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Speaker 1: It's the Best Bits of the Week with Morgan number two. Hey, y'all,

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Speaker 1: how's it going. Welcome to the Best Bits of the

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Speaker 1: Week show. It's Morgan number two here in case you're

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Speaker 1: a first time listener, what we do is take the

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Speaker 1: best seven bits from the week based on all your

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Speaker 1: engagement you know, social media, phone calls, online, and we

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Speaker 1: determine what our best segments from the show. This week.

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Speaker 1: We're counting down from seven to one, and along the way,

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Speaker 1: I bring on a show member and we just talk

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Speaker 1: about all the things. Most of the time it's some

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Speaker 1: behind the scenes moments from these specific bits. Other times

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Speaker 1: we may ramble on other things. You never know what's

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Speaker 1: going to happen. And this week I'm bringing on Lunchbox

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Speaker 1: for a few things, so get ready. First up at

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Speaker 1: number seven, it's Eddie the Dad. We brought back this

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Speaker 1: segment this week. Y'all listeners love it, and not only

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Speaker 1: do we hear about Eddie and all his dad moments,

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Speaker 1: but we also got a new intro to it featuring

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Speaker 1: all of his kids. So listen now here about Eddie's

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Speaker 1: life as a dad to kids and all the exciting

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Speaker 1: things that are happening in their lives right now, number seven,

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Speaker 1: we're bringing back our segment Eddie the Dad, And usually

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Speaker 1: before we start, we play this clip right here. Those

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Speaker 1: are your two sons, crazy. Yes, how long ago do

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Speaker 1: you make that clip? I'd say it's about probably about

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Speaker 1: five years ago. And so we kind of put the

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Speaker 1: segment away, which is weird because now you have four kids. Yeah,

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Speaker 1: busy house, So you have the same two kids re

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Speaker 1: singing the jingle. Correct. So I wanted to redo this

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Speaker 1: one with just the first two. Okay, here you go.

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Speaker 1: I'm like, okay, guys, a little more energy. But it's

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Speaker 1: funny because like he's a teenager now, so he's like, Dad,

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Speaker 1: I play the old one again and then play the

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Speaker 1: new one. Hey, life just takes. That's a fake laugh too.

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Speaker 1: He's just taking the last, of course. But now you've

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Speaker 1: made a real, real one. Yes. So I'm like, all right,

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Speaker 1: all the kids in we're gonna have fun with this.

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Speaker 1: Let's go. So this is your two sons and your

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Speaker 1: two fosters. Yes, even the babies in there. Here we go.

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Speaker 1: They tickled the baby at the end. I'm like, nice,

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Speaker 1: good job boys. Okay, so that's new one. That's the

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Speaker 1: new one. Okay, so what's happening over in your life?

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Speaker 1: So kind of crazy? You know, like I sometimes just

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Speaker 1: don't think that they understand Daddy's on the radio and

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Speaker 1: what I do is cool. So I had to kind

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Speaker 1: of put matters in my own hands and say, like, look,

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Speaker 1: I want to show you guys the cool people I

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Speaker 1: get to meet at work all the time. So I

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Speaker 1: go through my Instagram and start showing the pictures of

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Speaker 1: like George Straight and like you know, Dolly and Taylor,

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Speaker 1: and they're like cool, cool, cool. And then I go

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Speaker 1: by the picture of me and Shaggy because when Shaggy

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Speaker 1: came in here, and they're like, is that like Shaggy

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Speaker 1: Shaggy like the like it wasn't me, And I'm like, yeah,

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Speaker 1: how do you get like we love that song? I'm like, what,

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Speaker 1: out of all the people I've met, Shaggy's the one

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Speaker 1: you freak out about. They're like, this is so cool, Dad,

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Speaker 1: you met Shaggy to be fair, when he came in

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Speaker 1: the studio and played it was really cool. It was

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Speaker 1: really cool. But I'm like, I've met a lot of

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Speaker 1: cool people, guys, and Shaggy's the one they freaked out about.

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Speaker 1: Pretty weird to me. I remember that guy coming in

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Speaker 1: and he's like, hey man, how's it going. I was like,

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Speaker 1: good man, and he's like, all right, I'm gonna do

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Speaker 1: a little song. I'm like, yeah, cool, let's sick it up.

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Speaker 1: And he's like and then all of a sudden, he

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Speaker 1: starts singing like yeah, just changed his voice completely. And

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Speaker 1: I told him that story too, like he doesn't talk

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Speaker 1: like that. Guys. Like he even said when he came

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Speaker 1: on this show that he was driving his car and

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Speaker 1: he just started like that and he was like, ooh,

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Speaker 1: that kind of sounds cool. I can start doing that,

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Speaker 1: and now that's his voice. Here's some of Shaggy playing

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Speaker 1: on our show. Do we know what year this was?

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Speaker 1: And have no idea two thousand? I'm gonna guess two

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Speaker 1: fifteen if I'm looking back. Yeah, because I had scrolled

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Speaker 1: down a way down that Instagram before I saw Shaggy.

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Speaker 1: What is it twenty fifteen? Yeah, I hear is Shaggy

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Speaker 1: on our show? Go ahead, Shaggy? I this one that kids? Yeah, yo,

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Speaker 1: shoot them like diamonds and pearls. Then the kids all along,

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Speaker 1: the love the love the ladies around the world. Nush

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Speaker 1: you hey, this is shaggy, Yeah, romantic, fantastic, some god

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Speaker 1: a bombastic. I want to say, come now your mind,

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Speaker 1: you're my doing and I'm a quiet this morning to me, baby,

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Speaker 1: sound like a trump quiet, but a quiet. You're come on,

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Speaker 1: my friend. When life is one big party when you're

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Speaker 1: still young. But tool's gonna have your back when it's

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Speaker 1: all done. It's all good when you're lite, you builfrind,

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Speaker 1: can't be your fools on the water bo the long Run?

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Speaker 1: Who came back? Sharks always I'm in son, so may

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Speaker 1: not keep And she was there to my incarceration. I

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Speaker 1: want to show them my appreciation. Sean drunk choir comes

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Speaker 1: back in again. I forgot we sang on that d

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Speaker 1: What a fun memory. Yeah, that's fun. Yeah, how do

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Speaker 1: we refer that? To me? That's so fun and cool?

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Speaker 1: And I would have if you asked me that we

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Speaker 1: did that, I would have remember. I remember he came in,

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Speaker 1: but I remember singing. He's basically doing karaoke for us,

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Speaker 1: letting cool with it. Yeah, that's awesome, that's a good memory.

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Speaker 1: I'm glad you brought there. You go with the new jingle,

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Speaker 1: it's the best bits of the week with Morgan Number

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Speaker 1: two coming in at number six. We have a possible

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Speaker 1: Thespian throw down Part two in the making. Lunchboxes on

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Speaker 1: with me, So school Steve and Lunchbox this week we're

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Speaker 1: sharing their acting stories and let's just say that two

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Speaker 1: of them can't seem to agree on who's the better actor. Lunchbox,

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Speaker 1: give us some information here. Listen, guys. Because I talked

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Speaker 1: about how I want to be an actor, and then

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Speaker 1: Jake Owen came in a few weeks back and he said, dude,

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Speaker 1: you suck. And I was like, do I really suck?

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Speaker 1: Am I never gonna make it onto the you know,

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Speaker 1: acting circuit. So I started taking these acting classes and scuba.

