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Speaker 1: Hey, everybody listening to Dinah right now. We have big

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Speaker 1: breaking news for you.

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Speaker 2: Yes, our new sweatshirt designed by me is in the

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Speaker 2: Exactly Right Store. Visit exactly rightstore dot com and order

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Speaker 2: by December fourteenth for delivery by Christmas. While you're there,

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Speaker 2: don't forget to grab a dinar air freshener.

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Speaker 3: Happy holidays to.

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Speaker 2: You and yours living and it's grace.

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Speaker 3: Are leaving. I you wanna way back home?

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Speaker 2: Either way, we wanna be there.

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Speaker 3: Doesn't matter how much baggage you claim and give us

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Speaker 3: time and they terminal engage. We want to send you

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Speaker 3: off in stamer We wanna welcome you back home. Tell

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Speaker 3: us all about it. We scared? Or was it fine?

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Speaker 1: Malborn?

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Speaker 3: Do you need to ride? Do you need to ride?

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Speaker 3: Do you need to ride? Do you need to ride?

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Speaker 3: Do you need to ride? Do you need to ride?

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Speaker 2: Do you need to ride? Do you need with? Karen

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Speaker 2: and Chris welcome to Do you need a ride? This

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Speaker 2: is Chris.

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Speaker 3: Fairbanks and this is Karen Kilgariff.

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Speaker 2: How are you, my friend?

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Speaker 3: I'm good. It feels weird out today. It's like humid.

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Speaker 1: It feels like it's trying to be cold, but instead

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Speaker 1: it's like a threatening a thunderstorm.

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Speaker 2: Your equilibrium is being affected by a abnormal amount of

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Speaker 2: air pressure. I think so, I'm not a meteorologist. Oh

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Speaker 2: I did watch the Surf Report this morning. Oh okay,

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Speaker 2: and we're in a high pressure situation situation right now.

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Speaker 1: Okay, Well that explains everything about my ajuda and my

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Speaker 1: nerves and my speaking of.

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Speaker 3: The Surf Report. I just need to tell you this

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Speaker 3: is just kind of an out of the blue thing.

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Speaker 1: I happened upon a podcast of a surfer sterling.

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Speaker 2: Yes have you seen him?

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Speaker 3: Pinch my salt? Yeah?

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Speaker 2: They're the best?

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Speaker 3: It's is it his brother or his cousin?

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Speaker 2: I think? I think, yeah, they are related. They're related,

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Speaker 2: but they don't look alike, so it's hard to believe

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Speaker 2: they're brothers. But they are brothers.

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Speaker 3: Oh okay, yeah either way. It's the weirdest thing.

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Speaker 1: But and I don't know if you've done this with

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Speaker 1: a podcast, but every once in a while I'll get

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Speaker 1: a podcast where I have to listen to it like

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Speaker 1: every morning, and it becomes a weird ritual and I

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Speaker 1: don't know what they're talking about, and sometimes I don't like.

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Speaker 3: What they're talking about. And I still love them so much,

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Speaker 3: like I can't stop listening to it. It's the weirdest thing.

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Speaker 2: Well, I've always had a weird beef with surfing. There's

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Speaker 2: the territorialism, there's the gatekeeping of certain spots, and there's hey,

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Speaker 2: this is my wave now, no one else can have it,

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Speaker 2: which is basically what I don't like about Republicans. These

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Speaker 2: guys aren't like that at all, and they then they

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Speaker 2: make fun of the hypocrisy. It's if they make fun

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Speaker 2: of surfing. And they also give credit to skateboarding often

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Speaker 2: even though they don't skateboard. So I love those and

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Speaker 2: they're very.

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Speaker 3: Funny because the one guy who I will continue to

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Speaker 3: argue is the cousin skateboards. So he's like not a surfer.

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Speaker 2: Oh okay, I didn't know that.

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Speaker 3: Yeah, I think he's like coming from a different angle.

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Speaker 2: Okay.

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Speaker 3: But they just like giggle and like rift together.

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Speaker 1: Yep, in that way that it's like when you're in

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Speaker 1: the basement and your parents are like, don't make any

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Speaker 1: noise or you'll get in trouble.

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Speaker 2: Yeah, And it's also in the way that you get

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Speaker 2: used to comedians doing it, and underlying there is a

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Speaker 2: little competition who can say the funniest thing. These guys

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Speaker 2: aren't trying to do.

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Speaker 3: That, so it's more No, yeah, it's very So.

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Speaker 2: We're promoting whatever that podcast is called, Pinch My Salt,

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Speaker 2: Pinch My Salt with Sterling something.

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Speaker 3: Sterling Spencer, Yeah, and his cousin who is kind of

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Speaker 3: the host.

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Speaker 1: His cousin plays the part of like driving the conversation

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Speaker 1: or whatever. And then it's like and then Sterling Spencer,

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Speaker 1: as they repeatedly say, like a world class surfer, h

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Speaker 1: gives like insider surf information.

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Speaker 2: It is. There is a guilt that is so real

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Speaker 2: that I moved here and I have not because I'm

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Speaker 2: a surfer. I have friends in Montana, I have friends

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Speaker 2: in Idaho. They surf several times a year. They've made

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Speaker 2: it their lifestyle to travel and stay good at surfing.

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Speaker 2: I find it frustrating and difficult. And every time it's

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Speaker 2: on the morning news, like a meteorologist actually going, hey,

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Speaker 2: all you surfers, there's a northwest well coming in. So

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Speaker 2: if you're a goofy footer, you should go to steamer Lane.

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Speaker 2: Like they it's that specific, and there's so much.

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Speaker 3: Pressure, yes, pressure, and you're right about the they talk

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Speaker 3: about the kind of territorial part where I like lots

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Speaker 3: of people.

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Speaker 1: I have lots of friends who are like, you should

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Speaker 1: get into surfing. It's like, no thanks, Yeah, no thanks.

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Speaker 2: And it is different. A skate park is there, it

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Speaker 2: is stagnant. It is not going to not be there

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Speaker 2: in a half hour. Yeah, there's a liminated amount of time.

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Speaker 2: And when you know, I can see when if I

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Speaker 2: think about little kids on scooters hacking out a park

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Speaker 2: and there's no room for the people that have done

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Speaker 2: this their whole lives, I kind of get it. But

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Speaker 2: still skateboarders are more It seems like a more inclusive sport,

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Speaker 2: so many people have access to it.

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Speaker 1: Yeah, and I think you're right, there's the Well, now

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Speaker 1: I'm gonna talk about it as if I know, but

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Speaker 1: it's only because I've listened it to twenty five of

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Speaker 1: these podcasts.

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Speaker 3: But it's like the rare.

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Speaker 1: You're looking for a wave that's better than average, right,

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Speaker 1: so you can't have people fucking up your.

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Speaker 2: Chance, right, And when I've gone surfing, it's more that

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Speaker 2: feeling that I'm fucking it up for everyone by simply

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Speaker 2: trying not to drown in the wrong part of the wave.

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Speaker 3: Yeah.

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Speaker 1: From what I understand, you are fucking it up for

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Speaker 1: a bunch of people. Also, here's what I really love,

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Speaker 1: because I do love Kelly Slater. Because Kelly Slater was

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Speaker 1: like sixteen when I was twelve, So he was like

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Speaker 1: one of those fear crushes where were.

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Speaker 3: Like, oh my god, that Skater's gonna punch me whatever.

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Speaker 1: But it's like he's the most beautiful man on the planet. Yeah,

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Speaker 1: it's handsome and so good at surfing, and they talk

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Speaker 1: about him so much it's hilarious.

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Speaker 2: He's always been the best. He's the Michael Jordan of surfing.

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Speaker 3: He is.

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Speaker 2: And when I used to interview these guys for Fuel,

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Speaker 2: nothing against surfing, but they rarely had a sense of humor.

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Speaker 2: I needed for a comedic interview to where I'd just

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Speaker 2: drop it and pretend to know about surfing, which they

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Speaker 2: see right through. But Kelly Slater totally played the straight man.

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Speaker 2: Totally knew that I was going to be the one

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Speaker 2: that was making fool of himself and that he would

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Speaker 2: come out looking good, and he knew how to play that.

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Speaker 2: And he had a great sense of humor. Oh yeah,

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Speaker 2: he was great. There's no one nicer than him in

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Speaker 2: the surfing world. I mean in the surfing.

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Speaker 3: World, in the surfing world.

