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Speaker 1: O Willian.

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Speaker 2: Doctor.

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Speaker 1: We are back.

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Speaker 3: Welcome back to our good brother, Jamil, a good brother.

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Speaker 3: He is back in the Tri State area. We thought

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Speaker 3: we lost him to the south man. I thought we

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Speaker 3: lost him to the snow.

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Speaker 4: I'm saying they tried to keep me. Can't keep a

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Speaker 4: good dude, damn.

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Speaker 3: But but he he booked a flight on his Boost

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Speaker 3: mobile phone, saying he got back thanks.

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Speaker 5: To Boost unlimited talk text. You got to be able

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Speaker 5: to talk in text the airlines.

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Speaker 3: Yeah, that's that's how you were able to book the

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Speaker 3: flight when everyone else was scrambling.

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Speaker 1: Got me back to that doesn't print that. That's a fact.

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Speaker 1: That's a fact printed. Well, how was how was your

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Speaker 1: time away?

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Speaker 4: It was great?

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Speaker 1: Did the snow hit you?

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Speaker 4: Did this snow hit me?

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Speaker 1: Like where you were at? Nah?

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Speaker 5: It was it was just you know, airlines were shut

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Speaker 5: down because of you know, the weather here. But it

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Speaker 5: was cool though. I had a good time with the

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Speaker 5: family man. You know, got to see the fan for

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Speaker 5: the weekend. Weather was actually decent in Virginia. Actually, Saturday,

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Speaker 5: the day of my nephew's birthday, was probably the best

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Speaker 5: whether they had in a while.

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Speaker 4: So kind of worked out perfect.

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Speaker 1: I saw were you gaming.

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Speaker 4: No, the kids were.

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Speaker 1: I wasn't sure if you stepped in, I saw some

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Speaker 1: I saw like the recap nah man.

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Speaker 5: Cap for the part I can't. I can't because you know,

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Speaker 5: you sit down there all these new games.

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Speaker 1: I don't.

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Speaker 5: I haven't played mad in the years. I haven't played

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Speaker 5: two K and years. Like, I wasn't about to have

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Speaker 5: no ten year olds beat me in no games talking

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Speaker 5: shit all day.

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Speaker 3: So looked like there was a lot of kids there

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Speaker 3: that may or may not have single moms.

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Speaker 1: Did you did you meet anyone? Did you mingle?

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Speaker 6: Like?

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Speaker 4: What was your not? Down there? It's all like house forgot. Yeah.

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Speaker 1: In the South they do that weird.

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Speaker 4: They get married at nineteen, you know how they do that.

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Speaker 1: High school sweetheart shit.

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Speaker 4: It is not the South. It's Virginia.

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Speaker 2: It's south from here, but it's not the South.

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Speaker 1: But that's what I mean. From Virginia would be mad

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Speaker 1: at you if you said they weren't from the South.

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Speaker 2: No, they would be mad. If you said from Richmond.

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Speaker 2: They would be mad.

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Speaker 3: If people from the North Carolina and lower would get

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Speaker 3: mad at you for saying Virginia's the South. But people

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Speaker 3: from Virginia think they're from the South. Yeah, technically the

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Speaker 3: Mason Dixon Line is below Maryland exactly. Technically DC is

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Speaker 3: the South. If you want to if you want to

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Speaker 3: go by the Constitution.

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Speaker 2: There'll be in your DMS clussing you out, calling them

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Speaker 2: from the South.

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Speaker 4: Why do people but why do people get mad at that?

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Speaker 1: Though?

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Speaker 5: I don't know, Like why do get mad if you

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Speaker 5: say they from the South? Like, why are you mad

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Speaker 5: at that?

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Speaker 2: Like because they're not. They don't. They look at the

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Speaker 2: South like country bumpkins and they don't think that they're

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Speaker 2: a part of that.

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Speaker 5: Oh, but that's a that's on them. I'm looking at

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Speaker 5: the South like country bumpkins. I know some country bumpkins

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Speaker 5: in New Jersey right now.

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Speaker 4: Yeah, that's a fact from South Jersey.

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Speaker 1: Definitely.

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Speaker 3: That's not just like subjective to the South. There's there's

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Speaker 3: country bumpkins in the North as well, for sure.

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Speaker 1: Whole Appalachian Mountains is that.

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Speaker 3: But if you go by the Civil War, which we

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Speaker 3: all do naturally, Baltimore is in the South.

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Speaker 4: Come on, man, it was a blow to Mason Dixon baby,

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Speaker 4: so I was in the South.

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Speaker 1: But we're happy to have you back, Thank you man.

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Speaker 4: How was the energy ya missed me?

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Speaker 1: Yeah? Of course we did.

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Speaker 4: Did you miss me, baby D?

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Speaker 1: Of course you did, so I did. How are you

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Speaker 1: telling me who I missed?

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Speaker 2: You ain't called me.

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Speaker 5: That don't mean I ain't miss you. Maybe I just

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Speaker 5: wasn't ready to talk, damn.

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Speaker 2: Like the rest of them niggas, welcome back.

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Speaker 1: Ma, you don't want to be too overbearing with I

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Speaker 1: just wasn't ready to talk.

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Speaker 4: I didn't know I had a word yet, you know

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Speaker 4: what I'm saying.

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Speaker 1: I had a word.

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Speaker 4: I didn't know what to say yet, BABYD. That's all.

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Speaker 1: He went to chat GBT, got his words together, yo,

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Speaker 1: and came up with I missed you.

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Speaker 2: There's an epidemic of people doing that, and it pisses

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Speaker 2: me off. Doing what asking chat GBT to send a

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Speaker 2: text for them?

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Speaker 1: That's crazy.

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Speaker 2: It happens a lot that chat and SHEBT send the

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Speaker 2: text for me. Yeah, like to word out like how

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Speaker 2: should I text?

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Speaker 1: But that could only work with a new person.

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Speaker 3: I feel like if I've been texting you for ten

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Speaker 3: years and all of a sudden, now you sound like

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Speaker 3: the most articulate human being ever, I'm gonna know, like, yeah,

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Speaker 3: like you don't know you don't form your thoughts this well?

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Speaker 5: Yeah, you can't do that too. You can't get that

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Speaker 5: off me. I know when you y'all know when your

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Speaker 5: homegirls texted for you the fact, see that was the

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Speaker 5: original chat. Yeah, I know when your homegirl got your phone.

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Speaker 5: I just toasha cut it out, give her phone back.

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Speaker 1: You don't even know the word.

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Speaker 5: Reciprise said, yeah, you'll cut it out and cut the ship, like,

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Speaker 5: give her phone back.

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Speaker 4: This ain't her. I already know she's sitting right next

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Speaker 4: to you crying, like, give her phone back.

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Speaker 2: I'll be getting some shit off on my friend's phone.

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Speaker 4: I know, y'all. Do all women have done that before?

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Speaker 4: Nah say this? Say this?

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Speaker 5: You can't me say this? Yo, say nah tell him this,

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Speaker 5: you'll give her phone back? Man, let me curse out

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Speaker 5: out and then watch a stutter.

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Speaker 2: Only I like doing it when they're like when they're

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Speaker 2: talking to a new guy. They'll hit me like, oh

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Speaker 2: my god, he said this, Like what should I say?

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Speaker 2: And I give him some fly ship to say back.

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Speaker 4: I want to hit baby these flies.

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Speaker 3: Okay, but if a man did that, how would you feel? Like,

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Speaker 3: imagine we're getting a each other and then you find

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Speaker 3: out that first week where I was saying all that

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Speaker 3: fly shit, you found out Mare was ghost.

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Speaker 1: Writing for me.

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Speaker 5: Ill Yeah, that's gross and your man ghost text. You

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Speaker 5: can't ghost text for your homie, like, don't do that.

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Speaker 5: Mom was like yo or no, surety, just hit me.

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Speaker 5: I'm like, hit it back?

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Speaker 1: What should I say?

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Speaker 4: What should I say?

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Speaker 2: She said? She asked me, what a mom? What should

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Speaker 2: I say?

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Speaker 1: All right?

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Speaker 4: So no, she started feeling what you're saying.

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Speaker 5: You're gonna let me hit if it's my bars if

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Speaker 5: I'm just saying, if it's my bars, right or wrong, Rory, no.

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Speaker 1: You owe me that help.

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Speaker 5: You'll get you off if if it's my bars that

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Speaker 5: got it going and she ready for you to pull up,

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Speaker 5: I'm just saying I should be able to pull up.

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Speaker 4: That's all.

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Speaker 5: I'm not mad at that, especially because I have homeboys

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Speaker 5: that if she was like, yo, just got out the

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Speaker 5: shower and I passed my phone, they'll type without me

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Speaker 5: question mark like awful ship Like that without me is funny. Yes,

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Speaker 5: I took a shower without.

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Speaker 2: People still get that off. Don't get it off like

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Speaker 2: it works like in a sarcastic way, right, I mean

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Speaker 2: like they still say that it don't work, like it

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Speaker 2: ain't working like you might not ever hear from again.

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Speaker 3: If you said no, but I'm saying they say in

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Speaker 3: a sarcastic way, making fun of people, that people.

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Speaker 2: Are still saying without me, and they saying it multiple times.

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Speaker 2: It ain't just a shower, it's I just went to

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Speaker 2: dinner without me everything, yes, without you, stop texting my phone.

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Speaker 5: Well, that's just being funny, though, if they know theyre

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Speaker 5: being serious, they're being serious about me. Going to dinner

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Speaker 5: without me is crazy without me?

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Speaker 1: You ate without me, it's insane.

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Speaker 4: I was just I just got off work without me.

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Speaker 5: Nah.

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Speaker 1: Yeah, I didn't take you to work with me though,

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Speaker 1: I just without me.

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Speaker 4: Yeah.

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Speaker 3: A huge attribute I like is sharp and sarcastic girls.

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Speaker 3: It would crush me a little bit to find out

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Speaker 3: that her homegirl was the funny one the whole time, Like,

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Speaker 3: that's what's texting I would feel like.

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Speaker 5: And if I found that out, I feel like me

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Speaker 5: and your homegirl got more in common. Those are her bars,

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Speaker 5: Those are her bars that I was I was digging

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Speaker 5: if you if everything you texted me was your homegirl,

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Speaker 5: like her personality, her wordplay. I like her album. I

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Speaker 5: want to play her album. I don't want to hear

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Speaker 5: your album. Play her album, give me, give me her music.

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Speaker 1: That's what I'm like. I like her.

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Speaker 5: I'm going on her show. What time she go on stage.

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Speaker 5: I don't want to see you no more. And don't

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Speaker 5: let it look better than you. Don't let her be

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Speaker 5: cute to you. We just having real talk. Baby girl

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Speaker 5: is cute to you and her balls is dope. Why

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Speaker 5: am I talking to you?

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Speaker 3: But this is what separates men and women. Uh what

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Speaker 3: if she's way uglier than the girl? I think I'll

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Speaker 3: just go with the physical approach and the boring personality.

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Speaker 5: Yeah, sure, understand if she looks worse than you know,

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Speaker 5: we still we still riding with you. I take the

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Speaker 5: literatey just just giving publishing.

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Speaker 1: You're the one that don't know how to write.

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Speaker 4: You'll give me.

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Speaker 5: She's cute, she got a fatty, and we're back. She

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Speaker 5: talked about Boostmoe Unlimited.

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Speaker 1: Don't know how to write.

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Speaker 2: I'm literally speechless. That really happened. I cannot believe y'all.

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Speaker 1: We're joking around. I'm not.

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Speaker 5: I'm gonna start saying that when you see it, we're joking. No,

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Speaker 5: you're joking.

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Speaker 1: You cut it.

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Speaker 5: Everyone in this room has slept with somebody that a

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Speaker 5: boring personality, but was attracted.

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Speaker 1: But you're not one. You're not wifing somebody with a

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Speaker 1: boring personality.

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Speaker 5: Nah, I can't do that. Boring personality, can't do that.

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Speaker 5: Or if our wife you got a boring personality, nine

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Speaker 5: times out of ten, I'm cheating. So I'm just saying,

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Speaker 5: peop want to talk about that. People be like, she's like,

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Speaker 5: what does she have on me?

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Speaker 1: Baby?

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Speaker 2: She's like, I look way better than her. Yeah, but

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Speaker 2: you're boring, she laughed at out his draws. Yeah, I'm

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Speaker 2: just saying.

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Speaker 1: She makes me feel good.

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Speaker 5: Nothing like a pretty funny girl. That's the best. And

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Speaker 5: the ones that watch what you watch like the same shows.

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Speaker 5: They do the same type of shit.

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Speaker 2: The what the pretty funny girls be into that you

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Speaker 2: be watching them?

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Speaker 5: Curb if it's a cute, great to watch Curb. I'm

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Speaker 5: never leaving you. I'm never leaving you. I'm not leaving

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Speaker 5: your home. I'm never leaving here.

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Speaker 3: Maybe we should copyright this. Why don't like the dating

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Speaker 3: apps have more like filter options? Like why can't I click?

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Speaker 3: Like curbs should be something I should put on my

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Speaker 3: tab and I get all the girls that also clicked

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Speaker 3: Curb to me that would be an easier way to

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Speaker 3: find somebody that you like and have the same interest

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Speaker 3: is aside from just swiping right to titties on the phone. Yeah, Like,

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Speaker 3: I want to know where all the chicks that like

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Speaker 3: curb in New York City.

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Speaker 2: Are, and I should be able to like select all

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Speaker 2: the men who like The Office and get them out

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Speaker 2: my algorithm.

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Speaker 1: I think that's fair too, get them all the things

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Speaker 1: that you dislike.

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Speaker 4: You don't like the.

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Speaker 1: Office, She's crazy? But what what's your favorite show?

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Speaker 2: I don't I'm not a big a big fan of

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Speaker 2: comedy shows. I'm more of a drama person. But I

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Speaker 2: also just don't think The Office is funny.

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Speaker 4: Okay, so what's your favorite show?

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Speaker 2: My favorite show is Graized Anatomy all right, P Eric Dang.

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Speaker 5: All right, p Eric Day, all right, patrise O'Neil for

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Speaker 5: the Office, Like, if we're just gonna go down this

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Speaker 5: this rabbit.

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Speaker 4: Hole, are people Neil another legend?

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Speaker 2: Legend?

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Speaker 1: Not like in a show that has Steve Carell and

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Speaker 1: Patrisea O'Neil in it. It's kind of nuts to me.

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Speaker 1: The Officer's classic, baby.

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Speaker 2: That's what I admit that it's a classic. It's just

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Speaker 2: not for me.

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Speaker 5: I respect that because we're gonna get into some music

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Speaker 5: that might be classic, but it just.

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Speaker 1: We're just gonna get into this and I held it.

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Speaker 1: I'm back, peege. What's up? Baby? You good?

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Speaker 6: I think?

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Speaker 1: Why did it make your pee good? We covered the

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Speaker 1: Monday topics, but we did leave.

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Speaker 4: One topics down real quick. What did you What did

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Speaker 4: y'all talk about?

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Speaker 1: What you didn't listen to the episode? Baby D?

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Speaker 4: What did you talk about Monday?

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Speaker 2: Rory was really talking to me about a lot of rap.

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Speaker 2: I really was.

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Speaker 1: Yeah, we did a lot of the on the radar

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Speaker 1: cipher stuffs.

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Speaker 4: To see that's to see, Baby D. When not when

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Speaker 4: you leave Malone with women? That's what he did.

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Speaker 2: She starts talking about rap.

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Speaker 1: I know you can't do that the baby. She don't

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Speaker 1: want to talk about rapp like that.

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Speaker 5: I mean, that's all that was on the docket about.

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Speaker 5: Did you delete all the stuff from No? I don't

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Speaker 5: know how it is gone though, but I didn't delete it.

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Speaker 4: Just allR don't worry about it.

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Speaker 2: Yeah. We talked about Simba calling the game his big

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Speaker 2: homie even though the game tried to fuck his baby mom.

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Speaker 4: Wait what wait?

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Speaker 1: Did I have Wi Fi in Virginia.

295
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Speaker 4: Game tried to do what he tried to.

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Speaker 3: Symbol was on all the Smoke or Up and Smoke

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Speaker 3: My Bad their podcast and was saying that Game slid

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Speaker 3: into his baby mother's DMS and Games they're very close,

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Speaker 3: they've worked together a bunch of times, that they are

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00:10:50,600 --> 00:10:54,200
Speaker 3: close collaborators. Then he went on his own stream to

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Speaker 3: clear up that when he was in his whole phase,

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00:10:56,600 --> 00:10:58,680
Speaker 3: every time he would come to the studio, he would

303
00:10:58,720 --> 00:11:01,920
Speaker 3: bring another girl and be like, yo, Games, my queen,

304
00:11:02,200 --> 00:11:04,160
Speaker 3: it's my girl. And Games started to be like, bro,

305
00:11:04,280 --> 00:11:06,000
Speaker 3: none of these chicks are. You bring a new girl

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00:11:06,040 --> 00:11:08,520
Speaker 3: in here and say it's your girlfriend every time. So

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00:11:08,559 --> 00:11:10,360
Speaker 3: he brought his baby mother in there who he's with

308
00:11:11,200 --> 00:11:14,400
Speaker 3: and said the same thing. So Game assumed, just off

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00:11:14,440 --> 00:11:15,760
Speaker 3: the pattern that was not his girl.

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00:11:16,679 --> 00:11:20,520
Speaker 2: But Number said he posted her, He posted her, He

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00:11:20,559 --> 00:11:23,000
Speaker 2: posted her. In the moment he posted her, Game went

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00:11:23,040 --> 00:11:25,160
Speaker 2: and followed her. He didn't post the other ones. He

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00:11:25,240 --> 00:11:26,800
Speaker 2: posted her, and then Game went followed her.

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Speaker 5: It's nasty, it's nasty, nasty, but that's Game like nah nah,

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Speaker 5: no a big home.

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00:11:33,720 --> 00:11:34,559
Speaker 4: That ain't your big home.

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00:11:34,679 --> 00:11:36,160
Speaker 1: No, it's definitely not your big hom Nah.

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Speaker 5: That's nasty following your girl. As soon as y'all I

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00:11:39,840 --> 00:11:45,839
Speaker 5: post her, he followed her and DMDA Yeah, h Game,

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00:11:46,240 --> 00:11:50,480
Speaker 5: that's nasty, so nasty. That's nasty, yo. That is so

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00:11:50,720 --> 00:11:53,880
Speaker 5: fucking crazy to do. You know, Nah, y'all don't understand

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00:11:53,920 --> 00:11:56,600
Speaker 5: how crazy how much time to spend on that topic.

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Speaker 3: A good amount because Damaris went on and said that

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Speaker 3: she's my big home, and I said, that makes sense

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00:12:01,640 --> 00:12:03,920
Speaker 3: because you and Maul have moved, just like Game with

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Speaker 3: me before.

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Speaker 2: He bought up the situation with the wine with my

328
00:12:08,640 --> 00:12:10,520
Speaker 2: birthday dinner. You know him.

329
00:12:11,080 --> 00:12:13,440
Speaker 5: I showed him the Epstein files. I gave him the file.

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Speaker 5: I'm not in there doing no crazy shit like, but why.

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Speaker 1: Is he still on that? Maybe Game just wanted to

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00:12:18,840 --> 00:12:19,319
Speaker 1: DMR and.

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00:12:19,240 --> 00:12:22,920
Speaker 4: Say, that's crazy man, that's wild as fuck.

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00:12:23,040 --> 00:12:27,000
Speaker 1: You not as much she. That's Jason Demeris.

335
00:12:27,040 --> 00:12:28,880
Speaker 2: We talked about it already, but yees small, that's what

336
00:12:28,920 --> 00:12:31,120
Speaker 2: we talked about. So I wish you were here for

337
00:12:31,120 --> 00:12:32,520
Speaker 2: that conversation because I know you would have been on

338
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Speaker 2: my side.

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00:12:33,800 --> 00:12:36,520
Speaker 5: No game as wild for that, that's crazy wild. But

340
00:12:36,640 --> 00:12:40,920
Speaker 5: I so simba like because you can't just laugh that off.

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00:12:41,120 --> 00:12:42,040
Speaker 5: That ain't an lo o l.

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00:12:42,320 --> 00:12:44,040
Speaker 2: He said he called game and was like, nah, bro,

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00:12:44,120 --> 00:12:45,559
Speaker 2: it's really like my girl and games.

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Speaker 1: Oh word, my bad.

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00:12:48,720 --> 00:12:48,920
Speaker 4: Wait.

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00:12:48,960 --> 00:12:51,360
Speaker 5: But then he introduced her like that, like when he

347
00:12:51,360 --> 00:12:52,880
Speaker 5: brought it to the studio, it's my baby mom.

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00:12:52,960 --> 00:12:54,199
Speaker 1: But were talking about his baby mother.

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00:12:54,360 --> 00:12:55,400
Speaker 2: She I don't think she was a baby.

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00:12:55,559 --> 00:12:56,480
Speaker 1: I don't know she was his big mother.

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00:12:56,559 --> 00:12:59,120
Speaker 2: But he posted her, he posted her, he.

352
00:12:59,080 --> 00:12:59,960
Speaker 1: Did the girlfriend reveal.

353
00:13:00,640 --> 00:13:02,080
Speaker 2: Yeah.

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00:13:03,559 --> 00:13:05,640
Speaker 1: I think if he posted that's like, Yo, it's that

355
00:13:05,920 --> 00:13:07,240
Speaker 1: that's yo, this is my lady.

356
00:13:07,320 --> 00:13:10,079
Speaker 3: I think it's nasty without the posting like what you're

357
00:13:10,080 --> 00:13:11,040
Speaker 3: talking about in detail.

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00:13:11,320 --> 00:13:12,280
Speaker 4: No, you can't say that.

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00:13:12,360 --> 00:13:14,800
Speaker 5: You can't say that it's nasty if a dude posts

360
00:13:14,800 --> 00:13:17,000
Speaker 5: a girl on his page like yo, this is why

361
00:13:17,040 --> 00:13:18,599
Speaker 5: you feel with a happy birthday to my queen. I

362
00:13:18,640 --> 00:13:20,880
Speaker 5: don't know what the caption was when Simple posted her,

363
00:13:20,880 --> 00:13:23,120
Speaker 5: but it would be clear that that's his the girl,

364
00:13:23,120 --> 00:13:23,760
Speaker 5: the lady he's with.

365
00:13:23,840 --> 00:13:25,920
Speaker 4: That's his woman, right, I'm assuming that.

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00:13:25,880 --> 00:13:27,440
Speaker 1: I'm saying I think it's nasty either.

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00:13:27,480 --> 00:13:29,959
Speaker 3: If I brought a girl in here and one of

368
00:13:30,040 --> 00:13:33,400
Speaker 3: y'all dm her, I would find that nasty. So I

369
00:13:33,440 --> 00:13:36,160
Speaker 3: don't if she was without me, if she wasn't your girl. Yeah,

370
00:13:36,440 --> 00:13:38,480
Speaker 3: she's not my girl. Yeah, we've had these types of

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00:13:38,840 --> 00:13:41,439
Speaker 3: I think that's weird. I don't want to sleep with

372
00:13:41,520 --> 00:13:42,839
Speaker 3: any of the people that just got a girl that

373
00:13:42,920 --> 00:13:46,200
Speaker 3: might be hunting season if it's not your guess, a

374
00:13:46,200 --> 00:13:46,760
Speaker 3: rental card.

375
00:13:47,400 --> 00:13:50,520
Speaker 5: Oh my god, you agreed with me a million times

376
00:13:50,559 --> 00:13:54,240
Speaker 5: that we just even though it's not foul, just I

377
00:13:54,240 --> 00:13:56,120
Speaker 5: don't want to sleep with the same women my friends

378
00:13:56,240 --> 00:13:56,800
Speaker 5: sleep with that.

379
00:13:57,040 --> 00:13:58,600
Speaker 1: You're right while you're currently with her.

380
00:13:58,679 --> 00:14:00,719
Speaker 5: Nah, I'm not doing that that if I know you

381
00:14:00,840 --> 00:14:02,960
Speaker 5: currently like dating her, smashing, but I know that ain't

382
00:14:02,960 --> 00:14:03,240
Speaker 5: your girl.

383
00:14:03,320 --> 00:14:05,520
Speaker 4: Just having fun with it. Oh no, that's you. That's

384
00:14:05,559 --> 00:14:06,040
Speaker 4: your ball.

385
00:14:06,400 --> 00:14:08,640
Speaker 5: But if you throw that ball over the fence and

386
00:14:08,679 --> 00:14:10,480
Speaker 5: I just happen to be jogging in the same part,

387
00:14:10,480 --> 00:14:11,160
Speaker 5: if you roof it.

388
00:14:11,440 --> 00:14:13,120
Speaker 1: You roofed that ball. I just happened to go.

389
00:14:13,280 --> 00:14:14,760
Speaker 5: I have access to that roof, and I go to

390
00:14:15,240 --> 00:14:18,319
Speaker 5: a nice ball. I'm not gonna bounce the ball like

391
00:14:18,320 --> 00:14:20,280
Speaker 5: I'm gonna dribble the ball like you see a basketball

392
00:14:20,320 --> 00:14:21,320
Speaker 5: in the parks, just laying there.

393
00:14:21,320 --> 00:14:23,880
Speaker 1: You're gonna drible the ball. Yeah, But if it's a

394
00:14:23,920 --> 00:14:25,520
Speaker 1: pattern to me, that's odds. No.

395
00:14:25,600 --> 00:14:26,760
Speaker 4: If it's a pattern, yes.

396
00:14:26,640 --> 00:14:28,040
Speaker 1: Now, now, I want to ask, like you want to

397
00:14:28,040 --> 00:14:29,440
Speaker 1: fuck me or something? Why are you always glad?

398
00:14:30,120 --> 00:14:31,920
Speaker 5: That's what it always turned. That's why what game did

399
00:14:31,920 --> 00:14:33,920
Speaker 5: with you want to taste you wait?

400
00:14:34,360 --> 00:14:34,800
Speaker 4: Hold on?

401
00:14:36,680 --> 00:14:37,560
Speaker 1: Wants to hold on?

402
00:14:37,840 --> 00:14:39,200
Speaker 4: Hold on a second baby deal?

403
00:14:39,240 --> 00:14:39,520
Speaker 1: I don't.

404
00:14:39,880 --> 00:14:41,800
Speaker 4: I don't like that. Just don't even say that in

405
00:14:41,840 --> 00:14:45,160
Speaker 4: this atmosphere. Yeah he's nasty.

406
00:14:45,240 --> 00:14:47,560
Speaker 3: Well, yes, that that's what we discussed on on Monday,

407
00:14:48,000 --> 00:14:51,360
Speaker 3: amongst the on the radar freestyle rap ship. Yeah, it was.

408
00:14:51,400 --> 00:14:53,400
Speaker 3: It was dry. It was a dry pussy episode. I'll

409
00:14:53,400 --> 00:14:53,840
Speaker 3: tell you that much.

410
00:14:53,880 --> 00:14:54,280
Speaker 1: Are you scared?

411
00:14:54,400 --> 00:14:58,440
Speaker 3: You scared the women, But we did want to save

412
00:14:58,880 --> 00:15:01,400
Speaker 3: the baby Keeam could see album, yes, but when you

413
00:15:01,480 --> 00:15:02,640
Speaker 3: got back, we did not.

414
00:15:02,760 --> 00:15:03,360
Speaker 1: I was holding that.

415
00:15:03,520 --> 00:15:05,160
Speaker 5: I was hoping you saved that for me. Man, I

416
00:15:05,200 --> 00:15:07,040
Speaker 5: was hoping you saved that Roy. I was hoping because

417
00:15:07,040 --> 00:15:09,640
Speaker 5: you're my guy. You know you my guy, and I

418
00:15:09,680 --> 00:15:11,800
Speaker 5: asson why I wanted to because I knew you were

419
00:15:11,800 --> 00:15:14,080
Speaker 5: going to come in here and you and I could

420
00:15:14,160 --> 00:15:18,440
Speaker 5: both sit here and praise this baby team album Casino,

421
00:15:18,640 --> 00:15:20,920
Speaker 5: which I absolutely love and I love when we both

422
00:15:21,000 --> 00:15:27,280
Speaker 5: agree and praise hip hop together. Yes, so you say, okay,

423
00:15:27,280 --> 00:15:30,400
Speaker 5: baby dam my bubble right in my zone, the zone

424
00:15:30,440 --> 00:15:33,160
Speaker 5: that we own that has no replay value zone zone Zone.

425
00:15:33,200 --> 00:15:36,040
Speaker 5: I'm just saying, in my in my zone, the replay

426
00:15:36,120 --> 00:15:37,160
Speaker 5: value on that is very long.

