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Speaker 1: Hey, Hi, I did miss you. I miss you so much.

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Speaker 1: I saw you the other day. You came by for

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Speaker 1: a little quick visit. And we're gonna we're gonna see

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Speaker 1: each other in Austin. I guess this is the last

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Speaker 1: show that will air right where we can tell people

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Speaker 1: about um coming. No, no, ok, yeah, it's next Sunday,

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Speaker 1: the Austin the Austin TV Festival. Guys, come see a

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Speaker 1: Scrubs reunion panel on June fifth at ten am at

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Speaker 1: the Paramount Theater in Austin. You will have I have

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Speaker 1: confirmed now, Donald Fhazon, Sarah Chuk, Neil Flynn, Bill Lawrence,

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Speaker 1: Judy Rays. Oh did I say, Johnny McGinley. I don't

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Speaker 1: think you didn't know. Yeah, that's here. You're gonna have boom.

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Speaker 1: We're gonna have all the all the all the main

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Speaker 1: lands except for Ken the heaters. That's amazing. It's we've

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Speaker 1: never we haven't all been together. We did a little

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Speaker 1: thing um for something else, but we haven't done this

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Speaker 1: in a very very long time. And it's gonna be

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Speaker 1: so great to be everybody. It'd be very nice. Um.

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Speaker 1: So I was false positive? Really? Oh you didn't even

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Speaker 1: have it? You sound upset? About that. Well, no, I'm

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Speaker 1: not upset about it. I was really geeked. I'm not

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Speaker 1: gonna lie man. I thought it was gonna be easy

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Speaker 1: COVID because I had no symptoms. Oh, you were excited

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Speaker 1: to get high and play video games and you didn't

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Speaker 1: get your chance. That all went out the window. Yeah,

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Speaker 1: remember how we were so geeked about that, guys? Yeah,

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Speaker 1: I was kind of like, it's funny. In this episode,

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Speaker 1: there's a whole plot line where Jordan is bed bedridden.

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Speaker 1: Is that the term? Yeah? Yeah yeah. And because of

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Speaker 1: her pregnancy, she has to be stay in bed and

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Speaker 1: and and Cox has to take care of her. You

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Speaker 1: were kind of stoked for the I get to um

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Speaker 1: lie in bed and play video games in case he

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Speaker 1: has to take care of me. And you didn't get

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Speaker 1: you Well, she couldn't take care of me, but I

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Speaker 1: get to lie in bed, play video games, smoker shit

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Speaker 1: kind of weed like. I had no symptoms, man, Like,

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Speaker 1: I was like, this is gonna be fucking Did you

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Speaker 1: have the did you have the animal face all lined

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Speaker 1: up ready to go? Dude? I was ready. I had

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Speaker 1: I cleaned both bonds, ready to go. I rolled some

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Speaker 1: Jay's and everything. Man, that was so funny. I smoke

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Speaker 1: a lot of weeds. I smoke a lot of me

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Speaker 1: covid by cleaning his bongs. Yeah, man, I listen. I

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Speaker 1: didn't listen. I smoke a lot of weed. It's very clear.

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Speaker 1: Those who know me know this. My wife thinks it's

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Speaker 1: a problem. My best friend thinks it's a problem. Yeah,

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Speaker 1: I said he needs rehab. Right. You said you were

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Speaker 1: quitting the other day. How did that work out? But

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Speaker 1: I just think it's bullshit, Like I have no I listen.

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Speaker 1: I used to smoke weed. I don't really smoke that

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Speaker 1: much anymore. But I just think it's bullshit that people

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Speaker 1: say it's not addictive. I know it's not. Physical is

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Speaker 1: completely addictive. Donald is addicted. Another very I am not addictive.

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Speaker 1: I just got a really strong habit. Whatever you want

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Speaker 1: to say, weed is addicting addictive? Um, yes it is.

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Speaker 1: I mean to each their own, but don't say it's

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Speaker 1: not addictive. You know what I find myself? Do you know?

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Speaker 1: Here's a fucked up shit. This is the fucked up

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Speaker 1: shit about weed, and all you people out thinking about

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Speaker 1: go stop bashing weed. You know what, I just smoke

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Speaker 1: something so I can do it right now. Look, that

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Speaker 1: shit really does make you be like, damn, man, I'm

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Speaker 1: not gonna smoke no more. That's it. I'm done, done,

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Speaker 1: I'm done. And then you'll be like, you know what

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Speaker 1: after this next bong hit one more? I just just

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Speaker 1: one one more? Yeah, your white's not that into your

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Speaker 1: weed habit. I've watch not that into me right now

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Speaker 1: because of my weed habit, dude, like it is, it

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Speaker 1: has amplified to the level where I am fucking on

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Speaker 1: that Snoop. Look, man, I get it, Snoop Dog, I

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Speaker 1: get it. Seth Rogan, I get it. You know what

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Speaker 1: I mean. I get it, Dude, I get it. There's

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Speaker 1: nothing like being able to sit at home all right.

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Speaker 1: So right now I don't have a lot of shit

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Speaker 1: to do, like I'm in that there's that little bit

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Speaker 1: of period where I have worked. I'm working a lot,

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Speaker 1: you know what I mean, But it's it's sporadic, you

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Speaker 1: know what I mean. So it's a day here, a

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Speaker 1: day there, you know what I mean. We do the

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Speaker 1: podcast and everything like that. So I got a shit

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Speaker 1: ton of time on my hands, right and it's it's

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Speaker 1: kind of fucking cool to be able to smoke weed

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Speaker 1: play video games while the kids are at school, they

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Speaker 1: get out of school and then play. You know, it

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Speaker 1: didn't take the kid to basketball practice or and then

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Speaker 1: be a daddy. That's kind of fun to do right now,

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Speaker 1: you know what I mean. But it can't last. And

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Speaker 1: I know that this the withdrawal from the amount of

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Speaker 1: weed that I'm smoking right now. You got off like anything. Man,

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Speaker 1: you gotta just set yourself a time, like I'm not

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Speaker 1: gonna smoke until after this time. Um, you can't. I mean, yeah,

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Speaker 1: I think that's the beauty of working. Working makes it

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Speaker 1: so because I've become such a you know, I'm way

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Speaker 1: more into seeing what I can do on camera now

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Speaker 1: than I than I was before, right, Like that's an

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Speaker 1: adventure now, Whereas before it was like, let's you know,

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Speaker 1: I want to I want to be on camera because

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Speaker 1: I want to be a star or whatever the shit is.

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Speaker 1: But like now it's like, you know, I'm way more

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Speaker 1: interested in figuring out what I can do on camera.

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Speaker 1: So because of that, I feel like I need to

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Speaker 1: be sober to do it. And so when I work,

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Speaker 1: I am so sober. When I'm not working, maybe it's depression.

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Speaker 1: But you also said you were going to join me

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Speaker 1: on this health kick because I'm back on the peloton.

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Speaker 1: I want a health kick. And it's good to have

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Speaker 1: a partner. It's good to have a partner. You can

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Speaker 1: be like, but you don't want to work out with me,

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Speaker 1: I don't want to work out with you. But I'm

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Speaker 1: saying like, it's good to have it. It's always good

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Speaker 1: when you're exercising or getting in shape or losing weight

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Speaker 1: to have a buddy that you're like, Hey, man, did

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Speaker 1: you peloton today? Yeah? Hey, you got your big ass

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Speaker 1: fucking jug of water? Yeah? You know, like, Um, I

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Speaker 1: don't have a jar of water today. Sorry, that's small,

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Speaker 1: too small? Um? Are you working out a lot right now? Yeah,

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Speaker 1: I'm working out. I'm training and I saw you looking sexy. Man, dude,

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Speaker 1: I'm not gonna lie to you. Thank you are looking good? Man,

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Speaker 1: you are? You are putting in. I'm trying to get this.

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Speaker 1: I'm trying to get the sea gutters back. I had

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Speaker 1: them for for for a moment. Summer. It's summer. You

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Speaker 1: gotta have the sea gutters. Well, you don't have to

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Speaker 1: have the sea gutters. You just have to be Look,

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Speaker 1: this is another thing I would like to have to

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Speaker 1: see guts. But when you're forty seven. It takes a

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Speaker 1: long time. A long time. No, but I'm saying the

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Speaker 1: love handles of the last to go. I just want

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Speaker 1: I just want to go into Beverly Hills and have

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Speaker 1: someone go, you know, I just want to be I

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Speaker 1: just want to be. Well, how much could it cost?

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Speaker 1: Can you cook? Can you google how much it cost

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Speaker 1: to have the love handles sucked out? What to put

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Speaker 1: on your ass? That's what the that's what some of

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Speaker 1: the women do. Then then then just put in their ass.

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Speaker 1: If we can get a bigger booty. What if is

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Speaker 1: there a way that fake doctor's real friends and some

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Speaker 1: could come and we'll do it live from there? Oh

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Speaker 1: that would be I would I would love to do

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Speaker 1: a live recording of you getting the cum gutters that

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Speaker 1: you desire and then getting it put then getting that fat.

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Speaker 1: Should we do a podcast from the doctor's office while

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Speaker 1: I'm having my my love handles put in my ass? Dane,

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Speaker 1: You'll be there, Oh, I'll be there right to the thing.

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Speaker 1: I just want to listen. I have a small booty,

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Speaker 1: and I live in Hollywood. It's accepted here. I just

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Speaker 1: want to suck out my love handles and put it

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Speaker 1: in my booty. I'll put the right love handle in

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Speaker 1: the right cheek. Cheek you don't have a lot of

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Speaker 1: You don't have a lot of love handle right now.

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Speaker 1: Man still be kind of tiny. Yeah, it'll have a

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Speaker 1: little booty, it will be much. But I'm I'm pelotoning

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Speaker 1: it off and I'm and I'm drinking a lot of water,

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Speaker 1: and I'm for you not not eating like an asshole.

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Speaker 1: And I'm barely drinking. And that's how you do it.

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Speaker 1: You do it. You got a lot of vegetables in

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Speaker 1: your diet. Are you doing a multi vitamin? I at

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Speaker 1: a lot of vegetables. I'm actually trying this food delivery

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Speaker 1: company that I don't like. It's it's very healthy, but

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Speaker 1: it's just not doesn't taste good to me. But you know,

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Speaker 1: those are hard to find. It's all difficult. It's very

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Speaker 1: difficult to get in shape eating something that somebody else

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Speaker 1: is saying, this is what you should eat today. Well,

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Speaker 1: it's I think it's also hard for people who work afore.

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Speaker 1: You know, I have to I have to say I

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Speaker 1: have to give respect to people that work a real

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Speaker 1: nine to five job and then have to come home

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Speaker 1: and eat healthy and and and bring healthy food to

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Speaker 1: work and all that stuff. I mean, I you know,

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Speaker 1: you come out, come out for for a lunch break

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Speaker 1: and there's a Chipotle right there, and you're like, oh,

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Speaker 1: I love I love a burrito. I don't want to

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Speaker 1: go a salad, you know, But down what are you saying? No,

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Speaker 1: I'm with you. That's I feel the exact same way,

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Speaker 1: working at nine to five and then being like, Okay,

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Speaker 1: let's make a healthy dinner. Yeah. Yeah, it's hard. It's hard.

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Speaker 1: Well it's not just that, it's also when you have

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Speaker 1: kids and stuff like that, you know what I mean, Yeah,

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Speaker 1: and they want to spend the whole day I want them. Shit,

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Speaker 1: you spend a whole day doing kid activities and stuff

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Speaker 1: like that, and then the nighttime comes and there's those

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Speaker 1: arches and you're like, yep, let's pull in. They took

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Speaker 1: out the last McDonald's. Um that's anywhere near me. Granted

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Speaker 1: now I live in a Hollywood West Hollywood areas, so

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Speaker 1: it's probably the only it's that's probably the only place

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Speaker 1: in the country that can say that. But there was

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Speaker 1: the one on on Sunset and Crescent the Heights that's gone.

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Speaker 1: There was the one across from CBS Radford, that's gone.

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Speaker 1: I was just trying to carry brothers about this because

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Speaker 1: he loves McDonald's and used to and his wife's pregnant,

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Speaker 1: so they're like, they're like McDonald's fans, and uh, I

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Speaker 1: know where they all are. But and he's like and

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Speaker 1: he's like, he's like, we gotta go to Sherman Oaks

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Speaker 1: for Yeah, that's where, buddy. But I'm just thinking, like,

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Speaker 1: this is by the only area of the country where

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Speaker 1: there's Dona McDonald's every fucking half mile, right, Yeah, that's

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Speaker 1: that's true. Um, okay, so switching gears. I'm really excited this.

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Speaker 1: You know, it will have already happened and we will

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Speaker 1: have already talked about it. Uh, but I'm really excited

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Speaker 1: for this Friday. I mean, like, oh, ob one, oh,

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Speaker 1: I'm not going out tonight like there was a because

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Speaker 1: because he was gonna take the kid to basketball, I'm

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Speaker 1: not taking the kid to bask until midnight. I don't

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Speaker 1: want to risk anything. I want to make sure that

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Speaker 1: I am alive to see the Obi Wan Canobi premiere.

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Speaker 1: Yeah shit, I don't give a fuck. Way goes. There's

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Speaker 1: a possibility that we could be driving on the road

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Speaker 1: and we get a flat tire and have to spend

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Speaker 1: an evening and then midnight comes and Nope, it's not available.

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Speaker 1: I'm telling you right now, I am very excited about

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Speaker 1: it drops at midnight tonight. Not only am I excited

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Speaker 1: about that four Oh my god, did you see that trail?

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Speaker 1: Did you see that trailer? No? But I saw Natalie's

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Speaker 1: bought fucking arms on a picture. Natalie I ripped, she

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Speaker 1: got the guns. I think hire, we need to hire

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Speaker 1: Portman's trainer. No, I want I want Liam Hemsworth's trainer,

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Speaker 1: because whatever that brother is doing. God, look, yeah, there's

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Speaker 1: a scene. There's a scene in the trailer where they look.

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Speaker 1: There's a scene in the trailer where they flick his

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Speaker 1: clothes like the guy. I think it's who is it

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Speaker 1: he's playing? Yeah, Russell Crowe's playing? Like, uh, is he

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Speaker 1: playing Zeus? Is that who we're going to see? Right?

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Speaker 1: So Russell curls praying Zeus and he flicks Thor's clothes off,

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Speaker 1: and not only do the women faint, but the men faint.

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Speaker 1: Everybody around is like, yo, I stopped the fucking I

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Speaker 1: stopped it. I stopped the trailer, ran into the living

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Speaker 1: room where my wife was and I was like, baby,

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Speaker 1: you've seen the Thort trailer and just it had just

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Speaker 1: come out. I was like, you seen the Thort trailer

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Speaker 1: yet she was like no. I was like, let me

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Speaker 1: show it to you. I showed it to her. She

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Speaker 1: fucking when the flick happened. She even went, you think

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Speaker 1: they're for theaters? You know? Oh? I hope, Well it's Disney.

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Speaker 1: So I don't know. I don't mean what do you

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Speaker 1: mean blurred? They blurred his his behind in the trailer,

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Speaker 1: um him from the back, completely nude out. I feel

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Speaker 1: like it's take away that dude is that dude is okay?

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Speaker 1: I don't know. Look, he's a very funny actor. He's

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Speaker 1: a very good actor, and his brother both His brother's

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Speaker 1: a sweetheart. Uh. Anyway, my point is, holy shit, dude,

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Speaker 1: what the fuck are you doing? How do I that's

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Speaker 1: how do I get to your height? One? And how

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Speaker 1: do I get those muscles too? You know what to do?