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Speaker 1: Then out of nowhere, it's like, well, I I was

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Speaker 1: an extra. I wore a cop uniform and I walked

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Speaker 1: back and forth in a couple of scenes, so I'm

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Speaker 1: a better actor than you. Like you didn't even say anything, bro,

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Speaker 1: I can walk back and forth on the screen. And

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Speaker 1: then it got into a big deal about oh, who's

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Speaker 1: a better actor. And they wanted me to have an

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Speaker 1: act to the death thing where the loser dies, well

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Speaker 1: not really die, they don't die, but you would have

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Speaker 1: to officially give up your acting. Yeah, it was like

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Speaker 1: an old wrestling match, like where the loser has to

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Speaker 1: quit wrestling forever. But the problem is I don't trust

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Speaker 1: these fools, like I'm gonna go yeah, okay, and then

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Speaker 1: so everybody'd be like, yeah, okay, Scooba is better. Yeah,

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Speaker 1: there you go. Do you kind of feel like everybody's

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Speaker 1: out to get you? Not? Oh no, no, I don't

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Speaker 1: think everybody's out to get me. But in a situation

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Speaker 1: like that where they just to make me mad, I

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Speaker 1: feel like, of course, you know what I mean, Like

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Speaker 1: that would be funny for them to be like, oh,

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Speaker 1: you lost, so you have to quit acting something I

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Speaker 1: love doing and want to pursue. So you have to

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Speaker 1: always think, man, how could they? You got to be

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Speaker 1: skeptical in situations and in life, you know what I mean,

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Speaker 1: Like when someone says, here, here's a free hundreds of

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Speaker 1: skeptical in situations and in life, like when someone's like here,

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Speaker 1: here's a three hundred dollars, you know how it's gonna

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Speaker 1: be like hmm, what's the catch. So would you call

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Speaker 1: yourself a pessimist? No, I'm what is that? I'm an

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Speaker 1: optimist okay, And optimist is one that looks at the eyes.

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Speaker 1: It's not my eyes. It's like you look at very

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Speaker 1: positively and you see things like, oh that's optimis not

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Speaker 1: the doctor. You see things like all positively and like

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Speaker 1: you don't think bad things will happen. But a pessimist

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Speaker 1: thinks only bad things are gonna happen. Oh no, I

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Speaker 1: don't think only bad things are gonna happen. Like when

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Speaker 1: I put my money down on the Roulettel. We just

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Speaker 1: sounded like when I put my money down the well,

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Speaker 1: I know it's gonna hit that number. I'm like, yea, yeah, yeah,

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Speaker 1: it's gonna hit. That's the one that's an optimist. But

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Speaker 1: in situations like that work, I'm like, you have to

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Speaker 1: worry about the you know, process, like who would be

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Speaker 1: the judges? How would we determine that they're fair and unbiased?

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Speaker 1: You know, so this isn't happening obviously you're not gonna

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Speaker 1: let it happen if you have anything to say about it. No,

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Speaker 1: unless we got like, you know, professional actors like you know,

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Speaker 1: Seth Roguan and George Clooney and Halleberry Halleberry hello Olay,

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Speaker 1: different ones that actually know what acting is. Because I

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Speaker 1: you know, if I just get Sandra from you know,

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Speaker 1: SAFECode down the street. I don't know if I trust that. Well,

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Speaker 1: I don't know what safecoat is, but I do understand

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Speaker 1: hitting that like a gas station. But like bringing on

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Speaker 1: like acting people, if they did tell you, like, hey,

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Speaker 1: you shouldn't pursue it, would you then listen? No? I

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Speaker 1: wouldn't listen because listen you know, I mean people tell

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Speaker 1: people no, no, no, no, no, Like what is that movie?

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Speaker 1: H it was a movie that was really popular this year? Uh?

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Speaker 1: Uh no movie No, the one the one that uh,

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Speaker 1: the one that didn't speak English, the one that the

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Speaker 1: guy what was it called parasite, parasite and that guy

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Speaker 1: say no, no, no, it's not it. Queen's Gambit, Queen's

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Speaker 1: gamby Gambit. Yeah, yeah, yeah, that guy got told no

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Speaker 1: for twenty years. That show Girl. No, the guy, the

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Speaker 1: guy that made it, created the show. He got told

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Speaker 1: no twenty years. If he listened, guess what, guess where

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Speaker 1: he'd be over there at safe you know what, we

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Speaker 1: wouldn't have gotten Queen's Gambit exactly. But he kept going. So,

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Speaker 1: I mean, people tell you no all the time. All

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Speaker 1: these artists, you don't think they've been told no before.

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Speaker 1: You don't think they said, oh, you're not gonna make it.

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Speaker 1: You don't think they told, you know, Florida Georgia Lyne.

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Speaker 1: You don't think they told John Pardy. You don't think

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Speaker 1: they told Lauren Elena. You don't think Carrie under Ever

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Speaker 1: told no. They were told no. But if you just

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Speaker 1: listen to him, Okay, dreams over, but that you don't

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Speaker 1: want dream crushers as well, you don't want it's not

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Speaker 1: dream crushers. Yeah, but they crush your dream because crush

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Speaker 1: my dream. It's not. Everybody likes that type of rice

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Speaker 1: like you can have. You know, you made like rice.

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Speaker 1: You're like comparing your acting career to rice. Now about

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Speaker 1: I get you because you look at it as you

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Speaker 1: look at the world, and you have a bowl of

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Speaker 1: white rice on the table right now. People like rice

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Speaker 1: because they like acting, they like TV shows. But they

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Speaker 1: don't like the white rice. They like the brown rice.

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Speaker 1: So if there's brown rice, they'll eat white rice. They'll pass.

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Speaker 1: So I could be their white rice or they and

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Speaker 1: so they like it and they eat, or I could

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Speaker 1: be the brown rice. Well you're not offering brown rice.

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Speaker 1: I'm not gonna eat it. Okay, I get your analogy,

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Speaker 1: but but the whole point that you don't want to

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Speaker 1: do this potential that's being thread on is because it

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Speaker 1: would stop your dreams, and you don't want to because

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Speaker 1: there's no reason for there's no reason to stop it.

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Speaker 1: Right now, I'm a young, spry, thirty nine year old

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Speaker 1: that looks like he's probably eighteen nineteen when I share,

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Speaker 1: and so I still got many years ahead of me,

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Speaker 1: many years. And you came on this segment and you

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Speaker 1: had mentioned that you had a cameo and the very

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Speaker 1: popular TV show Friday Night Lights. Correct, Okay, so tell

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Speaker 1: me about that because I wasn't part of the show,

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Speaker 1: and that happened. Well, they filmed in Austin. When we

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Speaker 1: were back in Austin, and I loved the show, watched

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Speaker 1: the show religiously. I was a huge fan. And they

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Speaker 1: called me and said, hey, you want to come be

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Speaker 1: on the show. I was like, absolutely, yo. So I

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Speaker 1: was the head football coach of one of the opposing teams,

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Speaker 1: and they said, I saw, I had a scene and everything.

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Speaker 1: It was awesome. I believe it's the last episode of

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Speaker 1: season two, is what people tell me. I forget, you know,

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Speaker 1: all my acting roles they blend together. There's too many.

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Speaker 1: You can't even like any others. No, no, well, Friday

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Speaker 1: Night Lights and Jerry Springer, Jerry Springer, you did act? Right?

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Speaker 1: It was Jerry Springer, right, Erry Springer did act? And

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Speaker 1: what else was I on? Was on anything else? So

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Speaker 1: you've had other appearances, but your truest acting moment was

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Speaker 1: Friday Night Lights. Friday Night Lights. Yeah, okay, well, maybe

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Speaker 1: we need to get you as an extra and other

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Speaker 1: thing so you can like add to your repertoire of acting.

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Speaker 1: I agree, I need to get my chop. I need

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Speaker 1: to what do they call him? Your acting chop? Yeah,

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Speaker 1: I don't know, I don't know. Just go, yeah, you're acting. Okay, Well,

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Speaker 1: there you have it. There isn't gonna be a thespian

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Speaker 1: thrown on, but enjoy. I don't even know if my

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Speaker 1: analogy made sense. The rice, it's pretty funny. I think

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Speaker 1: I nail that kind of action. It was pretty entertaining

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Speaker 1: to listen to Thank You, but here it is the

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Speaker 1: segment basically Scooba, Steve and Lunchbox debating who's the better actor?

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Speaker 1: Number six. Scooba Steve is our executive producer, Hey Scooba,

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Speaker 1: Why were you in a police uniform? On Twitter? I

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Speaker 1: was an extra in a TV show for ABC a

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Speaker 1: couple of years ago when I was in La called

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Speaker 1: what it's called Notorious. Did they pay you for this? Yes?

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Speaker 1: So when I first moved to Hollywood, I was working

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Speaker 1: for Doctor Phil and my aspiring career at the time

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Speaker 1: was to get into acting, and I figured the easiest

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Speaker 1: way to get into that is put your foot in

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Speaker 1: the door, do extra, some background work. Did your foot

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Speaker 1: get in the door? Well, it did, and then I

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Speaker 1: got the job with Seacrest and it came to a

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Speaker 1: halt because my schedule became completely filled from beginning to end,

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Speaker 1: so I didn't have time to get back into it.

