1 00:00:00,520 --> 00:00:03,960 Speaker 1: Ridiculous Crime is a production of I Heart Radio. Yeah, 2 00:00:04,000 --> 00:00:07,240 Speaker 1: Elizabeth Dutton Zarin Burnett. I got a question for you, girl, Yeah, 3 00:00:07,360 --> 00:00:11,640 Speaker 1: hit me. You know what's ridiculous? I do? Ready for that? 4 00:00:11,720 --> 00:00:16,960 Speaker 1: I do? Um. We have this uh friend on Instagram, Jennifer. 5 00:00:17,200 --> 00:00:21,799 Speaker 1: She's a baker. She um is one of the many, 6 00:00:21,840 --> 00:00:27,480 Speaker 1: many people who have clued us in on weird product mashups. 7 00:00:29,800 --> 00:00:34,800 Speaker 1: I can't help it is all I do know. So um. 8 00:00:34,840 --> 00:00:36,720 Speaker 1: She's one of a couple of people who have mentioned this, 9 00:00:36,800 --> 00:00:39,839 Speaker 1: but her her story is the best about it. Um 10 00:00:39,880 --> 00:00:43,440 Speaker 1: that KFC makes a fule log like a fire log, 11 00:00:44,080 --> 00:00:47,479 Speaker 1: a Derri flame style log, a Christmas ule log, and 12 00:00:47,520 --> 00:00:56,440 Speaker 1: it's it's KFC. It's KFC. So um the somebody like 13 00:00:56,480 --> 00:01:00,000 Speaker 1: I am in the they describe market. KFC is eleven 14 00:01:00,000 --> 00:01:04,520 Speaker 1: herbs and spices, firelog by and viral loog and um. 15 00:01:04,640 --> 00:01:07,640 Speaker 1: They describe it as the comforting, crispy aroma of a 16 00:01:07,640 --> 00:01:11,720 Speaker 1: fried chicken scented firelog wafting from your fireplace fried chicken 17 00:01:11,760 --> 00:01:15,320 Speaker 1: fire Did you hear those words, people, fired fried chicken firelog? Yeah? 18 00:01:15,480 --> 00:01:17,720 Speaker 1: And so I mean you want your whole house to 19 00:01:17,760 --> 00:01:21,000 Speaker 1: smell like rancid greasy. I don't know so anyway, so 20 00:01:21,240 --> 00:01:26,720 Speaker 1: Jennifer doesn't smells like a KFC in here. Basically, oh god, 21 00:01:27,120 --> 00:01:30,640 Speaker 1: your neighbors are just like so. Um, Jennifer got one 22 00:01:30,680 --> 00:01:36,720 Speaker 1: for her sister for Thanksgiving, and um, she promised us 23 00:01:36,800 --> 00:01:41,240 Speaker 1: that she would give us an update, and um, it 24 00:01:41,280 --> 00:01:44,600 Speaker 1: was a big success. Apparently already the update. Yeah, she 25 00:01:45,400 --> 00:01:48,280 Speaker 1: said that it was a big success. Smells like KFC 26 00:01:48,960 --> 00:01:51,440 Speaker 1: and it's kitty approved. She sent a picture of the 27 00:01:51,520 --> 00:01:54,920 Speaker 1: cat sniffing the box, so we got the cat tax photos. 28 00:01:54,920 --> 00:01:57,880 Speaker 1: So cats believed it smelled like chicken. Cats believed it 29 00:01:57,920 --> 00:02:00,280 Speaker 1: smells like chicken. This is just a really cute cat too, 30 00:02:00,360 --> 00:02:02,960 Speaker 1: by the way. But then she sent us a picture 31 00:02:03,040 --> 00:02:05,240 Speaker 1: of the box and a picture of it on fire 32 00:02:05,320 --> 00:02:09,440 Speaker 1: in the firerood. So we have proof. We have absolute 33 00:02:09,440 --> 00:02:12,320 Speaker 1: proof that it actually exists, because some of these things, 34 00:02:12,360 --> 00:02:16,600 Speaker 1: like these weird crossovers, but they don't exist. These exist. 35 00:02:17,240 --> 00:02:19,560 Speaker 1: You can make your whole house stink like fried chicken. 36 00:02:20,320 --> 00:02:21,919 Speaker 1: You know, I've got some family I can send it to. 37 00:02:22,320 --> 00:02:26,880 Speaker 1: Let's let's go around to like vegans houses like we 38 00:02:26,919 --> 00:02:28,840 Speaker 1: live in the Bay Area, both of us, we have 39 00:02:28,919 --> 00:02:31,720 Speaker 1: the like you can imagine your neighbors smelling that you 40 00:02:31,960 --> 00:02:34,760 Speaker 1: burning fried chicken, and like maybe gets so like you'd 41 00:02:34,760 --> 00:02:37,640 Speaker 1: have on the next door. People will be talking about, 42 00:02:37,680 --> 00:02:39,160 Speaker 1: like I got in a fight with my neighbor because 43 00:02:39,160 --> 00:02:43,440 Speaker 1: they tell me. And it's bad enough, like living in 44 00:02:43,480 --> 00:02:45,480 Speaker 1: the East Bay, like in the hills and you have 45 00:02:45,639 --> 00:02:49,000 Speaker 1: the fire danger. People get upset when when their neighbors 46 00:02:49,160 --> 00:02:53,519 Speaker 1: use a fireplace. And then if you're burned, if you're 47 00:02:53,560 --> 00:02:58,000 Speaker 1: like barbecues caused fight? What if you have fire pit 48 00:02:58,120 --> 00:03:01,079 Speaker 1: in your backyard? And yeah, because I've heard, yeah, I've 49 00:03:01,080 --> 00:03:05,200 Speaker 1: heard people who have vegetarian neighbors upset you had that right, 50 00:03:05,680 --> 00:03:07,560 Speaker 1: you had a neighborhood didn't like you a grill and 51 00:03:07,639 --> 00:03:11,600 Speaker 1: chicken super mad about the smell of fried chicken. I'm 52 00:03:11,600 --> 00:03:15,000 Speaker 1: trying barbecue chicken. Who hates the smell barbecue chicken. So 53 00:03:15,160 --> 00:03:17,040 Speaker 1: I think that we should just go around to all 54 00:03:17,040 --> 00:03:20,400 Speaker 1: the fire pits and swap out the logs for KFC logs. 55 00:03:20,480 --> 00:03:25,160 Speaker 1: Let's get this party started so good. So that is 56 00:03:25,360 --> 00:03:29,680 Speaker 1: my contribution this week to what is ridiculous Ho ho 57 00:03:29,680 --> 00:03:36,000 Speaker 1: ho Happy holidays. Well that's make this a December to remember, Elizabeth. 58 00:03:36,880 --> 00:03:38,720 Speaker 1: I just hope that this holiday sales event is one 59 00:03:38,760 --> 00:03:41,080 Speaker 1: that we can all be proud of. Okay, I've got 60 00:03:41,080 --> 00:03:42,560 Speaker 1: a story for you if you got a second I 61 00:03:42,640 --> 00:03:47,720 Speaker 1: do now, my Elizabeth, my partner in crime and storytelling. Today, 62 00:03:47,760 --> 00:03:49,840 Speaker 1: I'd like to tell you the story of the Greek 63 00:03:49,920 --> 00:04:15,080 Speaker 1: robin hood. Yeah, this is ridiculous crime, A podcast about 64 00:04:15,080 --> 00:04:19,720 Speaker 1: absurd and outrageous capers. Heis and cons It's always murder 65 00:04:19,800 --> 00:04:25,920 Speaker 1: free and ridiculous, now, Elizabeth, Yes, I told you, my man, 66 00:04:26,040 --> 00:04:28,839 Speaker 1: the Greek robinode will be the focus of today right now. 67 00:04:28,880 --> 00:04:34,760 Speaker 1: His name is Vasilis Palaeocoustus, right, Vasilus, Paleocoustus, Vassilis, Vasilus. 68 00:04:34,839 --> 00:04:36,960 Speaker 1: I've heard it both ways, and you may hear me 69 00:04:37,000 --> 00:04:41,120 Speaker 1: say it both ways, but be forgiving Pasillis. And he 70 00:04:41,279 --> 00:04:44,680 Speaker 1: arrived on Earth in nineteen sixty six, right like like 71 00:04:44,720 --> 00:04:48,000 Speaker 1: a Beatles record. Now, my man, Vasilus. He grew up 72 00:04:48,040 --> 00:04:50,280 Speaker 1: in the mountains region of central Greece. I'm not sure 73 00:04:50,279 --> 00:04:52,960 Speaker 1: if you know Greece. Well I do not, know, only 74 00:04:53,000 --> 00:04:56,440 Speaker 1: the stuff around Athens. And yeah, so this was up 75 00:04:56,800 --> 00:05:00,920 Speaker 1: closer to Macedonia, in the central mountainous region. Very rural. 76 00:05:01,400 --> 00:05:03,159 Speaker 1: Son of a goat hurder, you know. So he's a 77 00:05:03,200 --> 00:05:07,080 Speaker 1: shepherd's boy, raised up in super rural country, living right 78 00:05:07,360 --> 00:05:11,279 Speaker 1: family of Shepherd's childhood home, no electricity, cheaper. His primary 79 00:05:11,320 --> 00:05:15,200 Speaker 1: companions had an older brother, Nicos. Loved Nikos, his brother 80 00:05:15,240 --> 00:05:16,920 Speaker 1: and he would walk to school every day from their 81 00:05:17,000 --> 00:05:19,400 Speaker 1: rural home, and in the winter, because it's in the mountains, 82 00:05:19,600 --> 00:05:21,880 Speaker 1: they would have snow, and when they would walk, Nicos 83 00:05:22,040 --> 00:05:25,640 Speaker 1: about six seven years older, he would put his little brother, Casillas, 84 00:05:25,800 --> 00:05:27,400 Speaker 1: up on his shoulders so that way he didn't have 85 00:05:27,440 --> 00:05:30,320 Speaker 1: to trudge through the snow because it would get like waste. 86 00:05:30,360 --> 00:05:33,480 Speaker 1: It's like chesty. Right. When they would get to their school, 87 00:05:33,680 --> 00:05:35,880 Speaker 1: their school was run by a priest. They get there, 88 00:05:35,880 --> 00:05:37,680 Speaker 1: the priests would take the boys and put them by 89 00:05:37,720 --> 00:05:40,039 Speaker 1: the fire and wouldn't start teaching class until they had 90 00:05:40,080 --> 00:05:44,920 Speaker 1: all thought out like a rural Okay, so that's how 91 00:05:44,960 --> 00:05:47,960 Speaker 1: this is and this Shepherd life, right, it was fine 92 00:05:47,960 --> 00:05:50,240 Speaker 1: for Cecilisy wasn't one of the people who like boxed 93 00:05:50,320 --> 00:05:52,440 Speaker 1: at it. But at the same time, the way it's 94 00:05:52,480 --> 00:05:55,440 Speaker 1: described sounds a little um like I wouldn't want to 95 00:05:55,440 --> 00:05:59,240 Speaker 1: live in. Like there's one quote I found his said, 96 00:05:59,279 --> 00:06:02,360 Speaker 1: and and I there he watched his father yelling at 97 00:06:02,400 --> 00:06:05,640 Speaker 1: goats and grew up idolizing his older brother Nikos. You 98 00:06:05,839 --> 00:06:11,960 Speaker 1: kind of just says it, all right, exactly. So school 99 00:06:12,000 --> 00:06:15,520 Speaker 1: turns out to be a source of inspiration for young Pacillus, 100 00:06:15,680 --> 00:06:17,560 Speaker 1: not in the way that you might expect. It has 101 00:06:17,560 --> 00:06:19,080 Speaker 1: nothing to do with what he learns there. It's not 102 00:06:19,080 --> 00:06:22,240 Speaker 1: the academia, but rather a teacher, specifically one teacher who 103 00:06:22,240 --> 00:06:24,680 Speaker 1: gives him a book. And this book that the teacher 104 00:06:24,720 --> 00:06:29,320 Speaker 1: gives them is about this guy named and Antonis catch Atonis. Alright, 105 00:06:29,360 --> 00:06:32,719 Speaker 1: so Antonis catch Atonis. He also was a shepherd, and 106 00:06:32,760 --> 00:06:35,480 Speaker 1: he grew up to become a clept. Now a clept 107 00:06:35,720 --> 00:06:40,200 Speaker 1: is a Greek term for thieves. Yeah, I knew you 108 00:06:40,279 --> 00:06:43,680 Speaker 1: catch on that one. Now that these clips, these bandit thieves. 109 00:06:43,720 --> 00:06:47,200 Speaker 1: They were also Greek resistance against the Ottoman Turks who 110 00:06:47,320 --> 00:06:51,720 Speaker 1: were the occupying force at the time, and they, you know, 111 00:06:52,320 --> 00:06:54,719 Speaker 1: until basically World War one world War two, Greece was 112 00:06:54,760 --> 00:06:58,920 Speaker 1: like an Ottoman territory essentially, right, and then during World 113 00:06:59,000 --> 00:07:01,720 Speaker 1: or two they're under Nazi Germany. Then there there there's 114 00:07:01,760 --> 00:07:04,960 Speaker 1: a fight with Yugoslavia. Tito wants to take over and 115 00:07:05,000 --> 00:07:07,800 Speaker 1: he helps the communists try to run. There's this huge 116 00:07:07,839 --> 00:07:11,840 Speaker 1: civil war. This is all the backdrop of society that 117 00:07:12,840 --> 00:07:15,640 Speaker 1: young Vasilius is born into. Right, and his hero is 118 00:07:15,680 --> 00:07:20,080 Speaker 1: this guy Antonis Catchytonis who starting all of this fighting, 119 00:07:20,560 --> 00:07:23,720 Speaker 1: was a highwayman bandit, a rogue ish anti hero, right, 120 00:07:23,760 --> 00:07:25,440 Speaker 1: so he sees this as a kind of like an 121 00:07:25,480 --> 00:07:30,720 Speaker 1: anarchist struggle. Yeah, ok Right, So, at age thirteen, Vasilius 122 00:07:30,800 --> 00:07:34,000 Speaker 1: moves from the countryside into town with his family. The 123 00:07:34,040 --> 00:07:37,160 Speaker 1: town is called Tricola, doesn't really matter, but it's a 124 00:07:37,200 --> 00:07:39,600 Speaker 1: little city, right, a little town. So the year at 125 00:07:39,600 --> 00:07:42,880 Speaker 1: this point is nineteen seventy nine, Okay, and his older 126 00:07:42,920 --> 00:07:45,200 Speaker 1: brother Nikos has already left home because he's six seven 127 00:07:45,240 --> 00:07:48,080 Speaker 1: years older, and at this point Vasilius he also wants 128 00:07:48,120 --> 00:07:50,960 Speaker 1: to leave home. Yeah, so he's like by the time 129 00:07:50,960 --> 00:07:53,320 Speaker 1: he's about fourteen fifteen, he's like, I'm out of here. 130 00:07:53,640 --> 00:07:56,760 Speaker 1: He leaves the family. He gets work at a cheese factory. Right. 