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Speaker 1: It's time for the Bobby Bones post show.

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Speaker 2: Here's your host, Bobby Bone.

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Speaker 3: Whoa you know. We announced the ACMs on this show

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Speaker 3: and some of the groups like Group an Artists and

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Speaker 3: Male and Female, and I felt like it was a

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Speaker 3: pretty standard group of folks. No big surprises this year.

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Speaker 3: Usually there's one or two we're like, wow, good for them,

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Speaker 3: it's the first time, or wow, I can't believe they

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Speaker 3: got nominated. That kind of thing. And I really didn't

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Speaker 3: hear of a whole lot of snub not a lot

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Speaker 3: of snub talk either, so like, it's pretty standard.

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Speaker 4: Yeah.

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Speaker 3: I started to see a couple of people talk about

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Speaker 3: Parmale and where they snubbed from Group of the Year,

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Speaker 3: and so before I made up my mind on it,

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Speaker 3: I wanted the facts. So I had a sheet of

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Speaker 3: all the data from this last year and then let

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Speaker 3: us see if we feel like they should have been nominate.

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Speaker 3: Their song, Girl in Mine went number one on the

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Speaker 3: Country Aircheck Media based Radio chart October second, twenty twenty three.

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Speaker 3: Big number one song is a big deal because some

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Speaker 3: of these acts do not have a number one. Let's see,

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Speaker 3: but some of them also aren't radio. But like did

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Speaker 3: Little Bigtown have a number one, I don't think so

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Speaker 3: I don't either, not just about number one, but Flatlank

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Speaker 3: Cavalry did not. I don't know that if Zach Brown

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Speaker 3: did or not. So on that side, I would agree, Okay,

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Speaker 3: well they had number one.

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Speaker 4: That's okay.

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Speaker 3: Using data twenty twenty two, they had number one, and

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Speaker 3: I would say that kind of doesn't matter. But a

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Speaker 3: lot of times you see people get included the next

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Speaker 3: year or win the next year because they got shafted

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Speaker 3: the year before. So if we're using that, because I

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Speaker 3: would say with Cmas for example, remember one year Dan

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Speaker 3: and Shay got shafted big time and I couldn't believe

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Speaker 3: they lost. But also like brothers Osborne who won. But

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Speaker 3: like data wise, I was like, man, I feel but

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Speaker 3: this is voters right who vote on this, like people

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Speaker 3: inside the industry. It's not fan votes. It's not a

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Speaker 3: group of people that sit down and decide. It's like

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Speaker 3: hundreds of people in the industry from record labels, from

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Speaker 3: meet that vote and so fusing the Dan and Shape

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Speaker 3: effect of everybody thought they should have won that year.

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Speaker 3: So they definitely got to boost the next year because

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Speaker 3: they were like, man, they got screwed let's give them

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Speaker 3: the win this next year, then maybe they should be

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Speaker 3: in it because they had a really good year of

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Speaker 3: the year before.

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Speaker 4: Okay.

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Speaker 3: They released their extended album for U two in September

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Speaker 3: of twenty twenty three, and twenty twenty three, they won

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Speaker 3: a headlining tour, a nineteen city tour with Train. I

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Speaker 3: guess so they'd have been the support they were on

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Speaker 3: Cane Browns in the Air tour. They were supported. They

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Speaker 3: did not get a nomination for the CMA Awards, the

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Speaker 3: only group nominated that had a number one song. Just

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Speaker 3: got this sent over in twenty twenty three old dominion

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Speaker 3: of all the groups with Memory Lane. And I'm not

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Speaker 3: saying remove anybody, but yeah, I think they got screwed. Yeah,

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Speaker 3: And I don't think it's anybody's purpose. No one has

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Speaker 3: a singular power to screw them. I mean, I go

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Speaker 3: little what they're good, but I'm talking about in this

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Speaker 3: nobody has singular power to screw them. But not enough

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Speaker 3: people put them in there like top three.

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Speaker 4: Right, And it's crazy because they've hung around for so

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Speaker 4: long and you do kind of forget about them a

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Speaker 4: little bit. They kind of get lost in the mix.

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Speaker 4: And I never even once thought about them being in

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Speaker 4: a group of the year or not being in a

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Speaker 4: group of the year, And until.

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Speaker 3: You just brought that up, I agree.

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Speaker 4: I didn't either.

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Speaker 3: When I saw the list, I was like, where's Parmally?

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Speaker 3: But also I'm like, oh, yeah, they had a bunch

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Speaker 3: when I look at it, Yeah, I think it's a

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Speaker 3: couple of things that work against them. One, they didn't

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Speaker 3: start pop popping until later, until they were a bit older.

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Speaker 3: Where some I mean, there are people just as old

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Speaker 3: as them now in these categories, but lady A, even

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Speaker 3: old dominions started a little older as songwriters. But they

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Speaker 3: started hitting seven, eight, nine years ago. Zach Brown Band

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Speaker 3: obviously a little big town oh a bit younger when

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Speaker 3: they started hitting.

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Speaker 4: I think that hurts them a little bit.

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Speaker 3: And then also, and I say this, I like them,

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Speaker 3: there's not really there's nothing about them that you really remember,

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Speaker 3: like visually you want a mouse head on like dead mouse,

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Speaker 3: we know them every time. I think that probably hurts

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Speaker 3: them too a little bit. Where it's a bunch of

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Speaker 3: dudes who all look like all the other dudes, except

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Speaker 3: all four of those dudes are in a band, and

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Speaker 3: I like them. I like those guys, But I was

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Speaker 3: just trying to figure out, like what, because let's think

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Speaker 3: about it, lady A. They're obviously that a monster monster

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Speaker 3: monster start to their career. But they have only three people,

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Speaker 3: two lead singers. One's one, one's a dude, that dude

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Speaker 3: some foot three.

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Speaker 4: Yeah, like all that. That's memorable, a little big town

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Speaker 4: two and two. Sure, and each of the two and

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Speaker 4: two have distinct characteristics.

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Speaker 2: Yeah.

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Speaker 3: First of all, they have songs, obviously, and then Zach

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Speaker 3: Brown Band, massive songs, Zach Zach himself and he wears

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Speaker 3: a funny hat.

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Speaker 4: What else can you say? He's a jack mat too.

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Speaker 3: Flatlank Cavalry not don't know who is that? Don't Flatlan Cavalry?

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Speaker 4: No, no old Dominion. They've had so many hits.

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Speaker 3: Yeah, I think they probably could have got put in

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Speaker 3: that mix of a bunch of random white guys too,

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Speaker 3: But they've had so so so many hits so so

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Speaker 3: so quickly that it becomes.

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Speaker 4: You're just forced where like.

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Speaker 3: Uh parmally, it took a long time for them to

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Speaker 3: get a hit because they had to grind it out

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Speaker 3: so much.

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Speaker 4: I know this.

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Speaker 3: I know Flatlank Cavalry, I know them from the opry.

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Speaker 3: Maybe do they have a girl in the group or not.

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Speaker 4: There's a girl in that picture.

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Speaker 2: There's a group in this picture.

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Speaker 3: But then I don't think they don't have a girl.

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Speaker 3: When I've ever seen them play, they didn't have a girl.

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Speaker 3: You can look.

