WEBVTT - Episode 460 | I'm a Caveman

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<v Speaker 1>O Willian.

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<v Speaker 2>Doctor.

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<v Speaker 1>We are back.

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<v Speaker 3>Welcome back to our good brother, Jamil, a good brother.

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<v Speaker 3>He is back in the Tri State area. We thought

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<v Speaker 3>we lost him to the south man. I thought we

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<v Speaker 3>lost him to the snow.

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<v Speaker 4>I'm saying they tried to keep me. Can't keep a

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<v Speaker 4>good dude, damn.

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<v Speaker 3>But but he he booked a flight on his Boost

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<v Speaker 3>mobile phone, saying he got back thanks.

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<v Speaker 5>To Boost unlimited talk text. You got to be able

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<v Speaker 5>to talk in text the airlines.

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<v Speaker 3>Yeah, that's that's how you were able to book the

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<v Speaker 3>flight when everyone else was scrambling.

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<v Speaker 1>Got me back to that doesn't print that. That's a fact.

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<v Speaker 1>That's a fact printed. Well, how was how was your

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<v Speaker 1>time away?

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<v Speaker 4>It was great?

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<v Speaker 1>Did the snow hit you?

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<v Speaker 4>Did this snow hit me?

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<v Speaker 1>Like where you were at? Nah?

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<v Speaker 5>It was it was just you know, airlines were shut

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<v Speaker 5>down because of you know, the weather here. But it

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<v Speaker 5>was cool though. I had a good time with the

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<v Speaker 5>family man. You know, got to see the fan for

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<v Speaker 5>the weekend. Weather was actually decent in Virginia. Actually, Saturday,

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<v Speaker 5>the day of my nephew's birthday, was probably the best

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<v Speaker 5>whether they had in a while.

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<v Speaker 4>So kind of worked out perfect.

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<v Speaker 1>I saw were you gaming.

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<v Speaker 4>No, the kids were.

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<v Speaker 1>I wasn't sure if you stepped in, I saw some

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<v Speaker 1>I saw like the recap nah man.

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<v Speaker 5>Cap for the part I can't. I can't because you know,

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<v Speaker 5>you sit down there all these new games.

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<v Speaker 1>I don't.

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<v Speaker 5>I haven't played mad in the years. I haven't played

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<v Speaker 5>two K and years. Like, I wasn't about to have

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<v Speaker 5>no ten year olds beat me in no games talking

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<v Speaker 5>shit all day.

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<v Speaker 3>So looked like there was a lot of kids there

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<v Speaker 3>that may or may not have single moms.

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<v Speaker 1>Did you did you meet anyone? Did you mingle?

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<v Speaker 6>Like?

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<v Speaker 4>What was your not? Down there? It's all like house forgot. Yeah.

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<v Speaker 1>In the South they do that weird.

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<v Speaker 4>They get married at nineteen, you know how they do that.

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<v Speaker 1>High school sweetheart shit.

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<v Speaker 4>It is not the South. It's Virginia.

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<v Speaker 2>It's south from here, but it's not the South.

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<v Speaker 1>But that's what I mean. From Virginia would be mad

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<v Speaker 1>at you if you said they weren't from the South.

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<v Speaker 2>No, they would be mad. If you said from Richmond.

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<v Speaker 2>They would be mad.

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<v Speaker 3>If people from the North Carolina and lower would get

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<v Speaker 3>mad at you for saying Virginia's the South. But people

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<v Speaker 3>from Virginia think they're from the South. Yeah, technically the

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<v Speaker 3>Mason Dixon Line is below Maryland exactly. Technically DC is

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<v Speaker 3>the South. If you want to if you want to

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<v Speaker 3>go by the Constitution.

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<v Speaker 2>There'll be in your DMS clussing you out, calling them

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<v Speaker 2>from the South.

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<v Speaker 4>Why do people but why do people get mad at that?

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<v Speaker 1>Though?

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<v Speaker 5>I don't know, Like why do get mad if you

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<v Speaker 5>say they from the South? Like, why are you mad

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<v Speaker 5>at that?

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<v Speaker 2>Like because they're not. They don't. They look at the

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<v Speaker 2>South like country bumpkins and they don't think that they're

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<v Speaker 2>a part of that.

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<v Speaker 5>Oh, but that's a that's on them. I'm looking at

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<v Speaker 5>the South like country bumpkins. I know some country bumpkins

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<v Speaker 5>in New Jersey right now.

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<v Speaker 4>Yeah, that's a fact from South Jersey.

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<v Speaker 1>Definitely.

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<v Speaker 3>That's not just like subjective to the South. There's there's

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<v Speaker 3>country bumpkins in the North as well, for sure.

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<v Speaker 1>Whole Appalachian Mountains is that.

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<v Speaker 3>But if you go by the Civil War, which we

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<v Speaker 3>all do naturally, Baltimore is in the South.

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<v Speaker 4>Come on, man, it was a blow to Mason Dixon baby,

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<v Speaker 4>so I was in the South.

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<v Speaker 1>But we're happy to have you back, Thank you man.

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<v Speaker 4>How was the energy ya missed me?

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<v Speaker 1>Yeah? Of course we did.

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<v Speaker 4>Did you miss me, baby D?

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<v Speaker 1>Of course you did, so I did. How are you

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<v Speaker 1>telling me who I missed?

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<v Speaker 2>You ain't called me.

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<v Speaker 5>That don't mean I ain't miss you. Maybe I just

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<v Speaker 5>wasn't ready to talk, damn.

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<v Speaker 2>Like the rest of them niggas, welcome back.

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<v Speaker 1>Ma, you don't want to be too overbearing with I

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<v Speaker 1>just wasn't ready to talk.

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<v Speaker 4>I didn't know I had a word yet, you know

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<v Speaker 4>what I'm saying.

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<v Speaker 1>I had a word.

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<v Speaker 4>I didn't know what to say yet, BABYD. That's all.

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<v Speaker 1>He went to chat GBT, got his words together, yo,

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<v Speaker 1>and came up with I missed you.

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<v Speaker 2>There's an epidemic of people doing that, and it pisses

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<v Speaker 2>me off. Doing what asking chat GBT to send a

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<v Speaker 2>text for them?

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<v Speaker 1>That's crazy.

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<v Speaker 2>It happens a lot that chat and SHEBT send the

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<v Speaker 2>text for me. Yeah, like to word out like how

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<v Speaker 2>should I text?

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<v Speaker 1>But that could only work with a new person.

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<v Speaker 3>I feel like if I've been texting you for ten

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<v Speaker 3>years and all of a sudden, now you sound like

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<v Speaker 3>the most articulate human being ever, I'm gonna know, like, yeah,

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<v Speaker 3>like you don't know you don't form your thoughts this well?

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<v Speaker 5>Yeah, you can't do that too. You can't get that

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<v Speaker 5>off me. I know when you y'all know when your

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<v Speaker 5>homegirls texted for you the fact, see that was the

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<v Speaker 5>original chat. Yeah, I know when your homegirl got your phone.

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<v Speaker 5>I just toasha cut it out, give her phone back.

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<v Speaker 1>You don't even know the word.

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<v Speaker 5>Reciprise said, yeah, you'll cut it out and cut the ship, like,

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<v Speaker 5>give her phone back.

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<v Speaker 4>This ain't her. I already know she's sitting right next

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<v Speaker 4>to you crying, like, give her phone back.

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<v Speaker 2>I'll be getting some shit off on my friend's phone.

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<v Speaker 4>I know, y'all. Do all women have done that before?

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<v Speaker 4>Nah say this? Say this?

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<v Speaker 5>You can't me say this? Yo, say nah tell him this,

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<v Speaker 5>you'll give her phone back? Man, let me curse out

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<v Speaker 5>out and then watch a stutter.

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<v Speaker 2>Only I like doing it when they're like when they're

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<v Speaker 2>talking to a new guy. They'll hit me like, oh

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<v Speaker 2>my god, he said this, Like what should I say?

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<v Speaker 2>And I give him some fly ship to say back.

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<v Speaker 4>I want to hit baby these flies.

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<v Speaker 3>Okay, but if a man did that, how would you feel? Like,

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<v Speaker 3>imagine we're getting a each other and then you find

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<v Speaker 3>out that first week where I was saying all that

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<v Speaker 3>fly shit, you found out Mare was ghost.

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<v Speaker 1>Writing for me.

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<v Speaker 5>Ill Yeah, that's gross and your man ghost text. You

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<v Speaker 5>can't ghost text for your homie, like, don't do that.

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<v Speaker 5>Mom was like yo or no, surety, just hit me.

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<v Speaker 5>I'm like, hit it back?

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<v Speaker 1>What should I say?

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<v Speaker 4>What should I say?

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<v Speaker 2>She said? She asked me, what a mom? What should

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<v Speaker 2>I say?

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<v Speaker 1>All right?

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<v Speaker 4>So no, she started feeling what you're saying.

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<v Speaker 5>You're gonna let me hit if it's my bars if

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<v Speaker 5>I'm just saying, if it's my bars, right or wrong, Rory, no.

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<v Speaker 1>You owe me that help.

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<v Speaker 5>You'll get you off if if it's my bars that

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<v Speaker 5>got it going and she ready for you to pull up,

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<v Speaker 5>I'm just saying I should be able to pull up.

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<v Speaker 4>That's all.

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<v Speaker 5>I'm not mad at that, especially because I have homeboys

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<v Speaker 5>that if she was like, yo, just got out the

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<v Speaker 5>shower and I passed my phone, they'll type without me

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<v Speaker 5>question mark like awful ship Like that without me is funny. Yes,

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<v Speaker 5>I took a shower without.

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<v Speaker 2>People still get that off. Don't get it off like

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<v Speaker 2>it works like in a sarcastic way, right, I mean

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<v Speaker 2>like they still say that it don't work, like it

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<v Speaker 2>ain't working like you might not ever hear from again.

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<v Speaker 3>If you said no, but I'm saying they say in

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<v Speaker 3>a sarcastic way, making fun of people, that people.

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<v Speaker 2>Are still saying without me, and they saying it multiple times.

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<v Speaker 2>It ain't just a shower, it's I just went to

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<v Speaker 2>dinner without me everything, yes, without you, stop texting my phone.

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<v Speaker 5>Well, that's just being funny, though, if they know theyre

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<v Speaker 5>being serious, they're being serious about me. Going to dinner

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<v Speaker 5>without me is crazy without me?

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<v Speaker 1>You ate without me, it's insane.

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<v Speaker 4>I was just I just got off work without me.

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<v Speaker 5>Nah.

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<v Speaker 1>Yeah, I didn't take you to work with me though,

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<v Speaker 1>I just without me.

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<v Speaker 4>Yeah.

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<v Speaker 3>A huge attribute I like is sharp and sarcastic girls.

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<v Speaker 3>It would crush me a little bit to find out

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<v Speaker 3>that her homegirl was the funny one the whole time, Like,

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<v Speaker 3>that's what's texting I would feel like.

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<v Speaker 5>And if I found that out, I feel like me

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<v Speaker 5>and your homegirl got more in common. Those are her bars,

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<v Speaker 5>Those are her bars that I was I was digging

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<v Speaker 5>if you if everything you texted me was your homegirl,

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<v Speaker 5>like her personality, her wordplay. I like her album. I

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<v Speaker 5>want to play her album. I don't want to hear

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<v Speaker 5>your album. Play her album, give me, give me her music.

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<v Speaker 1>That's what I'm like. I like her.

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<v Speaker 5>I'm going on her show. What time she go on stage.

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<v Speaker 5>I don't want to see you no more. And don't

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<v Speaker 5>let it look better than you. Don't let her be

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<v Speaker 5>cute to you. We just having real talk. Baby girl

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<v Speaker 5>is cute to you and her balls is dope. Why

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<v Speaker 5>am I talking to you?

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<v Speaker 3>But this is what separates men and women. Uh what

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<v Speaker 3>if she's way uglier than the girl? I think I'll

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<v Speaker 3>just go with the physical approach and the boring personality.

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<v Speaker 5>Yeah, sure, understand if she looks worse than you know,

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<v Speaker 5>we still we still riding with you. I take the

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<v Speaker 5>literatey just just giving publishing.

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<v Speaker 1>You're the one that don't know how to write.

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<v Speaker 4>You'll give me.

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<v Speaker 5>She's cute, she got a fatty, and we're back. She

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<v Speaker 5>talked about Boostmoe Unlimited.

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<v Speaker 1>Don't know how to write.

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<v Speaker 2>I'm literally speechless. That really happened. I cannot believe y'all.

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<v Speaker 1>We're joking around. I'm not.

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<v Speaker 5>I'm gonna start saying that when you see it, we're joking. No,

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<v Speaker 5>you're joking.

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<v Speaker 1>You cut it.

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<v Speaker 5>Everyone in this room has slept with somebody that a

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<v Speaker 5>boring personality, but was attracted.

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<v Speaker 1>But you're not one. You're not wifing somebody with a

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<v Speaker 1>boring personality.

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<v Speaker 5>Nah, I can't do that. Boring personality, can't do that.

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<v Speaker 5>Or if our wife you got a boring personality, nine

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<v Speaker 5>times out of ten, I'm cheating. So I'm just saying,

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<v Speaker 5>peop want to talk about that. People be like, she's like,

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<v Speaker 5>what does she have on me?

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<v Speaker 1>Baby?

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<v Speaker 2>She's like, I look way better than her. Yeah, but

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<v Speaker 2>you're boring, she laughed at out his draws. Yeah, I'm

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<v Speaker 2>just saying.

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<v Speaker 1>She makes me feel good.

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<v Speaker 5>Nothing like a pretty funny girl. That's the best. And

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<v Speaker 5>the ones that watch what you watch like the same shows.

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<v Speaker 5>They do the same type of shit.

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<v Speaker 2>The what the pretty funny girls be into that you

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<v Speaker 2>be watching them?

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<v Speaker 5>Curb if it's a cute, great to watch Curb. I'm

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<v Speaker 5>never leaving you. I'm never leaving you. I'm not leaving

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<v Speaker 5>your home. I'm never leaving here.

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<v Speaker 3>Maybe we should copyright this. Why don't like the dating

0:08:34.520 --> 0:08:37.920
<v Speaker 3>apps have more like filter options? Like why can't I click?

0:08:38.160 --> 0:08:40.520
<v Speaker 3>Like curbs should be something I should put on my

0:08:40.600 --> 0:08:43.040
<v Speaker 3>tab and I get all the girls that also clicked

0:08:43.080 --> 0:08:45.400
<v Speaker 3>Curb to me that would be an easier way to

0:08:45.400 --> 0:08:47.280
<v Speaker 3>find somebody that you like and have the same interest

0:08:47.320 --> 0:08:51.920
<v Speaker 3>is aside from just swiping right to titties on the phone. Yeah, Like,

0:08:52.160 --> 0:08:54.439
<v Speaker 3>I want to know where all the chicks that like

0:08:54.600 --> 0:08:55.760
<v Speaker 3>curb in New York City.

0:08:55.600 --> 0:08:58.600
<v Speaker 2>Are, and I should be able to like select all

0:08:58.640 --> 0:09:00.679
<v Speaker 2>the men who like The Office and get them out

0:09:00.760 --> 0:09:01.320
<v Speaker 2>my algorithm.

0:09:01.679 --> 0:09:03.760
<v Speaker 1>I think that's fair too, get them all the things

0:09:03.760 --> 0:09:04.480
<v Speaker 1>that you dislike.

0:09:04.600 --> 0:09:05.160
<v Speaker 4>You don't like the.

0:09:05.120 --> 0:09:10.760
<v Speaker 1>Office, She's crazy? But what what's your favorite show?

0:09:11.520 --> 0:09:12.880
<v Speaker 2>I don't I'm not a big a big fan of

0:09:12.920 --> 0:09:16.280
<v Speaker 2>comedy shows. I'm more of a drama person. But I

0:09:16.280 --> 0:09:17.720
<v Speaker 2>also just don't think The Office is funny.

0:09:18.120 --> 0:09:19.280
<v Speaker 4>Okay, so what's your favorite show?

0:09:19.600 --> 0:09:22.160
<v Speaker 2>My favorite show is Graized Anatomy all right, P Eric Dang.

0:09:22.800 --> 0:09:26.400
<v Speaker 5>All right, p Eric Day, all right, patrise O'Neil for

0:09:26.400 --> 0:09:27.840
<v Speaker 5>the Office, Like, if we're just gonna go down this

0:09:28.000 --> 0:09:28.760
<v Speaker 5>this rabbit.

0:09:28.520 --> 0:09:30.680
<v Speaker 4>Hole, are people Neil another legend?

0:09:31.040 --> 0:09:31.439
<v Speaker 2>Legend?

0:09:31.840 --> 0:09:34.440
<v Speaker 1>Not like in a show that has Steve Carell and

0:09:34.480 --> 0:09:36.280
<v Speaker 1>Patrisea O'Neil in it. It's kind of nuts to me.

0:09:36.480 --> 0:09:37.800
<v Speaker 1>The Officer's classic, baby.

0:09:37.600 --> 0:09:39.600
<v Speaker 2>That's what I admit that it's a classic. It's just

0:09:39.640 --> 0:09:40.000
<v Speaker 2>not for me.

0:09:40.559 --> 0:09:42.320
<v Speaker 5>I respect that because we're gonna get into some music

0:09:42.360 --> 0:09:43.640
<v Speaker 5>that might be classic, but it just.

0:09:45.520 --> 0:09:47.240
<v Speaker 1>We're just gonna get into this and I held it.

0:09:47.559 --> 0:09:49.240
<v Speaker 1>I'm back, peege. What's up? Baby? You good?

0:09:49.760 --> 0:09:50.320
<v Speaker 6>I think?

0:09:50.520 --> 0:09:52.920
<v Speaker 1>Why did it make your pee good? We covered the

0:09:53.000 --> 0:09:54.880
<v Speaker 1>Monday topics, but we did leave.

0:09:54.720 --> 0:09:57.840
<v Speaker 4>One topics down real quick. What did you What did

0:09:57.880 --> 0:09:58.559
<v Speaker 4>y'all talk about?

0:09:58.640 --> 0:10:00.320
<v Speaker 1>What you didn't listen to the episode? Baby D?

0:10:00.360 --> 0:10:01.440
<v Speaker 4>What did you talk about Monday?

0:10:01.640 --> 0:10:03.920
<v Speaker 2>Rory was really talking to me about a lot of rap.

0:10:04.280 --> 0:10:04.719
<v Speaker 2>I really was.

0:10:04.800 --> 0:10:06.280
<v Speaker 1>Yeah, we did a lot of the on the radar

0:10:06.440 --> 0:10:07.599
<v Speaker 1>cipher stuffs.

0:10:07.200 --> 0:10:09.200
<v Speaker 4>To see that's to see, Baby D. When not when

0:10:09.200 --> 0:10:11.240
<v Speaker 4>you leave Malone with women? That's what he did.

0:10:11.280 --> 0:10:12.440
<v Speaker 2>She starts talking about rap.

0:10:12.480 --> 0:10:14.760
<v Speaker 1>I know you can't do that the baby. She don't

0:10:14.760 --> 0:10:15.720
<v Speaker 1>want to talk about rapp like that.

0:10:16.120 --> 0:10:19.600
<v Speaker 5>I mean, that's all that was on the docket about.

0:10:19.880 --> 0:10:21.760
<v Speaker 5>Did you delete all the stuff from No? I don't

0:10:21.760 --> 0:10:24.319
<v Speaker 5>know how it is gone though, but I didn't delete it.

0:10:24.360 --> 0:10:25.360
<v Speaker 4>Just allR don't worry about it.

0:10:25.440 --> 0:10:28.520
<v Speaker 2>Yeah. We talked about Simba calling the game his big

0:10:28.520 --> 0:10:31.320
<v Speaker 2>homie even though the game tried to fuck his baby mom.

0:10:32.120 --> 0:10:33.920
<v Speaker 4>Wait what wait?

0:10:33.920 --> 0:10:35.640
<v Speaker 1>Did I have Wi Fi in Virginia.

0:10:36.360 --> 0:10:37.880
<v Speaker 4>Game tried to do what he tried to.

0:10:37.840 --> 0:10:40.640
<v Speaker 3>Symbol was on all the Smoke or Up and Smoke

0:10:41.000 --> 0:10:45.360
<v Speaker 3>My Bad their podcast and was saying that Game slid

0:10:45.440 --> 0:10:48.880
<v Speaker 3>into his baby mother's DMS and Games they're very close,

0:10:48.920 --> 0:10:50.520
<v Speaker 3>they've worked together a bunch of times, that they are

0:10:50.600 --> 0:10:54.200
<v Speaker 3>close collaborators. Then he went on his own stream to

0:10:54.240 --> 0:10:56.520
<v Speaker 3>clear up that when he was in his whole phase,

0:10:56.600 --> 0:10:58.680
<v Speaker 3>every time he would come to the studio, he would

0:10:58.720 --> 0:11:01.920
<v Speaker 3>bring another girl and be like, yo, Games, my queen,

0:11:02.200 --> 0:11:04.160
<v Speaker 3>it's my girl. And Games started to be like, bro,

0:11:04.280 --> 0:11:06.000
<v Speaker 3>none of these chicks are. You bring a new girl

0:11:06.040 --> 0:11:08.520
<v Speaker 3>in here and say it's your girlfriend every time. So

0:11:08.559 --> 0:11:10.360
<v Speaker 3>he brought his baby mother in there who he's with

0:11:11.200 --> 0:11:14.400
<v Speaker 3>and said the same thing. So Game assumed, just off

0:11:14.440 --> 0:11:15.760
<v Speaker 3>the pattern that was not his girl.

0:11:16.679 --> 0:11:20.520
<v Speaker 2>But Number said he posted her, He posted her, He

0:11:20.559 --> 0:11:23.000
<v Speaker 2>posted her. In the moment he posted her, Game went

0:11:23.040 --> 0:11:25.160
<v Speaker 2>and followed her. He didn't post the other ones. He

0:11:25.240 --> 0:11:26.800
<v Speaker 2>posted her, and then Game went followed her.

0:11:27.600 --> 0:11:31.360
<v Speaker 5>It's nasty, it's nasty, nasty, but that's Game like nah nah,

0:11:31.520 --> 0:11:33.160
<v Speaker 5>no a big home.

0:11:33.720 --> 0:11:34.559
<v Speaker 4>That ain't your big home.

0:11:34.679 --> 0:11:36.160
<v Speaker 1>No, it's definitely not your big hom Nah.

0:11:36.240 --> 0:11:39.760
<v Speaker 5>That's nasty following your girl. As soon as y'all I

0:11:39.840 --> 0:11:45.839
<v Speaker 5>post her, he followed her and DMDA Yeah, h Game,

0:11:46.240 --> 0:11:50.480
<v Speaker 5>that's nasty, so nasty. That's nasty, yo. That is so

0:11:50.720 --> 0:11:53.880
<v Speaker 5>fucking crazy to do. You know, Nah, y'all don't understand

0:11:53.920 --> 0:11:56.600
<v Speaker 5>how crazy how much time to spend on that topic.

0:11:57.000 --> 0:11:59.440
<v Speaker 3>A good amount because Damaris went on and said that

0:11:59.480 --> 0:12:01.400
<v Speaker 3>she's my big home, and I said, that makes sense

0:12:01.640 --> 0:12:03.920
<v Speaker 3>because you and Maul have moved, just like Game with

0:12:04.000 --> 0:12:04.760
<v Speaker 3>me before.

0:12:05.640 --> 0:12:08.600
<v Speaker 2>He bought up the situation with the wine with my

0:12:08.640 --> 0:12:10.520
<v Speaker 2>birthday dinner. You know him.

0:12:11.080 --> 0:12:13.440
<v Speaker 5>I showed him the Epstein files. I gave him the file.

0:12:13.880 --> 0:12:16.920
<v Speaker 5>I'm not in there doing no crazy shit like, but why.

0:12:16.880 --> 0:12:18.760
<v Speaker 1>Is he still on that? Maybe Game just wanted to

0:12:18.840 --> 0:12:19.319
<v Speaker 1>DMR and.

0:12:19.240 --> 0:12:22.920
<v Speaker 4>Say, that's crazy man, that's wild as fuck.

0:12:23.040 --> 0:12:27.000
<v Speaker 1>You not as much she. That's Jason Demeris.

0:12:27.040 --> 0:12:28.880
<v Speaker 2>We talked about it already, but yees small, that's what

0:12:28.920 --> 0:12:31.120
<v Speaker 2>we talked about. So I wish you were here for

0:12:31.120 --> 0:12:32.520
<v Speaker 2>that conversation because I know you would have been on

0:12:32.600 --> 0:12:33.120
<v Speaker 2>my side.

0:12:33.800 --> 0:12:36.520
<v Speaker 5>No game as wild for that, that's crazy wild. But

0:12:36.640 --> 0:12:40.920
<v Speaker 5>I so simba like because you can't just laugh that off.

0:12:41.120 --> 0:12:42.040
<v Speaker 5>That ain't an lo o l.

0:12:42.320 --> 0:12:44.040
<v Speaker 2>He said he called game and was like, nah, bro,

0:12:44.120 --> 0:12:45.559
<v Speaker 2>it's really like my girl and games.

0:12:45.679 --> 0:12:47.720
<v Speaker 1>Oh word, my bad.

0:12:48.720 --> 0:12:48.920
<v Speaker 4>Wait.

0:12:48.960 --> 0:12:51.360
<v Speaker 5>But then he introduced her like that, like when he

0:12:51.360 --> 0:12:52.880
<v Speaker 5>brought it to the studio, it's my baby mom.

0:12:52.960 --> 0:12:54.199
<v Speaker 1>But were talking about his baby mother.

0:12:54.360 --> 0:12:55.400
<v Speaker 2>She I don't think she was a baby.

0:12:55.559 --> 0:12:56.480
<v Speaker 1>I don't know she was his big mother.

0:12:56.559 --> 0:12:59.120
<v Speaker 2>But he posted her, he posted her, he.

0:12:59.080 --> 0:12:59.960
<v Speaker 1>Did the girlfriend reveal.

0:13:00.640 --> 0:13:02.080
<v Speaker 2>Yeah.

0:13:03.559 --> 0:13:05.640
<v Speaker 1>I think if he posted that's like, Yo, it's that

0:13:05.920 --> 0:13:07.240
<v Speaker 1>that's yo, this is my lady.

0:13:07.320 --> 0:13:10.079
<v Speaker 3>I think it's nasty without the posting like what you're

0:13:10.080 --> 0:13:11.040
<v Speaker 3>talking about in detail.

0:13:11.320 --> 0:13:12.280
<v Speaker 4>No, you can't say that.

0:13:12.360 --> 0:13:14.800
<v Speaker 5>You can't say that it's nasty if a dude posts

0:13:14.800 --> 0:13:17.000
<v Speaker 5>a girl on his page like yo, this is why

0:13:17.040 --> 0:13:18.599
<v Speaker 5>you feel with a happy birthday to my queen. I

0:13:18.640 --> 0:13:20.880
<v Speaker 5>don't know what the caption was when Simple posted her,

0:13:20.880 --> 0:13:23.120
<v Speaker 5>but it would be clear that that's his the girl,

0:13:23.120 --> 0:13:23.760
<v Speaker 5>the lady he's with.

0:13:23.840 --> 0:13:25.920
<v Speaker 4>That's his woman, right, I'm assuming that.

0:13:25.880 --> 0:13:27.440
<v Speaker 1>I'm saying I think it's nasty either.

0:13:27.480 --> 0:13:29.959
<v Speaker 3>If I brought a girl in here and one of

0:13:30.040 --> 0:13:33.400
<v Speaker 3>y'all dm her, I would find that nasty. So I

0:13:33.440 --> 0:13:36.160
<v Speaker 3>don't if she was without me, if she wasn't your girl. Yeah,

0:13:36.440 --> 0:13:38.480
<v Speaker 3>she's not my girl. Yeah, we've had these types of

0:13:38.840 --> 0:13:41.439
<v Speaker 3>I think that's weird. I don't want to sleep with

0:13:41.520 --> 0:13:42.839
<v Speaker 3>any of the people that just got a girl that

0:13:42.920 --> 0:13:46.200
<v Speaker 3>might be hunting season if it's not your guess, a

0:13:46.200 --> 0:13:46.760
<v Speaker 3>rental card.

0:13:47.400 --> 0:13:50.520
<v Speaker 5>Oh my god, you agreed with me a million times

0:13:50.559 --> 0:13:54.240
<v Speaker 5>that we just even though it's not foul, just I

0:13:54.240 --> 0:13:56.120
<v Speaker 5>don't want to sleep with the same women my friends

0:13:56.240 --> 0:13:56.800
<v Speaker 5>sleep with that.

0:13:57.040 --> 0:13:58.600
<v Speaker 1>You're right while you're currently with her.

