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Speaker 1: My ice. Swear up.

2
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Speaker 2: Trust me, You'll never see me rolling nothing that ain't

3
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Speaker 2: twenty Jesus.

4
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Speaker 1: Ben.

5
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Speaker 2: Come on, man, that ship fucked my whole financial literacy.

6
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Speaker 2: I was really in high school thinking I'm gonna be

7
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Speaker 2: rich with these niggas.

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Speaker 3: What walking in there on Friday Payday getting me two

9
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Speaker 3: past soldiers, white teg big a Jibol fucked them up

10
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Speaker 3: on Friday night when you came out with.

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Speaker 2: The with the soldiery with the icy clip bottom, then

12
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Speaker 2: came back to the nig day.

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Speaker 1: With the black Jesus. Now, I'm saying that big times

14
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Speaker 1: down here.

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Speaker 2: They lost lamon guine and ship, and I brought us

16
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Speaker 2: with you my when my girl Rogers plus the blue

17
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Speaker 2: and black with Nintendo and not sorry, man, I swear

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Speaker 2: a card sorry we lost them.

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Speaker 1: I'm bad. I pull up, smelling like dime SATs in Kanya.

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Speaker 1: I leap over.

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Speaker 4: Later I'm flying back the private gents about the lance.

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Speaker 4: The women falled out when I let him touch my hands.

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Speaker 4: Man that the kids put n hell, Hell, whe's it.

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Speaker 4: I'll there easy.

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Speaker 5: The kids is putting me. Now we expos for the moment.

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Speaker 5: Sakdam my girlfriend coming over, man, Dad, I don't about smell.

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Speaker 1: Like we God damn man, tell me godfridly with God

28
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Speaker 1: damn ship who was over for two weeks? What you

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Speaker 1: give me one more? Jay give me let me hear

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Speaker 1: one more, one or two more of them?

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Speaker 2: Bitch man, what you got get me on the water.

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Speaker 2: You were the most water drinking this nigga that don't

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Speaker 2: drink water.

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Speaker 6: But I be having drink the water. Bro, I gotta

35
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Speaker 6: stay hydrated.

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Speaker 7: Bro, that's a can't be the hydrated brow that ship start.

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Speaker 1: Ain't kick it over, introduced me. Look, Frince, you been

38
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Speaker 1: engineering this ship too.

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Speaker 7: Yeah, I mixed all these songs and we ain't had

40
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Speaker 7: no fucking mixer bag. Then damn, so what's the well.

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Speaker 6: We ain't recording? Man, come on, man, come on, he

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Speaker 6: wait on you.

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Speaker 2: I'm just saying.

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Speaker 1: Boy said, I'm just I ain't playing. I'm just straight.

45
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Speaker 1: I got ship. Oh they probably see it. Ship up

46
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Speaker 1: under the table.

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Speaker 2: Ain't stopped me shining now stopped the drove leave from

48
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Speaker 2: windy Man.

49
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Speaker 7: Y'all don't understand the inpact.

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Speaker 6: Y'all got on a nigga life.

51
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Speaker 8: So crazy like that's why it's some money. We tell

52
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Speaker 8: icons who they are. I don't care what you're talking about, nigga, we.

53
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Speaker 1: Fuck with you, then we fuck with you now right on,

54
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Speaker 1: right on the right.

55
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Speaker 6: I don't understand that ship, like right on.

56
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Speaker 9: The motherfucker had that that feeling that made you feel when.

57
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Speaker 1: You first saw them.

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Speaker 2: Hold up, bro, I know we bumping the tracks right now,

59
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Speaker 2: but just so my nigga DC can hear it.

60
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Speaker 1: You gotta find my cousin, Snap's new.

61
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Speaker 2: Keyboard, the skip Skip Snot's new keyboard, Snack new keyboard.

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Speaker 1: You ain't never heard it.

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Speaker 8: I'm a baby generation, the kid that wasn't supposed to

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Speaker 8: be listening to.

65
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Speaker 1: You don't know nothing about that.

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Speaker 2: What shake your ass with a ninety nine to the

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Speaker 2: two thousands.

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Speaker 6: My mom smacked me in my mouth when.

69
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Speaker 2: She heard me say that, you're the first cash money

70
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Speaker 2: CITs I ever owned. I had Soldier Raggs first, right

71
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Speaker 2: then I had went back and got all the BG ship.

72
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Speaker 2: Then I got how you love that Volume two? Yeah,

73
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Speaker 2: because volume one wasn't a vagable because.

74
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Speaker 1: You got the deal. Yeah, we got we hadn't got

75
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Speaker 1: the money, yeah, so we had to.

76
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Speaker 2: Wait on the re release in volume one. Yeah, so

77
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Speaker 2: I went back and got volume one.

78
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Speaker 10: When we were the kid that was putting bubble gum

79
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Speaker 10: aluminum full in our mouthpigg we had.

80
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Speaker 11: Some platinum tap talk kept kept coming out of our mouth.

81
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Speaker 2: Michael Jordan, y'all gonna see me varved two million, it's

82
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Speaker 2: my part.

83
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Speaker 1: Young nigga with the cold heart Lexis.

84
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Speaker 2: On the next start.

85
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Speaker 1: Everybody wanted to be Wayne.

86
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Speaker 7: Yeah, that nigga had some vicious sound effects at.

87
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Speaker 1: The height of the Hot Boy.

88
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Speaker 2: Wayne wasn't even the nigga bro juvenile? Was that nigga?

89
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Speaker 6: Juvenile?

90
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Speaker 1: Death?

91
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Speaker 6: Is that nigga? I always want to be a little turk.

92
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Speaker 1: I feel like we looking like y'all ahead paint nigga.

93
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Speaker 10: Fuck that nigga will imitating rappers back then, you know,

94
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Speaker 10: he can imitate rappers.

95
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Speaker 1: They tried to beat him.

96
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Speaker 10: We were literally trying to imitate the rapper like as

97
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Speaker 10: a thing, like what we were rappers.

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Speaker 7: He was wondering what was to disconnect what that happened

99
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Speaker 7: that when people stopped imitating, you know, and start going

100
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Speaker 7: I want to beat him, like you know, because that

101
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Speaker 7: was that was a good era of music, Like when

102
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Speaker 7: you was like, I love this song so much that

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Speaker 7: I could see myself being this dude seeing or singing

104
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Speaker 7: the song Now we we got so cool that you

105
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Speaker 7: don't want to be No, you want.

106
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Speaker 1: To listen to the song, but you know want hot boys.

107
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Speaker 2: I think.

108
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Speaker 1: My first CD out of all y'all, well, it was

109
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Speaker 1: really juwish it.

110
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Speaker 7: It was the fullhead of degree that soon as that

111
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Speaker 7: won't won't won't you see me whatever?

112
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Speaker 1: That's the crazy part about this ship.

113
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Speaker 2: This nigga was producing the whole album by hisself.

114
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Speaker 9: Bron you coldes, Bro, you cold, cold cold, that whole

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Speaker 9: cold I think that whole little way like.

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Speaker 12: Y'all already got your way, but you introduced it to

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Speaker 12: the world and the way.

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Speaker 1: Yeah in house producer.

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Speaker 2: Yes, this.

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Speaker 6: The state.

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Speaker 1: Listen to this, Bro. I was watching Strap.

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Speaker 13: In my dick down hole, and I thought about, I'm

123
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Speaker 13: gonna give you and third grade of seventh grade, ten grades, like, what.

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Speaker 11: The hell is that?

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Speaker 1: That's my coasin? What the hell is you playing? That's

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Speaker 1: the Nott keyboard and brother, I mean your cousin, I

127
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Speaker 1: mean your friendship with I think that's your friend to

128
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Speaker 1: check that. Man, I was on more than side. You

129
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Speaker 1: know you're the one that was always playing.

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Speaker 2: Man that ship bro spill at that time where like

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Speaker 2: skipped from the vitom to the album.

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Speaker 1: Yeah they still live. We need nobody to drop no.

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Speaker 7: Albums, No nobody scared to do that ship.

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Speaker 6: We got to put the skins back on that.

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Speaker 2: Yeah, yeah, put them back.

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Speaker 1: I can definitely tell you all.

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Speaker 7: Jewe want y'all all his ship, definitely want you all

138
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Speaker 7: on his new ship to do the ski.

139
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Speaker 2: Hey, j when I know we got work to do

140
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Speaker 2: it ship, but man, we've been waiting on this for

141
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Speaker 2: a minute.

142
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Speaker 1: Bro, you know how to be like you're a fan

143
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Speaker 1: of somebody, you just.

144
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Speaker 2: Won't listen to some of the ship while they're there

145
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Speaker 2: so they can see you listening to their ship.

146
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Speaker 1: Bro, please play the Hot Boys in three.

147
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Speaker 2: Six bron.

148
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Speaker 11: And didn't play big when you're done, he finished, finished,

149
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Speaker 11: we tell DJ.

150
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Speaker 6: Play that to get.

151
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Speaker 2: That the atmosphere when that song dropped, like it was

152
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Speaker 2: just dope to see you having fun, bro, Like like

153
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Speaker 2: that's you have been waiting on them.

154
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Speaker 9: You know what it was for me as a kid,

155
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Speaker 9: It was like the first time to see the producer.

156
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Speaker 9: I asked, you know how ship always been happening, But

157
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Speaker 9: it's a it's an error when you actually get to

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Speaker 9: see it.

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Speaker 6: I actually got to see the producer rap.

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Speaker 2: Yeah, I'm like, okay, niggas could play both parts. Did

161
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Speaker 2: you ever really want to rap? Or is just one

162
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Speaker 2: of them things that you can do.

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Speaker 7: I just knew I could do it, but it wasn't

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Speaker 7: nothing that And that's why with me and Baby, I

165
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Speaker 7: was careful to say that we weren't rappers. We was

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Speaker 7: game skame spiders, ain't game spider bigga.

167
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Speaker 1: I'm like, so, you ain't gonna put me out there

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Speaker 1: with a bigga.

169
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Speaker 7: Make me challenging the nigga that could really rap, Like

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Speaker 7: I got a rhyme book and I whip your ass

171
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Speaker 7: with what I'm talking about, but I about the you

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Speaker 7: know what I'm saying.

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Speaker 1: So we was careful on game Spit.

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Speaker 2: No No my Cats money history because Juvene now went

175
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Speaker 2: back and he rapped the intro.

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Speaker 1: He rapped on the intro beat for Yeah Yeah.

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Speaker 7: Just when Jovie picked suit that he liked, you know,

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Speaker 7: like people be like, man, I fuck with that?

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Speaker 1: Can I? And I'm like, go ahead, bro, do what

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Speaker 1: you're gonna do.

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Speaker 7: And he always delivered, you know, because you know, being

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Speaker 7: from down the South, from the South, y'all niggas knew,

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Speaker 7: you know U n LV so bad ass Yellow and

184
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Speaker 7: when Juvie did it set it off. You know, people

185
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Speaker 7: was like, well, fuck this nigga got a hit with

186
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Speaker 7: But he wanted that beat.

187
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Speaker 1: That was one of his stipulations.

188
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Speaker 7: He was like, nigga, ain't j no, that's not juve

189
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Speaker 7: I did the beat, but he wanted to beat in

190
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Speaker 7: order for him to sign with cash Money.

191
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Speaker 1: He was like, y'all gotta let me wrap on that beat.

192
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Speaker 1: That was one of his stipulations.

193
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Speaker 7: Yeah, and I had did that ship when you know,

194
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Speaker 7: you like, I think I did that ship on the

195
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Speaker 7: foul track like a little small ass home in my

196
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Speaker 7: house when I was staying in the night ward Like

197
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Speaker 7: you know what I'm saying, that's that's just like first

198
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Speaker 7: generation drum machines. And I was like, yeah, I was like,

199
00:10:43,920 --> 00:10:45,760
Speaker 7: I got the fucking beat, bro, but I don't know

200
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Speaker 7: how that.

201
00:10:46,040 --> 00:10:46,840
Speaker 1: Ship gonna sound.

202
00:10:47,160 --> 00:10:48,599
Speaker 7: And I was like, all right, let's let's and and

203
00:10:49,400 --> 00:10:51,880
Speaker 7: I found the fucking beat and he was like, bro,

204
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Speaker 7: this bitch oldest fuck you got it on a cassette.

205
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Speaker 7: I had that bench on a cassette and he wrapped

206
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Speaker 7: off of the instrumental of the cassette.

207
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Speaker 6: So how did it start you DJing? First?

208
00:11:02,400 --> 00:11:05,560
Speaker 2: Yeah, d jan first, and then you like, how did

209
00:11:05,600 --> 00:11:06,920
Speaker 2: you find the love of making beats?

210
00:11:07,080 --> 00:11:09,079
Speaker 7: Remixing shit? You know what I'm saying. Like in the

211
00:11:09,160 --> 00:11:13,760
Speaker 7: club were being Ko Ko used to do. You know,

212
00:11:13,840 --> 00:11:15,959
Speaker 7: he did no limit shitas by the Pound. Me and

213
00:11:16,120 --> 00:11:19,400
Speaker 7: him dj' in the same club under an He'll come

214
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Speaker 7: in time.

215
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Speaker 1: Yeah, you know what I'm saying.

216
00:11:22,440 --> 00:11:24,959
Speaker 7: So we was under age DJing in the club, but

217
00:11:25,760 --> 00:11:29,000
Speaker 7: them niggas start like like really shining, and I was

218
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Speaker 7: just like, well, how the fuck I'm gonna make my

219
00:11:31,240 --> 00:11:33,640
Speaker 7: own thing. Then I start bringing my drum machine to

220
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Speaker 7: the club, Like you know what I'm saying. I started

221
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Speaker 7: doing bounce beats, and the bounce shit was just starting

222
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Speaker 7: to take off. So when I would do something like

223
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Speaker 7: out my drum machine and I had a fucking bounce

224
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Speaker 7: beat in that bitch, the whole club would go crazy

225
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Speaker 7: and bitches would go crazy. So that was my first

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Speaker 7: introduction to producing, and I didn't even know it was producing.

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Speaker 1: I just thought it was just me doing some extra shit.

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Speaker 1: Yeah yeah, you know, hey, I saw was it?

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Speaker 2: What did you do? A Ted talk or some ship.

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Speaker 2: He was talking to the crowd and you was showing

231
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Speaker 2: them all your bounce Yeah, yeah, that's.

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Speaker 1: Some of the most amazing. Bro, this didn't got so

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Speaker 1: much ship.

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Speaker 2: And hear him put on the bounce beat, bro, just

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Speaker 2: going like you would never think, Bro, like you like

236
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Speaker 2: like Sam cooking them what.

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Speaker 1: I got all of that on that bounce beat. Bro.

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Speaker 2: Yeah, the first place I heard that ship, he was

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Speaker 2: playing that ship. I'm lying somewhere.

240
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Speaker 1: Because that's y'all culture, that's all. That's the way we

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Speaker 1: actually understood songs.

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Speaker 6: Where did the bounce come from?

243
00:12:38,520 --> 00:12:40,880
Speaker 1: Put somebody game? Let me tell you it's a crazy

244
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Speaker 1: fucking story.

245
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Speaker 7: So even when I used to do this ship with

246
00:12:44,320 --> 00:12:48,080
Speaker 7: my drum machine at the club, motherfuckers would always beat

247
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Speaker 7: on the glass of the boot and be like, play

248
00:12:50,360 --> 00:12:53,079
Speaker 7: that beat. So they start calling it that beat, like

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Speaker 7: you know what I'm saying, and more ghitto, motherfuckers starts

250
00:12:55,800 --> 00:12:58,959
Speaker 7: saying that beat, that beat, that beat. So before you

251
00:12:59,120 --> 00:13:01,600
Speaker 7: know it, everybody in New Orleans was calling it that beat.

252
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Speaker 7: In one of the first bounce beats was some ship

253
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Speaker 7: that I had in my drum machine, the ship that

254
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Speaker 7: all y'all heard getting Ready song, getting Ready, Getting Ready.

255
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Speaker 1: I used to always play that beat the.

256
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Speaker 7: Bine, but you know, and everybody start using that motherfucker,

257
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Speaker 7: like it's circulated on a cassette tape, and that became

258
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Speaker 7: the beat that you had to use for Bounce, Like

259
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Speaker 7: you know what I'm saying. But it was some shit

260
00:13:24,760 --> 00:13:28,079
Speaker 7: that was created for the club, and I gave it

261
00:13:28,120 --> 00:13:31,040
Speaker 7: to a few DJs, and then everybody started using that

262
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Speaker 7: motherfucker and you believed did the getting ready, getting Ready

263
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Speaker 7: off of that song.

264
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Speaker 1: Yeah, Like you know what I'm saying.

265
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Speaker 6: So you created the bat Yeah, yeah, created the come on.

266
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Speaker 6: That's crazy cause that she gets.

267
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Speaker 2: A little legends that come through this here. You know,

268
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Speaker 2: one of my favorites, feel I feel.

269
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Speaker 1: Oh yeah, yeah, I've done some songs for all of them.

270
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Speaker 7: And when people you know, like when when when shit

271
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Speaker 7: get played in New Orleans a lot of times like

272
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Speaker 7: the old first generation Bounce, you know, motherfuckers didn't know

273
00:14:02,679 --> 00:14:05,040
Speaker 7: because you didn't have a way to say you did that.

274
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Speaker 7: But now people know, they're like, well, fuck man, it

275
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Speaker 7: Fresh did all of these fucking songs.

276
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Speaker 1: Like you know what I'm saying.

277
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Speaker 9: How do it feel to be the producer that everybody

278
00:14:14,840 --> 00:14:19,520
Speaker 9: has to come to, Like you gotta come through in.

279
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Speaker 7: That era, bro, it would be equivalent to y'all, like

280
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Speaker 7: I guess just finding comedy. I was having so much

281
00:14:26,960 --> 00:14:31,280
Speaker 7: fucking fun and knowing like to me, I was successful

282
00:14:31,520 --> 00:14:35,360
Speaker 7: djying like my fucking high school dance, A DJing in

283
00:14:35,440 --> 00:14:38,600
Speaker 7: the club. That's success felt that way to me before

284
00:14:38,920 --> 00:14:41,560
Speaker 7: making records, just to know that you was rocking the

285
00:14:41,640 --> 00:14:44,680
Speaker 7: fucking party, like to say, like, oh shit, I control

286
00:14:44,760 --> 00:14:47,360
Speaker 7: his crowd, like you know what I'm saying. So that

287
00:14:47,600 --> 00:14:51,080
Speaker 7: was even that feeling came from DJing before it came

288
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Speaker 7: from music.

289
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Speaker 1: For me.

290
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Speaker 7: It was just like to know that you were fucking

291
00:14:56,200 --> 00:14:58,640
Speaker 7: DJ and you responsible for these people. And let me

292
00:14:58,680 --> 00:15:01,880
Speaker 7: give you all a little backstory. My dad was a DJ, right,

293
00:15:02,160 --> 00:15:04,320
Speaker 7: And so my dad used to let me hook his

294
00:15:04,400 --> 00:15:07,000
Speaker 7: shit up and come back later on and pick it

295
00:15:07,120 --> 00:15:07,920
Speaker 7: up and bring it home.

296
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Speaker 1: Held up.

297
00:15:08,400 --> 00:15:10,600
Speaker 2: You got to say his name because I seen on

298
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Speaker 2: a couple of them.

299
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Speaker 7: Yeah you heard like yeah, people talking about it in

300
00:15:14,280 --> 00:15:17,680
Speaker 7: New Orleans taboo. That was his name, right, So my

301
00:15:17,840 --> 00:15:20,640
Speaker 7: dad used to let me bring his ship, his equipment

302
00:15:20,680 --> 00:15:23,440
Speaker 7: to He played in holding the wall, ballrooms, all of

303
00:15:23,520 --> 00:15:26,080
Speaker 7: that shit, right, But he had New Orleans sold the

304
00:15:26,200 --> 00:15:30,640
Speaker 7: fuck up, like from uptown to downtown. So one night

305
00:15:30,960 --> 00:15:33,120
Speaker 7: I showed up early to pick his shit up, like

306
00:15:33,200 --> 00:15:35,440
Speaker 7: you know what I'm saying, and he was like, hey,

307
00:15:36,040 --> 00:15:38,480
Speaker 7: long as you don't get in trouble, don't do nothing.

308
00:15:38,600 --> 00:15:41,280
Speaker 7: You could just play the back, you know. And I

309
00:15:41,440 --> 00:15:43,240
Speaker 7: was like, all right, And that's a fucking ballroom, like

310
00:15:43,320 --> 00:15:45,320
Speaker 7: you know, like a hole in the wall ballroom. And

311
00:15:46,280 --> 00:15:49,520
Speaker 7: I see, like, what the fuck a DJ do? Like,

312
00:15:49,680 --> 00:15:52,080
Speaker 7: I'm like, God, damn, ain't nobody in this bitch worrying

313
00:15:52,120 --> 00:15:55,520
Speaker 7: about like bad times nothing, you know what I'm saying.

314
00:15:55,520 --> 00:15:58,560
Speaker 7: And he hitting the ass with cool lass song one

315
00:15:58,640 --> 00:16:02,280
Speaker 7: after another, and you see, like your job is to

316
00:16:02,440 --> 00:16:05,040
Speaker 7: actually take these people away from all of the bullshit

317
00:16:05,120 --> 00:16:07,920
Speaker 7: that's going to party and make it a party in

318
00:16:08,040 --> 00:16:11,040
Speaker 7: the worst environment. You know where this fucking place is

319
00:16:11,160 --> 00:16:13,560
Speaker 7: right across the street from the projects, you know what

320
00:16:13,600 --> 00:16:16,920
Speaker 7: I'm saying. And nobody why this music is played is

321
00:16:17,040 --> 00:16:20,760
Speaker 7: experiencing project life. They just fucking at job. They just

322
00:16:20,880 --> 00:16:22,760
Speaker 7: having fun, and you know, and I was like, that's

323
00:16:22,800 --> 00:16:24,840
Speaker 7: the feeling that I want to do. That's some shit

324
00:16:24,920 --> 00:16:27,840
Speaker 7: that I want to do. So I studied the ship

325
00:16:27,920 --> 00:16:30,000
Speaker 7: that my dad did, and I just made it my own,

326
00:16:30,360 --> 00:16:31,680
Speaker 7: you know. I was like, well, I'm gonna make this

327
00:16:31,840 --> 00:16:36,480
Speaker 7: my own shit, and even my whole thing was I

328
00:16:36,680 --> 00:16:41,560
Speaker 7: was like, I'm never ever going to use my dad

329
00:16:41,920 --> 00:16:44,160
Speaker 7: to get my shit, Like you know what I'm saying,

330
00:16:44,320 --> 00:16:47,040
Speaker 7: Yeah I could. Yeah, I'm gonna get my own lane.

331
00:16:47,040 --> 00:16:49,840
Speaker 7: I'mnna get my own sound like. And there's so many

332
00:16:49,960 --> 00:16:54,040
Speaker 7: people like even you know, on when my dad passed away,

333
00:16:54,360 --> 00:16:56,040
Speaker 7: you know, there was so many people that was just

334
00:16:56,080 --> 00:16:57,720
Speaker 7: like I didn't even know that was your fucking daddy.

335
00:16:57,720 --> 00:17:00,280
Speaker 7: It was like you've never said like, yeah, like, bro,

336
00:17:00,400 --> 00:17:02,400
Speaker 7: I never used my dad for you know, for what

337
00:17:02,520 --> 00:17:05,600
Speaker 7: he done. I wanted my own lane, but I understood

338
00:17:05,720 --> 00:17:08,480
Speaker 7: from him what you know what I'm saying, what a

339
00:17:08,600 --> 00:17:11,880
Speaker 7: DJ doing and what's the task. It's the same kind

340
00:17:11,920 --> 00:17:14,240
Speaker 7: of concept of what y'all do as comedy, you know

341
00:17:14,280 --> 00:17:16,399
Speaker 7: what I'm saying. When y'all looking at crowd, you know,

342
00:17:16,720 --> 00:17:18,680
Speaker 7: it's a high to know that these people are taking

343
00:17:18,760 --> 00:17:21,640
Speaker 7: away from all of whatever the bullshit is that's going

344
00:17:21,760 --> 00:17:24,120
Speaker 7: on for whatever amount of time they are with y'all,

345
00:17:24,560 --> 00:17:25,960
Speaker 7: y'all take him away from that ship.

346
00:17:26,080 --> 00:17:29,399
Speaker 2: Hell yeah, Yeah, that's that's that feeling is better than

347
00:17:32,040 --> 00:17:34,679
Speaker 2: that purpose to be like damn, bro, Yeah you've been

348
00:17:34,760 --> 00:17:36,920
Speaker 2: on the show. You see what people come up to

349
00:17:37,160 --> 00:17:39,399
Speaker 2: us and say yeah, hey, y'all, help me get through this.

350
00:17:39,600 --> 00:17:42,000
Speaker 2: I'm going through this without this, I don't you know

351
00:17:42,040 --> 00:17:44,240
Speaker 2: what I mean. It's like, man, that's heaven.

352
00:17:44,480 --> 00:17:45,600
Speaker 6: Yeah, heaven.

353
00:17:45,720 --> 00:17:47,040
Speaker 1: When people telling you shit like.

354
00:17:47,119 --> 00:17:49,880
Speaker 2: Man, you know, I love my sister this morning, man, yeah,

355
00:17:50,040 --> 00:17:50,719
Speaker 2: this morning.