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Speaker 2: Well, I'm saying, in one picture there's a girl and

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Speaker 2: then the So maybe she left.

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Speaker 4: Yeah, anytime I just googled image, got it.

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Speaker 3: Maybe she's a fan.

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Speaker 4: Man, take a picture of them, just let her in there.

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Speaker 3: So my official answer is I think that it sucks

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Speaker 3: that they're not in. I don't think they were snub

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Speaker 3: because I think there was no reason for anyone to

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Speaker 3: snub them. I think that people just because there's not

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Speaker 3: an impression that's really left, and it takes so long

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Speaker 3: for their songs to hit number one, that's probably why

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Speaker 3: they get left.

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Speaker 4: Off of these. I do like their songs, though, dude,

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Speaker 4: Oh they're jams. They my hand and you can even

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Speaker 4: go back to it feels like Carolina is.

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Speaker 3: That Carol, Like that's a good one, so good, and

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Speaker 3: then that one goes if you can.

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Speaker 4: Just the way you are, that's a good one. Take

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Speaker 4: my nay, take my hand, I need'n make you min.

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Speaker 3: What is interesting about those guys too. Sometimes I know

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Speaker 3: the song before I even know it's them, Like I'll

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Speaker 3: hear the song and go like, oh, I know that song.

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Speaker 3: Oh that's Parmally. Yeah, I think it's a branding problem,

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Speaker 3: like someone on their team.

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Speaker 4: Then I don't know.

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Speaker 3: I think it's a branding problem. And they have success

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Speaker 3: that everybody should know them.

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Speaker 4: If I remember correctly. Even might want to google a

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Speaker 4: recent picture of them. But they've kind of gone leather

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Speaker 4: ish other in that face, you know, I think they're

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Speaker 4: they're in the black leather now okay, or they look

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Speaker 4: tough right now.

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Speaker 3: Well, I guess they do it long enough and they

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Speaker 3: look really tough. You have to commit. But yeah, I

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Speaker 3: think that the problem is we don't know them. I

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Speaker 3: know them because I'm just here and have worked with them,

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Speaker 3: But I'm saying people generally don't know who they are.

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Speaker 4: Two brothers and a cousin and a budge.

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Speaker 3: Rummer who got shot up. That's always a great lery.

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Speaker 4: Yeah, just yeah, yeah, Okay.

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Speaker 2: Flatland Cavalry did have a girl. She left in twenty eighteen.

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Speaker 2: They all met at Texas Tech University High School.

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Speaker 3: Well, I'm I'm sad that Parmally now that I think

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Speaker 3: about it. I'm sad they didn't make it because they

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Speaker 3: could have added another one if there were Just there's

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Speaker 3: a threshold. It wasn't that they needed to get three

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Speaker 3: or four or five or six. It's the threshold probably,

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Speaker 3: and they take anyone over a certain percentage and that's it.

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Speaker 4: Yeah, they look tough now, man.

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Speaker 3: I think that's the Parmally problem. That's what I call it,

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Speaker 3: the Parmarly problem.

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Speaker 4: It's got a good ring to it.

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Speaker 3: It's a they need someone on their team to figure

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Speaker 3: out how they can make an impression outside of.

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Speaker 4: Hits.

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Speaker 3: There are a lot of dudes in country music, dudes

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Speaker 3: that have hits and nobody knows who they are because

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Speaker 3: they all start to blend together. Would you agree with that? Yeah,

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Speaker 3: just in general, like a lot of the dudes, just

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Speaker 3: white dudes and country music all feel like the same person.

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Speaker 4: You talk about, like, you know, a little surprises for this.

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Speaker 3: Year the parma of the lead singer's good looking dude though,

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Speaker 3: Oh yeah, maybe they blow out the other three and

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Speaker 3: just have him like almost famous.

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Speaker 4: We're all we're one of the blurry dudes. Or are

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Speaker 4: you saying sorry? The mega Maroney thing was kind of

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Speaker 4: like not too crazy surprising, but that was one where like,

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Speaker 4: you know, that's cool she got in the mix. I

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Speaker 4: know she's had a really good year, but oh.

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Speaker 3: She's massive though, Like she hit like a freaking lightning bolt.

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Speaker 4: Yeah, but she's new.

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Speaker 3: Yeah, but she had two massive songs, like I hear you,

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Speaker 3: but I would I would have made surprise had had

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Speaker 3: Megan Marony not been up for Female of the Year.

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Speaker 3: That's what she's in, right, Female of the Year. Yeah,

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Speaker 3: I think that's right. I would have been surprised if not,

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Speaker 3: because again, monster, she's two monster songs.

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Speaker 4: She and you know her her style, yeah, her like

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Speaker 4: she leads an impression. I'm just saying, you usually have

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Speaker 4: the usual suspects in all these lists, and then when

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Speaker 4: Megan Maroney came in, I'm like, Okay, that's cool, we

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Speaker 4: got someone new in the mix, because that was the

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Speaker 4: Landy Wilson of last year.

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Speaker 3: ACM's a little different though. They're a little more progressive.

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Speaker 3: They're a little more identifying with today more than a

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Speaker 3: what have they done over the last few years? Sure,

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Speaker 3: but we're gonna act like it's just today. I don't know.

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Speaker 3: I mean, I feel like Megan Roney's had probably a

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Speaker 3: bigger year than anybody on the female Artists list except

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Speaker 3: for Laney. I'm not saying she's better or worse, but

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Speaker 3: like bigger than Casey. Just put a record out. So

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Speaker 3: Casey's like running just a different race at a different

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Speaker 3: time like her. Her stuff just came out, actually put

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Speaker 3: out a record and it did well. But like Meghan Therese,

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Speaker 3: both those songs were just monsters. I'm wearing Tennessee orange,

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Speaker 3: and you know they did the whole Morgan Walling thing,

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Speaker 3: whereas he talking about Morgan walling like pr wise excellent.

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Speaker 3: Then the other song is, uh, I'm wearing Tennessee green.

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Speaker 4: No, no, no, it's the instagram one.

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Speaker 3: Oh on my foot, Morgan?

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Speaker 4: What's that? I'm not pretty?

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Speaker 3: How's the course going?

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Speaker 4: I'm not pretty? She played it with us. We had

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Speaker 4: to learn it. Yeah, someone scrolling on my Instagram.

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Speaker 2: Someone scrolling on my not be you guys are throwing

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Speaker 2: me off because it's not I know, I.

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Speaker 3: Know somewhere out there Mike's boyfriend girl.

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Speaker 2: That's a scrolling my Instagram.

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Speaker 3: Yeah, but hey, what keep telling you?

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Speaker 4: I'm not?

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Speaker 3: My favorite Maganimonia song is the hair salon Shop it's

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Speaker 3: a long time. It's like one of those way early ones.

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Speaker 3: But I didn't know it until later. Let me see

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Speaker 3: case he is having a baby. I don't know, dude,

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Speaker 3: I'm losing my voice a little bit because I've been

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Speaker 3: uh teaching the next year.

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Speaker 4: You've got a crazy week, man, Yeah, I've been a

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Speaker 4: pretty crazy week. You know what. I thought, just just

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Speaker 4: watching you on social media a little bit. I was like, man,

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Speaker 4: this dude's living his best life right now. Like, like,

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Speaker 4: you're in Arkansas, you know, at the university. Big news

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Speaker 4: coming to the university and you're in the middle of it.