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Speaker 1: You could go on the program listen we should get

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Speaker 1: in this episode because it's fucking great. And listen, I'm

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Speaker 1: not just saying this. People are gonna go, oh, his

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Speaker 1: act directed this, so he's gonna be biased. I didn't

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Speaker 1: write the fucking thing. I did do a decent job

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Speaker 1: directing it. But this episode I found to be one

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Speaker 1: of the best in a long time. I laughed my

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Speaker 1: ass off. It's emotional, it is very well directed. Let's

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Speaker 1: be honest, and um and and everybody brought their a game.

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Speaker 1: It's beautifully shot. It's it's great, don't you think absolutely.

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Speaker 1: I was gonna ask you, let's get to the story

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Speaker 1: about show we made about a bunch of nurses and

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Speaker 1: stories sound yea, all right? So look, I have a

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Speaker 1: bunch of questions. One did end would DP this? Yes,

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Speaker 1: he did DP this. Yes, I don't think I don't think.

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Speaker 1: There's there's very few episodes John didn't shoot. Well, there

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Speaker 1: are episodes where he or days that he didn't shoot. Yeah, yeah,

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Speaker 1: and and and and Andy w. Goffer would step up

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Speaker 1: and and and Andy and Richard would sort of Richard

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Speaker 1: was the a camera operator. They would sort of share duties.

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Speaker 1: Um and they had different they had they both had

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Speaker 1: different versions of well, they both had different versions of

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Speaker 1: what the hospital looked like too. So Andy's had a

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Speaker 1: very warmer That's why I was asking, because I remember

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Speaker 1: Andy had a very warmer tone. Yeah, very I had,

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Speaker 1: sorry had Andy had a more warm tone to his

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Speaker 1: deeping and I don't remember Richards, but like John's was

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Speaker 1: so cold, John was more like the pilot than anything. Right,

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Speaker 1: Andy added warmth. Well, this episode had warmth around a Loma,

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Speaker 1: which I noticed the style. And I don't know if

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Speaker 1: there's something John and Sarah and Sarah and all of

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Speaker 1: these people like, yeah, I don't know. This may have

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Speaker 1: been something that John and I discussed. I don't know,

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Speaker 1: but it does look a little bit different. Um. I

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Speaker 1: think if you look at this, the shots from the

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Speaker 1: top around Aloma, they're warmer. It's almost like it's almost

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Speaker 1: giving her angelic glow to set you up and giving

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Speaker 1: myself goosebumps. But in giving you this angelic glow to

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Speaker 1: set you up for the ending. Um, I thought Aloma

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Speaker 1: right did a fantastic act job in this. You know,

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Speaker 1: she's usually just the one liner, um comedic relief, but

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Speaker 1: this episode was a chance for her to really show

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Speaker 1: the audience that she is a great actress. Yeah, you know,

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Speaker 1: she's Alma has been in a lot of other things

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Speaker 1: other than Scrubs. A lot of people know her best

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Speaker 1: from Scrubs, but she's I was in a movie called

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Speaker 1: Tripping with her. She's been doing this for a bit,

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Speaker 1: and yes, you don't survive in this in this industry

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Speaker 1: just being an okay actor you have. I was just happy, Chops.

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Speaker 1: I was very happy as you were to see to

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Speaker 1: let her to I'm happy to Bill gave her the

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Speaker 1: opportunity to show set Chops too. Yeah, um, kel So,

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Speaker 1: let's just go the top dogs are. Elliott has the

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Speaker 1: idea of bringing dog in, the patient's dog in to

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Speaker 1: cheer her up. She's terminally ill, and everybody loves dogs.

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Speaker 1: I love my dog, warn anything, and and so I

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Speaker 1: get it. And so Sarah's on a mission to get

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Speaker 1: that bulldog in there, and she conspires with the janitor

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Speaker 1: to sneak the dog in. So the thing that in

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Speaker 1: this storyline that are great, the Kelso not talking to

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Speaker 1: Elliott thing tracks. Yeah, it's tracks since she's become private practice,

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Speaker 1: and they've kept it through the whole series to this point, right,

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Speaker 1: and we eventually learned, you know why, when Judy later

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Speaker 1: tells her, like, you know, I think you're not you're

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Speaker 1: you have a blind spot you're not, which is always

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Speaker 1: great when you're friend and you have a friendship with

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Speaker 1: someone and they can tell you a blind spot you're

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Speaker 1: not seeing. And so Judy says, like, you know, he

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Speaker 1: trained you, He this hospital spent all this money and

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Speaker 1: time and effort making you the doctor you are, and

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Speaker 1: then you just leave for private practice. Like how do

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Speaker 1: you think that makes him feel? And so Elliott at

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Speaker 1: the end of the episode has an epiphany about all that. Yeah,

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Speaker 1: all of it. And because Bill and the writers they

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Speaker 1: really set us up great, you know what I mean.

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Speaker 1: This episode has so much at the end to cry about.

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Speaker 1: You know the fact that nurse Roberts is now in

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Speaker 1: a coma. Elliott and Kelso have mended their relationship, and

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Speaker 1: you know, Elliott has a different perspective of him, not

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Speaker 1: only him, but also the hospital. She's definitely more appreciative

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Speaker 1: because of what Carla told her, and so like, yeah,

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Speaker 1: this is You're absolutely right. It's well directed, but it's

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Speaker 1: also really well written. And it's like all of the

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Speaker 1: ship that we talk we will get into all of

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Speaker 1: the shit that we talked about the season in the

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Speaker 1: beginning and how it wasn't really that good. It's completely

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Speaker 1: grown on me. I know it's grown on you as well. Yeah,

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Speaker 1: And I just gotta say again. I laughed out loud

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Speaker 1: so many times in this episode, and then they dropped

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Speaker 1: the fucking heartbreak at the end in the classic Bill

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Speaker 1: Lawrence style. We should mention it's written by Jenney Backin,

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Speaker 1: but we always say it's also a team of writers

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Speaker 1: in a writer's room, and of course the mad genius himself,

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Speaker 1: Bill Lawrence. But um, it's just I just kept laughing.

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Speaker 1: First of all, breasts are a very big theme in

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Speaker 1: this episode. Um, it could have been called my breasts. Well,

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Speaker 1: it could have been called it could have been called

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Speaker 1: the Beautiful Ladies of Sacred Heart. Also, everybody is like

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Speaker 1: glammed up something about your episodes, man, all the girls

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Speaker 1: are always glammed. Oh man, I didn't write a baby.

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Speaker 1: I just I just shot him, all right, listen, let's

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Speaker 1: go back to the top. Leonard tries to help um

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Speaker 1: Elliott when she falls. I he goes my bad uh

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Speaker 1: are shirt off because he he's used to have well

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Speaker 1: he's used to having a hand, so and it's his

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Speaker 1: right hand, so he goes to grab her with his

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Speaker 1: dominant hand. Yeah it's no longer there. It's a hook. Yeah.

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Speaker 1: And that top off that was so shameless, Like Elliott

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Speaker 1: just in a bra in front of the class, and

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Speaker 1: then you reveal that every single person has their phone

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Speaker 1: out trying to film our guys put the phones down.

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Speaker 1: Then we have the classic Scrubs hot girl entrance as

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Speaker 1: Turk and Carla have gotten the nanny named Heather. Turk

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Speaker 1: brings the nanny cam video to work to show everyone

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Speaker 1: because he cannot believe how attractive she is. No, right, yes,

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Speaker 1: and and the funniest story is, oh my god, he

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Speaker 1: tells the Todd. This brings back so much. This episode

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Speaker 1: brings back so much from like season one or two.

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Speaker 1: It brings back so much. Wait. Wait, First of all,

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Speaker 1: he puts on the tape and uh no, he says,

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Speaker 1: I have a Ted. Ted's no way, hold up, go back.

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Speaker 1: He says, I have a tape, and he goes, let

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Speaker 1: me assemble everybody. Todd goes on the roof and blows

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Speaker 1: into a horn. Booby, it's like a booby so far right,

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Speaker 1: it's not a disraydo so there's no but it's it's

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Speaker 1: a booby horn. Yeah, and he says boobye booby right.

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Speaker 1: Remember that olds those old Recola commercials. I think it

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Speaker 1: was a takeoff on that because they would cut to

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Speaker 1: those dudes. I think that horn is I mean just

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Speaker 1: from the Recola commercials something. But anyway, Booby all the

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Speaker 1: men in the hospital, and this call and this calls

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Speaker 1: all the men the hospital to know that there were

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Speaker 1: there's I mean, this is actually twenty twenty two, so inappropriate.

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Speaker 1: It's not It's not much different than than Revenge of

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Speaker 1: the Nerds when they hid the cameras in the sorority house.

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Speaker 1: But all of the men are rushing to see the boobies, right.

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Speaker 1: They not only do they rush in a split second,

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Speaker 1: they've all appeared. Kelso goes, gotta go Booby Hoorn. He's

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Speaker 1: telling someone they're gonna die. They're like, I'm sorry, we

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Speaker 1: did the best we could. Gotta go Boobyhorn. And then

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Speaker 1: Doug drops a corpse. Doug is moving a corpse in

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Speaker 1: a body bag and he drops it. And then before

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Speaker 1: we get into watching this, Ted says that his mom

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Speaker 1: put a nanny cam in his bathroom because she said

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Speaker 1: my baths were too long. Now we're watching the booby

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Speaker 1: So everyone assembles, were watching the boobies and then I

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Speaker 1: laughed out loud when Todd says leans over to me, goes,

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Speaker 1: can you make her eat a banana, and I go,

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Speaker 1: it's not interactive, Todd, so good. That was one of

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Speaker 1: the funniest lines in the episode. Can you make her

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Speaker 1: eat a banana? And then Judy comes in and this

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Speaker 1: was funny too. Judy comes in and and then I

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Speaker 1: the voiceover says, we've all go oh, quickly turned off

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Speaker 1: its football? It is football, And she goes, isn't the

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Speaker 1: season over? And I got this off scrubs wiki that

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Speaker 1: JD says, and then every mail in the room felt

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Speaker 1: totally in sync, resulting in the rarest of all phenomenon.

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Speaker 1: The Seamless Collaborative guy Lie Keith says, the American season

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Speaker 1: is over. We were watching Mexican football. Doug says. They

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Speaker 1: started late this year. Todd says because of the Churi vendors.

404
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Speaker 1: Ted says, they went on strike and the players wouldn't

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Speaker 1: cross the picket line, and then j D says, when

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Speaker 1: the dispute turned violent, they called in Rodrigo Vasquez, the

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Speaker 1: owner of the Baja Panditos, to step in. And then

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Speaker 1: doctor Kelso says, thanks to Signor Vasquez's experience dealing with

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Speaker 1: the fruit pickers union, he was able to broke her

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Speaker 1: a last minute deal and the season was And then

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Speaker 1: Turk says, and that's why we're watching football in spring right.

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Speaker 1: So funny, so funny and very cleverly directed by the director.

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Speaker 1: Um hip panting between everybody. I think it's a wonner

414
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Speaker 1: because it just whip pads between everyone, moves all around.

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Speaker 1: It's pretty funny. And then she says she doesn't care,

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Speaker 1: and then she then she's then Turk like an ass head,

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Speaker 1: sits on the remote and it keeps playing and she uh,

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Speaker 1: and she sees that Turk has brought in the videotape

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Speaker 1: of the Nannie's breast and showing everyone in the hospital. Um,

420
00:24:38,359 --> 00:24:40,280
Speaker 1: I want to go back for a second, just to

421
00:24:40,320 --> 00:24:42,920
Speaker 1: talk about to set up the other storyline, which is

422
00:24:42,960 --> 00:24:49,520
Speaker 1: Cox and Johnny and Krista, Krista, sorry Jordan. Jordan has

423
00:24:49,520 --> 00:24:51,520
Speaker 1: a very funny monologue about all the funny things she

424
00:24:51,560 --> 00:24:53,760
Speaker 1: wants them to do, including going to the video store.

425
00:24:53,800 --> 00:24:57,600
Speaker 1: Remember the video store, um course somehow um. And she

426
00:24:57,920 --> 00:25:00,480
Speaker 1: she says she wants to him to get anything with

427
00:25:00,640 --> 00:25:04,840
Speaker 1: Vigo somethingson we go Mortonson, No, she said yeah, but

428
00:25:04,920 --> 00:25:08,960
Speaker 1: she says something soon because he's hot and she wants

429
00:25:09,000 --> 00:25:11,520
Speaker 1: something anything, with him in it, right, Joel, Lord of

430
00:25:11,560 --> 00:25:16,440
Speaker 1: the Rings, Joel, what's your what's your promises? Oh? Yeah,

431
00:25:18,920 --> 00:25:23,159
Speaker 1: head dark. He is naked, it's very dark. There's a

432
00:25:23,200 --> 00:25:25,120
Speaker 1: lot of guys fighting. I just feel like it's Jordan.

433
00:25:25,160 --> 00:25:28,240
Speaker 1: There's a whole naked fight scene in that. Sure is

434
00:25:29,480 --> 00:25:32,320
Speaker 1: um Eastern promises Jordan. Let's go back in time and

435
00:25:32,400 --> 00:25:36,000
Speaker 1: tell her actually probably wasn't out. Sorry, that's that makes

436
00:25:36,080 --> 00:25:39,120
Speaker 1: this this makes no sense. But anyway, when she said

437
00:25:39,240 --> 00:25:43,600
Speaker 1: go to the video store, I thought that was funny. Um.

438
00:25:43,880 --> 00:25:46,679
Speaker 1: So Laverne and Johnny obviously have this thing about everything

439
00:25:46,720 --> 00:25:49,040
Speaker 1: happening for a reason. Just say one thing before we

440
00:25:49,119 --> 00:25:54,879
Speaker 1: move on. Yeah, holy cow. Kristin Miller pregnant, beautiful. Wow,

441
00:25:55,040 --> 00:25:58,119
Speaker 1: she's so pretty. Yeah, oh my goodness, gracious man. And

442
00:25:58,440 --> 00:26:01,359
Speaker 1: she's hilarious with that monologue, had a great Uh. She

443
00:26:01,520 --> 00:26:03,440
Speaker 1: did his whole run on all the things she wanted

444
00:26:03,680 --> 00:26:06,640
Speaker 1: Cox to do for her, and she was very funny. Yeah.

445
00:26:06,840 --> 00:26:09,760
Speaker 1: And then there was one who was like I think

446
00:26:09,800 --> 00:26:11,680
Speaker 1: his punch line was like, well when would I have

447
00:26:11,800 --> 00:26:15,040
Speaker 1: time to kill myself? And her response is, well, that's

448
00:26:15,080 --> 00:26:20,960
Speaker 1: not my problem. Right, great scene, that scene. I remember

449
00:26:21,040 --> 00:26:22,560
Speaker 1: when the scene was over, I was like, wow, the

450
00:26:22,640 --> 00:26:25,600
Speaker 1: two of them, Wow that the moment. They had a

451
00:26:25,640 --> 00:26:29,160
Speaker 1: great chemistry and they really all directed. Zach Braff, thank you. Um,

452
00:26:29,600 --> 00:26:32,160
Speaker 1: I thought it was I thought it was good. I'm

453
00:26:32,680 --> 00:26:34,639
Speaker 1: I'm proud of you know. Bill would often give me

454
00:26:34,720 --> 00:26:38,200
Speaker 1: the showy episodes because I liked having showy episodes like

455
00:26:38,280 --> 00:26:40,680
Speaker 1: whether it's you know, the Wizard of Oz or the

456
00:26:40,960 --> 00:26:43,920
Speaker 1: Princess Bride or whichever one or the you know, those

457
00:26:44,040 --> 00:26:47,560
Speaker 1: kind of big ones, and this one's relatively contained. Um,

458
00:26:49,080 --> 00:26:51,560
Speaker 1: but I'm I'm really proud of it. I I thought

459
00:26:51,600 --> 00:26:53,679
Speaker 1: I did a nice job, and I think I consider well.