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Speaker 2: In the regular world. The guy's a dick. I'm just kidding,

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Speaker 2: but yeah, he was. I really like command. I always

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Speaker 2: see when he called on things and he says very supportive,

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Speaker 2: sweet things on the most random posts, and he's doing

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Speaker 2: it a lot. He the guy is on his phone

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Speaker 2: a lot because I see, you know, a cat on

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Speaker 2: a dog, a swimming dog's back, those kind of videos

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Speaker 2: that make me choke up that I'm like me and

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Speaker 2: people are at Joanne Fabrics right now are the only

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Speaker 2: Kelly and he's leaving comments and he says really nice things.

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Speaker 1: He's like, please keep swimming, little doggie. Yeah, yeah, well

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Speaker 1: that's great because it is quite something that someone would

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Speaker 1: be just based on the opinions of these podcasters, how

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Speaker 1: good Kelly Slater is. Like, I would just think he's

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Speaker 1: a model type that's surfing.

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Speaker 3: Because he's so good.

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Speaker 1: He's he could be played by Channing Tatum, but it

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Speaker 1: wouldn't do him justice to be played by Channing Tatum.

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Speaker 2: Right, you're right. I just want to talk about that

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Speaker 2: part and Channing if you're listening what Karen's saying, and

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Speaker 2: I agree, he's better looking than.

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Speaker 1: You, Channing, you need to stop acting like you are

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Speaker 1: better looking than everybody, because there's one guy that got

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Speaker 1: you beat.

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Speaker 3: Yeah, and it's the guy that got everybody beat.

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Speaker 2: Yeah. And I know you're in different businesses, so he's

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Speaker 2: no threat. But he was a body double in Silver

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Speaker 2: Surfer who was Kelly Slater. That's one of the times

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Speaker 2: I interviewed him. I have interviewed him probably ten times.

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Speaker 3: No, that's so exciting. Were you excited?

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Speaker 2: Uh? I mostly nerd out when it's a skateboarder, you

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Speaker 2: save it, yes, okay, And but it is with him.

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Speaker 2: He is the that whatever Tony Hawk of surfing or

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Speaker 2: Michael Jordan of surfing.

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Speaker 3: Sidney's the Cindy Crawford.

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Speaker 2: He's the Cindy Crawford of Victorious Secret sponsored surfing. I

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Speaker 2: don't know if she if she is an angel, but

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Speaker 2: always really nice. Yeah.

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Speaker 3: So I'm so surprised, Yeah, and excited.

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Speaker 2: Exactly because I always heard, Oh, this guy is gonna

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Speaker 2: be short with you. He might not want to do it.

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Speaker 2: Try not to make any sudden movements, do not make

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Speaker 2: eye contact. I was really given a bunch of a

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Speaker 2: list of like disclaimers, and he was so nice and

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Speaker 2: I'm like, well, oh, he just it's kind of funny

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Speaker 2: and he likes talking to funny people.

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Speaker 3: Then you flip that list over and it was for

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Speaker 3: pit Bulls.

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Speaker 2: Pitbull the recording artist exactly. Actually Pitbull the recording artist

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Speaker 2: you don't want to make eye contact with.

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Speaker 3: Yeah, he will absolutely rip your leg off.

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Speaker 2: Yeah, because he's bitty, He's busy. He's a bitty. He's

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Speaker 2: a busy, little bitty.

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Speaker 3: He's a little busy bee and hes DJing.

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Speaker 2: Do not bother it. He's taking two records and playing

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Speaker 2: them simultaneously.

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Speaker 1: Now do you think mister Worldwide actually does still get

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Speaker 1: behind the ones and twos to this.

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Speaker 2: Day by mister Worldwide?

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Speaker 1: Yes, this is just like you not knowing the fucking

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Speaker 1: brother cousin relationship.

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Speaker 3: I just don't.

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Speaker 2: Yeah, I didn't.

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Speaker 3: What's your deal?

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Speaker 2: I maybe don't know much about Pitbull. He just mostly dances.

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Speaker 2: I know he doesn't play any instruments.

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Speaker 1: I don't think he does, although it would be amazing

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Speaker 1: if he was, like all of a sudden playing the bass.

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Speaker 2: Yeah. It's just always been funny to me when someone

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Speaker 2: is that popular and like DJ colleague, they both look

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Speaker 2: like BMW salesman.

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Speaker 1: Yes, basically, yeah, get a fancy watch from this guy.

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Speaker 2: We are calling people out today.

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Speaker 1: I know you're dishing, you know why. That's how you

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Speaker 1: fucking get numbers. Yeah, you pick a favorite. Look at this, ma'am.

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Speaker 3: What are you doing? Straight up to the settle, just

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Speaker 3: right in the middle, straight up the center.

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Speaker 2: I'm not gonna choose a lane, and I'm not gonna

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Speaker 2: wash my car or mine. Oh she was just sun

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Speaker 2: hat eating sun chips. She didn't give a shit.

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Speaker 1: She was honestly eighty three or four. Yeah, okay, you

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Speaker 1: have to go slower.

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Speaker 2: Okay, it's it's always scary in a parking lot.

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Speaker 3: Not great.

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Speaker 2: This guy is so cautious as if he doesn't, we're

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Speaker 2: we're going desperately to get coffee.

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Speaker 3: You're okay, You're fine.

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Speaker 2: He's mad at himself though, He's like, why can't I

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Speaker 2: pull out faster?

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Speaker 3: I think it's shame. There's a shame, but it really

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Speaker 3: what it was is he just bought that tesla used

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Speaker 3: and he does not want to scratch it right. So

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Speaker 3: he was like, you can't make me, although everyone is

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Speaker 3: kind of making him.

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Speaker 2: You know how long I had to wait to get

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Speaker 2: this specific grape purple?

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Speaker 1: This gorgeous, kind of electric midnight blue.

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Speaker 3: Looks like there's a lot of people in line for

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Speaker 3: this roastery.

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Speaker 2: Oh, yes, is mom paw roastery?

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Speaker 3: This mom roastery that we go to some yes.

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Speaker 2: I hope there's still the original owner. So they were

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Speaker 2: such a cute couple.

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Speaker 3: Jack Shirley, is that you?

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Speaker 2: Is that you? I noticed the building is still handmade

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Speaker 2: with your own wicker. Nah, it's a brick and mortar

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Speaker 2: of a giant corp.

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Speaker 1: God damn it. That's okay, it's what everything's like.

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Speaker 2: What are your thoughts of poetry and poetry slamming?

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Speaker 3: It makes me wildly uncomfortable too.

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Speaker 2: Because of the kittens. Oftentimes when people read poetry it

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Speaker 2: goes like this, it sounds like this I watched, but.

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Speaker 3: Also of look their jets in the sharks a little bit.

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Speaker 2: Yeah, we're gone. I'd get them. We're gone. I dance.

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Speaker 2: We're gonna stab them by the beach. So yeah, it's

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Speaker 2: west side, sorry by the beach.

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Speaker 3: It's Santa Monica's west side. Yeah.

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Speaker 2: Yeah, the real sharks.

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Speaker 3: It's the stabbous sharks.

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Speaker 2: Yeah. It's so hard for them to snap because of

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Speaker 2: dorsal fins. There's a woman that my girlfriend soon introduced

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Speaker 2: me to a while ago, Andrea Gibson. I think is

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Speaker 2: her name. She's a poet, laureate. Okay, cut to randomly.

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Speaker 2: When I saw Tig at Largo. She's like, I made

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Speaker 2: a documentary about my friend Andrea Gibson. I think her

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Speaker 2: name is Gibson. I'm pretty sure it is the best documentary.

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Speaker 3: Oh, I can't wait. I bet it is. If Tig

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Speaker 3: made it.

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Speaker 2: And watching Andrea perform, I'm not gonna give anything away

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Speaker 2: if anyone does know her, you know that she has passed.

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Speaker 2: But oh, I guess I did give it away if

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Speaker 2: you didn't know her.

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Speaker 1: I didn't, but I was about to ask you, this

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Speaker 1: is not the young woman that read her poetry at

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Speaker 1: the inauguration.

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Speaker 3: I don't eight years ago.

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Speaker 2: Okay, I don't think so, Okay they are.

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Speaker 1: That's basically the one poet I know that's in that's

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Speaker 1: doing work.

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Speaker 2: Yeah, Andrea is watching the performances. I was like getting

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Speaker 2: as someone who has always said I'm not that into poetry,

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Speaker 2: but I've seen it at the Boise Idaho Open Slam

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Speaker 2: open Mic. Before the comedy, I was like, wrap it up,

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Speaker 2: I have to get on stage. This person is like

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Speaker 2: a rock star of poetry and watching the show sold

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Speaker 2: out theaters, people hanging on every word, people crying, and

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Speaker 2: I was getting in it emotionally, the just the and

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Speaker 2: it's not Andrew even jokes about not having like every poem,

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Speaker 2: I use the same five words. I don't have a

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Speaker 2: huge full cup vocabulary. And it is such a testament

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Speaker 2: to the arrangement wheres it's just the best.