131 00:07:57,640 --> 00:07:59,720 Speaker 1: The job is fine, work steady, he doesn't have a 132 00:07:59,720 --> 00:08:02,880 Speaker 1: problem with it. But this job is the awakening of 133 00:08:02,920 --> 00:08:06,440 Speaker 1: his political leanings. Right. He has been a form prior 134 00:08:06,520 --> 00:08:09,440 Speaker 1: by the Antonist, Cachetonist, the highway bandit, and then now 135 00:08:09,480 --> 00:08:13,360 Speaker 1: when he's faced with the economic forces of city life, 136 00:08:13,680 --> 00:08:17,960 Speaker 1: he becomes not militant but a true, true anarchist, not 137 00:08:18,520 --> 00:08:21,040 Speaker 1: only in theory but in practice. So one of his 138 00:08:21,120 --> 00:08:23,320 Speaker 1: friends from his time at the Chief factory put it, 139 00:08:23,360 --> 00:08:28,360 Speaker 1: and I quote, Facilius suffered his bosses capitalist exploitation working 140 00:08:28,400 --> 00:08:30,600 Speaker 1: as a wage slave in a factory, so he turned 141 00:08:30,640 --> 00:08:34,600 Speaker 1: against those bosses. So you get the idea. He's inspired 142 00:08:34,640 --> 00:08:37,680 Speaker 1: to become a criminal by capitalism, so he goes hard 143 00:08:37,760 --> 00:08:40,520 Speaker 1: into it. And uh, he also is bothered by the 144 00:08:40,600 --> 00:08:44,640 Speaker 1: hypocritical nature of the crimes of capitalism mass he sees them. 145 00:08:44,679 --> 00:08:46,640 Speaker 1: Because Greece up to this point, you know, there's this 146 00:08:46,800 --> 00:08:49,400 Speaker 1: hard debate. Do we go left and with communism take 147 00:08:49,440 --> 00:08:52,400 Speaker 1: care of the community, do we go with individualism and 148 00:08:52,440 --> 00:08:55,360 Speaker 1: see what you can do in the society on your own, 149 00:08:55,400 --> 00:08:58,080 Speaker 1: which they decide to go with because the UK and 150 00:08:58,240 --> 00:09:02,240 Speaker 1: the Americans helped the the non communist win this fight. 151 00:09:02,320 --> 00:09:05,679 Speaker 1: So the society has gone in the way of individualism. 152 00:09:05,679 --> 00:09:09,120 Speaker 1: But there's still this collectivist impulse in Greece, right. So 153 00:09:09,280 --> 00:09:12,559 Speaker 1: Vacillus aware of an old Greek proverb, and I quote 154 00:09:12,559 --> 00:09:15,440 Speaker 1: the Greek proverb is, if you steal something small, you 155 00:09:15,480 --> 00:09:18,000 Speaker 1: are a petty thief, but if you steal millions, you 156 00:09:18,040 --> 00:09:21,800 Speaker 1: are a gentleman of society. He hates that. He's like 157 00:09:22,360 --> 00:09:24,360 Speaker 1: that ain't right. So he's like, I'm going to become 158 00:09:24,400 --> 00:09:28,520 Speaker 1: a gentleman not of society. And he finds his big brother, Nicos, 159 00:09:28,559 --> 00:09:29,920 Speaker 1: and he's like, you know what, we need to get 160 00:09:29,960 --> 00:09:33,079 Speaker 1: to criming and Nicos is like bet. So the two 161 00:09:33,160 --> 00:09:34,800 Speaker 1: of them they decide, okay, we need to have a 162 00:09:34,840 --> 00:09:36,880 Speaker 1: couple of ground rules that we're going to do the criming. 163 00:09:37,080 --> 00:09:38,840 Speaker 1: They decided they don't want to hurt anyone and they 164 00:09:38,880 --> 00:09:41,040 Speaker 1: want to live for free on someone else's dime. So 165 00:09:41,160 --> 00:09:45,600 Speaker 1: they become bank robbers, right, pretty much straightforward. Now for 166 00:09:45,600 --> 00:09:49,800 Speaker 1: the next seven years from ninety six, there are successful 167 00:09:49,920 --> 00:09:54,280 Speaker 1: robbers who are primarily focused on get this video equipment. Yeah, 168 00:09:54,320 --> 00:09:57,960 Speaker 1: they don't start with banks, they don't. There's going after 169 00:09:58,040 --> 00:10:03,240 Speaker 1: like VCRs saying make cam quarters. It's like yeah, but 170 00:10:03,280 --> 00:10:06,079 Speaker 1: it's not like professional equipment. No, No, they're holding a 171 00:10:06,160 --> 00:10:09,359 Speaker 1: lot of value. These are just newly invented, highly desirous 172 00:10:09,360 --> 00:10:12,320 Speaker 1: pieces of technology. So a VCR increased to go for 173 00:10:12,400 --> 00:10:16,640 Speaker 1: a lot of exactly. So they're they're Robin Rago's radio 174 00:10:16,640 --> 00:10:19,640 Speaker 1: shack and going we can make this work. But you know, 175 00:10:19,760 --> 00:10:23,839 Speaker 1: for criminal education, just like my man Red Fall come 176 00:10:23,880 --> 00:10:27,600 Speaker 1: in in many comparisons with this story my dude Vacillas. 177 00:10:27,640 --> 00:10:31,360 Speaker 1: He turns to the cinema for a further criminal education. 178 00:10:31,640 --> 00:10:33,640 Speaker 1: Right yeah, and we've talked about this. It's a great 179 00:10:33,640 --> 00:10:37,240 Speaker 1: way because the filmmakers they thought about it, and they 180 00:10:37,280 --> 00:10:39,480 Speaker 1: thought and they show you what could go wrong, which 181 00:10:39,520 --> 00:10:45,280 Speaker 1: is exactly so still is. He's keen on eighties action 182 00:10:45,320 --> 00:10:49,720 Speaker 1: movies and he keeps his video rental card Hot Things Popping. 183 00:10:49,760 --> 00:10:52,920 Speaker 1: He's in there. He's renting Clint Eastwood movies, on Schwarzenegger's movies, 184 00:10:52,960 --> 00:10:56,000 Speaker 1: Slice to the all the classics of the eighties. At 185 00:10:56,040 --> 00:10:58,400 Speaker 1: this time, it's big Brother gets popped for a robbery. 186 00:10:58,480 --> 00:11:01,280 Speaker 1: So he's like, I'm gonna have to do something about this. 187 00:11:01,320 --> 00:11:03,720 Speaker 1: I can't have Nicos locked up inside. And he turns 188 00:11:03,760 --> 00:11:06,320 Speaker 1: to his cinematic files of research and he's like, I 189 00:11:06,400 --> 00:11:08,280 Speaker 1: got it. I know what to do. You gotta sneak 190 00:11:08,360 --> 00:11:10,200 Speaker 1: something in there. I don't know if he starts like 191 00:11:10,280 --> 00:11:12,640 Speaker 1: with the nineteen thirties movies and he's like, okay, I 192 00:11:12,720 --> 00:11:14,520 Speaker 1: learned from White Heat. I gotta try to sneak in 193 00:11:14,559 --> 00:11:16,960 Speaker 1: a file. But no, this is what he does. First. 194 00:11:16,960 --> 00:11:18,719 Speaker 1: He tries to smuggle in knives, then he gets to 195 00:11:18,800 --> 00:11:21,640 Speaker 1: metal files, then he gets to other tools. They're always 196 00:11:21,640 --> 00:11:25,240 Speaker 1: being confiscated, stolen by other inmates. Right, it's not working. 197 00:11:25,240 --> 00:11:27,160 Speaker 1: He tries to smuggle in a grenade, like maybe just 198 00:11:27,240 --> 00:11:29,400 Speaker 1: hold this in your hand and walk out. That doesn't 199 00:11:29,200 --> 00:11:32,080 Speaker 1: want Nicos if he's like giving him all these tools 200 00:11:32,080 --> 00:11:35,079 Speaker 1: and they get stolen. Everyone else has a file and 201 00:11:35,120 --> 00:11:37,959 Speaker 1: a knife and Nicos I don't know. He just sorr. 202 00:11:38,320 --> 00:11:41,640 Speaker 1: He was bigger than so at the eighties day end 203 00:11:41,760 --> 00:11:44,840 Speaker 1: right to sell us. He's like, this is not working. 204 00:11:45,360 --> 00:11:48,120 Speaker 1: I gotta get my brother out. So he goes all right, 205 00:11:48,160 --> 00:11:51,000 Speaker 1: I'm going full eighties action movie. He gets himself a 206 00:11:51,080 --> 00:11:55,400 Speaker 1: tank and he drinks the tank. This guy is gone 207 00:11:55,440 --> 00:11:59,439 Speaker 1: from like I just checked the VCR. I go I 208 00:11:59,480 --> 00:12:02,520 Speaker 1: stole thank So he steals the tank from like on 209 00:12:02,520 --> 00:12:05,360 Speaker 1: an army where tanks rus Like, yeah, he could pops 210 00:12:05,360 --> 00:12:06,880 Speaker 1: down the tanks r us. He's like, how much for 211 00:12:06,920 --> 00:12:10,320 Speaker 1: the one in the back. I just need to see 212 00:12:10,320 --> 00:12:13,040 Speaker 1: how it handles on the freeway. Peels out. He gets 213 00:12:13,040 --> 00:12:15,120 Speaker 1: down to the prison in Tricola and he tries to 214 00:12:15,160 --> 00:12:18,160 Speaker 1: crash through the prison walls. He just tries to call right, people, 215 00:12:18,480 --> 00:12:23,520 Speaker 1: this is very heavy handed you you'll be surprised to learn, Elizabeth, 216 00:12:23,840 --> 00:12:29,720 Speaker 1: this tank move spectacular failure. Yes, for sure. He gets 217 00:12:29,720 --> 00:12:34,240 Speaker 1: caught and arrested, tank confiscated, loses take. He's like my 218 00:12:34,320 --> 00:12:37,960 Speaker 1: by by by refund. So he's imprisoned, but only in 219 00:12:38,040 --> 00:12:41,560 Speaker 1: jail because apparently that's not like a major crime, trying 220 00:12:41,559 --> 00:12:43,920 Speaker 1: to break into that jail. They're like, oh, this is 221 00:12:43,960 --> 00:12:47,040 Speaker 1: cosmetic damage. So he gets out of jail. His brother 222 00:12:47,120 --> 00:12:49,560 Speaker 1: Nikos is still in prison because you've done some Siah. 223 00:12:49,600 --> 00:12:53,680 Speaker 1: He'd been robbing back. So there. For years, the Silus 224 00:12:53,720 --> 00:12:56,120 Speaker 1: and Nikos have worked out an escape plan. The Silus 225 00:12:56,120 --> 00:12:58,720 Speaker 1: has been going on and visiting his brother once and 226 00:12:58,800 --> 00:13:01,000 Speaker 1: he's like, you know what, I went high tech last time. 227 00:13:01,040 --> 00:13:02,520 Speaker 1: That didn't work. I need to go low tech. I 228 00:13:02,520 --> 00:13:06,640 Speaker 1: should keep it simple, stupid, right, So he's like, chosen 229 00:13:06,720 --> 00:13:10,160 Speaker 1: day arrives, he has tells Nicos the plan of what 230 00:13:10,240 --> 00:13:12,760 Speaker 1: to do. Nikos knows and when the Chosen day rise, 231 00:13:12,760 --> 00:13:15,559 Speaker 1: if Asilus goes to their agreed upon spot just outside 232 00:13:15,559 --> 00:13:17,720 Speaker 1: the prison walls and there he is standing in a 233 00:13:17,800 --> 00:13:20,960 Speaker 1: snowy spot because it's the wintertime break out when it's 234 00:13:21,200 --> 00:13:26,720 Speaker 1: more difficult he waits a rope right without like basically ties. 235 00:13:27,000 --> 00:13:29,040 Speaker 1: I don't know if it's like metal into the rope, 236 00:13:29,160 --> 00:13:31,320 Speaker 1: rope around the metal. Either way, it's a weighted knot. 237 00:13:31,360 --> 00:13:35,480 Speaker 1: And he throws that up like the prison walls. There 238 00:13:35,480 --> 00:13:37,960 Speaker 1: you go, the ball of SULOCKI inside the rope. He 239 00:13:38,080 --> 00:13:40,960 Speaker 1: like shot, puts it over the wall. His brother is there, 240 00:13:41,040 --> 00:13:44,080 Speaker 1: grabs the rope, bells like I got it. Vassilis ties 241 00:13:44,080 --> 00:13:46,200 Speaker 1: the other into the lamp post, and Nikos just climbs 242 00:13:46,240 --> 00:13:49,880 Speaker 1: up and over scamps over. It's up boom free. So 243 00:13:49,920 --> 00:13:52,840 Speaker 1: now and this is a time for them to get 244 00:13:53,080 --> 00:13:58,960 Speaker 1: back into criming rope rope. This is also when they 245 00:13:59,000 --> 00:14:01,080 Speaker 1: have a new role model come into the boy's life 246 00:14:01,120 --> 00:14:03,600 Speaker 1: and they're like, you know, we had Antonus catch Tonis 247 00:14:03,640 --> 00:14:05,800 Speaker 1: as our first. Now they have a new one. His 248 00:14:05,920 --> 00:14:10,679 Speaker 1: nickname is the Artist. His government name is Coustus Somatis, 249 00:14:11,520 --> 00:14:15,640 Speaker 1: Costas Coustas Somatis. Now these three young ambitious robbers they 250 00:14:15,640 --> 00:14:17,560 Speaker 1: start a crew and they're like, what's we don't need 251 00:14:17,600 --> 00:14:20,240 Speaker 1: a name, let's just be the street name is the Artist, 252 00:14:20,280 --> 00:14:25,280 Speaker 1: the Artist. Yeah, they all have nicknames ahead, so they 253 00:14:25,280 --> 00:14:27,600 Speaker 1: we'll get to their nicknames for now. His nickname is 254 00:14:27,600 --> 00:14:30,120 Speaker 1: the Artist. Right. So in June I d two they 255 00:14:30,120 --> 00:14:32,640 Speaker 1: pull off their first big bank job, and being who 256 00:14:32,640 --> 00:14:35,640 Speaker 1: they are, it's cinematic as possible. The robbery takes place 257 00:14:35,640 --> 00:14:38,560 Speaker 1: in this town called Columbaca, right or Calabaca has you 258 00:14:38,600 --> 00:14:41,640 Speaker 1: can pronounce it either way. Apparently in central Greece, small 259 00:14:41,680 --> 00:14:44,200 Speaker 1: town up in the mountains, surrounded by monastery has long 260 00:14:44,280 --> 00:14:47,520 Speaker 1: been like a hideout for high women and bandits part 261 00:14:47,520 --> 00:14:51,520 Speaker 1: of the resistance against the Ottomans. So they go out there. 