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Speaker 1: So what you went? How did you get this job

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Speaker 1: as a police officer? So there's a thing called central casting.

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Speaker 1: It's like it's basically the go to spot you go

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Speaker 1: to when you first moved to Hollywood. Did you go there?

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Speaker 1: You wait in line for eight hours, you take your photo,

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Speaker 1: you answer a bunch of questions, and then they put

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Speaker 1: you out on the scene and they call you whenever

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Speaker 1: there's an opening for extra work for movies or television shows.

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Speaker 1: And what did that role pay you? That role paid me.

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Speaker 1: I think it was one hundred and twenty bucks, And

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Speaker 1: what did you do all day? It was a night

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Speaker 1: shot in downtown LA, so all they had to do

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Speaker 1: was sit in a chair for a couple hours and

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Speaker 1: it was my turn to get up. I walked back

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Speaker 1: and forth in front of the main character on scene

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Speaker 1: as like a background police officer. And it was the

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Speaker 1: season finale and series finale of that show. Did they

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Speaker 1: use the scene in the show? They did, Yeah, because

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Speaker 1: I remember watching it going like I got to see

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Speaker 1: myself and I I freeze framed it and did a

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Speaker 1: slow on it and you could see me walking back

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Speaker 1: and forth and seeing my face clear as day. Were

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Speaker 1: you in the credits and I was not in the credits?

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Speaker 1: I don't think they didn't put you in the credits.

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Speaker 1: Nothing put me in the credits. Now. Did you have

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Speaker 1: any other acting roles? I was in another one with

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Speaker 1: that TV show Scream. I think it was about a

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Speaker 1: couple of years ago, and Jimmie Lee Curtis was the

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Speaker 1: main actress in it, and I was in a scene

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Speaker 1: sitting behind her and some sort of like where she's

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Speaker 1: like talking to a student classroom. So you were an

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Speaker 1: extra in that scene too. Yes. Yeah, did you ever

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Speaker 1: get any work with actual dialogue? No? And that was

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Speaker 1: a long term goal before I got back in the radio,

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Speaker 1: was to pursue this and and then eventually slowly build

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Speaker 1: my way up into Hollywood. Do you think you're a

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Speaker 1: better actor in the lunchbox? Oh? A thousand percent better.

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Speaker 1: I heard his d don't even me, but it was

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Speaker 1: pretty bad. I don't know what saying. I'm good either.

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Speaker 1: I'm not the best, but I know I'm better than that.

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Speaker 1: I went to Groundlings and took Groundlings classes as well

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Speaker 1: as an improv actor and all that, So yeah, I'm

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Speaker 1: better than he is. Wow, you talk, I mean this

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Speaker 1: was easy. You talked about good words, and you're acting,

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Speaker 1: by the way, not necessarily some people know. Sometimes you

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Speaker 1: need a mumbler. I mean you never know what the

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Speaker 1: role calls for. I mean, you've had as much acting

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Speaker 1: as I have the Friday Night Lights and I actually

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Speaker 1: had a line in Friday Night Lights. But you did it.

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Speaker 1: They cut my voice over, they used your body, but

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Speaker 1: they put someone's voice over you. That's the worst. Yeah,

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Speaker 1: But I mean I had a role like I'm own

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Speaker 1: boom right there in the spotlight and that was before

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Speaker 1: I took acting classes, Scoop had already taken acting classes.

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Speaker 1: He's still just a cop walking back and forth. That

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Speaker 1: was cop first than acting second, acting classes second? And

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Speaker 1: did you pay for classes? Yeah? It was so. Groundlings

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Speaker 1: is a very famous theater in LA where, like Well Farell,

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Speaker 1: Jimmy Fallon, all these big time comedic actors would go

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Speaker 1: to the school. They teach you everything from top to bottom.

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Speaker 1: Then you go out on stage and perform, and then

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Speaker 1: hopefully you get picked up, like like the minor leagues

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Speaker 1: of baseball, Would you guys do an eye quit match

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Speaker 1: against each other whomever loses has to quit acting forever. Yeah,

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Speaker 1: I'll do it. No, because I don't know who's voting,

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Speaker 1: and I don't trust the voting process, So no, Scooba.

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Speaker 1: Ask someone who's lived in Los Angeles and had acting

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Speaker 1: experience there, and what do you think Lunchbucks needs to

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Speaker 1: do to make it as an actor. I think a

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Speaker 1: lot of classes and breaking himself from himself, Like he's

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Speaker 1: too much him and he's just too rigid, He's not relaxed.

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Speaker 1: He doesn't seem believable. Um, a guy that walked up

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Speaker 1: back and forth, are's a cop? I mean we're telling

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Speaker 1: me how to act. If that was the beginning, if

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Speaker 1: I would have pursued it, I would be on the

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Speaker 1: screen right now. If I know, I would have been saying,

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Speaker 1: we're behind the scenes working as a director. I was

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Speaker 1: close to you. I was in Hollywood. You want. If

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Speaker 1: I would have gone to medical school, i'd be a

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Speaker 1: doctor right now. So there you go. That's true. Well

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Speaker 1: what do you though? What you well, Skiba, that's pretty cool.

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Speaker 1: Thank you? All right, Well when you're next acting class,

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Speaker 1: I'll be next week. And what are you studying parks

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Speaker 1: and rec? Are you sure this person not just taking

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Speaker 1: your money? What do you mean you're studying parks and rec. Yeah,

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Speaker 1: I'm gonna do a table read for Parks. And what's

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Speaker 1: the goal in this class? If you finish the class?

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Speaker 1: What happened? Well, hopefully eventually we're going to do it

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Speaker 1: in person, but right now with COVID, it's all just

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Speaker 1: kind of getting to know our different styles and they're

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Speaker 1: putting us in different roles. In two weeks, I get

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Speaker 1: to be in Dawson's Creek. No, but I'm saying, like, yeah, class,

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Speaker 1: what's what happens? Hopefully I get elevated, you know, some

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Speaker 1: critique and then I move up to the higher level

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Speaker 1: in class. Like you know, they leave the bad ones behind,

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Speaker 1: they move the good ones up. That's what I'm hoping.

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Speaker 1: Are you sure they don't just move the ones up

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Speaker 1: that Hay again, Um No, I don't know about that. No,

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Speaker 1: he's right, because like in Groundlings, you have to pass

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Speaker 1: certain classes to get the next level. So yeah, if

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Speaker 1: you pass, if you find out if you passed, I

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Speaker 1: and a couple of months, like I think an end

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Speaker 1: of April or May. It's like a three month thing.

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Speaker 1: You do these acting and then boom, I get bumped up.

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Speaker 1: You got to move to Hollywood to pursue acting. No,

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Speaker 1: not necessarily the film, TV shows everywhere. Man, Okay, thanks

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Speaker 1: for letting me know. Thanks for letting me know. It's

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Speaker 1: the best bits of the week with Morgan number two.

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Speaker 1: This week we had the elder versus Millennial Championship and

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Speaker 1: I am the millennial. I'm the youngest on the show

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Speaker 1: and I play against our elder Eddie, who is the

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Speaker 1: oldest on our show. And we've been going out this

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Speaker 1: for several weeks now, and I was coming strong and

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Speaker 1: let's just say I did not come out strong. So

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Speaker 1: let's sen back to this, laugh at my hilarious moments,

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Speaker 1: enjoy with Eddie and I both as we don't cheer

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Speaker 1: each other on, but it's a fun game. So here

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Speaker 1: we go. Number five, it's time for the championship round

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Speaker 1: of elder versus millennial. Come on in primetime today, Come on,

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Speaker 1: so winner take all. It's tied four to four Eddie

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Speaker 1: age forty one, Morgan twenty seven years old. So they'll

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Speaker 1: answer questions about each other's generations. Here we go. Let's

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Speaker 1: do the intros. First, he's a dada four. I call

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Speaker 1: him the hispanic who don't panic. He's best man at

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Speaker 1: my wedding and the pounds he has been shedding, coming

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Speaker 1: in at five ft eleven. Give him a beer on

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Speaker 1: a beach, and he is in half at nine. Up

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Speaker 1: for the championship round. It is producers opponent. She runs

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Speaker 1: all of our digital she runs our Facebook page, so

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Speaker 1: don't leave nasty comments or we'll put her in eighth

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Speaker 1: rage coming in at five ft zero. It's our web

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Speaker 1: girl hero Morgan. Number two. Let's have a clean fight today, guys. Okay,

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Speaker 1: you'll be answering questions about each other's generation. Eddie your

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Speaker 1: first let's go. These are questions. Morgan will know the

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Speaker 1: answer to question number one. What makes you Beautiful was

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Speaker 1: the debut single in two thousand eleven for What boy band?