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Speaker 3: What are the poems about exactly.

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Speaker 2: Life and things that I could not I am not

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Speaker 2: a poet myself, so I'm not going to sum up everything.

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Speaker 2: What is our podcast out?

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Speaker 3: Drive around?

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Speaker 2: Right? That's what most of her poems are about driving

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Speaker 2: and different guests in her thoughts. But it's on Apple TV.

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Speaker 2: It's going to be on Apple TV. Like it's a

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Speaker 2: full on movie. We started We're giving Me in the

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Speaker 2: Good Light.

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Speaker 3: It's called Oh see me in the Good.

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Speaker 2: Light, Come see me in the good Light, Come see

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Speaker 2: Me in the good Light. So good, but it's emotional.

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Speaker 2: But Andrea and her partner are so funny and in

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Speaker 2: such a tig way, like the timing drive I laughed

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Speaker 2: through the whole thing. Oh wow, so you're laughing and

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Speaker 2: crying and it's it's those things done so well, Like, wow,

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Speaker 2: that was amazing.

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Speaker 1: Well, here's what I have to say as a trend

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Speaker 1: in the nineties, because it was like member, it was

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Speaker 1: on MTV sometimes and it was like they really pushed

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Speaker 1: it as a trend of like slam poetry is going

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Speaker 1: to be the next big thing.

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Speaker 3: I didn't like that.

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Speaker 1: But there's definitely a lot of clips I've seen of

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Speaker 1: people that they do it and they're talking about something

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Speaker 1: really important or really personal and then.

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Speaker 3: You like, by the end you're a total believer. Yeah,

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Speaker 3: like the and they are really talented and is a

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Speaker 3: great performance.

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Speaker 2: So yeah, that's especially talking about the meaning of life

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Speaker 2: and things that you don't like to think about, like

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Speaker 2: death done in such a beautiful way that by the

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Speaker 2: end of this documentary I wasn't scared to die in

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Speaker 2: a way because of the words. I had to actually

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Speaker 2: look up that Andrea Gibson was their name and their pronouns.

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Speaker 2: Are they them? So okay, I want to make sure. Yeah,

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Speaker 2: it was really good, but so sad. I can't remember

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Speaker 2: why I wrote it.

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Speaker 3: Was it because you saw tag a tag memory?

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Speaker 2: Yeah? They were just randomly an old old friend of

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Speaker 2: tigs like New York Style Colorado style. Oh wow, and

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Speaker 2: Andrea has the exact same time. I felt like I

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Speaker 2: was watching Tig and then when they were in the

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Speaker 2: room together or backstage they did a show together, it

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Speaker 2: was like hilarious to see them. I know that in

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Speaker 2: their heads they were like, this person is so similar

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Speaker 2: to me.

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Speaker 3: It was pretty So they're like old friends from when

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Speaker 3: they're in their twenties.

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Speaker 2: Yeah. So it made me even more emotional because I

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Speaker 2: saw Tig in this friend of hers and then you're

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Speaker 2: watching Oh, just going through the hardest things but having

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Speaker 2: the best albums about it, and I'm still afraid to die.

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Speaker 3: It just made you made it sound like you were cured.

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Speaker 2: No, no, I'm gonna start bungee jumping. I'm I don't know.

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Speaker 3: I really wanted to, like to feel like seasonal on

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Speaker 3: like wintertime holiday right now, but it's the humidity.

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Speaker 2: Yeah, it's I want it to at least feel like

350
00:19:10,680 --> 00:19:15,639
Speaker 2: fall happened somewhere, but it's just been human. It's been Okalla, Florida.

351
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Speaker 2: I'm getting mosquito bites. What is happening? Yeah, help us,

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Speaker 2: al Gore, re explain everything.

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Speaker 1: Al Gore's like I died twenty years ago. I didn't

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Speaker 1: know I had an al gore.

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Speaker 2: But he's still alive.

356
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Speaker 3: He's just saying that, Yeah he's he means it more emotionally.

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Speaker 2: Yeah, it's I'm realized. The only because it's time. It's

358
00:19:40,840 --> 00:19:43,159
Speaker 2: that time of life again for me where I have

359
00:19:43,240 --> 00:19:46,640
Speaker 2: to replace my brake pads. That's the only season here.

360
00:19:46,680 --> 00:19:51,280
Speaker 2: Every five years, that time of life, my pads are

361
00:19:51,359 --> 00:19:56,639
Speaker 2: grinding against my exposed rotor ribs. And that's when I

362
00:19:56,680 --> 00:19:59,560
Speaker 2: know once it's so expensive that you have to replace

363
00:19:59,600 --> 00:20:03,520
Speaker 2: everything involved with a break. That's every five years, and

364
00:20:03,560 --> 00:20:08,040
Speaker 2: then I know another quarter of a decade has passed.

365
00:20:08,200 --> 00:20:12,520
Speaker 3: So since you've last replaced your rotors, what do you

366
00:20:12,560 --> 00:20:15,720
Speaker 3: what have what have you improved in your life? I?

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00:20:16,560 --> 00:20:21,480
Speaker 2: Uh, I've gotten more. I've gotten better about not caring

368
00:20:21,600 --> 00:20:26,320
Speaker 2: even more about my break's demise. So it's actually I

369
00:20:26,440 --> 00:20:28,960
Speaker 2: let it get worse and worse. That's what I've learned. Okay,

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00:20:29,400 --> 00:20:31,439
Speaker 2: it's not that big of a deal, So you have

371
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Speaker 2: to pay a few hundred dollars more so your life

372
00:20:34,720 --> 00:20:37,040
Speaker 2: will feel like it's in danger when you drive to

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Speaker 2: Santa Barbara to see your friends. Yeah, I was going downhill.

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Speaker 2: You know what really knocked him out? Of whack. The

375
00:20:44,680 --> 00:20:48,400
Speaker 2: other day when I there's a barista in the middle

376
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Speaker 2: of the road, I slammed on the brakes and they

377
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Speaker 2: looked at me like they didn't care at all that

378
00:20:52,720 --> 00:20:55,240
Speaker 2: their life was almost taken. What they just had a

379
00:20:55,280 --> 00:20:58,600
Speaker 2: dead stare Jesus. And when I slammed on the brakes,

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00:20:58,680 --> 00:21:00,280
Speaker 2: it knocked something askew.

381
00:21:01,320 --> 00:21:04,360
Speaker 3: In your rotors or in that break. Believe, why didn't

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00:21:04,400 --> 00:21:05,840
Speaker 3: you know they were brista.

383
00:21:05,960 --> 00:21:10,040
Speaker 2: Ah black Apronkay, I don't know. It's something about a

384
00:21:10,040 --> 00:21:12,639
Speaker 2: black apron. I'm like, I know you're not making bread.

385
00:21:12,960 --> 00:21:15,600
Speaker 2: The flower would show up on that black god it,

386
00:21:16,480 --> 00:21:20,760
Speaker 2: But black aprons means I'm ready for the darkest brood

387
00:21:21,000 --> 00:21:24,280
Speaker 2: ever splash upon me. I know I'm riffing here, but

388
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Speaker 2: I think I'm actually right.

389
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Speaker 3: Maybe you got somewhere.

390
00:21:27,200 --> 00:21:31,000
Speaker 2: I think it may have gotten somewhere. You may have life.

391
00:21:31,560 --> 00:21:34,400
Speaker 3: You may have really dug yourself out of that. Yeah

392
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Speaker 3: apron hoole.

393
00:21:35,520 --> 00:21:41,520
Speaker 2: Yeah, it's certainly was not looking forward to going to work.

394
00:21:41,920 --> 00:21:46,600
Speaker 2: They were jaywalking to go to a mall. It was like,

395
00:21:46,800 --> 00:21:50,960
Speaker 2: I hate this job. And then I suddenly they were

396
00:21:50,960 --> 00:21:52,960
Speaker 2: in the road and I slammed on the brakes and

397
00:21:53,080 --> 00:21:57,320
Speaker 2: heard a click, and there was forever an added noise

398
00:21:58,080 --> 00:21:59,160
Speaker 2: even when coasting.

399
00:21:59,400 --> 00:22:01,159
Speaker 3: You are lucky those brakes worked.

400
00:22:01,600 --> 00:22:04,679
Speaker 2: Yes. In fact, I forgot about this until I was

401
00:22:04,760 --> 00:22:08,159
Speaker 2: going down Grapevine Hill passing cars like they were standing still.

402
00:22:08,520 --> 00:22:10,280
Speaker 3: That's not good.