262 00:14:51,600 --> 00:14:53,760 Speaker 1: They go to this town and they decide, we need 263 00:14:53,800 --> 00:14:56,360 Speaker 1: to do our research. We're gonna be serious about this, 264 00:14:57,080 --> 00:15:00,640 Speaker 1: and Nicos scours the scene using a pair of innoculars. 265 00:15:00,680 --> 00:15:02,640 Speaker 1: The artist takes out his pen and it goes to 266 00:15:02,680 --> 00:15:06,960 Speaker 1: pad sketches the town square on scraps of paper, and 267 00:15:07,040 --> 00:15:09,680 Speaker 1: once they have their town blueprint, it's time to cry. 268 00:15:10,200 --> 00:15:13,440 Speaker 1: So after this short break, Elizabeth, we'll be back and 269 00:15:13,480 --> 00:15:17,440 Speaker 1: I will tell you how the Columbaca cinematic robbery goes down. 270 00:15:17,600 --> 00:15:41,640 Speaker 1: I can't wait. Okay, Elizabeth, where were we We're talking 271 00:15:41,680 --> 00:15:46,720 Speaker 1: about columbardist sketching the town. I don't know if I'm 272 00:15:46,720 --> 00:15:50,440 Speaker 1: scouping something out to I put down the sketch pad Man. 273 00:15:51,360 --> 00:15:53,640 Speaker 1: I don't need the artistic impression of it. We don't 274 00:15:53,680 --> 00:15:55,800 Speaker 1: want to have like the cloude monet rendering of the 275 00:15:55,880 --> 00:15:59,320 Speaker 1: church that we're gonna like an abstract artist. I don't 276 00:15:59,320 --> 00:16:01,440 Speaker 1: know what these what is this? This is how the 277 00:16:01,440 --> 00:16:06,680 Speaker 1: city feels. Okay, Elizabeth, I set it up. We're in Calibaka, 278 00:16:06,840 --> 00:16:11,160 Speaker 1: central Grecian town, surrounded bay monastery. But they have beautiful, 279 00:16:11,160 --> 00:16:14,880 Speaker 1: beautiful bank perfect So I would like you close your 280 00:16:14,880 --> 00:16:20,240 Speaker 1: eyes and picture. Okay. You happen to be in the 281 00:16:20,280 --> 00:16:23,600 Speaker 1: small town of Calabaca, Greece, and you're there for one 282 00:16:24,320 --> 00:16:30,040 Speaker 1: very Elizabeth reason. Trains Specifically, Calibaka is the terminal point 283 00:16:30,040 --> 00:16:32,960 Speaker 1: of the old Thessaly railways, and you want to see 284 00:16:33,040 --> 00:16:34,640 Speaker 1: some of the old rail cars that they have in 285 00:16:34,720 --> 00:16:36,840 Speaker 1: the Thessaly railways because it was some of the most 286 00:16:36,840 --> 00:16:39,160 Speaker 1: beautiful rail cars in Europe. And you're like, I gotta 287 00:16:39,200 --> 00:16:42,120 Speaker 1: come see these trains. So you've arrived in Calibaka and 288 00:16:42,160 --> 00:16:43,800 Speaker 1: you want to go to the old rail yards and 289 00:16:43,840 --> 00:16:46,240 Speaker 1: you've arranged to talk trains with some of the locals, 290 00:16:46,240 --> 00:16:48,440 Speaker 1: some of who worked on the trains building them, others 291 00:16:48,440 --> 00:16:51,440 Speaker 1: who appointed them. You just can't wait and there You 292 00:16:51,480 --> 00:16:55,040 Speaker 1: are seated on a park bench waiting to meet somebody 293 00:16:55,120 --> 00:16:58,040 Speaker 1: later that afternoon, when all of a sudden boom, serious 294 00:16:58,120 --> 00:17:01,320 Speaker 1: entertainment arrives in your lap in the form of two 295 00:17:01,360 --> 00:17:03,880 Speaker 1: men driving up in front of the local police station, 296 00:17:03,920 --> 00:17:06,840 Speaker 1: which you can see from your park bench, and they 297 00:17:06,880 --> 00:17:09,680 Speaker 1: place a huge industrial oven in front of the door 298 00:17:09,720 --> 00:17:13,080 Speaker 1: to the cops shop. You're like, that's odd. Things that 299 00:17:13,200 --> 00:17:15,399 Speaker 1: in Greece are different than I know. Then you're like, 300 00:17:15,400 --> 00:17:17,960 Speaker 1: maybe this is like a little yes, it's a peda party. 301 00:17:18,880 --> 00:17:22,160 Speaker 1: Maybe they orders like they're gonna be cooking stuff later. Anyway, 302 00:17:22,520 --> 00:17:25,919 Speaker 1: moments later, you hear gunfire. You're like, well, that's interesting, 303 00:17:26,280 --> 00:17:28,520 Speaker 1: but you don't know it. But little brother Vassilis has 304 00:17:28,560 --> 00:17:30,679 Speaker 1: hiked up a hill with a rifle and he has 305 00:17:30,720 --> 00:17:33,760 Speaker 1: been firing his gun at the police station. The cops 306 00:17:33,840 --> 00:17:36,479 Speaker 1: inside are convinced that they're under attack, so they attempt 307 00:17:36,520 --> 00:17:38,800 Speaker 1: to full leave the cop shop, but they can't because 308 00:17:38,880 --> 00:17:41,399 Speaker 1: of the huge industrial oven in front of the cops shop, 309 00:17:44,560 --> 00:17:47,000 Speaker 1: and you're watching. You're watching is the cops fight against 310 00:17:47,000 --> 00:17:49,040 Speaker 1: the door, and You're like, this seems really odd. Why 311 00:17:49,040 --> 00:17:51,000 Speaker 1: are they trying to run out into the gunfire? What 312 00:17:51,200 --> 00:17:54,600 Speaker 1: is how danger, am I Now as you sit there 313 00:17:54,600 --> 00:17:57,560 Speaker 1: on your park bench, sipping your Turkish coffee, asking yourself 314 00:17:57,560 --> 00:17:59,520 Speaker 1: these questions. Do you hear the bullets hanging off the 315 00:17:59,560 --> 00:18:01,400 Speaker 1: cops off and you see them trying to fight through 316 00:18:01,400 --> 00:18:04,200 Speaker 1: the door, and you're waiting for your fellow train of 317 00:18:04,240 --> 00:18:07,800 Speaker 1: fish unados and you notice more here and I'm not 318 00:18:08,000 --> 00:18:13,919 Speaker 1: ducking for cover. There's your momentarily very brave, so you're 319 00:18:13,760 --> 00:18:19,360 Speaker 1: you're busybodiness takes over for I don't know what happens, 320 00:18:19,359 --> 00:18:21,200 Speaker 1: and they're not firing at you, so you don't feel 321 00:18:21,240 --> 00:18:25,359 Speaker 1: like immediately dangerous. So you're sitting there and you spot 322 00:18:25,400 --> 00:18:28,600 Speaker 1: this young man Facillus with the rifle. He goes and 323 00:18:28,640 --> 00:18:30,840 Speaker 1: he meets up with his older brother, who don't notice 324 00:18:30,880 --> 00:18:34,560 Speaker 1: his older brother. But this guy Nikos, the artist cost 325 00:18:34,600 --> 00:18:36,919 Speaker 1: is some artists. The three walk into a bank, but 326 00:18:37,000 --> 00:18:40,359 Speaker 1: you notice from afar that they look clean. They're wearing 327 00:18:40,760 --> 00:18:44,080 Speaker 1: business suits. They got on sunglasses, like they mean business. 328 00:18:44,240 --> 00:18:46,240 Speaker 1: That is not how it was in my head before 329 00:18:46,240 --> 00:18:50,679 Speaker 1: you said they were carrying automatic weaponry like they mean business. 330 00:18:51,600 --> 00:18:53,960 Speaker 1: So the front door is opened to the bank. They're 331 00:18:54,040 --> 00:18:58,560 Speaker 1: kicked open. The vacilla's barks, which I will translate for 332 00:18:58,640 --> 00:19:01,680 Speaker 1: you it means this is a stick up in Greek. 333 00:19:01,920 --> 00:19:03,600 Speaker 1: They apparently do only need one word to say this. 334 00:19:04,359 --> 00:19:06,080 Speaker 1: As you sit there on your park bench waiting for 335 00:19:06,200 --> 00:19:07,800 Speaker 1: all this to go down, the three men rob a 336 00:19:07,920 --> 00:19:11,760 Speaker 1: hundred and twenty five million drachmas and they stuffed and 337 00:19:11,760 --> 00:19:15,720 Speaker 1: stolen loot into duffel bags and they cut You're like, whoa, 338 00:19:15,760 --> 00:19:19,840 Speaker 1: how much would that be worth today? Good question? Dollars 339 00:19:20,800 --> 00:19:22,679 Speaker 1: Three push out of the bank, they hop into their 340 00:19:22,720 --> 00:19:25,560 Speaker 1: whip and they escape in the stolen outie. You're like, oh, 341 00:19:25,600 --> 00:19:27,840 Speaker 1: that thing looks super clean, just like their suits. And 342 00:19:27,840 --> 00:19:30,840 Speaker 1: then you hear sirens approaching. You're wondering, how did the 343 00:19:30,880 --> 00:19:32,720 Speaker 1: cops get out of the shop. Turns out they went 344 00:19:32,720 --> 00:19:34,600 Speaker 1: around the back. They got their cars, and now they're 345 00:19:34,600 --> 00:19:37,280 Speaker 1: gonna go chasing after them. So like, only forgot we 346 00:19:37,320 --> 00:19:40,160 Speaker 1: have a back door. We should have thought those earlier. 347 00:19:40,400 --> 00:19:42,000 Speaker 1: So they rushed to their cop cars and they attempt 348 00:19:42,000 --> 00:19:45,240 Speaker 1: to chase the robbers. But the robbers, what's again, cinematic 349 00:19:45,400 --> 00:19:47,800 Speaker 1: ready for them? What have they done? But left spike 350 00:19:47,840 --> 00:19:50,919 Speaker 1: strips across the road. So when the cops roar past you, 351 00:19:51,320 --> 00:19:53,639 Speaker 1: they don't get far because they hit those spike strips 352 00:19:53,640 --> 00:19:57,560 Speaker 1: and tires go flat, and uh, they rolled to an 353 00:19:57,560 --> 00:20:02,040 Speaker 1: embarrassing stop. So you're like wave at them. Now the cops, 354 00:20:02,240 --> 00:20:05,840 Speaker 1: after they've limped to their embarrassing stop, they make their way, 355 00:20:05,920 --> 00:20:07,600 Speaker 1: you know, out of the cop cars and they watches 356 00:20:07,680 --> 00:20:09,879 Speaker 1: the Audie stolen Atie disappears out of town, headed for 357 00:20:09,920 --> 00:20:12,560 Speaker 1: the mountains, and they're like, rank kind of catch them. 358 00:20:12,680 --> 00:20:15,920 Speaker 1: And before they go, you watch a flurry of Drachmas 359 00:20:16,040 --> 00:20:18,520 Speaker 1: rain over the town's people like a weather system of 360 00:20:18,560 --> 00:20:21,640 Speaker 1: good fortune. It is amazing. Vasilus is tossing bills from 361 00:20:21,640 --> 00:20:24,920 Speaker 1: the stolen out until the car disappears in the distance, 362 00:20:25,160 --> 00:20:28,480 Speaker 1: and just like that, Vasillius, Nicos and the Artist they 363 00:20:28,480 --> 00:20:30,960 Speaker 1: all head into the mountains of central Greece, not to 364 00:20:31,000 --> 00:20:36,480 Speaker 1: be seen for much time and witness their first big job. 365 00:20:36,680 --> 00:20:39,240 Speaker 1: And they just sprinkled it on their way out. Yeah, 366 00:20:39,400 --> 00:20:41,439 Speaker 1: they sprinkled a ton of it. You've got one hell 367 00:20:41,480 --> 00:20:44,480 Speaker 1: of a story to tell your train. And yeah, they're 368 00:20:44,520 --> 00:20:47,320 Speaker 1: not showing up to time. Not after that. So after 369 00:20:47,359 --> 00:20:51,920 Speaker 1: the spectacular start as a crew, for whatever reason, Facilius 370 00:20:51,960 --> 00:20:54,560 Speaker 1: and Nikos suicide. You know what, we're gonna quit robbing banks. 371 00:20:54,960 --> 00:20:57,360 Speaker 1: And they stopped pulling stick up moose. They lay low 372 00:20:57,440 --> 00:21:00,760 Speaker 1: for years. Some people they speculate the Pasillus he went 373 00:21:00,800 --> 00:21:03,640 Speaker 1: back to his former career in the cheese industry. Yeah yeah. 374 00:21:03,640 --> 00:21:06,119 Speaker 1: Their story was he escaped to Bulgaria and started running 375 00:21:06,119 --> 00:21:12,000 Speaker 1: a cheese factory there. This sounds like I made it 376 00:21:12,040 --> 00:21:15,000 Speaker 1: all up. The others claimed that he was working a 377 00:21:15,080 --> 00:21:17,680 Speaker 1: cheese shop in the Netherlands. But whatever story you hear, 378 00:21:20,040 --> 00:21:23,239 Speaker 1: the Silus is pushing cheese. I'll tell you one thing 379 00:21:23,280 --> 00:21:25,399 Speaker 1: I know about the Silla. He's a real cheesemonger. So, 380 00:21:25,480 --> 00:21:30,480 Speaker 1: just as mysteriously as they disappeared, the Sillus Paleocoustus returns 381 00:21:30,560 --> 00:21:33,240 Speaker 1: to Criming and I cannot tell you why. He just 382 00:21:33,359 --> 00:21:38,359 Speaker 1: decides he now's the time. So after he left behind 383 00:21:38,400 --> 00:21:41,640 Speaker 1: his Bulgarian cheese factory or his Dutch cheese shop or whatever, 384 00:21:41,680 --> 00:21:43,720 Speaker 1: who's to say, it doesn't matter which it was. What 385 00:21:43,840 --> 00:21:46,399 Speaker 1: we do know is that in December, the Silus and 386 00:21:46,440 --> 00:21:48,560 Speaker 1: his big brother Nikos they get back to work as 387 00:21:48,600 --> 00:21:50,720 Speaker 1: high women bandits. They're like, we need to get back 388 00:21:50,720 --> 00:21:54,399 Speaker 1: to the catchytonis lifestyle. Right. So at this point they've also, 389 00:21:54,480 --> 00:21:56,880 Speaker 1: as I told you, earned nicknames, right. So we had 390 00:21:56,960 --> 00:22:00,159 Speaker 1: the artist, but We also now have a nickname for 391 00:22:00,320 --> 00:22:04,160 Speaker 1: Vascilla's He's called Uncatchable and his brother is called the Phantom. 