460
00:26:53,680 --> 00:26:55,399
Speaker 1: I wanted to talk to you about that. You know,

461
00:26:55,640 --> 00:26:58,880
Speaker 1: there were a lot of things that were different about

462
00:26:58,920 --> 00:27:02,040
Speaker 1: this episode. We talked about the lighting and everything. But

463
00:27:03,320 --> 00:27:06,920
Speaker 1: to tell a story, certain things have to I guess

464
00:27:07,840 --> 00:27:13,440
Speaker 1: be told through silhouette. And I don't know if you

465
00:27:13,520 --> 00:27:16,040
Speaker 1: didn't do this as a director, but there are a

466
00:27:16,119 --> 00:27:18,680
Speaker 1: lot of moments, like even the last shot of the show,

467
00:27:19,000 --> 00:27:21,600
Speaker 1: that's that's the I'm so proud of that shot. Right.

468
00:27:22,119 --> 00:27:26,000
Speaker 1: But if because you could take everybody's face away, you

469
00:27:26,040 --> 00:27:28,920
Speaker 1: could take all the colors away, and you could literally

470
00:27:29,119 --> 00:27:34,560
Speaker 1: silhouette everyone and you could still tell the story of

471
00:27:34,720 --> 00:27:37,119
Speaker 1: what's going something powerful is going on. By the way,

472
00:27:37,320 --> 00:27:39,440
Speaker 1: you just gave me goose bumps, and it was cool.

473
00:27:39,600 --> 00:27:44,080
Speaker 1: Was like the idea was all our main characters, not

474
00:27:44,359 --> 00:27:46,960
Speaker 1: not the janitor, but all all our main doctors are

475
00:27:47,840 --> 00:27:52,639
Speaker 1: are in the shot digesting this. But it's clearly Johnny

476
00:27:52,720 --> 00:27:56,680
Speaker 1: front and center because of this whole debate they've been having,

477
00:27:57,880 --> 00:28:01,200
Speaker 1: and it's just a beautiful shot like it was. It

478
00:28:01,359 --> 00:28:03,840
Speaker 1: was that final frame of the show is beautiful. But

479
00:28:03,960 --> 00:28:07,760
Speaker 1: that's what I'm saying. That's important, you know what I mean.

480
00:28:07,880 --> 00:28:10,439
Speaker 1: A lot of people think directing is while he can

481
00:28:10,520 --> 00:28:14,040
Speaker 1: handle or she can handle or they can handle actors,

482
00:28:14,520 --> 00:28:18,120
Speaker 1: it's way more than that. It's telling a story. Well,

483
00:28:18,160 --> 00:28:24,200
Speaker 1: it's my two favorite things combined. It's photography with telling

484
00:28:24,240 --> 00:28:26,120
Speaker 1: you a great story. By the way, in the spirit

485
00:28:26,200 --> 00:28:28,080
Speaker 1: of that, I'm glad. I'm just I digressed for a moment.

486
00:28:28,119 --> 00:28:31,119
Speaker 1: I'm reading this amazing book. It's the biography of Mike Nichols.

487
00:28:31,720 --> 00:28:34,480
Speaker 1: I recommend it to everybody. It's written by Mark Harris.

488
00:28:34,720 --> 00:28:38,440
Speaker 1: You can find it wherever you buy books. It's a

489
00:28:38,560 --> 00:28:41,800
Speaker 1: page turner. If you love movies and you love theater

490
00:28:41,880 --> 00:28:43,719
Speaker 1: and you love the art, form. Mike Nichols has had

491
00:28:43,720 --> 00:28:47,600
Speaker 1: an extraordinary career, and there's just so many incredible stories

492
00:28:47,640 --> 00:28:49,800
Speaker 1: in it, and it's just a page turner. I was

493
00:28:49,880 --> 00:28:53,520
Speaker 1: just reading yesterday how The Graduate, which he directed his

494
00:28:53,640 --> 00:28:57,680
Speaker 1: second film, had horrible reviews. The critics not all, but

495
00:28:57,840 --> 00:29:04,800
Speaker 1: like the biggest critics trashed trashed it, dude. At the time.

496
00:29:05,120 --> 00:29:09,320
Speaker 1: At the time Donald it became the third highest grossing

497
00:29:09,400 --> 00:29:14,320
Speaker 1: movie of all time. And Carrie Brothers told me yesterday

498
00:29:14,480 --> 00:29:17,479
Speaker 1: that they ran at twenty four to seven because they

499
00:29:17,600 --> 00:29:21,080
Speaker 1: realized that because young people so took to it that

500
00:29:21,200 --> 00:29:23,160
Speaker 1: they would go it, they would go it to in

501
00:29:23,240 --> 00:29:26,760
Speaker 1: the morning, and so they were running this movie twenty

502
00:29:26,840 --> 00:29:29,800
Speaker 1: four hours a day because that's how much it hit

503
00:29:30,360 --> 00:29:32,880
Speaker 1: in the right spot with the culture and with young people.

504
00:29:33,240 --> 00:29:35,200
Speaker 1: And I just want to say to anyone who creates

505
00:29:35,240 --> 00:29:38,360
Speaker 1: anything to the small tirade for you, anyone who puts

506
00:29:38,440 --> 00:29:42,000
Speaker 1: themselves out there in any way creatively or a business

507
00:29:42,120 --> 00:29:46,520
Speaker 1: or whatever, these fucking haters that come after you. This

508
00:29:46,680 --> 00:29:49,440
Speaker 1: guy not only did the biggest critics say this is

509
00:29:49,520 --> 00:29:51,920
Speaker 1: trash at the time, you can go look it up.

510
00:29:51,960 --> 00:29:53,320
Speaker 1: I mean it's in the book. You'll you'll see it

511
00:29:53,320 --> 00:29:54,960
Speaker 1: if you read the book or you can google it,

512
00:29:55,480 --> 00:29:58,640
Speaker 1: but they but his friends were even like, no one

513
00:29:58,680 --> 00:30:01,400
Speaker 1: wanted Dustin Hoffman except him. He just knew Dustin Hoffin

514
00:30:01,520 --> 00:30:03,400
Speaker 1: was it. And people were he was showing he was

515
00:30:03,440 --> 00:30:06,480
Speaker 1: screening the movie for his friends and they will be like, oh, man,

516
00:30:06,520 --> 00:30:08,520
Speaker 1: it's a shame about the kid. But otherwise it's it's

517
00:30:08,560 --> 00:30:11,960
Speaker 1: really really good man and and and these were like

518
00:30:12,080 --> 00:30:15,840
Speaker 1: his close posse members. And then the movie comes out

519
00:30:15,960 --> 00:30:18,000
Speaker 1: and is you know, one of the consider one of

520
00:30:18,040 --> 00:30:21,040
Speaker 1: the greatest films of all time. Um So, I just

521
00:30:21,120 --> 00:30:23,440
Speaker 1: think it's a it's an inspiration for anyone who goes

522
00:30:23,480 --> 00:30:27,719
Speaker 1: out there and and deals with naysayers about their work. Um,

523
00:30:28,000 --> 00:30:31,080
Speaker 1: whether it's creative in our example, or or like I said,

524
00:30:31,120 --> 00:30:33,880
Speaker 1: it's a business or anything that you put yourself out

525
00:30:33,920 --> 00:30:36,480
Speaker 1: there to do, there's always going to be naysayers. And

526
00:30:36,520 --> 00:30:39,840
Speaker 1: then there's these wonderful stories like like Mike Nichols directing

527
00:30:39,880 --> 00:30:43,480
Speaker 1: The Graduate and and his career is filled with that

528
00:30:43,640 --> 00:30:45,960
Speaker 1: of moments of people being like absolutely not, are you

529
00:30:46,040 --> 00:30:47,920
Speaker 1: out of your mind? That's going to ruin the movie.

530
00:30:48,040 --> 00:30:49,600
Speaker 1: And then he goes out on a limb and it

531
00:30:49,720 --> 00:30:52,400
Speaker 1: becomes you know, who's afraid of Virginia Wolf and it's

532
00:30:52,440 --> 00:30:55,080
Speaker 1: a it's a it's a great lesson in trusting your

533
00:30:55,120 --> 00:30:59,000
Speaker 1: gut instinct and knowing the story that you want to tell. Uh,

534
00:30:59,320 --> 00:31:02,240
Speaker 1: sometimes you fail and sometimes you succeed. It's really about

535
00:31:02,280 --> 00:31:05,240
Speaker 1: the journey. And so you know, it's the greats that

536
00:31:05,400 --> 00:31:09,880
Speaker 1: trust their instinct and and you know and can move

537
00:31:09,960 --> 00:31:13,760
Speaker 1: past the failures and when the success happens, it's amazing.

538
00:31:13,840 --> 00:31:16,400
Speaker 1: Same thing happened with George Lucas. He had a minor

539
00:31:16,520 --> 00:31:22,240
Speaker 1: success with that American Graffiti and then he showed Star

540
00:31:22,360 --> 00:31:24,959
Speaker 1: Wars to his buddies. All of his friends told him

541
00:31:25,040 --> 00:31:28,640
Speaker 1: that movie was trash. His mentor told him the movie

542
00:31:28,760 --> 00:31:31,240
Speaker 1: was trash. And then it goes on to it goes

543
00:31:31,280 --> 00:31:36,680
Speaker 1: on to you know, revolutionized filmmaking and stuff. Same thing

544
00:31:36,720 --> 00:31:42,280
Speaker 1: with the Graduate Man, like the soundtrack soundtrack alone from

545
00:31:42,400 --> 00:31:45,400
Speaker 1: that movie, you know what I mean. The studio was

546
00:31:45,560 --> 00:31:49,040
Speaker 1: livid that he wanted to use all Pulse, not all,

547
00:31:49,120 --> 00:31:52,800
Speaker 1: but predominantly Paul Simon's songs. They were livid. They were like,

548
00:31:52,960 --> 00:31:59,280
Speaker 1: what those songs are popular? This isn't a commercial. One

549
00:31:59,320 --> 00:32:01,120
Speaker 1: of the critics, one the one of the biggest critics.

550
00:32:01,120 --> 00:32:02,720
Speaker 1: I forgot who it was one of the biggest biggest

551
00:32:02,760 --> 00:32:05,920
Speaker 1: critics at the time called it a commercial because of

552
00:32:06,000 --> 00:32:09,280
Speaker 1: his innovative use of music. Um, it's just it was

553
00:32:09,280 --> 00:32:11,680
Speaker 1: just it's just fascinating. And you know, I always say,

554
00:32:11,960 --> 00:32:14,560
Speaker 1: there's so many examples this. You know, the most current

555
00:32:14,600 --> 00:32:16,960
Speaker 1: one in our life is that Apple's the only company

556
00:32:17,000 --> 00:32:20,959
Speaker 1: that bid on Ted Lasso. Apple is the only company

557
00:32:21,040 --> 00:32:23,840
Speaker 1: that wanted Lasso. And look at that, and look at that.

558
00:32:24,280 --> 00:32:27,280
Speaker 1: Bill went around town and Jason and they were dumbfounded.

559
00:32:27,960 --> 00:32:30,680
Speaker 1: And Apple's the only one that took took a risk

560
00:32:30,760 --> 00:32:33,440
Speaker 1: on them. But that's what it is, man, anyway, So

561
00:32:33,640 --> 00:32:37,239
Speaker 1: hopefully that's motivation for someone out there. Should we take

562
00:32:37,280 --> 00:32:38,720
Speaker 1: a break, We'll take a break, We'll be right back

563
00:32:44,400 --> 00:32:56,160
Speaker 1: and we're who Tank forever. Hey, listen, when I send

564
00:32:56,200 --> 00:32:58,160
Speaker 1: you these Star Wars things, do you even look at them?

565
00:32:58,240 --> 00:33:01,240
Speaker 1: Because I texted that ship was so boring. Man, that's

566
00:33:01,280 --> 00:33:04,000
Speaker 1: the most boring I've ever seen my Star Wars heroes

567
00:33:04,080 --> 00:33:06,760
Speaker 1: in my life. I was like, Wow, Well, when somebody

568
00:33:06,920 --> 00:33:10,320
Speaker 1: somebody recut Star Wars to be about ob one, I thought, no, No,

569
00:33:10,440 --> 00:33:12,800
Speaker 1: I didn't look at that one. I'm talking about it.

570
00:33:13,120 --> 00:33:15,920
Speaker 1: When I'm talking about the interview friend like, I'm talking

571
00:33:15,960 --> 00:33:17,760
Speaker 1: about that because some of the shit I've seen already.

572
00:33:17,880 --> 00:33:21,600
Speaker 1: I'm talking about the interview that they did with Carrie Fisher,

573
00:33:21,680 --> 00:33:25,040
Speaker 1: Harrison Ford, and Mark Hambell. This is what I don't understand.

574
00:33:25,280 --> 00:33:27,840
Speaker 1: It was. It was a boring interview, is what you're saying. Yeah, man,

575
00:33:27,920 --> 00:33:29,920
Speaker 1: But and they and they're sitting on like even the

576
00:33:30,440 --> 00:33:32,920
Speaker 1: dude who's interviewing, I forget who it is. He's so

577
00:33:33,120 --> 00:33:35,240
Speaker 1: excited about it. He's like, dude, I've gotta tell you, guys,

578
00:33:35,320 --> 00:33:38,200
Speaker 1: this movie is gonna change everything. This is amazing. And

579
00:33:38,320 --> 00:33:41,560
Speaker 1: these guys are all like, yeah, and when I made

580
00:33:41,640 --> 00:33:45,920
Speaker 1: the movie. And I hate when that happens when you're excited,

581
00:33:46,240 --> 00:33:49,960
Speaker 1: especially when the interviewers excited about something and they're talking

582
00:33:50,040 --> 00:33:52,200
Speaker 1: about how like you're watching all these people go out

583
00:33:52,240 --> 00:33:54,520
Speaker 1: and do the stuff for Maverick right now, apparently this

584
00:33:54,640 --> 00:34:00,480
Speaker 1: movie is really well, are loving it? Right? It's really

585
00:34:00,560 --> 00:34:03,640
Speaker 1: cool to see that the actors are just as excited for,

586
00:34:04,400 --> 00:34:06,800
Speaker 1: you know, you to see it as the you know,

587
00:34:07,360 --> 00:34:10,279
Speaker 1: as the audience is to see it. It. I hate

588
00:34:10,320 --> 00:34:13,440
Speaker 1: it when the actor comes out too cool for school

589
00:34:13,480 --> 00:34:17,719
Speaker 1: because they got a fucking persona to you know what

590
00:34:17,760 --> 00:34:19,360
Speaker 1: I mean. I think that's what they I didn't watch it.

591
00:34:19,400 --> 00:34:21,600
Speaker 1: I just send it to you, Daniel, I send him

592
00:34:21,840 --> 00:34:25,920
Speaker 1: um and sometimes you're well anything Star Wars related because

593
00:34:25,960 --> 00:34:28,399
Speaker 1: of their passion, of course. And I have no sense

594
00:34:28,480 --> 00:34:31,200
Speaker 1: there's no like, not even from Donald's a thumbs up

595
00:34:31,680 --> 00:34:35,560
Speaker 1: or oh that was a good one, or I've seen

596
00:34:35,640 --> 00:34:39,600
Speaker 1: this before any event, if anything, it's seen it before.