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Speaker 1: What makes You Beautiful was the debut single in two

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Speaker 1: thousand and eleven for Which boy band? Eddie? And that

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Speaker 1: makes you beautiful? Uh oh, it makes you beautiful? One direction,

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Speaker 1: he says, one direction. Me blame me that clip, Raymundo. Wait,

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Speaker 1: you say that's not one direction? Do you think so? Oh?

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Speaker 1: That's the one I was thinking? Is it one direction?

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Speaker 1: The answer is one direction? Point one point, Eddie. Which

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Speaker 1: house was Harry Potter sorted into in the books and movies?

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Speaker 1: M Which house was Harry Potter sorted into in the

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Speaker 1: books and movies? Sorted into? Interesting? Never seen Harry Potter?

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Speaker 1: Never read the books. I'm gonna make a guess here,

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Speaker 1: Harry Potter, the House of the Sorcerer's Stone. I don't know.

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Speaker 1: I mean I wouldn't because I haven't read them. Sounds right, right,

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Speaker 1: I mean think that's a book, right, Yeah, it's a

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Speaker 1: um that is incorrect, Morgan, you can steal. Go ahead.

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Speaker 1: I'm in this house. It's Gryffindor Baby gryffindor how are

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Speaker 1: you in the house? You do online quizzes and I'm

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Speaker 1: the how do they get sorted? It's based on like

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Speaker 1: your They get a sorting hat and it gets put

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Speaker 1: on you and then the hat determines which helps you

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Speaker 1: go into Oh it's a magical hat. Okay, I bet

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Speaker 1: it's great. My mom loved to read them oddly, and yeah,

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Speaker 1: she read all of them, Eddie. Final question. In the

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Speaker 1: Pixar movie Cars, Lightning McQueen ends up in Radiator Springs

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Speaker 1: and befriends a toe truck. What's that toe truck's name?

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Speaker 1: Larry the cable guy, that's toe maat right, you get

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Speaker 1: the answer is made. Yeah, that is great. Okay, Eddie

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Speaker 1: two Morgan number two one, Eddie two Morgan one. All right, Morgan,

419
00:22:16,359 --> 00:22:19,280
Speaker 1: you have three questions. These are about Eddie's generation. Question

420
00:22:19,440 --> 00:22:23,760
Speaker 1: number one. Chuck Norris played a character named Cordell Walker

421
00:22:24,160 --> 00:22:28,240
Speaker 1: And what TV show Chuck Norris played a character named

422
00:22:28,400 --> 00:22:32,840
Speaker 1: Cordell Walker? And what TV show? I no, Chuck Norris,

423
00:22:33,119 --> 00:22:36,120
Speaker 1: But that was not a TV show that I grew

424
00:22:36,240 --> 00:22:41,119
Speaker 1: up watching, but Walker maybe it was like a West

425
00:22:42,640 --> 00:22:48,680
Speaker 1: you know, West World type show. Zoro that was a show.

426
00:22:49,000 --> 00:22:50,720
Speaker 1: But I don't think that was a cowboy? Was he

427
00:22:50,800 --> 00:22:55,760
Speaker 1: a cowboy? Man? Can you repeat it one more time? Sure?

428
00:22:56,240 --> 00:22:59,119
Speaker 1: Chuck Norris played a character named Cordell Walker, and what

429
00:22:59,280 --> 00:23:09,520
Speaker 1: TV show? Fuck Norris? Cornell Walker? I don't know. I

430
00:23:09,680 --> 00:23:14,919
Speaker 1: have no idea. I need an answer. Family Ties couldn't

431
00:23:14,920 --> 00:23:18,240
Speaker 1: have been more off. Eddie, you can steal this one,

432
00:23:18,440 --> 00:23:22,240
Speaker 1: Oh man, it's Walker, Texas Ranger. That's correct. Well, why Freddie?

433
00:23:22,320 --> 00:23:26,760
Speaker 1: Nice job, Eddie one point, Freddy. Eddie's up three to one, Morgan,

434
00:23:26,760 --> 00:23:29,240
Speaker 1: you got to get the next two rights. Man. What

435
00:23:29,480 --> 00:23:31,520
Speaker 1: was the name of the Robin Williams movie where he

436
00:23:31,600 --> 00:23:37,040
Speaker 1: dresses up as an elderly British nanny. Oh man, I've

437
00:23:37,119 --> 00:23:42,480
Speaker 1: seen this. What was the name of the Robin Williams

438
00:23:42,600 --> 00:23:48,760
Speaker 1: movie where he dresses up as an elderly British nanny? Oh?

439
00:23:48,960 --> 00:23:52,000
Speaker 1: What is it? Oh? I could see him dress up

440
00:23:52,080 --> 00:23:56,080
Speaker 1: in the outfit and the hair. Oh man. I thought

441
00:23:56,160 --> 00:23:57,760
Speaker 1: this would be a softball when I read it, I

442
00:23:57,800 --> 00:24:01,520
Speaker 1: thought this would be so easy. No, what's coming to

443
00:24:01,640 --> 00:24:03,639
Speaker 1: my head is diary of a mad Black woman, and

444
00:24:03,760 --> 00:24:07,280
Speaker 1: that is not what it is. I'll go ahead tell

445
00:24:07,280 --> 00:24:11,679
Speaker 1: you it is not. I do know that, oh, shoot,

446
00:24:11,800 --> 00:24:14,119
Speaker 1: what is it? I'm so angry at myself right now

447
00:24:15,119 --> 00:24:17,840
Speaker 1: for the championship. If you get this right, you're staying

448
00:24:17,840 --> 00:24:20,320
Speaker 1: in the competition. If you lose, Eddie will here, we

449
00:24:20,359 --> 00:24:23,960
Speaker 1: are the champions, that he will be elder versus millennial champion.

450
00:24:25,440 --> 00:24:27,159
Speaker 1: I'm gonna ask it one more time. More'an gonna give

451
00:24:27,200 --> 00:24:30,760
Speaker 1: you fifteen seconds? Okay, what is the name of the

452
00:24:30,920 --> 00:24:34,720
Speaker 1: Robin Williams movie where he dresses up as an elderly

453
00:24:34,800 --> 00:24:49,359
Speaker 1: British nanny. Fifteen seconds starts? Now the grandmay why is

454
00:24:49,440 --> 00:24:54,080
Speaker 1: this not coming to my mouth? Why? Three seconds? Die?

455
00:24:54,640 --> 00:24:59,920
Speaker 1: And a grandmother? The grandmother is her answer? Close? Well, Eddie,

456
00:25:00,000 --> 00:25:01,400
Speaker 1: you don't even have to get it to win. You're

457
00:25:01,720 --> 00:25:03,280
Speaker 1: the champion. So we'll all say the answer on the

458
00:25:03,359 --> 00:25:10,240
Speaker 1: count of three, one, two, three, missus fire angry chap.

459
00:25:11,240 --> 00:25:15,960
Speaker 1: Oh my god, I never thought i'd hear this song.

460
00:25:16,119 --> 00:25:17,679
Speaker 1: What do you want to say? Oh man, do all

461
00:25:17,720 --> 00:25:20,399
Speaker 1: those millennials out there? I think you're so smart? You

462
00:25:20,480 --> 00:25:23,359
Speaker 1: know what. We're not old, We're cool. You can go

463
00:25:23,560 --> 00:25:25,600
Speaker 1: suck an egg? Wait is that what you say? Does

464
00:25:25,640 --> 00:25:28,920
Speaker 1: that mean that's me? That's me? I don't glad you

465
00:25:29,040 --> 00:25:33,120
Speaker 1: ended with an egg sounds a little too much. I'm sorry,

466
00:25:33,200 --> 00:25:36,680
Speaker 1: just just just like an old phrase because that's not

467
00:25:37,160 --> 00:25:43,200
Speaker 1: young Eddie. You are the champion. Thank you, congratulations. It's

468
00:25:43,280 --> 00:25:46,760
Speaker 1: the best bits of the week with Morgan. Number two.