392 00:22:04,280 --> 00:22:08,920 Speaker 1: So Uncatchable the Phantom of the Artist are once again 393 00:22:09,040 --> 00:22:13,120 Speaker 1: reunited as a crew, and they need a pair of wheels. 394 00:22:12,680 --> 00:22:18,760 Speaker 1: Did the Phantom name himself? No, people call me the Phantom. 395 00:22:18,800 --> 00:22:20,919 Speaker 1: Who calls you the Phantom? Nobody? But guys, I want 396 00:22:20,960 --> 00:22:23,720 Speaker 1: you from now on call me the Phantom. I was 397 00:22:23,800 --> 00:22:25,560 Speaker 1: trying to get myself a nickname like that. I'm like, yeah, 398 00:22:25,560 --> 00:22:29,040 Speaker 1: I got people call me this, and oh, you want 399 00:22:29,040 --> 00:22:30,919 Speaker 1: to know, it's embarrassing. But I was like, you know, 400 00:22:30,920 --> 00:22:32,760 Speaker 1: like I had like a boy's camera and I'm like, yeah, 401 00:22:33,040 --> 00:22:37,359 Speaker 1: the people call me dizzy. Go last week, what do 402 00:22:37,119 --> 00:22:41,440 Speaker 1: you know? Okay, you gonna be okay over there? Joking. 403 00:22:42,560 --> 00:22:45,119 Speaker 1: I wanted to be an old jazz man alright, So 404 00:22:45,320 --> 00:22:47,639 Speaker 1: I was like it could have been matter otis I 405 00:22:47,720 --> 00:22:49,800 Speaker 1: either went soul man or jazz man? Is there really 406 00:22:49,800 --> 00:22:53,000 Speaker 1: nothing else? Does? He sounds like such a rejected seven 407 00:22:53,080 --> 00:22:59,360 Speaker 1: Dwarfs were a little kid like, call me dizzy. Are 408 00:22:59,359 --> 00:23:05,639 Speaker 1: you feeling you fall off the slide? So this is 409 00:23:05,640 --> 00:23:09,919 Speaker 1: my sister Daffy, and I love it. They called me 410 00:23:09,960 --> 00:23:14,040 Speaker 1: dizzy and people are like nobody. It didn't work all right. 411 00:23:14,200 --> 00:23:19,440 Speaker 1: So anyway, nicos when a window. Sorry, when the Phantom 412 00:23:19,720 --> 00:23:23,520 Speaker 1: and Uncatchable needed a car, they popped down the mountain 413 00:23:23,560 --> 00:23:25,399 Speaker 1: and they stole this dude's Niecean And this is like 414 00:23:25,440 --> 00:23:29,160 Speaker 1: a story from their return to Criming and uh. When 415 00:23:29,200 --> 00:23:32,240 Speaker 1: they steal the Nissan, they used it to escape because 416 00:23:32,320 --> 00:23:33,800 Speaker 1: like you know, they go and they robbed somebody and 417 00:23:33,840 --> 00:23:37,000 Speaker 1: then they have to escape. They then return the Nissan 418 00:23:37,119 --> 00:23:39,480 Speaker 1: to the man they stole it from, and they actually 419 00:23:39,600 --> 00:23:43,040 Speaker 1: left a hundred and fifty drachmas underneath like the the 420 00:23:43,040 --> 00:23:45,640 Speaker 1: foot well, which is like farnderbox. He's like he goes 421 00:23:45,680 --> 00:23:47,760 Speaker 1: out and it's gone, my niece on and then like 422 00:23:47,800 --> 00:23:50,840 Speaker 1: the next thing, he goes out. But not only that 423 00:23:51,320 --> 00:23:54,600 Speaker 1: they had polished the car for him, they detailed his knees. 424 00:23:55,960 --> 00:23:58,520 Speaker 1: I thought you'd like that. The villagers of this little 425 00:23:58,560 --> 00:24:00,920 Speaker 1: town that which was closest to the hide up which 426 00:24:01,359 --> 00:24:03,840 Speaker 1: where they had been hiding out. Essentially, there was an 427 00:24:03,840 --> 00:24:06,680 Speaker 1: old lady there that told the local press that she 428 00:24:06,760 --> 00:24:08,560 Speaker 1: used to see him all the time. He never said 429 00:24:08,640 --> 00:24:10,720 Speaker 1: very much, and I quote, but he always had a 430 00:24:10,760 --> 00:24:15,240 Speaker 1: mischievous smile which seemed to like like that Roague. Now, 431 00:24:15,280 --> 00:24:17,400 Speaker 1: after hiding up for a few years with Stillisame's brother 432 00:24:17,520 --> 00:24:20,359 Speaker 1: nicos Ak the Phantom, they come back to the city 433 00:24:20,440 --> 00:24:23,040 Speaker 1: and it's time for a big payday. You know they've 434 00:24:23,119 --> 00:24:25,359 Speaker 1: depleted their money. Uncatchable in the Phantom, like, we need 435 00:24:25,400 --> 00:24:29,320 Speaker 1: to score call the artist right, so back together December. 436 00:24:29,920 --> 00:24:34,320 Speaker 1: These are all self declared nicknames. You can't self declare nicknames, 437 00:24:34,359 --> 00:24:35,919 Speaker 1: and no one on this earth is gonna be like 438 00:24:36,000 --> 00:24:38,960 Speaker 1: you know what, asked the Phantom, Like that's just the 439 00:24:39,040 --> 00:24:41,280 Speaker 1: best name for that guy. Phantom get here at five 440 00:24:41,280 --> 00:24:43,159 Speaker 1: o'clock or six o'clock. I don't know. He's that with 441 00:24:43,160 --> 00:24:46,280 Speaker 1: the artists. Well, he's uncatchable with him. Yeah, and that 442 00:24:46,320 --> 00:24:50,639 Speaker 1: one so uncatchable, the Phantom of the Artists. On December 443 00:24:50,720 --> 00:24:55,120 Speaker 1: fift they decided to make their big move. Now, this 444 00:24:55,240 --> 00:24:59,800 Speaker 1: dude named Alexander hid to glow. He was him alex 445 00:25:01,800 --> 00:25:05,040 Speaker 1: He's on his way to work at the Halva factory 446 00:25:05,080 --> 00:25:07,480 Speaker 1: that he owned, and he'd already dropped off his kids 447 00:25:07,480 --> 00:25:09,840 Speaker 1: at the school. No euphemism, the literally dropped off his 448 00:25:09,920 --> 00:25:14,120 Speaker 1: skill to the school assist a typical work taper. Old 449 00:25:14,119 --> 00:25:16,720 Speaker 1: Alexander had to glow Now along the way to his 450 00:25:16,760 --> 00:25:19,639 Speaker 1: Hallva factory, a Toyota rav For raced up next to 451 00:25:19,680 --> 00:25:23,000 Speaker 1: Alexander's car forces him off the road. He's like, oh, 452 00:25:23,400 --> 00:25:25,960 Speaker 1: skids to a stop and before he can properly react 453 00:25:25,960 --> 00:25:28,119 Speaker 1: to brothers hop out of the Toyota rev For. They 454 00:25:28,160 --> 00:25:31,560 Speaker 1: grab Alexander, yanked him from his car, nice Mercedes sedan, 455 00:25:31,880 --> 00:25:34,400 Speaker 1: and they forced the Halva factory owner into the back 456 00:25:34,440 --> 00:25:38,280 Speaker 1: of their compact suv and the speed off. Right now, 457 00:25:38,680 --> 00:25:42,000 Speaker 1: what this has been was a kidnapping of one of 458 00:25:42,000 --> 00:25:46,480 Speaker 1: the leading industrial lists of Greece. Now, as a kidnapping victim, 459 00:25:46,520 --> 00:25:49,720 Speaker 1: Alexander later recalled and I quote, it was a well 460 00:25:49,760 --> 00:25:53,480 Speaker 1: thought out kidnapping. My kidnappers behavior was not bad at all. 461 00:25:53,720 --> 00:25:56,600 Speaker 1: It was not scared for myself. Actually, I enjoyed some 462 00:25:56,680 --> 00:26:01,480 Speaker 1: wide ranging discussions with the kidnappers. He was honest, he Wanders. 463 00:26:01,560 --> 00:26:05,720 Speaker 1: He's a traveler, all right. He's a very busy man. 464 00:26:05,800 --> 00:26:08,959 Speaker 1: He is an owner, citizen of the earth and industrialist. 465 00:26:09,000 --> 00:26:10,919 Speaker 1: He has he knows all the corners of this clube. 466 00:26:11,880 --> 00:26:14,399 Speaker 1: The three men, they discussed business corruption in a sense, 467 00:26:14,440 --> 00:26:16,280 Speaker 1: they basically talked crime. They're like, what do you know? 468 00:26:16,359 --> 00:26:20,240 Speaker 1: I know? Crime? Crime? So weird. So Vasilus would later 469 00:26:20,280 --> 00:26:23,120 Speaker 1: explain what I remember most vividly from that free lesson 470 00:26:23,200 --> 00:26:25,680 Speaker 1: is the blunt blackmail attempted by the owners of large 471 00:26:25,720 --> 00:26:29,720 Speaker 1: supermarket chains. For instance, a prepacketed product with a new 472 00:26:29,800 --> 00:26:32,960 Speaker 1: label Alexander wished to circulate through a large supermarket chain, 473 00:26:33,160 --> 00:26:35,520 Speaker 1: he'd have to give its boss large sums of black 474 00:26:35,600 --> 00:26:38,040 Speaker 1: money just for the product to reach the shelves. The 475 00:26:38,080 --> 00:26:42,280 Speaker 1: specific amount required dependent on the place display inside the shops. 476 00:26:42,320 --> 00:26:45,080 Speaker 1: So he's basically describing the corruption habits and most of 477 00:26:45,080 --> 00:26:48,680 Speaker 1: the major business interests of Greece. Right now, This shakedown 478 00:26:48,720 --> 00:26:52,119 Speaker 1: by the supermarket chains at the time considered legal. Now 479 00:26:52,880 --> 00:26:54,439 Speaker 1: you know, he's like, hey, you want a prime position 480 00:26:54,440 --> 00:26:55,840 Speaker 1: to my shop? What are you gonna pay? You know 481 00:26:56,000 --> 00:26:58,640 Speaker 1: this that's mafia talk as far as Vasilius is thinking 482 00:26:58,680 --> 00:26:59,800 Speaker 1: of it. Say, He's like, you know, we're in the 483 00:26:59,840 --> 00:27:02,440 Speaker 1: same business. Yeah, you just get people Halibu and I 484 00:27:02,440 --> 00:27:06,480 Speaker 1: I take it. So the three men they stay at 485 00:27:06,480 --> 00:27:08,800 Speaker 1: a mountain hide up for three days. They talk shop, 486 00:27:08,880 --> 00:27:11,639 Speaker 1: they talk crime, and they get along. They famously have 487 00:27:11,680 --> 00:27:14,399 Speaker 1: a great time. Right after four days, an exchange of 488 00:27:14,400 --> 00:27:17,560 Speaker 1: money has arranged. Facilius and Nicos they take the Halva 489 00:27:17,600 --> 00:27:20,399 Speaker 1: factory owner back to his family. He's been unharmed. They 490 00:27:20,480 --> 00:27:23,480 Speaker 1: get a one point five million dollars in today's money, 491 00:27:23,600 --> 00:27:27,120 Speaker 1: told us success and in fact, Alexander he basically gives 492 00:27:27,160 --> 00:27:30,520 Speaker 1: his kidnappers a glowing Yelp review. He says, and I 493 00:27:30,640 --> 00:27:33,800 Speaker 1: quote guys, if only it didn't cost that much, I 494 00:27:33,840 --> 00:27:36,080 Speaker 1: would very much like to have another adventure with you. 495 00:27:36,440 --> 00:27:43,240 Speaker 1: He's like, they called me the world pool now and 496 00:27:43,359 --> 00:27:44,960 Speaker 1: the best part. And by the best part, I mean 497 00:27:45,040 --> 00:27:48,040 Speaker 1: not the best part at all. Alexander tried to get 498 00:27:48,080 --> 00:27:50,600 Speaker 1: his ransom money back because for his family to spend 499 00:27:50,640 --> 00:27:52,160 Speaker 1: the one point five millions, How don't think he tried 500 00:27:52,200 --> 00:27:55,119 Speaker 1: to do that, Elizabeth. He sued the government. He's like, 501 00:27:55,200 --> 00:27:57,240 Speaker 1: let me sue agreed, the government tried to get the 502 00:27:57,280 --> 00:27:59,639 Speaker 1: taxpayers to pay for his kidnapping. Now, how could you 503 00:27:59,680 --> 00:28:05,240 Speaker 1: sue the government for being kidnapped? Question? His legal argument 504 00:28:05,240 --> 00:28:07,920 Speaker 1: was that the Greek government failed him by not rescuing 505 00:28:07,960 --> 00:28:11,760 Speaker 1: him from his kidnappers, and aig should have to pay 506 00:28:11,800 --> 00:28:13,720 Speaker 1: and he shouldn't have been kidnapped in the first place 507 00:28:13,760 --> 00:28:16,399 Speaker 1: because of the economic situation it is. It's the government. 