WEBVTT - Episode 112 w/ Big Daddy Kane

0:00:11.800 --> 0:00:16.120
<v Speaker 1>And his drink chas motherfucking Podcast Mason. He's a legendary

0:00:16.200 --> 0:00:18.599
<v Speaker 1>queen's rapper. He's like Green is your boy in o R.

0:00:18.920 --> 0:00:22.680
<v Speaker 1>He's a Miami hippop pioneer. Up his dj e FN.

0:00:22.760 --> 0:00:25.200
<v Speaker 1>Together they drink it up with some of the biggest

0:00:25.200 --> 0:00:30.360
<v Speaker 1>players in the most professional unprofessional podcast and your number

0:00:30.360 --> 0:00:33.760
<v Speaker 1>one source for drunk fast drinks Mother. Every day is

0:00:33.800 --> 0:00:38.520
<v Speaker 1>New Year's Eles. Time for drink champs, drink up Mother Mother.

0:00:44.920 --> 0:00:46.800
<v Speaker 1>But he could be hopefully we should be shr boy

0:00:46.840 --> 0:00:49.080
<v Speaker 1>in R one up his dj e F and his

0:00:49.200 --> 0:01:00.000
<v Speaker 1>drink chance more happy and right that's longer than every

0:01:00.280 --> 0:01:02.880
<v Speaker 1>right now. When we started this show, we said we

0:01:02.920 --> 0:01:11.880
<v Speaker 1>wanted to honor and you know, salute living legends. And

0:01:12.160 --> 0:01:13.679
<v Speaker 1>when we can speak of the guests that we have

0:01:13.880 --> 0:01:19.000
<v Speaker 1>right now, there's no equivocations. There's no type of doubt

0:01:19.040 --> 0:01:22.720
<v Speaker 1>at all. How legendary this guy is. He is single

0:01:22.800 --> 0:01:27.040
<v Speaker 1>handedly control the rap game. Put Brooklyn on his back,

0:01:27.200 --> 0:01:29.240
<v Speaker 1>put New York City on his back, put a hip

0:01:29.280 --> 0:01:32.920
<v Speaker 1>hop on his back, has represented, has done, has to

0:01:33.000 --> 0:01:35.920
<v Speaker 1>travel across the world, took the Princess with Madonna and

0:01:35.920 --> 0:01:40.000
<v Speaker 1>and that now even came over. And he's the only

0:01:40.000 --> 0:01:41.640
<v Speaker 1>guy I know that got away with the speed though,

0:01:42.200 --> 0:01:46.279
<v Speaker 1>and he's still he's still the coolest guy in the world.

0:01:46.480 --> 0:01:49.480
<v Speaker 1>When you think a smooth operator, you gotta think of him,

0:01:49.600 --> 0:01:51.440
<v Speaker 1>and I gotta ask him what it makes him be

0:01:51.440 --> 0:01:53.880
<v Speaker 1>a smooth operator. And in case you people don't know

0:01:54.120 --> 0:01:57.040
<v Speaker 1>who we are talking about, we got Big Daddy came

0:01:57.280 --> 0:02:06.880
<v Speaker 1>and man, we're so excited to have you listen. I

0:02:06.880 --> 0:02:09.280
<v Speaker 1>don't know because I pulled up some whole lyrics and

0:02:10.600 --> 0:02:12.799
<v Speaker 1>during her on, guy, so I got during her on.

0:02:12.919 --> 0:02:15.840
<v Speaker 1>But we also know that you nobody got up. We

0:02:15.880 --> 0:02:22.280
<v Speaker 1>got you red wine. That's your thing right there. Exactly

0:02:22.280 --> 0:02:25.600
<v Speaker 1>soon as I pulled it out, I thought, we got

0:02:25.600 --> 0:02:29.239
<v Speaker 1>you to you know what I'm saying, Yeah, yeah, we

0:02:29.360 --> 0:02:32.960
<v Speaker 1>made you switch you on to red wine. Um well, now, honestly,

0:02:33.000 --> 0:02:35.119
<v Speaker 1>I was messing with the remy you know what I mean,

0:02:35.200 --> 0:02:37.400
<v Speaker 1>You know that sugar from that It was just putting

0:02:37.400 --> 0:02:41.079
<v Speaker 1>too much weight on Yeah yeah, Kanye, Yeah, yeah, yeah,

0:02:41.080 --> 0:02:43.800
<v Speaker 1>I was doing that. Realmy liked like me and my

0:02:43.800 --> 0:02:46.040
<v Speaker 1>my dude like we were like knocked down, like maybe

0:02:46.040 --> 0:02:51.160
<v Speaker 1>like a two fifths a night. Yeah, yeah, I drink Champs.

0:02:51.960 --> 0:02:54.639
<v Speaker 1>It's the whole time we've been on drink traps were

0:02:54.639 --> 0:02:57.640
<v Speaker 1>on a hundred in summer episodes. Never popped the bottle

0:02:57.680 --> 0:03:01.280
<v Speaker 1>of dawn. I'm popping it in the rememoration to you,

0:03:01.400 --> 0:03:08.239
<v Speaker 1>my brother for motherfucking big Daddy King. I'm popping a

0:03:08.280 --> 0:03:10.320
<v Speaker 1>bottle of This is an old bottle to look at that,

0:03:11.360 --> 0:03:13.680
<v Speaker 1>and we're even doing the slow mo. Yeah, I mean,

0:03:13.720 --> 0:03:17.560
<v Speaker 1>I'm sorry you. Yeah, I think we need to you

0:03:17.600 --> 0:03:21.440
<v Speaker 1>have such a long career. Yes, um, I want to

0:03:21.440 --> 0:03:24.080
<v Speaker 1>take it from the beginning, like what was inspired you

0:03:24.120 --> 0:03:28.440
<v Speaker 1>to get just just to start spinning period? You know, honestly,

0:03:28.840 --> 0:03:31.440
<v Speaker 1>it was something that I got into at you know,

0:03:31.639 --> 0:03:34.480
<v Speaker 1>the younger, at a young age because of an older

0:03:34.480 --> 0:03:37.440
<v Speaker 1>cousin I looked up to, you know. I mean it

0:03:37.520 --> 0:03:39.120
<v Speaker 1>was so it was that type of thing that got me.

0:03:39.680 --> 0:03:43.520
<v Speaker 1>I got open up. Yet it was it was something

0:03:43.560 --> 0:03:46.760
<v Speaker 1>you know, my older cousin was doing, so you know,

0:03:46.800 --> 0:03:49.840
<v Speaker 1>I just didn't really just to be like him. And

0:03:50.040 --> 0:03:51.839
<v Speaker 1>he told me, like, you know, you know you're too young.

0:03:52.280 --> 0:03:54.360
<v Speaker 1>Was he making records? No, No, it's just just you know,

0:03:54.520 --> 0:03:56.600
<v Speaker 1>just him and two of his boys around the way,

0:03:56.680 --> 0:03:58.400
<v Speaker 1>you know, the best side. You know, it was like

0:03:58.480 --> 0:04:00.560
<v Speaker 1>a little rap group for three man rap group and

0:04:00.640 --> 0:04:02.600
<v Speaker 1>he told me I was too young, like now, you know,

0:04:02.760 --> 0:04:05.560
<v Speaker 1>you know when you get older. So then from that

0:04:05.640 --> 0:04:09.400
<v Speaker 1>point my mission became to be better than the other

0:04:09.440 --> 0:04:12.440
<v Speaker 1>two dudes down with him. So I started off frightened

0:04:12.440 --> 0:04:15.040
<v Speaker 1>battle rhymes you feel me, and that's what I was

0:04:15.040 --> 0:04:16.839
<v Speaker 1>doing them. When I felt I had it right, I

0:04:16.839 --> 0:04:19.520
<v Speaker 1>went in battled the two dudes down with him, beat

0:04:19.560 --> 0:04:23.479
<v Speaker 1>them much older than you. Yeah, yeah, I battled them

0:04:23.480 --> 0:04:25.040
<v Speaker 1>and beat them and then ask them can I be

0:04:25.200 --> 0:04:29.400
<v Speaker 1>down now? You know? Oh I got notes and ship nigga.

0:04:30.240 --> 0:04:33.760
<v Speaker 1>But okay, so you battle them now you're just doing

0:04:33.760 --> 0:04:36.480
<v Speaker 1>it on the block. You just you're just been as

0:04:36.480 --> 0:04:39.640
<v Speaker 1>a hobby. Yeah, pretty much? Yeah, pretty much. So how

0:04:39.720 --> 0:04:41.599
<v Speaker 1>is it that you get to to where you become

0:04:41.680 --> 0:04:44.040
<v Speaker 1>big daddy kids? There is there is there a persona

0:04:44.080 --> 0:04:46.760
<v Speaker 1>before Big Daddy Cane. Did you have another name where

0:04:46.760 --> 0:04:52.440
<v Speaker 1>you did you like? But I'm certain that you went

0:04:52.440 --> 0:04:55.279
<v Speaker 1>through a couple of days maybe well before Big Daddy Kane.

0:04:55.320 --> 0:05:00.680
<v Speaker 1>It was just mc kane. Yeah, just mc cane kid.

0:05:00.720 --> 0:05:03.120
<v Speaker 1>All right. So now look I'm speaking to my good

0:05:03.120 --> 0:05:06.160
<v Speaker 1>brother Fat Joe today. So Fat Joe calls me and

0:05:06.240 --> 0:05:08.520
<v Speaker 1>I'm mad Hike. He's like, yo, I said, yo, I

0:05:08.520 --> 0:05:12.000
<v Speaker 1>got Cane on today. So he said, bud Wise is

0:05:12.120 --> 0:05:16.120
<v Speaker 1>super fast? What class? He said, He's mad? Did I

0:05:16.160 --> 0:05:19.239
<v Speaker 1>asked you this question? Bud Wise a super fast? Biggie

0:05:19.240 --> 0:05:22.440
<v Speaker 1>and Tupac actually came out the only time that people

0:05:22.560 --> 0:05:25.560
<v Speaker 1>the footage of Biggie and Tupac's got a famous record. Yeah,

0:05:25.600 --> 0:05:28.520
<v Speaker 1>actually no, Foreman Brooklyn, that were that one. You know,

0:05:28.560 --> 0:05:31.160
<v Speaker 1>if Fat Joe told me that they were they, that

0:05:31.279 --> 0:05:34.000
<v Speaker 1>wasn't even they set they were coming out with Cane. Yeah,

0:05:34.000 --> 0:05:39.560
<v Speaker 1>that was Joe was next up to rhyme when they

0:05:39.600 --> 0:05:41.920
<v Speaker 1>gave me to wrap it up, like you got five minutes.

0:05:42.000 --> 0:05:45.200
<v Speaker 1>So I wasn't able to even bring Joe on. But

0:05:45.279 --> 0:05:48.880
<v Speaker 1>Joe standing with didn't the Mike Verniet. You know, Joe

0:05:48.880 --> 0:05:51.000
<v Speaker 1>still me to wrap it up. Joe still was like, man,

0:05:51.279 --> 0:05:53.520
<v Speaker 1>if I would have condo say, he said, day norry,

0:05:53.760 --> 0:05:56.600
<v Speaker 1>but he still sat lot had five more minutes, he

0:05:56.600 --> 0:05:59.800
<v Speaker 1>would have been on there. You know what, man. Let

0:06:00.080 --> 0:06:02.560
<v Speaker 1>know the first time you met jay Z. The first

0:06:02.560 --> 0:06:06.800
<v Speaker 1>time I met jay Z, um it was back and

0:06:06.839 --> 0:06:11.120
<v Speaker 1>I want to say eighty eight maybe UM there was

0:06:11.240 --> 0:06:13.400
<v Speaker 1>you know, they was like um in the early eighties,

0:06:13.880 --> 0:06:16.760
<v Speaker 1>mid eighties, like you know my name was popping in

0:06:16.839 --> 0:06:20.520
<v Speaker 1>Brooklyn for battling people. But there was one dude whose

0:06:20.600 --> 0:06:26.599
<v Speaker 1>name was bigger than mine. Um, this guy named Jazz. Yeah, okay, cool,

0:06:26.960 --> 0:06:29.160
<v Speaker 1>like he was more popping. And then to top it off,

0:06:29.200 --> 0:06:32.120
<v Speaker 1>to make matters worse, um dude around the corner from

0:06:32.160 --> 0:06:35.520
<v Speaker 1>me on Fresh Gordon that had a Gordie Groove record.

0:06:36.480 --> 0:06:39.960
<v Speaker 1>Fresh Gordon did a mixtape with Jazz and I lived

0:06:40.000 --> 0:06:41.400
<v Speaker 1>around the corner for him. So I'm like, you know

0:06:41.400 --> 0:06:44.280
<v Speaker 1>you're gonna get a Massy Cat when I'm right here

0:06:44.279 --> 0:06:46.360
<v Speaker 1>from Green or No no, no, no, no, I'm I'm

0:06:46.360 --> 0:06:48.880
<v Speaker 1>from louis A two blocks from Rose of our projects

0:06:49.320 --> 0:06:51.920
<v Speaker 1>in that side. Um, so I'm like, you know you're

0:06:51.920 --> 0:06:54.080
<v Speaker 1>gonna get the Marc Cat instead of do right around

0:06:54.120 --> 0:06:56.120
<v Speaker 1>the corner. So now I'm really pissed. I'm like, me

0:06:56.160 --> 0:06:58.440
<v Speaker 1>and this Jazz dude go after the battle. We're gonna

0:06:58.440 --> 0:07:01.240
<v Speaker 1>have the battle. So about wine, Sophia, none of that

0:07:01.240 --> 0:07:02.919
<v Speaker 1>out at this time. No, no, no, no no, this

0:07:03.040 --> 0:07:06.400
<v Speaker 1>is like this is one of us had deals. Neither

0:07:06.440 --> 0:07:10.960
<v Speaker 1>one of us had deals, and it just never happened.

0:07:11.160 --> 0:07:14.080
<v Speaker 1>Like I tried to, you know, find the jazz we

0:07:14.400 --> 0:07:17.240
<v Speaker 1>it never happened. Then here I am what I do,

0:07:17.320 --> 0:07:20.480
<v Speaker 1>have records out, and I get a call from the

0:07:20.520 --> 0:07:24.680
<v Speaker 1>Shirt Kings and yeah, and they say, yo, we want

0:07:24.720 --> 0:07:28.280
<v Speaker 1>you to do a mixtape at Gordion Crib with Jazz.

0:07:29.760 --> 0:07:33.040
<v Speaker 1>And I'm like, well, if it's a battle, yeah, I mean,

0:07:33.040 --> 0:07:35.240
<v Speaker 1>I'm making records now, but that's that ship still was

0:07:35.240 --> 0:07:36.920
<v Speaker 1>eating me up, you know. So you say it, you

0:07:37.040 --> 0:07:40.120
<v Speaker 1>say it. Back then, battling was like more important to

0:07:40.200 --> 0:07:42.600
<v Speaker 1>even getting on the record with a person, like actually

0:07:42.640 --> 0:07:44.920
<v Speaker 1>battling the m c well, I mean, you know that

0:07:45.000 --> 0:07:47.360
<v Speaker 1>basically the record person was was great too, but like

0:07:47.400 --> 0:07:50.800
<v Speaker 1>I said, this was something personal, you know. I mean

0:07:50.840 --> 0:07:53.440
<v Speaker 1>I love Jazz now kind of respect for you know,

0:07:54.200 --> 0:07:56.520
<v Speaker 1>but I mean, yeah, this was something personal there, you know.

0:07:56.600 --> 0:07:58.120
<v Speaker 1>So it was like, yeah, we can do it if

0:07:58.120 --> 0:08:02.040
<v Speaker 1>we battle. And then when I get there on Grody Crib,

0:08:02.160 --> 0:08:04.880
<v Speaker 1>you know, he's like na, na, na listen or you know,

0:08:05.800 --> 0:08:07.880
<v Speaker 1>Jazz ain't with I mind no more. So we just

0:08:07.920 --> 0:08:09.640
<v Speaker 1>wanted to, you know, like do something. I maybe y'all

0:08:09.640 --> 0:08:11.160
<v Speaker 1>do something together, you know what I'm saying, Where he

0:08:11.200 --> 0:08:12.960
<v Speaker 1>can you know, really shine and whatnot. You know, we

0:08:13.080 --> 0:08:15.320
<v Speaker 1>you know, get the prop a new deal. So I

0:08:15.400 --> 0:08:19.400
<v Speaker 1>was like alright, cool, okay, And then Jazz asked me, yo,

0:08:19.520 --> 0:08:23.040
<v Speaker 1>can my man rhyme on it? Right? And I'm like,

0:08:23.080 --> 0:08:28.080
<v Speaker 1>you know, I don't care. This is so we did

0:08:28.120 --> 0:08:31.800
<v Speaker 1>to join me Jazz and jay Z. And then afterwards

0:08:31.920 --> 0:08:34.720
<v Speaker 1>do from the shirt king He was like, yo, um,

0:08:34.880 --> 0:08:37.760
<v Speaker 1>you think maybe you can take Jazz up to Coach

0:08:37.840 --> 0:08:40.040
<v Speaker 1>Chilling and maybe try to get him with deal, you

0:08:40.040 --> 0:08:43.679
<v Speaker 1>know something red label for young boys continue. So I

0:08:43.720 --> 0:08:45.240
<v Speaker 1>told I told him, you know, I mean to be

0:08:45.360 --> 0:08:48.000
<v Speaker 1>honest with you, I kind of like the skinny Lights

0:08:48.040 --> 0:08:51.080
<v Speaker 1>skin nigger better, you know, coking about jay Z, about

0:08:51.160 --> 0:08:54.080
<v Speaker 1>jay Z and um, you know, from that point, you know,

0:08:54.120 --> 0:08:56.360
<v Speaker 1>me and Jay got hooked up, and like I was trying,

0:08:56.440 --> 0:08:58.559
<v Speaker 1>you know, I tried my artist, you know, to get him.

0:08:58.720 --> 0:09:01.880
<v Speaker 1>Um um, you know, a deal with several different labels.

0:09:01.920 --> 0:09:03.880
<v Speaker 1>You know, just things just didn't work out. But Lucky

0:09:04.360 --> 0:09:06.319
<v Speaker 1>do smart enough to you know, figure out the way

0:09:06.320 --> 0:09:08.800
<v Speaker 1>to do it on his own. You know. Yeah, But

0:09:08.880 --> 0:09:12.120
<v Speaker 1>when you just inter Jack for one second, Daddy Kane

0:09:12.160 --> 0:09:20.760
<v Speaker 1>is the first guest that came with their own cork school. Goddamn,

0:09:19.559 --> 0:09:25.240
<v Speaker 1>some classy guy. Mann. You wouldn't expect anything, you know,

0:09:25.240 --> 0:09:27.440
<v Speaker 1>I wouldn't need to listen. Listen, in my mind, who

0:09:27.440 --> 0:09:29.280
<v Speaker 1>was gonna drink domp perryon? So I still got two

0:09:29.280 --> 0:09:31.520
<v Speaker 1>bottles of dog perry On just in case you want

0:09:31.520 --> 0:09:35.280
<v Speaker 1>to be in this what is? What is? What is? Um?

0:09:36.000 --> 0:09:38.679
<v Speaker 1>I'll get back to the jay Z thing later. But okay,

0:09:39.120 --> 0:09:44.640
<v Speaker 1>you wrote the Vaporist correct for BIS Marketing. Okay, come on, guys,

0:09:45.160 --> 0:09:47.600
<v Speaker 1>we need everybody to shut the hell out please. So look,

0:09:47.720 --> 0:09:51.720
<v Speaker 1>this is prior to you having your own records, is it, Yeah,

0:09:51.920 --> 0:09:54.480
<v Speaker 1>because that's how I heard. I heard that. That's how

0:09:54.520 --> 0:09:56.880
<v Speaker 1>you kind of got on, like you was writing for

0:09:57.040 --> 0:10:00.440
<v Speaker 1>BIZ and rock Shan Shawnta. But what's been like the

0:10:00.480 --> 0:10:02.400
<v Speaker 1>first record that you wrote for that blew up? Was

0:10:02.440 --> 0:10:12.040
<v Speaker 1>it the vapors Uh? You got the Vaporist? Um? It was?

0:10:12.640 --> 0:10:14.760
<v Speaker 1>It was now the first with some of um some

0:10:14.840 --> 0:10:21.200
<v Speaker 1>of nobody beats the BIS. This came to me, you know,

0:10:21.280 --> 0:10:25.040
<v Speaker 1>he was like, you know, yeah, I got this. UM.

0:10:25.120 --> 0:10:27.000
<v Speaker 1>He told me doing the thing like using the Wiz

0:10:27.080 --> 0:10:31.960
<v Speaker 1>song and he got this floating like he wanted because

0:10:32.000 --> 0:10:33.719
<v Speaker 1>they you know, he was like, you know, let it

0:10:33.800 --> 0:10:36.400
<v Speaker 1>flow like that and you know, just put something together.

0:10:37.320 --> 0:10:39.599
<v Speaker 1>So that that was the first you knew that you

0:10:39.679 --> 0:10:43.000
<v Speaker 1>knew you could think like somebody else, like that's what

0:10:43.200 --> 0:10:44.760
<v Speaker 1>I mean. That was pretty much around this most of

0:10:44.800 --> 0:10:51.200
<v Speaker 1>the time. Like you already Juice cres No, no, no, Bis.

0:10:51.400 --> 0:10:54.760
<v Speaker 1>You know he was Juice Crue but not me, you know.

0:10:54.920 --> 0:10:57.720
<v Speaker 1>So how did you meet this? I met bis um

0:10:57.840 --> 0:11:00.280
<v Speaker 1>through to a cat in Long Island. Um, it's the

0:11:00.320 --> 0:11:03.240
<v Speaker 1>Long Island named Wayne. Was dating my cousin Nikki. And

0:11:03.240 --> 0:11:05.160
<v Speaker 1>whenever you'd be around, he'd always be telling me about

0:11:05.160 --> 0:11:08.320
<v Speaker 1>this dude named Bis Markey d Biss Markey, d is

0:11:08.360 --> 0:11:10.240
<v Speaker 1>bis market d that you know. So I just such

0:11:10.280 --> 0:11:13.480
<v Speaker 1>a sun. So one day he came because my grandmother

0:11:13.520 --> 0:11:15.280
<v Speaker 1>lived right across the street from now Be Square more

0:11:16.200 --> 0:11:19.320
<v Speaker 1>so my first golfront for Square More throw that out there,

0:11:19.520 --> 0:11:25.160
<v Speaker 1>all right, it's up in the basement. A bunch of

0:11:25.920 --> 0:11:29.600
<v Speaker 1>took me there were out on my people from Fabrica.

0:11:29.640 --> 0:11:31.480
<v Speaker 1>I'm sorry, no, no, no, no, no, no, you gotta

0:11:31.600 --> 0:11:34.280
<v Speaker 1>gotta mention that. I gotta do that. Yeah, But I mean,

0:11:34.320 --> 0:11:35.840
<v Speaker 1>you know this time, you know, he's like, yo, my

0:11:35.880 --> 0:11:38.400
<v Speaker 1>man business in the mall. You know, he was just

0:11:38.480 --> 0:11:41.040
<v Speaker 1>beat boxing two and all this and stuff. I'm not

0:11:41.120 --> 0:11:44.400
<v Speaker 1>hearing them all right now, let me meet him. But

0:11:44.400 --> 0:11:47.079
<v Speaker 1>I'm like, I need to understand something. After the day

0:11:47.760 --> 0:11:50.440
<v Speaker 1>when I eat his ass sucks. From now on, you

0:11:50.520 --> 0:11:52.480
<v Speaker 1>go to this BIS market, d dude, you tell him

0:11:52.520 --> 0:11:55.960
<v Speaker 1>about mc king. So we went over there. I asked business.

0:11:56.000 --> 0:12:00.199
<v Speaker 1>Battle were battled, and after the battle, Bisiness like, Yo,

0:12:00.280 --> 0:12:03.120
<v Speaker 1>you're dope, man, you should get down with me. Um.

0:12:03.160 --> 0:12:05.120
<v Speaker 1>If you get down with me, I promise you, man,

0:12:05.160 --> 0:12:07.640
<v Speaker 1>we're gonna make a record one day. Man, business big

0:12:07.640 --> 0:12:11.720
<v Speaker 1>as this time or he's just no matter of fact.

0:12:12.720 --> 0:12:15.800
<v Speaker 1>This wasn't even down to use two then. Yeah, he

0:12:15.880 --> 0:12:18.520
<v Speaker 1>was actually just rocking with the Mike and Dave Cats

0:12:18.520 --> 0:12:20.960
<v Speaker 1>doing parties and like all of them b X and

0:12:21.080 --> 0:12:26.440
<v Speaker 1>Long Island. Yeah wow. So now let's let's take me

0:12:26.480 --> 0:12:30.960
<v Speaker 1>in the mind frame the Vaporists. Did somebody shoot on you?

0:12:30.960 --> 0:12:32.880
<v Speaker 1>You wanted to just get them back in the music.

0:12:33.000 --> 0:12:34.679
<v Speaker 1>I had nothing to do that. Oh that was big

0:12:34.880 --> 0:12:37.160
<v Speaker 1>out there. The whole thing is bigs out there. Like

0:12:37.200 --> 0:12:39.960
<v Speaker 1>bis was like him in mind like when you were right.

0:12:40.240 --> 0:12:44.520
<v Speaker 1>He came with this, told me, yo, remember you were

0:12:44.600 --> 0:12:48.200
<v Speaker 1>telling me that story about you, you know, your family

0:12:48.200 --> 0:12:51.920
<v Speaker 1>member whoop, you should write about that, you know, And

0:12:52.040 --> 0:12:55.720
<v Speaker 1>he was like um and talked to um. Cool v

0:12:56.200 --> 0:12:59.240
<v Speaker 1>talked to Swan, you know, like like you know, and

0:12:59.559 --> 0:13:00.960
<v Speaker 1>you know, I just talk with them and you know

0:13:00.960 --> 0:13:03.640
<v Speaker 1>they told me different stories about you know, cast and

0:13:03.720 --> 0:13:06.360
<v Speaker 1>try to play them. They've been sweating them down, you know.

0:13:06.840 --> 0:13:10.040
<v Speaker 1>So who came up with the actual word vapist bitch like?

0:13:10.160 --> 0:13:12.880
<v Speaker 1>And it came up one day in the Alba Square

0:13:12.960 --> 0:13:14.920
<v Speaker 1>moll y'all could play bills in the movie right, keep

0:13:14.920 --> 0:13:23.280
<v Speaker 1>it real? No, I wouldn't do that. I was like, yeo,

0:13:23.360 --> 0:13:26.800
<v Speaker 1>I played this. I don't know, but real talk doing

0:13:26.840 --> 0:13:29.720
<v Speaker 1>another note though, I think that you are a hell

0:13:29.800 --> 0:13:31.920
<v Speaker 1>of an actor. No real talk. They did a great

0:13:31.960 --> 0:13:35.800
<v Speaker 1>jobs and plays. Go now what is now? What is this?

0:13:36.000 --> 0:13:37.679
<v Speaker 1>What the kind of red one is this? If it's

0:13:37.679 --> 0:13:42.000
<v Speaker 1>described it's sexy ship, it's called clear, it's a Spanish

0:13:42.000 --> 0:13:47.439
<v Speaker 1>red um, it's it's um. I believe seventy monestrail which

0:13:47.440 --> 0:13:56.839
<v Speaker 1>is Spanish grade and seventy Spanish Sophistish cable. Have you

0:13:56.920 --> 0:14:04.040
<v Speaker 1>got we got something? So? All right, you guys, you

0:14:04.600 --> 0:14:07.280
<v Speaker 1>write the vaporus the song blows up. Let me ask

0:14:07.280 --> 0:14:09.240
<v Speaker 1>you a question before I go into depth with that.

0:14:09.600 --> 0:14:12.000
<v Speaker 1>How come business looked at like a real m c

0:14:12.520 --> 0:14:16.400
<v Speaker 1>and Drake isn't I don't know. I mean, you know,

0:14:16.520 --> 0:14:20.320
<v Speaker 1>it's like, here's my thing, which I've always tried to explain.

0:14:20.400 --> 0:14:22.680
<v Speaker 1>It's like, you know, once you cross that line, you

0:14:22.760 --> 0:14:26.000
<v Speaker 1>signed that paper, you know, you cross that line. What

0:14:26.120 --> 0:14:28.280
<v Speaker 1>you mean, well, I mean it's like you know, on

0:14:28.320 --> 0:14:32.000
<v Speaker 1>the street, you and MC. But once you sign that

0:14:32.600 --> 0:14:35.680
<v Speaker 1>are making records, you're an artist. You know, it's really

0:14:35.880 --> 0:14:38.480
<v Speaker 1>where you want to go with it, you know. I

0:14:38.520 --> 0:14:40.560
<v Speaker 1>mean with me, I've always tried to walk to fine

0:14:40.640 --> 0:14:43.120
<v Speaker 1>line and do a little bit of both. As an artist.

0:14:43.160 --> 0:14:46.080
<v Speaker 1>I try to make music for men and women, you know,

0:14:46.200 --> 0:14:49.360
<v Speaker 1>touch on b and keep the neighborhood ship as well,

0:14:49.800 --> 0:14:55.040
<v Speaker 1>but also spit battle cats and do real m c ship.

0:14:55.080 --> 0:14:56.840
<v Speaker 1>You know, I was trying to walk the fine line.

0:14:58.120 --> 0:15:00.520
<v Speaker 1>I mean it's like for someone like big business and

0:15:00.680 --> 0:15:04.400
<v Speaker 1>artists who makes, you know, some of the most funniest

0:15:04.440 --> 0:15:07.600
<v Speaker 1>records that make you enjoy life, you know. So I

0:15:07.600 --> 0:15:10.480
<v Speaker 1>mean with Drake Um doing this, you know the same thing.

0:15:10.920 --> 0:15:12.640
<v Speaker 1>And if he does have cats righting for him, I

0:15:12.680 --> 0:15:15.920
<v Speaker 1>have I have no problem with that. I mean, you know,

0:15:16.000 --> 0:15:17.840
<v Speaker 1>I think that makes him a great artist because I

0:15:17.840 --> 0:15:20.440
<v Speaker 1>don't look at best no less than an artist. I

0:15:20.440 --> 0:15:25.160
<v Speaker 1>don't look at uh Easy Easy actually said on the record,

0:15:25.200 --> 0:15:29.400
<v Speaker 1>he said, um ice Cube writes the rhymes that I say,

0:15:29.480 --> 0:15:34.200
<v Speaker 1>and for some reason it didn't bother me. But I

0:15:34.240 --> 0:15:36.640
<v Speaker 1>found I was even a dope wound puffle. I don't

0:15:36.720 --> 0:15:41.280
<v Speaker 1>rhys write. So how come these people don't tick off

0:15:41.880 --> 0:15:45.240
<v Speaker 1>the average fan but Drake does? You think it's because

0:15:46.080 --> 0:15:49.560
<v Speaker 1>Drake is so high at the level, like you, you

0:15:49.560 --> 0:15:52.800
<v Speaker 1>you got the experience to be that the only guy

0:15:52.880 --> 0:15:54.920
<v Speaker 1>at one point? Do you think that's the reason why

0:15:55.080 --> 0:15:58.280
<v Speaker 1>Drake receiven so much because probably could see a sex semple.

0:15:59.240 --> 0:16:03.560
<v Speaker 1>He was a sex of too. That's my point. You

0:16:03.600 --> 0:16:05.440
<v Speaker 1>know what they don't want the dude can imagine you.

0:16:05.440 --> 0:16:08.600
<v Speaker 1>You're not gonna chick down, You're not gonna beat friends

0:16:08.600 --> 0:16:16.480
<v Speaker 1>too long. You made it hard from out there people down.

0:16:16.840 --> 0:16:19.840
<v Speaker 1>But then this ever say like I'm the l s MC.

0:16:20.000 --> 0:16:22.440
<v Speaker 1>Did he ever like, was that ever his his thing

0:16:22.480 --> 0:16:24.880
<v Speaker 1>that he put out there? No? I mean he may

0:16:24.880 --> 0:16:26.800
<v Speaker 1>have said it like you know rhyme and you know

0:16:26.840 --> 0:16:29.120
<v Speaker 1>if the don't you know, but I mean, you know,

0:16:29.240 --> 0:16:32.280
<v Speaker 1>because I think that might be the difference between a

0:16:32.400 --> 0:16:35.440
<v Speaker 1>dude that considers himself an em C, a battle MC

0:16:35.680 --> 0:16:38.680
<v Speaker 1>versus and just being a good overall artist. Some of

0:16:38.680 --> 0:16:41.280
<v Speaker 1>them are gonna put themselves out there that way. I mean,

0:16:41.320 --> 0:16:43.560
<v Speaker 1>you have a lot of cats out here that's making

0:16:43.720 --> 0:16:47.760
<v Speaker 1>amazing music that I think are great artists. And I mean,

0:16:47.960 --> 0:16:49.680
<v Speaker 1>you know, I don't think that they should be looked

0:16:49.680 --> 0:16:54.000
<v Speaker 1>down upon because you know, they have writers. But at

0:16:54.000 --> 0:16:57.680
<v Speaker 1>the same time, if that's your thing, then I don't

0:16:57.680 --> 0:17:00.600
<v Speaker 1>think that you should be considering yourself. You know, a

0:17:00.680 --> 0:17:03.040
<v Speaker 1>real m c you don't take the time of rapper.

0:17:03.040 --> 0:17:07.600
<v Speaker 1>Ain't nothing wrong with that, you know. That's well, that's

0:17:07.640 --> 0:17:12.520
<v Speaker 1>well okay, so now you get to talk about the papers.

0:17:12.600 --> 0:17:15.760
<v Speaker 1>So now okay, so after the Vapors come out, right,

0:17:17.640 --> 0:17:20.399
<v Speaker 1>are people checking for you now because they know you? Like,

0:17:20.560 --> 0:17:22.080
<v Speaker 1>is it is it? Is it worth of mouth that

0:17:22.160 --> 0:17:24.720
<v Speaker 1>they know you woke this record? So is that like

0:17:24.840 --> 0:17:27.600
<v Speaker 1>not really? I mean, um, I think that down the

0:17:27.640 --> 0:17:31.359
<v Speaker 1>line people you know, uh, you know found out that

0:17:31.400 --> 0:17:34.399
<v Speaker 1>I was writing you know, um for Bis and some

0:17:34.480 --> 0:17:36.520
<v Speaker 1>of the stuff for Shanta. You know that came like

0:17:37.080 --> 0:17:41.000
<v Speaker 1>um down the line um, and those records took off

0:17:41.040 --> 0:17:49.040
<v Speaker 1>immediately when they came out. Yeah yeah, vapers, Yeah, yeah,

0:17:49.080 --> 0:17:53.359
<v Speaker 1>they take started off. Come on, one of your old niggers,

0:17:53.400 --> 0:17:59.800
<v Speaker 1>tell me, can you feel it. We were in the mall,

0:18:00.080 --> 0:18:02.720
<v Speaker 1>walking around the mall, this here bad ship live and

0:18:02.840 --> 0:18:06.200
<v Speaker 1>trying to you know, get that for a long time school.

0:18:06.560 --> 0:18:11.000
<v Speaker 1>Yeah and big you're not chilly business. He behind her,

0:18:11.280 --> 0:18:14.359
<v Speaker 1>just walking around, just just making up stuff like you know,

0:18:14.520 --> 0:18:19.879
<v Speaker 1>like you know, like like Superman, Joe Olvers, scrapers. This

0:18:20.080 --> 0:18:23.280
<v Speaker 1>girl here she caught the Faithors. He just kept saying

0:18:23.280 --> 0:18:25.760
<v Speaker 1>stuff like that, and I'm gonna, what the hell is

0:18:25.800 --> 0:18:29.520
<v Speaker 1>you talking about? She caught the Faithors? She I'm saying that,

0:18:29.640 --> 0:18:33.399
<v Speaker 1>you know. And that's when he started in then taking

0:18:33.480 --> 0:18:37.040
<v Speaker 1>feeling nothing can save you because this is the season.

0:18:37.640 --> 0:18:44.800
<v Speaker 1>Come on, Yeah, we're gonna We're gonna go through some

0:18:44.920 --> 0:18:47.719
<v Speaker 1>Kane wins today. God damn it. So now all right,

0:18:49.520 --> 0:18:53.920
<v Speaker 1>So when was the actual move where you actually felt like, Okay,

0:18:54.000 --> 0:18:58.560
<v Speaker 1>I'm making progress to getting on, like because you said

0:18:58.560 --> 0:19:00.439
<v Speaker 1>you just said that people didn't really take notice that

0:19:00.480 --> 0:19:05.399
<v Speaker 1>you're writing the record. It was it all? Let me

0:19:05.440 --> 0:19:08.960
<v Speaker 1>see what was oh? Um, it began when Nobody beats

0:19:09.000 --> 0:19:15.280
<v Speaker 1>the BIS, which was for the Vapors. Actually um the

0:19:15.400 --> 0:19:18.600
<v Speaker 1>data BIS brought to beat. He was going on, I

0:19:18.600 --> 0:19:21.520
<v Speaker 1>think to another record store to get the Steve Miller

0:19:21.560 --> 0:19:25.080
<v Speaker 1>Band part for um. So he asked me to what

0:19:25.240 --> 0:19:27.239
<v Speaker 1>and I'm like, yeah, I gotta test today, man, I

0:19:27.280 --> 0:19:30.440
<v Speaker 1>can't you know your right right now? You know. So

0:19:31.800 --> 0:19:34.760
<v Speaker 1>he went on and walking to the store and I

0:19:34.800 --> 0:19:37.400
<v Speaker 1>went to school. But after school I took the train

0:19:37.440 --> 0:19:42.480
<v Speaker 1>to Marley Faib and Queens and when I got a story,

0:19:42.640 --> 0:19:47.240
<v Speaker 1>a story, yeah, he's blowing up. Yeah. When I got there,

0:19:47.320 --> 0:19:49.760
<v Speaker 1>BIS wasn't there yet. So you know, with Molly, he

0:19:49.880 --> 0:19:51.600
<v Speaker 1>like cracked the door with the chain on it, and

0:19:51.840 --> 0:19:55.960
<v Speaker 1>you know, your bin't here. I'm like, while calling me

0:19:56.040 --> 0:19:59.600
<v Speaker 1>to man, he's like here, I'm like, you know, I

0:20:00.000 --> 0:20:02.639
<v Speaker 1>wrote the train all the way from Brooklyn. Did you

0:20:02.680 --> 0:20:05.240
<v Speaker 1>know who Morley Mark was at the time on Yeah, yeah, yeah, okay,

0:20:05.280 --> 0:20:07.800
<v Speaker 1>I've been there before with the chicks because but he

0:20:07.880 --> 0:20:09.400
<v Speaker 1>was like, your business here, I don't know to tell

0:20:09.400 --> 0:20:12.879
<v Speaker 1>you money, no doubt. I'm like these rhymes he supposed

0:20:12.880 --> 0:20:14.840
<v Speaker 1>to say today, just let him know. I came through.