356
00:17:51,200 --> 00:17:51,400
Speaker 1: Yeah.

357
00:17:51,480 --> 00:17:53,640
Speaker 6: I just needed to get my mind away from that ship.

358
00:17:53,720 --> 00:17:56,080
Speaker 7: And he'd be like, damn, it's spiritual, you know what

359
00:17:56,160 --> 00:17:59,000
Speaker 7: I'm saying. And it's yeah, And I don't care if

360
00:17:59,040 --> 00:18:01,679
Speaker 7: somebody tell you, you know, whatever you're doing. Man, Look, bro,

361
00:18:02,160 --> 00:18:05,040
Speaker 7: I came here to give to the people, to make

362
00:18:05,080 --> 00:18:05,560
Speaker 7: them happy.

363
00:18:05,840 --> 00:18:07,960
Speaker 1: That's what I do. And even you know, being on

364
00:18:08,040 --> 00:18:11,280
Speaker 1: the road with y'all, y'all, you know, that's what y'all do. Y'all.

365
00:18:11,320 --> 00:18:13,560
Speaker 7: You know, I'm like, Damn, these dudes, shine bro, that

366
00:18:13,720 --> 00:18:16,159
Speaker 7: does favor with them, you know what I'm saying. And

367
00:18:16,200 --> 00:18:17,880
Speaker 7: there's a lot of people the reason why it don't

368
00:18:17,880 --> 00:18:19,639
Speaker 7: work because they don't have that favor on them. You

369
00:18:19,680 --> 00:18:21,200
Speaker 7: know what I'm saying, that they don't get the mission.

370
00:18:21,440 --> 00:18:24,600
Speaker 6: Yeah, sure, we appreciate it. We appreciate you even rocking

371
00:18:24,680 --> 00:18:25,000
Speaker 6: with us.

372
00:18:26,440 --> 00:18:30,399
Speaker 7: Yeah, y'all can't get rid of me. Broy'll appreciate that.

373
00:18:32,800 --> 00:18:35,800
Speaker 7: So like like like take us, take us back to

374
00:18:35,920 --> 00:18:36,399
Speaker 7: the journal.

375
00:18:36,400 --> 00:18:38,879
Speaker 6: Okay, we understand that you're the DJ, and we know

376
00:18:39,000 --> 00:18:40,680
Speaker 6: you you you tear the part.

377
00:18:40,560 --> 00:18:42,520
Speaker 1: Of that when you start getting that bus right?

378
00:18:42,600 --> 00:18:44,240
Speaker 6: How did you get with cash Money? How you get

379
00:18:44,280 --> 00:18:45,000
Speaker 6: around these people?

380
00:18:45,240 --> 00:18:48,200
Speaker 1: Like you said, y'all in the project, got his own world.

381
00:18:48,560 --> 00:18:50,000
Speaker 6: It's real, it's real.

382
00:18:50,119 --> 00:18:52,560
Speaker 2: It's a whole career before the Cash Money. Yeah.

383
00:18:52,680 --> 00:18:56,200
Speaker 7: Yeah, I was making records way before them. So I

384
00:18:56,280 --> 00:18:59,040
Speaker 7: think my first record came out in eighty six. You

385
00:18:59,160 --> 00:19:02,120
Speaker 7: know what I'm saying. It was Miami base because that's

386
00:19:02,119 --> 00:19:04,280
Speaker 7: what song sounded like. So I had a couple of

387
00:19:04,359 --> 00:19:08,880
Speaker 7: fast Miami based songs, and you know, and cash Money

388
00:19:09,040 --> 00:19:11,040
Speaker 7: wasn't heard of at the time, Like you know what

389
00:19:11,119 --> 00:19:19,240
Speaker 7: I'm saying, But somewhere somebody was thinking that my connection

390
00:19:19,520 --> 00:19:23,280
Speaker 7: with them was I was DJing everywhere in New Orleans, uptown,

391
00:19:23,440 --> 00:19:28,720
Speaker 7: downtown or whatever, and I was the drug dealer's favorite DJ.

392
00:19:29,680 --> 00:19:33,480
Speaker 7: So we had all the time, you know what I'm saying. Yeah,

393
00:19:33,560 --> 00:19:35,680
Speaker 7: so you got to call man and I didn't understand

394
00:19:35,720 --> 00:19:37,320
Speaker 7: what was going on because I was too young to

395
00:19:37,359 --> 00:19:39,280
Speaker 7: get it. But the reason why they kept me out

396
00:19:39,320 --> 00:19:41,280
Speaker 7: there was they were serving while I was out there

397
00:19:41,560 --> 00:19:43,600
Speaker 7: if I was If I was out there playing, a

398
00:19:43,680 --> 00:19:45,960
Speaker 7: crowd was out there, you know what I'm saying. So

399
00:19:46,320 --> 00:19:49,040
Speaker 7: it would be five drug dealers that got together uptown

400
00:19:49,080 --> 00:19:51,080
Speaker 7: and be like, man, we gottahit. This motherfucker here all

401
00:19:51,280 --> 00:19:53,840
Speaker 7: night as long as he playing, the crowd coming, you

402
00:19:53,920 --> 00:19:54,560
Speaker 7: know what I'm saying.

403
00:19:56,359 --> 00:20:01,000
Speaker 1: Yeah, So for me, I didn't understand why booked.

404
00:20:01,080 --> 00:20:01,680
Speaker 2: I just to me.

405
00:20:01,800 --> 00:20:04,439
Speaker 7: I thought it was just popularity, and it grew into popularity,

406
00:20:04,880 --> 00:20:08,199
Speaker 7: but I knew, like at one point, God, I get

407
00:20:08,280 --> 00:20:10,240
Speaker 7: it while y'all y'all why I'm a safe bet with

408
00:20:10,320 --> 00:20:11,600
Speaker 7: everything they like, Man, get.

409
00:20:11,560 --> 00:20:13,280
Speaker 1: Maddy, the crowd gonna come, you know.

410
00:20:13,600 --> 00:20:16,280
Speaker 7: And that turned into Okay, if I'm gonna keep this,

411
00:20:16,680 --> 00:20:19,080
Speaker 7: I gotta keep on giving y'all something new, you know.

412
00:20:19,200 --> 00:20:21,800
Speaker 7: And I started being the remixed king of shit, like

413
00:20:21,880 --> 00:20:23,800
Speaker 7: you know what. Somebody was like, well, he gonna play

414
00:20:23,840 --> 00:20:25,639
Speaker 7: some shit you ain't never heard. He gonna do some

415
00:20:25,760 --> 00:20:29,680
Speaker 7: shit you never heard. And all of that walked into like,

416
00:20:30,280 --> 00:20:32,760
Speaker 7: you know, the beginning of me making beats.

417
00:20:33,280 --> 00:20:36,080
Speaker 1: Now. Baby was one of them street dudes as well,

418
00:20:36,200 --> 00:20:36,840
Speaker 1: who you know.

419
00:20:37,119 --> 00:20:39,480
Speaker 7: Who kind of caught my ear or whatever, and you know,

420
00:20:39,640 --> 00:20:42,480
Speaker 7: and he had mentioned to once or twice before, like,

421
00:20:42,520 --> 00:20:42,960
Speaker 7: hey bro, I.

422
00:20:42,960 --> 00:20:44,360
Speaker 1: Got a record company and blah.

423
00:20:44,640 --> 00:20:47,320
Speaker 7: He gave me a CD of like his first artist,

424
00:20:47,359 --> 00:20:49,760
Speaker 7: and I was just like, man, this is bullshit, bro,

425
00:20:49,840 --> 00:20:51,080
Speaker 7: and you know, and I was just like, I don't

426
00:20:51,119 --> 00:20:53,119
Speaker 7: know what the fuck this SA is, like, you know,

427
00:20:54,160 --> 00:20:56,640
Speaker 7: and I'm like, how about we get back at it again,

428
00:20:56,680 --> 00:20:57,440
Speaker 7: you know what I'm saying.

429
00:20:57,800 --> 00:21:01,040
Speaker 1: So, and I remember this vivid league. He could tell

430
00:21:01,040 --> 00:21:02,160
Speaker 1: you the whole ship.

431
00:21:02,520 --> 00:21:06,119
Speaker 7: So about a year after that, after the first encounter,

432
00:21:06,280 --> 00:21:08,159
Speaker 7: he came back to me and was like, hey, bro,

433
00:21:08,440 --> 00:21:09,720
Speaker 7: I'm serious about this ship.

434
00:21:09,960 --> 00:21:11,919
Speaker 1: And I was like, hey bro, if y'all gonna do this.

435
00:21:12,000 --> 00:21:14,520
Speaker 7: Ship, I'm like, I can't do this shit if y'all

436
00:21:14,600 --> 00:21:16,879
Speaker 7: niggas is drug Dealer's like, either y'all gonna do it,

437
00:21:17,600 --> 00:21:19,240
Speaker 7: I'm not gonna fuck with it. I'm like, we can't

438
00:21:19,280 --> 00:21:21,639
Speaker 7: have one foot in one foot out. So they was

439
00:21:21,760 --> 00:21:24,280
Speaker 7: just like, so, you want us to put put all

440
00:21:24,359 --> 00:21:26,440
Speaker 7: our trust in you? And I'm like that's not what

441
00:21:26,560 --> 00:21:28,800
Speaker 7: I'm asking y'all. I'm like, I can't fuck with y'all

442
00:21:29,040 --> 00:21:32,000
Speaker 7: if y'all doing street ship, you know. And at that time,

443
00:21:32,160 --> 00:21:34,800
Speaker 7: New Orleans was on fucking fire. It was it was

444
00:21:34,960 --> 00:21:37,840
Speaker 7: war for everything. Any little ship you've done, somebody was

445
00:21:37,880 --> 00:21:40,040
Speaker 7: knocking your head off, right. So I was like, bro,

446
00:21:40,119 --> 00:21:42,119
Speaker 7: I can't fuck with y'all on that. So there was

447
00:21:42,200 --> 00:21:44,399
Speaker 7: just like I'll tell you what, Bro, We'll give you

448
00:21:45,000 --> 00:21:47,680
Speaker 7: like maybe two months and we'll try this ship and

449
00:21:47,800 --> 00:21:49,720
Speaker 7: if it worked your way, we ain't gonna fuck with

450
00:21:49,800 --> 00:21:52,560
Speaker 7: the streets. So and a lot of people don't know

451
00:21:52,960 --> 00:21:57,000
Speaker 7: the first generation of Cash Money artists was Bounce artists.

452
00:21:57,480 --> 00:21:59,720
Speaker 1: It was all Bounce artists, you know.

453
00:22:00,200 --> 00:22:03,879
Speaker 7: So the first song I did for them was a

454
00:22:04,040 --> 00:22:07,600
Speaker 7: dude named Lil Slim and there was a song called

455
00:22:07,720 --> 00:22:10,800
Speaker 7: on Bounce Slide Ride. It was like Bounce Slide Ride,

456
00:22:10,840 --> 00:22:13,080
Speaker 7: get y up, get it up like Bounce slide, like

457
00:22:13,160 --> 00:22:15,399
Speaker 7: some bounce shit, just the beginning of Bounce.

458
00:22:15,680 --> 00:22:18,399
Speaker 1: We did that song. That ship took off, you know

459
00:22:18,440 --> 00:22:19,000
Speaker 1: what I'm saying.

460
00:22:19,320 --> 00:22:22,520
Speaker 7: The second song was the dude pm W, and that's

461
00:22:22,560 --> 00:22:26,160
Speaker 7: the dude he moved, he he he did the dip song,

462
00:22:26,320 --> 00:22:28,600
Speaker 7: I put my hand up on your hip when you dip.

463
00:22:29,280 --> 00:22:32,159
Speaker 1: But he was he was signed to Cash Money early on,

464
00:22:32,800 --> 00:22:33,520
Speaker 1: like you know what I'm saying.

465
00:22:36,000 --> 00:22:39,520
Speaker 7: Yeah, they group was PMW, Pussy Pussy Money Weed like

466
00:22:39,560 --> 00:22:41,560
Speaker 7: you know what I'm saying. So I did some ship.

467
00:22:43,200 --> 00:22:45,720
Speaker 7: Yeah yeah, yeah, you know what I'm saying. So that

468
00:22:45,960 --> 00:22:48,120
Speaker 7: that was they ship, like you know what I'm saying,

469
00:22:48,119 --> 00:22:51,200
Speaker 7: and that ship jumped off, you know. So then you know,

470
00:22:51,600 --> 00:22:54,720
Speaker 7: they start looking for anything that was popping, anything that

471
00:22:54,880 --> 00:22:57,639
Speaker 7: was in the club that was popping cash money got

472
00:22:57,680 --> 00:22:59,359
Speaker 7: his hands on it, and then it became like.

473
00:22:59,400 --> 00:23:03,480
Speaker 1: A fucking little Bounce dynasty. So we rolling like you

474
00:23:03,600 --> 00:23:04,240
Speaker 1: know what I'm saying.

475
00:23:04,280 --> 00:23:07,680
Speaker 7: And they had them times where sometimes where they was

476
00:23:07,800 --> 00:23:10,960
Speaker 7: just like, man, you know, the street shit is gonna

477
00:23:10,960 --> 00:23:13,480
Speaker 7: make us some extra money. And I'm like, bro, I

478
00:23:13,560 --> 00:23:16,240
Speaker 7: can't fuck with that. I'm gonna leave if y'all you know,

479
00:23:16,720 --> 00:23:19,480
Speaker 7: So this is what happened. This is some real, real

480
00:23:19,600 --> 00:23:24,159
Speaker 7: life shit. The Bounce shit was slow money. It was

481
00:23:24,240 --> 00:23:26,840
Speaker 7: you know, even though it was popping, but it was

482
00:23:27,119 --> 00:23:30,760
Speaker 7: just New Orleans. The world hadn't kept had caught on too,

483
00:23:31,119 --> 00:23:32,840
Speaker 7: so it was only so many units you could do.

484
00:23:32,960 --> 00:23:36,359
Speaker 7: You in fucking New Orleans like okay, you popular as fuck.

485
00:23:36,960 --> 00:23:40,800
Speaker 7: So that was the birth of the big timers and

486
00:23:40,880 --> 00:23:42,960
Speaker 7: we were just like, well, what can we do that

487
00:23:43,119 --> 00:23:45,600
Speaker 7: We're gonna get out of fucking New Orleans. And I

488
00:23:45,720 --> 00:23:48,600
Speaker 7: was like, Bro, we could do some shit that's never

489
00:23:48,760 --> 00:23:51,239
Speaker 7: been done before. We're gonna do this shit bigger than

490
00:23:51,320 --> 00:23:54,680
Speaker 7: any motherfuckers have ever done it. And we're gonna talk

491
00:23:54,680 --> 00:23:57,760
Speaker 7: about shit fucking Cadillac. We're gonna talk about space shuttles.

492
00:23:58,000 --> 00:24:00,679
Speaker 1: You know what I'm saying. You can have Cadillac.

493
00:24:00,760 --> 00:24:03,719
Speaker 7: I got a space shuttle, nigga, And I'm like, when

494
00:24:03,800 --> 00:24:06,879
Speaker 7: we do it, it's gonna be you know. So that

495
00:24:07,040 --> 00:24:11,200
Speaker 7: shit changed the whole dynamics of cash money when the

496
00:24:11,280 --> 00:24:15,000
Speaker 7: big timers kind of came around, because motherfuckers, that shit

497
00:24:15,119 --> 00:24:18,920
Speaker 7: took off and it went like fucking Atlanta all the

498
00:24:18,960 --> 00:24:20,880
Speaker 7: way to Houston that first.

499
00:24:20,800 --> 00:24:23,360
Speaker 1: Volume one, and everybody was like, we ain't never heard

500
00:24:23,480 --> 00:24:24,879
Speaker 1: no shit like this before.

501
00:24:25,320 --> 00:24:28,920
Speaker 7: These niggas ain't saying they rappers, but they talking some shit.

502
00:24:29,480 --> 00:24:32,520
Speaker 1: Yeah, like you know what I'm saying. They Yeah, they

503
00:24:32,840 --> 00:24:34,879
Speaker 1: could sell push it to a hooker. You know what.

504
00:24:39,800 --> 00:24:41,640
Speaker 1: These niggas can sell space heaters in hell.

505
00:24:41,800 --> 00:24:43,760
Speaker 6: You know what y'all did.

506
00:24:44,560 --> 00:24:48,480
Speaker 7: And that changed the whole dynamics of it to like, oh, fuck,

507
00:24:48,800 --> 00:24:51,600
Speaker 7: like we got something here, you know. And I think

508
00:24:51,720 --> 00:24:54,560
Speaker 7: that was the moment when Baby took it serious, when

509
00:24:54,640 --> 00:24:57,320
Speaker 7: he was just like, Bro, they checking for us, they

510
00:24:57,480 --> 00:24:59,240
Speaker 7: calling for us, like you know what I'm saying.

511
00:24:59,520 --> 00:25:02,359
Speaker 1: And I was like, well, I think we should change

512
00:25:02,359 --> 00:25:05,320
Speaker 1: the whole momentum of this shit to rap. You know

513
00:25:05,359 --> 00:25:05,840
Speaker 1: what I'm saying.

514
00:25:05,880 --> 00:25:09,600
Speaker 7: I'm like, Bounce's cool and it's my baby, but it

515
00:25:09,640 --> 00:25:13,000
Speaker 7: ain't ready yet, you know what I'm saying. So our

516
00:25:13,160 --> 00:25:16,920
Speaker 7: next thing was on soldier rags, you know what I'm saying.

517
00:25:18,359 --> 00:25:21,320
Speaker 7: We found Juvie at the bus station getting off the bus,

518
00:25:22,040 --> 00:25:24,520
Speaker 7: you know what I'm saying. And Baby was like, man,

519
00:25:24,560 --> 00:25:26,639
Speaker 7: I heard about dude. My dad had already told me

520
00:25:26,680 --> 00:25:27,399
Speaker 7: about Juvie.

521
00:25:27,880 --> 00:25:28,200
Speaker 1: My dad.

522
00:25:28,440 --> 00:25:31,800
Speaker 7: Juvi actually knew my daddy before he knew me. My

523
00:25:31,920 --> 00:25:33,959
Speaker 7: dad was like, man, this is this nigga to That's

524
00:25:34,000 --> 00:25:35,920
Speaker 7: that's what we called you. He said, boy boy in

525
00:25:35,960 --> 00:25:37,920
Speaker 7: the projects, rocking whatever it is.

526
00:25:38,000 --> 00:25:38,639
Speaker 1: Dah da da da.

527
00:25:39,000 --> 00:25:41,560
Speaker 7: So we catch him getting off the bus where our

528
00:25:41,680 --> 00:25:44,480
Speaker 7: office was, and I'm like, man, let's see if dude

529
00:25:44,560 --> 00:25:47,040
Speaker 7: car rap. Man, if he really man that motherfucker Juve

530
00:25:47,160 --> 00:25:50,320
Speaker 7: rapped about I don't know, probably gonna even exaggerate, like

531
00:25:50,359 --> 00:25:51,560
Speaker 7: fifteen songs.

532
00:25:51,320 --> 00:25:53,320
Speaker 1: Back to back. And I was like, man, if y'all

533
00:25:53,440 --> 00:25:55,320
Speaker 1: on sign this nigga give him whatever here.

534
00:25:55,920 --> 00:25:58,119
Speaker 7: I was like, yeah, I'm geeked out. I was like,

535
00:25:58,200 --> 00:26:00,720
Speaker 7: if y'all don't get this dude with the he won't,

536
00:26:01,520 --> 00:26:02,159
Speaker 7: I'm like, come on.

537
00:26:02,280 --> 00:26:03,520
Speaker 1: Bro, this dude is the truth.

538
00:26:03,640 --> 00:26:04,960
Speaker 6: Okay, so you pick y'alli.

539
00:26:07,080 --> 00:26:09,960
Speaker 7: Listen, bro, I'm gonna need this munch of money a month,

540
00:26:10,040 --> 00:26:12,560
Speaker 7: and I'm gonna need one beat that you ever made

541
00:26:13,160 --> 00:26:15,120
Speaker 7: that that that you were na LV beat. He said,

542
00:26:15,119 --> 00:26:17,800
Speaker 7: I'm gonna need that beat, and if y'all give me that,

543
00:26:18,000 --> 00:26:21,720
Speaker 7: I'm coming. I was like, done, bro, done, done done.

544
00:26:22,400 --> 00:26:24,359
Speaker 7: So the first album that we did on him was

545
00:26:24,440 --> 00:26:27,479
Speaker 7: the Soldier Rag album, and you know, and me and Julie,

546
00:26:27,520 --> 00:26:29,600
Speaker 7: I think we did that ship like in maybe three

547
00:26:29,720 --> 00:26:30,320
Speaker 7: four days.

548
00:26:31,680 --> 00:26:34,359
Speaker 1: Classic. Yeah, we did that album in like three or

549
00:26:34,400 --> 00:26:35,000
Speaker 1: four days.

550
00:26:35,320 --> 00:26:38,280
Speaker 7: And you know, like that's that ship when you know,

551
00:26:38,880 --> 00:26:40,959
Speaker 7: when y'all when you're writing something and you know it's

552
00:26:41,000 --> 00:26:43,639
Speaker 7: a genius joke, you know what, you gotta smile to

553
00:26:43,720 --> 00:26:46,520
Speaker 7: yourself like you're like, oh, this vis kill him. You know,

554
00:26:46,720 --> 00:26:49,080
Speaker 7: we was doing them songs when I did Soldier Rag.

555
00:26:49,119 --> 00:26:51,440
Speaker 7: I was like this vigeal kill him. I was like

556
00:26:51,560 --> 00:26:55,440
Speaker 7: this beat right here and and and I hadn't played

557
00:26:55,480 --> 00:27:00,639
Speaker 7: the beat for him yet, and the first time I

558
00:27:00,720 --> 00:27:03,119
Speaker 7: played the b for him, that's what he came out spitting.

559
00:27:03,160 --> 00:27:05,040
Speaker 1: I was like, Oh, it's done, it's done.

560
00:27:06,000 --> 00:27:08,600
Speaker 6: And so that's how Juvee came about.

561
00:27:09,359 --> 00:27:10,840
Speaker 1: So who else you got you?

562
00:27:10,960 --> 00:27:11,200
Speaker 2: Okay?

563
00:27:11,440 --> 00:27:15,240
Speaker 1: So we got got so all right, we got you

564
00:27:16,160 --> 00:27:18,480
Speaker 1: was there first. BG was there. He was part of

565
00:27:18,520 --> 00:27:19,160
Speaker 1: the bounce thing.

566
00:27:19,240 --> 00:27:21,760
Speaker 7: But you know, BG was kind of off and on,

567
00:27:22,119 --> 00:27:24,440
Speaker 7: you know, he started on the on the bounce kick

568
00:27:24,880 --> 00:27:27,920
Speaker 7: BG and Wayne was on something. There was the BG's.

569
00:27:28,520 --> 00:27:31,479
Speaker 7: They first little ship was called BGS. But guess who

570
00:27:31,600 --> 00:27:34,000
Speaker 7: called us the real fucking BG's. They was like, I

571
00:27:34,040 --> 00:27:37,359
Speaker 7: don't know what the fuck y'all do there? Yay the

572
00:27:37,480 --> 00:27:40,159
Speaker 7: hows y'all luck They was like, I don't know what

573
00:27:40,240 --> 00:27:42,120
Speaker 7: the fuck y'all doing, but y'all got to change y'all

574
00:27:42,240 --> 00:27:49,320
Speaker 7: name y'all fucking without ship. So that kind of played

575
00:27:49,359 --> 00:27:52,160
Speaker 7: the background right, and none of us knew.

576
00:27:53,520 --> 00:27:53,800
Speaker 1: BG.

577
00:27:54,160 --> 00:27:58,560
Speaker 7: Oh Wayne could rap Wayne. The way Wayne got was

578
00:27:58,680 --> 00:28:01,720
Speaker 7: Wayne daddy his well, his stepdaddy, Rabbit.

579
00:28:02,000 --> 00:28:02,560
Speaker 1: We knew him.

580
00:28:02,640 --> 00:28:05,400
Speaker 7: Rabbit was a street dude, right, So Rabbit was trying

581
00:28:05,440 --> 00:28:08,240
Speaker 7: to keep Wayne out of trouble. He was really like, say, brouh,

582
00:28:08,600 --> 00:28:11,000
Speaker 7: you know, I got my son, bruh, And you know,

583
00:28:11,040 --> 00:28:13,760
Speaker 7: I don't want him to fall into the dumb shit

584
00:28:13,840 --> 00:28:15,280
Speaker 7: that we look at lifeast.

585
00:28:15,640 --> 00:28:17,119
Speaker 1: And I know he liked music.

