WEBVTT - A$AP Rocky

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<v Speaker 1>Request Left show is a production of iHeart Radio. Actually

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<v Speaker 1>I did have like, you know, the typical multi hyphen

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<v Speaker 1>it achievement.

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<v Speaker 2>Scroll for you.

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<v Speaker 1>But we were kind of mid small talk conversation. Go ahead,

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<v Speaker 1>finish what you were saying and then I will introduce

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<v Speaker 1>you as if you need introduction, But go ahead.

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<v Speaker 2>Well, first off, it's an honor to be here. Good sir,

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<v Speaker 2>mister Love you know, mister Rock, how are you? Oh man?

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<v Speaker 2>Never better man? Like I was saying before, I'm gonna

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<v Speaker 2>let you do your lass introduction. But we were just

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<v Speaker 2>talking about trying to keep the chee the energy functually

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<v Speaker 2>in one room. So I was just, you know, explaining

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<v Speaker 2>to you how I can't even sleep without a night

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<v Speaker 2>light and all the doors close. Where does that come from? From?

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<v Speaker 2>A fortune cookie? It said, the ones you love, even

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<v Speaker 2>the ones that's not here with you, are always looking

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<v Speaker 2>over you. Oh I believe that. I'm like even when

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<v Speaker 2>I'm in the bathroom, like, oh dude, I'm okay.

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<v Speaker 1>So I had a medium situation like I was gifted

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<v Speaker 1>a medium for my fiftieth birthday and a shout out

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<v Speaker 1>to Larlen Jackson.

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<v Speaker 2>Which is like a type of like psychic ability.

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<v Speaker 1>Well yeah, I mean initially I thought it was something

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<v Speaker 1>closer to like what will be Goldberg was on and

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<v Speaker 1>Ghosts and Ghosts. But yeah, Larlen Jackson is I knew

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<v Speaker 1>nothing of that world and she has like the most

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<v Speaker 1>popular Netflix show or whatever. I was gifted her for

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<v Speaker 1>my birthday and the stuff she was communicating to me.

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<v Speaker 1>As far as the ancestors that are walking with us

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<v Speaker 1>right now, yes they're amongst us.

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<v Speaker 2>That's exactly why that center scene is so epic. Yes right, yes,

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<v Speaker 2>yes it is, so make that introduction all right, Here

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<v Speaker 2>we go.

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<v Speaker 1>Our guest has redefined the landscape of music and fashion,

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<v Speaker 1>most notably perception of New York City in terms of

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<v Speaker 1>culture hip hop of course, but just beyond that, I

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<v Speaker 1>can attest that his critically acclaimed albums, notably.

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<v Speaker 2>Long Live Ave Sep.

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<v Speaker 1>And I will say that at Long Last A Sep,

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<v Speaker 1>It's good to finally have this conversation with you, because

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<v Speaker 1>for Tarik Black thought, at Long Last a Sap was

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<v Speaker 1>always his backstage ritual.

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<v Speaker 2>What oh dude, get the fuck up?

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<v Speaker 1>I think even by osmosis, like I know everything by heart,

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<v Speaker 1>Like what.

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<v Speaker 2>Literally I mean you played drums on the Feudals when

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<v Speaker 2>we did right Jimmy Fallon back in the day.

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<v Speaker 1>But yeah, yeah, no, no, no, no, massive, massive man,

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<v Speaker 1>massive maan. But I'll basically say that our guest today

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<v Speaker 1>has really been.

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<v Speaker 2>The paradigm shift of the culture of hip hop.

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<v Speaker 1>I'll say that you'll probably believe the last Mohican of

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<v Speaker 1>the mixtape rappers now that we're totally in the streaming era.

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<v Speaker 2>Of course, you co shared.

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<v Speaker 1>The met Galla, my second one. I was on it,

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<v Speaker 1>the super fun Tailor in Black style. Not to mention

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<v Speaker 1>pushing boundaries and your acting starting in Spike and Denzel's

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<v Speaker 1>highest to Lewis, I love Roseburne to death, so I

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<v Speaker 1>believe that she's going to have an oscar and her

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<v Speaker 1>collection for if I had legs.

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<v Speaker 2>I kick you. She deserves it.

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<v Speaker 1>You're currently serving creative director right now for power Asse

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<v Speaker 1>brands like Ray Band and Puma, and now you're right

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<v Speaker 1>on the cusp of your next journey in music, curious title.

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<v Speaker 1>Don't be dumb. I like this and I don't know.

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<v Speaker 1>I'm just so excited to have you here a sev

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<v Speaker 1>Rocky coming to the Quest Love Show.

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<v Speaker 2>Thank you man, thank you for having me. Brother. How

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<v Speaker 2>are you all right?

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<v Speaker 1>So I want to know what's the first thing you

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<v Speaker 1>did in the first half hour of your day to day.

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<v Speaker 2>I usually wake up, brush my teeth, check my phone,

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<v Speaker 2>show my kids. That's how I started my day, you know,

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<v Speaker 2>not in any particular order, but it varies, like one day,

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<v Speaker 2>depending if it's like if I go to sleep busy,

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<v Speaker 2>wake up busy, sort of like this week and next week,

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<v Speaker 2>I wake up and I just answer whatever emails and

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<v Speaker 2>text messages I forgot to the previous night, and you know,

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<v Speaker 2>I just go see my you know, get my common sake,

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<v Speaker 2>converse with my lady, and go see my kids in

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<v Speaker 2>their rooms.

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<v Speaker 1>And you know, now that you're about to release this record,

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<v Speaker 1>it's the cycle different now, like are you in promotion

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<v Speaker 1>mode right now?

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<v Speaker 2>Or yeah, I'm in promotion mode, man, And it's like

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<v Speaker 2>now I just I wake up and get straight to it.

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<v Speaker 2>I try to go for like a job, hit the

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<v Speaker 2>gym and get my mind right, you know, hit the sauna,

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<v Speaker 2>sweat out. Were you born in Harlem?

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<v Speaker 1>Now I'm just finding out that you were also Pennsylvania residence.

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<v Speaker 2>When did this happen? So? I was born and raised

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<v Speaker 2>in Harlem and Bronx the Bronx New York and when

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<v Speaker 2>I was around eight nine years old, I moved to Harrisburg, Pennsylvania,

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<v Speaker 2>well actually Hershey rather for a Pennsylvanian, then in Dauphin County.

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<v Speaker 2>Then I was living in harris back and forth from

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<v Speaker 2>New York to Harrisburg, North Carolina, places like that. But

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<v Speaker 2>I might have lived in PA for about like I

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<v Speaker 2>would say a significant amount of time, maybe like six years,

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<v Speaker 2>you know, five six. When I was a.

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<v Speaker 1>Kid, going to Hershey Park was always like a treat,

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<v Speaker 1>you know, like if you get a good report card,

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<v Speaker 1>if something will take you to Hershey. I'm you know,

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<v Speaker 1>I'm a Philadelphia and so always there. So were you

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<v Speaker 1>a Hershey Park regular.

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<v Speaker 2>Or regular that chocolate factory smelling all the cocoa and city,

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<v Speaker 2>you know what I'm saying. It's just a crazy experience

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<v Speaker 2>when you know, they measure the kids off of like

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<v Speaker 2>different candies, right, So it's like if you really short,

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<v Speaker 2>you like a Twizzler, and if you toiler in that,

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<v Speaker 2>you're a reces. If you toiler in that, you're Hershey's

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<v Speaker 2>Hershey's chalkol. Like I think it's the smallest is a

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<v Speaker 2>kiss Hershey kiss man? You bringing back memories and you're

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<v Speaker 2>making me hungry right now. I say, what.

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<v Speaker 1>Are your fond memories of Harlem? Or did you have

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<v Speaker 1>fond memories of Harlem?

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<v Speaker 2>Lots of fun memories, man, I mean to this day.

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<v Speaker 2>I was just in Harlem yesterday out of school and

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<v Speaker 2>you know, just chilling with the kids for some fourth graders,

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<v Speaker 2>teaching them how to rap. I love Harlem, man. Right

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<v Speaker 2>after that, I want to go see my grandmother three

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<v Speaker 2>blocks away from there. Chill well, health for the rest

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<v Speaker 2>of the night. You know, Harlem is just in my DNA.

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<v Speaker 2>What I picked up from Harlem. It made me a

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<v Speaker 2>renaissance man, you know what I'm saying. Yeah, Harlem is

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<v Speaker 2>the shit man. It's just so much culture to adopt

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<v Speaker 2>from and adapt to, you.

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<v Speaker 1>Know, you know, for all the boroughs I meant. You know,

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<v Speaker 1>I'm pushing my twentieth year of kind of denying that

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<v Speaker 1>I'm a New Yorker. I think one I asked to

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<v Speaker 1>live here for twenty years at least ten.

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<v Speaker 2>Well, you were born here, so you're native New York.

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<v Speaker 1>Yeah, all right, I've you know, I'm pushing year eighteen.

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<v Speaker 1>So you know, Philadelphia is a very jealous city, so

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<v Speaker 1>I at least do twenty years before I do it.

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<v Speaker 2>So this is how you measure a different like, you know,

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<v Speaker 2>being able to like claim a different region. Right, Okay,

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<v Speaker 2>you take your age, okay, and you say, with my age,

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<v Speaker 2>you know, was I living you know, in this location

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<v Speaker 2>for predominantly more than you know this location? And so

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<v Speaker 2>say if you're like thirty years old, right, and if

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<v Speaker 2>you've been living in Philly for fifteen years, in New

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<v Speaker 2>York for fifteen years, I mean right, this it's a

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<v Speaker 2>little toss up. But say if you're living in New

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<v Speaker 2>York for sixteen years, Philly for fifteen I think you

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<v Speaker 2>can claim New York.

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<v Speaker 1>All right, give me, give me, give me four your dog.

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<v Speaker 1>You you already know Philly is known for booing.

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<v Speaker 2>I can't. I don't want to do it. You want

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<v Speaker 2>no trouble man.

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<v Speaker 1>So I used to scratch my head often. And you'll

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<v Speaker 1>hear this about like sports cats, like basketball dudes, and

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<v Speaker 1>even like some rappers I know where, you know, especially

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<v Speaker 1>in the eighties and nineties, like they would go back

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<v Speaker 1>to their old projects, or they would go back to

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<v Speaker 1>their old neighborhood and whatever, and I'd be like, why

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<v Speaker 1>would you ever want to return there? But then one

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<v Speaker 1>day I started doing that where I'll just get in

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<v Speaker 1>a car, I will drive down the Philly and just

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<v Speaker 1>look at ghosts or like old neighborhoods or whatever. Now

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<v Speaker 1>that Harlem is what I.

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<v Speaker 2>Think it is. I mean, you know, it's very gentified.

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<v Speaker 2>So totally yeah.

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<v Speaker 1>I was going to say, like super gentrified. Not my

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<v Speaker 1>block though, can you still go home?

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<v Speaker 2>Or is it just not the same anymore? Oh man,

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<v Speaker 2>nothing is the same. Everything changes, right, But I'll say this,

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<v Speaker 2>I think the older I get significantly, I have this

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<v Speaker 2>kind of innate passion to you know, kind of go

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<v Speaker 2>back to with or started. So at the end of

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<v Speaker 2>the day, let me give you a prime example, Like

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<v Speaker 2>if you were like, how were you when you first

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<v Speaker 2>got your first record deal and you guys like blew up,

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<v Speaker 2>that was twenty two, all right, So if you were

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<v Speaker 2>twenty two when you left the block talking about chilling

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<v Speaker 2>with God, Like depending on the type of person you are,

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<v Speaker 2>but like typically chilling on a block, friends, cousins, whatever

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<v Speaker 2>it is doing you know, block activity, right, chilling, smoking, drinking, joking, rolling, dice,

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<v Speaker 2>holing at you know, girls or whatever the case is. Right,

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<v Speaker 2>when you actually find you know, success in what you

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<v Speaker 2>like doing and it keeps you preoccupied. Subsequently, it is

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<v Speaker 2>a period of your time or a moment where you

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<v Speaker 2>kind of outgrow those activities. Rightfully, so, right but I

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<v Speaker 2>haven't been a teenager for almost going on twenty years now.