0:13:58.679 --> 0:14:00.719
<v Speaker 5>Nah, I'm not doing that that if I know you

0:14:00.840 --> 0:14:02.960
<v Speaker 5>currently like dating her, smashing, but I know that ain't

0:14:02.960 --> 0:14:03.240
<v Speaker 5>your girl.

0:14:03.320 --> 0:14:05.520
<v Speaker 4>Just having fun with it. Oh no, that's you. That's

0:14:05.559 --> 0:14:06.040
<v Speaker 4>your ball.

0:14:06.400 --> 0:14:08.640
<v Speaker 5>But if you throw that ball over the fence and

0:14:08.679 --> 0:14:10.480
<v Speaker 5>I just happen to be jogging in the same part,

0:14:10.480 --> 0:14:11.160
<v Speaker 5>if you roof it.

0:14:11.440 --> 0:14:13.120
<v Speaker 1>You roofed that ball. I just happened to go.

0:14:13.280 --> 0:14:14.760
<v Speaker 5>I have access to that roof, and I go to

0:14:15.240 --> 0:14:18.319
<v Speaker 5>a nice ball. I'm not gonna bounce the ball like

0:14:18.320 --> 0:14:20.280
<v Speaker 5>I'm gonna dribble the ball like you see a basketball

0:14:20.320 --> 0:14:21.320
<v Speaker 5>in the parks, just laying there.

0:14:21.320 --> 0:14:23.880
<v Speaker 1>You're gonna drible the ball. Yeah, But if it's a

0:14:23.920 --> 0:14:25.520
<v Speaker 1>pattern to me, that's odds. No.

0:14:25.600 --> 0:14:26.760
<v Speaker 4>If it's a pattern, yes.

0:14:26.640 --> 0:14:28.040
<v Speaker 1>Now, now, I want to ask, like you want to

0:14:28.040 --> 0:14:29.440
<v Speaker 1>fuck me or something? Why are you always glad?

0:14:30.120 --> 0:14:31.920
<v Speaker 5>That's what it always turned. That's why what game did

0:14:31.920 --> 0:14:33.920
<v Speaker 5>with you want to taste you wait?

0:14:34.360 --> 0:14:34.800
<v Speaker 4>Hold on?

0:14:36.680 --> 0:14:37.560
<v Speaker 1>Wants to hold on?

0:14:37.840 --> 0:14:39.200
<v Speaker 4>Hold on a second baby deal?

0:14:39.240 --> 0:14:39.520
<v Speaker 1>I don't.

0:14:39.880 --> 0:14:41.800
<v Speaker 4>I don't like that. Just don't even say that in

0:14:41.840 --> 0:14:45.160
<v Speaker 4>this atmosphere. Yeah he's nasty.

0:14:45.240 --> 0:14:47.560
<v Speaker 3>Well, yes, that that's what we discussed on on Monday,

0:14:48.000 --> 0:14:51.360
<v Speaker 3>amongst the on the radar freestyle rap ship. Yeah, it was.

0:14:51.400 --> 0:14:53.400
<v Speaker 3>It was dry. It was a dry pussy episode. I'll

0:14:53.400 --> 0:14:53.840
<v Speaker 3>tell you that much.

0:14:53.880 --> 0:14:54.280
<v Speaker 1>Are you scared?

0:14:54.400 --> 0:14:58.440
<v Speaker 3>You scared the women, But we did want to save

0:14:58.880 --> 0:15:01.400
<v Speaker 3>the baby Keeam could see album, yes, but when you

0:15:01.480 --> 0:15:02.640
<v Speaker 3>got back, we did not.

0:15:02.760 --> 0:15:03.360
<v Speaker 1>I was holding that.

0:15:03.520 --> 0:15:05.160
<v Speaker 5>I was hoping you saved that for me. Man, I

0:15:05.200 --> 0:15:07.040
<v Speaker 5>was hoping you saved that Roy. I was hoping because

0:15:07.040 --> 0:15:09.640
<v Speaker 5>you're my guy. You know you my guy, and I

0:15:09.680 --> 0:15:11.800
<v Speaker 5>asson why I wanted to because I knew you were

0:15:11.800 --> 0:15:14.080
<v Speaker 5>going to come in here and you and I could

0:15:14.160 --> 0:15:18.440
<v Speaker 5>both sit here and praise this baby team album Casino,

0:15:18.640 --> 0:15:20.920
<v Speaker 5>which I absolutely love and I love when we both

0:15:21.000 --> 0:15:27.280
<v Speaker 5>agree and praise hip hop together. Yes, so you say, okay,

0:15:27.280 --> 0:15:30.400
<v Speaker 5>baby dam my bubble right in my zone, the zone

0:15:30.440 --> 0:15:33.160
<v Speaker 5>that we own that has no replay value zone zone Zone.

0:15:33.200 --> 0:15:36.040
<v Speaker 5>I'm just saying, in my in my zone, the replay

0:15:36.120 --> 0:15:37.160
<v Speaker 5>value on that is very long.

0:15:37.240 --> 0:15:39.800
<v Speaker 2>So I'm going to ask you why. I'm gonna just why,

0:15:39.840 --> 0:15:43.200
<v Speaker 2>because they're gonna say that you're being biased because of whatever.

0:15:43.240 --> 0:15:44.800
<v Speaker 5>So I'm gonna ask you and biased because of what.

0:15:45.720 --> 0:15:48.320
<v Speaker 5>I'm going to ask you why why I can't just.

0:15:48.280 --> 0:15:51.120
<v Speaker 1>Not like an album, but why don't you get it?

0:15:51.640 --> 0:15:55.520
<v Speaker 3>And someone that knows you, I believe that you disliked

0:15:55.560 --> 0:15:57.920
<v Speaker 3>this album because you dislike it, not because of who

0:15:58.120 --> 0:15:59.600
<v Speaker 3>he's signed to affiliated with.

0:15:59.800 --> 0:16:03.280
<v Speaker 1>And at samily reunions, we'll be people just ship. I

0:16:03.280 --> 0:16:05.200
<v Speaker 1>don't even think that we welcome to the internet.

0:16:05.520 --> 0:16:07.440
<v Speaker 3>I know you don't dislike it because of that, but

0:16:07.600 --> 0:16:09.560
<v Speaker 3>the world is going to assume that that's why we

0:16:09.600 --> 0:16:12.160
<v Speaker 3>want to The production is good, it's great.

0:16:12.200 --> 0:16:14.800
<v Speaker 4>The production is good on the album. The bars don't

0:16:15.680 --> 0:16:16.440
<v Speaker 4>hold up well to them.

0:16:16.520 --> 0:16:19.480
<v Speaker 3>See that that's where I disagree. I think Kean coming

0:16:19.520 --> 0:16:21.040
<v Speaker 3>off give a review and I give him mind. Oh,

0:16:21.080 --> 0:16:22.000
<v Speaker 3>I thought we're having a discussion.

0:16:22.480 --> 0:16:23.320
<v Speaker 4>Not shut up, all right?

0:16:23.400 --> 0:16:25.360
<v Speaker 1>So he went to Virginia and got sad.

0:16:25.440 --> 0:16:28.520
<v Speaker 5>I know I'm just saying, so the productive, the production

0:16:28.680 --> 0:16:32.680
<v Speaker 5>is good. Definitely, production is good. The bars is it

0:16:32.760 --> 0:16:34.840
<v Speaker 5>is too It's too elementary for me. I don't like

0:16:34.880 --> 0:16:37.000
<v Speaker 5>his tonality. I don't like the way he says ship.

0:16:37.760 --> 0:16:41.160
<v Speaker 5>I can't hear I'm a cave man, boom boom?

0:16:41.200 --> 0:16:43.920
<v Speaker 1>What is that? I can't I can't replay that, you know,

0:16:44.120 --> 0:16:44.520
<v Speaker 1>New York.

0:16:44.640 --> 0:16:46.400
<v Speaker 5>I'm just saying I don't want to keep listening to

0:16:46.440 --> 0:16:49.000
<v Speaker 5>That's all I'm saying. I just that's just not for me.

0:16:49.120 --> 0:16:52.320
<v Speaker 5>The production, the production on some of the records is hard.

0:16:52.560 --> 0:16:54.200
<v Speaker 5>But then he come in and rapping and it's like,

0:16:55.560 --> 0:16:57.880
<v Speaker 5>I can't that. I just don't like the way he

0:16:58.160 --> 0:17:00.720
<v Speaker 5>says things like and I don't like he said I'm

0:17:00.720 --> 0:17:03.680
<v Speaker 5>a rich snigger that got a broken phone.

0:17:04.160 --> 0:17:09.080
<v Speaker 1>But when off the beat and just say that I'm

0:17:09.080 --> 0:17:12.639
<v Speaker 1>a rich out of the I'm like, bro, what are

0:17:12.640 --> 0:17:14.439
<v Speaker 1>we talking about here? And why are you saying it

0:17:14.480 --> 0:17:14.800
<v Speaker 1>like that?

0:17:14.920 --> 0:17:16.560
<v Speaker 5>It's so many cooler ways you could to say you're

0:17:16.560 --> 0:17:18.960
<v Speaker 5>a rich nigger to broke phone, because niggas have said

0:17:18.960 --> 0:17:19.359
<v Speaker 5>it before.

0:17:19.880 --> 0:17:21.719
<v Speaker 4>So it's not like you said you bro, you created

0:17:21.800 --> 0:17:23.080
<v Speaker 4>like fire.

0:17:22.800 --> 0:17:24.920
<v Speaker 5>When you said that, Like niggas have said that same

0:17:25.000 --> 0:17:26.000
<v Speaker 5>type of bar before.

0:17:26.320 --> 0:17:27.160
<v Speaker 1>But it sounds cool.

0:17:27.280 --> 0:17:29.800
<v Speaker 5>I just don't like the way he says ship like

0:17:29.840 --> 0:17:32.960
<v Speaker 5>the production cool, But like to me, this album ain't

0:17:33.000 --> 0:17:35.880
<v Speaker 5>better than a lot of albums that we just got.

0:17:36.640 --> 0:17:38.200
<v Speaker 5>And you were saying, he said, Roy said it. This

0:17:38.320 --> 0:17:39.840
<v Speaker 5>a lot of it was a lot of anticipation on

0:17:39.880 --> 0:17:42.159
<v Speaker 5>this project. He was saying he got it, he got it.

0:17:42.280 --> 0:17:44.240
<v Speaker 5>I don't think he did. I don't think this holds

0:17:44.320 --> 0:17:46.040
<v Speaker 5>up to some of the albums we got in the

0:17:46.080 --> 0:17:47.359
<v Speaker 5>last year and a half. I don't think this is

0:17:47.359 --> 0:17:49.240
<v Speaker 5>better than Jid's album. I don't think it's better than

0:17:49.280 --> 0:17:51.240
<v Speaker 5>Wild's album. I don't think it's better than Cohole's album.

0:17:51.400 --> 0:17:53.240
<v Speaker 5>I don't think it's better than Conway's album.

0:17:53.240 --> 0:17:53.919
<v Speaker 1>I don't think it's.

0:17:53.760 --> 0:17:54.920
<v Speaker 4>Better than a Chance to Rap his album.

0:17:54.960 --> 0:17:56.919
<v Speaker 2>Don't think it's fair to compare him to any of

0:17:56.960 --> 0:17:57.760
<v Speaker 2>those people.

0:17:59.320 --> 0:17:59.760
<v Speaker 1>His peers.

0:18:00.640 --> 0:18:03.040
<v Speaker 2>No, No, No, j I d is his peer. The

0:18:03.080 --> 0:18:06.000
<v Speaker 2>rest of them people are not his peers, while A J.

0:18:06.200 --> 0:18:09.280
<v Speaker 2>Cole are not his peery're definitely they're not his peoplecause older.

0:18:09.440 --> 0:18:10.160
<v Speaker 1>It is definitely his pirirs.

0:18:10.200 --> 0:18:12.680
<v Speaker 4>Though, Yeah, this Chance the rapper is peer.

0:18:12.960 --> 0:18:18.240
<v Speaker 5>Hey on No Champion's Game fifteen years like No Okay,

0:18:18.280 --> 0:18:20.040
<v Speaker 5>so y'all saying because he's been in the game longer,

0:18:20.119 --> 0:18:22.120
<v Speaker 5>all right, I'm just told my music just the type

0:18:22.119 --> 0:18:24.480
<v Speaker 5>of music, the quality music to replay, value into music.

0:18:24.520 --> 0:18:26.520
<v Speaker 5>I don't care about how old the nigga is, where

0:18:26.560 --> 0:18:28.600
<v Speaker 5>he was born, when he was born, I don't care

0:18:28.600 --> 0:18:31.679
<v Speaker 5>about that. The music, the listening experience. To me, this

0:18:31.960 --> 0:18:34.399
<v Speaker 5>music does not stand next to any of the other

0:18:34.520 --> 0:18:35.320
<v Speaker 5>music I just named.

0:18:35.359 --> 0:18:35.960
<v Speaker 1>It just doesn't.

0:18:36.600 --> 0:18:38.439
<v Speaker 4>I don't like the I don't like the raps, like

0:18:38.440 --> 0:18:38.879
<v Speaker 4>the product.

0:18:38.920 --> 0:18:41.119
<v Speaker 5>Like I said, the production is strong with some of

0:18:41.119 --> 0:18:43.520
<v Speaker 5>the on the records, but he just didn't live up

0:18:43.520 --> 0:18:47.280
<v Speaker 5>to the production. Like the production outperformed him eighty percent

0:18:47.280 --> 0:18:47.760
<v Speaker 5>of the album.

0:18:48.000 --> 0:18:51.320
<v Speaker 3>But okay, I know you're nitpicking on certain bars, which

0:18:51.359 --> 0:18:53.640
<v Speaker 3>I know you're just using as an example to say

0:18:53.680 --> 0:18:56.040
<v Speaker 3>overall his flow and how he says stuff, but like

0:18:56.119 --> 0:18:58.439
<v Speaker 3>you can't listen to I'm not a lyricist or Highway

0:18:58.480 --> 0:19:02.800
<v Speaker 3>ninety five Part two and like not see the lyrical

0:19:02.800 --> 0:19:06.720
<v Speaker 3>ability and the content and substance that is.

0:19:06.720 --> 0:19:08.520
<v Speaker 1>In all I'm not saying. I'm not saying I think.

0:19:08.320 --> 0:19:12.640
<v Speaker 3>He's improved as a rapper times ten since his last project.

0:19:12.720 --> 0:19:14.000
<v Speaker 1>I thought he was rapping on this ship.

0:19:14.680 --> 0:19:17.000
<v Speaker 4>Well, okay, that's shoot, we can listen, we can watch the.

0:19:16.920 --> 0:19:19.960
<v Speaker 5>Same way those those two specific records that were a

0:19:20.000 --> 0:19:21.200
<v Speaker 5>bit deeper to his story.

0:19:21.440 --> 0:19:23.520
<v Speaker 1>Cool, but he I don't But I'm not going back

0:19:23.520 --> 0:19:26.280
<v Speaker 1>to the storytelling rap. That's like very difficult.

0:19:26.280 --> 0:19:27.720
<v Speaker 3>I don't know a lot of rappers that could do

0:19:27.800 --> 0:19:29.720
<v Speaker 3>I'm not a lyricist or a Highway ninety five the

0:19:29.720 --> 0:19:31.720
<v Speaker 3>way he did it, especially on the production that he did.

0:19:32.880 --> 0:19:33.919
<v Speaker 1>Well, what do you mean you don't know a lot

0:19:33.920 --> 0:19:34.760
<v Speaker 1>of rappers that could do that?

0:19:35.520 --> 0:19:38.359
<v Speaker 5>His peer group, I don't know, because this is your

0:19:38.359 --> 0:19:40.520
<v Speaker 5>favorite word for the today pier who you bought peers up?

0:19:40.560 --> 0:19:40.840
<v Speaker 1>Baby?

0:19:40.920 --> 0:19:43.639
<v Speaker 5>Yeah? But who's his peers? Because y'all saying the niggas

0:19:43.640 --> 0:19:44.360
<v Speaker 5>I said, ain't his picks?

0:19:44.359 --> 0:19:45.119
<v Speaker 4>Who's his peers?

0:19:45.680 --> 0:19:49.840
<v Speaker 1>Uh? Jid thing one? All right, you can do exactly?

0:19:49.920 --> 0:19:52.359
<v Speaker 1>Ji can do that way better? Oh Jid? No, Jid

0:19:52.359 --> 0:19:55.439
<v Speaker 1>can so definitely rap rap. I think he would say

0:19:55.480 --> 0:19:59.159
<v Speaker 1>Jid could rapt th other peer who would fall in

0:19:59.160 --> 0:20:00.520
<v Speaker 1>that line. There's not There's not many.

0:20:00.680 --> 0:20:01.000
<v Speaker 4>He don't know.

0:20:01.080 --> 0:20:01.360
<v Speaker 6>He said.

0:20:01.400 --> 0:20:03.080
<v Speaker 2>We have that conversation all the time though, that there's

0:20:03.119 --> 0:20:06.879
<v Speaker 2>not many people in that bracket of rapping in his

0:20:06.960 --> 0:20:09.320
<v Speaker 2>age group. There's not many of them that wrap the

0:20:09.440 --> 0:20:10.320
<v Speaker 2>type of way that like.

0:20:10.359 --> 0:20:12.280
<v Speaker 3>I would say some of the people that were in

0:20:12.320 --> 0:20:15.840
<v Speaker 3>the on the radar cipher, but even them, I feel

0:20:15.840 --> 0:20:20.080
<v Speaker 3>like are a tier below, not tier below, just based

0:20:20.119 --> 0:20:21.720
<v Speaker 3>on when they came out. Because King's been out for

0:20:21.760 --> 0:20:25.080
<v Speaker 3>a little bit. I'm trying to think of that. When

0:20:25.200 --> 0:20:29.400
<v Speaker 3>was his last project, But twenty twenty one, I don't know. Yeah,

0:20:29.480 --> 0:20:31.560
<v Speaker 3>that that graduating class there isn't much.

0:20:32.200 --> 0:20:34.680
<v Speaker 5>So now this nigga graduated by itself, all right. So

0:20:34.720 --> 0:20:37.040
<v Speaker 5>when I'm having some people are homeschool. So what I'm

0:20:37.040 --> 0:20:39.639
<v Speaker 5>saying is the replay value and the music. To me,

0:20:40.920 --> 0:20:42.600
<v Speaker 5>nothing on this makes me want to go back and

0:20:42.680 --> 0:20:44.760
<v Speaker 5>keep listening to this album. And that's where we just

0:20:44.800 --> 0:20:47.280
<v Speaker 5>I'm cool. I can I can go back and listen

0:20:47.280 --> 0:20:49.080
<v Speaker 5>to some of the J Cole, I can go back

0:20:49.080 --> 0:20:51.080
<v Speaker 5>and listen to Jid, I can go back and listen

0:20:51.160 --> 0:20:52.879
<v Speaker 5>to Conway. I can go back and listen to Chance

0:20:53.359 --> 0:20:56.280
<v Speaker 5>like this, and just in the replay value, I'm not

0:20:56.280 --> 0:20:58.400
<v Speaker 5>saying baby King don't have skill. I'm not saying he's

0:20:58.440 --> 0:21:01.200
<v Speaker 5>not he doesn't have talent in that, I'm just saying,

0:21:01.200 --> 0:21:02.520
<v Speaker 5>when you give me the album. Say this is my

0:21:02.560 --> 0:21:05.640
<v Speaker 5>album and I listened to it. My reaction is, it's

0:21:05.680 --> 0:21:07.480
<v Speaker 5>not I don't nothing about this album.

0:21:07.840 --> 0:21:09.000
<v Speaker 4>I ain't gonna lie. I can't wait to get in

0:21:09.000 --> 0:21:09.879
<v Speaker 4>the whip and turn this on.

0:21:10.119 --> 0:21:11.040
<v Speaker 1>Oh see, that's where we.

0:21:11.400 --> 0:21:12.400
<v Speaker 2>It might not be feeled.

0:21:12.640 --> 0:21:13.920
<v Speaker 1>That's where we and that's fine.

0:21:14.359 --> 0:21:17.280
<v Speaker 5>That's I'm only speaking for my listening experience. Nothing on

0:21:17.320 --> 0:21:18.840
<v Speaker 5>this album helped me. So I'm like, Damn, I ain't

0:21:18.840 --> 0:21:20.080
<v Speaker 5>gonna lie. I can't wait to turn that.

0:21:20.640 --> 0:21:21.399
<v Speaker 1>I just don't know.

0:21:21.800 --> 0:21:23.480
<v Speaker 4>It doesn't it didn't. It doesn't live with me. This,

0:21:23.480 --> 0:21:24.520
<v Speaker 4>this music doesn't live with me.

0:21:24.640 --> 0:21:27.520
<v Speaker 3>I listened to this in the car and in headphones

0:21:27.600 --> 0:21:33.040
<v Speaker 3>on the trend no security, casino house money, sex appeal, uh, circus,

0:21:33.040 --> 0:21:35.440
<v Speaker 3>circus freestyle, all go crazy in the car.

0:21:35.960 --> 0:21:37.720
<v Speaker 1>Matter of fact, I think those those are those are

0:21:37.760 --> 0:21:38.520
<v Speaker 1>made for the car.

0:21:38.560 --> 0:21:40.480
<v Speaker 5>What's the bars that that got you? Replaying the music

0:21:40.480 --> 0:21:41.520
<v Speaker 5>that you're like, damn, ain't gonna lie.

0:21:41.520 --> 0:21:43.240
<v Speaker 3>Oh as far as far as the bars go, I

0:21:43.560 --> 0:21:45.919
<v Speaker 3>you know, I'm more of a content substance guy, So

0:21:46.080 --> 0:21:48.120
<v Speaker 3>bars wise I go to I'm not a lyricist.

0:21:48.320 --> 0:21:51.600
<v Speaker 1>Highway ninety five, No blame the what's the bar though?

0:21:51.640 --> 0:21:53.480
<v Speaker 4>That that got you Like damn, he got off.

0:21:54.480 --> 0:21:56.840
<v Speaker 3>I didn't write down my favorite boom. We've never even

0:21:56.840 --> 0:21:58.479
<v Speaker 3>done that for an album like gotcha.

0:21:59.640 --> 0:22:06.760
<v Speaker 1>That's okay, you've never done that, turn it off.

0:22:06.840 --> 0:22:08.280
<v Speaker 2>I'm not gonna. I'm not I'm not gonna let you

0:22:08.320 --> 0:22:10.080
<v Speaker 2>do that, because we do do that. When new music

0:22:10.119 --> 0:22:11.639
<v Speaker 2>comes out. One of the first things we do is

0:22:11.680 --> 0:22:14.520
<v Speaker 2>be like yo, when they say I felt.

0:22:14.320 --> 0:22:18.199
<v Speaker 1>That, I'm saying that I'm a cave man. Boohoo.

0:22:18.600 --> 0:22:21.960
<v Speaker 5>I didn't want to listen to that. Again, I'm being

0:22:21.960 --> 0:22:23.280
<v Speaker 5>dead shops. I did not want to listen to that.

0:22:23.320 --> 0:22:26.080
<v Speaker 5>I'm like when he said she got sex appeal because

0:22:26.080 --> 0:22:27.160
<v Speaker 5>she likes sex and pills.

0:22:27.880 --> 0:22:31.520
<v Speaker 1>I'm cool, all right, then let's I'm just saying.

0:22:31.520 --> 0:22:35.120
<v Speaker 3>I pull up every rapper's full discography and see if

0:22:35.119 --> 0:22:37.399
<v Speaker 3>there's worse things than she got sex appeal because she

0:22:37.480 --> 0:22:38.360
<v Speaker 3>likes sex and pills.

0:22:39.000 --> 0:22:41.200
<v Speaker 5>There's probably not wrong with that. That's not a bad

0:22:41.240 --> 0:22:46.080
<v Speaker 5>bar to you. To you, that's not a bad bar

0:22:46.200 --> 0:22:47.760
<v Speaker 5>like and that's fine you like you.

0:22:48.760 --> 0:22:50.600
<v Speaker 1>I'm not challenging if you liked worst bars in that,

0:22:50.960 --> 0:22:53.840
<v Speaker 1>I'm gonna I'm gonna stick to our rule today. But

0:22:53.920 --> 0:22:55.360
<v Speaker 1>I just want to admit that you.

0:22:55.440 --> 0:22:57.800
<v Speaker 5>Like worst bars, and to you it might be a

0:22:57.840 --> 0:22:58.399
<v Speaker 5>worst bar in that.

0:22:58.440 --> 0:23:00.000
<v Speaker 1>I'm just saying, it's plenty of worst bars. This is

0:23:00.320 --> 0:23:00.720
<v Speaker 1>I liked.

0:23:00.800 --> 0:23:03.080
<v Speaker 5>But why are you challenging my listening experience. I'm not

0:23:03.160 --> 0:23:05.399
<v Speaker 5>challenging yours. I'm just asking you what bars did you

0:23:05.560 --> 0:23:06.480
<v Speaker 5>like that made you want.

0:23:06.359 --> 0:23:09.160
<v Speaker 1>To keep it? In the entire lyrics story, the entire

0:23:09.240 --> 0:23:13.920
<v Speaker 1>Highway ninety five Part two story, like being those entire records. Okay,

0:23:13.960 --> 0:23:17.320
<v Speaker 1>so okay, so what team has to be fab I

0:23:17.320 --> 0:23:20.480
<v Speaker 1>have to find quotables in the for everything that he says.

0:23:20.880 --> 0:23:25.080
<v Speaker 5>No, nobody's saying that. You just said that. Nobody else, No, no.

0:23:25.119 --> 0:23:27.760
<v Speaker 1>Asking which bars not everything is a big l freestyle.

0:23:27.800 --> 0:23:28.840
<v Speaker 1>Nobody said it had to be.

0:23:29.000 --> 0:23:31.280
<v Speaker 5>I'm just saying, what part of the music made you

0:23:31.320 --> 0:23:32.720
<v Speaker 5>want to be like y'all can't wait to get in

0:23:32.800 --> 0:23:33.240
<v Speaker 5>the joint?

0:23:33.400 --> 0:23:37.600
<v Speaker 1>I turned I literally, we were called lyricists.

0:23:37.920 --> 0:23:40.520
<v Speaker 3>Those are those are the lyric records that I like.

0:23:40.520 --> 0:23:42.560
<v Speaker 3>But I said to get in the car. I'm playing casino,

0:23:42.960 --> 0:23:48.080
<v Speaker 3>I'm playing house money, I'm playing circus circus freestyle. Matter

0:23:48.080 --> 0:23:51.800
<v Speaker 3>of fact, the worst verse on this album is from

0:23:51.840 --> 0:23:52.480
<v Speaker 3>Kendrick Lamar.

0:23:56.520 --> 0:24:00.959
<v Speaker 1>Okay, if we being real, and I like hearing your

0:24:01.000 --> 0:24:01.719
<v Speaker 1>listening experience.

0:24:01.720 --> 0:24:03.399
<v Speaker 5>I'm not challenging here, bro, I'm just I just want

0:24:03.440 --> 0:24:05.280
<v Speaker 5>to know what you heard and what you felt when

0:24:05.280 --> 0:24:05.920
<v Speaker 5>you turned it off.

0:24:06.000 --> 0:24:08.800
<v Speaker 1>And that's not trying to go viral or some crazy

0:24:08.880 --> 0:24:10.679
<v Speaker 1>clip it, even though I know Peas just clipped it.

0:24:10.680 --> 0:24:12.160
<v Speaker 1>And make sure you clip this part too.

0:24:12.560 --> 0:24:15.880
<v Speaker 3>I'm saying in defense of King's lyricism on here, I

0:24:15.920 --> 0:24:18.720
<v Speaker 3>think his big cousin, who's one of the greatest rappers

0:24:18.720 --> 0:24:22.399
<v Speaker 3>of all time, had the worst verse on the album.

0:24:22.760 --> 0:24:23.159
<v Speaker 4>I don't know.

0:24:23.280 --> 0:24:24.840
<v Speaker 5>I'm not a cave man boo who was kind of

0:24:24.880 --> 0:24:30.160
<v Speaker 5>crazy boy. I'm just saying that bar is kind of crazy.

0:24:31.200 --> 0:24:33.639
<v Speaker 5>I caldn't believe he said that. I was like, all right,

0:24:33.640 --> 0:24:36.439
<v Speaker 5>they was in the studio just doing anything. These niggas

0:24:36.480 --> 0:24:38.639
<v Speaker 5>was in there having a jam boy like all fuck it,

0:24:38.720 --> 0:24:41.080
<v Speaker 5>let it fly. I would have been like, man, if

0:24:41.119 --> 0:24:43.439
<v Speaker 5>I'm the engineer, though, we can't do that. This production

0:24:43.560 --> 0:24:45.960
<v Speaker 5>is way too tough. Like what we're doing here. We're

0:24:45.960 --> 0:24:48.359
<v Speaker 5>saying that, Nah.