586
00:28:17,200 --> 00:28:19,320
Speaker 7: Bro, if y'all could just put him under y'all, I

587
00:28:19,400 --> 00:28:21,520
Speaker 7: told him, if he made good grades, you know, blah

588
00:28:21,560 --> 00:28:23,840
Speaker 7: blah blah. So the thing with Wayne early on was

589
00:28:24,119 --> 00:28:28,000
Speaker 7: he wasn't allowed to curse. So you know, his daddy

590
00:28:28,080 --> 00:28:30,320
Speaker 7: and his mama was like, you could run with them niggas,

591
00:28:30,400 --> 00:28:32,920
Speaker 7: but if you're gonna be making records, you can't curse,

592
00:28:33,680 --> 00:28:35,440
Speaker 7: you know what I'm saying. And Rabbit, you know, his

593
00:28:35,480 --> 00:28:37,760
Speaker 7: stepdaddy was one of our homeboys, like like on some

594
00:28:37,960 --> 00:28:40,120
Speaker 7: real you know, like grew up with us. So he

595
00:28:40,240 --> 00:28:42,240
Speaker 7: was like, all right, fuck it, we're taking munda Wayne.

596
00:28:42,600 --> 00:28:45,200
Speaker 7: But Wayne would do shit where his grades were slipping,

597
00:28:45,240 --> 00:28:47,200
Speaker 7: and they would take him out the group, put him

598
00:28:47,240 --> 00:28:48,720
Speaker 7: back in the group, you know what I'm saying.

599
00:28:48,800 --> 00:28:51,520
Speaker 1: And every time his grades got.

600
00:28:51,440 --> 00:28:53,880
Speaker 7: Slipping and his mom took him out, that motherfucker made

601
00:28:53,920 --> 00:28:57,440
Speaker 7: a's again just to get back, you know what I'm saying.

602
00:28:57,920 --> 00:29:02,440
Speaker 7: So now that the ship is taken off with baby,

603
00:29:02,640 --> 00:29:04,040
Speaker 7: you know what I'm saying, and all of that, but

604
00:29:04,400 --> 00:29:09,200
Speaker 7: I'm working on on BG's chopp of City, right, you

605
00:29:09,280 --> 00:29:09,840
Speaker 7: know what I'm saying.

606
00:29:10,160 --> 00:29:13,360
Speaker 1: So I was like, fuck, BG could kind of rap bro.

607
00:29:13,480 --> 00:29:15,040
Speaker 1: He been studying this ship.

608
00:29:15,440 --> 00:29:17,520
Speaker 7: He's been you know what I'm saying, because his first ship,

609
00:29:17,880 --> 00:29:19,640
Speaker 7: you know, nobody really ever heard it, but you know

610
00:29:19,720 --> 00:29:20,240
Speaker 7: he signed up.

611
00:29:20,280 --> 00:29:22,760
Speaker 1: He sounded a little whiny and it was all bounced.

612
00:29:22,520 --> 00:29:24,440
Speaker 7: Versius like you know what, he was doing a little

613
00:29:24,560 --> 00:29:26,280
Speaker 7: chance and you know what I'm saying, the ship that

614
00:29:26,600 --> 00:29:29,760
Speaker 7: go with bounce And you're like, wait, this motherfucker really

615
00:29:29,840 --> 00:29:32,600
Speaker 7: talking some street ship, like some raw you know what

616
00:29:32,680 --> 00:29:35,800
Speaker 7: I'm saying. And Choppa City was I was like, you

617
00:29:35,920 --> 00:29:37,760
Speaker 7: know what, fuck it? And then you got to think

618
00:29:37,800 --> 00:29:40,720
Speaker 7: about it. Like I said, the original group with them

619
00:29:41,040 --> 00:29:43,800
Speaker 7: was him and Wayne. It was called the Beg's. We

620
00:29:43,960 --> 00:29:46,640
Speaker 7: knew there was no way we could put Wayne with

621
00:29:47,440 --> 00:29:50,280
Speaker 7: BEG when he did Choppa City because that nigga was

622
00:29:50,320 --> 00:29:51,040
Speaker 7: talking about.

623
00:29:50,920 --> 00:29:54,640
Speaker 1: Dope, raw and all kinds of shit. You know, shit,

624
00:29:55,200 --> 00:29:56,840
Speaker 1: I didn't even know what the fuck it was. I

625
00:29:56,880 --> 00:30:00,400
Speaker 1: was like, Nigga, what the fuck that is? Right? What

626
00:30:01,320 --> 00:30:02,440
Speaker 1: this this nigga just said?

627
00:30:02,560 --> 00:30:06,640
Speaker 7: Original music the ship that you're like, wait, this nigga

628
00:30:06,720 --> 00:30:09,200
Speaker 7: been naming all of this ship. He been like, you

629
00:30:09,320 --> 00:30:11,000
Speaker 7: know what I'm saying, And I was like, I didn't

630
00:30:11,000 --> 00:30:12,640
Speaker 7: know this nigga was doing all of this. I'm like,

631
00:30:12,680 --> 00:30:14,200
Speaker 7: I didn't know the nigga was and you know, he

632
00:30:14,320 --> 00:30:18,560
Speaker 7: wanted them artists where he really is. He gonna give

633
00:30:18,560 --> 00:30:20,960
Speaker 7: you the truth, like you know what I'm saying. And

634
00:30:21,080 --> 00:30:24,400
Speaker 7: I think with him when he dropped it resonated so

635
00:30:24,640 --> 00:30:28,840
Speaker 7: hard because we we we we wasn't understanding that he

636
00:30:29,120 --> 00:30:31,240
Speaker 7: was really talking from a true place.

637
00:30:31,880 --> 00:30:34,200
Speaker 1: All the shit that was on this album and lyrics

638
00:30:34,280 --> 00:30:36,920
Speaker 1: this nigga was doing. You know. We was like why

639
00:30:36,960 --> 00:30:38,280
Speaker 1: they love this nigga so much?

640
00:30:38,320 --> 00:30:40,000
Speaker 2: And I was like, you know what this he was

641
00:30:40,040 --> 00:30:43,960
Speaker 2: at the perfect age, yeah, hip hop consumer.

642
00:30:44,200 --> 00:30:47,000
Speaker 7: Yeah, so it was just like this, this nigga really

643
00:30:47,480 --> 00:30:49,960
Speaker 7: really living this ship, you know what I'm saying. So

644
00:30:50,480 --> 00:30:53,720
Speaker 7: I think, you know, and so we started going, well

645
00:30:54,080 --> 00:30:56,560
Speaker 7: what else you know we got to work around. So

646
00:30:56,680 --> 00:30:59,440
Speaker 7: we had this chick Magnoah Shorty, which which you know

647
00:30:59,600 --> 00:31:02,680
Speaker 7: and everybody in New Orleans no Magnolia Shorty shared this

648
00:31:02,760 --> 00:31:03,800
Speaker 7: song called Monkey.

649
00:31:03,600 --> 00:31:07,200
Speaker 1: On the Deck. But it was a bounce song. Right, Oh,

650
00:31:07,240 --> 00:31:09,480
Speaker 1: they love the fuck out of this song. Right. So,

651
00:31:09,880 --> 00:31:10,640
Speaker 1: but Renata.

652
00:31:12,080 --> 00:31:14,280
Speaker 7: She was out the Magnolia and you know, and Baby

653
00:31:14,480 --> 00:31:17,560
Speaker 7: really liked Renata, like not like liked it, like as

654
00:31:17,800 --> 00:31:19,920
Speaker 7: he just liked her energy. Like you know what I'm saying,

655
00:31:19,920 --> 00:31:24,560
Speaker 7: because regardless today stopped doing bounce music. Renata was always around.

656
00:31:25,040 --> 00:31:27,360
Speaker 7: But Renata was like, it's this other thing in the project.

657
00:31:27,440 --> 00:31:29,840
Speaker 7: He kind of nice. He coming up and it was Turk.

658
00:31:30,400 --> 00:31:33,760
Speaker 7: So Renata brung Turk around, you know what I'm saying.

659
00:31:33,760 --> 00:31:35,040
Speaker 7: And I was like, oh, I like him, you know,

660
00:31:35,120 --> 00:31:38,120
Speaker 7: he nice, So let's try it out, you know. And

661
00:31:38,600 --> 00:31:40,840
Speaker 7: by then we was trying to figure out how do

662
00:31:40,960 --> 00:31:42,920
Speaker 7: we market all of them?

663
00:31:43,440 --> 00:31:44,320
Speaker 1: You know, but we can't.

664
00:31:44,440 --> 00:31:46,080
Speaker 7: And I'm like, well, how about we make them a

665
00:31:46,160 --> 00:31:48,480
Speaker 7: group and then start marketing them one by one?

666
00:31:49,200 --> 00:31:51,840
Speaker 1: And that's what made the Hot Boys, you know what

667
00:31:51,920 --> 00:31:52,360
Speaker 1: I'm saying.

668
00:31:52,760 --> 00:31:55,840
Speaker 7: I'm like, instead of going like one at a time,

669
00:31:56,120 --> 00:31:58,200
Speaker 7: were gonna make him a group and then we'll start

670
00:31:58,280 --> 00:32:01,360
Speaker 7: chipping from that group and let everybody have their identity,

671
00:32:02,160 --> 00:32:04,680
Speaker 7: you know what I'm saying. And that that formed into

672
00:32:04,760 --> 00:32:06,800
Speaker 7: the Hot Boys. And from there we were just like,

673
00:32:07,360 --> 00:32:10,200
Speaker 7: who is the one that resonates?

674
00:32:10,400 --> 00:32:11,120
Speaker 1: You know more?

675
00:32:11,280 --> 00:32:14,240
Speaker 7: It was Juvie like y'all saying Juvie, it was something

676
00:32:14,280 --> 00:32:17,320
Speaker 7: special about Juvie around that when motherfuckers was just like, bro,

677
00:32:18,400 --> 00:32:22,760
Speaker 7: this dude juvenile whatever, This dude juvenile kept coming because it's.

678
00:32:22,640 --> 00:32:25,400
Speaker 2: Just like he represent it felt like as a consumer,

679
00:32:25,480 --> 00:32:28,080
Speaker 2: as a fan, it felt like he just represented the

680
00:32:28,360 --> 00:32:29,000
Speaker 2: entire South.

681
00:32:30,400 --> 00:32:31,120
Speaker 1: You know what I'm saying.

682
00:32:31,960 --> 00:32:36,040
Speaker 2: They brought elements of where everybody can relate to it,

683
00:32:36,160 --> 00:32:38,840
Speaker 2: whether you was from New Orleans or Atlanta. It's just

684
00:32:38,960 --> 00:32:41,280
Speaker 2: like the realness of the hood. Yeah, you give what

685
00:32:41,360 --> 00:32:41,920
Speaker 2: I see.

686
00:32:42,000 --> 00:32:45,120
Speaker 7: A lot of people think that the deal when we

687
00:32:45,200 --> 00:32:47,880
Speaker 7: when we when when we signed with juve on Universal,

688
00:32:48,240 --> 00:32:50,320
Speaker 7: a lot of people think it was juvenile, you know,

689
00:32:50,520 --> 00:32:51,640
Speaker 7: four hundred degrees that.

690
00:32:52,040 --> 00:32:53,600
Speaker 1: It wasn't that. It was the big timers.

691
00:32:54,280 --> 00:32:56,320
Speaker 7: The big timers, you know, Like the reason why they

692
00:32:56,400 --> 00:33:00,240
Speaker 7: made us stop with the Volume one was we was

693
00:33:00,320 --> 00:33:03,320
Speaker 7: already gold when we did the deal, so you know,

694
00:33:03,560 --> 00:33:05,480
Speaker 7: they was talking cocky shit. They was just like, we

695
00:33:05,480 --> 00:33:08,080
Speaker 7: don't need y'all fucking money, you know what. So if

696
00:33:08,160 --> 00:33:10,240
Speaker 7: y'all don't give us some money, y'all got to give

697
00:33:10,320 --> 00:33:12,760
Speaker 7: us some real money. So they was like, Okay, this

698
00:33:12,920 --> 00:33:15,440
Speaker 7: is the deal. Take that shit off the shelf and

699
00:33:15,520 --> 00:33:17,960
Speaker 7: give it to us, y'all can't make no more money

700
00:33:18,040 --> 00:33:18,440
Speaker 7: off of it.

701
00:33:18,960 --> 00:33:20,440
Speaker 1: So that kind of put it in limbo.

702
00:33:20,960 --> 00:33:24,160
Speaker 7: And while we was waiting, we was doing fucking on

703
00:33:24,400 --> 00:33:26,840
Speaker 7: Juvi's album and we was finished. I was like, Man,

704
00:33:26,880 --> 00:33:28,640
Speaker 7: we finished with this, how about we just moved to

705
00:33:28,760 --> 00:33:31,760
Speaker 7: Juvie's album? So whatever is going on? I'm like, because

706
00:33:31,800 --> 00:33:34,320
Speaker 7: while we got this window and the hype was they

707
00:33:34,480 --> 00:33:36,200
Speaker 7: signed this deal for fucking.

708
00:33:35,920 --> 00:33:38,080
Speaker 1: I don't know a zillion dollars. So I'm like, while

709
00:33:38,120 --> 00:33:39,720
Speaker 1: we got this fucking hype.

710
00:33:39,800 --> 00:33:42,360
Speaker 7: I'm like, in the world is paying attention, Let's focus

711
00:33:42,440 --> 00:33:46,480
Speaker 7: on Juvie and four hundred degrees dropped and the rest

712
00:33:46,600 --> 00:33:48,240
Speaker 7: is fucking you know what I'm saying.

713
00:33:49,080 --> 00:33:52,560
Speaker 2: That's one of them ones where people say no skips, yeah,

714
00:33:53,120 --> 00:33:54,560
Speaker 2: because it's like that motherfucker.

715
00:33:54,560 --> 00:33:56,600
Speaker 1: It's like a movie, all them songs.

716
00:33:57,640 --> 00:34:00,240
Speaker 2: Now, as the producer, bro, where was your what was

717
00:34:00,280 --> 00:34:03,000
Speaker 2: your mind stake while you cooking this shit up, putting

718
00:34:03,040 --> 00:34:06,560
Speaker 2: this album together, engineering this watching but like your hands

719
00:34:06,600 --> 00:34:07,400
Speaker 2: always into music.

720
00:34:07,480 --> 00:34:08,040
Speaker 1: I always.

721
00:34:08,160 --> 00:34:10,960
Speaker 7: You know, that's crazy because I never really get to

722
00:34:11,000 --> 00:34:13,800
Speaker 7: say this. And you know, we had some shit earlier

723
00:34:13,880 --> 00:34:16,560
Speaker 7: to day with Ghip and I was telling him the

724
00:34:17,200 --> 00:34:21,440
Speaker 7: whole some of the recipe for four hundred Degrees was

725
00:34:21,680 --> 00:34:24,200
Speaker 7: Rico Wade you know what I'm saying, and how Outcasts

726
00:34:24,200 --> 00:34:28,400
Speaker 7: and Dungeon Family was making songs because a lot of

727
00:34:28,480 --> 00:34:31,160
Speaker 7: my production was kind of like just eight O weights

728
00:34:31,280 --> 00:34:34,560
Speaker 7: and snares and sound effects, and I was like, well,

729
00:34:35,239 --> 00:34:37,840
Speaker 7: when I'm doing this shit, I'm like, I wanted.

730
00:34:37,560 --> 00:34:39,040
Speaker 1: To be musicianship.

731
00:34:39,320 --> 00:34:41,759
Speaker 7: I wanted to be some shit that motherfuckers was like

732
00:34:41,960 --> 00:34:45,200
Speaker 7: this nigga really thought about these songs. He really thought

733
00:34:45,239 --> 00:34:48,399
Speaker 7: of how he was gonna do it. So at that time,

734
00:34:48,640 --> 00:34:52,120
Speaker 7: the biggest thing we had was Outcasts and you know,

735
00:34:52,280 --> 00:34:54,880
Speaker 7: and a lot of it was we was like this

736
00:34:55,280 --> 00:34:58,920
Speaker 7: the blueprint right here. I'm like, these motherfucker's jamming. So

737
00:34:59,040 --> 00:35:03,000
Speaker 7: I'm like, this shit gotta be jamming. And also the

738
00:35:03,120 --> 00:35:06,239
Speaker 7: pressure of the South got something to say, Hell yeah,

739
00:35:06,360 --> 00:35:09,120
Speaker 7: you know what I'm saying. So we was just like, okay, y'all,

740
00:35:09,280 --> 00:35:10,439
Speaker 7: y'all taking us for a joke.

741
00:35:10,680 --> 00:35:12,839
Speaker 1: Y'all think we playing. So I was like, we're going

742
00:35:12,880 --> 00:35:16,040
Speaker 1: in on this one man. How what like sequencing?

743
00:35:16,120 --> 00:35:16,279
Speaker 13: Though?

744
00:35:16,440 --> 00:35:19,080
Speaker 2: When you got the single the Juvenile for the four

745
00:35:19,200 --> 00:35:22,600
Speaker 2: hundred Degrees the High, right, like when you was making

746
00:35:22,680 --> 00:35:25,120
Speaker 2: this beat and you knowing this shit don't sound like

747
00:35:25,320 --> 00:35:26,239
Speaker 2: nothing that's out.

748
00:35:26,440 --> 00:35:26,640
Speaker 6: Yeah.

749
00:35:27,280 --> 00:35:29,040
Speaker 2: Did you know this shit was about to fuck the

750
00:35:29,080 --> 00:35:29,640
Speaker 2: whole South?

751
00:35:29,800 --> 00:35:30,000
Speaker 1: Yeah?

752
00:35:30,640 --> 00:35:32,880
Speaker 7: Yeah, He'll tell you that. I got on everybody nerves.

753
00:35:32,920 --> 00:35:34,759
Speaker 7: You know what I'm saying because I'm the one who

754
00:35:34,880 --> 00:35:37,880
Speaker 7: manifested you know. And I'm not saying like that in

755
00:35:37,960 --> 00:35:40,000
Speaker 7: a cocky way, but I believe that kind of shit.

756
00:35:40,239 --> 00:35:40,360
Speaker 11: You know.

757
00:35:40,440 --> 00:35:41,880
Speaker 7: When I was making this shit, I was like, Nigga,

758
00:35:41,920 --> 00:35:44,440
Speaker 7: this shit, and Nigga's like, damn, Nigga, you you you

759
00:35:44,640 --> 00:35:46,560
Speaker 7: you ain't gonna shut up. Fuck no, I ain't gonna

760
00:35:46,560 --> 00:35:49,360
Speaker 7: shut up. This shit gonna be around for forever, you

761
00:35:49,440 --> 00:35:52,360
Speaker 7: know what I'm saying. And they like, Nigga, you tripping.

762
00:35:52,400 --> 00:35:53,920
Speaker 7: I'm like, no, I'm not, No, I'm not.

763
00:35:54,760 --> 00:35:57,160
Speaker 2: You know what I'm saying That motherfucker layer Bruh. It's

764
00:35:57,239 --> 00:36:00,480
Speaker 2: like the hook way different from the in the.

765
00:36:00,520 --> 00:36:02,799
Speaker 6: Ball, you know what I mean, asking a question.

766
00:36:03,640 --> 00:36:05,759
Speaker 2: Even at the end, it's like you're still hitting them

767
00:36:05,800 --> 00:36:06,960
Speaker 2: with the transition and ship.

768
00:36:07,040 --> 00:36:09,160
Speaker 1: You can hear like the slight little back.

769
00:36:09,239 --> 00:36:11,080
Speaker 7: That ass up was the last two songs we did

770
00:36:11,120 --> 00:36:13,080
Speaker 7: on this album, and we did them.

771
00:36:13,520 --> 00:36:17,000
Speaker 1: Believe it or not. I was beating on the fucking

772
00:36:17,120 --> 00:36:17,600
Speaker 1: we went.

773
00:36:17,800 --> 00:36:20,000
Speaker 7: We was in Nashville and we went to a restaurant

774
00:36:20,239 --> 00:36:22,359
Speaker 7: and I started beating on the table doing the beat,

775
00:36:22,400 --> 00:36:24,800
Speaker 7: and this motherfucker start doing that. He was like that

776
00:36:24,960 --> 00:36:26,600
Speaker 7: she was a bigger ass band, Huh, that she was.

777
00:36:27,080 --> 00:36:29,440
Speaker 7: And I was like, bro, bro, and he was like, well.

778
00:36:29,480 --> 00:36:32,360
Speaker 7: I was like, keep fucking doing that. Check let's go.

779
00:36:32,480 --> 00:36:33,839
Speaker 7: We need to get the fuck out of here, back

780
00:36:33,920 --> 00:36:34,560
Speaker 7: to the studio.

781
00:36:34,840 --> 00:36:36,719
Speaker 1: And he was like you. I'm like, yes, do that

782
00:36:37,640 --> 00:36:40,279
Speaker 1: and I'm like bro, and he it was a joke.

783
00:36:40,320 --> 00:36:41,719
Speaker 1: That ship was literally a joke.

784
00:36:41,960 --> 00:36:42,120
Speaker 6: You know.

785
00:36:42,200 --> 00:36:44,520
Speaker 7: We had a restaurant and I'm beating on the table

786
00:36:44,560 --> 00:36:46,520
Speaker 7: and he rapping and he's saying that ship And I

787
00:36:46,640 --> 00:36:50,480
Speaker 7: was like, Bro, that right there, that's the fucking you know.

788
00:36:50,520 --> 00:36:55,040
Speaker 12: What I'm saying, crazy Bro, That's what When y'all came out,

789
00:36:55,160 --> 00:36:57,080
Speaker 12: it was like our range.

790
00:36:57,640 --> 00:36:59,880
Speaker 6: We ain't going outside or out of no other st

791
00:37:00,200 --> 00:37:02,520
Speaker 6: unless you got family. So we didn't get a chance

792
00:37:02,560 --> 00:37:05,160
Speaker 6: to see what other people look like. So when y'all

793
00:37:05,280 --> 00:37:07,200
Speaker 6: was on stayright and that, y'all.

794
00:37:07,120 --> 00:37:08,680
Speaker 9: Was like they used to come in and bring the

795
00:37:08,760 --> 00:37:13,279
Speaker 9: TV into the classroom. We can't even watch BT. They like,

796
00:37:13,360 --> 00:37:15,960
Speaker 9: look when this song come on, y'all gonna get hyped,

797
00:37:16,000 --> 00:37:17,440
Speaker 9: but I want y'all to ship the fuck up.

798
00:37:19,000 --> 00:37:22,040
Speaker 6: We're like, yes, ma'am man, what from the nine to

799
00:37:22,200 --> 00:37:23,280
Speaker 6: nine to the two thousand?

800
00:37:23,360 --> 00:37:27,160
Speaker 1: We just looking and we just like we second grade.

801
00:37:28,360 --> 00:37:31,440
Speaker 2: Then it's like when y'all shot the video, you know,

802
00:37:31,560 --> 00:37:35,080
Speaker 2: all them projects, and it's just like that was our

803
00:37:35,120 --> 00:37:38,040
Speaker 2: first time getting to see that right into the hood,

804
00:37:38,160 --> 00:37:43,200
Speaker 2: like all these are really that's what y'all put us

805
00:37:43,239 --> 00:37:43,680
Speaker 2: on game.

806
00:37:44,560 --> 00:37:47,359
Speaker 7: But but a lot of that I remember the first time,

807
00:37:47,520 --> 00:37:50,160
Speaker 7: like we went to New York after shooting high and

808
00:37:50,480 --> 00:37:53,160
Speaker 7: other places like you know where it was on like

809
00:37:53,320 --> 00:37:55,600
Speaker 7: maybe West Coast or East coast. The motherfuckerss like what

810
00:37:56,000 --> 00:37:58,120
Speaker 7: did y'all get the props to do that? It was like,

811
00:37:58,200 --> 00:38:00,239
Speaker 7: now that's really our hood, and it was like, get

812
00:38:00,239 --> 00:38:03,759
Speaker 7: the funk out of here, that's what it's like.

813
00:38:03,840 --> 00:38:08,200
Speaker 1: Y'all really stayed there and it was like, fuck, it

814
00:38:08,320 --> 00:38:10,759
Speaker 1: was like it's a motherfucker feeding the dog, but lonely.

815
00:38:15,040 --> 00:38:17,840
Speaker 7: That's all that. You're like, yeah, this this is some

816
00:38:17,960 --> 00:38:20,439
Speaker 7: real ship, and you know, and you got to think

817
00:38:20,480 --> 00:38:24,920
Speaker 7: about there's times where you forget that and somebody might

818
00:38:25,080 --> 00:38:27,279
Speaker 7: do it and the shock value of it bringing you

819
00:38:27,480 --> 00:38:31,439
Speaker 7: back to a time where, you know, for Trinidad James,

820
00:38:31,480 --> 00:38:34,080
Speaker 7: when he did the video, you know what I'm saying.

821
00:38:34,000 --> 00:38:36,239
Speaker 1: He was I was like, God, damn, this is what

822
00:38:36,640 --> 00:38:37,840
Speaker 1: the hood used to look like.

823
00:38:38,360 --> 00:38:40,919
Speaker 7: I'm like, this motherfucker walking around go all up, rubbing

824
00:38:40,960 --> 00:38:44,600
Speaker 7: a fucking little puppy like you is like this fucking

825
00:38:44,880 --> 00:38:47,160
Speaker 7: we forgot this, We forgot because we.

826
00:38:47,239 --> 00:38:49,800
Speaker 2: Haven't seen nobody embrace the hood like that in a

827
00:38:49,920 --> 00:38:50,520
Speaker 2: long time.

828
00:38:51,239 --> 00:38:55,040
Speaker 1: Like Nigga, I'm happy right here. You know what I'm saying.

829
00:38:55,239 --> 00:38:56,000
Speaker 2: You know what I'm saying.