469
00:25:49,119 --> 00:25:51,960
Speaker 1: On this week we had dust And Lynch and McKenzie

470
00:25:52,000 --> 00:25:55,280
Speaker 1: Porter come in. They released a collaboration called Thinking About

471
00:25:55,320 --> 00:25:57,680
Speaker 1: You and it is so good. But they came on

472
00:25:57,760 --> 00:25:59,840
Speaker 1: the show the day they released it and performed this

473
00:26:00,000 --> 00:26:02,800
Speaker 1: song for the first time, and it was McKenzie Porter's

474
00:26:02,920 --> 00:26:04,920
Speaker 1: first time in the studio. It was just all exciting.

475
00:26:05,040 --> 00:26:08,000
Speaker 1: Plus we broke down Dustin Lynch's career. He played his

476
00:26:08,119 --> 00:26:11,000
Speaker 1: first ever hit and his last hit, and of course

477
00:26:11,080 --> 00:26:14,240
Speaker 1: his collaboration. You want to hear this whole interview, the performance,

478
00:26:14,400 --> 00:26:18,679
Speaker 1: all the things. It was magical. Number four the Friday

479
00:26:18,720 --> 00:26:22,800
Speaker 1: Morning Conversation with Dustin Lynch and Mackenzie Porter. Hey, guys,

480
00:26:22,880 --> 00:26:24,560
Speaker 1: welcome to the show. Dustin, good to see you, going

481
00:26:24,640 --> 00:26:27,840
Speaker 1: to be back, McKenzie, good to meet you. They're gonna

482
00:26:27,920 --> 00:26:30,280
Speaker 1: play their new duet in just a second. Um, Dustin,

483
00:26:30,359 --> 00:26:31,720
Speaker 1: let me start with you for a second. I've seen

484
00:26:31,720 --> 00:26:33,000
Speaker 1: you in a little bit. I guess the opery's when

485
00:26:33,000 --> 00:26:34,440
Speaker 1: I saw you last. Yeah, right in the middle of

486
00:26:34,440 --> 00:26:36,200
Speaker 1: the pandemic. Man, thank you us for the Opry this

487
00:26:36,280 --> 00:26:39,119
Speaker 1: past year. Was that the only time you really played

488
00:26:39,320 --> 00:26:42,200
Speaker 1: in front of anyone? Yes? There, Yeah, we've played a

489
00:26:42,280 --> 00:26:45,239
Speaker 1: few times now, but I think the night we hung

490
00:26:45,280 --> 00:26:47,879
Speaker 1: out was the first time i'd been since since you know,

491
00:26:48,080 --> 00:26:49,840
Speaker 1: the plug was pulled, I've been back on stage and

492
00:26:50,720 --> 00:26:52,359
Speaker 1: it was a crazy night for me to be sitting

493
00:26:52,400 --> 00:26:55,200
Speaker 1: next to Trey Sakins and Blake Shelton. It's like, what

494
00:26:55,320 --> 00:26:57,959
Speaker 1: am I doing here? Yeah, it was an awesome reintroduction

495
00:26:58,000 --> 00:26:59,679
Speaker 1: to the stage at the Opry and McKenzie at your

496
00:26:59,680 --> 00:27:02,040
Speaker 1: first time remember in studio. So welcome, Thank you. I'm

497
00:27:02,040 --> 00:27:04,400
Speaker 1: so excited glad to have you here. Thank you. It's

498
00:27:04,440 --> 00:27:07,120
Speaker 1: like a bucket list thing for me. So well, let's

499
00:27:07,160 --> 00:27:09,520
Speaker 1: hope the bucket list is when you're crushing at yourself

500
00:27:10,359 --> 00:27:13,199
Speaker 1: and you come you know, but whatever, I'm still here.

501
00:27:13,400 --> 00:27:15,160
Speaker 1: And how Dustin, how did you and McKenzie get together

502
00:27:15,160 --> 00:27:17,600
Speaker 1: for the song You're Gonna Do later? Crazy story? Um

503
00:27:17,840 --> 00:27:20,840
Speaker 1: blind auditions, believe it or not. We I wanted to

504
00:27:21,200 --> 00:27:24,440
Speaker 1: make sure that Think About You was given the life

505
00:27:24,480 --> 00:27:25,960
Speaker 1: it deserved. We had we'd put it out on the

506
00:27:26,000 --> 00:27:29,000
Speaker 1: Telehoma album and Lauren Lena did the original version and

507
00:27:29,240 --> 00:27:32,080
Speaker 1: just timing with her releases in mind, we couldn't get

508
00:27:32,080 --> 00:27:34,119
Speaker 1: it to work out. So I said, man, let's just

509
00:27:34,520 --> 00:27:36,600
Speaker 1: put it out into the universe the country music community

510
00:27:36,640 --> 00:27:38,600
Speaker 1: and see if anybody would want to sing the song

511
00:27:38,720 --> 00:27:42,840
Speaker 1: with me to put out the country radio. And I

512
00:27:42,960 --> 00:27:45,119
Speaker 1: had my team remove all the names. I just had

513
00:27:45,280 --> 00:27:48,360
Speaker 1: a folder of submissions of auditions numbered and I kept

514
00:27:48,400 --> 00:27:50,840
Speaker 1: coming back to a version over and over again for

515
00:27:50,920 --> 00:27:53,120
Speaker 1: a couple of weeks and ended up being this beautiful lady,

516
00:27:53,119 --> 00:27:55,080
Speaker 1: miss McKinsey Porter. Was it all women? Did you have

517
00:27:55,160 --> 00:27:58,680
Speaker 1: a guys audition too? I believe it's all women? Okay, yeah, yeah, hey,

518
00:27:58,840 --> 00:28:00,560
Speaker 1: you know what. I know we kind had a different plan,

519
00:28:00,600 --> 00:28:01,920
Speaker 1: but I think I would rather just hear that song.

520
00:28:01,960 --> 00:28:04,040
Speaker 1: Now do you guys do that first? Okay, that's cool

521
00:28:04,040 --> 00:28:06,119
Speaker 1: with that. Right here they are, it's Dustin Lynch and

522
00:28:06,200 --> 00:28:08,080
Speaker 1: McKenzie Porter with the new one here thinking about you

523
00:28:08,520 --> 00:28:23,240
Speaker 1: want two, three, four? Well, look who it is? Last card?

524
00:28:23,240 --> 00:28:26,920
Speaker 1: I thought again? Had your mama? How you being good?

525
00:28:27,000 --> 00:28:31,480
Speaker 1: Let's spend two sight sister at the circle k her

526
00:28:31,600 --> 00:28:34,760
Speaker 1: baby number twos on the way. I hadn't seen it.

527
00:28:34,880 --> 00:28:38,880
Speaker 1: It's a wedding day with you a mom. It's good

528
00:28:39,240 --> 00:28:47,480
Speaker 1: here for you again. You coincient dance. I I was

529
00:28:47,560 --> 00:28:50,560
Speaker 1: just thinking about that. We get I don't come and

530
00:28:51,040 --> 00:28:55,120
Speaker 1: make and at one time and bat we made add

531
00:28:55,240 --> 00:28:59,280
Speaker 1: in the rain? Were we chasing body stuff like you

532
00:29:00,160 --> 00:29:27,120
Speaker 1: Daddy's from Don't Be So Nice? Dustin Lynch McKenzie Porter McKenzie.

533
00:29:27,160 --> 00:29:29,840
Speaker 1: Let me ask you a couple of questions because you

534
00:29:30,040 --> 00:29:31,880
Speaker 1: and your brother. I saw a note that you were

535
00:29:31,920 --> 00:29:36,760
Speaker 1: the most played artist in Canada country music this last year. Yeah.

536
00:29:37,120 --> 00:29:40,400
Speaker 1: Crazy right, because you're a new artist here, yes, but

537
00:29:40,560 --> 00:29:44,520
Speaker 1: up there you're like Queen Dingling. Yeah, that's what they

538
00:29:44,560 --> 00:29:47,400
Speaker 1: call me. Actually when I come out on stage. Um no,

539
00:29:47,800 --> 00:29:49,680
Speaker 1: I think I've been putting out music for two years

540
00:29:49,960 --> 00:29:52,080
Speaker 1: up there, and I signed a record deal here and

541
00:29:52,200 --> 00:29:54,520
Speaker 1: finally we're kind of starting to release music here. I

542
00:29:54,560 --> 00:29:57,479
Speaker 1: just had to develop. I guess, well, you have a family.