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Speaker 4: You're playing, you're throwing first pitch at the the baseball game,

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Speaker 4: you're working out with the sub fall team. Like I

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Speaker 4: really like, I meant to text you a couple of times,

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Speaker 4: but I'm like, no, don't bother me. Man, he's living

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Speaker 4: his best life right now. It was.

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Speaker 3: It was a lot of fun. There was a lot

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Speaker 3: of work though, Like going from one class to the other. Okay,

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Speaker 3: they were running me.

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Speaker 4: I was.

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Speaker 2: You don't say in one room where the kids come to.

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Speaker 2: You got to go across campus different. I wouldn't say

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Speaker 2: a cross but I taught two of their classes.

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Speaker 4: If you're running through campus with your briefcase.

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Speaker 2: Did you have office hours where students could come by

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Speaker 2: if they had questions, same center, but different classes and

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Speaker 2: different buildings.

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Speaker 4: You're like, I'm late, you got rolls in f also,

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Speaker 4: don't know where I'm going.

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Speaker 2: You come in and slam the briefcase down. So everybody's

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Speaker 2: like you.

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Speaker 4: Freshman class was tough. Oh you taught freshmen like.

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Speaker 3: A hun like a hundred freshmen. It's different because I

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Speaker 3: would do different like I did, like a media storytelling class,

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Speaker 3: like a non traditional media like a digital all these

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Speaker 3: different versions, and the freshmen they're just like, I don't know, distracted, DG. Yeah,

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Speaker 3: they're coming in all eight Oh sorry, you know walk

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Speaker 3: a Shane.

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Speaker 4: Did you have to uh discipline anyone? Like, hey, you guys,

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Speaker 4: keep it down over there.

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Speaker 3: No, everybody was pretty good about that. People would walk

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Speaker 3: in late, though, and I did the same joke every time,

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Speaker 3: which got funnier because everybody knew what the joke was. So,

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Speaker 3: you know, whenever the class would start and there's it's

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Speaker 3: like fifteen rows tall. I was a big The freshman

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Speaker 3: room was a big room, and so I'd start doing

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Speaker 3: my deal whatever and someone walk in and I'd be like,

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Speaker 3: he's your name.

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Speaker 4: They'd be like Chris.

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Speaker 3: I'd be like, you guys told me classic Chris huh

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Speaker 3: and they'd laugh.

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Speaker 4: But then they knew, like.

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Speaker 3: The third, fourth, and fifth time, exactly what the joke was,

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Speaker 3: and it got funnier to them every time because they

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Speaker 3: were in on it.

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Speaker 4: Classic back.

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Speaker 3: Somebody would come in and be like, Shauna, you guys

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Speaker 3: talk that this is her, right, They'd be like, yep,

294
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Speaker 3: classic Shauna and they were like classic Gena or Shana. Yeah.

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Speaker 4: It was good. Uh.

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Speaker 3: But then I would like sit with thirteen or fourteen

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Speaker 3: seniors at a table and they were like really dialing in.

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Speaker 3: But I would like call people to celebrities, uh yeah, one.

299
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Speaker 3: But I would call like my manager too and be like, hey,

300
00:14:02,000 --> 00:14:04,520
Speaker 3: this guy wants to know about this part of management.

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Speaker 3: So it was that that kind of stuff.

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Speaker 4: But we didn't get you get a.

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Speaker 2: College No, man, they didn't call it us about star

304
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Speaker 2: of the show. But that's all right.

305
00:14:13,240 --> 00:14:18,520
Speaker 3: Not a lot was about I mean, it wasn't an MVP. No,

306
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Speaker 3: not your version.

307
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Speaker 2: I don't think, alright, cool man. No, one ridn't get

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Speaker 2: a call.

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Speaker 4: Yeah, yeah, so it makes sense. That was good Voices

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Speaker 4: little fried because a lot of lecturing. Dude. Also like n.

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Speaker 3: No, there was no yelling there. But also it was

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Speaker 3: just meeting a lot of people, even like faculty and

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Speaker 3: stuff that would come by and talk after between classes

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Speaker 3: for ten fifty minutes.

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Speaker 4: It was really cool.

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Speaker 3: But I start to burn on the old vocal cords.

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Speaker 3: I wasn't drinking enough of water, wasn't It wasn't in

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Speaker 3: my own bed, didn't have a spat machine. The hard

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Speaker 3: professor life and.

320
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Speaker 4: Is it tough? Did you meet Cali Perry?

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Speaker 3: No? I had to leave early because it's storming. So

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00:14:58,160 --> 00:15:01,640
Speaker 3: what happened was it storming here in Nashville and there

323
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Speaker 3: in Fayetteville, and the university sent their plane to get

324
00:15:04,360 --> 00:15:06,920
Speaker 3: me and then take me back, and so they were like,

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Speaker 3: you can't go home tonight if we don't leave in

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Speaker 3: the next thirty minutes. And I had to get here

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Speaker 3: and do the show.

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Speaker 4: And I was like, yeah, but I want to meet God.

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Speaker 3: I want to stay, and they were like, I hear you,

330
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Speaker 3: but the only other option would be like twelve thirty tonight,

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Speaker 3: and even then we're just kind of guessing. And so

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Speaker 3: I had to get on the flight at like four

333
00:15:26,000 --> 00:15:27,760
Speaker 3: because I wanted to be here in time, like landed

334
00:15:27,760 --> 00:15:30,280
Speaker 3: like five poin fifteen and watched the press conference. But yeah, no,

335
00:15:30,360 --> 00:15:32,960
Speaker 3: I had to leave. I had to leave early, which sucked.

336
00:15:33,720 --> 00:15:35,160
Speaker 3: But I don't want to die in a plane crash.

337
00:15:35,240 --> 00:15:37,000
Speaker 2: No, no, no, that's probably a better option.

338
00:15:37,080 --> 00:15:39,400
Speaker 3: Yeah, not to let me do a mid roll here,

339
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Speaker 3: all right, Mike, Can I get the news that we

340
00:15:42,960 --> 00:15:44,400
Speaker 3: didn't get to because a couple of the like this

341
00:15:44,440 --> 00:15:46,880
Speaker 3: penis enlargement story, I didn't do purposefully on the ole,

342
00:15:47,280 --> 00:15:50,520
Speaker 3: like I would have done it, but I didn't feel

343
00:15:50,560 --> 00:15:52,080
Speaker 3: like it needed to be done at the time that

344
00:15:52,120 --> 00:15:53,720
Speaker 3: I wanted to do it, So I just held it

345
00:15:53,760 --> 00:15:56,520
Speaker 3: like it was good enough to do as far as entertainment,

346
00:15:58,080 --> 00:15:59,200
Speaker 3: but I don't feel like the time was right.

347
00:15:59,280 --> 00:16:00,400
Speaker 4: Yeah, I get that. What's the story.

348
00:16:00,440 --> 00:16:03,320
Speaker 3: A man undergoes penis enlargement surgery ends up suing a

349
00:16:03,320 --> 00:16:04,640
Speaker 3: doctor for a rectile dysfunction.