830
00:38:56,000 --> 00:38:56,399
Speaker 1: It wasn't.

831
00:38:56,440 --> 00:38:56,839
Speaker 2: It wasn't.

832
00:38:57,040 --> 00:39:00,480
Speaker 7: It wasn't in every video. Now you see you you

833
00:39:00,640 --> 00:39:02,839
Speaker 7: made it already. We don't know you, but your first

834
00:39:02,960 --> 00:39:03,840
Speaker 7: video you made it.

835
00:39:04,239 --> 00:39:07,960
Speaker 1: You know what I'm saying, You already made it up already.

836
00:39:08,800 --> 00:39:10,520
Speaker 6: Damn you're the road runs on your video.

837
00:39:10,840 --> 00:39:12,960
Speaker 7: One of the one of the things, you know, and

838
00:39:13,040 --> 00:39:16,440
Speaker 7: one of the things like baby change because it was

839
00:39:16,719 --> 00:39:18,279
Speaker 7: just that Nigga is.

840
00:39:18,320 --> 00:39:19,520
Speaker 1: Baby, you know what I'm saying.

841
00:39:19,600 --> 00:39:22,560
Speaker 7: And we we we the the more and more we

842
00:39:23,040 --> 00:39:26,400
Speaker 7: we grew, we got to see baby turn into the

843
00:39:26,520 --> 00:39:27,399
Speaker 7: number one son.

844
00:39:27,760 --> 00:39:28,600
Speaker 1: You see what I'm saying.

845
00:39:28,920 --> 00:39:31,440
Speaker 7: Because one of the things that I was big on

846
00:39:31,880 --> 00:39:34,520
Speaker 7: with the early songs. You know, I would always say,

847
00:39:34,920 --> 00:39:37,279
Speaker 7: like some ship like Nigga, they got most civics, then

848
00:39:37,320 --> 00:39:40,840
Speaker 7: they got bentless. So I'm like, we we we we

849
00:39:41,080 --> 00:39:44,080
Speaker 7: are for the masses. We're gonna talk ship, but we're

850
00:39:44,120 --> 00:39:47,240
Speaker 7: gonna keep the ship simplified, you know. And if you notice,

851
00:39:47,280 --> 00:39:50,480
Speaker 7: in the earliest ship we had Chrysler three hundreds, we

852
00:39:50,560 --> 00:39:54,680
Speaker 7: had PT cruisers. It wasn't like it's a Chrysler three hundred.

853
00:39:54,840 --> 00:39:56,560
Speaker 2: That's the ship that made everybody want to.

854
00:39:58,280 --> 00:40:00,560
Speaker 1: It was a big mock, but the it was that

855
00:40:00,719 --> 00:40:03,320
Speaker 1: was affordable. You see what I'm saying because had the

856
00:40:03,360 --> 00:40:15,800
Speaker 1: PT crew. Everybody want crew. But the thing to the

857
00:40:15,920 --> 00:40:25,760
Speaker 1: masters could get them niggas was whatever you want. It worked.

858
00:40:31,960 --> 00:40:34,920
Speaker 2: Now, look, I gotta do this for the online community.

859
00:40:35,239 --> 00:40:37,080
Speaker 2: I told you we was talking when we was riding

860
00:40:37,120 --> 00:40:38,640
Speaker 2: in the in the sprint. I was telling you I

861
00:40:38,680 --> 00:40:43,520
Speaker 2: always watched the ship about the New Orleans like street legends.

862
00:40:43,600 --> 00:40:45,399
Speaker 1: Bro. So I got to ask you about a couple

863
00:40:45,440 --> 00:40:49,640
Speaker 1: of people. Okay, kill a Stone Stone by yeah, Bro.

864
00:40:51,520 --> 00:40:54,439
Speaker 7: Stone definitely what I'm gonna even tell you stories while

865
00:40:54,440 --> 00:40:56,960
Speaker 7: you're telling me, I'm gonna just tell you how fucking

866
00:40:57,040 --> 00:41:00,480
Speaker 7: crazy like you know Stone Legacy was one night we

867
00:41:00,600 --> 00:41:02,399
Speaker 7: was in the House of Blues, right, and some ship

868
00:41:02,520 --> 00:41:05,759
Speaker 7: jumped off Da Da da and he bumped into this dude.

869
00:41:06,120 --> 00:41:08,279
Speaker 7: It was a young dude, little young dude that didn't

870
00:41:08,320 --> 00:41:10,280
Speaker 7: know him right, and he stepped on the dude footing.

871
00:41:10,320 --> 00:41:14,759
Speaker 7: The dude was like, motherfucker, bitch ass nigga. He said, hey,

872
00:41:14,800 --> 00:41:18,920
Speaker 7: obviously you don't know who I am. She said, I'm

873
00:41:18,920 --> 00:41:21,960
Speaker 7: gonna forgive your little man. Obviously you know what I'm saying.

874
00:41:22,160 --> 00:41:24,399
Speaker 7: You can't know who the fuck I am. You cut

875
00:41:24,560 --> 00:41:26,960
Speaker 7: up like that, and the dude came back with like

876
00:41:27,080 --> 00:41:28,840
Speaker 7: four more of his fucking friends and they was like,

877
00:41:29,120 --> 00:41:34,560
Speaker 7: mister Stone, oh my god, he didn't know, bro, he

878
00:41:34,600 --> 00:41:37,200
Speaker 7: didn't know please, please please, and he had to laugh

879
00:41:37,280 --> 00:41:40,040
Speaker 7: his fuck himself, you know what I'm saying. And I'm like, yeah,

880
00:41:40,080 --> 00:41:42,440
Speaker 7: that's when you got a crazy ass fucking reputation, bro,

881
00:41:42,800 --> 00:41:45,359
Speaker 7: like you done shook this whole fucking club up, because

882
00:41:45,440 --> 00:41:47,600
Speaker 7: because they was like, boy, you ain't niggas was telling him, boy,

883
00:41:47,600 --> 00:41:48,480
Speaker 7: you ain't gonna make it home.

884
00:41:48,760 --> 00:41:50,319
Speaker 1: You don't know who the fuck you just talked.

885
00:41:52,239 --> 00:41:54,360
Speaker 2: Did you always hear about killing Stone Man with the

886
00:41:54,400 --> 00:41:55,640
Speaker 2: big bags? Of money and all this.

887
00:41:56,000 --> 00:41:56,640
Speaker 1: Yeah. Yeah.

888
00:41:57,560 --> 00:41:59,600
Speaker 7: The crazy thing is all of these dudes had sense

889
00:41:59,600 --> 00:42:01,920
Speaker 7: of hum was doupe, but that was normal. That was

890
00:42:02,000 --> 00:42:04,160
Speaker 7: normal ship in New Orleans. You grew up with killers.

891
00:42:05,000 --> 00:42:08,560
Speaker 2: Let me ask you about this one face from the mill.

892
00:42:08,680 --> 00:42:12,080
Speaker 7: Oh yeah, face fucking man, This motherfucker ain't have no

893
00:42:12,200 --> 00:42:19,360
Speaker 7: fingers man, No, yeah, bitch rugg yeah knobs.

894
00:42:22,640 --> 00:42:23,399
Speaker 1: I saw now.

895
00:42:23,480 --> 00:42:25,880
Speaker 2: They said the nigga took the pop stick so he

896
00:42:26,120 --> 00:42:26,719
Speaker 2: can use it.

897
00:42:27,160 --> 00:42:29,800
Speaker 1: Yeah, nigga shoot the choppers. Yeah, take that bitch to

898
00:42:29,920 --> 00:42:37,800
Speaker 1: his finger Yeah, no, no fuckings. And I was like, bro, yeah, nigga.

899
00:42:37,920 --> 00:42:42,200
Speaker 1: Man from what about Me Ball? Oh, me Ball?

900
00:42:42,760 --> 00:42:44,520
Speaker 7: That nigga used to dress up like a woman. But

901
00:42:44,600 --> 00:42:46,000
Speaker 7: he was a drug added you know what I'm saying.

902
00:42:46,040 --> 00:42:47,600
Speaker 7: Think Me Ball is in prison right now.

903
00:42:47,960 --> 00:42:49,800
Speaker 1: But Me Ball he was. He was.

904
00:42:50,000 --> 00:42:52,480
Speaker 7: He was known for he would dress up like a

905
00:42:52,560 --> 00:42:56,520
Speaker 7: woman and come and get you and I'm like, it's

906
00:42:56,560 --> 00:42:57,160
Speaker 7: not a woman.

907
00:42:57,920 --> 00:43:01,560
Speaker 1: You know what I'm saying. He would come to a

908
00:43:01,640 --> 00:43:03,839
Speaker 1: block party and grab the mic.

909
00:43:04,000 --> 00:43:05,360
Speaker 7: You know, because all these niggas knew me, you know,

910
00:43:05,520 --> 00:43:07,280
Speaker 7: they could be like, man, give me the mic, MANU

911
00:43:07,480 --> 00:43:10,200
Speaker 7: help nigga say hey man, if y'all don't give me nothing.

912
00:43:10,239 --> 00:43:11,359
Speaker 1: We're gonna have a good time.

913
00:43:11,840 --> 00:43:13,920
Speaker 7: Now if y'all niggas put some ship on the table

914
00:43:13,960 --> 00:43:15,799
Speaker 7: and we could go back to having a good time.

915
00:43:15,880 --> 00:43:17,759
Speaker 1: How y'all want to do like that?

916
00:43:17,960 --> 00:43:21,320
Speaker 9: Yeah, get on the bar, black word man, y'all just

917
00:43:21,360 --> 00:43:22,560
Speaker 9: getting put some money on the table.

918
00:43:22,640 --> 00:43:23,840
Speaker 1: Just give me a little sup.

919
00:43:23,640 --> 00:43:27,080
Speaker 7: So we can so we can in your face, damn

920
00:43:27,200 --> 00:43:30,799
Speaker 7: but you name all the killers in your wraps, oh

921
00:43:30,920 --> 00:43:33,480
Speaker 7: them niggas. That was the They had the original Matt

922
00:43:33,719 --> 00:43:37,080
Speaker 7: Black bruk before Matt Black was even made, you know

923
00:43:37,160 --> 00:43:39,040
Speaker 7: what I'm saying. And this this documented and when it

924
00:43:39,200 --> 00:43:40,920
Speaker 7: was locked up, they had a black truck that used

925
00:43:40,920 --> 00:43:43,239
Speaker 7: to go to the arm come through the projects and

926
00:43:43,280 --> 00:43:45,520
Speaker 7: in front of that bitch had homicide painting it all

927
00:43:45,600 --> 00:43:48,520
Speaker 7: it and they had the little windows that slide.

928
00:43:48,680 --> 00:43:50,480
Speaker 1: If you've seen that bitch coming through the court way

929
00:43:50,520 --> 00:43:51,919
Speaker 1: and somebody was gonna get.

930
00:43:51,840 --> 00:43:56,279
Speaker 6: It at a time like that, then y'all succeeded.

931
00:43:56,520 --> 00:44:00,480
Speaker 1: Yeah and escape. Yeah, like that was on ship.

932
00:44:00,880 --> 00:44:02,640
Speaker 6: It was normal ship. But at that time, like even

933
00:44:02,680 --> 00:44:05,560
Speaker 6: the Han video, like just in that breezeway.

934
00:44:05,200 --> 00:44:06,360
Speaker 2: Man killers in that.

935
00:44:09,320 --> 00:44:12,399
Speaker 1: Like Jumie, please get out that breeze. I gotta ask

936
00:44:12,440 --> 00:44:13,359
Speaker 1: about Soldier Slim.

937
00:44:14,080 --> 00:44:16,880
Speaker 7: Slim kind of had the same reputation as well. But

938
00:44:17,000 --> 00:44:19,080
Speaker 7: it's just like I said, a lot of these dudes

939
00:44:19,480 --> 00:44:21,480
Speaker 7: had sense of humans. If they knew you, you know

940
00:44:21,520 --> 00:44:23,479
Speaker 7: what I'm saying, and you could joke with them, clown

941
00:44:23,520 --> 00:44:24,960
Speaker 7: with them and all of that. But if you didn't

942
00:44:25,000 --> 00:44:27,600
Speaker 7: know them, don't funk with them, you know what I'm saying.

943
00:44:27,840 --> 00:44:30,840
Speaker 7: And I had people that was like other DJs that

944
00:44:30,960 --> 00:44:33,399
Speaker 7: might have came from different places, that like, hey, man,

945
00:44:33,480 --> 00:44:35,000
Speaker 7: put me on because I know the niggas paying you

946
00:44:35,040 --> 00:44:36,759
Speaker 7: a lot of money, the drug dealers. I'm like, okay,

947
00:44:36,800 --> 00:44:39,160
Speaker 7: I throw you out there, and and you and this

948
00:44:39,320 --> 00:44:42,359
Speaker 7: nigga arguing with one of them niggas about the money. Man,

949
00:44:42,480 --> 00:44:43,879
Speaker 7: when are you gonna give me my fucking money.

950
00:44:43,880 --> 00:44:50,160
Speaker 1: I'm like, hey, bro, don't do that. Don't do that.

951
00:44:52,360 --> 00:44:55,120
Speaker 9: Yeah, in one video I love with so just living

952
00:44:55,239 --> 00:44:57,320
Speaker 9: beg when they're in the studio.

953
00:44:58,239 --> 00:45:01,480
Speaker 1: Oh they're recording that joint right before. Yeah, it was

954
00:45:01,520 --> 00:45:03,279
Speaker 1: Slim kind of bounced around or a lot.

955
00:45:03,360 --> 00:45:06,320
Speaker 7: Slim was signing to everybody, not officially signed, but he

956
00:45:06,400 --> 00:45:09,440
Speaker 7: did records with everybody. It'd be ad cash money one

957
00:45:09,520 --> 00:45:10,960
Speaker 7: day and the next day he had no limit and

958
00:45:10,960 --> 00:45:13,239
Speaker 7: then he'll leave no limit. Then he fucking with KL

959
00:45:13,320 --> 00:45:16,000
Speaker 7: whatever KL and them doing, and nobody ain't never said

960
00:45:16,040 --> 00:45:18,120
Speaker 7: nothing because it's Slim, you know what I'm saying. So

961
00:45:18,200 --> 00:45:20,520
Speaker 7: it's just like, God, damn Slim, who you really side with?

962
00:45:21,640 --> 00:45:24,319
Speaker 7: And then you been working with Max since he was Yeah,

963
00:45:24,640 --> 00:45:28,200
Speaker 7: Max was about nine, I think like nine. Yeah, and

964
00:45:28,320 --> 00:45:30,480
Speaker 7: Mia was in a group with us when when she

965
00:45:30,680 --> 00:45:35,040
Speaker 7: was young. Yeah, we had Max stop through hire Man.

966
00:45:35,239 --> 00:45:37,440
Speaker 7: What was the name of y'all group all New York

967
00:45:37,480 --> 00:45:39,880
Speaker 7: incorporated with Mia. It was a dude one of my

968
00:45:39,960 --> 00:45:42,239
Speaker 7: homies from New York who he was the one who

969
00:45:42,320 --> 00:45:45,239
Speaker 7: came with like the real DJ shit, Like I thought

970
00:45:45,280 --> 00:45:47,440
Speaker 7: I was a DJ back then. I just had a

971
00:45:47,480 --> 00:45:50,479
Speaker 7: few little shit. But my homie Denny came from New York,

972
00:45:50,800 --> 00:45:53,520
Speaker 7: you know, and he grew up under Cut Creator and

973
00:45:53,800 --> 00:45:55,800
Speaker 7: you know and jam Master J and all, so he

974
00:45:55,880 --> 00:45:58,040
Speaker 7: knew how to transform and all of that shit. So

975
00:45:58,120 --> 00:46:00,759
Speaker 7: we was like man were getting with him, and he

976
00:46:00,960 --> 00:46:03,440
Speaker 7: moved in my neighborhood. So me and me and my

977
00:46:03,520 --> 00:46:06,279
Speaker 7: homie w we we joined. That was whit cousin, So

978
00:46:06,440 --> 00:46:09,880
Speaker 7: we joined with him. And Mia was going to a

979
00:46:09,960 --> 00:46:13,160
Speaker 7: Catholic school at the time, and Mia got in trouble

980
00:46:13,200 --> 00:46:14,480
Speaker 7: with some ship and she had to go to She

981
00:46:14,560 --> 00:46:17,040
Speaker 7: stayed in our neighborhood, but of course she didn't go

982
00:46:17,080 --> 00:46:19,359
Speaker 7: to school with us. And Mia got in trouble then

983
00:46:19,400 --> 00:46:21,400
Speaker 7: they put her in you know, she got she had

984
00:46:21,440 --> 00:46:22,880
Speaker 7: to go to school with us, to the school that

985
00:46:22,960 --> 00:46:25,560
Speaker 7: we went to, and of course, you know, Mia just

986
00:46:25,640 --> 00:46:27,160
Speaker 7: lit up like we was like, well, you know your

987
00:46:27,239 --> 00:46:29,200
Speaker 7: ass rap and she's like, yeah, I wrap, you know

988
00:46:29,239 --> 00:46:30,920
Speaker 7: what I'm saying, Like, well, come on, fuck, come get

989
00:46:30,960 --> 00:46:31,480
Speaker 7: down with us.

990
00:46:31,440 --> 00:46:34,200
Speaker 6: Getting the crew all the bad kid or the Catholic school.

991
00:46:34,400 --> 00:46:39,799
Speaker 2: Yeah, she dons up.

992
00:46:40,960 --> 00:46:42,520
Speaker 1: Oh I gotta ask you about.

993
00:46:43,840 --> 00:46:45,320
Speaker 6: You put me here praised in Jesus.

994
00:46:46,040 --> 00:46:48,640
Speaker 1: Who is that little dere Oh yeah, bro.

995
00:46:48,800 --> 00:46:51,120
Speaker 7: Derek was actually one of the hot boys, you know,

996
00:46:51,200 --> 00:46:54,000
Speaker 7: and Derek was on baby them nephew like you know

997
00:46:54,000 --> 00:46:56,800
Speaker 7: what I'm saying, But ship Derek was fucking boy. He

998
00:46:56,960 --> 00:46:59,640
Speaker 7: was a monster too. Derek had a few under his belt,

999
00:46:59,840 --> 00:47:00,640
Speaker 7: you know what I'm saying.

1000
00:47:00,760 --> 00:47:01,640
Speaker 1: So it's like.

1001
00:47:01,920 --> 00:47:05,920
Speaker 7: Derek at the height of the rap shit when when

1002
00:47:05,960 --> 00:47:08,480
Speaker 7: motherfuckers started liking Derek, Derek was like, boy, fuck this,

1003
00:47:08,640 --> 00:47:10,400
Speaker 7: I'm out here, I'm in the streets, you know what

1004
00:47:10,440 --> 00:47:10,879
Speaker 7: I'm saying.

1005
00:47:10,920 --> 00:47:13,160
Speaker 1: And you live by the gun, you die by the gun.

1006
00:47:13,239 --> 00:47:14,040
Speaker 1: You see what I'm saying.

1007
00:47:14,360 --> 00:47:17,040
Speaker 7: But Derek had potential of you know what I'm saying,

1008
00:47:17,400 --> 00:47:19,480
Speaker 7: being something because there was a lot of people that

1009
00:47:20,040 --> 00:47:22,480
Speaker 7: liked him and it was kind of like the crazy

1010
00:47:22,560 --> 00:47:26,120
Speaker 7: thing is, yeah took Derek Price.

1011
00:47:26,920 --> 00:47:30,040
Speaker 1: Yeah, well I know you've.

1012
00:47:29,920 --> 00:47:35,279
Speaker 2: Seen uh gangster he got a podcast yeah around him.

1013
00:47:35,480 --> 00:47:38,759
Speaker 7: Yeah, Bro, the crazy thing is even young me and

1014
00:47:38,840 --> 00:47:41,560
Speaker 7: Gatest used to always rib Bro, That's all we used

1015
00:47:41,560 --> 00:47:44,080
Speaker 7: to do was crack fucking jokes, you know what I'm saying.

1016
00:47:44,480 --> 00:47:48,480
Speaker 7: And I never I knew about his background, but that

1017
00:47:48,800 --> 00:47:51,440
Speaker 7: never came and surface with us being young, you know

1018
00:47:51,480 --> 00:47:54,279
Speaker 7: what I'm saying, because we would always just fucking crack

1019
00:47:54,360 --> 00:47:57,520
Speaker 7: on each other whenever we saw each other, you know

1020
00:47:57,600 --> 00:47:59,600
Speaker 7: what I'm saying, Like it would be like a fucking

1021
00:47:59,640 --> 00:48:00,360
Speaker 7: ribbon session.

1022
00:48:01,760 --> 00:48:04,560
Speaker 1: Yeah yeah, yeah, yeah.

1023
00:48:04,840 --> 00:48:07,040
Speaker 7: I seen y'all died theses And there was a lot

1024
00:48:07,080 --> 00:48:09,160
Speaker 7: of people, you know on all the podcasts that say

1025
00:48:09,200 --> 00:48:10,759
Speaker 7: that they were like, Man, if you knew many young,

1026
00:48:10,840 --> 00:48:13,040
Speaker 7: you've seen that motherfucker start ripping you, Like, you know

1027
00:48:13,080 --> 00:48:15,000
Speaker 7: what I'm saying, But motherfuckers knew.

1028
00:48:14,840 --> 00:48:16,560
Speaker 1: That about me, like you know, and when you knew

1029
00:48:16,719 --> 00:48:18,040
Speaker 1: if you knew them dudes.

1030
00:48:18,120 --> 00:48:20,400
Speaker 7: You know growing up, they was just them type of

1031
00:48:20,480 --> 00:48:23,560
Speaker 7: people like you know that I knew who could play

1032
00:48:23,600 --> 00:48:25,480
Speaker 7: with him and who couldn't play with him. But I

1033
00:48:25,600 --> 00:48:28,080
Speaker 7: definitely wasn't gonna say no ship that I'm gonna rip

1034
00:48:28,120 --> 00:48:29,160
Speaker 7: you where you're gonna get mad.

1035
00:48:32,600 --> 00:48:35,480
Speaker 6: I've seen y'all died the verses. Yeah, how they was

1036
00:48:35,520 --> 00:48:37,920
Speaker 6: even though it was in La Vegas, I.

1037
00:48:38,239 --> 00:48:40,839
Speaker 7: Kind of bro that should need to be here, New

1038
00:48:41,000 --> 00:48:44,600
Speaker 7: Orleans somewhere. That what was weird about that? First of all,

1039
00:48:44,680 --> 00:48:46,239
Speaker 7: it was good for the culture. It was good that

1040
00:48:46,320 --> 00:48:49,960
Speaker 7: we could show that no limited cash on stage. Yeah

1041
00:48:49,960 --> 00:48:52,080
Speaker 7: you can shut a stage and there's really never been

1042
00:48:52,200 --> 00:48:55,000
Speaker 7: no beef And I don't I don't know you know

1043
00:48:55,200 --> 00:48:57,799
Speaker 7: how all of that really kind of came or whatever.

1044
00:48:58,000 --> 00:49:01,120
Speaker 7: But the crazy shit is we've been seeing each other

1045
00:49:01,360 --> 00:49:03,239
Speaker 7: all of our lives, Like you know what I'm saying,

1046
00:49:03,520 --> 00:49:06,440
Speaker 7: Like I would literally when they were signed, like when

1047
00:49:06,520 --> 00:49:09,040
Speaker 7: Mia Matt kal fiend any of them when they were

1048
00:49:09,120 --> 00:49:11,759
Speaker 7: signing the No Limit. If we went out on a

1049
00:49:11,800 --> 00:49:13,799
Speaker 7: Friday night, we saw each other at the fucking house

1050
00:49:13,840 --> 00:49:15,720
Speaker 7: blues or something and we all hung out.

1051
00:49:15,600 --> 00:49:17,279
Speaker 1: And had drinks. But I get it. You had to

1052
00:49:17,360 --> 00:49:19,000
Speaker 1: be lost to your side. I had to be lost.

1053
00:49:19,080 --> 00:49:22,279
Speaker 7: But we never really had no internal beef and no

1054
00:49:22,360 --> 00:49:24,480
Speaker 7: shit like what motherfucker's like, Man, maybe they want to

1055
00:49:24,560 --> 00:49:26,719
Speaker 7: kill each other, you know what I'm saying. It was

1056
00:49:26,880 --> 00:49:30,480
Speaker 7: good to keep that stigma for business because motherfucker's like

1057
00:49:30,560 --> 00:49:33,359
Speaker 7: many you know, but everybody knew each other. We all

1058
00:49:33,480 --> 00:49:35,759
Speaker 7: grew up to fucking together, like you know, especially in

1059
00:49:35,880 --> 00:49:38,600
Speaker 7: New Orleans. It's a small little city. So whoever did music,

1060
00:49:39,239 --> 00:49:41,320
Speaker 7: that's where you hung out with. Motherfuckers who did music,

1061
00:49:42,080 --> 00:49:46,800
Speaker 7: you know. But to do that with I think what

1062
00:49:47,000 --> 00:49:48,840
Speaker 7: was it going on? It was something going on. There

1063
00:49:48,880 --> 00:49:50,960
Speaker 7: was something when we was doing that. What was the

1064
00:49:51,000 --> 00:49:56,600
Speaker 7: shit called Jeff when the versus the complex con So

1065
00:49:56,920 --> 00:49:59,640
Speaker 7: the thing was that crowd really wasn't our crowd. That

1066
00:49:59,719 --> 00:50:02,600
Speaker 7: was people who kind of got in because of that.