597
00:34:41,239 --> 00:34:44,160
Speaker 1: I like it when you get Mark Hamill, Carrie Fisher

598
00:34:44,600 --> 00:34:50,360
Speaker 1: and Harrison Ford enthusiastic about I can't. I don't like

599
00:34:50,480 --> 00:34:52,799
Speaker 1: it when I don't like it when they're bored, when

600
00:34:52,920 --> 00:34:55,480
Speaker 1: you know, maybe they're in shock. I don't know what

601
00:34:55,600 --> 00:34:58,280
Speaker 1: it is, but they just see you were probably nervous

602
00:34:58,360 --> 00:35:00,840
Speaker 1: because the right this is like a first. They're bigger.

603
00:35:00,920 --> 00:35:04,800
Speaker 1: There's big interviews, right you know, Harrison for was I

604
00:35:04,880 --> 00:35:07,319
Speaker 1: don't know what level his career was at the time.

605
00:35:07,719 --> 00:35:10,840
Speaker 1: I don't do you know he was a carpenter. I

606
00:35:10,920 --> 00:35:12,719
Speaker 1: know he was a carpenter. But before Star Wars had

607
00:35:12,719 --> 00:35:18,040
Speaker 1: he worked to George Lucas's American Graffiti. Dude, he's reading

608
00:35:18,080 --> 00:35:20,720
Speaker 1: with all of these actors for Star Wars. He's freaking

609
00:35:20,960 --> 00:35:25,640
Speaker 1: in the Dude, he's building a room in the casting

610
00:35:25,719 --> 00:35:29,080
Speaker 1: office he's helping build the room. Really ask yeah, man,

611
00:35:29,640 --> 00:35:32,200
Speaker 1: And that's how he gets to read with George's like,

612
00:35:32,239 --> 00:35:34,400
Speaker 1: why don't you read? I need you to read with

613
00:35:34,480 --> 00:35:37,319
Speaker 1: these people. Well, I'm gonna not to read in the movie.

614
00:35:37,520 --> 00:35:40,279
Speaker 1: Why don't you read with these actors? When I direct him?

615
00:35:40,280 --> 00:35:43,200
Speaker 1: Are you going to come visit? It's the coming up? Man?

616
00:35:43,680 --> 00:35:46,520
Speaker 1: If I get you a special COVIDM Bill like throwing

617
00:35:46,600 --> 00:35:48,600
Speaker 1: shit in my face. Man, I just want to know

618
00:35:48,840 --> 00:35:51,080
Speaker 1: if you want to come up at the set. You M,

619
00:35:51,160 --> 00:35:53,200
Speaker 1: Bill are like danger? You like you guys like you

620
00:35:53,400 --> 00:35:56,600
Speaker 1: dangle to carrot in front of me, such able invitation.

621
00:35:56,800 --> 00:35:59,120
Speaker 1: Take it. I'm not going to I'm not going to

622
00:35:59,200 --> 00:36:01,359
Speaker 1: watch him direct my I don't get the funk out

623
00:36:01,400 --> 00:36:02,759
Speaker 1: of here. Man. I want to be in sanes with

624
00:36:02,880 --> 00:36:07,120
Speaker 1: the motherfucker. I think that's a no um okay. So,

625
00:36:07,880 --> 00:36:10,200
Speaker 1: in the spirit of the whole debate about things having

626
00:36:10,280 --> 00:36:13,240
Speaker 1: for a reason, Cox spills coffee. I take a big fall,

627
00:36:15,760 --> 00:36:21,640
Speaker 1: and uh, Nurse Noel steps on me. She really doesn't care.

628
00:36:22,480 --> 00:36:25,520
Speaker 1: I mean, can you imagine this? I thanks Noel, she

629
00:36:25,719 --> 00:36:30,000
Speaker 1: just walks on me. Not very nice of Noel. That

630
00:36:30,160 --> 00:36:33,719
Speaker 1: was a great prep fall by Thank you. Also, oh,

631
00:36:33,719 --> 00:36:36,200
Speaker 1: I thought you're telling me I did a good one. Yeah,

632
00:36:36,560 --> 00:36:48,920
Speaker 1: we both we both had some good falls. Um, that

633
00:36:48,960 --> 00:36:50,840
Speaker 1: could be two things that could be falling and it

634
00:36:50,880 --> 00:36:56,200
Speaker 1: could be the other thing. Yeah. Well, in my case

635
00:36:56,400 --> 00:37:03,200
Speaker 1: it was the classic JD fallen noise. In your case,

636
00:37:03,280 --> 00:37:07,960
Speaker 1: it's making six children. Um. Then we get to a

637
00:37:08,080 --> 00:37:10,840
Speaker 1: very sad moment where a child has been stabbed in

638
00:37:10,920 --> 00:37:15,080
Speaker 1: a robbery and Johnny c says to Laverne, Oh, really,

639
00:37:15,400 --> 00:37:18,640
Speaker 1: what's the reason this horrible thing could have happened? And

640
00:37:18,800 --> 00:37:21,600
Speaker 1: her faith is not shattered. She says there'll be some reason,

641
00:37:21,760 --> 00:37:25,919
Speaker 1: just just you wait. In so many words, Jordan expresses

642
00:37:26,440 --> 00:37:31,560
Speaker 1: love and genuine appreciation for for Cox for the first

643
00:37:31,600 --> 00:37:36,200
Speaker 1: time in six seasons. Really right, right, but this tracks

644
00:37:39,320 --> 00:37:42,440
Speaker 1: she really it really is. It really is great writing

645
00:37:43,239 --> 00:37:49,680
Speaker 1: to connect the problems that they're having with the problems

646
00:37:49,719 --> 00:37:53,839
Speaker 1: that they were having with their child to them being

647
00:37:54,040 --> 00:37:58,000
Speaker 1: able to make it through however many episodes this is,

648
00:37:58,800 --> 00:38:01,480
Speaker 1: you know, and just when you get about it, Nurse

649
00:38:01,640 --> 00:38:06,160
Speaker 1: Roberts reminds you and and it makes it so that

650
00:38:06,480 --> 00:38:13,800
Speaker 1: her admission to that, Jordan's admission to Cox is even

651
00:38:14,000 --> 00:38:20,120
Speaker 1: more Uh, it's it's a very vulnerable moment for both

652
00:38:20,160 --> 00:38:23,680
Speaker 1: of them, and it's a very loving moment, and you know,

653
00:38:23,920 --> 00:38:28,600
Speaker 1: and and it's it's not followed with it's not necessarily

654
00:38:28,680 --> 00:38:32,719
Speaker 1: followed with the joke is, oh, how embarrassing it is

655
00:38:32,800 --> 00:38:37,160
Speaker 1: for you? But then her response is, yeah, and I wouldn't.

656
00:38:37,520 --> 00:38:40,840
Speaker 1: I think it's something like I wouldn't or something like that.

657
00:38:41,239 --> 00:38:44,120
Speaker 1: And that's that's great moments, especially in the evolution of

658
00:38:44,200 --> 00:38:47,040
Speaker 1: these two. Yeah, especially because we never see Jordan vulnerable

659
00:38:47,120 --> 00:38:50,120
Speaker 1: at all, Like she does not let her guard down

660
00:38:50,360 --> 00:38:53,920
Speaker 1: very rarely. And uh, and this was so sweet. She

661
00:38:54,160 --> 00:38:57,120
Speaker 1: was so she was so loving and and she knows

662
00:38:57,160 --> 00:39:01,919
Speaker 1: how hard he's been um working for her and taking

663
00:39:01,960 --> 00:39:04,319
Speaker 1: care of her, and she finally gives me some appreciation.

664
00:39:04,600 --> 00:39:07,279
Speaker 1: So well, it is a very well direct you dude,

665
00:39:07,360 --> 00:39:09,600
Speaker 1: I love you man. It is a well directed episode.

666
00:39:09,760 --> 00:39:13,000
Speaker 1: Thank you man, Thank you. The janitor really hates it

667
00:39:13,080 --> 00:39:16,480
Speaker 1: when people call it a jumpsuit um. And I think

668
00:39:16,520 --> 00:39:19,200
Speaker 1: this came from Neil. Actually, I think Neil would always

669
00:39:19,239 --> 00:39:22,239
Speaker 1: be like, it's it's it's shirt and pants. Why would

670
00:39:22,280 --> 00:39:24,280
Speaker 1: I Why would I wear a belt with a jumpsuit?

671
00:39:24,440 --> 00:39:25,960
Speaker 1: And so I think that's why it ended up in

672
00:39:26,080 --> 00:39:29,880
Speaker 1: the script, because Neil would genuinely when anyone called a jumpsuit,

673
00:39:29,960 --> 00:39:33,120
Speaker 1: be like, it's it's not a jumpsuit, it's a shirt

674
00:39:33,160 --> 00:39:40,480
Speaker 1: and pants. Um so um. I laughed at, yeah, what's

675
00:39:40,520 --> 00:39:43,120
Speaker 1: all up in there? I know we're going back, but

676
00:39:43,360 --> 00:39:47,399
Speaker 1: I laughed at when who is it Elliott that says

677
00:39:47,440 --> 00:39:52,160
Speaker 1: what's all up your ass? And and then Cock to Cox.

678
00:39:52,239 --> 00:39:55,760
Speaker 1: She says that, and Cox walks up to Nurse Roberts

679
00:39:55,840 --> 00:39:58,200
Speaker 1: and she goes, yeah, what's all up in what's all

680
00:39:58,320 --> 00:40:00,480
Speaker 1: up in there? Yeah? What is it all up in there?

681
00:40:01,239 --> 00:40:04,160
Speaker 1: What about JD's first attempt to hit on the hot nanny?

682
00:40:04,239 --> 00:40:08,000
Speaker 1: Does a spoonful of sugar really make the medicine no down? Okay,

683
00:40:08,040 --> 00:40:09,879
Speaker 1: did you notice me try to find the camera behind

684
00:40:09,960 --> 00:40:12,120
Speaker 1: you when you said that? No, why you slid out?

685
00:40:12,440 --> 00:40:14,799
Speaker 1: I slide to the slide to the other side of well,

686
00:40:14,880 --> 00:40:16,920
Speaker 1: since I was directing and couldn't see the monitor. I

687
00:40:16,960 --> 00:40:19,920
Speaker 1: appreciate that, no doubt. Now. Then I go into a

688
00:40:20,040 --> 00:40:23,080
Speaker 1: very elaborate which was funny. I can say it's funny

689
00:40:23,120 --> 00:40:25,080
Speaker 1: because I didn't write it, but it was very funnily

690
00:40:25,320 --> 00:40:30,160
Speaker 1: written about my seven to nine week plan for seducing her.

691
00:40:33,960 --> 00:40:35,840
Speaker 1: And then oh my god, this is one of the

692
00:40:35,960 --> 00:40:38,960
Speaker 1: funniest fucking things of the season. Is your pov of

693
00:40:39,040 --> 00:40:42,360
Speaker 1: Elliott because whenever I've slept First of all, this doesn't

694
00:40:42,400 --> 00:40:45,279
Speaker 1: track at all because you've We've established you've slept with

695
00:40:45,360 --> 00:40:48,839
Speaker 1: women that I've slept with in the show. But your

696
00:40:49,000 --> 00:40:54,000
Speaker 1: pov of Elliott, because that's how you claim you see

697
00:40:54,040 --> 00:40:56,680
Speaker 1: anyone that I've slept with. That was hilarious. Who's that

698
00:40:56,800 --> 00:41:01,120
Speaker 1: internet guy that talks like that? Kind of white guy

699
00:41:01,360 --> 00:41:03,799
Speaker 1: talks like this? What's his name? I don't know. That's

700
00:41:03,840 --> 00:41:06,520
Speaker 1: your impression every white person, No, not all of them.

701
00:41:06,719 --> 00:41:11,480
Speaker 1: But he winds a lot long hair. I forget that

702
00:41:11,560 --> 00:41:14,000
Speaker 1: he's the one that does all of the like Takashi

703
00:41:14,120 --> 00:41:19,759
Speaker 1: six nine voiceovers, Blake Webber looks exactly like the guy

704
00:41:20,160 --> 00:41:24,160
Speaker 1: that plays what Turk sees. Oh I don't really know

705
00:41:24,200 --> 00:41:30,080
Speaker 1: who Webber is, but um okay, But anyway, the fact

706
00:41:30,120 --> 00:41:33,360
Speaker 1: that the lip sync was perfect. The guy, the actor

707
00:41:33,480 --> 00:41:36,000
Speaker 1: who played him was very funny, and he like flipped

708
00:41:36,000 --> 00:41:40,080
Speaker 1: his hair at the end. Um. What about Then Cox

709
00:41:40,200 --> 00:41:46,000
Speaker 1: brings in Lloyd in a sweater to try and fool Laverne.

710
00:41:47,320 --> 00:41:49,320
Speaker 1: This is the father of the young lady. Can you

711
00:41:49,400 --> 00:41:51,880
Speaker 1: tell him? Explain to him, why why this happened for

712
00:41:51,880 --> 00:41:55,840
Speaker 1: a reason, and Laverne goes, that's the delivery guy in

713
00:41:55,920 --> 00:42:00,880
Speaker 1: a sweater, and he goes, my name's Lloyd. It's a

714
00:42:01,239 --> 00:42:03,239
Speaker 1: it's a psych out too, because if you watch the

715
00:42:03,320 --> 00:42:05,360
Speaker 1: show and you see that, you're like, wait, hold up

716
00:42:05,360 --> 00:42:09,279
Speaker 1: they cast the guy to play I was like, I thought,

717
00:42:09,520 --> 00:42:12,080
Speaker 1: wait a minute, I directed this. I'm not gonna I'm

718
00:42:12,120 --> 00:42:14,680
Speaker 1: not an idiot. I'm not gonna have Mike Schwartz play

719
00:42:14,840 --> 00:42:19,719
Speaker 1: the dad. But she goes, that's the delivery guy in

720
00:42:19,840 --> 00:42:25,879
Speaker 1: his sweater. My name's Lloyd, a homeless guy through Pooh

721
00:42:25,960 --> 00:42:32,000
Speaker 1: in my eye, Jack the Pooh minor his first him.

722
00:42:32,200 --> 00:42:36,080
Speaker 1: Then you look, we could make a clip show at

723
00:42:36,160 --> 00:42:39,399
Speaker 1: just Lloyd moments. Hamlely gotta have him on. Yeah, that'd

724
00:42:39,440 --> 00:42:42,239
Speaker 1: be great. So there are a lot of wolf references

725
00:42:42,360 --> 00:42:44,320
Speaker 1: in this. Oh my god. This was the other biggest

726
00:42:44,400 --> 00:42:48,239
Speaker 1: laught told. Elliott was once mounted by a bolf. No way,

727
00:42:48,320 --> 00:42:51,399
Speaker 1: you're going too fast, hold on, hold on. And then

728
00:42:51,520 --> 00:42:53,919
Speaker 1: Joe Mgno, how do you say his last name? Joe?

729
00:42:54,760 --> 00:42:57,440
Speaker 1: How do you say his name? He's now famous, super famous,

730
00:42:58,360 --> 00:43:01,360
Speaker 1: Joe Manganello. This was Joe. Imagine now he got famous

731
00:43:01,680 --> 00:43:05,360
Speaker 1: before he played the werewolf on True Blood, is in

732
00:43:05,440 --> 00:43:09,080
Speaker 1: this episode as well. By the way, that fantasy of

733
00:43:09,400 --> 00:43:12,479
Speaker 1: me trying first of all, we gotta go we gotta

734
00:43:12,480 --> 00:43:15,360
Speaker 1: go through that real quick. Okay, so real quick. We

735
00:43:15,480 --> 00:43:18,520
Speaker 1: learned that they learned that the reason in LaVerne's mind

736
00:43:18,680 --> 00:43:21,839
Speaker 1: is that while getting a cat scan or an MRI,

737
00:43:21,840 --> 00:43:24,600
Speaker 1: I don't know which it is. I'm sorry, I think um,

738
00:43:24,719 --> 00:43:27,680
Speaker 1: I think it's MRI. Maybe a cat scan. I'm not sure. Sorry,

739
00:43:27,719 --> 00:43:30,680
Speaker 1: we're fake doctors, guys. You real doctors are yelling at us.