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<v Speaker 2>You know what I'm saying, I'll be forty in three years.

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<v Speaker 2>You believe that shit, you know.

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<v Speaker 1>So it's a good thing, yeah, because most of us

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<v Speaker 1>never make it past that line.

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<v Speaker 2>For sure. I know I look twenty six, but I'm

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<v Speaker 2>honest with you. I thought you're still eighteen. But you know,

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<v Speaker 2>I'll take it as a compliment. But you know, at

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<v Speaker 2>the end of the day, I just let me give

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<v Speaker 2>you an example. Like my grandmother refuses to move out

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<v Speaker 2>of Harlem. She's a true from Barbados. First place she

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<v Speaker 2>moved to was Harlem, back and forth from the Bronx

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<v Speaker 2>to Harlem. She refuses to move out of her building.

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<v Speaker 2>Everybody's like a community, and it's still like a community,

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<v Speaker 2>you know, neighbors, neighborhood. So you want to upgrade her,

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<v Speaker 2>but she still insists, She insists she you know, I

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<v Speaker 2>love how humble she is. I just paid the rent

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<v Speaker 2>for everybody in her building this month and shoutouts to build,

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<v Speaker 2>and you know they were also graceful and thankful and

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<v Speaker 2>just appreciative. But the point I'm making is I'm in

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<v Speaker 2>position to go back there now to do something that

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<v Speaker 2>is actually, you know, fundamentally positive in a sense, opposed

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<v Speaker 2>to me just going back and doing the same old ship. Right.

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<v Speaker 2>So I went to drop her off last summer, I

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<v Speaker 2>was she was at my hotel and I went to

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<v Speaker 2>drop off me and a couple of family members. And

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<v Speaker 2>you know, not the brag. You know, I don't go

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<v Speaker 2>when I go to hallm I take the train or

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<v Speaker 2>I take like an anonymous that much. Yeah, yeah, you

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<v Speaker 2>know what I mean, because I don't want to hurt nobody,

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<v Speaker 2>Like why would I do that. I'm glad you said that.

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<v Speaker 2>I still have my first car and it's raggedy. Is

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<v Speaker 2>I have a sign man? You like Warren Buffett dog like? Okay,

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<v Speaker 2>So I'm glad you do that. I get the significance

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<v Speaker 2>of it. And that's the word of to day significance.

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<v Speaker 2>I'm gonna use that a lot. But you know, I

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<v Speaker 2>think every time I do that, we got to take

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<v Speaker 2>a sip of tea or something like every significant got

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<v Speaker 2>some coconut water? Is I can tell man, looking cloudy

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<v Speaker 2>is good for you. So when I come through, I

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<v Speaker 2>don't want to flex. Yeah, I don't want to do

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<v Speaker 2>a lot. I gotta keep it pushing brose for you

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<v Speaker 2>to blend in hell no, look at me. Well, I mean,

0:12:03.800 --> 0:12:06.800
<v Speaker 2>but that's the thing. Would you roll in this mood

0:12:07.160 --> 0:12:10.120
<v Speaker 2>to Harlem all the time? But I take the train.

0:12:10.200 --> 0:12:12.640
<v Speaker 2>I put a pool shisty on. I take the train.

0:12:12.760 --> 0:12:15.719
<v Speaker 2>Sometimes I'm by myself, sometimes I'm with security. I take

0:12:15.760 --> 0:12:18.880
<v Speaker 2>the train and keep myself grounded. Gotcha, it's not even

0:12:19.000 --> 0:12:22.960
<v Speaker 2>like trying to be cool and shit. I take yellow taxis,

0:12:23.720 --> 0:12:27.120
<v Speaker 2>you know, because like Ubers, they do wear shit sometimes

0:12:27.120 --> 0:12:29.400
<v Speaker 2>that they recognize you. They'll call you back there, do

0:12:29.520 --> 0:12:31.800
<v Speaker 2>stalky shit, try to give you a car, be extra,

0:12:32.200 --> 0:12:34.480
<v Speaker 2>you know what I mean, take a record in front

0:12:34.480 --> 0:12:37.160
<v Speaker 2>of I mean, I take a yellow taxi. I'll walk there,

0:12:37.280 --> 0:12:39.319
<v Speaker 2>I'll ride a city bike, you know what I mean.

0:12:39.440 --> 0:12:43.120
<v Speaker 2>Like I'm from here, I should be able to just

0:12:43.200 --> 0:12:45.240
<v Speaker 2>go back there and relax, you know what I mean.

0:12:45.280 --> 0:12:47.360
<v Speaker 2>And when I go back, I'm not trying to make

0:12:47.720 --> 0:12:50.280
<v Speaker 2>brothers feel like my success is they demise.

0:12:51.040 --> 0:12:54.200
<v Speaker 1>So, as a New Yorker, do you have spots that

0:12:54.400 --> 0:12:58.360
<v Speaker 1>are like where that feels, where it feels like home,

0:12:58.480 --> 0:13:00.800
<v Speaker 1>where it feels like absolutely.

0:13:01.360 --> 0:13:03.640
<v Speaker 2>I go see my brother Tawhia on the east Side

0:13:03.679 --> 0:13:07.840
<v Speaker 2>shout out east Side ta Wi Johnson projects. I go

0:13:07.920 --> 0:13:09.840
<v Speaker 2>to a K. You know, I ain't been the ak

0:13:09.960 --> 0:13:12.240
<v Speaker 2>in a minute, though, But I go to Hump forty

0:13:12.320 --> 0:13:15.200
<v Speaker 2>if and Lenox my grandmother block all the time. But

0:13:15.400 --> 0:13:18.520
<v Speaker 2>if I'm just hanging out, hanging out, I go to Melws.

0:13:19.040 --> 0:13:22.559
<v Speaker 2>If I ain't in Melos in Harlem, I'm downtown a small's.

0:13:22.960 --> 0:13:26.160
<v Speaker 2>If not, I'm at Django, you know, at the Roxy

0:13:26.240 --> 0:13:29.760
<v Speaker 2>watching the nice movie or you know, joint the shit

0:13:29.880 --> 0:13:36.760
<v Speaker 2>is fly. You know, I've rent, yeah, and to avoid

0:13:36.840 --> 0:13:39.280
<v Speaker 2>or something, let's you know, call some friends and we

0:13:39.480 --> 0:13:41.680
<v Speaker 2>just you know, chill out over there. Like that's the

0:13:41.760 --> 0:13:44.640
<v Speaker 2>kind of ship I'm into. I'm in the dive bars,

0:13:44.720 --> 0:13:47.120
<v Speaker 2>I'm in the lounges. I'm in the pubs. I'm not

0:13:47.240 --> 0:13:50.240
<v Speaker 2>in the clubs. The club coach is dead. Why the

0:13:50.280 --> 0:13:52.119
<v Speaker 2>hell you want to be around a bunch of motherfuckers

0:13:52.120 --> 0:13:55.120
<v Speaker 2>having a steering contest? What I'm flexing on you for

0:13:55.240 --> 0:13:58.280
<v Speaker 2>about to pay ten x how much your fucking beverage

0:13:58.440 --> 0:14:01.600
<v Speaker 2>licks of course and liquor store and go over there

0:14:01.600 --> 0:14:04.160
<v Speaker 2>and they want to charge you a million dollars for

0:14:04.240 --> 0:14:06.880
<v Speaker 2>a bottle of cos Amigos in nineteen forty two. Get

0:14:06.880 --> 0:14:08.760
<v Speaker 2>the fuck out of here. I could do this in

0:14:08.800 --> 0:14:11.520
<v Speaker 2>my living room. Call some friends over, avid gathering, no

0:14:11.600 --> 0:14:15.000
<v Speaker 2>widdows around, play some cards, some crazy eights, call it

0:14:15.040 --> 0:14:17.240
<v Speaker 2>a day. Y'all could smoke in peace, y'all could tell it.

0:14:17.360 --> 0:14:19.480
<v Speaker 2>We could crack jokes on each other in piece. It

0:14:19.480 --> 0:14:22.120
<v Speaker 2>ain't you know, But that's just where I'm at to

0:14:22.280 --> 0:14:25.360
<v Speaker 2>everybody having fun out there, getting paid and laid, do

0:14:25.480 --> 0:14:28.400
<v Speaker 2>your thing. I ain't judging flock or love you because

0:14:28.440 --> 0:14:31.640
<v Speaker 2>at the end of the day sometimes it's like occasional.

0:14:31.720 --> 0:14:34.520
<v Speaker 2>But I feel like when you're living in a club

0:14:34.560 --> 0:14:37.600
<v Speaker 2>and you not a promoter, you're not a dancer or

0:14:37.760 --> 0:14:41.000
<v Speaker 2>bartender or whatever the case is, it's like, you know,

0:14:41.080 --> 0:14:44.640
<v Speaker 2>that's kind of you know, it's just and more really

0:14:44.760 --> 0:14:46.520
<v Speaker 2>backwards for a nigga like me. Man, you know what

0:14:46.520 --> 0:14:47.800
<v Speaker 2>I'm saying, Like, that's all.

0:15:00.120 --> 0:15:03.960
<v Speaker 1>The obvious white elephant in the room. You were christened

0:15:04.760 --> 0:15:09.640
<v Speaker 1>with a moniker with a name of God rock him.

0:15:10.200 --> 0:15:14.800
<v Speaker 1>I just recently learned that your sister's name is Erica bets.

0:15:16.240 --> 0:15:18.040
<v Speaker 1>When I first heard the origin of your name, I

0:15:18.080 --> 0:15:21.480
<v Speaker 1>was like, shit, did you automatically feel destined or Christen

0:15:21.720 --> 0:15:22.880
<v Speaker 1>that this was going to be?

0:15:24.000 --> 0:15:26.040
<v Speaker 2>Like? When did you first learn who rock in? My

0:15:26.120 --> 0:15:28.800
<v Speaker 2>law was? When I was like three or four?

0:15:29.480 --> 0:15:31.200
<v Speaker 1>So you just asked like, why did you name me

0:15:31.280 --> 0:15:31.680
<v Speaker 1>rock him?

0:15:31.760 --> 0:15:34.800
<v Speaker 2>Or we're people telling you? Yeah, my pops in them

0:15:34.840 --> 0:15:36.960
<v Speaker 2>was said. So I used to be obsessed with Michael

0:15:37.040 --> 0:15:40.640
<v Speaker 2>Jackson's Moonwalker ever since I was like maybe like six

0:15:40.720 --> 0:15:42.960
<v Speaker 2>months same. My mom would put me in a rocker

0:15:43.480 --> 0:15:45.680
<v Speaker 2>and I'll just fall asleep to us and put it on. Yeah,

0:15:45.720 --> 0:15:48.200
<v Speaker 2>I was watching it till I turned two. And I

0:15:48.280 --> 0:15:51.520
<v Speaker 2>remember I had memories from being two and three years

0:15:51.520 --> 0:15:53.800
<v Speaker 2>old to this day. Right, I remember when my aunt

0:15:53.880 --> 0:15:56.600
<v Speaker 2>had a fight on a hundred sixteenth from Mornerside and

0:15:56.640 --> 0:15:58.680
<v Speaker 2>when she got sliced all type of shit. Right, But

0:16:00.280 --> 0:16:03.640
<v Speaker 2>I was maybe three or four years old and I

0:16:03.680 --> 0:16:07.800
<v Speaker 2>was three and rock Kim I think Juice was out right,

0:16:08.160 --> 0:16:10.560
<v Speaker 2>So what year did Juice come out? Got ninety two,

0:16:11.120 --> 0:16:15.480
<v Speaker 2>ninety two? So I all right, look eighty eight, eighty nine,

0:16:16.040 --> 0:16:18.040
<v Speaker 2>ninety one two, like three four years old. At least

0:16:18.040 --> 0:16:20.920
<v Speaker 2>you know I ain't lying the ledge was on the

0:16:21.000 --> 0:16:24.680
<v Speaker 2>TV right and Rock Kim had the bucket, had Cano

0:16:24.920 --> 0:16:27.360
<v Speaker 2>join on. He was with Eric b in my PASTA

0:16:27.480 --> 0:16:30.160
<v Speaker 2>was like, that's Rock Kim, that's who you naked after.