403
00:22:11,640 --> 00:22:15,040
Speaker 2: Yes, So it's time. It's that time of life once

404
00:22:15,080 --> 00:22:19,760
Speaker 2: again where I need to fork over a few hundred bucks.

405
00:22:20,359 --> 00:22:21,640
Speaker 2: Read the old Honda.

406
00:22:22,320 --> 00:22:26,760
Speaker 1: There's a guy on TikTok who drives around fixing people's

407
00:22:26,800 --> 00:22:29,920
Speaker 1: cars for free, and I love it so much. He

408
00:22:29,960 --> 00:22:33,560
Speaker 1: has got like long, hairy, looks like a rocker, and

409
00:22:33,600 --> 00:22:36,720
Speaker 1: he kind of like he'll see somebody like a car

410
00:22:36,760 --> 00:22:39,000
Speaker 1: look kind of beat down and shitty and he's like,

411
00:22:39,119 --> 00:22:41,360
Speaker 1: mmm yeah, and these guys, I don't like the way

412
00:22:41,400 --> 00:22:43,359
Speaker 1: this wheel looks. And there was one where it was

413
00:22:43,400 --> 00:22:47,280
Speaker 1: like this old lady and her nephew and she needed

414
00:22:47,320 --> 00:22:51,080
Speaker 1: to replace all the rotors on all four wheels and

415
00:22:51,080 --> 00:22:53,439
Speaker 1: they were super fucked up, and he replaced all of

416
00:22:53,440 --> 00:22:55,399
Speaker 1: them for her and then got her all new tires.

417
00:22:55,440 --> 00:22:58,600
Speaker 2: Because I'm seeing someone that goes door to door, it's like, hey,

418
00:22:59,000 --> 00:23:02,200
Speaker 2: can I paint your car for free? And then they

419
00:23:02,240 --> 00:23:06,000
Speaker 2: do like an amazing job. And usually people are like no,

420
00:23:06,040 --> 00:23:08,080
Speaker 2: I don't want you to touch my car. But if someone

421
00:23:08,160 --> 00:23:13,040
Speaker 2: is actually not their trigger responses and no solicitors, yeah,

422
00:23:13,480 --> 00:23:17,600
Speaker 2: they're like sure, and a classic car that's all rusty.

423
00:23:18,080 --> 00:23:20,320
Speaker 2: It's so fun to watch because you know you're watching

424
00:23:20,359 --> 00:23:24,199
Speaker 2: a three minute version where you see the payoff. Is

425
00:23:24,480 --> 00:23:25,200
Speaker 2: they're finished.

426
00:23:25,560 --> 00:23:26,399
Speaker 3: Yeah, it's so good.

427
00:23:26,560 --> 00:23:32,000
Speaker 2: Yeah, yeah it is. There's nothing better than that. Well,

428
00:23:32,040 --> 00:23:32,960
Speaker 2: there's other things.

429
00:23:33,240 --> 00:23:36,800
Speaker 3: I mean Christmas, Yeah, there's Christmas.

430
00:23:37,240 --> 00:23:40,320
Speaker 2: There's a good firework display. Oh there's some things better,

431
00:23:40,359 --> 00:23:41,679
Speaker 2: you know how. I love the works.

432
00:23:41,800 --> 00:23:44,480
Speaker 3: You love the works and the Chinese.

433
00:23:44,720 --> 00:23:47,239
Speaker 2: Yeah, and I love scaring dogs you.

434
00:23:48,400 --> 00:23:51,880
Speaker 1: I love making dogs wine from seven pm until three

435
00:23:51,960 --> 00:23:57,040
Speaker 1: days later. They have to figure somebody has to solve that,

436
00:23:57,400 --> 00:23:59,680
Speaker 1: and whoever does is going to become a billionaire.

437
00:23:59,800 --> 00:24:02,840
Speaker 2: Yeah. Them being illegal certainly hasn't made a dent.

438
00:24:03,160 --> 00:24:06,920
Speaker 1: No, that's kind of the joy of fireworks is saying

439
00:24:06,960 --> 00:24:09,120
Speaker 1: fuck you to the man and getting to owen aw

440
00:24:09,280 --> 00:24:09,959
Speaker 1: with your family.

441
00:24:11,280 --> 00:24:14,960
Speaker 2: During the Dodgers winning the World Series last year, I

442
00:24:15,040 --> 00:24:18,920
Speaker 2: was on stage and my last joke was interrupted by

443
00:24:19,359 --> 00:24:23,040
Speaker 2: massive amounts of fireworks. Cut you at an outdoor show.

444
00:24:23,400 --> 00:24:27,000
Speaker 2: Cut to this year, the exact fucking thing happened. I

445
00:24:27,119 --> 00:24:30,400
Speaker 2: was on stage. People are looking around because the kaiwan

446
00:24:30,520 --> 00:24:34,360
Speaker 2: know what the score is. And then fireworks right when

447
00:24:34,400 --> 00:24:36,520
Speaker 2: I'm ramping up to a punchline.

448
00:24:36,040 --> 00:24:37,639
Speaker 3: And that's when everybody knows.

449
00:24:37,720 --> 00:24:42,239
Speaker 2: Then yeah, twice, this fucking team has heckled met at

450
00:24:42,280 --> 00:24:43,800
Speaker 2: a pivotal point in my show.

451
00:24:43,960 --> 00:24:44,639
Speaker 3: Damn them.

452
00:24:45,040 --> 00:24:48,040
Speaker 2: And uh, and then I go home and there's just

453
00:24:49,640 --> 00:24:55,480
Speaker 2: cars Waymo's getting tipped over. I mean, I love the camaraderie.

454
00:24:55,520 --> 00:24:59,280
Speaker 2: It brings a city. Well, we don't need to act

455
00:24:59,359 --> 00:25:07,800
Speaker 2: like it's and Chester football and and start. Yeah, my

456
00:25:07,920 --> 00:25:10,480
Speaker 2: street was just chaos. Well it was.

457
00:25:11,359 --> 00:25:16,640
Speaker 3: Yeah, It's kind of like if somebody and I can't

458
00:25:16,680 --> 00:25:19,600
Speaker 3: say a name because I wouldn't be able to landed

459
00:25:19,640 --> 00:25:20,520
Speaker 3: a seven.

460
00:25:20,520 --> 00:25:26,560
Speaker 2: Twenty Boeing seven twenty seven. Oh sorry, isn't that some

461
00:25:26,600 --> 00:25:27,240
Speaker 2: sort of a turn?

462
00:25:27,600 --> 00:25:33,080
Speaker 3: Yeah, anyone doing a seven twenty, they'll get kudos, they'll

463
00:25:33,119 --> 00:25:33,679
Speaker 3: get credit.

464
00:25:34,160 --> 00:25:39,640
Speaker 1: But I mean that would be firework relevant to you.

465
00:25:39,760 --> 00:25:42,840
Speaker 1: Would you say then fireworks should be shot off?

466
00:25:42,960 --> 00:25:45,800
Speaker 2: No? I don't like them. Fourth, go we've in a seven.

467
00:25:46,840 --> 00:25:49,960
Speaker 2: I don't, it's not people are doing twelve eighties now

468
00:25:50,000 --> 00:25:50,439
Speaker 2: care No?

469
00:25:50,640 --> 00:25:51,119
Speaker 3: Is that true?

470
00:25:51,240 --> 00:25:53,360
Speaker 2: Yes? I don't know. Then I don't.

471
00:25:53,440 --> 00:25:54,439
Speaker 3: I'm just saying numbers.

472
00:25:54,440 --> 00:25:58,800
Speaker 2: I hear other people children from Japan that are training

473
00:25:58,800 --> 00:26:02,920
Speaker 2: in a facility and the doing fourteen twenties. I don't

474
00:26:02,960 --> 00:26:06,200
Speaker 2: even know. I can't count that many. Three sixties. That's

475
00:26:06,400 --> 00:26:12,040
Speaker 2: tiny little bodies spinning in the air effortlessly landing, making

476
00:26:12,080 --> 00:26:17,239
Speaker 2: me think, why am I having trouble even standing on

477
00:26:17,280 --> 00:26:18,200
Speaker 2: the thing at times?

478
00:26:18,840 --> 00:26:22,800
Speaker 1: This child because the child knows. The child is locked

479
00:26:22,840 --> 00:26:24,960
Speaker 1: into success.

480
00:26:25,480 --> 00:26:29,240
Speaker 2: Right, Yeah, it's it. And they have no fear, and

481
00:26:29,320 --> 00:26:33,000
Speaker 2: they don't they have not seen injury, I guess, and

482
00:26:33,040 --> 00:26:37,639
Speaker 2: they don't have like the body weight gravity issue with slamming.