350
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Speaker 4: You're messing with it, man, he took I know, so

351
00:16:08,880 --> 00:16:13,680
Speaker 4: it doesn't work. It's like if you if you go

352
00:16:13,760 --> 00:16:22,360
Speaker 4: under the hood. Sure, it's just saying, dude, just say it.

353
00:16:22,880 --> 00:16:24,880
Speaker 3: The guy went to the doctor, right, and he goes

354
00:16:24,920 --> 00:16:29,320
Speaker 3: and they did the penis enlargement and now it's he's

355
00:16:29,320 --> 00:16:32,000
Speaker 3: suing them for impotence and a rectile dysfunction. Paid the

356
00:16:32,000 --> 00:16:33,960
Speaker 3: cosmetic I mean, how do they even make it bigger?

357
00:16:33,960 --> 00:16:34,600
Speaker 3: Like what do they do?

358
00:16:34,640 --> 00:16:35,720
Speaker 4: They got to add stuff to it?

359
00:16:35,800 --> 00:16:35,920
Speaker 1: Right?

360
00:16:35,920 --> 00:16:39,760
Speaker 3: But I know, but like what it like a gel?

361
00:16:40,240 --> 00:16:41,640
Speaker 4: Or is it like oh like silicon?

362
00:16:41,800 --> 00:16:44,080
Speaker 3: Or is like wood? Where it's all? I don't would

363
00:16:45,040 --> 00:16:45,440
Speaker 3: like what.

364
00:16:45,360 --> 00:16:47,280
Speaker 4: Do they want in it? Real?

365
00:16:47,320 --> 00:16:52,760
Speaker 3: Would the guy had two LiPo filling operations, just fat

366
00:16:52,800 --> 00:16:56,720
Speaker 3: from various parts of the body transferred to his penis.

367
00:16:57,880 --> 00:17:00,480
Speaker 4: Oh boy, man, you must be pretty that's ate to

368
00:17:00,520 --> 00:17:00,880
Speaker 4: do that.

369
00:17:01,120 --> 00:17:02,960
Speaker 3: There are some people that are more on micro penises,

370
00:17:03,720 --> 00:17:06,320
Speaker 3: excuse me. And it's not even like a small penis.

371
00:17:06,359 --> 00:17:10,120
Speaker 3: It's like so medically small. Really, yeah, don't xprize?

372
00:17:10,240 --> 00:17:13,159
Speaker 4: Well no, no, but you know, bad acting on anyone?

373
00:17:13,359 --> 00:17:16,960
Speaker 4: What really? Hey, But that doesn't matter, man, it doesn't

374
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Speaker 4: matter what they say, So it doesn't matter.

375
00:17:19,440 --> 00:17:21,520
Speaker 3: I don't think they mean that about like medical micro

376
00:17:21,560 --> 00:17:22,200
Speaker 3: penises though.

377
00:17:22,520 --> 00:17:23,879
Speaker 4: Really yeah, okay.

378
00:17:24,440 --> 00:17:26,600
Speaker 3: Todd chris Ley loses his defamation suit order to pay

379
00:17:26,600 --> 00:17:33,639
Speaker 3: seven hundred fifty five thousand dollars oohe Amy Dougherty Hines

380
00:17:33,640 --> 00:17:36,400
Speaker 3: filed the defamation complaining against Todd Christley, alleging he began

381
00:17:36,440 --> 00:17:38,919
Speaker 3: attacking her and accusing her of multiple crimes and wrongdoing.

382
00:17:40,640 --> 00:17:43,760
Speaker 3: It's from People magazine. They began a social media campaign

383
00:17:43,760 --> 00:17:48,280
Speaker 3: against the gdo R and certain of its employees, contending

384
00:17:48,320 --> 00:17:51,160
Speaker 3: that the investigation was illegal and are properly motivated, which

385
00:17:51,160 --> 00:17:55,560
Speaker 3: would then involve her DA at seven hundred fifty five

386
00:17:55,560 --> 00:17:56,199
Speaker 3: thousand dollars.

387
00:17:56,240 --> 00:17:58,320
Speaker 2: But does he still have money like to pay that?

388
00:17:58,359 --> 00:17:58,639
Speaker 3: I don't know.

389
00:17:59,000 --> 00:18:01,800
Speaker 4: Doesn't matter no matter if you have it, you still

390
00:18:01,800 --> 00:18:03,920
Speaker 4: got suit for that? Yeah, at lunchbox? Do you give

391
00:18:04,000 --> 00:18:06,320
Speaker 4: up on that? Trying to get a hold of them?

392
00:18:06,680 --> 00:18:08,159
Speaker 2: No, I'm just haven't heard from him. I mean I

393
00:18:08,200 --> 00:18:09,760
Speaker 2: sent letters. I don't know what else I can do.

394
00:18:09,800 --> 00:18:11,359
Speaker 2: I can't. I can't just show up.

395
00:18:11,359 --> 00:18:13,159
Speaker 3: You can show up right and show up, yeah.

396
00:18:13,080 --> 00:18:14,639
Speaker 2: Yeah, but I'll get turned away because I'm not on

397
00:18:14,680 --> 00:18:15,840
Speaker 2: the list. So there's no point.

398
00:18:16,040 --> 00:18:19,520
Speaker 3: Yeah, unless you dress up like a security guard with

399
00:18:19,560 --> 00:18:21,240
Speaker 3: a like a mop, be like I'm here.

400
00:18:22,160 --> 00:18:24,199
Speaker 4: That's a great idea. I like it. Or go in

401
00:18:24,200 --> 00:18:26,840
Speaker 4: the back like you're delivering laundry and just going oh no.

402
00:18:26,960 --> 00:18:28,439
Speaker 3: Or just get in the laundry basket and let them

403
00:18:28,480 --> 00:18:31,639
Speaker 3: roll you in. Oh boy, Oh boy, a former waffle

404
00:18:31,680 --> 00:18:33,720
Speaker 3: house waitress claims she received a stolen jeep as a

405
00:18:33,720 --> 00:18:36,560
Speaker 3: birthday tip from a waffle house customer. Pretty funny, Yeah, well, yeah,

406
00:18:36,680 --> 00:18:37,320
Speaker 3: you see the story.

407
00:18:37,560 --> 00:18:40,240
Speaker 2: Yeah, she was plum mc gas. She got and she

408
00:18:40,280 --> 00:18:42,320
Speaker 2: said that she saw a former customer It's like, oh,

409
00:18:42,359 --> 00:18:44,160
Speaker 2: it's your birthday later this week. Here's a new car,

410
00:18:44,200 --> 00:18:47,840
Speaker 2: and gave her ten dollars also, And then she got

411
00:18:47,880 --> 00:18:49,719
Speaker 2: pulled over her stolen vehicle. But they were like, it

412
00:18:49,760 --> 00:18:51,840
Speaker 2: was reported stolen like a month and a half ago,

413
00:18:51,880 --> 00:18:54,280
Speaker 2: and they had video evidence of her driving it like

414
00:18:54,280 --> 00:18:55,080
Speaker 2: over a month ago.

415
00:18:55,720 --> 00:18:57,280
Speaker 4: Oh so she's really the one that stole it.

416
00:18:57,359 --> 00:18:59,080
Speaker 3: Yeah, she was saying it was left to her.