740
00:43:30,880 --> 00:43:33,160
Speaker 1: We don't know which machine it is. They say they

741
00:43:33,200 --> 00:43:35,040
Speaker 1: find a tumor the size of a golf ball right

742
00:43:35,080 --> 00:43:36,600
Speaker 1: where the knife went in, and they never would have

743
00:43:36,640 --> 00:43:39,239
Speaker 1: found that had that not happened. So Laverne is like, see,

744
00:43:39,680 --> 00:43:45,080
Speaker 1: that's why that happened. Um. Now JD's fantasy or I

745
00:43:45,080 --> 00:43:48,000
Speaker 1: should say, lie to Turk to try and help him

746
00:43:48,080 --> 00:43:49,840
Speaker 1: not be attracted to the nanny is one of the

747
00:43:49,880 --> 00:43:53,120
Speaker 1: funniest fucking things ever. I said, I knew he just

748
00:43:53,200 --> 00:43:56,440
Speaker 1: gets carried away because he had him. He had him.

749
00:43:56,800 --> 00:43:59,000
Speaker 1: I'm just trying to help you. Ye had him. I

750
00:43:59,120 --> 00:44:01,120
Speaker 1: know It's gonna take me seven to nine weeks to

751
00:44:01,200 --> 00:44:04,399
Speaker 1: have the balls to ask her out. So because she's

752
00:44:04,400 --> 00:44:07,200
Speaker 1: so pretty, so I I say, so. I make up

753
00:44:07,200 --> 00:44:10,680
Speaker 1: an very elaborate lie, but it's sort of like JD's

754
00:44:10,760 --> 00:44:14,759
Speaker 1: fantasy of what would have dreamed happened, would have happened. Yeah,

755
00:44:14,760 --> 00:44:16,320
Speaker 1: So the date's over and he goes, I knew you

756
00:44:16,440 --> 00:44:21,440
Speaker 1: needed me, so I went for it Italian style, because yeah,

757
00:44:21,440 --> 00:44:23,120
Speaker 1: because she puts her hand out for a shake and

758
00:44:23,160 --> 00:44:25,880
Speaker 1: I slap it away, and then we start kissing. And

759
00:44:26,000 --> 00:44:30,040
Speaker 1: then there's three football players who arrive, Joe being one

760
00:44:30,080 --> 00:44:33,440
Speaker 1: of them before he was famous, and he says, Oh,

761
00:44:33,880 --> 00:44:35,680
Speaker 1: it's the three guys football pallers used to beat me

762
00:44:35,760 --> 00:44:36,880
Speaker 1: up in high school? What do you What are you

763
00:44:37,000 --> 00:44:40,200
Speaker 1: guys doing? And Joe goes, oh, we're all gay together,

764
00:44:41,160 --> 00:44:43,520
Speaker 1: and they all and they all hold up their wedding rings.

765
00:44:43,560 --> 00:44:46,200
Speaker 1: They're in a throuble. They're in a married truble and

766
00:44:47,760 --> 00:44:51,720
Speaker 1: it's a poly polyamorous Is that what you call it, Joel?

767
00:44:52,320 --> 00:44:54,960
Speaker 1: They're in they're in a polly but they're married somehow,

768
00:44:55,080 --> 00:44:56,520
Speaker 1: or maybe they're just maybe they're just rings. Because I

769
00:44:56,560 --> 00:44:59,399
Speaker 1: don't know if you can legally get polly married. Maybe

770
00:44:59,440 --> 00:45:03,719
Speaker 1: someone states you can, and I don't know, if you

771
00:45:03,719 --> 00:45:08,200
Speaker 1: can get gay Polly married in Utah, can you really

772
00:45:08,239 --> 00:45:11,080
Speaker 1: get can you really get heterosexual Polly married in Utah?

773
00:45:13,120 --> 00:45:16,640
Speaker 1: Man one man with many wives? Yeah right, I know

774
00:45:16,719 --> 00:45:18,120
Speaker 1: the moments there. I just don't know if it's legal

775
00:45:18,239 --> 00:45:22,040
Speaker 1: or not. I'm curious, all right anyway, Yeah, then they

776
00:45:22,080 --> 00:45:27,000
Speaker 1: definitely don't want the gay version, I'm assuming, right right right?

777
00:45:28,040 --> 00:45:30,759
Speaker 1: Then another pretty woman. Then another pretty woman arrives and

778
00:45:30,840 --> 00:45:32,920
Speaker 1: I go, oh, so, and so you're the one who

779
00:45:32,960 --> 00:45:35,719
Speaker 1: turned me down for homecoming in prom, even though I

780
00:45:36,040 --> 00:45:41,080
Speaker 1: didn't ask you to either, And she goes, well, can

781
00:45:41,120 --> 00:45:44,319
Speaker 1: I have sex with you both? And then and then

782
00:45:44,360 --> 00:45:46,920
Speaker 1: Heather goes, as long as we make it all about JD?

783
00:45:48,000 --> 00:45:50,680
Speaker 1: And then and then she comes in and we all

784
00:45:50,719 --> 00:45:53,080
Speaker 1: start making out, and then Joe goes, enough of this,

785
00:45:53,360 --> 00:45:58,080
Speaker 1: let's go bang Yeah. And then the guy slaps his ass. Yeah.

786
00:45:59,320 --> 00:46:01,560
Speaker 1: And then we come out of the fantasy and the

787
00:46:01,760 --> 00:46:06,640
Speaker 1: infamous Dave Chappelle mom, buddy, yeah, And I have to

788
00:46:06,719 --> 00:46:09,799
Speaker 1: admit to Turk it's a lie, and that we went

789
00:46:09,920 --> 00:46:15,080
Speaker 1: line dancing and I cut her with one of my spurs. You.

790
00:46:15,920 --> 00:46:19,960
Speaker 1: J D wore spurs to go line dancing, just so

791
00:46:20,160 --> 00:46:24,200
Speaker 1: he could hear king ding. More importantly, he's so bad

792
00:46:24,280 --> 00:46:26,600
Speaker 1: at it. He's so bad at line dancing, and he's

793
00:46:26,640 --> 00:46:31,280
Speaker 1: wearing spurs. He managed to injure poor Heather with the spurs.

794
00:46:33,160 --> 00:46:35,680
Speaker 1: I'm so excited, you know, Jady was so excited to

795
00:46:35,760 --> 00:46:37,960
Speaker 1: wear the spurs. Sou'm gonna lie dad to the night

796
00:46:38,040 --> 00:46:41,439
Speaker 1: out of wear spurs. Probably wore spurs over sneakers, didn't

797
00:46:41,480 --> 00:46:43,960
Speaker 1: wear a moment. Oh my god. I wish they had

798
00:46:44,000 --> 00:46:46,000
Speaker 1: cut them. And there's no time for it. But then

799
00:46:46,080 --> 00:46:49,160
Speaker 1: you should have cut to her being injured from the spurs,

800
00:46:49,400 --> 00:46:51,640
Speaker 1: all right, So Judy has no time for this bullshit.

801
00:46:51,760 --> 00:46:57,040
Speaker 1: Heather is fired. Elliott finally thanks Kelso and and really

802
00:46:57,280 --> 00:47:02,400
Speaker 1: heart in a heartfelt way, gives him um appreciation for

803
00:47:02,560 --> 00:47:07,600
Speaker 1: all the knowledge hours and gives him um the dog too. Tankers.

804
00:47:09,520 --> 00:47:11,960
Speaker 1: I don't know if I know, because that was a

805
00:47:12,000 --> 00:47:13,880
Speaker 1: pretty well trained dog. I don't know if Tankers was

806
00:47:14,160 --> 00:47:17,239
Speaker 1: really well trained. Oh really, Oh my gosh, Yeah you

807
00:47:17,280 --> 00:47:20,399
Speaker 1: don't remember Tankers, dude. I remember Tankers, and I think

808
00:47:20,400 --> 00:47:22,680
Speaker 1: it was Danny Roses dog, right, yes, but I don't

809
00:47:22,719 --> 00:47:25,319
Speaker 1: remember if he was that well as well trained as

810
00:47:25,360 --> 00:47:29,400
Speaker 1: this dog needed to be. I don't know because this

811
00:47:29,520 --> 00:47:34,120
Speaker 1: dog was great. Anyway, Um, Elliott has the idea, Hey,

812
00:47:34,200 --> 00:47:38,680
Speaker 1: you've lost Baxter. This this this dog's owner has just passed.

813
00:47:38,760 --> 00:47:42,319
Speaker 1: Maybe you she she should probably check with the family first,

814
00:47:42,360 --> 00:47:47,279
Speaker 1: but anyway, she gives the dogs kill. Um okay, So,

815
00:47:47,480 --> 00:47:50,400
Speaker 1: just as you mentioned, I laughed out loud when Sarah

816
00:47:50,480 --> 00:47:53,319
Speaker 1: says the main reason that she stopped camping was Blair

817
00:47:53,440 --> 00:47:58,719
Speaker 1: Witch Project. And Sarah's timing on this is just Chef's kids.

818
00:47:59,200 --> 00:48:01,880
Speaker 1: She kind of gets lost and she goes that, and

819
00:48:02,120 --> 00:48:13,120
Speaker 1: the timing wolf mounted me. She is so fucking funny.

820
00:48:13,880 --> 00:48:18,160
Speaker 1: Her timing is don't don't you ever don't you ever

821
00:48:18,400 --> 00:48:23,080
Speaker 1: not say that, Sarah Chalk isn't fucking hilarious. It's there's

822
00:48:23,239 --> 00:48:27,840
Speaker 1: there are listen. Yeah, you cannot say that. You cannot

823
00:48:27,960 --> 00:48:30,439
Speaker 1: say that. And then um, I I got to play

824
00:48:30,640 --> 00:48:33,879
Speaker 1: thirty seconds since I'm allowed to of this beautiful Bret

825
00:48:34,000 --> 00:48:36,799
Speaker 1: Dennan song that ends the episode. Do you remember how

826
00:48:36,840 --> 00:48:39,120
Speaker 1: you got that song? I know Bret Dennan, That's how

827
00:48:39,120 --> 00:48:41,080
Speaker 1: I got the song. No, this is what happened. We

828
00:48:41,160 --> 00:48:43,600
Speaker 1: all we both know Brett Dennon, and you were looking

829
00:48:43,680 --> 00:48:46,320
Speaker 1: for a song at the end of the show. Go ahead,

830
00:48:46,520 --> 00:48:49,080
Speaker 1: And I said to you, Oh, you're gonna take credit

831
00:48:49,080 --> 00:48:51,439
Speaker 1: for this. I definitely am taking credit for this because

832
00:48:51,480 --> 00:48:53,080
Speaker 1: I was the one that said you should play this ship,

833
00:48:53,440 --> 00:48:55,080
Speaker 1: all right, and you said, I'll give it to you.

834
00:48:55,400 --> 00:48:57,840
Speaker 1: This is Donald's idea. And you were like, that's a

835
00:48:57,920 --> 00:49:01,560
Speaker 1: fucking good idea. You were like, that's a fucking good idea.

836
00:49:01,719 --> 00:49:04,719
Speaker 1: We'll talk about it. That's a good idea, John, And

837
00:49:04,760 --> 00:49:06,680
Speaker 1: I was like, yeah, I know, it's a good idea,

838
00:49:08,280 --> 00:49:10,239
Speaker 1: and you were like, Yo, you know what I'm gonna

839
00:49:10,239 --> 00:49:18,240
Speaker 1: put there Ain't no reasoning and talking about ten seconds.

840
00:49:18,320 --> 00:49:21,480
Speaker 1: I can't explain if we talk about this way we

841
00:49:21,680 --> 00:49:27,680
Speaker 1: do it every day. Breezes on the podium speaking the Saints.

842
00:49:27,880 --> 00:49:29,480
Speaker 1: Probably I wish I could play that whole thing. But

843
00:49:29,520 --> 00:49:31,800
Speaker 1: that's thirty seconds of Ain't No reason by Brett den In.

844
00:49:31,840 --> 00:49:34,759
Speaker 1: A fucking amazing song and an amazing artist, by the way.

845
00:49:34,800 --> 00:49:37,120
Speaker 1: He just put out new He just put out new music.

846
00:49:37,320 --> 00:49:39,560
Speaker 1: And uh, you ever hear him, and you ever to

847
00:49:39,640 --> 00:49:42,520
Speaker 1: hear him and Rad and do Simon and Garfuncle. No,

848
00:49:42,960 --> 00:49:46,120
Speaker 1: it's pretty good, so talented, and he's like, you know

849
00:49:46,280 --> 00:49:48,239
Speaker 1: he he goes see him if he ever comes to

850
00:49:48,360 --> 00:49:53,080
Speaker 1: your city or town. Brett Den and d and then I, uh, okay,

851
00:49:53,080 --> 00:49:57,640
Speaker 1: we gotta get to the caller. She's a racist thief, Heather,

852
00:49:57,719 --> 00:49:59,920
Speaker 1: we learned. We learn that she's a racist. Last thing

853
00:50:00,000 --> 00:50:01,920
Speaker 1: about Simon and Garfolk, since we talked to since I

854
00:50:01,960 --> 00:50:05,040
Speaker 1: said it, I had no idea that they wrote like

855
00:50:05,400 --> 00:50:11,680
Speaker 1: a bridge. Well, Paul Simon ra that I had no clue.

856
00:50:12,120 --> 00:50:17,279
Speaker 1: I had no clue the fire. I knew that my

857
00:50:17,400 --> 00:50:20,120
Speaker 1: kids like dad, could you play Hello Darkness? Like Rocco

858
00:50:20,200 --> 00:50:22,359
Speaker 1: loves that ship. That shit's weird to me. And then

859
00:50:22,400 --> 00:50:24,440
Speaker 1: we end with Laverne in a coma which is a

860
00:50:24,520 --> 00:50:27,000
Speaker 1: dot dot dot to be continued, and that really cool

861
00:50:27,080 --> 00:50:29,560
Speaker 1: last shot we mentioned. All right, taking a break, We'll

862
00:50:29,560 --> 00:50:48,600
Speaker 1: be right back, and we're back. We'll tank forever. Okay,

863
00:50:48,719 --> 00:50:50,840
Speaker 1: let's bring in a collar, Joel, We got a collar.