0:20:14.920 --> 0:20:18.199
<v Speaker 1>Then he was like, you're writing big stuff like I

0:20:18.200 --> 0:20:20.960
<v Speaker 1>wrote that, you know. He talked the chain off and

0:20:21.119 --> 0:20:23.760
<v Speaker 1>was like you know, you know how this go, you know,

0:20:24.480 --> 0:20:25.960
<v Speaker 1>And I was like spitting a little bit up. He

0:20:26.040 --> 0:20:28.160
<v Speaker 1>was like I think I think he asked me, did

0:20:28.160 --> 0:20:29.960
<v Speaker 1>I write and make the music? I was like nah,

0:20:30.240 --> 0:20:31.600
<v Speaker 1>and he was like, you know, come on in, come

0:20:31.640 --> 0:20:34.359
<v Speaker 1>on in, and invited me in. And then like you

0:20:34.400 --> 0:20:36.480
<v Speaker 1>asked me, do I rhyme? I'm thinking I spit something

0:20:36.520 --> 0:20:40.119
<v Speaker 1>for him and he was like, Yo, let's work on something. Wow. Yeah,

0:20:40.440 --> 0:20:42.440
<v Speaker 1>what's the first work that you worked on. I'll take

0:20:42.480 --> 0:20:49.480
<v Speaker 1>you there, I'll take you there. Yeah, yeah, got there.

0:20:49.480 --> 0:20:51.760
<v Speaker 1>I'm getting chills through my body. Got there? Old on?

0:20:51.800 --> 0:20:56.120
<v Speaker 1>I God, damn, my notes is going down? Up a second?

0:20:56.160 --> 0:20:58.600
<v Speaker 1>Has I want to talk about another sponsor that provides

0:20:58.640 --> 0:21:02.879
<v Speaker 1>a crucial service that helps uh. I mean folks like us.

0:21:03.000 --> 0:21:05.600
<v Speaker 1>You know what small businesses, but I mean all businesses

0:21:05.600 --> 0:21:08.200
<v Speaker 1>of all sizes. And it's a new year and you're

0:21:08.200 --> 0:21:11.280
<v Speaker 1>sending new goals for your business and it's extremely difficult

0:21:11.320 --> 0:21:14.320
<v Speaker 1>to reach them without the right people on your team. Right.

0:21:14.359 --> 0:21:18.720
<v Speaker 1>Emphasizing on right and ZIP recruiter has transformed how you

0:21:18.800 --> 0:21:22.760
<v Speaker 1>go about finding them. Are you hiring? Do you know

0:21:22.800 --> 0:21:25.560
<v Speaker 1>where to post your job to find the best candidate?

0:21:26.600 --> 0:21:29.480
<v Speaker 1>I mean, it's it's difficult to find the right people

0:21:29.800 --> 0:21:32.680
<v Speaker 1>to fit the roles that that are really gonna help

0:21:32.680 --> 0:21:37.280
<v Speaker 1>advance your company. Um. Zip recruiter posts your job to

0:21:37.440 --> 0:21:40.159
<v Speaker 1>over one hundred of the webs leading job boards with

0:21:40.320 --> 0:21:43.960
<v Speaker 1>just one click. Then zip recruiter actively looks for the

0:21:44.000 --> 0:21:48.040
<v Speaker 1>most qualified candidates and invites them to apply. No wonder

0:21:48.040 --> 0:21:51.000
<v Speaker 1>eight percent of employers who post on zip recruiter get

0:21:51.160 --> 0:21:55.439
<v Speaker 1>a quality let's emphasize quality candidate through the site in

0:21:55.520 --> 0:21:59.760
<v Speaker 1>just one day. Zip recruiter is the smartest way to hire.

0:22:00.880 --> 0:22:03.639
<v Speaker 1>Find out today why Zip recruiter has been used by

0:22:03.680 --> 0:22:06.840
<v Speaker 1>businesses of all sizes and industries to find the most

0:22:06.920 --> 0:22:13.200
<v Speaker 1>qualified job candidates with immediate results. And right now, our listeners,

0:22:13.280 --> 0:22:16.560
<v Speaker 1>Drink Champs that is the Drink Champs Army can post

0:22:16.640 --> 0:22:24.360
<v Speaker 1>jobs on zip recruiter for free. Nada, that's right free.

0:22:25.240 --> 0:22:29.680
<v Speaker 1>Just go to zip recruiter dot com, forward slash champs

0:22:30.760 --> 0:22:34.520
<v Speaker 1>that Zip recruiter dot com forward slash c h a

0:22:34.840 --> 0:22:38.640
<v Speaker 1>m ps champs one more time to try it for free.

0:22:39.080 --> 0:22:44.080
<v Speaker 1>It's zip recruiter dot com forward slash champs. Get your

0:22:44.160 --> 0:22:51.560
<v Speaker 1>job on what's the year that this has happened? So

0:22:51.920 --> 0:23:00.760
<v Speaker 1>this is um no when nobody beats to came out,

0:23:01.160 --> 0:23:02.960
<v Speaker 1>I want to say eighty seven, though I want to

0:23:02.960 --> 0:23:05.880
<v Speaker 1>say eighty seven, so it's not even the height yet

0:23:05.920 --> 0:23:10.760
<v Speaker 1>of Juice Crew, like what they was doing. I mean, yeah, yeah,

0:23:10.760 --> 0:23:12.119
<v Speaker 1>it was. It was pretty much because you know what

0:23:12.119 --> 0:23:14.680
<v Speaker 1>I mean we're talking about the time of this is

0:23:14.760 --> 0:23:20.159
<v Speaker 1>during um Rock Sands Revenge the Bridge in so Demo,

0:23:21.320 --> 0:23:28.000
<v Speaker 1>you know. So now, okay, so you make that record

0:23:28.440 --> 0:23:31.919
<v Speaker 1>with Molly, Now when what is the first record that

0:23:32.000 --> 0:23:36.359
<v Speaker 1>you felt like, wow, I kind of made it a

0:23:36.680 --> 0:23:40.440
<v Speaker 1>w here to bring Trump. Come on, come on, we

0:23:41.560 --> 0:23:44.440
<v Speaker 1>talk about your baby. Let's go. I know old Ka Lyris,

0:23:44.520 --> 0:23:47.119
<v Speaker 1>Let's go, baby, want a battle? We got let battle

0:23:47.240 --> 0:23:52.200
<v Speaker 1>right now. I know I'm gonna win. So row Let's

0:23:52.200 --> 0:23:55.280
<v Speaker 1>take me. Take me to that time frame. Well, I

0:23:55.280 --> 0:23:57.879
<v Speaker 1>mean it's eighty seven, I'm fresh off the drink with

0:23:57.920 --> 0:24:00.760
<v Speaker 1>Bids that I'm just finding with Bids shares y'all to

0:24:00.920 --> 0:24:05.040
<v Speaker 1>what club is popping them, I'm like, uh no, Quarters,

0:24:05.119 --> 0:24:12.159
<v Speaker 1>roof Tie Squad. Yeah, I mean it was like, you know,

0:24:12.200 --> 0:24:14.320
<v Speaker 1>we just fresh off that, just rhyding with bibs, were like,

0:24:14.359 --> 0:24:16.359
<v Speaker 1>you know, I got a song out and you know

0:24:16.400 --> 0:24:18.280
<v Speaker 1>I'm thinking that, you know, oh yeah, it's on now

0:24:18.320 --> 0:24:20.600
<v Speaker 1>because I got this just rhyming with Biss joint with BIS.

0:24:20.600 --> 0:24:23.280
<v Speaker 1>But since BIS started the song off everybody thought it

0:24:23.320 --> 0:24:26.960
<v Speaker 1>was BIS record, so promoters his booking bids like, you know, like, yeah,

0:24:26.960 --> 0:24:29.800
<v Speaker 1>he'll probably bring new dude with him. So I got

0:24:29.800 --> 0:24:32.840
<v Speaker 1>a song that they're playing on the Rappattack and on Alert,

0:24:32.880 --> 0:24:35.800
<v Speaker 1>but nobody's booking me. I'm home. Broke his hell, you know,

0:24:35.920 --> 0:24:38.320
<v Speaker 1>like I needed listen to my joint on the video

0:24:38.800 --> 0:24:41.440
<v Speaker 1>and then go walk their team blocks to go steal

0:24:41.520 --> 0:24:43.960
<v Speaker 1>Mrs pol Fish sticks because I ain't got nothing, you

0:24:43.960 --> 0:24:46.359
<v Speaker 1>know what I mean. So that's how it was. And

0:24:46.400 --> 0:24:48.679
<v Speaker 1>I'm begging fly Tie, you know rand Coach on records.

0:24:48.680 --> 0:24:50.520
<v Speaker 1>Can I do a song by myself? Can I just

0:24:50.560 --> 0:24:53.119
<v Speaker 1>do something with just me? He like, it's not time.

0:24:53.240 --> 0:24:55.080
<v Speaker 1>You need to let this record marinade for a while.

0:24:55.080 --> 0:24:57.720
<v Speaker 1>You do. Then finally, I guess he gets tired of

0:24:57.760 --> 0:25:01.040
<v Speaker 1>me getting on his nerves and I went in like

0:25:01.119 --> 0:25:04.600
<v Speaker 1>Morley was. I was like, yeah, um, my man just

0:25:04.640 --> 0:25:08.240
<v Speaker 1>gave me to see him this Bobby Bird joint and

0:25:08.280 --> 0:25:11.840
<v Speaker 1>I found these Bobby Bird I was about to say, okay,

0:25:12.000 --> 0:25:16.440
<v Speaker 1>that's to all the drums. I'm like, yeah, my man

0:25:16.520 --> 0:25:18.520
<v Speaker 1>just gave me to see a Bobby Bird joint and

0:25:19.040 --> 0:25:22.000
<v Speaker 1>I found these here crazy horns from off the Black

0:25:22.040 --> 0:25:26.320
<v Speaker 1>season soundtrack, you know, and you know we we put

0:25:26.320 --> 0:25:30.879
<v Speaker 1>the joint together and that was that. Yeah, oh I

0:25:31.000 --> 0:25:34.240
<v Speaker 1>get my notes. They don't want to make great. I

0:25:34.280 --> 0:25:36.639
<v Speaker 1>don't want to make great right now, you got me

0:25:36.920 --> 0:25:39.360
<v Speaker 1>like the goose bumps and all that. This is real

0:25:39.400 --> 0:25:44.760
<v Speaker 1>ship man all right. So so not a juice crew

0:25:44.920 --> 0:25:46.600
<v Speaker 1>because we just you just touched on the juice crew

0:25:46.680 --> 0:25:54.680
<v Speaker 1>like me, right now, let's get even deeper. That's symphony session.

0:25:56.280 --> 0:26:01.080
<v Speaker 1>How did that? Like? How did that go down? There

0:26:01.240 --> 0:26:04.560
<v Speaker 1>was um the night I did raw. I took G

0:26:04.760 --> 0:26:07.240
<v Speaker 1>after the studio with me and how did know rap?

0:26:07.280 --> 0:26:09.360
<v Speaker 1>I just can't say just juico. I just met through

0:26:09.400 --> 0:26:14.560
<v Speaker 1>juic school because it was like the well shure I

0:26:14.600 --> 0:26:19.240
<v Speaker 1>believe you may have had demo, yeah, but it was

0:26:19.320 --> 0:26:22.199
<v Speaker 1>like we was the two Yeah, we were the two

0:26:22.280 --> 0:26:24.840
<v Speaker 1>lyrical dudes and the crew waiting to get our shine

0:26:25.119 --> 0:26:28.320
<v Speaker 1>because everybody else was popping accept us you did, so

0:26:28.480 --> 0:26:31.239
<v Speaker 1>we're waiting to really get our shine. Ain't looking at

0:26:31.240 --> 0:26:33.040
<v Speaker 1>you like the two lyrical dudes? Is that's the way

0:26:33.119 --> 0:26:35.320
<v Speaker 1>y'all being looked at the time? Also that record correct

0:26:35.320 --> 0:26:39.040
<v Speaker 1>G and master as correct. Okay, So it's like you know,

0:26:40.040 --> 0:26:43.680
<v Speaker 1>when I had did raw, Molly brought the beat back

0:26:43.720 --> 0:26:45.280
<v Speaker 1>and me and G just did a little free style

0:26:45.320 --> 0:26:47.560
<v Speaker 1>off of it and Molly played it and a lot

0:26:47.560 --> 0:26:49.880
<v Speaker 1>of people was demanded like Yo played the Royal version

0:26:49.880 --> 0:26:52.520
<v Speaker 1>with Kane n G on it, you know, So Molly

0:26:52.600 --> 0:26:54.800
<v Speaker 1>was wait time out, Sorry you said it was just

0:26:54.800 --> 0:26:58.679
<v Speaker 1>first you and G on symphony. Yeah, well, because like

0:26:58.760 --> 0:27:02.840
<v Speaker 1>basically we round the off off the beat together and

0:27:02.960 --> 0:27:05.560
<v Speaker 1>Molly played it after Roll came out, so people were

0:27:05.800 --> 0:27:09.280
<v Speaker 1>requesting it thinking it was a remix. Molly played it

0:27:09.280 --> 0:27:11.160
<v Speaker 1>for a while, but then he stashed it and was like, Yo,

0:27:11.200 --> 0:27:13.520
<v Speaker 1>look I need you and to do the same thing

0:27:13.600 --> 0:27:16.280
<v Speaker 1>but for my album. So it's really just be a

0:27:16.280 --> 0:27:18.960
<v Speaker 1>song with me and J. Then eventually, I guess when

0:27:18.960 --> 0:27:21.119
<v Speaker 1>Marley is making the track of something, Craig heard it

0:27:21.600 --> 0:27:25.080
<v Speaker 1>and I guess told Marty he wanted in, and Marlly

0:27:25.200 --> 0:27:26.840
<v Speaker 1>came to me and I was like, you know, well,

0:27:26.880 --> 0:27:28.840
<v Speaker 1>you know, uh, you know, I like that duck ller

0:27:28.960 --> 0:27:32.440
<v Speaker 1>ship and you know, yeah, Craig my due. Yeah, absolutely,

0:27:33.440 --> 0:27:36.280
<v Speaker 1>So then it was me, G and Craig. But then

0:27:36.320 --> 0:27:39.440
<v Speaker 1>the day we was filming the pictures for molly album cover,

0:27:39.600 --> 0:27:41.760
<v Speaker 1>after we got through, we went to morlly crib right

0:27:41.760 --> 0:27:44.359
<v Speaker 1>after the photo session, and he was like, you know,

0:27:44.520 --> 0:27:48.800
<v Speaker 1>this is my new artist, Master Ace, and um, you

0:27:48.840 --> 0:27:52.560
<v Speaker 1>know what we wanted. Yeah yeah, He's like, you want

0:27:52.600 --> 0:27:55.040
<v Speaker 1>to put him on the song. And I'm like, you know,

0:27:55.280 --> 0:27:57.440
<v Speaker 1>looking at Ace, you know, I mean, I love Ace,

0:27:57.760 --> 0:28:01.480
<v Speaker 1>but like Aces with these big glasses. Right, So me

0:28:01.560 --> 0:28:08.320
<v Speaker 1>and g like we're sitting there like he wasn't convinced, yo, Like, dude, nah,

0:28:08.920 --> 0:28:11.080
<v Speaker 1>I'm like, yo, let's let's say we're gonna get some

0:28:11.080 --> 0:28:14.399
<v Speaker 1>pizza and get the fun up out of that was

0:28:14.440 --> 0:28:18.000
<v Speaker 1>the plan. But I guess we took you long, and

0:28:18.040 --> 0:28:21.159
<v Speaker 1>a got a chance to start spitting. And when he

0:28:21.240 --> 0:28:23.800
<v Speaker 1>killed it, he said its verse. You know, I was like, yo,

0:28:23.920 --> 0:28:27.280
<v Speaker 1>Glass is kind of nice, man, like I'm kind of feeling.

0:28:28.560 --> 0:28:34.720
<v Speaker 1>So then then um, afterwards, um, Craig spit his verse,

0:28:35.400 --> 0:28:37.239
<v Speaker 1>you know, and then g came over and you know,

0:28:37.280 --> 0:28:41.640
<v Speaker 1>we were that that g rap list. You know, Glasses

0:28:41.680 --> 0:28:45.160
<v Speaker 1>first made me a little bit done, un crazed, you know,

0:28:45.600 --> 0:28:48.560
<v Speaker 1>so it was like, you know, we was like, yeah, yeah,

0:28:48.600 --> 0:28:51.000
<v Speaker 1>we we were messing with dude. We we we we didn't due. Yeah,

0:28:51.320 --> 0:28:54.000
<v Speaker 1>let's do this. So we did it. And then but

0:28:54.080 --> 0:28:56.440
<v Speaker 1>then g rap went and he said like, I don't

0:28:56.440 --> 0:28:58.080
<v Speaker 1>know what it is. This is like, maybe you can

0:28:58.080 --> 0:29:00.640
<v Speaker 1>tell me. It's just like a queen's thing, because like

0:29:01.240 --> 0:29:03.800
<v Speaker 1>he had like about a hundred and fifty bars. Man,

0:29:07.640 --> 0:29:14.960
<v Speaker 1>this was yeah, you know, and dude ran the real

0:29:15.120 --> 0:29:18.520
<v Speaker 1>or no, I'm serious, I'm gonna he ran the real

0:29:18.680 --> 0:29:22.040
<v Speaker 1>or so I'm like, so I'm not going there, you know.

0:29:22.720 --> 0:29:25.800
<v Speaker 1>So yeah, so you had to cut his rhyme. Um,

0:29:25.840 --> 0:29:27.240
<v Speaker 1>you know, just so I can even flip my verse

0:29:27.280 --> 0:29:30.240
<v Speaker 1>on what was the problem with you rock him? What?

0:29:31.560 --> 0:29:34.360
<v Speaker 1>What was it was? It was a you know, honestly

0:29:34.440 --> 0:29:37.760
<v Speaker 1>to this day, I would love to know, you know,

0:29:40.200 --> 0:29:42.680
<v Speaker 1>I mean, you know, I never I never had a

0:29:42.760 --> 0:29:45.680
<v Speaker 1>problem you know with Rock Kim And you know, me

0:29:45.720 --> 0:29:49.240
<v Speaker 1>and Eric B was like this. You know, when I

0:29:49.240 --> 0:29:51.760
<v Speaker 1>bought my first house, Eric B had a set of

0:29:51.840 --> 0:29:55.800
<v Speaker 1>keys um before I did because I was in l

0:29:55.840 --> 0:29:58.320
<v Speaker 1>A filming something. You know. So, I mean me and

0:29:58.440 --> 0:30:01.440
<v Speaker 1>Eric was cool. Um. I guess the type of thing

0:30:01.440 --> 0:30:03.800
<v Speaker 1>where people just wanted to know who was better, so

0:30:03.840 --> 0:30:08.160
<v Speaker 1>they would push to try to get to compare. You

0:30:08.280 --> 0:30:11.920
<v Speaker 1>got styles together, like because y'all go flaid back and lyrical.

0:30:12.520 --> 0:30:14.880
<v Speaker 1>I think it's really a lyrical thing. Like I think

0:30:15.040 --> 0:30:18.640
<v Speaker 1>Kane is lyrical. I think rides lyrical. But who's better?

0:30:19.440 --> 0:30:21.640
<v Speaker 1>You know that type of thing, you know, a competitive

0:30:21.640 --> 0:30:24.080
<v Speaker 1>thing you know which is which to me is hip hop?

0:30:24.760 --> 0:30:27.160
<v Speaker 1>You know, so you know I can understand and wanting

0:30:27.160 --> 0:30:29.800
<v Speaker 1>to see that. Do you do you do you when

0:30:29.840 --> 0:30:34.120
<v Speaker 1>you see like meat mal And and Drake going at it?

0:30:34.280 --> 0:30:35.960
<v Speaker 1>What do you say? What do you think of things

0:30:36.000 --> 0:30:42.400
<v Speaker 1>like that? I mean, I mean, it's my thing is

0:30:42.440 --> 0:30:48.000
<v Speaker 1>like this said. You keep it on record, it's hip hop.

0:30:48.800 --> 0:30:51.040
<v Speaker 1>You know, you take it off record now you turn

0:30:51.120 --> 0:30:55.080
<v Speaker 1>it into a contact sport. You know, Um, they can't

0:30:55.080 --> 0:30:58.200
<v Speaker 1>never have to slay somebody on the mic. Oh yeah, yeah,

0:30:58.240 --> 0:30:59.800
<v Speaker 1>you have to slay King. Let's let's throw it out

0:30:59.800 --> 0:31:02.520
<v Speaker 1>there on the micro or of the mic the mic, baby,

0:31:02.520 --> 0:31:08.000
<v Speaker 1>come on, well, Sime of the context. I battled, you

0:31:08.120 --> 0:31:10.880
<v Speaker 1>know that was my thing battling. So I mean there's

0:31:10.880 --> 0:31:12.920
<v Speaker 1>a whole bunch of rappers out battle. I mean, is

0:31:12.920 --> 0:31:15.040
<v Speaker 1>that your question? You asking me like like somebody know

0:31:15.080 --> 0:31:17.600
<v Speaker 1>I'm talking my own wax? Who did you slow? Oh

0:31:17.840 --> 0:31:21.640
<v Speaker 1>Na not? No, I never had you did? You did

0:31:21.680 --> 0:31:25.479
<v Speaker 1>not have time for that? Nobody wanted me, I mean

0:31:25.480 --> 0:31:35.479
<v Speaker 1>nobody wanted it. So now now now the slick rick thing.

0:31:35.680 --> 0:31:41.280
<v Speaker 1>Who broke this up? Was this APM D? Who was

0:31:41.320 --> 0:31:43.720
<v Speaker 1>it it was? I think it was was ep MD

0:31:43.840 --> 0:31:46.040
<v Speaker 1>or jermainely Free. It was one of them. They said,

0:31:46.200 --> 0:31:49.120
<v Speaker 1>slick of the bus thing, Yeah, the bus that y'all

0:31:49.120 --> 0:31:51.160
<v Speaker 1>have beef and slicker pull out a gunna trying to

0:31:51.160 --> 0:31:56.240
<v Speaker 1>shoot you. Is this truth? I would saying, yeah, my

0:31:56.400 --> 0:31:59.160
<v Speaker 1>arrows man, So I got I just gotta acted straight up.

0:32:00.000 --> 0:32:04.440
<v Speaker 1>It made me a little truth. But how did y'all listen?

0:32:04.480 --> 0:32:08.000
<v Speaker 1>This is a crazy thing. Listen right right now. If

0:32:08.160 --> 0:32:12.920
<v Speaker 1>a little um, you know, Curly had and uncle such

0:32:12.920 --> 0:32:15.360
<v Speaker 1>as such, half beef, we all know about it. But

0:32:15.480 --> 0:32:18.720
<v Speaker 1>back then we didn't have Instagram, we didn't have Twitter,

0:32:19.040 --> 0:32:21.280
<v Speaker 1>so it was an all word of mouth. So when

0:32:21.280 --> 0:32:23.880
<v Speaker 1>I'm hearing this and and I forget who called me,

0:32:24.240 --> 0:32:27.280
<v Speaker 1>and it was like, man, yeah, it's it's an EPND episode.

0:32:27.280 --> 0:32:29.000
<v Speaker 1>And it was like, yeah, you missed a whole bunch

0:32:29.000 --> 0:32:31.880
<v Speaker 1>of things like and I was like word, and I

0:32:31.920 --> 0:32:33.880
<v Speaker 1>had never I had never knew that. I had never

0:32:33.920 --> 0:32:38.400
<v Speaker 1>heard you go ask liquick, nobody that, nobody. Just keep

0:32:38.440 --> 0:32:40.360
<v Speaker 1>it clear. So back in the days, y'all have BEEP,

0:32:40.400 --> 0:32:43.360
<v Speaker 1>but it was not on the record. Yea, yeah it was.

0:32:43.400 --> 0:32:48.320
<v Speaker 1>It was some little mile stuff, you know, yeah, it

0:32:48.400 --> 0:32:53.080
<v Speaker 1>was more or less. I guess about the tour issue

0:32:53.120 --> 0:32:56.760
<v Speaker 1>about the tour, the l Nitro tour, you know that

0:32:56.920 --> 0:33:02.240
<v Speaker 1>was No, it's nothing because it's you know what was

0:33:02.280 --> 0:33:06.560
<v Speaker 1>the problem over? Who was the problem over? Like um

0:33:06.600 --> 0:33:10.800
<v Speaker 1>the problems over the same thing um that epm D

0:33:11.000 --> 0:33:13.280
<v Speaker 1>was talking about when when y'all had him here about

0:33:13.280 --> 0:33:18.920
<v Speaker 1>the order of the show. Oh yeah, because he was down. Yeah,

0:33:18.960 --> 0:33:21.480
<v Speaker 1>I see, I'll tell you something about king. I know

0:33:21.520 --> 0:33:24.560
<v Speaker 1>I'm telling the subject. But nikkas don't want to go

0:33:24.600 --> 0:33:27.560
<v Speaker 1>on at the kids side. Nikkas don't want to come

0:33:27.560 --> 0:33:30.280
<v Speaker 1>on at that ain't no half step, but I mean

0:33:30.640 --> 0:33:32.760
<v Speaker 1>they don't want to come on and all. Honestly, let's

0:33:32.800 --> 0:33:37.120
<v Speaker 1>just say this, yere slick Rick had an amazing show

0:33:37.880 --> 0:33:41.680
<v Speaker 1>and also he had the club bands, Mona, Lisa, Children's Stories.

0:33:42.360 --> 0:33:44.680
<v Speaker 1>He had an amazing show and E P m D.

0:33:45.120 --> 0:33:47.479
<v Speaker 1>I mean it was like the energy they brought on

0:33:47.640 --> 0:33:50.120
<v Speaker 1>stage was phenomenal, you know what I'm saying. I mean,

0:33:50.160 --> 0:33:54.200
<v Speaker 1>like these dudes just had like crazy energy, you know

0:33:54.240 --> 0:33:56.600
<v Speaker 1>what I said For them to like not be doing

0:33:56.640 --> 0:33:59.800
<v Speaker 1>a lot of movement, you know, they had they both

0:33:59.880 --> 0:34:04.720
<v Speaker 1>the coming to town from school show. He's turning around,

0:34:05.400 --> 0:34:08.719
<v Speaker 1>You're hit You're doing all like, hey, you give him

0:34:08.719 --> 0:34:13.960
<v Speaker 1>a y'all. No, no, no, but I mean, you know,

0:34:14.000 --> 0:34:17.399
<v Speaker 1>I mean I came from a different perspective. I think

0:34:17.440 --> 0:34:19.680
<v Speaker 1>me and you had this conversation over in London before,

0:34:20.200 --> 0:34:22.759
<v Speaker 1>Like I was saying, like, um, I'll tell you that.

0:34:22.840 --> 0:34:24.920
<v Speaker 1>I like, you know, Dougie Fresh came to one of

0:34:24.960 --> 0:34:28.359
<v Speaker 1>my shows and you know, he saw me perform and

0:34:28.360 --> 0:34:31.319
<v Speaker 1>like we smashed it. This is at the World down

0:34:31.400 --> 0:34:34.759
<v Speaker 1>to downtown. Were just showing Douggie saw me smash it,

0:34:35.680 --> 0:34:38.919
<v Speaker 1>And I'm asking him what you think? You know, doug

0:34:39.000 --> 0:34:40.719
<v Speaker 1>is you know he's you know, you know, I mean,

0:34:40.800 --> 0:34:44.680
<v Speaker 1>you're no revils, Like you know what you know? I thought,

0:34:44.719 --> 0:34:49.000
<v Speaker 1>did you hut up? And you know yeah, But I

0:34:49.000 --> 0:34:51.080
<v Speaker 1>mean now, but it's like after I know I just

0:34:51.160 --> 0:34:53.600
<v Speaker 1>rocked it, I'm in my mind, I'm like, you know,

0:34:53.680 --> 0:34:57.080
<v Speaker 1>old school ass nigga just hate it. That's that's that's

0:34:57.120 --> 0:35:00.440
<v Speaker 1>what's up. That that's what's up. But then he it's like, yo,

0:35:00.480 --> 0:35:02.799
<v Speaker 1>won't you come by the crib, you know, let me

0:35:02.840 --> 0:35:05.560
<v Speaker 1>show you something. So we go by, you know, his

0:35:05.600 --> 0:35:08.520
<v Speaker 1>crib and he pulled out these on and back. I

0:35:08.520 --> 0:35:10.279
<v Speaker 1>think might have been Beta Max. I'm not even sure

0:35:10.320 --> 0:35:12.799
<v Speaker 1>what he was rocking then, but videos of earth Wind

0:35:12.800 --> 0:35:17.840
<v Speaker 1>and Fire, Michael Jackson, Pink Floyd. You know, he's you know,

0:35:17.960 --> 0:35:21.600
<v Speaker 1>he's showed me what he studied and explaining how he

0:35:21.800 --> 0:35:25.480
<v Speaker 1>you know, transformed that into hip hop, you know, to

0:35:25.560 --> 0:35:27.640
<v Speaker 1>make him work at a hip hop show. And I'm like,

0:35:27.880 --> 0:35:30.520
<v Speaker 1>m So that next morning I woke up and brought

0:35:30.560 --> 0:35:35.960
<v Speaker 1>me uh James Brown video, Marvin Gaye uh, and Barby White.

0:35:36.360 --> 0:35:41.640
<v Speaker 1>Those are the first three up. I think this is

0:35:41.680 --> 0:35:45.520
<v Speaker 1>before VHS and you know, um yeah, and I start,

0:35:45.719 --> 0:35:49.319
<v Speaker 1>you know, um studying them and figuring out different things

0:35:49.320 --> 0:35:52.040
<v Speaker 1>to do on stage. So you see, my mindset wasn't

0:35:52.080 --> 0:35:54.840
<v Speaker 1>about how to make the dope hip hop show. My

0:35:54.880 --> 0:35:58.360
<v Speaker 1>mindset was about how to make a dope show and

0:35:58.440 --> 0:36:02.560
<v Speaker 1>make hip hop accepted. Um, I got I got another

0:36:02.640 --> 0:36:05.919
<v Speaker 1>question to ask? Who's flat top? Would and eighty nine

0:36:08.800 --> 0:36:14.080
<v Speaker 1>come on? Come on board? Okay, okay, you know, let

0:36:14.160 --> 0:36:17.560
<v Speaker 1>me take you so how much used to pay your barber?

0:36:17.600 --> 0:36:22.799
<v Speaker 1>Because he had your ship? Right? Your ship was? It was?

0:36:22.920 --> 0:36:27.719
<v Speaker 1>It was? It was how you calling this spatness perfecto? Well,

0:36:27.760 --> 0:36:29.480
<v Speaker 1>you know it was like, you know, I had a barber.

0:36:29.560 --> 0:36:32.040
<v Speaker 1>But then also school was nice with the clippers too,

0:36:32.080 --> 0:36:34.560
<v Speaker 1>So before we go on stage, I can always get

0:36:34.680 --> 0:36:37.520
<v Speaker 1>you know, you know what I mean. Then you had

0:36:37.560 --> 0:36:39.879
<v Speaker 1>to you have a flattop back then come on, man,

0:36:41.160 --> 0:36:43.520
<v Speaker 1>I had a flattop, but she didn't come out. I

0:36:43.640 --> 0:36:47.319
<v Speaker 1>was like my she was not like hand my ship

0:36:47.400 --> 0:36:49.239
<v Speaker 1>go through. I think I invented the gun because my

0:36:49.280 --> 0:36:51.520
<v Speaker 1>barber was just so fun up. You had had a

0:36:51.560 --> 0:36:53.600
<v Speaker 1>gun too. I had that I had. I had a

0:36:53.680 --> 0:36:56.120
<v Speaker 1>qual mape over that everything. I was a very hip

0:36:56.120 --> 0:36:59.480
<v Speaker 1>hootka you know. So you think you put back it

0:36:59.520 --> 0:37:07.040
<v Speaker 1>down a little flats out. I think, um, I think

0:37:07.040 --> 0:37:09.960
<v Speaker 1>I may have made it popular by talking about it,

0:37:10.600 --> 0:37:13.400
<v Speaker 1>you know, because I mean it was something that, um

0:37:13.440 --> 0:37:16.720
<v Speaker 1>that I asked for from seeing Larry Blackman from Cameo.

0:37:17.160 --> 0:37:19.200
<v Speaker 1>So I wasn't the first to have it, you know,

0:37:19.560 --> 0:37:21.920
<v Speaker 1>and Kid from Kid and Play his joint was always

0:37:21.960 --> 0:37:24.560
<v Speaker 1>bad my ultimate, you know. But I think it was

0:37:24.600 --> 0:37:28.360
<v Speaker 1>just a matter of me always talking about it, you

0:37:28.360 --> 0:37:30.160
<v Speaker 1>know what I'm saying, like really putting a brand to it,

0:37:30.239 --> 0:37:32.000
<v Speaker 1>you know what I'm saying. No, but you were like

0:37:32.080 --> 0:37:36.600
<v Speaker 1>the hood. Uh let me, let me say this. You

0:37:36.640 --> 0:37:41.080
<v Speaker 1>were like the hood, like you represented the hood. Like

0:37:41.160 --> 0:37:44.919
<v Speaker 1>when you were doing it right, people from the Hood

0:37:45.000 --> 0:37:47.040
<v Speaker 1>followed what you did. So that's what I'm saying, like

0:37:47.640 --> 0:37:50.560
<v Speaker 1>that the Hood controls the world. So we didn't we

0:37:50.600 --> 0:37:52.719
<v Speaker 1>didn't see the flats out from Cameo. Do you think

0:37:52.760 --> 0:37:55.120
<v Speaker 1>you don't? You don't think you just for the generation

0:37:55.239 --> 0:37:57.239
<v Speaker 1>you're talking about, for that generation, Yeah, I didn't watch

0:37:57.280 --> 0:37:59.520
<v Speaker 1>Cameo on them. It's like not really like that. They

0:37:59.800 --> 0:38:01.960
<v Speaker 1>you y'all was my camp. I got you, you know.

0:38:02.920 --> 0:38:08.759
<v Speaker 1>So now, when was your experience like working with Cold

0:38:08.840 --> 0:38:10.759
<v Speaker 1>Chilling in those days? The Cold Chilling was like it

0:38:10.880 --> 0:38:14.440
<v Speaker 1>was damn there, like depth like Death Row or whatever.

0:38:14.480 --> 0:38:17.400
<v Speaker 1>Like you guys was like the first like hood label

0:38:17.520 --> 0:38:19.880
<v Speaker 1>that it was. It was ran by the Hood people.

0:38:20.440 --> 0:38:24.120
<v Speaker 1>So how was that experience? I mean it was beautiful.

0:38:24.160 --> 0:38:27.440
<v Speaker 1>I mean, you know, Deaf Jam without a doubt is

0:38:27.680 --> 0:38:31.959
<v Speaker 1>um you know, like probably the greatest hip hop label ever.

0:38:32.840 --> 0:38:37.080
<v Speaker 1>But Cold Chilling was unique because the artist was a crew,

0:38:38.640 --> 0:38:40.279
<v Speaker 1>you see what I'm saying. Definitely, I had a bunch

0:38:40.320 --> 0:38:44.040
<v Speaker 1>of pop artists. Cold Chilling had the Juice crew. The

0:38:44.160 --> 0:38:46.560
<v Speaker 1>artists were a crew. You see what I'm saying. And

0:38:46.640 --> 0:38:50.319
<v Speaker 1>it operated that way and with each one giving off.

0:38:51.200 --> 0:38:53.600
<v Speaker 1>You know, they're different, you know, forms of artistry. Dog

0:38:53.719 --> 0:38:57.240
<v Speaker 1>like um. You know you had me on the lyrical

0:38:57.360 --> 0:39:00.920
<v Speaker 1>stuff and the smooth players stuff, had g rap on

0:39:00.960 --> 0:39:04.040
<v Speaker 1>the gangster stuff. This is on the comedies, Shante on

0:39:04.080 --> 0:39:07.800
<v Speaker 1>the sassy mouth disrespecting every prose. You know, Shan is

0:39:07.960 --> 0:39:10.839
<v Speaker 1>the wild child on the Wild Cowboy. You know. Yeah,

0:39:10.960 --> 0:39:13.280
<v Speaker 1>it was like that Craig g you know, the baby

0:39:13.320 --> 0:39:16.239
<v Speaker 1>come up dude, you know, and only y'all was a

0:39:16.320 --> 0:39:19.640
<v Speaker 1>single artists and then became the Juice creup correct as

0:39:19.640 --> 0:39:23.799
<v Speaker 1>opposed to like Wu tang Wu tank was. Now we

0:39:23.800 --> 0:39:26.880
<v Speaker 1>were brought in as a like you know, as a

0:39:26.920 --> 0:39:30.319
<v Speaker 1>member of the Juice cool you know, because I mean

0:39:30.440 --> 0:39:33.880
<v Speaker 1>you know this was you know, the juice creul is

0:39:34.040 --> 0:39:36.120
<v Speaker 1>is you know, making a mistake. This is Mr the

0:39:36.120 --> 0:39:39.920
<v Speaker 1>Magic Thing. You know. It wasn't Shan or Shante thing.

0:39:40.000 --> 0:39:42.520
<v Speaker 1>It wasn't Molly or fly Ty thing. This is Mr

0:39:42.560 --> 0:39:46.120
<v Speaker 1>the Magic Thing. You know. So I mean I think

0:39:46.160 --> 0:39:55.400
<v Speaker 1>people like Shante Isn't will forever be you know, the

0:39:55.480 --> 0:39:58.000
<v Speaker 1>Queen of the Juice Crew, the one she is the

0:39:58.000 --> 0:40:06.520
<v Speaker 1>one who made it popular because she was wax school

0:40:06.560 --> 0:40:11.440
<v Speaker 1>as sister Fastine. Okay, yeah, but yeah, she's want to

0:40:11.440 --> 0:40:13.560
<v Speaker 1>put it on wax, you know what I'm saying, where

0:40:13.600 --> 0:40:15.319
<v Speaker 1>we all could eat and make money off of it.

0:40:15.640 --> 0:40:19.160
<v Speaker 1>But you know what I mean, like like really a

0:40:19.200 --> 0:40:24.040
<v Speaker 1>rapid like she would make the Juice Crew blood. So

0:40:24.200 --> 0:40:27.080
<v Speaker 1>Seant forever be the Queen of the Juice Crew. But

0:40:27.160 --> 0:40:29.280
<v Speaker 1>prior to Seante and a lot of people don't notice,

0:40:29.480 --> 0:40:32.960
<v Speaker 1>Jelil from Houdini, Mighty Mike, c from the Faiest for

0:40:33.760 --> 0:40:39.640
<v Speaker 1>um Uh, Mellie mel waterbed keV. These are all members

0:40:39.640 --> 0:40:42.920
<v Speaker 1>of the Juice Crew that was before her. You know

0:40:42.920 --> 0:40:45.800
<v Speaker 1>what I'm saying, because this was Magic Crew, but David

0:40:45.880 --> 0:40:48.280
<v Speaker 1>was a part of you know, his team with radio.

0:40:49.680 --> 0:40:53.880
<v Speaker 1>You know, Seante started a whole new chapter of the

0:40:53.960 --> 0:40:57.400
<v Speaker 1>Juice Crew as artists, hold on, let me let me

0:40:57.440 --> 0:41:00.399
<v Speaker 1>interrupt for a second. Um. You know, we really got

0:41:00.400 --> 0:41:02.960
<v Speaker 1>to give it up to the companies that that support

0:41:03.040 --> 0:41:05.680
<v Speaker 1>Drink Champs. So if you're in the Drink Champs army,

0:41:05.920 --> 0:41:09.960
<v Speaker 1>make sure you support the companies. We talked about the advertisers,

0:41:10.120 --> 0:41:13.279
<v Speaker 1>because without them we wouldn't be here. And and one

0:41:13.280 --> 0:41:16.919
<v Speaker 1>of these companies it's funny, um my boy, Charlie. He's

0:41:17.040 --> 0:41:21.359
<v Speaker 1>he's heavy on this and it's been working out. I mean,

0:41:22.000 --> 0:41:26.640
<v Speaker 1>he lives by this. It's it's e harmony. And if

0:41:26.680 --> 0:41:30.200
<v Speaker 1>you're trying to online dating, chances are you you run

0:41:30.200 --> 0:41:34.280
<v Speaker 1>into like lazy text messages, dead in conversations, random matches

0:41:34.320 --> 0:41:37.040
<v Speaker 1>that don't turn into dates. You can't get to know

0:41:37.160 --> 0:41:39.160
<v Speaker 1>someone just by looking at their picture, and you know,

0:41:39.239 --> 0:41:42.760
<v Speaker 1>these crazy profiles and swiping and all this stuff. Charlie,

0:41:42.920 --> 0:41:47.719
<v Speaker 1>Charlie's he's really into this whole e harmony thing. And

0:41:47.840 --> 0:41:49.800
<v Speaker 1>uh and if you know Charlie, like we know Charlie,

0:41:49.920 --> 0:41:55.280
<v Speaker 1>I mean it works, you know, it definitely works for him.