427
00:15:37,240 --> 00:15:39,800
Speaker 2: So I'm going to ask you why. I'm gonna just why,

428
00:15:39,840 --> 00:15:43,200
Speaker 2: because they're gonna say that you're being biased because of whatever.

429
00:15:43,240 --> 00:15:44,800
Speaker 5: So I'm gonna ask you and biased because of what.

430
00:15:45,720 --> 00:15:48,320
Speaker 5: I'm going to ask you why why I can't just.

431
00:15:48,280 --> 00:15:51,120
Speaker 1: Not like an album, but why don't you get it?

432
00:15:51,640 --> 00:15:55,520
Speaker 3: And someone that knows you, I believe that you disliked

433
00:15:55,560 --> 00:15:57,920
Speaker 3: this album because you dislike it, not because of who

434
00:15:58,120 --> 00:15:59,600
Speaker 3: he's signed to affiliated with.

435
00:15:59,800 --> 00:16:03,280
Speaker 1: And at samily reunions, we'll be people just ship. I

436
00:16:03,280 --> 00:16:05,200
Speaker 1: don't even think that we welcome to the internet.

437
00:16:05,520 --> 00:16:07,440
Speaker 3: I know you don't dislike it because of that, but

438
00:16:07,600 --> 00:16:09,560
Speaker 3: the world is going to assume that that's why we

439
00:16:09,600 --> 00:16:12,160
Speaker 3: want to The production is good, it's great.

440
00:16:12,200 --> 00:16:14,800
Speaker 4: The production is good on the album. The bars don't

441
00:16:15,680 --> 00:16:16,440
Speaker 4: hold up well to them.

442
00:16:16,520 --> 00:16:19,480
Speaker 3: See that that's where I disagree. I think Kean coming

443
00:16:19,520 --> 00:16:21,040
Speaker 3: off give a review and I give him mind. Oh,

444
00:16:21,080 --> 00:16:22,000
Speaker 3: I thought we're having a discussion.

445
00:16:22,480 --> 00:16:23,320
Speaker 4: Not shut up, all right?

446
00:16:23,400 --> 00:16:25,360
Speaker 1: So he went to Virginia and got sad.

447
00:16:25,440 --> 00:16:28,520
Speaker 5: I know I'm just saying, so the productive, the production

448
00:16:28,680 --> 00:16:32,680
Speaker 5: is good. Definitely, production is good. The bars is it

449
00:16:32,760 --> 00:16:34,840
Speaker 5: is too It's too elementary for me. I don't like

450
00:16:34,880 --> 00:16:37,000
Speaker 5: his tonality. I don't like the way he says ship.

451
00:16:37,760 --> 00:16:41,160
Speaker 5: I can't hear I'm a cave man, boom boom?

452
00:16:41,200 --> 00:16:43,920
Speaker 1: What is that? I can't I can't replay that, you know,

453
00:16:44,120 --> 00:16:44,520
Speaker 1: New York.

454
00:16:44,640 --> 00:16:46,400
Speaker 5: I'm just saying I don't want to keep listening to

455
00:16:46,440 --> 00:16:49,000
Speaker 5: That's all I'm saying. I just that's just not for me.

456
00:16:49,120 --> 00:16:52,320
Speaker 5: The production, the production on some of the records is hard.

457
00:16:52,560 --> 00:16:54,200
Speaker 5: But then he come in and rapping and it's like,

458
00:16:55,560 --> 00:16:57,880
Speaker 5: I can't that. I just don't like the way he

459
00:16:58,160 --> 00:17:00,720
Speaker 5: says things like and I don't like he said I'm

460
00:17:00,720 --> 00:17:03,680
Speaker 5: a rich snigger that got a broken phone.

461
00:17:04,160 --> 00:17:09,080
Speaker 1: But when off the beat and just say that I'm

462
00:17:09,080 --> 00:17:12,639
Speaker 1: a rich out of the I'm like, bro, what are

463
00:17:12,640 --> 00:17:14,439
Speaker 1: we talking about here? And why are you saying it

464
00:17:14,480 --> 00:17:14,800
Speaker 1: like that?

465
00:17:14,920 --> 00:17:16,560
Speaker 5: It's so many cooler ways you could to say you're

466
00:17:16,560 --> 00:17:18,960
Speaker 5: a rich nigger to broke phone, because niggas have said

467
00:17:18,960 --> 00:17:19,359
Speaker 5: it before.

468
00:17:19,880 --> 00:17:21,719
Speaker 4: So it's not like you said you bro, you created

469
00:17:21,800 --> 00:17:23,080
Speaker 4: like fire.

470
00:17:22,800 --> 00:17:24,920
Speaker 5: When you said that, Like niggas have said that same

471
00:17:25,000 --> 00:17:26,000
Speaker 5: type of bar before.

472
00:17:26,320 --> 00:17:27,160
Speaker 1: But it sounds cool.

473
00:17:27,280 --> 00:17:29,800
Speaker 5: I just don't like the way he says ship like

474
00:17:29,840 --> 00:17:32,960
Speaker 5: the production cool, But like to me, this album ain't

475
00:17:33,000 --> 00:17:35,880
Speaker 5: better than a lot of albums that we just got.

476
00:17:36,640 --> 00:17:38,200
Speaker 5: And you were saying, he said, Roy said it. This

477
00:17:38,320 --> 00:17:39,840
Speaker 5: a lot of it was a lot of anticipation on

478
00:17:39,880 --> 00:17:42,159
Speaker 5: this project. He was saying he got it, he got it.

479
00:17:42,280 --> 00:17:44,240
Speaker 5: I don't think he did. I don't think this holds

480
00:17:44,320 --> 00:17:46,040
Speaker 5: up to some of the albums we got in the

481
00:17:46,080 --> 00:17:47,359
Speaker 5: last year and a half. I don't think this is

482
00:17:47,359 --> 00:17:49,240
Speaker 5: better than Jid's album. I don't think it's better than

483
00:17:49,280 --> 00:17:51,240
Speaker 5: Wild's album. I don't think it's better than Cohole's album.

484
00:17:51,400 --> 00:17:53,240
Speaker 5: I don't think it's better than Conway's album.

485
00:17:53,240 --> 00:17:53,919
Speaker 1: I don't think it's.

486
00:17:53,760 --> 00:17:54,920
Speaker 4: Better than a Chance to Rap his album.

487
00:17:54,960 --> 00:17:56,919
Speaker 2: Don't think it's fair to compare him to any of

488
00:17:56,960 --> 00:17:57,760
Speaker 2: those people.

489
00:17:59,320 --> 00:17:59,760
Speaker 1: His peers.

490
00:18:00,640 --> 00:18:03,040
Speaker 2: No, No, No, j I d is his peer. The

491
00:18:03,080 --> 00:18:06,000
Speaker 2: rest of them people are not his peers, while A J.

492
00:18:06,200 --> 00:18:09,280
Speaker 2: Cole are not his peery're definitely they're not his peoplecause older.

493
00:18:09,440 --> 00:18:10,160
Speaker 1: It is definitely his pirirs.

494
00:18:10,200 --> 00:18:12,680
Speaker 4: Though, Yeah, this Chance the rapper is peer.

495
00:18:12,960 --> 00:18:18,240
Speaker 5: Hey on No Champion's Game fifteen years like No Okay,

496
00:18:18,280 --> 00:18:20,040
Speaker 5: so y'all saying because he's been in the game longer,

497
00:18:20,119 --> 00:18:22,120
Speaker 5: all right, I'm just told my music just the type

498
00:18:22,119 --> 00:18:24,480
Speaker 5: of music, the quality music to replay, value into music.

499
00:18:24,520 --> 00:18:26,520
Speaker 5: I don't care about how old the nigga is, where

500
00:18:26,560 --> 00:18:28,600
Speaker 5: he was born, when he was born, I don't care

501
00:18:28,600 --> 00:18:31,679
Speaker 5: about that. The music, the listening experience. To me, this

502
00:18:31,960 --> 00:18:34,399
Speaker 5: music does not stand next to any of the other

503
00:18:34,520 --> 00:18:35,320
Speaker 5: music I just named.

504
00:18:35,359 --> 00:18:35,960
Speaker 1: It just doesn't.

505
00:18:36,600 --> 00:18:38,439
Speaker 4: I don't like the I don't like the raps, like

506
00:18:38,440 --> 00:18:38,879
Speaker 4: the product.

507
00:18:38,920 --> 00:18:41,119
Speaker 5: Like I said, the production is strong with some of

508
00:18:41,119 --> 00:18:43,520
Speaker 5: the on the records, but he just didn't live up

509
00:18:43,520 --> 00:18:47,280
Speaker 5: to the production. Like the production outperformed him eighty percent

510
00:18:47,280 --> 00:18:47,760
Speaker 5: of the album.

511
00:18:48,000 --> 00:18:51,320
Speaker 3: But okay, I know you're nitpicking on certain bars, which

512
00:18:51,359 --> 00:18:53,640
Speaker 3: I know you're just using as an example to say

513
00:18:53,680 --> 00:18:56,040
Speaker 3: overall his flow and how he says stuff, but like

514
00:18:56,119 --> 00:18:58,439
Speaker 3: you can't listen to I'm not a lyricist or Highway

515
00:18:58,480 --> 00:19:02,800
Speaker 3: ninety five Part two and like not see the lyrical

516
00:19:02,800 --> 00:19:06,720
Speaker 3: ability and the content and substance that is.

517
00:19:06,720 --> 00:19:08,520
Speaker 1: In all I'm not saying. I'm not saying I think.

518
00:19:08,320 --> 00:19:12,640
Speaker 3: He's improved as a rapper times ten since his last project.

519
00:19:12,720 --> 00:19:14,000
Speaker 1: I thought he was rapping on this ship.

520
00:19:14,680 --> 00:19:17,000
Speaker 4: Well, okay, that's shoot, we can listen, we can watch the.

521
00:19:16,920 --> 00:19:19,960
Speaker 5: Same way those those two specific records that were a

522
00:19:20,000 --> 00:19:21,200
Speaker 5: bit deeper to his story.

523
00:19:21,440 --> 00:19:23,520
Speaker 1: Cool, but he I don't But I'm not going back

524
00:19:23,520 --> 00:19:26,280
Speaker 1: to the storytelling rap. That's like very difficult.

525
00:19:26,280 --> 00:19:27,720
Speaker 3: I don't know a lot of rappers that could do

526
00:19:27,800 --> 00:19:29,720
Speaker 3: I'm not a lyricist or a Highway ninety five the

527
00:19:29,720 --> 00:19:31,720
Speaker 3: way he did it, especially on the production that he did.

528
00:19:32,880 --> 00:19:33,919
Speaker 1: Well, what do you mean you don't know a lot

529
00:19:33,920 --> 00:19:34,760
Speaker 1: of rappers that could do that?

530
00:19:35,520 --> 00:19:38,359
Speaker 5: His peer group, I don't know, because this is your

531
00:19:38,359 --> 00:19:40,520
Speaker 5: favorite word for the today pier who you bought peers up?

532
00:19:40,560 --> 00:19:40,840
Speaker 1: Baby?

533
00:19:40,920 --> 00:19:43,639
Speaker 5: Yeah? But who's his peers? Because y'all saying the niggas

534
00:19:43,640 --> 00:19:44,360
Speaker 5: I said, ain't his picks?

535
00:19:44,359 --> 00:19:45,119
Speaker 4: Who's his peers?

536
00:19:45,680 --> 00:19:49,840
Speaker 1: Uh? Jid thing one? All right, you can do exactly?

537
00:19:49,920 --> 00:19:52,359
Speaker 1: Ji can do that way better? Oh Jid? No, Jid

538
00:19:52,359 --> 00:19:55,439
Speaker 1: can so definitely rap rap. I think he would say

539
00:19:55,480 --> 00:19:59,159
Speaker 1: Jid could rapt th other peer who would fall in

540
00:19:59,160 --> 00:20:00,520
Speaker 1: that line. There's not There's not many.

541
00:20:00,680 --> 00:20:01,000
Speaker 4: He don't know.

542
00:20:01,080 --> 00:20:01,360
Speaker 6: He said.

543
00:20:01,400 --> 00:20:03,080
Speaker 2: We have that conversation all the time though, that there's

544
00:20:03,119 --> 00:20:06,879
Speaker 2: not many people in that bracket of rapping in his

545
00:20:06,960 --> 00:20:09,320
Speaker 2: age group. There's not many of them that wrap the

546
00:20:09,440 --> 00:20:10,320
Speaker 2: type of way that like.

547
00:20:10,359 --> 00:20:12,280
Speaker 3: I would say some of the people that were in

548
00:20:12,320 --> 00:20:15,840
Speaker 3: the on the radar cipher, but even them, I feel

549
00:20:15,840 --> 00:20:20,080
Speaker 3: like are a tier below, not tier below, just based

550
00:20:20,119 --> 00:20:21,720
Speaker 3: on when they came out. Because King's been out for

551
00:20:21,760 --> 00:20:25,080
Speaker 3: a little bit. I'm trying to think of that. When

552
00:20:25,200 --> 00:20:29,400
Speaker 3: was his last project, But twenty twenty one, I don't know. Yeah,

553
00:20:29,480 --> 00:20:31,560
Speaker 3: that that graduating class there isn't much.

554
00:20:32,200 --> 00:20:34,680
Speaker 5: So now this nigga graduated by itself, all right. So

555
00:20:34,720 --> 00:20:37,040
Speaker 5: when I'm having some people are homeschool. So what I'm

556
00:20:37,040 --> 00:20:39,639
Speaker 5: saying is the replay value and the music. To me,

557
00:20:40,920 --> 00:20:42,600
Speaker 5: nothing on this makes me want to go back and

558
00:20:42,680 --> 00:20:44,760
Speaker 5: keep listening to this album. And that's where we just

559
00:20:44,800 --> 00:20:47,280
Speaker 5: I'm cool. I can I can go back and listen

560
00:20:47,280 --> 00:20:49,080
Speaker 5: to some of the J Cole, I can go back

561
00:20:49,080 --> 00:20:51,080
Speaker 5: and listen to Jid, I can go back and listen

562
00:20:51,160 --> 00:20:52,879
Speaker 5: to Conway. I can go back and listen to Chance

563
00:20:53,359 --> 00:20:56,280
Speaker 5: like this, and just in the replay value, I'm not

564
00:20:56,280 --> 00:20:58,400
Speaker 5: saying baby King don't have skill. I'm not saying he's

565
00:20:58,440 --> 00:21:01,200
Speaker 5: not he doesn't have talent in that, I'm just saying,

566
00:21:01,200 --> 00:21:02,520
Speaker 5: when you give me the album. Say this is my

567
00:21:02,560 --> 00:21:05,640
Speaker 5: album and I listened to it. My reaction is, it's

568
00:21:05,680 --> 00:21:07,480
Speaker 5: not I don't nothing about this album.

569
00:21:07,840 --> 00:21:09,000
Speaker 4: I ain't gonna lie. I can't wait to get in

570
00:21:09,000 --> 00:21:09,879
Speaker 4: the whip and turn this on.

571
00:21:10,119 --> 00:21:11,040
Speaker 1: Oh see, that's where we.

572
00:21:11,400 --> 00:21:12,400
Speaker 2: It might not be feeled.

573
00:21:12,640 --> 00:21:13,920
Speaker 1: That's where we and that's fine.

574
00:21:14,359 --> 00:21:17,280
Speaker 5: That's I'm only speaking for my listening experience. Nothing on

575
00:21:17,320 --> 00:21:18,840
Speaker 5: this album helped me. So I'm like, Damn, I ain't

576
00:21:18,840 --> 00:21:20,080
Speaker 5: gonna lie. I can't wait to turn that.

577
00:21:20,640 --> 00:21:21,399
Speaker 1: I just don't know.

578
00:21:21,800 --> 00:21:23,480
Speaker 4: It doesn't it didn't. It doesn't live with me. This,

579
00:21:23,480 --> 00:21:24,520
Speaker 4: this music doesn't live with me.

580
00:21:24,640 --> 00:21:27,520
Speaker 3: I listened to this in the car and in headphones

581
00:21:27,600 --> 00:21:33,040
Speaker 3: on the trend no security, casino house money, sex appeal, uh, circus,

582
00:21:33,040 --> 00:21:35,440
Speaker 3: circus freestyle, all go crazy in the car.

583
00:21:35,960 --> 00:21:37,720
Speaker 1: Matter of fact, I think those those are those are

584
00:21:37,760 --> 00:21:38,520
Speaker 1: made for the car.

585
00:21:38,560 --> 00:21:40,480
Speaker 5: What's the bars that that got you? Replaying the music

586
00:21:40,480 --> 00:21:41,520
Speaker 5: that you're like, damn, ain't gonna lie.

587
00:21:41,520 --> 00:21:43,240
Speaker 3: Oh as far as far as the bars go, I

588
00:21:43,560 --> 00:21:45,919
Speaker 3: you know, I'm more of a content substance guy, So

589
00:21:46,080 --> 00:21:48,120
Speaker 3: bars wise I go to I'm not a lyricist.

590
00:21:48,320 --> 00:21:51,600
Speaker 1: Highway ninety five, No blame the what's the bar though?

591
00:21:51,640 --> 00:21:53,480
Speaker 4: That that got you Like damn, he got off.

592
00:21:54,480 --> 00:21:56,840
Speaker 3: I didn't write down my favorite boom. We've never even

593
00:21:56,840 --> 00:21:58,479
Speaker 3: done that for an album like gotcha.

594
00:21:59,640 --> 00:22:06,760
Speaker 1: That's okay, you've never done that, turn it off.

595
00:22:06,840 --> 00:22:08,280
Speaker 2: I'm not gonna. I'm not I'm not gonna let you

596
00:22:08,320 --> 00:22:10,080
Speaker 2: do that, because we do do that. When new music

597
00:22:10,119 --> 00:22:11,639
Speaker 2: comes out. One of the first things we do is

598
00:22:11,680 --> 00:22:14,520
Speaker 2: be like yo, when they say I felt.

599
00:22:14,320 --> 00:22:18,199
Speaker 1: That, I'm saying that I'm a cave man. Boohoo.

600
00:22:18,600 --> 00:22:21,960
Speaker 5: I didn't want to listen to that. Again, I'm being

601
00:22:21,960 --> 00:22:23,280
Speaker 5: dead shops. I did not want to listen to that.

602
00:22:23,320 --> 00:22:26,080
Speaker 5: I'm like when he said she got sex appeal because

603
00:22:26,080 --> 00:22:27,160
Speaker 5: she likes sex and pills.

604
00:22:27,880 --> 00:22:31,520
Speaker 1: I'm cool, all right, then let's I'm just saying.

605
00:22:31,520 --> 00:22:35,120
Speaker 3: I pull up every rapper's full discography and see if

606
00:22:35,119 --> 00:22:37,399
Speaker 3: there's worse things than she got sex appeal because she

607
00:22:37,480 --> 00:22:38,360
Speaker 3: likes sex and pills.

608
00:22:39,000 --> 00:22:41,200
Speaker 5: There's probably not wrong with that. That's not a bad

609
00:22:41,240 --> 00:22:46,080
Speaker 5: bar to you. To you, that's not a bad bar

610
00:22:46,200 --> 00:22:47,760
Speaker 5: like and that's fine you like you.

611
00:22:48,760 --> 00:22:50,600
Speaker 1: I'm not challenging if you liked worst bars in that,

612
00:22:50,960 --> 00:22:53,840
Speaker 1: I'm gonna I'm gonna stick to our rule today. But

613
00:22:53,920 --> 00:22:55,360
Speaker 1: I just want to admit that you.

614
00:22:55,440 --> 00:22:57,800
Speaker 5: Like worst bars, and to you it might be a

615
00:22:57,840 --> 00:22:58,399
Speaker 5: worst bar in that.

616
00:22:58,440 --> 00:23:00,000
Speaker 1: I'm just saying, it's plenty of worst bars. This is

617
00:23:00,320 --> 00:23:00,720
Speaker 1: I liked.

618
00:23:00,800 --> 00:23:03,080
Speaker 5: But why are you challenging my listening experience. I'm not

619
00:23:03,160 --> 00:23:05,399
Speaker 5: challenging yours. I'm just asking you what bars did you

620
00:23:05,560 --> 00:23:06,480
Speaker 5: like that made you want.

621
00:23:06,359 --> 00:23:09,160
Speaker 1: To keep it? In the entire lyrics story, the entire

622
00:23:09,240 --> 00:23:13,920
Speaker 1: Highway ninety five Part two story, like being those entire records. Okay,

623
00:23:13,960 --> 00:23:17,320
Speaker 1: so okay, so what team has to be fab I

624
00:23:17,320 --> 00:23:20,480
Speaker 1: have to find quotables in the for everything that he says.

625
00:23:20,880 --> 00:23:25,080
Speaker 5: No, nobody's saying that. You just said that. Nobody else, No, no.

626
00:23:25,119 --> 00:23:27,760
Speaker 1: Asking which bars not everything is a big l freestyle.

627
00:23:27,800 --> 00:23:28,840
Speaker 1: Nobody said it had to be.

628
00:23:29,000 --> 00:23:31,280
Speaker 5: I'm just saying, what part of the music made you

629
00:23:31,320 --> 00:23:32,720
Speaker 5: want to be like y'all can't wait to get in

630
00:23:32,800 --> 00:23:33,240
Speaker 5: the joint?

631
00:23:33,400 --> 00:23:37,600
Speaker 1: I turned I literally, we were called lyricists.

632
00:23:37,920 --> 00:23:40,520
Speaker 3: Those are those are the lyric records that I like.

633
00:23:40,520 --> 00:23:42,560
Speaker 3: But I said to get in the car. I'm playing casino,

634
00:23:42,960 --> 00:23:48,080
Speaker 3: I'm playing house money, I'm playing circus circus freestyle. Matter

635
00:23:48,080 --> 00:23:51,800
Speaker 3: of fact, the worst verse on this album is from

636
00:23:51,840 --> 00:23:52,480
Speaker 3: Kendrick Lamar.

637
00:23:56,520 --> 00:24:00,959
Speaker 1: Okay, if we being real, and I like hearing your

638
00:24:01,000 --> 00:24:01,719
Speaker 1: listening experience.

639
00:24:01,720 --> 00:24:03,399
Speaker 5: I'm not challenging here, bro, I'm just I just want

640
00:24:03,440 --> 00:24:05,280
Speaker 5: to know what you heard and what you felt when

641
00:24:05,280 --> 00:24:05,920
Speaker 5: you turned it off.

642
00:24:06,000 --> 00:24:08,800
Speaker 1: And that's not trying to go viral or some crazy

643
00:24:08,880 --> 00:24:10,679
Speaker 1: clip it, even though I know Peas just clipped it.

644
00:24:10,680 --> 00:24:12,160
Speaker 1: And make sure you clip this part too.

645
00:24:12,560 --> 00:24:15,880
Speaker 3: I'm saying in defense of King's lyricism on here, I

646
00:24:15,920 --> 00:24:18,720
Speaker 3: think his big cousin, who's one of the greatest rappers

647
00:24:18,720 --> 00:24:22,399
Speaker 3: of all time, had the worst verse on the album.

648
00:24:22,760 --> 00:24:23,159
Speaker 4: I don't know.

649
00:24:23,280 --> 00:24:24,840
Speaker 5: I'm not a cave man boo who was kind of

650
00:24:24,880 --> 00:24:30,160
Speaker 5: crazy boy. I'm just saying that bar is kind of crazy.

651
00:24:31,200 --> 00:24:33,639
Speaker 5: I caldn't believe he said that. I was like, all right,

652
00:24:33,640 --> 00:24:36,439
Speaker 5: they was in the studio just doing anything. These niggas

653
00:24:36,480 --> 00:24:38,639
Speaker 5: was in there having a jam boy like all fuck it,

654
00:24:38,720 --> 00:24:41,080
Speaker 5: let it fly. I would have been like, man, if

655
00:24:41,119 --> 00:24:43,439
Speaker 5: I'm the engineer, though, we can't do that. This production

656
00:24:43,560 --> 00:24:45,960
Speaker 5: is way too tough. Like what we're doing here. We're

657
00:24:45,960 --> 00:24:48,359
Speaker 5: saying that, Nah.

658
00:24:47,840 --> 00:24:50,479
Speaker 2: I enjoyed the album for what it was.

659
00:24:52,200 --> 00:24:53,520
Speaker 4: H what does that mean? For what it was?

660
00:24:53,760 --> 00:24:55,160
Speaker 2: I enjoyed it for what it was, so I can

661
00:24:55,200 --> 00:24:58,000
Speaker 2: acknowledge that I think that Baby Keeam has some talent,

662
00:24:58,080 --> 00:24:59,560
Speaker 2: but I agree with a lot of what you said

663
00:24:59,600 --> 00:25:01,840
Speaker 2: as far as the bars, I don't like the tonality

664
00:25:02,640 --> 00:25:05,720
Speaker 2: and the voices in that. I've said that about other rappers. True,

665
00:25:05,760 --> 00:25:08,480
Speaker 2: he's not the only one, so going along with that theme,

666
00:25:08,560 --> 00:25:10,560
Speaker 2: it's not for me. I can like you said, the

667
00:25:10,560 --> 00:25:12,919
Speaker 2: production was hard. I could acknowledge why this might be

668
00:25:12,960 --> 00:25:14,679
Speaker 2: for some people, and some people might really like it.

669
00:25:15,520 --> 00:25:18,080
Speaker 2: I don't think what he I don't think his rapping

670
00:25:18,160 --> 00:25:20,560
Speaker 2: on this album was the craziest rapping in the world.

671
00:25:20,560 --> 00:25:23,240
Speaker 2: But it wasn't bad at all. I can acknowledge his talent,

672
00:25:23,320 --> 00:25:25,840
Speaker 2: but I won't be going to revisit it that much.

673
00:25:25,880 --> 00:25:27,439
Speaker 2: There's a couple of songs on there that I like,

674
00:25:28,000 --> 00:25:30,280
Speaker 2: but it won't be something that I'll play. I'll repeat

675
00:25:30,720 --> 00:25:33,480
Speaker 2: and that's all I'm saying. The listening experience, like, I'm

676
00:25:33,480 --> 00:25:36,240
Speaker 2: not gonna cut this all.

677
00:25:36,320 --> 00:25:38,000
Speaker 5: I'm not gonna cut off while a album to listen

678
00:25:38,040 --> 00:25:41,200
Speaker 5: to Baby came Outum, I'm not gonna cut off chance

679
00:25:41,280 --> 00:25:42,439
Speaker 5: album to listen to Baby like?

680
00:25:42,480 --> 00:25:44,359
Speaker 4: Whose album I'm gonna like? Should?

681
00:25:44,400 --> 00:25:47,720
Speaker 5: I enjoyed The Alchemist Larry June in Currency more than this.

682
00:25:49,080 --> 00:25:51,760
Speaker 3: That's I mean, I wouldn't never argue if just to

683
00:25:51,320 --> 00:25:52,720
Speaker 3: listen to the music that I would.

684
00:25:52,760 --> 00:25:54,800
Speaker 5: Now, some people may feel like Keen rap better than

685
00:25:54,920 --> 00:25:57,600
Speaker 5: Currency and Larry June. I heard nigga say Larry June

686
00:25:57,640 --> 00:26:00,439
Speaker 5: sound like he leaving voicemails. Cool, that's right, But what

687
00:26:00,560 --> 00:26:02,320
Speaker 5: do no, no not listen because y' if y'all gonna

688
00:26:02,320 --> 00:26:05,119
Speaker 5: say that about Loarry? What do Kings sound like? If

689
00:26:05,240 --> 00:26:08,520
Speaker 5: y'all gonna say that about Larry June music, what does

690
00:26:08,600 --> 00:26:09,840
Speaker 5: baby King sound like?

691
00:26:10,040 --> 00:26:11,440
Speaker 1: I didn't say that, so I can't answer you.

692
00:26:11,640 --> 00:26:13,520
Speaker 5: I'm just saying I've seen shit on line. I seen

693
00:26:13,600 --> 00:26:16,520
Speaker 5: niggas say, yo, all this all right? But what does

694
00:26:16,600 --> 00:26:17,440
Speaker 5: theme sound like?

695
00:26:19,119 --> 00:26:19,239
Speaker 6: Uh?

696
00:26:19,640 --> 00:26:21,960
Speaker 2: Because I can't listen. Sounds like his older cousin. He

697
00:26:22,040 --> 00:26:24,920
Speaker 2: sounds very young too. He sounds like he has a

698
00:26:25,000 --> 00:26:25,880
Speaker 2: very young voice.

699
00:26:26,600 --> 00:26:27,520
Speaker 4: I just can't listen.