543
00:29:57,800 --> 00:30:01,560
Speaker 1: Your parents sing, am I dad sings. My grandma's like

544
00:30:01,600 --> 00:30:04,520
Speaker 1: a wicked piano player. Um so we were always in

545
00:30:04,600 --> 00:30:07,440
Speaker 1: like a family band. My dad always as like he

546
00:30:07,600 --> 00:30:10,600
Speaker 1: played in bars and they decided to like the first time,

547
00:30:10,600 --> 00:30:13,200
Speaker 1: They're like, we'll pay you in beer and then sorry,

548
00:30:13,240 --> 00:30:14,640
Speaker 1: they're like this like yeah, the first and we'll pay

549
00:30:14,640 --> 00:30:16,320
Speaker 1: you in beer, and then eventually like no, we'll pay

550
00:30:16,320 --> 00:30:21,080
Speaker 1: you in cash. It's cheaper. So yeah, very good musical family.

551
00:30:21,400 --> 00:30:24,720
Speaker 1: Your brother one Canadian idol? Yeah, what's happening with your family?

552
00:30:24,760 --> 00:30:27,400
Speaker 1: How do you what's up with these jeans? The water

553
00:30:27,520 --> 00:30:29,720
Speaker 1: up there? Yeah, he grew up on a wison and

554
00:30:29,760 --> 00:30:31,840
Speaker 1: cattle ranch and there was like nothing to do, so

555
00:30:32,240 --> 00:30:34,920
Speaker 1: it was just music and you sent off. How did

556
00:30:35,000 --> 00:30:36,960
Speaker 1: you know about the audition to be in this song?

557
00:30:37,840 --> 00:30:40,960
Speaker 1: My managers? Um, I signed to Big Loud and they

558
00:30:41,080 --> 00:30:44,080
Speaker 1: knew Dustin Seaman just knew that they were like holding auditions.

559
00:30:44,120 --> 00:30:46,360
Speaker 1: I guess halfway gave it away. I didn't realize A

560
00:30:46,400 --> 00:30:50,120
Speaker 1: followed her on Instagram. Um, after I heard the versions,

561
00:30:50,400 --> 00:30:53,120
Speaker 1: I wasn't thinking, oh, so then you knew he probably

562
00:30:53,240 --> 00:30:55,280
Speaker 1: heard your you know, but I like screenshot at it

563
00:30:55,280 --> 00:30:56,640
Speaker 1: and I sent it to my team. I'm like, I

564
00:30:56,720 --> 00:31:01,240
Speaker 1: feel like this means something good. So you're you're an actor? Two? Huh? Yes, Yeah,

565
00:31:01,640 --> 00:31:06,080
Speaker 1: there's a show on Netflix, The Travelers. Travelers. Oh my gosh,

566
00:31:07,560 --> 00:31:10,600
Speaker 1: you know I have been sitting here this whole time,

567
00:31:10,800 --> 00:31:14,760
Speaker 1: being like where do I know this. I didn't know

568
00:31:14,800 --> 00:31:18,120
Speaker 1: if we like or hung out somewhere one time or

569
00:31:18,480 --> 00:31:20,920
Speaker 1: like I argue, I was like, this is her first

570
00:31:20,960 --> 00:31:24,320
Speaker 1: time in the studio. Why do Okay, So anybody on

571
00:31:24,400 --> 00:31:27,400
Speaker 1: the show, I don't I still see some of Yes,

572
00:31:28,080 --> 00:31:35,200
Speaker 1: So did anybody watch the show? Okay? I mean yeah, okay,

573
00:31:35,400 --> 00:31:37,880
Speaker 1: I did. I can even tell you like you had

574
00:31:37,920 --> 00:31:40,320
Speaker 1: the boyfriend and went to the house and then tell

575
00:31:40,400 --> 00:31:42,640
Speaker 1: me you really know No, I really, I swear, yes,

576
00:31:42,680 --> 00:31:44,720
Speaker 1: I've seen. I know the whole premise of the show,

577
00:31:44,880 --> 00:31:47,320
Speaker 1: and like, I know your character, but it's been a

578
00:31:47,400 --> 00:31:49,840
Speaker 1: while since been we got canceled like in twenty eighteen.

579
00:31:49,920 --> 00:31:52,040
Speaker 1: But tell me your character one more time, Marcy. But

580
00:31:52,440 --> 00:31:54,760
Speaker 1: she was so, she was like the whole show is

581
00:31:54,800 --> 00:31:57,400
Speaker 1: based on like travelers from the future coming back into

582
00:31:57,480 --> 00:31:59,959
Speaker 1: present day and like correcting what we've all messed up

583
00:32:00,040 --> 00:32:03,280
Speaker 1: as humans. And I played this person who came into

584
00:32:03,320 --> 00:32:05,760
Speaker 1: like a young girl who has a mental disability, yes,

585
00:32:05,920 --> 00:32:09,160
Speaker 1: and then turned into like a warrior fighter. Yeah, your boy,

586
00:32:09,320 --> 00:32:11,960
Speaker 1: I'm picturing the apartment scene with your boyfriend and like

587
00:32:12,000 --> 00:32:16,680
Speaker 1: something y'all couldn't leave the apartment. Yes, So yeah, okay, no,

588
00:32:16,840 --> 00:32:19,320
Speaker 1: I mistery solved because I did not know where I

589
00:32:19,480 --> 00:32:23,600
Speaker 1: named for watching and then destin great song, like amazing,

590
00:32:23,840 --> 00:32:27,120
Speaker 1: But when she started singing, I got the goosebumps. Oh good, yeah,

591
00:32:27,240 --> 00:32:29,880
Speaker 1: see same here. So she's got something about her vocal

592
00:32:30,080 --> 00:32:32,120
Speaker 1: you can't learn, right, She's just got this I don't know,

593
00:32:32,240 --> 00:32:35,880
Speaker 1: warmness and great texture to it. And that's what attracted me.

594
00:32:36,080 --> 00:32:38,520
Speaker 1: You know, the first time I heard her audition, I

595
00:32:38,680 --> 00:32:40,640
Speaker 1: was like, who the heck is this? I've never heard

596
00:32:41,160 --> 00:32:44,240
Speaker 1: you know that type of accessibility to you know, um

597
00:32:44,560 --> 00:32:47,280
Speaker 1: a verse you know, well, obviously the version of the song,

598
00:32:47,400 --> 00:32:50,640
Speaker 1: but but just it's rare you find a unique texture

599
00:32:51,280 --> 00:32:53,840
Speaker 1: um from a singer, and she's got her own identity.

600
00:32:53,880 --> 00:32:55,560
Speaker 1: So I think that's really going to take her a

601
00:32:55,640 --> 00:32:57,480
Speaker 1: long way. Yeah, no, it hasn't. Has been a freak on.

602
00:32:57,520 --> 00:33:00,640
Speaker 1: I'm at the girl from Traveler Dustin. This is what

603
00:33:00,720 --> 00:33:03,040
Speaker 1: I'm experiencing in my life right now, where I go

604
00:33:03,200 --> 00:33:05,320
Speaker 1: places with my fiance and everybody only wants to talk

605
00:33:05,360 --> 00:33:07,960
Speaker 1: to her, and they're like, hey, Bobby's coming in that.