0:16:30.600 --> 0:16:33.520
<v Speaker 2>You named after him. I just was like, damn, that

0:16:33.600 --> 0:16:37.040
<v Speaker 2>motherfucker got swag yo, Like I thought that as a

0:16:37.080 --> 0:16:40.360
<v Speaker 2>young guy, like I was just damn part my language.

0:16:40.400 --> 0:16:43.240
<v Speaker 2>I'm just a little comfortable right now. Well you should be, yeah,

0:16:43.280 --> 0:16:45.400
<v Speaker 2>thank you, thank you. I appreciate the hospitality.

0:16:45.880 --> 0:16:49.120
<v Speaker 1>I'm big on time travel, astro traveling like that sort

0:16:49.120 --> 0:16:53.800
<v Speaker 1>of thing. If you could live in any time period,

0:16:54.120 --> 0:16:54.840
<v Speaker 1>where would you go.

0:16:55.640 --> 0:17:00.720
<v Speaker 2>I would go to Maley Empire around eleven hundreds. Oh damn, okay, explain,

0:17:01.640 --> 0:17:04.560
<v Speaker 2>I mean Massimosa. Right, Like at the end of the day,

0:17:04.600 --> 0:17:07.840
<v Speaker 2>this is around the time that Africa, you know, they

0:17:07.840 --> 0:17:09.760
<v Speaker 2>try to make it legend, but this is around the

0:17:09.760 --> 0:17:12.359
<v Speaker 2>time where Africa was getting a lot of like European

0:17:12.680 --> 0:17:15.359
<v Speaker 2>countries out of debt and stuff like that, right, And

0:17:15.840 --> 0:17:18.360
<v Speaker 2>this is predates like a lot of like you know,

0:17:18.760 --> 0:17:23.560
<v Speaker 2>the Western nas and you know the colonization, you know, slavery,

0:17:23.760 --> 0:17:28.800
<v Speaker 2>you know the colonialization and shit, right, And that was

0:17:28.840 --> 0:17:31.320
<v Speaker 2>when it was just like moors around they were actually

0:17:31.359 --> 0:17:34.320
<v Speaker 2>like the king of like Spain was a black man

0:17:34.440 --> 0:17:36.439
<v Speaker 2>and all of this other stuff. And you know, I

0:17:36.440 --> 0:17:39.840
<v Speaker 2>would have loved to see how like life was before

0:17:40.000 --> 0:17:42.680
<v Speaker 2>history was rewritten for all of us, before we were

0:17:42.720 --> 0:17:46.920
<v Speaker 2>all brainwashed and stuff like that. And yeah, you know,

0:17:46.960 --> 0:17:49.600
<v Speaker 2>I wonder what they had in the Vatican. Like for me,

0:17:49.680 --> 0:17:54.000
<v Speaker 2>it's just like some things you can't like erace. You know,

0:17:54.119 --> 0:17:58.640
<v Speaker 2>some things are just like inevitably there and obvious and

0:17:58.840 --> 0:18:02.159
<v Speaker 2>just blatantly in your And I would have loved to

0:18:02.320 --> 0:18:06.440
<v Speaker 2>like see like maybe even earlier than that. I would

0:18:06.520 --> 0:18:09.120
<v Speaker 2>love to see how they fucking built pyramids, man, because

0:18:09.160 --> 0:18:12.320
<v Speaker 2>I'm still curious, Sam, how about you?

0:18:13.119 --> 0:18:16.520
<v Speaker 1>My level of time traveling has more or less to

0:18:16.600 --> 0:18:19.440
<v Speaker 1>do with the acts I want to see. Probably the

0:18:19.960 --> 0:18:25.400
<v Speaker 1>one period that really isn't truly documented, well that's legendary

0:18:25.680 --> 0:18:29.560
<v Speaker 1>is kind of the Harlem Renaissance of man jazz.

0:18:29.960 --> 0:18:33.400
<v Speaker 2>Yes, you get on my nerves. I wanted to say that. Sorry,

0:18:34.040 --> 0:18:37.439
<v Speaker 2>See I got all philosophical, you got all cool, you know,

0:18:37.640 --> 0:18:38.520
<v Speaker 2>cat daddy on me.

0:18:39.760 --> 0:18:41.960
<v Speaker 1>You know, I just you know, some of the best

0:18:42.560 --> 0:18:47.320
<v Speaker 1>music ever created really really wasn't documented all that much.

0:18:47.480 --> 0:18:51.280
<v Speaker 2>It wasn't and Linkston Hughes the first rapper, of course

0:18:51.280 --> 0:18:51.600
<v Speaker 2>he was.

0:18:51.760 --> 0:18:55.960
<v Speaker 1>Yes, absolutely, So, I mean, yeah, I would say that

0:18:55.960 --> 0:19:01.520
<v Speaker 1>that's I'm curious about that time period as like the creatives.

0:19:01.640 --> 0:19:02.600
<v Speaker 2>Really, I just want.

0:19:02.440 --> 0:19:09.320
<v Speaker 1>To see how Charlie Parker and probably John Coltrane operated.

0:19:09.520 --> 0:19:11.840
<v Speaker 1>So that's why I would want to go probably to

0:19:11.880 --> 0:19:12.920
<v Speaker 1>the forties.

0:19:12.520 --> 0:19:14.480
<v Speaker 2>The thirties or forties.

0:19:14.520 --> 0:19:17.400
<v Speaker 1>Well, I would say the forties is when when Bob

0:19:17.480 --> 0:19:20.560
<v Speaker 1>really started to you know, get.

0:19:20.359 --> 0:19:22.520
<v Speaker 2>It all the way. Yeah.

0:19:22.560 --> 0:19:26.960
<v Speaker 1>So what would you say, is professionally speaking, at least,

0:19:27.600 --> 0:19:32.320
<v Speaker 1>what is the single moment that changed your life?

0:19:33.440 --> 0:19:36.239
<v Speaker 2>The single moment that changed my life is when I

0:19:36.320 --> 0:19:41.200
<v Speaker 2>was introduced to a Savims. Tell me about it, man,

0:19:41.280 --> 0:19:44.399
<v Speaker 2>rest in peace to the homie. Man. You know, A

0:19:44.560 --> 0:19:48.240
<v Speaker 2>Savims was like responsible for all the peopot Wal moments

0:19:48.240 --> 0:19:51.000
<v Speaker 2>in my career. I got a few moments that kind

0:19:51.000 --> 0:19:54.000
<v Speaker 2>of changed my life. Man. You know, when I was five,

0:19:55.320 --> 0:19:59.359
<v Speaker 2>a stranger, you know, in a very racist town, white

0:19:59.440 --> 0:20:03.080
<v Speaker 2>men say me from drowning. Yeah, man, I didn't even

0:20:03.080 --> 0:20:06.720
<v Speaker 2>know his name. I was in a very racist where.

0:20:06.840 --> 0:20:10.560
<v Speaker 2>What I was in North Carolina, what I don't remember.

0:20:10.760 --> 0:20:13.440
<v Speaker 2>It was like right outside of Charlotte. It was the sticks,

0:20:14.160 --> 0:20:17.239
<v Speaker 2>you know, he saved me me and my family were

0:20:17.240 --> 0:20:20.360
<v Speaker 2>supposed to walk out together to the pool. Being from

0:20:20.359 --> 0:20:22.840
<v Speaker 2>New York, I never been in the pool, so I

0:20:22.920 --> 0:20:25.959
<v Speaker 2>was eager, so I thought they was behind me. And

0:20:26.000 --> 0:20:27.960
<v Speaker 2>I did some home alone with Cola, cok and shit,

0:20:28.040 --> 0:20:30.359
<v Speaker 2>and I just walked out and they just let the

0:20:30.400 --> 0:20:33.080
<v Speaker 2>door close and I went there, and I was practicing

0:20:33.119 --> 0:20:35.840
<v Speaker 2>in my bathtub, so I thought I could fucking swim.

0:20:35.880 --> 0:20:38.160
<v Speaker 2>You give what I'm saying. Come on, bro, Wow, Okay,

0:20:38.359 --> 0:20:41.560
<v Speaker 2>it was significantly accurate. As a kid. You got to

0:20:41.600 --> 0:20:47.119
<v Speaker 2>take a toast to that significant all right, But this

0:20:47.280 --> 0:20:51.520
<v Speaker 2>is the lish you know, I left out and I'm

0:20:51.560 --> 0:20:54.040
<v Speaker 2>sitting there, got my you know, legs in the water

0:20:54.600 --> 0:20:57.760
<v Speaker 2>tee to tie the tee like, and it's this guy

0:20:57.800 --> 0:21:01.320
<v Speaker 2>with his family, right. He had like two daughters and

0:21:01.480 --> 0:21:06.919
<v Speaker 2>they were like significantly older than me. And basically he

0:21:07.040 --> 0:21:09.679
<v Speaker 2>was like, hey, hey, buddy, you're not a swim sport.

0:21:10.240 --> 0:21:12.840
<v Speaker 2>I was like, yeah, I know a swim He's like, yeah,

0:21:13.400 --> 0:21:17.480
<v Speaker 2>for sure. So his son jumped in, and son is

0:21:17.560 --> 0:21:19.720
<v Speaker 2>like a year or two older than me, jumped in.

0:21:19.800 --> 0:21:22.880
<v Speaker 2>It was like eight feet went or like popped back up.

0:21:23.520 --> 0:21:26.280
<v Speaker 2>So I decided to try it. When I went in,

0:21:27.240 --> 0:21:31.239
<v Speaker 2>it wasn't until like maybe like five seconds. Panic just

0:21:31.320 --> 0:21:34.000
<v Speaker 2>you know what it feel like. I felt like I

0:21:34.040 --> 0:21:38.359
<v Speaker 2>was drowning, but it was just like panic setting and

0:21:38.400 --> 0:21:40.840
<v Speaker 2>I was just like you know what I'm saying, I'm

0:21:40.920 --> 0:21:43.960
<v Speaker 2>screaming under the water, so you know, lost a lot

0:21:44.000 --> 0:21:48.480
<v Speaker 2>of breath. And I'm talking about like obviously in the tub,

0:21:48.560 --> 0:21:51.760
<v Speaker 2>you don't open your eyes. My eyes are open underwater,

0:21:51.800 --> 0:21:53.959
<v Speaker 2>you know, Black folks don't open their eyes, and no chlory,

0:21:54.280 --> 0:21:57.479
<v Speaker 2>Like my eyes are open and I just see blue

0:21:57.880 --> 0:22:01.840
<v Speaker 2>and I'm just like agreement. And I swear to god,

0:22:01.880 --> 0:22:04.840
<v Speaker 2>this motherfucker popped out like thor. I don't know how.

0:22:04.880 --> 0:22:08.520
<v Speaker 2>He wasn't swimming. He came like this, gave me his arm.

0:22:09.080 --> 0:22:11.760
<v Speaker 2>His arm was haryeus. Fuck. I grabbed it, and that

0:22:11.920 --> 0:22:15.240
<v Speaker 2>motherfucker's like we was at sea World or some shit

0:22:15.359 --> 0:22:18.720
<v Speaker 2>like that, like just bought me up a bottle of water,

0:22:19.000 --> 0:22:21.439
<v Speaker 2>put me on the sideline, left me there. I'm on

0:22:21.520 --> 0:22:29.200
<v Speaker 2>the side crying to the point where I go back

0:22:29.200 --> 0:22:31.320
<v Speaker 2>home my mother. Damn they wanted to whip me again.