0:24:47.840 --> 0:24:50.479
<v Speaker 2>I enjoyed the album for what it was.

0:24:52.200 --> 0:24:53.520
<v Speaker 4>H what does that mean? For what it was?

0:24:53.760 --> 0:24:55.160
<v Speaker 2>I enjoyed it for what it was, so I can

0:24:55.200 --> 0:24:58.000
<v Speaker 2>acknowledge that I think that Baby Keeam has some talent,

0:24:58.080 --> 0:24:59.560
<v Speaker 2>but I agree with a lot of what you said

0:24:59.600 --> 0:25:01.840
<v Speaker 2>as far as the bars, I don't like the tonality

0:25:02.640 --> 0:25:05.720
<v Speaker 2>and the voices in that. I've said that about other rappers. True,

0:25:05.760 --> 0:25:08.480
<v Speaker 2>he's not the only one, so going along with that theme,

0:25:08.560 --> 0:25:10.560
<v Speaker 2>it's not for me. I can like you said, the

0:25:10.560 --> 0:25:12.919
<v Speaker 2>production was hard. I could acknowledge why this might be

0:25:12.960 --> 0:25:14.679
<v Speaker 2>for some people, and some people might really like it.

0:25:15.520 --> 0:25:18.080
<v Speaker 2>I don't think what he I don't think his rapping

0:25:18.160 --> 0:25:20.560
<v Speaker 2>on this album was the craziest rapping in the world.

0:25:20.560 --> 0:25:23.240
<v Speaker 2>But it wasn't bad at all. I can acknowledge his talent,

0:25:23.320 --> 0:25:25.840
<v Speaker 2>but I won't be going to revisit it that much.

0:25:25.880 --> 0:25:27.439
<v Speaker 2>There's a couple of songs on there that I like,

0:25:28.000 --> 0:25:30.280
<v Speaker 2>but it won't be something that I'll play. I'll repeat

0:25:30.720 --> 0:25:33.480
<v Speaker 2>and that's all I'm saying. The listening experience, like, I'm

0:25:33.480 --> 0:25:36.240
<v Speaker 2>not gonna cut this all.

0:25:36.320 --> 0:25:38.000
<v Speaker 5>I'm not gonna cut off while a album to listen

0:25:38.040 --> 0:25:41.200
<v Speaker 5>to Baby came Outum, I'm not gonna cut off chance

0:25:41.280 --> 0:25:42.439
<v Speaker 5>album to listen to Baby like?

0:25:42.480 --> 0:25:44.359
<v Speaker 4>Whose album I'm gonna like? Should?

0:25:44.400 --> 0:25:47.720
<v Speaker 5>I enjoyed The Alchemist Larry June in Currency more than this.

0:25:49.080 --> 0:25:51.760
<v Speaker 3>That's I mean, I wouldn't never argue if just to

0:25:51.320 --> 0:25:52.720
<v Speaker 3>listen to the music that I would.

0:25:52.760 --> 0:25:54.800
<v Speaker 5>Now, some people may feel like Keen rap better than

0:25:54.920 --> 0:25:57.600
<v Speaker 5>Currency and Larry June. I heard nigga say Larry June

0:25:57.640 --> 0:26:00.439
<v Speaker 5>sound like he leaving voicemails. Cool, that's right, But what

0:26:00.560 --> 0:26:02.320
<v Speaker 5>do no, no not listen because y' if y'all gonna

0:26:02.320 --> 0:26:05.119
<v Speaker 5>say that about Loarry? What do Kings sound like? If

0:26:05.240 --> 0:26:08.520
<v Speaker 5>y'all gonna say that about Larry June music, what does

0:26:08.600 --> 0:26:09.840
<v Speaker 5>baby King sound like?

0:26:10.040 --> 0:26:11.440
<v Speaker 1>I didn't say that, so I can't answer you.

0:26:11.640 --> 0:26:13.520
<v Speaker 5>I'm just saying I've seen shit on line. I seen

0:26:13.600 --> 0:26:16.520
<v Speaker 5>niggas say, yo, all this all right? But what does

0:26:16.600 --> 0:26:17.440
<v Speaker 5>theme sound like?

0:26:19.119 --> 0:26:19.239
<v Speaker 6>Uh?

0:26:19.640 --> 0:26:21.960
<v Speaker 2>Because I can't listen. Sounds like his older cousin. He

0:26:22.040 --> 0:26:24.920
<v Speaker 2>sounds very young too. He sounds like he has a

0:26:25.000 --> 0:26:25.880
<v Speaker 2>very young voice.

0:26:26.600 --> 0:26:27.520
<v Speaker 4>I just can't listen.

0:26:27.600 --> 0:26:27.919
<v Speaker 1>Again.

0:26:28.040 --> 0:26:31.040
<v Speaker 5>I recognize the talent level, I recognize the skill set

0:26:31.080 --> 0:26:34.119
<v Speaker 5>and King. I'm not saying he's not talented. I just

0:26:34.200 --> 0:26:36.679
<v Speaker 5>can't to read that music. I just I'm not going

0:26:36.720 --> 0:26:38.520
<v Speaker 5>to go back to that music. I just can't like.

0:26:38.640 --> 0:26:41.399
<v Speaker 5>I don't know what I'm gonna stop listening to to

0:26:41.520 --> 0:26:42.680
<v Speaker 5>play this album like.

0:26:43.040 --> 0:26:44.600
<v Speaker 3>I guess, I know, I hear you, and I would

0:26:44.600 --> 0:26:46.720
<v Speaker 3>never argue that point on your taste in what you

0:26:46.720 --> 0:26:49.359
<v Speaker 3>would want to listen to. I guess the expectations of

0:26:50.760 --> 0:26:53.200
<v Speaker 3>a lyricist when you're talking about people like Wale and

0:26:53.560 --> 0:26:56.080
<v Speaker 3>Chants the rapper, Like I never in my brain when

0:26:56.119 --> 0:26:59.879
<v Speaker 3>I put King as a lyricist to Chance and Walay,

0:27:00.400 --> 0:27:02.320
<v Speaker 3>like that's that's so unfair.

0:27:02.720 --> 0:27:05.240
<v Speaker 1>No, I'll get it, just like Kim. Even if the.

0:27:05.240 --> 0:27:07.439
<v Speaker 3>Last interview that Kendrick did, he was like King was

0:27:07.480 --> 0:27:09.680
<v Speaker 3>making amazing beats, Like we didn't even really want to

0:27:09.720 --> 0:27:12.040
<v Speaker 3>take him that seriously as a rapper. Everyone was rapping

0:27:12.280 --> 0:27:14.359
<v Speaker 3>and he ended up getting better at it. He was

0:27:14.359 --> 0:27:21.399
<v Speaker 3>a producer and songmaker before he ever started. And but

0:27:21.520 --> 0:27:23.920
<v Speaker 3>I think on this album he actually really stepped up

0:27:24.200 --> 0:27:26.760
<v Speaker 3>his lyrics in the songs that I mentioned, like I'm

0:27:26.760 --> 0:27:27.000
<v Speaker 3>not a.

0:27:26.960 --> 0:27:30.280
<v Speaker 4>Lyrics he got to step up a little more. I

0:27:30.280 --> 0:27:30.720
<v Speaker 4>think he got it.

0:27:30.760 --> 0:27:31.360
<v Speaker 1>I think his music.

0:27:31.400 --> 0:27:33.800
<v Speaker 4>I think the bars have to meet match to music

0:27:33.880 --> 0:27:34.480
<v Speaker 4>a little more.

0:27:34.960 --> 0:27:38.520
<v Speaker 3>I think they complimented the production very well. I wasn't

0:27:38.680 --> 0:27:41.480
<v Speaker 3>I wasn't looking for what Wialle or Chance.

0:27:41.280 --> 0:27:43.560
<v Speaker 1>Would have sounded on these beats. Neither was I.

0:27:43.560 --> 0:27:45.240
<v Speaker 5>I'm just saying, like, we only have so much time

0:27:45.280 --> 0:27:46.320
<v Speaker 5>in the day to listen to music.

0:27:46.560 --> 0:27:47.960
<v Speaker 1>It's it's thirty six minutes.

0:27:48.040 --> 0:27:48.920
<v Speaker 4>We get a lot of music.

0:27:49.200 --> 0:27:51.040
<v Speaker 5>I'm not taking thirty six minutes out of my day

0:27:51.080 --> 0:27:54.240
<v Speaker 5>to play this album again. I convention into a whole

0:27:54.280 --> 0:27:56.760
<v Speaker 5>bunch of other still got, we got R and B.

0:27:56.800 --> 0:28:01.199
<v Speaker 5>We still got dontalom would have listened to album is phenomenal.

0:28:02.200 --> 0:28:06.560
<v Speaker 3>We still got uh uh, we got Rocky, we got cold?

0:28:07.000 --> 0:28:08.320
<v Speaker 3>That Rocky album is still in rotation.

0:28:08.400 --> 0:28:10.560
<v Speaker 1>It's just a bunch of people like this, Where does

0:28:10.600 --> 0:28:13.160
<v Speaker 1>this go? Where do you? Where do you say? All right? Cool?

0:28:13.240 --> 0:28:14.400
<v Speaker 4>Now it's time to throw that chemo.

0:28:14.520 --> 0:28:16.439
<v Speaker 2>But there's some people who, and I'm not saying they

0:28:16.440 --> 0:28:19.440
<v Speaker 2>have bad music taste, there's some people who would throw

0:28:19.480 --> 0:28:21.880
<v Speaker 2>this album on and never throw on Asap Rocky.

0:28:22.040 --> 0:28:22.600
<v Speaker 1>That's the fact.

0:28:22.600 --> 0:28:24.880
<v Speaker 5>They wouldn't be a Those are people that I never

0:28:24.880 --> 0:28:25.959
<v Speaker 5>want to be in the same room with.

0:28:27.320 --> 0:28:28.760
<v Speaker 1>Well, to me, this keen album.

0:28:29.640 --> 0:28:33.679
<v Speaker 3>I enjoyed the Asap Rocky album far more, but I

0:28:33.680 --> 0:28:36.080
<v Speaker 3>would put this more in the asap category than I

0:28:36.080 --> 0:28:37.639
<v Speaker 3>would with a chance or while a album.

0:28:38.360 --> 0:28:41.080
<v Speaker 5>This is way closer to the ASAP album oait, Okay,

0:28:41.240 --> 0:28:43.760
<v Speaker 5>that makes sense way closer. I mean a SAP is

0:28:43.760 --> 0:28:46.480
<v Speaker 5>a SAP, so it's a different level. Does a SAB

0:28:46.640 --> 0:28:48.440
<v Speaker 5>how long? He's a SA rap? Better than King?

0:28:48.640 --> 0:28:50.160
<v Speaker 1>Yeah?

0:28:49.880 --> 0:28:53.600
<v Speaker 5>But what I'm saying so unfair though, because Rocky has

0:28:53.600 --> 0:28:55.760
<v Speaker 5>been here for twenty years here, I guess he's he's

0:28:55.760 --> 0:28:57.320
<v Speaker 5>ten years old than them, right, So where are we

0:28:57.360 --> 0:28:57.880
<v Speaker 5>putting Keen?

0:28:57.920 --> 0:28:58.120
<v Speaker 6>At?

0:28:58.560 --> 0:29:01.320
<v Speaker 5>Were not naming his Jed? We know Jed is rapping

0:29:02.400 --> 0:29:04.360
<v Speaker 5>doctor Doctor, Strange circles around.

0:29:04.080 --> 0:29:07.360
<v Speaker 1>This niggas, you're really funny today.

0:29:07.680 --> 0:29:09.440
<v Speaker 5>I'm just saying, like we've been honest, like we know,

0:29:09.560 --> 0:29:11.920
<v Speaker 5>we know Jed is on a whole nother thing, like

0:29:12.160 --> 0:29:14.320
<v Speaker 5>when it comes to balls and music, like he ain't

0:29:14.360 --> 0:29:15.600
<v Speaker 5>even you know what I'm saying.

0:29:15.640 --> 0:29:18.120
<v Speaker 1>So my thing is, where is where does he? Where

0:29:18.120 --> 0:29:20.160
<v Speaker 1>does Keen live in our in our lives? As far

0:29:20.200 --> 0:29:20.800
<v Speaker 1>as to.

0:29:20.840 --> 0:29:23.560
<v Speaker 3>Music, He's in that weird limbo where there's a lot

0:29:23.600 --> 0:29:26.760
<v Speaker 3>of talented rappers a little bit younger than him and

0:29:26.760 --> 0:29:30.240
<v Speaker 3>then a bunch older than him. Like he said he

0:29:30.280 --> 0:29:32.080
<v Speaker 3>graduated by himself. Yeah, he is kind of in a

0:29:32.080 --> 0:29:32.760
<v Speaker 3>weird class.

0:29:32.840 --> 0:29:35.719
<v Speaker 5>Okay, So my thing is there's so much music that

0:29:35.760 --> 0:29:38.840
<v Speaker 5>we have access to right you have to your music

0:29:38.880 --> 0:29:40.480
<v Speaker 5>has to be able to break through all of that

0:29:40.560 --> 0:29:41.440
<v Speaker 5>other great music.

0:29:41.960 --> 0:29:45.959
<v Speaker 1>Does this music? Does these bars break through that music? Uh?

0:29:46.040 --> 0:29:50.080
<v Speaker 1>I think so. Where you're saying music, I think it's

0:29:50.080 --> 0:29:51.840
<v Speaker 1>a musically it's a great album.

0:29:52.240 --> 0:29:53.920
<v Speaker 5>But I'm saying, who are you turning? Who are you

0:29:53.960 --> 0:29:57.160
<v Speaker 5>not listening to? To listen to Baby King's album as

0:29:57.240 --> 0:29:57.880
<v Speaker 5>from this year?

0:29:58.160 --> 0:30:00.600
<v Speaker 3>Yeah, I have I have enough time in the day

0:30:00.600 --> 0:30:04.760
<v Speaker 3>while I'm doing things to play more than one album.

0:30:04.800 --> 0:30:07.640
<v Speaker 4>I never all right, Okay, I respect you.

0:30:07.720 --> 0:30:10.040
<v Speaker 5>I respect your bubble, though I'm gonna respond, why are

0:30:10.040 --> 0:30:10.480
<v Speaker 5>you looking around?

0:30:10.560 --> 0:30:12.719
<v Speaker 1>Respect you? That was a cop out answer. I respect

0:30:12.760 --> 0:30:15.680
<v Speaker 1>your bubble. In your bubble if you got.

0:30:15.560 --> 0:30:18.680
<v Speaker 5>Room for baby keeam for the for the uh, I

0:30:18.760 --> 0:30:20.000
<v Speaker 5>definitely hit man boohoo.

0:30:20.600 --> 0:30:24.400
<v Speaker 1>Respect your bubble, no.

0:30:24.720 --> 0:30:24.960
<v Speaker 6>Maul.

0:30:25.080 --> 0:30:28.040
<v Speaker 3>Finally, you have the most powerful iPhone of all time.

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0:31:10.000 --> 0:31:13.480
<v Speaker 3>Okay, they would say, we can't answer this question, and

0:31:13.480 --> 0:31:16.520
<v Speaker 3>this is a good segue because Spotify decided who the

0:31:16.600 --> 0:31:18.920
<v Speaker 3>next leaders of hip hop are. I guess we could

0:31:18.960 --> 0:31:23.280
<v Speaker 3>say that these are Keem's peers, even though I think

0:31:23.920 --> 0:31:28.480
<v Speaker 3>there's still some gaps there. But this list, yes, you

0:31:28.480 --> 0:31:30.360
<v Speaker 3>know what, I will say this, This is keems peers,

0:31:30.960 --> 0:31:35.400
<v Speaker 3>Baby Keem, Glorella, Doci, Central c Sexy, Red rod Wave,

0:31:35.960 --> 0:31:39.360
<v Speaker 3>Low Tech has been out for almost twelve years, and

0:31:39.520 --> 0:31:43.200
<v Speaker 3>Big X the plug Many Yeah, okay, this could be keenspeers.

0:31:43.240 --> 0:31:45.160
<v Speaker 3>And for those that don't know, we're talking about Spotify,

0:31:45.600 --> 0:31:49.040
<v Speaker 3>RapCaviar put up billboards and all these artists cities saying

0:31:49.080 --> 0:31:51.280
<v Speaker 3>hip hop needs new leaders. They put out this cryptic

0:31:51.720 --> 0:31:54.840
<v Speaker 3>trailer saying who's gonna be the next leader? This and that,

0:31:55.880 --> 0:31:57.840
<v Speaker 3>all for reasons we don't really know, they just told

0:31:57.880 --> 0:31:59.640
<v Speaker 3>us about a bunch of artists that we already know about.

0:32:01.120 --> 0:32:02.480
<v Speaker 1>So I'm not sure what they're trying to do with

0:32:02.480 --> 0:32:04.440
<v Speaker 1>this campaign. This is hip hop's new leaders.

0:32:04.440 --> 0:32:08.800
<v Speaker 5>According to Spotify, they're questioning, I don't see a question mark,

0:32:09.720 --> 0:32:14.000
<v Speaker 5>you know, literally, the billboards were hip hop needs.

0:32:13.800 --> 0:32:15.760
<v Speaker 1>A new leader's question markus?

0:32:15.880 --> 0:32:17.800
<v Speaker 4>Shit? Oh so these are the names that they're putting

0:32:17.800 --> 0:32:18.840
<v Speaker 4>in the conversation.

0:32:19.200 --> 0:32:22.240
<v Speaker 3>Yes, and they put billboards in each city for the

0:32:22.360 --> 0:32:24.880
<v Speaker 3>artists that they picked, like Aby Team. They put a

0:32:24.960 --> 0:32:28.960
<v Speaker 3>billboard in Vegas, Glirilla, Memphis, Dochi, Tampa, Central, Sleed, London

0:32:29.000 --> 0:32:29.320
<v Speaker 3>and so on.

0:32:29.480 --> 0:32:30.920
<v Speaker 4>Shout out to all of these artists for getting a

0:32:31.120 --> 0:32:34.080
<v Speaker 4>billboard in their cities. That's dope, that's fire. But now

0:32:35.600 --> 0:32:37.240
<v Speaker 4>hip hop needs new leaders.

0:32:38.040 --> 0:32:40.000
<v Speaker 1>They're not wrong, same conversation.

0:32:40.120 --> 0:32:42.840
<v Speaker 5>Hip does need new leaders, right. I guess if you

0:32:42.880 --> 0:32:46.200
<v Speaker 5>want to cool, that's a cool little slogan. I guess

0:32:46.360 --> 0:32:48.120
<v Speaker 5>made me want to go watch the trailer. I don't know,

0:32:48.480 --> 0:32:51.800
<v Speaker 5>sounds like a Batman movie. Got them needs a hero? Yeah,

0:32:52.000 --> 0:32:52.920
<v Speaker 5>hero that we don't.

0:32:52.720 --> 0:32:56.000
<v Speaker 1>Deserve, you know that course, shit, who's Harvey Den sexy rep?

0:32:57.880 --> 0:33:01.040
<v Speaker 5>But then when you start putting these people on hip

0:33:01.040 --> 0:33:03.280
<v Speaker 5>hop needs new leader conversation, Like, come on, bro, what

0:33:03.280 --> 0:33:05.960
<v Speaker 5>we're we talking about? I respect Sexy read No, I

0:33:06.040 --> 0:33:09.520
<v Speaker 5>respect all the hustle to grind. I respect Docie I respect.

0:33:09.160 --> 0:33:14.000
<v Speaker 1>But like, really, okay, tell me tell me.

0:33:15.760 --> 0:33:16.720
<v Speaker 2>Who don't you agree with?

0:33:17.120 --> 0:33:20.120
<v Speaker 1>Who should be in that list that isn't then.

0:33:22.800 --> 0:33:24.800
<v Speaker 3>If we're going off the graduating peer class that we

0:33:24.800 --> 0:33:29.400
<v Speaker 3>were just talking about, don't say Travis Scott, He's legacy.

0:33:31.240 --> 0:33:32.200
<v Speaker 4>Yeah. I don't know, man.

0:33:32.440 --> 0:33:33.480
<v Speaker 1>If this is the if this is.

0:33:33.440 --> 0:33:37.520
<v Speaker 5>The the bunch to pick from, were in a bad spot.

0:33:37.760 --> 0:33:39.720
<v Speaker 3>I would love for Jid to be in this conversation

0:33:39.880 --> 0:33:40.360
<v Speaker 3>for sure.

0:33:41.840 --> 0:33:43.160
<v Speaker 4>Yeah, but y'all say he's not a peer.

0:33:43.200 --> 0:33:45.440
<v Speaker 5>He's not. No, I think he's King's peer. We said that,

0:33:45.560 --> 0:33:49.160
<v Speaker 5>Oh so yeah, so the d I think should be

0:33:49.160 --> 0:33:51.960
<v Speaker 5>in there. Yeah, and he's just getting nominated for rap

0:33:52.280 --> 0:33:52.520
<v Speaker 5>the end?

0:33:52.720 --> 0:33:56.400
<v Speaker 2>Yeah, Jed And what what city is Jeff from? Again?

0:33:56.920 --> 0:33:58.320
<v Speaker 1>Herom Atlanta?

0:33:59.680 --> 0:34:02.320
<v Speaker 3>My thing is and out of it pains my heart

0:34:03.360 --> 0:34:04.720
<v Speaker 3>And there's no disrespect to Little Techer.

0:34:05.080 --> 0:34:08.680
<v Speaker 1>Please let me know if I'm wrong. Does a Little

0:34:08.719 --> 0:34:10.319
<v Speaker 1>Techer belong in this list?

0:34:11.960 --> 0:34:13.200
<v Speaker 4>That's who you went to, Little Checker.

0:34:13.400 --> 0:34:16.000
<v Speaker 3>Yeah, it's coming from Spotify and I'm not saying Little

0:34:16.040 --> 0:34:19.600
<v Speaker 3>Techer doesn't do billions of streams, but every single artist

0:34:19.600 --> 0:34:26.560
<v Speaker 3>on here has been extremely, extremely, extremely relevant for the

0:34:26.640 --> 0:34:28.160
<v Speaker 3>last few years.

0:34:29.360 --> 0:34:32.839
<v Speaker 5>Rod Wave, I can understand he thought he does Arenas. Yeah,

0:34:32.880 --> 0:34:37.719
<v Speaker 5>I can understand rod Wave, Bigues's the plug streams more

0:34:37.760 --> 0:34:39.919
<v Speaker 5>than fuck. I can understand Central Prince at this point.

0:34:42.239 --> 0:34:44.160
<v Speaker 2>So it's Sexy Red and Little Techer. You got the

0:34:44.160 --> 0:34:46.800
<v Speaker 2>problem with I have. I have no problem with Sexy

0:34:46.840 --> 0:34:47.680
<v Speaker 2>Red I was talking about.

0:34:47.840 --> 0:34:48.360
<v Speaker 1>I just don't know.

0:34:48.400 --> 0:34:51.040
<v Speaker 5>When you say hip hop, I just don't know if

0:34:51.120 --> 0:34:51.760
<v Speaker 5>they belong.

0:34:53.920 --> 0:34:54.399
<v Speaker 4>I don't know.

0:34:54.880 --> 0:34:56.480
<v Speaker 2>Are you one of the people that believe that there's

0:34:56.480 --> 0:34:57.919
<v Speaker 2>a difference between hip hop and rap.

0:34:58.640 --> 0:34:59.839
<v Speaker 4>No, rap is a part of hip hop.

0:35:00.040 --> 0:35:03.680
<v Speaker 5>Hip hop is hip hop is the whole, is the building,

0:35:03.760 --> 0:35:05.960
<v Speaker 5>the whole culture culture.

0:35:06.080 --> 0:35:07.439
<v Speaker 4>Rap is a part of hip hop.

0:35:12.719 --> 0:35:15.960
<v Speaker 5>Yeah, I don't know, man, I listen, man, I'm sure

0:35:15.960 --> 0:35:17.359
<v Speaker 5>all of these artists, I don't know what they do,

0:35:17.440 --> 0:35:18.880
<v Speaker 5>what they monthly listen to and all of that with

0:35:18.920 --> 0:35:20.799
<v Speaker 5>their numbers. I don't really care about numbers like that.

0:35:21.640 --> 0:35:23.840
<v Speaker 5>I'm just going off the music and how the music

0:35:24.120 --> 0:35:26.600
<v Speaker 5>sounds and the listening experience, and if I keep the

0:35:26.640 --> 0:35:28.920
<v Speaker 5>replay value in the music that's more so what I

0:35:28.960 --> 0:35:31.640
<v Speaker 5>go to. Just being honest, I don't listen to a

0:35:31.640 --> 0:35:33.399
<v Speaker 5>lot of these a lot of these artists like that.

0:35:34.800 --> 0:35:38.880
<v Speaker 5>I don't not when you have better artists dropping music.

0:35:39.400 --> 0:35:41.560
<v Speaker 5>I'm'm saying, I just I just yeah, But it's it's

0:35:41.600 --> 0:35:44.359
<v Speaker 5>coming from from Spotify. That like when we joke around,

0:35:44.400 --> 0:35:46.000
<v Speaker 5>like why do they even do the Billboard Awards, Like

0:35:46.040 --> 0:35:50.600
<v Speaker 5>we know, we know the results Spotify coming from Spotify,

0:35:50.640 --> 0:35:53.520
<v Speaker 5>I don't think this is a bad list, to.

0:35:53.480 --> 0:35:54.160
<v Speaker 1>Be quite honest.

0:35:54.840 --> 0:35:57.120
<v Speaker 3>They could probably make a case that it doesn't stream

0:35:57.280 --> 0:35:59.000
<v Speaker 3>the way all these people do, so he shouldn't be

0:35:59.719 --> 0:36:00.680
<v Speaker 3>in our Spotify list.

0:36:00.760 --> 0:36:03.720
<v Speaker 5>I just I just looked at Don Tolliver. They haven't

0:36:03.719 --> 0:36:05.719
<v Speaker 5>classwid as hip hop rap. He needs to be on

0:36:05.760 --> 0:36:06.120
<v Speaker 5>this list.

0:36:06.320 --> 0:36:08.359
<v Speaker 1>If rod Wave is on there, Don Tolliver, I'm not.

0:36:08.400 --> 0:36:10.440
<v Speaker 4>Don Tollivan needs to be on this list, Like what

0:36:10.480 --> 0:36:10.960
<v Speaker 4>are we doing?

0:36:11.640 --> 0:36:14.440
<v Speaker 1>That's the fair point. Don Tolliver's youall classifying name is

0:36:14.520 --> 0:36:16.400
<v Speaker 1>hip hop rap? Okay? Cool?

0:36:16.640 --> 0:36:18.160
<v Speaker 4>Hip hop needs new leaders cool.

0:36:18.560 --> 0:36:21.600
<v Speaker 5>Don Tolliver has a better album than any of these

0:36:21.640 --> 0:36:24.560
<v Speaker 5>artists that are up here right now. Currently, That Octane

0:36:24.600 --> 0:36:27.359
<v Speaker 5>album is better than anybody up here's album.

0:36:27.480 --> 0:36:30.160
<v Speaker 1>I'm sure this campaign was before the album came out,

0:36:30.360 --> 0:36:32.959
<v Speaker 1>but whatever it was, I agree with you, even Okay,

0:36:33.000 --> 0:36:34.640
<v Speaker 1>his last two albums, I agree with you.

0:36:35.160 --> 0:36:36.799
<v Speaker 3>If you put rod Wave there, then there's no reason

0:36:36.800 --> 0:36:37.799
<v Speaker 3>Don Tolliver shouldn't be there.

0:36:38.000 --> 0:36:39.640
<v Speaker 2>How much you advocate for Don Tolliver.

0:36:39.880 --> 0:36:43.440
<v Speaker 5>That Nigga is talented, Don Tolliver is fire, that Nigga

0:36:43.560 --> 0:36:48.800
<v Speaker 5>is He's insanely talented. Like I'm talking about live show albums,

0:36:48.800 --> 0:36:51.120
<v Speaker 5>the replay of value on his music, like all of

0:36:51.120 --> 0:36:53.319
<v Speaker 5>that ship. Like, I just don't if you're gonna make

0:36:53.320 --> 0:36:57.520
<v Speaker 5>a rap cavea hip hop THEEDS new leaders, Don Tolliver's

0:36:57.600 --> 0:37:01.040
<v Speaker 5>up there. He's he has better music than nine of

0:37:01.080 --> 0:37:01.399
<v Speaker 5>this list.