0:41:55.360 --> 0:41:59.200
<v Speaker 1>And uh. He Harmony is unlike many other online dating sites.

0:41:59.760 --> 0:42:03.799
<v Speaker 1>He Harmony takes steps that other dating sites don't in

0:42:03.920 --> 0:42:07.080
<v Speaker 1>order to find you a more compatible match. They're built

0:42:07.120 --> 0:42:10.960
<v Speaker 1>to help you find lasting, meaningful relationships, not a shallow

0:42:10.960 --> 0:42:14.439
<v Speaker 1>hook up. They have helped over a million people find

0:42:14.480 --> 0:42:17.840
<v Speaker 1>their perfect match. As you know, it's about you know,

0:42:17.840 --> 0:42:20.960
<v Speaker 1>as many people are listening to us every every couple

0:42:21.000 --> 0:42:25.480
<v Speaker 1>of weeks. So e harmony uses years and years of science,

0:42:26.000 --> 0:42:29.440
<v Speaker 1>data and psychological research to send you right to the

0:42:29.520 --> 0:42:34.799
<v Speaker 1>right matches. And I mean nowadays you need to make

0:42:34.840 --> 0:42:37.800
<v Speaker 1>sure you you you get with the right person because

0:42:37.920 --> 0:42:40.920
<v Speaker 1>it could all go downhill from there. E Harmony brings

0:42:41.000 --> 0:42:45.160
<v Speaker 1>compatible people together. There are plenty of hookup sites out there,

0:42:45.200 --> 0:42:48.799
<v Speaker 1>plenty no pun intended. That is not what they are

0:42:49.200 --> 0:42:52.319
<v Speaker 1>right now. Um Our listeners get a free month with

0:42:52.400 --> 0:42:55.799
<v Speaker 1>the Harmony when they sign up for three months. Sign

0:42:55.840 --> 0:42:58.720
<v Speaker 1>up for a three month subscription. Enter the code Champs

0:42:58.920 --> 0:43:02.360
<v Speaker 1>C H A M P S at checkout. It's a

0:43:02.400 --> 0:43:05.359
<v Speaker 1>free month, so you've got nothing to lose going there.

0:43:05.480 --> 0:43:07.960
<v Speaker 1>You know, find the right person. You never know, you

0:43:08.040 --> 0:43:10.080
<v Speaker 1>might start a family. You know, you can listen to

0:43:10.160 --> 0:43:12.879
<v Speaker 1>Drink Champs together. Get that, you know, get your favorite drink,

0:43:13.520 --> 0:43:16.320
<v Speaker 1>sit by the by the TV and watch some revolt

0:43:16.440 --> 0:43:19.879
<v Speaker 1>or or or you know, sit bye bye, you know

0:43:20.640 --> 0:43:23.200
<v Speaker 1>in the car, listen to us on audio Boom iTunes.

0:43:23.880 --> 0:43:26.280
<v Speaker 1>You know, however, you you you check out drink Champs.

0:43:26.280 --> 0:43:30.200
<v Speaker 1>You know definitely you know this might be the way

0:43:30.200 --> 0:43:32.840
<v Speaker 1>to find that person to enjoy Drink Champs. So stop

0:43:32.840 --> 0:43:36.680
<v Speaker 1>waiting and start your journey to satisfy a meaningful relationship.

0:43:37.360 --> 0:43:40.000
<v Speaker 1>It can be fun to play around with online dating apps,

0:43:40.320 --> 0:43:43.120
<v Speaker 1>but when you're ready to fall in love and love people,

0:43:43.280 --> 0:43:45.480
<v Speaker 1>and a lot of people scare of that with someone

0:43:45.560 --> 0:43:48.960
<v Speaker 1>and have a meaningful relationship. There's one app that's built

0:43:49.000 --> 0:43:52.720
<v Speaker 1>to bring you real love. Shout out to Mary J. Blige.

0:43:52.800 --> 0:43:56.759
<v Speaker 1>You just got that star e Harmony. Come see how

0:43:56.800 --> 0:44:00.000
<v Speaker 1>your harmony can change your life. Go to e harmony

0:44:00.080 --> 0:44:04.400
<v Speaker 1>dot com and get started. Enter our code Champs C

0:44:04.760 --> 0:44:08.120
<v Speaker 1>H A M P S. Because even the drink Champs

0:44:08.200 --> 0:44:11.600
<v Speaker 1>Army and he loved too. And if you already got someone,

0:44:11.960 --> 0:44:14.799
<v Speaker 1>then refer somebody else that you know, that single that

0:44:14.800 --> 0:44:17.080
<v Speaker 1>that is having a hard time finding that right person

0:44:17.600 --> 0:44:20.080
<v Speaker 1>to enter that code Champs when they go to e

0:44:20.200 --> 0:44:29.080
<v Speaker 1>harmony dot com. Do you think you invented smooth rap?

0:44:30.600 --> 0:44:36.239
<v Speaker 1>Like wrap? It's just smooth, cool as a cucumbering. I

0:44:36.280 --> 0:44:38.120
<v Speaker 1>can't say I invented it, but I damn should have

0:44:38.160 --> 0:44:49.640
<v Speaker 1>made it, right. I think I think I think you

0:44:49.760 --> 0:44:53.120
<v Speaker 1>invented smooth rap. And I think one of the people

0:44:53.320 --> 0:44:56.239
<v Speaker 1>who are still doing it and perfect this move wrap

0:44:56.440 --> 0:44:59.920
<v Speaker 1>is Jay Z. And he's director. Yeah, I think he's descended.

0:45:01.360 --> 0:45:03.880
<v Speaker 1>You got you got Madonna on this list? Yeah, I

0:45:03.920 --> 0:45:07.080
<v Speaker 1>got my dog God damn, yeah, you gotta go that.

0:45:07.800 --> 0:45:10.400
<v Speaker 1>I first off, I got pictures with is that you

0:45:10.480 --> 0:45:14.040
<v Speaker 1>got pictures? Is that Madonna and Naomi camp For real?

0:45:14.640 --> 0:45:19.680
<v Speaker 1>What do the legs spread? Ari? You want to put

0:45:19.719 --> 0:45:23.799
<v Speaker 1>them on? I mean that's how I knew. Just tell

0:45:23.880 --> 0:45:25.880
<v Speaker 1>us what a job? How did you end up? What?

0:45:26.000 --> 0:45:27.719
<v Speaker 1>We know how it ended up? But you ended up

0:45:27.760 --> 0:45:31.759
<v Speaker 1>in her book. The photo shoot. Let's let's go. What

0:45:31.800 --> 0:45:35.000
<v Speaker 1>was the photo shoot? Like brother, that was Madonna and

0:45:35.120 --> 0:45:37.720
<v Speaker 1>Naomi Campbell? Got damn? I mean the photo shoot was fun,

0:45:37.880 --> 0:45:41.399
<v Speaker 1>you know what I mean? God, oh my god, hold on,

0:45:43.520 --> 0:45:46.080
<v Speaker 1>hold on everybody see that for people on votes TV.

0:45:49.640 --> 0:45:52.719
<v Speaker 1>Hold on, I got one more somewhere. I think you're

0:45:52.760 --> 0:45:58.840
<v Speaker 1>done that post, Yes, can't come by now. The photo

0:45:58.880 --> 0:46:01.000
<v Speaker 1>shoot was live. I mean, you know it's like you know,

0:46:01.120 --> 0:46:04.560
<v Speaker 1>music playing food out and stuff. Now. That was for

0:46:04.600 --> 0:46:06.640
<v Speaker 1>her book, her book called sex. So it was for

0:46:06.680 --> 0:46:09.000
<v Speaker 1>her book. Yeah, oh Madonna, Yeah, it was a Madonna.

0:46:09.440 --> 0:46:11.759
<v Speaker 1>You're the first thing of the knockdown Madonna give me five.

0:46:12.280 --> 0:46:21.839
<v Speaker 1>Let me listen, okay, listen, No he got no no no.

0:46:22.280 --> 0:46:30.080
<v Speaker 1>Me and Madonna never had sex. We just took never, no, no, no.

0:46:30.160 --> 0:46:34.600
<v Speaker 1>We just took nude photos. That's what I think I remember. Yeah,

0:46:36.239 --> 0:46:39.960
<v Speaker 1>because you looked out a lot of things can't for

0:46:40.080 --> 0:46:42.400
<v Speaker 1>them too, not on the list. I mean, you know,

0:46:42.640 --> 0:46:44.520
<v Speaker 1>and I mean, don't get me wrong. Madonna. You know,

0:46:44.560 --> 0:46:47.400
<v Speaker 1>she's a beautiful young lady. And more importantly, she was

0:46:47.480 --> 0:46:51.399
<v Speaker 1>mad cool because you see the way we met, that's

0:46:51.400 --> 0:46:54.640
<v Speaker 1>what the whole because we met under different circumstances. You know,

0:46:54.680 --> 0:46:57.719
<v Speaker 1>this wasn't about sexy, you know, freaky stuff. You know,

0:46:57.800 --> 0:47:01.200
<v Speaker 1>like the way we met was uh me, Madonna calling

0:47:01.200 --> 0:47:09.359
<v Speaker 1>me bad was visiting hospitals. Yeah, so so you see

0:47:09.360 --> 0:47:13.960
<v Speaker 1>where this is going. So we visited in hospitals kids

0:47:14.000 --> 0:47:16.560
<v Speaker 1>like this, you know, sick in hospital, gonna take pictures

0:47:16.560 --> 0:47:20.080
<v Speaker 1>with him, to sign autographs, and you know, these hospitals

0:47:20.120 --> 0:47:21.440
<v Speaker 1>are like going you know, on the east side of

0:47:21.520 --> 0:47:24.640
<v Speaker 1>man hat and stuff like this. While we did, you know,

0:47:24.680 --> 0:47:27.360
<v Speaker 1>they knew who Madonna was. They knew who calling me

0:47:27.400 --> 0:47:29.720
<v Speaker 1>bad was. You know a lot of kids in hospital

0:47:29.719 --> 0:47:31.759
<v Speaker 1>they didn't really know exactly who I was, you know,

0:47:32.400 --> 0:47:35.000
<v Speaker 1>because this was like you know, you know, upper class

0:47:35.000 --> 0:47:38.480
<v Speaker 1>you know, white children, you know, and Madonna is sitting

0:47:38.480 --> 0:47:40.840
<v Speaker 1>there like, you know, big daddy can't say how the

0:47:40.880 --> 0:47:45.160
<v Speaker 1>big Daddy came. He's a famous rapper. Let me say, hey, no,

0:47:46.200 --> 0:47:51.440
<v Speaker 1>and I'm liken my ship. You know, you know, like

0:47:51.440 --> 0:47:53.120
<v Speaker 1>like yeah, that was one of the movements for me.

0:47:53.880 --> 0:48:01.759
<v Speaker 1>Do you think pop? Clearly this is just killing. Can

0:48:01.800 --> 0:48:09.680
<v Speaker 1>you see I didn't dispute dead Somber clearly his speakers

0:48:09.760 --> 0:48:13.280
<v Speaker 1>is one of my mama A lot of like that.

0:48:13.040 --> 0:48:17.480
<v Speaker 1>That's not me's idea. You please speaking. Let's keep it real, Kaine.

0:48:17.480 --> 0:48:20.080
<v Speaker 1>Did you smell its? Come on, we all smell it.

0:48:21.000 --> 0:48:31.120
<v Speaker 1>You didn't smell Let your hands right now. It's my diagrams.

0:48:32.360 --> 0:48:37.719
<v Speaker 1>Get two things? What they're doing with that? Let me

0:48:37.760 --> 0:48:40.400
<v Speaker 1>just tell you something. You listen, you got two of

0:48:40.480 --> 0:48:43.520
<v Speaker 1>the baddest woman arguably for two of the best of

0:48:43.560 --> 0:48:46.440
<v Speaker 1>the both worlds. I would have wore speed on to

0:48:46.640 --> 0:48:50.080
<v Speaker 1>my brother I'm gonna because he definitely got the speed

0:48:50.080 --> 0:48:56.920
<v Speaker 1>on Leopard Crypt and all that. That's my nigger. What

0:48:57.040 --> 0:49:05.560
<v Speaker 1>are you thinking, little Love the sneak? Don't you shot shot?

0:49:06.080 --> 0:49:11.680
<v Speaker 1>It's more like, you know you gotta wear with it

0:49:11.800 --> 0:49:16.359
<v Speaker 1>my name shooting real Brezy. I gotta little I think,

0:49:16.920 --> 0:49:20.440
<v Speaker 1>tell yourself game. They listen. We all looked up to

0:49:20.480 --> 0:49:23.400
<v Speaker 1>you in the hood and we was like, damn, like

0:49:23.520 --> 0:49:25.720
<v Speaker 1>in all mine I don't know you said you didn't,

0:49:25.840 --> 0:49:28.160
<v Speaker 1>but in our minds just like, yeah, you could bow off,

0:49:28.280 --> 0:49:31.160
<v Speaker 1>you could rap and you can fuck which bite bitches.

0:49:32.840 --> 0:49:35.319
<v Speaker 1>This is this is who we don't In the one,

0:49:35.440 --> 0:49:38.040
<v Speaker 1>it was like, oh ship, but daddy came and just

0:49:38.120 --> 0:49:41.919
<v Speaker 1>cut our eyebrows. So then we started kind of hops

0:49:41.960 --> 0:49:51.520
<v Speaker 1>again this person again. Literally, okay, let me tell you

0:49:51.520 --> 0:49:54.040
<v Speaker 1>how much how much your eric's that? Never again? What?

0:49:54.320 --> 0:49:57.799
<v Speaker 1>Never again? Whatever? Never again? Because how much old little

0:49:58.000 --> 0:50:02.680
<v Speaker 1>took my dog? Okay here, look look, because they told

0:50:02.719 --> 0:50:04.640
<v Speaker 1>me you don't drink champagne or you don't drink it,

0:50:04.680 --> 0:50:07.359
<v Speaker 1>but I just wanted to give you a bottle dog

0:50:07.400 --> 0:50:12.759
<v Speaker 1>harry On for me. Tell you tell you know, I

0:50:12.800 --> 0:50:14.520
<v Speaker 1>appreciate it because in my mind I thought it was

0:50:14.520 --> 0:50:18.120
<v Speaker 1>gonna drink champagne because I just be looking at what

0:50:18.200 --> 0:50:20.279
<v Speaker 1>was the ain't a half stepping when you're in the ring.

0:50:21.520 --> 0:50:23.160
<v Speaker 1>You're in the ring, and I'm just in my mind

0:50:23.360 --> 0:50:27.759
<v Speaker 1>when they fed the water it was champagne. Well I'm

0:50:27.760 --> 0:50:30.200
<v Speaker 1>meaning for the money in the record, I do drink champagne.

0:50:30.239 --> 0:50:33.560
<v Speaker 1>It's your shot. I prefer wine, but I did drink champage. Okay,

0:50:33.520 --> 0:50:35.880
<v Speaker 1>all right, cool, Well you know listen, can I just

0:50:35.880 --> 0:50:38.319
<v Speaker 1>gotta throw this out there, every guest that we ever

0:50:38.360 --> 0:50:42.520
<v Speaker 1>had did a shot of something, right, so you would

0:50:42.560 --> 0:50:45.120
<v Speaker 1>you would would you like to Joe walk shot one

0:50:45.160 --> 0:50:46.960
<v Speaker 1>shot or something? This is what I recommend. This is

0:50:46.960 --> 0:50:52.640
<v Speaker 1>called tanger but semi herbal. It's semi herbal. This is

0:50:52.640 --> 0:50:57.000
<v Speaker 1>no sugar, just in case I don't know it's the

0:50:57.080 --> 0:50:59.279
<v Speaker 1>right way to sell that. So I'm just saying, like

0:50:59.400 --> 0:51:01.600
<v Speaker 1>you know, some people, we worry about their sugar level.

0:51:01.760 --> 0:51:04.680
<v Speaker 1>This is it's a Chinese herb's we've been saying, and

0:51:04.760 --> 0:51:08.880
<v Speaker 1>a lot of something else. If you take come on,

0:51:08.920 --> 0:51:14.680
<v Speaker 1>come on, come on, you yes you do, Let's do it.

0:51:14.760 --> 0:51:17.000
<v Speaker 1>This is a big daddy came. He'd been hyping all

0:51:17.120 --> 0:51:20.480
<v Speaker 1>fucking week. Oh now we've been home, both been hype

0:51:21.120 --> 0:51:25.919
<v Speaker 1>because you know, Kane, there's no outlet for us. You hold, hold,

0:51:25.920 --> 0:51:27.840
<v Speaker 1>you get the size of these fu shocklas. Come on,

0:51:27.960 --> 0:51:30.160
<v Speaker 1>we don't come on. We gotta gotta yeah. Yeah, there

0:51:30.160 --> 0:51:33.640
<v Speaker 1>we go. There we go, there we go, there we go. Okay, alright,

0:51:33.680 --> 0:51:37.000
<v Speaker 1>get one. So still Cane. You know when we me

0:51:37.040 --> 0:51:39.640
<v Speaker 1>and my partner we sat here and we said, you know,

0:51:40.440 --> 0:51:42.680
<v Speaker 1>we had had a radio show prior to that, but

0:51:42.760 --> 0:51:45.120
<v Speaker 1>on this radio show we were just playing around, just bullshit.

0:51:45.239 --> 0:51:47.520
<v Speaker 1>But we just sat sat back and said, there isn't

0:51:47.560 --> 0:51:51.399
<v Speaker 1>an outlet for our people are older statesmen, people who

0:51:51.440 --> 0:51:53.239
<v Speaker 1>put it in this work, people who did what they

0:51:53.239 --> 0:51:55.840
<v Speaker 1>had to do and to sit down and be saluted.

0:51:56.760 --> 0:51:58.839
<v Speaker 1>So we want you to know that this is what

0:51:58.880 --> 0:52:01.520
<v Speaker 1>we're doing tonight. Big Addie came. First off, you raised me.

0:52:01.560 --> 0:52:03.840
<v Speaker 1>In case you didn't know it or not, you raised me.

0:52:04.080 --> 0:52:06.399
<v Speaker 1>I'm sure you raised half of these motherfucker's in their room.

0:52:06.760 --> 0:52:09.160
<v Speaker 1>And if you didn't raise these guys in your room,

0:52:09.360 --> 0:52:13.080
<v Speaker 1>their parents fuck to your music. And that's why they're

0:52:13.120 --> 0:52:17.320
<v Speaker 1>here right now. So you raised them in differently and definitely,

0:52:17.680 --> 0:52:20.480
<v Speaker 1>So I un directly, indirect indirectly, because I just want

0:52:20.480 --> 0:52:23.040
<v Speaker 1>to say, big Daddy came, You should be saluted every

0:52:23.120 --> 0:52:26.000
<v Speaker 1>day or the motherfucking yeah, you're a virgo. We're gonna

0:52:26.040 --> 0:52:28.400
<v Speaker 1>get into that later. It's a timer temp correct. That

0:52:28.520 --> 0:52:32.360
<v Speaker 1>day should be big Daddy came, fucking holiday. Just do

0:52:32.400 --> 0:52:33.880
<v Speaker 1>whatever the funk you want to do on that day.

0:52:33.920 --> 0:52:37.920
<v Speaker 1>She'd be able to piss on your boss feet and

0:52:38.040 --> 0:52:40.920
<v Speaker 1>just and just come to fucking work and just do

0:52:40.960 --> 0:52:42.680
<v Speaker 1>whatever the funk you gotta do. But I don't know

0:52:42.719 --> 0:52:44.120
<v Speaker 1>if you know this is how we do it oky,

0:52:44.200 --> 0:52:47.080
<v Speaker 1>This is out of this tiger bone, this is drink chance,

0:52:47.320 --> 0:52:51.080
<v Speaker 1>motherfucking ship. And this is how big Daddy came. Oh you,

0:52:55.880 --> 0:53:02.120
<v Speaker 1>it's not good at all they got, but it's smooth,

0:53:02.160 --> 0:53:07.799
<v Speaker 1>or it's smooth. Of course he would say, no can

0:53:08.840 --> 0:53:13.839
<v Speaker 1>I'm growing up, I'm following you. I'm a kid. How

0:53:13.880 --> 0:53:18.239
<v Speaker 1>do I become a smooth operator? You know? Lots of

0:53:18.280 --> 0:53:21.600
<v Speaker 1>times I talked to the youth about their career, and

0:53:21.600 --> 0:53:24.720
<v Speaker 1>it's like I always try to tell casts, you know that,

0:53:24.800 --> 0:53:29.520
<v Speaker 1>you know, you got to give your fans you You

0:53:29.600 --> 0:53:34.520
<v Speaker 1>cannot follow the trend, you know, because trends come and go.

0:53:35.320 --> 0:53:38.800
<v Speaker 1>So when that trend is gone, you're gone because you

0:53:38.880 --> 0:53:41.880
<v Speaker 1>was a part of it. There was nothing special about you.

0:53:42.200 --> 0:53:44.480
<v Speaker 1>There was nothing special that made them. You know, try

0:53:44.520 --> 0:53:47.480
<v Speaker 1>to dissocial dissociate you from whatever the hell else what's

0:53:47.520 --> 0:53:50.480
<v Speaker 1>going on. You have to be somebody that you need,

0:53:50.760 --> 0:53:53.759
<v Speaker 1>give them something original, something when they would they gravitate

0:53:53.880 --> 0:53:56.600
<v Speaker 1>to what you do, what you represent? You know what

0:53:56.600 --> 0:54:00.279
<v Speaker 1>I'm saying, That's something I've always thought was important and

0:54:00.640 --> 0:54:03.640
<v Speaker 1>in an artist, you know, I mean you you you

0:54:03.760 --> 0:54:06.319
<v Speaker 1>got to give them something special, you know, And I

0:54:06.360 --> 0:54:10.719
<v Speaker 1>mean all honestly, I feel like you've done that. You know,

0:54:10.880 --> 0:54:12.960
<v Speaker 1>I think I don't think you know that you will

0:54:14.080 --> 0:54:16.680
<v Speaker 1>cut out to be the smooth dude. You will cut

0:54:16.680 --> 0:54:20.000
<v Speaker 1>out to be what you are, and you wear it well,

0:54:20.960 --> 0:54:22.799
<v Speaker 1>wear it well. Thank you. You know what I'm saying.

0:54:23.080 --> 0:54:24.560
<v Speaker 1>Makes some lows to me, can't make some to me.

0:54:28.360 --> 0:54:31.319
<v Speaker 1>You'll you'll twin you over here. You listen, you you wait,

0:54:31.400 --> 0:54:35.120
<v Speaker 1>your twin, you come in. Look listen. I'm sure you

0:54:35.239 --> 0:54:39.240
<v Speaker 1>was made up a big Daddy Kane record your average.

0:54:39.320 --> 0:54:41.799
<v Speaker 1>This is how you got it. This is my man twin.

0:54:41.880 --> 0:54:45.439
<v Speaker 1>He had a pace accident, but he's good not fail.

0:54:45.560 --> 0:54:49.320
<v Speaker 1>Excuse me, sorry, damn big daddy kid. God, damn it,

0:54:50.080 --> 0:54:52.200
<v Speaker 1>some loved kid. But he got us. He got us

0:54:52.239 --> 0:54:54.920
<v Speaker 1>popping dog Verry on twin, He got us popping dog

0:54:55.040 --> 0:54:56.839
<v Speaker 1>Verry Honest. Yeah, he come to the glass. And that's

0:54:56.840 --> 0:54:59.399
<v Speaker 1>about it. You want to get one if you're gonna

0:54:59.440 --> 0:55:03.400
<v Speaker 1>keep your move. It sounded about hold on, take a

0:55:03.480 --> 0:55:07.720
<v Speaker 1>second shot, take a shot of advanced that. No, But seriously,

0:55:07.760 --> 0:55:10.480
<v Speaker 1>I don't know who, like who really like to go

0:55:10.560 --> 0:55:13.439
<v Speaker 1>to movies and like really focus on scenes that deep.

0:55:14.000 --> 0:55:17.120
<v Speaker 1>But I mean, you know, when I was watching paydon Full,

0:55:17.239 --> 0:55:19.640
<v Speaker 1>I'm watching a lot of the people that had little

0:55:19.680 --> 0:55:23.640
<v Speaker 1>cameos and little spots in there, and I mean, like, yo,

0:55:23.800 --> 0:55:27.920
<v Speaker 1>that scene with you, Yo, I mean you made it

0:55:27.920 --> 0:55:31.120
<v Speaker 1>all up. Yeah, But the whole thing is that you

0:55:31.200 --> 0:55:34.719
<v Speaker 1>stayed focused and you made your presence felt. You know

0:55:34.719 --> 0:55:37.000
<v Speaker 1>what I'm saying. You didn't just fall back and just

0:55:37.200 --> 0:55:40.200
<v Speaker 1>be a part of the script. You made your presence felt.

0:55:41.080 --> 0:55:44.319
<v Speaker 1>You know, you came across from camera great man, like, yeah,

0:55:44.360 --> 0:55:46.520
<v Speaker 1>I do love to see more ship like that. Man. Now,

0:55:46.520 --> 0:55:50.759
<v Speaker 1>speaking to movies, you did the Posse movie, how was

0:55:50.840 --> 0:55:53.719
<v Speaker 1>that experience, because that was like that was that was

0:55:53.760 --> 0:55:56.440
<v Speaker 1>like when we knew we thought like Dan Kane never

0:55:56.560 --> 0:56:01.920
<v Speaker 1>coming back because I was like, was also looking like

0:56:03.480 --> 0:56:06.120
<v Speaker 1>her coming back like the I mean, I'm gonna be

0:56:06.120 --> 0:56:10.360
<v Speaker 1>honest with you. It's like, you know, I enjoy doing it.

0:56:10.360 --> 0:56:11.920
<v Speaker 1>It was the type of work that I wanted to

0:56:11.920 --> 0:56:14.399
<v Speaker 1>do because I didn't want to be on the big

0:56:14.440 --> 0:56:18.200
<v Speaker 1>screen being a rapper or being a thug because I mean,

0:56:18.239 --> 0:56:20.120
<v Speaker 1>you know, you don't see me do that in a video,

0:56:20.320 --> 0:56:24.200
<v Speaker 1>you know. You know, it's like that's the music life.

0:56:24.239 --> 0:56:26.040
<v Speaker 1>You know what I'm saying. If we act and then

0:56:26.120 --> 0:56:28.759
<v Speaker 1>let's act, saying, let me let me do something out

0:56:28.760 --> 0:56:32.160
<v Speaker 1>of yourself. Are like, yeah, so having to you know,

0:56:32.640 --> 0:56:36.040
<v Speaker 1>speaking you know, in a period voice and you know

0:56:36.600 --> 0:56:40.000
<v Speaker 1>ride horses. You know, I mean I thought that that

0:56:40.080 --> 0:56:42.799
<v Speaker 1>was beautiful and I mean I I enjoyed that opportunity

0:56:43.560 --> 0:56:46.759
<v Speaker 1>big on much respects to Mario Van people forgiving me shot.

0:56:46.960 --> 0:56:48.920
<v Speaker 1>You know what I'm saying. But I tell you one

0:56:48.960 --> 0:56:51.560
<v Speaker 1>thing though, that ship was a culture shock like never before.

0:56:51.680 --> 0:56:57.680
<v Speaker 1>What you mean by that, I mean the set, the

0:56:57.680 --> 0:57:00.200
<v Speaker 1>set life like you know, I mean, were you um

0:57:03.160 --> 0:57:07.880
<v Speaker 1>okay whoa queen? Yeah? Yeah, so just like Brooklyn. You know,

0:57:09.120 --> 0:57:12.280
<v Speaker 1>what we see on day to day basis is cat, rat,

0:57:12.320 --> 0:57:16.960
<v Speaker 1>dog we come out of. That's wildlife for us. You

0:57:16.960 --> 0:57:19.160
<v Speaker 1>know what I'm saying. You know, you see a cat

0:57:19.160 --> 0:57:21.160
<v Speaker 1>and a dog in the daytime, the nighttime, you see

0:57:21.160 --> 0:57:23.360
<v Speaker 1>the vest come out. That's what we see. You know

0:57:23.400 --> 0:57:25.760
<v Speaker 1>what I'm saying. I will mention to the roaches. That's

0:57:25.800 --> 0:57:30.959
<v Speaker 1>really you know the extent of brother. I'm out there

0:57:31.320 --> 0:57:36.720
<v Speaker 1>nesting with tarantulas, scorpions. What y'a film is at Tucson, Arizona.

0:57:37.600 --> 0:57:42.160
<v Speaker 1>That's her movie and Tucson, Arizona. It's turrible. I get

0:57:42.160 --> 0:57:45.200
<v Speaker 1>my head cut off a fucking I die. I'm the

0:57:45.240 --> 0:57:51.840
<v Speaker 1>black guy back out blast like, yo, I'm timidus, I'm

0:57:51.880 --> 0:57:57.200
<v Speaker 1>out of the movie. IM sorry, I can't. Yeah, but

0:57:56.360 --> 0:58:01.280
<v Speaker 1>that's crazy with peckers snakes. Bro. Let me tell you something.

0:58:01.560 --> 0:58:08.360
<v Speaker 1>Somebody asked you one time, like, yeah, I dude calling

0:58:08.480 --> 0:58:11.440
<v Speaker 1>on my door every morning five am and my dumbass

0:58:11.440 --> 0:58:18.080
<v Speaker 1>getting to open it up there and somebody knocked. Real talk,

0:58:18.160 --> 0:58:27.680
<v Speaker 1>what pecker on schedule every morning? Real talk? No real talk.

0:58:27.920 --> 0:58:30.800
<v Speaker 1>Let me tell you something. Somebody asked me one time

0:58:30.840 --> 0:58:34.520
<v Speaker 1>about you know, like yo, why you never make like no, no, no,

0:58:34.520 --> 0:58:37.880
<v Speaker 1>no gangster ship man. And I was like, you know,

0:58:37.920 --> 0:58:40.000
<v Speaker 1>because I mean I used the films they took him out. No,

0:58:40.120 --> 0:58:42.320
<v Speaker 1>they took me to gangster records. I never you know,

0:58:42.360 --> 0:58:44.520
<v Speaker 1>I never did know, you know, gangster ship. You know.

0:58:44.720 --> 0:58:48.360
<v Speaker 1>I mean I spit hard. It was not no, no,

0:58:48.360 --> 0:58:51.960
<v Speaker 1>I hardcore but not gangster. But I mean, you know,

0:58:52.560 --> 0:58:57.880
<v Speaker 1>I explained to myself, well, for one reason, there's um p,

0:58:58.040 --> 0:59:00.320
<v Speaker 1>a girl that worked on the policy set that pull

0:59:00.400 --> 0:59:03.479
<v Speaker 1>my card real easy. And let anybody know, there ain't

0:59:03.520 --> 0:59:06.280
<v Speaker 1>nothing that that should ain't true. Because when we was

0:59:06.320 --> 0:59:10.520
<v Speaker 1>filming one day, we're coming off set. My dude, like

0:59:10.560 --> 0:59:12.640
<v Speaker 1>the people they're over there, like telling us to go

0:59:12.720 --> 0:59:16.760
<v Speaker 1>like this, to walk another way. They're whispering, and I can't.

0:59:16.800 --> 0:59:18.200
<v Speaker 1>You know, I couldn't have said what they're saying. This

0:59:18.320 --> 0:59:20.680
<v Speaker 1>is going on for a few minutes. Long story short,

0:59:20.960 --> 0:59:22.760
<v Speaker 1>I couldn't take it. The more. I'm just like, yo,

0:59:23.680 --> 0:59:29.080
<v Speaker 1>what they said, rattler. So I just took flight, like

0:59:31.520 --> 0:59:38.040
<v Speaker 1>now now listen, I'm running, but I'm a man, feeling mother,

0:59:38.240 --> 0:59:41.200
<v Speaker 1>but I'm a man. I got here's where they got funking.

0:59:42.360 --> 0:59:44.960
<v Speaker 1>The pie girl caught up with me and grabbed my

0:59:45.080 --> 0:59:48.920
<v Speaker 1>vesh like you know, savor, and I mean, you know

0:59:49.160 --> 0:59:53.080
<v Speaker 1>my dude, you know yo, I mean I remember being

0:59:53.120 --> 0:59:55.640
<v Speaker 1>at a party in Brooklyn where I took a chicken

0:59:55.640 --> 0:59:58.120
<v Speaker 1>through hunter speaker while they're shooting inside of the club

0:59:58.960 --> 1:00:01.000
<v Speaker 1>and I'm standing out. You know what I'm saying. I mean,

1:00:01.040 --> 1:00:03.200
<v Speaker 1>you know the gun that that stuff don't bother me.

1:00:03.240 --> 1:00:08.880
<v Speaker 1>You know a different thing. She grabbed my ris. I

1:00:09.000 --> 1:00:12.520
<v Speaker 1>started punching that shut up down. You know, said she's

1:00:12.520 --> 1:00:15.040
<v Speaker 1>showing me down. So I started punching shut out of

1:00:15.080 --> 1:00:19.000
<v Speaker 1>her hand. You don't get it, because so yeah, I

1:00:19.160 --> 1:00:25.040
<v Speaker 1>make the gangs and stuff for we got now because

1:00:25.080 --> 1:00:28.320
<v Speaker 1>we heard stories that you've been were like like like

1:00:28.440 --> 1:00:34.200
<v Speaker 1>Supreme Magnetic, the UM supporter, Weekends, Brain from Brooklyn, that's

1:00:34.240 --> 1:00:37.240
<v Speaker 1>my dude. Yeah, So we always heard those stories, so

1:00:37.280 --> 1:00:40.720
<v Speaker 1>we always automatically thought it was it was just you.

1:00:41.080 --> 1:00:44.440
<v Speaker 1>That's not he's saying. That's not never at all have

1:00:44.480 --> 1:00:47.280
<v Speaker 1>the videos. I was convinced, can't you can't take it?

1:00:47.360 --> 1:00:51.840
<v Speaker 1>Take it back now. I'm a nice guy. I'm a

1:00:51.920 --> 1:00:55.000
<v Speaker 1>nice guy. You know, I'm a nice guy. To drink

1:00:55.040 --> 1:01:04.640
<v Speaker 1>red wine, fingerpop, my dada, let's make some drink Champs Army.

1:01:04.680 --> 1:01:07.960
<v Speaker 1>We really got to support those that have been supporting us,

1:01:08.520 --> 1:01:11.440
<v Speaker 1>and one of those companies that has been supporting us

1:01:11.880 --> 1:01:16.000
<v Speaker 1>damn near from day one is seat geek. And it's

1:01:16.040 --> 1:01:18.320
<v Speaker 1>not just about supporting them, it's just it's a good service.

1:01:18.320 --> 1:01:22.360
<v Speaker 1>It's a great service. And buying tickets and for sports

1:01:22.400 --> 1:01:25.919
<v Speaker 1>and concerts can be complicated and confusing, but there really

1:01:25.960 --> 1:01:29.400
<v Speaker 1>is a better way. With seat geek. Seekik is the smartest,

1:01:29.400 --> 1:01:32.120
<v Speaker 1>easiest way to get tickets to every type of live event.

1:01:32.440 --> 1:01:34.840
<v Speaker 1>Whether you're searching for a last minute deal, planning a

1:01:34.960 --> 1:01:37.520
<v Speaker 1>night out, or need to find the perfect gift, Seeki

1:01:37.640 --> 1:01:40.800
<v Speaker 1>helps you find the best seats at the best prices,

1:01:41.040 --> 1:01:44.600
<v Speaker 1>and we all need to save some bread fully guaranteed too.

1:01:45.000 --> 1:01:47.600
<v Speaker 1>There's nothing quite like seeing your favorite team and musician

1:01:47.960 --> 1:01:51.040
<v Speaker 1>in person, and seek Geek will get you closer to

1:01:51.120 --> 1:01:54.520
<v Speaker 1>the action for a great value. I actually have sea

1:01:54.520 --> 1:01:56.080
<v Speaker 1>gee Gap on my phone. I mean I've had it

1:01:56.120 --> 1:01:59.520
<v Speaker 1>since since for a while. I actually before they even

1:01:59.560 --> 1:02:03.560
<v Speaker 1>started to support us UM about a year or two ago,

1:02:04.880 --> 1:02:07.880
<v Speaker 1>and it's by far the easiest way I've found to

1:02:07.960 --> 1:02:11.080
<v Speaker 1>shop for tickets. I can be anywhere and with just

1:02:11.120 --> 1:02:13.680
<v Speaker 1>a few taps, I can instantly find the seats. I

1:02:13.720 --> 1:02:16.480
<v Speaker 1>actually just you see geeks to buy tickets to to

1:02:16.520 --> 1:02:19.640
<v Speaker 1>the j concert when jay Z was in town, and

1:02:19.680 --> 1:02:23.080
<v Speaker 1>I just bought some uh play tickets for my mom

1:02:23.160 --> 1:02:28.120
<v Speaker 1>actually for Christmas for USA. It's a play and and

1:02:28.680 --> 1:02:30.080
<v Speaker 1>many of all might not know what that is, but

1:02:30.120 --> 1:02:34.120
<v Speaker 1>it's a Cuban thing. Kay google it. But sea Geek

1:02:34.160 --> 1:02:37.000
<v Speaker 1>saves you time and money by searching multiple tickets sites

1:02:37.040 --> 1:02:40.439
<v Speaker 1>to compare prices and find amazing deals and to get

1:02:40.440 --> 1:02:43.480
<v Speaker 1>you the most bang for your buck. Seek Geek grades

1:02:43.560 --> 1:02:46.440
<v Speaker 1>every ticket based on value to help you immediately identify

1:02:46.560 --> 1:02:50.240
<v Speaker 1>the best seats that fit your budget. Plus every purchase

1:02:50.280 --> 1:02:53.080
<v Speaker 1>is fully guaranteed, so you can shop for tickets on

1:02:53.240 --> 1:02:57.320
<v Speaker 1>seat Geek with confidence. Make seek geek your go to

1:02:57.440 --> 1:03:00.960
<v Speaker 1>app for finding the best deals on every type of ticket,

1:03:01.400 --> 1:03:05.080
<v Speaker 1>from sports to concerts, to comedy to theater. If you

1:03:05.120 --> 1:03:08.280
<v Speaker 1>want to watch alligator mud wrestling, I mean, I don't

1:03:08.280 --> 1:03:11.439
<v Speaker 1>advise it, but hey, you can probably find the right seat.