0:22:31.400 --> 0:22:33.600
<v Speaker 2>And my father's like, man, he already been throughing nothing.

0:22:33.640 --> 0:22:35.280
<v Speaker 2>Little motherfucker almost dry and let him.

0:22:36.000 --> 0:22:38.119
<v Speaker 1>Man, even when your life is on the line, like

0:22:38.160 --> 0:22:40.840
<v Speaker 1>there still might be a whipping waiting for you.

0:22:40.920 --> 0:22:45.720
<v Speaker 2>Like is that? Like, I'm glad you're alive. Now, go

0:22:45.800 --> 0:22:49.560
<v Speaker 2>in your room. Oh, she was about to whip me

0:22:49.680 --> 0:22:52.080
<v Speaker 2>right then. And there wet, soaking wet, So it's gonna

0:22:52.119 --> 0:22:52.880
<v Speaker 2>be a bad one.

0:22:53.640 --> 0:22:59.280
<v Speaker 1>Has this uh discouraged you from swimming or it's a

0:22:59.359 --> 0:23:02.280
<v Speaker 1>fucking louly You have not done it since I learned

0:23:02.320 --> 0:23:05.200
<v Speaker 1>how to swim at thirty So you waited.

0:23:04.840 --> 0:23:08.639
<v Speaker 2>That long to jump back in the water. Hell, yes, damn,

0:23:09.560 --> 0:23:13.160
<v Speaker 2>I'm traumatized. Man, How are you with it now? Oh?

0:23:13.200 --> 0:23:16.680
<v Speaker 2>I'm a great swimming okay, and six feet you know

0:23:16.720 --> 0:23:19.679
<v Speaker 2>what I'm saying. Don't give me nothing more deep. It's quiet,

0:23:20.640 --> 0:23:24.160
<v Speaker 2>so you'll take it just a little bit as long

0:23:24.160 --> 0:23:25.960
<v Speaker 2>as I could touch a toe, pop back up and

0:23:25.960 --> 0:23:27.440
<v Speaker 2>I'll be all right, you know what I mean. Nah,

0:23:27.480 --> 0:23:30.520
<v Speaker 2>I'm a good swimmer. I just learned, like you know, uh,

0:23:31.080 --> 0:23:33.480
<v Speaker 2>density and stuff and going and you know, to see,

0:23:33.520 --> 0:23:35.480
<v Speaker 2>you don't really have to know how to swim and float.

0:23:35.520 --> 0:23:38.520
<v Speaker 2>You just use your body and salt and salt water

0:23:38.560 --> 0:23:41.040
<v Speaker 2>and shit like that. It's really cool when you think

0:23:41.080 --> 0:23:43.560
<v Speaker 2>about the physics of it. But you know, I'm a

0:23:43.600 --> 0:23:45.320
<v Speaker 2>decent swimmer though, all jokes aside.

0:23:45.400 --> 0:23:49.040
<v Speaker 1>All right, So I have questions, of course about your

0:23:49.240 --> 0:23:53.119
<v Speaker 1>latest project. And yeah, I'm kind of raging with a

0:23:53.119 --> 0:23:55.440
<v Speaker 1>little bit of jealousy because you were able to pull

0:23:55.480 --> 0:23:59.120
<v Speaker 1>off a trick that I've not been able.

0:23:58.920 --> 0:24:00.760
<v Speaker 2>To pull off. What's talk to me?

0:24:00.920 --> 0:24:04.359
<v Speaker 1>How the hell did you manage to get with on

0:24:04.400 --> 0:24:08.320
<v Speaker 1>a writer out the house? Yo, I've been phone friends

0:24:08.320 --> 0:24:11.880
<v Speaker 1>with this person for years. She'll never come out the house.

0:24:12.160 --> 0:24:13.680
<v Speaker 1>How did you get her out the house?

0:24:14.240 --> 0:24:21.280
<v Speaker 2>God? God, God, man? God? Is everything is a lining

0:24:21.400 --> 0:24:25.240
<v Speaker 2>right now? Like everybody from Tim Burton's Ethos, from Tim

0:24:25.320 --> 0:24:29.760
<v Speaker 2>Burton himself, Danny Elfman with on a rioter, a couple

0:24:29.760 --> 0:24:32.000
<v Speaker 2>more people that I can't say as yet because it's

0:24:32.000 --> 0:24:35.200
<v Speaker 2>still a surprise, but like, okay, oh damn yeah, Like

0:24:35.400 --> 0:24:39.000
<v Speaker 2>Tim Burton played a really big part in this whole project.

0:24:39.040 --> 0:24:43.880
<v Speaker 2>And she was so down. She was so cool, yo,

0:24:44.119 --> 0:24:47.840
<v Speaker 2>She's coolest shit. She had her own fucking merch, she

0:24:47.920 --> 0:24:51.240
<v Speaker 2>had old fucking Beavis and butt Head and Pink Floyd shit. Like,

0:24:51.680 --> 0:24:56.560
<v Speaker 2>she was so cool, man, And I can't wait, Like, hopefully,

0:24:56.600 --> 0:24:58.560
<v Speaker 2>with the grace of God, I could share the silver

0:24:58.600 --> 0:25:01.280
<v Speaker 2>screen with her one day, and I will be honored

0:25:01.320 --> 0:25:04.120
<v Speaker 2>to do it. Like yo, she as cool as fuck.

0:25:04.200 --> 0:25:06.440
<v Speaker 2>She gets so much cool points in my book.

0:25:06.520 --> 0:25:08.639
<v Speaker 1>Man, you worked with another hero of mine, with just

0:25:08.720 --> 0:25:13.160
<v Speaker 1>Danny Eufman, and you know Tim Burton of.

0:25:13.080 --> 0:25:14.120
<v Speaker 2>Course, is also the hero.

0:25:14.560 --> 0:25:16.320
<v Speaker 1>First of all, why did it take you so long

0:25:17.160 --> 0:25:19.439
<v Speaker 1>to I know that you were talking about like sample

0:25:19.480 --> 0:25:22.520
<v Speaker 1>clearances and all that stuff back a few years ago

0:25:22.600 --> 0:25:24.520
<v Speaker 1>or whatever. Why did it take so long for this

0:25:24.600 --> 0:25:26.000
<v Speaker 1>album to come to fruition?

0:25:26.359 --> 0:25:27.879
<v Speaker 2>Dummies? Keep leaking my shit?

0:25:30.480 --> 0:25:32.879
<v Speaker 1>You recorded the next thing you know, it's out just

0:25:32.960 --> 0:25:35.119
<v Speaker 1>like that. So now you realize that you're at the

0:25:35.200 --> 0:25:39.040
<v Speaker 1>level where you have to protect your shit.

0:25:39.240 --> 0:25:41.919
<v Speaker 2>And man, I realize I'm at the level where I

0:25:41.920 --> 0:25:44.919
<v Speaker 2>gotta change my number every three months, you know, And

0:25:44.960 --> 0:25:47.840
<v Speaker 2>I make everybody around me change their numbers and emails

0:25:47.960 --> 0:25:51.719
<v Speaker 2>for real frequently, because once one person is breached, it's

0:25:51.800 --> 0:25:54.919
<v Speaker 2>like a virus. You wanna spread that shit, It's contagious.

0:25:55.480 --> 0:25:57.960
<v Speaker 2>What they do is they trick you. They'll put like

0:25:58.600 --> 0:26:02.480
<v Speaker 2>asat Rocky at all com and if you're not really

0:26:02.480 --> 0:26:05.800
<v Speaker 2>clicking it, and they'll know they'll have intel. They'll be like,

0:26:06.000 --> 0:26:08.520
<v Speaker 2>you know, they'll talk about a record I don't know

0:26:08.560 --> 0:26:11.119
<v Speaker 2>how they know, and you're not smart, you'll click on

0:26:11.200 --> 0:26:15.120
<v Speaker 2>that and you breach. Yeah, okay, just like that.

0:26:15.800 --> 0:26:18.760
<v Speaker 1>So you're saying that what we're getting, well, when this

0:26:18.840 --> 0:26:21.240
<v Speaker 1>comes out, the album would have been out already. So

0:26:21.400 --> 0:26:24.400
<v Speaker 1>for you, though, you felt that because it got weak

0:26:24.440 --> 0:26:27.440
<v Speaker 1>to the public or whatever, that it was still tainted even.

0:26:27.600 --> 0:26:31.280
<v Speaker 2>A work of art like yourself from it. To be

0:26:31.320 --> 0:26:35.440
<v Speaker 2>honest with you, and like, you know, I'm not indecisive

0:26:35.480 --> 0:26:39.639
<v Speaker 2>as much as people would assume. I just evolve. So

0:26:40.000 --> 0:26:42.600
<v Speaker 2>like what you made yesterday, you might be over it

0:26:42.640 --> 0:26:45.600
<v Speaker 2>by next week or next month or next year. So

0:26:45.760 --> 0:26:47.960
<v Speaker 2>sometimes when you sit on stuff too long and get

0:26:48.040 --> 0:26:50.439
<v Speaker 2>leaked and all this shit happens, it'll be over you

0:26:50.480 --> 0:26:53.720
<v Speaker 2>onto the next one. And sometimes, like your sound, it

0:26:53.880 --> 0:26:57.720
<v Speaker 2>evolves and changes with you, so your taste preference changes

0:26:57.760 --> 0:26:59.920
<v Speaker 2>and you might be over this kind of sound and

0:27:00.119 --> 0:27:02.240
<v Speaker 2>you go onto this kind of sound, experiment with that.

0:27:02.760 --> 0:27:05.880
<v Speaker 2>And I think with this album too, you know, it's

0:27:05.920 --> 0:27:08.280
<v Speaker 2>not only just that it was getting leaked. Like I

0:27:08.359 --> 0:27:12.040
<v Speaker 2>was waiting on Tim he was doing Beauty Juice Part

0:27:12.080 --> 0:27:15.280
<v Speaker 2>two and Wednesday and all type of shit. So it

0:27:15.320 --> 0:27:17.240
<v Speaker 2>was just a role about the right moment for me.

0:27:17.320 --> 0:27:20.679
<v Speaker 1>You know, what's your favorite work of Tim Burton's, Like,

0:27:20.760 --> 0:27:23.520
<v Speaker 1>why did you choose him to collaborate with on this record?

0:27:23.560 --> 0:27:27.479
<v Speaker 2>I chose him because I'm heavily inspired by German expressionism.

0:27:27.920 --> 0:27:31.160
<v Speaker 2>That's like his go to aesthetic. When you look at him,

0:27:31.200 --> 0:27:34.440
<v Speaker 2>you could tell. The reason why I think German expressionism

0:27:34.520 --> 0:27:37.720
<v Speaker 2>is amazing is because if you think about it, it's

0:27:37.760 --> 0:27:42.359
<v Speaker 2>almost equivalent to how you think about sci fi. What

0:27:42.359 --> 0:27:45.119
<v Speaker 2>I would say is, like, German expressionism is equivalent to

0:27:45.800 --> 0:27:49.440
<v Speaker 2>sci fi. You don't have any ghetto saphi, you don't

0:27:49.480 --> 0:27:53.840
<v Speaker 2>have any ghetto expressionism. Okay, that's what I could provide,

0:27:54.640 --> 0:27:58.000
<v Speaker 2>and I put my take on it and develop something new,

0:27:58.600 --> 0:28:03.200
<v Speaker 2>which is genre bendon and which is like forthcoming knew

0:28:03.240 --> 0:28:06.119
<v Speaker 2>of its own It's new in its own light. You know.