1067
00:50:03,200 --> 00:50:05,520
Speaker 7: That was part of the sale of the ticket that

1068
00:50:05,640 --> 00:50:07,960
Speaker 7: they was going to have all of these free concerts.

1069
00:50:08,200 --> 00:50:09,760
Speaker 1: And nothing against them because thank.

1070
00:50:09,680 --> 00:50:13,200
Speaker 7: Y'all for doing it in the paycheck, Thank y'all, Bike

1071
00:50:13,239 --> 00:50:16,360
Speaker 7: can think you It wasn't the crowd to me that

1072
00:50:16,640 --> 00:50:17,200
Speaker 7: deserved that.

1073
00:50:18,960 --> 00:50:21,520
Speaker 1: We should have did that ship somewhere were in the

1074
00:50:21,600 --> 00:50:22,200
Speaker 1: Dirty South?

1075
00:50:23,200 --> 00:50:24,439
Speaker 6: Part about it still can be done?

1076
00:50:24,719 --> 00:50:32,600
Speaker 1: Yeah, well you know we bring it back on y'all. Yeah, yeah,

1077
00:50:32,760 --> 00:50:34,279
Speaker 1: I'm the city just deserved it.

1078
00:50:34,400 --> 00:50:37,560
Speaker 9: Like you said, like it's cultural based, like it shows

1079
00:50:37,680 --> 00:50:40,680
Speaker 9: like first of all, we're from here, and it showed

1080
00:50:40,760 --> 00:50:42,799
Speaker 9: like look at all all the things we overcame. Now

1081
00:50:42,840 --> 00:50:44,759
Speaker 9: all the things we overcame, Look what we've done for

1082
00:50:44,920 --> 00:50:46,280
Speaker 9: the city and the world.

1083
00:50:47,480 --> 00:50:49,439
Speaker 2: Now, Digge want to ask you this on here because

1084
00:50:49,480 --> 00:50:51,840
Speaker 2: we were talking about it than you said, like you know,

1085
00:50:51,920 --> 00:50:53,520
Speaker 2: you were like in in with cash money for so

1086
00:50:53,680 --> 00:50:55,160
Speaker 2: long that you didn't really get.

1087
00:50:55,120 --> 00:50:56,400
Speaker 1: To work outside the circle.

1088
00:50:56,520 --> 00:50:59,880
Speaker 2: Yeah, so when you did get to go outside the

1089
00:51:00,040 --> 00:51:02,919
Speaker 2: circle and find out that the whole industry like shit,

1090
00:51:03,000 --> 00:51:03,920
Speaker 2: I've been trying to give it.

1091
00:51:05,000 --> 00:51:07,120
Speaker 1: Yeah yeah, what was that like?

1092
00:51:07,440 --> 00:51:10,040
Speaker 7: Just to know that you like, amongst your peers that

1093
00:51:10,120 --> 00:51:13,560
Speaker 7: they thought I was with and shit, I even want

1094
00:51:13,560 --> 00:51:15,560
Speaker 7: to ask y'all this, have you ever experienced that? Because

1095
00:51:15,560 --> 00:51:18,600
Speaker 7: when you with you know, shit, I know, like y'all background,

1096
00:51:18,640 --> 00:51:20,839
Speaker 7: and I'm explaining it so y'all could get like where

1097
00:51:20,880 --> 00:51:23,000
Speaker 7: y'all came from, and sometimes when you leave where you

1098
00:51:23,120 --> 00:51:26,080
Speaker 7: come from, you got motherfuckers who man, you ain't gonna

1099
00:51:26,080 --> 00:51:27,919
Speaker 7: make it without that. You ain't gonna make it without

1100
00:51:27,960 --> 00:51:30,719
Speaker 7: that machine, you know what I'm saying. So when I

1101
00:51:30,880 --> 00:51:33,560
Speaker 7: when when when I stepped off from cash money, I

1102
00:51:33,640 --> 00:51:37,200
Speaker 7: had a bunch of motherfuckers going, well, you know, damn dude,

1103
00:51:37,880 --> 00:51:40,959
Speaker 7: you know that's it for you. You're done, you fucking done,

1104
00:51:41,040 --> 00:51:44,400
Speaker 7: you know what I'm saying. And my first shot at

1105
00:51:44,480 --> 00:51:48,080
Speaker 7: it was cheezy and then what you know what I'm saying,

1106
00:51:48,560 --> 00:51:51,560
Speaker 7: And when when that was me leaving, you know what

1107
00:51:51,640 --> 00:51:56,719
Speaker 7: I'm saying. So and one of the things that kind

1108
00:51:56,760 --> 00:51:59,080
Speaker 7: of detored me a little bit when I was doing

1109
00:51:59,160 --> 00:52:01,520
Speaker 7: and then what there was a nigga in the corner

1110
00:52:01,800 --> 00:52:04,600
Speaker 7: telling Jezu like, man, that boom boom clap ship nigga,

1111
00:52:04,600 --> 00:52:05,480
Speaker 7: that ain't gangst.

1112
00:52:05,239 --> 00:52:15,120
Speaker 1: The sheep, you know what you know? So so, but

1113
00:52:15,320 --> 00:52:17,280
Speaker 1: this nigga laying hell and this new.

1114
00:52:18,640 --> 00:52:21,120
Speaker 7: People to me, I don't know, like I know Julie them,

1115
00:52:21,120 --> 00:52:23,239
Speaker 7: you see what I'm saying. So I don't know if

1116
00:52:23,280 --> 00:52:25,440
Speaker 7: he gonna take this dude word for it, you know

1117
00:52:25,480 --> 00:52:28,320
Speaker 7: what I'm saying. Uh, you know, he gonna let me

1118
00:52:28,440 --> 00:52:31,000
Speaker 7: and and he was like, hey, man, O g was

1119
00:52:31,080 --> 00:52:34,239
Speaker 7: saying like, hey, bro, Nigga, this is gonna be the

1120
00:52:34,280 --> 00:52:37,560
Speaker 7: biggest part of the song. And the bigg boss I said, Bro,

1121
00:52:37,680 --> 00:52:39,479
Speaker 7: this is gonna be major in this song.

1122
00:52:39,680 --> 00:52:44,000
Speaker 2: That song, it's about financial literacy and getting a business

1123
00:52:44,040 --> 00:52:46,200
Speaker 2: player us down.

1124
00:52:46,320 --> 00:52:49,600
Speaker 14: All the step I almost stacked my float and then

1125
00:52:49,760 --> 00:52:52,000
Speaker 14: what then I'm gonna stack some more?

1126
00:52:52,719 --> 00:52:55,120
Speaker 2: What clothing shop?

1127
00:52:55,239 --> 00:52:57,960
Speaker 1: When I do my came don't shop ain't open right

1128
00:52:59,160 --> 00:53:01,080
Speaker 1: red and my aunts.

1129
00:53:02,680 --> 00:53:05,720
Speaker 2: Just what I need and I'm about to invest the rest.

1130
00:53:07,760 --> 00:53:09,759
Speaker 7: And let me tell you all, Nigga said boom boom,

1131
00:53:10,120 --> 00:53:11,279
Speaker 7: he said the sound of thing.

1132
00:53:11,360 --> 00:53:13,080
Speaker 2: That was him fucking with us, letting us know we

1133
00:53:13,280 --> 00:53:16,520
Speaker 2: do because we like this beat so hard. Like Nigga,

1134
00:53:16,520 --> 00:53:16,759
Speaker 2: all I.

1135
00:53:16,800 --> 00:53:24,480
Speaker 1: Did was boom boom, clap. Yeah, I had to. I

1136
00:53:24,600 --> 00:53:27,440
Speaker 1: was like, now, this is what's crazy.

1137
00:53:27,640 --> 00:53:31,239
Speaker 7: So Boys in the Hood was on tour, you know

1138
00:53:31,360 --> 00:53:35,440
Speaker 7: because Jesus with that, and they last stop was New Orleans.

1139
00:53:35,800 --> 00:53:38,080
Speaker 7: So he hit me, he said, hey, bro, are you

1140
00:53:38,200 --> 00:53:41,000
Speaker 7: coming to the show. And the song had been out

1141
00:53:41,400 --> 00:53:44,239
Speaker 7: for I think like two weeks. You know the song

1142
00:53:44,360 --> 00:53:46,560
Speaker 7: and you know, and I'm trying not to pay attention

1143
00:53:46,680 --> 00:53:49,400
Speaker 7: to it because I'm like, man, I don't know if

1144
00:53:49,440 --> 00:53:51,680
Speaker 7: this is gonna go good and fucking bad.

1145
00:53:51,840 --> 00:53:54,080
Speaker 1: But I did my thing. That's that's what I was fit.

1146
00:53:54,160 --> 00:53:55,800
Speaker 7: But the song had been out for and so he

1147
00:53:55,960 --> 00:53:58,360
Speaker 7: hit me and he said, hey, bro, I'm gonna be

1148
00:53:58,400 --> 00:54:00,200
Speaker 7: in New Orleans. I'm doing the House of Blues. Are

1149
00:54:00,239 --> 00:54:02,759
Speaker 7: you coming? And I'm like, yeah, I'm gonna come. So on,

1150
00:54:03,520 --> 00:54:06,640
Speaker 7: boys in the Hood on stage, they performing, you know

1151
00:54:06,680 --> 00:54:09,040
Speaker 7: what I'm saying, and they do their last song and

1152
00:54:09,880 --> 00:54:12,360
Speaker 7: you know, the fucking stage go black, like you know

1153
00:54:12,480 --> 00:54:16,000
Speaker 7: what I'm saying, And he had a fucking you know,

1154
00:54:16,320 --> 00:54:18,719
Speaker 7: like that five heartbeats moment where you know what I'm

1155
00:54:18,719 --> 00:54:21,320
Speaker 7: saying that nigga did with Flash Dick. You know what

1156
00:54:21,360 --> 00:54:24,680
Speaker 7: I'm saying, was like, yeah, it satin's me that I

1157
00:54:24,800 --> 00:54:28,359
Speaker 7: have to leave the group, but this is my new song,

1158
00:54:28,719 --> 00:54:29,439
Speaker 7: you know what I'm saying.

1159
00:54:29,960 --> 00:54:31,520
Speaker 1: And that motherfucker came.

1160
00:54:31,360 --> 00:54:34,000
Speaker 7: On and the crowd went crazy. Bro, I was crying,

1161
00:54:34,000 --> 00:54:35,560
Speaker 7: I ain't gonna even lie, you know what I'm saying.

1162
00:54:35,880 --> 00:54:37,600
Speaker 7: That shit made me feel like, yeah, I'm gonna be

1163
00:54:37,640 --> 00:54:39,800
Speaker 7: all right. Yeah, I'm gonna be all right, you know

1164
00:54:39,840 --> 00:54:40,359
Speaker 7: what I'm saying.

1165
00:54:41,280 --> 00:54:43,359
Speaker 6: You seeing that nigga again, who said the boo boo

1166
00:54:43,400 --> 00:54:49,600
Speaker 6: shit I see you low down, man, and I bet that.

1167
00:54:51,680 --> 00:54:54,480
Speaker 1: He caught it. Now we will be remiss.

1168
00:54:54,560 --> 00:54:56,840
Speaker 2: And I ask you about this since we're in Atlanta,

1169
00:54:57,440 --> 00:54:59,880
Speaker 2: and this is just having to be on our close friends,

1170
00:55:00,239 --> 00:55:02,960
Speaker 2: favorite rappers. Yeah, you and Tip get together, y'all.

1171
00:55:03,120 --> 00:55:04,279
Speaker 1: Y'all we knew special shit.

1172
00:55:04,440 --> 00:55:07,200
Speaker 6: Ye yeah, always yeah, always yeah.

1173
00:55:07,640 --> 00:55:08,040
Speaker 2: Away.

1174
00:55:08,560 --> 00:55:11,640
Speaker 7: I think what it was with Tip, bro, I always

1175
00:55:11,760 --> 00:55:15,640
Speaker 7: looked at Tip like a little brother, you know, from

1176
00:55:15,760 --> 00:55:18,439
Speaker 7: early on, from I'm serious, you know, when Tip would

1177
00:55:18,440 --> 00:55:20,920
Speaker 7: do shit, you know, I would call him and get

1178
00:55:21,000 --> 00:55:22,800
Speaker 7: in his ass a body like you know, like you know,

1179
00:55:22,960 --> 00:55:25,520
Speaker 7: like I promise you could probably tell y'all. I aggravated

1180
00:55:25,600 --> 00:55:27,400
Speaker 7: him sometimes cause I'm like, Nigga, while you out here

1181
00:55:27,440 --> 00:55:29,960
Speaker 7: beefing with these niggas, man, leave that bullshit alone, get

1182
00:55:30,000 --> 00:55:32,239
Speaker 7: out the streets, and a nigga like damn fresh Bro,

1183
00:55:32,360 --> 00:55:35,240
Speaker 7: there you go with that shit. And I'm like, Bro, Nigga,

1184
00:55:35,360 --> 00:55:37,840
Speaker 7: you are a star. I don't know if you know

1185
00:55:37,960 --> 00:55:40,160
Speaker 7: it yet, but you're a star, you know what I'm saying.

1186
00:55:40,280 --> 00:55:43,279
Speaker 7: So I always looked at him like little brother, like

1187
00:55:43,360 --> 00:55:45,759
Speaker 7: you know what I'm saying. So, And I even tried

1188
00:55:45,800 --> 00:55:48,239
Speaker 7: to get Tip signed the cash money, like you know

1189
00:55:48,280 --> 00:55:50,640
Speaker 7: what I'm saying, and you know, I brung him over there,

1190
00:55:50,719 --> 00:55:54,000
Speaker 7: and of course, baby, them being so super New Orleans,

1191
00:55:54,040 --> 00:55:54,600
Speaker 7: they didn't see it.

1192
00:55:54,640 --> 00:55:54,800
Speaker 1: You know.

1193
00:55:54,840 --> 00:55:56,680
Speaker 7: They were just like, I know you like this nigga,

1194
00:55:56,760 --> 00:55:58,840
Speaker 7: but he ain't from where we're from. And I'm like, bro,

1195
00:55:59,160 --> 00:56:01,840
Speaker 7: this dude is the few, you know what I'm saying.

1196
00:56:02,239 --> 00:56:05,759
Speaker 7: And to watch Tip turning too, you know. But but

1197
00:56:06,200 --> 00:56:09,279
Speaker 7: even when that happened, I said to him, Hey, bro,

1198
00:56:09,440 --> 00:56:11,719
Speaker 7: I'm sorry it didn't work out, but whenever you need

1199
00:56:11,800 --> 00:56:14,479
Speaker 7: me or whatever you need me for, I got you, dude,

1200
00:56:14,880 --> 00:56:17,640
Speaker 7: you know what I'm saying. And of course the first

1201
00:56:17,719 --> 00:56:20,239
Speaker 7: thing you know, I did was the greatest, you know

1202
00:56:20,280 --> 00:56:23,719
Speaker 7: what I'm saying. And when I did that song, he

1203
00:56:24,000 --> 00:56:26,160
Speaker 7: was like, Nigga, ain't the man it fresh?

1204
00:56:26,200 --> 00:56:26,600
Speaker 1: I won't.

1205
00:56:27,239 --> 00:56:32,000
Speaker 7: I want the fucking horns, Nigga. I was like, well,

1206
00:56:32,080 --> 00:56:33,840
Speaker 7: let me get this one off. Let me get this

1207
00:56:33,920 --> 00:56:37,239
Speaker 7: one all up, a double back, you know what I'm saying. Now,

1208
00:56:37,760 --> 00:56:40,759
Speaker 7: this just happened, you know. And so I was just

1209
00:56:40,800 --> 00:56:43,480
Speaker 7: talking to Tip nigga. This was what two days ago, right,

1210
00:56:43,960 --> 00:56:48,200
Speaker 7: and we was talking about how top back came along, right.

1211
00:56:49,360 --> 00:56:52,839
Speaker 2: Who was the one that passed on the beach Juvie, Yeah,

1212
00:56:53,120 --> 00:56:54,239
Speaker 2: Jewy passed on Top.

1213
00:56:54,920 --> 00:56:55,160
Speaker 1: Yeah.

1214
00:56:55,520 --> 00:56:58,920
Speaker 7: So I did Top back for Juvie and Tip had

1215
00:56:59,000 --> 00:57:01,760
Speaker 7: done the hook. I said, hey, Bro, come by Tip Studio,

1216
00:57:01,840 --> 00:57:02,480
Speaker 7: come hear this song.

1217
00:57:02,520 --> 00:57:03,520
Speaker 1: I got a banger for you.

1218
00:57:04,360 --> 00:57:05,960
Speaker 7: He came in that bitch. He was like, I don't

1219
00:57:06,000 --> 00:57:08,000
Speaker 7: like that ship. That ship too loud. You know what

1220
00:57:08,080 --> 00:57:11,600
Speaker 7: I'm saying. It was like, man in Fresh, I'm gonna

1221
00:57:11,600 --> 00:57:13,560
Speaker 7: show these niggas what to do with what are your peep.

1222
00:57:16,720 --> 00:57:25,520
Speaker 1: You know that's what you're talking about? Knowing what.

1223
00:57:27,960 --> 00:57:31,920
Speaker 7: Listen super Because he was like that Nigga don't like that.

1224
00:57:33,520 --> 00:57:35,040
Speaker 7: I can have that, Like you have to have it, bro,

1225
00:57:38,400 --> 00:57:39,960
Speaker 7: So what does the nigga press recalled? That was the

1226
00:57:39,960 --> 00:57:41,880
Speaker 7: first thing that nigga said. I'm gonna show these niggas what.

1227
00:57:41,880 --> 00:57:48,680
Speaker 2: To do when you do get calls like that, when

1228
00:57:48,720 --> 00:57:50,720
Speaker 2: people want you to come and produce a record for

1229
00:57:50,840 --> 00:57:52,640
Speaker 2: M Do they want you to come with some ship

1230
00:57:52,720 --> 00:57:54,280
Speaker 2: you already got or.

1231
00:57:54,600 --> 00:57:56,560
Speaker 1: Do they want you to cook it on the I'd

1232
00:57:56,640 --> 00:57:57,880
Speaker 1: rather make it on the spot.

1233
00:57:58,480 --> 00:58:01,560
Speaker 7: Yeah, yeah, you know what I'm saying, because I'd rather

1234
00:58:01,680 --> 00:58:04,800
Speaker 7: find some shit that fits your personality because I didn't

1235
00:58:05,200 --> 00:58:07,040
Speaker 7: grow up doing that shit like that where you send

1236
00:58:07,120 --> 00:58:09,680
Speaker 7: somebody some shit. Well, I'm like, nah, bro, let's make

1237
00:58:09,760 --> 00:58:13,840
Speaker 7: this ship. That's cateryage is crazy up. Yeah there, I

1238
00:58:13,880 --> 00:58:15,760
Speaker 7: got a bunch of beats, you know what I'm saying.

1239
00:58:15,840 --> 00:58:19,720
Speaker 7: But I find that I don't really have nothing to

1240
00:58:19,840 --> 00:58:23,040
Speaker 7: me is a hit that I sent somebody. I don't

1241
00:58:23,080 --> 00:58:25,520
Speaker 7: have no songs that I sent to somebody. You know

1242
00:58:25,600 --> 00:58:27,840
Speaker 7: what I'm saying. Why, I'm like this, motherfucker, you know

1243
00:58:27,960 --> 00:58:30,360
Speaker 7: you killed it because I wasn't there to produce it,

1244
00:58:30,520 --> 00:58:32,920
Speaker 7: to say, hey, you need snare rows right there.

1245
00:58:33,040 --> 00:58:35,439
Speaker 1: You need to drop this part out. No, that shit

1246
00:58:35,520 --> 00:58:38,120
Speaker 1: is important to the song. Now, let me ask you this.

1247
00:58:38,520 --> 00:58:41,520
Speaker 1: Do you work with up and coming artists?

1248
00:58:41,920 --> 00:58:42,120
Speaker 2: Yeah?

1249
00:58:42,720 --> 00:58:45,640
Speaker 1: Yeah, But but this the thing that we just said.

1250
00:58:46,080 --> 00:58:48,480
Speaker 7: It's hard to get an up and coming artist to

1251
00:58:48,600 --> 00:58:52,600
Speaker 7: understand what a producer do when they used to beat makers.

1252
00:58:53,200 --> 00:58:53,959
Speaker 1: You know what I'm saying.

1253
00:58:54,200 --> 00:58:56,120
Speaker 7: They don't want you to tell them like, hey bro,

1254
00:58:56,240 --> 00:58:58,760
Speaker 7: you could do that better, or that song don't fit this,

1255
00:58:59,400 --> 00:59:01,120
Speaker 7: like that's that's not what this sound like.

1256
00:59:01,200 --> 00:59:01,400
Speaker 1: You know.

1257
00:59:03,080 --> 00:59:05,640
Speaker 7: Yeah, it's like, hey bro, that's what you got me for.

1258
00:59:05,800 --> 00:59:08,320
Speaker 7: You got me because this is my job. This is

1259
00:59:08,440 --> 00:59:12,000
Speaker 7: you know, so it's hard to get somebody new to

1260
00:59:12,800 --> 00:59:15,920
Speaker 7: do that. And there's there's something that I always say,

1261
00:59:16,000 --> 00:59:18,640
Speaker 7: where fuck up at See if you're a rapper and

1262
00:59:18,720 --> 00:59:20,520
Speaker 7: you picked up a drum machine, I'd be like, it's

1263
00:59:20,600 --> 00:59:23,600
Speaker 7: over this nigga. He done, because I'm like, now you're

1264
00:59:23,640 --> 00:59:25,960
Speaker 7: doing this job. This is not your job. Nigga write

1265
00:59:25,960 --> 00:59:28,440
Speaker 7: the wraps. When nigga being there talking about man, I

1266
00:59:28,520 --> 00:59:30,320
Speaker 7: made my own beats, Nigga, I just I just need

1267
00:59:30,440 --> 00:59:32,560
Speaker 7: you to there's a few niggas that could do it,

1268
00:59:32,840 --> 00:59:34,960
Speaker 7: but there's a lot of niggas who can't that think

1269
00:59:35,040 --> 00:59:37,480
Speaker 7: they could do it. And you just be like, oh, man,

1270
00:59:37,560 --> 00:59:39,880
Speaker 7: this nigga got a horn, This nigga got a drum machine.

1271
00:59:42,680 --> 00:59:45,520
Speaker 1: And I'm like, bro, you you fucking up. Bro, concentrate

1272
00:59:45,560 --> 00:59:46,120
Speaker 1: on the man.

1273
00:59:46,200 --> 00:59:47,680
Speaker 2: Hold up, nigga, you don't get him Trump.

1274
00:59:51,440 --> 00:59:53,840
Speaker 1: Nigga like, I'm gonna play you five of my beat.

1275
00:59:53,880 --> 00:59:56,360
Speaker 1: So I'm like, okay, so hold on.

1276
00:59:56,440 --> 00:59:59,240
Speaker 12: I'm still stuck on the other stood right on his

1277
00:59:59,480 --> 01:00:02,120
Speaker 12: on his t your top back story right because when

1278
01:00:02,160 --> 01:00:04,800
Speaker 12: he asked you to come back and now all love

1279
01:00:05,000 --> 01:00:07,200
Speaker 12: him in the head at the same time, Paul, Yeah,

1280
01:00:07,480 --> 01:00:09,560
Speaker 12: cause he said, Nigga, I want one of the beats

1281
01:00:09,600 --> 01:00:10,400
Speaker 12: with the horns, and.

1282
01:00:10,480 --> 01:00:11,160
Speaker 7: All I can hear is.

1283
01:00:13,880 --> 01:00:17,200
Speaker 2: Like deliverately all right. I got the horns.

1284
01:00:23,360 --> 01:00:24,320
Speaker 6: Because I'm in a band.

1285
01:00:24,480 --> 01:00:27,720
Speaker 1: So I did that ship at Tips Studio.

1286
01:00:27,840 --> 01:00:30,080
Speaker 7: So what was so cool like after that was that's

1287
01:00:30,120 --> 01:00:33,320
Speaker 7: another after I left Cash Money, you know, Tips place

1288
01:00:33,440 --> 01:00:34,200
Speaker 7: was always home.

1289
01:00:34,560 --> 01:00:35,960
Speaker 1: Grand Hustle was my my home.

1290
01:00:36,120 --> 01:00:38,200
Speaker 7: That was my y'all might as well say I was

1291
01:00:38,200 --> 01:00:40,280
Speaker 7: signed to Grand Hustle because I was always there.

1292
01:00:40,640 --> 01:00:42,800
Speaker 1: You know what I'm saying. We didn't know. So I

1293
01:00:42,960 --> 01:00:46,720
Speaker 1: was also when I I did that fucking beat, you know.

1294
01:00:46,840 --> 01:00:48,960
Speaker 7: But I was like, hey, bro, I'm doing something for Juvie,

1295
01:00:49,040 --> 01:00:51,560
Speaker 7: you know, because that's my nigga, still my nigga man,

1296
01:00:51,720 --> 01:00:53,720
Speaker 7: and Jevie was signed to Atlantic at the time.