417
00:18:59,359 --> 00:19:01,040
Speaker 2: Yeah, but really she was.

418
00:19:01,320 --> 00:19:03,239
Speaker 4: We don't know really, but she was driving it for

419
00:19:03,320 --> 00:19:05,159
Speaker 4: over a month. But it could have been given to her.

420
00:19:05,160 --> 00:19:06,719
Speaker 4: They could have stolen it right away and tipped her.

421
00:19:06,920 --> 00:19:08,600
Speaker 3: I'm such an idiot. I fall for all this stuff,

422
00:19:08,640 --> 00:19:11,439
Speaker 3: Like I News five Cleveland with the story. Let me

423
00:19:11,480 --> 00:19:15,800
Speaker 3: read the real version so we don't get it. Cleveland's

424
00:19:15,840 --> 00:19:17,840
Speaker 3: Joined Gibsone shocked when she received one hundred and five

425
00:19:17,880 --> 00:19:20,240
Speaker 3: dollars ticket in the mail from the city, especially since

426
00:19:20,240 --> 00:19:23,800
Speaker 3: the photo of the speeding vehicle included with the ticket. Oh,

427
00:19:23,800 --> 00:19:24,439
Speaker 3: this is a different one.

428
00:19:24,480 --> 00:19:25,199
Speaker 2: Yeah, you're reading them.

429
00:19:25,200 --> 00:19:26,560
Speaker 3: I'm readly one about the one who got the ticket

430
00:19:26,560 --> 00:19:27,320
Speaker 3: on the flabat truck.

431
00:19:27,400 --> 00:19:28,080
Speaker 4: Did you see that one?

432
00:19:28,119 --> 00:19:29,520
Speaker 2: No, that's school what happened.

433
00:19:29,680 --> 00:19:31,280
Speaker 3: No, it was the jeep was on the flatbat truck.

434
00:19:31,320 --> 00:19:33,359
Speaker 3: The truck was going fast and it.

435
00:19:33,400 --> 00:19:35,560
Speaker 2: Got her license plate. Yeah, that's funny.

436
00:19:35,720 --> 00:19:38,480
Speaker 3: Funny a five dollars lift tip leads to one hundred

437
00:19:38,480 --> 00:19:39,760
Speaker 3: and fifty thousand dollars lotto win.

438
00:19:41,320 --> 00:19:44,719
Speaker 2: Are you man? Nothing good happens to me a lot

439
00:19:44,760 --> 00:19:46,600
Speaker 2: of everybody else.

440
00:19:47,200 --> 00:19:49,040
Speaker 4: But there's a lot of other people in the world.

441
00:19:49,280 --> 00:19:51,919
Speaker 2: I understand, and they have all the luck you have.

442
00:19:52,359 --> 00:19:55,679
Speaker 3: I would say you have more consistent luck, right, because, like,

443
00:19:55,720 --> 00:19:57,720
Speaker 3: you have a really job where you really have to

444
00:19:57,760 --> 00:19:58,200
Speaker 3: do nothing.

445
00:19:58,359 --> 00:20:01,119
Speaker 4: Great family, healthy kids, But it's not luck to have

446
00:20:01,160 --> 00:20:01,760
Speaker 4: a good job.

447
00:20:02,600 --> 00:20:04,720
Speaker 3: You have no history or background of doing this ever.

448
00:20:04,800 --> 00:20:06,760
Speaker 4: Yeah, I think in your case it's strictly as luck.

449
00:20:06,840 --> 00:20:08,840
Speaker 4: You were working at a delivery.

450
00:20:08,600 --> 00:20:12,919
Speaker 2: Right, right, right. But if I wasn't, like funny, no,

451
00:20:13,080 --> 00:20:18,760
Speaker 2: exceptionally skilled, that's luck. What's your skill, oh, entertainment. If

452
00:20:18,800 --> 00:20:21,720
Speaker 2: I wasn't exceptionally skilled, this job I wouldn't have been

453
00:20:21,720 --> 00:20:22,720
Speaker 2: doing it for twenty years.

454
00:20:22,880 --> 00:20:26,520
Speaker 4: Do you think that you taught yourself how to entertain

455
00:20:26,560 --> 00:20:28,320
Speaker 4: people or that was just a part of who you've

456
00:20:28,320 --> 00:20:29,119
Speaker 4: been your whole life.

457
00:20:30,320 --> 00:20:32,119
Speaker 2: That's a great question, man, I don't know how. I

458
00:20:32,160 --> 00:20:32,880
Speaker 2: don't know a question.

459
00:20:32,960 --> 00:20:34,480
Speaker 3: Any he likes that, go ahead answer.

460
00:20:34,520 --> 00:20:35,880
Speaker 2: I mean, I guess I taught myself.

461
00:20:36,080 --> 00:20:36,480
Speaker 3: I don't know.

462
00:20:36,520 --> 00:20:37,880
Speaker 4: I thing I'm thinking about it like that?

463
00:20:38,240 --> 00:20:40,640
Speaker 2: No, really, because do you teach yourself to be entertaining

464
00:20:40,760 --> 00:20:41,880
Speaker 2: or are you just entertaining?

465
00:20:42,040 --> 00:20:42,560
Speaker 4: I don't know.

466
00:20:43,800 --> 00:20:45,480
Speaker 2: I have no idea. I think it could be both ways, right,

467
00:20:45,480 --> 00:20:49,119
Speaker 2: because I've been entertaining my whole life. Correct, So I

468
00:20:49,160 --> 00:20:51,000
Speaker 2: don't know if I taught myself that, if that was

469
00:20:51,040 --> 00:20:52,800
Speaker 2: because I was a third kid and I was like, hey,

470
00:20:53,280 --> 00:20:55,480
Speaker 2: don't forget about me, or if it's just that could

471
00:20:55,520 --> 00:20:57,160
Speaker 2: be a thing. Is it genetics?

472
00:20:57,200 --> 00:20:59,840
Speaker 4: Like bones you talked about learning to be funny to

473
00:21:00,040 --> 00:21:02,040
Speaker 4: try to not get bullied, like, but.

474
00:21:02,080 --> 00:21:04,160
Speaker 2: Maybe he didn't learn maybe he was already funny.

475
00:21:04,240 --> 00:21:05,000
Speaker 4: Oh, I had to develop it.

476
00:21:04,920 --> 00:21:07,280
Speaker 3: It was definitely a developed skill, right, I think skills,

477
00:21:07,480 --> 00:21:09,919
Speaker 3: any of my skills are like it's not like I

478
00:21:09,920 --> 00:21:12,000
Speaker 3: can run fat, you run fast. You just run fast.

479
00:21:12,040 --> 00:21:13,800
Speaker 3: You can just run a little faster by training, but

480
00:21:13,960 --> 00:21:17,080
Speaker 3: you can. You can't not be a faster runner. Then

481
00:21:17,080 --> 00:21:19,080
Speaker 3: all of a sudden trying to be a real fast runner.

482
00:21:19,119 --> 00:21:21,200
Speaker 4: There's TikTok videos that say this is how you get faster,

483
00:21:21,240 --> 00:21:21,960
Speaker 4: and they have and there.