508 00:28:17,480 --> 00:28:20,840 Speaker 1: Everything can be traced back. He lost his lawsuit. Yes, 509 00:28:21,160 --> 00:28:24,439 Speaker 1: And meanwhile Vassilus and Nikos, after the successful job, the 510 00:28:24,480 --> 00:28:26,320 Speaker 1: brothers decide to split up for a while. They're like, hey, 511 00:28:26,359 --> 00:28:28,840 Speaker 1: we should lay low, we should people might recognize us. 512 00:28:28,880 --> 00:28:31,320 Speaker 1: So around the same time, Vasilius goes off and he 513 00:28:31,320 --> 00:28:33,480 Speaker 1: starts doing his you know Greek robin Hood thing. You know, 514 00:28:33,480 --> 00:28:36,359 Speaker 1: he's always doing it. But there's a very particular story. 515 00:28:36,760 --> 00:28:39,920 Speaker 1: There's an orphan girl he meets, and uh, the story goes, 516 00:28:40,040 --> 00:28:42,200 Speaker 1: this orphan wished to marry, but she had no family 517 00:28:42,200 --> 00:28:44,520 Speaker 1: because she's an orphan, and she lived in a very 518 00:28:44,600 --> 00:28:46,520 Speaker 1: rural place, which means she still needed to have a 519 00:28:46,560 --> 00:28:48,800 Speaker 1: dowry if she wanted to get married, but she had 520 00:28:48,880 --> 00:28:51,880 Speaker 1: no one to help over a dowery until Greek robin 521 00:28:51,920 --> 00:28:54,360 Speaker 1: Hood shows up and being an agent of love and 522 00:28:54,440 --> 00:28:57,800 Speaker 1: rebellion and chaos, Vassilus he gives the orphan a hundred 523 00:28:57,840 --> 00:29:00,440 Speaker 1: thousand dropbod, which is enough for her to go and 524 00:29:00,480 --> 00:29:02,360 Speaker 1: the two were able to wed. So he's like, here 525 00:29:02,360 --> 00:29:04,400 Speaker 1: you go. This is just one of many stories of 526 00:29:04,440 --> 00:29:07,400 Speaker 1: him doing kinds of things. Right, Like, for instance, there's 527 00:29:07,440 --> 00:29:11,600 Speaker 1: another one between nine Vasilius is living on the lamb 528 00:29:11,640 --> 00:29:15,000 Speaker 1: in the mountains, right and uh, he'd be spotted driving 529 00:29:15,040 --> 00:29:17,200 Speaker 1: like a stolen car through the mountains, and the locals 530 00:29:17,240 --> 00:29:19,080 Speaker 1: just love seeing them because every time they saw him, 531 00:29:19,160 --> 00:29:21,920 Speaker 1: he'd be bumping really loud, like Greek guitar tracks out 532 00:29:21,920 --> 00:29:25,480 Speaker 1: of the open windows and passed like this a fun guy, 533 00:29:25,920 --> 00:29:28,600 Speaker 1: just like a finger picking Greek flamenco music pouring out 534 00:29:28,600 --> 00:29:30,960 Speaker 1: of the windows. And if not, there'll be money coming 535 00:29:30,960 --> 00:29:35,560 Speaker 1: out of the windows. So in December, in his luck 536 00:29:35,640 --> 00:29:38,600 Speaker 1: ends and Vassillus is driving near a maximum security prison 537 00:29:38,760 --> 00:29:41,160 Speaker 1: and he had planned to blow up the prison. He's 538 00:29:41,200 --> 00:29:44,160 Speaker 1: wearing a disguise at the time. Does he know anyone 539 00:29:44,200 --> 00:29:47,080 Speaker 1: in this prison? He's trying to get out the art 540 00:29:47,160 --> 00:29:49,360 Speaker 1: He's like, I got the artists in there, as far 541 00:29:49,360 --> 00:29:52,360 Speaker 1: as I understand, I'm just like he sees a prison, 542 00:29:52,440 --> 00:29:54,520 Speaker 1: He's like, let's just blow it. Need to blow that. 543 00:29:54,600 --> 00:29:58,040 Speaker 1: Let's let him all out, free everybody. So he's wearing 544 00:29:58,040 --> 00:30:01,520 Speaker 1: a disguise driving and also he's high, so he's yeah, 545 00:30:01,800 --> 00:30:04,120 Speaker 1: the reports are he was smoking something. I took that 546 00:30:04,200 --> 00:30:08,320 Speaker 1: to mean jazz cigarettes. Yeah, I don't think it's pipe 547 00:30:08,400 --> 00:30:12,440 Speaker 1: or anything. So anyway, he's driving high in disguise, crashes 548 00:30:12,480 --> 00:30:15,760 Speaker 1: his car right gets into a car accident, various witnesses 549 00:30:15,760 --> 00:30:18,200 Speaker 1: and onlookers. They phone the authorities because you know, they 550 00:30:18,240 --> 00:30:19,840 Speaker 1: have nine one one at this point in the nineties. 551 00:30:20,000 --> 00:30:22,400 Speaker 1: So Vacillus is injured, he can't escape the car wreck, 552 00:30:22,440 --> 00:30:25,120 Speaker 1: and he tells the onlookers, don't tell them who I am. 553 00:30:25,240 --> 00:30:28,400 Speaker 1: I am Vassilus Paleogoustus. It's like, that's not the way 554 00:30:28,440 --> 00:30:32,280 Speaker 1: to do that. So whoever phones it in they did 555 00:30:32,280 --> 00:30:34,920 Speaker 1: the exact opposite from what he requests. And so there's 556 00:30:34,960 --> 00:30:37,920 Speaker 1: this great like quote from the emergency call center operator 557 00:30:37,960 --> 00:30:40,640 Speaker 1: informing the police that they're headed to the scene of 558 00:30:40,640 --> 00:30:43,080 Speaker 1: this accident. We got a man here who told uh 559 00:30:43,560 --> 00:30:45,640 Speaker 1: he must have a head injury. He thinks he's the 560 00:30:45,640 --> 00:30:49,320 Speaker 1: most wanted man in Greece. That's like in all the 561 00:30:49,360 --> 00:30:52,080 Speaker 1: paper reports. Anyway, it turns out he was both the 562 00:30:52,120 --> 00:30:55,000 Speaker 1: most wanted man in Greece and at end injury. So 563 00:30:55,600 --> 00:30:58,160 Speaker 1: the cops are rest Vassilus. He stands trial, he's convicted. 564 00:30:58,200 --> 00:31:00,800 Speaker 1: He gets sentenced to twenty five years bank robberies and 565 00:31:00,840 --> 00:31:03,720 Speaker 1: the kidnapping of the fat Cat industrialist. The Solous is 566 00:31:03,800 --> 00:31:06,280 Speaker 1: sent to a prison on the island of Corfu, where 567 00:31:06,480 --> 00:31:09,520 Speaker 1: he immediately begins to work on an escape plan, but 568 00:31:09,600 --> 00:31:12,200 Speaker 1: the guards discover his hand made blueprint that he is 569 00:31:12,240 --> 00:31:14,800 Speaker 1: once again doing artist style. He's like drawing a blueprint, 570 00:31:15,240 --> 00:31:17,480 Speaker 1: he figures they guess what he's up to. They tell 571 00:31:17,640 --> 00:31:20,880 Speaker 1: the warden. Warden's like, don't worry about it, right, So 572 00:31:21,240 --> 00:31:23,440 Speaker 1: they're like like, well, no, you have to. He's like, okay, fine, 573 00:31:23,520 --> 00:31:26,000 Speaker 1: transfer him. So they transfer him to an Athens prison. 574 00:31:26,040 --> 00:31:28,080 Speaker 1: So there he's added Athens prison. He makes a new 575 00:31:28,120 --> 00:31:30,560 Speaker 1: plan to escape, draws up a new blueprint, just like 576 00:31:30,560 --> 00:31:33,520 Speaker 1: the artist would want him to this. Somehow he's able 577 00:31:33,560 --> 00:31:35,880 Speaker 1: to get a metal file snuck into him. He uses 578 00:31:35,880 --> 00:31:38,680 Speaker 1: his metal file to start loosening the bar. She's saw 579 00:31:38,760 --> 00:31:40,920 Speaker 1: him through the bars every day, working a little bit, 580 00:31:41,240 --> 00:31:43,600 Speaker 1: and uh, he's like being a model prisoner. Everything's to 581 00:31:43,600 --> 00:31:46,360 Speaker 1: be fine. Now. Turns out he got this metal file 582 00:31:46,760 --> 00:31:50,440 Speaker 1: snuck into him in a package of spaghetti. I didn't 583 00:31:50,440 --> 00:31:56,480 Speaker 1: know you could get packages water Amazon order. How does 584 00:31:56,520 --> 00:31:59,680 Speaker 1: this work? Did they not check packages of spaghetti? How 585 00:31:59,720 --> 00:32:02,320 Speaker 1: do they away? The guards? They were aware that there 586 00:32:02,360 --> 00:32:04,560 Speaker 1: was a middle file, and for their own little amusement, 587 00:32:04,560 --> 00:32:06,600 Speaker 1: they told the warden about it. Warden's like, oh yeah, 588 00:32:06,680 --> 00:32:08,360 Speaker 1: let him, let him work on it, so they let 589 00:32:08,400 --> 00:32:10,480 Speaker 1: him get kidding. They let him try to file his 590 00:32:10,520 --> 00:32:13,160 Speaker 1: way out, and then the warden for a little bitten 591 00:32:13,240 --> 00:32:15,360 Speaker 1: mouse game. He goes in every stones off and checks 592 00:32:15,400 --> 00:32:17,560 Speaker 1: to see how he's doing. He looks to see how 593 00:32:17,600 --> 00:32:19,280 Speaker 1: far he is, and they trying to estimate when he's 594 00:32:19,320 --> 00:32:21,320 Speaker 1: gonna get it in the world. The day that he's 595 00:32:21,320 --> 00:32:23,680 Speaker 1: convinced of silica is gonna get out. He's like, hey, guys, 596 00:32:23,680 --> 00:32:25,320 Speaker 1: go let's go down in yard and wait for him. 597 00:32:25,360 --> 00:32:28,560 Speaker 1: So they go down and wait for miss gets He 598 00:32:28,640 --> 00:32:31,240 Speaker 1: finally saw us through the last bar, lifts out. He's 599 00:32:31,280 --> 00:32:33,440 Speaker 1: got a hole, pushes through the hole of his window, 600 00:32:33,520 --> 00:32:37,320 Speaker 1: drops down and there are a bunch of waiting for him, 601 00:32:37,600 --> 00:32:39,640 Speaker 1: and the guards start pointing guns out of the Wards 602 00:32:39,640 --> 00:32:42,400 Speaker 1: like no, no, put the guns downe Hey, you want 603 00:32:42,400 --> 00:32:44,360 Speaker 1: out of here, You're gonna have to fight me for it. 604 00:32:44,840 --> 00:32:48,440 Speaker 1: So the two girds. The warden tells him, if you 605 00:32:48,440 --> 00:32:50,240 Speaker 1: can beat me, I'll let you out of the prison, 606 00:32:50,560 --> 00:32:52,640 Speaker 1: and the Wards is like, they call me the traffic jam. 607 00:32:52,880 --> 00:32:58,200 Speaker 1: Like who's thing call the traffic jam? So the traffic 608 00:32:58,280 --> 00:33:02,080 Speaker 1: jam he takes on uncatch your bowl uncatchable. He catches 609 00:33:02,120 --> 00:33:05,200 Speaker 1: a couple to the face and h he gets beat 610 00:33:05,280 --> 00:33:08,520 Speaker 1: bad by the warden. Right, so the silisa sent back 611 00:33:08,560 --> 00:33:11,880 Speaker 1: inside and after this short break, I will tell you 612 00:33:11,920 --> 00:33:14,800 Speaker 1: how he gets back to criming, because he definitely does. 613 00:33:35,120 --> 00:33:38,040 Speaker 1: All right, Elizabeth, where were we? You were telling me 614 00:33:38,120 --> 00:33:40,959 Speaker 1: about a bare knuckle fight between a warden and an inmate. 615 00:33:41,120 --> 00:33:49,200 Speaker 1: That's right, Greek prison. So my man pasilis Paleocostus. He's 616 00:33:49,200 --> 00:33:50,960 Speaker 1: been sent from one prison another and he went from 617 00:33:50,960 --> 00:33:53,120 Speaker 1: car food and I was back in Athens. The warden 618 00:33:53,160 --> 00:33:55,320 Speaker 1: has been taunting him. He's been beaten up after he 619 00:33:55,360 --> 00:33:58,120 Speaker 1: tried to escape. He's after he sent back inside, he's 620 00:33:58,120 --> 00:34:00,400 Speaker 1: given a new cell mate. Turns out the new sellmate 621 00:34:00,440 --> 00:34:03,160 Speaker 1: will play a big hand in the future of everything 622 00:34:03,200 --> 00:34:05,760 Speaker 1: he does. His new cellmate's name is al kitt Rose. 623 00:34:06,120 --> 00:34:09,719 Speaker 1: He is an Albanian hit man. For whatever it's worth, 624 00:34:09,760 --> 00:34:12,120 Speaker 1: al kitt Rose. He swears he was no hit man 625 00:34:12,160 --> 00:34:14,680 Speaker 1: and that he was wrongfully arrested. So the papers all 626 00:34:14,680 --> 00:34:16,520 Speaker 1: say he was a hit man. He swears he was 627 00:34:16,560 --> 00:34:18,160 Speaker 1: not a hit man, and that guy just happened to 628 00:34:18,160 --> 00:34:23,040 Speaker 1: be dead and they call him the Thunderclu. His name 629 00:34:23,080 --> 00:34:27,399 Speaker 1: was Thunderbunny him. The two men get to know each 630 00:34:27,400 --> 00:34:30,000 Speaker 1: other in the sale. Just like Jero dreamed of sushi, 631 00:34:30,080 --> 00:34:33,360 Speaker 1: they dream of escape right and the Stills dreams about 632 00:34:33,560 --> 00:34:36,280 Speaker 1: calling down quote a missile strike on the prison walls. 633 00:34:36,760 --> 00:34:40,000 Speaker 1: He's like, he's still an eighties action movie. And it's 634 00:34:40,040 --> 00:34:43,600 Speaker 1: like someone will still a helicopter for little do you. 635 00:34:45,520 --> 00:34:48,279 Speaker 1: It takes the twenty days together before they decide on 636 00:34:48,320 --> 00:34:50,440 Speaker 1: a plan, and they put it into action on the 637 00:34:50,480 --> 00:34:53,600 Speaker 1: twenties day together June four, two thousand six, they have 638 00:34:53,800 --> 00:34:56,640 Speaker 1: contact your brother Nikos, he's their point man on the outside. 