700
00:26:27,600 --> 00:26:27,919
Speaker 1: Again.

701
00:26:28,040 --> 00:26:31,040
Speaker 5: I recognize the talent level, I recognize the skill set

702
00:26:31,080 --> 00:26:34,119
Speaker 5: and King. I'm not saying he's not talented. I just

703
00:26:34,200 --> 00:26:36,679
Speaker 5: can't to read that music. I just I'm not going

704
00:26:36,720 --> 00:26:38,520
Speaker 5: to go back to that music. I just can't like.

705
00:26:38,640 --> 00:26:41,399
Speaker 5: I don't know what I'm gonna stop listening to to

706
00:26:41,520 --> 00:26:42,680
Speaker 5: play this album like.

707
00:26:43,040 --> 00:26:44,600
Speaker 3: I guess, I know, I hear you, and I would

708
00:26:44,600 --> 00:26:46,720
Speaker 3: never argue that point on your taste in what you

709
00:26:46,720 --> 00:26:49,359
Speaker 3: would want to listen to. I guess the expectations of

710
00:26:50,760 --> 00:26:53,200
Speaker 3: a lyricist when you're talking about people like Wale and

711
00:26:53,560 --> 00:26:56,080
Speaker 3: Chants the rapper, Like I never in my brain when

712
00:26:56,119 --> 00:26:59,879
Speaker 3: I put King as a lyricist to Chance and Walay,

713
00:27:00,400 --> 00:27:02,320
Speaker 3: like that's that's so unfair.

714
00:27:02,720 --> 00:27:05,240
Speaker 1: No, I'll get it, just like Kim. Even if the.

715
00:27:05,240 --> 00:27:07,439
Speaker 3: Last interview that Kendrick did, he was like King was

716
00:27:07,480 --> 00:27:09,680
Speaker 3: making amazing beats, Like we didn't even really want to

717
00:27:09,720 --> 00:27:12,040
Speaker 3: take him that seriously as a rapper. Everyone was rapping

718
00:27:12,280 --> 00:27:14,359
Speaker 3: and he ended up getting better at it. He was

719
00:27:14,359 --> 00:27:21,399
Speaker 3: a producer and songmaker before he ever started. And but

720
00:27:21,520 --> 00:27:23,920
Speaker 3: I think on this album he actually really stepped up

721
00:27:24,200 --> 00:27:26,760
Speaker 3: his lyrics in the songs that I mentioned, like I'm

722
00:27:26,760 --> 00:27:27,000
Speaker 3: not a.

723
00:27:26,960 --> 00:27:30,280
Speaker 4: Lyrics he got to step up a little more. I

724
00:27:30,280 --> 00:27:30,720
Speaker 4: think he got it.

725
00:27:30,760 --> 00:27:31,360
Speaker 1: I think his music.

726
00:27:31,400 --> 00:27:33,800
Speaker 4: I think the bars have to meet match to music

727
00:27:33,880 --> 00:27:34,480
Speaker 4: a little more.

728
00:27:34,960 --> 00:27:38,520
Speaker 3: I think they complimented the production very well. I wasn't

729
00:27:38,680 --> 00:27:41,480
Speaker 3: I wasn't looking for what Wialle or Chance.

730
00:27:41,280 --> 00:27:43,560
Speaker 1: Would have sounded on these beats. Neither was I.

731
00:27:43,560 --> 00:27:45,240
Speaker 5: I'm just saying, like, we only have so much time

732
00:27:45,280 --> 00:27:46,320
Speaker 5: in the day to listen to music.

733
00:27:46,560 --> 00:27:47,960
Speaker 1: It's it's thirty six minutes.

734
00:27:48,040 --> 00:27:48,920
Speaker 4: We get a lot of music.

735
00:27:49,200 --> 00:27:51,040
Speaker 5: I'm not taking thirty six minutes out of my day

736
00:27:51,080 --> 00:27:54,240
Speaker 5: to play this album again. I convention into a whole

737
00:27:54,280 --> 00:27:56,760
Speaker 5: bunch of other still got, we got R and B.

738
00:27:56,800 --> 00:28:01,199
Speaker 5: We still got dontalom would have listened to album is phenomenal.

739
00:28:02,200 --> 00:28:06,560
Speaker 3: We still got uh uh, we got Rocky, we got cold?

740
00:28:07,000 --> 00:28:08,320
Speaker 3: That Rocky album is still in rotation.

741
00:28:08,400 --> 00:28:10,560
Speaker 1: It's just a bunch of people like this, Where does

742
00:28:10,600 --> 00:28:13,160
Speaker 1: this go? Where do you? Where do you say? All right? Cool?

743
00:28:13,240 --> 00:28:14,400
Speaker 4: Now it's time to throw that chemo.

744
00:28:14,520 --> 00:28:16,439
Speaker 2: But there's some people who, and I'm not saying they

745
00:28:16,440 --> 00:28:19,440
Speaker 2: have bad music taste, there's some people who would throw

746
00:28:19,480 --> 00:28:21,880
Speaker 2: this album on and never throw on Asap Rocky.

747
00:28:22,040 --> 00:28:22,600
Speaker 1: That's the fact.

748
00:28:22,600 --> 00:28:24,880
Speaker 5: They wouldn't be a Those are people that I never

749
00:28:24,880 --> 00:28:25,959
Speaker 5: want to be in the same room with.

750
00:28:27,320 --> 00:28:28,760
Speaker 1: Well, to me, this keen album.

751
00:28:29,640 --> 00:28:33,679
Speaker 3: I enjoyed the Asap Rocky album far more, but I

752
00:28:33,680 --> 00:28:36,080
Speaker 3: would put this more in the asap category than I

753
00:28:36,080 --> 00:28:37,639
Speaker 3: would with a chance or while a album.

754
00:28:38,360 --> 00:28:41,080
Speaker 5: This is way closer to the ASAP album oait, Okay,

755
00:28:41,240 --> 00:28:43,760
Speaker 5: that makes sense way closer. I mean a SAP is

756
00:28:43,760 --> 00:28:46,480
Speaker 5: a SAP, so it's a different level. Does a SAB

757
00:28:46,640 --> 00:28:48,440
Speaker 5: how long? He's a SA rap? Better than King?

758
00:28:48,640 --> 00:28:50,160
Speaker 1: Yeah?

759
00:28:49,880 --> 00:28:53,600
Speaker 5: But what I'm saying so unfair though, because Rocky has

760
00:28:53,600 --> 00:28:55,760
Speaker 5: been here for twenty years here, I guess he's he's

761
00:28:55,760 --> 00:28:57,320
Speaker 5: ten years old than them, right, So where are we

762
00:28:57,360 --> 00:28:57,880
Speaker 5: putting Keen?

763
00:28:57,920 --> 00:28:58,120
Speaker 6: At?

764
00:28:58,560 --> 00:29:01,320
Speaker 5: Were not naming his Jed? We know Jed is rapping

765
00:29:02,400 --> 00:29:04,360
Speaker 5: doctor Doctor, Strange circles around.

766
00:29:04,080 --> 00:29:07,360
Speaker 1: This niggas, you're really funny today.

767
00:29:07,680 --> 00:29:09,440
Speaker 5: I'm just saying, like we've been honest, like we know,

768
00:29:09,560 --> 00:29:11,920
Speaker 5: we know Jed is on a whole nother thing, like

769
00:29:12,160 --> 00:29:14,320
Speaker 5: when it comes to balls and music, like he ain't

770
00:29:14,360 --> 00:29:15,600
Speaker 5: even you know what I'm saying.

771
00:29:15,640 --> 00:29:18,120
Speaker 1: So my thing is, where is where does he? Where

772
00:29:18,120 --> 00:29:20,160
Speaker 1: does Keen live in our in our lives? As far

773
00:29:20,200 --> 00:29:20,800
Speaker 1: as to.

774
00:29:20,840 --> 00:29:23,560
Speaker 3: Music, He's in that weird limbo where there's a lot

775
00:29:23,600 --> 00:29:26,760
Speaker 3: of talented rappers a little bit younger than him and

776
00:29:26,760 --> 00:29:30,240
Speaker 3: then a bunch older than him. Like he said he

777
00:29:30,280 --> 00:29:32,080
Speaker 3: graduated by himself. Yeah, he is kind of in a

778
00:29:32,080 --> 00:29:32,760
Speaker 3: weird class.

779
00:29:32,840 --> 00:29:35,719
Speaker 5: Okay, So my thing is there's so much music that

780
00:29:35,760 --> 00:29:38,840
Speaker 5: we have access to right you have to your music

781
00:29:38,880 --> 00:29:40,480
Speaker 5: has to be able to break through all of that

782
00:29:40,560 --> 00:29:41,440
Speaker 5: other great music.

783
00:29:41,960 --> 00:29:45,959
Speaker 1: Does this music? Does these bars break through that music? Uh?

784
00:29:46,040 --> 00:29:50,080
Speaker 1: I think so. Where you're saying music, I think it's

785
00:29:50,080 --> 00:29:51,840
Speaker 1: a musically it's a great album.

786
00:29:52,240 --> 00:29:53,920
Speaker 5: But I'm saying, who are you turning? Who are you

787
00:29:53,960 --> 00:29:57,160
Speaker 5: not listening to? To listen to Baby King's album as

788
00:29:57,240 --> 00:29:57,880
Speaker 5: from this year?

789
00:29:58,160 --> 00:30:00,600
Speaker 3: Yeah, I have I have enough time in the day

790
00:30:00,600 --> 00:30:04,760
Speaker 3: while I'm doing things to play more than one album.

791
00:30:04,800 --> 00:30:07,640
Speaker 4: I never all right, Okay, I respect you.

792
00:30:07,720 --> 00:30:10,040
Speaker 5: I respect your bubble, though I'm gonna respond, why are

793
00:30:10,040 --> 00:30:10,480
Speaker 5: you looking around?

794
00:30:10,560 --> 00:30:12,719
Speaker 1: Respect you? That was a cop out answer. I respect

795
00:30:12,760 --> 00:30:15,680
Speaker 1: your bubble. In your bubble if you got.

796
00:30:15,560 --> 00:30:18,680
Speaker 5: Room for baby keeam for the for the uh, I

797
00:30:18,760 --> 00:30:20,000
Speaker 5: definitely hit man boohoo.

798
00:30:20,600 --> 00:30:24,400
Speaker 1: Respect your bubble, no.

799
00:30:24,720 --> 00:30:24,960
Speaker 6: Maul.

800
00:30:25,080 --> 00:30:28,040
Speaker 3: Finally, you have the most powerful iPhone of all time.

801
00:30:28,080 --> 00:30:31,520
Speaker 3: It only took an entire year, and thank god, boost

802
00:30:31,520 --> 00:30:34,000
Speaker 3: Mobile is proving that you don't have to overpay for

803
00:30:34,160 --> 00:30:38,360
Speaker 3: great wireless unlocked savings with the twenty five dollars a

804
00:30:38,440 --> 00:30:43,840
Speaker 3: month Forever Unlimited plan. It's a permanent price with no contracts,

805
00:30:43,960 --> 00:30:47,120
Speaker 3: no price hikes. You keep your phone and your number

806
00:30:47,480 --> 00:30:50,640
Speaker 3: but you save up to six one hundred dollars a

807
00:30:50,720 --> 00:30:53,560
Speaker 3: year compared to the major carriers.

808
00:30:53,320 --> 00:30:55,720
Speaker 5: Listen Ory based on average annual single line payment of

809
00:30:55,760 --> 00:30:58,240
Speaker 5: AT and T verising and T Mobile customers compared to

810
00:30:58,240 --> 00:31:00,160
Speaker 5: twelve months on the Boost Mobile and Limited plan as

811
00:31:00,160 --> 00:31:02,719
Speaker 5: of January twenty twenty six. For four off of details,

812
00:31:02,800 --> 00:31:09,840
Speaker 5: visit boostmobile dot com.

813
00:31:10,000 --> 00:31:13,480
Speaker 3: Okay, they would say, we can't answer this question, and

814
00:31:13,480 --> 00:31:16,520
Speaker 3: this is a good segue because Spotify decided who the

815
00:31:16,600 --> 00:31:18,920
Speaker 3: next leaders of hip hop are. I guess we could

816
00:31:18,960 --> 00:31:23,280
Speaker 3: say that these are Keem's peers, even though I think

817
00:31:23,920 --> 00:31:28,480
Speaker 3: there's still some gaps there. But this list, yes, you

818
00:31:28,480 --> 00:31:30,360
Speaker 3: know what, I will say this, This is keems peers,

819
00:31:30,960 --> 00:31:35,400
Speaker 3: Baby Keem, Glorella, Doci, Central c Sexy, Red rod Wave,

820
00:31:35,960 --> 00:31:39,360
Speaker 3: Low Tech has been out for almost twelve years, and

821
00:31:39,520 --> 00:31:43,200
Speaker 3: Big X the plug Many Yeah, okay, this could be keenspeers.

822
00:31:43,240 --> 00:31:45,160
Speaker 3: And for those that don't know, we're talking about Spotify,

823
00:31:45,600 --> 00:31:49,040
Speaker 3: RapCaviar put up billboards and all these artists cities saying

824
00:31:49,080 --> 00:31:51,280
Speaker 3: hip hop needs new leaders. They put out this cryptic

825
00:31:51,720 --> 00:31:54,840
Speaker 3: trailer saying who's gonna be the next leader? This and that,

826
00:31:55,880 --> 00:31:57,840
Speaker 3: all for reasons we don't really know, they just told

827
00:31:57,880 --> 00:31:59,640
Speaker 3: us about a bunch of artists that we already know about.

828
00:32:01,120 --> 00:32:02,480
Speaker 1: So I'm not sure what they're trying to do with

829
00:32:02,480 --> 00:32:04,440
Speaker 1: this campaign. This is hip hop's new leaders.

830
00:32:04,440 --> 00:32:08,800
Speaker 5: According to Spotify, they're questioning, I don't see a question mark,

831
00:32:09,720 --> 00:32:14,000
Speaker 5: you know, literally, the billboards were hip hop needs.

832
00:32:13,800 --> 00:32:15,760
Speaker 1: A new leader's question markus?

833
00:32:15,880 --> 00:32:17,800
Speaker 4: Shit? Oh so these are the names that they're putting

834
00:32:17,800 --> 00:32:18,840
Speaker 4: in the conversation.

835
00:32:19,200 --> 00:32:22,240
Speaker 3: Yes, and they put billboards in each city for the

836
00:32:22,360 --> 00:32:24,880
Speaker 3: artists that they picked, like Aby Team. They put a

837
00:32:24,960 --> 00:32:28,960
Speaker 3: billboard in Vegas, Glirilla, Memphis, Dochi, Tampa, Central, Sleed, London

838
00:32:29,000 --> 00:32:29,320
Speaker 3: and so on.

839
00:32:29,480 --> 00:32:30,920
Speaker 4: Shout out to all of these artists for getting a

840
00:32:31,120 --> 00:32:34,080
Speaker 4: billboard in their cities. That's dope, that's fire. But now

841
00:32:35,600 --> 00:32:37,240
Speaker 4: hip hop needs new leaders.

842
00:32:38,040 --> 00:32:40,000
Speaker 1: They're not wrong, same conversation.

843
00:32:40,120 --> 00:32:42,840
Speaker 5: Hip does need new leaders, right. I guess if you

844
00:32:42,880 --> 00:32:46,200
Speaker 5: want to cool, that's a cool little slogan. I guess

845
00:32:46,360 --> 00:32:48,120
Speaker 5: made me want to go watch the trailer. I don't know,

846
00:32:48,480 --> 00:32:51,800
Speaker 5: sounds like a Batman movie. Got them needs a hero? Yeah,

847
00:32:52,000 --> 00:32:52,920
Speaker 5: hero that we don't.

848
00:32:52,720 --> 00:32:56,000
Speaker 1: Deserve, you know that course, shit, who's Harvey Den sexy rep?

849
00:32:57,880 --> 00:33:01,040
Speaker 5: But then when you start putting these people on hip

850
00:33:01,040 --> 00:33:03,280
Speaker 5: hop needs new leader conversation, Like, come on, bro, what

851
00:33:03,280 --> 00:33:05,960
Speaker 5: we're we talking about? I respect Sexy read No, I

852
00:33:06,040 --> 00:33:09,520
Speaker 5: respect all the hustle to grind. I respect Docie I respect.

853
00:33:09,160 --> 00:33:14,000
Speaker 1: But like, really, okay, tell me tell me.

854
00:33:15,760 --> 00:33:16,720
Speaker 2: Who don't you agree with?

855
00:33:17,120 --> 00:33:20,120
Speaker 1: Who should be in that list that isn't then.

856
00:33:22,800 --> 00:33:24,800
Speaker 3: If we're going off the graduating peer class that we

857
00:33:24,800 --> 00:33:29,400
Speaker 3: were just talking about, don't say Travis Scott, He's legacy.

858
00:33:31,240 --> 00:33:32,200
Speaker 4: Yeah. I don't know, man.

859
00:33:32,440 --> 00:33:33,480
Speaker 1: If this is the if this is.

860
00:33:33,440 --> 00:33:37,520
Speaker 5: The the bunch to pick from, were in a bad spot.

861
00:33:37,760 --> 00:33:39,720
Speaker 3: I would love for Jid to be in this conversation

862
00:33:39,880 --> 00:33:40,360
Speaker 3: for sure.

863
00:33:41,840 --> 00:33:43,160
Speaker 4: Yeah, but y'all say he's not a peer.

864
00:33:43,200 --> 00:33:45,440
Speaker 5: He's not. No, I think he's King's peer. We said that,

865
00:33:45,560 --> 00:33:49,160
Speaker 5: Oh so yeah, so the d I think should be

866
00:33:49,160 --> 00:33:51,960
Speaker 5: in there. Yeah, and he's just getting nominated for rap

867
00:33:52,280 --> 00:33:52,520
Speaker 5: the end?

868
00:33:52,720 --> 00:33:56,400
Speaker 2: Yeah, Jed And what what city is Jeff from? Again?

869
00:33:56,920 --> 00:33:58,320
Speaker 1: Herom Atlanta?

870
00:33:59,680 --> 00:34:02,320
Speaker 3: My thing is and out of it pains my heart

871
00:34:03,360 --> 00:34:04,720
Speaker 3: And there's no disrespect to Little Techer.

872
00:34:05,080 --> 00:34:08,680
Speaker 1: Please let me know if I'm wrong. Does a Little

873
00:34:08,719 --> 00:34:10,319
Speaker 1: Techer belong in this list?

874
00:34:11,960 --> 00:34:13,200
Speaker 4: That's who you went to, Little Checker.

875
00:34:13,400 --> 00:34:16,000
Speaker 3: Yeah, it's coming from Spotify and I'm not saying Little

876
00:34:16,040 --> 00:34:19,600
Speaker 3: Techer doesn't do billions of streams, but every single artist

877
00:34:19,600 --> 00:34:26,560
Speaker 3: on here has been extremely, extremely, extremely relevant for the

878
00:34:26,640 --> 00:34:28,160
Speaker 3: last few years.

879
00:34:29,360 --> 00:34:32,839
Speaker 5: Rod Wave, I can understand he thought he does Arenas. Yeah,

880
00:34:32,880 --> 00:34:37,719
Speaker 5: I can understand rod Wave, Bigues's the plug streams more

881
00:34:37,760 --> 00:34:39,919
Speaker 5: than fuck. I can understand Central Prince at this point.

882
00:34:42,239 --> 00:34:44,160
Speaker 2: So it's Sexy Red and Little Techer. You got the

883
00:34:44,160 --> 00:34:46,800
Speaker 2: problem with I have. I have no problem with Sexy

884
00:34:46,840 --> 00:34:47,680
Speaker 2: Red I was talking about.

885
00:34:47,840 --> 00:34:48,360
Speaker 1: I just don't know.

886
00:34:48,400 --> 00:34:51,040
Speaker 5: When you say hip hop, I just don't know if

887
00:34:51,120 --> 00:34:51,760
Speaker 5: they belong.

888
00:34:53,920 --> 00:34:54,399
Speaker 4: I don't know.

889
00:34:54,880 --> 00:34:56,480
Speaker 2: Are you one of the people that believe that there's

890
00:34:56,480 --> 00:34:57,919
Speaker 2: a difference between hip hop and rap.

891
00:34:58,640 --> 00:34:59,839
Speaker 4: No, rap is a part of hip hop.

892
00:35:00,040 --> 00:35:03,680
Speaker 5: Hip hop is hip hop is the whole, is the building,

893
00:35:03,760 --> 00:35:05,960
Speaker 5: the whole culture culture.

894
00:35:06,080 --> 00:35:07,439
Speaker 4: Rap is a part of hip hop.

895
00:35:12,719 --> 00:35:15,960
Speaker 5: Yeah, I don't know, man, I listen, man, I'm sure

896
00:35:15,960 --> 00:35:17,359
Speaker 5: all of these artists, I don't know what they do,

897
00:35:17,440 --> 00:35:18,880
Speaker 5: what they monthly listen to and all of that with

898
00:35:18,920 --> 00:35:20,799
Speaker 5: their numbers. I don't really care about numbers like that.

899
00:35:21,640 --> 00:35:23,840
Speaker 5: I'm just going off the music and how the music

900
00:35:24,120 --> 00:35:26,600
Speaker 5: sounds and the listening experience, and if I keep the

901
00:35:26,640 --> 00:35:28,920
Speaker 5: replay value in the music that's more so what I

902
00:35:28,960 --> 00:35:31,640
Speaker 5: go to. Just being honest, I don't listen to a

903
00:35:31,640 --> 00:35:33,399
Speaker 5: lot of these a lot of these artists like that.

904
00:35:34,800 --> 00:35:38,880
Speaker 5: I don't not when you have better artists dropping music.

905
00:35:39,400 --> 00:35:41,560
Speaker 5: I'm'm saying, I just I just yeah, But it's it's

906
00:35:41,600 --> 00:35:44,359
Speaker 5: coming from from Spotify. That like when we joke around,

907
00:35:44,400 --> 00:35:46,000
Speaker 5: like why do they even do the Billboard Awards, Like

908
00:35:46,040 --> 00:35:50,600
Speaker 5: we know, we know the results Spotify coming from Spotify,

909
00:35:50,640 --> 00:35:53,520
Speaker 5: I don't think this is a bad list, to.

910
00:35:53,480 --> 00:35:54,160
Speaker 1: Be quite honest.

911
00:35:54,840 --> 00:35:57,120
Speaker 3: They could probably make a case that it doesn't stream

912
00:35:57,280 --> 00:35:59,000
Speaker 3: the way all these people do, so he shouldn't be

913
00:35:59,719 --> 00:36:00,680
Speaker 3: in our Spotify list.

914
00:36:00,760 --> 00:36:03,720
Speaker 5: I just I just looked at Don Tolliver. They haven't

915
00:36:03,719 --> 00:36:05,719
Speaker 5: classwid as hip hop rap. He needs to be on

916
00:36:05,760 --> 00:36:06,120
Speaker 5: this list.

917
00:36:06,320 --> 00:36:08,359
Speaker 1: If rod Wave is on there, Don Tolliver, I'm not.

918
00:36:08,400 --> 00:36:10,440
Speaker 4: Don Tollivan needs to be on this list, Like what

919
00:36:10,480 --> 00:36:10,960
Speaker 4: are we doing?

920
00:36:11,640 --> 00:36:14,440
Speaker 1: That's the fair point. Don Tolliver's youall classifying name is

921
00:36:14,520 --> 00:36:16,400
Speaker 1: hip hop rap? Okay? Cool?

922
00:36:16,640 --> 00:36:18,160
Speaker 4: Hip hop needs new leaders cool.

923
00:36:18,560 --> 00:36:21,600
Speaker 5: Don Tolliver has a better album than any of these

924
00:36:21,640 --> 00:36:24,560
Speaker 5: artists that are up here right now. Currently, That Octane

925
00:36:24,600 --> 00:36:27,359
Speaker 5: album is better than anybody up here's album.

926
00:36:27,480 --> 00:36:30,160
Speaker 1: I'm sure this campaign was before the album came out,

927
00:36:30,360 --> 00:36:32,959
Speaker 1: but whatever it was, I agree with you, even Okay,

928
00:36:33,000 --> 00:36:34,640
Speaker 1: his last two albums, I agree with you.

929
00:36:35,160 --> 00:36:36,799
Speaker 3: If you put rod Wave there, then there's no reason

930
00:36:36,800 --> 00:36:37,799
Speaker 3: Don Tolliver shouldn't be there.

931
00:36:38,000 --> 00:36:39,640
Speaker 2: How much you advocate for Don Tolliver.

932
00:36:39,880 --> 00:36:43,440
Speaker 5: That Nigga is talented, Don Tolliver is fire, that Nigga

933
00:36:43,560 --> 00:36:48,800
Speaker 5: is He's insanely talented. Like I'm talking about live show albums,

934
00:36:48,800 --> 00:36:51,120
Speaker 5: the replay of value on his music, like all of

935
00:36:51,120 --> 00:36:53,319
Speaker 5: that ship. Like, I just don't if you're gonna make

936
00:36:53,320 --> 00:36:57,520
Speaker 5: a rap cavea hip hop THEEDS new leaders, Don Tolliver's

937
00:36:57,600 --> 00:37:01,040
Speaker 5: up there. He's he has better music than nine of

938
00:37:01,080 --> 00:37:01,399
Speaker 5: this list.

939
00:37:01,440 --> 00:37:03,160
Speaker 2: Right, So you guys are saying that Don Tolliver and

940
00:37:03,280 --> 00:37:04,560
Speaker 2: j I did I'm missing I'm this.

941
00:37:05,440 --> 00:37:05,600
Speaker 1: Yeah.

942
00:37:05,640 --> 00:37:07,319
Speaker 5: If we talk about hip hop needs new league John

943
00:37:07,360 --> 00:37:13,759
Speaker 5: Don Tolliver, I'm sure he does crazy numbers, stage show incredible. Yeah,

944
00:37:13,920 --> 00:37:15,400
Speaker 5: he's a new leader. If you and not look for

945
00:37:15,440 --> 00:37:18,240
Speaker 5: new leaders, Don Tolliver should be on this list. Okay,

946
00:37:19,320 --> 00:37:21,000
Speaker 5: I'm not obtained as one of the best albums of

947
00:37:21,000 --> 00:37:22,959
Speaker 5: the year so far without it that.

948
00:37:22,880 --> 00:37:28,320
Speaker 3: I'm not mad at that this cash Cobain maybe represent

949
00:37:28,400 --> 00:37:30,759
Speaker 3: New York a little bit better with the last few years.

950
00:37:30,760 --> 00:37:33,720
Speaker 2: I wouldn't. I wouldn't be surprised if Little Tech I had.

951
00:37:33,640 --> 00:37:34,840
Speaker 1: High higher streams.

952
00:37:35,080 --> 00:37:37,440
Speaker 3: Again, I'm I don't want to dispect Little Tech. I'm

953
00:37:37,480 --> 00:37:40,799
Speaker 3: just not I don't follow that much. Not familiar with

954
00:37:40,840 --> 00:37:43,640
Speaker 3: his game, I am, but he's been out forever.

955
00:37:43,800 --> 00:37:45,640
Speaker 5: Shit, I just started listening to Rod Wave. They sent

956
00:37:45,760 --> 00:37:48,919
Speaker 5: me his place a lot. But that's not what I'm saying.

957
00:37:48,960 --> 00:37:51,040
Speaker 5: If you had said if you were showing this list

958
00:37:51,120 --> 00:37:53,759
Speaker 5: last year, I would have been lost. I understand Rod

959
00:37:53,800 --> 00:37:55,920
Speaker 5: does arenas, he sells out shows.

960
00:37:55,960 --> 00:37:56,360
Speaker 1: I get that.

961
00:37:56,440 --> 00:37:58,800
Speaker 5: I know he has a huge following. I didn't just

962
00:37:58,840 --> 00:38:00,439
Speaker 5: didn't tap in me. But now I have to listen

963
00:38:00,520 --> 00:38:02,520
Speaker 5: to his music. It makes sense to me, Like, Okay,

964
00:38:02,520 --> 00:38:03,640
Speaker 5: I get it, understand.

965
00:38:03,320 --> 00:38:07,000
Speaker 1: It, but I mean even I get I get the

966
00:38:07,000 --> 00:38:10,040
Speaker 1: the campaign here, but like, what is the exact goal?