864
00:50:54,520 --> 00:51:01,120
Speaker 1: He talks somehow dues, you know, like a botta maybe

865
00:51:01,200 --> 00:51:09,040
Speaker 1: talking about the episode. So come on, lady, the gentleman,

866
00:51:09,120 --> 00:51:20,919
Speaker 1: give it up. Under laws, Lindsay, you are a part

867
00:51:21,160 --> 00:51:23,640
Speaker 1: all right? Coming out? You are parked right, Lindsay, because

868
00:51:23,640 --> 00:51:25,040
Speaker 1: it does look like you're in the driver's seat of

869
00:51:25,040 --> 00:51:26,560
Speaker 1: your car. We don't want you to get hurt. Yeah,

870
00:51:26,719 --> 00:51:28,920
Speaker 1: I am parked I wanted to make sure that I

871
00:51:28,960 --> 00:51:30,480
Speaker 1: would be able to hear you guys, and so I

872
00:51:30,560 --> 00:51:32,919
Speaker 1: figured I would pull over and go ahead, and you'll

873
00:51:33,040 --> 00:51:35,520
Speaker 1: do this today. Well, thank you so much for coming

874
00:51:35,560 --> 00:51:37,719
Speaker 1: on the show. We really appreciate it. We love um

875
00:51:38,080 --> 00:51:40,640
Speaker 1: having people come on, especially people who are saying you

876
00:51:40,719 --> 00:51:44,040
Speaker 1: seem so far so saying, well, I'm not driving it

877
00:51:44,520 --> 00:51:47,359
Speaker 1: a second time. Oh, I'm sorry. I knew the name

878
00:51:47,440 --> 00:51:49,399
Speaker 1: sounded familiar. I was like, I didn't remember you. Tell

879
00:51:49,440 --> 00:51:51,759
Speaker 1: me why, Joe, tell me why remind us because we

880
00:51:51,880 --> 00:51:54,160
Speaker 1: do talk to a lot of people why on the show?

881
00:51:54,320 --> 00:51:58,480
Speaker 1: I know why? Why am I correct in saying that

882
00:51:58,800 --> 00:52:06,440
Speaker 1: your brother adopted two children black kids, and he was

883
00:52:06,560 --> 00:52:10,920
Speaker 1: on the show asked with his wife asking about I

884
00:52:11,160 --> 00:52:12,719
Speaker 1: was on with him? It was no, So this was

885
00:52:12,800 --> 00:52:14,960
Speaker 1: my brother in law and I were on he we

886
00:52:15,120 --> 00:52:17,720
Speaker 1: just picture life because they were going to be raising

887
00:52:18,320 --> 00:52:21,680
Speaker 1: two kids from foster care. They were raising two kids

888
00:52:21,719 --> 00:52:24,719
Speaker 1: in foster care who are very close to age, so

889
00:52:24,840 --> 00:52:26,520
Speaker 1: they talked about twins. So I was on the episode

890
00:52:26,520 --> 00:52:28,960
Speaker 1: with She's serano, right, that's what it was, But I

891
00:52:29,120 --> 00:52:31,000
Speaker 1: know it was I know was that memory Donald? But

892
00:52:31,160 --> 00:52:34,719
Speaker 1: she sends me updates on what's going on with her

893
00:52:35,640 --> 00:52:38,840
Speaker 1: brother in law and the kids. And they at the

894
00:52:38,960 --> 00:52:42,560
Speaker 1: time they were foster kids. Now they are both fully adopting.

895
00:52:42,680 --> 00:52:48,359
Speaker 1: Her story, bro let her fat halfway there, tell the story.

896
00:52:48,440 --> 00:52:51,840
Speaker 1: What's been happening. Yeah, So they've been continuing to foster

897
00:52:51,960 --> 00:52:55,600
Speaker 1: these kids. They started fostering them. They got them both

898
00:52:55,640 --> 00:52:58,680
Speaker 1: in their home the same day in twenty twenty, in

899
00:52:58,760 --> 00:53:02,040
Speaker 1: August twenty twenty, and we were on April of twenty

900
00:53:02,160 --> 00:53:06,520
Speaker 1: twenty one. Um. And so they've continued to grow into

901
00:53:07,320 --> 00:53:12,839
Speaker 1: adorable toddlers. And on April twenty first, Yeah, April twenty first,

902
00:53:12,880 --> 00:53:18,160
Speaker 1: of Maya's adoption was finalized. Um. And Little Jay's adoption

903
00:53:18,239 --> 00:53:22,120
Speaker 1: Shippy finalize sometime later this year. Oh my god, congratulations

904
00:53:22,280 --> 00:53:26,680
Speaker 1: and thunder supplause. Oh my god. She's showing us a picture.

905
00:53:26,719 --> 00:53:30,960
Speaker 1: What view the children? And how's it going? Um? Um,

906
00:53:31,080 --> 00:53:33,399
Speaker 1: how's it? I mean, obviously it's going well, but I mean,

907
00:53:33,640 --> 00:53:38,759
Speaker 1: um uh, the kids adjusting well, as you know. It's

908
00:53:39,200 --> 00:53:42,640
Speaker 1: telling you this is all that they've known. Really, they

909
00:53:42,760 --> 00:53:46,600
Speaker 1: both came into foster care pretty early in age. UM.

910
00:53:47,160 --> 00:53:48,840
Speaker 1: But we also thought this was kind of a perfect

911
00:53:48,920 --> 00:53:52,240
Speaker 1: month to talk about this because this is actually national

912
00:53:52,320 --> 00:53:54,960
Speaker 1: Foster Care Month. Right, don't you work in the foster

913
00:53:55,080 --> 00:53:58,440
Speaker 1: care system in some way as well to it? Yeah, yeah, stoner,

914
00:53:58,520 --> 00:54:00,440
Speaker 1: you have a really good memory, right, do what I'm

915
00:54:00,440 --> 00:54:02,840
Speaker 1: telling you to. Weed doesn't make me forget shit like that,

916
00:54:03,040 --> 00:54:05,120
Speaker 1: It makes me forget. Please don't curse in front of

917
00:54:05,160 --> 00:54:10,800
Speaker 1: our guests. Um, yes, tell us about us. Stop it.

918
00:54:11,200 --> 00:54:15,800
Speaker 1: Tell us about foster care adoption months that what was

919
00:54:15,840 --> 00:54:18,680
Speaker 1: it called? Sorry, yeah, it's it's National Foster Care Month.

920
00:54:18,719 --> 00:54:20,799
Speaker 1: And so this is a month again to just really

921
00:54:21,440 --> 00:54:25,080
Speaker 1: raise awareness about foster care and the need. And they're

922
00:54:25,120 --> 00:54:28,800
Speaker 1: on average four hundred thousand kids in foster care across

923
00:54:28,880 --> 00:54:32,080
Speaker 1: the US and so, um, there's just a high need,

924
00:54:32,200 --> 00:54:34,320
Speaker 1: especially at a lot of states right now, there's a

925
00:54:34,400 --> 00:54:39,520
Speaker 1: really high need for people to foster teenagers. I know

926
00:54:39,719 --> 00:54:41,600
Speaker 1: in the state of Texas, a lot of people there's

927
00:54:41,680 --> 00:54:43,960
Speaker 1: kids that are sleeping in the offices right now. I

928
00:54:44,080 --> 00:54:46,799
Speaker 1: know in the state of Georgia there is a really

929
00:54:46,880 --> 00:54:49,719
Speaker 1: high need. Kids are having to either go to group

930
00:54:49,800 --> 00:54:52,160
Speaker 1: homes or even go to group homes that are significantly

931
00:54:52,200 --> 00:54:54,879
Speaker 1: farther away than the county that they actually came into

932
00:54:54,920 --> 00:54:57,400
Speaker 1: foster care in. So we have a huge need for

933
00:54:57,640 --> 00:55:00,560
Speaker 1: people to foster teenagers and they get a little bit

934
00:55:00,560 --> 00:55:03,680
Speaker 1: of a bad rap um, but they really just want

935
00:55:03,719 --> 00:55:05,480
Speaker 1: people who are willing to work with them. And it

936
00:55:05,560 --> 00:55:09,920
Speaker 1: is this because the is this because um um people

937
00:55:09,960 --> 00:55:14,560
Speaker 1: are more willing or or interested in fostering babies or

938
00:55:14,600 --> 00:55:20,239
Speaker 1: small children. Yes, yeah, yeah, but it's also tougher to

939
00:55:20,760 --> 00:55:22,600
Speaker 1: you know, people look at it as it's tougher to

940
00:55:23,440 --> 00:55:26,480
Speaker 1: adopt teenagers because they come with all of this baggage,

941
00:55:26,520 --> 00:55:29,880
Speaker 1: is right, They've grown up in a system that pretty

942
00:55:29,960 --> 00:55:32,640
Speaker 1: much could also break them as well as you know,

943
00:55:33,760 --> 00:55:35,520
Speaker 1: it's not you don't hear a lot of stories of

944
00:55:35,600 --> 00:55:38,439
Speaker 1: kids coming on black. I was uplifted by a beer,

945
00:55:38,800 --> 00:55:42,600
Speaker 1: you know what I mean. And so, but you can

946
00:55:42,640 --> 00:55:46,000
Speaker 1: also change someone's life. Yeah, that's what I'm about to say, Lindsay.

947
00:55:46,280 --> 00:55:48,799
Speaker 1: I completely hear where you're coming from, because you could

948
00:55:48,840 --> 00:55:52,560
Speaker 1: really change somebody's life now, Lindsay, I'm sure people who

949
00:55:52,600 --> 00:55:56,280
Speaker 1: are considering it, especially a teenager, they might go, okay,

950
00:55:56,320 --> 00:55:58,160
Speaker 1: but what if it's debacle, what if it's just a

951
00:55:58,239 --> 00:56:01,360
Speaker 1: bad fit, what if it's we're oil and water. I

952
00:56:01,400 --> 00:56:05,880
Speaker 1: would feel horrible returning the child. I mean, explain to

953
00:56:05,960 --> 00:56:09,040
Speaker 1: people who who are listening, who might be open to

954
00:56:09,080 --> 00:56:11,320
Speaker 1: the idea but worried about you know, sometimes it's just

955
00:56:11,400 --> 00:56:14,600
Speaker 1: not a good fit. Like what happens then, Yeah, And

956
00:56:14,719 --> 00:56:16,680
Speaker 1: that's one of those things where again we try to

957
00:56:16,760 --> 00:56:19,920
Speaker 1: put supports in as much as we can, and we

958
00:56:20,120 --> 00:56:22,960
Speaker 1: try to give foster parents as much information ahead of

959
00:56:23,040 --> 00:56:26,360
Speaker 1: time about this child. Sometimes there are those options of

960
00:56:26,440 --> 00:56:28,960
Speaker 1: trying to do some transitional visits, especially if people are

961
00:56:29,000 --> 00:56:32,440
Speaker 1: interested in adopting teens. We absolutely it is a big

962
00:56:32,600 --> 00:56:35,240
Speaker 1: matching process. And so I have a couple different families

963
00:56:35,280 --> 00:56:38,000
Speaker 1: that I've helped kind of do that matching process. That

964
00:56:38,880 --> 00:56:44,040
Speaker 1: we had one that adoptions case marriage and I were

965
00:56:44,080 --> 00:56:45,400
Speaker 1: both able to look. I was able to look at

966
00:56:45,440 --> 00:56:47,080
Speaker 1: the family that I was working with that was interested

967
00:56:47,080 --> 00:56:49,320
Speaker 1: in adopting, and she was able to look at some

968
00:56:49,400 --> 00:56:51,440
Speaker 1: of her children who were in need of placements, and

969
00:56:51,520 --> 00:56:54,480
Speaker 1: we kind of talked about their personalities and we were

970
00:56:54,520 --> 00:56:57,800
Speaker 1: able to match a kid and a family that it

971
00:56:58,000 --> 00:57:00,600
Speaker 1: was the best thing ever when he told his key manager,

972
00:57:00,800 --> 00:57:02,960
Speaker 1: oh my gosh, this is my family. They're the same

973
00:57:03,000 --> 00:57:07,520
Speaker 1: type of weird it's me. Oh, I think that's great.

974
00:57:07,520 --> 00:57:09,560
Speaker 1: So you're just so so for for for those of

975
00:57:09,640 --> 00:57:11,120
Speaker 1: us who don't know much about this, you're not just

976
00:57:11,360 --> 00:57:14,520
Speaker 1: dropping a teenage rof at someone's house. You're there, they're

977
00:57:14,600 --> 00:57:17,320
Speaker 1: they're they're testing the waters. Maybe they go bowling together,

978
00:57:17,520 --> 00:57:19,440
Speaker 1: or they go to the movies together, that kind of thing.

979
00:57:19,560 --> 00:57:22,120
Speaker 1: Or if you're fostering, it can be a little bit

980
00:57:22,160 --> 00:57:24,120
Speaker 1: more dropping off at the house and you kind of

981
00:57:24,200 --> 00:57:26,320
Speaker 1: just kind of roll with it. If you are interested

982
00:57:26,360 --> 00:57:29,760
Speaker 1: in specifically adopting a team who is already legally free

983
00:57:29,840 --> 00:57:31,960
Speaker 1: for adoption and just needs a home, which there are

984
00:57:32,000 --> 00:57:35,600
Speaker 1: a huge amount of those in every state. UM there's

985
00:57:35,720 --> 00:57:39,560
Speaker 1: websites called There's America's Kids Belong, um, and then each

986
00:57:39,640 --> 00:57:41,280
Speaker 1: state has the one of theirs, So like I live

987
00:57:41,320 --> 00:57:44,160
Speaker 1: in Georgia and it's Georgia's Kids Belong And you can

988
00:57:44,240 --> 00:57:46,160
Speaker 1: go on those websites and look and see what kids

989
00:57:46,200 --> 00:57:49,440
Speaker 1: are available for adoption and what's a families approved for

990
00:57:49,480 --> 00:57:54,080
Speaker 1: that they can inquire about um different kids, and um

991
00:57:54,560 --> 00:57:57,200
Speaker 1: our agencies will then look and say, Okay, this family

992
00:57:57,280 --> 00:57:58,960
Speaker 1: said that they're open to this type of background and

993
00:57:59,000 --> 00:58:01,000
Speaker 1: the type of needs, and you oh, they hey this kid, Yeah,

994
00:58:01,040 --> 00:58:03,400
Speaker 1: this kid has this need and this need, but that

995
00:58:03,440 --> 00:58:04,880
Speaker 1: family is open to it. And then we kind of

996
00:58:04,920 --> 00:58:07,120
Speaker 1: looked too and like our families have adoption flyer. So

997
00:58:07,240 --> 00:58:09,720
Speaker 1: they explain it's all about who those families are, and

998
00:58:09,800 --> 00:58:12,480
Speaker 1: then their case managers, the kids case managers can look

999
00:58:12,520 --> 00:58:14,360
Speaker 1: and say, oh, yeah, my kid is really interested in

1000
00:58:14,480 --> 00:58:17,120
Speaker 1: this and my kid and I've had one sewer. I've

1001
00:58:17,120 --> 00:58:19,000
Speaker 1: had families where it's like, oh, they're a single family

1002
00:58:19,040 --> 00:58:21,240
Speaker 1: without any kids, and you know, actually, this kid would

1003
00:58:21,280 --> 00:58:23,040
Speaker 1: probably really benefit from that because he needs more of

1004
00:58:23,080 --> 00:58:25,200
Speaker 1: that one I want attention. Or I've had families too

1005
00:58:25,240 --> 00:58:28,360
Speaker 1: where they're like, we, actually, they could really benefit from

1006
00:58:28,400 --> 00:58:30,920
Speaker 1: having additional siblings. They've already been around a bunch of

1007
00:58:31,000 --> 00:58:33,000
Speaker 1: kids they would love to be around more. I've had

1008
00:58:33,080 --> 00:58:36,080
Speaker 1: ones where it's the kids too, like they maybe really

1009
00:58:36,120 --> 00:58:38,760
Speaker 1: love video games and that's what the parents love, or

1010
00:58:38,840 --> 00:58:40,640
Speaker 1: they love hiking and that's what the parents love doing.