484
00:21:21,880 --> 00:21:23,639
Speaker 3: Are those shoes that were like had the weights on

485
00:21:23,640 --> 00:21:26,639
Speaker 3: the eighth like the big hills, the big weighted front

486
00:21:26,640 --> 00:21:27,639
Speaker 3: foot that lets you dunk.

487
00:21:29,000 --> 00:21:31,639
Speaker 4: Is it? What else do I have here? Lunchbox is

488
00:21:31,680 --> 00:21:32,080
Speaker 4: so cheap?

489
00:21:32,119 --> 00:21:32,800
Speaker 3: What happened with that?

490
00:21:32,880 --> 00:21:36,000
Speaker 4: Like Eddie oh the his headphones? Yeah, yeah, yeah, we

491
00:21:36,040 --> 00:21:39,480
Speaker 4: were using your headphones for something and realize that one

492
00:21:39,520 --> 00:21:40,240
Speaker 4: ear doesn't work.

493
00:21:41,760 --> 00:21:44,200
Speaker 2: Uh, no it works. No it doesn't, No it does.

494
00:21:44,359 --> 00:21:46,879
Speaker 3: No, it doesn't plug exactly the right way.

495
00:21:46,720 --> 00:21:49,480
Speaker 4: Like it doesn't work. And so I'm thinking, like, dude,

496
00:21:49,480 --> 00:21:52,800
Speaker 4: you've got money, like go buy headphones talk check check

497
00:21:52,880 --> 00:21:55,280
Speaker 4: check check check check chack check check.

498
00:21:55,160 --> 00:21:55,960
Speaker 2: Check both work.

499
00:21:56,160 --> 00:21:57,159
Speaker 4: I mean, dude, there's one of them.

500
00:21:57,200 --> 00:21:58,560
Speaker 2: Where were you at? Where were you using them?

501
00:21:58,600 --> 00:21:59,560
Speaker 4: Right here? Yeah?

502
00:21:59,560 --> 00:22:01,520
Speaker 2: See does other studio? Because when Ray and I do

503
00:22:01,560 --> 00:22:03,720
Speaker 2: sore losers, I can only hear out of the left,

504
00:22:03,960 --> 00:22:05,680
Speaker 2: and so I've been blaming the engineers and there I've

505
00:22:05,680 --> 00:22:07,200
Speaker 2: been selling them that they need to fix. No, they're

506
00:22:07,240 --> 00:22:09,199
Speaker 2: your headphones, but they work fine in here, like I

507
00:22:09,200 --> 00:22:10,040
Speaker 2: can hear out of both.

508
00:22:10,240 --> 00:22:14,920
Speaker 3: Right, it can be the like a faulty little pluggy here,

509
00:22:16,080 --> 00:22:18,960
Speaker 3: and it could just happen to match perfectly well with

510
00:22:19,040 --> 00:22:19,920
Speaker 3: a little pluggy hole.

511
00:22:20,160 --> 00:22:22,400
Speaker 2: Okay, yeah, because it must match perfect for here, because

512
00:22:22,400 --> 00:22:23,720
Speaker 2: this one it always works here.

513
00:22:24,200 --> 00:22:26,119
Speaker 4: The other room is just buy headphones.

514
00:22:26,240 --> 00:22:28,000
Speaker 2: It's no, That's what I'm saying. They working here, So

515
00:22:28,080 --> 00:22:29,200
Speaker 2: I think it's something.

516
00:22:29,240 --> 00:22:31,160
Speaker 4: About you working there, though it doesn't.

517
00:22:31,320 --> 00:22:33,160
Speaker 2: It only only the left of your work.

518
00:22:33,200 --> 00:22:34,600
Speaker 3: Right, I'm saying, you get a pair of headphones that

519
00:22:34,640 --> 00:22:36,119
Speaker 3: work in both rooms.

520
00:22:36,480 --> 00:22:38,919
Speaker 2: Oh yeah, I just thought it. I honestly thought it

521
00:22:38,960 --> 00:22:40,240
Speaker 2: was something the equipment in there.

522
00:22:40,760 --> 00:22:42,160
Speaker 4: But then but then here's the question.

523
00:22:42,240 --> 00:22:44,080
Speaker 2: I thought that though not sure I really do get

524
00:22:44,119 --> 00:22:45,360
Speaker 2: because I hear it fine in here.

525
00:22:45,960 --> 00:22:49,120
Speaker 4: But here's the question. If it's work related, does work

526
00:22:49,240 --> 00:22:50,560
Speaker 4: provide these headphone phones.

527
00:22:52,240 --> 00:22:55,400
Speaker 3: You're a computer, they should but your computer you edit

528
00:22:55,560 --> 00:22:58,959
Speaker 3: on that you have to have for that specific but

529
00:22:59,040 --> 00:23:00,879
Speaker 3: not for like if you're needed a computer to like

530
00:23:00,920 --> 00:23:03,320
Speaker 3: look crap up on because you don't need it. You

531
00:23:03,359 --> 00:23:04,919
Speaker 3: know you can do that on your phone if you

532
00:23:04,920 --> 00:23:05,159
Speaker 3: need to.

533
00:23:05,240 --> 00:23:07,240
Speaker 4: But what about headphones? Though, we need headphones to hear

534
00:23:07,280 --> 00:23:08,160
Speaker 4: what's going on in the radio.

535
00:23:08,200 --> 00:23:08,800
Speaker 2: It's a good point.

536
00:23:09,080 --> 00:23:12,040
Speaker 3: I'm sure if you begged them, they get your headphones. Really,

537
00:23:12,320 --> 00:23:15,040
Speaker 3: if you were like please, please, I'm sure they'd buy

538
00:23:15,040 --> 00:23:15,760
Speaker 3: your pair of headphones.

539
00:23:16,080 --> 00:23:17,439
Speaker 4: But generally.

540
00:23:18,560 --> 00:23:22,400
Speaker 3: Work hasn't paid for headphones. Back in the day, there

541
00:23:22,400 --> 00:23:23,800
Speaker 3: were just a set of headphones in the studio that

542
00:23:23,800 --> 00:23:27,359
Speaker 3: everybody used. But I think how we work, there's not

543
00:23:27,600 --> 00:23:29,160
Speaker 3: just a set. We have so many stations.

544
00:23:29,240 --> 00:23:31,560
Speaker 4: Yeah, because the new station I worked at. Man, like,

545
00:23:31,640 --> 00:23:33,879
Speaker 4: anything you needed, you need a back brace, order it?

546
00:23:33,880 --> 00:23:35,680
Speaker 4: Why would you get you want to back get carry

547
00:23:35,680 --> 00:23:39,760
Speaker 4: cameras sometimes, like you can sue them if you hurt

548
00:23:39,760 --> 00:23:42,679
Speaker 4: your back anything. Man, I needed a flashlight one time

549
00:23:42,720 --> 00:23:44,800
Speaker 4: because I work at night. They're like, yeah, order it.

550
00:23:45,080 --> 00:23:47,159
Speaker 4: You needed that to do your job. Yeah, I got

551
00:23:47,200 --> 00:23:49,040
Speaker 4: a little leatherman a knight a knife kit, you know,

552
00:23:49,080 --> 00:23:50,639
Speaker 4: one of those things that's the screw driving a knife

553
00:23:50,640 --> 00:23:53,840
Speaker 4: and an advantage situation. Dude. They order it cool man,

554
00:23:55,280 --> 00:23:57,360
Speaker 4: And then when I when I quit, kept it all.