639 00:34:56,880 --> 00:35:01,320 Speaker 1: They have arranged a plan and everything's go. Nicos chartered 640 00:35:01,320 --> 00:35:05,399 Speaker 1: a helicopter from a sightseeing company. Tom I just think 641 00:35:05,480 --> 00:35:08,839 Speaker 1: eighties action movie and they think helico exactly as did they. 642 00:35:09,560 --> 00:35:12,879 Speaker 1: So Nikos were like, according to the Elizabeth plan, I'm 643 00:35:12,880 --> 00:35:16,120 Speaker 1: sorry the phantom. Sorry, you're right not to state. As 644 00:35:16,160 --> 00:35:18,480 Speaker 1: soon as Nicos the phantom is in the air with 645 00:35:18,800 --> 00:35:22,080 Speaker 1: the sight seeing helicopter pilot, they go up on the 646 00:35:22,160 --> 00:35:24,839 Speaker 1: charted helicopter. The pilots like, oh, what do you want 647 00:35:24,840 --> 00:35:26,799 Speaker 1: to see here in Athens? And Nikos pulls out a 648 00:35:26,800 --> 00:35:28,480 Speaker 1: gun and goes take me to the prison. He's like, 649 00:35:28,600 --> 00:35:32,960 Speaker 1: that's not people want to see, Soos Nikos has a 650 00:35:33,000 --> 00:35:34,920 Speaker 1: grenade just in case the guy tries to get clever. 651 00:35:35,200 --> 00:35:37,080 Speaker 1: He's like, I got a gun and a grenade to 652 00:35:37,160 --> 00:35:40,240 Speaker 1: be good for you. So he yanks out the radio 653 00:35:40,320 --> 00:35:42,799 Speaker 1: so now that the guy can't call the cops, he 654 00:35:42,960 --> 00:35:46,560 Speaker 1: orders the pilot to fly to the prison. The pilots like, okay, 655 00:35:46,880 --> 00:35:49,000 Speaker 1: you got the guns. So that's a persuader. I'm doing it. 656 00:35:49,760 --> 00:35:53,400 Speaker 1: Are the Phantom? Yeah, I got to the phantom. So 657 00:35:53,520 --> 00:35:56,440 Speaker 1: Mr the Phantom tell me where should I be landing? 658 00:35:56,760 --> 00:35:59,680 Speaker 1: And so the phantom tells in the prison exercise yard, 659 00:35:59,680 --> 00:36:02,000 Speaker 1: and he's like, Okay, it's gonna be difficult, but I 660 00:36:02,080 --> 00:36:05,799 Speaker 1: can do that. Vasilus and cell mate there in the 661 00:36:05,880 --> 00:36:08,279 Speaker 1: yard waiting, and they have snapped a lockdown on the 662 00:36:08,280 --> 00:36:10,080 Speaker 1: gate so that the guards can't chase them. It's like 663 00:36:10,120 --> 00:36:12,600 Speaker 1: an improvised lock that they've created. They pull out a 664 00:36:12,640 --> 00:36:15,880 Speaker 1: red Chego Vara flag that he had been on his 665 00:36:15,920 --> 00:36:17,480 Speaker 1: prison wall. This is why the two of them got 666 00:36:17,480 --> 00:36:19,359 Speaker 1: along so well. When al Kit sees his new cell 667 00:36:19,400 --> 00:36:21,319 Speaker 1: mate has a cheg Wavara flag and he's like, oh, 668 00:36:21,360 --> 00:36:23,319 Speaker 1: we're gonna get along great. So the two of them, 669 00:36:23,600 --> 00:36:26,239 Speaker 1: as soon as they got they got spaghetti, they got 670 00:36:27,320 --> 00:36:31,680 Speaker 1: they got movie nights, so they're like waving the Cheguavara 671 00:36:31,760 --> 00:36:35,919 Speaker 1: flag on the prison exercise yard. The helicopter lowers enough 672 00:36:35,960 --> 00:36:38,160 Speaker 1: that the two men can reach the landing skids, but 673 00:36:38,280 --> 00:36:40,200 Speaker 1: then the prison guards are fully aware this is actually 674 00:36:40,200 --> 00:36:42,280 Speaker 1: a prison break. This is not like a prison officials 675 00:36:42,280 --> 00:36:44,360 Speaker 1: coming for an inspection, which is what they think Originally, 676 00:36:45,040 --> 00:36:48,800 Speaker 1: They're like, yeah, exactly right. So the guards they point 677 00:36:48,800 --> 00:36:50,600 Speaker 1: their guns at the men, but then like wait, wait, wait, 678 00:36:50,960 --> 00:36:53,360 Speaker 1: because they realized the prison is located in the residential 679 00:36:53,360 --> 00:36:55,200 Speaker 1: neighborhood and all the prison guards know that on the 680 00:36:55,200 --> 00:36:56,920 Speaker 1: other side of the prison walls are a bunch of 681 00:36:56,920 --> 00:37:00,480 Speaker 1: neighborhood kids who always kicks soccer balls, and they don't 682 00:37:00,480 --> 00:37:02,839 Speaker 1: want to shoot the kids, so they're like, let him go. 683 00:37:03,840 --> 00:37:08,319 Speaker 1: The kids bring upside. The prisons agreed, Yeah, I'll tell 684 00:37:08,400 --> 00:37:11,480 Speaker 1: you like that. So they watched the helicopter lift up 685 00:37:11,520 --> 00:37:14,800 Speaker 1: into the sky, Bye bye, and they're gone after a 686 00:37:14,880 --> 00:37:17,719 Speaker 1: short flights, and the kids all cheer yeah, pretty much. 687 00:37:17,800 --> 00:37:19,960 Speaker 1: The chopper lands in the cemetery on the north side 688 00:37:19,960 --> 00:37:22,719 Speaker 1: of Athens. The pilis hops out, hugs his brother, says 689 00:37:22,760 --> 00:37:26,200 Speaker 1: wear it right, and they did, and then he attends 690 00:37:26,200 --> 00:37:28,160 Speaker 1: to the helicopter pilot and he's like, here man, he 691 00:37:28,200 --> 00:37:30,800 Speaker 1: gives him worry beats and he says, you will be okay. 692 00:37:31,040 --> 00:37:33,359 Speaker 1: You guys like, yeah, I'm a little more worried about 693 00:37:33,440 --> 00:37:35,880 Speaker 1: how much this oh doo's gonna get arrested by the 694 00:37:35,880 --> 00:37:38,719 Speaker 1: police in on it. He's got, he's got a tough 695 00:37:38,719 --> 00:37:41,319 Speaker 1: few days in front of him. Anyway, after they give 696 00:37:41,360 --> 00:37:45,719 Speaker 1: the worry beats to the helicopter and tell me he's okay, 697 00:37:47,400 --> 00:37:51,080 Speaker 1: here's a chokers, stay hop on stolen dirt bikes and 698 00:37:51,160 --> 00:37:57,239 Speaker 1: zoom off from room right. Yeah, exactly, scoot alkitt rise, 699 00:37:57,480 --> 00:38:00,400 Speaker 1: he later recalled, and I quote I will full of 700 00:38:00,480 --> 00:38:03,320 Speaker 1: drugs and adrenaline. I could barely show on the emotion. 701 00:38:03,400 --> 00:38:06,160 Speaker 1: I just sat there stunned. But when we eventually switched 702 00:38:06,160 --> 00:38:08,040 Speaker 1: in the cars, I drove as fast as I could, 703 00:38:08,040 --> 00:38:10,520 Speaker 1: knowing that I didn't have to think about prison anymore. 704 00:38:10,680 --> 00:38:14,719 Speaker 1: It felt like a paradise. He's Russian. Everybody's rushing to it. 705 00:38:14,800 --> 00:38:16,280 Speaker 1: You know, what, what do you want from me? Everyone's 706 00:38:16,320 --> 00:38:20,400 Speaker 1: Russian here in Greece, in the world, everyone's rushing. Increase accent, 707 00:38:20,560 --> 00:38:22,240 Speaker 1: like I don't know how to do a Greek accent 708 00:38:22,239 --> 00:38:24,440 Speaker 1: without being just straight up offensive, like I don't want 709 00:38:24,440 --> 00:38:26,759 Speaker 1: to do anything like I'm just going like a rough 710 00:38:26,800 --> 00:38:29,880 Speaker 1: slot like it. So he said of their escape, it 711 00:38:29,960 --> 00:38:32,480 Speaker 1: was a picture perfect or in his words, and forgive 712 00:38:32,520 --> 00:38:36,000 Speaker 1: the accent. The ultimate aim and a jailbreak is to 713 00:38:36,120 --> 00:38:39,640 Speaker 1: leave nice and pretty and to say cheers and bravo 714 00:38:39,920 --> 00:38:43,440 Speaker 1: as you leave, cheers, which is exactly apparently what they did. 715 00:38:43,520 --> 00:38:46,040 Speaker 1: They were waiting to get check with horror flags cheers 716 00:38:46,120 --> 00:38:50,880 Speaker 1: and as they flew away. So Greek Robin Hood is 717 00:38:50,920 --> 00:38:52,960 Speaker 1: once again free and on the lamb and reunited with 718 00:38:53,000 --> 00:38:55,719 Speaker 1: his brother Nikos. And so what goes down next for 719 00:38:55,800 --> 00:38:58,480 Speaker 1: Greek Robin Hood. Well, three months after their daring escape, 720 00:38:58,480 --> 00:39:00,920 Speaker 1: al kitt Rose gets caught and return into prisons because 721 00:39:00,920 --> 00:39:04,080 Speaker 1: they're not good at freedom, Elizabeth. And months later, in 722 00:39:04,120 --> 00:39:06,360 Speaker 1: that same year, two thousand and six, big brother Nicos 723 00:39:06,440 --> 00:39:08,960 Speaker 1: He is also caught and apprehended by police. He gets 724 00:39:09,080 --> 00:39:11,759 Speaker 1: nabbed in after a high speed car chase. Meanwhile, these 725 00:39:11,760 --> 00:39:13,719 Speaker 1: guys are always in high speed car chase. There's so 726 00:39:13,719 --> 00:39:15,440 Speaker 1: many high speed car chases, I'm not even gonna tell 727 00:39:15,440 --> 00:39:19,839 Speaker 1: you about all them. They caught the Phantom but Uncatchable, 728 00:39:19,880 --> 00:39:23,560 Speaker 1: true to his nickname, stayed free. He and so at 729 00:39:23,560 --> 00:39:25,600 Speaker 1: this point he's like got a new focus. He's like, 730 00:39:25,680 --> 00:39:27,719 Speaker 1: I gotta I gotta get my my big my big 731 00:39:27,760 --> 00:39:30,200 Speaker 1: brother out of prison. And he's also a little bothered 732 00:39:30,200 --> 00:39:32,560 Speaker 1: because his baby brother, the Phantom, is now known as 733 00:39:32,600 --> 00:39:34,880 Speaker 1: the most wanted outlaw in the land. He's like, his 734 00:39:34,960 --> 00:39:37,000 Speaker 1: nickname is better than mine. I need to do something 735 00:39:37,000 --> 00:39:41,120 Speaker 1: about this. So big baby brother of the list, he decides, 736 00:39:41,400 --> 00:39:43,080 Speaker 1: you know, I'm gonna needs some money to break my 737 00:39:43,080 --> 00:39:45,880 Speaker 1: my brother out. So he goes and he kidnaps another 738 00:39:45,880 --> 00:39:48,920 Speaker 1: Greek industrialists. You know, go back to what you know there. 739 00:39:50,120 --> 00:39:53,000 Speaker 1: You can't walk anywhere in Greece without just tripping over 740 00:39:53,040 --> 00:39:57,760 Speaker 1: shipping magnets. Yeah, is just lousy with magnets and industrialists. 741 00:39:58,280 --> 00:40:01,000 Speaker 1: So June nine and eight, he and two men they 742 00:40:01,080 --> 00:40:06,200 Speaker 1: kidnapped George Milonas and he's an aluminum magnet, so mixing 743 00:40:06,239 --> 00:40:08,279 Speaker 1: it up, So he grabbed a gun point by the 744 00:40:08,360 --> 00:40:10,839 Speaker 1: silus and two men wearing hoods arm with shot guns, 745 00:40:10,920 --> 00:40:13,320 Speaker 1: which is always a good look. Two weeks later, the 746 00:40:13,320 --> 00:40:16,680 Speaker 1: fat cat Industrious gets released once again unharmed, after his 747 00:40:16,760 --> 00:40:22,640 Speaker 1: family paid how much nineteen million dollars American in ransom 748 00:40:22,800 --> 00:40:24,719 Speaker 1: today's dollars, by the way, because what was at one 749 00:40:24,719 --> 00:40:27,400 Speaker 1: point one point five first good memory. Now, the police 750 00:40:27,480 --> 00:40:29,600 Speaker 1: tracked the ransom money because it had been marked and 751 00:40:29,600 --> 00:40:31,760 Speaker 1: they were able to locate the hideout of the Scillus. 752 00:40:32,239 --> 00:40:36,319 Speaker 1: So two months after the kidnapping in August, as he's 753 00:40:36,400 --> 00:40:38,719 Speaker 1: laying about his mountain hide out with an anarchist friend 754 00:40:38,760 --> 00:40:41,200 Speaker 1: watching a DVD of Monty Python and the Holy Grail 755 00:40:41,680 --> 00:40:44,560 Speaker 1: and the Anti Terror yea truly, the anti terrorism squad 756 00:40:44,640 --> 00:40:51,640 Speaker 1: busted into the door and arrested Huge exactly. Fails Is 757 00:40:51,640 --> 00:40:54,480 Speaker 1: re arrested and returned to prison. For some reason, the 758 00:40:54,520 --> 00:40:56,719 Speaker 1: Greene authorities, they decided to put the Sillus and his 759 00:40:56,760 --> 00:40:59,279 Speaker 1: old cell mate, I'll kit Ris back together in the 760 00:40:59,320 --> 00:41:03,280 Speaker 1: same cell. Like that's like yeah, like they're saving space. 761 00:41:03,320 --> 00:41:06,240 Speaker 1: We're like, well, we already have the number system work, yeah, exactly. 762 00:41:06,440 --> 00:41:08,320 Speaker 1: So as they prepare for their new trial, he and 763 00:41:08,400 --> 00:41:11,160 Speaker 1: al Kitt they prepare a new escape plan. Let's go 764 00:41:11,200 --> 00:41:13,239 Speaker 1: back to what we know, get out the sketch pad 765 00:41:13,560 --> 00:41:15,680 Speaker 1: outside of the court for his new trial and Athens, 766 00:41:15,680 --> 00:41:18,520 Speaker 1: the local villagers come in from all those surrounding towns 767 00:41:18,520 --> 00:41:21,319 Speaker 1: that he's been like basically hiding out in and they 768 00:41:21,360 --> 00:41:23,960 Speaker 1: come into the city and they gathered to protest his arrest. 