0:28:06.280 --> 0:28:10.040
<v Speaker 2>You take two components that are pre existing, mash them

0:28:10.040 --> 0:28:14.040
<v Speaker 2>together as like infuse them and make a hybrid of

0:28:14.080 --> 0:28:19.080
<v Speaker 2>something that's brand new. Hip hoppers mostly don't really you know,

0:28:19.080 --> 0:28:23.680
<v Speaker 2>know about German expressionism, which allowed me to offer something

0:28:23.840 --> 0:28:27.080
<v Speaker 2>new to them, to my crowd, to my people and shit,

0:28:27.200 --> 0:28:30.679
<v Speaker 2>And you know, I think that he's the king of

0:28:30.720 --> 0:28:33.480
<v Speaker 2>that shit and the film that I fell in love

0:28:33.520 --> 0:28:36.840
<v Speaker 2>with first My first film that I fell in love

0:28:36.880 --> 0:28:39.880
<v Speaker 2>with was a Nightmare before Christmas. My dad bought me

0:28:39.960 --> 0:28:43.720
<v Speaker 2>that and I had that on mute, and I had

0:28:43.880 --> 0:28:47.840
<v Speaker 2>Vincent his first college film. You know, I had it

0:28:47.920 --> 0:28:50.600
<v Speaker 2>all on mute while I was recording the album, and

0:28:50.680 --> 0:28:52.880
<v Speaker 2>all of the songs would kind of go to that,

0:28:52.960 --> 0:28:55.880
<v Speaker 2>and you know, my boy who that was a visual

0:28:58.760 --> 0:29:01.680
<v Speaker 2>you know, I use motion pictures as a move board.

0:29:02.520 --> 0:29:07.080
<v Speaker 1>Yeah, congrats, man, because that, to me is what I

0:29:07.080 --> 0:29:07.720
<v Speaker 1>would call it.

0:29:07.800 --> 0:29:09.880
<v Speaker 2>Come up, Thank you man, a great come up.

0:29:10.160 --> 0:29:14.720
<v Speaker 1>What's the thought process or the inspiration that you go

0:29:14.800 --> 0:29:17.880
<v Speaker 1>through in order to determine this is the sound that

0:29:17.920 --> 0:29:20.400
<v Speaker 1>I want to go with, this is the visuals I

0:29:20.400 --> 0:29:21.280
<v Speaker 1>want to go with.

0:29:21.120 --> 0:29:23.880
<v Speaker 2>And the art I want to go with. I've always

0:29:23.920 --> 0:29:27.040
<v Speaker 2>been this way, man. I mean, eleven years ago I

0:29:27.080 --> 0:29:31.920
<v Speaker 2>made a song named LSD. That same year, I made

0:29:31.960 --> 0:29:35.760
<v Speaker 2>that song in twenty fourteen, released it in twenty fifteen.

0:29:36.520 --> 0:29:39.760
<v Speaker 2>The same session is when I recorded the song Sundress

0:29:40.160 --> 0:29:44.240
<v Speaker 2>that Everybody's in love with, so and I didn't release

0:29:44.280 --> 0:29:49.640
<v Speaker 2>Sundress until twenty eighteen, and so it's always just been

0:29:49.680 --> 0:29:52.440
<v Speaker 2>in me and I try to make what we considered

0:29:52.880 --> 0:29:56.160
<v Speaker 2>timeless music so that you can't really put a time

0:29:56.240 --> 0:29:59.520
<v Speaker 2>stamp on it or expiration date on it, because music

0:29:59.600 --> 0:30:04.400
<v Speaker 2>needs to outlive the artists, you know. And that's why

0:30:04.440 --> 0:30:08.000
<v Speaker 2>you got Jefferson Airplane, you got you know, Pink Floyd

0:30:08.040 --> 0:30:11.320
<v Speaker 2>and Jimmy Hendrix, and you know, great people like Nat

0:30:11.400 --> 0:30:14.880
<v Speaker 2>King Cole and like, you know, even going back to

0:30:15.520 --> 0:30:21.719
<v Speaker 2>the early Renaissance days of people like Louis Armstrong, etcetera, etcetera.

0:30:21.840 --> 0:30:25.200
<v Speaker 2>List goes on, Billie Holliday, all of these people are toomless.

0:30:25.240 --> 0:30:30.080
<v Speaker 2>Frank Sinatra, they make thomless music. And the music that

0:30:30.120 --> 0:30:34.120
<v Speaker 2>I wanted to affiliate my brand and my lineage and

0:30:34.200 --> 0:30:41.240
<v Speaker 2>my like whole catalog desciography with was jenre Bendon from

0:30:41.280 --> 0:30:45.760
<v Speaker 2>the start. And if there would be no asat Rocky

0:30:45.840 --> 0:30:52.520
<v Speaker 2>if it wasn't for experimentational music or cloud rap or

0:30:52.800 --> 0:30:56.280
<v Speaker 2>trail shit or you know, when we first came out,

0:30:56.320 --> 0:30:58.640
<v Speaker 2>they never knew where we was from. Are they from Cali?

0:30:58.680 --> 0:31:01.000
<v Speaker 2>Are they from the Midwest? Know where you from? You know?

0:31:02.000 --> 0:31:05.080
<v Speaker 2>I'm like, okay, you know Memphis? Like where these motherfucker's

0:31:05.120 --> 0:31:08.400
<v Speaker 2>from New York? Hall them in the Bronx with the

0:31:08.440 --> 0:31:13.960
<v Speaker 2>fuck gold teeth braids. Now that's the standard that's regular.

0:31:26.480 --> 0:31:31.240
<v Speaker 1>This particular project, Don't Be Dumb is inspired by the

0:31:31.240 --> 0:31:34.600
<v Speaker 1>the personas that you and Timberton created. Can you talk

0:31:34.640 --> 0:31:37.840
<v Speaker 1>about the origin of shirt Head, like the characters that

0:31:37.920 --> 0:31:38.560
<v Speaker 1>you have.

0:31:38.680 --> 0:31:42.560
<v Speaker 2>For Okay, so they all inspired by just aesthetics that

0:31:42.640 --> 0:31:47.160
<v Speaker 2>I created in the past, like seven years, right since

0:31:47.200 --> 0:31:50.200
<v Speaker 2>my last album. So the last album I did was

0:31:50.240 --> 0:31:53.320
<v Speaker 2>called Testing and it had crash Dummies. That was the

0:31:53.360 --> 0:31:57.440
<v Speaker 2>whole esthetic crashing out right, This is the answer to that.

0:31:57.520 --> 0:32:00.880
<v Speaker 2>After the Crash Dummy was the Babushka Boy. After the

0:32:00.920 --> 0:32:04.200
<v Speaker 2>Babushka Boy was the shirt Heads. The shirt Heads is

0:32:04.280 --> 0:32:07.280
<v Speaker 2>significant to the moors. We could get into that later,

0:32:07.800 --> 0:32:09.600
<v Speaker 2>you know. Shout out to brother Tyrek. I don't know

0:32:09.600 --> 0:32:11.480
<v Speaker 2>if you guys seen hidden colors, but I get a

0:32:11.480 --> 0:32:15.280
<v Speaker 2>lot of like my edgumication and my information, you know,

0:32:15.480 --> 0:32:19.120
<v Speaker 2>from watching what he did, reading up on like different

0:32:19.200 --> 0:32:21.920
<v Speaker 2>professors that he would you know, recommend, and talking to

0:32:21.960 --> 0:32:24.720
<v Speaker 2>brothers like him, you know. So you know, it's a

0:32:24.720 --> 0:32:29.560
<v Speaker 2>lot of like hidden black history and that goes across

0:32:29.600 --> 0:32:32.160
<v Speaker 2>the whole globe that we don't really know about. So

0:32:32.680 --> 0:32:35.520
<v Speaker 2>I try to embed that or include that into my

0:32:35.680 --> 0:32:38.920
<v Speaker 2>esthetic without feeling like I'm preaching the motherfuckers. You know,

0:32:39.000 --> 0:32:40.600
<v Speaker 2>it's just a little like if you know, you know

0:32:40.720 --> 0:32:44.960
<v Speaker 2>kind of situation. And so after that was this Rocky Rugahan,

0:32:45.080 --> 0:32:48.600
<v Speaker 2>the Pearl King persona where I wear like, you know,

0:32:48.800 --> 0:32:53.040
<v Speaker 2>multiple genes and stuff, and that's me getting into ghetto expressionism.

0:32:53.560 --> 0:32:56.880
<v Speaker 2>And after that is the guy that's sit in front

0:32:56.920 --> 0:33:00.320
<v Speaker 2>of you today, which we call mister Mayors. You know,

0:33:00.480 --> 0:33:06.240
<v Speaker 2>the dad, the entrepreneur, the multi faceted talented rapper, director, actor,

0:33:06.880 --> 0:33:10.160
<v Speaker 2>handsome fella, fashionisto, etcetera, etcetera.

0:33:10.240 --> 0:33:14.440
<v Speaker 1>You know, that's a mic drop movement for me. I

0:33:14.440 --> 0:33:15.760
<v Speaker 1>don't got nothing else after that.

0:33:15.840 --> 0:33:18.520
<v Speaker 2>So those are all the characters that Tim Burton depicted

0:33:18.600 --> 0:33:21.880
<v Speaker 2>on the cover, all the personas and alter eagles of myself.

0:33:22.680 --> 0:33:26.400
<v Speaker 1>Who is your creative north star? Who would you say

0:33:26.400 --> 0:33:29.120
<v Speaker 1>your top three heroes are just in terms of like

0:33:29.520 --> 0:33:32.520
<v Speaker 1>the creatives that you not even hip hop, just in

0:33:32.560 --> 0:33:35.280
<v Speaker 1>life like but okay, I'll say.

0:33:35.040 --> 0:33:37.160
<v Speaker 2>To go with hip hop. It's too many people for

0:33:37.200 --> 0:33:39.080
<v Speaker 2>me to just That's why you got to pick a

0:33:39.160 --> 0:33:41.600
<v Speaker 2>category or margin or something more just.

0:33:41.520 --> 0:33:47.080
<v Speaker 3>Like a okay, in music, I mean in music, if

0:33:47.080 --> 0:33:50.479
<v Speaker 3>you want to talk about dance and stuff like Bob Fosse,

0:33:50.640 --> 0:33:52.600
<v Speaker 3>fred Astaire, Charlie Chaplin.

0:33:52.800 --> 0:33:58.720
<v Speaker 2>Well, I mean he was film. But music genres psychedelics,

0:33:58.800 --> 0:34:03.480
<v Speaker 2>mod psych, I can roll fucking of course, hip hop, rap,

0:34:04.000 --> 0:34:07.440
<v Speaker 2>you know gangst the rap, the Golden Age, you guys,

0:34:07.520 --> 0:34:10.759
<v Speaker 2>you know, soulful music. I just think it's just I'm

0:34:10.840 --> 0:34:16.319
<v Speaker 2>a fucking sponge. I'm inspired by every fucking thing. If

0:34:16.320 --> 0:34:19.239
<v Speaker 2>I get inspired by something, I know how to use

0:34:19.280 --> 0:34:25.360
<v Speaker 2>that to my advantage without appropriating or biting or stealing.

0:34:25.800 --> 0:34:26.399
<v Speaker 2>You know what I'm saying.

0:34:26.440 --> 0:34:28.440
<v Speaker 1>You filter it through your own creativity so that it

0:34:28.480 --> 0:34:29.719
<v Speaker 1>comes absolutely.

0:34:29.760 --> 0:34:31.680
<v Speaker 2>I like how you wrede it. That very eloquent of you.

0:34:31.880 --> 0:34:34.600
<v Speaker 2>Hey man, that's that's what I'm here for. Thank you.

0:34:35.080 --> 0:34:37.400
<v Speaker 1>Okay, let's let's go a year before your first album.

0:34:37.719 --> 0:34:42.080
<v Speaker 1>Let's go to twenty ten. What was in your mind,

0:34:42.920 --> 0:34:49.279
<v Speaker 1>in Rockhem's mind in twenty ten, what was your definition

0:34:49.640 --> 0:34:54.640
<v Speaker 1>of making it? Like, I want to get into the game,

0:34:54.760 --> 0:34:56.359
<v Speaker 1>and this is what I think making it.

0:34:56.280 --> 0:35:01.400
<v Speaker 2>Is everything that happened to me is without no define,

0:35:01.480 --> 0:35:05.479
<v Speaker 2>is making it all the blessings all of so.