555
00:23:58,400 --> 00:24:00,200
Speaker 4: They didn't ask for it all back. It's just part

556
00:24:00,200 --> 00:24:00,640
Speaker 4: of my gears.

557
00:24:00,760 --> 00:24:02,640
Speaker 2: That's probably hard to keep track of everything you ordered.

558
00:24:02,680 --> 00:24:05,359
Speaker 4: Yeah, so what are you saying? Which point he should

559
00:24:05,400 --> 00:24:08,359
Speaker 4: ask for new headphones? If he needs new headphones.

560
00:24:09,280 --> 00:24:11,480
Speaker 2: Okay, if you want, go ahead. I don't know if

561
00:24:11,480 --> 00:24:13,040
Speaker 2: they're gonna get him from I don't think I need.

562
00:24:13,119 --> 00:24:14,639
Speaker 2: I'm telling you they work. I can hear out of

563
00:24:14,680 --> 00:24:17,360
Speaker 2: both ears. And they're really comfortable. I mean, I don't

564
00:24:17,359 --> 00:24:19,639
Speaker 2: know where I got these, but man, they are comfortable.

565
00:24:21,240 --> 00:24:23,000
Speaker 2: There's some good headphones.

566
00:24:22,480 --> 00:24:23,359
Speaker 4: Mike, what do you think get those?

567
00:24:23,400 --> 00:24:24,320
Speaker 3: There's a bot for him.

568
00:24:24,960 --> 00:24:26,640
Speaker 2: No, I bought him. I know that. No one bought

569
00:24:26,640 --> 00:24:28,840
Speaker 2: me anything. Trust me, they didn't.

570
00:24:28,840 --> 00:24:31,120
Speaker 3: I never knew own all your stuff, because how would

571
00:24:31,160 --> 00:24:33,120
Speaker 3: you know to get those if they're like industry headphones?

572
00:24:33,560 --> 00:24:34,800
Speaker 2: Well, I don't think their industry.

573
00:24:35,040 --> 00:24:37,240
Speaker 3: I can't tell what hen kind they are. Yeah, they're

574
00:24:37,280 --> 00:24:38,280
Speaker 3: sinhais a right.

575
00:24:38,320 --> 00:24:38,960
Speaker 2: What does that mean?

576
00:24:39,400 --> 00:24:41,199
Speaker 4: It's the brand? Oh?

577
00:24:42,720 --> 00:24:45,760
Speaker 3: There you go, right, man, there's a movie that changed

578
00:24:45,800 --> 00:24:46,280
Speaker 3: your life.

579
00:24:46,880 --> 00:24:48,199
Speaker 4: Yeah. It was when I was a kid and when

580
00:24:48,240 --> 00:24:50,840
Speaker 4: I was growing up. The pistol, Oh pistol.

581
00:24:51,240 --> 00:24:53,280
Speaker 1: He should drible the basketball out of the car. Yeah,

582
00:24:53,320 --> 00:24:55,200
Speaker 1: and I actually at the window, yep. And he would

583
00:24:55,200 --> 00:24:57,119
Speaker 1: always get up before his parents even woke up for

584
00:24:57,119 --> 00:24:59,320
Speaker 1: the day. And he played basketball, and I totally forgot

585
00:24:59,320 --> 00:25:01,760
Speaker 1: about the movie, and they and Caitlyn Clark passed Pistol

586
00:25:01,760 --> 00:25:04,119
Speaker 1: Pete Merrivich for the most all time points in the

587
00:25:04,160 --> 00:25:05,280
Speaker 1: history of college basketball.

588
00:25:05,680 --> 00:25:08,560
Speaker 4: And he got me thinking, oh my gosh, the Pistol.

589
00:25:08,600 --> 00:25:11,399
Speaker 5: That movie. That's that movie changed my life. Oh so

590
00:25:12,440 --> 00:25:14,920
Speaker 5: it's why I get up early because I used to

591
00:25:15,000 --> 00:25:16,680
Speaker 5: do that growing up. I would get up before my

592
00:25:16,760 --> 00:25:18,640
Speaker 5: dad and he'd be like, what are you doing. Why

593
00:25:18,680 --> 00:25:20,920
Speaker 5: are you playing basketball before I'm trying to sleep before work.

594
00:25:20,960 --> 00:25:22,240
Speaker 4: Wait, so you got it to actually play basket.

595
00:25:22,359 --> 00:25:22,520
Speaker 2: Yeah.

596
00:25:22,520 --> 00:25:24,160
Speaker 5: I would get up at four point thirty the morning

597
00:25:24,200 --> 00:25:26,359
Speaker 5: of My dad was thinking we were getting robbed.

598
00:25:26,480 --> 00:25:28,560
Speaker 4: But it's because I watched the Pistol movie.

599
00:25:29,000 --> 00:25:31,920
Speaker 5: My dad told me, all right, it tough getting up early, dude.

600
00:25:32,520 --> 00:25:33,760
Speaker 3: Does it affect your life now?

601
00:25:33,920 --> 00:25:36,639
Speaker 4: Yes? I love getting up early. So you're saying because

602
00:25:36,640 --> 00:25:39,000
Speaker 4: of the movie The Pistol, that's why you get up

603
00:25:39,040 --> 00:25:41,520
Speaker 4: early now, hours before you have to be here for work. Yes,

604
00:25:41,880 --> 00:25:42,880
Speaker 4: I traced it all back.

605
00:25:42,920 --> 00:25:44,880
Speaker 3: Do you play ball in the morning, No.

606
00:25:45,760 --> 00:25:46,240
Speaker 4: You kill him?

607
00:25:46,400 --> 00:25:48,439
Speaker 2: Do you dribble the ball outside the car?

608
00:25:49,240 --> 00:25:50,120
Speaker 4: Do you do anything?

609
00:25:50,920 --> 00:25:53,040
Speaker 2: So you just wake up early here and go.

610
00:25:53,040 --> 00:25:56,360
Speaker 4: To sleep dozen times. Yes, hey, try dribbling a basketball

611
00:25:56,359 --> 00:25:59,600
Speaker 4: outside of the car. No chance, it's impossible. Chance I'm down,

612
00:26:00,440 --> 00:26:03,240
Speaker 4: No chance, Fistol? Is that a good movie? Shoud I'll

613
00:26:03,280 --> 00:26:04,800
Speaker 4: get the kids to watch. It was really good, way

614
00:26:04,840 --> 00:26:05,680
Speaker 4: way way back in the day.

615
00:26:05,680 --> 00:26:07,200
Speaker 3: I haven't seen it though, and since I was a kid,

616
00:26:07,840 --> 00:26:09,960
Speaker 3: but it was his story, and I think I saw

617
00:26:10,000 --> 00:26:12,280
Speaker 3: it on television. It's called The Pistol, the Birth of

618
00:26:12,359 --> 00:26:17,240
Speaker 3: a Legend. Let me see because the seventy sent on

619
00:26:17,320 --> 00:26:19,719
Speaker 3: Rotten Tomatoes. I don't know what year it came out, Mike,

620
00:26:19,720 --> 00:26:20,760
Speaker 3: will you yell at if you hear it?