769 00:41:24,200 --> 00:41:26,480 Speaker 1: There's a group of rural farmers and along with them 770 00:41:26,520 --> 00:41:29,319 Speaker 1: are urban anarchists. And then it also swelling into this 771 00:41:29,360 --> 00:41:32,239 Speaker 1: crowd or peasants and shepherds who were all shouting death 772 00:41:32,239 --> 00:41:36,120 Speaker 1: through the pigs, freedom, the paleocaustus, death, the pigs fed 773 00:41:39,800 --> 00:41:42,439 Speaker 1: exactly goats in the streets. People are there, but they're 774 00:41:42,480 --> 00:41:45,239 Speaker 1: buying in protests. So at one point during all this 775 00:41:45,360 --> 00:41:49,040 Speaker 1: media circus trial, alcott Ri's girlfriend swans into the courtroom. 776 00:41:49,120 --> 00:41:50,759 Speaker 1: She makes a big scene. Everyone's like, oh, look at her. 777 00:41:50,800 --> 00:41:53,120 Speaker 1: She's so dramatic and beautiful, and she's allowed to hug 778 00:41:53,120 --> 00:41:55,719 Speaker 1: her incarcerated boyfriend. I don't know how this play is 779 00:41:55,719 --> 00:41:58,520 Speaker 1: out in Greece, but she uses the opportunity to slip 780 00:41:58,560 --> 00:42:01,840 Speaker 1: something in his pocket. It's a watch with a tiny radio. 781 00:42:02,200 --> 00:42:06,400 Speaker 1: Oh my god. Scond two thousand nine, Alcott's girlfriend phones 782 00:42:06,480 --> 00:42:09,239 Speaker 1: him on this little dick Tracy prison watched and she 783 00:42:09,360 --> 00:42:12,120 Speaker 1: lets him know, baby, it's on. And so Alkett and 784 00:42:12,160 --> 00:42:14,160 Speaker 1: Vassilis were led out into the prison yard for their 785 00:42:14,200 --> 00:42:19,640 Speaker 1: daily exercise, and around the size of the palm of 786 00:42:19,680 --> 00:42:26,200 Speaker 1: his hand he's got and so thirty three forty five 787 00:42:26,200 --> 00:42:29,320 Speaker 1: in the afternoon, a helicopter is spotted approaching the prison. 788 00:42:30,200 --> 00:42:33,919 Speaker 1: The helicopter is yet another hijacked chopper, and this time 789 00:42:33,920 --> 00:42:38,120 Speaker 1: it's Alcott's girlfriend who's holding the automatic rifle, and Nko 790 00:42:38,200 --> 00:42:40,640 Speaker 1: says instead of Nikos, it's this time it's Alcott's girlfriend 791 00:42:40,680 --> 00:42:42,640 Speaker 1: and she's kidnapped to pilot at gun point and forced 792 00:42:42,680 --> 00:42:44,520 Speaker 1: him to fly to the prison yard. She pulls on 793 00:42:44,560 --> 00:42:46,239 Speaker 1: the gun on the pilot and tells him we're going 794 00:42:46,280 --> 00:42:49,080 Speaker 1: to pick up the kids. Cordilo's prison. When you die, 795 00:42:49,840 --> 00:42:52,160 Speaker 1: always with the kids, dropping kids off, picking kids up. 796 00:42:52,719 --> 00:42:55,440 Speaker 1: And by the way, they call me the specter. No 797 00:42:55,600 --> 00:43:00,400 Speaker 1: they don't, they don't. You do so he the pilot 798 00:43:00,400 --> 00:43:03,759 Speaker 1: does as instructed. The chopper arrives at the desired landing zone. 799 00:43:03,800 --> 00:43:06,520 Speaker 1: Helicopter hovered over the prison yard, the rope ladders tossed 800 00:43:06,560 --> 00:43:09,239 Speaker 1: down the side, and his girlfriend brandishing a machine gun, 801 00:43:09,320 --> 00:43:11,960 Speaker 1: provides cover for the two men as they climb the 802 00:43:12,040 --> 00:43:14,960 Speaker 1: rope ladder. This time there's no kids playing soccer and 803 00:43:15,000 --> 00:43:17,240 Speaker 1: other side of the prison wall, so the guards open fire. 804 00:43:17,520 --> 00:43:20,040 Speaker 1: The two get in like an open gunfight, and she's 805 00:43:20,080 --> 00:43:22,719 Speaker 1: gunning from the open helicopter doors like it's a Vietnam 806 00:43:22,800 --> 00:43:27,160 Speaker 1: War movie. Guys are climbing and just scrambling as fast 807 00:43:27,160 --> 00:43:29,799 Speaker 1: as they can up this rope ladder and uh, they 808 00:43:29,840 --> 00:43:32,239 Speaker 1: managed to basically tell him we're on the ladder, take 809 00:43:32,320 --> 00:43:34,839 Speaker 1: off and she turns. The guy left off and he does, 810 00:43:34,920 --> 00:43:37,359 Speaker 1: and they take off and managed to escape. And they're 811 00:43:37,400 --> 00:43:39,600 Speaker 1: just dangling on the rope ladder. Yeah. We At one 812 00:43:39,640 --> 00:43:42,080 Speaker 1: point the prison guard tries to grab al Catt. He 813 00:43:42,080 --> 00:43:44,640 Speaker 1: sees he's reaching for the ladder. Alcat turns and he's 814 00:43:44,640 --> 00:43:48,560 Speaker 1: got a kebab skewer in his hand. Topic right now, 815 00:43:52,560 --> 00:43:58,359 Speaker 1: that's not like an offensive. The pilot obligern And by 816 00:43:58,360 --> 00:43:59,879 Speaker 1: the way, all this is on YouTube if you want 817 00:43:59,880 --> 00:44:07,840 Speaker 1: to now the prison cards. After they had unloaded their 818 00:44:07,840 --> 00:44:10,240 Speaker 1: clips in the under side of this helicopter, they pierced 819 00:44:10,239 --> 00:44:12,320 Speaker 1: the gas tank, they severed the fuel line. This helicopter 820 00:44:12,360 --> 00:44:14,640 Speaker 1: is not making but it does make it to the 821 00:44:14,680 --> 00:44:17,080 Speaker 1: side of a highway in the suburbs of Athens where 822 00:44:17,200 --> 00:44:20,480 Speaker 1: they land. The pilot is fine, he's left bounding, gagged 823 00:44:20,520 --> 00:44:23,960 Speaker 1: and hooded. Vasilus Alquette and his girl, they all they're 824 00:44:24,000 --> 00:44:27,160 Speaker 1: gone like the wind. Yeah. So the Greek news interrupts 825 00:44:27,200 --> 00:44:29,160 Speaker 1: all the daily soap propers with the brand news of 826 00:44:29,160 --> 00:44:33,000 Speaker 1: the daring prison escape of Acoustus. This is the beginning 827 00:44:33,000 --> 00:44:35,279 Speaker 1: of the largest man hunt in Greek history. Now a 828 00:44:35,360 --> 00:44:39,840 Speaker 1: month later, two men and a woman storm into a 829 00:44:39,880 --> 00:44:42,200 Speaker 1: bank in the hometown of Vacillus and rob it. The 830 00:44:42,280 --> 00:44:45,680 Speaker 1: robbers are reported to be quote the fugitive Vassilus Paleocoustus 831 00:44:45,719 --> 00:44:50,280 Speaker 1: alquet Rose and their female accomplice, a blonde Laura Croft. No, 832 00:44:50,360 --> 00:44:52,760 Speaker 1: that's how they described in the press. All three escape 833 00:44:52,840 --> 00:44:55,640 Speaker 1: unharmed and with a small fortune. But not long after 834 00:44:55,680 --> 00:44:57,680 Speaker 1: that Alquette and his girlfriend they get nabbed by the 835 00:44:57,719 --> 00:45:00,600 Speaker 1: Greek police, like we've got the specter Like these two, 836 00:45:00,640 --> 00:45:05,120 Speaker 1: there's just too foxy, unstatchable. True to his nickname, he 837 00:45:05,200 --> 00:45:08,319 Speaker 1: stays free on the lamb, and he gets spotted by 838 00:45:08,400 --> 00:45:10,680 Speaker 1: rural villagers who they say they always notice him in 839 00:45:10,680 --> 00:45:13,960 Speaker 1: the VW Torres Apparently he just likes stealing torregs, so 840 00:45:14,080 --> 00:45:16,440 Speaker 1: he would like steal torreg get some cash in his 841 00:45:16,480 --> 00:45:19,480 Speaker 1: hand and go for a drive, just throw money as 842 00:45:19,520 --> 00:45:21,840 Speaker 1: he was driving around, listening to get like Greek guitar. 843 00:45:23,320 --> 00:45:25,759 Speaker 1: And also there's another All these tales of his acts 844 00:45:25,760 --> 00:45:27,440 Speaker 1: of charity. But there's one I thought you would like 845 00:45:27,920 --> 00:45:29,920 Speaker 1: as his poor family. Right, it's the middle of the 846 00:45:30,040 --> 00:45:31,640 Speaker 1: night and they hear a knock at their door, and 847 00:45:31,640 --> 00:45:33,759 Speaker 1: when they open it, all they find waiting for them 848 00:45:33,840 --> 00:45:37,200 Speaker 1: is an envelope. Inside the envelope is ten thousand euros, 849 00:45:37,239 --> 00:45:39,200 Speaker 1: the exact amount of money they need for medical treatment 850 00:45:39,239 --> 00:45:42,040 Speaker 1: for the father whom the whole family depended on. So 851 00:45:42,120 --> 00:45:44,440 Speaker 1: he just comes in basically drops off the money, and 852 00:45:44,480 --> 00:45:46,040 Speaker 1: he isn't even there for them to say, how does 853 00:45:46,080 --> 00:45:50,279 Speaker 1: he find these things out? Is just like windows at night, Yes, 854 00:45:50,400 --> 00:45:53,520 Speaker 1: just like that. He gathers at the window. He's got 855 00:45:53,560 --> 00:45:59,279 Speaker 1: a big earhorns in now. He basically as an underground guy. 856 00:45:59,360 --> 00:46:01,359 Speaker 1: He keeps his his ear to the wind, and when 857 00:46:01,360 --> 00:46:03,000 Speaker 1: he hears some of these things, he's like, m I 858 00:46:03,040 --> 00:46:06,239 Speaker 1: can go do something about this. So stories like this 859 00:46:06,320 --> 00:46:09,000 Speaker 1: proliferate through the mountains of grease, and everybody's always hoping 860 00:46:09,040 --> 00:46:11,120 Speaker 1: that the Greek robin Hood will be so kind as 861 00:46:11,160 --> 00:46:13,759 Speaker 1: to roll into their town with his his Greek music 862 00:46:13,760 --> 00:46:16,160 Speaker 1: coming out of the windows, and people start planting like 863 00:46:16,640 --> 00:46:20,200 Speaker 1: stories like you know, I really just need twenty thousand 864 00:46:20,239 --> 00:46:23,160 Speaker 1: euros and then I'll have my dream of getting a 865 00:46:23,200 --> 00:46:25,960 Speaker 1: new fake leg. You don't have a well, like if 866 00:46:26,000 --> 00:46:28,440 Speaker 1: I had to have, let's just say I need one. Yes, 867 00:46:28,480 --> 00:46:31,359 Speaker 1: a Greek queen for a day has become like the thing, right, 868 00:46:31,880 --> 00:46:33,920 Speaker 1: everyone's like all these sob stories, but the still us, 869 00:46:34,239 --> 00:46:36,480 Speaker 1: you know, and he's not spotting his toy egg listening 870 00:46:36,480 --> 00:46:40,759 Speaker 1: to his Greek guitar pick music. The authorities are convinced 871 00:46:40,880 --> 00:46:43,000 Speaker 1: that they can't find him because he must have had 872 00:46:43,080 --> 00:46:46,480 Speaker 1: cosmetic surgery, which turns out he had. He had had 873 00:46:46,840 --> 00:46:49,800 Speaker 1: multiple cosmetic surgeries, and it works. It allows him to 874 00:46:49,840 --> 00:46:52,759 Speaker 1: stay free and he remains so to this day. Do 875 00:46:52,760 --> 00:46:54,839 Speaker 1: you think he looks like one of the Real Housewives? Now, 876 00:46:55,000 --> 00:46:57,960 Speaker 1: probably got that immovable math. He's got that special new 877 00:46:58,000 --> 00:47:01,120 Speaker 1: face that all of those people have. Yeah, the cheek 878 00:47:01,200 --> 00:47:05,439 Speaker 1: bones and the west side of that. He just looks 879 00:47:05,480 --> 00:47:09,480 Speaker 1: like Santa Monica. Everyone keep your eyes open. Now. There 880 00:47:09,480 --> 00:47:11,600 Speaker 1: have been numerous run ins with him, most notably, he 881 00:47:11,680 --> 00:47:14,800 Speaker 1: still loves movies, so his love of video rental stores 882 00:47:14,840 --> 00:47:17,600 Speaker 1: almost cost him his freedom. In two thousand nine, he 883 00:47:17,640 --> 00:47:19,719 Speaker 1: left his hide out to go rent some movies. He 884 00:47:19,760 --> 00:47:21,759 Speaker 1: went down to the pop down to the video rental store, 885 00:47:22,080 --> 00:47:24,319 Speaker 1: and there's a team of fifteen undercover police who had 886 00:47:24,320 --> 00:47:26,080 Speaker 1: set up a sting operation because they are aware of 887 00:47:26,120 --> 00:47:27,960 Speaker 1: his video rental habit. And they were just waiting there 888 00:47:27,960 --> 00:47:29,880 Speaker 1: and like he's got to return, just waiting to hear 889 00:47:29,920 --> 00:47:32,000 Speaker 1: the music coming down the hill exactly. They hear the 890 00:47:32,040 --> 00:47:35,279 Speaker 1: Greek guitar music. So before he gets out of his 891 00:47:35,320 --> 00:47:38,320 Speaker 1: stolen tareg, he spots the cops and the Highwayman bandit. 892 00:47:38,760 --> 00:47:40,480 Speaker 1: He gives the cops to the eye. The cops give 893 00:47:40,560 --> 00:47:43,000 Speaker 1: him the eye, and at one point they've now they've 894 00:47:43,000 --> 00:47:45,560 Speaker 1: cornered the most wanted man in Greece. And Vacillus would 895 00:47:45,640 --> 00:47:49,319 Speaker 1: later recount and I quote, so I lead to the rip, 896 00:47:49,840 --> 00:47:52,319 Speaker 1: I sped down an alley to escape, and bullets were 897 00:47:52,360 --> 00:47:55,360 Speaker 1: dancing inside my car's cabin. These guys opened fire and 898 00:47:55,360 --> 00:47:58,080 Speaker 1: shot more than a hundred fifty bullets in fifteen seconds. 