1297
01:00:53,880 --> 01:00:55,560
Speaker 1: Juvie was like, I don't I don't like that.

1298
01:00:55,880 --> 01:00:58,720
Speaker 7: And the crazy thing is, like I said, two days ago,

1299
01:00:58,920 --> 01:01:01,640
Speaker 7: this is me Juvie and him having this conversation that

1300
01:01:01,720 --> 01:01:04,120
Speaker 7: nigga said, My bad bro, I fucked up on that.

1301
01:01:15,800 --> 01:01:16,000
Speaker 1: Rack.

1302
01:01:16,400 --> 01:01:19,560
Speaker 6: Yeah, that little came together.

1303
01:01:19,840 --> 01:01:23,360
Speaker 7: I was always I was always champion for you know,

1304
01:01:23,520 --> 01:01:25,960
Speaker 7: with with with With, I was like, nigga, you and Tom,

1305
01:01:26,440 --> 01:01:27,720
Speaker 7: I'm like, y'all got something special.

1306
01:01:27,760 --> 01:01:29,600
Speaker 1: The same way me and Julie had something.

1307
01:01:29,840 --> 01:01:32,680
Speaker 7: I'm like, I'm glad that we got some hits under

1308
01:01:32,720 --> 01:01:34,880
Speaker 7: our belt, me and you, But I'm like, Toop, is

1309
01:01:34,960 --> 01:01:35,800
Speaker 7: your fucking dude?

1310
01:01:36,120 --> 01:01:36,880
Speaker 1: You know what I'm saying.

1311
01:01:37,880 --> 01:01:41,040
Speaker 2: Yeah, I love Tip with Yeah and the ship he

1312
01:01:41,160 --> 01:01:42,880
Speaker 2: do with you and him for real?

1313
01:01:43,280 --> 01:01:43,520
Speaker 1: Yeah?

1314
01:01:44,120 --> 01:01:44,320
Speaker 15: Nice?

1315
01:01:45,520 --> 01:01:45,680
Speaker 2: Nice?

1316
01:01:46,280 --> 01:01:51,160
Speaker 1: Nice to show him the way.

1317
01:01:53,280 --> 01:01:54,280
Speaker 2: That beat me in.

1318
01:01:57,600 --> 01:01:57,640
Speaker 1: That.

1319
01:02:00,040 --> 01:02:03,680
Speaker 2: Hey Fresh, I want to ask you this, bro, when

1320
01:02:03,720 --> 01:02:06,280
Speaker 2: you when you know you're about to produce a whole project,

1321
01:02:07,040 --> 01:02:09,400
Speaker 2: is that beforehand or is that something that just ends

1322
01:02:09,480 --> 01:02:09,920
Speaker 2: up happening.

1323
01:02:10,080 --> 01:02:12,120
Speaker 1: That's what ends up happening, you know what I'm saying.

1324
01:02:12,520 --> 01:02:15,800
Speaker 7: And I'm better at doing it that way because what

1325
01:02:15,920 --> 01:02:19,680
Speaker 7: we're missing right now is to connect with the producer

1326
01:02:19,760 --> 01:02:22,640
Speaker 7: and the artist. You know, when you have that person,

1327
01:02:23,040 --> 01:02:25,440
Speaker 7: even if he picks beats for you from other people,

1328
01:02:26,080 --> 01:02:30,320
Speaker 7: he knows you know your ship. You know, you take

1329
01:02:30,400 --> 01:02:32,560
Speaker 7: what's a long career. We're gonna think about it, like,

1330
01:02:32,600 --> 01:02:34,680
Speaker 7: you know what I'm saying. If you take Drake forty

1331
01:02:34,720 --> 01:02:37,080
Speaker 7: has always you know, picked everything for him or either

1332
01:02:37,160 --> 01:02:38,920
Speaker 7: done it, you know what I'm saying. And when you

1333
01:02:39,040 --> 01:02:42,440
Speaker 7: trust that person, your shit gonna always sound like it's

1334
01:02:42,440 --> 01:02:47,360
Speaker 7: supposed to signically sound. If you get seven producers, that's

1335
01:02:47,440 --> 01:02:50,600
Speaker 7: bad ass producers, all of them gunning for the single.

1336
01:02:51,240 --> 01:02:53,680
Speaker 7: So you might get seven of the same fucking songs

1337
01:02:54,120 --> 01:02:56,800
Speaker 7: whatever music sound like right now, instead of getting a

1338
01:02:56,840 --> 01:02:59,760
Speaker 7: producer who like, we're gonna do some shit about politics

1339
01:02:59,800 --> 01:03:02,080
Speaker 7: to we're gonna save the fucking wells, We're gonna do

1340
01:03:02,120 --> 01:03:03,000
Speaker 7: a trap beat, we.

1341
01:03:03,040 --> 01:03:04,959
Speaker 1: Gonna do you know what I'm saying, some other ship.

1342
01:03:05,080 --> 01:03:07,840
Speaker 7: But if you get selling people to cater your album,

1343
01:03:08,280 --> 01:03:11,120
Speaker 7: you only get motherfuckers who competing against each other. They

1344
01:03:11,240 --> 01:03:13,640
Speaker 7: forgot that there's other subjects and other ship that we

1345
01:03:13,680 --> 01:03:15,400
Speaker 7: could talk about and other things that we could do.

1346
01:03:15,680 --> 01:03:16,480
Speaker 2: They forgot his art.

1347
01:03:16,640 --> 01:03:18,960
Speaker 1: Yeah, yeah, it's art.

1348
01:03:19,040 --> 01:03:20,800
Speaker 2: So it's kind of like up to up to the

1349
01:03:20,880 --> 01:03:22,720
Speaker 2: producer to kind of challenge the artist.

1350
01:03:23,720 --> 01:03:27,720
Speaker 7: Sometimes you gotta tell bro let me tell y'all something funny, funny,

1351
01:03:27,720 --> 01:03:31,439
Speaker 7: because we would be like, man, if we was making

1352
01:03:31,520 --> 01:03:34,560
Speaker 7: a song and I put on the board like, hey

1353
01:03:34,640 --> 01:03:37,160
Speaker 7: today we're gonna talk about politics, you know what I'm saying,

1354
01:03:37,320 --> 01:03:39,840
Speaker 7: and all of the ship that's going on in New Orleans,

1355
01:03:39,960 --> 01:03:42,400
Speaker 7: you know, with corrupt cops and dah dah dah da and.

1356
01:03:42,960 --> 01:03:45,280
Speaker 1: Baby got on that bitch, Baby gonna start that bitch

1357
01:03:45,360 --> 01:03:51,720
Speaker 1: on with my it rings like, hey, bro, we told you.

1358
01:03:54,880 --> 01:04:03,680
Speaker 7: We're talking about it. So yeah, so he don't give

1359
01:04:03,760 --> 01:04:07,200
Speaker 7: a funk about what's going on, you know what. So

1360
01:04:07,360 --> 01:04:09,640
Speaker 7: were just like, hey, bro, we're gonna have to start

1361
01:04:09,720 --> 01:04:12,640
Speaker 7: moving you either on the intro or something or somewhere

1362
01:04:12,720 --> 01:04:13,480
Speaker 7: towards the end of this.

1363
01:04:13,600 --> 01:04:14,640
Speaker 2: Bugga something.

1364
01:04:18,320 --> 01:04:20,160
Speaker 1: Hey talking about.

1365
01:04:21,800 --> 01:04:24,400
Speaker 7: You know, we was we was on I think it

1366
01:04:24,520 --> 01:04:26,480
Speaker 7: was Soul Trade one time, you know, and the nigga

1367
01:04:26,560 --> 01:04:29,040
Speaker 7: was asking us like, so, man, you know what's been

1368
01:04:29,120 --> 01:04:31,200
Speaker 7: going on in y'all city, you know, and what are

1369
01:04:31,240 --> 01:04:33,560
Speaker 7: y'all gonna do to help y'all people? And there y'all

1370
01:04:33,640 --> 01:04:35,360
Speaker 7: you know about some charity work and all of that.

1371
01:04:35,440 --> 01:04:44,960
Speaker 7: That nigga baby said, nigga, you see these fucking rings like, hey,

1372
01:04:45,200 --> 01:04:48,320
Speaker 7: number one stunn. You know you gotta be my nigga stuck.

1373
01:04:56,720 --> 01:04:59,160
Speaker 7: He don't give a funk about what y'all talking about.

1374
01:04:59,200 --> 01:05:02,160
Speaker 7: That bigga gonna talk about his buggy and what's going.

1375
01:05:06,920 --> 01:05:09,440
Speaker 2: And man, when when you're part of a family like

1376
01:05:09,560 --> 01:05:12,280
Speaker 2: that in this turmoil in the family, man, do you

1377
01:05:12,360 --> 01:05:13,680
Speaker 2: get calls from both.

1378
01:05:13,560 --> 01:05:15,880
Speaker 7: Said Oh yeah, bro, I think they look at me

1379
01:05:16,080 --> 01:05:18,680
Speaker 7: like like the glue sometimes like you know, they like man,

1380
01:05:18,800 --> 01:05:21,480
Speaker 7: hit fresh up, man tell him talk to dude, Talk

1381
01:05:21,560 --> 01:05:24,800
Speaker 7: to dude, you know. And our ship, you know, like

1382
01:05:24,920 --> 01:05:27,920
Speaker 7: anybody else. Shit, you know, it's a fucking working progress.

1383
01:05:28,160 --> 01:05:28,919
Speaker 1: Like you know what I'm saying.

1384
01:05:29,360 --> 01:05:31,640
Speaker 7: We there's some healing that needs to happen and some

1385
01:05:31,760 --> 01:05:35,800
Speaker 7: fucking sometimes talk. And sometimes the fucking Internet is an

1386
01:05:35,800 --> 01:05:36,800
Speaker 7: awful place.

1387
01:05:36,600 --> 01:05:37,320
Speaker 1: You know what I'm saying.

1388
01:05:37,920 --> 01:05:40,040
Speaker 7: Yeah, And I'm like, shit, if you got something to

1389
01:05:40,080 --> 01:05:41,919
Speaker 7: say to me, man, call me. Don't air that ship

1390
01:05:42,000 --> 01:05:44,560
Speaker 7: out that way. Use use the internet as a tool,

1391
01:05:44,760 --> 01:05:47,160
Speaker 7: use that ship as a you know, like this is

1392
01:05:47,320 --> 01:05:51,840
Speaker 7: this is where you get to market your ship, you

1393
01:05:51,920 --> 01:05:53,840
Speaker 7: know what I'm saying. Market and make money off of

1394
01:05:53,880 --> 01:05:56,200
Speaker 7: that ship. Don't make messy out mess out of that ship.

1395
01:05:56,880 --> 01:05:57,240
Speaker 6: Like you know.

1396
01:05:57,440 --> 01:06:03,560
Speaker 7: And I think there's something that really really that that

1397
01:06:03,760 --> 01:06:06,200
Speaker 7: that really needs to be said in a loving way

1398
01:06:06,600 --> 01:06:09,920
Speaker 7: so so it could be understood. And I need platforms

1399
01:06:10,000 --> 01:06:12,840
Speaker 7: sometimes to say it, like even like people always say,

1400
01:06:13,200 --> 01:06:15,720
Speaker 7: will there be another Hot Boys album or will they

1401
01:06:15,840 --> 01:06:18,840
Speaker 7: be you know, certain things or whatever, you know, because

1402
01:06:19,120 --> 01:06:23,000
Speaker 7: you got sometimes turk dis grunnle about ship. Sometimes you

1403
01:06:23,080 --> 01:06:25,959
Speaker 7: got beg dis grunnle about ship. You know what I'm saying,

1404
01:06:26,360 --> 01:06:29,880
Speaker 7: but there's something that both of them got to hear

1405
01:06:29,960 --> 01:06:32,480
Speaker 7: from Big brother. And I'm big brother. There is a

1406
01:06:32,600 --> 01:06:36,680
Speaker 7: lot of ship throughout both of y'all careers. And and

1407
01:06:36,760 --> 01:06:40,040
Speaker 7: and I'll say on BG is doing a whole lot better.

1408
01:06:40,120 --> 01:06:43,400
Speaker 7: You know, he's more receptive to hear me sometimes. But

1409
01:06:43,560 --> 01:06:46,040
Speaker 7: there's a lot of ship throughout both of y'all careers.

1410
01:06:46,280 --> 01:06:50,720
Speaker 7: Where y'all was missing. Y'all was missing, you know what

1411
01:06:50,800 --> 01:06:53,640
Speaker 7: I'm saying. And I and I'm saying that with kindness.

1412
01:06:53,960 --> 01:06:56,680
Speaker 7: When when you look back at a lot of cash

1413
01:06:56,800 --> 01:07:00,160
Speaker 7: money pictures, like you know, like important pictures, where was

1414
01:07:00,160 --> 01:07:02,880
Speaker 7: an ELM cover or maybe it was just magazine, a

1415
01:07:02,960 --> 01:07:07,280
Speaker 7: magazine or whatever. One of them niggas was missing all

1416
01:07:07,400 --> 01:07:11,040
Speaker 7: throughout the life of this one of them was missing.

1417
01:07:11,440 --> 01:07:14,880
Speaker 7: So I say that to say that, Bro, this is

1418
01:07:15,000 --> 01:07:17,320
Speaker 7: the fourth quarter in the world has accepted this. But

1419
01:07:17,520 --> 01:07:18,920
Speaker 7: you gotta humble yourself.

1420
01:07:18,640 --> 01:07:19,160
Speaker 1: A little bit.

1421
01:07:19,240 --> 01:07:22,840
Speaker 7: We we ont to rebuild. So just so give it

1422
01:07:22,920 --> 01:07:26,400
Speaker 7: a second, bro, Like, let's rebuild, but don't forget, like

1423
01:07:26,560 --> 01:07:29,120
Speaker 7: you gotta. It's like any house. You gotta learn how

1424
01:07:29,160 --> 01:07:31,440
Speaker 7: to build that motherfucker. You gotta learn this shit all

1425
01:07:31,520 --> 01:07:35,640
Speaker 7: over again. You can't come back with nigga, I'm the man.

1426
01:07:35,920 --> 01:07:36,760
Speaker 7: You know what I'm saying.

1427
01:07:37,320 --> 01:07:39,720
Speaker 1: We all learning each other again, like you know what

1428
01:07:39,760 --> 01:07:40,080
Speaker 1: I'm saying.

1429
01:07:40,160 --> 01:07:43,560
Speaker 7: So in order for this to happen, fuck the internet,

1430
01:07:43,640 --> 01:07:45,760
Speaker 7: fuck all of that call and let's fix it.

1431
01:07:45,880 --> 01:07:47,680
Speaker 1: Let's figure it out. And if we can't figure it out,

1432
01:07:47,680 --> 01:07:49,960
Speaker 1: it's all right. We grown men. I'll go left, you

1433
01:07:50,080 --> 01:07:52,919
Speaker 1: go right. The world is big enough for that shit,

1434
01:07:53,560 --> 01:07:53,720
Speaker 1: you know.

1435
01:07:54,000 --> 01:07:58,560
Speaker 7: But there's things that people that that need you, that

1436
01:07:58,760 --> 01:08:01,280
Speaker 7: that that need your money, and you know what I'm saying,

1437
01:08:01,360 --> 01:08:03,320
Speaker 7: and they need to kiss your ass. They ain't gonna

1438
01:08:03,320 --> 01:08:05,960
Speaker 7: tell you that. They ain't gonna tell you that, bro.

1439
01:08:06,320 --> 01:08:09,480
Speaker 7: Part of the problem is you gotta humble yourself. Sometimes

1440
01:08:09,520 --> 01:08:12,200
Speaker 7: it's you, you know, that could be me, that could

1441
01:08:12,200 --> 01:08:14,520
Speaker 7: be anyone of y'all. But if you really fuck with

1442
01:08:14,600 --> 01:08:17,360
Speaker 7: me as a friend or whatever, you'll tell me that shit.

1443
01:08:17,439 --> 01:08:19,800
Speaker 7: Don't let me drive off a fucking bridge when you

1444
01:08:20,040 --> 01:08:21,600
Speaker 7: know that shit fucked up.

1445
01:08:21,640 --> 01:08:22,360
Speaker 1: You know what I'm saying.

1446
01:08:23,040 --> 01:08:25,240
Speaker 7: If you, my friend, tell me, and I think a

1447
01:08:25,320 --> 01:08:27,280
Speaker 7: lot of us, you know, you gotta surround yourself with

1448
01:08:27,400 --> 01:08:30,600
Speaker 7: real people, and you gotta realize there's parts of the

1449
01:08:30,680 --> 01:08:36,000
Speaker 7: puzzle that you weren't there sometimes. So you you rebuilding,

1450
01:08:36,680 --> 01:08:39,599
Speaker 7: you got you gotta you gotta be comfortable enough to say, yeah,

1451
01:08:39,600 --> 01:08:41,400
Speaker 7: I gotta rebuild this relationship again.

1452
01:08:41,640 --> 01:08:44,120
Speaker 1: I gotta I gotta prove this. I gotta prove that

1453
01:08:44,479 --> 01:08:45,880
Speaker 1: you know what, I get it.

1454
01:08:46,800 --> 01:08:49,960
Speaker 7: And in one of the sweet spots is this, all

1455
01:08:50,040 --> 01:08:52,120
Speaker 7: of us making more money than we ever fucking made

1456
01:08:52,160 --> 01:08:56,439
Speaker 7: our whole career is don't fucking bro, don't don't waste

1457
01:08:56,479 --> 01:08:59,960
Speaker 7: that shit on some dumb ass words. Don't waste that shit,

1458
01:09:00,040 --> 01:09:03,200
Speaker 7: don't wasting time on some yeah on some feelings. All

1459
01:09:03,280 --> 01:09:05,400
Speaker 7: of us making more money than we ever fucking made

1460
01:09:05,439 --> 01:09:08,800
Speaker 7: in our life, bro, And it's crazy what they're paying

1461
01:09:08,920 --> 01:09:12,280
Speaker 7: us to be together, you know what I'm saying.

1462
01:09:12,400 --> 01:09:15,679
Speaker 1: And what's even more was even more crazy.

1463
01:09:16,080 --> 01:09:17,680
Speaker 7: And I like to say this to a lot of

1464
01:09:17,920 --> 01:09:19,880
Speaker 7: black people young and all of that shit because it's

1465
01:09:19,920 --> 01:09:22,160
Speaker 7: real to me because because I think of my mom

1466
01:09:22,280 --> 01:09:25,000
Speaker 7: this way. Nigga, what did your mama make when she

1467
01:09:25,160 --> 01:09:28,240
Speaker 7: was growing up? What did your daddy make? Yeah, you

1468
01:09:28,320 --> 01:09:30,640
Speaker 7: know what I'm saying, how much did she you? You

1469
01:09:30,960 --> 01:09:34,720
Speaker 7: make that easily what she probably made a year, and

1470
01:09:34,840 --> 01:09:37,840
Speaker 7: you doing everything not to do it, not to make

1471
01:09:37,880 --> 01:09:41,560
Speaker 7: it your mama probably had a shitty ass job raising you,

1472
01:09:41,840 --> 01:09:43,360
Speaker 7: but she did all that she could do and the

1473
01:09:43,400 --> 01:09:44,680
Speaker 7: best that she could possibly do.

1474
01:09:45,080 --> 01:09:45,920
Speaker 1: Pay homage to her.

1475
01:09:46,000 --> 01:09:49,920
Speaker 7: Bro, you feel what I'm saying, Pay homage to your people,

1476
01:09:50,080 --> 01:09:53,799
Speaker 7: like you know, when when you can change a fucking

1477
01:09:53,880 --> 01:09:56,760
Speaker 7: curse when you like you know what I'm saying. Fuck,

1478
01:09:57,040 --> 01:09:58,680
Speaker 7: we ain't got to be wealthy. We just gotta be

1479
01:09:58,800 --> 01:10:00,840
Speaker 7: hood rich. That's good enough. If you know how to

1480
01:10:01,160 --> 01:10:03,400
Speaker 7: If you know how to fucking you know what I'm saying,

1481
01:10:05,720 --> 01:10:08,760
Speaker 7: well that you're talking about, Yeah, if you know how

1482
01:10:08,800 --> 01:10:10,600
Speaker 7: to balance that ship, Come on, broke, all of us

1483
01:10:12,040 --> 01:10:18,639
Speaker 7: there you go. Yeah, you can make one hundred thousand

1484
01:10:18,680 --> 01:10:20,360
Speaker 7: dollars look good as a motherfucker.

1485
01:10:21,000 --> 01:10:23,160
Speaker 2: It is, and you can. And they offering that all

1486
01:10:23,200 --> 01:10:24,240
Speaker 2: you gotta do is shut the.

1487
01:10:24,240 --> 01:10:28,439
Speaker 1: Fuck up for three hours? Yeah, fuck out you feel Yeah?

1488
01:10:28,520 --> 01:10:31,360
Speaker 2: Yeah, we'll get back to that other part later on, Bro.

1489
01:10:31,479 --> 01:10:34,679
Speaker 1: What the fuck for sure? For sure? Yeah.

1490
01:10:35,439 --> 01:10:37,679
Speaker 6: And it's a beautiful thing to see y'all to get there.

1491
01:10:37,720 --> 01:10:39,920
Speaker 1: Yeah, And I want it, I believe me. I want it.

1492
01:10:40,000 --> 01:10:42,320
Speaker 1: I just I'm like, but bro, we gotta stop.

1493
01:10:42,400 --> 01:10:44,160
Speaker 7: And I think some of the truths, like even what

1494
01:10:44,280 --> 01:10:46,760
Speaker 7: I said right now, gotta be told and it's got

1495
01:10:46,880 --> 01:10:49,200
Speaker 7: to be accepted in a manner of Bro, you're a

1496
01:10:49,240 --> 01:10:51,080
Speaker 7: grown man. You should be able to take that from

1497
01:10:51,160 --> 01:10:53,880
Speaker 7: me and not take it as an insult. Just just

1498
01:10:54,040 --> 01:10:56,320
Speaker 7: telling you the God's hon's truth. There is a lot

1499
01:10:56,439 --> 01:10:58,920
Speaker 7: of times that you miss things like you know what

1500
01:10:58,960 --> 01:11:00,160
Speaker 7: I'm saying, and you coming.

1501
01:11:00,200 --> 01:11:01,360
Speaker 1: Back right now.

1502
01:11:01,840 --> 01:11:04,960
Speaker 7: You have to rebuild that structure. You gotta rebuild that trust.

1503
01:11:05,200 --> 01:11:07,599
Speaker 7: You gotta practice with us, you know what I'm saying,

1504
01:11:07,680 --> 01:11:10,080
Speaker 7: because think about it. Fuck, me and Julie been on

1505
01:11:10,160 --> 01:11:14,120
Speaker 7: the road for forever, but it's hard when somebody come

1506
01:11:14,200 --> 01:11:15,160
Speaker 7: in and they're like, well.

1507
01:11:15,520 --> 01:11:17,439
Speaker 1: I need all of this, and we like, we can't

1508
01:11:17,439 --> 01:11:19,720
Speaker 1: get you all of that yet. Bro, you gotta earn that.

1509
01:11:20,760 --> 01:11:24,439
Speaker 7: You gotta earn it, That's all we say it. Humble yourself.

1510
01:11:24,800 --> 01:11:26,880
Speaker 7: And on top of that, guess what, while you're earning it,

1511
01:11:27,000 --> 01:11:30,800
Speaker 7: you're still getting what you want. You still getting what

1512
01:11:30,880 --> 01:11:33,080
Speaker 7: you want. If y'all niggas told me I was the

1513
01:11:33,240 --> 01:11:36,120
Speaker 7: fourth member of y'all show, and y'all gave me equal pay,

1514
01:11:36,120 --> 01:11:37,200
Speaker 7: I'm gonna ship the fuck up.

1515
01:11:39,520 --> 01:11:41,280
Speaker 1: Y'all want me to chime in every now and then

1516
01:11:41,920 --> 01:11:43,200
Speaker 1: they'll be like, thing dog.

1517
01:11:48,400 --> 01:11:49,800
Speaker 6: And what you can make off of it.

1518
01:11:50,080 --> 01:11:53,160
Speaker 1: Yeah, just just just chill and learn.

1519
01:11:53,479 --> 01:11:55,680
Speaker 7: Just chill for a second and learn some things, you

1520
01:11:55,800 --> 01:11:57,880
Speaker 7: know what I'm saying, and then you all the way

1521
01:11:57,960 --> 01:11:58,320
Speaker 7: in there.

1522
01:11:58,920 --> 01:12:01,560
Speaker 2: Yeah, it's one hundred percent finding to operate on some

1523
01:12:01,640 --> 01:12:03,559
Speaker 2: new information, yes, sir, Yeah.

1524
01:12:04,560 --> 01:12:08,400
Speaker 1: Gotta get that new information. Man, it's that bulld shit. Man.

1525
01:12:08,439 --> 01:12:10,639
Speaker 2: I can ask y'all questions all night, bro, but it's

1526
01:12:10,680 --> 01:12:11,000
Speaker 2: a lot of.

1527
01:12:11,000 --> 01:12:12,680
Speaker 1: People in here, and I know they want to ask

1528
01:12:12,720 --> 01:12:13,720
Speaker 1: you right here.