483
00:26:37,760 --> 00:26:40,280
Speaker 2: It's like it's okay when your full body hits the

484
00:26:40,320 --> 00:26:44,439
Speaker 2: bottom of at the bottom of a transition on the

485
00:26:44,480 --> 00:26:47,960
Speaker 2: flat if you only weigh eighty pounds. Yeah, it's less

486
00:26:48,080 --> 00:26:50,600
Speaker 2: like a bird when you throw it out a window. Wait,

487
00:26:50,800 --> 00:26:53,480
Speaker 2: what you know a flightless bird when you're like, get

488
00:26:53,480 --> 00:26:55,280
Speaker 2: out of my office and you throw it out in

489
00:26:55,280 --> 00:26:57,520
Speaker 2: the window and it bounces off the ground. Just fine,

490
00:26:57,640 --> 00:27:00,520
Speaker 2: Where did you they're light? I abuse birds?

491
00:27:00,760 --> 00:27:05,240
Speaker 3: And can you get your hands on penguins? What other

492
00:27:05,359 --> 00:27:06,119
Speaker 3: flightless birds?

493
00:27:06,119 --> 00:27:09,320
Speaker 2: I've ben? When a cat jumps off a roof and

494
00:27:09,359 --> 00:27:13,199
Speaker 2: you're like, well, surely that cat will have injuries like

495
00:27:13,560 --> 00:27:16,440
Speaker 2: soaring four stories and then they just run away.

496
00:27:16,560 --> 00:27:19,080
Speaker 3: Yeah, that's right, because they're light, that's true.

497
00:27:18,840 --> 00:27:22,120
Speaker 2: And they're experiencing the same gravity as us. I guess

498
00:27:22,280 --> 00:27:24,960
Speaker 2: when you see a kitty falling out a window, you

499
00:27:25,000 --> 00:27:26,760
Speaker 2: can't think of it. You think of it as a

500
00:27:26,760 --> 00:27:30,000
Speaker 2: little person. But you have to adjust for gravity.

501
00:27:30,119 --> 00:27:31,200
Speaker 3: You do every time.

502
00:27:31,640 --> 00:27:34,560
Speaker 1: And also you started off by saying throw them out

503
00:27:34,600 --> 00:27:36,480
Speaker 1: the window. So I think it's now that we're here

504
00:27:36,560 --> 00:27:37,720
Speaker 1: that it's just happenstance.

505
00:27:37,800 --> 00:27:38,520
Speaker 3: I'm good with it.

506
00:27:38,720 --> 00:27:43,840
Speaker 2: I know, I know. I hate when I've blurred my deepest,

507
00:27:43,920 --> 00:27:45,240
Speaker 2: darkest desirish.

508
00:27:45,320 --> 00:27:46,840
Speaker 3: Is that what you want? Deep down?

509
00:27:47,280 --> 00:27:52,320
Speaker 2: I kill I've tried. I've tried to get into bird watching.

510
00:27:52,440 --> 00:27:59,680
Speaker 2: I appreciate flocks, I appreciate murders, all the groupings of birds.

511
00:28:00,160 --> 00:28:00,879
Speaker 3: Not enough blood.

512
00:28:01,080 --> 00:28:04,399
Speaker 2: But deep down, I'm just kidding. I don't want to

513
00:28:04,480 --> 00:28:07,439
Speaker 2: hurt a bird. Yeah, I've had many opportunities. I'm not

514
00:28:07,480 --> 00:28:09,760
Speaker 2: going to do it. I said, please, don't not do it.

515
00:28:09,920 --> 00:28:12,119
Speaker 1: Now the audience has to write in and keep you

516
00:28:12,160 --> 00:28:13,040
Speaker 1: from killing a bird.

517
00:28:13,240 --> 00:28:16,000
Speaker 2: Yes, I will never I will never hurt a bird.

518
00:28:16,080 --> 00:28:18,520
Speaker 3: Do we have social media? If you are listening to

519
00:28:18,640 --> 00:28:20,119
Speaker 3: let's go to our social media.

520
00:28:20,280 --> 00:28:24,320
Speaker 2: Yes, if you have it, Yes, I believe we have it.

521
00:28:24,359 --> 00:28:26,119
Speaker 3: I believe we have it. I believe in it.

522
00:28:26,359 --> 00:28:28,760
Speaker 2: I believe in it. I know it makes an impact.

523
00:28:29,040 --> 00:28:30,560
Speaker 2: I believe that we have it.

524
00:28:31,080 --> 00:28:35,760
Speaker 1: Perfect if you kill if you like killing birds, please

525
00:28:35,760 --> 00:28:39,520
Speaker 1: go to our social media and yeah and smash.

526
00:28:39,200 --> 00:28:41,720
Speaker 2: That like button. Let us know do you use one

527
00:28:41,800 --> 00:28:42,600
Speaker 2: or two stones?

528
00:28:42,880 --> 00:28:47,640
Speaker 1: I honestly, stuff like this upsets people so badly. We

529
00:28:47,680 --> 00:28:49,680
Speaker 1: should not be I should not be making that joke

530
00:28:49,840 --> 00:28:51,800
Speaker 1: right right, you're going with what I'm forcing you.

531
00:28:51,760 --> 00:28:53,840
Speaker 2: To talk about it. It's okay. I would never hurt

532
00:28:53,840 --> 00:28:56,440
Speaker 2: a bird, nor would you never If there was a

533
00:28:56,480 --> 00:28:58,240
Speaker 2: bird that was injured on the side of the road,

534
00:28:58,480 --> 00:29:02,320
Speaker 2: I would dangerously pull over and not know what to do.

535
00:29:02,600 --> 00:29:04,920
Speaker 1: Yeah, you know what you do. You'd get your old

536
00:29:04,960 --> 00:29:06,280
Speaker 1: T shirt that's from the trunk.

537
00:29:06,480 --> 00:29:07,240
Speaker 2: Yes, I would, and.

538
00:29:07,200 --> 00:29:09,040
Speaker 1: You would make a little T shirt nest and you

539
00:29:09,040 --> 00:29:10,719
Speaker 1: would pick up bird up and put it in your

540
00:29:10,760 --> 00:29:12,400
Speaker 1: car and drive all around with it.

541
00:29:12,520 --> 00:29:15,040
Speaker 2: I would hurry up, go buy a popsicle, eat it

542
00:29:15,120 --> 00:29:19,120
Speaker 2: real quick, brain feeds headache, use the sticks, make a

543
00:29:19,200 --> 00:29:20,560
Speaker 2: splint or its wing.

544
00:29:20,840 --> 00:29:25,120
Speaker 3: Oh, then it's like it's my leg dumbass. But the

545
00:29:25,120 --> 00:29:29,480
Speaker 3: bird can talk. It's a parrot. It's a hilarious part.

546
00:29:29,280 --> 00:29:34,040
Speaker 2: Is everyone always assume it's my wing, just this scarred up,

547
00:29:34,160 --> 00:29:41,680
Speaker 2: grizzled bird, always getting injured. When I skate at Costco,

548
00:29:41,720 --> 00:29:45,160
Speaker 2: there's crows that and I know the ones that know

549
00:29:45,280 --> 00:29:47,880
Speaker 2: me because they are very smart and they memorize cars.

550
00:29:48,640 --> 00:29:51,960
Speaker 2: And when I show up and they're all eating garbage

551
00:29:52,000 --> 00:29:55,120
Speaker 2: around because I guess the people are clean up. A

552
00:29:55,120 --> 00:29:58,200
Speaker 2: lot have been on strike. Oh not thrown shade to Costco,

553
00:29:58,280 --> 00:29:59,840
Speaker 2: but the parking lot's been dirty.

554
00:30:00,080 --> 00:30:00,520
Speaker 3: Is that true?

555
00:30:00,640 --> 00:30:03,560
Speaker 2: Yes, I've been sweeping it myself. Oh and I repaired

556
00:30:03,760 --> 00:30:06,240
Speaker 2: the curb today with some steel stick.

557
00:30:06,360 --> 00:30:07,520
Speaker 3: What did you do with the curb?

558
00:30:08,000 --> 00:30:09,160
Speaker 2: I repaired the curb.

559
00:30:09,280 --> 00:30:10,200
Speaker 3: You repaired the curve?

560
00:30:10,280 --> 00:30:13,360
Speaker 2: Yeah, got you with. I sanded him, put some steel stick,

561
00:30:13,760 --> 00:30:17,280
Speaker 2: buffed it out. Looks brand new, and the birds want

562
00:30:17,240 --> 00:30:20,680
Speaker 2: to be by the city and they yeah, no. A

563
00:30:20,720 --> 00:30:22,600
Speaker 2: Costco worker came out and said, what are you doing.