606
00:33:08,040 --> 00:33:10,240
Speaker 1: Nobody gives a crap about me anymore. It's all and

607
00:33:10,280 --> 00:33:12,200
Speaker 1: you brought McKenzie and who's not your fiance? Here? But

608
00:33:12,280 --> 00:33:13,920
Speaker 1: she's like your guest on this song, and now we're

609
00:33:13,920 --> 00:33:17,120
Speaker 1: all like, okay, McKenzie, tell me everything about you. Well,

610
00:33:17,160 --> 00:33:20,440
Speaker 1: I realized very quickly whenever we recorded together awesome. We

611
00:33:20,560 --> 00:33:21,920
Speaker 1: hit it off. And then we showed up on set

612
00:33:22,000 --> 00:33:23,960
Speaker 1: to shoot photos and video in the video shoot, and

613
00:33:24,000 --> 00:33:26,560
Speaker 1: I'm like, gosh, she's making me look bad. But that's

614
00:33:26,600 --> 00:33:28,800
Speaker 1: always what you want, right That means you're elevating and

615
00:33:28,840 --> 00:33:30,520
Speaker 1: things around. I didn't think it through though with the

616
00:33:30,600 --> 00:33:33,000
Speaker 1: director of the video, and so he was shooting her

617
00:33:33,040 --> 00:33:34,680
Speaker 1: first in the day and I'm like, how am I

618
00:33:34,720 --> 00:33:37,160
Speaker 1: going to follow this? Because she actually he's an actress. Yes,

619
00:33:37,560 --> 00:33:40,320
Speaker 1: can do the thing. You have seven number one songs,

620
00:33:40,440 --> 00:33:43,680
Speaker 1: Dustin Lynch. The first one twenty twelve Cowboys and Angels.

621
00:33:44,080 --> 00:33:45,720
Speaker 1: Now I would like to do a little segment called

622
00:33:45,800 --> 00:33:48,560
Speaker 1: first and Last Okay, where we will play Cowboys and Angels.

623
00:33:48,800 --> 00:33:51,040
Speaker 1: But if you ever hear the song come on the radio, like,

624
00:33:51,120 --> 00:33:52,840
Speaker 1: what does it remind you of? It was happening in

625
00:33:52,880 --> 00:33:55,040
Speaker 1: your life at the time. Oh, just crazy. It was

626
00:33:55,560 --> 00:33:59,480
Speaker 1: just a whirlwind of new firsts. I grew up in

627
00:33:59,520 --> 00:34:03,000
Speaker 1: Tennessee and we vacationed. My family is from Florida, originally

628
00:34:03,080 --> 00:34:06,080
Speaker 1: to South Georgia, so we would travel there for vacation,

629
00:34:06,120 --> 00:34:08,880
Speaker 1: but other than that, I hadn't been really anywhere in

630
00:34:09,000 --> 00:34:11,400
Speaker 1: the United States of America. And whenever Cowboys and Angels

631
00:34:11,440 --> 00:34:13,960
Speaker 1: came out, and it took me to all parts, all

632
00:34:14,040 --> 00:34:17,080
Speaker 1: corners of the States, and just all the first that

633
00:34:17,160 --> 00:34:19,480
Speaker 1: come with that. Like I remember going to Seattle, Washington

634
00:34:20,120 --> 00:34:23,360
Speaker 1: and literally drinking like twelve cups of coffee because it

635
00:34:23,480 --> 00:34:24,840
Speaker 1: was the thing to do. It's like, I'm in Seattle,

636
00:34:24,840 --> 00:34:26,759
Speaker 1: I drink coffee, you know, Like you go to these

637
00:34:26,800 --> 00:34:28,680
Speaker 1: different cities and you just do all the stuff you

638
00:34:28,719 --> 00:34:32,160
Speaker 1: think you're supposed to do. And yeah, so I think

639
00:34:32,200 --> 00:34:34,200
Speaker 1: it just takes me back to those those milestones of

640
00:34:34,520 --> 00:34:38,360
Speaker 1: just new places and seeing a high rise city like

641
00:34:38,520 --> 00:34:41,160
Speaker 1: Chicago for the first time. It's just mind blowing, you know,

642
00:34:41,239 --> 00:34:44,200
Speaker 1: pulling in there on the tour bus and walking into play.

643
00:34:44,680 --> 00:34:47,120
Speaker 1: Let's hear a little bit of the first hit from

644
00:34:47,160 --> 00:35:02,920
Speaker 1: twenty twelve, Cowboys and Angels. Cool. There's a wall, there's

645
00:35:03,080 --> 00:35:13,319
Speaker 1: a knee, and there's a history between girls like her,

646
00:35:13,800 --> 00:35:33,760
Speaker 1: guys like me. Help Bullings Angels. I've got boots, she's

647
00:35:33,880 --> 00:35:40,080
Speaker 1: got the wings. I'm hell on Wills and she's heavenly.

648
00:35:43,160 --> 00:35:51,960
Speaker 1: I die for her, she lives me help Bulling ain't Jacks.

649
00:35:54,600 --> 00:36:10,560
Speaker 1: We ride signed by sign that My touches her Tim Tah,

650
00:36:11,239 --> 00:36:17,200
Speaker 1: her kiss is my Sunda, She's Sweet, I'm out Run Danger,

651
00:36:21,680 --> 00:36:38,640
Speaker 1: cap Bulls and Angel Nice. You still play that on shows? Right? Oh? Yeah? Man?

652
00:36:38,680 --> 00:36:40,200
Speaker 1: Where do you put that in the set list? Because

653
00:36:40,200 --> 00:36:44,080
Speaker 1: it's such a slow but powerful song, you gotta put

654
00:36:44,080 --> 00:36:46,120
Speaker 1: that in the right spot. Yeah, it's usually what do

655
00:36:46,160 --> 00:36:47,799
Speaker 1: you say about three quarters of the way through? Say

656
00:36:48,040 --> 00:36:50,719
Speaker 1: the middle of the end. Yeah, the middle of the endia. Um.

657
00:36:51,880 --> 00:36:53,520
Speaker 1: It reminds me each time we get to play that

658
00:36:53,600 --> 00:36:56,680
Speaker 1: song just how many people made that song part of

659
00:36:56,719 --> 00:36:59,680
Speaker 1: their lives, because you see people step out into the

660
00:36:59,719 --> 00:37:02,680
Speaker 1: aisle or whatever and slow dance, and you know, forget

661
00:37:02,680 --> 00:37:05,600
Speaker 1: about us. That's cool to see every night that songs

662
00:37:05,880 --> 00:37:07,279
Speaker 1: I always you know, you could ask the question what's

663
00:37:07,280 --> 00:37:08,920
Speaker 1: your favorites on the play all the time, and that's

664
00:37:08,960 --> 00:37:12,520
Speaker 1: it just because it was inspired by my grandparents love story. Um,

665
00:37:12,880 --> 00:37:15,560
Speaker 1: and to watch people dance and sing their song. Every're

666
00:37:15,560 --> 00:37:17,000
Speaker 1: not really cool. You're still get in the boat and

667
00:37:17,040 --> 00:37:18,960
Speaker 1: they crowd st up on the boat. Are you done

668
00:37:19,000 --> 00:37:22,560
Speaker 1: with that? Um? Well, you know, New Year, so we'll see. No,

669
00:37:22,840 --> 00:37:25,239
Speaker 1: we retired that I need to get into the ball,

670
00:37:25,280 --> 00:37:27,520
Speaker 1: one of those plastic balls. That would be cool. I

671
00:37:27,560 --> 00:37:30,399
Speaker 1: would a little bit more, a little safer these days

672
00:37:30,840 --> 00:37:33,520
Speaker 1: in a plastic ball. But I ended up I pulled

673
00:37:33,560 --> 00:37:35,279
Speaker 1: a couple of muscles and then I ended up sending

674
00:37:35,440 --> 00:37:38,160
Speaker 1: calling out in the boat. He did some rides up there.

675
00:37:38,719 --> 00:37:41,640
Speaker 1: We kind of rotated injuries as somebody would get injured

676
00:37:41,680 --> 00:37:43,879
Speaker 1: crowd surf from we would we would sense it, yeah,

677
00:37:43,920 --> 00:37:46,480
Speaker 1: we would send somebody else. The kind of the juxtaposition

678
00:37:46,520 --> 00:37:48,400
Speaker 1: of these two songs too, with Cowboys and Angels and

679
00:37:48,440 --> 00:37:50,560
Speaker 1: then I'm gonna have you do Mama's House, which is

680
00:37:50,560 --> 00:37:54,080
Speaker 1: your your last song here? I bet different in feeling,

681
00:37:54,600 --> 00:37:57,399
Speaker 1: yeah for sure, um, but both kind of stem from

682
00:37:57,400 --> 00:38:00,400
Speaker 1: the same the same bass ideas is cowle was an

683
00:38:00,400 --> 00:38:03,960
Speaker 1: Angels is about two high school sweethearts my grandparents even

684
00:38:04,000 --> 00:38:06,399
Speaker 1: before high school. Really they're still married sixty five years

685
00:38:06,480 --> 00:38:09,840
Speaker 1: this year. Just an amazing love story and their goals.