1:03:11.480 --> 1:03:16.520
<v Speaker 1>Test Sea Geek Best of All Drink Champs listeners get

1:03:16.560 --> 1:03:20.640
<v Speaker 1>twenty dollars off their first seat Geek purchase. Just download

1:03:20.680 --> 1:03:24.920
<v Speaker 1>the seat Geek app and enter promo code drink today

1:03:25.160 --> 1:03:29.000
<v Speaker 1>d R I n K drink. That's promo code drink

1:03:29.600 --> 1:03:33.360
<v Speaker 1>for twenty dollars off your first seat Geek purchase. So

1:03:33.440 --> 1:03:37.480
<v Speaker 1>get out there. Don't just listen to the music or

1:03:37.880 --> 1:03:43.600
<v Speaker 1>go and watch it, you know, go live it. I'm

1:03:43.600 --> 1:03:46.520
<v Speaker 1>not gonna lie. That's hard. I think we're gonna blow

1:03:46.560 --> 1:03:48.080
<v Speaker 1>that picture up and put it right here in the store.

1:03:49.480 --> 1:03:51.720
<v Speaker 1>I'm not gonna lie put it in my house. I'm

1:03:51.760 --> 1:03:53.640
<v Speaker 1>not gonna lie. I said, you know, we interviewing Kane,

1:03:53.800 --> 1:03:58.960
<v Speaker 1>Like fifty thousand just came through, and then it was

1:03:59.000 --> 1:04:02.400
<v Speaker 1>like I was debating, and I was like, that's not Madonna.

1:04:03.120 --> 1:04:05.480
<v Speaker 1>But I thought you and Madonna had did a separate

1:04:05.480 --> 1:04:09.280
<v Speaker 1>photos shop. I didn't know Campbell's in it, not only Campbell?

1:04:09.520 --> 1:04:11.240
<v Speaker 1>So how did you not get hard in the photo

1:04:11.320 --> 1:04:14.800
<v Speaker 1>shoot like I would have got? You know, I'm just saying.

1:04:14.840 --> 1:04:18.200
<v Speaker 1>I'm just saying you was it was he was already

1:04:18.280 --> 1:04:22.280
<v Speaker 1>Like I mean, you know, it's like, you know, at

1:04:22.280 --> 1:04:25.200
<v Speaker 1>a certain point in your life, you just get an

1:04:25.240 --> 1:04:29.200
<v Speaker 1>understanding about certain things and you just, I guess to

1:04:29.280 --> 1:04:32.960
<v Speaker 1>look at life differently because she got leg straight over

1:04:34.200 --> 1:04:38.680
<v Speaker 1>the other one right now, all the professor ship like,

1:04:38.760 --> 1:04:43.560
<v Speaker 1>holy molily, I'm just keeping it real, okay, all right,

1:04:43.600 --> 1:04:46.640
<v Speaker 1>Well I'm gonna keep it real. I mean, it's like this.

1:04:46.880 --> 1:04:49.440
<v Speaker 1>You know, I'm a Madonna fan. You know what I'm saying.

1:04:49.520 --> 1:04:52.280
<v Speaker 1>You know, borderline physical attraction, all them joints. You know.

1:04:52.480 --> 1:04:55.440
<v Speaker 1>I've been, you know, rocking and watching the videos on

1:04:55.520 --> 1:04:58.960
<v Speaker 1>Friday night videos, you know. And she's a very attractive

1:04:59.000 --> 1:05:02.200
<v Speaker 1>young lady, you know. And you know your Naomi Campbell,

1:05:02.240 --> 1:05:04.360
<v Speaker 1>you know she's fine too. But I mean, you know,

1:05:04.440 --> 1:05:06.280
<v Speaker 1>at certain point in your life, after you don't did

1:05:06.440 --> 1:05:08.360
<v Speaker 1>so much, you know, and you know, you know, your

1:05:08.360 --> 1:05:11.320
<v Speaker 1>mentality get a certain way. You know, sometimes you just

1:05:11.320 --> 1:05:14.080
<v Speaker 1>come to the realization that you know, the best pussy

1:05:14.120 --> 1:05:16.440
<v Speaker 1>you ever had is the pussy you never had, And

1:05:16.440 --> 1:05:20.600
<v Speaker 1>it's so much more fun just thinking about it. That's

1:05:22.680 --> 1:05:29.800
<v Speaker 1>that's ship. He gave me another season just now that

1:05:30.000 --> 1:05:33.360
<v Speaker 1>it was so over my head and sharp d you

1:05:33.360 --> 1:05:35.120
<v Speaker 1>know what I mean, let me bring it down to you.

1:05:35.880 --> 1:05:39.600
<v Speaker 1>Have you ever in your life bag the fine check

1:05:41.160 --> 1:05:45.400
<v Speaker 1>that was? I mean, built amazing, got it back to

1:05:45.480 --> 1:05:50.040
<v Speaker 1>the hotel Dodo bird? Yeah, whack. You know what I'm saying,

1:05:50.040 --> 1:05:54.000
<v Speaker 1>Just whack Dodo bird, you know, like giving you them

1:05:54.000 --> 1:05:59.640
<v Speaker 1>crazy psychotic looks or or can't do doggy style or

1:05:59.680 --> 1:06:02.800
<v Speaker 1>you know, just just just everything just going wrong. You

1:06:02.840 --> 1:06:05.520
<v Speaker 1>know what I'm saying, You say, just don't ruin it. No, no, no,

1:06:05.720 --> 1:06:07.960
<v Speaker 1>What I'm trying to say is that. But it's more

1:06:08.040 --> 1:06:11.040
<v Speaker 1>exciting when you think I'm saying don't ruin it, but

1:06:11.880 --> 1:06:15.640
<v Speaker 1>by trying to bag it. Oh yeah yeah, okay, yeah,

1:06:15.680 --> 1:06:20.320
<v Speaker 1>exactly what's your illness? Groopie story? Can the abituate outside

1:06:20.360 --> 1:06:22.200
<v Speaker 1>your door with milk? For some reason, I just feel

1:06:22.200 --> 1:06:28.560
<v Speaker 1>like chickens outside you're doing inside like Poony Tang. You

1:06:28.560 --> 1:06:33.960
<v Speaker 1>never seen that because Kane Cane he was that. I guess, my, my, my,

1:06:34.040 --> 1:06:42.120
<v Speaker 1>illest one would probably be um um uh, let me see,

1:06:42.120 --> 1:06:44.680
<v Speaker 1>Oh yeah, probably the LLL tour, the same one the

1:06:44.760 --> 1:06:50.880
<v Speaker 1>night to Dilick. Yeah, the Nitro tour. He gives out flowers, roses,

1:06:50.920 --> 1:06:56.440
<v Speaker 1>the pitches. He's cheating. You know, I'm saying, if you

1:06:56.440 --> 1:06:59.400
<v Speaker 1>ain't giving out roads, you're coming after that business like

1:06:59.480 --> 1:07:04.320
<v Speaker 1>let the no, no, no, that's that's for your game.

1:07:04.320 --> 1:07:06.040
<v Speaker 1>I mean that might have been what what what messed

1:07:06.040 --> 1:07:08.360
<v Speaker 1>me up that night? Who knows? All right, just talk

1:07:08.400 --> 1:07:10.280
<v Speaker 1>about the game. I mean no, because I mean it

1:07:10.400 --> 1:07:15.800
<v Speaker 1>was like Russell Simmons actually introduced me to this check

1:07:16.080 --> 1:07:18.400
<v Speaker 1>and you know, she was claim came back to the

1:07:18.400 --> 1:07:21.640
<v Speaker 1>hotel and me and Russell and I think by some

1:07:21.720 --> 1:07:24.680
<v Speaker 1>Andre Horrel, I believe it just about a bar and

1:07:24.760 --> 1:07:27.240
<v Speaker 1>she came in and l L was over. They sign

1:07:27.240 --> 1:07:34.680
<v Speaker 1>and autographs and she went to L. No, I'm not

1:07:34.720 --> 1:07:44.560
<v Speaker 1>telling this story. Two listeners want to have to listen,

1:07:44.920 --> 1:07:46.760
<v Speaker 1>and they all in this room. Don't worry about it.

1:07:49.520 --> 1:07:54.320
<v Speaker 1>Everybody unreleased it. Everybody. She went to L you know,

1:07:55.120 --> 1:07:57.600
<v Speaker 1>not seeing them they're chopping it up or too late

1:07:57.640 --> 1:08:01.200
<v Speaker 1>now and then they chopping it up and whatever, and

1:08:01.280 --> 1:08:03.520
<v Speaker 1>like I see, like pitch her cheek or something like that,

1:08:04.200 --> 1:08:05.880
<v Speaker 1>and then she walked over to the bar to me.

1:08:07.240 --> 1:08:11.880
<v Speaker 1>Now my problem with that was my problem was that

1:08:12.040 --> 1:08:14.200
<v Speaker 1>it's like this here, you sposed to come meet me

1:08:14.240 --> 1:08:17.519
<v Speaker 1>at the room. So after L shot you down, you

1:08:17.640 --> 1:08:20.880
<v Speaker 1>spoke to the elevator when you come to the bar.

1:08:20.960 --> 1:08:22.479
<v Speaker 1>That lets me know that you saw me all this

1:08:22.520 --> 1:08:25.440
<v Speaker 1>goddamn time. That's you know what I'm saying, and just

1:08:25.439 --> 1:08:27.800
<v Speaker 1>just choosing in front of me, you know. Okay, So

1:08:27.880 --> 1:08:30.720
<v Speaker 1>it's like all right, cool, So we get upstairs, you know,

1:08:30.760 --> 1:08:35.680
<v Speaker 1>we get a popping and you know, I'm into what

1:08:35.880 --> 1:08:39.559
<v Speaker 1>I'm doing, and you know, I mean it turned into

1:08:39.640 --> 1:08:41.200
<v Speaker 1>you know, one of the type of things where you know,

1:08:41.240 --> 1:08:45.720
<v Speaker 1>I you know, I'm shorty to get my r kelly on,

1:08:45.920 --> 1:08:59.720
<v Speaker 1>you know, and let's go, let's go. I mean, it

1:09:00.479 --> 1:09:04.360
<v Speaker 1>just felt good you had to go. I got a

1:09:04.400 --> 1:09:06.280
<v Speaker 1>pee right now. So I don't know how you done

1:09:06.280 --> 1:09:11.800
<v Speaker 1>about it. I think it's the only it's blazed for

1:09:12.000 --> 1:09:20.240
<v Speaker 1>the hardy just makes a noise. I'm sorry she liked it,

1:09:20.520 --> 1:09:23.080
<v Speaker 1>you know. I mean it's like, you know, when I

1:09:23.120 --> 1:09:25.240
<v Speaker 1>was young man, I did a whole bunch of wild stuff, man,

1:09:25.360 --> 1:09:28.800
<v Speaker 1>crazy stuff. No, you know, I mean like I mean

1:09:28.880 --> 1:09:31.559
<v Speaker 1>disneyn situations where like several people, I had to go

1:09:31.640 --> 1:09:34.080
<v Speaker 1>back and you know I had to it just felt

1:09:34.160 --> 1:09:36.080
<v Speaker 1>just wanted to you, and I went back and I

1:09:36.120 --> 1:09:38.680
<v Speaker 1>apologize for a lot of crazy stuff I did, you know,

1:09:39.040 --> 1:09:42.760
<v Speaker 1>because you know, I'm I'm forty nine. Now I'm married,

1:09:42.960 --> 1:09:45.600
<v Speaker 1>you know, and I mean I love my life, I

1:09:45.640 --> 1:09:47.760
<v Speaker 1>love my family, and you know, it's like, you know,

1:09:47.800 --> 1:09:52.280
<v Speaker 1>I just look at things differently now that you know me.

1:09:53.200 --> 1:09:58.880
<v Speaker 1>You know, back then, you know I was down. Yeah,

1:10:01.320 --> 1:10:03.120
<v Speaker 1>I was a little bligger. You was the man in

1:10:03.200 --> 1:10:05.559
<v Speaker 1>eighty eight. I was born in seventy seven. That means

1:10:05.600 --> 1:10:08.840
<v Speaker 1>like roughly like I was nine, unch him. I was

1:10:08.840 --> 1:10:11.160
<v Speaker 1>gonna rop with me day. Yeah, I've seen you said,

1:10:11.280 --> 1:10:14.880
<v Speaker 1>damn he had the four finger, Wayne, the fourth finger?

1:10:15.160 --> 1:10:19.000
<v Speaker 1>How do you fingerpot with four finger? Back? An expensive?

1:10:19.760 --> 1:10:25.040
<v Speaker 1>It was something good finger pop and was like like

1:10:25.160 --> 1:10:27.960
<v Speaker 1>in style back then, like niggers didn't even want to

1:10:28.200 --> 1:10:30.519
<v Speaker 1>he wanted to dry home and finger pot. I'm just

1:10:30.520 --> 1:10:33.080
<v Speaker 1>saying because I was like ten, I don't know how

1:10:33.120 --> 1:10:37.920
<v Speaker 1>old you do what? I was probably like thirteen. I

1:10:37.960 --> 1:10:40.680
<v Speaker 1>don't know, Drane, how old were we? How old are we? Da?

1:10:41.360 --> 1:10:44.880
<v Speaker 1>He was, You're only one year younger than me. Brother,

1:10:45.400 --> 1:10:52.120
<v Speaker 1>you're like two years or forty two? Okay, two years? Okay? Cool?

1:10:53.000 --> 1:10:56.840
<v Speaker 1>Oh I goddamn we little side track? What your butcher

1:10:56.920 --> 1:11:00.280
<v Speaker 1>rockets calling me hold on? But was talking about finger happing,

1:11:01.000 --> 1:11:06.320
<v Speaker 1>finger pop and still popping. Figure's a good poem. What

1:11:07.120 --> 1:11:11.120
<v Speaker 1>no listen back in the day's composed to everything? Like

1:11:11.360 --> 1:11:13.360
<v Speaker 1>I didn't have a new what you got? Who are

1:11:13.360 --> 1:11:15.919
<v Speaker 1>you going with this? What I'm saying back in the days?

1:11:16.360 --> 1:11:19.080
<v Speaker 1>This is like ninety seven, Like he used to go

1:11:19.120 --> 1:11:21.439
<v Speaker 1>to the club and just he wants to finger pop

1:11:21.560 --> 1:11:24.840
<v Speaker 1>fitch Like I never really got like like I get

1:11:24.960 --> 1:11:26.840
<v Speaker 1>like in the moment, like I'm thinking about you write

1:11:26.880 --> 1:11:32.680
<v Speaker 1>with what Like he would fingerpop in public, they'd be

1:11:32.680 --> 1:11:35.519
<v Speaker 1>like peace and he's just been showing the whole night.

1:11:37.120 --> 1:11:41.719
<v Speaker 1>It's when did he space? Like my god, like paulm

1:11:41.760 --> 1:11:44.519
<v Speaker 1>staying away with me, I'm sorry a little finger pop

1:11:44.760 --> 1:11:48.400
<v Speaker 1>it brings back so alright, damn I got notes. Can

1:11:48.439 --> 1:11:52.519
<v Speaker 1>we go back to the Biggie Tupac coming out of

1:11:52.520 --> 1:11:57.680
<v Speaker 1>the stage with you, your relationship with POC and big like,

1:11:57.800 --> 1:12:02.519
<v Speaker 1>can you talk about that, like let's go pop first? Yeah? Um,

1:12:02.640 --> 1:12:06.439
<v Speaker 1>well I've known Parks since he danced for Digital. Like

1:12:06.520 --> 1:12:09.360
<v Speaker 1>that's how we first met, UM when I brought Digital

1:12:09.640 --> 1:12:15.479
<v Speaker 1>on the road, Yeah, my Chocolate City tour, UM, and

1:12:15.680 --> 1:12:17.880
<v Speaker 1>we got cooled in. He told me that, you know,

1:12:17.920 --> 1:12:21.280
<v Speaker 1>he coming out with his own stuff as a solo artist,

1:12:21.320 --> 1:12:23.640
<v Speaker 1>and he's he's let me. He told me, you know,

1:12:23.680 --> 1:12:26.080
<v Speaker 1>it's not gonna be like this Digital stuff. You know,

1:12:26.120 --> 1:12:28.240
<v Speaker 1>I've got a whole different direction. He spit for me,

1:12:28.320 --> 1:12:32.519
<v Speaker 1>and you know, dude, dude was nice. UM. So I've

1:12:32.520 --> 1:12:35.320
<v Speaker 1>known him since then. UM. Biggie, on the other hand,

1:12:35.360 --> 1:12:37.880
<v Speaker 1>I never really had a relationship with We've been around

1:12:37.880 --> 1:12:43.519
<v Speaker 1>each other, I think maybe like twice, UM. But there

1:12:43.520 --> 1:12:47.080
<v Speaker 1>were several phone calls that we had, UM. I guess,

1:12:47.120 --> 1:12:50.639
<v Speaker 1>like certain career decisions that he was making, and UM

1:12:51.200 --> 1:12:53.760
<v Speaker 1>Mr C would call with him on the line, and

1:12:54.000 --> 1:12:56.800
<v Speaker 1>you know, we chop it up and you know, you know,

1:12:56.840 --> 1:12:59.519
<v Speaker 1>he teld me what's going on. I guess he's asked

1:12:59.520 --> 1:13:01.360
<v Speaker 1>me what I think, you know, my view on it

1:13:01.439 --> 1:13:06.240
<v Speaker 1>or whatever. So I've that's really relationship over the phone.

1:13:07.000 --> 1:13:11.400
<v Speaker 1>We never really kicked it, you know, but I've always

1:13:11.400 --> 1:13:16.400
<v Speaker 1>respected both of them, admired them as artists, and you know,

1:13:16.520 --> 1:13:19.519
<v Speaker 1>just looked at their depths and sad losses for hip

1:13:19.600 --> 1:13:22.639
<v Speaker 1>hop and the world during their when they were going

1:13:23.000 --> 1:13:25.120
<v Speaker 1>you know the rivalry part. Did you speak to any

1:13:25.160 --> 1:13:29.559
<v Speaker 1>of the park I spoke to I spoke to Pop,

1:13:30.200 --> 1:13:34.800
<v Speaker 1>but it was brief and it was kind of interrupted,

1:13:34.840 --> 1:13:39.840
<v Speaker 1>interrupted by more East Coast West coast drama because it

1:13:39.920 --> 1:13:42.920
<v Speaker 1>was like a conversation we started on an airplane, and

1:13:43.000 --> 1:13:46.920
<v Speaker 1>by time we got to death Row studio, you know,

1:13:46.960 --> 1:13:50.559
<v Speaker 1>somebody presented him with some more drama about was trying

1:13:50.560 --> 1:13:53.040
<v Speaker 1>to sign you wasn't death Row trying? Yeah? Yeah, this

1:13:53.080 --> 1:13:55.920
<v Speaker 1>was that time. This was that time. Yeah, this is

1:13:55.960 --> 1:13:58.680
<v Speaker 1>that time. You know, we was talking about it, and

1:13:58.760 --> 1:14:00.360
<v Speaker 1>I guess I was trying to, you know, may him

1:14:00.439 --> 1:14:04.280
<v Speaker 1>understand you know what it was, and they seemed like

1:14:04.280 --> 1:14:07.680
<v Speaker 1>I was getting through. But then you know, as soon

1:14:07.720 --> 1:14:09.880
<v Speaker 1>as we got to the studio, here comes Cats talking

1:14:09.880 --> 1:14:13.320
<v Speaker 1>about Yo Mob Deep and um Lauren Hill was just

1:14:13.640 --> 1:14:16.559
<v Speaker 1>on on I think MTV TV answer something that they

1:14:16.600 --> 1:14:18.120
<v Speaker 1>was trying to play you. They were saying something to

1:14:18.160 --> 1:14:21.400
<v Speaker 1>such and you know, they filled it up right back

1:14:21.439 --> 1:14:26.519
<v Speaker 1>up a camp and you in that studio and yeah, wow, damn,

1:14:26.600 --> 1:14:30.960
<v Speaker 1>can you got someone's goddamn history? We we definitely need

1:14:30.960 --> 1:14:34.519
<v Speaker 1>a big daddy came day. All right, it's a timber. Tim,

1:14:34.920 --> 1:14:37.559
<v Speaker 1>let's do it and we do declaring it on Drake Chaps. Right,

1:14:38.360 --> 1:14:40.800
<v Speaker 1>it's Tim with Tim. There's a big daddy came there.

1:14:40.840 --> 1:14:46.200
<v Speaker 1>You just gotta cut your eyebrows. Come outside. If you

1:14:46.200 --> 1:14:48.439
<v Speaker 1>can pull out the hot top, do it. Put out

1:14:48.479 --> 1:14:52.400
<v Speaker 1>the hot top. Gr barber gotta be nice, though, your

1:14:52.439 --> 1:14:54.840
<v Speaker 1>barber gotta be nice because you can't have it, can

1:14:54.920 --> 1:14:56.680
<v Speaker 1>I think I wat the flatsop right now on this

1:14:56.960 --> 1:14:59.800
<v Speaker 1>all these kids are doing it. They ain't doing a

1:15:00.000 --> 1:15:02.280
<v Speaker 1>a flat time, No, some of them are. I mean,

1:15:02.720 --> 1:15:05.040
<v Speaker 1>they don't call it came over there. I guess who.

1:15:05.479 --> 1:15:09.200
<v Speaker 1>I think it's a popular basketball player that they reference that.

1:15:09.280 --> 1:15:15.600
<v Speaker 1>You now, I forget who. But but yeah, yeah, yeah, yeah, yeah,

1:15:16.040 --> 1:15:23.640
<v Speaker 1>ok yeah, Okay. Kids ain't get yeah. I mean, you

1:15:23.640 --> 1:15:25.640
<v Speaker 1>know that's how we go coman. I mean, I have

1:15:25.680 --> 1:15:29.280
<v Speaker 1>a picture in my house with my pops were one

1:15:29.360 --> 1:15:33.360
<v Speaker 1>in the sixties, you know what I'm saying. And I thought,

1:15:33.400 --> 1:15:35.519
<v Speaker 1>didn't Larry Blackman created it? You know what I mean?

1:15:35.560 --> 1:15:39.599
<v Speaker 1>So this this is this is our engineer cocaine has

1:15:39.800 --> 1:15:43.559
<v Speaker 1>Just want to throw that out. Default in the eighties

1:15:43.680 --> 1:15:47.400
<v Speaker 1>was cocaine heavy in the eighties, um in hip hop

1:15:47.439 --> 1:15:51.880
<v Speaker 1>and hip hop specifically Studio fifty four we heard um.

1:15:51.920 --> 1:15:56.000
<v Speaker 1>I mean I remember it being like, you know, heavy

1:15:56.040 --> 1:15:58.920
<v Speaker 1>around the hood like in the early eighties. Matter of fact,

1:15:59.000 --> 1:16:02.760
<v Speaker 1>late seventies. Early I remember was like fly back there

1:16:02.840 --> 1:16:07.040
<v Speaker 1>exactly like it was. It was a luxury drug. But

1:16:07.160 --> 1:16:10.240
<v Speaker 1>I mean, like the first time I was like really

1:16:10.640 --> 1:16:13.320
<v Speaker 1>around it, around it. It was in the nineties, Like

1:16:13.640 --> 1:16:16.240
<v Speaker 1>I had a party and somebody was doing it at

1:16:16.240 --> 1:16:18.920
<v Speaker 1>the party. You know, that was the first time I

1:16:18.960 --> 1:16:21.320
<v Speaker 1>was really around it, around it. You know how they

1:16:21.400 --> 1:16:24.160
<v Speaker 1>was doing it. There's at the party just whatever Nickel,

1:16:25.000 --> 1:16:29.080
<v Speaker 1>why I sniffed them? Um. Now, they asked could they

1:16:29.240 --> 1:16:33.000
<v Speaker 1>use on one of the bedrooms because he was having

1:16:33.080 --> 1:16:36.160
<v Speaker 1>mansion parties and shipping or something like that. But I mean, people,

1:16:37.080 --> 1:16:39.760
<v Speaker 1>you know, I told him, you know, go ahead. But

1:16:39.840 --> 1:16:43.120
<v Speaker 1>then you know what happened was they switched rooms and

1:16:43.160 --> 1:16:45.519
<v Speaker 1>went into the wrong wrong room. So when I came

1:16:45.560 --> 1:16:47.599
<v Speaker 1>in there to tell him to leave out of this room,

1:16:47.600 --> 1:16:49.400
<v Speaker 1>you know, I see they had they loots, you know,

1:16:49.479 --> 1:16:51.559
<v Speaker 1>little on the dresser or whatever. You know. But I mean,

1:16:52.520 --> 1:16:54.240
<v Speaker 1>but that was my first time like being around it

1:16:54.320 --> 1:16:56.800
<v Speaker 1>like that, you know. So what's the best time in

1:16:56.920 --> 1:16:59.840
<v Speaker 1>hip hops came? It was the most fun you ever had,

1:17:00.320 --> 1:17:03.719
<v Speaker 1>Like you I mean, honestly, I feel like the finger

1:17:03.760 --> 1:17:07.200
<v Speaker 1>pop got to be what we're saying, Like, I'm gonna

1:17:07.320 --> 1:17:11.400
<v Speaker 1>be honest, I think his fingers still smelling with st No.

1:17:11.600 --> 1:17:15.479
<v Speaker 1>I mean honestly, I mean my best time in hip

1:17:15.479 --> 1:17:23.439
<v Speaker 1>hop was probably um mid to late eighties, you know, um,

1:17:23.479 --> 1:17:28.320
<v Speaker 1>because you had, like, you know, so many different artists

1:17:28.320 --> 1:17:31.320
<v Speaker 1>when nobody really sounded the same. Nobody sounded the same.

1:17:31.400 --> 1:17:33.920
<v Speaker 1>Nobody sounded at least they did try to, you know, yeah,

1:17:33.960 --> 1:17:35.639
<v Speaker 1>and there was a couple of copper casts, but they

1:17:35.720 --> 1:17:39.640
<v Speaker 1>just all got never working. And then when you go

1:17:39.680 --> 1:17:42.960
<v Speaker 1>to a party, you know, the most stugged out dudes,

1:17:43.000 --> 1:17:47.320
<v Speaker 1>you know, with dance when Gostets come on without a

1:17:47.400 --> 1:17:50.760
<v Speaker 1>polls Top building. You know what I'm saying, Brooklyn's in

1:17:50.800 --> 1:17:52.880
<v Speaker 1>the house when those type of songs came on, he

1:17:53.120 --> 1:18:06.680
<v Speaker 1>damn top Yeah, shout understood, cold man. We did that

1:18:06.720 --> 1:18:10.719
<v Speaker 1>on my album too with Milk d Yeah. I mean yeah,

1:18:10.720 --> 1:18:12.640
<v Speaker 1>it's it's like, you know, that's that's so It's like

1:18:12.760 --> 1:18:15.120
<v Speaker 1>I just love that era of hip hop because it's like,

1:18:15.160 --> 1:18:19.400
<v Speaker 1>you know, prior to that was um uh you know

1:18:19.439 --> 1:18:24.960
<v Speaker 1>the run dmc houdini, um Furious five, you know that

1:18:25.040 --> 1:18:28.120
<v Speaker 1>guy era. But you know it's like, I don't think

1:18:28.160 --> 1:18:33.960
<v Speaker 1>that that era um was like like as lyrical as

1:18:34.000 --> 1:18:38.080
<v Speaker 1>the late eighties. And don't get me wrong, Mellie mel Kumo,

1:18:38.160 --> 1:18:42.599
<v Speaker 1>d Grandmaster Cast, those were lyrical peace, But I mean

1:18:42.720 --> 1:18:47.160
<v Speaker 1>it was like it wasn't where like radio and fans

1:18:47.400 --> 1:18:48.800
<v Speaker 1>like the hip hop fans that are, like it was

1:18:48.840 --> 1:18:51.120
<v Speaker 1>really focused on the lyrics like that like they were

1:18:51.120 --> 1:18:54.200
<v Speaker 1>in the late eighties, Like we're like, you know, you whack,

1:18:54.280 --> 1:18:56.080
<v Speaker 1>We don't even want to listen to you. You know

1:18:56.080 --> 1:18:57.920
<v Speaker 1>what I'm saying. But how did those guys have set

1:18:58.000 --> 1:19:00.439
<v Speaker 1>you back then? That was an interesting and she just

1:19:00.479 --> 1:19:03.599
<v Speaker 1>broke up your name all the other legends who came

1:19:03.680 --> 1:19:08.040
<v Speaker 1>before you, like uh, like right now we're dealing at

1:19:08.080 --> 1:19:11.040
<v Speaker 1>the time that these young guys are the guys. They're

1:19:11.040 --> 1:19:14.559
<v Speaker 1>all the guys. They are like they are the chosen

1:19:14.600 --> 1:19:18.120
<v Speaker 1>ones for now. But they look they actually looked down

1:19:18.160 --> 1:19:21.760
<v Speaker 1>on my generation, you know what I'm saying. So how

1:19:21.920 --> 1:19:25.160
<v Speaker 1>was it for you when you was the guy? Was

1:19:25.200 --> 1:19:27.920
<v Speaker 1>the people prior to you looking down on you guys

1:19:28.520 --> 1:19:34.479
<v Speaker 1>in your opinion? Uh? Well, I mean, you know of

1:19:35.120 --> 1:19:38.759
<v Speaker 1>Millie Mel. Yeah, yeah, Millie Mele was um in the beginning,

1:19:39.160 --> 1:19:42.599
<v Speaker 1>but then we ended up becoming real cool ultimately. Mail

1:19:42.720 --> 1:19:44.880
<v Speaker 1>just you see him again. But I mean, you know,

1:19:44.960 --> 1:19:50.000
<v Speaker 1>it's like, you know, with Mel, you gotta understand that

1:19:50.080 --> 1:19:54.080
<v Speaker 1>and respect it because he feels like he kind of

1:19:54.760 --> 1:19:58.320
<v Speaker 1>pioneered it. And I mean, it's not about him feeling

1:19:58.360 --> 1:20:02.959
<v Speaker 1>that way he did, you know, I mean what Hollywood created,

1:20:03.400 --> 1:20:07.799
<v Speaker 1>Mellie Mel perfected. You know what I'm saying. If there

1:20:08.040 --> 1:20:11.040
<v Speaker 1>if there wasn't a Mellie Mel, Me, you and everybody

1:20:11.040 --> 1:20:12.840
<v Speaker 1>else would have been on the mic. You know. You

1:20:14.120 --> 1:20:17.680
<v Speaker 1>know what I'm saying. Nellie Mel perfected him seeing he

1:20:17.960 --> 1:20:21.160
<v Speaker 1>made it what it is. You know what I'm saying.

1:20:21.200 --> 1:20:25.240
<v Speaker 1>He is the architect of m seeing Mellie Mel, you

1:20:25.240 --> 1:20:27.280
<v Speaker 1>know what I'm saying. So it's like, you know, you

1:20:27.360 --> 1:20:30.880
<v Speaker 1>gotta understand for him to not really get his proper

1:20:30.880 --> 1:20:33.320
<v Speaker 1>respect and if, of course he's gonna be better, So

1:20:33.320 --> 1:20:43.439
<v Speaker 1>it's understandable. Melliel over here drink chance. That's a massive

1:20:43.560 --> 1:20:48.000
<v Speaker 1>him and um, I think they hired Mellie Mel fum

1:20:48.040 --> 1:20:50.880
<v Speaker 1>before they style and it was it was it was

1:20:51.040 --> 1:20:53.800
<v Speaker 1>crazy for me to like to see him. He going

1:20:53.920 --> 1:20:57.320
<v Speaker 1>he's still you know the does he still do that

1:20:57.400 --> 1:21:00.240
<v Speaker 1>and destroys it like and he'll take it through do

1:21:00.400 --> 1:21:04.679
<v Speaker 1>different generations. He was seeing other people recoring not forget

1:21:04.760 --> 1:21:08.439
<v Speaker 1>that with them tight hants on He's still doing the

1:21:08.560 --> 1:21:10.599
<v Speaker 1>leg cross and stuff and drop down on the floor.

1:21:12.200 --> 1:21:16.160
<v Speaker 1>Hold that that's the Villa's thing, you know, Mel, Yeah, mil,

1:21:18.000 --> 1:21:21.559
<v Speaker 1>you're not going to funk out. Yeah, but I mean

1:21:21.600 --> 1:21:23.719
<v Speaker 1>your mel you know, you know. But but like MOLDI

1:21:23.840 --> 1:21:25.840
<v Speaker 1>I guess Mold thing was pretty much more personal with

1:21:25.920 --> 1:21:28.280
<v Speaker 1>him and ll So with me and then met you know,

1:21:28.360 --> 1:21:30.280
<v Speaker 1>we broke bread and we was cool. And with me

1:21:30.320 --> 1:21:32.439
<v Speaker 1>and Grandmaster Cash, it was a type of thing where

1:21:32.680 --> 1:21:34.519
<v Speaker 1>you know, I let Cass not that I'm a student

1:21:34.520 --> 1:21:38.200
<v Speaker 1>to him, that everything I do lyrically I owe to him,

1:21:38.360 --> 1:21:43.120
<v Speaker 1>you know, I mean enough recognition. Actually, he's so incredible,

1:21:43.200 --> 1:21:47.760
<v Speaker 1>Like I mean when okay, yeah, and then go back

1:21:47.760 --> 1:21:49.720
<v Speaker 1>to one of the first questions you asked me Tony T.

1:21:50.680 --> 1:21:53.519
<v Speaker 1>When I was first started, my name was Tony T.

1:21:54.200 --> 1:21:56.240
<v Speaker 1>Like I thought I was killing it. I had something

1:21:56.240 --> 1:21:58.120
<v Speaker 1>like when I'm the t O n y the t

1:21:58.360 --> 1:22:02.200
<v Speaker 1>e E your eyes can't see I know, the tricks,

1:22:02.200 --> 1:22:03.800
<v Speaker 1>and I know the trades, and I'm shop as a

1:22:03.880 --> 1:22:06.240
<v Speaker 1>motherfucking raised and played. I thought I was killing it.

1:22:06.720 --> 1:22:10.120
<v Speaker 1>And then my man played this joint for me, and

1:22:10.200 --> 1:22:13.799
<v Speaker 1>Cash is on there talking about Grand Master Cash, Captain

1:22:13.880 --> 1:22:16.040
<v Speaker 1>of the four. Another nigga couldn't touch me. If he

1:22:16.120 --> 1:22:18.040
<v Speaker 1>had a rhyme store, even if he had a plant

1:22:18.040 --> 1:22:20.400
<v Speaker 1>manufacturing violence, he couldn't make him no better than I

1:22:20.520 --> 1:22:24.280
<v Speaker 1>make mine. I'm like, you know what, I ripped my

1:22:24.320 --> 1:22:26.640
<v Speaker 1>whole note book up and started my life over your

1:22:26.680 --> 1:22:29.080
<v Speaker 1>dick for real? Hold on, what's that I gotta be?

1:22:29.640 --> 1:22:33.080
<v Speaker 1>I'm out, I gotta I'm out for you right now.

1:22:36.720 --> 1:22:38.400
<v Speaker 1>That's what I want to know. What the funk were

1:22:38.479 --> 1:22:43.120
<v Speaker 1>y'all drinking in Brooklyn? Then y'all were spitting the cadence.

1:22:43.160 --> 1:22:46.680
<v Speaker 1>The y'all were spitting like I'm in Miami. And now

1:22:46.680 --> 1:22:49.479
<v Speaker 1>when we reflect back, y'all was doing double time ahead

1:22:49.479 --> 1:22:56.400
<v Speaker 1>of that being the trend um. Well, that really started

1:22:56.520 --> 1:23:00.799
<v Speaker 1>hal with mo Yeah, okay, that really started in Hallow

1:23:00.800 --> 1:23:04.760
<v Speaker 1>with Moti with that I'm a super trooper but making money,

1:23:05.600 --> 1:23:07.560
<v Speaker 1>but that I forgot how to rhyme go. Yeah, that

1:23:07.680 --> 1:23:10.679
<v Speaker 1>really that death real fast started thinking little with Modi

1:23:11.760 --> 1:23:16.639
<v Speaker 1>in in Hallow. Um. But I mean, I mean it's

1:23:16.720 --> 1:23:19.160
<v Speaker 1>it's like, you know, in Brooklyn, I think that the

1:23:19.160 --> 1:23:21.880
<v Speaker 1>whole cadence and everything that you hear from a lot

1:23:21.880 --> 1:23:27.000
<v Speaker 1>of Brooklyn see speaking of myself, jay Z Biggie Fabulous.

1:23:28.040 --> 1:23:32.240
<v Speaker 1>It's that it's that pep ship because it's like, you know,

1:23:32.280 --> 1:23:36.600
<v Speaker 1>just the way we we view stuff like um, like

1:23:36.720 --> 1:23:42.240
<v Speaker 1>you like Master D having a party, you know, like

1:23:42.479 --> 1:23:45.479
<v Speaker 1>you know Master D jamming. You know you're gonna get

1:23:45.520 --> 1:23:47.880
<v Speaker 1>your you know, your V next sweater. You know, you

1:23:48.120 --> 1:23:51.280
<v Speaker 1>know your double net V neck joint, your mock neck,

1:23:51.360 --> 1:23:53.880
<v Speaker 1>the thorp under it, you know, some genes to the

1:23:53.920 --> 1:23:59.599
<v Speaker 1>permanent crease and your British and you know you're British

1:23:59.640 --> 1:24:01.880
<v Speaker 1>walker us and like you know, that was that players

1:24:01.880 --> 1:24:03.840
<v Speaker 1>ship that we wore, like you know, like that's that's

1:24:03.840 --> 1:24:06.400
<v Speaker 1>how we're coming to a party that's like a hip

1:24:06.439 --> 1:24:09.640
<v Speaker 1>hop party, you know what I'm saying. So it was

1:24:09.680 --> 1:24:11.200
<v Speaker 1>like that type of thing where it's like, you know,

1:24:11.240 --> 1:24:14.240
<v Speaker 1>we looked up to the dudes that's talking ship in

1:24:14.280 --> 1:24:16.680
<v Speaker 1>the barbershop or in the pool hall, the pimps on

1:24:16.720 --> 1:24:19.280
<v Speaker 1>the corner, So that it was that type of slick

1:24:19.360 --> 1:24:22.840
<v Speaker 1>lingo that we appreciate it and respect it, you know

1:24:22.840 --> 1:24:24.320
<v Speaker 1>what I'm saying. Like it was like that type of lingo,

1:24:24.640 --> 1:24:27.000
<v Speaker 1>and I think that that's what really defined a lot

1:24:27.040 --> 1:24:30.240
<v Speaker 1>of Brooklyn m season, made them a lot different than other,

1:24:30.439 --> 1:24:34.439
<v Speaker 1>you know, artists from different burrows. You know, now speak

1:24:34.479 --> 1:24:37.439
<v Speaker 1>about that. I sent you a couple of players ball

1:24:38.760 --> 1:24:43.240
<v Speaker 1>back then. What the were we doing in the players Ball?

1:24:43.280 --> 1:24:45.599
<v Speaker 1>I thought I was a pain for a week. Now

1:24:45.680 --> 1:24:48.479
<v Speaker 1>you're gonna tried to you don't tried to get me

1:24:49.640 --> 1:24:52.640
<v Speaker 1>to admit to being a gangster. So how do you

1:24:52.680 --> 1:24:56.479
<v Speaker 1>think this is gonna work out for you? I just good, no, good,

1:24:56.560 --> 1:24:59.040
<v Speaker 1>Look we we did. We did see each other at

1:24:59.080 --> 1:25:07.080
<v Speaker 1>the Players Balls Company and Georgia Company. Yeah. So like

1:25:08.479 --> 1:25:11.960
<v Speaker 1>I was, King just connected to all these worlds, like

1:25:12.600 --> 1:25:16.160
<v Speaker 1>in the most respectful way, Like you're just connected to

1:25:16.200 --> 1:25:21.400
<v Speaker 1>the l ship. I mean, you know, I mean it's like,

1:25:21.439 --> 1:25:27.400
<v Speaker 1>you know, I move around. I'm I guess what you

1:25:27.479 --> 1:25:31.439
<v Speaker 1>can call a soul searcher. You know what I'm saying.