564
00:30:22,720 --> 00:30:25,640
Speaker 2: I'm like, I'm repairing the damage that skateboarding is done

565
00:30:25,680 --> 00:30:28,640
Speaker 2: to this curb and then he's like thanks smart. Yeah.

566
00:30:28,720 --> 00:30:32,720
Speaker 2: And the crows know though when I show up that

567
00:30:32,920 --> 00:30:35,160
Speaker 2: I'm the car that parks in the spot and I

568
00:30:35,200 --> 00:30:37,320
Speaker 2: see them getting out of the way of where I

569
00:30:37,440 --> 00:30:41,240
Speaker 2: normally park. What guys that I skate with don't notice

570
00:30:41,320 --> 00:30:43,640
Speaker 2: where I normally parks.

571
00:30:43,920 --> 00:30:46,680
Speaker 3: Men are something the way they don't pay attention.

572
00:30:47,080 --> 00:30:52,600
Speaker 2: Yeah, well, I mean even if you crows memorize your

573
00:30:52,640 --> 00:30:57,320
Speaker 2: face and if you wrong them or hank at them,

574
00:30:58,560 --> 00:31:01,280
Speaker 2: crows won't find out where you and shit on your

575
00:31:01,280 --> 00:31:04,440
Speaker 2: car every morning. Yeah, it's the best. It's my favorite

576
00:31:04,440 --> 00:31:05,680
Speaker 2: thing about birds.

577
00:31:05,640 --> 00:31:06,480
Speaker 3: How petty they are.

578
00:31:06,800 --> 00:31:10,360
Speaker 2: It's it's the the casual me saying, you know, when

579
00:31:10,360 --> 00:31:13,120
Speaker 2: you throw a bird out a window. I'm making up

580
00:31:13,120 --> 00:31:15,160
Speaker 2: for it now. But I'm going to do is talk

581
00:31:15,200 --> 00:31:16,360
Speaker 2: about all the birds I love.

582
00:31:16,440 --> 00:31:19,320
Speaker 1: No good idea and how you defend them because there's

583
00:31:19,400 --> 00:31:21,719
Speaker 1: eighteen crows chasing this car right now.

584
00:31:21,840 --> 00:31:22,040
Speaker 3: Yeah.

585
00:31:22,080 --> 00:31:24,880
Speaker 2: So I don't know why they're called a murder because

586
00:31:24,920 --> 00:31:27,360
Speaker 2: I want a birth more. I want to become a

587
00:31:27,560 --> 00:31:33,840
Speaker 2: crow breeder. Gross, They're going to be small and able

588
00:31:33,840 --> 00:31:36,240
Speaker 2: to fit in your pocket. I guess you're excited about

589
00:31:36,240 --> 00:31:37,000
Speaker 2: my breeding now or.

590
00:31:37,160 --> 00:31:37,640
Speaker 3: Yes I am.

591
00:31:37,720 --> 00:31:38,960
Speaker 2: Pockets.

592
00:31:39,200 --> 00:31:44,080
Speaker 3: It's like such a good idea. Do these wants talk yes, okay.

593
00:31:43,880 --> 00:31:49,160
Speaker 2: Yeah, they talk with like a Boston accent. They won't

594
00:31:49,160 --> 00:31:50,600
Speaker 2: stop mentioning pickles.

595
00:31:50,600 --> 00:31:54,600
Speaker 3: Oh, and then they're like, I'm in your pocket. How

596
00:31:54,640 --> 00:31:57,720
Speaker 3: do you like them pickles? That's that kind of thing.

597
00:31:57,760 --> 00:32:03,560
Speaker 2: Yes, exactly. Uh, who are the two crows that are

598
00:32:03,760 --> 00:32:04,920
Speaker 2: cartoon friends?

599
00:32:06,200 --> 00:32:11,440
Speaker 1: They were from Dumbo, but they were very racist representations.

600
00:32:10,720 --> 00:32:12,600
Speaker 3: Of black people.

601
00:32:12,760 --> 00:32:13,880
Speaker 2: Are kidding me?

602
00:32:14,120 --> 00:32:16,520
Speaker 3: That's how people ended up feeling about it.

603
00:32:16,600 --> 00:32:21,280
Speaker 1: Yeah, that it was not done in a loving represent

604
00:32:21,480 --> 00:32:23,320
Speaker 1: representative voices.

605
00:32:25,280 --> 00:32:26,200
Speaker 3: I'm getting started.

606
00:32:26,480 --> 00:32:31,280
Speaker 2: Are they they don't make quoted of two cartoon crows the.

607
00:32:31,240 --> 00:32:33,400
Speaker 3: Ones on the line that have really big faces? Are

608
00:32:33,400 --> 00:32:34,160
Speaker 3: you thinking of.

609
00:32:36,000 --> 00:32:38,320
Speaker 1: Those two guys that are always trying to kill each

610
00:32:38,320 --> 00:32:40,480
Speaker 1: other in Mad magazine?

611
00:32:40,680 --> 00:32:45,200
Speaker 3: Right? But I don't know if the spy versus spy I.

612
00:32:49,120 --> 00:32:51,680
Speaker 2: These are distant. We do not need to get to

613
00:32:51,720 --> 00:32:52,440
Speaker 2: the bottom of this.

614
00:32:52,680 --> 00:32:53,320
Speaker 3: Yeah, let's try.

615
00:32:53,360 --> 00:32:58,480
Speaker 2: But I think there's famous crows and uh, I'm fitting

616
00:32:58,520 --> 00:33:00,760
Speaker 2: you know what I'm thinking of the band the Black.

617
00:33:00,520 --> 00:33:03,640
Speaker 3: Crows that whole time you're thinking of Heroin Addicts.

618
00:33:03,760 --> 00:33:09,959
Speaker 2: Yes, okay, but I love them. They're very smart. Everyone

619
00:33:09,960 --> 00:33:13,240
Speaker 2: gives all this credit to Ravens. I was thinking about

620
00:33:13,240 --> 00:33:15,960
Speaker 2: that in New York too. You see a pigeon in

621
00:33:16,000 --> 00:33:20,840
Speaker 2: New York. It is just so a dove. There are

622
00:33:20,960 --> 00:33:25,800
Speaker 2: white pigeons. If a bird specialist could explain to me

623
00:33:25,880 --> 00:33:29,280
Speaker 2: why doves are this symbol of peace that you hold

624
00:33:29,360 --> 00:33:31,800
Speaker 2: up on a peasant and you give them their own

625
00:33:31,880 --> 00:33:36,480
Speaker 2: fig leaves, and a pigeon is just some streak chicken

626
00:33:36,880 --> 00:33:40,040
Speaker 2: that belongs in the subway. No one respects that, they

627
00:33:40,080 --> 00:33:44,760
Speaker 2: even kick at them. What's the difference? A on a

628
00:33:44,880 --> 00:33:50,280
Speaker 2: strand of dioxy rib nucleic acid known as DNA. I

629
00:33:50,440 --> 00:33:55,560
Speaker 2: believe pigeons and doves are the exact same bird. But

630
00:33:55,680 --> 00:33:59,400
Speaker 2: you know what it is, doves are white. Everyone's racist. Yeah,

631
00:33:59,440 --> 00:34:03,640
Speaker 2: if you want piece, if you signify peace with this bird,

632
00:34:03,960 --> 00:34:06,600
Speaker 2: you might as well hold up your arm all you

633
00:34:07,120 --> 00:34:14,239
Speaker 2: musk style. I am pro cro you have.

634
00:34:14,480 --> 00:34:17,239
Speaker 3: You're really going off on one today? Do we think

635
00:34:17,280 --> 00:34:19,560
Speaker 3: break that drive?

636
00:34:20,480 --> 00:34:24,319
Speaker 2: I thought you were just angrily t boning the on

637
00:34:24,360 --> 00:34:24,840
Speaker 2: the sidewalk.

638
00:34:24,880 --> 00:34:25,960
Speaker 3: That's how we like to do it.

639
00:34:26,120 --> 00:34:28,000
Speaker 2: Okay, we have to get out. I'm very excited for

640
00:34:28,040 --> 00:34:29,040
Speaker 2: our guests on this note.

641
00:34:29,040 --> 00:34:31,319
Speaker 3: I know this is going to be so good. Well,

642
00:34:31,320 --> 00:34:36,440
Speaker 3: we're only at thirty eight minutes. Yes, we really, just

643
00:34:36,480 --> 00:34:38,960
Speaker 3: for editing sake, could use five Oh okay, I could

644
00:34:38,960 --> 00:34:41,680
Speaker 3: sweeze out five more minutes. Absolutely, imt just drive a

645
00:34:41,719 --> 00:34:42,280
Speaker 3: little more.