0:37:01.440 --> 0:37:03.160
<v Speaker 2>Right, So you guys are saying that Don Tolliver and

0:37:03.280 --> 0:37:04.560
<v Speaker 2>j I did I'm missing I'm this.

0:37:05.440 --> 0:37:05.600
<v Speaker 1>Yeah.

0:37:05.640 --> 0:37:07.319
<v Speaker 5>If we talk about hip hop needs new league John

0:37:07.360 --> 0:37:13.759
<v Speaker 5>Don Tolliver, I'm sure he does crazy numbers, stage show incredible. Yeah,

0:37:13.920 --> 0:37:15.400
<v Speaker 5>he's a new leader. If you and not look for

0:37:15.440 --> 0:37:18.240
<v Speaker 5>new leaders, Don Tolliver should be on this list. Okay,

0:37:19.320 --> 0:37:21.000
<v Speaker 5>I'm not obtained as one of the best albums of

0:37:21.000 --> 0:37:22.959
<v Speaker 5>the year so far without it that.

0:37:22.880 --> 0:37:28.320
<v Speaker 3>I'm not mad at that this cash Cobain maybe represent

0:37:28.400 --> 0:37:30.759
<v Speaker 3>New York a little bit better with the last few years.

0:37:30.760 --> 0:37:33.720
<v Speaker 2>I wouldn't. I wouldn't be surprised if Little Tech I had.

0:37:33.640 --> 0:37:34.840
<v Speaker 1>High higher streams.

0:37:35.080 --> 0:37:37.440
<v Speaker 3>Again, I'm I don't want to dispect Little Tech. I'm

0:37:37.480 --> 0:37:40.799
<v Speaker 3>just not I don't follow that much. Not familiar with

0:37:40.840 --> 0:37:43.640
<v Speaker 3>his game, I am, but he's been out forever.

0:37:43.800 --> 0:37:45.640
<v Speaker 5>Shit, I just started listening to Rod Wave. They sent

0:37:45.760 --> 0:37:48.919
<v Speaker 5>me his place a lot. But that's not what I'm saying.

0:37:48.960 --> 0:37:51.040
<v Speaker 5>If you had said if you were showing this list

0:37:51.120 --> 0:37:53.759
<v Speaker 5>last year, I would have been lost. I understand Rod

0:37:53.800 --> 0:37:55.920
<v Speaker 5>does arenas, he sells out shows.

0:37:55.960 --> 0:37:56.360
<v Speaker 1>I get that.

0:37:56.440 --> 0:37:58.800
<v Speaker 5>I know he has a huge following. I didn't just

0:37:58.840 --> 0:38:00.439
<v Speaker 5>didn't tap in me. But now I have to listen

0:38:00.520 --> 0:38:02.520
<v Speaker 5>to his music. It makes sense to me, Like, Okay,

0:38:02.520 --> 0:38:03.640
<v Speaker 5>I get it, understand.

0:38:03.320 --> 0:38:07.000
<v Speaker 1>It, but I mean even I get I get the

0:38:07.000 --> 0:38:10.040
<v Speaker 1>the campaign here, but like, what is the exact goal?

0:38:10.200 --> 0:38:14.600
<v Speaker 3>Is this more label driven with Spotify? That now we're

0:38:14.640 --> 0:38:18.960
<v Speaker 3>gonna start that conversation with these names specifically because there's

0:38:18.960 --> 0:38:21.000
<v Speaker 3>not anyone here that doesn't have a very big machine

0:38:21.040 --> 0:38:24.600
<v Speaker 3>behind them that also has stocked in Spotify. Like that's

0:38:24.640 --> 0:38:28.400
<v Speaker 3>where I'm not sure what the point of this campaign

0:38:28.440 --> 0:38:29.920
<v Speaker 3>was because I saw some people saying, Oh, there's going

0:38:29.960 --> 0:38:32.040
<v Speaker 3>to be a voting thing on Spotify where you could

0:38:32.080 --> 0:38:34.080
<v Speaker 3>vote who's going to be the new leader of hip hop?

0:38:34.239 --> 0:38:36.320
<v Speaker 3>But what does that really solve at the end of

0:38:36.360 --> 0:38:38.760
<v Speaker 3>the day.

0:38:38.800 --> 0:38:41.759
<v Speaker 2>It's well, I mean, it's marketing for Spotify, it's from

0:38:41.840 --> 0:38:44.280
<v Speaker 2>rap it's for Rap Caviar, which is the fucking playlist

0:38:44.320 --> 0:38:46.319
<v Speaker 2>of course, which they're going to send everybody to. Like

0:38:46.400 --> 0:38:48.280
<v Speaker 2>it's it's just Rap Caviar's budget.

0:38:49.120 --> 0:38:50.040
<v Speaker 1>I'm not bad at it.

0:38:49.920 --> 0:38:55.200
<v Speaker 3>It just feels like a lazy boardroom campaign. It just

0:38:55.239 --> 0:38:57.520
<v Speaker 3>doesn't feel that creative to me at all. That you're

0:38:57.600 --> 0:39:02.040
<v Speaker 3>just throwing the names that everyone knows up on a billboard.

0:39:01.560 --> 0:39:04.520
<v Speaker 2>But not every but not everybody knows the names. And

0:39:04.560 --> 0:39:07.440
<v Speaker 2>I think sometimes we speak from a place where we're

0:39:07.480 --> 0:39:10.279
<v Speaker 2>a hip hop podcast and we're very tapped into certain shit.

0:39:10.600 --> 0:39:13.280
<v Speaker 2>Artists can be big, but not everybody knows these people.

0:39:13.360 --> 0:39:16.440
<v Speaker 3>I mean Rap Cabaret you would say is the biggest

0:39:16.480 --> 0:39:17.880
<v Speaker 3>hip hop playlist in the world.

0:39:18.040 --> 0:39:20.239
<v Speaker 2>It would be, but it doesn't mean that everybody knows

0:39:20.239 --> 0:39:22.600
<v Speaker 2>these names. Hints the advertising for both the artists and

0:39:22.719 --> 0:39:23.240
<v Speaker 2>Rap Caviar.

0:39:24.440 --> 0:39:27.759
<v Speaker 3>Yeah, I mean listen we're talking about it. Complex that

0:39:27.800 --> 0:39:29.879
<v Speaker 3>put put up an article and actually picked a lot

0:39:29.880 --> 0:39:33.399
<v Speaker 3>of great tweets in reply to this entire campaign because

0:39:33.400 --> 0:39:36.520
<v Speaker 3>it did confuse a lot of people. My guys, the

0:39:36.760 --> 0:39:39.320
<v Speaker 3>founder of Audio Mac who's one of the best follows

0:39:39.360 --> 0:39:42.840
<v Speaker 3>on Twitter. So the old superstar era is over your Spotify.

0:39:42.880 --> 0:39:46.480
<v Speaker 3>You should understand this. Our fragment and media landscape makes

0:39:46.520 --> 0:39:52.839
<v Speaker 3>reaching the level of artists you mentioned impossible. Dan, I'm

0:39:52.880 --> 0:39:54.879
<v Speaker 3>not even gonna try to pronounce your last name. This

0:39:54.920 --> 0:39:57.680
<v Speaker 3>is Rap's NBA Face of the League debate. Similar dynamic.

0:39:57.719 --> 0:40:00.640
<v Speaker 3>The two thousands and twenty tens stars are the biggest.

0:40:00.640 --> 0:40:03.919
<v Speaker 3>It's not because of the talent. It's because how fragmented

0:40:04.320 --> 0:40:07.719
<v Speaker 3>media is. No, it's the talent too, and that's where.

0:40:09.040 --> 0:40:09.239
<v Speaker 1>They know.

0:40:09.280 --> 0:40:12.920
<v Speaker 5>It's the talent. It's the talent. It's the talent, bro Like,

0:40:12.920 --> 0:40:14.719
<v Speaker 5>we're not doing that. It's the talent. It's the lack

0:40:14.760 --> 0:40:16.960
<v Speaker 5>of talent. The NBA is suffering right now because a

0:40:17.000 --> 0:40:18.600
<v Speaker 5>lot of these niggas all they want to do is

0:40:18.600 --> 0:40:22.239
<v Speaker 5>shoot threes and have kids. And it's the lack of talent.

0:40:22.600 --> 0:40:24.640
<v Speaker 5>It's just the lack of talent. Let's be real, Like

0:40:25.360 --> 0:40:26.919
<v Speaker 5>music is lack of talent right now?

0:40:27.760 --> 0:40:30.759
<v Speaker 3>Oh, I mean I agree, and but I don't even

0:40:30.840 --> 0:40:34.239
<v Speaker 3>understand because ze I respect his opinion so much. I

0:40:34.280 --> 0:40:38.200
<v Speaker 3>don't know where this is really falling on media per se.

0:40:40.000 --> 0:40:42.799
<v Speaker 3>Why would media be responsible for that when when on

0:40:42.840 --> 0:40:47.720
<v Speaker 3>top of that, I consider rap caviar doing this almost media.

0:40:48.640 --> 0:40:52.360
<v Speaker 3>It's advertising in media, you're putting a list together for

0:40:52.440 --> 0:40:56.799
<v Speaker 3>people to talk about of young artists. So you don't

0:40:56.800 --> 0:41:01.279
<v Speaker 3>blame this on media like I just ap just did. Like,

0:41:02.040 --> 0:41:06.759
<v Speaker 3>I don't know where media falls on that. Maybe Spotify does,

0:41:06.800 --> 0:41:10.800
<v Speaker 3>because playlisting is such a big part of how music

0:41:10.880 --> 0:41:14.560
<v Speaker 3>is put in front of the average consumer. Media is

0:41:14.600 --> 0:41:21.000
<v Speaker 3>not so much that anymore in all phases of media.

0:41:21.160 --> 0:41:25.000
<v Speaker 2>So are they blaming us for not reporting on the

0:41:25.440 --> 0:41:26.440
<v Speaker 2>people with real talent?

0:41:27.640 --> 0:41:28.279
<v Speaker 1>Here's the thing.

0:41:29.000 --> 0:41:33.600
<v Speaker 3>Before streaming, you add the blogs and iTunes, where the

0:41:33.960 --> 0:41:37.080
<v Speaker 3>labels shunned the blogs until it was too late and

0:41:37.120 --> 0:41:39.839
<v Speaker 3>they had to work with them. Media was doing its

0:41:39.920 --> 0:41:44.239
<v Speaker 3>job for discovery. Then you guys created streaming because you

0:41:44.280 --> 0:41:47.160
<v Speaker 3>guys wanted to control the discovery where media could no

0:41:47.200 --> 0:41:50.400
<v Speaker 3>longer do that. Yes, some of us have some power

0:41:50.960 --> 0:41:54.520
<v Speaker 3>to mention an artist and it will do okay for them,

0:41:54.880 --> 0:41:57.480
<v Speaker 3>But even media has so many different pockets of fans

0:41:57.680 --> 0:41:59.319
<v Speaker 3>that if we say we like somebody, it only goes

0:41:59.320 --> 0:42:02.440
<v Speaker 3>to a certain group. If platforms way bigger than us

0:42:02.480 --> 0:42:04.399
<v Speaker 3>say somebody's name, it only goes to a certain group.

0:42:04.680 --> 0:42:07.759
<v Speaker 3>You guys are controlling the discovery. Now, what the fuck

0:42:07.800 --> 0:42:08.799
<v Speaker 3>does media have to do with this?

0:42:09.560 --> 0:42:10.560
<v Speaker 1>You guys change the game?

0:42:11.440 --> 0:42:11.839
<v Speaker 4>Mm hmm.

0:42:13.440 --> 0:42:15.359
<v Speaker 3>And these are people that are anti label that are

0:42:15.360 --> 0:42:19.640
<v Speaker 3>saying this, which is why it's blowing my mind. You

0:42:19.760 --> 0:42:23.080
<v Speaker 3>made it so discovery can only come from you, guys.

0:42:23.120 --> 0:42:26.279
<v Speaker 3>You control discovery. Now you control the algorithms. There's no

0:42:26.320 --> 0:42:30.360
<v Speaker 3>more SoundCloud, rabbit hole, there's no more fun blogs. Uh

0:42:30.520 --> 0:42:32.799
<v Speaker 3>the ship that is even in the algorithms. What we

0:42:32.920 --> 0:42:35.719
<v Speaker 3>do on media only goes to the bullshit when you

0:42:35.760 --> 0:42:36.359
<v Speaker 3>throw it out there.

0:42:39.120 --> 0:42:43.200
<v Speaker 5>Yeah, what false is this? This ain't no media. I

0:42:43.200 --> 0:42:45.600
<v Speaker 5>don't care how fragniation is bigger than you no brain

0:42:45.760 --> 0:42:48.000
<v Speaker 5>saying this. Ain't this ameme media. This is the lack

0:42:48.040 --> 0:42:50.479
<v Speaker 5>of talent. And I get it. These are certain names

0:42:50.480 --> 0:42:52.760
<v Speaker 5>and artists that I guess you know, have like words

0:42:52.800 --> 0:42:54.279
<v Speaker 5>that has a machine behind them and they're trying to

0:42:54.320 --> 0:42:55.399
<v Speaker 5>push I get that.

0:42:56.040 --> 0:42:57.440
<v Speaker 1>But we've seen a lot.

0:42:57.400 --> 0:42:59.480
<v Speaker 5>Of niggas that y'all thought was the new leaders. It

0:42:59.600 --> 0:43:01.080
<v Speaker 5>was the new this and the new Dad and no

0:43:01.160 --> 0:43:07.200
<v Speaker 5>da da and then tours get canceled. But that doesn't

0:43:07.280 --> 0:43:09.600
<v Speaker 5>mean that's exactly what that means. Niggas ain't paying it

0:43:09.600 --> 0:43:10.800
<v Speaker 5>comes to you. That means you ain't.

0:43:10.640 --> 0:43:13.520
<v Speaker 2>Hot, but you can be talented and not be hot.

0:43:14.000 --> 0:43:17.560
<v Speaker 5>That happens, true, true, you can be you can be hot,

0:43:17.760 --> 0:43:20.120
<v Speaker 5>but you can be hot and not be talented. But

0:43:20.800 --> 0:43:24.000
<v Speaker 5>niggas ain't paying it to come see you though. Niggas

0:43:24.000 --> 0:43:26.640
<v Speaker 5>are stream some ship and then listen to it. That

0:43:26.719 --> 0:43:30.680
<v Speaker 5>song was cool? Yeah, all right, cool yo. Pay this

0:43:30.840 --> 0:43:33.359
<v Speaker 5>money and then get dressing and drive to the area. Nigga,

0:43:33.400 --> 0:43:36.680
<v Speaker 5>I'm not doing all that. Live show is not dope.

0:43:37.040 --> 0:43:39.560
<v Speaker 5>Not spending money to watch you walk back and forth

0:43:39.600 --> 0:43:42.120
<v Speaker 5>on stage like, No, I'm not doing that. The music

0:43:42.200 --> 0:43:43.080
<v Speaker 5>is not that dope.

0:43:43.880 --> 0:43:45.440
<v Speaker 2>I'd like to see them do a list like this

0:43:45.520 --> 0:43:47.920
<v Speaker 2>for R and B. I would be interested.

0:43:48.280 --> 0:43:50.799
<v Speaker 4>Saying we know who the new leaders of R and

0:43:50.800 --> 0:43:51.120
<v Speaker 4>B are.

0:43:51.200 --> 0:43:52.279
<v Speaker 2>Who are the new leaders of R and B?

0:43:52.360 --> 0:43:56.200
<v Speaker 5>In EU opinion, Maria scientists, Riot, the scientists, Maria the scientists.

0:43:56.400 --> 0:43:59.880
<v Speaker 2>Funny Maul, who do you think are the new leaders.

0:43:59.680 --> 0:44:06.759
<v Speaker 5>Leon Obviously, I feel like there's another album that just

0:44:06.760 --> 0:44:15.760
<v Speaker 5>came out that was the Oh Brent okay, like Mariah.

0:44:16.080 --> 0:44:18.600
<v Speaker 3>But if we're going off this timeframe, is Brent involved

0:44:18.600 --> 0:44:20.000
<v Speaker 3>in that? And I mean to cut you off. I

0:44:20.040 --> 0:44:21.880
<v Speaker 3>just don't know Brent in that timeline. Brent has been

0:44:21.920 --> 0:44:26.040
<v Speaker 3>out since twenty how long has Little Check have been out?

0:44:26.640 --> 0:44:27.920
<v Speaker 3>That's why he's the only one on that list that

0:44:27.920 --> 0:44:29.439
<v Speaker 3>I feel like. I mean dot she had a bunch

0:44:29.440 --> 0:44:33.040
<v Speaker 3>of mixtapes before, but she's now just just hit her stride.

0:44:34.239 --> 0:44:37.040
<v Speaker 4>She's been out for years two though she's been releasing music.

0:44:37.239 --> 0:44:41.080
<v Speaker 3>But I'm always fine with new artists when they released

0:44:41.080 --> 0:44:43.720
<v Speaker 3>their first actual project and start to hit their stride.

0:44:43.719 --> 0:44:46.279
<v Speaker 3>If they had thirty mixtapes and we never heard them,

0:44:46.320 --> 0:44:48.360
<v Speaker 3>I don't consider them like, well, yo, they were in

0:44:48.400 --> 0:44:51.600
<v Speaker 3>their mom's basement fifteen years ago making music, so they

0:44:51.600 --> 0:44:53.279
<v Speaker 3>can't be I don't look at it that way. I

0:44:53.280 --> 0:44:55.080
<v Speaker 3>look at it more when you start to catch your stride.

0:44:56.880 --> 0:44:59.440
<v Speaker 1>I like Sailor love her. I think she's dope.

0:45:00.120 --> 0:45:01.799
<v Speaker 2>You think Saylor would be a leader in R and B.

0:45:03.160 --> 0:45:08.800
<v Speaker 5>H looking at this list, Yes, her album was crazy

0:45:08.840 --> 0:45:11.680
<v Speaker 5>the last probably she just put out was fire okay,

0:45:12.320 --> 0:45:15.920
<v Speaker 5>and she's on tour with Doosie. Yes, yes, yes, I

0:45:15.920 --> 0:45:19.000
<v Speaker 5>would definitely put sale up here. Yes, why not?

0:45:20.080 --> 0:45:23.479
<v Speaker 3>Let's argue, I mean, then does does Daniel Caesar fall?

0:45:23.600 --> 0:45:25.399
<v Speaker 3>And this I just don't know the timeframe we're.

0:45:25.320 --> 0:45:26.800
<v Speaker 2>Going with Daniel Caesar would not fall in?

0:45:26.960 --> 0:45:31.000
<v Speaker 1>Okay? Uh? Yeah?

0:45:31.120 --> 0:45:37.360
<v Speaker 2>Like yeah, your pa Mike Peach, So you could be

0:45:37.400 --> 0:45:40.600
<v Speaker 2>ten years in and not be a leader like and

0:45:40.640 --> 0:45:41.160
<v Speaker 2>become a leader.

0:45:41.160 --> 0:45:47.000
<v Speaker 4>I'm sorry, So yeah, Sailor Leon Brent.

0:45:48.480 --> 0:45:53.279
<v Speaker 2>Kaylanie Unfortunately, since I was in college, I know that.

0:45:53.960 --> 0:45:57.799
<v Speaker 2>But I mean, according to a lot of people, they

0:45:57.840 --> 0:46:00.400
<v Speaker 2>would say Kaylanie included, they would say that he's just

0:46:00.440 --> 0:46:02.520
<v Speaker 2>now hitting her stride to the message.

0:46:02.520 --> 0:46:03.640
<v Speaker 1>No, that's not the way I'm saying it.

0:46:03.640 --> 0:46:05.960
<v Speaker 5>With Dochi where there was mixtapes that people had not heard,

0:46:06.040 --> 0:46:07.759
<v Speaker 5>and then she was really introduced to the world.

0:46:07.840 --> 0:46:08.920
<v Speaker 1>Kay Lonnie has had.

0:46:09.320 --> 0:46:13.359
<v Speaker 3>Hit records, number one albums. Yeah, did folded put her

0:46:13.840 --> 0:46:15.120
<v Speaker 3>in a crazy leader?

0:46:15.120 --> 0:46:16.280
<v Speaker 4>Though new leader?

0:46:16.480 --> 0:46:19.080
<v Speaker 5>Has she ever led rby No, she's never led R

0:46:19.120 --> 0:46:22.560
<v Speaker 5>and B. So let's put it in LIS's there. Let's

0:46:22.560 --> 0:46:24.400
<v Speaker 5>put it on the conversation of new leaders of R

0:46:24.400 --> 0:46:24.560
<v Speaker 5>and B.

0:46:25.680 --> 0:46:27.560
<v Speaker 1>Okay, Well, then I had. Then I changed the rap

0:46:27.600 --> 0:46:29.560
<v Speaker 1>one drastically.

0:46:30.000 --> 0:46:30.440
<v Speaker 6>Yeah.

0:46:31.080 --> 0:46:32.880
<v Speaker 4>You keep trying to say, yo, what year he was born?

0:46:34.000 --> 0:46:36.480
<v Speaker 1>No, I'm talking about when they came out, like, well,

0:46:36.600 --> 0:46:37.319
<v Speaker 1>yeah he was born.

0:46:37.400 --> 0:46:39.120
<v Speaker 5>Yeah, but that don't mean it was a leader though.

0:46:40.320 --> 0:46:42.680
<v Speaker 5>Now did this dad make it consistent? Great music, assisting

0:46:42.719 --> 0:46:46.200
<v Speaker 5>great songs. They're getting dope features like now they've becoming

0:46:46.239 --> 0:46:49.000
<v Speaker 5>in that conversation of Okay, he's leading the pack or

0:46:49.040 --> 0:46:49.839
<v Speaker 5>she's leading the pack.

0:46:49.920 --> 0:46:53.000
<v Speaker 3>Now okay, So then is Freddy Gibbs not in the

0:46:53.080 --> 0:46:53.880
<v Speaker 3>rap conversation ever?

0:46:53.960 --> 0:46:55.120
<v Speaker 1>Going off that criteria.

0:46:55.200 --> 0:46:56.120
<v Speaker 4>I'm not mad at that.

0:46:56.360 --> 0:46:59.760
<v Speaker 1>But that's nuts to be gives has had records.

0:46:59.360 --> 0:47:01.320
<v Speaker 5>Like of course, but was he ever considered one of

0:47:01.360 --> 0:47:04.359
<v Speaker 5>the leaders of of rat of hip hop?

0:47:06.000 --> 0:47:07.680
<v Speaker 1>It can get me? It can then? Then I then

0:47:07.719 --> 0:47:10.120
<v Speaker 1>I don't even understand new Then I don't understand the

0:47:10.120 --> 0:47:13.560
<v Speaker 1>campaign new leaders, new leaders? Who are the old leaders?

0:47:14.520 --> 0:47:16.120
<v Speaker 4>N For years?

0:47:16.320 --> 0:47:17.520
<v Speaker 1>All right, new leaders?

0:47:18.040 --> 0:47:21.560
<v Speaker 3>The Clips have had hit records, great albums, but last

0:47:21.600 --> 0:47:23.200
<v Speaker 3>year they led hip hop. I think it's the first

0:47:23.200 --> 0:47:24.880
<v Speaker 3>time the Clips ever led hip hop, or the Clips

0:47:24.880 --> 0:47:25.480
<v Speaker 3>to new leaders.

0:47:25.560 --> 0:47:27.440
<v Speaker 2>That's not the first time the Clips, I mean, I

0:47:27.480 --> 0:47:27.839
<v Speaker 2>guess the.

0:47:27.760 --> 0:47:31.440
<v Speaker 3>First time the Clips have led hip hop. We're that

0:47:31.480 --> 0:47:32.399
<v Speaker 3>we're far away from each other.

0:47:32.480 --> 0:47:34.799
<v Speaker 2>Okay, it's fine. I can hear you.

0:47:37.120 --> 0:47:38.080
<v Speaker 1>I can hear you.

0:47:38.560 --> 0:47:41.000
<v Speaker 4>You know you got a mike like right like.

0:47:41.080 --> 0:47:42.880
<v Speaker 2>He was yelling all episode.

0:47:43.000 --> 0:47:44.080
<v Speaker 1>I don't know what's wrong with him.

0:47:44.120 --> 0:47:46.200
<v Speaker 5>You know he gets whenever King dropped, bes how you

0:47:46.200 --> 0:47:49.480
<v Speaker 5>start acting as soon as King drop he turned to

0:47:49.560 --> 0:47:50.279
<v Speaker 5>a whole new dude.

0:47:52.560 --> 0:47:53.839
<v Speaker 2>I do want to give a shout out to when

0:47:53.840 --> 0:47:55.600
<v Speaker 2>it comes to R and B new leaders up and coming,

0:47:55.600 --> 0:47:57.000
<v Speaker 2>I do want to give a shout out to Jay Don.

0:47:57.160 --> 0:47:59.360
<v Speaker 2>He's a young boy. He can like. He's like. He

0:47:59.480 --> 0:48:02.000
<v Speaker 2>makes the type of music that I would have liked

0:48:02.000 --> 0:48:03.560
<v Speaker 2>back when I was in high school. He reminds me

0:48:03.600 --> 0:48:05.720
<v Speaker 2>of like, you know, the old Chris Brown, the old

0:48:06.920 --> 0:48:09.359
<v Speaker 2>that's the tall, yes, tall with the braves.

0:48:10.000 --> 0:48:10.760
<v Speaker 4>That he danced.

0:48:11.960 --> 0:48:15.000
<v Speaker 1>His music is good him to R and B Wimby.

0:48:15.200 --> 0:48:15.719
<v Speaker 1>I like him.

0:48:15.719 --> 0:48:19.200
<v Speaker 5>He's like R and B Winbyama, Look what you call people?

0:48:19.280 --> 0:48:21.040
<v Speaker 5>He too tall to be moving like that? Sit down.

0:48:21.200 --> 0:48:23.040
<v Speaker 2>See that's not fair because j'all niggasn't say that about

0:48:23.120 --> 0:48:23.520
<v Speaker 2>Chris Brown.

0:48:23.520 --> 0:48:26.239
<v Speaker 5>Big ass Chris Brownie. You know how tall his kid is.

0:48:26.760 --> 0:48:28.440
<v Speaker 5>He's way to now.

0:48:28.440 --> 0:48:29.200
<v Speaker 2>I gotta look it up.

0:48:29.560 --> 0:48:32.000
<v Speaker 3>Wait, nobody thinks Chris Brown and Wemby are close to

0:48:32.040 --> 0:48:34.640
<v Speaker 3>each other, Like this dude is like six he likes

0:48:34.640 --> 0:48:38.799
<v Speaker 3>six six. While you look that up, someone else did

0:48:38.880 --> 0:48:40.239
<v Speaker 3>bring up a good point. Since we're back to the

0:48:40.280 --> 0:48:43.279
<v Speaker 3>rap part of this, a lot of the next up

0:48:43.440 --> 0:48:48.399
<v Speaker 3>or new leaders died, Mac Miller, Tintasi Own Juice World,

0:48:48.520 --> 0:48:51.640
<v Speaker 3>Nipsey Pop Smoke Takeoff was already part of one of

0:48:51.680 --> 0:48:56.000
<v Speaker 3>the greatest hip hop groups of all time. This list

0:48:56.080 --> 0:48:59.840
<v Speaker 3>right here. They were all on their way. They had

0:48:59.840 --> 0:49:01.879
<v Speaker 3>the jectory of becoming the.

0:49:01.840 --> 0:49:03.799
<v Speaker 4>Next day Wan Pace, Yeah.

0:49:03.640 --> 0:49:06.279
<v Speaker 3>Max for Sure and ties On for Sure, Juice for Sure,

0:49:06.560 --> 0:49:10.239
<v Speaker 3>Nipsey Pops for you. Like yeah, I thought that was

0:49:10.600 --> 0:49:13.240
<v Speaker 3>a great and unfortunate point.

0:49:13.480 --> 0:49:16.239
<v Speaker 2>Very true to circle back though. Jay Don is six'

0:49:16.360 --> 0:49:18.719
<v Speaker 2>five mall you, RIGHT i know, Right i've.

0:49:18.640 --> 0:49:22.239
<v Speaker 5>Seen some slacks on one day he starts. SPINNING i, Said,

0:49:22.239 --> 0:49:23.760
<v Speaker 5>man this tall, nigga gota sit, Down.

0:49:23.600 --> 0:49:24.279
<v Speaker 1>Man don't do.

0:49:24.360 --> 0:49:26.680
<v Speaker 2>That he makes nice and he's.

0:49:26.480 --> 0:49:29.040
<v Speaker 5>Talented but that's, like, bro you fam w how are

0:49:29.040 --> 0:49:30.239
<v Speaker 5>you that tall and can dance like?