899 00:47:58,640 --> 00:48:01,000 Speaker 1: He's like that nothing, This just a Tuesday for men. 900 00:48:01,400 --> 00:48:05,680 Speaker 1: So he he's telling this story because he survived and 901 00:48:05,719 --> 00:48:08,160 Speaker 1: he didn't fire back. I'll tell you that in a second, okay, yeah, 902 00:48:08,160 --> 00:48:10,480 Speaker 1: because I'm like, how are we okay? So he survives. 903 00:48:10,480 --> 00:48:14,120 Speaker 1: At my point, they yeah, and he didn't fire back. 904 00:48:14,160 --> 00:48:16,799 Speaker 1: So he gets always fifteen cops, fire and whatever due 905 00:48:17,320 --> 00:48:19,040 Speaker 1: because all of these years as a bandit, he never 906 00:48:19,080 --> 00:48:20,960 Speaker 1: once used a gun. He was very much against hurting, 907 00:48:21,000 --> 00:48:24,000 Speaker 1: and that his original code he came up with. So 908 00:48:24,040 --> 00:48:26,319 Speaker 1: he escapes that day and he remains on the lamb, 909 00:48:26,320 --> 00:48:28,799 Speaker 1: occasually robbing banks and then disappearing into the mountains. He 910 00:48:28,840 --> 00:48:31,239 Speaker 1: calls home and this has just been what he's been doing. 911 00:48:31,239 --> 00:48:33,520 Speaker 1: And now clearly you can tell I like the Greek 912 00:48:33,600 --> 00:48:36,960 Speaker 1: robin Hood. He's my dude. And because mostly I think 913 00:48:36,960 --> 00:48:39,959 Speaker 1: this is my favorite part about him, the Greek robin Hood. 914 00:48:40,120 --> 00:48:43,520 Speaker 1: His existence implies the existence of like the Greenland robin 915 00:48:43,560 --> 00:48:47,799 Speaker 1: Hood and the zimbabwe and robin Hood. Robin we need 916 00:48:47,800 --> 00:48:49,480 Speaker 1: all the robin hoods we can get. I want to 917 00:48:49,480 --> 00:48:52,840 Speaker 1: go to the convention. So it was a quick question. 918 00:48:53,120 --> 00:48:55,359 Speaker 1: Although he's not currently in prison, as I find it out, 919 00:48:55,680 --> 00:48:58,520 Speaker 1: the stillis did spend plenty of time inside. So what 920 00:48:58,600 --> 00:49:03,400 Speaker 1: does that mean for his career aspects? No, it's actually 921 00:49:03,520 --> 00:49:07,400 Speaker 1: very good in one particular field, entrepreneur. He's now a 922 00:49:07,480 --> 00:49:15,600 Speaker 1: qualified author, is wow the publishing world with his memoirs 923 00:49:15,760 --> 00:49:18,440 Speaker 1: on the run, and he writes me and it's a 924 00:49:18,480 --> 00:49:24,279 Speaker 1: best seller hit. Of course that one allow me a 925 00:49:24,360 --> 00:49:28,400 Speaker 1: review of the memoir, Autobiography and Quote. In its pages, 926 00:49:28,440 --> 00:49:30,600 Speaker 1: you can find explanations about the correct choice of a 927 00:49:30,640 --> 00:49:33,800 Speaker 1: hostage for ransom, no women or children, the most important 928 00:49:33,840 --> 00:49:36,320 Speaker 1: thing in planning an escape from prison to have someone 929 00:49:36,360 --> 00:49:39,360 Speaker 1: willing to sacrifice his life for you, and warnings about 930 00:49:39,360 --> 00:49:41,359 Speaker 1: the many obstacles that stand in the way of those 931 00:49:41,360 --> 00:49:46,120 Speaker 1: who choose illegality as a way of life. Now, there's 932 00:49:46,120 --> 00:49:49,040 Speaker 1: one other passage in the review that kind of highlights 933 00:49:49,080 --> 00:49:50,920 Speaker 1: all of his many little side quests that he went 934 00:49:50,960 --> 00:49:52,520 Speaker 1: on that I didn't have time to cover in this, 935 00:49:52,600 --> 00:49:54,320 Speaker 1: but it kind of gives you an idea what he 936 00:49:54,400 --> 00:49:55,760 Speaker 1: was doing when I said he was on the lamb 937 00:49:56,880 --> 00:49:59,360 Speaker 1: and I quote. One of the most beautiful chapters in 938 00:49:59,400 --> 00:50:02,520 Speaker 1: the book, however, takes place away from Greece and from 939 00:50:02,520 --> 00:50:06,320 Speaker 1: all of the Silus's illegal entanglements. In the early nineteen nineties, 940 00:50:06,320 --> 00:50:09,120 Speaker 1: when the authorities dropped a series of robbery cases on him, 941 00:50:09,239 --> 00:50:11,960 Speaker 1: Paliocostus was in the midst of a long bicycle trip 942 00:50:12,000 --> 00:50:14,840 Speaker 1: with a fake Brazilian passport and a friend. The journey, 943 00:50:14,840 --> 00:50:17,640 Speaker 1: which began in Germany and ended in China, provides the 944 00:50:17,640 --> 00:50:20,080 Speaker 1: reader with a magical moment of the rest from the 945 00:50:20,080 --> 00:50:24,880 Speaker 1: stressful life in the shadow of Illegalism. Wow, he rode 946 00:50:24,920 --> 00:50:29,280 Speaker 1: on a bike trip from China with a fake Brazilian buddy. 947 00:50:29,440 --> 00:50:31,440 Speaker 1: As you're getting ready to read that, I'm thinking, like 948 00:50:32,080 --> 00:50:35,320 Speaker 1: writers across the globe, heave a heavy sigh of another. 949 00:50:35,360 --> 00:50:37,680 Speaker 1: But this guy sounds he's got a story. Okay, he's 950 00:50:37,719 --> 00:50:40,120 Speaker 1: learned the book deal and okay, And in case you 951 00:50:40,160 --> 00:50:42,520 Speaker 1: want to know, like, what is his writing voice sound like? 952 00:50:43,600 --> 00:50:45,600 Speaker 1: There was a translated version of his book In case 953 00:50:45,640 --> 00:50:49,000 Speaker 1: you wanted to read Elizabeth. It's available on Amazon also 954 00:50:49,200 --> 00:50:51,440 Speaker 1: other fine booksellers who don't want support a corporate giant. 955 00:50:51,800 --> 00:50:54,800 Speaker 1: Basilis writes about his criminal ethos as the Greek robin 956 00:50:54,840 --> 00:50:59,640 Speaker 1: head and a quote, my conscience prohibits me from selling guns, 957 00:51:00,040 --> 00:51:03,400 Speaker 1: protection of small businesses, drugs. They also forbid me from 958 00:51:03,480 --> 00:51:05,760 Speaker 1: entering a house to steal, to kill an old lady, 959 00:51:05,960 --> 00:51:09,120 Speaker 1: to become a snitch, to cooperate with a cop of politician. 960 00:51:09,640 --> 00:51:13,160 Speaker 1: What do they allow me? Only bank robberies, abducting a 961 00:51:13,280 --> 00:51:16,080 Speaker 1: rich people, and being part of a revolution towards a 962 00:51:16,120 --> 00:51:22,879 Speaker 1: more just world. That's his story. That's what I think 963 00:51:22,880 --> 00:51:28,759 Speaker 1: my conscience allows me to do. Being Yeah, I'll take 964 00:51:28,800 --> 00:51:31,400 Speaker 1: someone and make them think they're not going to live. Well, No, 965 00:51:31,520 --> 00:51:33,960 Speaker 1: he never, he never does that. He lets them know, look, 966 00:51:34,000 --> 00:51:36,320 Speaker 1: I'm only here for the cash. You're worth this moment. 967 00:51:36,480 --> 00:51:38,719 Speaker 1: Why wouldn't they just walk off? There has to be 968 00:51:38,800 --> 00:51:42,560 Speaker 1: some threat to their life. There's a threat to they 969 00:51:42,600 --> 00:51:44,920 Speaker 1: can't escape, like you know, like if I've staying you up, 970 00:51:44,920 --> 00:51:46,160 Speaker 1: I don't need to tell you I'm going to kill you. 971 00:51:46,200 --> 00:51:47,920 Speaker 1: I can just tell you good luck getting away from 972 00:51:47,960 --> 00:51:49,799 Speaker 1: the chains, right, But what if I do? Then? What 973 00:51:49,840 --> 00:51:51,520 Speaker 1: are you gonna just let me walk off? Then I've 974 00:51:51,560 --> 00:51:53,839 Speaker 1: lost my prey and I'm better go get another fat cat. 975 00:51:55,880 --> 00:51:59,080 Speaker 1: There's implicit violence in that. There can be, but there's 976 00:51:59,120 --> 00:52:01,920 Speaker 1: not a nest is sary violence you can do this 977 00:52:01,960 --> 00:52:04,640 Speaker 1: with just like look, hey, sit down, relaxed, watch some TV. 978 00:52:05,080 --> 00:52:07,640 Speaker 1: I'm gonna bring you some microwave dinners and we're gonna 979 00:52:07,680 --> 00:52:13,080 Speaker 1: talk about supermarkets. What well, as I said before, vasiliuskali 980 00:52:13,160 --> 00:52:16,120 Speaker 1: Acostus is still out there robbing banks for a more 981 00:52:16,200 --> 00:52:19,640 Speaker 1: just world there And if you hear this, hit us up, Pasilus, 982 00:52:19,800 --> 00:52:21,319 Speaker 1: because we'd love to have you come on the show 983 00:52:21,320 --> 00:52:24,000 Speaker 1: and be the first guest for our ridiculous crime book club. 984 00:52:24,360 --> 00:52:28,160 Speaker 1: That would be amazing. Well, Elizabeth, it's a ridiculous takeaway 985 00:52:28,200 --> 00:52:32,560 Speaker 1: for this one. Um, you know what, I don't ever 986 00:52:32,600 --> 00:52:39,080 Speaker 1: make your own nicknames. You're making fun of me my 987 00:52:39,560 --> 00:52:42,879 Speaker 1: ridiculous takeaway. Once again, thank you for asking. It is simple. Look, 988 00:52:42,920 --> 00:52:45,120 Speaker 1: if you don't hurt anyone, I'm probably gonna root for 989 00:52:45,160 --> 00:52:48,120 Speaker 1: you over the fat cat industrialists every time, especially once 990 00:52:48,120 --> 00:52:50,239 Speaker 1: you're engaging crimes of their own, like the dude with 991 00:52:50,280 --> 00:52:54,600 Speaker 1: the corruption and the and the supermarket everybody, right, and 992 00:52:54,600 --> 00:52:57,120 Speaker 1: definitely I'm going to root for the Greek robin hood 993 00:52:57,120 --> 00:52:58,839 Speaker 1: over the kinds of villains who say, you know what, 994 00:52:58,880 --> 00:53:01,279 Speaker 1: I got a and some I'm gonna make all the 995 00:53:01,320 --> 00:53:03,960 Speaker 1: taxpayers pay. I mean like that to me is just 996 00:53:04,000 --> 00:53:05,960 Speaker 1: as whack as somebody going in and robbing a bank. 997 00:53:06,000 --> 00:53:09,480 Speaker 1: In fact, it's worse. Well, ordinary people, we get screwed 998 00:53:09,520 --> 00:53:14,920 Speaker 1: over all day every day, so you know, sometimes you 999 00:53:14,920 --> 00:53:16,839 Speaker 1: got to get your on back. I guess yeah. And also, 1000 00:53:16,880 --> 00:53:19,160 Speaker 1: I mean, how can you not root for a Greek 1001 00:53:19,239 --> 00:53:22,719 Speaker 1: robin hood nicknamed Uncatchable who bumps guitar music from the 1002 00:53:22,760 --> 00:53:24,879 Speaker 1: windows of stolen cars as he tells his money out 1003 00:53:24,880 --> 00:53:31,000 Speaker 1: the window. They call him. That's all I got for you, 1004 00:53:31,360 --> 00:53:33,879 Speaker 1: beaut Well. You can find us online a Ridiculous Trauma 1005 00:53:33,880 --> 00:53:36,440 Speaker 1: about Twitter and Instagram. Twitters for the updates, the dump stuff, 1006 00:53:36,440 --> 00:53:38,960 Speaker 1: the shout outs, interactions Instagram. That's where we put the 1007 00:53:39,000 --> 00:53:42,200 Speaker 1: photos for each episode, and also we give peaks at 1008 00:53:42,239 --> 00:53:44,960 Speaker 1: the shows to come. The stories offer you some laughs 1009 00:53:45,160 --> 00:53:47,520 Speaker 1: and uh yeah, you can speak pick some both, but 1010 00:53:47,640 --> 00:53:50,000 Speaker 1: either way, if you'd like to contact us, you can 1011 00:53:50,280 --> 00:53:52,160 Speaker 1: tweet at us or email us if you want a 1012 00:53:52,239 --> 00:54:02,080 Speaker 1: Ridiculous Crime at gmail dot com. Thanks for listening. Ridiculous 1013 00:54:02,120 --> 00:54:05,320 Speaker 1: Crime is hosted by Elizabeth Dutton and Zoan Burnett, produced 1014 00:54:05,320 --> 00:54:08,680 Speaker 1: and edited by the Providence Robin Hood Dave Houston. Researches 1015 00:54:08,719 --> 00:54:11,439 Speaker 1: by Rogue Bandit of the Archives Marissa Brown. Our theme 1016 00:54:11,520 --> 00:54:14,279 Speaker 1: song is by the artist Thomas Lee and the fingerpicking 1017 00:54:14,320 --> 00:54:18,040 Speaker 1: guitar man Travis Dutton. Executive producers are Ben It's all 1018 00:54:18,239 --> 00:54:21,279 Speaker 1: Greek to Me Boland and No I'm a Creek on 1019 00:54:21,320 --> 00:54:30,920 Speaker 1: a leash Crowd We Die say It one more time 1020 00:54:31,200 --> 00:54:35,279 Speaker 1: We Dequeous Crew. Ridiculous Crime is a production of I 1021 00:54:35,400 --> 00:54:38,279 Speaker 1: Heeart Radio four more podcasts, my Heart Radio, visit the 1022 00:54:38,280 --> 00:54:41,200 Speaker 1: iHeart Radio app, Apple Podcasts, or wherever you listen to 1023 00:54:41,239 --> 00:54:42,120 Speaker 1: your favorite shows,