646
00:34:42,360 --> 00:34:45,879
Speaker 2: Well, sometimes we don't end enough. I think it's very

647
00:34:45,920 --> 00:34:49,960
Speaker 2: appropriate for us to give the final words as you

648
00:34:50,120 --> 00:34:53,400
Speaker 2: parallel park. But you can save that for the air

649
00:34:53,640 --> 00:34:56,160
Speaker 2: very end. Okay, you're very good at parallel park.

650
00:34:56,280 --> 00:35:00,319
Speaker 3: Thanks someone. I appreciated this machine inside this car? Does

651
00:35:00,360 --> 00:35:01,759
Speaker 3: it for me? Oh?

652
00:35:01,880 --> 00:35:03,680
Speaker 2: Yes, yes? What with the cameras?

653
00:35:04,000 --> 00:35:05,240
Speaker 3: Mm hmmm, the lines?

654
00:35:05,440 --> 00:35:07,239
Speaker 2: I know my next car, I get it's gonna have

655
00:35:07,320 --> 00:35:09,719
Speaker 2: that camera, but I think I'm gonna ignore it. I

656
00:35:09,880 --> 00:35:13,960
Speaker 2: just love undoing my belt, throwing my right arm around

657
00:35:14,000 --> 00:35:18,040
Speaker 2: the passenger seat and wrenching my neck, just.

658
00:35:18,120 --> 00:35:19,359
Speaker 3: Really trying to get it done.

659
00:35:19,480 --> 00:35:22,399
Speaker 1: You know all those tips where they're like if you're

660
00:35:22,440 --> 00:35:25,560
Speaker 1: trying to you know, if you're trying to park a car,

661
00:35:25,719 --> 00:35:28,960
Speaker 1: what you do is you pull up parallel to the to.

662
00:35:29,040 --> 00:35:31,640
Speaker 3: Its rear view mirror. Yes, like do you know all

663
00:35:31,719 --> 00:35:32,480
Speaker 3: those tricks?

664
00:35:33,000 --> 00:35:36,400
Speaker 2: I you know? Nowadays, I'm so damn good at it.

665
00:35:37,680 --> 00:35:40,719
Speaker 2: I don't even I can. I can drive past the

666
00:35:40,800 --> 00:35:44,879
Speaker 2: car and just crank it one hand. I never mess up.

667
00:35:44,960 --> 00:35:45,359
Speaker 3: You never.

668
00:35:45,600 --> 00:35:49,120
Speaker 2: People can be watching, Yeah, they can be like watching

669
00:35:49,160 --> 00:35:51,600
Speaker 2: with their arms crossed. Let's see you do this one.

670
00:35:52,000 --> 00:35:53,800
Speaker 1: You can do it in front of a restaurant, a

671
00:35:54,320 --> 00:35:57,919
Speaker 1: restaurant patio filled with disbelieving Yes.

672
00:35:59,480 --> 00:36:06,640
Speaker 2: Can I forward and make turns and still summoned conversation?

673
00:36:07,040 --> 00:36:07,120
Speaker 1: No?

674
00:36:07,880 --> 00:36:08,480
Speaker 2: I cannot.

675
00:36:09,120 --> 00:36:09,640
Speaker 3: It's hard.

676
00:36:09,920 --> 00:36:13,120
Speaker 2: That's where you come in, m h. I. But if

677
00:36:13,160 --> 00:36:14,400
Speaker 2: you need me to park.

678
00:36:14,600 --> 00:36:16,759
Speaker 3: Who all over it?

679
00:36:17,040 --> 00:36:17,279
Speaker 2: Yeah?

680
00:36:17,920 --> 00:36:20,879
Speaker 1: Instinctual not There's no rules to the way you park.

681
00:36:20,960 --> 00:36:24,520
Speaker 1: It's just a feel, yes, okay.

682
00:36:24,080 --> 00:36:26,560
Speaker 2: Yeah, I In fact, I put a blindfold on.

683
00:36:27,080 --> 00:36:27,719
Speaker 3: Oh.

684
00:36:27,800 --> 00:36:30,400
Speaker 2: I just hear the sound of the engine, how it

685
00:36:30,440 --> 00:36:34,080
Speaker 2: bounces off the car waiting for me, and I can

686
00:36:34,120 --> 00:36:35,520
Speaker 2: tell distance from there.

687
00:36:36,000 --> 00:36:37,439
Speaker 3: And can you do that? Do you think?

688
00:36:37,560 --> 00:36:42,319
Speaker 1: In a busy city as well as a suburban metropolis, the.

689
00:36:42,200 --> 00:36:45,120
Speaker 2: More pressure the better, the more chaos in the streets.

690
00:36:45,480 --> 00:36:48,640
Speaker 2: There could be fireworks and Molotov cocktails. I will be

691
00:36:48,800 --> 00:36:53,640
Speaker 2: six inches from the curb, and granted, the other cars,

692
00:36:53,719 --> 00:36:57,320
Speaker 2: their bumpers will be mutilated, very aggressive.

693
00:36:57,400 --> 00:36:58,520
Speaker 3: Many say that's what they're for.

694
00:36:58,840 --> 00:37:01,919
Speaker 2: I'm not saying it's going to be pretty. I will

695
00:37:01,920 --> 00:37:05,560
Speaker 2: slide against the other car. I do damage, and I

696
00:37:05,600 --> 00:37:06,360
Speaker 2: don't leave.

697
00:37:06,160 --> 00:37:07,719
Speaker 3: Notes d me.

698
00:37:08,120 --> 00:37:11,240
Speaker 2: She'd say, I don't hurt birds and I don't hurt cars.

699
00:37:11,239 --> 00:37:13,680
Speaker 2: I don't know why I'm doing this character today.

700
00:37:13,680 --> 00:37:15,320
Speaker 3: I feel like this is a character.

701
00:37:16,480 --> 00:37:19,839
Speaker 1: Well we can call him violent Bill, and it's just

702
00:37:20,320 --> 00:37:22,399
Speaker 1: you getting it out of your system that you are

703
00:37:22,400 --> 00:37:25,200
Speaker 1: going to hurt some birds and you are going to

704
00:37:25,239 --> 00:37:26,160
Speaker 1: crash some cars.

705
00:37:26,360 --> 00:37:30,680
Speaker 2: Yeah, I'm like that. I'm like the guy, the Mayhem

706
00:37:30,760 --> 00:37:33,160
Speaker 2: guy from those insurance commercials.

707
00:37:33,960 --> 00:37:36,480
Speaker 3: Oh yeah, I love that guy. He was on lawn Order.

708
00:37:36,719 --> 00:37:38,400
Speaker 2: Yeah, he's not a good actor, but he's good in

709
00:37:38,440 --> 00:37:39,200
Speaker 2: those commercials.

710
00:37:39,280 --> 00:37:42,160
Speaker 3: He's a good actor in the way of the one

711
00:37:42,200 --> 00:37:42,840
Speaker 3: thing he does.

712
00:37:43,040 --> 00:37:45,600
Speaker 2: It's really amazing how I've seen him not be good.

713
00:37:46,960 --> 00:37:49,319
Speaker 2: He was in thirty Rock, and I'm like, get him

714
00:37:49,360 --> 00:37:51,279
Speaker 2: back in the commercials. He's great in those.

715
00:37:51,480 --> 00:37:54,759
Speaker 1: I told you about my dad telling me that Kevin

716
00:37:54,760 --> 00:37:56,920
Speaker 1: Costner was his favorite actor, and I was like, it is,

717
00:37:57,360 --> 00:37:59,600
Speaker 1: and then he goes, yeah, although I don't really believe

718
00:37:59,640 --> 00:38:02,400
Speaker 1: it when he says stuff, it's not funny.

719
00:38:03,320 --> 00:38:07,400
Speaker 2: Everyone's dad. My dad had such a problem with Kevin

720
00:38:07,440 --> 00:38:10,240
Speaker 2: Costner his whole life. And then all of a sudden

721
00:38:10,280 --> 00:38:14,520
Speaker 2: one day is like, I like this guy, Yellowstone. Don't

722
00:38:14,520 --> 00:38:16,640
Speaker 2: you remember how you yelled at your top of your

723
00:38:16,800 --> 00:38:19,799
Speaker 2: lungs the time I asked to see tin Cup a

724
00:38:19,840 --> 00:38:22,920
Speaker 2: movie I still haven't seen. Out of his old honoring

725
00:38:22,960 --> 00:38:25,880
Speaker 2: his old hatred. Now he loves him. That's the power

726
00:38:25,880 --> 00:38:26,800
Speaker 2: of Yellowstone.