1529
01:12:13,840 --> 01:12:18,120
Speaker 2: Yeah, ods question what was your process for you making

1530
01:12:18,160 --> 01:12:20,759
Speaker 2: all those and how's your process changed?

1531
01:12:24,160 --> 01:12:26,639
Speaker 7: I'm still like the same dude, Like when it comes

1532
01:12:26,720 --> 01:12:30,360
Speaker 7: to that, I do fuck with technology. I use able

1533
01:12:30,400 --> 01:12:32,920
Speaker 7: to right now, but I find myself going back to

1534
01:12:33,160 --> 01:12:35,120
Speaker 7: the old way I did it, like the one two

1535
01:12:35,280 --> 01:12:38,400
Speaker 7: ready play, you know what I'm saying, Like, I like

1536
01:12:38,520 --> 01:12:41,040
Speaker 7: the warmness of touching keys and you know what I'm saying,

1537
01:12:41,080 --> 01:12:43,840
Speaker 7: and the drum machine opposed to clicking the mouse. Like,

1538
01:12:44,280 --> 01:12:47,719
Speaker 7: so my process is the same thing. The MPC to SP.

1539
01:12:47,720 --> 01:12:50,880
Speaker 1: Twelve hundred and a whole bunch of analog keyboards like

1540
01:12:50,960 --> 01:12:51,800
Speaker 1: the ship that I went.

1541
01:12:52,200 --> 01:12:54,960
Speaker 7: I would buy keyboards like a DJ, buy records like

1542
01:12:55,120 --> 01:12:57,439
Speaker 7: just and if it was one cool last sound in it.

1543
01:12:57,760 --> 01:13:00,000
Speaker 7: I knew what that If that keyboard was twenty five

1544
01:13:00,040 --> 01:13:01,960
Speaker 7: five hundred dollars, I was like, this bitch is gonna

1545
01:13:01,960 --> 01:13:02,840
Speaker 7: make a million dollars.

1546
01:13:02,880 --> 01:13:03,640
Speaker 1: It's one thing in it.

1547
01:13:03,720 --> 01:13:06,679
Speaker 7: So I'm still buying it, you know. And you gotta

1548
01:13:06,720 --> 01:13:13,000
Speaker 7: look at shit sometimes like that. Yeah, yeah, yeah, And

1549
01:13:14,000 --> 01:13:18,000
Speaker 7: just on learning people ship, learning people where you could,

1550
01:13:18,120 --> 01:13:21,240
Speaker 7: you know, make it your own, like I think at

1551
01:13:21,320 --> 01:13:23,960
Speaker 7: the height of me, you know, like when I was

1552
01:13:24,080 --> 01:13:27,000
Speaker 7: just like, oh, ship, like I get it, but something

1553
01:13:27,080 --> 01:13:28,600
Speaker 7: is changing a little bit, and you know.

1554
01:13:28,720 --> 01:13:30,760
Speaker 1: Here comes Jazzy fake you know what I'm saying.

1555
01:13:30,800 --> 01:13:32,600
Speaker 7: And I learned a lot of shit from Jazzy, you

1556
01:13:32,640 --> 01:13:35,960
Speaker 7: know where I'm just like, fuck, this motherfucker is phenomenal,

1557
01:13:36,200 --> 01:13:40,040
Speaker 7: you know what I'm saying. And Jazzy would do ship well,

1558
01:13:40,400 --> 01:13:42,960
Speaker 7: he'll put his little glasses down and he'll have a

1559
01:13:43,040 --> 01:13:44,759
Speaker 7: whole bunch of motherfuckers in the studio.

1560
01:13:45,080 --> 01:13:48,360
Speaker 1: And if the if the studio dancing, you be going

1561
01:13:48,439 --> 01:13:53,240
Speaker 1: with it, that nigga, I'm like, God, damn the vibe.

1562
01:13:53,360 --> 01:13:56,320
Speaker 7: That's that's that's how I gotta start doing motherfucking music.

1563
01:13:57,080 --> 01:14:00,599
Speaker 2: Producers, y'all, Y'll trade beat packages in sand Yeah, ship

1564
01:14:00,800 --> 01:14:01,000
Speaker 2: like that?

1565
01:14:01,760 --> 01:14:04,600
Speaker 7: Who you get shipped from everybody? Back in the G

1566
01:14:04,720 --> 01:14:06,080
Speaker 7: you could get shipped from everybody.

1567
01:14:06,280 --> 01:14:06,439
Speaker 1: You know.

1568
01:14:06,640 --> 01:14:08,160
Speaker 7: If I heard some ship for real done and I

1569
01:14:08,320 --> 01:14:10,240
Speaker 7: like it, I'm like, you know what I'm saying, Oh

1570
01:14:10,400 --> 01:14:16,439
Speaker 7: hoes and nobody and nobody got.

1571
01:14:16,439 --> 01:14:19,600
Speaker 1: Upset about ship like you know, for real? Did what

1572
01:14:19,760 --> 01:14:21,680
Speaker 1: happened to that? Boy? You know what I'm saying. But

1573
01:14:22,080 --> 01:14:23,880
Speaker 1: there's a part in the fucking beat the doo doo

1574
01:14:23,960 --> 01:14:24,360
Speaker 1: do do do?

1575
01:14:24,800 --> 01:14:27,519
Speaker 7: When I heard it, I said, I said, hey, bro, them'

1576
01:14:27,600 --> 01:14:29,439
Speaker 7: fucking need a kick in it, like and he said,

1577
01:14:29,479 --> 01:14:31,400
Speaker 7: make go ahead at it. Just do you know, do

1578
01:14:31,479 --> 01:14:33,400
Speaker 7: whatever you want to do to it. You know what

1579
01:14:33,439 --> 01:14:36,040
Speaker 7: I'm saying. And that wasn't a problem, you know, back

1580
01:14:36,080 --> 01:14:37,680
Speaker 7: in the G. Now one of the one of the

1581
01:14:37,960 --> 01:14:41,519
Speaker 7: sweetest things was and everybody in this business wish this

1582
01:14:42,320 --> 01:14:45,640
Speaker 7: around that time, we own all talk to each other.

1583
01:14:46,120 --> 01:14:49,880
Speaker 7: So say if somebody called Jazzy and they wanted to

1584
01:14:49,920 --> 01:14:53,160
Speaker 7: beat from Jazz, and they offered Jazzy fifty thousand dollars

1585
01:14:53,200 --> 01:14:56,599
Speaker 7: and Jazzy said no, Jazzy called me, He called Timbling,

1586
01:14:56,640 --> 01:14:58,200
Speaker 7: he called all. He said, the motherfucker's gonna call you

1587
01:14:58,280 --> 01:15:01,640
Speaker 7: and offer fifty when you know we need seventy. And

1588
01:15:01,720 --> 01:15:06,840
Speaker 7: everybody stood on that ship. Yeah, everybody undercut the fucking money.

1589
01:15:07,439 --> 01:15:10,960
Speaker 1: You know what I'm saying. Yeah, yeah, you know what

1590
01:15:11,040 --> 01:15:13,840
Speaker 1: I'm saying. So that that was the that was the.

1591
01:15:14,080 --> 01:15:16,080
Speaker 7: Creation of the super producer, you know what I'm saying.

1592
01:15:16,080 --> 01:15:18,360
Speaker 7: When people was like, these motherfuckers is hitting them over

1593
01:15:18,439 --> 01:15:18,760
Speaker 7: the head.

1594
01:15:19,120 --> 01:15:22,000
Speaker 1: But but we had that that that he.

1595
01:15:23,760 --> 01:15:25,800
Speaker 7: And you also had that phone call like, hey, bro,

1596
01:15:25,880 --> 01:15:29,160
Speaker 7: the motherfucker's gonna call you. Don't take that because you're

1597
01:15:29,160 --> 01:15:30,960
Speaker 7: gonna suck it up for all of us, you know

1598
01:15:31,040 --> 01:15:34,719
Speaker 7: what I'm saying. And in any other genre of music,

1599
01:15:35,120 --> 01:15:37,000
Speaker 7: the ship is set up for you to make more

1600
01:15:37,120 --> 01:15:39,960
Speaker 7: money the next time. The next generation Rapp is the

1601
01:15:40,040 --> 01:15:42,240
Speaker 7: only one that fucked that up, you know what I'm saying.

1602
01:15:42,320 --> 01:15:44,840
Speaker 7: It went from we was like, hey, bro, you think

1603
01:15:44,880 --> 01:15:47,760
Speaker 7: about a pharal, you know, you think about a man fresh,

1604
01:15:47,840 --> 01:15:49,040
Speaker 7: you think about a timbling.

1605
01:15:49,240 --> 01:15:50,000
Speaker 1: You know what I'm saying.

1606
01:15:50,320 --> 01:15:52,760
Speaker 7: I'll put Jazzy there, I'll put David Banner, I'll put

1607
01:15:52,840 --> 01:15:55,080
Speaker 7: Little John. You know what I'm saying, All of these

1608
01:15:55,200 --> 01:15:57,640
Speaker 7: calibers of you know this, this just when when I

1609
01:15:57,800 --> 01:16:01,240
Speaker 7: was doing ship, these dudes was get some crazy fucking

1610
01:16:01,320 --> 01:16:05,320
Speaker 7: money to do beats, and just overnight we all quit.

1611
01:16:05,680 --> 01:16:08,800
Speaker 7: We all quit because motherfuckers start doing it for hey,

1612
01:16:09,000 --> 01:16:12,880
Speaker 7: it's a good look, you know, Like yeah, and I'm like, hey, bro,

1613
01:16:13,520 --> 01:16:18,000
Speaker 7: and we start trying to talk to younger on producers,

1614
01:16:18,080 --> 01:16:20,400
Speaker 7: going hey, bro, that's not the way to set up.

1615
01:16:20,400 --> 01:16:22,240
Speaker 1: We set this ship up for y'all to make more

1616
01:16:22,280 --> 01:16:22,880
Speaker 1: than we made.

1617
01:16:23,160 --> 01:16:25,200
Speaker 7: You're supposed to do bigger and better for us, you know,

1618
01:16:25,960 --> 01:16:31,439
Speaker 7: y'all y'all going, yeah, you giving this ship away, you

1619
01:16:31,520 --> 01:16:33,240
Speaker 7: know what I'm saying. And then you had Ricord companies

1620
01:16:33,280 --> 01:16:35,720
Speaker 7: calling you like, hey, bro, dude, little dude doing it,

1621
01:16:36,040 --> 01:16:38,200
Speaker 7: you know, for this so you might want up like man, night.

1622
01:16:38,160 --> 01:16:39,839
Speaker 1: Fucking with that. Man, I'm good.

1623
01:16:41,320 --> 01:16:45,479
Speaker 7: And a lot of that diluted hip hop because you

1624
01:16:45,600 --> 01:16:47,439
Speaker 7: knew what a neptune sound like. You knew what a

1625
01:16:47,520 --> 01:16:49,080
Speaker 7: man at fresh beat sound like, you knew it a

1626
01:16:49,120 --> 01:16:51,479
Speaker 7: little John beat sound like. You know what I'm saying,

1627
01:16:52,000 --> 01:16:55,080
Speaker 7: that ship single handedly, you know what I'm saying, was like,

1628
01:16:55,120 --> 01:16:55,599
Speaker 7: what the fuck?

1629
01:16:55,680 --> 01:16:59,040
Speaker 1: There's no sounding in this ship no more, you know.

1630
01:16:59,560 --> 01:17:02,360
Speaker 7: And there's a lot of young dudes that got played

1631
01:17:02,439 --> 01:17:04,760
Speaker 7: where somebody told you it was a good look, and

1632
01:17:04,800 --> 01:17:06,680
Speaker 7: then when you start asking for your money when you

1633
01:17:06,760 --> 01:17:08,599
Speaker 7: done had three or four hits, and you're like, hey, man,

1634
01:17:08,840 --> 01:17:10,920
Speaker 7: I've been doing a good look as long as y'all

1635
01:17:10,960 --> 01:17:13,320
Speaker 7: been telling me. Now I got four, give me. They

1636
01:17:13,479 --> 01:17:15,960
Speaker 7: just replaced your ass with another carbon copy. You know,

1637
01:17:17,400 --> 01:17:19,880
Speaker 7: what is the life expectancy now of a fucking rapper

1638
01:17:19,960 --> 01:17:21,120
Speaker 7: and a producer and hip hop?

1639
01:17:21,200 --> 01:17:24,439
Speaker 1: You know what I'm saying? Yeah, a hot summer.

1640
01:17:24,560 --> 01:17:29,240
Speaker 7: Yeah, on to the next tag, just for that summer.

1641
01:17:29,320 --> 01:17:32,120
Speaker 7: As soon as they ain't fucking with you no more,

1642
01:17:32,320 --> 01:17:34,880
Speaker 7: damn and y'all you know, think about it in y'all world.

1643
01:17:35,400 --> 01:17:37,639
Speaker 7: You know, it should be set up for this next

1644
01:17:37,800 --> 01:17:42,040
Speaker 7: generation of comedians to do bigger and better things, not

1645
01:17:42,240 --> 01:17:45,400
Speaker 7: to go backwards. And I feel like hip hop has

1646
01:17:45,479 --> 01:17:48,759
Speaker 7: been so deluded to everything they fucking doing is backwards.

1647
01:17:49,160 --> 01:17:50,720
Speaker 7: And I'm like, bro, you ain't gonna have that shit.

1648
01:17:50,760 --> 01:17:51,160
Speaker 1: In country.

1649
01:17:51,200 --> 01:17:53,840
Speaker 7: The motherfuckers make more than what the last generation meant.

1650
01:17:54,040 --> 01:17:57,320
Speaker 7: They they and it's easier for them too. I was shit,

1651
01:17:57,439 --> 01:17:59,800
Speaker 7: were just like y'all niggas fighting over what you killed.

1652
01:17:59,800 --> 01:18:00,920
Speaker 7: They go over you.

1653
01:18:01,120 --> 01:18:02,839
Speaker 1: You know. One of one of the most.

1654
01:18:04,479 --> 01:18:06,840
Speaker 7: Craziest thing to me in the world is to hear

1655
01:18:06,880 --> 01:18:09,760
Speaker 7: somebody you know, do an interview and they like and

1656
01:18:09,880 --> 01:18:12,840
Speaker 7: they say, you know, like, I'm really a street nigga,

1657
01:18:12,840 --> 01:18:13,559
Speaker 7: I don't really wrap.

1658
01:18:13,680 --> 01:18:16,120
Speaker 1: Well, get back to the streets, bro. The streets needs you.

1659
01:18:18,960 --> 01:18:22,120
Speaker 1: The streets need you. Brot get out the way and

1660
01:18:22,160 --> 01:18:23,840
Speaker 1: let a nigga who want to do this do this. Bro.

1661
01:18:24,840 --> 01:18:27,960
Speaker 1: The fucking streets needs you. Bro. You know what I'm saying,

1662
01:18:29,920 --> 01:18:31,840
Speaker 1: This ship, don't I do this?

1663
01:18:33,439 --> 01:18:40,360
Speaker 2: At what rapper impressed you with the process they got.

1664
01:18:40,280 --> 01:18:45,120
Speaker 1: In the boot first wing.

1665
01:18:45,520 --> 01:18:48,840
Speaker 7: You know what I'm saying, Uh, he don't fucking he

1666
01:18:48,960 --> 01:18:52,400
Speaker 7: been stopped writing raps, ben stopped, you know what I'm saying.

1667
01:18:52,680 --> 01:18:54,679
Speaker 1: And the process is weird, is ship?

1668
01:18:54,720 --> 01:18:57,920
Speaker 7: Because he'll walk around this room, skate a little bit

1669
01:18:57,920 --> 01:19:00,439
Speaker 7: and say turn on the mic and I might have

1670
01:19:00,600 --> 01:19:02,640
Speaker 7: four or five beats and he gonna go through all

1671
01:19:02,640 --> 01:19:04,280
Speaker 7: of the motherfuckers. And I'm like, you thought of all

1672
01:19:04,320 --> 01:19:06,440
Speaker 7: of this ship a few minutes.

1673
01:19:06,240 --> 01:19:07,680
Speaker 1: Like you know what I'm saying, And.

1674
01:19:09,680 --> 01:19:12,160
Speaker 7: We were saying me to be a rabbit library, bro,

1675
01:19:12,479 --> 01:19:16,320
Speaker 7: And you gotta think about when somebody can take somebody

1676
01:19:16,400 --> 01:19:19,679
Speaker 7: else beat and own that motherfucker. There's so many Wayne

1677
01:19:19,800 --> 01:19:22,519
Speaker 7: songs that are not his fucking song. Like you know

1678
01:19:22,600 --> 01:19:24,000
Speaker 7: what I'm saying, where you're like, wait, that was a

1679
01:19:24,080 --> 01:19:26,840
Speaker 7: Mike Jones song. He just owned that motherfucker, Like you

1680
01:19:26,920 --> 01:19:29,559
Speaker 7: know what I'm saying, where where you like? Wait, all

1681
01:19:29,600 --> 01:19:32,040
Speaker 7: of these fucking songs that's not hit You know when

1682
01:19:32,040 --> 01:19:33,800
Speaker 7: you played the original one and somebody mad at you

1683
01:19:33,880 --> 01:19:37,320
Speaker 7: for playing the original, why the playing that.

1684
01:19:40,520 --> 01:19:40,840
Speaker 1: Hit them?

1685
01:19:40,920 --> 01:19:44,840
Speaker 2: Yeah it's a good hit. Yeah, Like he fucked up

1686
01:19:44,920 --> 01:19:47,519
Speaker 2: that ice cream paint job he was on that bit.

1687
01:19:47,800 --> 01:19:51,519
Speaker 2: Then they're upgrades that Beyonce Joe, what's that song?

1688
01:19:51,560 --> 01:19:52,000
Speaker 1: Would he be?

1689
01:19:52,080 --> 01:19:53,720
Speaker 6: Like the one I had to ask y'all for the

1690
01:19:53,760 --> 01:19:54,240
Speaker 6: go findal?

1691
01:19:59,040 --> 01:19:59,240
Speaker 1: Yeah?

1692
01:19:59,280 --> 01:20:10,040
Speaker 2: The component Yeah, yeah, yeah, dedication one or two one

1693
01:20:10,080 --> 01:20:15,120
Speaker 2: of them. Man mm hmmm, that wasn't on the dedicated.

1694
01:20:16,360 --> 01:20:18,640
Speaker 1: Secondly, Tip, you know what I'm saying, Tip is the

1695
01:20:18,680 --> 01:20:22,439
Speaker 1: same way. Yeah, Tip. I mean when he did top Back,

1696
01:20:22,479 --> 01:20:23,799
Speaker 1: it was kind of the same process.

1697
01:20:24,320 --> 01:20:29,559
Speaker 7: You know, if something happened when he felt all right,

1698
01:20:29,680 --> 01:20:33,120
Speaker 7: Julie and he just kind of like pasting and went

1699
01:20:33,200 --> 01:20:35,280
Speaker 7: there and knocked that motherfucker out. And by the time

1700
01:20:35,320 --> 01:20:37,360
Speaker 7: we did big things popping, it was the same ship.

1701
01:20:37,720 --> 01:20:39,320
Speaker 7: He was waiting for me. That boy was helping me

1702
01:20:39,400 --> 01:20:45,000
Speaker 7: bring my equipment in sut the s up.

1703
01:20:48,400 --> 01:20:50,800
Speaker 1: I've seen that nigga do that. Three verses.

1704
01:20:52,320 --> 01:20:55,479
Speaker 2: That nigga stood damn wrapped all three. He was three

1705
01:20:55,560 --> 01:20:58,880
Speaker 2: very keen shouting. I'm just sitting there watching the nigga

1706
01:20:59,160 --> 01:20:59,920
Speaker 2: he in the booth.

1707
01:21:00,200 --> 01:21:02,560
Speaker 1: Yeah, the whole song on.

1708
01:21:03,160 --> 01:21:06,200
Speaker 2: I don't know what what song it was because I

1709
01:21:06,240 --> 01:21:09,160
Speaker 2: couldn't hear it. I'm in the this nigga went through

1710
01:21:09,280 --> 01:21:11,880
Speaker 2: three fucking verses. Bro just knocked them ship.

1711
01:21:12,080 --> 01:21:14,760
Speaker 7: Yeah, he was a three very You know what's hard, though, Bro,

1712
01:21:14,960 --> 01:21:17,800
Speaker 7: when you're doing that for that ship to be some

1713
01:21:18,080 --> 01:21:20,639
Speaker 7: big word ship where you just like, God damn, he said,

1714
01:21:20,680 --> 01:21:23,720
Speaker 7: some ship that's actually intelligent. It makes sense if I

1715
01:21:24,000 --> 01:21:26,120
Speaker 7: if you told me do a verse and and and

1716
01:21:26,320 --> 01:21:28,840
Speaker 7: it's ship. It's times where I don't write the ship,

1717
01:21:29,160 --> 01:21:31,000
Speaker 7: but I know you ain't gonna get no incredible ship

1718
01:21:31,040 --> 01:21:33,360
Speaker 7: out me. You ain't gonna get no punch lines where

1719
01:21:33,360 --> 01:21:35,400
Speaker 7: you just like you heard that ship like nigg I

1720
01:21:35,439 --> 01:21:36,439
Speaker 7: got to stopped and write that.

1721
01:21:38,560 --> 01:21:42,160
Speaker 1: I ain't got like that. You know how that nigga

1722
01:21:42,200 --> 01:21:42,360
Speaker 1: do that.

1723
01:21:42,439 --> 01:21:46,000
Speaker 2: Nigga got a lot of music though studio and there

1724
01:21:46,040 --> 01:21:47,160
Speaker 2: you just started playing ship.

1725
01:21:47,200 --> 01:21:48,519
Speaker 1: I don't know if this the ship he just.

1726
01:21:48,600 --> 01:21:51,960
Speaker 6: Did or I heard every damn song ever did.

1727
01:21:52,280 --> 01:21:58,720
Speaker 1: Man, Yes, sir, what you think about you? You've been.

1728
01:22:01,160 --> 01:22:01,200
Speaker 15: That.

1729
01:22:01,479 --> 01:22:02,400
Speaker 1: I think the.

1730
01:22:04,200 --> 01:22:17,719
Speaker 7: He's the face of the n B A most certain

1731
01:22:18,160 --> 01:22:23,760
Speaker 7: artists and music is he is a a new Tupac bro.

1732
01:22:24,360 --> 01:22:27,080
Speaker 7: Like what I'm saying, he is equivalent to that. You know,

1733
01:22:27,240 --> 01:22:29,680
Speaker 7: you could go to jail right and motherfuckers don't wait

1734
01:22:29,760 --> 01:22:33,360
Speaker 7: for you. They waited for his ass and to see

1735
01:22:33,400 --> 01:22:35,880
Speaker 7: the following, like you know in concert what he doing.

1736
01:22:36,280 --> 01:22:38,320
Speaker 7: You know, I'm like, God, damn, this phenomenal. So you

1737
01:22:38,400 --> 01:22:40,479
Speaker 7: can't take it away from him, Like his ship is

1738
01:22:40,560 --> 01:22:45,080
Speaker 7: fucking his following is crazy, crazy souper. Yeah, so I

1739
01:22:45,160 --> 01:22:47,360
Speaker 7: think like he to me is is like he is

1740
01:22:47,520 --> 01:22:52,000
Speaker 7: like a new version of what Tupac was, and he

1741
01:22:52,040 --> 01:22:57,840
Speaker 7: would dropped music stop, yeah, NonStop. Yeah, we've been in

1742
01:22:57,920 --> 01:23:00,160
Speaker 7: studio before. We just kind of chopped it up on

1743
01:23:00,280 --> 01:23:01,160
Speaker 7: some real life ship.

1744
01:23:01,760 --> 01:23:04,320
Speaker 1: Yeah. Uh.

1745
01:23:04,520 --> 01:23:06,519
Speaker 6: Do you think it's easier to put an artist out now?

1746
01:23:08,360 --> 01:23:08,559
Speaker 1: Yeah?

1747
01:23:08,640 --> 01:23:10,679
Speaker 7: I mean you I ain't even gotta put you out ship.

1748
01:23:10,800 --> 01:23:12,800
Speaker 7: You might get an app and do some ship and

1749
01:23:12,840 --> 01:23:14,880
Speaker 7: you you put that bitch out there, you know what

1750
01:23:14,960 --> 01:23:18,559
Speaker 7: I'm saying. And the one of the sweet things about

1751
01:23:18,680 --> 01:23:22,080
Speaker 7: right now is fuck trust yourself. You ain't gotta trust nobody,

1752
01:23:22,360 --> 01:23:25,360
Speaker 7: because if you put your career in somebody hands that

1753
01:23:25,520 --> 01:23:29,479
Speaker 7: don't give a fuck about you, you done. You know

1754
01:23:29,560 --> 01:23:32,120
Speaker 7: what I'm saying. And the thing is, you can't cheat yourself,

1755
01:23:32,320 --> 01:23:34,599
Speaker 7: spend your own money. You're gonna hustle for your own money.

1756
01:23:35,400 --> 01:23:36,719
Speaker 7: You ain't gonna hustle for my money.

1757
01:23:37,080 --> 01:23:37,800
Speaker 1: You know what I'm saying.

1758
01:23:38,200 --> 01:23:42,840
Speaker 9: Tell them that investing in music it's hard because you

1759
01:23:43,000 --> 01:23:44,040
Speaker 9: have to invest in yourself.