0:35:05.440 --> 0:35:08.200
<v Speaker 1>Even in twenty ten, you have the foresight to know, sure,

0:35:09.000 --> 0:35:10.760
<v Speaker 1>this is the path that you're going to travel.

0:35:10.880 --> 0:35:13.760
<v Speaker 2>For sure, two thousand and nine, I knew.

0:35:13.840 --> 0:35:17.080
<v Speaker 1>You gotta understand that that's I think that's a beautiful thing.

0:35:17.440 --> 0:35:21.120
<v Speaker 1>But I came up in the generation before in which

0:35:21.960 --> 0:35:25.400
<v Speaker 1>like literally, like if you listen to Biggie's lyrics and

0:35:25.640 --> 0:35:29.200
<v Speaker 1>Juicy really making it was just like having a dope

0:35:29.280 --> 0:35:35.239
<v Speaker 1>video game system, place, a place to swim in your backyard.

0:35:36.200 --> 0:35:38.960
<v Speaker 3>I mean that's making it and getting a good review

0:35:39.920 --> 0:35:40.239
<v Speaker 3>in a.

0:35:40.239 --> 0:35:42.880
<v Speaker 2>Magazine like five mics in a sauce.

0:35:43.239 --> 0:35:46.839
<v Speaker 1>Yeah, I mean, like for real, Like jay Z's the

0:35:46.920 --> 0:35:54.040
<v Speaker 1>first rapper who even uttered words that most rappers lived

0:35:54.040 --> 0:35:55.960
<v Speaker 1>at home with their mama, you know what I mean,

0:35:56.120 --> 0:35:59.799
<v Speaker 1>Like easy, he's talking about boys in the hood, you know, God, get.

0:35:59.760 --> 0:36:02.760
<v Speaker 2>Drunk, gonna start a BII about my friends.

0:36:02.440 --> 0:36:05.399
<v Speaker 1>Right and even snoop like six, my mama ain't home.

0:36:05.560 --> 0:36:09.360
<v Speaker 1>But jay Z like owned property, And to me that

0:36:09.480 --> 0:36:11.960
<v Speaker 1>was a big deal in ninety seven, like, oh, he's

0:36:12.000 --> 0:36:15.000
<v Speaker 1>dreaming a property, So we weren't. I mean, statistically, I

0:36:15.040 --> 0:36:19.080
<v Speaker 1>don't think black people are ever wherever taught to dream

0:36:20.080 --> 0:36:20.680
<v Speaker 1>because we had the.

0:36:20.719 --> 0:36:22.160
<v Speaker 2>Hustle, you know what I mean.

0:36:22.760 --> 0:36:25.719
<v Speaker 1>And jay Z was a hustler, yeah, but then he

0:36:25.760 --> 0:36:28.720
<v Speaker 1>became a dreamer, you know, and back then I just thought, like, well,

0:36:28.880 --> 0:36:30.759
<v Speaker 1>they're just lying. They don't have that stuff. But now

0:36:30.920 --> 0:36:34.279
<v Speaker 1>call it, we call it manifested now. So but for you,

0:36:35.480 --> 0:36:38.319
<v Speaker 1>this is the path that you're on right now is

0:36:38.360 --> 0:36:42.920
<v Speaker 1>exactly what you wanted it to be back in twenty

0:36:43.000 --> 0:36:44.439
<v Speaker 1>ten when you first started.

0:36:44.840 --> 0:36:48.400
<v Speaker 2>I was referring to twenty eleven and twelve when I

0:36:48.440 --> 0:36:52.160
<v Speaker 2>was when I was talking about twenty ten. God, yeah,

0:36:52.160 --> 0:36:54.600
<v Speaker 2>like I was just like I knew it, you know.

0:36:54.760 --> 0:36:57.640
<v Speaker 2>And to be honest, I'm not trying to sound like

0:36:57.680 --> 0:37:01.360
<v Speaker 2>I'm a fake psychic on some miscleo shit, but I knew,

0:37:01.920 --> 0:37:04.880
<v Speaker 2>like I can't settle for less. I can't settle for this.

0:37:05.440 --> 0:37:07.560
<v Speaker 2>If I'm hopping the train right now, that's right now,

0:37:07.880 --> 0:37:11.000
<v Speaker 2>because I know like it's going to happen. It has to.

0:37:11.680 --> 0:37:13.880
<v Speaker 2>I used to just be like these motherfuckers, it's corny.

0:37:13.960 --> 0:37:17.319
<v Speaker 2>I'm like, they need me in life. I knew they

0:37:17.400 --> 0:37:22.000
<v Speaker 2>needed me. I knew I wasn't normal, you know, not

0:37:22.120 --> 0:37:24.640
<v Speaker 2>to just come across so cocky. I'm full of myself.

0:37:24.680 --> 0:37:28.320
<v Speaker 2>But the truth of the matter is I'm quite accurate.

0:37:28.400 --> 0:37:30.040
<v Speaker 2>Like I think it's something it's cocky at all.

0:37:30.120 --> 0:37:31.840
<v Speaker 1>Yeah, Like, if anything, I think we need to be

0:37:31.960 --> 0:37:34.200
<v Speaker 1>more in the space of owning it, right, because again

0:37:34.239 --> 0:37:36.880
<v Speaker 1>we've been taught to be humble, but my small.

0:37:36.560 --> 0:37:39.880
<v Speaker 2>Yeah, yeah, for sure, you know. And I just was

0:37:39.880 --> 0:37:43.399
<v Speaker 2>looking like, man, this shit needs me. You know, our

0:37:43.480 --> 0:37:47.200
<v Speaker 2>culture has been exploited and you know so many times, right,

0:37:47.360 --> 0:37:50.120
<v Speaker 2>and to the point where you can't even identify no

0:37:50.239 --> 0:37:56.360
<v Speaker 2>more or really kind of you know, connected to any

0:37:56.680 --> 0:38:00.279
<v Speaker 2>what we attribute or just contributions. It just don't even like,

0:38:01.120 --> 0:38:04.400
<v Speaker 2>you know, correlate to the culture anymore. What is the culture?

0:38:04.400 --> 0:38:07.120
<v Speaker 2>What does that even mean? Right? So it's just like

0:38:07.400 --> 0:38:10.719
<v Speaker 2>it's to a place where I just want to just

0:38:10.920 --> 0:38:13.600
<v Speaker 2>you know, show people how to just be the best them,

0:38:13.680 --> 0:38:16.160
<v Speaker 2>be the best artist, you know what I mean, because

0:38:16.560 --> 0:38:18.319
<v Speaker 2>we come from an era where you have to keep

0:38:18.360 --> 0:38:21.960
<v Speaker 2>it real, you know what I mean. And mostly all

0:38:22.000 --> 0:38:25.000
<v Speaker 2>the real niggas I know is dead in jail. True,

0:38:25.680 --> 0:38:27.839
<v Speaker 2>it's no space, it's not a climent to be real,

0:38:28.200 --> 0:38:30.360
<v Speaker 2>which if you really keep it to yourself, because the

0:38:30.360 --> 0:38:33.640
<v Speaker 2>moment they sniff that out then for you.

0:38:33.719 --> 0:38:38.840
<v Speaker 1>Yeah, man, it took me like five years reacclimate myself

0:38:38.880 --> 0:38:40.960
<v Speaker 1>with the word failure.

0:38:41.600 --> 0:38:43.520
<v Speaker 2>Like first I thought failure was.

0:38:43.480 --> 0:38:47.799
<v Speaker 1>Like a bad thing, Like ah, I feel now I

0:38:47.880 --> 0:38:51.520
<v Speaker 1>embraced failure as a lesson, learn not to do that again.

0:38:51.840 --> 0:38:56.319
<v Speaker 1>What's the biggest rejection you've ever gotten and how did

0:38:56.320 --> 0:38:57.640
<v Speaker 1>you overcome it?

0:38:57.640 --> 0:39:00.520
<v Speaker 2>It started out with a girl. The first time you

0:39:00.600 --> 0:39:03.759
<v Speaker 2>get rejected by that one girl, you like, damn, she

0:39:03.920 --> 0:39:06.560
<v Speaker 2>kind of could crush your pride, right, Like the fuck

0:39:06.680 --> 0:39:08.200
<v Speaker 2>is it me? You know what I'm saying. Then you'd

0:39:08.239 --> 0:39:11.240
<v Speaker 2>be like, look at me and look at yourself, sweetheart,

0:39:11.360 --> 0:39:14.719
<v Speaker 2>Like you got to tell yourself, like you're bugging, You're lost. Right.

0:39:14.840 --> 0:39:19.200
<v Speaker 2>So that's how I take anytime, like I do something

0:39:19.239 --> 0:39:23.560
<v Speaker 2>that I'm positive about, you know, confident about, and if

0:39:23.600 --> 0:39:27.480
<v Speaker 2>it quote unquote fails, I take it as a lesson learned,

0:39:27.560 --> 0:39:30.640
<v Speaker 2>just like what you just said. Man, Like, I definitely

0:39:30.760 --> 0:39:33.160
<v Speaker 2>was in a place where if I did something that

0:39:33.320 --> 0:39:37.520
<v Speaker 2>was considered a failure, it hit me hard because I'm

0:39:37.560 --> 0:39:40.319
<v Speaker 2>so compassionate about everything that I do or everything that

0:39:40.360 --> 0:39:43.320
<v Speaker 2>I'm involved in. You know, it's not just about putting

0:39:43.440 --> 0:39:45.960
<v Speaker 2>numbers on the board and just saying how I did that.

0:39:46.000 --> 0:39:48.560
<v Speaker 2>I did that for bragging rights. Nah. I love this shit,

0:39:49.040 --> 0:39:51.799
<v Speaker 2>and you know I'm a renaissance man, so I care

0:39:51.840 --> 0:39:55.520
<v Speaker 2>about it. You know, I care a lot. So if

0:39:55.800 --> 0:39:59.160
<v Speaker 2>I fail to somebody else's standards, but to my own

0:39:59.600 --> 0:40:04.399
<v Speaker 2>and visual standards. You know, sometimes failure and success could

0:40:04.400 --> 0:40:07.640
<v Speaker 2>be subjective, you know, as long as you feel like

0:40:08.239 --> 0:40:12.880
<v Speaker 2>you succeeded. But if it's something that you did feel at,

0:40:13.360 --> 0:40:15.600
<v Speaker 2>if you're gonna keep pursuing it, just make sure you

0:40:15.680 --> 0:40:19.400
<v Speaker 2>bigger and better next time, stronger and faster and smarter

0:40:19.560 --> 0:40:24.080
<v Speaker 2>next time. How do you deal with creative blocks? Smoke weed? Okay?

0:40:24.480 --> 0:40:27.760
<v Speaker 2>If not, like work with people that like are very creative.

0:40:27.840 --> 0:40:30.799
<v Speaker 2>Like you know, I've ran into moments where I had

0:40:30.800 --> 0:40:33.120
<v Speaker 2>a lot on my plate and I would have The

0:40:33.200 --> 0:40:36.440
<v Speaker 2>Baby come through, Big Sean come through, and I'll just

0:40:37.200 --> 0:40:39.600
<v Speaker 2>parish Texas. I had these guys come through, and I'd

0:40:39.600 --> 0:40:43.640
<v Speaker 2>be like, hey, throw put a flow down, like some

0:40:43.680 --> 0:40:48.320
<v Speaker 2>guys wouldn't even say words dribberish, and that could inspire

0:40:48.320 --> 0:40:51.200
<v Speaker 2>you and push you to write your own shit, you

0:40:51.280 --> 0:40:53.479
<v Speaker 2>know what I'm saying, Like, you know, I'm not really

0:40:53.480 --> 0:40:56.600
<v Speaker 2>too keen to like ghostwriters, but the Baby is one

0:40:56.640 --> 0:40:59.839
<v Speaker 2>of the first artists that I ever collaborated with on

0:41:00.400 --> 0:41:03.960
<v Speaker 2>some bars, and the last artist too. You get what

0:41:03.960 --> 0:41:05.839
<v Speaker 2>I'm saying, Like I don't. I guess I come from

0:41:05.880 --> 0:41:08.319
<v Speaker 2>an era where that's just a that's just a no.