967
00:38:10,200 --> 00:38:14,600
Speaker 3: Is this more label driven with Spotify? That now we're

968
00:38:14,640 --> 00:38:18,960
Speaker 3: gonna start that conversation with these names specifically because there's

969
00:38:18,960 --> 00:38:21,000
Speaker 3: not anyone here that doesn't have a very big machine

970
00:38:21,040 --> 00:38:24,600
Speaker 3: behind them that also has stocked in Spotify. Like that's

971
00:38:24,640 --> 00:38:28,400
Speaker 3: where I'm not sure what the point of this campaign

972
00:38:28,440 --> 00:38:29,920
Speaker 3: was because I saw some people saying, Oh, there's going

973
00:38:29,960 --> 00:38:32,040
Speaker 3: to be a voting thing on Spotify where you could

974
00:38:32,080 --> 00:38:34,080
Speaker 3: vote who's going to be the new leader of hip hop?

975
00:38:34,239 --> 00:38:36,320
Speaker 3: But what does that really solve at the end of

976
00:38:36,360 --> 00:38:38,760
Speaker 3: the day.

977
00:38:38,800 --> 00:38:41,759
Speaker 2: It's well, I mean, it's marketing for Spotify, it's from

978
00:38:41,840 --> 00:38:44,280
Speaker 2: rap it's for Rap Caviar, which is the fucking playlist

979
00:38:44,320 --> 00:38:46,319
Speaker 2: of course, which they're going to send everybody to. Like

980
00:38:46,400 --> 00:38:48,280
Speaker 2: it's it's just Rap Caviar's budget.

981
00:38:49,120 --> 00:38:50,040
Speaker 1: I'm not bad at it.

982
00:38:49,920 --> 00:38:55,200
Speaker 3: It just feels like a lazy boardroom campaign. It just

983
00:38:55,239 --> 00:38:57,520
Speaker 3: doesn't feel that creative to me at all. That you're

984
00:38:57,600 --> 00:39:02,040
Speaker 3: just throwing the names that everyone knows up on a billboard.

985
00:39:01,560 --> 00:39:04,520
Speaker 2: But not every but not everybody knows the names. And

986
00:39:04,560 --> 00:39:07,440
Speaker 2: I think sometimes we speak from a place where we're

987
00:39:07,480 --> 00:39:10,279
Speaker 2: a hip hop podcast and we're very tapped into certain shit.

988
00:39:10,600 --> 00:39:13,280
Speaker 2: Artists can be big, but not everybody knows these people.

989
00:39:13,360 --> 00:39:16,440
Speaker 3: I mean Rap Cabaret you would say is the biggest

990
00:39:16,480 --> 00:39:17,880
Speaker 3: hip hop playlist in the world.

991
00:39:18,040 --> 00:39:20,239
Speaker 2: It would be, but it doesn't mean that everybody knows

992
00:39:20,239 --> 00:39:22,600
Speaker 2: these names. Hints the advertising for both the artists and

993
00:39:22,719 --> 00:39:23,240
Speaker 2: Rap Caviar.

994
00:39:24,440 --> 00:39:27,759
Speaker 3: Yeah, I mean listen we're talking about it. Complex that

995
00:39:27,800 --> 00:39:29,879
Speaker 3: put put up an article and actually picked a lot

996
00:39:29,880 --> 00:39:33,399
Speaker 3: of great tweets in reply to this entire campaign because

997
00:39:33,400 --> 00:39:36,520
Speaker 3: it did confuse a lot of people. My guys, the

998
00:39:36,760 --> 00:39:39,320
Speaker 3: founder of Audio Mac who's one of the best follows

999
00:39:39,360 --> 00:39:42,840
Speaker 3: on Twitter. So the old superstar era is over your Spotify.

1000
00:39:42,880 --> 00:39:46,480
Speaker 3: You should understand this. Our fragment and media landscape makes

1001
00:39:46,520 --> 00:39:52,839
Speaker 3: reaching the level of artists you mentioned impossible. Dan, I'm

1002
00:39:52,880 --> 00:39:54,879
Speaker 3: not even gonna try to pronounce your last name. This

1003
00:39:54,920 --> 00:39:57,680
Speaker 3: is Rap's NBA Face of the League debate. Similar dynamic.

1004
00:39:57,719 --> 00:40:00,640
Speaker 3: The two thousands and twenty tens stars are the biggest.

1005
00:40:00,640 --> 00:40:03,919
Speaker 3: It's not because of the talent. It's because how fragmented

1006
00:40:04,320 --> 00:40:07,719
Speaker 3: media is. No, it's the talent too, and that's where.

1007
00:40:09,040 --> 00:40:09,239
Speaker 1: They know.

1008
00:40:09,280 --> 00:40:12,920
Speaker 5: It's the talent. It's the talent. It's the talent, bro Like,

1009
00:40:12,920 --> 00:40:14,719
Speaker 5: we're not doing that. It's the talent. It's the lack

1010
00:40:14,760 --> 00:40:16,960
Speaker 5: of talent. The NBA is suffering right now because a

1011
00:40:17,000 --> 00:40:18,600
Speaker 5: lot of these niggas all they want to do is

1012
00:40:18,600 --> 00:40:22,239
Speaker 5: shoot threes and have kids. And it's the lack of talent.

1013
00:40:22,600 --> 00:40:24,640
Speaker 5: It's just the lack of talent. Let's be real, Like

1014
00:40:25,360 --> 00:40:26,919
Speaker 5: music is lack of talent right now?

1015
00:40:27,760 --> 00:40:30,759
Speaker 3: Oh, I mean I agree, and but I don't even

1016
00:40:30,840 --> 00:40:34,239
Speaker 3: understand because ze I respect his opinion so much. I

1017
00:40:34,280 --> 00:40:38,200
Speaker 3: don't know where this is really falling on media per se.

1018
00:40:40,000 --> 00:40:42,799
Speaker 3: Why would media be responsible for that when when on

1019
00:40:42,840 --> 00:40:47,720
Speaker 3: top of that, I consider rap caviar doing this almost media.

1020
00:40:48,640 --> 00:40:52,360
Speaker 3: It's advertising in media, you're putting a list together for

1021
00:40:52,440 --> 00:40:56,799
Speaker 3: people to talk about of young artists. So you don't

1022
00:40:56,800 --> 00:41:01,279
Speaker 3: blame this on media like I just ap just did. Like,

1023
00:41:02,040 --> 00:41:06,759
Speaker 3: I don't know where media falls on that. Maybe Spotify does,

1024
00:41:06,800 --> 00:41:10,800
Speaker 3: because playlisting is such a big part of how music

1025
00:41:10,880 --> 00:41:14,560
Speaker 3: is put in front of the average consumer. Media is

1026
00:41:14,600 --> 00:41:21,000
Speaker 3: not so much that anymore in all phases of media.

1027
00:41:21,160 --> 00:41:25,000
Speaker 2: So are they blaming us for not reporting on the

1028
00:41:25,440 --> 00:41:26,440
Speaker 2: people with real talent?

1029
00:41:27,640 --> 00:41:28,279
Speaker 1: Here's the thing.

1030
00:41:29,000 --> 00:41:33,600
Speaker 3: Before streaming, you add the blogs and iTunes, where the

1031
00:41:33,960 --> 00:41:37,080
Speaker 3: labels shunned the blogs until it was too late and

1032
00:41:37,120 --> 00:41:39,839
Speaker 3: they had to work with them. Media was doing its

1033
00:41:39,920 --> 00:41:44,239
Speaker 3: job for discovery. Then you guys created streaming because you

1034
00:41:44,280 --> 00:41:47,160
Speaker 3: guys wanted to control the discovery where media could no

1035
00:41:47,200 --> 00:41:50,400
Speaker 3: longer do that. Yes, some of us have some power

1036
00:41:50,960 --> 00:41:54,520
Speaker 3: to mention an artist and it will do okay for them,

1037
00:41:54,880 --> 00:41:57,480
Speaker 3: But even media has so many different pockets of fans

1038
00:41:57,680 --> 00:41:59,319
Speaker 3: that if we say we like somebody, it only goes

1039
00:41:59,320 --> 00:42:02,440
Speaker 3: to a certain group. If platforms way bigger than us

1040
00:42:02,480 --> 00:42:04,399
Speaker 3: say somebody's name, it only goes to a certain group.

1041
00:42:04,680 --> 00:42:07,759
Speaker 3: You guys are controlling the discovery. Now, what the fuck

1042
00:42:07,800 --> 00:42:08,799
Speaker 3: does media have to do with this?

1043
00:42:09,560 --> 00:42:10,560
Speaker 1: You guys change the game?

1044
00:42:11,440 --> 00:42:11,839
Speaker 4: Mm hmm.

1045
00:42:13,440 --> 00:42:15,359
Speaker 3: And these are people that are anti label that are

1046
00:42:15,360 --> 00:42:19,640
Speaker 3: saying this, which is why it's blowing my mind. You

1047
00:42:19,760 --> 00:42:23,080
Speaker 3: made it so discovery can only come from you, guys.

1048
00:42:23,120 --> 00:42:26,279
Speaker 3: You control discovery. Now you control the algorithms. There's no

1049
00:42:26,320 --> 00:42:30,360
Speaker 3: more SoundCloud, rabbit hole, there's no more fun blogs. Uh

1050
00:42:30,520 --> 00:42:32,799
Speaker 3: the ship that is even in the algorithms. What we

1051
00:42:32,920 --> 00:42:35,719
Speaker 3: do on media only goes to the bullshit when you

1052
00:42:35,760 --> 00:42:36,359
Speaker 3: throw it out there.

1053
00:42:39,120 --> 00:42:43,200
Speaker 5: Yeah, what false is this? This ain't no media. I

1054
00:42:43,200 --> 00:42:45,600
Speaker 5: don't care how fragniation is bigger than you no brain

1055
00:42:45,760 --> 00:42:48,000
Speaker 5: saying this. Ain't this ameme media. This is the lack

1056
00:42:48,040 --> 00:42:50,479
Speaker 5: of talent. And I get it. These are certain names

1057
00:42:50,480 --> 00:42:52,760
Speaker 5: and artists that I guess you know, have like words

1058
00:42:52,800 --> 00:42:54,279
Speaker 5: that has a machine behind them and they're trying to

1059
00:42:54,320 --> 00:42:55,399
Speaker 5: push I get that.

1060
00:42:56,040 --> 00:42:57,440
Speaker 1: But we've seen a lot.

1061
00:42:57,400 --> 00:42:59,480
Speaker 5: Of niggas that y'all thought was the new leaders. It

1062
00:42:59,600 --> 00:43:01,080
Speaker 5: was the new this and the new Dad and no

1063
00:43:01,160 --> 00:43:07,200
Speaker 5: da da and then tours get canceled. But that doesn't

1064
00:43:07,280 --> 00:43:09,600
Speaker 5: mean that's exactly what that means. Niggas ain't paying it

1065
00:43:09,600 --> 00:43:10,800
Speaker 5: comes to you. That means you ain't.

1066
00:43:10,640 --> 00:43:13,520
Speaker 2: Hot, but you can be talented and not be hot.

1067
00:43:14,000 --> 00:43:17,560
Speaker 5: That happens, true, true, you can be you can be hot,

1068
00:43:17,760 --> 00:43:20,120
Speaker 5: but you can be hot and not be talented. But

1069
00:43:20,800 --> 00:43:24,000
Speaker 5: niggas ain't paying it to come see you though. Niggas

1070
00:43:24,000 --> 00:43:26,640
Speaker 5: are stream some ship and then listen to it. That

1071
00:43:26,719 --> 00:43:30,680
Speaker 5: song was cool? Yeah, all right, cool yo. Pay this

1072
00:43:30,840 --> 00:43:33,359
Speaker 5: money and then get dressing and drive to the area. Nigga,

1073
00:43:33,400 --> 00:43:36,680
Speaker 5: I'm not doing all that. Live show is not dope.

1074
00:43:37,040 --> 00:43:39,560
Speaker 5: Not spending money to watch you walk back and forth

1075
00:43:39,600 --> 00:43:42,120
Speaker 5: on stage like, No, I'm not doing that. The music

1076
00:43:42,200 --> 00:43:43,080
Speaker 5: is not that dope.

1077
00:43:43,880 --> 00:43:45,440
Speaker 2: I'd like to see them do a list like this

1078
00:43:45,520 --> 00:43:47,920
Speaker 2: for R and B. I would be interested.

1079
00:43:48,280 --> 00:43:50,799
Speaker 4: Saying we know who the new leaders of R and

1080
00:43:50,800 --> 00:43:51,120
Speaker 4: B are.

1081
00:43:51,200 --> 00:43:52,279
Speaker 2: Who are the new leaders of R and B?

1082
00:43:52,360 --> 00:43:56,200
Speaker 5: In EU opinion, Maria scientists, Riot, the scientists, Maria the scientists.

1083
00:43:56,400 --> 00:43:59,880
Speaker 2: Funny Maul, who do you think are the new leaders.

1084
00:43:59,680 --> 00:44:06,759
Speaker 5: Leon Obviously, I feel like there's another album that just

1085
00:44:06,760 --> 00:44:15,760
Speaker 5: came out that was the Oh Brent okay, like Mariah.

1086
00:44:16,080 --> 00:44:18,600
Speaker 3: But if we're going off this timeframe, is Brent involved

1087
00:44:18,600 --> 00:44:20,000
Speaker 3: in that? And I mean to cut you off. I

1088
00:44:20,040 --> 00:44:21,880
Speaker 3: just don't know Brent in that timeline. Brent has been

1089
00:44:21,920 --> 00:44:26,040
Speaker 3: out since twenty how long has Little Check have been out?

1090
00:44:26,640 --> 00:44:27,920
Speaker 3: That's why he's the only one on that list that

1091
00:44:27,920 --> 00:44:29,439
Speaker 3: I feel like. I mean dot she had a bunch

1092
00:44:29,440 --> 00:44:33,040
Speaker 3: of mixtapes before, but she's now just just hit her stride.

1093
00:44:34,239 --> 00:44:37,040
Speaker 4: She's been out for years two though she's been releasing music.

1094
00:44:37,239 --> 00:44:41,080
Speaker 3: But I'm always fine with new artists when they released

1095
00:44:41,080 --> 00:44:43,720
Speaker 3: their first actual project and start to hit their stride.

1096
00:44:43,719 --> 00:44:46,279
Speaker 3: If they had thirty mixtapes and we never heard them,

1097
00:44:46,320 --> 00:44:48,360
Speaker 3: I don't consider them like, well, yo, they were in

1098
00:44:48,400 --> 00:44:51,600
Speaker 3: their mom's basement fifteen years ago making music, so they

1099
00:44:51,600 --> 00:44:53,279
Speaker 3: can't be I don't look at it that way. I

1100
00:44:53,280 --> 00:44:55,080
Speaker 3: look at it more when you start to catch your stride.

1101
00:44:56,880 --> 00:44:59,440
Speaker 1: I like Sailor love her. I think she's dope.

1102
00:45:00,120 --> 00:45:01,799
Speaker 2: You think Saylor would be a leader in R and B.

1103
00:45:03,160 --> 00:45:08,800
Speaker 5: H looking at this list, Yes, her album was crazy

1104
00:45:08,840 --> 00:45:11,680
Speaker 5: the last probably she just put out was fire okay,

1105
00:45:12,320 --> 00:45:15,920
Speaker 5: and she's on tour with Doosie. Yes, yes, yes, I

1106
00:45:15,920 --> 00:45:19,000
Speaker 5: would definitely put sale up here. Yes, why not?

1107
00:45:20,080 --> 00:45:23,479
Speaker 3: Let's argue, I mean, then does does Daniel Caesar fall?

1108
00:45:23,600 --> 00:45:25,399
Speaker 3: And this I just don't know the timeframe we're.

1109
00:45:25,320 --> 00:45:26,800
Speaker 2: Going with Daniel Caesar would not fall in?

1110
00:45:26,960 --> 00:45:31,000
Speaker 1: Okay? Uh? Yeah?

1111
00:45:31,120 --> 00:45:37,360
Speaker 2: Like yeah, your pa Mike Peach, So you could be

1112
00:45:37,400 --> 00:45:40,600
Speaker 2: ten years in and not be a leader like and

1113
00:45:40,640 --> 00:45:41,160
Speaker 2: become a leader.

1114
00:45:41,160 --> 00:45:47,000
Speaker 4: I'm sorry, So yeah, Sailor Leon Brent.

1115
00:45:48,480 --> 00:45:53,279
Speaker 2: Kaylanie Unfortunately, since I was in college, I know that.

1116
00:45:53,960 --> 00:45:57,799
Speaker 2: But I mean, according to a lot of people, they

1117
00:45:57,840 --> 00:46:00,400
Speaker 2: would say Kaylanie included, they would say that he's just

1118
00:46:00,440 --> 00:46:02,520
Speaker 2: now hitting her stride to the message.

1119
00:46:02,520 --> 00:46:03,640
Speaker 1: No, that's not the way I'm saying it.

1120
00:46:03,640 --> 00:46:05,960
Speaker 5: With Dochi where there was mixtapes that people had not heard,

1121
00:46:06,040 --> 00:46:07,759
Speaker 5: and then she was really introduced to the world.

1122
00:46:07,840 --> 00:46:08,920
Speaker 1: Kay Lonnie has had.

1123
00:46:09,320 --> 00:46:13,359
Speaker 3: Hit records, number one albums. Yeah, did folded put her

1124
00:46:13,840 --> 00:46:15,120
Speaker 3: in a crazy leader?

1125
00:46:15,120 --> 00:46:16,280
Speaker 4: Though new leader?

1126
00:46:16,480 --> 00:46:19,080
Speaker 5: Has she ever led rby No, she's never led R

1127
00:46:19,120 --> 00:46:22,560
Speaker 5: and B. So let's put it in LIS's there. Let's

1128
00:46:22,560 --> 00:46:24,400
Speaker 5: put it on the conversation of new leaders of R

1129
00:46:24,400 --> 00:46:24,560
Speaker 5: and B.

1130
00:46:25,680 --> 00:46:27,560
Speaker 1: Okay, Well, then I had. Then I changed the rap

1131
00:46:27,600 --> 00:46:29,560
Speaker 1: one drastically.

1132
00:46:30,000 --> 00:46:30,440
Speaker 6: Yeah.

1133
00:46:31,080 --> 00:46:32,880
Speaker 4: You keep trying to say, yo, what year he was born?

1134
00:46:34,000 --> 00:46:36,480
Speaker 1: No, I'm talking about when they came out, like, well,

1135
00:46:36,600 --> 00:46:37,319
Speaker 1: yeah he was born.

1136
00:46:37,400 --> 00:46:39,120
Speaker 5: Yeah, but that don't mean it was a leader though.

1137
00:46:40,320 --> 00:46:42,680
Speaker 5: Now did this dad make it consistent? Great music, assisting

1138
00:46:42,719 --> 00:46:46,200
Speaker 5: great songs. They're getting dope features like now they've becoming

1139
00:46:46,239 --> 00:46:49,000
Speaker 5: in that conversation of Okay, he's leading the pack or

1140
00:46:49,040 --> 00:46:49,839
Speaker 5: she's leading the pack.

1141
00:46:49,920 --> 00:46:53,000
Speaker 3: Now okay, So then is Freddy Gibbs not in the

1142
00:46:53,080 --> 00:46:53,880
Speaker 3: rap conversation ever?

1143
00:46:53,960 --> 00:46:55,120
Speaker 1: Going off that criteria.

1144
00:46:55,200 --> 00:46:56,120
Speaker 4: I'm not mad at that.

1145
00:46:56,360 --> 00:46:59,760
Speaker 1: But that's nuts to be gives has had records.

1146
00:46:59,360 --> 00:47:01,320
Speaker 5: Like of course, but was he ever considered one of

1147
00:47:01,360 --> 00:47:04,359
Speaker 5: the leaders of of rat of hip hop?

1148
00:47:06,000 --> 00:47:07,680
Speaker 1: It can get me? It can then? Then I then

1149
00:47:07,719 --> 00:47:10,120
Speaker 1: I don't even understand new Then I don't understand the

1150
00:47:10,120 --> 00:47:13,560
Speaker 1: campaign new leaders, new leaders? Who are the old leaders?

1151
00:47:14,520 --> 00:47:16,120
Speaker 4: N For years?

1152
00:47:16,320 --> 00:47:17,520
Speaker 1: All right, new leaders?

1153
00:47:18,040 --> 00:47:21,560
Speaker 3: The Clips have had hit records, great albums, but last

1154
00:47:21,600 --> 00:47:23,200
Speaker 3: year they led hip hop. I think it's the first

1155
00:47:23,200 --> 00:47:24,880
Speaker 3: time the Clips ever led hip hop, or the Clips

1156
00:47:24,880 --> 00:47:25,480
Speaker 3: to new leaders.

1157
00:47:25,560 --> 00:47:27,440
Speaker 2: That's not the first time the Clips, I mean, I

1158
00:47:27,480 --> 00:47:27,839
Speaker 2: guess the.

1159
00:47:27,760 --> 00:47:31,440
Speaker 3: First time the Clips have led hip hop. We're that

1160
00:47:31,480 --> 00:47:32,399
Speaker 3: we're far away from each other.

1161
00:47:32,480 --> 00:47:34,799
Speaker 2: Okay, it's fine. I can hear you.

1162
00:47:37,120 --> 00:47:38,080
Speaker 1: I can hear you.

1163
00:47:38,560 --> 00:47:41,000
Speaker 4: You know you got a mike like right like.

1164
00:47:41,080 --> 00:47:42,880
Speaker 2: He was yelling all episode.

1165
00:47:43,000 --> 00:47:44,080
Speaker 1: I don't know what's wrong with him.

1166
00:47:44,120 --> 00:47:46,200
Speaker 5: You know he gets whenever King dropped, bes how you

1167
00:47:46,200 --> 00:47:49,480
Speaker 5: start acting as soon as King drop he turned to

1168
00:47:49,560 --> 00:47:50,279
Speaker 5: a whole new dude.

1169
00:47:52,560 --> 00:47:53,839
Speaker 2: I do want to give a shout out to when

1170
00:47:53,840 --> 00:47:55,600
Speaker 2: it comes to R and B new leaders up and coming,

1171
00:47:55,600 --> 00:47:57,000
Speaker 2: I do want to give a shout out to Jay Don.

1172
00:47:57,160 --> 00:47:59,360
Speaker 2: He's a young boy. He can like. He's like. He

1173
00:47:59,480 --> 00:48:02,000
Speaker 2: makes the type of music that I would have liked

1174
00:48:02,000 --> 00:48:03,560
Speaker 2: back when I was in high school. He reminds me

1175
00:48:03,600 --> 00:48:05,720
Speaker 2: of like, you know, the old Chris Brown, the old

1176
00:48:06,920 --> 00:48:09,359
Speaker 2: that's the tall, yes, tall with the braves.

1177
00:48:10,000 --> 00:48:10,760
Speaker 4: That he danced.

1178
00:48:11,960 --> 00:48:15,000
Speaker 1: His music is good him to R and B Wimby.

1179
00:48:15,200 --> 00:48:15,719
Speaker 1: I like him.

1180
00:48:15,719 --> 00:48:19,200
Speaker 5: He's like R and B Winbyama, Look what you call people?

1181
00:48:19,280 --> 00:48:21,040
Speaker 5: He too tall to be moving like that? Sit down.

1182
00:48:21,200 --> 00:48:23,040
Speaker 2: See that's not fair because j'all niggasn't say that about

1183
00:48:23,120 --> 00:48:23,520
Speaker 2: Chris Brown.

1184
00:48:23,520 --> 00:48:26,239
Speaker 5: Big ass Chris Brownie. You know how tall his kid is.

1185
00:48:26,760 --> 00:48:28,440
Speaker 5: He's way to now.

1186
00:48:28,440 --> 00:48:29,200
Speaker 2: I gotta look it up.

1187
00:48:29,560 --> 00:48:32,000
Speaker 3: Wait, nobody thinks Chris Brown and Wemby are close to

1188
00:48:32,040 --> 00:48:34,640
Speaker 3: each other, Like this dude is like six he likes

1189
00:48:34,640 --> 00:48:38,799
Speaker 3: six six. While you look that up, someone else did

1190
00:48:38,880 --> 00:48:40,239
Speaker 3: bring up a good point. Since we're back to the

1191
00:48:40,280 --> 00:48:43,279
Speaker 3: rap part of this, a lot of the next up

1192
00:48:43,440 --> 00:48:48,399
Speaker 3: or new leaders died, Mac Miller, Tintasi Own Juice World,

1193
00:48:48,520 --> 00:48:51,640
Speaker 3: Nipsey Pop Smoke Takeoff was already part of one of

1194
00:48:51,680 --> 00:48:56,000
Speaker 3: the greatest hip hop groups of all time. This list

1195
00:48:56,080 --> 00:48:59,840
Speaker 3: right here. They were all on their way. They had

1196
00:48:59,840 --> 00:49:01,879
Speaker 3: the jectory of becoming the.

1197
00:49:01,840 --> 00:49:03,799
Speaker 4: Next day Wan Pace, Yeah.

1198
00:49:03,640 --> 00:49:06,279
Speaker 3: Max for Sure and ties On for Sure, Juice for Sure,

1199
00:49:06,560 --> 00:49:10,239
Speaker 3: Nipsey Pops for you. Like yeah, I thought that was

1200
00:49:10,600 --> 00:49:13,240
Speaker 3: a great and unfortunate point.

1201
00:49:13,480 --> 00:49:16,239
Speaker 2: Very true to circle back though. Jay Don is six'

1202
00:49:16,360 --> 00:49:18,719
Speaker 2: five mall you, RIGHT i know, Right i've.

1203
00:49:18,640 --> 00:49:22,239
Speaker 5: Seen some slacks on one day he starts. SPINNING i, Said,

1204
00:49:22,239 --> 00:49:23,760
Speaker 5: man this tall, nigga gota sit, Down.

1205
00:49:23,600 --> 00:49:24,279
Speaker 1: Man don't do.

1206
00:49:24,360 --> 00:49:26,680
Speaker 2: That he makes nice and he's.

1207
00:49:26,480 --> 00:49:29,040
Speaker 5: Talented but that's, like, bro you fam w how are

1208
00:49:29,040 --> 00:49:30,239
Speaker 5: you that tall and can dance like?

1209
00:49:30,280 --> 00:49:32,000
Speaker 4: That that shit just is.

1210
00:49:32,040 --> 00:49:33,920
Speaker 5: Crazy that's like if you go to the club and

1211
00:49:33,920 --> 00:49:35,680
Speaker 5: one of the fucking shooting golf in the. Knicks like

1212
00:49:35,680 --> 00:49:38,000
Speaker 5: If Josh hart just start daing sits you're tall as

1213
00:49:38,120 --> 00:49:41,239
Speaker 5: it's way too tall for, that. Bro you can't be

1214
00:49:41,280 --> 00:49:44,080
Speaker 5: in here knowing moves and having rhythm at six five six, six,

1215
00:49:44,200 --> 00:49:45,120
Speaker 5: like shit.

1216
00:49:45,000 --> 00:49:47,040
Speaker 2: Down he only four inches taller Than Chris.

1217
00:49:47,040 --> 00:49:49,600
Speaker 5: Brown, nigga you standing at six y five dude next

1218
00:49:49,640 --> 00:49:52,280
Speaker 5: to six one? Dude to see the, difference a huge

1219
00:49:52,280 --> 00:49:53,600
Speaker 5: difference without a.

1220
00:49:53,640 --> 00:49:55,080
Speaker 1: Doubt what.

1221
00:49:56,760 --> 00:49:58,600
Speaker 3: We would say that That Breakfast club is probably one

1222
00:49:58,880 --> 00:50:01,879
Speaker 3: of the bigger platforms existed in the last however many,

1223
00:50:01,920 --> 00:50:04,799
Speaker 3: years right and just in your own, brain think of

1224
00:50:04,800 --> 00:50:08,200
Speaker 3: the biggest. Platforms, ever if somebody does an interview with

1225
00:50:08,320 --> 00:50:11,360
Speaker 3: any of those, platforms do you think their streams go

1226
00:50:11,480 --> 00:50:15,640
Speaker 3: up the same way if they're placed on every single

1227
00:50:16,440 --> 00:50:19,920
Speaker 3: playlist in their genre and made the face of that.

1228
00:50:19,960 --> 00:50:24,359
Speaker 1: Playlist, no, No so please leave media. Alone, yeah we're.

1229
00:50:24,400 --> 00:50:28,799
Speaker 1: Fragmented please leave. Media fragmented. Media is there a bunch

1230
00:50:28,840 --> 00:50:29,879
Speaker 1: of bullshit media out? Here?

1231
00:50:29,920 --> 00:50:32,719
Speaker 3: Absolutely but how this is set? Up we don't make

1232
00:50:32,800 --> 00:50:36,160
Speaker 3: or break. Shit y'all took Over. DISCOVERY i don't want

1233
00:50:36,200 --> 00:50:36,640
Speaker 3: to get this shit.