0:49:30.280 --> 0:49:32.000
<v Speaker 4>That that shit just is.

0:49:32.040 --> 0:49:33.920
<v Speaker 5>Crazy that's like if you go to the club and

0:49:33.920 --> 0:49:35.680
<v Speaker 5>one of the fucking shooting golf in the. Knicks like

0:49:35.680 --> 0:49:38.000
<v Speaker 5>If Josh hart just start daing sits you're tall as

0:49:38.120 --> 0:49:41.239
<v Speaker 5>it's way too tall for, that. Bro you can't be

0:49:41.280 --> 0:49:44.080
<v Speaker 5>in here knowing moves and having rhythm at six five six, six,

0:49:44.200 --> 0:49:45.120
<v Speaker 5>like shit.

0:49:45.000 --> 0:49:47.040
<v Speaker 2>Down he only four inches taller Than Chris.

0:49:47.040 --> 0:49:49.600
<v Speaker 5>Brown, nigga you standing at six y five dude next

0:49:49.640 --> 0:49:52.280
<v Speaker 5>to six one? Dude to see the, difference a huge

0:49:52.280 --> 0:49:53.600
<v Speaker 5>difference without a.

0:49:53.640 --> 0:49:55.080
<v Speaker 1>Doubt what.

0:49:56.760 --> 0:49:58.600
<v Speaker 3>We would say that That Breakfast club is probably one

0:49:58.880 --> 0:50:01.879
<v Speaker 3>of the bigger platforms existed in the last however many,

0:50:01.920 --> 0:50:04.799
<v Speaker 3>years right and just in your own, brain think of

0:50:04.800 --> 0:50:08.200
<v Speaker 3>the biggest. Platforms, ever if somebody does an interview with

0:50:08.320 --> 0:50:11.360
<v Speaker 3>any of those, platforms do you think their streams go

0:50:11.480 --> 0:50:15.640
<v Speaker 3>up the same way if they're placed on every single

0:50:16.440 --> 0:50:19.920
<v Speaker 3>playlist in their genre and made the face of that.

0:50:19.960 --> 0:50:24.359
<v Speaker 1>Playlist, no, No so please leave media. Alone, yeah we're.

0:50:24.400 --> 0:50:28.799
<v Speaker 1>Fragmented please leave. Media fragmented. Media is there a bunch

0:50:28.840 --> 0:50:29.879
<v Speaker 1>of bullshit media out? Here?

0:50:29.920 --> 0:50:32.719
<v Speaker 3>Absolutely but how this is set? Up we don't make

0:50:32.800 --> 0:50:36.160
<v Speaker 3>or break. Shit y'all took Over. DISCOVERY i don't want

0:50:36.200 --> 0:50:36.640
<v Speaker 3>to get this shit.

0:50:36.719 --> 0:50:38.400
<v Speaker 1>Again, ah this is WHAT i love.

0:50:38.440 --> 0:50:40.759
<v Speaker 5>About see just sound LIKE i love music conversations because

0:50:40.800 --> 0:50:43.719
<v Speaker 5>we all get to kind of see what everybody, likes

0:50:43.760 --> 0:50:45.960
<v Speaker 5>what the opinion, is, like what you be listening. TO

0:50:47.040 --> 0:50:49.160
<v Speaker 5>i think it's room for. EVERYBODY i just think that

0:50:49.239 --> 0:50:51.920
<v Speaker 5>the talent level is. Sometimes you, know we got to

0:50:51.920 --> 0:50:54.799
<v Speaker 5>stop acting like the talent level is, high because it's really.

0:50:54.840 --> 0:50:56.920
<v Speaker 5>Not it's a lot of people that we listen, to

0:50:57.600 --> 0:50:59.200
<v Speaker 5>and we only listen to them because it an shit

0:50:59.200 --> 0:51:01.719
<v Speaker 5>else really listened to unless we go find somebody that

0:51:02.000 --> 0:51:04.880
<v Speaker 5>we like that the rap caveas are not putting on

0:51:04.960 --> 0:51:07.520
<v Speaker 5>playlists and that the blogs are not talking about or

0:51:07.520 --> 0:51:09.600
<v Speaker 5>that's not heavy in an, algorithm but we, like we found.

0:51:09.440 --> 0:51:10.680
<v Speaker 4>This, kid like, yo this shit is.

0:51:10.719 --> 0:51:13.120
<v Speaker 5>Dope so you get these lists and it's, LIKE i

0:51:13.160 --> 0:51:14.719
<v Speaker 5>don't listen to a lot of these people on this.

0:51:14.800 --> 0:51:18.320
<v Speaker 5>List now they're on a rap caviar billboard in different. Cities,

0:51:18.360 --> 0:51:22.280
<v Speaker 5>cool that's. Great me, PERSONALLY i still do not listen

0:51:22.320 --> 0:51:23.600
<v Speaker 5>to ninety percent of these.

0:51:23.680 --> 0:51:24.680
<v Speaker 4>Artists.

0:51:24.680 --> 0:51:26.279
<v Speaker 1>Don't that'd be an age thing as.

0:51:26.280 --> 0:51:29.040
<v Speaker 2>Well, yeah they would say, that and age or.

0:51:29.040 --> 0:51:30.880
<v Speaker 5>NOT i just don't think that because it could be

0:51:30.880 --> 0:51:32.960
<v Speaker 5>a kid that was, nineteen but if he wrapping his

0:51:33.040 --> 0:51:36.279
<v Speaker 5>ass off and his balls is, Crazy i'm listening to.

0:51:36.360 --> 0:51:39.759
<v Speaker 5>Him so it's not the age. Difference the talent is, like,

0:51:39.840 --> 0:51:41.719
<v Speaker 5>yo what is? THIS i don't even understand what.

0:51:41.680 --> 0:51:44.000
<v Speaker 2>You look at as talent is different from people that

0:51:44.000 --> 0:51:45.279
<v Speaker 2>are younger than. You that's why that's a.

0:51:45.320 --> 0:51:47.160
<v Speaker 5>Thing but that's WHY i SAID i like these conversations

0:51:47.160 --> 0:51:50.440
<v Speaker 5>because you might hear something like this is, incredible AND

0:51:50.480 --> 0:51:52.080
<v Speaker 5>i might look at, you, like how do you think

0:51:52.080 --> 0:51:55.360
<v Speaker 5>this is incredible? Music but to you it's, incredible which is,

0:51:55.400 --> 0:51:57.640
<v Speaker 5>Fine And i'm learning, That like if you like, something

0:51:57.840 --> 0:52:00.120
<v Speaker 5>that don't MEAN i gotta like it because you like

0:52:00.160 --> 0:52:02.200
<v Speaker 5>it or get mad BECAUSE i don't like.

0:52:02.239 --> 0:52:04.960
<v Speaker 4>It it's just a different. Experience you enjoyed what you.

0:52:05.000 --> 0:52:08.400
<v Speaker 2>Heard BUT i experienced that with older people with my

0:52:08.600 --> 0:52:11.080
<v Speaker 2>like worry brought up my obsession With maria. Scientists BUT

0:52:11.360 --> 0:52:14.040
<v Speaker 2>i experienced that because older people are other people who

0:52:14.080 --> 0:52:16.600
<v Speaker 2>are really big into back in the, DAY r and

0:52:16.600 --> 0:52:18.920
<v Speaker 2>B u still be all about the, vocals, Right so

0:52:19.000 --> 0:52:20.840
<v Speaker 2>you can hear an artist and like she can't fucking?

0:52:20.840 --> 0:52:22.239
<v Speaker 2>Sing how do you listen to? That it's, Like i'm

0:52:22.280 --> 0:52:24.440
<v Speaker 2>not listening for. That so what you are looking at

0:52:24.480 --> 0:52:26.399
<v Speaker 2>as talent when it comes to, Vocals i'm not even

0:52:26.440 --> 0:52:27.960
<v Speaker 2>checking for. That i'm over here paying attention to what

0:52:27.960 --> 0:52:28.319
<v Speaker 2>the fuck shes.

0:52:28.320 --> 0:52:30.399
<v Speaker 5>Saying, yeah but then you'll still get cool and THAT'S

0:52:30.520 --> 0:52:33.400
<v Speaker 5>i understand. That but you can have Them mariota scientists

0:52:33.480 --> 0:52:36.560
<v Speaker 5>right cool like her songs where she write you, know

0:52:36.560 --> 0:52:39.640
<v Speaker 5>it's very. Cool but then IF i Put Jazmine sullivan

0:52:39.640 --> 0:52:41.960
<v Speaker 5>next to, that and like this is AN r AND

0:52:42.000 --> 0:52:45.040
<v Speaker 5>b artist, too it's a clear difference in the, talent

0:52:45.160 --> 0:52:45.480
<v Speaker 5>is What i'm.

0:52:45.480 --> 0:52:46.359
<v Speaker 1>Saying but that's the.

0:52:46.320 --> 0:52:49.239
<v Speaker 3>Age gap to, me BECAUSE i think the kids that

0:52:49.800 --> 0:52:52.239
<v Speaker 3>pack out arenas For Rod wave are not there for

0:52:52.280 --> 0:52:54.799
<v Speaker 3>his vocal ability nor care about. It they care about

0:52:54.800 --> 0:52:58.239
<v Speaker 3>his mental health lyrics like that's they're obsessed over what

0:52:58.400 --> 0:53:02.719
<v Speaker 3>he's saying and cool that, audience which is like big

0:53:02.760 --> 0:53:05.960
<v Speaker 3>ex the plug does fucking. Numbers i'm not in the

0:53:06.000 --> 0:53:09.600
<v Speaker 3>youth Loves central c in all Of, europe LIKE i

0:53:09.640 --> 0:53:11.560
<v Speaker 3>think all the kids that are in their twenties are

0:53:12.160 --> 0:53:14.000
<v Speaker 3>in the moment they get in their, car they're putting

0:53:14.000 --> 0:53:14.319
<v Speaker 3>On Central.

0:53:14.320 --> 0:53:18.239
<v Speaker 5>Sea. Great but THEN i can also also at the same,

0:53:18.280 --> 0:53:21.719
<v Speaker 5>TIME i can go to your jacket they co sold it.

0:53:21.760 --> 0:53:24.439
<v Speaker 5>OUT i can go to and see That kendrick sold

0:53:24.440 --> 0:53:27.280
<v Speaker 5>it out, well it's just. Different it's a different.

0:53:27.320 --> 0:53:29.520
<v Speaker 2>Talent, yeah but they've also been in the game for

0:53:29.560 --> 0:53:31.759
<v Speaker 2>so long they've built a crazy Liter but.

0:53:31.680 --> 0:53:32.960
<v Speaker 5>It's a lot of niggas that been in the game

0:53:32.960 --> 0:53:34.759
<v Speaker 5>that was on That freshman cover With kendrick and J.

0:53:34.840 --> 0:53:36.239
<v Speaker 1>Cole we don't know where them niggas is.

0:53:36.280 --> 0:53:39.120
<v Speaker 5>At SO i don't say it's BECAUSE i think that

0:53:39.160 --> 0:53:40.040
<v Speaker 5>was a pretty Good freshman.

0:53:40.120 --> 0:53:40.680
<v Speaker 2>Cover BUT i hear.

0:53:40.680 --> 0:53:43.359
<v Speaker 3>YOU i GIVE i give these younger artists like Rod

0:53:43.400 --> 0:53:46.919
<v Speaker 3>wave even more credit because to get their fan, base

0:53:46.920 --> 0:53:48.960
<v Speaker 3>which is younger kids that stay in the, house to

0:53:49.960 --> 0:53:51.239
<v Speaker 3>pack out in arena take.

0:53:51.320 --> 0:53:53.799
<v Speaker 4>Something, yeah for, Sure.

0:53:53.560 --> 0:53:56.879
<v Speaker 3>Like with artists WHEN i was coming, up we were all,

0:53:56.880 --> 0:53:59.399
<v Speaker 3>outside we'd buy. Tickets it's so hard to pack out

0:53:59.400 --> 0:54:01.920
<v Speaker 3>in arena, actually with kids that literally sit on Fucking

0:54:01.920 --> 0:54:05.440
<v Speaker 3>fortnite all, day for, sure that takes a different level of.

0:54:05.480 --> 0:54:08.680
<v Speaker 3>Obsession those kids have social anxiety And i'm walking, outside

0:54:09.640 --> 0:54:13.280
<v Speaker 3>SO I i hear you on. That but the impact

0:54:13.320 --> 0:54:15.239
<v Speaker 3>is clearly there with all of these these.

0:54:15.320 --> 0:54:21.919
<v Speaker 1>Artists it's. There, yeah is it go to A Rod wave? Show?

0:54:21.960 --> 0:54:24.520
<v Speaker 5>Bro, No i'm we know ROD i understanding. That i'm

0:54:24.560 --> 0:54:25.759
<v Speaker 5>saying the rest of the artists on that.

0:54:25.800 --> 0:54:30.040
<v Speaker 3>List, YES i think they have different types of. IT

0:54:30.040 --> 0:54:32.880
<v Speaker 3>i don't think every artist here obviously packs out.

0:54:33.000 --> 0:54:36.520
<v Speaker 1>IMPACT i got, it look.

0:54:37.200 --> 0:54:41.359
<v Speaker 3>Got, fasfore before we get into that word, fragmented we

0:54:41.400 --> 0:54:43.440
<v Speaker 3>also have to remember the audience is.

0:54:43.480 --> 0:54:45.760
<v Speaker 1>Fragmented maybe not. Media, yes.

0:54:48.600 --> 0:54:51.600
<v Speaker 3>When we first when we first started, podcasting it was

0:54:51.719 --> 0:54:54.480
<v Speaker 3>mostly music fans that were listening to. Us so when

0:54:54.480 --> 0:54:56.880
<v Speaker 3>we did say an artist that nobody had heard, of,

0:54:57.000 --> 0:54:59.239
<v Speaker 3>yes it spiked up and their name got out there

0:54:59.280 --> 0:54:59.719
<v Speaker 3>based off.

0:54:59.760 --> 0:55:01.960
<v Speaker 1>Media but now, podcasting.

0:55:01.400 --> 0:55:05.920
<v Speaker 3>In my, opinion is a majority podcast and content, fans

0:55:06.120 --> 0:55:09.319
<v Speaker 3>not music. Fans so don't say we're. Fragmented when the

0:55:09.400 --> 0:55:13.399
<v Speaker 3>audience is. Fragmented they're not music. Fans we're a music

0:55:13.480 --> 0:55:16.359
<v Speaker 3>podcast that probably speaks to mostly people that don't listen

0:55:16.440 --> 0:55:17.960
<v Speaker 3>to music like that in their. Car, yeah but then

0:55:18.000 --> 0:55:19.400
<v Speaker 3>it's how much impact CAN i?

0:55:19.480 --> 0:55:22.600
<v Speaker 5>Have but at the same, time then we get what's

0:55:22.640 --> 0:55:25.000
<v Speaker 5>the GUY a guy name that was on at the

0:55:25.040 --> 0:55:27.120
<v Speaker 5>show and he got mad because the half owners was

0:55:27.120 --> 0:55:28.600
<v Speaker 5>only there to hear that one song that was going

0:55:28.600 --> 0:55:34.239
<v Speaker 5>crazy on TikTok Steven Steve, Lacy Steve lason talented right pack.

0:55:34.360 --> 0:55:36.800
<v Speaker 5>Show they only there to hear one.

0:55:37.000 --> 0:55:39.759
<v Speaker 3>Song that's the audience, fragmented not not.

0:55:39.880 --> 0:55:42.320
<v Speaker 5>Us, yeah so that's What i'm. Saying, so, yeah the impact.

0:55:42.320 --> 0:55:45.400
<v Speaker 5>Cool the impact could be off of one. Song that

0:55:45.440 --> 0:55:47.600
<v Speaker 5>don't mean the rest of the catalog is fire or

0:55:47.640 --> 0:55:50.120
<v Speaker 5>that the audience that is is at your show feels

0:55:50.120 --> 0:55:52.880
<v Speaker 5>like the rest of your catalogers they're here for the one.

0:55:52.920 --> 0:55:54.640
<v Speaker 1>Song not In steve's, case BUT i hear.

0:55:54.680 --> 0:55:56.000
<v Speaker 5>You i'm not not A Steve, Skip But i'm just

0:55:56.040 --> 0:55:57.719
<v Speaker 5>saying he got mad at that cause it's, like, BRO

0:55:57.800 --> 0:55:59.239
<v Speaker 5>i got a whole bunch of other dope shit that

0:55:59.320 --> 0:56:01.560
<v Speaker 5>you'll only hear to hear something that's going crazy on

0:56:01.600 --> 0:56:03.680
<v Speaker 5>TikTok right. Now like an artist will get mad at

0:56:03.680 --> 0:56:05.399
<v Speaker 5>that because it's, Like, yo my whole, CATALOG i got

0:56:05.440 --> 0:56:07.560
<v Speaker 5>fire in my. Catalog But i'm just saying, so if

0:56:07.560 --> 0:56:10.840
<v Speaker 5>we're gonna say media is, fragmented the listening experience is

0:56:10.880 --> 0:56:13.200
<v Speaker 5>fragmented at that, point because even.

0:56:13.080 --> 0:56:16.480
<v Speaker 3>Right, now we would all in this room agree That

0:56:16.520 --> 0:56:19.759
<v Speaker 3>ti and fifty have some of our favorite descographies of our.

0:56:19.800 --> 0:56:23.600
<v Speaker 3>Lives who's paying attention right now to this. Beef content

0:56:23.680 --> 0:56:24.319
<v Speaker 3>fans are music.

0:56:24.320 --> 0:56:27.680
<v Speaker 2>Fans content fans don't nobody want, Here neither one of

0:56:27.719 --> 0:56:28.520
<v Speaker 2>them niggas are at.

0:56:28.440 --> 0:56:29.880
<v Speaker 1>No Because i'm here for they're here for.

0:56:29.960 --> 0:56:33.080
<v Speaker 5>Content But i'm a music, fan But i'm gonna definitely

0:56:33.160 --> 0:56:35.520
<v Speaker 5>just tap in and see what they're saying about Each oh,

0:56:35.600 --> 0:56:35.799
<v Speaker 5>no of.

0:56:35.800 --> 0:56:39.800
<v Speaker 3>Course but music fans we also like conflict between, artists

0:56:39.840 --> 0:56:42.760
<v Speaker 3>but we also like the. MUSIC i think a majority

0:56:42.760 --> 0:56:44.960
<v Speaker 3>of people that are tapped into this that have never

0:56:45.000 --> 0:56:47.160
<v Speaker 3>been A ti fan or a fifty fan like that.

0:56:47.320 --> 0:56:51.120
<v Speaker 3>Before the younger kids are here for. Conflict that's not

0:56:51.160 --> 0:56:54.200
<v Speaker 3>a music, fan, Yeah but as music, fans we like.

0:56:54.400 --> 0:56:58.400
<v Speaker 3>Conflict they just like. CONFLICT i don't think the fans

0:56:58.400 --> 0:57:01.839
<v Speaker 3>are tapped in that much on THIS ti fifty shit

0:57:01.920 --> 0:57:03.840
<v Speaker 3>to like see who's really gonna.

0:57:04.880 --> 0:57:07.480
<v Speaker 1>Outwrap each. Other, no it's just.

0:57:07.520 --> 0:57:12.880
<v Speaker 3>Funny today's show is brought to you by our presenting,

0:57:12.960 --> 0:57:15.279
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0:57:15.320 --> 0:57:17.680
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0:57:20.240 --> 0:57:23.520
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0:57:23.560 --> 0:57:25.360
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<v Speaker 2>Virginia what do y'all think about the distracts that have dropped? Guys,

0:58:26.360 --> 0:58:28.560
<v Speaker 2>well let's just say T i is distract Because king

0:58:28.680 --> 0:58:29.680
<v Speaker 2>just threw a shot.

0:58:31.240 --> 0:58:31.480
<v Speaker 1>Through a.

0:58:31.520 --> 0:58:34.760
<v Speaker 4>Shot that's. Funny king just threw a. Shot.

0:58:36.400 --> 0:58:39.520
<v Speaker 5>Guys you know he got bigger fish to fry as

0:58:39.720 --> 0:58:40.160
<v Speaker 5>his music.

0:58:40.200 --> 0:58:42.080
<v Speaker 1>Careers threw a little something in. There he's focused on

0:58:42.080 --> 0:58:45.680
<v Speaker 1>his album right. Now i'll shoe you keep. Going that's a?

0:58:45.960 --> 0:58:48.560
<v Speaker 1>Record Does king make music like?

0:58:48.600 --> 0:58:54.680
<v Speaker 4>That if he? Does the other that's? Funny is it

0:58:54.760 --> 0:58:56.800
<v Speaker 4>the other? Son the what was his?

0:58:56.880 --> 0:58:58.400
<v Speaker 1>Name the? Money the?

0:58:58.480 --> 0:59:01.160
<v Speaker 5>Money, yeah here's like, no let's know he could like,

0:59:01.240 --> 0:59:05.160
<v Speaker 5>yeah that's an. Artist, yeah But king Is king is

0:59:05.160 --> 0:59:08.040
<v Speaker 5>a content. Creator his brother is an. Artist this is

0:59:08.040 --> 0:59:10.280
<v Speaker 5>a perfect exemptly his brother is an. Artist in the.

0:59:10.280 --> 0:59:13.440
<v Speaker 3>Moment king is a content creator that happens to sometimes make.

0:59:13.520 --> 0:59:14.840
<v Speaker 1>Music that's WHY i say it's a diss.

0:59:14.840 --> 0:59:17.560
<v Speaker 3>Record he's never making that song unless it was to

0:59:17.560 --> 0:59:19.160
<v Speaker 3>throw in the bars at fifty?

0:59:19.200 --> 0:59:22.360
<v Speaker 2>Cent you think that that whole entire, Song, yes and

0:59:22.520 --> 0:59:27.520
<v Speaker 2>video and everything got done, yep within three, days.

0:59:27.360 --> 0:59:30.200
<v Speaker 5>Yep i'll hell, Yeah wait what do you think that

0:59:30.240 --> 0:59:32.600
<v Speaker 5>is A New york state of? MIND i mean gets

0:59:32.600 --> 0:59:35.400
<v Speaker 5>done in six? Hours how many shoelocass diday. Happen it's

0:59:35.440 --> 0:59:39.560
<v Speaker 5>outside a, Hotel, like, yeah that shot that. Ship that's

0:59:39.600 --> 0:59:41.920
<v Speaker 5>how that's how it. Goes, now shoot the. VIDEO i

0:59:41.920 --> 0:59:45.720
<v Speaker 5>gott to record a song, tonight shoot the video, tomorrow which.

0:59:45.520 --> 0:59:47.360
<v Speaker 2>Is, Fine BUT i think that it was probably a

0:59:47.400 --> 0:59:49.000
<v Speaker 2>song that he was already working on and then he

0:59:49.160 --> 0:59:51.200
<v Speaker 2>have a Fiftiescent i'm.

0:59:51.120 --> 0:59:53.040
<v Speaker 4>Not i'm not going to shoot that. Down that might

0:59:53.080 --> 0:59:53.280
<v Speaker 4>be the.

0:59:53.320 --> 0:59:57.080
<v Speaker 5>Case that might be the, case but it's anything he's

0:59:57.120 --> 0:59:58.560
<v Speaker 5>trying to capitalize off, them oh for.

0:59:58.600 --> 1:00:00.600
<v Speaker 4>Sure for, sure he's trying to aabitalized with the.

1:00:00.640 --> 1:00:03.800
<v Speaker 3>Moment the fact that y'all Think king walked in the

1:00:03.800 --> 1:00:05.880
<v Speaker 3>studio and told his, engineer you pull up that RECORD

1:00:05.880 --> 1:00:06.320
<v Speaker 3>i was working.

1:00:06.320 --> 1:00:09.480
<v Speaker 4>ON i got. BALLS i got some balls for fifth that's.

1:00:09.560 --> 1:00:10.520
<v Speaker 1>That that never.

1:00:10.560 --> 1:00:13.240
<v Speaker 2>Happened so then you're actually Given king more credit because

1:00:13.240 --> 1:00:15.840
<v Speaker 2>the song Isn't it might not be for us what we,

1:00:15.960 --> 1:00:17.200
<v Speaker 2>like but the song isn't.

1:00:17.200 --> 1:00:19.240
<v Speaker 1>Bad, No me And p's were sitting here, like this isn't.

1:00:19.280 --> 1:00:20.160
<v Speaker 2>Terrible, yeah it's not.

1:00:20.200 --> 1:00:20.400
<v Speaker 1>Bad.

1:00:22.080 --> 1:00:23.960
<v Speaker 2>Day if he wrote it and wrote it in two

1:00:24.040 --> 1:00:26.040
<v Speaker 2>days and shot the video with two, Days i'm not

1:00:26.120 --> 1:00:27.479
<v Speaker 2>mad at. Him you got a little bit of, talent

1:00:27.520 --> 1:00:29.080
<v Speaker 2>because that's not. Bad that's better than what a lot

1:00:29.120 --> 1:00:32.040
<v Speaker 2>of these fucking younger rappers and his demographic are putting,

1:00:32.040 --> 1:00:32.920
<v Speaker 2>out So i'm not it.

1:00:32.920 --> 1:00:34.600
<v Speaker 4>Should only hitting With demani put his pen to.

1:00:34.680 --> 1:00:45.600
<v Speaker 5>It demi put his pin to, it like we know.

1:00:45.680 --> 1:00:46.600
<v Speaker 1>That what do you think?

1:00:46.600 --> 1:00:47.440
<v Speaker 2>About tis this?

1:00:47.600 --> 1:00:51.120
<v Speaker 5>Track the first? LISTEN i, said this is definitely not

1:00:51.120 --> 1:00:53.840
<v Speaker 5>getting it. DONE i don't love. IT i HAVE i

1:00:53.960 --> 1:00:57.720
<v Speaker 5>like it a little bit better as it, plays but

1:00:57.920 --> 1:00:59.160
<v Speaker 5>it's it's not getting it.

1:00:59.200 --> 1:01:01.680
<v Speaker 3>Done but all that, said, fifty you still on the.

1:01:01.680 --> 1:01:04.240
<v Speaker 3>Clock if fifty does not, reply.

1:01:04.280 --> 1:01:06.280
<v Speaker 1>Man y'all think? Reply how you think fifty one?

1:01:06.360 --> 1:01:06.480
<v Speaker 6>Rap?

1:01:07.720 --> 1:01:10.880
<v Speaker 1>Now fifty? Thing y'all niggas is fifty? Thing any nigga.

1:01:10.600 --> 1:01:14.120
<v Speaker 5>Thatss because he was only what forty six forty? Five

1:01:14.760 --> 1:01:17.320
<v Speaker 5>so TI i still Got but definitely if you over

1:01:17.440 --> 1:01:19.640
<v Speaker 5>forty eight forty nine and you still rapping on this

1:01:19.880 --> 1:01:22.080
<v Speaker 5>like this and, it fifty is laughing at, you especially

1:01:22.080 --> 1:01:24.200
<v Speaker 5>if you making music this and. It he's not getting

1:01:24.200 --> 1:01:27.640
<v Speaker 5>in the. Booth, no fifty is not writing new balls

1:01:27.640 --> 1:01:29.600
<v Speaker 5>for none of these. Rappers he's not doing. That LIKE

1:01:29.640 --> 1:01:32.040
<v Speaker 5>i don't know why people saying you're on the clock in.

1:01:32.120 --> 1:01:35.760
<v Speaker 5>It fifty is not rapping with none of. Y'all he's

1:01:35.840 --> 1:01:39.920
<v Speaker 5>not doing. That he's in a hold WHERE i cut

1:01:40.000 --> 1:01:42.360
<v Speaker 5>you off BECAUSE i heard WHAT i never said. THAT

1:01:42.400 --> 1:01:44.480
<v Speaker 5>i think fifty cent is gonna. Reply you still on

1:01:44.520 --> 1:01:47.080
<v Speaker 5>the fucking, Clock you're still a. Rapper he's not, on

1:01:47.360 --> 1:01:47.600
<v Speaker 5>but he's.

1:01:47.600 --> 1:01:49.560
<v Speaker 2>Not he's not, rapping because you seem to think that

1:01:49.680 --> 1:01:52.520
<v Speaker 2>every time, anybody this is, anybody that they have to

1:01:52.600 --> 1:01:54.280
<v Speaker 2>respond in, something don'na.