1:25:32.160 --> 1:25:36.080
<v Speaker 1>I mean, I can, I can, I can, I can

1:25:36.200 --> 1:25:38.920
<v Speaker 1>vibe off for energy, man, you know what I'm saying.

1:25:40.080 --> 1:25:44.439
<v Speaker 1>And I love positive energy. I love positive you know,

1:25:44.920 --> 1:25:49.599
<v Speaker 1>positive energy might be in a room full of pimps

1:25:49.880 --> 1:25:53.960
<v Speaker 1>with loud as suits on. But they in they're buying

1:25:54.000 --> 1:25:57.240
<v Speaker 1>each other champagne, talking ship to each other, having a

1:25:57.240 --> 1:26:00.800
<v Speaker 1>good time. You know, it might be that the situation,

1:26:00.880 --> 1:26:04.439
<v Speaker 1>I agree, it might be a function that a bunch

1:26:04.479 --> 1:26:08.800
<v Speaker 1>of women are having where they're talking about, um, how

1:26:09.360 --> 1:26:13.880
<v Speaker 1>women can become leaders and have high positions and jaws

1:26:14.200 --> 1:26:16.280
<v Speaker 1>and it's a bunch of black women just talking about that,

1:26:16.320 --> 1:26:19.400
<v Speaker 1>trying to build something positive, you know. But I just

1:26:19.479 --> 1:26:23.760
<v Speaker 1>I love positive energy, man, I love it. Man, I'm

1:26:23.800 --> 1:26:25.839
<v Speaker 1>not gonna know I know exactly what you mean because

1:26:27.960 --> 1:26:30.840
<v Speaker 1>I was never a pen but I took a liking

1:26:30.880 --> 1:26:34.040
<v Speaker 1>to Juju. I took a liking the Pimmican. I took

1:26:34.040 --> 1:26:36.960
<v Speaker 1>a like in a bishop. I took like in the

1:26:37.000 --> 1:26:38.320
<v Speaker 1>all of them, and they took a liking to me.

1:26:38.840 --> 1:26:40.439
<v Speaker 1>So they would invite me to these events and I

1:26:40.479 --> 1:26:43.519
<v Speaker 1>would come. So one day I just actually I just

1:26:43.560 --> 1:26:46.000
<v Speaker 1>actually tried to actually be in pump like. So I

1:26:47.240 --> 1:26:49.720
<v Speaker 1>actually had my gold come and I went to his

1:26:49.800 --> 1:26:52.320
<v Speaker 1>white girl said this choose, said, how to choose you?

1:26:52.400 --> 1:26:56.040
<v Speaker 1>I said, oh, Ship, I didn't. I had no idea

1:26:56.120 --> 1:27:00.000
<v Speaker 1>what to do. And then everybody on the nias. It's like,

1:27:00.000 --> 1:27:01.519
<v Speaker 1>I don't know what the center to me, I'm like,

1:27:01.600 --> 1:27:05.640
<v Speaker 1>we're lax, I know, se Joes, I'm not what to

1:27:05.720 --> 1:27:11.240
<v Speaker 1>do something, absolutely nothing to do. I have to see

1:27:11.320 --> 1:27:12.880
<v Speaker 1>your buck, you know, I would come on. I'm on

1:27:12.920 --> 1:27:16.679
<v Speaker 1>the road. I'm doing fifty nights. You know. But yeah,

1:27:16.680 --> 1:27:22.240
<v Speaker 1>so my my, my pimp career didn't last your career, Yeah,

1:27:22.280 --> 1:27:23.640
<v Speaker 1>it didn't last a long time. I know because I

1:27:23.760 --> 1:27:25.439
<v Speaker 1>used to go to the the players ball. They gave me

1:27:25.479 --> 1:27:28.200
<v Speaker 1>the cup. They gave me the players call you have

1:27:28.240 --> 1:27:29.720
<v Speaker 1>to be a real player. They get a players called

1:27:29.760 --> 1:27:32.040
<v Speaker 1>did you have a players car with the gold? The

1:27:32.080 --> 1:27:37.680
<v Speaker 1>gold players call the green days? Let us look at that.

1:27:35.720 --> 1:27:40.400
<v Speaker 1>Look I ain't gonna one. Before they went to get

1:27:40.400 --> 1:27:42.120
<v Speaker 1>my car back, I was like, yo, look I'm not

1:27:42.200 --> 1:27:46.320
<v Speaker 1>really here. But they accepted me, so I expected the

1:27:46.360 --> 1:27:49.160
<v Speaker 1>culture pim kan A lot of them dudes is cool dudes.

1:27:50.080 --> 1:27:54.280
<v Speaker 1>Juju juju ye juju real real good dude man him man,

1:27:54.760 --> 1:27:59.800
<v Speaker 1>good good game, game, good game. I don't think so.

1:27:59.840 --> 1:28:02.519
<v Speaker 1>I think he's I think he's still down. I could

1:28:02.560 --> 1:28:04.679
<v Speaker 1>be wrong, but I think he's still there. But yeah,

1:28:04.840 --> 1:28:09.080
<v Speaker 1>I don't know even met Kenny Red from Yeah, A

1:28:09.080 --> 1:28:10.680
<v Speaker 1>lot of a lot of dudes. You know, they're real

1:28:10.760 --> 1:28:14.479
<v Speaker 1>good dudes, man, you know, I mean, you know Bishop,

1:28:14.560 --> 1:28:17.000
<v Speaker 1>you know, that's that's my dude. You know, you got

1:28:17.200 --> 1:28:20.040
<v Speaker 1>you know, funny as hell, you know. But I mean,

1:28:20.080 --> 1:28:21.360
<v Speaker 1>you know, I mean, yeah, it was a time in

1:28:21.439 --> 1:28:23.439
<v Speaker 1>my life where I had to really sit and reflect

1:28:23.479 --> 1:28:24.920
<v Speaker 1>on something that he told me to. You know what

1:28:24.920 --> 1:28:27.040
<v Speaker 1>I'm saying. So, I mean it's like, you know, I

1:28:27.120 --> 1:28:30.760
<v Speaker 1>have the utmost respect for Bishop. So yeah, yeah, so

1:28:31.960 --> 1:28:37.280
<v Speaker 1>but it was nothing like Kane pimpin or nothing. Okay,

1:28:37.720 --> 1:28:47.800
<v Speaker 1>I'll move on, I got, I got, Okay, no a

1:28:47.960 --> 1:28:49.880
<v Speaker 1>right back in the days. This is before you met

1:28:49.920 --> 1:28:53.320
<v Speaker 1>your wife, right, I heard just mastered the female cop

1:28:53.360 --> 1:28:57.200
<v Speaker 1>at a concert? Is that true? Look in your limo?

1:28:57.960 --> 1:28:59.760
<v Speaker 1>That's That's what I'm saying. This is, this is, this is.

1:28:59.760 --> 1:29:04.639
<v Speaker 1>This is people the internet that you was in a concert.

1:29:04.720 --> 1:29:08.800
<v Speaker 1>Female pulled you over and you pulled over. That's a lie.

1:29:09.760 --> 1:29:13.160
<v Speaker 1>That's never happening. It was at an autograph sign and

1:29:20.160 --> 1:29:24.439
<v Speaker 1>that's awesome. Oh my god. Yo. So do you look

1:29:24.479 --> 1:29:27.599
<v Speaker 1>at you do you look at your life? And like

1:29:27.640 --> 1:29:30.240
<v Speaker 1>my Louis e p is is I want to title

1:29:30.280 --> 1:29:32.800
<v Speaker 1>it my life though, do you ever look at your

1:29:32.840 --> 1:29:34.719
<v Speaker 1>life and be like, yo, my life like the ship

1:29:34.800 --> 1:29:37.920
<v Speaker 1>that you accomplished, like coming from nowhere and just say

1:29:38.680 --> 1:29:42.240
<v Speaker 1>ship I did. It's just it's just dope. Yeah, I mean,

1:29:42.520 --> 1:29:45.799
<v Speaker 1>I mean, I'm I'm happy. I mean, to be honest

1:29:45.880 --> 1:29:53.880
<v Speaker 1>with you, Um it's the final chapter. H that makes

1:29:53.920 --> 1:29:57.160
<v Speaker 1>me happy, you know, because I mean it's like, you know,

1:29:57.200 --> 1:29:59.280
<v Speaker 1>when I was younger, I did a lot of crazy

1:29:59.360 --> 1:30:04.880
<v Speaker 1>stuff and it was fun, you know for the moment,

1:30:06.400 --> 1:30:08.880
<v Speaker 1>you know, but then after while, you know, like how

1:30:08.880 --> 1:30:10.599
<v Speaker 1>we're saying the thing about it, you know, the best

1:30:10.680 --> 1:30:12.439
<v Speaker 1>is the best? You know I never had, you know

1:30:12.800 --> 1:30:15.519
<v Speaker 1>how we're saying that. I mean, it's like, you know,

1:30:15.560 --> 1:30:17.320
<v Speaker 1>it was fun for the moment, did they get boring?

1:30:18.640 --> 1:30:20.720
<v Speaker 1>But now you know what I'm saying being able to

1:30:20.720 --> 1:30:25.240
<v Speaker 1>wake up. You know, I gotta four year old to

1:30:25.400 --> 1:30:29.880
<v Speaker 1>be having me on the floor playing with um um

1:30:30.160 --> 1:30:34.439
<v Speaker 1>Transformer dolls and transforming steal cake my four year old

1:30:36.080 --> 1:30:41.680
<v Speaker 1>joints they got transformed. Still it was dry. I not

1:30:42.640 --> 1:30:45.519
<v Speaker 1>I'm on the four club playing with Transformers with my

1:30:45.560 --> 1:30:49.400
<v Speaker 1>four year old and Avengers characters and you know, doing

1:30:49.439 --> 1:30:52.960
<v Speaker 1>stuff like that, and you know, you know, my wife

1:30:53.000 --> 1:30:56.479
<v Speaker 1>talking to me about dinner and showing me stuff online

1:30:56.520 --> 1:30:58.160
<v Speaker 1>that she want to order for the house and all

1:30:58.280 --> 1:31:01.240
<v Speaker 1>this stuff. I mean, you know, it's like that's the

1:31:01.240 --> 1:31:03.960
<v Speaker 1>thing that you know what I mean that you want

1:31:04.000 --> 1:31:07.519
<v Speaker 1>to that's that's that's that's that's that's how what I wanted.

1:31:07.640 --> 1:31:09.360
<v Speaker 1>That's how I want to live. You know, you know

1:31:09.720 --> 1:31:12.280
<v Speaker 1>these final days out, I want to live them out

1:31:12.320 --> 1:31:14.920
<v Speaker 1>like that. I did that. Well, let's say a final

1:31:15.040 --> 1:31:17.840
<v Speaker 1>days came because you're gonna live forever. That's what you

1:31:18.160 --> 1:31:21.040
<v Speaker 1>were particular drink champs and that's well, I mean, I

1:31:21.080 --> 1:31:22.760
<v Speaker 1>want to set on the song I may die one

1:31:22.800 --> 1:31:25.840
<v Speaker 1>day with my runs main like so yeah, I know,

1:31:25.920 --> 1:31:28.280
<v Speaker 1>I know I'm here eternally. I'm just saying that. You know,

1:31:28.479 --> 1:31:30.680
<v Speaker 1>I'm just saying this, said Flesh. You know, if I

1:31:30.720 --> 1:31:34.080
<v Speaker 1>have a long he said, Flesh, you know questions, huh,

1:31:34.240 --> 1:31:39.640
<v Speaker 1>you go to Costcos executive number. I'll come up. I

1:31:39.800 --> 1:31:46.560
<v Speaker 1>love you got Costcos Costcos. You understood what I'm saying. Dyslexic.

1:31:48.240 --> 1:31:56.320
<v Speaker 1>Are there any big daddy can regrets? I didn't sun

1:31:56.439 --> 1:32:04.640
<v Speaker 1>my daughter. I don't know exactly, I don't know, but

1:32:04.760 --> 1:32:06.680
<v Speaker 1>I know, I mean, you know, I mean, you know,

1:32:06.800 --> 1:32:13.880
<v Speaker 1>it's like this said, it's like the equation. You know

1:32:13.920 --> 1:32:15.519
<v Speaker 1>what I'm saying. I mean, I mean, it's it's like

1:32:15.600 --> 1:32:18.479
<v Speaker 1>you know when you looking at that, what the answer is,

1:32:20.000 --> 1:32:23.760
<v Speaker 1>you know, that's what's important, And what the answer is

1:32:23.760 --> 1:32:28.080
<v Speaker 1>is what my life is now and whatever it took

1:32:28.120 --> 1:32:33.599
<v Speaker 1>to get it where it is now. Having regrets might

1:32:33.760 --> 1:32:37.000
<v Speaker 1>change all to something and I may not have the

1:32:37.040 --> 1:32:39.760
<v Speaker 1>family I have. So no, I'm not gonna you know,

1:32:39.800 --> 1:32:43.040
<v Speaker 1>I'm not gonna, you know, say that I afric regress

1:32:43.439 --> 1:32:45.759
<v Speaker 1>when you was at the top, because like very people

1:32:46.240 --> 1:32:48.760
<v Speaker 1>can see, like I've had success in hip hop, I've

1:32:48.800 --> 1:32:50.640
<v Speaker 1>never had the type of success that you had, like

1:32:50.760 --> 1:32:53.120
<v Speaker 1>being the only guy at that top of that that

1:32:53.240 --> 1:32:56.240
<v Speaker 1>badman and then you have people who follow like a

1:32:56.320 --> 1:32:59.559
<v Speaker 1>big jail or nas or whatever. But I've always been

1:32:59.600 --> 1:33:02.760
<v Speaker 1>like a step behind you. Guys, Like, was it over

1:33:02.880 --> 1:33:05.519
<v Speaker 1>overwhelming when you were just out there and everybody ever

1:33:05.600 --> 1:33:08.040
<v Speaker 1>could imagine how much your people was ringing because it

1:33:08.160 --> 1:33:11.479
<v Speaker 1>probably wasn't phones back then? Was the overwhelming where you

1:33:11.520 --> 1:33:15.200
<v Speaker 1>were just like damn, like you you you asked for it,

1:33:15.439 --> 1:33:17.679
<v Speaker 1>you got it, and then you were just like damn,

1:33:17.880 --> 1:33:20.080
<v Speaker 1>was it ever like that or not? I mean, because

1:33:20.120 --> 1:33:23.040
<v Speaker 1>you I mean, I'm I'm I'm a private person. You know.

1:33:23.120 --> 1:33:25.679
<v Speaker 1>It's like with me, I like to come around people,

1:33:26.080 --> 1:33:30.400
<v Speaker 1>spread love and then go to the comfort of my home,

1:33:30.600 --> 1:33:34.040
<v Speaker 1>right you know, like you know you've been like that

1:33:34.080 --> 1:33:37.000
<v Speaker 1>since then. Yes, I mean, like you know, I go

1:33:37.080 --> 1:33:40.000
<v Speaker 1>around the way, shot out on you know, on on

1:33:40.000 --> 1:33:43.200
<v Speaker 1>on Lewis and Van Buren, or go hole to my

1:33:43.240 --> 1:33:46.960
<v Speaker 1>peeple Script and Brevoid projects, you know, other people over

1:33:46.960 --> 1:33:51.640
<v Speaker 1>in Brookline, or can hang out, you know, buy like

1:33:51.680 --> 1:33:54.080
<v Speaker 1>a half a gallon of Hennessey, you know, you know,

1:33:55.160 --> 1:33:57.880
<v Speaker 1>get them maybe like about two hours of we'd you know,

1:33:57.920 --> 1:34:00.200
<v Speaker 1>and let them, you know, do what they do. Said.

1:34:00.200 --> 1:34:02.200
<v Speaker 1>I did share with them, you know, cast that wanted

1:34:02.280 --> 1:34:04.000
<v Speaker 1>to float a little you know, we get a little

1:34:04.000 --> 1:34:07.599
<v Speaker 1>ssfer go and spit something whatever, you know. And I mean,

1:34:07.640 --> 1:34:09.200
<v Speaker 1>you know, I might have you know, a little ship,

1:34:09.400 --> 1:34:12.280
<v Speaker 1>you know. But it's like, you know, I'm just watching

1:34:12.280 --> 1:34:14.120
<v Speaker 1>them enjoy theirselfs, you know what I'm saying, because he's

1:34:14.160 --> 1:34:16.160
<v Speaker 1>his brothers that I respect, and they're still in the

1:34:16.200 --> 1:34:17.920
<v Speaker 1>hood trying to you know, come up. I want to

1:34:17.960 --> 1:34:19.560
<v Speaker 1>inspire them, you know what I'm saying. You know, to

1:34:19.600 --> 1:34:21.679
<v Speaker 1>stay focused, you know what I'm saying, keep tracing chasing

1:34:21.680 --> 1:34:25.080
<v Speaker 1>that dream and when I take my ass home and

1:34:25.120 --> 1:34:27.760
<v Speaker 1>then yeah, then I break open my filth of in me.

1:34:28.200 --> 1:34:31.000
<v Speaker 1>You know what I'm saying. And you know, I sit

1:34:31.080 --> 1:34:33.439
<v Speaker 1>back and I listened to my motherfucking oldest Redding or

1:34:33.520 --> 1:34:35.800
<v Speaker 1>David Ruffling, you know the stuff I was. I'm not

1:34:35.800 --> 1:34:37.519
<v Speaker 1>out there rocking some hip hop with them. I can't

1:34:37.560 --> 1:34:40.080
<v Speaker 1>come home. I'm thoughts and David Ruffin and just Redden

1:34:40.160 --> 1:34:41.880
<v Speaker 1>and some of smooth stuff and just laid back and

1:34:41.920 --> 1:34:44.639
<v Speaker 1>I'm showing that I'm good. Now this is my life,

1:34:45.160 --> 1:34:50.439
<v Speaker 1>you know. Now you got a record with tupop correct. Yeah,

1:34:50.520 --> 1:34:54.320
<v Speaker 1>well there was one with me, Pock and Hammer, and

1:34:54.360 --> 1:34:56.320
<v Speaker 1>then there's just one with just me and Pocket and

1:34:56.360 --> 1:35:01.759
<v Speaker 1>the one your pockets called Wherever You Are? And Hammer

1:35:01.960 --> 1:35:04.840
<v Speaker 1>was too late player, too late. Yeah, he was the

1:35:04.960 --> 1:35:10.519
<v Speaker 1>junior joint. Too late. Yeah, so that's crazy. So alright,

1:35:10.640 --> 1:35:14.920
<v Speaker 1>that pop, right, that pop that you knew back then

1:35:14.960 --> 1:35:17.120
<v Speaker 1>because you just said earlier, he was like your new pop.

1:35:17.800 --> 1:35:20.840
<v Speaker 1>Those records of pre Death Row pop, those all those

1:35:20.880 --> 1:35:23.439
<v Speaker 1>songs all happened that same night. I'm telling you about

1:35:23.439 --> 1:35:27.479
<v Speaker 1>the differences that same night as Hammer was signed the

1:35:27.520 --> 1:35:30.120
<v Speaker 1>Death Row too. Yeah, this is all that same night

1:35:33.120 --> 1:35:36.680
<v Speaker 1>to underground Pop I'm gonna turn into the death row

1:35:36.720 --> 1:35:40.240
<v Speaker 1>Pop that you not because you gotta understand, it's like

1:35:40.800 --> 1:35:44.640
<v Speaker 1>Pop spit for me, and when he spent for me,

1:35:44.680 --> 1:35:47.960
<v Speaker 1>I saw that he had lyrics and I saw where

1:35:48.000 --> 1:35:50.519
<v Speaker 1>he was going with it, the resolutionary side of para.

1:35:51.000 --> 1:35:54.360
<v Speaker 1>I saw that, you know what I'm saying. But I mean,

1:35:54.600 --> 1:35:57.040
<v Speaker 1>you know, it's like I didn't know exactly where he

1:35:57.120 --> 1:35:59.439
<v Speaker 1>was going to go with it, you know what I mean.

1:35:59.479 --> 1:36:01.240
<v Speaker 1>It's like, you know, she spent for me, and then

1:36:01.280 --> 1:36:04.519
<v Speaker 1>you know, like you know, three hours later, you know,

1:36:04.680 --> 1:36:06.360
<v Speaker 1>you know, he was on you know, stage doing a

1:36:06.400 --> 1:36:10.880
<v Speaker 1>Humpty dance with with with um und So I'm like,

1:36:10.920 --> 1:36:16.559
<v Speaker 1>I don't really know where he gonna go because underground,

1:36:17.040 --> 1:36:23.360
<v Speaker 1>I don't know, like he kicking some programs you um, like,

1:36:23.439 --> 1:36:26.400
<v Speaker 1>for example, like my dads in Scoop and Scrap. To

1:36:26.400 --> 1:36:29.639
<v Speaker 1>try to imagine school or Scrap doing the same thing

1:36:29.760 --> 1:36:32.880
<v Speaker 1>I did would be a difficult site because they've already

1:36:32.880 --> 1:36:38.320
<v Speaker 1>been seen at school and Scrap, You understand you're saying.

1:36:39.360 --> 1:36:41.880
<v Speaker 1>So it's like I didn't know how to public would

1:36:41.880 --> 1:36:44.840
<v Speaker 1>perceive it, you know what I'm saying, Right, And that

1:36:44.960 --> 1:36:48.240
<v Speaker 1>day when you going Big and Pop both on your stage.

1:36:48.760 --> 1:36:53.640
<v Speaker 1>Isn't scoop on the stage too? But but did you

1:36:53.680 --> 1:36:55.920
<v Speaker 1>know those those two guys were turned into the people

1:36:55.960 --> 1:37:03.719
<v Speaker 1>they turned into or you did? Um? Well, at that point,

1:37:03.800 --> 1:37:07.080
<v Speaker 1>Park was already on his way. You know, Big was

1:37:07.120 --> 1:37:10.639
<v Speaker 1>an up and coming Yeah, because it was what happened

1:37:10.680 --> 1:37:16.880
<v Speaker 1>was C called me and said yo, which is really

1:37:16.880 --> 1:37:19.599
<v Speaker 1>how we all like in Miami, how we heard this

1:37:19.640 --> 1:37:22.080
<v Speaker 1>freestyle He put on a mixtape and we all heard

1:37:22.120 --> 1:37:24.280
<v Speaker 1>around the well. I mean the reason why anybody heard

1:37:24.320 --> 1:37:27.120
<v Speaker 1>is because Mr C, because he was smart enough to

1:37:27.200 --> 1:37:33.800
<v Speaker 1>record to show that he was fest is a super

1:37:33.840 --> 1:37:37.920
<v Speaker 1>fest every night were on stage with Patti LaBelle jeval

1:37:37.960 --> 1:37:43.080
<v Speaker 1>LeVert MC light um silk. I mean, it's a lot

1:37:43.080 --> 1:37:44.760
<v Speaker 1>of me I think, B B D a lot of

1:37:44.760 --> 1:37:48.479
<v Speaker 1>major artists every night. But that particular night she decided

1:37:48.520 --> 1:37:51.479
<v Speaker 1>to record. That's crazy. He hadn't recorded none of the

1:37:51.520 --> 1:37:55.559
<v Speaker 1>mothers he recorded that night, you know, so the rest

1:37:55.600 --> 1:37:57.360
<v Speaker 1>of the world heard it thanks to Mr CE. A

1:37:57.400 --> 1:38:05.400
<v Speaker 1>matter of fact, let's get Mr C something at that.

1:38:05.520 --> 1:38:09.920
<v Speaker 1>But he called me and was like, yo, big one

1:38:10.000 --> 1:38:14.479
<v Speaker 1>to come, and you know he was wandering the farm,

1:38:14.600 --> 1:38:17.519
<v Speaker 1>you know. Uh no, A matter of fact, all he said,

1:38:17.600 --> 1:38:20.120
<v Speaker 1>was Big One to come. That's all he wanted. He

1:38:20.200 --> 1:38:23.000
<v Speaker 1>said Big One to come, and I was like, all right, cool.

1:38:24.000 --> 1:38:26.559
<v Speaker 1>Then he hit me back and said, yo, um, did

1:38:26.680 --> 1:38:29.519
<v Speaker 1>we have a record though, Yeah, he may have had

1:38:30.080 --> 1:38:33.880
<v Speaker 1>part party and bullshit. Yeah, But then he hit me

1:38:33.880 --> 1:38:37.920
<v Speaker 1>back and said, yo, um, Tupac is in town filming

1:38:38.640 --> 1:38:42.559
<v Speaker 1>a basketball movie. But I don't think he knew the nathing.

1:38:42.600 --> 1:38:45.360
<v Speaker 1>He said he's from his basketball and he wanted to

1:38:45.400 --> 1:38:49.760
<v Speaker 1>bring him with him, and you know, me with the

1:38:51.080 --> 1:38:59.080
<v Speaker 1>my battle mind state, I'm like, yeah, friendly because you

1:38:59.120 --> 1:39:02.000
<v Speaker 1>want to battle that well. I mean it was like,

1:39:02.040 --> 1:39:06.880
<v Speaker 1>you know, possible, Yeah, Park was There's nothing personal. I'm

1:39:06.880 --> 1:39:09.679
<v Speaker 1>not love them just this was this was the brother

1:39:09.720 --> 1:39:11.320
<v Speaker 1>that came to me in the beginning of his career,

1:39:11.760 --> 1:39:13.920
<v Speaker 1>so I had nothing but love for him. But this

1:39:14.080 --> 1:39:16.840
<v Speaker 1>is hip hop, you know what I'm saying. So I'm like,

1:39:16.880 --> 1:39:20.160
<v Speaker 1>you know, yeah, yeah, bring on them, bring You're gonna

1:39:20.160 --> 1:39:22.519
<v Speaker 1>burn them down. So that was, you know, where my

1:39:22.600 --> 1:39:24.800
<v Speaker 1>mind state was. So when they got there, you know,

1:39:24.840 --> 1:39:27.160
<v Speaker 1>they just came to really this and I told him,

1:39:27.160 --> 1:39:31.720
<v Speaker 1>you know, yo, you know you wanna get on. So

1:39:31.760 --> 1:39:35.080
<v Speaker 1>that's really what my mind state was, you know. And

1:39:35.200 --> 1:39:36.600
<v Speaker 1>I mean who would have known that it would have

1:39:36.600 --> 1:39:40.479
<v Speaker 1>turned into what it turned into, you know, because when

1:39:40.479 --> 1:39:44.160
<v Speaker 1>you seen that beef transpired because you you knowing the

1:39:44.320 --> 1:39:46.840
<v Speaker 1>night that you just had this is at the Guarden. Correct,

1:39:46.840 --> 1:39:50.240
<v Speaker 1>the Bubbs was at the Garden, So you know that

1:39:50.240 --> 1:39:51.920
<v Speaker 1>that night they just had you just had to both

1:39:52.479 --> 1:39:58.280
<v Speaker 1>on stage with you actually and then you hear about

1:39:58.320 --> 1:40:00.439
<v Speaker 1>this this beef you ever thought of would have went

1:40:00.520 --> 1:40:05.320
<v Speaker 1>this far? I mean, you know it's like and then

1:40:05.439 --> 1:40:09.120
<v Speaker 1>and here two part question, I'm sorry, do you ever

1:40:09.160 --> 1:40:11.160
<v Speaker 1>think it went this fall? And then not only that,

1:40:11.760 --> 1:40:14.920
<v Speaker 1>did you ever try to interjeck like just try to like, well,

1:40:14.960 --> 1:40:17.040
<v Speaker 1>I told you I tried to interject on on the

1:40:17.080 --> 1:40:21.400
<v Speaker 1>plane from who we're going from Vegas to try to

1:40:21.439 --> 1:40:26.519
<v Speaker 1>explain that I got interrupted with Yeah. But I mean

1:40:26.640 --> 1:40:29.840
<v Speaker 1>it's like I didn't think it would go this far.

1:40:30.600 --> 1:40:35.200
<v Speaker 1>I mean I was surprised, you know, because I mean

1:40:35.320 --> 1:40:39.160
<v Speaker 1>it's like record you understand it. Here's what I'm from. Nobody, Okay,

1:40:40.360 --> 1:40:45.520
<v Speaker 1>I'm aware of you know, artists battle in their parties,

1:40:45.680 --> 1:40:47.800
<v Speaker 1>going against each other, and they got to ride on

1:40:48.160 --> 1:40:51.400
<v Speaker 1>the same train home. You know what I'm saying. This

1:40:51.479 --> 1:40:53.280
<v Speaker 1>is type of shift I've seen, you know, what I'm saying,

1:40:53.560 --> 1:40:57.519
<v Speaker 1>I mean, cold crushed, battling, fantastic on busy being Kumo

1:40:57.600 --> 1:41:00.479
<v Speaker 1>D L L and Kumo D You know what I'm saying.

1:41:00.520 --> 1:41:04.040
<v Speaker 1>I mean, I've seen mc shannon caress One. You've seen

1:41:04.080 --> 1:41:06.559
<v Speaker 1>them battle in it and then again. No, no no, no, no no,

1:41:06.720 --> 1:41:09.160
<v Speaker 1>I mean I know I'm talking about that's that's something separate.

1:41:09.439 --> 1:41:12.160
<v Speaker 1>I'm just saying that all these battles I've seen where

1:41:12.680 --> 1:41:17.160
<v Speaker 1>it was just battling m seeing you know. I mean

1:41:17.200 --> 1:41:21.439
<v Speaker 1>like me and mc shann on the same label, and

1:41:21.520 --> 1:41:25.120
<v Speaker 1>him and carress One battle in each other and Carross One.

1:41:25.240 --> 1:41:27.760
<v Speaker 1>MS Melody helped me move out of my mother's crib

1:41:28.640 --> 1:41:30.160
<v Speaker 1>when I first moved up to my parents into my

1:41:30.160 --> 1:41:32.800
<v Speaker 1>old spot. Carross One and MS Melody helped me move out.

1:41:33.240 --> 1:41:35.919
<v Speaker 1>Wasn't you you made an appearance in the self Destruction

1:41:36.000 --> 1:41:41.040
<v Speaker 1>video which is which is karros one, Miss Melody? I mean,

1:41:41.080 --> 1:41:44.479
<v Speaker 1>I was supposed to be on the song, but apparently

1:41:44.479 --> 1:41:47.559
<v Speaker 1>I was lied to, you know, yeah, somebody told me

1:41:47.600 --> 1:41:50.519
<v Speaker 1>that because I guess the data is according was a

1:41:50.600 --> 1:41:52.280
<v Speaker 1>data I had to show or something like that. I

1:41:52.320 --> 1:41:54.640
<v Speaker 1>can't remember, and they told me that that was the

1:41:54.760 --> 1:42:00.639
<v Speaker 1>only day that I've heard record vocals. M damn. Yeah.

1:42:00.680 --> 1:42:02.880
<v Speaker 1>And then but I found out way later that you

1:42:02.880 --> 1:42:05.679
<v Speaker 1>know that I think maybe Chuck D and somebody else

1:42:05.680 --> 1:42:08.120
<v Speaker 1>have recorded their focus on another day, but they told me, oh,

1:42:08.200 --> 1:42:12.360
<v Speaker 1>now they've recording everything that day. So I just, you know,

1:42:12.360 --> 1:42:13.880
<v Speaker 1>I just assumed that I was ship. I ain't gonna

1:42:13.880 --> 1:42:15.160
<v Speaker 1>be to make it, so you know, it is what

1:42:15.280 --> 1:42:17.000
<v Speaker 1>it is. But I would have loved have been on

1:42:17.000 --> 1:42:28.160
<v Speaker 1>that song. Yeah that's a selfless drunction. Jeez, Louise father

1:42:28.320 --> 1:42:30.960
<v Speaker 1>che Yeah. But you know, but back what we're saying,

1:42:31.080 --> 1:42:34.040
<v Speaker 1>I mean, it's like you know, with all I saw,

1:42:34.360 --> 1:42:36.160
<v Speaker 1>you know, in my lifetime when it came to m

1:42:36.200 --> 1:42:38.000
<v Speaker 1>C and then as you know with me, you know,

1:42:38.840 --> 1:42:40.559
<v Speaker 1>I mean, this is something I've been doing since nine

1:42:40.880 --> 1:42:45.120
<v Speaker 1>eight two, just going to different peoplehoods, battling them. Um,

1:42:45.240 --> 1:42:47.840
<v Speaker 1>you know who your best MC over here, you know,

1:42:48.560 --> 1:42:52.040
<v Speaker 1>year around, Yeah, let me holler at him. You know,

1:42:53.200 --> 1:42:55.320
<v Speaker 1>this is what I've been doing since nineteen two until

1:42:55.360 --> 1:42:57.160
<v Speaker 1>I got to deal, you know what I'm saying. So

1:42:57.240 --> 1:43:00.320
<v Speaker 1>it's like this is an understanding that I have, like,

1:43:00.360 --> 1:43:02.000
<v Speaker 1>you know, this is hip hop, this is what we do.

1:43:03.520 --> 1:43:07.000
<v Speaker 1>So too, Biggie and Pop to see what they went through.

1:43:07.040 --> 1:43:10.679
<v Speaker 1>I'm like, because they gotta be crazy from you coming

1:43:10.680 --> 1:43:14.280
<v Speaker 1>from a battle state and seeing and then but you

1:43:14.280 --> 1:43:17.599
<v Speaker 1>had to feel different from hearing um Tupacs hit him up.

1:43:17.920 --> 1:43:22.439
<v Speaker 1>That was a different type of this rap. This rap correct.

1:43:23.080 --> 1:43:27.760
<v Speaker 1>It had to be to you too, because I'm born

1:43:27.760 --> 1:43:32.519
<v Speaker 1>in seventy seven, so like your generation is like just

1:43:32.680 --> 1:43:36.720
<v Speaker 1>right before minds right. So I've heard the battle ship,

1:43:37.080 --> 1:43:40.680
<v Speaker 1>but it was never like when Tupac took it there

1:43:40.680 --> 1:43:43.160
<v Speaker 1>would hit him up, like hit him up, was like

1:43:44.320 --> 1:43:47.800
<v Speaker 1>this was something like he went on his wife. He went,

1:43:48.520 --> 1:43:50.920
<v Speaker 1>it's just everything that he said. It was just like

1:43:50.960 --> 1:43:54.720
<v Speaker 1>there's no coming back from this were you never seen

1:43:55.080 --> 1:43:58.479
<v Speaker 1>I'm not this record is worse than I'm not gonna

1:43:58.520 --> 1:44:03.920
<v Speaker 1>say that there's no coming back because if you understand

1:44:04.000 --> 1:44:08.120
<v Speaker 1>the all the war, it's always a way back, you

1:44:08.160 --> 1:44:10.840
<v Speaker 1>know what I'm saying. I mean, I don't know, you

1:44:10.880 --> 1:44:13.960
<v Speaker 1>know what biggie mentality was like back then, but if

1:44:13.960 --> 1:44:16.439
<v Speaker 1>you understand the all the war, there's always a way back,

1:44:17.600 --> 1:44:22.799
<v Speaker 1>you know. I mean, Ali be George Forman when nobody

1:44:22.800 --> 1:44:26.120
<v Speaker 1>else could fact, you know what I'm saying. But I

1:44:26.160 --> 1:44:29.360
<v Speaker 1>think Mike Tyson, I think he meant there's no way

1:44:29.360 --> 1:44:33.639
<v Speaker 1>back after for pop ye Cross. Yeah, you're talking about

1:44:33.880 --> 1:44:36.840
<v Speaker 1>pot cross the line. Yeah, and there's no way there's

1:44:36.880 --> 1:44:44.519
<v Speaker 1>no squash because, like I mean, I've been till then,

1:44:45.080 --> 1:44:47.400
<v Speaker 1>we didn't hear this record like that, we heard this record.

1:44:47.400 --> 1:44:51.400
<v Speaker 1>It's like yo, your girl, like yeah, we didn't hear

1:44:51.520 --> 1:44:54.800
<v Speaker 1>like motherfucker you know. Then I mean it's like this,

1:44:55.600 --> 1:44:59.960
<v Speaker 1>then understand me. Funk it. Y'all just can't be friend

1:45:00.040 --> 1:45:03.000
<v Speaker 1>is no more. Y'all just can't be friends no more.

1:45:03.200 --> 1:45:05.320
<v Speaker 1>But now your your question is this. You know what

1:45:05.360 --> 1:45:12.599
<v Speaker 1>I'm saying. You're ready to take it there or you

1:45:12.640 --> 1:45:17.439
<v Speaker 1>want to reply? The choice is yours. You know. Now,

1:45:17.560 --> 1:45:20.120
<v Speaker 1>if you take it there, then the battle is over.

1:45:20.200 --> 1:45:23.479
<v Speaker 1>There's some street ship. Now it's a context if if

1:45:23.520 --> 1:45:25.679
<v Speaker 1>you're ready take it there, the battles over there. Saying

1:45:25.720 --> 1:45:28.160
<v Speaker 1>if y'all was battling and then y'all start fighting, then't

1:45:28.240 --> 1:45:30.400
<v Speaker 1>that's it? The battles over They gotta keep it on

1:45:30.479 --> 1:45:33.400
<v Speaker 1>the streets back then. I mean, it's like you see it.

1:45:33.760 --> 1:45:36.519
<v Speaker 1>If you feel like somebody violated your family, you know,

1:45:36.920 --> 1:45:39.160
<v Speaker 1>disrespect your family away, you know what I say, and

1:45:39.200 --> 1:45:41.920
<v Speaker 1>you're ready to take it there, then I mean, what's

1:45:41.920 --> 1:45:43.680
<v Speaker 1>the purpose of batting. Just just go ahead and go

1:45:43.920 --> 1:45:47.320
<v Speaker 1>where you got to go with this, you know, if

1:45:47.360 --> 1:45:50.880
<v Speaker 1>that's what you choose, or if you choose to respond

1:45:52.560 --> 1:45:58.320
<v Speaker 1>and violated him directly, you know. I mean, it's it's

1:45:58.320 --> 1:46:01.240
<v Speaker 1>it's it's it's you know, that's versus yours. I mean,

1:46:01.280 --> 1:46:04.800
<v Speaker 1>it's like I can't really speak on it or say,

1:46:05.000 --> 1:46:08.120
<v Speaker 1>you know, what it should have been, because it's like,

1:46:08.360 --> 1:46:10.080
<v Speaker 1>you know, this is what Park said about Big, this

1:46:10.160 --> 1:46:13.240
<v Speaker 1>is not what Park said about me. There was obviously

1:46:13.240 --> 1:46:16.000
<v Speaker 1>more things that played with that beef, like we don't

1:46:16.000 --> 1:46:18.840
<v Speaker 1>really yet. I mean, here's my thing, is this man?

1:46:19.000 --> 1:46:21.559
<v Speaker 1>You know? Besides all that, at the end of the day,

1:46:23.479 --> 1:46:29.599
<v Speaker 1>had Puff and Shug sat down and had a meeting

1:46:30.479 --> 1:46:35.839
<v Speaker 1>on some don king Bob aram ship, they could have said, listen,

1:46:36.960 --> 1:46:39.360
<v Speaker 1>we're gonna charge Whoop the Woolf for pay per view,

1:46:41.400 --> 1:46:49.160
<v Speaker 1>and we're gonna let them go three songs a piece.

1:46:49.840 --> 1:46:51.880
<v Speaker 1>I'm gonna keep it real with come give me a second.