1234
00:50:36,719 --> 00:50:38,400
Speaker 1: Again, ah this is WHAT i love.

1235
00:50:38,440 --> 00:50:40,759
Speaker 5: About see just sound LIKE i love music conversations because

1236
00:50:40,800 --> 00:50:43,719
Speaker 5: we all get to kind of see what everybody, likes

1237
00:50:43,760 --> 00:50:45,960
Speaker 5: what the opinion, is, like what you be listening. TO

1238
00:50:47,040 --> 00:50:49,160
Speaker 5: i think it's room for. EVERYBODY i just think that

1239
00:50:49,239 --> 00:50:51,920
Speaker 5: the talent level is. Sometimes you, know we got to

1240
00:50:51,920 --> 00:50:54,799
Speaker 5: stop acting like the talent level is, high because it's really.

1241
00:50:54,840 --> 00:50:56,920
Speaker 5: Not it's a lot of people that we listen, to

1242
00:50:57,600 --> 00:50:59,200
Speaker 5: and we only listen to them because it an shit

1243
00:50:59,200 --> 00:51:01,719
Speaker 5: else really listened to unless we go find somebody that

1244
00:51:02,000 --> 00:51:04,880
Speaker 5: we like that the rap caveas are not putting on

1245
00:51:04,960 --> 00:51:07,520
Speaker 5: playlists and that the blogs are not talking about or

1246
00:51:07,520 --> 00:51:09,600
Speaker 5: that's not heavy in an, algorithm but we, like we found.

1247
00:51:09,440 --> 00:51:10,680
Speaker 4: This, kid like, yo this shit is.

1248
00:51:10,719 --> 00:51:13,120
Speaker 5: Dope so you get these lists and it's, LIKE i

1249
00:51:13,160 --> 00:51:14,719
Speaker 5: don't listen to a lot of these people on this.

1250
00:51:14,800 --> 00:51:18,320
Speaker 5: List now they're on a rap caviar billboard in different. Cities,

1251
00:51:18,360 --> 00:51:22,280
Speaker 5: cool that's. Great me, PERSONALLY i still do not listen

1252
00:51:22,320 --> 00:51:23,600
Speaker 5: to ninety percent of these.

1253
00:51:23,680 --> 00:51:24,680
Speaker 4: Artists.

1254
00:51:24,680 --> 00:51:26,279
Speaker 1: Don't that'd be an age thing as.

1255
00:51:26,280 --> 00:51:29,040
Speaker 2: Well, yeah they would say, that and age or.

1256
00:51:29,040 --> 00:51:30,880
Speaker 5: NOT i just don't think that because it could be

1257
00:51:30,880 --> 00:51:32,960
Speaker 5: a kid that was, nineteen but if he wrapping his

1258
00:51:33,040 --> 00:51:36,279
Speaker 5: ass off and his balls is, Crazy i'm listening to.

1259
00:51:36,360 --> 00:51:39,759
Speaker 5: Him so it's not the age. Difference the talent is, like,

1260
00:51:39,840 --> 00:51:41,719
Speaker 5: yo what is? THIS i don't even understand what.

1261
00:51:41,680 --> 00:51:44,000
Speaker 2: You look at as talent is different from people that

1262
00:51:44,000 --> 00:51:45,279
Speaker 2: are younger than. You that's why that's a.

1263
00:51:45,320 --> 00:51:47,160
Speaker 5: Thing but that's WHY i SAID i like these conversations

1264
00:51:47,160 --> 00:51:50,440
Speaker 5: because you might hear something like this is, incredible AND

1265
00:51:50,480 --> 00:51:52,080
Speaker 5: i might look at, you, like how do you think

1266
00:51:52,080 --> 00:51:55,360
Speaker 5: this is incredible? Music but to you it's, incredible which is,

1267
00:51:55,400 --> 00:51:57,640
Speaker 5: Fine And i'm learning, That like if you like, something

1268
00:51:57,840 --> 00:52:00,120
Speaker 5: that don't MEAN i gotta like it because you like

1269
00:52:00,160 --> 00:52:02,200
Speaker 5: it or get mad BECAUSE i don't like.

1270
00:52:02,239 --> 00:52:04,960
Speaker 4: It it's just a different. Experience you enjoyed what you.

1271
00:52:05,000 --> 00:52:08,400
Speaker 2: Heard BUT i experienced that with older people with my

1272
00:52:08,600 --> 00:52:11,080
Speaker 2: like worry brought up my obsession With maria. Scientists BUT

1273
00:52:11,360 --> 00:52:14,040
Speaker 2: i experienced that because older people are other people who

1274
00:52:14,080 --> 00:52:16,600
Speaker 2: are really big into back in the, DAY r and

1275
00:52:16,600 --> 00:52:18,920
Speaker 2: B u still be all about the, vocals, Right so

1276
00:52:19,000 --> 00:52:20,840
Speaker 2: you can hear an artist and like she can't fucking?

1277
00:52:20,840 --> 00:52:22,239
Speaker 2: Sing how do you listen to? That it's, Like i'm

1278
00:52:22,280 --> 00:52:24,440
Speaker 2: not listening for. That so what you are looking at

1279
00:52:24,480 --> 00:52:26,399
Speaker 2: as talent when it comes to, Vocals i'm not even

1280
00:52:26,440 --> 00:52:27,960
Speaker 2: checking for. That i'm over here paying attention to what

1281
00:52:27,960 --> 00:52:28,319
Speaker 2: the fuck shes.

1282
00:52:28,320 --> 00:52:30,399
Speaker 5: Saying, yeah but then you'll still get cool and THAT'S

1283
00:52:30,520 --> 00:52:33,400
Speaker 5: i understand. That but you can have Them mariota scientists

1284
00:52:33,480 --> 00:52:36,560
Speaker 5: right cool like her songs where she write you, know

1285
00:52:36,560 --> 00:52:39,640
Speaker 5: it's very. Cool but then IF i Put Jazmine sullivan

1286
00:52:39,640 --> 00:52:41,960
Speaker 5: next to, that and like this is AN r AND

1287
00:52:42,000 --> 00:52:45,040
Speaker 5: b artist, too it's a clear difference in the, talent

1288
00:52:45,160 --> 00:52:45,480
Speaker 5: is What i'm.

1289
00:52:45,480 --> 00:52:46,359
Speaker 1: Saying but that's the.

1290
00:52:46,320 --> 00:52:49,239
Speaker 3: Age gap to, me BECAUSE i think the kids that

1291
00:52:49,800 --> 00:52:52,239
Speaker 3: pack out arenas For Rod wave are not there for

1292
00:52:52,280 --> 00:52:54,799
Speaker 3: his vocal ability nor care about. It they care about

1293
00:52:54,800 --> 00:52:58,239
Speaker 3: his mental health lyrics like that's they're obsessed over what

1294
00:52:58,400 --> 00:53:02,719
Speaker 3: he's saying and cool that, audience which is like big

1295
00:53:02,760 --> 00:53:05,960
Speaker 3: ex the plug does fucking. Numbers i'm not in the

1296
00:53:06,000 --> 00:53:09,600
Speaker 3: youth Loves central c in all Of, europe LIKE i

1297
00:53:09,640 --> 00:53:11,560
Speaker 3: think all the kids that are in their twenties are

1298
00:53:12,160 --> 00:53:14,000
Speaker 3: in the moment they get in their, car they're putting

1299
00:53:14,000 --> 00:53:14,319
Speaker 3: On Central.

1300
00:53:14,320 --> 00:53:18,239
Speaker 5: Sea. Great but THEN i can also also at the same,

1301
00:53:18,280 --> 00:53:21,719
Speaker 5: TIME i can go to your jacket they co sold it.

1302
00:53:21,760 --> 00:53:24,439
Speaker 5: OUT i can go to and see That kendrick sold

1303
00:53:24,440 --> 00:53:27,280
Speaker 5: it out, well it's just. Different it's a different.

1304
00:53:27,320 --> 00:53:29,520
Speaker 2: Talent, yeah but they've also been in the game for

1305
00:53:29,560 --> 00:53:31,759
Speaker 2: so long they've built a crazy Liter but.

1306
00:53:31,680 --> 00:53:32,960
Speaker 5: It's a lot of niggas that been in the game

1307
00:53:32,960 --> 00:53:34,759
Speaker 5: that was on That freshman cover With kendrick and J.

1308
00:53:34,840 --> 00:53:36,239
Speaker 1: Cole we don't know where them niggas is.

1309
00:53:36,280 --> 00:53:39,120
Speaker 5: At SO i don't say it's BECAUSE i think that

1310
00:53:39,160 --> 00:53:40,040
Speaker 5: was a pretty Good freshman.

1311
00:53:40,120 --> 00:53:40,680
Speaker 2: Cover BUT i hear.

1312
00:53:40,680 --> 00:53:43,359
Speaker 3: YOU i GIVE i give these younger artists like Rod

1313
00:53:43,400 --> 00:53:46,919
Speaker 3: wave even more credit because to get their fan, base

1314
00:53:46,920 --> 00:53:48,960
Speaker 3: which is younger kids that stay in the, house to

1315
00:53:49,960 --> 00:53:51,239
Speaker 3: pack out in arena take.

1316
00:53:51,320 --> 00:53:53,799
Speaker 4: Something, yeah for, Sure.

1317
00:53:53,560 --> 00:53:56,879
Speaker 3: Like with artists WHEN i was coming, up we were all,

1318
00:53:56,880 --> 00:53:59,399
Speaker 3: outside we'd buy. Tickets it's so hard to pack out

1319
00:53:59,400 --> 00:54:01,920
Speaker 3: in arena, actually with kids that literally sit on Fucking

1320
00:54:01,920 --> 00:54:05,440
Speaker 3: fortnite all, day for, sure that takes a different level of.

1321
00:54:05,480 --> 00:54:08,680
Speaker 3: Obsession those kids have social anxiety And i'm walking, outside

1322
00:54:09,640 --> 00:54:13,280
Speaker 3: SO I i hear you on. That but the impact

1323
00:54:13,320 --> 00:54:15,239
Speaker 3: is clearly there with all of these these.

1324
00:54:15,320 --> 00:54:21,919
Speaker 1: Artists it's. There, yeah is it go to A Rod wave? Show?

1325
00:54:21,960 --> 00:54:24,520
Speaker 5: Bro, No i'm we know ROD i understanding. That i'm

1326
00:54:24,560 --> 00:54:25,759
Speaker 5: saying the rest of the artists on that.

1327
00:54:25,800 --> 00:54:30,040
Speaker 3: List, YES i think they have different types of. IT

1328
00:54:30,040 --> 00:54:32,880
Speaker 3: i don't think every artist here obviously packs out.

1329
00:54:33,000 --> 00:54:36,520
Speaker 1: IMPACT i got, it look.

1330
00:54:37,200 --> 00:54:41,359
Speaker 3: Got, fasfore before we get into that word, fragmented we

1331
00:54:41,400 --> 00:54:43,440
Speaker 3: also have to remember the audience is.

1332
00:54:43,480 --> 00:54:45,760
Speaker 1: Fragmented maybe not. Media, yes.

1333
00:54:48,600 --> 00:54:51,600
Speaker 3: When we first when we first started, podcasting it was

1334
00:54:51,719 --> 00:54:54,480
Speaker 3: mostly music fans that were listening to. Us so when

1335
00:54:54,480 --> 00:54:56,880
Speaker 3: we did say an artist that nobody had heard, of,

1336
00:54:57,000 --> 00:54:59,239
Speaker 3: yes it spiked up and their name got out there

1337
00:54:59,280 --> 00:54:59,719
Speaker 3: based off.

1338
00:54:59,760 --> 00:55:01,960
Speaker 1: Media but now, podcasting.

1339
00:55:01,400 --> 00:55:05,920
Speaker 3: In my, opinion is a majority podcast and content, fans

1340
00:55:06,120 --> 00:55:09,319
Speaker 3: not music. Fans so don't say we're. Fragmented when the

1341
00:55:09,400 --> 00:55:13,399
Speaker 3: audience is. Fragmented they're not music. Fans we're a music

1342
00:55:13,480 --> 00:55:16,359
Speaker 3: podcast that probably speaks to mostly people that don't listen

1343
00:55:16,440 --> 00:55:17,960
Speaker 3: to music like that in their. Car, yeah but then

1344
00:55:18,000 --> 00:55:19,400
Speaker 3: it's how much impact CAN i?

1345
00:55:19,480 --> 00:55:22,600
Speaker 5: Have but at the same, time then we get what's

1346
00:55:22,640 --> 00:55:25,000
Speaker 5: the GUY a guy name that was on at the

1347
00:55:25,040 --> 00:55:27,120
Speaker 5: show and he got mad because the half owners was

1348
00:55:27,120 --> 00:55:28,600
Speaker 5: only there to hear that one song that was going

1349
00:55:28,600 --> 00:55:34,239
Speaker 5: crazy on TikTok Steven Steve, Lacy Steve lason talented right pack.

1350
00:55:34,360 --> 00:55:36,800
Speaker 5: Show they only there to hear one.

1351
00:55:37,000 --> 00:55:39,759
Speaker 3: Song that's the audience, fragmented not not.

1352
00:55:39,880 --> 00:55:42,320
Speaker 5: Us, yeah so that's What i'm. Saying, so, yeah the impact.

1353
00:55:42,320 --> 00:55:45,400
Speaker 5: Cool the impact could be off of one. Song that

1354
00:55:45,440 --> 00:55:47,600
Speaker 5: don't mean the rest of the catalog is fire or

1355
00:55:47,640 --> 00:55:50,120
Speaker 5: that the audience that is is at your show feels

1356
00:55:50,120 --> 00:55:52,880
Speaker 5: like the rest of your catalogers they're here for the one.

1357
00:55:52,920 --> 00:55:54,640
Speaker 1: Song not In steve's, case BUT i hear.

1358
00:55:54,680 --> 00:55:56,000
Speaker 5: You i'm not not A Steve, Skip But i'm just

1359
00:55:56,040 --> 00:55:57,719
Speaker 5: saying he got mad at that cause it's, like, BRO

1360
00:55:57,800 --> 00:55:59,239
Speaker 5: i got a whole bunch of other dope shit that

1361
00:55:59,320 --> 00:56:01,560
Speaker 5: you'll only hear to hear something that's going crazy on

1362
00:56:01,600 --> 00:56:03,680
Speaker 5: TikTok right. Now like an artist will get mad at

1363
00:56:03,680 --> 00:56:05,399
Speaker 5: that because it's, Like, yo my whole, CATALOG i got

1364
00:56:05,440 --> 00:56:07,560
Speaker 5: fire in my. Catalog But i'm just saying, so if

1365
00:56:07,560 --> 00:56:10,840
Speaker 5: we're gonna say media is, fragmented the listening experience is

1366
00:56:10,880 --> 00:56:13,200
Speaker 5: fragmented at that, point because even.

1367
00:56:13,080 --> 00:56:16,480
Speaker 3: Right, now we would all in this room agree That

1368
00:56:16,520 --> 00:56:19,759
Speaker 3: ti and fifty have some of our favorite descographies of our.

1369
00:56:19,800 --> 00:56:23,600
Speaker 3: Lives who's paying attention right now to this. Beef content

1370
00:56:23,680 --> 00:56:24,319
Speaker 3: fans are music.

1371
00:56:24,320 --> 00:56:27,680
Speaker 2: Fans content fans don't nobody want, Here neither one of

1372
00:56:27,719 --> 00:56:28,520
Speaker 2: them niggas are at.

1373
00:56:28,440 --> 00:56:29,880
Speaker 1: No Because i'm here for they're here for.

1374
00:56:29,960 --> 00:56:33,080
Speaker 5: Content But i'm a music, fan But i'm gonna definitely

1375
00:56:33,160 --> 00:56:35,520
Speaker 5: just tap in and see what they're saying about Each oh,

1376
00:56:35,600 --> 00:56:35,799
Speaker 5: no of.

1377
00:56:35,800 --> 00:56:39,800
Speaker 3: Course but music fans we also like conflict between, artists

1378
00:56:39,840 --> 00:56:42,760
Speaker 3: but we also like the. MUSIC i think a majority

1379
00:56:42,760 --> 00:56:44,960
Speaker 3: of people that are tapped into this that have never

1380
00:56:45,000 --> 00:56:47,160
Speaker 3: been A ti fan or a fifty fan like that.

1381
00:56:47,320 --> 00:56:51,120
Speaker 3: Before the younger kids are here for. Conflict that's not

1382
00:56:51,160 --> 00:56:54,200
Speaker 3: a music, fan, Yeah but as music, fans we like.

1383
00:56:54,400 --> 00:56:58,400
Speaker 3: Conflict they just like. CONFLICT i don't think the fans

1384
00:56:58,400 --> 00:57:01,839
Speaker 3: are tapped in that much on THIS ti fifty shit

1385
00:57:01,920 --> 00:57:03,840
Speaker 3: to like see who's really gonna.

1386
00:57:04,880 --> 00:57:07,480
Speaker 1: Outwrap each. Other, no it's just.

1387
00:57:07,520 --> 00:57:12,880
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Speaker 2: Virginia what do y'all think about the distracts that have dropped? Guys,

1414
00:58:26,360 --> 00:58:28,560
Speaker 2: well let's just say T i is distract Because king

1415
00:58:28,680 --> 00:58:29,680
Speaker 2: just threw a shot.

1416
00:58:31,240 --> 00:58:31,480
Speaker 1: Through a.

1417
00:58:31,520 --> 00:58:34,760
Speaker 4: Shot that's. Funny king just threw a. Shot.

1418
00:58:36,400 --> 00:58:39,520
Speaker 5: Guys you know he got bigger fish to fry as

1419
00:58:39,720 --> 00:58:40,160
Speaker 5: his music.

1420
00:58:40,200 --> 00:58:42,080
Speaker 1: Careers threw a little something in. There he's focused on

1421
00:58:42,080 --> 00:58:45,680
Speaker 1: his album right. Now i'll shoe you keep. Going that's a?

1422
00:58:45,960 --> 00:58:48,560
Speaker 1: Record Does king make music like?

1423
00:58:48,600 --> 00:58:54,680
Speaker 4: That if he? Does the other that's? Funny is it

1424
00:58:54,760 --> 00:58:56,800
Speaker 4: the other? Son the what was his?

1425
00:58:56,880 --> 00:58:58,400
Speaker 1: Name the? Money the?

1426
00:58:58,480 --> 00:59:01,160
Speaker 5: Money, yeah here's like, no let's know he could like,

1427
00:59:01,240 --> 00:59:05,160
Speaker 5: yeah that's an. Artist, yeah But king Is king is

1428
00:59:05,160 --> 00:59:08,040
Speaker 5: a content. Creator his brother is an. Artist this is

1429
00:59:08,040 --> 00:59:10,280
Speaker 5: a perfect exemptly his brother is an. Artist in the.

1430
00:59:10,280 --> 00:59:13,440
Speaker 3: Moment king is a content creator that happens to sometimes make.

1431
00:59:13,520 --> 00:59:14,840
Speaker 1: Music that's WHY i say it's a diss.

1432
00:59:14,840 --> 00:59:17,560
Speaker 3: Record he's never making that song unless it was to

1433
00:59:17,560 --> 00:59:19,160
Speaker 3: throw in the bars at fifty?

1434
00:59:19,200 --> 00:59:22,360
Speaker 2: Cent you think that that whole entire, Song, yes and

1435
00:59:22,520 --> 00:59:27,520
Speaker 2: video and everything got done, yep within three, days.

1436
00:59:27,360 --> 00:59:30,200
Speaker 5: Yep i'll hell, Yeah wait what do you think that

1437
00:59:30,240 --> 00:59:32,600
Speaker 5: is A New york state of? MIND i mean gets

1438
00:59:32,600 --> 00:59:35,400
Speaker 5: done in six? Hours how many shoelocass diday. Happen it's

1439
00:59:35,440 --> 00:59:39,560
Speaker 5: outside a, Hotel, like, yeah that shot that. Ship that's

1440
00:59:39,600 --> 00:59:41,920
Speaker 5: how that's how it. Goes, now shoot the. VIDEO i

1441
00:59:41,920 --> 00:59:45,720
Speaker 5: gott to record a song, tonight shoot the video, tomorrow which.

1442
00:59:45,520 --> 00:59:47,360
Speaker 2: Is, Fine BUT i think that it was probably a

1443
00:59:47,400 --> 00:59:49,000
Speaker 2: song that he was already working on and then he

1444
00:59:49,160 --> 00:59:51,200
Speaker 2: have a Fiftiescent i'm.

1445
00:59:51,120 --> 00:59:53,040
Speaker 4: Not i'm not going to shoot that. Down that might

1446
00:59:53,080 --> 00:59:53,280
Speaker 4: be the.

1447
00:59:53,320 --> 00:59:57,080
Speaker 5: Case that might be the, case but it's anything he's

1448
00:59:57,120 --> 00:59:58,560
Speaker 5: trying to capitalize off, them oh for.

1449
00:59:58,600 --> 01:00:00,600
Speaker 4: Sure for, sure he's trying to aabitalized with the.

1450
01:00:00,640 --> 01:00:03,800
Speaker 3: Moment the fact that y'all Think king walked in the

1451
01:00:03,800 --> 01:00:05,880
Speaker 3: studio and told his, engineer you pull up that RECORD

1452
01:00:05,880 --> 01:00:06,320
Speaker 3: i was working.

1453
01:00:06,320 --> 01:00:09,480
Speaker 4: ON i got. BALLS i got some balls for fifth that's.

1454
01:00:09,560 --> 01:00:10,520
Speaker 1: That that never.

1455
01:00:10,560 --> 01:00:13,240
Speaker 2: Happened so then you're actually Given king more credit because

1456
01:00:13,240 --> 01:00:15,840
Speaker 2: the song Isn't it might not be for us what we,

1457
01:00:15,960 --> 01:00:17,200
Speaker 2: like but the song isn't.

1458
01:00:17,200 --> 01:00:19,240
Speaker 1: Bad, No me And p's were sitting here, like this isn't.

1459
01:00:19,280 --> 01:00:20,160
Speaker 2: Terrible, yeah it's not.

1460
01:00:20,200 --> 01:00:20,400
Speaker 1: Bad.

1461
01:00:22,080 --> 01:00:23,960
Speaker 2: Day if he wrote it and wrote it in two

1462
01:00:24,040 --> 01:00:26,040
Speaker 2: days and shot the video with two, Days i'm not

1463
01:00:26,120 --> 01:00:27,479
Speaker 2: mad at. Him you got a little bit of, talent

1464
01:00:27,520 --> 01:00:29,080
Speaker 2: because that's not. Bad that's better than what a lot

1465
01:00:29,120 --> 01:00:32,040
Speaker 2: of these fucking younger rappers and his demographic are putting,

1466
01:00:32,040 --> 01:00:32,920
Speaker 2: out So i'm not it.

1467
01:00:32,920 --> 01:00:34,600
Speaker 4: Should only hitting With demani put his pen to.

1468
01:00:34,680 --> 01:00:45,600
Speaker 5: It demi put his pin to, it like we know.

1469
01:00:45,680 --> 01:00:46,600
Speaker 1: That what do you think?

1470
01:00:46,600 --> 01:00:47,440
Speaker 2: About tis this?

1471
01:00:47,600 --> 01:00:51,120
Speaker 5: Track the first? LISTEN i, said this is definitely not

1472
01:00:51,120 --> 01:00:53,840
Speaker 5: getting it. DONE i don't love. IT i HAVE i

1473
01:00:53,960 --> 01:00:57,720
Speaker 5: like it a little bit better as it, plays but

1474
01:00:57,920 --> 01:00:59,160
Speaker 5: it's it's not getting it.

1475
01:00:59,200 --> 01:01:01,680
Speaker 3: Done but all that, said, fifty you still on the.

1476
01:01:01,680 --> 01:01:04,240
Speaker 3: Clock if fifty does not, reply.

1477
01:01:04,280 --> 01:01:06,280
Speaker 1: Man y'all think? Reply how you think fifty one?

1478
01:01:06,360 --> 01:01:06,480
Speaker 6: Rap?

1479
01:01:07,720 --> 01:01:10,880
Speaker 1: Now fifty? Thing y'all niggas is fifty? Thing any nigga.

1480
01:01:10,600 --> 01:01:14,120
Speaker 5: Thatss because he was only what forty six forty? Five

1481
01:01:14,760 --> 01:01:17,320
Speaker 5: so TI i still Got but definitely if you over

1482
01:01:17,440 --> 01:01:19,640
Speaker 5: forty eight forty nine and you still rapping on this

1483
01:01:19,880 --> 01:01:22,080
Speaker 5: like this and, it fifty is laughing at, you especially

1484
01:01:22,080 --> 01:01:24,200
Speaker 5: if you making music this and. It he's not getting

1485
01:01:24,200 --> 01:01:27,640
Speaker 5: in the. Booth, no fifty is not writing new balls

1486
01:01:27,640 --> 01:01:29,600
Speaker 5: for none of these. Rappers he's not doing. That LIKE

1487
01:01:29,640 --> 01:01:32,040
Speaker 5: i don't know why people saying you're on the clock in.

1488
01:01:32,120 --> 01:01:35,760
Speaker 5: It fifty is not rapping with none of. Y'all he's

1489
01:01:35,840 --> 01:01:39,920
Speaker 5: not doing. That he's in a hold WHERE i cut

1490
01:01:40,000 --> 01:01:42,360
Speaker 5: you off BECAUSE i heard WHAT i never said. THAT

1491
01:01:42,400 --> 01:01:44,480
Speaker 5: i think fifty cent is gonna. Reply you still on

1492
01:01:44,520 --> 01:01:47,080
Speaker 5: the fucking, Clock you're still a. Rapper he's not, on

1493
01:01:47,360 --> 01:01:47,600
Speaker 5: but he's.

1494
01:01:47,600 --> 01:01:49,560
Speaker 2: Not he's not, rapping because you seem to think that

1495
01:01:49,680 --> 01:01:52,520
Speaker 2: every time, anybody this is, anybody that they have to

1496
01:01:52,600 --> 01:01:54,280
Speaker 2: respond in, something don'na.

1497
01:01:54,280 --> 01:01:58,520
Speaker 5: Respond BUT i just respect fifty gonna. Respond he's just

1498
01:01:58,560 --> 01:02:01,480
Speaker 5: not getting in the booth though he's not doing. That

1499
01:02:01,680 --> 01:02:05,560
Speaker 5: fifty is not. Rapping he's not. Right fifthy's gonna sit

1500
01:02:05,600 --> 01:02:09,000
Speaker 5: down write some balls aimed at T. I he's in

1501
01:02:09,040 --> 01:02:10,720
Speaker 5: a whole different space in his life right.

1502
01:02:10,760 --> 01:02:12,040
Speaker 1: Now think that.

1503
01:02:12,080 --> 01:02:16,280
Speaker 3: Either But i'm, saying if somebody, raps you can't just

1504
01:02:16,440 --> 01:02:17,959
Speaker 3: post fucking means.

1505
01:02:17,720 --> 01:02:21,080
Speaker 2: Yes you, can and it doesn't make it a. Rapper

1506
01:02:21,120 --> 01:02:23,520
Speaker 2: and nobody can take a notch off your. Belt but

1507
01:02:23,560 --> 01:02:25,880
Speaker 2: that's the game he's. Playing though he's not, rapping he's.

1508
01:02:25,920 --> 01:02:27,440
Speaker 2: Not fifty is not recording new.

1509
01:02:27,520 --> 01:02:29,600
Speaker 4: Music well, no he just actually put out a new

1510
01:02:29,640 --> 01:02:30,480
Speaker 4: record like a couple months.

1511
01:02:30,480 --> 01:02:31,439
Speaker 1: Ago but he's.

1512
01:02:31,480 --> 01:02:34,000
Speaker 5: Not he's not jumping in a rap battle beef when

1513
01:02:34,040 --> 01:02:34,600
Speaker 5: he's not doing.

1514
01:02:34,600 --> 01:02:38,000
Speaker 2: It, also T i has like. MUSIC ti is restarting

1515
01:02:38,040 --> 01:02:44,400
Speaker 2: his rap. Career we can see what this, is which is,

1516
01:02:44,440 --> 01:02:49,280
Speaker 2: fine but fifty is not gonna do like and fifty knows.

1517
01:02:49,320 --> 01:02:53,120
Speaker 5: That fifty no with, like, okay this momentum for him

1518
01:02:53,240 --> 01:02:56,360
Speaker 5: and get some traction on his, music like, okay. COOL

1519
01:02:56,400 --> 01:02:58,880
Speaker 5: i don't think fifty is going engage in that and

1520
01:02:58,960 --> 01:03:00,680
Speaker 5: help that in Any, wait, like.