1760
01:23:44,760 --> 01:23:47,040
Speaker 1: You gonna make a song and you're gonna blow up. Yeah,

1761
01:23:47,120 --> 01:23:50,320
Speaker 1: this ship is, this ship is real. You know, go ahead,

1762
01:23:51,520 --> 01:23:54,960
Speaker 1: connect between the older artists and the younger artists.

1763
01:23:54,680 --> 01:23:59,240
Speaker 7: And yeah, yeah, hell yeah, fucking general in general, you

1764
01:23:59,280 --> 01:24:01,479
Speaker 7: ain't gotta be from Waller is just in general. But

1765
01:24:01,720 --> 01:24:06,680
Speaker 7: there's something that y'all, I guess nobody fucking never said it,

1766
01:24:06,720 --> 01:24:08,720
Speaker 7: and it's so easy, and it's in a handbook. A

1767
01:24:08,800 --> 01:24:11,559
Speaker 7: lot of older artists couldn't fuck with younger artists because

1768
01:24:11,560 --> 01:24:14,200
Speaker 7: they was working on their own ship. They self. A

1769
01:24:14,280 --> 01:24:17,360
Speaker 7: lot of older artists was in fucked up deals and ship. Yeah,

1770
01:24:17,439 --> 01:24:18,960
Speaker 7: you know what I'm saying. And a lot of them

1771
01:24:19,000 --> 01:24:21,080
Speaker 7: niggas disgruntled. So how the fuck they gonna tell y'all

1772
01:24:21,160 --> 01:24:21,800
Speaker 7: niggas do better?

1773
01:24:21,840 --> 01:24:22,479
Speaker 1: You know what I'm saying.

1774
01:24:22,680 --> 01:24:26,000
Speaker 7: There's so many older artists that's fucked up, like you

1775
01:24:26,080 --> 01:24:28,760
Speaker 7: know from yeah, from it happened to them, so they

1776
01:24:28,800 --> 01:24:31,439
Speaker 7: don't know how to tell a younger artist, Hey, bro,

1777
01:24:32,040 --> 01:24:35,080
Speaker 7: this shit crazy as fuck them niggas still mad about the.

1778
01:24:35,160 --> 01:24:39,840
Speaker 1: Last deal and then that three. Yeah, I gotta question

1779
01:24:41,840 --> 01:24:45,760
Speaker 1: s B twelve hundred. Yeah, I was gonna ask a question.

1780
01:24:45,840 --> 01:24:49,280
Speaker 7: I was gonna ask, you know, like Claric when when

1781
01:24:49,400 --> 01:24:51,840
Speaker 7: people have sample your your beats and stuff like that.

1782
01:24:52,200 --> 01:24:54,200
Speaker 5: I don't know about clarenceon because you know, sometimes we

1783
01:24:54,280 --> 01:24:54,719
Speaker 5: want your.

1784
01:24:54,640 --> 01:24:55,800
Speaker 1: Money, but sometimes.

1785
01:24:58,240 --> 01:24:58,519
Speaker 2: It ain't.

1786
01:24:58,560 --> 01:25:06,960
Speaker 1: Never the law office, I'm like, I want my money

1787
01:25:08,840 --> 01:25:15,320
Speaker 1: the law officer. Swanson and Thorndyke will be calling Swanson

1788
01:25:15,400 --> 01:25:16,080
Speaker 1: and Thorndyke.

1789
01:25:16,160 --> 01:25:18,960
Speaker 6: Yeah, law they on the way.

1790
01:25:19,720 --> 01:25:22,080
Speaker 7: They're gonna tell you they gonna they're gonna send you

1791
01:25:22,160 --> 01:25:23,760
Speaker 7: some ship where you're gonna be like, god, damn, this

1792
01:25:23,840 --> 01:25:27,040
Speaker 7: ship really threatened me. This really good.

1793
01:25:32,800 --> 01:25:36,559
Speaker 1: One one of my favorite albums, the what's the album?

1794
01:25:36,640 --> 01:25:40,640
Speaker 1: Don get on? How You Live? Okay? You feel like

1795
01:25:40,760 --> 01:25:45,400
Speaker 1: that was gonna be a classic or everybody knows, like, hey,

1796
01:25:45,520 --> 01:25:49,160
Speaker 1: we got my feeling? Is everything to me? Is is that?

1797
01:25:49,720 --> 01:25:53,000
Speaker 1: You know what I'm saying, I'm I'm somebody who manifest ship. Bro.

1798
01:25:53,600 --> 01:25:55,920
Speaker 7: I got on motherfucker's nerves growing up. You know, I

1799
01:25:55,960 --> 01:25:58,439
Speaker 7: would write ship on the refrigerator like I'm gonna make

1800
01:25:58,439 --> 01:26:00,120
Speaker 7: a million dollars and you know you gotta hate her

1801
01:26:00,120 --> 01:26:02,479
Speaker 7: as girlfriend. She like, boy, take that stupid ass ship down.

1802
01:26:03,240 --> 01:26:05,960
Speaker 7: You're doing to make me a cheese Sald put my

1803
01:26:06,160 --> 01:26:11,560
Speaker 7: fucking note back up there. I need yeah see this

1804
01:26:11,640 --> 01:26:13,439
Speaker 7: ship every day, Like you know what I'm.

1805
01:26:13,280 --> 01:26:20,160
Speaker 1: Saying, young artist, who would you want to work like that?

1806
01:26:20,720 --> 01:26:20,920
Speaker 6: Oh?

1807
01:26:21,760 --> 01:26:27,479
Speaker 7: Fuck right now? Damn bro, fuck me, I'm still young.

1808
01:26:27,640 --> 01:26:35,200
Speaker 7: Fu me, Damn I don't really this is this is

1809
01:26:35,760 --> 01:26:40,400
Speaker 7: my process. Make me come look for you. You know

1810
01:26:40,479 --> 01:26:43,080
Speaker 7: what I'm saying, Make enough noise to I'm gonna.

1811
01:26:42,840 --> 01:26:43,479
Speaker 1: Call your ass.

1812
01:26:44,960 --> 01:26:47,479
Speaker 7: Oh yeah, definitely, Russell. But ship, even if we fuck

1813
01:26:47,520 --> 01:26:49,599
Speaker 7: with Russell, we just be having fun. And now Russell

1814
01:26:49,840 --> 01:26:51,759
Speaker 7: then said, you know, I'm gonna make this ship a business.

1815
01:26:52,520 --> 01:26:54,920
Speaker 7: So yeah, definitely, you know what I'm saying. But but

1816
01:26:55,040 --> 01:26:56,880
Speaker 7: the note Russell was like, you know, whenever we was

1817
01:26:56,960 --> 01:26:59,880
Speaker 7: in the bay, this this was some ship that oh ship,

1818
01:27:00,600 --> 01:27:04,200
Speaker 7: that's this nigga, and and and I've seen this shit

1819
01:27:04,320 --> 01:27:07,760
Speaker 7: happen with people that are so important to hip hop. Well,

1820
01:27:07,880 --> 01:27:09,400
Speaker 7: you know, one day you're joking with him, and the

1821
01:27:09,479 --> 01:27:12,040
Speaker 7: next day they'll fucking start to change.

1822
01:27:12,360 --> 01:27:12,519
Speaker 1: You know.

1823
01:27:12,800 --> 01:27:14,800
Speaker 7: Change used to hang around us like you know, he was.

1824
01:27:14,880 --> 01:27:17,000
Speaker 7: He was our homie young. He used to always come to.

1825
01:27:17,040 --> 01:27:19,000
Speaker 1: The studio, fuck with us, blah blah blah da da

1826
01:27:19,080 --> 01:27:19,280
Speaker 1: da da.

1827
01:27:19,439 --> 01:27:21,840
Speaker 7: And then you you checking out some ship, You're like, Nigga,

1828
01:27:21,840 --> 01:27:24,240
Speaker 7: that's titty, like this nigga rapping.

1829
01:27:24,320 --> 01:27:29,280
Speaker 1: I'm this nigga snapping. I'm like this nigga slapping like

1830
01:27:29,320 --> 01:27:33,960
Speaker 1: a stepdaddy. I'm like, God, damn, you ain't my child.

1831
01:27:37,200 --> 01:27:37,360
Speaker 1: You know.

1832
01:27:38,160 --> 01:27:40,560
Speaker 7: Ludicrous broke a lot of cash money he was. He

1833
01:27:40,720 --> 01:27:43,280
Speaker 7: was on Love and Lover on the radio station. He

1834
01:27:43,439 --> 01:27:46,320
Speaker 7: broke a lot of our fucking records early on, you

1835
01:27:46,439 --> 01:27:50,080
Speaker 7: know what I'm saying, and just went on that fucking

1836
01:27:50,240 --> 01:27:53,400
Speaker 7: Cadillac spills Cadillac. I was like this fucking the DJ

1837
01:27:53,560 --> 01:27:54,479
Speaker 7: nigga from Atlanta.

1838
01:27:54,520 --> 01:27:59,120
Speaker 1: I was like, get the fuck out here. He went

1839
01:27:59,200 --> 01:28:01,000
Speaker 1: crazy team he ain't dead.

1840
01:28:01,280 --> 01:28:03,160
Speaker 7: I was like that niggain't speaking to nobody.

1841
01:28:03,280 --> 01:28:03,719
Speaker 2: No more.

1842
01:28:08,160 --> 01:28:14,479
Speaker 7: That went on stupid, so you know, to see that ship,

1843
01:28:14,800 --> 01:28:18,200
Speaker 7: you know, like that, that's work. All of these dudes

1844
01:28:18,200 --> 01:28:23,320
Speaker 7: started from. You know, fuck chains And and Wayne been

1845
01:28:23,479 --> 01:28:26,320
Speaker 7: friends when he wasn't rapping. He just always hung with him,

1846
01:28:26,640 --> 01:28:28,760
Speaker 7: and you know, and he was telling us. He told

1847
01:28:28,800 --> 01:28:30,680
Speaker 7: Wayne one time, may you know I rapped right, and

1848
01:28:30,720 --> 01:28:32,320
Speaker 7: Wayne just kind of was like, boy, get the funk

1849
01:28:32,360 --> 01:28:39,760
Speaker 7: out of here. Believe it, get the funk out of here.

1850
01:28:39,840 --> 01:28:45,920
Speaker 1: Past the weak and look what I mean on his

1851
01:28:46,080 --> 01:28:47,200
Speaker 1: own merits.

1852
01:28:48,960 --> 01:28:52,679
Speaker 2: Yeay, yeah, Shot and chain Man.

1853
01:28:54,960 --> 01:28:59,960
Speaker 7: In the podcast, it's cool with me, Bro. I like talking,

1854
01:29:00,240 --> 01:29:03,439
Speaker 7: you know what I'm saying. And I'm playing ketchup right now.

1855
01:29:03,439 --> 01:29:05,360
Speaker 7: I'm trying to get all of it. Anything that's on

1856
01:29:05,479 --> 01:29:07,200
Speaker 7: the table, I'm trying to get it, you know what

1857
01:29:07,280 --> 01:29:11,479
Speaker 7: I'm saying. So all of these these doors that's opening

1858
01:29:11,560 --> 01:29:13,519
Speaker 7: for me, I'm gonna try them. You know, some of

1859
01:29:13,560 --> 01:29:15,519
Speaker 7: them ain't gonna some of them not gonna make it,

1860
01:29:15,560 --> 01:29:16,120
Speaker 7: but some of them.

1861
01:29:16,080 --> 01:29:16,479
Speaker 1: Gonna do it.

1862
01:29:16,720 --> 01:29:19,280
Speaker 7: I believe in that and success a lot of times

1863
01:29:19,439 --> 01:29:22,320
Speaker 7: is you you you gotta go through a door, go

1864
01:29:22,520 --> 01:29:24,360
Speaker 7: under around it, whatever you need to do. But you

1865
01:29:24,439 --> 01:29:28,320
Speaker 7: gotta be brave enough to go through that motherfucker. There's

1866
01:29:28,320 --> 01:29:29,800
Speaker 7: a lot of people who not brave enough to.

1867
01:29:29,800 --> 01:29:30,040
Speaker 5: Do that.

1868
01:29:35,040 --> 01:29:38,560
Speaker 1: Money fashion.

1869
01:29:44,040 --> 01:29:44,360
Speaker 2: Faster.

1870
01:29:55,120 --> 01:30:23,920
Speaker 7: You sound like Grandpa s damn white presidents. I do it, barbacare,

1871
01:30:26,280 --> 01:30:34,600
Speaker 7: But I knew everybody here was black. Yeah, and I

1872
01:30:34,680 --> 01:30:35,559
Speaker 7: love this ship too.

1873
01:30:36,800 --> 01:30:37,000
Speaker 1: Yeah.

1874
01:30:38,439 --> 01:30:40,560
Speaker 7: But if they called me to do a concert, you know,

1875
01:30:40,640 --> 01:30:42,479
Speaker 7: and my managers like this is what they I was like,

1876
01:30:42,680 --> 01:30:44,840
Speaker 7: ship Nigga were Transylvania.

1877
01:30:44,880 --> 01:30:46,400
Speaker 1: I'm never taking man.

1878
01:30:46,400 --> 01:30:49,599
Speaker 2: We got you some more ship and your sir eighty

1879
01:30:49,640 --> 01:30:51,760
Speaker 2: five South Year, Thank y'all did.

1880
01:30:52,120 --> 01:30:56,240
Speaker 7: Thank y'all. I got a plethora of my South Year.

1881
01:30:59,360 --> 01:31:02,840
Speaker 1: You like being. I just told y'all, fucker, y'all can't

1882
01:31:02,880 --> 01:31:11,519
Speaker 1: get rid of me. Man, Yeah, dog man, wonder what

1883
01:31:12,040 --> 01:31:14,760
Speaker 1: some fresh man oh man fresh already know. I felt

1884
01:31:14,800 --> 01:31:15,760
Speaker 1: with him a laungry man.

1885
01:31:15,840 --> 01:31:19,000
Speaker 15: But I think one of my favorite things about the

1886
01:31:19,040 --> 01:31:21,880
Speaker 15: fresh man we gotta give people, you know, they fly man.

1887
01:31:22,120 --> 01:31:23,240
Speaker 1: Whenever work with.

1888
01:31:23,320 --> 01:31:28,400
Speaker 15: Somebody, you tailor that sound to not get that person

1889
01:31:28,479 --> 01:31:32,360
Speaker 15: the damn area they from. Favorite beech you did, and

1890
01:31:32,439 --> 01:31:36,200
Speaker 15: some of the West coasts can make ten all the

1891
01:31:36,280 --> 01:31:40,280
Speaker 15: West Coast sounds, and you put many fresh over the bens. Yeah,

1892
01:31:40,520 --> 01:31:43,840
Speaker 15: same ship with t I made ship victorious. That's when

1893
01:31:44,200 --> 01:31:46,760
Speaker 15: with the horn and niggas.

1894
01:31:46,439 --> 01:31:48,920
Speaker 1: With the king. You know what I'm saying. Yeah, Bro,

1895
01:31:49,439 --> 01:31:50,120
Speaker 1: just I don't.

1896
01:31:49,960 --> 01:31:54,560
Speaker 15: Think people look at the layers of would you be

1897
01:31:54,640 --> 01:31:56,360
Speaker 15: putting on the ship you be putting out?

1898
01:31:56,520 --> 01:31:56,720
Speaker 1: Yeah?

1899
01:31:56,920 --> 01:31:58,960
Speaker 15: So I just you know, it ain't no question. It's

1900
01:31:59,040 --> 01:32:02,679
Speaker 15: just what your what's your favorite area to dip into?

1901
01:32:03,240 --> 01:32:06,800
Speaker 15: That's not I guess the New Orleans man, everybody.

1902
01:32:08,880 --> 01:32:12,640
Speaker 7: I liked, honestly, bro, the fucking that role era of

1903
01:32:14,600 --> 01:32:17,040
Speaker 7: when when Snooping was on it, when I met you

1904
01:32:17,320 --> 01:32:20,400
Speaker 7: last night, when all of that ship had a sound. Yeah,

1905
01:32:20,479 --> 01:32:22,360
Speaker 7: when that ship had when Vic Pippen, like you know,

1906
01:32:22,439 --> 01:32:26,000
Speaker 7: I was at the club one day, that's when I saw.

1907
01:32:25,920 --> 01:32:28,240
Speaker 1: Her, this ship looking kind of caddy.

1908
01:32:28,800 --> 01:32:31,320
Speaker 7: Yeah, you know what I'm saying, That ship, that's what

1909
01:32:31,520 --> 01:32:33,280
Speaker 7: you That's when you knew what the West Coast song

1910
01:32:33,400 --> 01:32:35,880
Speaker 7: sounded like. You know what I'm saying. You like, I

1911
01:32:35,920 --> 01:32:38,599
Speaker 7: knew that I know where this ship comes from. Other

1912
01:32:38,680 --> 01:32:40,880
Speaker 7: than my I like that ship, like you know what

1913
01:32:40,960 --> 01:32:43,439
Speaker 7: I'm saying, Because that ship was you could tell it

1914
01:32:43,560 --> 01:32:46,919
Speaker 7: was a team of motherfuckers having fun. Them songs resonated

1915
01:32:46,960 --> 01:32:49,560
Speaker 7: as y'all was having fun, making for just popping with

1916
01:32:49,680 --> 01:32:50,760
Speaker 7: the inappropriate ship.

1917
01:32:51,040 --> 01:33:02,160
Speaker 14: Oh no, she licking both box snoop, she ain't looks

1918
01:33:02,360 --> 01:33:06,320
Speaker 14: kind of funny. Oh no, she licking both boll.

1919
01:33:08,080 --> 01:33:17,479
Speaker 2: You like that, you got, yeah, dude, them niggas was crazy.

1920
01:33:18,000 --> 01:33:20,280
Speaker 7: That ship was a whole movement for a long time

1921
01:33:20,360 --> 01:33:22,200
Speaker 7: where you was like, and you know it down south,

1922
01:33:22,240 --> 01:33:24,560
Speaker 7: you could still play them fucking songs. You know, we

1923
01:33:25,040 --> 01:33:27,240
Speaker 7: don't give up on ship like everybody else do that.

1924
01:33:27,400 --> 01:33:29,600
Speaker 7: Motherfuckers be like that's old, like she not to us,

1925
01:33:29,640 --> 01:33:30,760
Speaker 7: put that bitch on we And you.

1926
01:33:30,840 --> 01:33:32,960
Speaker 2: Know what, I've been telling people all the time, that

1927
01:33:33,080 --> 01:33:36,040
Speaker 2: was the worst part about the East Coast West Coast

1928
01:33:36,080 --> 01:33:38,080
Speaker 2: ship because dam I'm saying, we listen.

1929
01:33:37,920 --> 01:33:42,559
Speaker 1: To everybody ship out like it wasn't the West Coast.

1930
01:33:42,920 --> 01:33:44,960
Speaker 3: But to find out that the East Coast niggas ain't

1931
01:33:45,000 --> 01:33:49,280
Speaker 3: funk with us, that she was like God, damn y'all,

1932
01:33:49,320 --> 01:33:54,080
Speaker 3: Like never we thought that y'all there listening ship listening

1933
01:33:54,080 --> 01:33:56,920
Speaker 3: to y'all listen, never listening.

1934
01:33:59,439 --> 01:34:03,240
Speaker 7: This is boy sits at our or.

1935
01:34:03,680 --> 01:34:07,280
Speaker 1: Anywhere they have another move of guys to come together

1936
01:34:07,360 --> 01:34:08,200
Speaker 1: and meet music like that.

1937
01:34:08,479 --> 01:34:12,160
Speaker 7: Oh yeah, yeah, somebody somewhere somewhere cooking that ship up

1938
01:34:12,240 --> 01:34:12,599
Speaker 7: right now.

1939
01:34:13,080 --> 01:34:15,400
Speaker 1: You just gotta you know what I'm saying. Bro.

1940
01:34:15,560 --> 01:34:17,600
Speaker 7: Let me tell you something, dude. And I learned this

1941
01:34:17,720 --> 01:34:20,600
Speaker 7: from this. This is my brother's, my younger brother. I

1942
01:34:20,720 --> 01:34:23,840
Speaker 7: learned this from him. And I'm not saying this for merits.

1943
01:34:23,880 --> 01:34:26,280
Speaker 7: I'm not saying this for points. I really mean this, shiit.

1944
01:34:27,080 --> 01:34:29,880
Speaker 7: See when when when when when y'all do something and

1945
01:34:30,000 --> 01:34:32,040
Speaker 7: and and I'm aiming to say that you young and

1946
01:34:32,120 --> 01:34:35,560
Speaker 7: anybody young in here, bro, y'all gotta pray over that,

1947
01:34:35,720 --> 01:34:36,800
Speaker 7: bro before.

1948
01:34:36,600 --> 01:34:37,120
Speaker 1: Y'all do it.

1949
01:34:37,240 --> 01:34:40,680
Speaker 7: Before y'all for whatever you're doing, because there's spirits, Bro,

1950
01:34:41,120 --> 01:34:43,519
Speaker 7: that there's people that don't like your ass, and God

1951
01:34:43,560 --> 01:34:45,880
Speaker 7: will get them from around you. You know what I'm saying.

1952
01:34:46,080 --> 01:34:49,280
Speaker 7: And watch how things happen, so before you go into

1953
01:34:49,800 --> 01:34:52,120
Speaker 7: you know. And I learned this because because you know,

1954
01:34:52,520 --> 01:34:55,120
Speaker 7: I got to our group got away from that. When

1955
01:34:55,160 --> 01:34:57,000
Speaker 7: I got around them, I was like, you know what,

1956
01:34:57,200 --> 01:34:59,679
Speaker 7: this is what was missing, This is what was missing

1957
01:34:59,800 --> 01:35:03,680
Speaker 7: right here when we did this. Everything was all right

1958
01:35:04,240 --> 01:35:06,880
Speaker 7: when we did this before the show and everybody acknowledged

1959
01:35:06,920 --> 01:35:09,679
Speaker 7: everybody and everybody you know, gave it up and said

1960
01:35:09,720 --> 01:35:11,960
Speaker 7: what they appreciated about them and all of that when

1961
01:35:12,000 --> 01:35:14,040
Speaker 7: that went away, when everybody was too cool for that.

1962
01:35:14,160 --> 01:35:16,320
Speaker 7: I'm too cool to be doing that, doga, we ain't

1963
01:35:16,320 --> 01:35:17,240
Speaker 7: gonna say the preadnum more.

1964
01:35:17,479 --> 01:35:19,439
Speaker 1: We ain't gonna do that. You know what I'm saying.

1965
01:35:20,560 --> 01:35:23,559
Speaker 7: Everything, You know it's got a way of going shit.

1966
01:35:24,400 --> 01:35:27,519
Speaker 7: You know what I'm saying, because some shit have get

1967
01:35:27,640 --> 01:35:29,719
Speaker 7: moved away from you. It might even cost you some money.

1968
01:35:30,400 --> 01:35:31,880
Speaker 1: You fucked up if you let it back in.

1969
01:35:32,520 --> 01:35:34,640
Speaker 7: You got a crazy ass uncle that asked the bar

1970
01:35:34,760 --> 01:35:36,680
Speaker 7: two hundred dollars. You know he ain't gonna pay you back.

1971
01:35:37,080 --> 01:35:39,360
Speaker 7: Give his fucking answer two hundred dollars. Now, I ain't

1972
01:35:39,400 --> 01:35:46,120
Speaker 7: never coming back. He ain't never coming back. You moved

1973
01:35:46,200 --> 01:35:48,400
Speaker 7: him completely out your life. You know what I'm saying.

1974
01:35:48,439 --> 01:35:50,799
Speaker 1: It might have cost that, but their shit around.

1975
01:35:51,160 --> 01:35:54,880
Speaker 7: I think with young groups and young people, they don't

1976
01:35:54,960 --> 01:35:58,519
Speaker 7: take the time to evaluate and eliminate, you know what.

1977
01:35:59,200 --> 01:36:00,920
Speaker 7: And one of the things, like I said, you got

1978
01:36:01,000 --> 01:36:03,720
Speaker 7: to talk to the man sometimes and actually get what

1979
01:36:04,000 --> 01:36:05,680
Speaker 7: was good for me. Keep it around me and it's

1980
01:36:05,720 --> 01:36:08,519
Speaker 7: bad for me moving move it out my circle. Like

1981
01:36:08,680 --> 01:36:11,720
Speaker 7: and watch what happened. Bro, You'll have success. You might

1982
01:36:11,800 --> 01:36:13,679
Speaker 7: be You might not even supposed to be in the group.

1983
01:36:14,400 --> 01:36:16,360
Speaker 7: It might just ship. Something might tell you bro.

1984
01:36:16,520 --> 01:36:20,160
Speaker 1: You it you it. You're like, Hey, I'm big for

1985
01:36:20,360 --> 01:36:32,360
Speaker 1: y'all niggas the Toes, Well.

1986
01:36:32,280 --> 01:36:34,000
Speaker 12: I got I got one pleasure before we get up

1987
01:36:34,040 --> 01:36:34,360
Speaker 12: out of here.

1988
01:36:34,520 --> 01:36:35,439
Speaker 6: I know you got a roll.

1989
01:36:36,680 --> 01:36:36,720
Speaker 1: What