0:44:29.560
<v Speaker 2>the Bastards and behind the Bastards, which has a lot

0:44:29.600 --> 0:44:31.200
<v Speaker 2>more about. If you want to learn more about Stalin,

0:44:31.280 --> 0:44:36.960
<v Speaker 2>listen to the really old episodes of US Yeah, and

0:44:37.120 --> 0:44:42.040
<v Speaker 2>listen to actual news on the even more Variety Yeah,

0:44:42.160 --> 0:44:44.600
<v Speaker 2>or the some more variety.

0:44:44.680 --> 0:44:47.600
<v Speaker 3>We got that news. We've got it, some of it

0:44:47.760 --> 0:44:48.960
<v Speaker 3>and even more of it.

0:44:49.760 --> 0:44:52.280
<v Speaker 2>I first actually heard about you, not on Behind the Bastards,

0:44:52.320 --> 0:44:55.800
<v Speaker 2>but on Worst Year Ever. Really that was a good show.

0:44:56.040 --> 0:44:58.399
<v Speaker 2>I really liked I know, we did.

0:44:58.800 --> 0:45:01.480
<v Speaker 3>I miss that. Yeah, it was fun. It was also

0:45:01.960 --> 0:45:05.200
<v Speaker 3>very hard to balance all everything.

0:45:05.440 --> 0:45:07.560
<v Speaker 1>We did it during one of the hardest times in

0:45:07.600 --> 0:45:08.040
<v Speaker 1>the world.

0:45:08.320 --> 0:45:11.239
<v Speaker 3>Yeah, we burnt ourselves out. Nice, But then you guys

0:45:11.280 --> 0:45:14.360
<v Speaker 3>also launched all of your other shows and lots of things.

0:45:14.760 --> 0:45:16.880
<v Speaker 1>Yeah, now we're even more tired.

0:45:17.680 --> 0:45:19.720
<v Speaker 3>Now we're even more even more tired.

0:45:20.239 --> 0:45:22.319
<v Speaker 2>And then there's also this thing where I'm like, even

0:45:22.360 --> 0:45:24.000
<v Speaker 2>though I'm tired and a little bit burned out, there's

0:45:24.000 --> 0:45:25.879
<v Speaker 2>also like a fire under me a little bit more

0:45:25.880 --> 0:45:29.120
<v Speaker 2>where I'm like, yeah, for sure, oh I better. Like

0:45:29.239 --> 0:45:32.400
<v Speaker 2>researching this stuff was like, well, I want to know

0:45:32.440 --> 0:45:35.000
<v Speaker 2>about how they did this, you know, and like all

0:45:35.040 --> 0:45:36.359
<v Speaker 2>of them. I mean, that's the thing I like about

0:45:36.360 --> 0:45:38.360
<v Speaker 2>my show is I genuinely care about the things that

0:45:38.440 --> 0:45:44.120
<v Speaker 2>I talk about, but like it's been I don't know. Unfortunately,

0:45:44.160 --> 0:45:46.560
<v Speaker 2>it allows me to run on fumes sometimes, is how

0:45:46.640 --> 0:45:47.919
<v Speaker 2>much I care about motivate stuff.

0:45:48.120 --> 0:45:52.520
<v Speaker 3>Right, It's an extra bit of motivation, but it's also

0:45:52.600 --> 0:45:56.880
<v Speaker 3>feels like a necessity at times, like I've got to Yeah, no,

0:45:57.200 --> 0:46:01.040
<v Speaker 3>I know what you're saying. It's hard to articulate, but yeah, And.

0:46:00.880 --> 0:46:03.320
<v Speaker 2>I want to not be entirely self aggrandizing about the

0:46:03.320 --> 0:46:06.040
<v Speaker 2>podcasting field here. I know that everyone is experiencing this.

0:46:06.160 --> 0:46:07.560
<v Speaker 2>I want to be really clear about that.

0:46:08.239 --> 0:46:14.080
<v Speaker 3>Oh, everybody has their own relationship to it, regardless of

0:46:14.120 --> 0:46:17.479
<v Speaker 3>what you do for a living or yeah, you know.

0:46:18.440 --> 0:46:20.319
<v Speaker 2>Welcome to the apocalypse, or we still have to pay

0:46:20.440 --> 0:46:25.400
<v Speaker 2>rent and yeah, yep, we'll see you all on Wednesday.

0:46:25.800 --> 0:46:26.960
<v Speaker 3>Wednesday.

0:46:26.960 --> 0:46:31.760
<v Speaker 1>Bye.

0:46:33.320 --> 0:46:35.800
<v Speaker 5>Cool People Who Did Cool Stuff is a production of

0:46:35.880 --> 0:46:38.960
<v Speaker 5>cool Zone Media. For more podcasts from cool Zone Media,

0:46:39.120 --> 0:46:42.359
<v Speaker 5>visit our website Coolzonemedia dot com, or check us out

0:46:42.440 --> 0:46:45.839
<v Speaker 5>on the iHeartRadio app, Apple Podcasts, or wherever you get

0:46:45.880 --> 0:46:47.040
<v Speaker 5>your podcasts.