1521
01:03:01,280 --> 01:03:05,560
Speaker 2: No how do y'all feel About? Yah i'm consistent with that,

1522
01:03:05,680 --> 01:03:08,400
Speaker 2: now we're. Insistent how anybody else you would say that that? Thrap,

1523
01:03:08,600 --> 01:03:09,720
Speaker 2: no they. Don't you are.

1524
01:03:09,760 --> 01:03:13,120
Speaker 5: Consistent if fifty was still putting out albums and dropping,

1525
01:03:13,160 --> 01:03:15,400
Speaker 5: singles then of COURSE i will say that he's not

1526
01:03:15,520 --> 01:03:17,720
Speaker 5: doing that though he's not in that space. Anymore how

1527
01:03:17,760 --> 01:03:20,160
Speaker 5: long has it been since fifty has? Recorded even though

1528
01:03:20,200 --> 01:03:22,320
Speaker 5: he just puts, something just play? Something but that was

1529
01:03:22,320 --> 01:03:24,280
Speaker 5: a that was a verse or song whatever it. Was

1530
01:03:24,400 --> 01:03:26,400
Speaker 5: but what is that for? Us for a fifty album that's.

1531
01:03:26,400 --> 01:03:28,480
Speaker 5: COMING i don't, Know this is What i'm. Saying we

1532
01:03:28,520 --> 01:03:31,160
Speaker 5: don't even know what that. Is that's a feature for somebody.

1533
01:03:31,160 --> 01:03:32,200
Speaker 5: ELSE i don't even know what that.

1534
01:03:32,360 --> 01:03:34,400
Speaker 2: IS i feel like they're just too. OLD i feel

1535
01:03:34,400 --> 01:03:35,880
Speaker 2: like at some point you're too old for some? Shit

1536
01:03:35,960 --> 01:03:37,200
Speaker 2: how old is, fifty it's fifty to.

1537
01:03:37,200 --> 01:03:42,040
Speaker 5: Fifty i'm looking at. That it might be over fifty

1538
01:03:42,160 --> 01:03:44,560
Speaker 5: because the fifty is over. Fifty then come, on, bro

1539
01:03:44,640 --> 01:03:48,000
Speaker 5: he's fifty, fifty fifty is. Fifty, okay it's magic. NUMBERS

1540
01:03:48,120 --> 01:03:50,360
Speaker 5: i don't want to hear oti is twenty? Five is

1541
01:03:50,360 --> 01:03:52,080
Speaker 5: going to, REPLY i don't want to hear if you,

1542
01:03:52,200 --> 01:03:54,760
Speaker 5: FIFTY i don't want to hear you write in battle, Wraps,

1543
01:03:54,760 --> 01:03:56,200
Speaker 5: Bro WHY i don't want to hear.

1544
01:03:56,120 --> 01:03:58,760
Speaker 2: That here in that fifty cents fifty is JUST.

1545
01:03:59,160 --> 01:04:01,000
Speaker 1: I, mean he was like twenty nine when he came.

1546
01:04:01,000 --> 01:04:04,200
Speaker 5: OUT i get, it but it's just it's, like, really

1547
01:04:04,200 --> 01:04:05,840
Speaker 5: to his rap beefing day should be over.

1548
01:04:05,960 --> 01:04:06,880
Speaker 2: You, really he's all the.

1549
01:04:06,880 --> 01:04:08,320
Speaker 4: Shit he, done did it with the best of, them,

1550
01:04:08,320 --> 01:04:09,400
Speaker 4: bro like he can't get.

1551
01:04:09,280 --> 01:04:11,560
Speaker 3: Okay but all, Right but to me with this whole,

1552
01:04:11,560 --> 01:04:16,040
Speaker 3: THING i think it's better if a fifty year old

1553
01:04:16,240 --> 01:04:20,480
Speaker 3: who's a rapper wraps back at another elder statesman that,

1554
01:04:20,560 --> 01:04:22,760
Speaker 3: wrapped instead of trolling On instagram like a fucking.

1555
01:04:22,760 --> 01:04:24,040
Speaker 1: Teenager oh, NO i don't think he should.

1556
01:04:24,040 --> 01:04:26,560
Speaker 3: BE i think it's it's way better for a fifty

1557
01:04:26,600 --> 01:04:28,800
Speaker 3: year old to be rapping than to be on idea

1558
01:04:28,840 --> 01:04:31,880
Speaker 3: has always been a, Troll And i'm and.

1559
01:04:31,800 --> 01:04:33,880
Speaker 2: This is conversation that me And roy we're. Having, yes

1560
01:04:33,920 --> 01:04:36,800
Speaker 2: he's always been a, troll but at some point we

1561
01:04:36,920 --> 01:04:38,560
Speaker 2: just gonna keep saying fifty a troll or we're gonna be, like,

1562
01:04:38,600 --> 01:04:39,240
Speaker 2: yo you old as.

1563
01:04:39,240 --> 01:04:42,400
Speaker 5: Fuck he's it can be. Both now he's fifty and

1564
01:04:42,440 --> 01:04:45,160
Speaker 5: he's still a trolls he's adapting to. Marketing he's a

1565
01:04:45,160 --> 01:04:48,280
Speaker 5: fifty year old. Troll fifty came into the game trolling

1566
01:04:48,360 --> 01:04:51,000
Speaker 5: niggas how to rob an, industry, nigga that's trolling.

1567
01:04:52,440 --> 01:04:54,280
Speaker 1: Facts that's all of that is trolling.

1568
01:04:54,320 --> 01:04:56,480
Speaker 5: Shit SO i just don't understand why he's still the

1569
01:04:56,520 --> 01:04:58,400
Speaker 5: same guy he, was but because he's in a different.

1570
01:04:58,400 --> 01:05:01,960
Speaker 5: Space as far as, creativity he's not. Entertained he's not

1571
01:05:02,000 --> 01:05:04,200
Speaker 5: doing music like he's a legacy. Act he's going on

1572
01:05:04,240 --> 01:05:06,760
Speaker 5: world tours performing shit that he put out years. Ago

1573
01:05:07,640 --> 01:05:09,040
Speaker 5: he's not going on the world tour and then coming

1574
01:05:09,120 --> 01:05:12,320
Speaker 5: up towards Saying, yo new album dropping next. Week he's

1575
01:05:12,360 --> 01:05:15,200
Speaker 5: not doing. That he gonna give us a new show next.

1576
01:05:15,240 --> 01:05:17,400
Speaker 5: Month he goes on a new deal with a new

1577
01:05:17,440 --> 01:05:20,680
Speaker 5: network and create new new. Movies he's Doing he's In,

1578
01:05:20,800 --> 01:05:23,600
Speaker 5: nash but he's not in the music business like that no.

1579
01:05:23,640 --> 01:05:25,600
Speaker 5: More if he's not doing, that if he's in the music,

1580
01:05:25,640 --> 01:05:27,720
Speaker 5: business it's off his old, catalog it's off a shit

1581
01:05:27,760 --> 01:05:28,720
Speaker 5: that he's already put.

1582
01:05:28,720 --> 01:05:31,800
Speaker 3: Out if can we do a, hypothetical of, Course, okay

1583
01:05:32,360 --> 01:05:35,120
Speaker 3: erase the history Of nas and Jay. Z erase erase,

1584
01:05:35,160 --> 01:05:37,320
Speaker 3: It erase that they had to beef, Already erase that entire.

1585
01:05:37,360 --> 01:05:39,720
Speaker 1: Thing, okay let's Say nas as.

1586
01:05:39,760 --> 01:05:42,960
Speaker 3: Activists he's Been let's say for some in some weird,

1587
01:05:42,960 --> 01:05:45,360
Speaker 3: world Jay z And nas are active On instagram and

1588
01:05:45,400 --> 01:05:47,640
Speaker 3: start going back and, forth and Then nas starts.

1589
01:05:47,760 --> 01:05:51,080
Speaker 1: Rapping do we not look At hove who has? Not

1590
01:05:51,240 --> 01:05:54,360
Speaker 1: he's been chilling since The god did verse. That jay's

1591
01:05:54,400 --> 01:05:58,000
Speaker 1: not supposed to. Reply, yeah but it's the Trust jay

1592
01:05:58,120 --> 01:06:01,000
Speaker 1: just like on just known as a. Troll is it the?

1593
01:06:01,000 --> 01:06:01,840
Speaker 4: Same it's.

1594
01:06:01,920 --> 01:06:03,200
Speaker 1: Bad it's a back and forth between two.

1595
01:06:03,160 --> 01:06:05,840
Speaker 2: Rapper it's a terrible hypothetical because those two niggas would

1596
01:06:05,840 --> 01:06:06,240
Speaker 2: never do.

1597
01:06:06,360 --> 01:06:07,680
Speaker 1: That that's what the definition of.

1598
01:06:07,760 --> 01:06:09,960
Speaker 2: Hypothetically but, no that's not the definition of a, hypothetical

1599
01:06:09,960 --> 01:06:12,920
Speaker 2: because a hypothetical has to potentially this could. Happen it,

1600
01:06:12,960 --> 01:06:16,760
Speaker 2: hasn't but potentially this could. Happen that would never happen

1601
01:06:17,000 --> 01:06:19,400
Speaker 2: there because it so you would look AT. Ja so

1602
01:06:19,440 --> 01:06:22,320
Speaker 2: if jay didn't, respond, yes you would look at him. Differently, Also,

1603
01:06:22,480 --> 01:06:25,120
Speaker 2: no IF nas went and started trolling JAY z or

1604
01:06:25,120 --> 01:06:27,720
Speaker 2: they started arguing and he, rapped y'all would Judge nas

1605
01:06:27,760 --> 01:06:29,919
Speaker 2: because that's so out Of NAS's character Because nas doesn't

1606
01:06:29,960 --> 01:06:32,920
Speaker 2: do lame. Shit so that's why that's a bad. Hypothetical

1607
01:06:33,120 --> 01:06:35,000
Speaker 2: JAY z would look at that and not respond to,

1608
01:06:35,040 --> 01:06:36,800
Speaker 2: that because it's, Like, nigga what the fuck are you?

1609
01:06:36,840 --> 01:06:39,480
Speaker 2: Doing we're fifty something years. Old nobody would sit up

1610
01:06:39,520 --> 01:06:40,720
Speaker 2: there and be, Like, Nah jay you on a, Clock

1611
01:06:40,800 --> 01:06:41,440
Speaker 2: nas came at.

1612
01:06:41,480 --> 01:06:44,880
Speaker 3: You, no they WOTH ti and fifty were going back

1613
01:06:44,920 --> 01:06:47,280
Speaker 3: and forth on the internet. Together i'm, saying in this

1614
01:06:47,360 --> 01:06:50,240
Speaker 3: hypothetical using those two rappers that would be going back

1615
01:06:50,240 --> 01:06:53,320
Speaker 3: and forth on the, internet hypothetical doesn't need to be.

1616
01:06:53,360 --> 01:06:55,520
Speaker 3: True that's kind of the point of. HYPOTHETICAL i don't

1617
01:06:55,520 --> 01:06:57,600
Speaker 3: Think nas and JAY z will ever go back and

1618
01:06:57,640 --> 01:07:00,800
Speaker 3: forth on The. Internet i'm saying, no being an active

1619
01:07:00,840 --> 01:07:03,760
Speaker 3: rapper right, now if they if he had a tussle

1620
01:07:03,960 --> 01:07:06,840
Speaker 3: On instagram back and forth and decided to rap as

1621
01:07:06,880 --> 01:07:09,240
Speaker 3: a reply instead of posting a. MEME i think the

1622
01:07:09,280 --> 01:07:12,360
Speaker 3: other rapper needs to. Reply you've entered the realm of

1623
01:07:12,360 --> 01:07:14,080
Speaker 3: a back and forth and we both rap AND i just.

1624
01:07:14,120 --> 01:07:14,640
Speaker 1: WRAPPED i just.

1625
01:07:14,640 --> 01:07:16,840
Speaker 5: Think it's as simple As fifty understands What tia is

1626
01:07:16,840 --> 01:07:19,000
Speaker 5: trying to. Do of course now new, music he's trying

1627
01:07:19,000 --> 01:07:21,920
Speaker 5: to game a minim capitalize off. THAT i just Think

1628
01:07:21,960 --> 01:07:23,960
Speaker 5: fifty is like, Me i'm Not i'm not giving you

1629
01:07:24,040 --> 01:07:26,680
Speaker 5: marketing right, now Like i'm not doing. THAT i think

1630
01:07:26,680 --> 01:07:28,960
Speaker 5: that's what fifty is. AT i think he gonna let

1631
01:07:29,000 --> 01:07:30,479
Speaker 5: TI i drop because he got a new.

1632
01:07:30,360 --> 01:07:30,840
Speaker 4: Album, coming.

1633
01:07:30,920 --> 01:07:33,000
Speaker 3: Right it appears that. WAY i, mean he has a

1634
01:07:33,040 --> 01:07:34,400
Speaker 3: great single, Out LIKE i.

1635
01:07:34,280 --> 01:07:35,560
Speaker 4: Think he gonna he's gonna fall.

1636
01:07:35,600 --> 01:07:39,560
Speaker 5: Back he gonna Let tia drop and Anticipate TIA's numbers

1637
01:07:39,600 --> 01:07:41,560
Speaker 5: not being, good and then he's gonna start trolling.

1638
01:07:41,600 --> 01:07:44,960
Speaker 1: Again you. ARE i couldn't agree. More but it's just.

1639
01:07:44,960 --> 01:07:46,880
Speaker 5: That, Simple LIKE i DON'T i don't think it's Like

1640
01:07:46,880 --> 01:07:48,880
Speaker 5: i'm breaking THE. I he's, like this is what fifty is.

1641
01:07:48,880 --> 01:07:51,160
Speaker 5: Doing he's, like, bro all, right, Cool i'm saying with

1642
01:07:51,280 --> 01:07:52,720
Speaker 5: fab and all of them when they just did, fifty

1643
01:07:52,760 --> 01:07:54,320
Speaker 5: niggas Thought fifty he was getting back in the booth

1644
01:07:54,360 --> 01:07:54,680
Speaker 5: to go At.

1645
01:07:54,720 --> 01:07:57,520
Speaker 3: Fab, NO i didn't think, that BUT i still Think

1646
01:07:57,560 --> 01:07:59,320
Speaker 3: fab had a crazy verse At fifty and he.

1647
01:07:59,400 --> 01:08:02,880
Speaker 4: Did we Know fab could rap his ass Or jim

1648
01:08:02,920 --> 01:08:03,520
Speaker 4: had a dope On.

1649
01:08:03,600 --> 01:08:06,200
Speaker 1: Maino we know. THAT i knew the whole time when

1650
01:08:06,280 --> 01:08:07,800
Speaker 1: he was, like, yeah, Nah fifth gonna.

1651
01:08:07,640 --> 01:08:10,360
Speaker 5: Have to y'all Think fifty his book and studio time

1652
01:08:10,400 --> 01:08:12,520
Speaker 5: to write balls directed At Jim, Jones.

1653
01:08:12,200 --> 01:08:16,400
Speaker 2: Faber thinking somebody's gonna do something and thinking they should do.

1654
01:08:16,520 --> 01:08:18,880
Speaker 2: Something BUT i, mean, like what what does fifty lose

1655
01:08:18,880 --> 01:08:22,240
Speaker 2: if he Don't he don't lose, shit doesn't take nothing

1656
01:08:22,240 --> 01:08:22,599
Speaker 2: away from.

1657
01:08:22,680 --> 01:08:22,800
Speaker 6: Him.

1658
01:08:22,800 --> 01:08:24,880
Speaker 3: WHY i also don't think That fifty is doing that

1659
01:08:24,880 --> 01:08:26,599
Speaker 3: BECAUSE i agree with you. GUYS i just think in

1660
01:08:26,760 --> 01:08:30,160
Speaker 3: the definition of how this shit has been going, forever

1661
01:08:30,439 --> 01:08:32,320
Speaker 3: he's on the. Clock but with that, Said fifty is

1662
01:08:32,360 --> 01:08:35,920
Speaker 3: only gotten in beefs because it was going to benefit his, career.

1663
01:08:37,200 --> 01:08:39,120
Speaker 1: Dising, Fab Jim, Jones, ti et.

1664
01:08:39,200 --> 01:08:41,040
Speaker 3: Cetera that's no disrespect to. Them it just doesn't Help

1665
01:08:41,040 --> 01:08:42,880
Speaker 3: fifty's career because he's not in the hip hop world.

1666
01:08:42,880 --> 01:08:43,800
Speaker 4: Anything that's What i'm saying it.

1667
01:08:43,800 --> 01:08:47,519
Speaker 3: Does he had no issue with going head to head

1668
01:08:47,840 --> 01:08:50,600
Speaker 3: was a great marketing scheme because.

1669
01:08:50,360 --> 01:08:52,560
Speaker 5: At the, time fifty was a megastar and so Was.

1670
01:08:52,640 --> 01:08:55,120
Speaker 5: Kanye it was the two, juggernauts, like oh we released

1671
01:08:55,120 --> 01:08:55,439
Speaker 5: in the same.

1672
01:08:55,520 --> 01:08:58,759
Speaker 3: DAY i bet him going At Fat joe And jada

1673
01:08:58,880 --> 01:09:01,800
Speaker 3: after they did the record With Jay. Rule, yes that

1674
01:09:01,920 --> 01:09:03,920
Speaker 3: made sense because it was going to heighten his career

1675
01:09:04,000 --> 01:09:06,519
Speaker 3: at that. Time the beef made sense for marketing The

1676
01:09:06,600 --> 01:09:08,760
Speaker 3: Jy rule. Shit he was trying to get. On man

1677
01:09:08,800 --> 01:09:11,639
Speaker 3: a real issue With Joy rule until a certain, point,

1678
01:09:11,760 --> 01:09:13,000
Speaker 3: Like i'm just trying to get on that's the most

1679
01:09:13,040 --> 01:09:17,400
Speaker 3: popular rapper in my. Neighborhood like this is a. Strategy

1680
01:09:17,920 --> 01:09:19,240
Speaker 3: so that's WHY i know he's not going to do,

1681
01:09:19,240 --> 01:09:21,679
Speaker 3: it BECAUSE i think fifties viewed rat beef just rat

1682
01:09:21,680 --> 01:09:25,479
Speaker 3: beef a way as if it does not benefit my,

1683
01:09:25,520 --> 01:09:27,160
Speaker 3: Career i'm never going to do. It there's been plenty

1684
01:09:27,200 --> 01:09:28,600
Speaker 3: of people that took shots at fifty that he never

1685
01:09:28,680 --> 01:09:31,479
Speaker 3: applied to because it's, like, no you don't what does

1686
01:09:31,520 --> 01:09:32,080
Speaker 3: this even do for?

1687
01:09:32,120 --> 01:09:32,200
Speaker 6: Me?

1688
01:09:33,040 --> 01:09:36,400
Speaker 3: Right like the game shit was he just left the.

1689
01:09:36,439 --> 01:09:39,479
Speaker 3: Label this benefits my career IF i keep beefing with.

1690
01:09:39,560 --> 01:09:41,200
Speaker 3: Him and on top of, THAT i own his, catalog

1691
01:09:41,320 --> 01:09:42,839
Speaker 3: SO i want him to be as hot as, possible

1692
01:09:44,800 --> 01:09:47,920
Speaker 3: LIKE i own The Doctor's. Advocate i'm he was walking

1693
01:09:47,920 --> 01:09:49,679
Speaker 3: around with A Doctor's advocate.

1694
01:09:49,720 --> 01:09:52,280
Speaker 5: Promo T if it doesn't benefit his, business he's not doing,

1695
01:09:52,320 --> 01:09:55,040
Speaker 5: it of, Course like that's just as that simple that

1696
01:09:55,320 --> 01:09:55,720
Speaker 5: he didn't do.

1697
01:09:55,760 --> 01:09:57,519
Speaker 4: It but and at this point in his, life that's

1698
01:09:57,560 --> 01:09:58,200
Speaker 4: what you're supposed to be.

1699
01:09:58,200 --> 01:10:00,680
Speaker 5: Doing if it's not beneficial to me business, wise if

1700
01:10:00,720 --> 01:10:03,320
Speaker 5: it's not doing nothing for me in my, business why

1701
01:10:03,320 --> 01:10:04,479
Speaker 5: AM i even engaging.

1702
01:10:04,520 --> 01:10:06,559
Speaker 2: It but that's only when it comes to Rat because

1703
01:10:06,560 --> 01:10:08,720
Speaker 2: when it comes to, trolling even though it might not

1704
01:10:08,760 --> 01:10:10,160
Speaker 2: benefit his, business he still does.

1705
01:10:10,200 --> 01:10:13,480
Speaker 1: It he does it and then hashtags whatever brand.

1706
01:10:13,360 --> 01:10:17,360
Speaker 5: He's, yeah he is working on, it coneyak like anybody

1707
01:10:17,360 --> 01:10:19,439
Speaker 5: paying attention to them Hashtag branson's at the end of

1708
01:10:19,560 --> 01:10:21,280
Speaker 5: you don't know. That we don't know how many cases

1709
01:10:21,280 --> 01:10:24,200
Speaker 5: he moving each, tweet each. TWEET i ain't checking how

1710
01:10:24,200 --> 01:10:26,080
Speaker 5: many how many cases has moved each.

1711
01:10:26,120 --> 01:10:26,920
Speaker 4: TWEET i don't let.

1712
01:10:26,960 --> 01:10:30,360
Speaker 3: The act like amazing businessman like whole get a company

1713
01:10:30,400 --> 01:10:32,439
Speaker 3: hot for a few months based off what they're doing

1714
01:10:32,520 --> 01:10:34,000
Speaker 3: and they're selling shit at the highest.

1715
01:10:34,000 --> 01:10:36,760
Speaker 1: Point AND i didn't plan on all.

1716
01:10:36,760 --> 01:10:37,479
Speaker 6: Of this for a.

1717
01:10:37,520 --> 01:10:39,439
Speaker 5: While he got a whole he got a whole, studio

1718
01:10:40,400 --> 01:10:42,679
Speaker 5: a film, lot he building in In Baton.

1719
01:10:42,760 --> 01:10:44,320
Speaker 4: Ruge, yeah like.

1720
01:10:44,360 --> 01:10:45,120
Speaker 1: He playing that.

1721
01:10:45,200 --> 01:10:48,800
Speaker 5: Game man fifty over there creating shows and he not paying.

1722
01:10:48,840 --> 01:10:52,400
Speaker 5: ATTENTION i think fifty is laughing at anybody that is

1723
01:10:52,439 --> 01:10:54,519
Speaker 5: his age or his peers that are still trying to

1724
01:10:54,520 --> 01:10:57,000
Speaker 5: make money off RAT i think that's what it. IS

1725
01:10:57,000 --> 01:10:59,519
Speaker 5: i think he like y'all still. Rapping ain't no money

1726
01:10:59,520 --> 01:11:02,000
Speaker 5: in this. Ship none of you niggas is going on.

1727
01:11:02,080 --> 01:11:05,200
Speaker 2: Tour how do you feel ABOUT ti trying to come

1728
01:11:05,240 --> 01:11:08,320
Speaker 2: back with the album after the comedy, thing BECAUSE i

1729
01:11:08,320 --> 01:11:10,120
Speaker 2: had a conversation with somebody who was just kind of,

1730
01:11:10,160 --> 01:11:13,519
Speaker 2: like is given empty nest, syndrome like midlife, Crisis like

1731
01:11:13,560 --> 01:11:14,960
Speaker 2: what the fuck are you? Doing because you can't be

1732
01:11:15,000 --> 01:11:16,680
Speaker 2: a rapper and be, Funny you're gonna have to pick

1733
01:11:16,720 --> 01:11:18,960
Speaker 2: them because we ain't gonna take you serious on one of.

1734
01:11:18,960 --> 01:11:21,599
Speaker 1: Them mad rappers are. FUNNY i don't know If i'm

1735
01:11:21,600 --> 01:11:23,320
Speaker 1: putting mad in front of rappers are, funny but.

1736
01:11:23,280 --> 01:11:25,439
Speaker 2: YEAH i don't. Know they might be naturally. Funny they're

1737
01:11:25,479 --> 01:11:27,599
Speaker 2: not trying to be. Comedians oh, NO i agree. THERE

1738
01:11:29,320 --> 01:11:32,519
Speaker 2: i think that's that's. Unfair T i has been actively.

1739
01:11:32,560 --> 01:11:35,439
Speaker 2: Right he's not one of those rappers that took a huge.

1740
01:11:35,479 --> 01:11:37,599
Speaker 2: BREAK i, mean, yeah there's some some gaps there when

1741
01:11:37,640 --> 01:11:39,479
Speaker 2: you got a little bit. Older But TI i has

1742
01:11:39,479 --> 01:11:42,400
Speaker 2: been pretty, active even WHEN i considered him a legacy.

1743
01:11:42,400 --> 01:11:44,400
Speaker 3: Act he had a number one record with Young thug

1744
01:11:44,720 --> 01:11:47,479
Speaker 3: Like TI i has kept it. Hit TI i has

1745
01:11:47,520 --> 01:11:50,080
Speaker 3: always been. ACTIVE i think that's unfair.

1746
01:11:49,720 --> 01:11:53,639
Speaker 1: To do to the older, Artists, like, yeah nobody Thinks

1747
01:11:53,680 --> 01:11:57,680
Speaker 1: Bruce springsteen's having a midlife, crisis LIKE i JUST i.

1748
01:11:57,600 --> 01:12:02,439
Speaker 3: Think THAT'S i think that's, midlife nigga late. Life, Okay i'm.

1749
01:12:02,439 --> 01:12:05,720
Speaker 3: Saying i'm saying when when he Was TI's, age like

1750
01:12:05,760 --> 01:12:06,479
Speaker 3: THE B Street.

1751
01:12:06,280 --> 01:12:08,920
Speaker 5: Band was still was still when he was, age he

1752
01:12:08,960 --> 01:12:10,840
Speaker 5: was selling out the Fucking garden for a, Month like

1753
01:12:10,880 --> 01:12:11,439
Speaker 5: what are you talking?

1754
01:12:11,439 --> 01:12:13,960
Speaker 3: About a giant? Stadium like are you kidding? Me like

1755
01:12:14,040 --> 01:12:17,040
Speaker 3: that wasn't nobody's still making? Music like, Again we've talked

1756
01:12:17,040 --> 01:12:20,879
Speaker 3: about this plenty of. Times rap is the only genre

1757
01:12:21,080 --> 01:12:24,400
Speaker 3: that that frowns upon older artists continuing their career outside

1758
01:12:24,439 --> 01:12:26,240
Speaker 3: of what we've Seen, hove nas et.

1759
01:12:26,320 --> 01:12:26,720
Speaker 1: Cetera do.

1760
01:12:26,880 --> 01:12:29,160
Speaker 5: Listen i'll tell y'all all the, time and y'all keep

1761
01:12:29,200 --> 01:12:31,720
Speaker 5: tempted rappers don't. Retire we, know, no, no not that.

1762
01:12:31,800 --> 01:12:32,320
Speaker 4: Rapp i'm.

1763
01:12:32,360 --> 01:12:36,200
Speaker 5: Tired once you start making movies and films as a,

1764
01:12:36,280 --> 01:12:39,960
Speaker 5: rapper there is no coming. Back nas gave Us belly

1765
01:12:40,000 --> 01:12:44,080
Speaker 5: and got the fuck out Of. Hollywood he gave it

1766
01:12:44,200 --> 01:12:45,960
Speaker 5: And belly was like low. Key that could have just

1767
01:12:45,960 --> 01:12:46,920
Speaker 5: been like a long rap.

1768
01:12:46,840 --> 01:12:48,519
Speaker 2: Video that was, honestly it was a TWO b.

1769
01:12:48,680 --> 01:12:50,000
Speaker 1: Movie, yeah like. That shit wasn't.

1770
01:12:50,040 --> 01:12:52,600
Speaker 5: Like but once you start really like, yo once you

1771
01:12:52,720 --> 01:12:56,360
Speaker 5: really start jumping into LIKE tv and, film.

1772
01:12:56,280 --> 01:12:57,320
Speaker 1: You can't come back to.

1773
01:12:57,439 --> 01:12:59,840
Speaker 3: Rap, okay, Fair BUT i feel like T i had

1774
01:12:59,840 --> 01:13:02,439
Speaker 3: the the young thug about the money, record AND i

1775
01:13:02,439 --> 01:13:05,000
Speaker 3: think he had been In takers at that point in Atl.