1011
00:58:40,680 --> 00:58:43,920
Speaker 1: So trying to find some of those matching and then too,

1012
00:58:44,000 --> 00:58:46,400
Speaker 1: when it's an adopt it's the potential adoption. There are

1013
00:58:46,480 --> 00:58:48,720
Speaker 1: those we call them transitional visits, and so they can

1014
00:58:48,760 --> 00:58:52,000
Speaker 1: do visits where it's at first like a two hour

1015
00:58:52,160 --> 00:58:54,640
Speaker 1: meeting and then an extended one, and then they do

1016
00:58:54,720 --> 00:58:56,760
Speaker 1: a couple of visits where the kid might go hang

1017
00:58:56,760 --> 00:58:58,080
Speaker 1: out at their house to be able to get to

1018
00:58:58,160 --> 00:59:01,120
Speaker 1: know them better overnight visits. So it is a transitional

1019
00:59:01,200 --> 00:59:04,360
Speaker 1: theory that can be anywhere from like thirty to sixty

1020
00:59:04,440 --> 00:59:07,680
Speaker 1: days to help everyone feel comfortable and to make sure

1021
00:59:07,720 --> 00:59:09,320
Speaker 1: that yeah, this is a good fit and that this

1022
00:59:09,400 --> 00:59:18,920
Speaker 1: will work out. Well, yeah, I think that's smart. Now

1023
00:59:19,040 --> 00:59:22,160
Speaker 1: do you know, UM, can you tell anyone who's interested

1024
00:59:22,280 --> 00:59:24,680
Speaker 1: and curious like a really good website to go to

1025
00:59:24,840 --> 00:59:28,320
Speaker 1: where they where they can get more information. Yeah? Yeah,

1026
00:59:28,400 --> 00:59:32,120
Speaker 1: So again, depending on your state, just google if it's

1027
00:59:32,160 --> 00:59:35,680
Speaker 1: like again, if you're Georgia, Georgia Kids Belong. If you're

1028
00:59:36,360 --> 00:59:39,320
Speaker 1: a California, I'm sure there's a California Kids Belong or

1029
00:59:39,400 --> 00:59:42,760
Speaker 1: America's Kids Belong. Um, just google that you'll find the

1030
00:59:42,840 --> 00:59:46,120
Speaker 1: main website UM, and then I highly recommend you there.

1031
00:59:46,400 --> 00:59:48,400
Speaker 1: The thing I love about social media is that there

1032
00:59:48,440 --> 00:59:51,320
Speaker 1: really are a ton of families out there on social

1033
00:59:51,400 --> 00:59:54,080
Speaker 1: media who are doing this. UM. One of my favorite

1034
00:59:54,080 --> 00:59:58,200
Speaker 1: people to follow, it's she's at Family and Coffee. And

1035
00:59:58,560 --> 01:00:00,960
Speaker 1: what I love about hearing from her experiences. She was

1036
01:00:01,000 --> 01:00:04,480
Speaker 1: in foster care herself when she grew up. Then she

1037
01:00:04,600 --> 01:00:07,920
Speaker 1: took guardianship of some of her siblings and she is

1038
01:00:08,000 --> 01:00:10,760
Speaker 1: currently not only does she is she a child protective

1039
01:00:10,800 --> 01:00:14,960
Speaker 1: Services worker in San Diego, but she also is fostering.

1040
01:00:16,320 --> 01:00:20,920
Speaker 1: She's fostering one teenager, has guardianship of another teenager adopted.

1041
01:00:20,920 --> 01:00:25,720
Speaker 1: Another teenager has a adopted a younger child that's I

1042
01:00:25,760 --> 01:00:28,919
Speaker 1: think three ish now as biological could have her own

1043
01:00:29,720 --> 01:00:33,440
Speaker 1: and is helping with. One of the teenagers has a

1044
01:00:33,560 --> 01:00:36,280
Speaker 1: son of her own, so they are also grandparents at

1045
01:00:36,320 --> 01:00:39,000
Speaker 1: the age of like twenty eight. Oh my goodness. So

1046
01:00:39,120 --> 01:00:40,920
Speaker 1: there are a bunch of options that you can do,

1047
01:00:41,200 --> 01:00:43,840
Speaker 1: that you can that you can be. Also, you don't

1048
01:00:43,960 --> 01:00:48,120
Speaker 1: necessary if adopting isn't necessarily the road you want to go,

1049
01:00:48,720 --> 01:00:52,800
Speaker 1: or fosters and necessarily the road you want to go,

1050
01:00:53,320 --> 01:00:55,840
Speaker 1: there are other things. There are other options out there

1051
01:00:56,280 --> 01:01:00,640
Speaker 1: to be a positive influence in someone's life. Absolutely, And

1052
01:01:00,720 --> 01:01:03,960
Speaker 1: there's a national it's called National Angels, but a lot

1053
01:01:04,040 --> 01:01:06,880
Speaker 1: of different states have states or cities have their own

1054
01:01:07,120 --> 01:01:10,520
Speaker 1: chapters of them. Atlanta recently got a chapter last year,

1055
01:01:10,560 --> 01:01:13,320
Speaker 1: Atlanta Angels. And what they're really great about is that

1056
01:01:13,480 --> 01:01:18,880
Speaker 1: they will partner volunteers with families that are fostering or adopting,

1057
01:01:19,280 --> 01:01:21,560
Speaker 1: and they kind of come in and are like monthly.

1058
01:01:21,640 --> 01:01:24,120
Speaker 1: They just love on the family. They bring them goodies,

1059
01:01:24,160 --> 01:01:27,240
Speaker 1: they can check in with them. I've had this program.

1060
01:01:27,280 --> 01:01:28,680
Speaker 1: I've had foster parents to be able to go for

1061
01:01:28,760 --> 01:01:30,680
Speaker 1: a run on their own while someone comes in that

1062
01:01:30,760 --> 01:01:33,520
Speaker 1: hangs out with the kids. With this program too, they

1063
01:01:33,560 --> 01:01:35,640
Speaker 1: do the full background checks so that those families don't

1064
01:01:35,640 --> 01:01:37,720
Speaker 1: have to worry about it, but they get extra support system.

1065
01:01:37,840 --> 01:01:40,160
Speaker 1: And so that's a huge need in your areas if

1066
01:01:40,200 --> 01:01:41,920
Speaker 1: you want to be a support to foster families and

1067
01:01:41,960 --> 01:01:47,160
Speaker 1: adoptive families. And then National Angels also does a mentorship program,

1068
01:01:47,480 --> 01:01:49,919
Speaker 1: so if you are interested in mentoring a foster youth,

1069
01:01:51,160 --> 01:01:54,720
Speaker 1: the I think it's eleven to eighteen or even older

1070
01:01:54,760 --> 01:01:56,120
Speaker 1: for some of our kids who are still in care

1071
01:01:56,520 --> 01:01:59,600
Speaker 1: after eighteen. That's a great way again too that they

1072
01:02:00,280 --> 01:02:02,240
Speaker 1: and they are all about pairing up to They don't

1073
01:02:02,240 --> 01:02:03,640
Speaker 1: want to just stick you with a random team, but

1074
01:02:03,720 --> 01:02:06,160
Speaker 1: they want to see, hey, maybe you have the similarities

1075
01:02:06,200 --> 01:02:09,840
Speaker 1: as this common background as a teenager. That's so smart, Like, oh,

1076
01:02:10,200 --> 01:02:13,880
Speaker 1: this team is obsessed with video games. Oh my god,

1077
01:02:13,920 --> 01:02:16,360
Speaker 1: that's that's my husband's favorite video game. You know, like

1078
01:02:16,440 --> 01:02:19,360
Speaker 1: little little things like that, like finding ways to match

1079
01:02:19,680 --> 01:02:23,640
Speaker 1: them up. I love that. Um. Wow, you know, my

1080
01:02:23,720 --> 01:02:26,920
Speaker 1: sister was adopted. Um, but she was adopted when she

1081
01:02:27,000 --> 01:02:32,880
Speaker 1: was a month old. UM, so it was I only

1082
01:02:32,920 --> 01:02:36,080
Speaker 1: mentioned it because it was my parents didn't have to

1083
01:02:36,200 --> 01:02:38,880
Speaker 1: face some of the some of the issues that people

1084
01:02:38,920 --> 01:02:40,800
Speaker 1: have to face when a child's been living on earth

1085
01:02:40,880 --> 01:02:44,280
Speaker 1: and living a tough life for a while. Not to

1086
01:02:44,360 --> 01:02:48,280
Speaker 1: say that issues don't come up with adopted children of

1087
01:02:48,440 --> 01:02:51,800
Speaker 1: of of any age, but but she turned out to

1088
01:02:51,800 --> 01:02:55,320
Speaker 1: be a pretty amazing woman. And that's I like that

1089
01:02:55,400 --> 01:02:57,120
Speaker 1: you brought that up to ZAC because it is one

1090
01:02:57,160 --> 01:03:00,160
Speaker 1: of those things that sometimes it's easy for people to think, like, oh,

1091
01:03:00,160 --> 01:03:02,240
Speaker 1: if I adopt an infinite birth or I have I've

1092
01:03:02,240 --> 01:03:04,480
Speaker 1: adopted a child that's really young, there's not going to

1093
01:03:04,520 --> 01:03:08,120
Speaker 1: be any trauma and not identity identity issues happen, right,

1094
01:03:08,520 --> 01:03:12,960
Speaker 1: lindsay identity issues happen, of course, of course, because my

1095
01:03:13,080 --> 01:03:17,400
Speaker 1: sister was was Mexican American and was brought into a

1096
01:03:17,480 --> 01:03:25,160
Speaker 1: suburban Jewish home and named Shoshana, and I think really had,

1097
01:03:25,280 --> 01:03:28,600
Speaker 1: like Donald said, identity issues, um, as she went through

1098
01:03:28,880 --> 01:03:33,560
Speaker 1: school and also had learning disabilities which can which can

1099
01:03:33,680 --> 01:03:35,440
Speaker 1: be common. I know a lot about this because my

1100
01:03:35,560 --> 01:03:38,880
Speaker 1: parents are both both my mother and stepfather are psychologists

1101
01:03:39,040 --> 01:03:44,360
Speaker 1: who really interesting to have her on. My stepfather and

1102
01:03:44,440 --> 01:03:49,120
Speaker 1: mother treated um for years. They're both um semi retired now,

1103
01:03:49,200 --> 01:03:52,520
Speaker 1: but treated for years adopted children, adopted parents, birth mothers.

1104
01:03:53,080 --> 01:03:56,280
Speaker 1: This was an area of their expertise and interest. So

1105
01:03:56,480 --> 01:03:58,400
Speaker 1: I do know a lot about it, and and I'm

1106
01:03:58,440 --> 01:04:01,600
Speaker 1: just so glad that that you're on here talking about

1107
01:04:01,640 --> 01:04:04,040
Speaker 1: it because I think there's you know, we have so

1108
01:04:04,160 --> 01:04:06,800
Speaker 1: many listeners all across the globe, and I'm sure there

1109
01:04:06,800 --> 01:04:10,000
Speaker 1: are people that are like intrigued, but they don't you know,

1110
01:04:10,120 --> 01:04:12,080
Speaker 1: this might be the thing that makes them go, let's

1111
01:04:12,120 --> 01:04:14,760
Speaker 1: let's let's look into it. Let's let's see let's you know,

1112
01:04:14,880 --> 01:04:17,800
Speaker 1: let's let's go to that website. So I really appreciate

1113
01:04:17,880 --> 01:04:21,240
Speaker 1: you coming on and talking about it, especially since this

1114
01:04:21,400 --> 01:04:25,200
Speaker 1: has gone so well. The initial story that you came

1115
01:04:25,240 --> 01:04:28,080
Speaker 1: to us with. It turns out it looks like a beautiful,

1116
01:04:28,360 --> 01:04:32,000
Speaker 1: happy family. And they too. We talked a lot about

1117
01:04:32,160 --> 01:04:34,680
Speaker 1: the idea that because they're so close in age, it's

1118
01:04:34,720 --> 01:04:37,320
Speaker 1: gonna be a lot like twins, and it's been really

1119
01:04:37,400 --> 01:04:42,120
Speaker 1: fun to see they very much so. They are best friends.

1120
01:04:42,480 --> 01:04:45,160
Speaker 1: They you donald had talked a lot about and Shay

1121
01:04:45,240 --> 01:04:47,600
Speaker 1: had talked about kind of like be prepared. They're gonna

1122
01:04:47,640 --> 01:04:50,680
Speaker 1: gig up on y'all one day. And it's been really

1123
01:04:50,760 --> 01:04:52,880
Speaker 1: fun to just see how much best friends they are.

1124
01:04:53,040 --> 01:04:55,400
Speaker 1: My sister sent me a video to just like about

1125
01:04:55,400 --> 01:04:58,080
Speaker 1: an hour ago, the two of them playing Peekaboo with

1126
01:04:58,160 --> 01:05:01,200
Speaker 1: each other and just cracking each each other up, or like,

1127
01:05:01,960 --> 01:05:05,600
Speaker 1: my niece just switched over to um the Big Girl Dad,

1128
01:05:05,960 --> 01:05:08,360
Speaker 1: and my sister's like, the only problem is she will.

1129
01:05:08,520 --> 01:05:10,240
Speaker 1: They're still sharing a room, and she will if she

1130
01:05:10,320 --> 01:05:11,720
Speaker 1: wakes up early in the morning, she will go over

1131
01:05:11,800 --> 01:05:13,520
Speaker 1: and she'll wake up her brother and she'll bring him

1132
01:05:13,520 --> 01:05:17,040
Speaker 1: books and toys to playlist. So sweet. Help him escape,

1133
01:05:17,200 --> 01:05:22,040
Speaker 1: help him escape the crib. There was some viral video

1134
01:05:22,080 --> 01:05:25,840
Speaker 1: that was of a of a of a todd They're

1135
01:05:25,920 --> 01:05:29,600
Speaker 1: helping helping a baby or something like that escape the crib.

1136
01:05:29,680 --> 01:05:32,200
Speaker 1: It was very funny. Well and they we I suddenly

1137
01:05:32,240 --> 01:05:34,400
Speaker 1: got to do a trip to Disneyland too. I know

1138
01:05:34,480 --> 01:05:39,520
Speaker 1: how much Donald was. Yes, they are obsessed with the

1139
01:05:39,600 --> 01:05:43,520
Speaker 1: It's a Small World song. Oh God, I don't like

1140
01:05:43,680 --> 01:05:45,280
Speaker 1: I don't like that ride. I skipped that ride. When

1141
01:05:45,320 --> 01:05:48,920
Speaker 1: I go there. Donald doesn't escape anything. Um that was

1142
01:05:48,960 --> 01:05:50,840
Speaker 1: the first ride we had to go on when we

1143
01:05:50,920 --> 01:05:53,360
Speaker 1: went with my daughter with little kids. I understand you

1144
01:05:53,440 --> 01:05:55,160
Speaker 1: gotta do it, but Donald will go on that ship

1145
01:05:55,280 --> 01:06:01,200
Speaker 1: as an adult with no kids with him. Well, Donald

1146
01:06:01,200 --> 01:06:05,080
Speaker 1: doesn't skip a ride. Yes, my nephew's obsessed with cars too,

1147
01:06:05,160 --> 01:06:07,000
Speaker 1: so we had to go take him on Octopia. And

1148
01:06:07,120 --> 01:06:09,880
Speaker 1: that was my brother in law's one request from that day.

1149
01:06:09,960 --> 01:06:11,760
Speaker 1: He's such an easy Chell guy, but he was like,

1150
01:06:11,920 --> 01:06:13,320
Speaker 1: I have to be the one that takes a little

1151
01:06:13,360 --> 01:06:15,920
Speaker 1: Jay on the Octopia. Well, we have a really great photo.