1:46:52.120 --> 1:46:54.880
<v Speaker 1>We're gonna let them go three songs a piece. Then

1:46:54.960 --> 1:46:59.439
<v Speaker 1>after the third song, we'll let them go two rounds

1:46:59.479 --> 1:47:10.160
<v Speaker 1>of battle rap, and we're gonna have people judge calling

1:47:10.200 --> 1:47:15.040
<v Speaker 1>the judge, and we'll control the hundred or one nine hundred,

1:47:15.120 --> 1:47:19.280
<v Speaker 1>whatever number to get money off of that, and they

1:47:19.320 --> 1:47:21.200
<v Speaker 1>both could have got I mean on for them, could

1:47:21.200 --> 1:47:25.800
<v Speaker 1>have got filthy or for the meaning pop Big sugar Puff.

1:47:26.600 --> 1:47:29.080
<v Speaker 1>You know what I'm saying. That's the way that ship

1:47:29.120 --> 1:47:31.719
<v Speaker 1>should have been done. I mean, you know what I'm saying,

1:47:32.880 --> 1:47:35.280
<v Speaker 1>turn into some real hip hop should make it, you

1:47:35.280 --> 1:47:37.200
<v Speaker 1>know something you can make money off some real boutanies.

1:47:37.320 --> 1:47:39.720
<v Speaker 1>That's how I should have been done in my good right,

1:47:40.360 --> 1:47:44.040
<v Speaker 1>Like the mc shan Caress like day was going on

1:47:44.120 --> 1:47:47.160
<v Speaker 1>toy at one point that was brought about because of

1:47:47.160 --> 1:47:50.000
<v Speaker 1>the Sprint commercial. You know what I'm saying. But I mean,

1:47:50.280 --> 1:47:52.760
<v Speaker 1>just this could have been turned into something that could

1:47:52.800 --> 1:47:55.559
<v Speaker 1>have kept a hip hop but civilized, and maybe both

1:47:55.600 --> 1:47:59.240
<v Speaker 1>of them would be with us. But all through respect,

1:48:00.840 --> 1:48:03.439
<v Speaker 1>Shan kind of still is a little bit mad of

1:48:03.600 --> 1:48:06.560
<v Speaker 1>Caress right now, and Carrots sit on our show that

1:48:06.640 --> 1:48:10.080
<v Speaker 1>it was semi serious, That's what I'm saying, but like

1:48:10.160 --> 1:48:14.640
<v Speaker 1>right now, we're serious. I still see Shan like mc

1:48:14.760 --> 1:48:17.960
<v Speaker 1>shann't pick him up. Queyne's bridge fine this, but I

1:48:18.080 --> 1:48:21.160
<v Speaker 1>still see Shannon like every now and then every thwee clicks,

1:48:21.840 --> 1:48:26.479
<v Speaker 1>I see it's still a sham dissing caress like, he's

1:48:26.479 --> 1:48:29.920
<v Speaker 1>still like, man, I'm still here to diss each other.

1:48:29.960 --> 1:48:32.960
<v Speaker 1>And that's the big difference. They're still here to diss

1:48:33.000 --> 1:48:36.960
<v Speaker 1>each other. And that's the big difference. I'm But what

1:48:36.960 --> 1:48:39.919
<v Speaker 1>I'm saying is does it doesn't commit the same damage

1:48:40.360 --> 1:48:44.679
<v Speaker 1>because when you got sharing still like you know every

1:48:44.720 --> 1:48:48.800
<v Speaker 1>you know he's he's still has a personal care rass.

1:48:49.720 --> 1:48:52.920
<v Speaker 1>I mean that's really on the individual, you know what

1:48:52.920 --> 1:48:56.120
<v Speaker 1>I'm saying. I mean, if you're gonna lose sleeping night

1:48:56.120 --> 1:49:00.280
<v Speaker 1>over losing the battle, that's on you. You know, that's

1:49:00.320 --> 1:49:04.320
<v Speaker 1>on you because I mean, um, because you're supposed to

1:49:04.320 --> 1:49:09.160
<v Speaker 1>get dunked on and keep it moving. Yeah, every day

1:49:11.000 --> 1:49:14.880
<v Speaker 1>everything is better than losing your life. Yeah. So now

1:49:15.000 --> 1:49:18.000
<v Speaker 1>let me tell you something King Well, I mean honestly, yes,

1:49:18.080 --> 1:49:21.280
<v Speaker 1>I can say if if if, if you're in it

1:49:22.760 --> 1:49:27.000
<v Speaker 1>for the culture, right, you know what I'm saying. You're

1:49:27.080 --> 1:49:30.920
<v Speaker 1>battling him, see it, hm, and you want to be

1:49:30.960 --> 1:49:33.320
<v Speaker 1>the best battle to see. If you lose a battle,

1:49:34.320 --> 1:49:36.439
<v Speaker 1>then don't take it as a loss. Take it as

1:49:36.439 --> 1:49:40.080
<v Speaker 1>a lesson, and then it's not a loss. There's a lesson.

1:49:40.479 --> 1:49:42.080
<v Speaker 1>You know what I'm saying. Figure out what you did

1:49:42.080 --> 1:49:46.640
<v Speaker 1>wrong like a boxer, you know, because I mean I

1:49:46.760 --> 1:49:50.839
<v Speaker 1>remember people asking me about the whole jay Z Nas

1:49:51.000 --> 1:49:55.680
<v Speaker 1>thing speaking to King and who are you going with that?

1:49:56.560 --> 1:50:02.040
<v Speaker 1>I said, no way, And I was wrong, no way

1:50:02.080 --> 1:50:05.599
<v Speaker 1>about who were what? I thought that there was no

1:50:05.680 --> 1:50:10.519
<v Speaker 1>way that nas could could couldn't win that. I thought

1:50:10.520 --> 1:50:12.920
<v Speaker 1>there was no for the simple fact that you funked

1:50:13.000 --> 1:50:17.080
<v Speaker 1>up game. I'm saying, I think the moment it makes

1:50:17.479 --> 1:50:19.559
<v Speaker 1>no because here's here's the thing. Yeah, I need to

1:50:19.560 --> 1:50:24.600
<v Speaker 1>hear your theory. I knew the jay Z was more sardcasting,

1:50:26.400 --> 1:50:30.559
<v Speaker 1>and when I met Naws, I didn't really see no

1:50:30.680 --> 1:50:33.840
<v Speaker 1>sense of humor, you know what I'm saying. It was

1:50:33.880 --> 1:50:37.240
<v Speaker 1>the first time you met nas Um tell me John

1:50:37.240 --> 1:50:40.840
<v Speaker 1>Blade Studio, No ump, John Blade Video, No no, No,

1:50:41.400 --> 1:50:52.639
<v Speaker 1>Unique Studio, Unique Studio, Seventh Street Studio. Yeah, yeah, okay,

1:50:52.680 --> 1:50:56.200
<v Speaker 1>well the first time I met you, Oh yeah, you

1:50:56.280 --> 1:51:01.960
<v Speaker 1>get to that later, come on, let's yeah, it was

1:51:02.040 --> 1:51:06.040
<v Speaker 1>on that on Unique Studios, Unique Studio, and we was

1:51:06.200 --> 1:51:09.200
<v Speaker 1>chopping it up, and I mean, I didn't see a

1:51:09.320 --> 1:51:12.120
<v Speaker 1>sense of humor and him, you know what I'm saying.

1:51:12.200 --> 1:51:14.320
<v Speaker 1>But if you'd have met his brother Jungle, you were

1:51:14.479 --> 1:51:17.360
<v Speaker 1>new that's the funniest thing in the world. Well, see

1:51:17.360 --> 1:51:20.519
<v Speaker 1>you you you more inside? So I just said. So

1:51:20.600 --> 1:51:23.120
<v Speaker 1>it's like I'm sitting there like knowing jay z sense

1:51:23.160 --> 1:51:27.439
<v Speaker 1>of humor. I'm like, you know someone that you know this,

1:51:27.920 --> 1:51:30.880
<v Speaker 1>don't have fun, don't play around because see, in my mind,

1:51:31.400 --> 1:51:35.479
<v Speaker 1>I guess I was I was seeing another battle playing out. Okay,

1:51:35.760 --> 1:51:43.000
<v Speaker 1>so someone else had a sense of humorous Because look,

1:51:44.160 --> 1:51:49.280
<v Speaker 1>when people they hear me like on on an Eminem record, right,

1:51:49.479 --> 1:51:51.040
<v Speaker 1>this is the first time I'm ever gonna say this.

1:51:51.040 --> 1:51:53.160
<v Speaker 1>This is the I did two or three interviews where

1:51:53.200 --> 1:51:55.920
<v Speaker 1>people asked me you even call you even called me,

1:51:55.960 --> 1:52:03.720
<v Speaker 1>get you a foul guy? Gets that's gay? The answers gay.

1:52:03.880 --> 1:52:09.280
<v Speaker 1>So look, so when I heard Eminem uh against jay Z,

1:52:09.680 --> 1:52:15.840
<v Speaker 1>I've never looked at it like m destroyed. I just

1:52:15.920 --> 1:52:20.360
<v Speaker 1>did because I actually kind of related to jay Z's

1:52:20.640 --> 1:52:23.680
<v Speaker 1>versus more than I did Eminem. And that's not I

1:52:23.720 --> 1:52:25.880
<v Speaker 1>love him in it. It's just I don't even knowing

1:52:25.960 --> 1:52:31.599
<v Speaker 1>the Biblical because it was it's really residuals. I don't

1:52:31.640 --> 1:52:34.400
<v Speaker 1>know that, right, but I know like awkward and boxed

1:52:34.479 --> 1:52:39.800
<v Speaker 1>lefty in the door, like I know that, right, So

1:52:39.880 --> 1:52:44.120
<v Speaker 1>people think that I'm crazy when I say that. I

1:52:44.360 --> 1:52:47.679
<v Speaker 1>look at that record as if it's a great record,

1:52:47.920 --> 1:52:52.840
<v Speaker 1>right you even know or that Jay you're talking about,

1:52:53.000 --> 1:52:56.320
<v Speaker 1>I don't think. I don't feel like Jay got body right.

1:52:56.960 --> 1:53:04.720
<v Speaker 1>But on either and to take over NAS on one

1:53:04.800 --> 1:53:11.000
<v Speaker 1>Man one if you get here, just take over to

1:53:11.120 --> 1:53:15.400
<v Speaker 1>ether now super ugly. I don't even want to count

1:53:15.439 --> 1:53:18.639
<v Speaker 1>that because it was an emotional record. You can tell

1:53:20.520 --> 1:53:23.040
<v Speaker 1>like Jay is one of our best mcs. We can't

1:53:23.040 --> 1:53:25.120
<v Speaker 1>even we shouldn't even judge him, we shouldn't even rate

1:53:25.240 --> 1:53:27.880
<v Speaker 1>him or for that, let's just do with those two things.

1:53:28.280 --> 1:53:30.840
<v Speaker 1>Nas definitely one and James my man Nas my man.

1:53:31.360 --> 1:53:34.200
<v Speaker 1>But now I think yeah, but because of what you said,

1:53:34.680 --> 1:53:37.360
<v Speaker 1>it's because of I felt like he took it too serious,

1:53:37.360 --> 1:53:39.200
<v Speaker 1>like you feel like a battle front? Who take it?

1:53:39.920 --> 1:53:42.280
<v Speaker 1>I feel like Jay took it too serious like no, no,

1:53:42.400 --> 1:53:45.439
<v Speaker 1>I mean no, you you could be right, because I

1:53:45.479 --> 1:53:49.360
<v Speaker 1>don't think that JA expected what NAS did on either.

1:53:50.800 --> 1:53:55.320
<v Speaker 1>Do you think that Jay underperformed or NAS overperformed? So

1:53:55.400 --> 1:54:00.840
<v Speaker 1>when you thought to what you thought in terms of

1:54:00.960 --> 1:54:04.360
<v Speaker 1>humor and all that stuff that Jay z bodied gnaws

1:54:04.360 --> 1:54:09.719
<v Speaker 1>on Takeover, It's just that the response that NAS had

1:54:09.920 --> 1:54:12.920
<v Speaker 1>on Ether. I didn't see coming in a million years.

1:54:13.080 --> 1:54:15.240
<v Speaker 1>I ain't gonna lie to you. And he took a

1:54:15.240 --> 1:54:18.800
<v Speaker 1>long time to remember game he didn't just a small now,

1:54:19.000 --> 1:54:22.040
<v Speaker 1>y'all days a personally do a record. You gotta do

1:54:22.040 --> 1:54:25.080
<v Speaker 1>it next week he took. He took a little top.

1:54:25.760 --> 1:54:28.360
<v Speaker 1>I don't even remember, like the window looks like it

1:54:28.439 --> 1:54:31.840
<v Speaker 1>was a big Yeah, it was, yeah killed I'm a queens.

1:54:34.640 --> 1:54:39.800
<v Speaker 1>Oh god, damn it. I mean he killed Ether. I

1:54:39.880 --> 1:54:44.480
<v Speaker 1>never like, would have never expected that from Naws. Like

1:54:45.120 --> 1:54:50.440
<v Speaker 1>years later I had remember, I had a conversation with

1:54:50.600 --> 1:54:53.880
<v Speaker 1>Nas and that was the first time I really saw

1:54:54.000 --> 1:54:58.000
<v Speaker 1>like his sense of humor. Oh no, now it's a

1:54:58.000 --> 1:55:02.440
<v Speaker 1>funny naer. Yeah, all of earning niggas from Vernon, it's

1:55:03.760 --> 1:55:06.800
<v Speaker 1>niggas is funny niggas. I but I'm saying, when I

1:55:06.840 --> 1:55:11.280
<v Speaker 1>first met I'm studio, it's quiet, yeah, quiet, like he

1:55:11.320 --> 1:55:13.880
<v Speaker 1>was really sitting there talking through me and taking it in.

1:55:14.280 --> 1:55:16.640
<v Speaker 1>But no, of course you would let you came. Of course,

1:55:16.680 --> 1:55:18.720
<v Speaker 1>nobody want to be funny in front of you. Can't

1:55:18.720 --> 1:55:27.400
<v Speaker 1>come on, can't come on. Listen in the line. When

1:55:27.680 --> 1:55:29.840
<v Speaker 1>when people meet you, they hug you, and I mean

1:55:29.920 --> 1:55:32.160
<v Speaker 1>they get your five But in the mind. Even if

1:55:32.200 --> 1:55:34.560
<v Speaker 1>they don't do it, they're going like this, it's facts.

1:55:35.080 --> 1:55:37.600
<v Speaker 1>They're going back this man. Let me tell you something, Man,

1:55:39.040 --> 1:55:41.760
<v Speaker 1>you really laid it out for us to play it out.

1:55:42.840 --> 1:55:46.760
<v Speaker 1>You was the guy in front of you know, Masses

1:55:47.760 --> 1:56:03.320
<v Speaker 1>finging Pop mcdonna. You know again figure pop. If your yo,

1:56:03.600 --> 1:56:06.320
<v Speaker 1>you got, you had, you had, you had, you know

1:56:06.880 --> 1:56:12.280
<v Speaker 1>these these tremendous records you toward. You did everything. And

1:56:12.360 --> 1:56:14.200
<v Speaker 1>the thing about Drink Chance, we don't want you to

1:56:14.280 --> 1:56:17.120
<v Speaker 1>ever feel like your life is over or your life

1:56:17.320 --> 1:56:21.360
<v Speaker 1>has ever been misplaced. He had drink Chance. We want

1:56:21.400 --> 1:56:23.960
<v Speaker 1>to pick up these other young boys. They got these

1:56:24.040 --> 1:56:26.840
<v Speaker 1>other outlets where they can go on and they could

1:56:26.840 --> 1:56:29.240
<v Speaker 1>play their music. And that's not where the hell drink

1:56:29.320 --> 1:56:31.960
<v Speaker 1>Champs and drink Champs. We want to salute all legends

1:56:33.400 --> 1:56:37.440
<v Speaker 1>that and no no on, yo, my dude, listen, I

1:56:37.480 --> 1:56:41.920
<v Speaker 1>got thick eyebrows right now because I was cutting my eyebrows.

1:56:42.760 --> 1:56:45.360
<v Speaker 1>I was I had three cuts in my eyebrows trying

1:56:45.400 --> 1:56:50.320
<v Speaker 1>to wild out. You know that, jay Z Larry, you

1:56:50.400 --> 1:56:53.800
<v Speaker 1>know I see the same thing happened to Kame. Three

1:56:53.920 --> 1:56:59.600
<v Speaker 1>cuts in your yo, Yo, Look nook my studs already

1:56:59.640 --> 1:57:01.760
<v Speaker 1>think any way. But I was like, I was a

1:57:01.840 --> 1:57:04.360
<v Speaker 1>young nigga, like eleven years old and I cut my

1:57:04.520 --> 1:57:08.880
<v Speaker 1>three Do you know how influential you was whatever you did.

1:57:09.960 --> 1:57:12.560
<v Speaker 1>But that's just the reason why Jay has to always

1:57:12.600 --> 1:57:17.640
<v Speaker 1>salute you, because he actually like, whatever you did, you

1:57:17.760 --> 1:57:20.360
<v Speaker 1>came out of the road. We wanted a road. You

1:57:20.480 --> 1:57:22.880
<v Speaker 1>had a four finger ring, We wanted the ring. You

1:57:22.960 --> 1:57:25.720
<v Speaker 1>had a rope chain, We wanted a rope change. I

1:57:25.840 --> 1:57:29.280
<v Speaker 1>was just being wanted sent honest, that's love. I appreciate.

1:57:29.480 --> 1:57:31.480
<v Speaker 1>I appreciate that. Like you you was. You was the

1:57:33.120 --> 1:57:37.480
<v Speaker 1>what's that ship? Called that trading setter? Whatever you did,

1:57:37.680 --> 1:57:40.760
<v Speaker 1>we followed like, how did That's what? That's what you?

1:57:41.480 --> 1:57:44.480
<v Speaker 1>You know? You you you have to be man, You

1:57:44.640 --> 1:57:47.080
<v Speaker 1>have to be that. You know what I'm saying. You

1:57:47.360 --> 1:57:53.480
<v Speaker 1>have to create, you know, your own lane. You have

1:57:53.720 --> 1:57:57.840
<v Speaker 1>to create that. Otherwise, you know, you just another piece

1:57:57.920 --> 1:58:01.960
<v Speaker 1>on the table. Man. You have to create your own lane.

1:58:02.320 --> 1:58:06.720
<v Speaker 1>What makes you? You need you know? And I mean,

1:58:07.720 --> 1:58:09.680
<v Speaker 1>don't get it funked up big on me. I mean

1:58:09.960 --> 1:58:15.840
<v Speaker 1>I think that you are a very unique artist yourself, man,

1:58:16.480 --> 1:58:19.840
<v Speaker 1>because it's like, no, no cares about you today. But

1:58:20.920 --> 1:58:22.520
<v Speaker 1>I'm ann switch to subject cause I see you trying

1:58:22.520 --> 1:58:26.120
<v Speaker 1>to switch. I'm good at my game. Let me tell

1:58:26.160 --> 1:58:28.880
<v Speaker 1>you something, King. One of the things that I want

1:58:28.880 --> 1:58:32.080
<v Speaker 1>to do right, and it's with all this transitioning of

1:58:32.320 --> 1:58:37.560
<v Speaker 1>how the coaches moving. What I thought of was, you know,

1:58:37.640 --> 1:58:40.480
<v Speaker 1>I watched the n w A movie. I watched all

1:58:40.520 --> 1:58:43.720
<v Speaker 1>these other people movie right now. It's in the two

1:58:43.800 --> 1:58:47.000
<v Speaker 1>Things One we gotta tell the Big Daddy King started

1:58:47.440 --> 1:58:52.200
<v Speaker 1>what's it called buyout biopick. We gotta get a big

1:58:52.280 --> 1:58:56.880
<v Speaker 1>Daddy King biopick. And not only that, but this is

1:58:57.400 --> 1:59:01.240
<v Speaker 1>also idea that I had. I wanted to do the

1:59:01.320 --> 1:59:07.120
<v Speaker 1>Clarence thirteen X movie. And as I'm looking at you,

1:59:07.960 --> 1:59:11.280
<v Speaker 1>I think you would play the Fall? Now? Could you?

1:59:11.440 --> 1:59:13.320
<v Speaker 1>Could you? Could you think you can pull off playing

1:59:13.360 --> 1:59:15.640
<v Speaker 1>the Fall of Clarence thirteen X and more? I mean

1:59:15.960 --> 1:59:18.920
<v Speaker 1>why not? I don't see the why not neither? Why not?

1:59:19.160 --> 1:59:22.240
<v Speaker 1>I don't I don't see or not. I only see Yes?

1:59:25.280 --> 1:59:28.240
<v Speaker 1>Would that be your ultimate role as an actor? I mean, hey, brother,

1:59:28.600 --> 1:59:37.120
<v Speaker 1>you call your people, I call mine. Let's got that?

1:59:38.240 --> 1:59:40.800
<v Speaker 1>Is that a movie that needs to be necessary because

1:59:40.840 --> 1:59:44.400
<v Speaker 1>you grew up? You know, um father Ciship. I think

1:59:44.520 --> 1:59:47.720
<v Speaker 1>that I think that it would be beautiful I mean,

1:59:47.760 --> 1:59:50.760
<v Speaker 1>to be honest with you, the state of the world today,

1:59:51.680 --> 1:59:57.400
<v Speaker 1>anything that has a positive view, you know what I'm saying,

1:59:59.080 --> 2:00:05.960
<v Speaker 1>Anything that would be uplifting to black people in this time,

2:00:06.800 --> 2:00:08.920
<v Speaker 1>you know what I'm saying. And I have to say

2:00:09.040 --> 2:00:11.280
<v Speaker 1>black people, you know what I'm saying. I have to

2:00:11.480 --> 2:00:15.080
<v Speaker 1>you know, be that specific because I mean, you know,

2:00:15.280 --> 2:00:20.600
<v Speaker 1>this is an error where not only you know, are

2:00:20.680 --> 2:00:25.920
<v Speaker 1>we going through so much with police brutality and you know, um,

2:00:26.840 --> 2:00:30.680
<v Speaker 1>you know, just that whole lack of masculinity, you know.

2:00:30.880 --> 2:00:33.760
<v Speaker 1>I mean not only that, it's the type of thing

2:00:33.920 --> 2:00:38.400
<v Speaker 1>where we're going against each other just to be famous

2:00:38.520 --> 2:00:43.680
<v Speaker 1>on social media. You know what I'm saying. It's the

2:00:43.760 --> 2:00:46.040
<v Speaker 1>type of thing we're right now. We we we were

2:00:46.040 --> 2:00:50.080
<v Speaker 1>in a situation where you know, one black people go

2:00:50.120 --> 2:00:55.360
<v Speaker 1>against another just to be able to say, you know,

2:00:55.720 --> 2:01:01.920
<v Speaker 1>just just something important or just be recognized on social media,

2:01:02.720 --> 2:01:04.920
<v Speaker 1>you know. And I mean it's like, you know, it's

2:01:05.000 --> 2:01:08.080
<v Speaker 1>it's it's just sad because it's it's not unified, it's

2:01:08.120 --> 2:01:10.920
<v Speaker 1>not uplift. But you remember your days like they were

2:01:11.000 --> 2:01:14.200
<v Speaker 1>structure like five percent, people like I remember, like people

2:01:14.360 --> 2:01:17.400
<v Speaker 1>like you know, coming out like and if they knew

2:01:17.480 --> 2:01:20.200
<v Speaker 1>my mother. The guards would check me. The guards will

2:01:20.240 --> 2:01:22.360
<v Speaker 1>be like, yo, you don't have that, no more like

2:01:22.440 --> 2:01:24.560
<v Speaker 1>if you don't even have that, I don't even have

2:01:24.680 --> 2:01:27.240
<v Speaker 1>that in the industry. Meaning, but that's deeper than your days.

2:01:28.160 --> 2:01:29.600
<v Speaker 1>You know what I'm saying that you go back to

2:01:29.680 --> 2:01:32.280
<v Speaker 1>the seventies. You know what, it's go back to the

2:01:32.400 --> 2:01:35.880
<v Speaker 1>seventies with black panthers and so on. You know, I mean,

2:01:36.040 --> 2:01:39.360
<v Speaker 1>so's it's not like it was just you know, a thing,

2:01:39.520 --> 2:01:41.640
<v Speaker 1>you know with the five percent. It's this is something

2:01:41.680 --> 2:01:45.000
<v Speaker 1>that's that's that's deep. That went on a matter of fact,

2:01:45.040 --> 2:01:47.440
<v Speaker 1>even prior to that, you know what I'm saying, like like,

2:01:48.000 --> 2:01:49.040
<v Speaker 1>you know, I don't know if you know, you know,

2:01:49.600 --> 2:01:51.360
<v Speaker 1>you know, you got your grandparents are still with us.

2:01:51.360 --> 2:01:53.520
<v Speaker 1>But I mean they don't tell you. You know. It's like, yeah,

2:01:54.160 --> 2:01:56.640
<v Speaker 1>you know, they see a child over here fucking up

2:01:58.560 --> 2:02:02.600
<v Speaker 1>a village, a village, you know, you know, ain't you

2:02:02.920 --> 2:02:05.960
<v Speaker 1>such boy? What you doing? They whooped gas and they're

2:02:05.960 --> 2:02:08.120
<v Speaker 1>gonna tell your parents. But but but but you know,

2:02:08.400 --> 2:02:10.320
<v Speaker 1>that's when I see what's happening in the rap game.

2:02:10.680 --> 2:02:18.240
<v Speaker 1>In the rap game, Oh you you guys helped us

2:02:19.040 --> 2:02:23.800
<v Speaker 1>and we it's our false it's my generations for we

2:02:23.960 --> 2:02:26.400
<v Speaker 1>didn't give a funk about helping the next guys. And

2:02:26.480 --> 2:02:29.800
<v Speaker 1>I'm not saying me in particular because generation everybody who

2:02:30.040 --> 2:02:34.000
<v Speaker 1>who I could help? Nah? Okay, yeah, because you be

2:02:34.160 --> 2:02:38.240
<v Speaker 1>be careful how you choose your words, because um nah,

2:02:38.800 --> 2:02:44.080
<v Speaker 1>I don't think that this really started until the New Millennium.

2:02:44.520 --> 2:02:48.040
<v Speaker 1>I don't think this started with your ever. I think

2:02:48.120 --> 2:02:51.520
<v Speaker 1>this started with the New Millennium. You know what. That's

2:02:51.560 --> 2:02:54.120
<v Speaker 1>when this ship started to New Millennium when they didn't

2:02:54.160 --> 2:02:56.840
<v Speaker 1>they respect the elders. You're saying, well, I think what

2:02:57.000 --> 2:03:00.080
<v Speaker 1>basically happened is like you know, when we end to

2:03:00.600 --> 2:03:06.440
<v Speaker 1>into this new century. Um, it wasn't a type of

2:03:06.520 --> 2:03:09.280
<v Speaker 1>thing where cats that you know used to promote Stephanie

2:03:09.320 --> 2:03:11.960
<v Speaker 1>Mills in the gap band all them or in control

2:03:12.040 --> 2:03:14.120
<v Speaker 1>of rap where they confused. I don't know what the

2:03:14.240 --> 2:03:18.040
<v Speaker 1>hell they're doing now we actually have people in control

2:03:18.120 --> 2:03:24.200
<v Speaker 1>of rap that group. They understand it probably was a

2:03:24.280 --> 2:03:28.120
<v Speaker 1>rapper himself that didn't make it. You know what I'm saying.

2:03:29.040 --> 2:03:33.320
<v Speaker 1>They meant that someone that said I don't like grimy,

2:03:34.480 --> 2:03:37.880
<v Speaker 1>I don't like nothing. Why did I nigger get a deal?

2:03:39.600 --> 2:03:43.040
<v Speaker 1>I'm gonna put some real artists, I know on and

2:03:43.160 --> 2:03:47.080
<v Speaker 1>you see they have this here mentality, you know what

2:03:47.120 --> 2:03:51.320
<v Speaker 1>I'm saying, And it's like, you know what what started happening,

2:03:51.360 --> 2:03:55.800
<v Speaker 1>And it's like, you know, people bringing in their camp,

2:03:57.320 --> 2:04:01.920
<v Speaker 1>their people, their friends may get them stars regardless of

2:04:02.040 --> 2:04:07.000
<v Speaker 1>skills exactly. So now therefore skills is going out the window.

2:04:08.840 --> 2:04:14.840
<v Speaker 1>And then from um label standpoint, you know the stuff

2:04:14.880 --> 2:04:18.040
<v Speaker 1>that we all went through. Hey, well you know um

2:04:20.480 --> 2:04:26.720
<v Speaker 1>my ship on double platform, we need to discuss these contracts.

2:04:28.320 --> 2:04:32.800
<v Speaker 1>They start changing that, creating these one off deals or whatever,

2:04:33.040 --> 2:04:35.400
<v Speaker 1>you know, and all this and stuff with artists and

2:04:35.520 --> 2:04:38.160
<v Speaker 1>three six deals. Well that came later, you know what

2:04:38.240 --> 2:04:42.880
<v Speaker 1>I'm saying, after the sales started to you know, um,

2:04:43.360 --> 2:04:46.560
<v Speaker 1>you know, go to key and the sales started to

2:04:46.640 --> 2:04:48.520
<v Speaker 1>decrease in yeah, okay, yeah, we're gonna need a little

2:04:48.520 --> 2:04:50.200
<v Speaker 1>bit of your show money. We're gonna need a little

2:04:50.200 --> 2:04:53.720
<v Speaker 1>bit of merchant, you know. And you know it's like,

2:04:53.920 --> 2:04:56.320
<v Speaker 1>you know, here we are in a whole different state

2:04:56.640 --> 2:04:59.240
<v Speaker 1>of hip hop where you know, these artists are getting

2:04:59.320 --> 2:05:03.280
<v Speaker 1>terrib rble deals. But you know it's like what she

2:05:03.360 --> 2:05:10.040
<v Speaker 1>was asking earlier about the older generation, It's like, yeah,

2:05:11.600 --> 2:05:15.280
<v Speaker 1>Mel might have been Funky and whatever happened with Moe

2:05:15.440 --> 2:05:19.520
<v Speaker 1>and l. But I tell you this, Mel did sit

2:05:19.600 --> 2:05:22.760
<v Speaker 1>and tell me about his career. Mel did sit and

2:05:22.840 --> 2:05:25.600
<v Speaker 1>tell me the ends and out of his business when

2:05:25.680 --> 2:05:28.600
<v Speaker 1>I got into it. When I wrote the Lucy's rap song,

2:05:30.280 --> 2:05:34.200
<v Speaker 1>um Man, Rick James sat down with me and gave

2:05:34.280 --> 2:05:40.320
<v Speaker 1>me a whole spill on the industry James. Rick James

2:05:40.440 --> 2:05:48.880
<v Speaker 1>sat and gave me a whole spill. And I came

2:05:48.920 --> 2:05:51.280
<v Speaker 1>to this meeting on some arrogant ship, on some old

2:05:51.360 --> 2:05:55.680
<v Speaker 1>you know fun Rick, you said, Rick, not because it

2:05:55.800 --> 2:05:58.200
<v Speaker 1>was with my man. He was always bragging me about

2:05:58.440 --> 2:06:01.440
<v Speaker 1>you know. You know how while it was a regular

2:06:02.120 --> 2:06:04.880
<v Speaker 1>and exactly you know, I was in I'll do my

2:06:04.960 --> 2:06:06.720
<v Speaker 1>thing thing, you know, so I was like, you know,

2:06:07.000 --> 2:06:10.600
<v Speaker 1>I get asked. You know, fun Rick was stiff this time.

2:06:11.640 --> 2:06:13.600
<v Speaker 1>I didn't see him do it, but I didn't see coke.

2:06:13.800 --> 2:06:18.720
<v Speaker 1>It was Okay, that's another I'll tell you. I'll get

2:06:19.120 --> 2:06:20.960
<v Speaker 1>I'll get to that as soon as I finished, because

2:06:21.000 --> 2:06:23.600
<v Speaker 1>that's a hell of a story. But anyway, I mean,

2:06:23.680 --> 2:06:25.680
<v Speaker 1>it's like Vick James was giving me game. I mean,

2:06:25.720 --> 2:06:28.800
<v Speaker 1>there's so many Baby White giving me games. There were

2:06:28.840 --> 2:06:31.160
<v Speaker 1>so many artists that was giving me game. You see

2:06:31.160 --> 2:06:36.920
<v Speaker 1>what I'm saying, Jelil from Houdini, giving me serious game.

2:06:37.360 --> 2:06:39.160
<v Speaker 1>You know what I'm saying. And I mean, like, this

2:06:39.280 --> 2:06:40.720
<v Speaker 1>is the type of stuff I tried to do with

2:06:40.880 --> 2:06:43.120
<v Speaker 1>jay Z. Like I told you earlier about Mr C

2:06:43.320 --> 2:06:46.680
<v Speaker 1>calling me um with Big on the line, I'm telling

2:06:46.760 --> 2:06:49.800
<v Speaker 1>Big how I would handle this situation, what I think

2:06:49.880 --> 2:06:51.600
<v Speaker 1>he should do. You know what I'm saying. And this

2:06:51.680 --> 2:06:55.080
<v Speaker 1>is the new generation. You know what I'm saying. Did

2:06:55.160 --> 2:06:58.040
<v Speaker 1>you ever disappoint you at some point? Like you know

2:06:58.320 --> 2:07:01.800
<v Speaker 1>you guys connected, he was there for him. I can't

2:07:02.280 --> 2:07:04.280
<v Speaker 1>be honest with you. I can't really say that because

2:07:04.360 --> 2:07:07.600
<v Speaker 1>it's like I've always known Jay the way he is.

2:07:08.320 --> 2:07:10.840
<v Speaker 1>I know the type the person he is, So there's

2:07:10.880 --> 2:07:13.720
<v Speaker 1>no way he can disappoint me, you know, because I

2:07:13.760 --> 2:07:16.600
<v Speaker 1>mean I know, I know him. I know, Yeah, I

2:07:17.360 --> 2:07:20.280
<v Speaker 1>know what to expect from Jay, and I'm happy for

2:07:20.440 --> 2:07:24.040
<v Speaker 1>him and I wish him continue success, you know, um.

2:07:24.680 --> 2:07:26.640
<v Speaker 1>But I mean yeah, it's like, you know, and I

2:07:26.720 --> 2:07:31.240
<v Speaker 1>don't know what um Uh, jay Z and Tupac and

2:07:31.320 --> 2:07:34.200
<v Speaker 1>these cats and Biggie what they did for any other

2:07:34.320 --> 2:07:36.480
<v Speaker 1>upcoming generation. But I mean, you know, it's like you

2:07:36.560 --> 2:07:39.840
<v Speaker 1>know um. I mean, I mean I've heard stories about

2:07:39.880 --> 2:07:43.000
<v Speaker 1>with Jay and Kanye, Dame Dash and Kanye whatever you

2:07:43.080 --> 2:07:47.560
<v Speaker 1>know I call and with ludicrous you know, and eminem

2:07:47.640 --> 2:07:50.720
<v Speaker 1>always you know shouts you know, out at the sense

2:07:50.760 --> 2:07:53.960
<v Speaker 1>as myself, Rock cam Um several others. So I mean,

2:07:54.120 --> 2:07:57.600
<v Speaker 1>it's like it was passed on. But then you know,

2:07:57.680 --> 2:08:01.920
<v Speaker 1>there came a point where Day kept a support. There

2:08:02.000 --> 2:08:05.160
<v Speaker 1>was a separation not created through the artists, created through

2:08:05.160 --> 2:08:07.880
<v Speaker 1>the industry of course, you know what I'm saying. Through

2:08:07.880 --> 2:08:11.720
<v Speaker 1>the later expiration Days will put on. Why why do

2:08:11.800 --> 2:08:13.320
<v Speaker 1>you think it's like that in a hip hoply like

2:08:13.400 --> 2:08:16.840
<v Speaker 1>to me, to me, I want to prove like the

2:08:16.960 --> 2:08:19.640
<v Speaker 1>point that like I could have won the championship, I

2:08:19.680 --> 2:08:22.200
<v Speaker 1>could have been a Shaquille on Nil like you know,

2:08:22.400 --> 2:08:26.480
<v Speaker 1>I've I've been platinum of you know, had gold albums

2:08:26.520 --> 2:08:28.560
<v Speaker 1>and now I want to turn it to media. So

2:08:29.160 --> 2:08:31.960
<v Speaker 1>I would have shown people that, you know, you could

2:08:32.000 --> 2:08:34.440
<v Speaker 1>be cool growing old. I'm forty years old, just turned

2:08:34.520 --> 2:08:39.120
<v Speaker 1>forty years old. Why is it that people want to

2:08:39.160 --> 2:08:43.000
<v Speaker 1>give hip hop and aspiration day why? Well, I think

2:08:43.200 --> 2:08:45.200
<v Speaker 1>one of the reasons. I think one of the reasons

2:08:45.360 --> 2:08:51.560
<v Speaker 1>is that if the youth of today connect with your generation,

2:08:52.080 --> 2:08:54.000
<v Speaker 1>because you have to me, you know, so if you

2:08:55.160 --> 2:09:02.600
<v Speaker 1>didn't really have to say of course. But if they

2:09:02.760 --> 2:09:07.680
<v Speaker 1>connect with you, then comes you schooling them on what

2:09:07.880 --> 2:09:10.560
<v Speaker 1>real hip hop is and might make them want to

2:09:10.640 --> 2:09:14.240
<v Speaker 1>think for themselves, because right now they're not thinking for

2:09:14.320 --> 2:09:18.160
<v Speaker 1>themselves because they'd be a brainwash. What they're hearing on

2:09:18.240 --> 2:09:21.880
<v Speaker 1>the radio. Yeah, well not just they're they're told this

2:09:22.040 --> 2:09:23.680
<v Speaker 1>is what we need, we need you to do this.

2:09:23.880 --> 2:09:30.600
<v Speaker 1>We need to just sound like we need social media radio. Yeah,

2:09:35.480 --> 2:09:37.000
<v Speaker 1>you know, k you know what about you know what

2:09:37.000 --> 2:09:39.040
<v Speaker 1>I'm talking about? No, I mean no, no, for real,

2:09:39.120 --> 2:09:42.240
<v Speaker 1>that's that's what they tell you. No, listen, we're looking

2:09:42.280 --> 2:09:44.840
<v Speaker 1>for something more like a you know, can you do this?

2:09:45.440 --> 2:09:48.800
<v Speaker 1>All right? Well, going down the bridles on us, get

2:09:48.840 --> 2:09:50.720
<v Speaker 1>your address and come on the funk with me, and

2:09:50.760 --> 2:09:52.320
<v Speaker 1>we were gonna make this his song happen for you.

2:09:52.600 --> 2:09:57.520
<v Speaker 1>And that's what's happening. It's a dude guy right now.

2:09:57.720 --> 2:10:00.360
<v Speaker 1>You can see the guy his a wedding dre that song.

2:10:00.840 --> 2:10:03.920
<v Speaker 1>Oh yeah, he's from Florida too, He's that's what I heard.

2:10:03.920 --> 2:10:06.880
<v Speaker 1>That's what I heard. God bless your negs in Florida.