1776
01:13:05,160 --> 01:13:08,559
Speaker 3: And like T i did Atl and had a very

1777
01:13:09,000 --> 01:13:15,200
Speaker 3: successful rap career after a major motion. Film, true he's

1778
01:13:15,280 --> 01:13:18,160
Speaker 3: he's one of the few that that has stayed consistent

1779
01:13:18,280 --> 01:13:19,439
Speaker 3: after doing big.

1780
01:13:19,479 --> 01:13:19,839
Speaker 1: Movies.

1781
01:13:20,040 --> 01:13:23,040
Speaker 5: True What i'm saying is when you go INTO tv

1782
01:13:23,320 --> 01:13:27,559
Speaker 5: and film as a, rapper it is very hard to

1783
01:13:27,600 --> 01:13:30,439
Speaker 5: come back and people take you serious in.

1784
01:13:30,560 --> 01:13:31,439
Speaker 4: Music that's just.

1785
01:13:31,479 --> 01:13:34,000
Speaker 3: TOUGH i THINK ti is probably one of the very

1786
01:13:34,000 --> 01:13:38,120
Speaker 3: few outside of like the Fun state properties and like

1787
01:13:38,160 --> 01:13:40,160
Speaker 3: shit like, that like real actual.

1788
01:13:40,200 --> 01:13:41,280
Speaker 1: MOVIES ti is one of.

1789
01:13:41,280 --> 01:13:45,200
Speaker 3: The Few he's stayed consistent After Oh, Yeah ludacris is a.

1790
01:13:46,400 --> 01:13:47,479
Speaker 4: If a ludicrous Album Drive.

1791
01:13:47,520 --> 01:13:51,120
Speaker 5: Tomorrow What, yeah niggas is not running to the. LUDE

1792
01:13:51,240 --> 01:13:53,439
Speaker 5: i don't know for, Sure ryan, Said ryan's twenty. Three

1793
01:13:53,479 --> 01:13:55,800
Speaker 5: he said he Knows ti as an, actor not even

1794
01:13:55,800 --> 01:13:55,960
Speaker 5: as a.

1795
01:13:56,040 --> 01:13:57,960
Speaker 4: Rapper Three, oh he just said it.

1796
01:13:58,040 --> 01:14:00,360
Speaker 3: THEN i mean atl was for, SIX i Mean TI

1797
01:14:00,520 --> 01:14:03,560
Speaker 3: i had a great rap career after, that AND i

1798
01:14:03,560 --> 01:14:04,839
Speaker 3: thought that was a Great.

1799
01:14:04,600 --> 01:14:07,920
Speaker 5: But but, again atl is similar To paydon full And

1800
01:14:07,960 --> 01:14:11,639
Speaker 5: barey still. Rap it's Still, Atlanta it's still it's kind

1801
01:14:11,640 --> 01:14:14,639
Speaker 5: of it's not take away From, yeah but even, that

1802
01:14:14,640 --> 01:14:16,479
Speaker 5: that's when it started to List, yeah but that's when

1803
01:14:16,520 --> 01:14:18,200
Speaker 5: it started to get a little, like, Oh TI i

1804
01:14:18,280 --> 01:14:21,040
Speaker 5: is really sure to Act And i'm not saying that. Whever,

1805
01:14:21,200 --> 01:14:24,000
Speaker 5: see this is where my point does, fail the all

1806
01:14:24,000 --> 01:14:26,360
Speaker 5: about the money record With Young. THUG i can't really

1807
01:14:26,360 --> 01:14:28,320
Speaker 5: tell you what else is on THAT ti, album but

1808
01:14:29,120 --> 01:14:32,519
Speaker 5: what that was a very very big, record but big before,

1809
01:14:32,600 --> 01:14:34,439
Speaker 5: THAT T i was still acting AND i THOUGHT i

1810
01:14:34,479 --> 01:14:36,000
Speaker 5: had big. Ones he's one of the. FEW i think

1811
01:14:36,040 --> 01:14:38,680
Speaker 5: that's gonna, change. THOUGH i think with that era that.

1812
01:14:38,720 --> 01:14:42,520
Speaker 3: Happens but these Kids Jack harlow's doing fucking movies.

1813
01:14:42,200 --> 01:14:45,880
Speaker 1: With With Ben affleck And Matt. Damon like times are.

1814
01:14:45,960 --> 01:14:47,960
Speaker 3: CHANGING i think we're going to see more of that

1815
01:14:48,000 --> 01:14:50,599
Speaker 3: where rappers are going to have to also do movies

1816
01:14:51,400 --> 01:14:52,320
Speaker 3: in the peak of their.

1817
01:14:52,360 --> 01:14:55,080
Speaker 4: Career, YEAH i don't want to See Jack horllow.

1818
01:14:55,080 --> 01:14:57,760
Speaker 1: Acting though he wasn't bad ON i mean he he

1819
01:14:57,800 --> 01:14:59,320
Speaker 1: wasn't in the movie that, long but he wasn't.

1820
01:14:59,360 --> 01:15:02,599
Speaker 5: Terrible see white man Can? John Oh, No i've refused

1821
01:15:02,600 --> 01:15:04,280
Speaker 5: to see you watch. THAT i saw him In Dave,

1822
01:15:05,479 --> 01:15:09,679
Speaker 5: okay that's. Small white man can't jump TO i Refuse

1823
01:15:09,880 --> 01:15:11,559
Speaker 5: once you showed me him in the gym playing, Ball i'm,

1824
01:15:11,560 --> 01:15:13,880
Speaker 5: like this ain't even white man can jump in the?

1825
01:15:13,920 --> 01:15:14,640
Speaker 4: Gym what is this?

1826
01:15:14,680 --> 01:15:16,320
Speaker 1: SHIP i refuse? It, WELL i mean.

1827
01:15:16,400 --> 01:15:20,320
Speaker 3: Listening Will smith had a great freestyle on lyrical lemonade

1828
01:15:20,439 --> 01:15:21,160
Speaker 3: after his movie.

1829
01:15:21,160 --> 01:15:23,519
Speaker 5: Career you thought that was, hard. Y'all y'all really got

1830
01:15:23,520 --> 01:15:24,920
Speaker 5: mad at me THAT i came in and trash that.

1831
01:15:24,960 --> 01:15:31,040
Speaker 5: Ship see y'all don't never put the gold, out? Y'all

1832
01:15:32,600 --> 01:15:33,439
Speaker 5: can we put that On?

1833
01:15:33,560 --> 01:15:36,160
Speaker 1: Patreon like y'all want to, talk we should put the

1834
01:15:36,200 --> 01:15:39,320
Speaker 1: lyrical Lemonade Will smith mall on on page.

1835
01:15:39,439 --> 01:15:41,320
Speaker 5: Y'all was sitting here, Like, Nah, will don't you know

1836
01:15:41,320 --> 01:15:44,040
Speaker 5: if you want to do? This just why is he doing?

1837
01:15:44,040 --> 01:15:49,559
Speaker 5: This nobody wants to See Will smith? Rapping y'all are?

1838
01:15:49,600 --> 01:15:51,800
Speaker 4: Crazy? Man do we have voicemails.

1839
01:15:51,479 --> 01:15:54,599
Speaker 5: Sponsored by boostmob unlimited talk text and?

1840
01:15:54,920 --> 01:15:56,679
Speaker 4: Data you've got, Male.

1841
01:15:58,160 --> 01:16:05,000
Speaker 6: He's Uh Rory. Demerius everybody in the. Studio i'm A

1842
01:16:05,080 --> 01:16:08,920
Speaker 6: day one, listener longtime. Listener fuck with y'all all that.

1843
01:16:08,960 --> 01:16:13,320
Speaker 6: Stuff the QUESTION i have, today it's not necessarily A

1844
01:16:13,360 --> 01:16:16,679
Speaker 6: Valentine's day. Question it's more of a romantic relationship, question

1845
01:16:17,200 --> 01:16:19,320
Speaker 6: BUT i still think it might apply to what you're

1846
01:16:19,439 --> 01:16:20,120
Speaker 6: trying to discuss.

1847
01:16:20,200 --> 01:16:24,080
Speaker 1: TODAY i am an.

1848
01:16:23,960 --> 01:16:28,920
Speaker 6: Emotional, ass monogamous ass who got married at twenty. Five

1849
01:16:30,280 --> 01:16:35,280
Speaker 6: i'm thirty. Three, Now i'm about a decade, in And i'm, wondering,

1850
01:16:35,840 --> 01:16:41,080
Speaker 6: like when do y'all think that the hall past conversation

1851
01:16:41,200 --> 01:16:45,280
Speaker 6: should come, up or if it should ever come. Up you,

1852
01:16:45,320 --> 01:16:50,519
Speaker 6: Know i'm about a decade in as the monogamous emotional

1853
01:16:50,560 --> 01:16:51,920
Speaker 6: nigga THAT i. AM i don't really feel LIKE i

1854
01:16:52,000 --> 01:16:55,760
Speaker 6: need one right, now but, five, ten, fifteen twenty years

1855
01:16:55,800 --> 01:16:58,000
Speaker 6: in the, FUTURE i might think about, it you, Know

1856
01:16:58,600 --> 01:17:01,000
Speaker 6: so what do y'all think about how conversation should go,

1857
01:17:01,080 --> 01:17:04,720
Speaker 6: down like what location when it is to. Happen, Yeah

1858
01:17:04,760 --> 01:17:06,280
Speaker 6: i'm interested in hearing your, thoughts not.

1859
01:17:06,439 --> 01:17:09,920
Speaker 2: Location why do you want you should get SOME i like.

1860
01:17:09,880 --> 01:17:11,479
Speaker 5: The fact that he's saying like he ain't thinking about

1861
01:17:11,479 --> 01:17:13,080
Speaker 5: it right. Now, nigga you thinking about it right? Now

1862
01:17:13,120 --> 01:17:15,400
Speaker 5: that's what you're whispering in your bathroom?

1863
01:17:16,200 --> 01:17:18,519
Speaker 1: Life doesn't hear like you're you thinking about a hall?

1864
01:17:18,560 --> 01:17:19,639
Speaker 1: Pass you want a whole pass.

1865
01:17:19,720 --> 01:17:24,679
Speaker 3: TOMORROW i don't think you're emotional and monogamous because one

1866
01:17:24,800 --> 01:17:25,559
Speaker 3: you repeated it.

1867
01:17:25,600 --> 01:17:29,400
Speaker 1: TWICE i think you're a Manipulative Oh, jesus, okay, well

1868
01:17:29,600 --> 01:17:30,280
Speaker 1: what are you telling you?

1869
01:17:30,320 --> 01:17:30,720
Speaker 6: What to be?

1870
01:17:30,800 --> 01:17:31,720
Speaker 2: Honest what youre you calling the?

1871
01:17:31,800 --> 01:17:32,360
Speaker 1: MANIPULATION i.

1872
01:17:32,360 --> 01:17:35,400
Speaker 5: THINK i THINK i don't know if hall passes are.

1873
01:17:35,439 --> 01:17:36,080
Speaker 1: GOOD i don't think.

1874
01:17:36,120 --> 01:17:40,160
Speaker 5: So it's never good knowing your partner slept with, Somebody

1875
01:17:40,520 --> 01:17:42,719
Speaker 5: LIKE i don't care if it was like talked about,

1876
01:17:42,720 --> 01:17:46,800
Speaker 5: beforehand and it's like it's just not that's not a good.

1877
01:17:46,920 --> 01:17:50,000
Speaker 5: Feeling LIKE i think that changes everything in a.

1878
01:17:50,040 --> 01:17:52,240
Speaker 2: Relationship but some, PEOPLE i hear you AND i, agree

1879
01:17:52,640 --> 01:17:56,080
Speaker 2: some people give hall. Passes they'll give A hall pass

1880
01:17:56,160 --> 01:17:58,920
Speaker 2: and just be like or a hall passes if, like

1881
01:17:58,960 --> 01:18:01,720
Speaker 2: if this, happens or run into, this CAN i use?

1882
01:18:01,760 --> 01:18:03,720
Speaker 2: It some people, say don't tell me when you use.

1883
01:18:03,760 --> 01:18:05,840
Speaker 1: It you have, it but don't t hell.

1884
01:18:05,520 --> 01:18:09,320
Speaker 5: Nah knowing your girl got a whole, past first of,

1885
01:18:09,320 --> 01:18:12,400
Speaker 5: all KNOWING i just don't understand the type of relationships

1886
01:18:12,400 --> 01:18:13,080
Speaker 5: people be in.

1887
01:18:13,560 --> 01:18:14,240
Speaker 1: Knowing that your.

1888
01:18:14,360 --> 01:18:16,160
Speaker 5: Girl you telling your, girl, nah you can sleep with

1889
01:18:16,200 --> 01:18:18,200
Speaker 5: somebody else with just don't tell me about, it all, right?

1890
01:18:18,280 --> 01:18:20,840
Speaker 4: Mariouanas, like what what you?

1891
01:18:20,960 --> 01:18:22,679
Speaker 1: Mean you gave your girl.

1892
01:18:22,600 --> 01:18:25,040
Speaker 5: Permission to sleep with somebody else and you just don't

1893
01:18:25,040 --> 01:18:25,800
Speaker 5: want to know when she do?

1894
01:18:25,840 --> 01:18:28,000
Speaker 1: It what do we? TALK i don't even.

1895
01:18:28,080 --> 01:18:30,400
Speaker 5: Understand, like and again y'all be saying you old, mole you're.

1896
01:18:30,400 --> 01:18:33,040
Speaker 5: Familiar shut the fuck. Up that's why none of you

1897
01:18:33,120 --> 01:18:35,400
Speaker 5: niggas is happy in your. Relationship number, One number two

1898
01:18:35,880 --> 01:18:37,920
Speaker 5: telling your, girl, yo, nah you can sleep with somebody,

1899
01:18:37,960 --> 01:18:39,360
Speaker 5: else just just don't tell me, Though.

1900
01:18:40,960 --> 01:18:43,360
Speaker 1: How is that a healthy? Relationship what is healthy about?

1901
01:18:43,360 --> 01:18:44,040
Speaker 1: That WHAT i?

1902
01:18:44,080 --> 01:18:46,720
Speaker 2: WILL i want to harp on his context BECAUSE i

1903
01:18:46,720 --> 01:18:48,840
Speaker 2: think that his context is. Important he said he got

1904
01:18:49,040 --> 01:18:50,280
Speaker 2: they got married very.

1905
01:18:50,160 --> 01:18:54,519
Speaker 5: Young AND i make that young to get married in

1906
01:18:54,520 --> 01:18:56,760
Speaker 5: this day, age it kind of IS i From, virginia

1907
01:18:56,840 --> 01:18:57,320
Speaker 5: BUT i hear.

1908
01:18:57,360 --> 01:18:59,840
Speaker 2: You he's, saying when does that Come?

1909
01:19:00,360 --> 01:19:03,960
Speaker 5: Mexico they, Late i'm, sorry that was, Unnecessary my, Bad i'm,

1910
01:19:04,000 --> 01:19:04,439
Speaker 5: Sorry i'm.

1911
01:19:04,479 --> 01:19:05,000
Speaker 1: Sorry go.

1912
01:19:05,080 --> 01:19:09,560
Speaker 2: Ahead he's, saying, When when could this be a realistic.

1913
01:19:09,600 --> 01:19:12,240
Speaker 2: CONVERSATION i think that he's being. Realistic if you're twenty

1914
01:19:12,280 --> 01:19:14,960
Speaker 2: five years old and you're really in this for, keeps

1915
01:19:15,160 --> 01:19:18,280
Speaker 2: you could be married for the next fifty. Years and,

1916
01:19:18,400 --> 01:19:20,960
Speaker 2: yes people do, it but we act like people ain't step,

1917
01:19:21,000 --> 01:19:23,839
Speaker 2: out people ain't have like this is a realistic. Conversation

1918
01:19:23,920 --> 01:19:26,080
Speaker 2: you're expected to sleep with the same person for fifty.

1919
01:19:26,160 --> 01:19:30,439
Speaker 2: Years that's not for. Everybody so a lot of people

1920
01:19:30,479 --> 01:19:32,080
Speaker 2: are having those. CONVERSATIONS i don't think it's.

1921
01:19:32,200 --> 01:19:35,120
Speaker 5: UNREALISTIC i think if you having that, conversation you're not

1922
01:19:35,160 --> 01:19:39,479
Speaker 5: satisfied in your, relationship because if you, satisfy like your

1923
01:19:39,520 --> 01:19:41,519
Speaker 5: girl is everything to, you the sex is incredible.

1924
01:19:41,600 --> 01:19:44,360
Speaker 4: Life you can't even fathom to sleeping with somebody.

1925
01:19:44,360 --> 01:19:47,559
Speaker 5: Else if your man is satisfying you and you can't

1926
01:19:47,600 --> 01:19:49,920
Speaker 5: even the thought of another man climbing on top of

1927
01:19:49,960 --> 01:19:50,920
Speaker 5: you make you throw.

1928
01:19:51,040 --> 01:19:51,799
Speaker 1: Up, YES.

1929
01:19:53,600 --> 01:19:55,840
Speaker 2: I think if you're, HAPPY i think that we are

1930
01:19:55,880 --> 01:19:58,080
Speaker 2: the wrong. SIR i think you called into the wrong.

1931
01:19:58,120 --> 01:20:00,519
Speaker 2: Podcast none of us are married and have not been

1932
01:20:00,960 --> 01:20:04,519
Speaker 2: in relationship with over ten, years SO i think that

1933
01:20:04,520 --> 01:20:06,479
Speaker 2: that's it's a different conversation with those.

1934
01:20:06,520 --> 01:20:09,360
Speaker 3: PEOPLE i think it's definitely tougher for people that are

1935
01:20:09,400 --> 01:20:12,080
Speaker 3: married at twenty five and now thirty, three with the

1936
01:20:12,240 --> 01:20:15,360
Speaker 3: constant amount of other people they're subjected to every single.

1937
01:20:15,439 --> 01:20:16,880
Speaker 3: DAY i think it fucks with the human. BRAIN i

1938
01:20:16,920 --> 01:20:19,160
Speaker 3: don't think he's crazy for thinking. That my question is

1939
01:20:19,160 --> 01:20:21,720
Speaker 3: does she get a hall? Pass that's something that he left. Out,

1940
01:20:22,960 --> 01:20:25,120
Speaker 3: well does the hall pass go both? Ways or do

1941
01:20:25,160 --> 01:20:25,800
Speaker 3: you just want to fuck?

1942
01:20:25,800 --> 01:20:26,040
Speaker 1: Another?

1943
01:20:26,280 --> 01:20:28,240
Speaker 4: NOW i think the whole passes go both. WAYS i

1944
01:20:28,280 --> 01:20:29,040
Speaker 4: THINK i don't know what he.

1945
01:20:29,120 --> 01:20:30,760
Speaker 1: Got i've been a party.

1946
01:20:32,040 --> 01:20:33,400
Speaker 4: Like she can't do, it but he. CAN'T i don't

1947
01:20:33,400 --> 01:20:34,600
Speaker 4: know what to, notice, gentleman he might be.

1948
01:20:34,640 --> 01:20:37,280
Speaker 3: PIMPING i didn't take that as he was suggesting that

1949
01:20:37,800 --> 01:20:38,519
Speaker 3: she had one as.

1950
01:20:38,520 --> 01:20:40,200
Speaker 1: WELL i think he was a whole past.

1951
01:20:40,240 --> 01:20:42,640
Speaker 2: Conversation, yeah he didn't say for, me he said a

1952
01:20:42,640 --> 01:20:46,120
Speaker 2: hall pass. Conversation i'm sure he's thought, about like IF

1953
01:20:46,120 --> 01:20:47,479
Speaker 2: i asked for, one she might ask for.

1954
01:20:47,520 --> 01:20:48,680
Speaker 1: Once, yeah BECAUSE i.

1955
01:20:50,640 --> 01:20:53,040
Speaker 3: Think that's just going to cause obviously we don't know

1956
01:20:53,080 --> 01:20:55,080
Speaker 3: his wife and how she would take that. CONVERSATION i

1957
01:20:55,120 --> 01:20:56,360
Speaker 3: just think it's not going to go the way he

1958
01:20:56,400 --> 01:20:59,120
Speaker 3: thinks it's going to, go or or if it goes

1959
01:20:59,360 --> 01:21:01,360
Speaker 3: the way he wants want it to, go he's going

1960
01:21:01,400 --> 01:21:03,880
Speaker 3: to start to feel insecure of how ready she was

1961
01:21:03,960 --> 01:21:06,880
Speaker 3: to say yes with, it because now you're looking at your,

1962
01:21:07,320 --> 01:21:09,120
Speaker 3: hey maybe shoot the whole pastor she's like, yeah, look,

1963
01:21:09,720 --> 01:21:12,800
Speaker 3: yeah you're looking at your girl like go, okay you.

1964
01:21:12,760 --> 01:21:14,439
Speaker 5: Know why because this is the part of the whole

1965
01:21:14,439 --> 01:21:15,519
Speaker 5: past that you don't talk.

1966
01:21:15,560 --> 01:21:18,879
Speaker 1: About she already know who she. Wanted, fuck.

1967
01:21:20,400 --> 01:21:24,000
Speaker 5: She already know the nigga is already proud and ready to.

1968
01:21:24,040 --> 01:21:26,160
Speaker 5: Go the nigga can't wait for her to be like,

1969
01:21:26,240 --> 01:21:30,519
Speaker 5: yo like she knows, yet young girl know if she

1970
01:21:30,600 --> 01:21:33,599
Speaker 5: get the opportunity to step out on, you especially if

1971
01:21:33,600 --> 01:21:36,080
Speaker 5: it's like it's, okay like it's a green, light like

1972
01:21:36,080 --> 01:21:39,640
Speaker 5: it's a hall. Passer she knows where that nigga. Lives

1973
01:21:39,400 --> 01:21:42,200
Speaker 5: she probably already connected to the. Wildfund she's been there right.

1974
01:21:42,200 --> 01:21:45,760
Speaker 3: Now And tamol's, point if she has a hall pass

1975
01:21:45,800 --> 01:21:47,400
Speaker 3: and you have a hall past and you both agree

1976
01:21:47,479 --> 01:21:49,800
Speaker 3: and you feel okay about, it it's going to be

1977
01:21:49,840 --> 01:21:52,240
Speaker 3: way easier in the streets for her than it is for.

1978
01:21:52,320 --> 01:21:56,559
Speaker 3: You if you are this, misogynist monogamous person that you

1979
01:21:56,600 --> 01:21:58,720
Speaker 3: say you, are you can't just go back into the

1980
01:21:58,720 --> 01:22:00,640
Speaker 3: wild after eight years of being a house cat and

1981
01:22:00,640 --> 01:22:01,920
Speaker 3: thinking about to just fall into some.

1982
01:22:01,920 --> 01:22:05,360
Speaker 4: Pussy nah, nah you it depends on your. Game is

1983
01:22:05,360 --> 01:22:05,599
Speaker 4: on your.

1984
01:22:05,640 --> 01:22:09,320
Speaker 1: Game you don't even know how to flirt at this.

1985
01:22:09,360 --> 01:22:11,360
Speaker 5: Point you come back Like Jordan ware in the four Five,

1986
01:22:11,439 --> 01:22:13,879
Speaker 5: Nigga you right back in the, game AND i don't.

1987
01:22:13,720 --> 01:22:15,439
Speaker 2: Even the streets was waiting for you to come back

1988
01:22:15,680 --> 01:22:16,639
Speaker 2: to play games with. You.

1989
01:22:17,240 --> 01:22:18,759
Speaker 1: Yeah probably maybe.

1990
01:22:18,800 --> 01:22:22,080
Speaker 5: If i'm married for ten years AND i come outside one,

1991
01:22:22,160 --> 01:22:24,599
Speaker 5: night be, like, YO i got the hall, Pass i'm

1992
01:22:24,680 --> 01:22:27,760
Speaker 5: knocking some down. IMMEDIATELY i already know it ain't gonna

1993
01:22:27,800 --> 01:22:30,400
Speaker 5: be no. YOGA i need the Fund.

1994
01:22:31,240 --> 01:22:31,400
Speaker 1: I'm.

1995
01:22:31,400 --> 01:22:35,519
Speaker 5: Getting he's been, monogamous SAYING i can't speak ten years

1996
01:22:35,520 --> 01:22:38,160
Speaker 5: just becauseous many more than, that because they've been married

1997
01:22:38,200 --> 01:22:38,680
Speaker 5: for almost ten.

1998
01:22:38,760 --> 01:22:39,400
Speaker 1: Years they could have been.

1999
01:22:39,400 --> 01:22:41,200
Speaker 5: Together it's don't mean that you're not you, know the

2000
01:22:41,280 --> 01:22:43,960
Speaker 5: ladies don't think you cool. Personality am not saying, that

2001
01:22:44,000 --> 01:22:46,120
Speaker 5: but you haven't even you don't even know what's going

2002
01:22:46,120 --> 01:22:46,639
Speaker 5: on outside.

2003
01:22:46,680 --> 01:22:49,240
Speaker 1: Anymore what he said kids was going on.

2004
01:22:49,240 --> 01:22:51,120
Speaker 5: Outside who gives a fuck with y'all rule things at

2005
01:22:51,120 --> 01:22:53,040
Speaker 5: the top like, This you DON'T i got a whole

2006
01:22:53,080 --> 01:22:54,800
Speaker 5: pass of the. NIGHT i just need some. PUSSY i

2007
01:22:54,840 --> 01:22:57,680
Speaker 5: don't care who's. DEPRESSED i don't care who's. HOMELESS i

2008
01:22:57,720 --> 01:23:00,400
Speaker 5: don't give a. Fuck, dude are You are you not

2009
01:23:00,520 --> 01:23:03,640
Speaker 5: on your? Minstrel let's fuck. TONIGHT i need Tonight and

2010
01:23:04,120 --> 01:23:06,960
Speaker 5: they might an't pass that likes in the hall? Path

2011
01:23:07,080 --> 01:23:10,960
Speaker 5: is that worth your girl getting fucked as? Well because

2012
01:23:10,960 --> 01:23:12,720
Speaker 5: who knows who you're going to run into to use

2013
01:23:12,760 --> 01:23:15,360
Speaker 5: that hall? Pass how long you gonna? Last like you

2014
01:23:15,400 --> 01:23:18,479
Speaker 5: could really waste your hall pass on busting in thirty

2015
01:23:18,479 --> 01:23:20,519
Speaker 5: seconds because you've never been in another vagina for ten

2016
01:23:20,600 --> 01:23:23,479
Speaker 5: years and it's just happy to be, here and she

2017
01:23:23,520 --> 01:23:25,519
Speaker 5: could be getting a black like blown out.

2018
01:23:25,520 --> 01:23:27,639
Speaker 1: Over, bro do you know your girl getting?

2019
01:23:27,640 --> 01:23:29,920
Speaker 2: Fucked do you know how motherfucking MAD i would be

2020
01:23:29,960 --> 01:23:31,320
Speaker 2: IF i found out THAT i gave my man a

2021
01:23:31,320 --> 01:23:33,479
Speaker 2: hall pass and he went and busted in thirty. Seconds

2022
01:23:33,640 --> 01:23:37,080
Speaker 2: you got this bitch sticking at my kuchi whack because

2023
01:23:37,080 --> 01:23:39,200
Speaker 2: you couldn't control your motherfucking. Yourself you act that you

2024
01:23:39,200 --> 01:23:41,080
Speaker 2: ain't never not, nice but be like.

2025
01:23:41,120 --> 01:23:42,160
Speaker 1: That, OH i would.

2026
01:23:42,200 --> 01:23:46,080
Speaker 3: Be he's been in he's been in the same vagina

2027
01:23:46,120 --> 01:23:48,120
Speaker 3: for ten. Years his dick is going to be, like,

2028
01:23:48,120 --> 01:23:50,320
Speaker 3: wait where the fuck we at and maybe get a little.

2029
01:23:50,320 --> 01:23:54,960
Speaker 1: Excited whole passes and you doing all that so your

2030
01:23:54,960 --> 01:23:56,559
Speaker 1: girls would also get fucked and maybe.

2031
01:23:56,560 --> 01:23:58,759
Speaker 4: Better first of, all when did hall pass.

2032
01:23:58,520 --> 01:24:00,519
Speaker 1: Start wilson the?

2033
01:24:00,520 --> 01:24:02,679
Speaker 2: MOVIE i think, no it was a thing way before.

2034
01:24:02,720 --> 01:24:03,920
Speaker 2: That it's always been a.

2035
01:24:03,920 --> 01:24:08,160
Speaker 1: Thing, no it hasn't until the. Movie, honestly, no it.

2036
01:24:08,200 --> 01:24:09,439
Speaker 1: Has my, uncles my.