1152
01:06:17,200 --> 01:06:20,040
Speaker 1: Jay started screaming crying when they tried to get him

1153
01:06:20,080 --> 01:06:22,600
Speaker 1: on the ride. And then of course as he's turning

1154
01:06:22,600 --> 01:06:24,920
Speaker 1: around and coming back from the ride, heath and in

1155
01:06:25,000 --> 01:06:27,280
Speaker 1: such a happy mood. And then it was him screaming

1156
01:06:27,280 --> 01:06:30,040
Speaker 1: and crying when um he asked my mom, he's like

1157
01:06:30,320 --> 01:06:32,360
Speaker 1: mark car Marker And my mom was like, sorry, we're

1158
01:06:32,400 --> 01:06:36,040
Speaker 1: all done today. So is there a way, um Joelle

1159
01:06:36,120 --> 01:06:38,680
Speaker 1: for us to if she's willing to share, um that

1160
01:06:39,120 --> 01:06:41,320
Speaker 1: one of those pictures with our with our viewers, where

1161
01:06:41,360 --> 01:06:43,360
Speaker 1: can we put it if they're willing to share the photo?

1162
01:06:43,360 --> 01:06:45,640
Speaker 1: I mean we could just put it on Yeah, I'm

1163
01:06:45,880 --> 01:06:47,920
Speaker 1: say you could post it in your stories, right, yeah, yeah,

1164
01:06:48,040 --> 01:06:50,080
Speaker 1: put tag tag me and Donald in that in that

1165
01:06:50,240 --> 01:06:53,800
Speaker 1: first picture, Um, it's a beautiful thing. And then you guys,

1166
01:06:54,080 --> 01:06:56,560
Speaker 1: if you're curious, you can look at um on Instagram

1167
01:06:56,680 --> 01:07:00,040
Speaker 1: on pictures were tagged in, UM, do you have any questions? So?

1168
01:07:00,480 --> 01:07:02,840
Speaker 1: I think I think we've I think we've asked her

1169
01:07:02,840 --> 01:07:05,640
Speaker 1: a lot of questions. Um, we've gone so long today,

1170
01:07:05,680 --> 01:07:08,680
Speaker 1: but maybe you do. I don't know, lindsay, well, I did.

1171
01:07:08,840 --> 01:07:10,919
Speaker 1: I did take some prep, so I had a couple

1172
01:07:10,920 --> 01:07:12,720
Speaker 1: of different ones, but I'll ask you guys, let's just

1173
01:07:12,800 --> 01:07:15,560
Speaker 1: do one since we've gone so long today, go ahead totally.

1174
01:07:15,880 --> 01:07:17,400
Speaker 1: And the one I wanted to ask you guys is

1175
01:07:17,560 --> 01:07:21,120
Speaker 1: I've loved hearing you guys talk about what you really brought,

1176
01:07:21,360 --> 01:07:23,760
Speaker 1: like what you took away from doing eight nine years

1177
01:07:23,800 --> 01:07:26,520
Speaker 1: of Scrubs and all the things you learned from the

1178
01:07:26,640 --> 01:07:28,680
Speaker 1: friendships that how you've talked with that was like your

1179
01:07:28,720 --> 01:07:30,960
Speaker 1: film school. What do you guys think that so far

1180
01:07:31,200 --> 01:07:33,160
Speaker 1: you've done a podcast now for two years. What do

1181
01:07:33,200 --> 01:07:35,000
Speaker 1: you guys think you're gonna take away from the podcast.

1182
01:07:35,720 --> 01:07:38,240
Speaker 1: That's such a great question. How Like, I gotta be

1183
01:07:38,360 --> 01:07:40,440
Speaker 1: honest with you. A lot of it is positive stuff

1184
01:07:40,480 --> 01:07:47,200
Speaker 1: and like, uh, reassurance and um, I never thought I

1185
01:07:47,280 --> 01:07:49,480
Speaker 1: had a voice for radio. I'm pretty sure I got

1186
01:07:49,560 --> 01:07:51,840
Speaker 1: a voice for radio now, you know what I mean? Yeah,

1187
01:07:51,840 --> 01:07:54,960
Speaker 1: you do, baby, thank you, thank you very much. Um.

1188
01:07:55,480 --> 01:08:00,880
Speaker 1: And so I uh that that's one thing. The other

1189
01:08:01,000 --> 01:08:04,160
Speaker 1: thing that I'm gonna that I know I'm gonna take

1190
01:08:04,240 --> 01:08:07,480
Speaker 1: away from this is I'm not taking this for granted.

1191
01:08:07,520 --> 01:08:11,480
Speaker 1: I'm enjoying every moment of this. And even on the

1192
01:08:11,640 --> 01:08:15,320
Speaker 1: days when I do not want to do the podcast,

1193
01:08:16,040 --> 01:08:18,519
Speaker 1: there are days where it's it's we do it. We

1194
01:08:18,600 --> 01:08:22,160
Speaker 1: record on Thursdays where it's you know, eleven o'clock, and

1195
01:08:22,240 --> 01:08:24,760
Speaker 1: I'm like, I really want to do so many other

1196
01:08:24,880 --> 01:08:26,880
Speaker 1: things right now, and then we wind up doing the

1197
01:08:27,000 --> 01:08:29,920
Speaker 1: podcast and I have so much fun. I'm the same

1198
01:08:30,000 --> 01:08:32,920
Speaker 1: way I would I would say the same way. Some

1199
01:08:33,080 --> 01:08:35,400
Speaker 1: days you're just like, oh, I'm just not in the

1200
01:08:35,479 --> 01:08:37,680
Speaker 1: mood to do it today, And then I watched the

1201
01:08:37,760 --> 01:08:41,639
Speaker 1: episode and I smile, and then I get with these

1202
01:08:41,760 --> 01:08:45,320
Speaker 1: guys and I just it's like it's like therapy, you

1203
01:08:45,400 --> 01:08:47,519
Speaker 1: know how there's like laughing therapy where people go literally

1204
01:08:47,560 --> 01:08:51,000
Speaker 1: sit in a circle and go It's like that I

1205
01:08:51,200 --> 01:08:54,600
Speaker 1: know that guaranteed, I'm going to hang up off this

1206
01:08:54,760 --> 01:08:59,880
Speaker 1: zoom happier and having laughed for an hour and a half.

1207
01:09:00,360 --> 01:09:02,040
Speaker 1: So I'm not going to take that for granted. I

1208
01:09:02,120 --> 01:09:05,400
Speaker 1: took Scrubs for granted. I thought it. I thought that work,

1209
01:09:06,000 --> 01:09:08,840
Speaker 1: that type of work, or that level of work would

1210
01:09:08,880 --> 01:09:13,760
Speaker 1: be forever, And it's not necessarily forever forever. Well, that's

1211
01:09:13,800 --> 01:09:17,559
Speaker 1: one thing that is we all know this, and also

1212
01:09:17,680 --> 01:09:20,320
Speaker 1: we just um we we we you know, the idea

1213
01:09:20,560 --> 01:09:23,040
Speaker 1: was initially just me and him talking, and this idea

1214
01:09:23,160 --> 01:09:26,400
Speaker 1: of the friendships we've made with Daniel and Joel and

1215
01:09:27,000 --> 01:09:29,400
Speaker 1: and how much they bring to the show, you honor

1216
01:09:29,520 --> 01:09:33,000
Speaker 1: me and and and just everything about it. It's it's

1217
01:09:33,080 --> 01:09:37,040
Speaker 1: it's so fun, it's magical. It's it started during the pandemic. Um,

1218
01:09:37,400 --> 01:09:39,519
Speaker 1: we don't we still don't figure out what we're gonna

1219
01:09:39,520 --> 01:09:41,519
Speaker 1: do after we have all sorts of ideas. The latest

1220
01:09:41,640 --> 01:09:47,960
Speaker 1: is a rewatched podcast of Different Strokes. Well, and I

1221
01:09:48,040 --> 01:09:50,360
Speaker 1: had to tell you guys too, really it has and

1222
01:09:50,439 --> 01:09:51,960
Speaker 1: I know you've heard this from a ton of people,

1223
01:09:52,000 --> 01:09:54,439
Speaker 1: but it really was a gait. I started listening to

1224
01:09:54,600 --> 01:09:58,360
Speaker 1: this almost right away. I even though I had roommates,

1225
01:09:58,439 --> 01:10:00,760
Speaker 1: neither one of them was like is slighting with me

1226
01:10:00,840 --> 01:10:03,320
Speaker 1: those first few weeks of the pandemic. My birthday was

1227
01:10:03,360 --> 01:10:05,680
Speaker 1: early in the pandemic when it started, and so like

1228
01:10:05,840 --> 01:10:08,920
Speaker 1: this was something to look forward to, like every week,

1229
01:10:08,960 --> 01:10:10,400
Speaker 1: and when you guys were doing it twice a week,

1230
01:10:10,479 --> 01:10:12,400
Speaker 1: it was like if I had to do documentation or

1231
01:10:12,439 --> 01:10:14,240
Speaker 1: something that I didn't necessarily love doing a part of

1232
01:10:14,320 --> 01:10:16,760
Speaker 1: my job, I wouldn't be listening to that. It was

1233
01:10:16,800 --> 01:10:18,479
Speaker 1: like guarantee if I woke up on a Tuesday or

1234
01:10:18,520 --> 01:10:20,679
Speaker 1: Thursday morning, and now we came up on a Tuesday morning,

1235
01:10:20,960 --> 01:10:22,800
Speaker 1: I know that I have that to look forward to.

1236
01:10:23,680 --> 01:10:26,320
Speaker 1: You're very sweet, Thank you and and and to all

1237
01:10:26,360 --> 01:10:28,960
Speaker 1: of you listeners, thank you. We we don't say it enough.

1238
01:10:29,040 --> 01:10:31,920
Speaker 1: Thank you all across the globe so much for for

1239
01:10:32,080 --> 01:10:34,760
Speaker 1: tuning in. This is it's very lucky to have you.

1240
01:10:34,880 --> 01:10:37,920
Speaker 1: We're very lucky. We appreciate you. We we we honestly,

1241
01:10:38,000 --> 01:10:39,960
Speaker 1: I've said it before, we'll say it again. We never

1242
01:10:40,880 --> 01:10:42,479
Speaker 1: never thought we thought it would just be our moms

1243
01:10:42,479 --> 01:10:44,600
Speaker 1: and a few friends. Now our moms don't listen, but

1244
01:10:45,600 --> 01:10:49,200
Speaker 1: not even our friends listen. But but Terry Brothers, I

1245
01:10:49,240 --> 01:10:51,479
Speaker 1: was really kerry last night. I was Kerry last night

1246
01:10:51,520 --> 01:10:53,240
Speaker 1: he was like, I was listening to this podcast and

1247
01:10:53,320 --> 01:10:58,160
Speaker 1: I was like mine, he goes, no, And it's always

1248
01:10:58,360 --> 01:11:02,759
Speaker 1: it's always the know you assume that your friends listened

1249
01:11:02,800 --> 01:11:04,600
Speaker 1: to it. Like so like the other day on the

1250
01:11:04,640 --> 01:11:06,200
Speaker 1: podcast when I was talking and they're like, I have

1251
01:11:06,400 --> 01:11:08,880
Speaker 1: no idea you have a podcast. Like they are members

1252
01:11:08,880 --> 01:11:11,479
Speaker 1: of my family that are like, you have a podcast. Yeah, Well,

1253
01:11:11,560 --> 01:11:13,960
Speaker 1: anyway to you out there who do listen, Thank you

1254
01:11:14,040 --> 01:11:16,040
Speaker 1: so much. This is so fun for us, um and

1255
01:11:16,479 --> 01:11:19,160
Speaker 1: we hope we bring you the same level of smile

1256
01:11:19,240 --> 01:11:22,960
Speaker 1: that we bring each other every week. Last ahead, Donald,

1257
01:11:22,960 --> 01:11:27,320
Speaker 1: go ahead, I'm only gonna say this this last time.

1258
01:11:27,400 --> 01:11:31,280
Speaker 1: Well I'm gonna say it again, probably because I am

1259
01:11:31,520 --> 01:11:38,160
Speaker 1: sounding the battle cry faked Doctor's real friends listeners. Oh

1260
01:11:40,439 --> 01:11:45,960
Speaker 1: my Instagram is not the moon. You know, really long time,

1261
01:11:47,560 --> 01:11:50,720
Speaker 1: we were doing some really good numbers. You guys. We

1262
01:11:50,840 --> 01:11:54,639
Speaker 1: will pushing numbers that I hadn't seen since the Clueless era.

1263
01:11:55,439 --> 01:11:57,320
Speaker 1: You know what I'm saying. There was no there was

1264
01:11:57,400 --> 01:11:59,920
Speaker 1: no Instagram in the clueless era. But we will push

1265
01:12:00,320 --> 01:12:06,200
Speaker 1: numbers like that. Okay, Okay, Sonald final follow Donald things.

1266
01:12:06,280 --> 01:12:08,720
Speaker 1: We're not pushing those numbers again. As a matter of fact,

1267
01:12:08,800 --> 01:12:12,000
Speaker 1: I feel like we're receding, Like, why do you sound

1268
01:12:12,120 --> 01:12:16,960
Speaker 1: like Fred Sandford right now? Um, I do compliment? No,

1269
01:12:17,080 --> 01:12:22,200
Speaker 1: you're doing like Wheezy? What did he say Fox? Yeah,

1270
01:12:23,800 --> 01:12:27,479
Speaker 1: I'm coming for you. Sorry, I'm complating two things. What

1271
01:12:27,600 --> 01:12:30,640
Speaker 1: did he say? Wheezy is? Uh no? Sorry? What did

1272
01:12:30,680 --> 01:12:32,240
Speaker 1: Red Fox used to say when he was coming for

1273
01:12:32,320 --> 01:12:35,280
Speaker 1: his wife in Heaven? Well, there's aunt, I'm coming for you,

1274
01:12:35,439 --> 01:12:38,200
Speaker 1: edna ed was that? Who was? And I'm coming in

1275
01:12:38,520 --> 01:12:42,559
Speaker 1: I'm coming? That was the funny show. Add one more

1276
01:12:42,680 --> 01:12:45,840
Speaker 1: thing too. I love that this shirt behind you guys

1277
01:12:46,000 --> 01:12:48,880
Speaker 1: kind of reminds me to share Horowit skirt, which is

1278
01:12:48,960 --> 01:12:53,240
Speaker 1: crazy because I like this like long one then like

1279
01:12:53,360 --> 01:12:58,760
Speaker 1: that yellow that's the actual dress from the movie. Actually, no,

1280
01:12:58,840 --> 01:13:03,120
Speaker 1: one's not all right. We gotta go, guys, We've gone.

1281
01:13:03,160 --> 01:13:05,040
Speaker 1: You guys are worse than Daniel. We got we we

1282
01:13:05,200 --> 01:13:07,559
Speaker 1: had her. You guys are worse than Daniel. We had her.

1283
01:13:08,280 --> 01:13:11,919
Speaker 1: Same thing with the leg jas. Follow donalds Um on Instagram,

1284
01:13:12,080 --> 01:13:17,280
Speaker 1: Follow me on Instagram. Leroy Jenkins on that note, five

1285
01:13:17,360 --> 01:13:22,920
Speaker 1: six seven ye stories about Shure we made about a

1286
01:13:23,000 --> 01:13:27,080
Speaker 1: bunch of doctor nurses and Canada who loved me. I said,

1287
01:13:27,160 --> 01:13:33,200
Speaker 1: he's the stories never should know. So YadA around you,

1288
01:13:33,439 --> 01:13:37,840
Speaker 1: Here a yadoo around you, Here a free while with

1289
01:13:40,640 --> 01:13:41,040
Speaker 1: m HM