1:01:54.280 --> 1:01:58.520
<v Speaker 5>Respond BUT i just respect fifty gonna. Respond he's just

1:01:58.560 --> 1:02:01.480
<v Speaker 5>not getting in the booth though he's not doing. That

1:02:01.680 --> 1:02:05.560
<v Speaker 5>fifty is not. Rapping he's not. Right fifthy's gonna sit

1:02:05.600 --> 1:02:09.000
<v Speaker 5>down write some balls aimed at T. I he's in

1:02:09.040 --> 1:02:10.720
<v Speaker 5>a whole different space in his life right.

1:02:10.760 --> 1:02:12.040
<v Speaker 1>Now think that.

1:02:12.080 --> 1:02:16.280
<v Speaker 3>Either But i'm, saying if somebody, raps you can't just

1:02:16.440 --> 1:02:17.959
<v Speaker 3>post fucking means.

1:02:17.720 --> 1:02:21.080
<v Speaker 2>Yes you, can and it doesn't make it a. Rapper

1:02:21.120 --> 1:02:23.520
<v Speaker 2>and nobody can take a notch off your. Belt but

1:02:23.560 --> 1:02:25.880
<v Speaker 2>that's the game he's. Playing though he's not, rapping he's.

1:02:25.920 --> 1:02:27.440
<v Speaker 2>Not fifty is not recording new.

1:02:27.520 --> 1:02:29.600
<v Speaker 4>Music well, no he just actually put out a new

1:02:29.640 --> 1:02:30.480
<v Speaker 4>record like a couple months.

1:02:30.480 --> 1:02:31.439
<v Speaker 1>Ago but he's.

1:02:31.480 --> 1:02:34.000
<v Speaker 5>Not he's not jumping in a rap battle beef when

1:02:34.040 --> 1:02:34.600
<v Speaker 5>he's not doing.

1:02:34.600 --> 1:02:38.000
<v Speaker 2>It, also T i has like. MUSIC ti is restarting

1:02:38.040 --> 1:02:44.400
<v Speaker 2>his rap. Career we can see what this, is which is,

1:02:44.440 --> 1:02:49.280
<v Speaker 2>fine but fifty is not gonna do like and fifty knows.

1:02:49.320 --> 1:02:53.120
<v Speaker 5>That fifty no with, like, okay this momentum for him

1:02:53.240 --> 1:02:56.360
<v Speaker 5>and get some traction on his, music like, okay. COOL

1:02:56.400 --> 1:02:58.880
<v Speaker 5>i don't think fifty is going engage in that and

1:02:58.960 --> 1:03:00.680
<v Speaker 5>help that in Any, wait, like.

1:03:01.280 --> 1:03:05.560
<v Speaker 2>No how do y'all feel About? Yah i'm consistent with that,

1:03:05.680 --> 1:03:08.400
<v Speaker 2>now we're. Insistent how anybody else you would say that that? Thrap,

1:03:08.600 --> 1:03:09.720
<v Speaker 2>no they. Don't you are.

1:03:09.760 --> 1:03:13.120
<v Speaker 5>Consistent if fifty was still putting out albums and dropping,

1:03:13.160 --> 1:03:15.400
<v Speaker 5>singles then of COURSE i will say that he's not

1:03:15.520 --> 1:03:17.720
<v Speaker 5>doing that though he's not in that space. Anymore how

1:03:17.760 --> 1:03:20.160
<v Speaker 5>long has it been since fifty has? Recorded even though

1:03:20.200 --> 1:03:22.320
<v Speaker 5>he just puts, something just play? Something but that was

1:03:22.320 --> 1:03:24.280
<v Speaker 5>a that was a verse or song whatever it. Was

1:03:24.400 --> 1:03:26.400
<v Speaker 5>but what is that for? Us for a fifty album that's.

1:03:26.400 --> 1:03:28.480
<v Speaker 5>COMING i don't, Know this is What i'm. Saying we

1:03:28.520 --> 1:03:31.160
<v Speaker 5>don't even know what that. Is that's a feature for somebody.

1:03:31.160 --> 1:03:32.200
<v Speaker 5>ELSE i don't even know what that.

1:03:32.360 --> 1:03:34.400
<v Speaker 2>IS i feel like they're just too. OLD i feel

1:03:34.400 --> 1:03:35.880
<v Speaker 2>like at some point you're too old for some? Shit

1:03:35.960 --> 1:03:37.200
<v Speaker 2>how old is, fifty it's fifty to.

1:03:37.200 --> 1:03:42.040
<v Speaker 5>Fifty i'm looking at. That it might be over fifty

1:03:42.160 --> 1:03:44.560
<v Speaker 5>because the fifty is over. Fifty then come, on, bro

1:03:44.640 --> 1:03:48.000
<v Speaker 5>he's fifty, fifty fifty is. Fifty, okay it's magic. NUMBERS

1:03:48.120 --> 1:03:50.360
<v Speaker 5>i don't want to hear oti is twenty? Five is

1:03:50.360 --> 1:03:52.080
<v Speaker 5>going to, REPLY i don't want to hear if you,

1:03:52.200 --> 1:03:54.760
<v Speaker 5>FIFTY i don't want to hear you write in battle, Wraps,

1:03:54.760 --> 1:03:56.200
<v Speaker 5>Bro WHY i don't want to hear.

1:03:56.120 --> 1:03:58.760
<v Speaker 2>That here in that fifty cents fifty is JUST.

1:03:59.160 --> 1:04:01.000
<v Speaker 1>I, mean he was like twenty nine when he came.

1:04:01.000 --> 1:04:04.200
<v Speaker 5>OUT i get, it but it's just it's, like, really

1:04:04.200 --> 1:04:05.840
<v Speaker 5>to his rap beefing day should be over.

1:04:05.960 --> 1:04:06.880
<v Speaker 2>You, really he's all the.

1:04:06.880 --> 1:04:08.320
<v Speaker 4>Shit he, done did it with the best of, them,

1:04:08.320 --> 1:04:09.400
<v Speaker 4>bro like he can't get.

1:04:09.280 --> 1:04:11.560
<v Speaker 3>Okay but all, Right but to me with this whole,

1:04:11.560 --> 1:04:16.040
<v Speaker 3>THING i think it's better if a fifty year old

1:04:16.240 --> 1:04:20.480
<v Speaker 3>who's a rapper wraps back at another elder statesman that,

1:04:20.560 --> 1:04:22.760
<v Speaker 3>wrapped instead of trolling On instagram like a fucking.

1:04:22.760 --> 1:04:24.040
<v Speaker 1>Teenager oh, NO i don't think he should.

1:04:24.040 --> 1:04:26.560
<v Speaker 3>BE i think it's it's way better for a fifty

1:04:26.600 --> 1:04:28.800
<v Speaker 3>year old to be rapping than to be on idea

1:04:28.840 --> 1:04:31.880
<v Speaker 3>has always been a, Troll And i'm and.

1:04:31.800 --> 1:04:33.880
<v Speaker 2>This is conversation that me And roy we're. Having, yes

1:04:33.920 --> 1:04:36.800
<v Speaker 2>he's always been a, troll but at some point we

1:04:36.920 --> 1:04:38.560
<v Speaker 2>just gonna keep saying fifty a troll or we're gonna be, like,

1:04:38.600 --> 1:04:39.240
<v Speaker 2>yo you old as.

1:04:39.240 --> 1:04:42.400
<v Speaker 5>Fuck he's it can be. Both now he's fifty and

1:04:42.440 --> 1:04:45.160
<v Speaker 5>he's still a trolls he's adapting to. Marketing he's a

1:04:45.160 --> 1:04:48.280
<v Speaker 5>fifty year old. Troll fifty came into the game trolling

1:04:48.360 --> 1:04:51.000
<v Speaker 5>niggas how to rob an, industry, nigga that's trolling.

1:04:52.440 --> 1:04:54.280
<v Speaker 1>Facts that's all of that is trolling.

1:04:54.320 --> 1:04:56.480
<v Speaker 5>Shit SO i just don't understand why he's still the

1:04:56.520 --> 1:04:58.400
<v Speaker 5>same guy he, was but because he's in a different.

1:04:58.400 --> 1:05:01.960
<v Speaker 5>Space as far as, creativity he's not. Entertained he's not

1:05:02.000 --> 1:05:04.200
<v Speaker 5>doing music like he's a legacy. Act he's going on

1:05:04.240 --> 1:05:06.760
<v Speaker 5>world tours performing shit that he put out years. Ago

1:05:07.640 --> 1:05:09.040
<v Speaker 5>he's not going on the world tour and then coming

1:05:09.120 --> 1:05:12.320
<v Speaker 5>up towards Saying, yo new album dropping next. Week he's

1:05:12.360 --> 1:05:15.200
<v Speaker 5>not doing. That he gonna give us a new show next.

1:05:15.240 --> 1:05:17.400
<v Speaker 5>Month he goes on a new deal with a new

1:05:17.440 --> 1:05:20.680
<v Speaker 5>network and create new new. Movies he's Doing he's In,

1:05:20.800 --> 1:05:23.600
<v Speaker 5>nash but he's not in the music business like that no.

1:05:23.640 --> 1:05:25.600
<v Speaker 5>More if he's not doing, that if he's in the music,

1:05:25.640 --> 1:05:27.720
<v Speaker 5>business it's off his old, catalog it's off a shit

1:05:27.760 --> 1:05:28.720
<v Speaker 5>that he's already put.

1:05:28.720 --> 1:05:31.800
<v Speaker 3>Out if can we do a, hypothetical of, Course, okay

1:05:32.360 --> 1:05:35.120
<v Speaker 3>erase the history Of nas and Jay. Z erase erase,

1:05:35.160 --> 1:05:37.320
<v Speaker 3>It erase that they had to beef, Already erase that entire.

1:05:37.360 --> 1:05:39.720
<v Speaker 1>Thing, okay let's Say nas as.

1:05:39.760 --> 1:05:42.960
<v Speaker 3>Activists he's Been let's say for some in some weird,

1:05:42.960 --> 1:05:45.360
<v Speaker 3>world Jay z And nas are active On instagram and

1:05:45.400 --> 1:05:47.640
<v Speaker 3>start going back and, forth and Then nas starts.

1:05:47.760 --> 1:05:51.080
<v Speaker 1>Rapping do we not look At hove who has? Not

1:05:51.240 --> 1:05:54.360
<v Speaker 1>he's been chilling since The god did verse. That jay's

1:05:54.400 --> 1:05:58.000
<v Speaker 1>not supposed to. Reply, yeah but it's the Trust jay

1:05:58.120 --> 1:06:01.000
<v Speaker 1>just like on just known as a. Troll is it the?

1:06:01.000 --> 1:06:01.840
<v Speaker 4>Same it's.

1:06:01.920 --> 1:06:03.200
<v Speaker 1>Bad it's a back and forth between two.

1:06:03.160 --> 1:06:05.840
<v Speaker 2>Rapper it's a terrible hypothetical because those two niggas would

1:06:05.840 --> 1:06:06.240
<v Speaker 2>never do.

1:06:06.360 --> 1:06:07.680
<v Speaker 1>That that's what the definition of.

1:06:07.760 --> 1:06:09.960
<v Speaker 2>Hypothetically but, no that's not the definition of a, hypothetical

1:06:09.960 --> 1:06:12.920
<v Speaker 2>because a hypothetical has to potentially this could. Happen it,

1:06:12.960 --> 1:06:16.760
<v Speaker 2>hasn't but potentially this could. Happen that would never happen

1:06:17.000 --> 1:06:19.400
<v Speaker 2>there because it so you would look AT. Ja so

1:06:19.440 --> 1:06:22.320
<v Speaker 2>if jay didn't, respond, yes you would look at him. Differently, Also,

1:06:22.480 --> 1:06:25.120
<v Speaker 2>no IF nas went and started trolling JAY z or

1:06:25.120 --> 1:06:27.720
<v Speaker 2>they started arguing and he, rapped y'all would Judge nas

1:06:27.760 --> 1:06:29.919
<v Speaker 2>because that's so out Of NAS's character Because nas doesn't

1:06:29.960 --> 1:06:32.920
<v Speaker 2>do lame. Shit so that's why that's a bad. Hypothetical

1:06:33.120 --> 1:06:35.000
<v Speaker 2>JAY z would look at that and not respond to,

1:06:35.040 --> 1:06:36.800
<v Speaker 2>that because it's, Like, nigga what the fuck are you?

1:06:36.840 --> 1:06:39.480
<v Speaker 2>Doing we're fifty something years. Old nobody would sit up

1:06:39.520 --> 1:06:40.720
<v Speaker 2>there and be, Like, Nah jay you on a, Clock

1:06:40.800 --> 1:06:41.440
<v Speaker 2>nas came at.

1:06:41.480 --> 1:06:44.880
<v Speaker 3>You, no they WOTH ti and fifty were going back

1:06:44.920 --> 1:06:47.280
<v Speaker 3>and forth on the internet. Together i'm, saying in this

1:06:47.360 --> 1:06:50.240
<v Speaker 3>hypothetical using those two rappers that would be going back

1:06:50.240 --> 1:06:53.320
<v Speaker 3>and forth on the, internet hypothetical doesn't need to be.

1:06:53.360 --> 1:06:55.520
<v Speaker 3>True that's kind of the point of. HYPOTHETICAL i don't

1:06:55.520 --> 1:06:57.600
<v Speaker 3>Think nas and JAY z will ever go back and

1:06:57.640 --> 1:07:00.800
<v Speaker 3>forth on The. Internet i'm saying, no being an active

1:07:00.840 --> 1:07:03.760
<v Speaker 3>rapper right, now if they if he had a tussle

1:07:03.960 --> 1:07:06.840
<v Speaker 3>On instagram back and forth and decided to rap as

1:07:06.880 --> 1:07:09.240
<v Speaker 3>a reply instead of posting a. MEME i think the

1:07:09.280 --> 1:07:12.360
<v Speaker 3>other rapper needs to. Reply you've entered the realm of

1:07:12.360 --> 1:07:14.080
<v Speaker 3>a back and forth and we both rap AND i just.

1:07:14.120 --> 1:07:14.640
<v Speaker 1>WRAPPED i just.

1:07:14.640 --> 1:07:16.840
<v Speaker 5>Think it's as simple As fifty understands What tia is

1:07:16.840 --> 1:07:19.000
<v Speaker 5>trying to. Do of course now new, music he's trying

1:07:19.000 --> 1:07:21.920
<v Speaker 5>to game a minim capitalize off. THAT i just Think

1:07:21.960 --> 1:07:23.960
<v Speaker 5>fifty is like, Me i'm Not i'm not giving you

1:07:24.040 --> 1:07:26.680
<v Speaker 5>marketing right, now Like i'm not doing. THAT i think

1:07:26.680 --> 1:07:28.960
<v Speaker 5>that's what fifty is. AT i think he gonna let

1:07:29.000 --> 1:07:30.479
<v Speaker 5>TI i drop because he got a new.

1:07:30.360 --> 1:07:30.840
<v Speaker 4>Album, coming.

1:07:30.920 --> 1:07:33.000
<v Speaker 3>Right it appears that. WAY i, mean he has a

1:07:33.040 --> 1:07:34.400
<v Speaker 3>great single, Out LIKE i.

1:07:34.280 --> 1:07:35.560
<v Speaker 4>Think he gonna he's gonna fall.

1:07:35.600 --> 1:07:39.560
<v Speaker 5>Back he gonna Let tia drop and Anticipate TIA's numbers

1:07:39.600 --> 1:07:41.560
<v Speaker 5>not being, good and then he's gonna start trolling.

1:07:41.600 --> 1:07:44.960
<v Speaker 1>Again you. ARE i couldn't agree. More but it's just.

1:07:44.960 --> 1:07:46.880
<v Speaker 5>That, Simple LIKE i DON'T i don't think it's Like

1:07:46.880 --> 1:07:48.880
<v Speaker 5>i'm breaking THE. I he's, like this is what fifty is.

1:07:48.880 --> 1:07:51.160
<v Speaker 5>Doing he's, like, bro all, right, Cool i'm saying with

1:07:51.280 --> 1:07:52.720
<v Speaker 5>fab and all of them when they just did, fifty

1:07:52.760 --> 1:07:54.320
<v Speaker 5>niggas Thought fifty he was getting back in the booth

1:07:54.360 --> 1:07:54.680
<v Speaker 5>to go At.

1:07:54.720 --> 1:07:57.520
<v Speaker 3>Fab, NO i didn't think, that BUT i still Think

1:07:57.560 --> 1:07:59.320
<v Speaker 3>fab had a crazy verse At fifty and he.

1:07:59.400 --> 1:08:02.880
<v Speaker 4>Did we Know fab could rap his ass Or jim

1:08:02.920 --> 1:08:03.520
<v Speaker 4>had a dope On.

1:08:03.600 --> 1:08:06.200
<v Speaker 1>Maino we know. THAT i knew the whole time when

1:08:06.280 --> 1:08:07.800
<v Speaker 1>he was, like, yeah, Nah fifth gonna.

1:08:07.640 --> 1:08:10.360
<v Speaker 5>Have to y'all Think fifty his book and studio time

1:08:10.400 --> 1:08:12.520
<v Speaker 5>to write balls directed At Jim, Jones.

1:08:12.200 --> 1:08:16.400
<v Speaker 2>Faber thinking somebody's gonna do something and thinking they should do.

1:08:16.520 --> 1:08:18.880
<v Speaker 2>Something BUT i, mean, like what what does fifty lose

1:08:18.880 --> 1:08:22.240
<v Speaker 2>if he Don't he don't lose, shit doesn't take nothing

1:08:22.240 --> 1:08:22.599
<v Speaker 2>away from.

1:08:22.680 --> 1:08:22.800
<v Speaker 6>Him.

1:08:22.800 --> 1:08:24.880
<v Speaker 3>WHY i also don't think That fifty is doing that

1:08:24.880 --> 1:08:26.599
<v Speaker 3>BECAUSE i agree with you. GUYS i just think in

1:08:26.760 --> 1:08:30.160
<v Speaker 3>the definition of how this shit has been going, forever

1:08:30.439 --> 1:08:32.320
<v Speaker 3>he's on the. Clock but with that, Said fifty is

1:08:32.360 --> 1:08:35.920
<v Speaker 3>only gotten in beefs because it was going to benefit his, career.

1:08:37.200 --> 1:08:39.120
<v Speaker 1>Dising, Fab Jim, Jones, ti et.

1:08:39.200 --> 1:08:41.040
<v Speaker 3>Cetera that's no disrespect to. Them it just doesn't Help

1:08:41.040 --> 1:08:42.880
<v Speaker 3>fifty's career because he's not in the hip hop world.

1:08:42.880 --> 1:08:43.800
<v Speaker 4>Anything that's What i'm saying it.

1:08:43.800 --> 1:08:47.519
<v Speaker 3>Does he had no issue with going head to head

1:08:47.840 --> 1:08:50.600
<v Speaker 3>was a great marketing scheme because.

1:08:50.360 --> 1:08:52.560
<v Speaker 5>At the, time fifty was a megastar and so Was.

1:08:52.640 --> 1:08:55.120
<v Speaker 5>Kanye it was the two, juggernauts, like oh we released

1:08:55.120 --> 1:08:55.439
<v Speaker 5>in the same.

1:08:55.520 --> 1:08:58.759
<v Speaker 3>DAY i bet him going At Fat joe And jada

1:08:58.880 --> 1:09:01.800
<v Speaker 3>after they did the record With Jay. Rule, yes that

1:09:01.920 --> 1:09:03.920
<v Speaker 3>made sense because it was going to heighten his career

1:09:04.000 --> 1:09:06.519
<v Speaker 3>at that. Time the beef made sense for marketing The

1:09:06.600 --> 1:09:08.760
<v Speaker 3>Jy rule. Shit he was trying to get. On man

1:09:08.800 --> 1:09:11.639
<v Speaker 3>a real issue With Joy rule until a certain, point,

1:09:11.760 --> 1:09:13.000
<v Speaker 3>Like i'm just trying to get on that's the most

1:09:13.040 --> 1:09:17.400
<v Speaker 3>popular rapper in my. Neighborhood like this is a. Strategy

1:09:17.920 --> 1:09:19.240
<v Speaker 3>so that's WHY i know he's not going to do,

1:09:19.240 --> 1:09:21.679
<v Speaker 3>it BECAUSE i think fifties viewed rat beef just rat

1:09:21.680 --> 1:09:25.479
<v Speaker 3>beef a way as if it does not benefit my,

1:09:25.520 --> 1:09:27.160
<v Speaker 3>Career i'm never going to do. It there's been plenty

1:09:27.200 --> 1:09:28.600
<v Speaker 3>of people that took shots at fifty that he never

1:09:28.680 --> 1:09:31.479
<v Speaker 3>applied to because it's, like, no you don't what does

1:09:31.520 --> 1:09:32.080
<v Speaker 3>this even do for?

1:09:32.120 --> 1:09:32.200
<v Speaker 6>Me?

1:09:33.040 --> 1:09:36.400
<v Speaker 3>Right like the game shit was he just left the.

1:09:36.439 --> 1:09:39.479
<v Speaker 3>Label this benefits my career IF i keep beefing with.

1:09:39.560 --> 1:09:41.200
<v Speaker 3>Him and on top of, THAT i own his, catalog

1:09:41.320 --> 1:09:42.839
<v Speaker 3>SO i want him to be as hot as, possible

1:09:44.800 --> 1:09:47.920
<v Speaker 3>LIKE i own The Doctor's. Advocate i'm he was walking

1:09:47.920 --> 1:09:49.679
<v Speaker 3>around with A Doctor's advocate.

1:09:49.720 --> 1:09:52.280
<v Speaker 5>Promo T if it doesn't benefit his, business he's not doing,

1:09:52.320 --> 1:09:55.040
<v Speaker 5>it of, Course like that's just as that simple that

1:09:55.320 --> 1:09:55.720
<v Speaker 5>he didn't do.

1:09:55.760 --> 1:09:57.519
<v Speaker 4>It but and at this point in his, life that's

1:09:57.560 --> 1:09:58.200
<v Speaker 4>what you're supposed to be.

1:09:58.200 --> 1:10:00.680
<v Speaker 5>Doing if it's not beneficial to me business, wise if

1:10:00.720 --> 1:10:03.320
<v Speaker 5>it's not doing nothing for me in my, business why

1:10:03.320 --> 1:10:04.479
<v Speaker 5>AM i even engaging.

1:10:04.520 --> 1:10:06.559
<v Speaker 2>It but that's only when it comes to Rat because

1:10:06.560 --> 1:10:08.720
<v Speaker 2>when it comes to, trolling even though it might not

1:10:08.760 --> 1:10:10.160
<v Speaker 2>benefit his, business he still does.

1:10:10.200 --> 1:10:13.480
<v Speaker 1>It he does it and then hashtags whatever brand.

1:10:13.360 --> 1:10:17.360
<v Speaker 5>He's, yeah he is working on, it coneyak like anybody

1:10:17.360 --> 1:10:19.439
<v Speaker 5>paying attention to them Hashtag branson's at the end of

1:10:19.560 --> 1:10:21.280
<v Speaker 5>you don't know. That we don't know how many cases

1:10:21.280 --> 1:10:24.200
<v Speaker 5>he moving each, tweet each. TWEET i ain't checking how

1:10:24.200 --> 1:10:26.080
<v Speaker 5>many how many cases has moved each.

1:10:26.120 --> 1:10:26.920
<v Speaker 4>TWEET i don't let.

1:10:26.960 --> 1:10:30.360
<v Speaker 3>The act like amazing businessman like whole get a company

1:10:30.400 --> 1:10:32.439
<v Speaker 3>hot for a few months based off what they're doing

1:10:32.520 --> 1:10:34.000
<v Speaker 3>and they're selling shit at the highest.

1:10:34.000 --> 1:10:36.760
<v Speaker 1>Point AND i didn't plan on all.

1:10:36.760 --> 1:10:37.479
<v Speaker 6>Of this for a.

1:10:37.520 --> 1:10:39.439
<v Speaker 5>While he got a whole he got a whole, studio

1:10:40.400 --> 1:10:42.679
<v Speaker 5>a film, lot he building in In Baton.

1:10:42.760 --> 1:10:44.320
<v Speaker 4>Ruge, yeah like.

1:10:44.360 --> 1:10:45.120
<v Speaker 1>He playing that.

1:10:45.200 --> 1:10:48.800
<v Speaker 5>Game man fifty over there creating shows and he not paying.

1:10:48.840 --> 1:10:52.400
<v Speaker 5>ATTENTION i think fifty is laughing at anybody that is

1:10:52.439 --> 1:10:54.519
<v Speaker 5>his age or his peers that are still trying to

1:10:54.520 --> 1:10:57.000
<v Speaker 5>make money off RAT i think that's what it. IS

1:10:57.000 --> 1:10:59.519
<v Speaker 5>i think he like y'all still. Rapping ain't no money

1:10:59.520 --> 1:11:02.000
<v Speaker 5>in this. Ship none of you niggas is going on.

1:11:02.080 --> 1:11:05.200
<v Speaker 2>Tour how do you feel ABOUT ti trying to come

1:11:05.240 --> 1:11:08.320
<v Speaker 2>back with the album after the comedy, thing BECAUSE i

1:11:08.320 --> 1:11:10.120
<v Speaker 2>had a conversation with somebody who was just kind of,

1:11:10.160 --> 1:11:13.519
<v Speaker 2>like is given empty nest, syndrome like midlife, Crisis like

1:11:13.560 --> 1:11:14.960
<v Speaker 2>what the fuck are you? Doing because you can't be

1:11:15.000 --> 1:11:16.680
<v Speaker 2>a rapper and be, Funny you're gonna have to pick

1:11:16.720 --> 1:11:18.960
<v Speaker 2>them because we ain't gonna take you serious on one of.

1:11:18.960 --> 1:11:21.599
<v Speaker 1>Them mad rappers are. FUNNY i don't know If i'm

1:11:21.600 --> 1:11:23.320
<v Speaker 1>putting mad in front of rappers are, funny but.

1:11:23.280 --> 1:11:25.439
<v Speaker 2>YEAH i don't. Know they might be naturally. Funny they're

1:11:25.479 --> 1:11:27.599
<v Speaker 2>not trying to be. Comedians oh, NO i agree. THERE

1:11:29.320 --> 1:11:32.519
<v Speaker 2>i think that's that's. Unfair T i has been actively.

1:11:32.560 --> 1:11:35.439
<v Speaker 2>Right he's not one of those rappers that took a huge.

1:11:35.479 --> 1:11:37.599
<v Speaker 2>BREAK i, mean, yeah there's some some gaps there when

1:11:37.640 --> 1:11:39.479
<v Speaker 2>you got a little bit. Older But TI i has

1:11:39.479 --> 1:11:42.400
<v Speaker 2>been pretty, active even WHEN i considered him a legacy.

1:11:42.400 --> 1:11:44.400
<v Speaker 3>Act he had a number one record with Young thug

1:11:44.720 --> 1:11:47.479
<v Speaker 3>Like TI i has kept it. Hit TI i has

1:11:47.520 --> 1:11:50.080
<v Speaker 3>always been. ACTIVE i think that's unfair.

1:11:49.720 --> 1:11:53.639
<v Speaker 1>To do to the older, Artists, like, yeah nobody Thinks

1:11:53.680 --> 1:11:57.680
<v Speaker 1>Bruce springsteen's having a midlife, crisis LIKE i JUST i.

1:11:57.600 --> 1:12:02.439
<v Speaker 3>Think THAT'S i think that's, midlife nigga late. Life, Okay i'm.

1:12:02.439 --> 1:12:05.720
<v Speaker 3>Saying i'm saying when when he Was TI's, age like

1:12:05.760 --> 1:12:06.479
<v Speaker 3>THE B Street.

1:12:06.280 --> 1:12:08.920
<v Speaker 5>Band was still was still when he was, age he

1:12:08.960 --> 1:12:10.840
<v Speaker 5>was selling out the Fucking garden for a, Month like

1:12:10.880 --> 1:12:11.439
<v Speaker 5>what are you talking?

1:12:11.439 --> 1:12:13.960
<v Speaker 3>About a giant? Stadium like are you kidding? Me like

1:12:14.040 --> 1:12:17.040
<v Speaker 3>that wasn't nobody's still making? Music like, Again we've talked

1:12:17.040 --> 1:12:20.879
<v Speaker 3>about this plenty of. Times rap is the only genre

1:12:21.080 --> 1:12:24.400
<v Speaker 3>that that frowns upon older artists continuing their career outside

1:12:24.439 --> 1:12:26.240
<v Speaker 3>of what we've Seen, hove nas et.

1:12:26.320 --> 1:12:26.720
<v Speaker 1>Cetera do.

1:12:26.880 --> 1:12:29.160
<v Speaker 5>Listen i'll tell y'all all the, time and y'all keep

1:12:29.200 --> 1:12:31.720
<v Speaker 5>tempted rappers don't. Retire we, know, no, no not that.

1:12:31.800 --> 1:12:32.320
<v Speaker 4>Rapp i'm.