727
00:38:26,960 --> 00:38:28,880
Speaker 3: Yeah, Yellowstone really is.

728
00:38:28,960 --> 00:38:31,560
Speaker 2: It's gonna make you love Costner and move to Bozeman,

729
00:38:32,320 --> 00:38:34,600
Speaker 2: buy a cyber truck and drive around with a dead

730
00:38:34,640 --> 00:38:35,160
Speaker 2: deer on it.

731
00:38:37,160 --> 00:38:40,080
Speaker 3: Montanan's I don't know if that's the phrase. But are

732
00:38:40,120 --> 00:38:43,279
Speaker 3: they proud Yellowstone?

733
00:38:44,040 --> 00:38:44,680
Speaker 2: Oh? The park?

734
00:38:45,080 --> 00:38:46,640
Speaker 3: Yeah, the show.

735
00:38:47,239 --> 00:38:49,239
Speaker 2: They're proud of the part, but not the show. But

736
00:38:49,880 --> 00:38:52,480
Speaker 2: so many people have moved there because of that show.

737
00:38:52,600 --> 00:38:56,840
Speaker 2: It's staggering. I can see it in especially a place

738
00:38:56,920 --> 00:39:00,520
Speaker 2: like Bozeman, where it's really the convergence of like, hey,

739
00:39:00,560 --> 00:39:04,200
Speaker 2: there's money here. These are the most beautiful mountains. It's

740
00:39:04,239 --> 00:39:07,040
Speaker 2: a town of sixty thousand. You can buy a house,

741
00:39:07,280 --> 00:39:12,880
Speaker 2: and it is so much wealth there. Oh yeah. I

742
00:39:12,920 --> 00:39:15,920
Speaker 2: did shows with Todd Berry and we went to Great Falls,

743
00:39:16,000 --> 00:39:20,359
Speaker 2: which is old school Montana. People still wearing pajamas during

744
00:39:20,400 --> 00:39:23,600
Speaker 2: the day outside and then.

745
00:39:23,680 --> 00:39:25,440
Speaker 3: That sounds like cod covid habit.

746
00:39:25,640 --> 00:39:29,719
Speaker 2: Yeah. And then Bozeman was like people were dressed to

747
00:39:29,800 --> 00:39:35,880
Speaker 2: the nines. Oh, I see Sarah Vowel was there. Remember

748
00:39:35,920 --> 00:39:40,919
Speaker 2: Sarah Vowel, the author right, Yeah, and it was very

749
00:39:40,960 --> 00:39:43,480
Speaker 2: fun to talk to because I was like, I remember

750
00:39:43,520 --> 00:39:47,680
Speaker 2: you repeatedly being on Letterman. Yeah, her and her sister

751
00:39:47,960 --> 00:39:49,640
Speaker 2: were there and they were really fun.

752
00:39:50,080 --> 00:39:50,360
Speaker 3: Nice.

753
00:39:50,520 --> 00:39:57,040
Speaker 2: But yeah, people have money in Bodland and other parts

754
00:39:57,040 --> 00:40:01,000
Speaker 2: of Montana. They didn't move there because of Yellowstone, like

755
00:40:01,080 --> 00:40:05,840
Speaker 2: the parts where they actually shot it. Butte, Montana still

756
00:40:06,200 --> 00:40:13,600
Speaker 2: home of Evil Knievel is a no like mostly empty buildings.

757
00:40:13,719 --> 00:40:17,799
Speaker 2: I worry about Butte so much. He used to be

758
00:40:18,000 --> 00:40:21,520
Speaker 2: this mining town that was like a million people used

759
00:40:21,520 --> 00:40:21,920
Speaker 2: to live in.

760
00:40:22,160 --> 00:40:24,319
Speaker 1: I'm sorry, though, were you trying to say that Evil

761
00:40:24,360 --> 00:40:25,480
Speaker 1: Knievel's still alive?

762
00:40:25,960 --> 00:40:29,120
Speaker 2: No, he has died, and so I believe has Robbie,

763
00:40:29,200 --> 00:40:29,600
Speaker 2: his son.

764
00:40:29,800 --> 00:40:32,040
Speaker 1: I mean that's what I was saying, is you said

765
00:40:32,040 --> 00:40:35,480
Speaker 1: that home's home of still home of Evil Knievl Where

766
00:40:35,520 --> 00:40:37,359
Speaker 1: I was like, is this an announcement that.

767
00:40:37,440 --> 00:40:44,359
Speaker 2: Like April passed, but his birthplace has remained the same?

768
00:40:44,480 --> 00:40:47,480
Speaker 1: I see a lot of times cities don't die with

769
00:40:47,560 --> 00:40:51,120
Speaker 1: the people that were born in them, right, Yeah, that

770
00:40:51,320 --> 00:40:52,479
Speaker 1: just happens when we die.

771
00:40:52,640 --> 00:40:57,200
Speaker 2: Yes, uh yeah, there's it's uh yeah, there's a wild

772
00:40:57,920 --> 00:41:02,080
Speaker 2: movie that I bought one time. Opening for Paul Thompkins

773
00:41:02,080 --> 00:41:04,480
Speaker 2: we went to Walmart. I can't remember why, and there

774
00:41:04,560 --> 00:41:08,759
Speaker 2: was an Evil Canevil movie for ninety nine cents. Oh,

775
00:41:08,800 --> 00:41:11,840
Speaker 2: I bought all twenty of them as gifts. And it

776
00:41:11,960 --> 00:41:16,400
Speaker 2: starts George Harrison, the man who was always ten. Oh yeah,

777
00:41:16,640 --> 00:41:19,719
Speaker 2: And they actually shot it in Butte, Montana. But the

778
00:41:19,760 --> 00:41:23,880
Speaker 2: Liberties apparently, according to this movie, you would be driving

779
00:41:24,239 --> 00:41:27,239
Speaker 2: around because you just robbed a bank to then take

780
00:41:27,280 --> 00:41:29,600
Speaker 2: the money and give to the poor. They said, that's

781
00:41:29,640 --> 00:41:32,720
Speaker 2: what the evil Canievel used to do. Now and then

782
00:41:33,120 --> 00:41:38,760
Speaker 2: all the cop cars kept dropping into sinkholes. Maybe that happened.

783
00:41:38,800 --> 00:41:41,359
Speaker 2: It is a mining town, you know.

784
00:41:41,600 --> 00:41:44,080
Speaker 1: It sounds kind of like a weird dream that the.

785
00:41:44,160 --> 00:41:48,600
Speaker 2: Weirdest movie that just made up things that don't exist.

786
00:41:48,640 --> 00:41:50,240
Speaker 2: But they actually shot it in Butte.

787
00:41:51,080 --> 00:41:51,640
Speaker 3: Is this Greg?

788
00:41:52,440 --> 00:41:57,640
Speaker 2: It is Greg? Look at him? Giant. You just looked terrific.

789
00:41:58,840 --> 00:42:00,720
Speaker 2: Look at you. Look at that sweat.

790
00:42:00,719 --> 00:42:01,239
Speaker 3: Get in here?

791
00:42:01,960 --> 00:42:03,920
Speaker 2: Yeah, come on, it's so organic.

792
00:42:04,320 --> 00:42:09,160
Speaker 3: Sh sorry, sorry, sorry.

793
00:42:07,840 --> 00:42:11,200
Speaker 2: But we're gonna start the next episode you've been listening

794
00:42:11,239 --> 00:42:12,200
Speaker 2: to Do You Need a Ride?

795
00:42:12,400 --> 00:42:22,719
Speaker 4: D y n aar boom.

796
00:42:22,760 --> 00:42:25,200
Speaker 2: This has been an exactly right production.

797
00:42:25,680 --> 00:42:27,920
Speaker 3: Our senior producer is Annalise Nelson.

798
00:42:28,320 --> 00:42:29,719
Speaker 2: Mixed by Edson Troy.

799
00:42:30,160 --> 00:42:32,000
Speaker 3: Our talent booker is Patrick Cootner.

800
00:42:32,320 --> 00:42:34,839
Speaker 2: Theme song by Karen Kilgareth.

801
00:42:34,680 --> 00:42:36,120
Speaker 3: Artwork by Chris Fairbanks.

802
00:42:36,360 --> 00:42:39,440
Speaker 1: Follow the show on Instagram, Twitter, and Facebook at dinar

803
00:42:39,560 --> 00:42:42,640
Speaker 1: podcast That's d y n aar podcast.

804
00:42:43,040 --> 00:42:46,640
Speaker 2: For more information, go to exactly rightmedia dot com.

805
00:42:46,640 --> 00:42:48,920
Speaker 3: Thank you, Oh, You're welcome