2037
01:24:09,560 --> 01:24:12,200
Speaker 5: Pops ain't nobody ever, said, yeah you, know let your

2038
01:24:12,200 --> 01:24:13,240
Speaker 5: moms go out one night.

2039
01:24:13,280 --> 01:24:15,439
Speaker 1: Again i've never heard that at the.

2040
01:24:15,439 --> 01:24:18,280
Speaker 2: Cookout well that's because this is and this is the.

2041
01:24:18,320 --> 01:24:19,880
Speaker 2: Thing this is WHY i. Said people have been married,

2042
01:24:19,920 --> 01:24:21,880
Speaker 2: before AND i, like my grandparents were married for fifty.

2043
01:24:21,960 --> 01:24:24,080
Speaker 2: Years but you got an auntie that ain't you know

2044
01:24:24,120 --> 01:24:27,879
Speaker 2: What i'm. Saying people have stepped out. Before it just was, no, no,

2045
01:24:27,680 --> 01:24:30,040
Speaker 2: no, no people have stepped up or aware, no, no, no, no.

2046
01:24:30,040 --> 01:24:33,000
Speaker 2: No people have been aware in their marriages of. Sides

2047
01:24:33,320 --> 01:24:36,080
Speaker 2: before it was just don't, ask don't. Tell it was

2048
01:24:36,280 --> 01:24:38,120
Speaker 2: very much don't. Ask, no that's not a hall. Past,

2049
01:24:38,160 --> 01:24:39,080
Speaker 2: yeah that's not a hall pass.

2050
01:24:39,120 --> 01:24:41,000
Speaker 1: Though that's. Different that's What i'm. Saying that's excepting.

2051
01:24:41,160 --> 01:24:44,240
Speaker 5: Cheating, yeah that's. Different i'm talking about your baby, here, yo.

2052
01:24:44,280 --> 01:24:45,920
Speaker 5: Tonight go, ahead go out with the girls and if

2053
01:24:45,920 --> 01:24:47,400
Speaker 5: you see somebody at the ball to.

2054
01:24:47,479 --> 01:24:48,120
Speaker 1: You but that's not.

2055
01:24:48,120 --> 01:24:51,240
Speaker 2: Usually how hall passes. Work every hall Pass i've ever.

2056
01:24:51,240 --> 01:24:53,240
Speaker 5: Well now it was different because y'all know exactly where

2057
01:24:53,240 --> 01:24:54,920
Speaker 5: the nigga lived with time he get.

2058
01:24:54,800 --> 01:24:57,479
Speaker 1: Off, work when he come into. Town y'all know.

2059
01:24:57,520 --> 01:24:59,880
Speaker 5: Exactly, yeah y'all know where y'all going to sleep With

2060
01:25:00,000 --> 01:25:01,360
Speaker 5: if your man get you a whole, pass YOU i

2061
01:25:01,400 --> 01:25:02,320
Speaker 5: know exactly what a guy is.

2062
01:25:02,360 --> 01:25:05,519
Speaker 4: Already it's no LIKE i wouldn't take. It you wouldn't

2063
01:25:05,520 --> 01:25:05,680
Speaker 4: take the.

2064
01:25:05,680 --> 01:25:07,839
Speaker 2: WHOLE i wouldn't take The, no that's for verse. Psychology

2065
01:25:07,920 --> 01:25:08,559
Speaker 2: but you wouldn't take.

2066
01:25:08,600 --> 01:25:09,200
Speaker 1: It i'm not an.

2067
01:25:09,240 --> 01:25:12,200
Speaker 5: Idiot you wouldn't take it because you don't want him

2068
01:25:12,240 --> 01:25:12,880
Speaker 5: to get a man to take.

2069
01:25:12,920 --> 01:25:14,720
Speaker 4: It, No so why wouldn't you take?

2070
01:25:14,720 --> 01:25:16,120
Speaker 2: IT i wouldn't take it BECAUSE i would feel like

2071
01:25:16,160 --> 01:25:17,920
Speaker 2: that's for verse. PSYCHOLOGY i feel like you're telling, me,

2072
01:25:17,960 --> 01:25:19,360
Speaker 2: yeah you could go do, this you don't really want

2073
01:25:19,400 --> 01:25:19,680
Speaker 2: me to go do?

2074
01:25:19,680 --> 01:25:19,720
Speaker 6: It?

2075
01:25:19,760 --> 01:25:20,280
Speaker 2: DO i wouldn't do.

2076
01:25:20,320 --> 01:25:22,439
Speaker 5: It, No i'd understand What i'm telling me if you

2077
01:25:22,479 --> 01:25:24,160
Speaker 5: know your man is, like, yo, LISTEN i.

2078
01:25:24,120 --> 01:25:26,000
Speaker 2: Don't date men like, That SO i can't again a

2079
01:25:26,080 --> 01:25:28,479
Speaker 2: hypothetical that would never. HAPPEN i can't speak for that

2080
01:25:28,800 --> 01:25:30,559
Speaker 2: because it just it's so unrealistic to.

2081
01:25:30,600 --> 01:25:33,280
Speaker 3: Me and then also the whole past. Thing this is

2082
01:25:33,280 --> 01:25:34,639
Speaker 3: WHAT i want to know because it's a one time.

2083
01:25:34,720 --> 01:25:36,799
Speaker 3: Thing so fuck if you bust quick.

2084
01:25:36,640 --> 01:25:37,160
Speaker 1: Whatever it's just one.

2085
01:25:37,200 --> 01:25:39,519
Speaker 3: Night let's say it's the greatest sex. Ever it's a

2086
01:25:39,640 --> 01:25:42,559
Speaker 3: one time. Thing what is that solving in the next

2087
01:25:42,600 --> 01:25:43,400
Speaker 3: fifty years of our?

2088
01:25:43,400 --> 01:25:43,879
Speaker 1: Marriage?

2089
01:25:44,439 --> 01:25:44,920
Speaker 4: YEAH i don't.

2090
01:25:44,960 --> 01:25:47,400
Speaker 1: Know that's WHY i was because it's, like are you

2091
01:25:49,360 --> 01:25:49,640
Speaker 1: next with the?

2092
01:25:49,760 --> 01:25:51,760
Speaker 5: Year, Yeah like you had sex with somebody just for the,

2093
01:25:51,880 --> 01:25:53,240
Speaker 5: night and that was one time you just wanted to

2094
01:25:53,280 --> 01:25:54,479
Speaker 5: go have sex with somebody, Else.

2095
01:25:54,320 --> 01:25:55,640
Speaker 3: Like is it a hall pass for the rest of

2096
01:25:55,680 --> 01:25:57,599
Speaker 3: our marriage where we're just in an, open like open

2097
01:25:57,640 --> 01:26:00,000
Speaker 3: relationship even THOUGH i couldn't do that make way more

2098
01:26:00,080 --> 01:26:01,680
Speaker 3: sense to me then one night.

2099
01:26:01,800 --> 01:26:03,519
Speaker 1: Thing sometimes it could just be.

2100
01:26:03,560 --> 01:26:05,720
Speaker 2: Curiosity it could just be like, yo like we've been

2101
01:26:05,760 --> 01:26:07,240
Speaker 2: doing this for so, long let's try something.

2102
01:26:07,280 --> 01:26:07,400
Speaker 6: New.

2103
01:26:07,520 --> 01:26:09,720
Speaker 3: Whatever but that's going to be a if it's one,

2104
01:26:09,800 --> 01:26:12,479
Speaker 3: night she's gonna be a stain that's there for such

2105
01:26:12,520 --> 01:26:15,920
Speaker 3: an unnecessary, reason because nothing's gonna change for the next

2106
01:26:15,920 --> 01:26:18,040
Speaker 3: fifty years of your relationship because you fuck somebody one

2107
01:26:18,120 --> 01:26:19,280
Speaker 3: night twenty.

2108
01:26:19,320 --> 01:26:22,000
Speaker 4: YEARS i never understood the definition of with the.

2109
01:26:22,040 --> 01:26:24,000
Speaker 1: Purpose i've never met anyone that's had a hall. PASS

2110
01:26:24,960 --> 01:26:26,240
Speaker 1: i thought it was honestly.

2111
01:26:25,960 --> 01:26:29,120
Speaker 2: A movie hall passes to me When i've had discussions

2112
01:26:29,120 --> 01:26:33,200
Speaker 2: about them and my relationships were always if you there's

2113
01:26:33,240 --> 01:26:37,400
Speaker 2: this one person that IF i met this, person, yo

2114
01:26:37,439 --> 01:26:39,640
Speaker 2: you gotta let me BECAUSE i wanted to do it so.

2115
01:26:39,720 --> 01:26:40,719
Speaker 1: Badly i've heard those.

2116
01:26:40,800 --> 01:26:44,960
Speaker 2: Before THOSE i really understand BECAUSE i don't understand that either,

2117
01:26:45,040 --> 01:26:45,800
Speaker 2: MAN i get that that's this.

2118
01:26:45,920 --> 01:26:47,920
Speaker 1: One doesn't that do? That or dumb because, bro she's

2119
01:26:47,960 --> 01:26:52,960
Speaker 1: gonna run into somebody you're not. Like imagine you.

2120
01:26:52,920 --> 01:26:54,800
Speaker 5: Being married for eight years and your girl, like you,

2121
01:26:54,800 --> 01:26:57,360
Speaker 5: KNOW i love. You But, yo If denzel have a

2122
01:26:57,439 --> 01:26:58,880
Speaker 5: back out to swam me, On i'm sucking.

2123
01:26:58,920 --> 01:26:59,679
Speaker 1: It BUT i said.

2124
01:26:59,680 --> 01:27:01,240
Speaker 2: That but but this is the thing that is a

2125
01:27:01,280 --> 01:27:03,360
Speaker 2: conversation that usually happens within the first two years of the.

2126
01:27:03,400 --> 01:27:04,000
Speaker 1: Relationship.

2127
01:27:04,280 --> 01:27:08,160
Speaker 3: Yo in ninety nine percent of relationships that aren't celebrity

2128
01:27:08,160 --> 01:27:11,320
Speaker 3: BASED i am not running Into. Rihanna she may run

2129
01:27:11,320 --> 01:27:13,439
Speaker 3: Into MICHAEL. B. Jordan why would you agree to?

2130
01:27:13,479 --> 01:27:19,040
Speaker 2: That why is every man's hall Pass? Rihanna every man's haw?

2131
01:27:19,080 --> 01:27:24,320
Speaker 1: Past Is? Rihanna? Thinking rihanna would fuck any of? Us you?

2132
01:27:24,360 --> 01:27:26,040
Speaker 2: Know it was me LIKE i ran into What i've

2133
01:27:26,080 --> 01:27:28,360
Speaker 2: run into a few of my hall passes THAT i

2134
01:27:28,400 --> 01:27:29,680
Speaker 2: had made with other, men a few of.

2135
01:27:29,760 --> 01:27:33,080
Speaker 5: Them men are going to lose that battle every, time

2136
01:27:33,720 --> 01:27:34,960
Speaker 5: BECAUSE i promise, you.

2137
01:27:37,160 --> 01:27:39,639
Speaker 3: All, right never, mind, forget. FORGET i just said said

2138
01:27:39,640 --> 01:27:41,880
Speaker 3: that entire. THING i say all that to SAY i

2139
01:27:41,920 --> 01:27:43,680
Speaker 3: don't really understand the whole past. THING i don't think

2140
01:27:43,720 --> 01:27:46,320
Speaker 3: it solves. ANYTHING i think if you are already thinking that,

2141
01:27:46,360 --> 01:27:48,920
Speaker 3: way maybe you should have an open relationship, conversation BECAUSE

2142
01:27:48,960 --> 01:27:50,360
Speaker 3: i think if you get a taste to the streets

2143
01:27:50,360 --> 01:27:52,560
Speaker 3: with a hall, pass it's not going to, stop and

2144
01:27:52,600 --> 01:27:55,320
Speaker 3: it's just going to make everything more. Awkward AND i

2145
01:27:55,360 --> 01:27:57,680
Speaker 3: think if she's excited for, it it's going to make

2146
01:27:57,720 --> 01:27:58,400
Speaker 3: you feel even.

2147
01:27:58,439 --> 01:28:00,200
Speaker 1: CRAZIER i think if you get.

2148
01:28:00,040 --> 01:28:01,960
Speaker 2: To taste to the, streets usually as a man that's

2149
01:28:02,000 --> 01:28:03,880
Speaker 2: been married for eight years and you really really love your,

2150
01:28:03,880 --> 01:28:05,439
Speaker 2: wife you get a taste to the streets and you're

2151
01:28:05,479 --> 01:28:06,160
Speaker 2: learn to love her.

2152
01:28:06,200 --> 01:28:08,920
Speaker 1: More you're gonna love her. More Oh, no the streets

2153
01:28:08,920 --> 01:28:11,559
Speaker 1: is cooked out. Here streets is. Done but if you're

2154
01:28:11,560 --> 01:28:13,120
Speaker 1: trying to have some, fun the streets is wide.

2155
01:28:12,960 --> 01:28:16,160
Speaker 2: Open even if you go to but a married man that's.

2156
01:28:15,920 --> 01:28:18,000
Speaker 3: Trying to find a wife in this, Bunch, no it's,

2157
01:28:18,000 --> 01:28:21,240
Speaker 3: Cooked i'm. Saying but if you wanta, Fun, yeah.

2158
01:28:21,080 --> 01:28:22,599
Speaker 2: There's plenty of wives out, there but.

2159
01:28:24,360 --> 01:28:26,160
Speaker 4: Plenty of WIVES i want to.

2160
01:28:26,200 --> 01:28:28,559
Speaker 5: Meet there's a certain esthetic to the people that have all.

2161
01:28:28,600 --> 01:28:32,000
Speaker 5: Passes ANYBODY i know who was ever like let their

2162
01:28:32,040 --> 01:28:34,559
Speaker 5: girl like or let their it's a certain esthetic to.

2163
01:28:34,560 --> 01:28:37,720
Speaker 5: Them the their fingernails, dirty nobody want to sleep with.

2164
01:28:37,760 --> 01:28:41,479
Speaker 5: You i'm talking about ones that have actually went through with,

2165
01:28:41,600 --> 01:28:45,600
Speaker 5: It like you ain't that. Attractive it's, like OH i

2166
01:28:45,640 --> 01:28:49,040
Speaker 5: let my girl goes, like all, right who hit?

2167
01:28:49,120 --> 01:28:49,960
Speaker 1: It who hit? That?

2168
01:28:50,040 --> 01:28:51,880
Speaker 3: Like, yeah that's that's WHY i like when we talk

2169
01:28:51,920 --> 01:28:54,160
Speaker 3: about the nude beach. STUFF i also think the. Same

2170
01:28:54,320 --> 01:28:56,840
Speaker 3: another myth about the sex clubs and the swingers. CLUBS

2171
01:28:56,920 --> 01:29:00,000
Speaker 3: i don't think you're about to find in the world.

2172
01:28:59,760 --> 01:29:02,160
Speaker 5: Club in the swingers. Club i've never bet you're wrong About,

2173
01:29:02,200 --> 01:29:05,960
Speaker 5: okay so you're. Wrong, YEAH i Just i'm assuming that

2174
01:29:06,040 --> 01:29:08,719
Speaker 5: maybe they don't have the BEST i, think.

2175
01:29:08,560 --> 01:29:11,080
Speaker 2: But you have too attractive friends who have told you

2176
01:29:11,120 --> 01:29:13,920
Speaker 2: that they've gone to those, things they've been with attractive,

2177
01:29:13,960 --> 01:29:18,439
Speaker 2: men and they, like that's, no that's that's just horninessas Be,

2178
01:29:18,960 --> 01:29:22,519
Speaker 2: no not new, beaches the sex swingers, Clubs oh, Yeah

2179
01:29:22,520 --> 01:29:23,280
Speaker 2: i'm not into.

2180
01:29:23,160 --> 01:29:25,120
Speaker 3: Maybe not the ones that she was going to with her.

2181
01:29:25,200 --> 01:29:27,040
Speaker 3: MAN i do think kind of the way the nude

2182
01:29:27,040 --> 01:29:29,720
Speaker 3: beaches and there was like certain resorts that are made for,

2183
01:29:29,800 --> 01:29:32,840
Speaker 3: swingers and like you put something on your. DOOR i

2184
01:29:32,840 --> 01:29:34,160
Speaker 3: don't think you were getting the best.

2185
01:29:34,200 --> 01:29:36,640
Speaker 5: Bunch oh the upside down pineapple. People, yeah that you

2186
01:29:36,640 --> 01:29:38,320
Speaker 5: guys have told me. ABOUT i don't think those married

2187
01:29:38,320 --> 01:29:39,640
Speaker 5: couples is really who you should be.

2188
01:29:39,640 --> 01:29:40,479
Speaker 1: Fucking but that's just.

2189
01:29:40,520 --> 01:29:44,720
Speaker 5: Me i'm just not into you like that Ship LIKE

2190
01:29:44,840 --> 01:29:46,840
Speaker 5: i don't like nobody fucking like bitches that ain't don't

2191
01:29:46,840 --> 01:29:47,080
Speaker 5: do that.

2192
01:29:47,040 --> 01:29:48,559
Speaker 1: Because you got he got wooed at the bar and

2193
01:29:48,560 --> 01:29:50,000
Speaker 1: went up to the hotel.

2194
01:29:50,080 --> 01:29:55,240
Speaker 2: Room this swinger you was almost, there ye, Well Chuck

2195
01:29:55,280 --> 01:29:56,840
Speaker 2: lidel almost Got oh.

2196
01:29:57,200 --> 01:30:00,559
Speaker 5: No BUT i mean that WAS i, KNOW i know

2197
01:30:00,560 --> 01:30:02,080
Speaker 5: how it looked like that could have been the case

2198
01:30:02,120 --> 01:30:04,400
Speaker 5: with that that definitely was not gonna. Happen but, YEAH

2199
01:30:04,400 --> 01:30:05,920
Speaker 5: i JUST i don't know that whole. SWIT i just

2200
01:30:05,920 --> 01:30:09,599
Speaker 5: don't know, man like cause it's like who is? It

2201
01:30:09,640 --> 01:30:12,720
Speaker 5: where are you? From like you're supposed to just get

2202
01:30:12,760 --> 01:30:14,680
Speaker 5: like naked and just climb on top of, this like,

2203
01:30:14,760 --> 01:30:17,680
Speaker 5: eh you, don't like you don't be knowing people like

2204
01:30:17,720 --> 01:30:19,240
Speaker 5: how you just getting naked and start.

2205
01:30:19,040 --> 01:30:22,320
Speaker 1: Fucking like random? People that's always. Sir that shit is

2206
01:30:22,360 --> 01:30:22,800
Speaker 1: crazy to.

2207
01:30:22,920 --> 01:30:25,920
Speaker 5: Me i'm, sorry like people smells and senses, like, yo

2208
01:30:26,200 --> 01:30:28,479
Speaker 5: you don't know what you're in for with, This LIKE

2209
01:30:28,560 --> 01:30:30,280
Speaker 5: i just don't know how people be like, Yo i'm.

2210
01:30:30,160 --> 01:30:32,880
Speaker 4: Going to swingers? Club like, word like what does smell

2211
01:30:32,960 --> 01:30:33,160
Speaker 4: like in?

2212
01:30:33,200 --> 01:30:33,240
Speaker 6: It?

2213
01:30:34,479 --> 01:30:36,679
Speaker 2: Sorry ooh?

2214
01:30:36,960 --> 01:30:39,160
Speaker 1: Nothing do you have to sound like? Waivers and like

2215
01:30:39,200 --> 01:30:42,479
Speaker 1: you have to come with a city? TEST i would hope.

2216
01:30:42,240 --> 01:30:45,960
Speaker 2: So no YOU i don't think so You some some you,

2217
01:30:46,040 --> 01:30:48,280
Speaker 2: do the super exclusive. Ones you do have to have

2218
01:30:48,280 --> 01:30:50,280
Speaker 2: a clean bill of, rights but a lot of them

2219
01:30:50,360 --> 01:30:51,120
Speaker 2: clean bullet rights is.

2220
01:30:51,200 --> 01:30:54,800
Speaker 1: Hilarious, no IF i walked into a sex club and

2221
01:30:54,840 --> 01:30:57,439
Speaker 1: they just come on, in, sir you.

2222
01:30:57,439 --> 01:30:59,080
Speaker 5: Gotta cert, well you gotta sign a? Waiver do you

2223
01:30:59,120 --> 01:30:59,600
Speaker 5: have to sign a?

2224
01:30:59,600 --> 01:31:02,120
Speaker 2: Waiver same thing with like, Skiing like if you hurt,

2225
01:31:02,120 --> 01:31:02,760
Speaker 2: yourself it ain't.

2226
01:31:02,760 --> 01:31:06,320
Speaker 3: ON i get the waiver part of anything, happens it's.

2227
01:31:06,360 --> 01:31:08,479
Speaker 3: Fragile i'm talking about if you don't show up with your,

2228
01:31:08,520 --> 01:31:13,400
Speaker 3: Paperwork like are you? Good, Yeah i'm not.

2229
01:31:15,280 --> 01:31:19,479
Speaker 5: Rory what you ashibious for their paperwork when you?

2230
01:31:19,720 --> 01:31:21,920
Speaker 1: Them i'm talking about if you're in a venue of sex.

2231
01:31:21,960 --> 01:31:23,720
Speaker 1: Club but what does that?

2232
01:31:23,800 --> 01:31:25,519
Speaker 2: Mean you think people who are in sex clubs are

2233
01:31:25,560 --> 01:31:26,479
Speaker 2: dirtier than just regular?

2234
01:31:26,479 --> 01:31:29,200
Speaker 3: People you, KNOW i don't think that. WHATSOEVER i think,

2235
01:31:29,439 --> 01:31:31,320
Speaker 3: Shit i've told you. BEFORE i think strippers are probably

2236
01:31:31,320 --> 01:31:34,639
Speaker 3: cleaner because their whole job is defined on that part

2237
01:31:34,680 --> 01:31:38,360
Speaker 3: of their. Body strippers or porn stars and, ESCORTS i

2238
01:31:38,439 --> 01:31:40,320
Speaker 3: think they're a lot cleaner than and the chicks that

2239
01:31:40,400 --> 01:31:41,200
Speaker 3: just be on the club.

2240
01:31:41,439 --> 01:31:43,719
Speaker 4: And porn star escorts is two totally different.

2241
01:31:43,720 --> 01:31:46,560
Speaker 3: Things, well sometimes they're. All they all do the, same what?

2242
01:31:46,640 --> 01:31:49,200
Speaker 3: Else they check all the. Same some people are, writers

2243
01:31:49,200 --> 01:31:50,080
Speaker 3: producers and.

2244
01:31:50,000 --> 01:31:55,080
Speaker 1: Rappers multi tells. Multipa but IF i think.

2245
01:31:54,920 --> 01:31:57,040
Speaker 3: Of escort the hot LIKE i think high n escorts

2246
01:31:57,160 --> 01:32:00,200
Speaker 3: probably take care of their sexual health more than the

2247
01:32:00,280 --> 01:32:02,080
Speaker 3: average girl that's just out in the club getting.

2248
01:32:02,080 --> 01:32:05,160
Speaker 5: FUCKED i really did for work because it's their job.

2249
01:32:05,439 --> 01:32:07,479
Speaker 5: ESCORTS i don't know. Porn if you're in the porn,

2250
01:32:07,479 --> 01:32:09,320
Speaker 5: industry you get tested for.

2251
01:32:09,360 --> 01:32:10,519
Speaker 1: Sure, yeah you have.

2252
01:32:10,560 --> 01:32:13,160
Speaker 3: To and that's What i'm saying that at a sex

2253
01:32:13,160 --> 01:32:16,639
Speaker 3: club in a venue that is made for this Should

2254
01:32:16,640 --> 01:32:18,840
Speaker 3: we couldn't even walk in the airport without A covid.

2255
01:32:18,960 --> 01:32:21,240
Speaker 3: Swab If i'm walking into a place that's designed for

2256
01:32:21,280 --> 01:32:23,280
Speaker 3: a bunch of people to fuck each, OTHER i think

2257
01:32:23,320 --> 01:32:24,640
Speaker 3: it's a sane thing to.

2258
01:32:24,680 --> 01:32:26,960
Speaker 1: Go, well can you bring a CURRENT std?

2259
01:32:27,080 --> 01:32:27,800
Speaker 4: Test oh, no for.

2260
01:32:27,840 --> 01:32:30,679
Speaker 3: SURE i don't THINK i understand what Demears stryda. Said,

2261
01:32:30,720 --> 01:32:33,000
Speaker 3: yes HAVE i slept with a stranger? Before of COURSE i.

2262
01:32:33,040 --> 01:32:37,200
Speaker 3: Have but the whole hotel wasn't designed for everybody to

2263
01:32:37,240 --> 01:32:37,599
Speaker 3: fuck each.

2264
01:32:37,640 --> 01:32:40,439
Speaker 4: OTHER i don't. KNOW i think we.

2265
01:32:40,439 --> 01:32:42,320
Speaker 5: Should i'm just too much of A german folde, Man

2266
01:32:42,360 --> 01:32:45,160
Speaker 5: LIKE i Can't i'm laying down on this bed with

2267
01:32:45,200 --> 01:32:45,840
Speaker 5: four niggas just.

2268
01:32:45,840 --> 01:32:51,000
Speaker 1: Finished Oh i'm. NOT i just can't see me getting

2269
01:32:51,000 --> 01:32:51,600
Speaker 1: turned on in that.

2270
01:32:51,680 --> 01:32:52,960
Speaker 4: ENVIRONMENT i.

2271
01:32:52,960 --> 01:32:55,000
Speaker 5: Can't, LIKE i JUST i would be, Like i'll be

2272
01:32:55,000 --> 01:32:56,680
Speaker 5: looking around too, much like, yo how many he was

2273
01:32:56,720 --> 01:32:59,000
Speaker 5: just laying Like i'm lay With homie was just laying

2274
01:32:59,040 --> 01:33:01,320
Speaker 5: at like and you, know mall's Not i'm not doing

2275
01:33:01,360 --> 01:33:03,280
Speaker 5: that all showing up when when doors.

2276
01:33:03,320 --> 01:33:06,240
Speaker 1: Open so by the time mall gets, there those sheets

2277
01:33:06,240 --> 01:33:07,960
Speaker 1: have been used like a.

2278
01:33:08,000 --> 01:33:12,000
Speaker 5: Lot the windows is, foggy the walls is, wet there's ham.

2279
01:33:12,080 --> 01:33:17,280
Speaker 5: Prints i'm. Cool it's smelled crazy in. Here it smelled

2280
01:33:17,280 --> 01:33:18,360
Speaker 5: like open butthole in.

2281
01:33:18,439 --> 01:33:21,240
Speaker 4: Here Like i'm. Cool i'm. Not i'm to be, like,

2282
01:33:21,280 --> 01:33:22,439
Speaker 4: Yo i'm. Next i'm.

2283
01:33:22,439 --> 01:33:24,200
Speaker 1: Not. Well some people go and just observe.

2284
01:33:24,320 --> 01:33:26,400
Speaker 2: Mom some people going like they go with their girl

2285
01:33:26,400 --> 01:33:27,880
Speaker 2: and they just like they get a drink because there's

2286
01:33:27,960 --> 01:33:29,559
Speaker 2: usually bars and the they get a drink and they just.

2287
01:33:29,600 --> 01:33:32,439
Speaker 4: Watch i'm. Cool we can go watch something.

2288
01:33:32,479 --> 01:33:39,320
Speaker 1: Else paradise is back On Who's.

2289
01:33:37,960 --> 01:33:41,360
Speaker 5: It's so many in the streaming. Sites it's so many

2290
01:33:41,439 --> 01:33:44,040
Speaker 5: things we could go. Watch, Man, LIKE i just don't

2291
01:33:44,040 --> 01:33:45,839
Speaker 5: know IF i want to watch, that but i mean teachers.

2292
01:33:45,840 --> 01:33:48,880
Speaker 5: On that's a fun third, Day, yeah like teachers on. Whatever,

2293
01:33:48,920 --> 01:33:51,160
Speaker 5: man all, Right well we'd be back in a couple of.

2294
01:33:51,240 --> 01:33:54,760
Speaker 5: Days well, Tomorrow, yeah we be back, tomorrow all, Right

2295
01:33:54,840 --> 01:33:56,479
Speaker 5: so we'll see you on the. Couple be, safe be.

2296
01:33:56,560 --> 01:33:58,519
Speaker 5: Blessed i'm that. Nigga he's just ginger PEACE

2297
01:34:00,240 --> 01:34:01,320
Speaker 1: Woi And mound