1:12:32.360 --> 1:12:36.200
<v Speaker 5>Tired once you start making movies and films as a,

1:12:36.280 --> 1:12:39.960
<v Speaker 5>rapper there is no coming. Back nas gave Us belly

1:12:40.000 --> 1:12:44.080
<v Speaker 5>and got the fuck out Of. Hollywood he gave it

1:12:44.200 --> 1:12:45.960
<v Speaker 5>And belly was like low. Key that could have just

1:12:45.960 --> 1:12:46.920
<v Speaker 5>been like a long rap.

1:12:46.840 --> 1:12:48.519
<v Speaker 2>Video that was, honestly it was a TWO b.

1:12:48.680 --> 1:12:50.000
<v Speaker 1>Movie, yeah like. That shit wasn't.

1:12:50.040 --> 1:12:52.600
<v Speaker 5>Like but once you start really like, yo once you

1:12:52.720 --> 1:12:56.360
<v Speaker 5>really start jumping into LIKE tv and, film.

1:12:56.280 --> 1:12:57.320
<v Speaker 1>You can't come back to.

1:12:57.439 --> 1:12:59.840
<v Speaker 3>Rap, okay, Fair BUT i feel like T i had

1:12:59.840 --> 1:13:02.439
<v Speaker 3>the the young thug about the money, record AND i

1:13:02.439 --> 1:13:05.000
<v Speaker 3>think he had been In takers at that point in Atl.

1:13:05.160 --> 1:13:08.559
<v Speaker 3>And like T i did Atl and had a very

1:13:09.000 --> 1:13:15.200
<v Speaker 3>successful rap career after a major motion. Film, true he's

1:13:15.280 --> 1:13:18.160
<v Speaker 3>he's one of the few that that has stayed consistent

1:13:18.280 --> 1:13:19.439
<v Speaker 3>after doing big.

1:13:19.479 --> 1:13:19.839
<v Speaker 1>Movies.

1:13:20.040 --> 1:13:23.040
<v Speaker 5>True What i'm saying is when you go INTO tv

1:13:23.320 --> 1:13:27.559
<v Speaker 5>and film as a, rapper it is very hard to

1:13:27.600 --> 1:13:30.439
<v Speaker 5>come back and people take you serious in.

1:13:30.560 --> 1:13:31.439
<v Speaker 4>Music that's just.

1:13:31.479 --> 1:13:34.000
<v Speaker 3>TOUGH i THINK ti is probably one of the very

1:13:34.000 --> 1:13:38.120
<v Speaker 3>few outside of like the Fun state properties and like

1:13:38.160 --> 1:13:40.160
<v Speaker 3>shit like, that like real actual.

1:13:40.200 --> 1:13:41.280
<v Speaker 1>MOVIES ti is one of.

1:13:41.280 --> 1:13:45.200
<v Speaker 3>The Few he's stayed consistent After Oh, Yeah ludacris is a.

1:13:46.400 --> 1:13:47.479
<v Speaker 4>If a ludicrous Album Drive.

1:13:47.520 --> 1:13:51.120
<v Speaker 5>Tomorrow What, yeah niggas is not running to the. LUDE

1:13:51.240 --> 1:13:53.439
<v Speaker 5>i don't know for, Sure ryan, Said ryan's twenty. Three

1:13:53.479 --> 1:13:55.800
<v Speaker 5>he said he Knows ti as an, actor not even

1:13:55.800 --> 1:13:55.960
<v Speaker 5>as a.

1:13:56.040 --> 1:13:57.960
<v Speaker 4>Rapper Three, oh he just said it.

1:13:58.040 --> 1:14:00.360
<v Speaker 3>THEN i mean atl was for, SIX i Mean TI

1:14:00.520 --> 1:14:03.560
<v Speaker 3>i had a great rap career after, that AND i

1:14:03.560 --> 1:14:04.839
<v Speaker 3>thought that was a Great.

1:14:04.600 --> 1:14:07.920
<v Speaker 5>But but, again atl is similar To paydon full And

1:14:07.960 --> 1:14:11.639
<v Speaker 5>barey still. Rap it's Still, Atlanta it's still it's kind

1:14:11.640 --> 1:14:14.639
<v Speaker 5>of it's not take away From, yeah but even, that

1:14:14.640 --> 1:14:16.479
<v Speaker 5>that's when it started to List, yeah but that's when

1:14:16.520 --> 1:14:18.200
<v Speaker 5>it started to get a little, like, Oh TI i

1:14:18.280 --> 1:14:21.040
<v Speaker 5>is really sure to Act And i'm not saying that. Whever,

1:14:21.200 --> 1:14:24.000
<v Speaker 5>see this is where my point does, fail the all

1:14:24.000 --> 1:14:26.360
<v Speaker 5>about the money record With Young. THUG i can't really

1:14:26.360 --> 1:14:28.320
<v Speaker 5>tell you what else is on THAT ti, album but

1:14:29.120 --> 1:14:32.519
<v Speaker 5>what that was a very very big, record but big before,

1:14:32.600 --> 1:14:34.439
<v Speaker 5>THAT T i was still acting AND i THOUGHT i

1:14:34.479 --> 1:14:36.000
<v Speaker 5>had big. Ones he's one of the. FEW i think

1:14:36.040 --> 1:14:38.680
<v Speaker 5>that's gonna, change. THOUGH i think with that era that.

1:14:38.720 --> 1:14:42.520
<v Speaker 3>Happens but these Kids Jack harlow's doing fucking movies.

1:14:42.200 --> 1:14:45.880
<v Speaker 1>With With Ben affleck And Matt. Damon like times are.

1:14:45.960 --> 1:14:47.960
<v Speaker 3>CHANGING i think we're going to see more of that

1:14:48.000 --> 1:14:50.599
<v Speaker 3>where rappers are going to have to also do movies

1:14:51.400 --> 1:14:52.320
<v Speaker 3>in the peak of their.

1:14:52.360 --> 1:14:55.080
<v Speaker 4>Career, YEAH i don't want to See Jack horllow.

1:14:55.080 --> 1:14:57.760
<v Speaker 1>Acting though he wasn't bad ON i mean he he

1:14:57.800 --> 1:14:59.320
<v Speaker 1>wasn't in the movie that, long but he wasn't.

1:14:59.360 --> 1:15:02.599
<v Speaker 5>Terrible see white man Can? John Oh, No i've refused

1:15:02.600 --> 1:15:04.280
<v Speaker 5>to see you watch. THAT i saw him In Dave,

1:15:05.479 --> 1:15:09.679
<v Speaker 5>okay that's. Small white man can't jump TO i Refuse

1:15:09.880 --> 1:15:11.559
<v Speaker 5>once you showed me him in the gym playing, Ball i'm,

1:15:11.560 --> 1:15:13.880
<v Speaker 5>like this ain't even white man can jump in the?

1:15:13.920 --> 1:15:14.640
<v Speaker 4>Gym what is this?

1:15:14.680 --> 1:15:16.320
<v Speaker 1>SHIP i refuse? It, WELL i mean.

1:15:16.400 --> 1:15:20.320
<v Speaker 3>Listening Will smith had a great freestyle on lyrical lemonade

1:15:20.439 --> 1:15:21.160
<v Speaker 3>after his movie.

1:15:21.160 --> 1:15:23.519
<v Speaker 5>Career you thought that was, hard. Y'all y'all really got

1:15:23.520 --> 1:15:24.920
<v Speaker 5>mad at me THAT i came in and trash that.

1:15:24.960 --> 1:15:31.040
<v Speaker 5>Ship see y'all don't never put the gold, out? Y'all

1:15:32.600 --> 1:15:33.439
<v Speaker 5>can we put that On?

1:15:33.560 --> 1:15:36.160
<v Speaker 1>Patreon like y'all want to, talk we should put the

1:15:36.200 --> 1:15:39.320
<v Speaker 1>lyrical Lemonade Will smith mall on on page.

1:15:39.439 --> 1:15:41.320
<v Speaker 5>Y'all was sitting here, Like, Nah, will don't you know

1:15:41.320 --> 1:15:44.040
<v Speaker 5>if you want to do? This just why is he doing?

1:15:44.040 --> 1:15:49.559
<v Speaker 5>This nobody wants to See Will smith? Rapping y'all are?

1:15:49.600 --> 1:15:51.800
<v Speaker 4>Crazy? Man do we have voicemails.

1:15:51.479 --> 1:15:54.599
<v Speaker 5>Sponsored by boostmob unlimited talk text and?

1:15:54.920 --> 1:15:56.679
<v Speaker 4>Data you've got, Male.

1:15:58.160 --> 1:16:05.000
<v Speaker 6>He's Uh Rory. Demerius everybody in the. Studio i'm A

1:16:05.080 --> 1:16:08.920
<v Speaker 6>day one, listener longtime. Listener fuck with y'all all that.

1:16:08.960 --> 1:16:13.320
<v Speaker 6>Stuff the QUESTION i have, today it's not necessarily A

1:16:13.360 --> 1:16:16.679
<v Speaker 6>Valentine's day. Question it's more of a romantic relationship, question

1:16:17.200 --> 1:16:19.320
<v Speaker 6>BUT i still think it might apply to what you're

1:16:19.439 --> 1:16:20.120
<v Speaker 6>trying to discuss.

1:16:20.200 --> 1:16:24.080
<v Speaker 1>TODAY i am an.

1:16:23.960 --> 1:16:28.920
<v Speaker 6>Emotional, ass monogamous ass who got married at twenty. Five

1:16:30.280 --> 1:16:35.280
<v Speaker 6>i'm thirty. Three, Now i'm about a decade, in And i'm, wondering,

1:16:35.840 --> 1:16:41.080
<v Speaker 6>like when do y'all think that the hall past conversation

1:16:41.200 --> 1:16:45.280
<v Speaker 6>should come, up or if it should ever come. Up you,

1:16:45.320 --> 1:16:50.519
<v Speaker 6>Know i'm about a decade in as the monogamous emotional

1:16:50.560 --> 1:16:51.920
<v Speaker 6>nigga THAT i. AM i don't really feel LIKE i

1:16:52.000 --> 1:16:55.760
<v Speaker 6>need one right, now but, five, ten, fifteen twenty years

1:16:55.800 --> 1:16:58.000
<v Speaker 6>in the, FUTURE i might think about, it you, Know

1:16:58.600 --> 1:17:01.000
<v Speaker 6>so what do y'all think about how conversation should go,

1:17:01.080 --> 1:17:04.720
<v Speaker 6>down like what location when it is to. Happen, Yeah

1:17:04.760 --> 1:17:06.280
<v Speaker 6>i'm interested in hearing your, thoughts not.

1:17:06.439 --> 1:17:09.920
<v Speaker 2>Location why do you want you should get SOME i like.

1:17:09.880 --> 1:17:11.479
<v Speaker 5>The fact that he's saying like he ain't thinking about

1:17:11.479 --> 1:17:13.080
<v Speaker 5>it right. Now, nigga you thinking about it right? Now

1:17:13.120 --> 1:17:15.400
<v Speaker 5>that's what you're whispering in your bathroom?

1:17:16.200 --> 1:17:18.519
<v Speaker 1>Life doesn't hear like you're you thinking about a hall?

1:17:18.560 --> 1:17:19.639
<v Speaker 1>Pass you want a whole pass.

1:17:19.720 --> 1:17:24.679
<v Speaker 3>TOMORROW i don't think you're emotional and monogamous because one

1:17:24.800 --> 1:17:25.559
<v Speaker 3>you repeated it.

1:17:25.600 --> 1:17:29.400
<v Speaker 1>TWICE i think you're a Manipulative Oh, jesus, okay, well

1:17:29.600 --> 1:17:30.280
<v Speaker 1>what are you telling you?

1:17:30.320 --> 1:17:30.720
<v Speaker 6>What to be?

1:17:30.800 --> 1:17:31.720
<v Speaker 2>Honest what youre you calling the?

1:17:31.800 --> 1:17:32.360
<v Speaker 1>MANIPULATION i.

1:17:32.360 --> 1:17:35.400
<v Speaker 5>THINK i THINK i don't know if hall passes are.

1:17:35.439 --> 1:17:36.080
<v Speaker 1>GOOD i don't think.

1:17:36.120 --> 1:17:40.160
<v Speaker 5>So it's never good knowing your partner slept with, Somebody

1:17:40.520 --> 1:17:42.719
<v Speaker 5>LIKE i don't care if it was like talked about,

1:17:42.720 --> 1:17:46.800
<v Speaker 5>beforehand and it's like it's just not that's not a good.

1:17:46.920 --> 1:17:50.000
<v Speaker 5>Feeling LIKE i think that changes everything in a.

1:17:50.040 --> 1:17:52.240
<v Speaker 2>Relationship but some, PEOPLE i hear you AND i, agree

1:17:52.640 --> 1:17:56.080
<v Speaker 2>some people give hall. Passes they'll give A hall pass

1:17:56.160 --> 1:17:58.920
<v Speaker 2>and just be like or a hall passes if, like

1:17:58.960 --> 1:18:01.720
<v Speaker 2>if this, happens or run into, this CAN i use?

1:18:01.760 --> 1:18:03.720
<v Speaker 2>It some people, say don't tell me when you use.

1:18:03.760 --> 1:18:05.840
<v Speaker 1>It you have, it but don't t hell.

1:18:05.520 --> 1:18:09.320
<v Speaker 5>Nah knowing your girl got a whole, past first of,

1:18:09.320 --> 1:18:12.400
<v Speaker 5>all KNOWING i just don't understand the type of relationships

1:18:12.400 --> 1:18:13.080
<v Speaker 5>people be in.

1:18:13.560 --> 1:18:14.240
<v Speaker 1>Knowing that your.

1:18:14.360 --> 1:18:16.160
<v Speaker 5>Girl you telling your, girl, nah you can sleep with

1:18:16.200 --> 1:18:18.200
<v Speaker 5>somebody else with just don't tell me about, it all, right?

1:18:18.280 --> 1:18:20.840
<v Speaker 4>Mariouanas, like what what you?

1:18:20.960 --> 1:18:22.679
<v Speaker 1>Mean you gave your girl.

1:18:22.600 --> 1:18:25.040
<v Speaker 5>Permission to sleep with somebody else and you just don't

1:18:25.040 --> 1:18:25.800
<v Speaker 5>want to know when she do?

1:18:25.840 --> 1:18:28.000
<v Speaker 1>It what do we? TALK i don't even.

1:18:28.080 --> 1:18:30.400
<v Speaker 5>Understand, like and again y'all be saying you old, mole you're.

1:18:30.400 --> 1:18:33.040
<v Speaker 5>Familiar shut the fuck. Up that's why none of you

1:18:33.120 --> 1:18:35.400
<v Speaker 5>niggas is happy in your. Relationship number, One number two

1:18:35.880 --> 1:18:37.920
<v Speaker 5>telling your, girl, yo, nah you can sleep with somebody,

1:18:37.960 --> 1:18:39.360
<v Speaker 5>else just just don't tell me, Though.

1:18:40.960 --> 1:18:43.360
<v Speaker 1>How is that a healthy? Relationship what is healthy about?

1:18:43.360 --> 1:18:44.040
<v Speaker 1>That WHAT i?

1:18:44.080 --> 1:18:46.720
<v Speaker 2>WILL i want to harp on his context BECAUSE i

1:18:46.720 --> 1:18:48.840
<v Speaker 2>think that his context is. Important he said he got

1:18:49.040 --> 1:18:50.280
<v Speaker 2>they got married very.

1:18:50.160 --> 1:18:54.519
<v Speaker 5>Young AND i make that young to get married in

1:18:54.520 --> 1:18:56.760
<v Speaker 5>this day, age it kind of IS i From, virginia

1:18:56.840 --> 1:18:57.320
<v Speaker 5>BUT i hear.

1:18:57.360 --> 1:18:59.840
<v Speaker 2>You he's, saying when does that Come?

1:19:00.360 --> 1:19:03.960
<v Speaker 5>Mexico they, Late i'm, sorry that was, Unnecessary my, Bad i'm,

1:19:04.000 --> 1:19:04.439
<v Speaker 5>Sorry i'm.

1:19:04.479 --> 1:19:05.000
<v Speaker 1>Sorry go.

1:19:05.080 --> 1:19:09.560
<v Speaker 2>Ahead he's, saying, When when could this be a realistic.

1:19:09.600 --> 1:19:12.240
<v Speaker 2>CONVERSATION i think that he's being. Realistic if you're twenty

1:19:12.280 --> 1:19:14.960
<v Speaker 2>five years old and you're really in this for, keeps

1:19:15.160 --> 1:19:18.280
<v Speaker 2>you could be married for the next fifty. Years and,

1:19:18.400 --> 1:19:20.960
<v Speaker 2>yes people do, it but we act like people ain't step,

1:19:21.000 --> 1:19:23.839
<v Speaker 2>out people ain't have like this is a realistic. Conversation

1:19:23.920 --> 1:19:26.080
<v Speaker 2>you're expected to sleep with the same person for fifty.

1:19:26.160 --> 1:19:30.439
<v Speaker 2>Years that's not for. Everybody so a lot of people

1:19:30.479 --> 1:19:32.080
<v Speaker 2>are having those. CONVERSATIONS i don't think it's.

1:19:32.200 --> 1:19:35.120
<v Speaker 5>UNREALISTIC i think if you having that, conversation you're not

1:19:35.160 --> 1:19:39.479
<v Speaker 5>satisfied in your, relationship because if you, satisfy like your

1:19:39.520 --> 1:19:41.519
<v Speaker 5>girl is everything to, you the sex is incredible.

1:19:41.600 --> 1:19:44.360
<v Speaker 4>Life you can't even fathom to sleeping with somebody.

1:19:44.360 --> 1:19:47.559
<v Speaker 5>Else if your man is satisfying you and you can't

1:19:47.600 --> 1:19:49.920
<v Speaker 5>even the thought of another man climbing on top of

1:19:49.960 --> 1:19:50.920
<v Speaker 5>you make you throw.

1:19:51.040 --> 1:19:51.799
<v Speaker 1>Up, YES.

1:19:53.600 --> 1:19:55.840
<v Speaker 2>I think if you're, HAPPY i think that we are

1:19:55.880 --> 1:19:58.080
<v Speaker 2>the wrong. SIR i think you called into the wrong.

1:19:58.120 --> 1:20:00.519
<v Speaker 2>Podcast none of us are married and have not been

1:20:00.960 --> 1:20:04.519
<v Speaker 2>in relationship with over ten, years SO i think that

1:20:04.520 --> 1:20:06.479
<v Speaker 2>that's it's a different conversation with those.

1:20:06.520 --> 1:20:09.360
<v Speaker 3>PEOPLE i think it's definitely tougher for people that are

1:20:09.400 --> 1:20:12.080
<v Speaker 3>married at twenty five and now thirty, three with the

1:20:12.240 --> 1:20:15.360
<v Speaker 3>constant amount of other people they're subjected to every single.

1:20:15.439 --> 1:20:16.880
<v Speaker 3>DAY i think it fucks with the human. BRAIN i

1:20:16.920 --> 1:20:19.160
<v Speaker 3>don't think he's crazy for thinking. That my question is

1:20:19.160 --> 1:20:21.720
<v Speaker 3>does she get a hall? Pass that's something that he left. Out,

1:20:22.960 --> 1:20:25.120
<v Speaker 3>well does the hall pass go both? Ways or do

1:20:25.160 --> 1:20:25.800
<v Speaker 3>you just want to fuck?

1:20:25.800 --> 1:20:26.040
<v Speaker 1>Another?

1:20:26.280 --> 1:20:28.240
<v Speaker 4>NOW i think the whole passes go both. WAYS i

1:20:28.280 --> 1:20:29.040
<v Speaker 4>THINK i don't know what he.

1:20:29.120 --> 1:20:30.760
<v Speaker 1>Got i've been a party.

1:20:32.040 --> 1:20:33.400
<v Speaker 4>Like she can't do, it but he. CAN'T i don't

1:20:33.400 --> 1:20:34.600
<v Speaker 4>know what to, notice, gentleman he might be.

1:20:34.640 --> 1:20:37.280
<v Speaker 3>PIMPING i didn't take that as he was suggesting that

1:20:37.800 --> 1:20:38.519
<v Speaker 3>she had one as.

1:20:38.520 --> 1:20:40.200
<v Speaker 1>WELL i think he was a whole past.

1:20:40.240 --> 1:20:42.640
<v Speaker 2>Conversation, yeah he didn't say for, me he said a

1:20:42.640 --> 1:20:46.120
<v Speaker 2>hall pass. Conversation i'm sure he's thought, about like IF

1:20:46.120 --> 1:20:47.479
<v Speaker 2>i asked for, one she might ask for.

1:20:47.520 --> 1:20:48.680
<v Speaker 1>Once, yeah BECAUSE i.

1:20:50.640 --> 1:20:53.040
<v Speaker 3>Think that's just going to cause obviously we don't know

1:20:53.080 --> 1:20:55.080
<v Speaker 3>his wife and how she would take that. CONVERSATION i

1:20:55.120 --> 1:20:56.360
<v Speaker 3>just think it's not going to go the way he

1:20:56.400 --> 1:20:59.120
<v Speaker 3>thinks it's going to, go or or if it goes

1:20:59.360 --> 1:21:01.360
<v Speaker 3>the way he wants want it to, go he's going

1:21:01.400 --> 1:21:03.880
<v Speaker 3>to start to feel insecure of how ready she was

1:21:03.960 --> 1:21:06.880
<v Speaker 3>to say yes with, it because now you're looking at your,

1:21:07.320 --> 1:21:09.120
<v Speaker 3>hey maybe shoot the whole pastor she's like, yeah, look,

1:21:09.720 --> 1:21:12.800
<v Speaker 3>yeah you're looking at your girl like go, okay you.

1:21:12.760 --> 1:21:14.439
<v Speaker 5>Know why because this is the part of the whole

1:21:14.439 --> 1:21:15.519
<v Speaker 5>past that you don't talk.

1:21:15.560 --> 1:21:18.879
<v Speaker 1>About she already know who she. Wanted, fuck.

1:21:20.400 --> 1:21:24.000
<v Speaker 5>She already know the nigga is already proud and ready to.

1:21:24.040 --> 1:21:26.160
<v Speaker 5>Go the nigga can't wait for her to be like,

1:21:26.240 --> 1:21:30.519
<v Speaker 5>yo like she knows, yet young girl know if she

1:21:30.600 --> 1:21:33.599
<v Speaker 5>get the opportunity to step out on, you especially if

1:21:33.600 --> 1:21:36.080
<v Speaker 5>it's like it's, okay like it's a green, light like

1:21:36.080 --> 1:21:39.640
<v Speaker 5>it's a hall. Passer she knows where that nigga. Lives

1:21:39.400 --> 1:21:42.200
<v Speaker 5>she probably already connected to the. Wildfund she's been there right.

1:21:42.200 --> 1:21:45.760
<v Speaker 3>Now And tamol's, point if she has a hall pass

1:21:45.800 --> 1:21:47.400
<v Speaker 3>and you have a hall past and you both agree

1:21:47.479 --> 1:21:49.800
<v Speaker 3>and you feel okay about, it it's going to be

1:21:49.840 --> 1:21:52.240
<v Speaker 3>way easier in the streets for her than it is for.

1:21:52.320 --> 1:21:56.559
<v Speaker 3>You if you are this, misogynist monogamous person that you

1:21:56.600 --> 1:21:58.720
<v Speaker 3>say you, are you can't just go back into the

1:21:58.720 --> 1:22:00.640
<v Speaker 3>wild after eight years of being a house cat and

1:22:00.640 --> 1:22:01.920
<v Speaker 3>thinking about to just fall into some.

1:22:01.920 --> 1:22:05.360
<v Speaker 4>Pussy nah, nah you it depends on your. Game is

1:22:05.360 --> 1:22:05.599
<v Speaker 4>on your.

1:22:05.640 --> 1:22:09.320
<v Speaker 1>Game you don't even know how to flirt at this.

1:22:09.360 --> 1:22:11.360
<v Speaker 5>Point you come back Like Jordan ware in the four Five,

1:22:11.439 --> 1:22:13.879
<v Speaker 5>Nigga you right back in the, game AND i don't.

1:22:13.720 --> 1:22:15.439
<v Speaker 2>Even the streets was waiting for you to come back

1:22:15.680 --> 1:22:16.639
<v Speaker 2>to play games with. You.

1:22:17.240 --> 1:22:18.759
<v Speaker 1>Yeah probably maybe.

1:22:18.800 --> 1:22:22.080
<v Speaker 5>If i'm married for ten years AND i come outside one,

1:22:22.160 --> 1:22:24.599
<v Speaker 5>night be, like, YO i got the hall, Pass i'm

1:22:24.680 --> 1:22:27.760
<v Speaker 5>knocking some down. IMMEDIATELY i already know it ain't gonna

1:22:27.800 --> 1:22:30.400
<v Speaker 5>be no. YOGA i need the Fund.

1:22:31.240 --> 1:22:31.400
<v Speaker 1>I'm.

1:22:31.400 --> 1:22:35.519
<v Speaker 5>Getting he's been, monogamous SAYING i can't speak ten years

1:22:35.520 --> 1:22:38.160
<v Speaker 5>just becauseous many more than, that because they've been married

1:22:38.200 --> 1:22:38.680
<v Speaker 5>for almost ten.

1:22:38.760 --> 1:22:39.400
<v Speaker 1>Years they could have been.

1:22:39.400 --> 1:22:41.200
<v Speaker 5>Together it's don't mean that you're not you, know the

1:22:41.280 --> 1:22:43.960
<v Speaker 5>ladies don't think you cool. Personality am not saying, that

1:22:44.000 --> 1:22:46.120
<v Speaker 5>but you haven't even you don't even know what's going

1:22:46.120 --> 1:22:46.639
<v Speaker 5>on outside.

1:22:46.680 --> 1:22:49.240
<v Speaker 1>Anymore what he said kids was going on.

1:22:49.240 --> 1:22:51.120
<v Speaker 5>Outside who gives a fuck with y'all rule things at

1:22:51.120 --> 1:22:53.040
<v Speaker 5>the top like, This you DON'T i got a whole

1:22:53.080 --> 1:22:54.800
<v Speaker 5>pass of the. NIGHT i just need some. PUSSY i

1:22:54.840 --> 1:22:57.680
<v Speaker 5>don't care who's. DEPRESSED i don't care who's. HOMELESS i

1:22:57.720 --> 1:23:00.400
<v Speaker 5>don't give a. Fuck, dude are You are you not

1:23:00.520 --> 1:23:03.640
<v Speaker 5>on your? Minstrel let's fuck. TONIGHT i need Tonight and

1:23:04.120 --> 1:23:06.960
<v Speaker 5>they might an't pass that likes in the hall? Path

1:23:07.080 --> 1:23:10.960
<v Speaker 5>is that worth your girl getting fucked as? Well because

1:23:10.960 --> 1:23:12.720
<v Speaker 5>who knows who you're going to run into to use

1:23:12.760 --> 1:23:15.360
<v Speaker 5>that hall? Pass how long you gonna? Last like you

1:23:15.400 --> 1:23:18.479
<v Speaker 5>could really waste your hall pass on busting in thirty

1:23:18.479 --> 1:23:20.519
<v Speaker 5>seconds because you've never been in another vagina for ten

1:23:20.600 --> 1:23:23.479
<v Speaker 5>years and it's just happy to be, here and she

1:23:23.520 --> 1:23:25.519
<v Speaker 5>could be getting a black like blown out.

1:23:25.520 --> 1:23:27.639
<v Speaker 1>Over, bro do you know your girl getting?

1:23:27.640 --> 1:23:29.920
<v Speaker 2>Fucked do you know how motherfucking MAD i would be

1:23:29.960 --> 1:23:31.320
<v Speaker 2>IF i found out THAT i gave my man a

1:23:31.320 --> 1:23:33.479
<v Speaker 2>hall pass and he went and busted in thirty. Seconds

1:23:33.640 --> 1:23:37.080
<v Speaker 2>you got this bitch sticking at my kuchi whack because

1:23:37.080 --> 1:23:39.200
<v Speaker 2>you couldn't control your motherfucking. Yourself you act that you

1:23:39.200 --> 1:23:41.080
<v Speaker 2>ain't never not, nice but be like.

1:23:41.120 --> 1:23:42.160
<v Speaker 1>That, OH i would.

1:23:42.200 --> 1:23:46.080
<v Speaker 3>Be he's been in he's been in the same vagina

1:23:46.120 --> 1:23:48.120
<v Speaker 3>for ten. Years his dick is going to be, like,

1:23:48.120 --> 1:23:50.320
<v Speaker 3>wait where the fuck we at and maybe get a little.