621
00:26:21,160 --> 00:26:21,800
Speaker 4: Oh ninety one.

622
00:26:21,800 --> 00:26:24,360
Speaker 3: It's not as old as I thought I was. Hey,

623
00:26:24,359 --> 00:26:26,480
Speaker 3: what's the you think about texting a Cowboys player?

624
00:26:26,640 --> 00:26:26,840
Speaker 2: Yes?

625
00:26:26,920 --> 00:26:29,199
Speaker 4: Did you have his number? Yeah? Tony Casillas. He used

626
00:26:29,200 --> 00:26:31,520
Speaker 4: to play for the Cowboys. Uh, he was on our

627
00:26:31,800 --> 00:26:34,280
Speaker 4: sports Yeah yeah yeah, And so we met him when

628
00:26:34,280 --> 00:26:36,119
Speaker 4: I went to the Cowboys game. We were in the

629
00:26:36,160 --> 00:26:38,119
Speaker 4: suite and he was there. We talked to him and

630
00:26:38,160 --> 00:26:39,560
Speaker 4: he gave me his phone number. Said, dude, let me

631
00:26:39,600 --> 00:26:40,959
Speaker 4: know whenever you want me to get in the podcast,

632
00:26:41,040 --> 00:26:43,119
Speaker 4: I'll be on the podcast. And we eventually got him

633
00:26:43,119 --> 00:26:45,240
Speaker 4: on the podcast and I still have his number, but

634
00:26:45,320 --> 00:26:47,920
Speaker 4: when we were there, I told him the story of Dude,

635
00:26:47,920 --> 00:26:50,440
Speaker 4: I met you when I was like nine years old, Like,

636
00:26:50,600 --> 00:26:52,720
Speaker 4: we're You're at a grocery store. Me and my brother

637
00:26:52,760 --> 00:26:54,560
Speaker 4: waited for hours, we got to meet you. We got

638
00:26:54,600 --> 00:26:56,840
Speaker 4: a picture together. He's like, oh that's cool man. Well,

639
00:26:56,880 --> 00:26:59,640
Speaker 4: my brother just sent me the picture yesterday. I have

640
00:26:59,720 --> 00:27:02,960
Speaker 4: the picture of me, my brother, and Tony Cassis, and

641
00:27:03,000 --> 00:27:04,600
Speaker 4: I'm thinking it would be weird if I texted it

642
00:27:04,640 --> 00:27:06,320
Speaker 4: to Tony d like, look, dude, it's us.

643
00:27:06,800 --> 00:27:07,840
Speaker 3: It's kind of funny.

644
00:27:08,480 --> 00:27:10,160
Speaker 2: I think you text him. I think that's okay.

645
00:27:10,359 --> 00:27:12,560
Speaker 3: Time Scuba Steve text Gavin a gra video of somebody

646
00:27:12,600 --> 00:27:13,200
Speaker 3: covering his song.

647
00:27:15,320 --> 00:27:18,760
Speaker 4: Yeah, we're drawing, we're drinking. I don't think he would care.

648
00:27:18,840 --> 00:27:21,399
Speaker 3: I don't think he would be like this is amazing.

649
00:27:21,440 --> 00:27:23,200
Speaker 3: I also don't think he'd be like what a dude?

650
00:27:23,320 --> 00:27:24,840
Speaker 4: Okay, So so yeah.

651
00:27:24,760 --> 00:27:26,320
Speaker 3: Yeah, I would send it to him, be like, hey, man,

652
00:27:27,080 --> 00:27:27,919
Speaker 3: I hope you're good.

653
00:27:28,400 --> 00:27:29,080
Speaker 4: Check this out.

654
00:27:29,600 --> 00:27:30,800
Speaker 2: Just so you know. I didn't make up the story

655
00:27:30,800 --> 00:27:31,960
Speaker 2: about the store.

656
00:27:32,040 --> 00:27:33,679
Speaker 4: Who you are? What do you mean? He doesn't know

657
00:27:33,680 --> 00:27:35,760
Speaker 4: who He saved my number because I've texted him before.

658
00:27:35,800 --> 00:27:38,000
Speaker 4: He's like, hey, what's up, Eddie? I hear you that.

659
00:27:38,000 --> 00:27:40,560
Speaker 3: I'd be like, hey man, Eddie here in Nashville.

660
00:27:40,560 --> 00:27:44,520
Speaker 4: I hope you're good. Brother just texted me this boy like.

661
00:27:44,600 --> 00:27:45,320
Speaker 3: How time flies?

662
00:27:45,680 --> 00:27:49,360
Speaker 4: Look? How he look? How young we look? Yeah? Does

663
00:27:49,400 --> 00:27:51,320
Speaker 4: he look? Jack? Is he? Like? Yeah? I'll send you

664
00:27:51,359 --> 00:27:54,080
Speaker 4: the picture. It's crazy, dude. I think you can text

665
00:27:54,160 --> 00:27:54,840
Speaker 4: him Okay, cool?

666
00:27:55,119 --> 00:27:57,200
Speaker 3: Not at midnight though, from a bar in Memphis.

667
00:27:57,600 --> 00:27:59,560
Speaker 2: Yeah, I think you just tell him straight up, like

668
00:28:00,160 --> 00:28:01,480
Speaker 2: told you I wouldn't line about me and at the

669
00:28:01,480 --> 00:28:02,040
Speaker 2: grocery store.

670
00:28:02,160 --> 00:28:04,720
Speaker 4: You don't remember that though, Scooba. What were we thinking, dude,

671
00:28:04,760 --> 00:28:07,359
Speaker 4: texting Gavin across somebody covering?

672
00:28:07,800 --> 00:28:08,639
Speaker 2: We were just hella drunk.

673
00:28:08,680 --> 00:28:10,600
Speaker 4: We were feeling ourselves in the moment and we're hanging

674
00:28:10,640 --> 00:28:12,760
Speaker 4: out of a good time. Yeah, we were like, Gavin,

675
00:28:12,920 --> 00:28:15,640
Speaker 4: check this out. We dared each other.

676
00:28:15,680 --> 00:28:16,040
Speaker 2: You do it?

677
00:28:16,080 --> 00:28:16,800
Speaker 3: No, you do it?

678
00:28:17,200 --> 00:28:21,879
Speaker 4: But whose phone did it come from? All right?

679
00:28:22,040 --> 00:28:24,240
Speaker 3: I think we're done. Eddie can text me that picture.

680
00:28:26,400 --> 00:28:29,520
Speaker 4: Who sent it?

681
00:28:29,720 --> 00:28:31,600
Speaker 2: I would assume your brother.

682
00:28:32,200 --> 00:28:35,040
Speaker 4: Well, he said to my mom, hold on, we're not

683
00:28:35,080 --> 00:28:35,520
Speaker 4: gonna hold.

684
00:28:35,800 --> 00:28:38,120
Speaker 3: We can text it off, yeah, but we're not gonna hold.

685
00:28:38,680 --> 00:28:40,800
Speaker 3: Thank you guys, We will see you tomorrow, have a

686
00:28:40,840 --> 00:28:41,840
Speaker 3: great day, by already