2:10:10.840 --> 2:10:13.120
<v Speaker 1>Hold on, hold all right, let's take one break. I

2:10:13.160 --> 2:10:16.040
<v Speaker 1>gotta take one more Pistons's follow you on bread and

2:10:16.200 --> 2:10:18.000
<v Speaker 1>we spoking smoke. Gets me here real quick, cause I

2:10:18.000 --> 2:10:20.440
<v Speaker 1>know you gotta asked. All right, cool, get to me

2:10:20.520 --> 2:10:25.440
<v Speaker 1>in real quick. Cane over there. Okay, can you ain't

2:10:25.520 --> 2:10:30.720
<v Speaker 1>drink the whole bottom by yourself? He's showing up. I'm

2:10:30.720 --> 2:10:34.480
<v Speaker 1>definitely gonna take a glass. I thought you said we

2:10:34.680 --> 2:10:39.040
<v Speaker 1>was drinking drinking? Is he going to here? Gonna what

2:10:39.160 --> 2:10:42.680
<v Speaker 1>taver with us afterwards? What? I'm sure you're good. You

2:10:42.760 --> 2:10:46.000
<v Speaker 1>got a flight? Okay, I got an early flight too.

2:10:46.000 --> 2:10:50.440
<v Speaker 1>It's okay, you've been doing it. Yeah, he just has

2:10:50.520 --> 2:10:54.640
<v Speaker 1>to fly this time of year. You just gonna fly

2:10:54.840 --> 2:10:57.880
<v Speaker 1>for the reason I used to hit your moms back. Yeah,

2:10:58.000 --> 2:11:02.720
<v Speaker 1>get your mouths up, were calling. I'm about seventeen ship segments.

2:11:02.720 --> 2:11:08.960
<v Speaker 1>Shot myself. Man, if you got great so Vegas, then

2:11:09.040 --> 2:11:12.160
<v Speaker 1>back and then l A and back into up. I'm

2:11:12.200 --> 2:11:16.120
<v Speaker 1>plating them one kid again. My team sucks now, American

2:11:16.160 --> 2:11:18.920
<v Speaker 1>Airlines suck them, man, That's what I'm That's what I'm

2:11:18.920 --> 2:11:22.160
<v Speaker 1>going too. But seventeen segments to make executive platform. I'm

2:11:22.160 --> 2:11:25.600
<v Speaker 1>planning just regular platform. I'm planning the pro but I'm

2:11:25.640 --> 2:11:27.280
<v Speaker 1>trying to get that exactly. How do you feel about

2:11:27.280 --> 2:11:29.280
<v Speaker 1>what's going on with him right now? Where you separated

2:11:29.280 --> 2:11:34.600
<v Speaker 1>the ship and people out one they said, don't fly,

2:11:35.600 --> 2:11:40.160
<v Speaker 1>But I thought Tyler Perry American what I thought he

2:11:40.720 --> 2:11:43.360
<v Speaker 1>saw it? I thought he had something to do with that. Yeah,

2:11:44.640 --> 2:11:47.920
<v Speaker 1>one more shot, because you know we're here with came

2:11:48.040 --> 2:11:51.520
<v Speaker 1>man and let me just tell you something, man, can

2:11:51.560 --> 2:11:56.560
<v Speaker 1>you are very much appreciated. Absolutely, you are very much.

2:11:58.480 --> 2:12:01.280
<v Speaker 1>When we started this program, we we just wanted to

2:12:01.880 --> 2:12:05.320
<v Speaker 1>We figured, you know, these guys they come out, they

2:12:05.360 --> 2:12:08.280
<v Speaker 1>have one hit Wonders and they you know, they have

2:12:08.400 --> 2:12:11.920
<v Speaker 1>a luxtrious two or three years, and we want to

2:12:12.000 --> 2:12:14.480
<v Speaker 1>respect them too. We don't we don't have nothing against them,

2:12:15.440 --> 2:12:17.480
<v Speaker 1>but we want to respect the aur legends who got

2:12:18.240 --> 2:12:27.640
<v Speaker 1>you know, ten fifty years in his career. Because we

2:12:27.800 --> 2:12:30.760
<v Speaker 1>noticed that every other genre in music, when you have

2:12:30.920 --> 2:12:35.440
<v Speaker 1>that longevity, you're saluted. But in hip hop you have

2:12:35.600 --> 2:12:38.680
<v Speaker 1>that longevity and they call you old or they call

2:12:38.760 --> 2:12:43.360
<v Speaker 1>you wash stuff, though they call you man. I want

2:12:43.400 --> 2:12:45.960
<v Speaker 1>to stop using the world relevant because the world relevant

2:12:46.040 --> 2:12:48.520
<v Speaker 1>is only relevant to people who use that world relevancee

2:12:48.680 --> 2:12:51.400
<v Speaker 1>relevant to see relevant. You know what I'm saying you

2:12:51.520 --> 2:12:55.320
<v Speaker 1>got big Daddy Kane fans who will probably never listen

2:12:55.440 --> 2:12:59.440
<v Speaker 1>to these new guys, right, and then vice versa, it

2:12:59.560 --> 2:13:02.000
<v Speaker 1>doesn't mean it doesn't take away from you to take

2:13:02.040 --> 2:13:06.920
<v Speaker 1>away from them. The thing is, if you had this

2:13:07.920 --> 2:13:12.360
<v Speaker 1>career where you lived over ten years and twelve and

2:13:12.520 --> 2:13:15.360
<v Speaker 1>thirteen years and here, this is where we want to

2:13:15.360 --> 2:13:17.200
<v Speaker 1>salute you. This is where we want to pick our

2:13:17.280 --> 2:13:21.040
<v Speaker 1>people up, from you to Chuck D the care arrest

2:13:21.160 --> 2:13:26.040
<v Speaker 1>one to to a d MX, to uh whoever. We

2:13:26.200 --> 2:13:27.920
<v Speaker 1>want to sit here and we want to let our

2:13:28.000 --> 2:13:31.880
<v Speaker 1>legends know that you have a place in hip hop

2:13:32.760 --> 2:13:36.040
<v Speaker 1>and you will forever be remembered for what you did

2:13:36.680 --> 2:13:39.920
<v Speaker 1>for hip and you are hip hop and that's what

2:13:40.160 --> 2:13:42.880
<v Speaker 1>this is about. We are honored that these people will

2:13:42.920 --> 2:13:45.640
<v Speaker 1>come and listen to us, But even if the people

2:13:45.680 --> 2:13:47.840
<v Speaker 1>ain't come and listen to us, we'll be honored to

2:13:47.920 --> 2:13:50.720
<v Speaker 1>do this and sit before listen. I'm glad to be

2:13:50.760 --> 2:13:59.240
<v Speaker 1>a part of it. Man, sit before that. Look, I'm

2:13:59.280 --> 2:14:02.000
<v Speaker 1>gonna pop that last battle. Look. Look, look we got

2:14:02.080 --> 2:14:04.960
<v Speaker 1>to have a drink with me. I have a drink

2:14:05.000 --> 2:14:07.440
<v Speaker 1>with you. I already separated my cops. Look that's my

2:14:07.560 --> 2:14:09.800
<v Speaker 1>rare wine cup. Right there. I'm gonna have a drink.

2:14:10.680 --> 2:14:12.840
<v Speaker 1>I'm gonna do one more shot. They're don't get about it.

2:14:14.000 --> 2:14:16.480
<v Speaker 1>Oh I look at that can. Okay, I ain't gonna lock.

2:14:17.080 --> 2:14:19.400
<v Speaker 1>Oh look but can? Did you did you have a

2:14:19.520 --> 2:14:23.600
<v Speaker 1>glass of rose in two thousand? In seventeen? This is

2:14:23.640 --> 2:14:26.840
<v Speaker 1>the new ship. This is the kids drinking. Ok you

2:14:26.920 --> 2:14:28.640
<v Speaker 1>got I have a drink with you. You have a

2:14:28.720 --> 2:14:31.000
<v Speaker 1>drink with me, and we got we got a gift

2:14:31.080 --> 2:14:34.960
<v Speaker 1>for you from eight and nine. Thank you? He got mad?

2:14:35.040 --> 2:14:38.520
<v Speaker 1>Guess he got mad? Guess? Yeah, I want, I want,

2:14:38.560 --> 2:14:41.160
<v Speaker 1>I want to turn you onto something else to man okay,

2:14:41.640 --> 2:14:44.720
<v Speaker 1>like like like you you enter the champagne. No, I'm

2:14:44.760 --> 2:14:50.320
<v Speaker 1>in a champagne. Yea, there's a champagne called Billa card someone. Okay,

2:14:50.320 --> 2:14:52.560
<v Speaker 1>I've devin never heard of that. You're very rich, cam

2:14:52.720 --> 2:14:58.240
<v Speaker 1>Sorry continue that's it sounded rich? Better call sound harm

2:14:58.680 --> 2:15:02.280
<v Speaker 1>what I have? Mom? Listen to say it again? Thing

2:15:02.680 --> 2:15:08.120
<v Speaker 1>the loo across someone you listen, no real talk. You

2:15:08.240 --> 2:15:11.000
<v Speaker 1>need to try that to call some more. Um no,

2:15:11.120 --> 2:15:13.320
<v Speaker 1>because I mean like you have missed with like the

2:15:13.400 --> 2:15:17.280
<v Speaker 1>wove a click yeah yeah, like and how it don't

2:15:17.400 --> 2:15:21.880
<v Speaker 1>really have that? You know that that that master see

2:15:22.000 --> 2:15:25.640
<v Speaker 1>no spell. Look you used to finish. I learned this

2:15:25.720 --> 2:15:30.000
<v Speaker 1>in parish ship. Look at that? Can't I can't look

2:15:30.040 --> 2:15:31.960
<v Speaker 1>at that? And you know what you gotta do. You

2:15:32.040 --> 2:15:38.400
<v Speaker 1>gotta twist. So come on, give me, give me a cane, cup,

2:15:38.440 --> 2:15:40.040
<v Speaker 1>Give me a cup. I'm gonna take one of yours.

2:15:40.080 --> 2:15:41.760
<v Speaker 1>You gotta take. You gotta take something. This is what

2:15:41.840 --> 2:15:47.320
<v Speaker 1>the kids look, didn't you. Yep, that's that's that's make

2:15:47.400 --> 2:15:50.480
<v Speaker 1>sure that's not something that was water. That's what we

2:15:50.560 --> 2:15:54.720
<v Speaker 1>wanted first. First, you gotta look if you want, you

2:15:54.760 --> 2:15:58.600
<v Speaker 1>gotta need to cool. Alright, cool, good cane. The cane

2:15:58.680 --> 2:16:01.760
<v Speaker 1>chooses cup, said King. God, damn, I look at that, King,

2:16:01.840 --> 2:16:07.480
<v Speaker 1>Look at look how pouring at it. Okay, okay, okay,

2:16:08.600 --> 2:16:12.040
<v Speaker 1>you're okay. Now you told you to drink. I boared

2:16:12.080 --> 2:16:15.520
<v Speaker 1>you and I'm gonna drink you poured me. This is

2:16:15.600 --> 2:16:19.000
<v Speaker 1>too big, Daddy, King, for all your accolades, for everything

2:16:19.040 --> 2:16:22.400
<v Speaker 1>you did for hip hop, for everything you contributed to

2:16:22.560 --> 2:16:25.520
<v Speaker 1>hip hop, for every time you had a bad day

2:16:25.560 --> 2:16:27.240
<v Speaker 1>in hip hop, for every time you had a good

2:16:27.360 --> 2:16:29.680
<v Speaker 1>day in hip hop, every time you had a medium

2:16:29.760 --> 2:16:31.440
<v Speaker 1>day in hip hop, We want you to know that

2:16:31.520 --> 2:16:34.040
<v Speaker 1>you will always be welcome and drink chats. Any time

2:16:34.080 --> 2:16:37.000
<v Speaker 1>you want to introduce anything that you're doing in life,

2:16:37.280 --> 2:16:44.760
<v Speaker 1>we are here for you. Me and DJA. We got

2:16:44.840 --> 2:16:46.760
<v Speaker 1>a couple a couple of questions before we get out

2:16:46.800 --> 2:16:50.000
<v Speaker 1>of here because my brother, Weird Thoughts reminded me of something.

2:16:50.280 --> 2:16:53.880
<v Speaker 1>Weird Thoughts one of my favorite tracks that you were

2:16:54.000 --> 2:16:59.400
<v Speaker 1>part of collectively, Burne Hollywood Burn Chuck d Ice. Qu

2:17:00.200 --> 2:17:03.000
<v Speaker 1>Uh huh? How did this come about? What was? Just

2:17:03.160 --> 2:17:07.840
<v Speaker 1>give me? Huck had a concept, he said, what it was,

2:17:09.920 --> 2:17:14.520
<v Speaker 1>That's what I'd be down. I said, yeah, and we

2:17:14.680 --> 2:17:16.760
<v Speaker 1>made it, made it happen, and I mean, you know,

2:17:16.879 --> 2:17:20.880
<v Speaker 1>it was like he had a visual because I mean

2:17:20.959 --> 2:17:22.840
<v Speaker 1>it was like, even though he had already explained to

2:17:22.959 --> 2:17:26.440
<v Speaker 1>me what it was about, when it was time to

2:17:26.520 --> 2:17:30.439
<v Speaker 1>do it, he explained again and win the deep detail

2:17:30.680 --> 2:17:34.800
<v Speaker 1>and using references and all that year. You know, I

2:17:34.840 --> 2:17:36.760
<v Speaker 1>don't know if you know Chuck, but you know Chuck

2:17:36.879 --> 2:17:39.560
<v Speaker 1>Chuck Chuck Yell, you know, so you know, he long winded,

2:17:40.560 --> 2:17:43.680
<v Speaker 1>you know, and he went to deep, deep, deep, deep

2:17:44.000 --> 2:17:46.640
<v Speaker 1>deep details. But I mean it was the type of

2:17:46.680 --> 2:17:49.320
<v Speaker 1>thing was like, bro, I'm happy to be on the song,

2:17:49.440 --> 2:17:53.840
<v Speaker 1>but that's the first time you had worked with Q. Yeah. Yeah,

2:17:55.240 --> 2:17:57.840
<v Speaker 1>like I admit Cube, you know Cube was always cool,

2:17:58.920 --> 2:18:03.680
<v Speaker 1>you know, but working together. Yeah. So and in the way,

2:18:03.720 --> 2:18:06.160
<v Speaker 1>one more, Paul, where you at ball drinking sports? He had?

2:18:06.200 --> 2:18:09.120
<v Speaker 1>He has another question. I didn't have a question as

2:18:09.280 --> 2:18:11.360
<v Speaker 1>as a fan. How was it when he did one

2:18:11.400 --> 2:18:14.120
<v Speaker 1>time a time at the man took off his hat,

2:18:21.560 --> 2:18:24.119
<v Speaker 1>keep your hat on, Keep your hat on? When when

2:18:24.160 --> 2:18:26.600
<v Speaker 1>you did the lean on me? Because that was on

2:18:26.760 --> 2:18:30.160
<v Speaker 1>with Morgan Freeman and Robert Gallus passed the way a

2:18:30.200 --> 2:18:32.039
<v Speaker 1>couple of days ago. You meet him like, how did

2:18:32.360 --> 2:18:34.040
<v Speaker 1>how did you get on the song? How did you

2:18:34.120 --> 2:18:37.720
<v Speaker 1>get the actual soundtrack? We want the song because of

2:18:37.840 --> 2:18:41.760
<v Speaker 1>Bennie Medina. Um, you know, I guess let me just

2:18:42.280 --> 2:18:45.000
<v Speaker 1>throw out Benny. The name came up a couple of

2:18:45.080 --> 2:18:46.960
<v Speaker 1>times on this podcast. I just want to throw it

2:18:47.040 --> 2:18:51.320
<v Speaker 1>out there. Bennie Medina's name came up with Mariah Carey

2:18:51.520 --> 2:18:56.879
<v Speaker 1>and Jay Long. Continue Latino. He's talking about Big Nicks

2:18:57.000 --> 2:18:59.400
<v Speaker 1>right now. Sorry, yeah, you know Bennie mcginna. You know

2:18:59.560 --> 2:19:03.200
<v Speaker 1>he was, um, you know, because Kine so smooth, he said,

2:19:03.240 --> 2:19:07.039
<v Speaker 1>like the owner Bodega. We gotta relax. He's a big

2:19:08.280 --> 2:19:10.640
<v Speaker 1>I'm sorry. Yeah, Well, I mean, this is when he

2:19:10.760 --> 2:19:12.880
<v Speaker 1>was at Warner Brothers and um, you know, he was

2:19:13.000 --> 2:19:18.240
<v Speaker 1>responsible for The Holy and on the soundtrack. And it

2:19:18.400 --> 2:19:21.640
<v Speaker 1>was so funny because it was like, you know, uh,

2:19:21.720 --> 2:19:23.360
<v Speaker 1>he told me about the song, and I had a

2:19:23.440 --> 2:19:26.560
<v Speaker 1>copy of the film and I did watch the film,

2:19:27.280 --> 2:19:30.800
<v Speaker 1>but didn't write the song because I was going through

2:19:30.920 --> 2:19:34.000
<v Speaker 1>some other you know, some some other you know, you know,

2:19:34.120 --> 2:19:37.320
<v Speaker 1>contract exputes, you know, um with Coach Chilling and and

2:19:37.760 --> 2:19:40.320
<v Speaker 1>so I just was like, you know, you know, after song,

2:19:40.440 --> 2:19:42.960
<v Speaker 1>I ain't. But then Bennie he was like asked me.

2:19:43.200 --> 2:19:44.960
<v Speaker 1>I'm like, yeah, I'm on it. I'm on I'm on it.

2:19:45.240 --> 2:19:47.320
<v Speaker 1>Then one day Bennie hit me and was like, Yo,

2:19:47.600 --> 2:19:50.800
<v Speaker 1>how are we coming with the song? And I'm like yeah,

2:19:50.800 --> 2:19:53.200
<v Speaker 1>we were good, and he said, you know, can we

2:19:53.280 --> 2:19:59.080
<v Speaker 1>do it today? UM like, um, well I try And

2:19:59.200 --> 2:20:01.560
<v Speaker 1>he said, okay, we'll it. I'm in New York, you

2:20:01.640 --> 2:20:03.120
<v Speaker 1>can you can I send a car to pick you

2:20:03.200 --> 2:20:07.040
<v Speaker 1>up and bring you the Molley House and oh you know,

2:20:07.520 --> 2:20:09.520
<v Speaker 1>so I was like, oh, yeah, maybe it happen. Yeah,

2:20:09.520 --> 2:20:12.120
<v Speaker 1>you go, Like I said, I saw the movie, but

2:20:12.200 --> 2:20:15.480
<v Speaker 1>I didn't write this song. So in the time that

2:20:16.080 --> 2:20:18.320
<v Speaker 1>he made the call for the car and for the

2:20:18.360 --> 2:20:21.000
<v Speaker 1>Mega to my crib and Queens and for me to

2:20:21.040 --> 2:20:24.080
<v Speaker 1>get the Queens up to Spring Valley. That's the time

2:20:24.160 --> 2:20:30.720
<v Speaker 1>I used to actually right lean on me. Yeah, don't you.

2:20:33.040 --> 2:20:37.320
<v Speaker 1>Actually another soundtrack that for me is instrumental is the

2:20:37.480 --> 2:20:40.600
<v Speaker 1>Juice soundtrack that you're not for respective And that's another

2:20:40.680 --> 2:20:50.040
<v Speaker 1>funny story because I mean Hank Shockley was yeah, bumps, Yeah,

2:20:50.040 --> 2:20:53.040
<v Speaker 1>Ain't Shockley wanted me to do this song. But it

2:20:53.200 --> 2:20:55.840
<v Speaker 1>was like, at that point in time, I think I

2:20:56.080 --> 2:20:58.800
<v Speaker 1>was really focusing on my film career, trying to get

2:20:58.879 --> 2:21:03.000
<v Speaker 1>that jump started. So my mind was really there, you know,

2:21:03.959 --> 2:21:07.960
<v Speaker 1>and he was driving me crazy about the song, and

2:21:08.080 --> 2:21:12.240
<v Speaker 1>he was like, Yo, can you do it when you

2:21:12.360 --> 2:21:16.680
<v Speaker 1>get back to New York. When I say that, I

2:21:16.760 --> 2:21:18.760
<v Speaker 1>mean like he meant that day I got back to YO,

2:21:20.080 --> 2:21:22.880
<v Speaker 1>and I mean, you know, I arrived in New York

2:21:25.760 --> 2:21:29.560
<v Speaker 1>Leading airport, come to my crib. Hank Shocking parked in

2:21:29.640 --> 2:21:34.320
<v Speaker 1>my drive way, sleep sleep waiting for me. How demand,

2:21:35.360 --> 2:21:37.240
<v Speaker 1>So you know, we kind of come to the studio

2:21:37.400 --> 2:21:40.959
<v Speaker 1>that night and you know, right, the joint put together,

2:21:42.000 --> 2:21:45.119
<v Speaker 1>but you know we made that happen incredible to be honest,

2:21:45.600 --> 2:21:48.200
<v Speaker 1>As I'm drinking his word wine, I immediately want to

2:21:48.240 --> 2:21:53.480
<v Speaker 1>eat Pussy. I know you're a different makes me want

2:21:54.520 --> 2:22:01.120
<v Speaker 1>like I've never had alcohol. JAS say that red one

2:22:01.879 --> 2:22:07.080
<v Speaker 1>brings the best I knew. It made me want to

2:22:07.120 --> 2:22:13.400
<v Speaker 1>listen to oldest Redden. But if Pussy's your choice, definitely,

2:22:13.680 --> 2:22:15.960
<v Speaker 1>it's just like it's got weird for me. Did you

2:22:16.040 --> 2:22:17.920
<v Speaker 1>finish my drink? I want to know what it makes

2:22:17.959 --> 2:22:26.720
<v Speaker 1>you feel like? No, not listen, No, no, no, I've

2:22:26.800 --> 2:22:30.240
<v Speaker 1>done that. I mean, yeah, yeah, but so so the

2:22:30.360 --> 2:22:33.680
<v Speaker 1>red wine. Now, what's this? This is a this this

2:22:33.840 --> 2:22:38.000
<v Speaker 1>Orange Shift Orange Swift machete. It's it's a cab blend.

2:22:38.520 --> 2:22:42.279
<v Speaker 1>It's there. I like the way. I'm not a hundred

2:22:42.280 --> 2:22:45.280
<v Speaker 1>per cent sure. I think it's from correct. I believe

2:22:45.320 --> 2:22:50.440
<v Speaker 1>it's cab and Um Sara. I think it's cabin Sara Blake.

2:22:51.360 --> 2:22:54.560
<v Speaker 1>I don't know. I believe it's a cab Kevin and Sara.

2:22:56.160 --> 2:23:00.240
<v Speaker 1>But you know, uh, Rang Swift. They make some great wines.

2:23:00.280 --> 2:23:06.840
<v Speaker 1>They have the machete, they have the abstract Palermo Italy. Okay,

2:23:06.920 --> 2:23:11.600
<v Speaker 1>well that's that's that's the only cabinet that Orange Swift made.

2:23:12.320 --> 2:23:15.360
<v Speaker 1>All the rest of the cat blends. They make some

2:23:15.480 --> 2:23:19.240
<v Speaker 1>great wines and if you go to um their their

2:23:19.320 --> 2:23:25.200
<v Speaker 1>spot in Napa, it's like stuff. You know, it's like

2:23:25.280 --> 2:23:28.199
<v Speaker 1>you when you and it's not like the other spot.

2:23:28.240 --> 2:23:31.280
<v Speaker 1>They it's like the club. They got music blasting and

2:23:31.560 --> 2:23:34.039
<v Speaker 1>you know, chicks in their drunk the ship not coppers

2:23:35.560 --> 2:23:42.080
<v Speaker 1>in Nappa alright, but it's not. Yeah, it's with you know,

2:23:42.560 --> 2:23:45.600
<v Speaker 1>because their things on the strip, Okay, right on the

2:23:45.680 --> 2:23:49.800
<v Speaker 1>strip and yeah yeah, I mean Orange Swift has has

2:23:49.840 --> 2:23:52.640
<v Speaker 1>a great selection. I've never seen this. This is machete

2:23:52.920 --> 2:23:55.760
<v Speaker 1>and they have the bottom. Yeah, but I mean it's

2:23:55.920 --> 2:23:57.880
<v Speaker 1>they have a bump. It's all the same one. But

2:23:58.000 --> 2:24:01.240
<v Speaker 1>they use different photos. There's a lot of different photos

2:24:01.280 --> 2:24:04.560
<v Speaker 1>of different different positions. Let's make noise for king. Get

2:24:04.600 --> 2:24:14.199
<v Speaker 1>the classes were there ordered nineteen forty two to kill correct,

2:24:16.280 --> 2:24:18.720
<v Speaker 1>but we have never haked somebody or the red wine.

2:24:18.920 --> 2:24:22.200
<v Speaker 1>And that's that's very classy that you can't. I mean,

2:24:22.240 --> 2:24:25.520
<v Speaker 1>I'm just made. How did you become a classy Brooklyn nigger?

2:24:28.600 --> 2:24:33.800
<v Speaker 1>I was born and I mean no, let me, I'm

2:24:33.800 --> 2:24:39.000
<v Speaker 1>gonna tell you real study. I mean growing up, you know,

2:24:39.160 --> 2:24:44.440
<v Speaker 1>I mean watching my pops and keeping my my pops

2:24:44.600 --> 2:24:48.920
<v Speaker 1>is from a small town called Bowman, in South Carolina.

2:24:49.760 --> 2:24:52.680
<v Speaker 1>But I mean, you know, you know from his younger

2:24:53.040 --> 2:24:55.800
<v Speaker 1>you know age he grew up in New York, and

2:24:56.200 --> 2:24:59.039
<v Speaker 1>I mean it's like, yo, when I was a kid

2:24:59.120 --> 2:25:04.000
<v Speaker 1>in the seventies, I see this dude like line his

2:25:04.160 --> 2:25:09.000
<v Speaker 1>shoes up snakeskin gate or line him up like he

2:25:09.080 --> 2:25:12.560
<v Speaker 1>might line about six pairs of shoes and then put

2:25:12.680 --> 2:25:15.640
<v Speaker 1>on a suit and then just go stand in front

2:25:15.680 --> 2:25:18.960
<v Speaker 1>of each pair suit. It's moving down, just just dancing

2:25:18.959 --> 2:25:21.480
<v Speaker 1>his way down in front of each pier to see

2:25:21.520 --> 2:25:24.920
<v Speaker 1>which which pier mattered the suit. Like this type of

2:25:24.959 --> 2:25:27.440
<v Speaker 1>ship I just see him do as a child, you

2:25:27.480 --> 2:25:30.080
<v Speaker 1>know what I'm saying. I mean, I mean I've seen

2:25:30.280 --> 2:25:33.280
<v Speaker 1>my pops go out in a two piece suit to

2:25:34.160 --> 2:25:37.879
<v Speaker 1>drive off and had a flat tire and he had

2:25:37.920 --> 2:25:39.600
<v Speaker 1>to change the tire and he changed it in the

2:25:39.680 --> 2:25:42.600
<v Speaker 1>suit and got grease on the suit, and you know

2:25:42.920 --> 2:25:49.840
<v Speaker 1>he stood then stared at the tire like a came upstairs,

2:25:50.320 --> 2:25:53.440
<v Speaker 1>took a shower, and threw on a three piece suit

2:25:53.840 --> 2:25:58.400
<v Speaker 1>like just to shoulder to tire like motherfucker. I you

2:25:58.480 --> 2:26:01.480
<v Speaker 1>know I got more pieces. What I'm saying, I can

2:26:01.520 --> 2:26:05.840
<v Speaker 1>put more ship on this. You ain't stop nothing, you know, yeah,

2:26:06.000 --> 2:26:08.039
<v Speaker 1>and when I'm sing went back out south the three

2:26:08.120 --> 2:26:11.320
<v Speaker 1>piece and stood in front of that same tire and

2:26:11.520 --> 2:26:13.879
<v Speaker 1>stared out of the kid for about another two minutes

2:26:14.360 --> 2:26:15.960
<v Speaker 1>and then got in the car and jove like. So

2:26:16.280 --> 2:26:19.160
<v Speaker 1>it's like this type of stuff. It's like when I

2:26:19.240 --> 2:26:23.000
<v Speaker 1>got in the hip hop um, you know, like I said,

2:26:23.160 --> 2:26:26.040
<v Speaker 1>the Battle rapping, But once I heard Kas, I was like, oh,

2:26:26.160 --> 2:26:28.640
<v Speaker 1>let dude, Grammars and cast amazing. So lyrically I wanted

2:26:28.640 --> 2:26:31.440
<v Speaker 1>to be Cash, but image wise, I wanted to be

2:26:31.520 --> 2:26:33.400
<v Speaker 1>my pops because I was just I just thought he

2:26:33.520 --> 2:26:36.880
<v Speaker 1>was just that that dude. You know. So who's your

2:26:36.959 --> 2:26:41.320
<v Speaker 1>favorite rapper from that era? If you if you could

2:26:41.360 --> 2:26:43.560
<v Speaker 1>say there was one Cash? I mean when you mean

2:26:43.640 --> 2:26:47.320
<v Speaker 1>from me growing up as a kid? Yea Cash? Yeah.

2:26:47.320 --> 2:26:49.120
<v Speaker 1>I knew he was gonna say that. So who's your

2:26:49.160 --> 2:26:55.440
<v Speaker 1>favorite rapper from from from the Middle era? Uh? You

2:26:55.480 --> 2:27:00.560
<v Speaker 1>mean like Eli, No, No after after you guys like

2:27:00.640 --> 2:27:07.080
<v Speaker 1>the Naso the Night, the Nights. Oh man, It's like

2:27:09.879 --> 2:27:13.400
<v Speaker 1>I would I'd have to say it this way. I

2:27:13.560 --> 2:27:20.760
<v Speaker 1>have to say that lyrically. Lyrically, my favorite was nas

2:27:22.520 --> 2:27:30.040
<v Speaker 1>but my favorite MC was Biggie. It's like I like

2:27:30.680 --> 2:27:35.080
<v Speaker 1>big Um because I just thought it was big. Thing

2:27:35.200 --> 2:27:38.440
<v Speaker 1>was amazing, But lyrically I would have to go with

2:27:38.560 --> 2:27:46.920
<v Speaker 1>Nash because you understand, it's like in my era. You know,

2:27:47.080 --> 2:27:52.320
<v Speaker 1>I'm I come from where you know they put no no,

2:27:52.480 --> 2:27:57.520
<v Speaker 1>no no no, like you know where you're coming to

2:27:57.640 --> 2:28:02.200
<v Speaker 1>club and you fucking everything before well both for y'all,

2:28:02.560 --> 2:28:12.760
<v Speaker 1>y'all sucking everything before include Hills because of cocaine before

2:28:12.760 --> 2:28:15.880
<v Speaker 1>any include you because you because you caramels, so you

2:28:15.920 --> 2:28:21.119
<v Speaker 1>can choose your side. You decide you life skin. You're

2:28:21.120 --> 2:28:26.760
<v Speaker 1>not going caramel my life camel. It's like you to

2:28:26.840 --> 2:28:30.480
<v Speaker 1>choose the side. You know it night skills popping the

2:28:30.600 --> 2:28:38.879
<v Speaker 1>night dog skins popping them. You know, I'll come from

2:28:39.000 --> 2:28:41.840
<v Speaker 1>ever where you know. You know y'all y'all getting actually

2:28:41.879 --> 2:28:45.360
<v Speaker 1>just because y'all light skin. And it was like you

2:28:45.440 --> 2:28:48.800
<v Speaker 1>know where your Westley's life stop that ship again when

2:28:49.120 --> 2:28:50.840
<v Speaker 1>it was like me, but you see it was it

2:28:50.959 --> 2:28:53.080
<v Speaker 1>was something like again like how he was talking about

2:28:53.120 --> 2:28:55.360
<v Speaker 1>the flat top. It's something I had to talk about,

2:28:55.400 --> 2:28:58.560
<v Speaker 1>something had to brand. I had to brand being dog skin.

2:28:59.800 --> 2:29:02.560
<v Speaker 1>You what I'm saying, browner than Bobby, So want you

2:29:02.560 --> 2:29:04.720
<v Speaker 1>to be my tender vhone. I only keep on, you know,

2:29:04.840 --> 2:29:08.120
<v Speaker 1>saying dark skin and ship to make dark skins sex.

2:29:08.360 --> 2:29:11.440
<v Speaker 1>Was that I go to work librics right there? Yeah, yeah, yeah,

2:29:11.680 --> 2:29:14.240
<v Speaker 1>I get the job done. I had to keep you know,

2:29:14.680 --> 2:29:17.640
<v Speaker 1>saying dark skin ship you know what that was when

2:29:17.720 --> 2:29:21.560
<v Speaker 1>Niggas was like Kane is gone but he was. She

2:29:21.720 --> 2:29:25.640
<v Speaker 1>was in there with just yeah, yeah, I'm not man like,

2:29:27.200 --> 2:29:32.040
<v Speaker 1>I'm a young think. I'm like, no, that that's for you.

2:29:32.200 --> 2:29:34.440
<v Speaker 1>You were making a lot of money back there at

2:29:34.520 --> 2:29:39.440
<v Speaker 1>that point. You got the job done. Absolutely, I mean

2:29:39.480 --> 2:29:43.520
<v Speaker 1>absolutely absolutely, it was. It was fun like because do

2:29:43.640 --> 2:29:46.000
<v Speaker 1>you think because I feel like you was like the

2:29:46.080 --> 2:29:50.840
<v Speaker 1>first person to have like commercial success where people no

2:29:51.440 --> 2:29:56.960
<v Speaker 1>no for you though llo and who didn'y Okay, okay,

2:29:57.240 --> 2:30:00.400
<v Speaker 1>I understand that, but both of those Okay, l L

2:30:00.720 --> 2:30:04.920
<v Speaker 1>was like skinned for people purposes and then Hudini was

2:30:04.959 --> 2:30:07.560
<v Speaker 1>a group. So you was like the first dark skin

2:30:08.640 --> 2:30:14.360
<v Speaker 1>Brooklyn guy. Yeah, okay, look at that. Yeah, that looked

2:30:14.400 --> 2:30:18.360
<v Speaker 1>at like the king of hip hop and it's just like, yeah,

2:30:18.640 --> 2:30:21.320
<v Speaker 1>I mean not to see that. She, like I said,

2:30:21.480 --> 2:30:24.520
<v Speaker 1>that was something that I had to create, the whole

2:30:24.560 --> 2:30:30.040
<v Speaker 1>dog skin thing. So now going back to Biggie, he

2:30:30.200 --> 2:30:32.080
<v Speaker 1>took it to the next level. And see that's what

2:30:32.240 --> 2:30:34.520
<v Speaker 1>this thing is all. You know what I'm saying, It's

2:30:34.560 --> 2:30:37.320
<v Speaker 1>all about you know what I'm saying. What you know? No, no, no,

2:30:37.560 --> 2:30:39.560
<v Speaker 1>it's like you know, like you know, okay, you learn

2:30:39.640 --> 2:30:41.440
<v Speaker 1>this from here, okay, and then you take it to

2:30:41.480 --> 2:30:44.720
<v Speaker 1>the next level. You learn from your predecessors and you

2:30:44.760 --> 2:30:46.840
<v Speaker 1>take it to the next level because like you know,

2:30:46.920 --> 2:30:49.199
<v Speaker 1>I mean, yeah, I made this dark skinned thing sexy.

2:30:49.959 --> 2:30:58.120
<v Speaker 1>But my man Big said, however, yeah blacks, Ever, however

2:30:58.920 --> 2:31:01.280
<v Speaker 1>I stay because it was like, yo, I lotch You know,

2:31:01.560 --> 2:31:06.000
<v Speaker 1>I was in Birmingham, Alabama at a club and seeing

2:31:06.160 --> 2:31:12.520
<v Speaker 1>this crispy, fat black dude at the bar, chilling with

2:31:12.680 --> 2:31:19.360
<v Speaker 1>a cougie sweater on fasach shaped shades and to even

2:31:20.080 --> 2:31:23.160
<v Speaker 1>just put the stamp on, the food stamp on he

2:31:23.480 --> 2:31:29.200
<v Speaker 1>at the board doing the Biggie bop. You know, I'm

2:31:29.280 --> 2:31:32.160
<v Speaker 1>just and chicks is digging him. So it was like,

2:31:33.000 --> 2:31:41.000
<v Speaker 1>be made fat dude sex symbols the fat dude the same. Yeah,

2:31:41.440 --> 2:31:45.200
<v Speaker 1>but Big perfective. First you took it to the next level.

2:31:46.520 --> 2:31:49.440
<v Speaker 1>And yeah and pun that's another dude that was But

2:31:49.520 --> 2:31:51.160
<v Speaker 1>you know, all that time you talk, that's my first

2:31:51.200 --> 2:31:56.000
<v Speaker 1>time meeting him. You know. I was talking to Chris

2:31:56.080 --> 2:32:01.960
<v Speaker 1>about that because no rivers my sons. I was telling

2:32:02.080 --> 2:32:07.720
<v Speaker 1>him like, um that uh. When I when I met him,

2:32:08.080 --> 2:32:10.240
<v Speaker 1>like he was just being funny. He was like, oh

2:32:10.320 --> 2:32:12.440
<v Speaker 1>ship man, yo, big daddy, can't you bring the kids?

2:32:14.840 --> 2:32:16.560
<v Speaker 1>That ship had me crying and left because it was

2:32:16.640 --> 2:32:20.600
<v Speaker 1>like and honest, it was it was video John Blade

2:32:20.680 --> 2:32:24.240
<v Speaker 1>video because it was like I've always been a pun fact.

2:32:24.320 --> 2:32:30.760
<v Speaker 1>When I first heard him, I was like, finally, finally,

2:32:31.720 --> 2:32:36.160
<v Speaker 1>somebody give him my man g wrap his props, you know,

2:32:36.200 --> 2:32:38.200
<v Speaker 1>because I could I could hear the g rapp and

2:32:41.080 --> 2:32:44.800
<v Speaker 1>then to see his videos and see that, like, yo,

2:32:45.680 --> 2:32:48.880
<v Speaker 1>I don't want my ship just not like it was

2:32:49.160 --> 2:32:52.080
<v Speaker 1>entertained and it was fun. I'm like, oh, he's gone,

2:32:52.560 --> 2:32:56.440
<v Speaker 1>he's gone punk. When I saw like when I saw videos,

2:32:56.480 --> 2:32:58.560
<v Speaker 1>I'm like, oh he's gone. Forget him. I'm like, yeah,

2:32:58.560 --> 2:33:00.520
<v Speaker 1>he's he's he's mad. It goes back to the humor

2:33:00.640 --> 2:33:06.480
<v Speaker 1>thing you were saying. But he was, yeah, Beach, You're

2:33:06.520 --> 2:33:08.800
<v Speaker 1>the first thing I ever met you. When I walked

2:33:08.920 --> 2:33:14.280
<v Speaker 1>up and I'm I'm such a super fan and I

2:33:14.360 --> 2:33:17.880
<v Speaker 1>woke up to King and Kane says to me, you know,

2:33:17.959 --> 2:33:24.240
<v Speaker 1>I didn't like you, sir, thinking said to me, I'll

2:33:24.280 --> 2:33:27.680
<v Speaker 1>never get it, said You'll didn't like you until in Rum,

2:33:28.000 --> 2:33:31.040
<v Speaker 1>but I didn't wait for the until so I was like, damn,

2:33:33.200 --> 2:33:42.000
<v Speaker 1>this is my from okay, and then you said, you

2:33:42.120 --> 2:33:44.920
<v Speaker 1>know the album because mind you world Board came out

2:33:45.320 --> 2:33:47.520
<v Speaker 1>and he said, I didn't understand you in the world report.

2:33:48.000 --> 2:33:50.800
<v Speaker 1>But then and then and then n R E album

2:33:50.879 --> 2:33:52.840
<v Speaker 1>came out and he was like, then I went back

2:33:52.879 --> 2:33:56.080
<v Speaker 1>and I revisited everything, and now I understand who you are.