1:23:50.320 --> 1:23:54.960
<v Speaker 1>Excited whole passes and you doing all that so your

1:23:54.960 --> 1:23:56.559
<v Speaker 1>girls would also get fucked and maybe.

1:23:56.560 --> 1:23:58.759
<v Speaker 4>Better first of, all when did hall pass.

1:23:58.520 --> 1:24:00.519
<v Speaker 1>Start wilson the?

1:24:00.520 --> 1:24:02.679
<v Speaker 2>MOVIE i think, no it was a thing way before.

1:24:02.720 --> 1:24:03.920
<v Speaker 2>That it's always been a.

1:24:03.920 --> 1:24:08.160
<v Speaker 1>Thing, no it hasn't until the. Movie, honestly, no it.

1:24:08.200 --> 1:24:09.439
<v Speaker 1>Has my, uncles my.

1:24:09.560 --> 1:24:12.200
<v Speaker 5>Pops ain't nobody ever, said, yeah you, know let your

1:24:12.200 --> 1:24:13.240
<v Speaker 5>moms go out one night.

1:24:13.280 --> 1:24:15.439
<v Speaker 1>Again i've never heard that at the.

1:24:15.439 --> 1:24:18.280
<v Speaker 2>Cookout well that's because this is and this is the.

1:24:18.320 --> 1:24:19.880
<v Speaker 2>Thing this is WHY i. Said people have been married,

1:24:19.920 --> 1:24:21.880
<v Speaker 2>before AND i, like my grandparents were married for fifty.

1:24:21.960 --> 1:24:24.080
<v Speaker 2>Years but you got an auntie that ain't you know

1:24:24.120 --> 1:24:27.879
<v Speaker 2>What i'm. Saying people have stepped out. Before it just was, no, no,

1:24:27.680 --> 1:24:30.040
<v Speaker 2>no, no people have stepped up or aware, no, no, no, no.

1:24:30.040 --> 1:24:33.000
<v Speaker 2>No people have been aware in their marriages of. Sides

1:24:33.320 --> 1:24:36.080
<v Speaker 2>before it was just don't, ask don't. Tell it was

1:24:36.280 --> 1:24:38.120
<v Speaker 2>very much don't. Ask, no that's not a hall. Past,

1:24:38.160 --> 1:24:39.080
<v Speaker 2>yeah that's not a hall pass.

1:24:39.120 --> 1:24:41.000
<v Speaker 1>Though that's. Different that's What i'm. Saying that's excepting.

1:24:41.160 --> 1:24:44.240
<v Speaker 5>Cheating, yeah that's. Different i'm talking about your baby, here, yo.

1:24:44.280 --> 1:24:45.920
<v Speaker 5>Tonight go, ahead go out with the girls and if

1:24:45.920 --> 1:24:47.400
<v Speaker 5>you see somebody at the ball to.

1:24:47.479 --> 1:24:48.120
<v Speaker 1>You but that's not.

1:24:48.120 --> 1:24:51.240
<v Speaker 2>Usually how hall passes. Work every hall Pass i've ever.

1:24:51.240 --> 1:24:53.240
<v Speaker 5>Well now it was different because y'all know exactly where

1:24:53.240 --> 1:24:54.920
<v Speaker 5>the nigga lived with time he get.

1:24:54.800 --> 1:24:57.479
<v Speaker 1>Off, work when he come into. Town y'all know.

1:24:57.520 --> 1:24:59.880
<v Speaker 5>Exactly, yeah y'all know where y'all going to sleep With

1:25:00.000 --> 1:25:01.360
<v Speaker 5>if your man get you a whole, pass YOU i

1:25:01.400 --> 1:25:02.320
<v Speaker 5>know exactly what a guy is.

1:25:02.360 --> 1:25:05.519
<v Speaker 4>Already it's no LIKE i wouldn't take. It you wouldn't

1:25:05.520 --> 1:25:05.680
<v Speaker 4>take the.

1:25:05.680 --> 1:25:07.839
<v Speaker 2>WHOLE i wouldn't take The, no that's for verse. Psychology

1:25:07.920 --> 1:25:08.559
<v Speaker 2>but you wouldn't take.

1:25:08.600 --> 1:25:09.200
<v Speaker 1>It i'm not an.

1:25:09.240 --> 1:25:12.200
<v Speaker 5>Idiot you wouldn't take it because you don't want him

1:25:12.240 --> 1:25:12.880
<v Speaker 5>to get a man to take.

1:25:12.920 --> 1:25:14.720
<v Speaker 4>It, No so why wouldn't you take?

1:25:14.720 --> 1:25:16.120
<v Speaker 2>IT i wouldn't take it BECAUSE i would feel like

1:25:16.160 --> 1:25:17.920
<v Speaker 2>that's for verse. PSYCHOLOGY i feel like you're telling, me,

1:25:17.960 --> 1:25:19.360
<v Speaker 2>yeah you could go do, this you don't really want

1:25:19.400 --> 1:25:19.680
<v Speaker 2>me to go do?

1:25:19.680 --> 1:25:19.720
<v Speaker 6>It?

1:25:19.760 --> 1:25:20.280
<v Speaker 2>DO i wouldn't do.

1:25:20.320 --> 1:25:22.439
<v Speaker 5>It, No i'd understand What i'm telling me if you

1:25:22.479 --> 1:25:24.160
<v Speaker 5>know your man is, like, yo, LISTEN i.

1:25:24.120 --> 1:25:26.000
<v Speaker 2>Don't date men like, That SO i can't again a

1:25:26.080 --> 1:25:28.479
<v Speaker 2>hypothetical that would never. HAPPEN i can't speak for that

1:25:28.800 --> 1:25:30.559
<v Speaker 2>because it just it's so unrealistic to.

1:25:30.600 --> 1:25:33.280
<v Speaker 3>Me and then also the whole past. Thing this is

1:25:33.280 --> 1:25:34.639
<v Speaker 3>WHAT i want to know because it's a one time.

1:25:34.720 --> 1:25:36.799
<v Speaker 3>Thing so fuck if you bust quick.

1:25:36.640 --> 1:25:37.160
<v Speaker 1>Whatever it's just one.

1:25:37.200 --> 1:25:39.519
<v Speaker 3>Night let's say it's the greatest sex. Ever it's a

1:25:39.640 --> 1:25:42.559
<v Speaker 3>one time. Thing what is that solving in the next

1:25:42.600 --> 1:25:43.400
<v Speaker 3>fifty years of our?

1:25:43.400 --> 1:25:43.879
<v Speaker 1>Marriage?

1:25:44.439 --> 1:25:44.920
<v Speaker 4>YEAH i don't.

1:25:44.960 --> 1:25:47.400
<v Speaker 1>Know that's WHY i was because it's, like are you

1:25:49.360 --> 1:25:49.640
<v Speaker 1>next with the?

1:25:49.760 --> 1:25:51.760
<v Speaker 5>Year, Yeah like you had sex with somebody just for the,

1:25:51.880 --> 1:25:53.240
<v Speaker 5>night and that was one time you just wanted to

1:25:53.280 --> 1:25:54.479
<v Speaker 5>go have sex with somebody, Else.

1:25:54.320 --> 1:25:55.640
<v Speaker 3>Like is it a hall pass for the rest of

1:25:55.680 --> 1:25:57.599
<v Speaker 3>our marriage where we're just in an, open like open

1:25:57.640 --> 1:26:00.000
<v Speaker 3>relationship even THOUGH i couldn't do that make way more

1:26:00.080 --> 1:26:01.680
<v Speaker 3>sense to me then one night.

1:26:01.800 --> 1:26:03.519
<v Speaker 1>Thing sometimes it could just be.

1:26:03.560 --> 1:26:05.720
<v Speaker 2>Curiosity it could just be like, yo like we've been

1:26:05.760 --> 1:26:07.240
<v Speaker 2>doing this for so, long let's try something.

1:26:07.280 --> 1:26:07.400
<v Speaker 6>New.

1:26:07.520 --> 1:26:09.720
<v Speaker 3>Whatever but that's going to be a if it's one,

1:26:09.800 --> 1:26:12.479
<v Speaker 3>night she's gonna be a stain that's there for such

1:26:12.520 --> 1:26:15.920
<v Speaker 3>an unnecessary, reason because nothing's gonna change for the next

1:26:15.920 --> 1:26:18.040
<v Speaker 3>fifty years of your relationship because you fuck somebody one

1:26:18.120 --> 1:26:19.280
<v Speaker 3>night twenty.

1:26:19.320 --> 1:26:22.000
<v Speaker 4>YEARS i never understood the definition of with the.

1:26:22.040 --> 1:26:24.000
<v Speaker 1>Purpose i've never met anyone that's had a hall. PASS

1:26:24.960 --> 1:26:26.240
<v Speaker 1>i thought it was honestly.

1:26:25.960 --> 1:26:29.120
<v Speaker 2>A movie hall passes to me When i've had discussions

1:26:29.120 --> 1:26:33.200
<v Speaker 2>about them and my relationships were always if you there's

1:26:33.240 --> 1:26:37.400
<v Speaker 2>this one person that IF i met this, person, yo

1:26:37.439 --> 1:26:39.640
<v Speaker 2>you gotta let me BECAUSE i wanted to do it so.

1:26:39.720 --> 1:26:40.719
<v Speaker 1>Badly i've heard those.

1:26:40.800 --> 1:26:44.960
<v Speaker 2>Before THOSE i really understand BECAUSE i don't understand that either,

1:26:45.040 --> 1:26:45.800
<v Speaker 2>MAN i get that that's this.

1:26:45.920 --> 1:26:47.920
<v Speaker 1>One doesn't that do? That or dumb because, bro she's

1:26:47.960 --> 1:26:52.960
<v Speaker 1>gonna run into somebody you're not. Like imagine you.

1:26:52.920 --> 1:26:54.800
<v Speaker 5>Being married for eight years and your girl, like you,

1:26:54.800 --> 1:26:57.360
<v Speaker 5>KNOW i love. You But, yo If denzel have a

1:26:57.439 --> 1:26:58.880
<v Speaker 5>back out to swam me, On i'm sucking.

1:26:58.920 --> 1:26:59.679
<v Speaker 1>It BUT i said.

1:26:59.680 --> 1:27:01.240
<v Speaker 2>That but but this is the thing that is a

1:27:01.280 --> 1:27:03.360
<v Speaker 2>conversation that usually happens within the first two years of the.

1:27:03.400 --> 1:27:04.000
<v Speaker 1>Relationship.

1:27:04.280 --> 1:27:08.160
<v Speaker 3>Yo in ninety nine percent of relationships that aren't celebrity

1:27:08.160 --> 1:27:11.320
<v Speaker 3>BASED i am not running Into. Rihanna she may run

1:27:11.320 --> 1:27:13.439
<v Speaker 3>Into MICHAEL. B. Jordan why would you agree to?

1:27:13.479 --> 1:27:19.040
<v Speaker 2>That why is every man's hall Pass? Rihanna every man's haw?

1:27:19.080 --> 1:27:24.320
<v Speaker 1>Past Is? Rihanna? Thinking rihanna would fuck any of? Us you?

1:27:24.360 --> 1:27:26.040
<v Speaker 2>Know it was me LIKE i ran into What i've

1:27:26.080 --> 1:27:28.360
<v Speaker 2>run into a few of my hall passes THAT i

1:27:28.400 --> 1:27:29.680
<v Speaker 2>had made with other, men a few of.

1:27:29.760 --> 1:27:33.080
<v Speaker 5>Them men are going to lose that battle every, time

1:27:33.720 --> 1:27:34.960
<v Speaker 5>BECAUSE i promise, you.

1:27:37.160 --> 1:27:39.639
<v Speaker 3>All, right never, mind, forget. FORGET i just said said

1:27:39.640 --> 1:27:41.880
<v Speaker 3>that entire. THING i say all that to SAY i

1:27:41.920 --> 1:27:43.680
<v Speaker 3>don't really understand the whole past. THING i don't think

1:27:43.720 --> 1:27:46.320
<v Speaker 3>it solves. ANYTHING i think if you are already thinking that,

1:27:46.360 --> 1:27:48.920
<v Speaker 3>way maybe you should have an open relationship, conversation BECAUSE

1:27:48.960 --> 1:27:50.360
<v Speaker 3>i think if you get a taste to the streets

1:27:50.360 --> 1:27:52.560
<v Speaker 3>with a hall, pass it's not going to, stop and

1:27:52.600 --> 1:27:55.320
<v Speaker 3>it's just going to make everything more. Awkward AND i

1:27:55.360 --> 1:27:57.680
<v Speaker 3>think if she's excited for, it it's going to make

1:27:57.720 --> 1:27:58.400
<v Speaker 3>you feel even.

1:27:58.439 --> 1:28:00.200
<v Speaker 1>CRAZIER i think if you get.

1:28:00.040 --> 1:28:01.960
<v Speaker 2>To taste to the, streets usually as a man that's

1:28:02.000 --> 1:28:03.880
<v Speaker 2>been married for eight years and you really really love your,

1:28:03.880 --> 1:28:05.439
<v Speaker 2>wife you get a taste to the streets and you're

1:28:05.479 --> 1:28:06.160
<v Speaker 2>learn to love her.

1:28:06.200 --> 1:28:08.920
<v Speaker 1>More you're gonna love her. More Oh, no the streets

1:28:08.920 --> 1:28:11.559
<v Speaker 1>is cooked out. Here streets is. Done but if you're

1:28:11.560 --> 1:28:13.120
<v Speaker 1>trying to have some, fun the streets is wide.

1:28:12.960 --> 1:28:16.160
<v Speaker 2>Open even if you go to but a married man that's.

1:28:15.920 --> 1:28:18.000
<v Speaker 3>Trying to find a wife in this, Bunch, no it's,

1:28:18.000 --> 1:28:21.240
<v Speaker 3>Cooked i'm. Saying but if you wanta, Fun, yeah.

1:28:21.080 --> 1:28:22.599
<v Speaker 2>There's plenty of wives out, there but.

1:28:24.360 --> 1:28:26.160
<v Speaker 4>Plenty of WIVES i want to.

1:28:26.200 --> 1:28:28.559
<v Speaker 5>Meet there's a certain esthetic to the people that have all.

1:28:28.600 --> 1:28:32.000
<v Speaker 5>Passes ANYBODY i know who was ever like let their

1:28:32.040 --> 1:28:34.559
<v Speaker 5>girl like or let their it's a certain esthetic to.

1:28:34.560 --> 1:28:37.720
<v Speaker 5>Them the their fingernails, dirty nobody want to sleep with.

1:28:37.760 --> 1:28:41.479
<v Speaker 5>You i'm talking about ones that have actually went through with,

1:28:41.600 --> 1:28:45.600
<v Speaker 5>It like you ain't that. Attractive it's, like OH i

1:28:45.640 --> 1:28:49.040
<v Speaker 5>let my girl goes, like all, right who hit?

1:28:49.120 --> 1:28:49.960
<v Speaker 1>It who hit? That?

1:28:50.040 --> 1:28:51.880
<v Speaker 3>Like, yeah that's that's WHY i like when we talk

1:28:51.920 --> 1:28:54.160
<v Speaker 3>about the nude beach. STUFF i also think the. Same

1:28:54.320 --> 1:28:56.840
<v Speaker 3>another myth about the sex clubs and the swingers. CLUBS

1:28:56.920 --> 1:29:00.000
<v Speaker 3>i don't think you're about to find in the world.

1:28:59.760 --> 1:29:02.160
<v Speaker 5>Club in the swingers. Club i've never bet you're wrong About,

1:29:02.200 --> 1:29:05.960
<v Speaker 5>okay so you're. Wrong, YEAH i Just i'm assuming that

1:29:06.040 --> 1:29:08.719
<v Speaker 5>maybe they don't have the BEST i, think.

1:29:08.560 --> 1:29:11.080
<v Speaker 2>But you have too attractive friends who have told you

1:29:11.120 --> 1:29:13.920
<v Speaker 2>that they've gone to those, things they've been with attractive,

1:29:13.960 --> 1:29:18.439
<v Speaker 2>men and they, like that's, no that's that's just horninessas Be,

1:29:18.960 --> 1:29:22.519
<v Speaker 2>no not new, beaches the sex swingers, Clubs oh, Yeah

1:29:22.520 --> 1:29:23.280
<v Speaker 2>i'm not into.

1:29:23.160 --> 1:29:25.120
<v Speaker 3>Maybe not the ones that she was going to with her.

1:29:25.200 --> 1:29:27.040
<v Speaker 3>MAN i do think kind of the way the nude

1:29:27.040 --> 1:29:29.720
<v Speaker 3>beaches and there was like certain resorts that are made for,

1:29:29.800 --> 1:29:32.840
<v Speaker 3>swingers and like you put something on your. DOOR i

1:29:32.840 --> 1:29:34.160
<v Speaker 3>don't think you were getting the best.

1:29:34.200 --> 1:29:36.640
<v Speaker 5>Bunch oh the upside down pineapple. People, yeah that you

1:29:36.640 --> 1:29:38.320
<v Speaker 5>guys have told me. ABOUT i don't think those married

1:29:38.320 --> 1:29:39.640
<v Speaker 5>couples is really who you should be.

1:29:39.640 --> 1:29:40.479
<v Speaker 1>Fucking but that's just.

1:29:40.520 --> 1:29:44.720
<v Speaker 5>Me i'm just not into you like that Ship LIKE

1:29:44.840 --> 1:29:46.840
<v Speaker 5>i don't like nobody fucking like bitches that ain't don't

1:29:46.840 --> 1:29:47.080
<v Speaker 5>do that.

1:29:47.040 --> 1:29:48.559
<v Speaker 1>Because you got he got wooed at the bar and

1:29:48.560 --> 1:29:50.000
<v Speaker 1>went up to the hotel.

1:29:50.080 --> 1:29:55.240
<v Speaker 2>Room this swinger you was almost, there ye, Well Chuck

1:29:55.280 --> 1:29:56.840
<v Speaker 2>lidel almost Got oh.

1:29:57.200 --> 1:30:00.559
<v Speaker 5>No BUT i mean that WAS i, KNOW i know

1:30:00.560 --> 1:30:02.080
<v Speaker 5>how it looked like that could have been the case

1:30:02.120 --> 1:30:04.400
<v Speaker 5>with that that definitely was not gonna. Happen but, YEAH

1:30:04.400 --> 1:30:05.920
<v Speaker 5>i JUST i don't know that whole. SWIT i just

1:30:05.920 --> 1:30:09.599
<v Speaker 5>don't know, man like cause it's like who is? It

1:30:09.640 --> 1:30:12.720
<v Speaker 5>where are you? From like you're supposed to just get

1:30:12.760 --> 1:30:14.680
<v Speaker 5>like naked and just climb on top of, this like,

1:30:14.760 --> 1:30:17.680
<v Speaker 5>eh you, don't like you don't be knowing people like

1:30:17.720 --> 1:30:19.240
<v Speaker 5>how you just getting naked and start.

1:30:19.040 --> 1:30:22.320
<v Speaker 1>Fucking like random? People that's always. Sir that shit is

1:30:22.360 --> 1:30:22.800
<v Speaker 1>crazy to.

1:30:22.920 --> 1:30:25.920
<v Speaker 5>Me i'm, sorry like people smells and senses, like, yo

1:30:26.200 --> 1:30:28.479
<v Speaker 5>you don't know what you're in for with, This LIKE

1:30:28.560 --> 1:30:30.280
<v Speaker 5>i just don't know how people be like, Yo i'm.

1:30:30.160 --> 1:30:32.880
<v Speaker 4>Going to swingers? Club like, word like what does smell

1:30:32.960 --> 1:30:33.160
<v Speaker 4>like in?

1:30:33.200 --> 1:30:33.240
<v Speaker 6>It?

1:30:34.479 --> 1:30:36.679
<v Speaker 2>Sorry ooh?

1:30:36.960 --> 1:30:39.160
<v Speaker 1>Nothing do you have to sound like? Waivers and like

1:30:39.200 --> 1:30:42.479
<v Speaker 1>you have to come with a city? TEST i would hope.

1:30:42.240 --> 1:30:45.960
<v Speaker 2>So no YOU i don't think so You some some you,

1:30:46.040 --> 1:30:48.280
<v Speaker 2>do the super exclusive. Ones you do have to have

1:30:48.280 --> 1:30:50.280
<v Speaker 2>a clean bill of, rights but a lot of them

1:30:50.360 --> 1:30:51.120
<v Speaker 2>clean bullet rights is.

1:30:51.200 --> 1:30:54.800
<v Speaker 1>Hilarious, no IF i walked into a sex club and

1:30:54.840 --> 1:30:57.439
<v Speaker 1>they just come on, in, sir you.

1:30:57.439 --> 1:30:59.080
<v Speaker 5>Gotta cert, well you gotta sign a? Waiver do you

1:30:59.120 --> 1:30:59.600
<v Speaker 5>have to sign a?

1:30:59.600 --> 1:31:02.120
<v Speaker 2>Waiver same thing with like, Skiing like if you hurt,

1:31:02.120 --> 1:31:02.760
<v Speaker 2>yourself it ain't.

1:31:02.760 --> 1:31:06.320
<v Speaker 3>ON i get the waiver part of anything, happens it's.

1:31:06.360 --> 1:31:08.479
<v Speaker 3>Fragile i'm talking about if you don't show up with your,

1:31:08.520 --> 1:31:13.400
<v Speaker 3>Paperwork like are you? Good, Yeah i'm not.

1:31:15.280 --> 1:31:19.479
<v Speaker 5>Rory what you ashibious for their paperwork when you?

1:31:19.720 --> 1:31:21.920
<v Speaker 1>Them i'm talking about if you're in a venue of sex.

1:31:21.960 --> 1:31:23.720
<v Speaker 1>Club but what does that?

1:31:23.800 --> 1:31:25.519
<v Speaker 2>Mean you think people who are in sex clubs are

1:31:25.560 --> 1:31:26.479
<v Speaker 2>dirtier than just regular?

1:31:26.479 --> 1:31:29.200
<v Speaker 3>People you, KNOW i don't think that. WHATSOEVER i think,

1:31:29.439 --> 1:31:31.320
<v Speaker 3>Shit i've told you. BEFORE i think strippers are probably

1:31:31.320 --> 1:31:34.639
<v Speaker 3>cleaner because their whole job is defined on that part

1:31:34.680 --> 1:31:38.360
<v Speaker 3>of their. Body strippers or porn stars and, ESCORTS i

1:31:38.439 --> 1:31:40.320
<v Speaker 3>think they're a lot cleaner than and the chicks that

1:31:40.400 --> 1:31:41.200
<v Speaker 3>just be on the club.

1:31:41.439 --> 1:31:43.719
<v Speaker 4>And porn star escorts is two totally different.

1:31:43.720 --> 1:31:46.560
<v Speaker 3>Things, well sometimes they're. All they all do the, same what?

1:31:46.640 --> 1:31:49.200
<v Speaker 3>Else they check all the. Same some people are, writers

1:31:49.200 --> 1:31:50.080
<v Speaker 3>producers and.

1:31:50.000 --> 1:31:55.080
<v Speaker 1>Rappers multi tells. Multipa but IF i think.

1:31:54.920 --> 1:31:57.040
<v Speaker 3>Of escort the hot LIKE i think high n escorts

1:31:57.160 --> 1:32:00.200
<v Speaker 3>probably take care of their sexual health more than the

1:32:00.280 --> 1:32:02.080
<v Speaker 3>average girl that's just out in the club getting.

1:32:02.080 --> 1:32:05.160
<v Speaker 5>FUCKED i really did for work because it's their job.

1:32:05.439 --> 1:32:07.479
<v Speaker 5>ESCORTS i don't know. Porn if you're in the porn,

1:32:07.479 --> 1:32:09.320
<v Speaker 5>industry you get tested for.

1:32:09.360 --> 1:32:10.519
<v Speaker 1>Sure, yeah you have.

1:32:10.560 --> 1:32:13.160
<v Speaker 3>To and that's What i'm saying that at a sex

1:32:13.160 --> 1:32:16.639
<v Speaker 3>club in a venue that is made for this Should

1:32:16.640 --> 1:32:18.840
<v Speaker 3>we couldn't even walk in the airport without A covid.

1:32:18.960 --> 1:32:21.240
<v Speaker 3>Swab If i'm walking into a place that's designed for

1:32:21.280 --> 1:32:23.280
<v Speaker 3>a bunch of people to fuck each, OTHER i think

1:32:23.320 --> 1:32:24.640
<v Speaker 3>it's a sane thing to.

1:32:24.680 --> 1:32:26.960
<v Speaker 1>Go, well can you bring a CURRENT std?

1:32:27.080 --> 1:32:27.800
<v Speaker 4>Test oh, no for.

1:32:27.840 --> 1:32:30.679
<v Speaker 3>SURE i don't THINK i understand what Demears stryda. Said,

1:32:30.720 --> 1:32:33.000
<v Speaker 3>yes HAVE i slept with a stranger? Before of COURSE i.

1:32:33.040 --> 1:32:37.200
<v Speaker 3>Have but the whole hotel wasn't designed for everybody to

1:32:37.240 --> 1:32:37.599
<v Speaker 3>fuck each.

1:32:37.640 --> 1:32:40.439
<v Speaker 4>OTHER i don't. KNOW i think we.

1:32:40.439 --> 1:32:42.320
<v Speaker 5>Should i'm just too much of A german folde, Man

1:32:42.360 --> 1:32:45.160
<v Speaker 5>LIKE i Can't i'm laying down on this bed with

1:32:45.200 --> 1:32:45.840
<v Speaker 5>four niggas just.

1:32:45.840 --> 1:32:51.000
<v Speaker 1>Finished Oh i'm. NOT i just can't see me getting

1:32:51.000 --> 1:32:51.600
<v Speaker 1>turned on in that.

1:32:51.680 --> 1:32:52.960
<v Speaker 4>ENVIRONMENT i.

1:32:52.960 --> 1:32:55.000
<v Speaker 5>Can't, LIKE i JUST i would be, Like i'll be

1:32:55.000 --> 1:32:56.680
<v Speaker 5>looking around too, much like, yo how many he was

1:32:56.720 --> 1:32:59.000
<v Speaker 5>just laying Like i'm lay With homie was just laying

1:32:59.040 --> 1:33:01.320
<v Speaker 5>at like and you, know mall's Not i'm not doing

1:33:01.360 --> 1:33:03.280
<v Speaker 5>that all showing up when when doors.

1:33:03.320 --> 1:33:06.240
<v Speaker 1>Open so by the time mall gets, there those sheets

1:33:06.240 --> 1:33:07.960
<v Speaker 1>have been used like a.

1:33:08.000 --> 1:33:12.000
<v Speaker 5>Lot the windows is, foggy the walls is, wet there's ham.

1:33:12.080 --> 1:33:17.280
<v Speaker 5>Prints i'm. Cool it's smelled crazy in. Here it smelled

1:33:17.280 --> 1:33:18.360
<v Speaker 5>like open butthole in.

1:33:18.439 --> 1:33:21.240
<v Speaker 4>Here Like i'm. Cool i'm. Not i'm to be, like,

1:33:21.280 --> 1:33:22.439
<v Speaker 4>Yo i'm. Next i'm.

1:33:22.439 --> 1:33:24.200
<v Speaker 1>Not. Well some people go and just observe.

1:33:24.320 --> 1:33:26.400
<v Speaker 2>Mom some people going like they go with their girl

1:33:26.400 --> 1:33:27.880
<v Speaker 2>and they just like they get a drink because there's

1:33:27.960 --> 1:33:29.559
<v Speaker 2>usually bars and the they get a drink and they just.

1:33:29.600 --> 1:33:32.439
<v Speaker 4>Watch i'm. Cool we can go watch something.

1:33:32.479 --> 1:33:39.320
<v Speaker 1>Else paradise is back On Who's.

1:33:37.960 --> 1:33:41.360
<v Speaker 5>It's so many in the streaming. Sites it's so many

1:33:41.439 --> 1:33:44.040
<v Speaker 5>things we could go. Watch, Man, LIKE i just don't

1:33:44.040 --> 1:33:45.839
<v Speaker 5>know IF i want to watch, that but i mean teachers.

1:33:45.840 --> 1:33:48.880
<v Speaker 5>On that's a fun third, Day, yeah like teachers on. Whatever,

1:33:48.920 --> 1:33:51.160
<v Speaker 5>man all, Right well we'd be back in a couple of.

1:33:51.240 --> 1:33:54.760
<v Speaker 5>Days well, Tomorrow, yeah we be back, tomorrow all, Right

1:33:54.840 --> 1:33:56.479
<v Speaker 5>so we'll see you on the. Couple be, safe be.

1:33:56.560 --> 1:33:58.519
<v Speaker 5>Blessed i'm that. Nigga he's just ginger PEACE

1:34:00.240 --> 1:34:01.320
<v Speaker 1>Woi And mound