0:41:08.960 --> 0:41:14.359
<v Speaker 2>But when you you block yourself from creating by having

0:41:14.400 --> 0:41:17.160
<v Speaker 2>an ego and shit like that, that's when you your

0:41:17.200 --> 0:41:20.080
<v Speaker 2>own worst enemy. And when I let my guard down

0:41:20.160 --> 0:41:23.120
<v Speaker 2>and he was listening to me about how to produce,

0:41:23.160 --> 0:41:25.759
<v Speaker 2>he produced his own first record. He was like, yo, bro,

0:41:26.320 --> 0:41:29.239
<v Speaker 2>we really feed off of each other's energy. Shout outs

0:41:29.280 --> 0:41:32.080
<v Speaker 2>to the baby man. He's one of the illis MC's

0:41:32.120 --> 0:41:34.080
<v Speaker 2>and lyricists. I know, man, you know what I'm saying.

0:41:34.120 --> 0:41:38.640
<v Speaker 2>Like I think writers block. If you put a powerful

0:41:38.719 --> 0:41:41.880
<v Speaker 2>component in the room with you, it'll help. It doesn't

0:41:41.880 --> 0:41:45.600
<v Speaker 2>matter if you're a novelist, a journalist, a poet, or rapper,

0:41:46.160 --> 0:41:50.479
<v Speaker 2>a lyricist. You put a cool motherfucker that you could

0:41:50.520 --> 0:41:54.240
<v Speaker 2>bounce energy off of, like in the same room as you,

0:41:54.239 --> 0:41:56.640
<v Speaker 2>you're gonna come up with something good. Man, Trust me, man,

0:41:58.160 --> 0:41:59.480
<v Speaker 2>question what's up?

0:42:01.400 --> 0:42:05.280
<v Speaker 1>What's the last lie that you told?

0:42:06.160 --> 0:42:08.239
<v Speaker 2>I mean, I used to be lying like a motherfucker, man,

0:42:08.440 --> 0:42:12.560
<v Speaker 2>I mean, in what kind of contexts you're talking? What's

0:42:12.600 --> 0:42:15.239
<v Speaker 2>the best lie you've told? The best lie ever told?

0:42:16.800 --> 0:42:20.640
<v Speaker 2>Let me think, I mean you say all type of

0:42:20.640 --> 0:42:22.480
<v Speaker 2>lies to get some pussy. Back in the day, I mean,

0:42:22.520 --> 0:42:26.520
<v Speaker 2>but like now, I try not to lie. Man. I

0:42:26.600 --> 0:42:28.880
<v Speaker 2>might fabricate a little nowadays, but I try not to

0:42:28.960 --> 0:42:31.560
<v Speaker 2>lie because it's like I don't lie to God. I

0:42:31.560 --> 0:42:33.560
<v Speaker 2>don't lie to my mother, my woman. I ain't about

0:42:33.600 --> 0:42:36.160
<v Speaker 2>the lot of these motherfuckers. Like when you tell the

0:42:36.200 --> 0:42:39.560
<v Speaker 2>truth and own it, nobody could bust your burst your bubble,

0:42:40.080 --> 0:42:41.880
<v Speaker 2>you know what I mean. They can't really blow your spot,

0:42:41.960 --> 0:42:45.480
<v Speaker 2>pull your card. They can't because you already owning it.

0:42:45.560 --> 0:42:48.160
<v Speaker 2>You owning that flaw, like you know what I'm saying.

0:42:48.160 --> 0:42:51.760
<v Speaker 2>And like if it's a situation where you doing something

0:42:51.760 --> 0:42:55.680
<v Speaker 2>that you couldn't bear to live with, don't do it.

0:42:56.280 --> 0:42:59.239
<v Speaker 2>Or if that's really you living your truth, that's it.

0:42:59.320 --> 0:43:01.960
<v Speaker 2>You know what I'm saying. If you were a killer,

0:43:02.480 --> 0:43:04.720
<v Speaker 2>you know what I'm saying, I wouldn't recommend self snitching

0:43:04.719 --> 0:43:07.480
<v Speaker 2>on yourself. But like you, if you know you a

0:43:07.600 --> 0:43:11.520
<v Speaker 2>killer at heart, you just gotta like accept the fact

0:43:11.600 --> 0:43:13.560
<v Speaker 2>that you might do life in prison, you know what

0:43:13.600 --> 0:43:16.919
<v Speaker 2>I'm saying. I accept the fact. Like if you're a prostitute,

0:43:17.000 --> 0:43:19.680
<v Speaker 2>you know what I'm saying, and you sell some pussy

0:43:19.760 --> 0:43:22.880
<v Speaker 2>and shit like that, whatever, you just admit it to

0:43:22.960 --> 0:43:26.080
<v Speaker 2>yourself that you're a hooker, Like that's just it, Like

0:43:26.160 --> 0:43:28.759
<v Speaker 2>you're simple as that. You know what I'm saying. Shout there,

0:43:28.800 --> 0:43:43.879
<v Speaker 2>all sex workers out there, sex POLTI all right.

0:43:43.920 --> 0:43:48.080
<v Speaker 1>So when I first got my advance, the very first

0:43:48.080 --> 0:43:53.280
<v Speaker 1>thing I did was I went out purchased twelve pairs

0:43:53.560 --> 0:43:56.279
<v Speaker 1>of Pumas and every color spectrum.

0:43:56.719 --> 0:43:59.520
<v Speaker 2>I was young and dumb, but yes, I went out

0:43:59.520 --> 0:43:59.960
<v Speaker 2>in person.

0:44:00.520 --> 0:44:03.160
<v Speaker 1>The way you're looking at me right now, it's the

0:44:03.160 --> 0:44:04.600
<v Speaker 1>way my dad looked at me.

0:44:05.440 --> 0:44:09.080
<v Speaker 2>Like, Yo, what the fuck? Where did you buy these

0:44:09.080 --> 0:44:09.840
<v Speaker 2>sneakers from?

0:44:10.239 --> 0:44:13.399
<v Speaker 1>Talk about your collaboration with Puma, like how did that

0:44:13.440 --> 0:44:17.399
<v Speaker 1>come to be? Why did you look? We all know

0:44:17.880 --> 0:44:21.759
<v Speaker 1>that you're the fashion god. So for you, I know

0:44:21.920 --> 0:44:26.960
<v Speaker 1>that if you loan your credibility to any brand that

0:44:27.080 --> 0:44:30.480
<v Speaker 1>it's official. Why did you choose Puma and talk about

0:44:30.480 --> 0:44:31.319
<v Speaker 1>that collaboration?

0:44:31.680 --> 0:44:36.080
<v Speaker 2>I chose Puma because Puma was family. My girl already

0:44:36.200 --> 0:44:41.480
<v Speaker 2>did like crazy work with them, inspirational shit, like I

0:44:41.520 --> 0:44:44.439
<v Speaker 2>don't know how many years ago, twelve, thirteen years ago.

0:44:44.480 --> 0:44:49.160
<v Speaker 2>You know, my manager, Jay Brown, my brother Henry Jones,

0:44:49.680 --> 0:44:53.280
<v Speaker 2>jay Z, my family at Rock Nation, they all helped

0:44:53.320 --> 0:44:56.360
<v Speaker 2>like usher that deal for me. Here we all because

0:44:56.400 --> 0:44:58.399
<v Speaker 2>It's just like I need to be able to get

0:44:58.440 --> 0:45:01.680
<v Speaker 2>out my ideas my main first priority.

0:45:02.000 --> 0:45:04.680
<v Speaker 1>Who's your top five best stressed best stressed?

0:45:04.719 --> 0:45:07.520
<v Speaker 2>What I gotta get specific? Yeah, because it's a lot

0:45:07.520 --> 0:45:08.839
<v Speaker 2>of best stress motherfuckers?

0:45:08.880 --> 0:45:12.920
<v Speaker 1>Man, Who do you respect in terms of jess? Okay,

0:45:13.239 --> 0:45:16.000
<v Speaker 1>it's one thing when you're doing promotions or whatever, do

0:45:16.040 --> 0:45:19.000
<v Speaker 1>you dress like this? Just want to regular every day?

0:45:19.040 --> 0:45:21.840
<v Speaker 1>Like if you weren't doing promos. Yeah, all right, you

0:45:21.880 --> 0:45:24.680
<v Speaker 1>got to be my mentor mant I'm saying shit with

0:45:24.719 --> 0:45:25.600
<v Speaker 1>Greg Lauren or whatever.

0:45:25.640 --> 0:45:27.839
<v Speaker 2>But nah, I feel like, I mean, come on, that's

0:45:27.920 --> 0:45:29.160
<v Speaker 2>Ralph learning nephew man.

0:45:29.640 --> 0:45:33.880
<v Speaker 1>Yeah, but I feel I gotta I gotta step my

0:45:33.880 --> 0:45:39.400
<v Speaker 1>game up. But for you, who are the five people

0:45:39.520 --> 0:45:41.480
<v Speaker 1>that you respect their fashion game?

0:45:41.880 --> 0:45:45.919
<v Speaker 2>Yeah? I seen Big Kanye West most he made the list.

0:45:46.400 --> 0:45:50.600
<v Speaker 2>Of course. Nice Man was rickied out. So I got

0:45:50.640 --> 0:45:52.920
<v Speaker 2>my name Pretty Flaco from him. He gave it to me.

0:45:53.719 --> 0:45:55.600
<v Speaker 2>You know that I did not. He gave me permission

0:45:55.600 --> 0:45:58.279
<v Speaker 2>because a Dominican girlfriend gave it to me when I

0:45:58.320 --> 0:46:00.000
<v Speaker 2>was before I was famous, and then when I got

0:46:00.160 --> 0:46:02.919
<v Speaker 2>famous he named me. That's why my name is Lord

0:46:02.920 --> 0:46:07.359
<v Speaker 2>Pretty Flaggle. Jody the second because he's the first. You know,

0:46:07.840 --> 0:46:10.360
<v Speaker 2>that's big bro right there. Shout outs to the most

0:46:10.360 --> 0:46:14.960
<v Speaker 2>death Man, it's my big brother, but basically him, it's

0:46:15.080 --> 0:46:18.000
<v Speaker 2>it's more than five though, So can I just soon

0:46:18.400 --> 0:46:20.799
<v Speaker 2>someone get offended they're not on your list. They might,

0:46:20.880 --> 0:46:26.560
<v Speaker 2>but I'm sorry just again. Alright, So yay Pharrell, Grandpooba

0:46:27.000 --> 0:46:29.239
<v Speaker 2>most Deaf Fabulous dip set.

0:46:29.360 --> 0:46:31.960
<v Speaker 1>I'm glad Pooper made your list because people don't acknowledge that,

0:46:32.560 --> 0:46:36.920
<v Speaker 1>you know, he's really I think the first rapper would swag.

0:46:36.880 --> 0:46:40.000
<v Speaker 2>In terms of I fuck with cool Keith. Who else

0:46:40.120 --> 0:46:44.000
<v Speaker 2>was a fly slick Rick? Slick Rick was a fly

0:46:44.239 --> 0:46:47.239
<v Speaker 2>bro to me. I mean, came, mightn't have more money,

0:46:47.320 --> 0:46:51.000
<v Speaker 2>but he wasn't fucking came to fly nigga. But who else?