2:33:56.920 --> 2:33:58.920
<v Speaker 1>But then you know what my reaction was because I

2:33:59.080 --> 2:34:01.520
<v Speaker 1>was just like, so offend because you're like, mom, you're

2:34:01.600 --> 2:34:04.400
<v Speaker 1>like my favorite rapper. So I'm like, and t J

2:34:04.560 --> 2:34:06.440
<v Speaker 1>Swan is the man and the Juice School. You don't

2:34:06.440 --> 2:34:14.120
<v Speaker 1>remember telling you that, you know? He was like this

2:34:14.280 --> 2:34:18.200
<v Speaker 1>think is good exact word. He was like, he's good,

2:34:18.680 --> 2:34:21.959
<v Speaker 1>he's good. You know you remember t J Swan? Oh ya,

2:34:22.240 --> 2:34:24.680
<v Speaker 1>what happened to t J Swan? No, no, no, we're not.

2:34:24.840 --> 2:34:31.400
<v Speaker 1>We're not leaving this conversation. I can. First of all,

2:34:32.120 --> 2:34:36.400
<v Speaker 1>let me pay something to m. It's amazing that you

2:34:36.440 --> 2:34:43.440
<v Speaker 1>remember that, but I'm not gonna understand what I'm saying.

2:34:43.760 --> 2:34:45.520
<v Speaker 1>I knew you, you know, because it's like this, yere,

2:34:45.560 --> 2:34:48.680
<v Speaker 1>you understand. It's like with me because of the wh

2:34:48.800 --> 2:34:54.360
<v Speaker 1>my ears a trained, I'm always listening like lyrically first,

2:34:55.600 --> 2:35:00.160
<v Speaker 1>and it's like when when when I'm I'm sitting there,

2:35:00.200 --> 2:35:04.640
<v Speaker 1>I'm like, Yo, this dude got some ship with him.

2:35:05.240 --> 2:35:07.680
<v Speaker 1>And then I'm watching the way people respond to you,

2:35:07.800 --> 2:35:10.680
<v Speaker 1>and I'm like and it's like and I'm I'm like, yo,

2:35:12.240 --> 2:35:15.440
<v Speaker 1>this is dope. This is dope, because you see, you

2:35:15.520 --> 2:35:19.680
<v Speaker 1>gotta understand. It's like the element that you created was

2:35:19.800 --> 2:35:25.720
<v Speaker 1>something that was so fucking needed. A special education resource froom, nondert, No,

2:35:26.000 --> 2:35:28.840
<v Speaker 1>we understand me. We have special education special but we

2:35:29.000 --> 2:35:32.280
<v Speaker 1>have resource frooms. Understand me. What you did was something

2:35:32.360 --> 2:35:35.400
<v Speaker 1>that was so fucking needed because it's like this here,

2:35:35.840 --> 2:35:40.880
<v Speaker 1>how tough can you be? How tough can you be?

2:35:42.360 --> 2:35:46.000
<v Speaker 1>At some point? If you that goddamn tough, then you

2:35:46.120 --> 2:35:51.280
<v Speaker 1>shouldn't be listening to music. Music is relaxing, Music is fun,

2:35:52.920 --> 2:35:56.600
<v Speaker 1>and you made it with the most thugged out tough

2:35:56.800 --> 2:36:07.600
<v Speaker 1>nigga could enjoy yourself. And look, that's the reason why

2:36:07.800 --> 2:36:10.680
<v Speaker 1>when I did my history right, one of my favorite

2:36:10.800 --> 2:36:15.680
<v Speaker 1>artists was bis Monkey, not lyrics wise, not music content,

2:36:15.840 --> 2:36:22.480
<v Speaker 1>but as far as having fun like this said, what

2:36:22.560 --> 2:36:25.640
<v Speaker 1>are he said, He'll he'll stick a nose up his nose.

2:36:26.200 --> 2:36:28.880
<v Speaker 1>Let's stick us fingure up his nose and put it

2:36:28.959 --> 2:36:34.879
<v Speaker 1>on the basketball and the kid like that you wrote

2:36:34.920 --> 2:36:42.640
<v Speaker 1>that letter. That's when that's when you know, I ain't

2:36:42.640 --> 2:36:44.320
<v Speaker 1>know where I'm gonna deal with that. So when I'm

2:36:44.400 --> 2:36:49.720
<v Speaker 1>righting him, I'll make sure I mentioned my asses everybody know.

2:36:50.000 --> 2:36:53.360
<v Speaker 1>But that's the craziest thing was I had realten did

2:36:53.440 --> 2:36:56.560
<v Speaker 1>my research, and I was like, I said, you know what,

2:36:56.840 --> 2:37:01.560
<v Speaker 1>nobody has fun like bis Mark anymore like in this,

2:37:01.920 --> 2:37:04.120
<v Speaker 1>in this, in this, in this day and time, and

2:37:04.200 --> 2:37:06.720
<v Speaker 1>nobody don't have fun like I'm probably the only MC

2:37:07.480 --> 2:37:11.760
<v Speaker 1>that inventeds what Bismarck represented like he just had fun

2:37:13.879 --> 2:37:16.240
<v Speaker 1>and anybody laughed at him and they tried to make

2:37:16.280 --> 2:37:18.480
<v Speaker 1>fun of him. And I don't give a funk if

2:37:18.520 --> 2:37:20.000
<v Speaker 1>you laugh at me and try to make fun of me.

2:37:20.200 --> 2:37:22.880
<v Speaker 1>I'm representing the hip hop And then but you you

2:37:23.120 --> 2:37:26.640
<v Speaker 1>you you you you you you really bridge the gap

2:37:27.160 --> 2:37:30.360
<v Speaker 1>and you you did something special. Thank you, I mean,

2:37:30.400 --> 2:37:34.480
<v Speaker 1>because it's it's it's it's like, yo, you're having fun,

2:37:34.800 --> 2:37:37.760
<v Speaker 1>You're got a dance track, you're sitting there. What what what? What? What?

2:37:37.959 --> 2:37:42.320
<v Speaker 1>What the chicken? What? What? What? What? But but you

2:37:42.600 --> 2:37:45.440
<v Speaker 1>and you're spitting gangster stuff. But it's it's in a

2:37:45.600 --> 2:37:51.959
<v Speaker 1>party type flow. Goddamn like you you you you were

2:37:52.040 --> 2:37:55.200
<v Speaker 1>gating a whole new lane. You're making the toughest making

2:37:56.000 --> 2:38:01.200
<v Speaker 1>whatever you're taking it right now, change the subject before

2:38:01.240 --> 2:38:05.440
<v Speaker 1>everybody stop capting. Wonder what I'm doing? Ok right there, God,

2:38:05.879 --> 2:38:08.640
<v Speaker 1>it's okay. Have you ever looked at rap and you

2:38:08.959 --> 2:38:12.680
<v Speaker 1>you was disappointed at one point? Like like, I mean,

2:38:13.160 --> 2:38:16.760
<v Speaker 1>maybe it's the error right now or where because at

2:38:16.800 --> 2:38:18.320
<v Speaker 1>the end of the day came. We can't take it

2:38:18.360 --> 2:38:21.440
<v Speaker 1>away from the fact that you're you're you're, if not

2:38:21.760 --> 2:38:25.800
<v Speaker 1>the king, you're one of the kings. So there's a

2:38:25.840 --> 2:38:28.560
<v Speaker 1>lot of people who can't have opinions or nowadays hip

2:38:28.640 --> 2:38:32.400
<v Speaker 1>hop or middle hip hop or or later hip hop,

2:38:33.040 --> 2:38:36.680
<v Speaker 1>but you're, fortunately it's one of them people that can

2:38:36.720 --> 2:38:40.640
<v Speaker 1>have an opinion on any version of hip hop. Have

2:38:40.840 --> 2:38:43.720
<v Speaker 1>you ever looked at hip hop? Was just like damn

2:38:44.320 --> 2:38:50.560
<v Speaker 1>was ashamed at one point? Yeah? What what point was that? Um?

2:38:53.560 --> 2:38:59.720
<v Speaker 1>Right now? Right about what I mean, It's like, let

2:38:59.760 --> 2:39:04.280
<v Speaker 1>me just say this, I think that there are so

2:39:04.560 --> 2:39:15.640
<v Speaker 1>many talented artists out there right now, um J Cole, Logic, Logic, Kendrickson,

2:39:17.640 --> 2:39:23.920
<v Speaker 1>Um Rhapsody, Rhapsity Car. There's so many um um m, mom.

2:39:25.480 --> 2:39:30.640
<v Speaker 1>Really know she's not news. I mean, you know, she's

2:39:30.680 --> 2:39:33.880
<v Speaker 1>still shining. But I mean, as far as the new generation,

2:39:34.040 --> 2:39:36.440
<v Speaker 1>there's so many out there's there's there's a lot out here.

2:39:38.640 --> 2:39:44.400
<v Speaker 1>What's this calm calm, John Connor, No West what's a

2:39:44.440 --> 2:39:51.400
<v Speaker 1>little Joey badass west Side Gun? But you see, here's

2:39:51.480 --> 2:39:55.640
<v Speaker 1>my thing. There's a lot of other artists that's out

2:39:55.760 --> 2:40:01.800
<v Speaker 1>here that's shining. And I mean, and I wish them

2:40:01.920 --> 2:40:09.240
<v Speaker 1>continue to success. Right. I don't wanna hear that um

2:40:10.920 --> 2:40:16.320
<v Speaker 1>little Yati or little what's it a little? I don't

2:40:16.320 --> 2:40:20.640
<v Speaker 1>want to hear they broke and you know they fucked up.

2:40:21.720 --> 2:40:25.080
<v Speaker 1>I want to, you know, know that they're safe and

2:40:25.200 --> 2:40:28.840
<v Speaker 1>they still making money. I mean, I ain't gonna lie

2:40:28.879 --> 2:40:31.600
<v Speaker 1>to you. There was a time, you know, the late nineties,

2:40:32.040 --> 2:40:35.520
<v Speaker 1>you know, thanks to motherfucker's like you, that ship got

2:40:35.560 --> 2:40:38.240
<v Speaker 1>sucked up for me, you know what. I'm sadcuse was shining.

2:40:39.080 --> 2:40:42.160
<v Speaker 1>So you fell out some hard times, yeah, but you

2:40:42.240 --> 2:40:45.680
<v Speaker 1>know it came back around and everything is good. And

2:40:45.920 --> 2:40:49.320
<v Speaker 1>you know, if that came knowledge of you know, you

2:40:49.400 --> 2:40:52.120
<v Speaker 1>don't know where you want to put your money and

2:40:52.560 --> 2:40:56.080
<v Speaker 1>the right thing, you know what I'm saying. So it's

2:40:56.200 --> 2:40:58.640
<v Speaker 1>like with the young casts today. I want to know

2:40:58.760 --> 2:41:01.080
<v Speaker 1>that they're going to shine and that, you know, even

2:41:01.120 --> 2:41:04.320
<v Speaker 1>if they career don't last as long as you know,

2:41:04.560 --> 2:41:08.760
<v Speaker 1>as mine or as yours or whoever, that they can

2:41:08.840 --> 2:41:12.359
<v Speaker 1>still be, you know, make money and do something lucrative.

2:41:12.959 --> 2:41:14.960
<v Speaker 1>You know, I don't want to hear the stories about

2:41:15.040 --> 2:41:18.120
<v Speaker 1>them going bro or where they now he's you know,

2:41:18.200 --> 2:41:20.080
<v Speaker 1>I don't want to hear it. I want to see

2:41:20.120 --> 2:41:23.720
<v Speaker 1>them shine. So I wish there was that bridge where

2:41:23.760 --> 2:41:26.800
<v Speaker 1>we could connect with them, you know, because I don't

2:41:26.800 --> 2:41:32.840
<v Speaker 1>want your spot light. Look, I love going into a

2:41:32.920 --> 2:41:37.320
<v Speaker 1>supermarket and someone big day. He came right, well, I

2:41:37.400 --> 2:41:39.760
<v Speaker 1>drew up off your music man, you said, hey, good

2:41:39.760 --> 2:41:42.200
<v Speaker 1>to me. I love that ship. I wouldn't want you

2:41:42.320 --> 2:41:47.720
<v Speaker 1>in the supermarket screen trying to now I can't get

2:41:47.800 --> 2:41:52.280
<v Speaker 1>the shot I need to. I gotta leave now. I

2:41:52.440 --> 2:41:54.640
<v Speaker 1>like the piece of similarity that I have. I enjoy it.

2:41:55.760 --> 2:41:58.600
<v Speaker 1>So my life is good. I don't want your spot

2:41:59.200 --> 2:42:01.800
<v Speaker 1>I don't want to make that return to the top.

2:42:02.520 --> 2:42:04.840
<v Speaker 1>I mean, I'd love to make it, you know, another album.

2:42:04.959 --> 2:42:07.800
<v Speaker 1>You know that's something that they were. The people would appreciate,

2:42:07.959 --> 2:42:09.600
<v Speaker 1>you know, I mean, that would be cool. But I

2:42:09.680 --> 2:42:13.640
<v Speaker 1>don't need to be who I was in I did

2:42:13.720 --> 2:42:16.680
<v Speaker 1>that and it was fun. I was ain't coming home

2:42:16.720 --> 2:42:22.680
<v Speaker 1>to my family now beautiful, that's what I like. But

2:42:23.879 --> 2:42:27.040
<v Speaker 1>what I did back then was amazing, and I'd love

2:42:27.120 --> 2:42:29.120
<v Speaker 1>to tell you how I did it, give you the

2:42:29.160 --> 2:42:31.720
<v Speaker 1>blueprint so you can do it and walk that walk.

2:42:32.360 --> 2:42:36.480
<v Speaker 1>M I'm not your enemy. I'm your friend. This is

2:42:36.560 --> 2:42:40.039
<v Speaker 1>my message to the younger generation. Regardless of what any

2:42:40.080 --> 2:42:42.600
<v Speaker 1>mighty tell me. I'm not your enemy. I'm your friend.

2:42:42.920 --> 2:42:44.920
<v Speaker 1>I sit and chop it up with you. I'll tell

2:42:44.959 --> 2:42:48.480
<v Speaker 1>you what's really good, how to be what you need

2:42:48.560 --> 2:42:51.040
<v Speaker 1>to be, how to separate yourself from the bullshit and

2:42:51.240 --> 2:42:54.920
<v Speaker 1>establish yourself as a start. You know what I'm saying.

2:42:55.480 --> 2:42:59.280
<v Speaker 1>And you don't have to put me on nothing. You

2:42:59.280 --> 2:43:01.160
<v Speaker 1>don't have to put me on one single track. You

2:43:01.160 --> 2:43:04.320
<v Speaker 1>don't owe me nothing. I don't want nothing from you.

2:43:04.879 --> 2:43:11.440
<v Speaker 1>Was that I was value, wasn't Jake? Yeah? Yeah? He

2:43:11.879 --> 2:43:17.960
<v Speaker 1>always old, dirty bastard, positive k shy him and everybody else.

2:43:18.080 --> 2:43:24.840
<v Speaker 1>I fun wouldn't throughout my career. Real nigga king with

2:43:25.040 --> 2:43:31.840
<v Speaker 1>King stands for again. Oh King, Nobody, nobody King agiatic,

2:43:32.360 --> 2:43:43.720
<v Speaker 1>nobody tell you something better? Uh? Things you did? I

2:43:43.760 --> 2:43:52.160
<v Speaker 1>remember running around? Uh uh. I was born in seventy seven,

2:43:52.640 --> 2:43:54.200
<v Speaker 1>but I used to run with a dude name hit

2:43:54.280 --> 2:43:59.600
<v Speaker 1>Hard Talk hare Tad had eight nine. We had a

2:44:00.000 --> 2:44:04.720
<v Speaker 1>at Jetta with the white convertible top and the white

2:44:04.840 --> 2:44:10.320
<v Speaker 1>cream seats in there, and motherfucking the vanilla pine trees.

2:44:10.520 --> 2:44:17.080
<v Speaker 1>You know, the ship, the air freshen Us, And that's

2:44:17.160 --> 2:44:20.480
<v Speaker 1>all we would do. They just run around from a

2:44:20.640 --> 2:44:24.240
<v Speaker 1>d eight eight ninety. Let's just run around. Listen to

2:44:24.320 --> 2:44:26.959
<v Speaker 1>your music. And the fact that I could come here

2:44:27.600 --> 2:44:31.920
<v Speaker 1>with you tonight and honor you and salute you and

2:44:32.040 --> 2:44:35.720
<v Speaker 1>tell you face to face, man and man that you're

2:44:35.760 --> 2:44:43.040
<v Speaker 1>the man, your guy that helped raise probably ninety five

2:44:43.560 --> 2:44:45.360
<v Speaker 1>of people in this building because they got people like

2:44:45.440 --> 2:44:47.840
<v Speaker 1>Twin and they you see that stermoid twin. Look at

2:44:47.879 --> 2:44:52.800
<v Speaker 1>the difference, can see that stermoid twin. That's another twin

2:44:53.200 --> 2:44:57.720
<v Speaker 1>And you helped raise us. And there's nothing more that

2:44:57.840 --> 2:45:00.440
<v Speaker 1>we want to do is to continue to port you.

2:45:01.080 --> 2:45:04.200
<v Speaker 1>And when you're going toll you hit me and here

2:45:04.320 --> 2:45:06.800
<v Speaker 1>fin up, let us talk about it, let us blow

2:45:06.879 --> 2:45:11.840
<v Speaker 1>it up, because there's there's there's a lack in our society.

2:45:11.920 --> 2:45:14.680
<v Speaker 1>And when I say society, I mean hip hop, meaning

2:45:15.000 --> 2:45:18.640
<v Speaker 1>that when a person gets of age, they want to

2:45:18.640 --> 2:45:21.680
<v Speaker 1>treat them like milk and have an expiration day. And

2:45:21.800 --> 2:45:25.119
<v Speaker 1>I gotta be the opposite of that. I gotta use

2:45:25.240 --> 2:45:31.879
<v Speaker 1>my power like Eminem use his power recently to refute racists,

2:45:32.879 --> 2:45:36.640
<v Speaker 1>and he used his white privilege to fight racism. I

2:45:36.720 --> 2:45:41.279
<v Speaker 1>gotta use my quote unquote privileges to still be relevant

2:45:41.320 --> 2:45:45.120
<v Speaker 1>to show people why I'm relevant, because there's people before me,

2:45:45.959 --> 2:45:48.320
<v Speaker 1>and there's people who pave the way that I respect,

2:45:49.200 --> 2:45:51.840
<v Speaker 1>and then I'm that will always be about me. To me,

2:45:53.120 --> 2:45:54.840
<v Speaker 1>I don't give a funk what I do. I could

2:45:54.879 --> 2:45:56.920
<v Speaker 1>never be Big Dad he can. I don't give a

2:45:56.959 --> 2:45:58.840
<v Speaker 1>funk what I do. I could never be slicked right.

2:45:58.920 --> 2:46:00.280
<v Speaker 1>I don't give a funk what I do. Can never

2:46:00.360 --> 2:46:02.160
<v Speaker 1>be Rock Him, I could never be Ep m D.

2:46:02.640 --> 2:46:07.080
<v Speaker 1>You guys are what help pave the way for me.

2:46:07.879 --> 2:46:11.080
<v Speaker 1>So as long as I got this platform, you motherfucker's

2:46:11.080 --> 2:46:16.040
<v Speaker 1>will always be above me in that saturation because we

2:46:16.240 --> 2:46:20.240
<v Speaker 1>love you and we're gonna continue to motherfucking represent all

2:46:20.400 --> 2:46:29.040
<v Speaker 1>legends right here right, I don't I don't give a

2:46:29.160 --> 2:46:31.640
<v Speaker 1>funny about ratings for now. We don't give a fun

2:46:32.000 --> 2:46:34.160
<v Speaker 1>This is what we me and this motherfucker right here

2:46:34.240 --> 2:46:37.440
<v Speaker 1>shout out to do you see his bed is very destructive.

2:46:39.000 --> 2:46:42.320
<v Speaker 1>What the funk he wants to do over him just

2:46:42.440 --> 2:46:46.320
<v Speaker 1>for men? Offer them just for men were trying to

2:46:46.360 --> 2:46:49.240
<v Speaker 1>get just for men ads. He don't give a funk.

2:46:49.360 --> 2:46:51.080
<v Speaker 1>He's just like, I'm just gonna be who I am.

2:46:51.879 --> 2:46:54.680
<v Speaker 1>And that's you know what. I was just in d C.

2:46:55.760 --> 2:47:00.240
<v Speaker 1>Last week for Donnie Simpson, for the fan of sight

2:47:00.879 --> 2:47:06.360
<v Speaker 1>the Betes. Yeah, you gotta go to Eddie LeVert. Ruth

2:47:07.720 --> 2:47:09.600
<v Speaker 1>told me that I need to get get me some

2:47:09.760 --> 2:47:17.640
<v Speaker 1>just from that. You seventy who nine got to be

2:47:17.720 --> 2:47:23.720
<v Speaker 1>like by seven p fool of nobody. He should he

2:47:23.800 --> 2:47:27.040
<v Speaker 1>should slick died and slick to the fry six of

2:47:27.120 --> 2:47:30.360
<v Speaker 1>the side. I mean, I mean listen before you no, no, no,

2:47:30.520 --> 2:47:34.280
<v Speaker 1>it's like that. Keep in mind, I mean who had

2:47:34.560 --> 2:47:38.560
<v Speaker 1>a shop up here line and bed than Gerald LeVert

2:47:39.360 --> 2:47:44.039
<v Speaker 1>had that Beijing. I think Joel LeVert was just Joe.

2:47:44.200 --> 2:47:46.840
<v Speaker 1>Wasn't that old Joe? You know Joe was young when

2:47:46.879 --> 2:47:49.040
<v Speaker 1>he passed. Hey, Joel, wasn't that old. I think that

2:47:49.200 --> 2:47:54.600
<v Speaker 1>was just a bother nothing. Beijian didn't existed, Yeah, ain't

2:47:54.640 --> 2:47:56.840
<v Speaker 1>didn't existence. I feel like, I feel like I can't

2:47:56.840 --> 2:47:59.240
<v Speaker 1>got a Bobby Brown story before you get out of here.

2:47:59.720 --> 2:48:03.600
<v Speaker 1>You of body Brown story. Bobby Brown. I mean, I

2:48:03.720 --> 2:48:07.440
<v Speaker 1>got a whole bunch of Bobby brother. You know, you

2:48:07.480 --> 2:48:12.680
<v Speaker 1>know that we're here for Body Brown. Give us, give

2:48:12.720 --> 2:48:18.080
<v Speaker 1>us the best one. Give us that was. I mean, nah,

2:48:19.600 --> 2:48:29.600
<v Speaker 1>stop doing this, you don't do that. I'll give you

2:48:30.959 --> 2:48:35.360
<v Speaker 1>my most mature Bobby Brown, stuffy I've never heard of.

2:48:37.360 --> 2:48:47.480
<v Speaker 1>You haven't anybody Brown stories. Wendy Wendy Williams party and

2:48:47.840 --> 2:48:51.600
<v Speaker 1>we were performing. This was the year that Trey songs

2:48:51.680 --> 2:48:55.280
<v Speaker 1>that just came out, and me and Bobby was performing

2:48:55.320 --> 2:49:00.320
<v Speaker 1>for Wendy Williams party. And you know, Pridate, we're over

2:49:00.320 --> 2:49:04.400
<v Speaker 1>in the v I p just kicking it and I

2:49:04.560 --> 2:49:08.560
<v Speaker 1>had like a great mint and I had it, you know,

2:49:08.720 --> 2:49:12.480
<v Speaker 1>sitting up on this thing behind me, and some dude

2:49:12.800 --> 2:49:16.000
<v Speaker 1>came and sat up on the thing on my men

2:49:17.800 --> 2:49:21.640
<v Speaker 1>and he just they're just chilling. But I didn't see him.

2:49:21.800 --> 2:49:23.360
<v Speaker 1>You know, I'm you know doing what I do. I

2:49:23.400 --> 2:49:29.519
<v Speaker 1>didn't even see him, Bobby saw him, and Bobby just snaps.

2:49:31.840 --> 2:49:35.280
<v Speaker 1>So I come over there like yo, you know, he like, YO,

2:49:35.480 --> 2:49:39.680
<v Speaker 1>motherfuck up on your music. And dude, it's like, you know,

2:49:40.000 --> 2:49:42.640
<v Speaker 1>I apologize, I'm not. I'm like, you know, no, no, no,

2:49:42.800 --> 2:49:45.040
<v Speaker 1>no worries, no worries, don't want about it. And I

2:49:45.200 --> 2:49:48.440
<v Speaker 1>moved it, push a little further back up in the

2:49:48.600 --> 2:49:52.800
<v Speaker 1>corner and love not like that. And Bobby just like, Yo,

2:49:54.440 --> 2:49:58.720
<v Speaker 1>the funk happened to you? Man, You're cool with that.

2:49:58.879 --> 2:50:05.840
<v Speaker 1>You You're just gonna let that it bron like Bobby Man,

2:50:07.560 --> 2:50:13.039
<v Speaker 1>we've grown man now. Man, you know I don't feel

2:50:13.040 --> 2:50:16.640
<v Speaker 1>like fighting in the club over men coat. You don't

2:50:16.680 --> 2:50:25.240
<v Speaker 1>want to let it up, all right? Neg? Yeah? He

2:50:25.360 --> 2:50:28.400
<v Speaker 1>was like I neg. You know, it's like I don't

2:50:28.440 --> 2:50:30.760
<v Speaker 1>know how if you know, Bobby, if you're right with them,

2:50:31.240 --> 2:50:35.120
<v Speaker 1>Bobby wild boy Man, wild boy, wild boys, give home

2:50:35.200 --> 2:50:39.000
<v Speaker 1>me the beats, yeah yeah, yeah, yeah yeah. Bobby's raiding

2:50:39.040 --> 2:50:43.080
<v Speaker 1>at his hands over my coat, his coat, my coat,

2:50:43.440 --> 2:50:45.880
<v Speaker 1>Bobby reading his hands go. And it's like that's what

2:50:46.040 --> 2:50:49.840
<v Speaker 1>I like, I always be because it's like we've always

2:50:49.879 --> 2:50:53.840
<v Speaker 1>had so many good times and I am automot normally

2:50:54.240 --> 2:50:56.840
<v Speaker 1>wild ass ridiculous times, but I mean this is just

2:50:56.879 --> 2:51:01.360
<v Speaker 1>one of movies like, yeah, I ain't fighting this motherfucker.

2:51:02.959 --> 2:51:05.600
<v Speaker 1>Let's be cool. Before we get about the hip cane.

2:51:06.040 --> 2:51:08.080
<v Speaker 1>What's the one thing you missed about hip hop that

2:51:08.200 --> 2:51:12.120
<v Speaker 1>you wish hip hop still just had? The one thing

2:51:12.200 --> 2:51:20.440
<v Speaker 1>I missed about hip hop is variety. I really missed that.

2:51:21.640 --> 2:51:26.920
<v Speaker 1>I really miss you know, you know, just people just

2:51:27.640 --> 2:51:31.000
<v Speaker 1>vibing out on so many different things for so many

2:51:31.120 --> 2:51:37.040
<v Speaker 1>different reasons, you know, because I mean you had, you know,

2:51:37.160 --> 2:51:42.880
<v Speaker 1>your audience that was fascinated by drugs and play a

2:51:43.040 --> 2:51:46.520
<v Speaker 1>ship that want to rock their truck. Jury you had

2:51:46.760 --> 2:51:50.520
<v Speaker 1>your audience that was fascinated by conscious stuff that wanted

2:51:50.560 --> 2:51:55.000
<v Speaker 1>to rock another medallion's you know, and can't they close

2:51:55.959 --> 2:51:59.240
<v Speaker 1>and things of that nature. You know. I mean it's

2:51:59.280 --> 2:52:01.920
<v Speaker 1>like you know, you you you know, you had generation

2:52:02.160 --> 2:52:05.720
<v Speaker 1>that you know with the East Coast where I mean,

2:52:05.879 --> 2:52:08.520
<v Speaker 1>you know, it was like, uh, you know how we

2:52:08.680 --> 2:52:12.800
<v Speaker 1>we we looked at easy eating them dudes as we're

2:52:13.000 --> 2:52:18.280
<v Speaker 1>looking dude like we didn't we didn't we didn't understand that. Yeah,

2:52:18.320 --> 2:52:19.840
<v Speaker 1>But you know then when I went to l A

2:52:20.040 --> 2:52:23.320
<v Speaker 1>and I'm at a gas station and a fucking and

2:52:23.400 --> 2:52:27.480
<v Speaker 1>a red feline suit. And I get approached by a

2:52:27.560 --> 2:52:31.320
<v Speaker 1>bunch of crips. They don't, you know, blow my goddamn

2:52:31.400 --> 2:52:34.920
<v Speaker 1>head off because I had a flat top. They didn't

2:52:34.920 --> 2:52:37.840
<v Speaker 1>recognize me as big Dad. He came. One of the

2:52:37.959 --> 2:52:41.720
<v Speaker 1>dudes said, Yo, he must be one of the New

2:52:41.840 --> 2:52:45.920
<v Speaker 1>York you know, East Coast dancing niggas. That's what he said.

2:52:46.520 --> 2:52:48.760
<v Speaker 1>He was one of the East Coast dancing niggers. Because

2:52:48.760 --> 2:52:50.680
<v Speaker 1>I mean they had me. It was nothing I could do.

2:52:51.480 --> 2:52:54.560
<v Speaker 1>I mean it was about ten twelve of them. They

2:52:54.680 --> 2:52:57.840
<v Speaker 1>just swarmed on me out of at a gas station.

2:52:58.040 --> 2:53:00.840
<v Speaker 1>I'm pumping gas. I'm out there and and like I'm

2:53:00.920 --> 2:53:06.200
<v Speaker 1>like and like maybe like a rental bins balling pumping

2:53:06.320 --> 2:53:11.680
<v Speaker 1>gas and read feline sweatsuit and crypt territory. You know,

2:53:12.120 --> 2:53:15.040
<v Speaker 1>they had me. There wasn't nothing I could do. You

2:53:15.080 --> 2:53:17.600
<v Speaker 1>remember we was that we was ball Hills. I don't

2:53:17.640 --> 2:53:20.480
<v Speaker 1>remember exactly. I mean, yeah, I mean wherever I was. Yeah,

2:53:20.520 --> 2:53:23.240
<v Speaker 1>I was like, they had me, you know, if they

2:53:23.280 --> 2:53:25.280
<v Speaker 1>wanted me, I was there for the taking. I mean

2:53:25.600 --> 2:53:30.880
<v Speaker 1>red felie sweatsuit, red felies and yeah, but they pulled them.

2:53:31.320 --> 2:53:32.800
<v Speaker 1>They saw the flat top, and it was just like

2:53:33.360 --> 2:53:35.600
<v Speaker 1>and they heard I guess I heard my slang like

2:53:36.760 --> 2:53:39.040
<v Speaker 1>maybe you know, no, man, you know we're go ahead

2:53:39.080 --> 2:53:41.840
<v Speaker 1>on me. He probably won them East Coach Dancing niggas,

2:53:45.720 --> 2:53:47.960
<v Speaker 1>you know. But I mean it's like that's that's what

2:53:48.200 --> 2:53:50.560
<v Speaker 1>That's what made it dope, because you know it's like

2:53:50.840 --> 2:53:56.400
<v Speaker 1>you know, um, easy king te you know iced tea. Yeah,

2:53:56.600 --> 2:53:59.840
<v Speaker 1>they all had you know, this story and hip hop.

2:54:00.280 --> 2:54:02.760
<v Speaker 1>You know that was different than hours, man. I mean

2:54:02.840 --> 2:54:07.200
<v Speaker 1>it was like that variety, that variety, ain't there no more? Man, everybody,

2:54:07.360 --> 2:54:10.600
<v Speaker 1>It's like you turned the ready on. It sounds like

2:54:10.680 --> 2:54:17.040
<v Speaker 1>a twenty four hour song a marathon, not a marathon.

2:54:17.400 --> 2:54:19.200
<v Speaker 1>It sounds like a twenty four hour song, like the

2:54:19.320 --> 2:54:24.400
<v Speaker 1>same song last for twenty four hours at once. All. So,

2:54:24.520 --> 2:54:27.800
<v Speaker 1>do you think that is the best best I'm drunk

2:54:27.879 --> 2:54:30.920
<v Speaker 1>now the best era hip hop? Do you think is? Like?

2:54:31.120 --> 2:54:34.400
<v Speaker 1>What is the best era hip hop? In your opinion? No? No, okay,

2:54:34.520 --> 2:54:38.879
<v Speaker 1>Like well he asked me earlier. I chose that late

2:54:39.000 --> 2:54:42.080
<v Speaker 1>eighties as my favorite era favorite But you know, what

2:54:42.080 --> 2:54:45.520
<v Speaker 1>do you think? I don't know, because you see that's

2:54:46.360 --> 2:54:49.360
<v Speaker 1>it's like I got a lot of respect for the

2:54:49.480 --> 2:54:56.040
<v Speaker 1>mid nineties as well, because Puffy did something amazing in

2:54:56.160 --> 2:55:01.120
<v Speaker 1>the mid nineties. Because in the early nineties hip hop

2:55:01.240 --> 2:55:05.200
<v Speaker 1>started to do this, it started transforming this whole gangster thing.

2:55:05.240 --> 2:55:07.800
<v Speaker 1>When the West Coast started doing the gangster the East

2:55:07.840 --> 2:55:13.000
<v Speaker 1>Coast started following into and everything became so gangster right,

2:55:13.480 --> 2:55:15.440
<v Speaker 1>And it was like, you know, you go to a

2:55:15.560 --> 2:55:18.520
<v Speaker 1>party like I hate it. Like I started flying to

2:55:18.720 --> 2:55:22.520
<v Speaker 1>Chicago going to stepping sets to have a good time

2:55:22.840 --> 2:55:25.680
<v Speaker 1>because I couldn't enjoy myself in was the most dangerous

2:55:25.680 --> 2:55:28.480
<v Speaker 1>place for the planet. No, but I mean I was.

2:55:28.600 --> 2:55:30.920
<v Speaker 1>I'm talking about you know, I mean probably even then too,

2:55:31.080 --> 2:55:34.560
<v Speaker 1>but early nineties, I'll go to you go to a

2:55:34.600 --> 2:55:36.920
<v Speaker 1>stepping set just to have a good time, because I

2:55:37.000 --> 2:55:39.040
<v Speaker 1>go to the party in New York and it's like,

2:55:39.600 --> 2:55:44.200
<v Speaker 1>you know, you look at using the crowd just no, no,

2:55:44.400 --> 2:55:47.480
<v Speaker 1>nobody want to dance. Somebody's from screw phase and bought

2:55:47.560 --> 2:55:49.360
<v Speaker 1>the head. I'm not I ain't come here for that.

2:55:49.959 --> 2:55:53.680
<v Speaker 1>Chicks and chicks dressed like dudes. You know, nobody wanted

2:55:53.680 --> 2:55:55.720
<v Speaker 1>to put no sexy ship on, like you know, like

2:55:57.040 --> 2:55:59.400
<v Speaker 1>fucking your ass with no no, no, no band dan

2:55:59.480 --> 2:56:09.320
<v Speaker 1>on ye, you're not doing a party. Yeah, yeah, it

2:56:09.440 --> 2:56:12.200
<v Speaker 1>did nothing. You know. It's like I didn't get it.

2:56:12.480 --> 2:56:14.480
<v Speaker 1>You know what I'm saying. I didn't get it, but

2:56:14.600 --> 2:56:18.200
<v Speaker 1>did hit this dude Puff. He takes like Biggie in

2:56:18.320 --> 2:56:21.040
<v Speaker 1>the locks and he like, okay, I'll tell you what,

2:56:23.360 --> 2:56:28.520
<v Speaker 1>good ahead, talk your gangster ship, but do it over

2:56:28.600 --> 2:56:33.959
<v Speaker 1>this disco pete for me. So now all the people

2:56:34.000 --> 2:56:36.320
<v Speaker 1>that loved all the thug stuff, you get to hear it.

2:56:37.560 --> 2:56:40.200
<v Speaker 1>People who love the party got something to dance it.

2:56:41.600 --> 2:56:45.160
<v Speaker 1>So he figured out a way to make the two

2:56:45.360 --> 2:56:48.680
<v Speaker 1>mesh where you can be as gangs as you want,

2:56:49.280 --> 2:56:50.640
<v Speaker 1>but the people don't want to have a good time

2:56:50.680 --> 2:56:53.440
<v Speaker 1>at a party can still party. I never thought of

2:56:53.480 --> 2:56:55.920
<v Speaker 1>it like that, you know. So I got a lot

2:56:56.000 --> 2:56:58.840
<v Speaker 1>of respect for what Puff did for hip hop in

2:56:58.920 --> 2:57:02.080
<v Speaker 1>the mid nineties is well, because he created some ship

2:57:02.200 --> 2:57:05.640
<v Speaker 1>with It's like you got gangster rampers spitting their gangster

2:57:05.760 --> 2:57:10.920
<v Speaker 1>ship over disco and club party beats. So it's like,

2:57:11.400 --> 2:57:13.680
<v Speaker 1>you know, even though I may not be in a

2:57:13.760 --> 2:57:15.680
<v Speaker 1>move to stick a nigger up or sell sell a

2:57:15.720 --> 2:57:17.880
<v Speaker 1>bunch of keys or none of this stuff, that's beef

2:57:17.959 --> 2:57:21.880
<v Speaker 1>rocking like a motherfucker. You know what I'm saying, so

2:57:22.080 --> 2:57:26.039
<v Speaker 1>I mean that I thought it was great too. Okay,

2:57:26.120 --> 2:57:32.880
<v Speaker 1>let's make some nest. Yeah, man, I can't thank you enough.

2:57:33.480 --> 2:57:36.600
<v Speaker 1>We're coming out hanging out with the drink Champs and

2:57:37.200 --> 2:57:39.240
<v Speaker 1>we're trying to take you to wood Tapping. Let's go.

2:57:39.440 --> 2:57:42.520
<v Speaker 1>Come on, that would be amazing. If you think Daddy

2:57:42.520 --> 2:57:45.160
<v Speaker 1>can't go to wood Tapping with the drink Champs. Yeah,

2:57:45.600 --> 2:57:51.280
<v Speaker 1>um well drink never have so few old so much

2:57:51.360 --> 2:57:57.560
<v Speaker 1>to so many. But yeah, respect man, everybody, and this

2:57:57.720 --> 2:58:11.880
<v Speaker 1>motherfucker make some noise for big Daddy. I gotta interrupt

2:58:11.920 --> 2:58:14.240
<v Speaker 1>for a second. Make sure everybody out there knows where

2:58:14.240 --> 2:58:16.480
<v Speaker 1>to get some drink Champs merch. A lot of people

2:58:16.560 --> 2:58:18.560
<v Speaker 1>hit us up all the time kind of not sure

2:58:18.560 --> 2:58:20.760
<v Speaker 1>where to get it. Uh, there's a couple of places

2:58:21.200 --> 2:58:23.440
<v Speaker 1>you go to drink Champs dot com. You can go

2:58:23.560 --> 2:58:25.800
<v Speaker 1>to eight and nine dot com and you can actually

2:58:25.800 --> 2:58:28.040
<v Speaker 1>get it on Amazon dot com. So make sure you

2:58:28.120 --> 2:58:32.160
<v Speaker 1>pick up drink Champs T shirts, hoodies, cups, shot glasses,

2:58:32.480 --> 2:58:35.920
<v Speaker 1>all of that. Head out to drink Champs dot com,

2:58:36.160 --> 2:58:38.520
<v Speaker 1>eight and nine dot com or Amazon dot com.