0:46:52.040 --> 0:46:54.520
<v Speaker 2>Even j Man? He had his like the T shirt

0:46:54.600 --> 0:46:57.359
<v Speaker 2>on the head. Jay Z used to do that. Man,

0:46:57.400 --> 0:47:01.600
<v Speaker 2>you know what I'm saying, the Yankee fitted tilted. Is

0:47:01.640 --> 0:47:07.000
<v Speaker 2>there a fashion trend that you regret following? Yeah, as

0:47:07.040 --> 0:47:08.560
<v Speaker 2>a Harlem night, did you have to go through your

0:47:08.600 --> 0:47:11.400
<v Speaker 2>pink period? Yeah? Yeah, but I still I'm still on

0:47:11.520 --> 0:47:15.880
<v Speaker 2>my pink shit. Okay, it's Harlem. I think uh a

0:47:15.960 --> 0:47:19.080
<v Speaker 2>fashion trend, fashion trends that I tend to start, is

0:47:19.120 --> 0:47:21.239
<v Speaker 2>what I regret sometimes. You know what I'm saying, But

0:47:21.800 --> 0:47:24.440
<v Speaker 2>because you don't get to shine on your own shit. Nah,

0:47:24.520 --> 0:47:27.279
<v Speaker 2>because some of that shit looks ridiculous fifteen years later.

0:47:27.320 --> 0:47:28.000
<v Speaker 2>You know what I'm saying.

0:47:28.880 --> 0:47:32.520
<v Speaker 1>Okay, So is there a piece of clothing that you

0:47:32.640 --> 0:47:34.440
<v Speaker 1>know you should get rid of but you can't let go?

0:47:34.680 --> 0:47:37.719
<v Speaker 2>Remember that? How our sentimental are you with? Nah? Man?

0:47:37.800 --> 0:47:40.919
<v Speaker 2>That shit is out the door? Remember that brand? Kate Easy? Yes,

0:47:41.320 --> 0:47:44.440
<v Speaker 2>that shit was garbage, but you loved it. I used

0:47:44.440 --> 0:47:48.240
<v Speaker 2>to wear that shit. Man. Have you ever gotten roasted

0:47:48.320 --> 0:47:52.000
<v Speaker 2>for any of your outfits? For sure, some people don't

0:47:52.000 --> 0:47:54.560
<v Speaker 2>be getting a vision, But I mean you can own

0:47:54.600 --> 0:47:58.640
<v Speaker 2>it now. I mean you're I appreciate that. Man. Do

0:47:58.840 --> 0:48:00.960
<v Speaker 2>I look big of roast me? They could cook me,

0:48:01.480 --> 0:48:04.440
<v Speaker 2>they can deep fry meat, they can saltee whatever they want.

0:48:05.600 --> 0:48:09.640
<v Speaker 2>I'm not nigga Like, it's nobody who could fuck with

0:48:09.760 --> 0:48:13.600
<v Speaker 2>my fashion sense and my taste is impeccable. I'm just like,

0:48:14.760 --> 0:48:16.200
<v Speaker 2>I impressed myself a lot.

0:48:17.360 --> 0:48:23.680
<v Speaker 1>What is your proudest non work achievement, non music achievement.

0:48:23.360 --> 0:48:26.800
<v Speaker 2>Like your family? Man, just being like a dude to

0:48:27.000 --> 0:48:30.040
<v Speaker 2>like show guys like yo get you a nice girl,

0:48:31.120 --> 0:48:35.360
<v Speaker 2>chill out sometimes because like look at look at Shannon's

0:48:35.400 --> 0:48:39.400
<v Speaker 2>sharp look at you know, girls be you know, I

0:48:39.440 --> 0:48:41.560
<v Speaker 2>don't want to throw people under the bus or nothing

0:48:41.640 --> 0:48:44.200
<v Speaker 2>like that, but like they have to get you right now.

0:48:44.320 --> 0:48:46.080
<v Speaker 2>You can have a little bit of money, you have

0:48:46.160 --> 0:48:47.840
<v Speaker 2>a lot of bit of money. You gave a little

0:48:47.840 --> 0:48:50.680
<v Speaker 2>bit of fame. Could be very famous, you could be

0:48:51.080 --> 0:48:54.440
<v Speaker 2>it's anonymous or anonymous, but they out here to just

0:48:54.840 --> 0:48:57.600
<v Speaker 2>you know, make a name for themselves. Dudes is worse

0:48:57.680 --> 0:49:01.319
<v Speaker 2>than females these days. You gotta do. That's having sex

0:49:01.400 --> 0:49:04.040
<v Speaker 2>with girls and then going on podcasts to talk about it.

0:49:04.560 --> 0:49:08.080
<v Speaker 2>You know, it's just like everybody got the game fucked up.

0:49:08.160 --> 0:49:12.000
<v Speaker 2>It's these youngsters. So I ain't outside like that. Like

0:49:12.239 --> 0:49:14.480
<v Speaker 2>they scared me, you know what I'm saying, And I

0:49:14.560 --> 0:49:16.359
<v Speaker 2>think I got out the game at the right time.

0:49:16.440 --> 0:49:18.480
<v Speaker 1>You feel me for me, I'll say that one of

0:49:18.520 --> 0:49:22.560
<v Speaker 1>my weak points was people pleasing. You know, when you

0:49:22.600 --> 0:49:25.520
<v Speaker 1>start thinking of other people's feelings, managing their feelings before you.

0:49:25.520 --> 0:49:29.560
<v Speaker 2>Even That's what got me to this place. People pleasing.

0:49:29.680 --> 0:49:34.719
<v Speaker 2>Given the fuck having survivors remorse or survivors guilt and

0:49:34.880 --> 0:49:38.799
<v Speaker 2>fuck that shit. Look, life is like this. We evolved,

0:49:39.719 --> 0:49:43.480
<v Speaker 2>We're born to evolve. You gotta realized. That's why they

0:49:43.520 --> 0:49:49.239
<v Speaker 2>show you the man evolution from primemate to caveman. Now,

0:49:49.360 --> 0:49:52.000
<v Speaker 2>even though I don't think that any of my incestors

0:49:52.040 --> 0:49:55.640
<v Speaker 2>with caveman. But that's another story. But basically, I feel

0:49:55.719 --> 0:49:59.759
<v Speaker 2>like if I'm in a place where I'm evolving creatively

0:50:00.800 --> 0:50:04.799
<v Speaker 2>or my integrity or my creative integrity, or just I'm

0:50:04.880 --> 0:50:09.400
<v Speaker 2>maturing at a certain pace, if my peers who are

0:50:10.239 --> 0:50:14.239
<v Speaker 2>really close to me aren't growing at that rapid pace

0:50:14.320 --> 0:50:20.520
<v Speaker 2>at the same time, I mean, it's quiet. There's nothing

0:50:20.560 --> 0:50:23.040
<v Speaker 2>I could do because I'm gonna have to really come

0:50:23.120 --> 0:50:25.320
<v Speaker 2>down to your level to really see you out of

0:50:25.440 --> 0:50:27.239
<v Speaker 2>eye at that point. And I'm not trying to step

0:50:27.320 --> 0:50:29.200
<v Speaker 2>on nobody and make it say I'm a big man

0:50:29.360 --> 0:50:33.960
<v Speaker 2>like that because of my success and you know, accolades Man.

0:50:34.000 --> 0:50:38.440
<v Speaker 2>Snoop Dogg told me this in twenty thirteen on the interview.

0:50:38.960 --> 0:50:42.279
<v Speaker 2>He told me, you're gonna have friends that's gonna stay

0:50:42.360 --> 0:50:45.120
<v Speaker 2>here and you're gonna go there, And the only way

0:50:45.560 --> 0:50:48.000
<v Speaker 2>for y'all to be friends, you gotta come back down here. Man.

0:50:48.120 --> 0:50:48.799
<v Speaker 2>Fuck that shit.

0:50:48.840 --> 0:50:52.520
<v Speaker 1>I ain't doing that no more, how easy is it

0:50:52.680 --> 0:50:57.719
<v Speaker 1>to spring queen to let dead weight go?

0:50:58.400 --> 0:51:00.440
<v Speaker 2>Oh? I do you saw about my closets? Oh? You

0:51:00.520 --> 0:51:03.720
<v Speaker 2>mean literally? Oh yeah, Oh, I mean I spring cleaning

0:51:03.760 --> 0:51:07.239
<v Speaker 2>the winner and fall all that. But but I mean

0:51:08.480 --> 0:51:09.120
<v Speaker 2>I know what you mean.

0:51:09.400 --> 0:51:11.680
<v Speaker 1>Like, you know, if I'm the smartest guy in my circle,

0:51:11.760 --> 0:51:13.120
<v Speaker 1>then I'm like, I need a new circle.

0:51:14.160 --> 0:51:17.279
<v Speaker 2>You know, I never really fucked with that theory and concept. Really,

0:51:17.680 --> 0:51:20.000
<v Speaker 2>you know why I don't fuck with that? Why because

0:51:20.040 --> 0:51:22.759
<v Speaker 2>every circle need a leader. The leader has to be

0:51:22.920 --> 0:51:26.600
<v Speaker 2>smarter by default who you're gonna follow. That's kind of

0:51:26.640 --> 0:51:30.279
<v Speaker 2>like you planning that my head, key, low key, that's

0:51:30.320 --> 0:51:33.360
<v Speaker 2>not that's there's nothing wrong with that. Like Asam James

0:51:33.480 --> 0:51:37.080
<v Speaker 2>was a month younger than me, right, he was my leader,

0:51:38.080 --> 0:51:41.400
<v Speaker 2>he was my mentor, and were was the same fucking

0:51:41.480 --> 0:51:45.080
<v Speaker 2>age right now. Robert Gallaoto, Happy birthday to you. That's

0:51:45.120 --> 0:51:51.719
<v Speaker 2>my brother. Today's his birthday. Happy birthday, bropirthday. He is

0:51:52.800 --> 0:51:56.799
<v Speaker 2>my creative director and mentor. To this day. I got

0:51:57.000 --> 0:52:02.320
<v Speaker 2>mentors like my my lawyer, he's my big brother, my manager.

0:52:03.239 --> 0:52:07.640
<v Speaker 2>Then I got personal people who mentor me. I'm never

0:52:08.000 --> 0:52:12.560
<v Speaker 2>ever too old or too big or too cool to

0:52:12.800 --> 0:52:15.960
<v Speaker 2>learn or follow somebody else's lead because you can't know everything, man,

0:52:16.880 --> 0:52:19.480
<v Speaker 2>And that's the thing, not how much pressure it is

0:52:19.600 --> 0:52:22.600
<v Speaker 2>being the leader. You know, I've been the leader of

0:52:22.680 --> 0:52:25.040
<v Speaker 2>a crew for over fifteen years. You think I wanted

0:52:25.080 --> 0:52:28.319
<v Speaker 2>that shit? I did my best for everybody to look

0:52:28.360 --> 0:52:32.160
<v Speaker 2>at us equally. Are you reluctant leader? Are you comfortable

0:52:32.200 --> 0:52:35.320
<v Speaker 2>with leading? If the shoe fit, I wear it. I

0:52:35.400 --> 0:52:37.840
<v Speaker 2>don't never want to be labeled as such. I do

0:52:38.000 --> 0:52:41.839
<v Speaker 2>what I do and if these motherfuckers follow suit, then

0:52:41.880 --> 0:52:45.440
<v Speaker 2>that mean they look as good as I look. All right, man, man,

0:52:46.480 --> 0:52:47.480
<v Speaker 2>and you gotta rock him.

0:52:50.160 --> 0:52:51.919
<v Speaker 1>Thank you man for coming on The Quest Loft Show,

0:52:52.160 --> 0:52:54.359
<v Speaker 1>and we will see you guys on the next go round.

0:52:54.480 --> 0:52:56.919
<v Speaker 2>All right, Peace, blessed, don't be dumb.

0:53:00.360 --> 0:53:02.879
<v Speaker 1>The Quest Love Show is hosted by me a Mere

0:53:03.000 --> 0:53:07.320
<v Speaker 1>Quest Love Thompson. The executive producers are Sean g Brian

0:53:07.440 --> 0:53:13.400
<v Speaker 1>Calhoun and Me. Produced by Britney Benjamin and Jake Paine.

0:53:14.480 --> 0:53:19.840
<v Speaker 1>Produced for iHeart by Noel Brown, Edited by Alex Conroy.

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