686
00:38:09,920 --> 00:38:11,800
Speaker 1: Man like, I hope I'm like my granddad when I

687
00:38:11,840 --> 00:38:16,800
Speaker 1: grow up. And Mama's House was kind of the heartbreak

688
00:38:16,840 --> 00:38:19,759
Speaker 1: I felt whenever my high school sweetheart moved off to

689
00:38:19,880 --> 00:38:22,279
Speaker 1: college and left me in the dust because I kind

690
00:38:22,320 --> 00:38:24,799
Speaker 1: of messed up. What all I knew in my small

691
00:38:24,840 --> 00:38:27,479
Speaker 1: town was my grandparents and my parents or high school

692
00:38:27,480 --> 00:38:30,839
Speaker 1: sweethearts and and save with my sister married her high

693
00:38:30,880 --> 00:38:34,800
Speaker 1: school boyfriends. So whenever my girlfriend left for Knoxville, and

694
00:38:35,719 --> 00:38:37,600
Speaker 1: I was like, man, what what do I do? Now?

695
00:38:37,800 --> 00:38:40,799
Speaker 1: You know, this was before social media, so you didn't

696
00:38:40,800 --> 00:38:43,399
Speaker 1: really have connection outside of your hometown. You just knew

697
00:38:43,400 --> 00:38:44,880
Speaker 1: the girls you went to school with and that was it.

698
00:38:45,080 --> 00:38:46,960
Speaker 1: So um, it felt like the world ended. And that's

699
00:38:46,960 --> 00:38:49,920
Speaker 1: why I relate to Mama's House lyrics. So well, here's

700
00:38:50,000 --> 00:38:52,719
Speaker 1: Dustin Lynch playing us a little bit of his last hit,

701
00:38:52,880 --> 00:39:12,000
Speaker 1: Mama's House. What two three? Well, I see you facing

702
00:39:12,160 --> 00:39:16,000
Speaker 1: Nap Street near the corn. A couple of trees even

703
00:39:16,160 --> 00:39:21,399
Speaker 1: got a name, Mama, I feel love. He laugh got

704
00:39:21,440 --> 00:39:25,480
Speaker 1: them taking away on back herman memories. I don't want

705
00:39:26,840 --> 00:39:31,600
Speaker 1: up and down the pol the bar in out of

706
00:39:31,840 --> 00:39:39,040
Speaker 1: Vivy Bar. I'd burne so town down the pig spot,

707
00:39:39,320 --> 00:39:43,600
Speaker 1: digger up damn as she's in the crown, baby, I'd

708
00:39:43,800 --> 00:39:48,560
Speaker 1: burne so tied down. If it wasn't poor, my Mama's sad,

709
00:39:49,560 --> 00:39:53,640
Speaker 1: My mama said the damn girl. I just had to

710
00:39:53,800 --> 00:39:57,880
Speaker 1: brag it like that. Even pieces of the shattered hearts

711
00:39:57,960 --> 00:40:02,280
Speaker 1: got a light lass out of Funny So tip down.

712
00:40:02,560 --> 00:40:06,800
Speaker 1: If it wasn't for my mama, says, my mama says

713
00:40:07,480 --> 00:40:12,000
Speaker 1: that fun so town down, if it wasn't for my

714
00:40:12,160 --> 00:40:17,400
Speaker 1: mama said nice. You know, if you just saw the

715
00:40:18,280 --> 00:40:19,719
Speaker 1: title of the song, which I did at first, I

716
00:40:19,800 --> 00:40:20,880
Speaker 1: was like, oh, this is a nice song about his

717
00:40:20,920 --> 00:40:22,400
Speaker 1: mama's house, and then you listen to it. It is

718
00:40:22,440 --> 00:40:24,719
Speaker 1: not a nice song about your mama's house, not at all.

719
00:40:24,719 --> 00:40:26,120
Speaker 1: I think that's what I hooked me yet. Yeah, it's

720
00:40:26,120 --> 00:40:28,400
Speaker 1: the only thing that you like in this town is

721
00:40:28,440 --> 00:40:30,560
Speaker 1: your mama's house. Listen, Dustin lets, you did a good

722
00:40:30,600 --> 00:40:32,600
Speaker 1: job today. You brought it. Thank you a good song.

723
00:40:32,880 --> 00:40:35,399
Speaker 1: We liked it. We liked your friends here, all your friends,

724
00:40:35,440 --> 00:40:37,759
Speaker 1: We liked all you guys. This is fun. I seen

725
00:40:37,760 --> 00:40:38,960
Speaker 1: you in a few months. It's good to see him.

726
00:40:39,000 --> 00:40:40,480
Speaker 1: You too, man. Please tell your mom and dad I

727
00:40:40,520 --> 00:40:42,319
Speaker 1: say hello, I will do it. They may be listening

728
00:40:42,440 --> 00:40:44,640
Speaker 1: right now. They definitely are listening right now. And let

729
00:40:44,680 --> 00:40:46,239
Speaker 1: me just say, as you guys know, they stalk you.

730
00:40:46,440 --> 00:40:48,520
Speaker 1: I love you too. I'm just talking to them right now.

731
00:40:48,680 --> 00:40:50,680
Speaker 1: You are more than welcome to come up anytime Dustin

732
00:40:50,800 --> 00:40:53,840
Speaker 1: comes in. So that was one of the worst, like

733
00:40:54,320 --> 00:40:58,640
Speaker 1: special artists moments that had the parents in. How many

734
00:40:58,719 --> 00:41:00,680
Speaker 1: times do you I still laugh? I still think aback

735
00:41:00,880 --> 00:41:03,279
Speaker 1: at that interview and laugh about how nervous my dad

736
00:41:03,520 --> 00:41:05,560
Speaker 1: and mom were. They could even talk to y'all. But

737
00:41:05,680 --> 00:41:08,160
Speaker 1: they're a huge fan sports. Dad in lunchbox hit it

738
00:41:08,200 --> 00:41:10,400
Speaker 1: off their balls, but other like, they get really nervous

739
00:41:10,760 --> 00:41:12,520
Speaker 1: when they're I mean, even on the carpet. Might take

740
00:41:12,560 --> 00:41:14,440
Speaker 1: my mom on the carpet. She's just you know, it's

741
00:41:14,480 --> 00:41:16,560
Speaker 1: not normal. So thank you, guys for being so sweet

742
00:41:16,560 --> 00:41:19,399
Speaker 1: to them, you guys. Follow Dustin Lynch at Dustin Lynch Music,

743
00:41:19,480 --> 00:41:22,759
Speaker 1: Follow McKenzie porter at McKenzie Pea Music and check out

744
00:41:22,840 --> 00:41:24,279
Speaker 1: mckenzi's music too. Let me play a little bit of

745
00:41:24,360 --> 00:41:25,920
Speaker 1: drinking songs for aybody here, do you mind, mckensey, I

746
00:41:26,000 --> 00:41:27,560
Speaker 1: play a little bit of those and please, okay, here

747
00:41:27,600 --> 00:41:44,520
Speaker 1: we go. Here's a little bit of that. It's just

748
00:41:44,719 --> 00:41:50,319
Speaker 1: a nice job, guys, Dustin Lynch, McKenzie Porter a nice job.

749
00:41:53,040 --> 00:41:56,600
Speaker 1: It's the best bits of the week with Morgan Number

750
00:41:56,600 --> 00:42:01,800
Speaker 1: two A funny moment on This this Week happened. Amy

751
00:42:01,960 --> 00:42:05,200
Speaker 1: brought a phone hack that she had learned to the show,

752
00:42:05,360 --> 00:42:08,600
Speaker 1: and well, she called nine one one and she didn't

753
00:42:08,680 --> 00:42:11,240
Speaker 1: exactly like ignore the nine one one call. She didn't

754
00:42:11,320 --> 00:42:14,200
Speaker 1: exactly like say anything to them. Let's just say, some

755
00:42:14,400 --> 00:42:17,400
Speaker 1: really bad things could have happened. Thankfully they didn't. We

756
00:42:17,480 --> 00:42:19,359
Speaker 1: all were freaking out there for a moment when Amy

757
00:42:19,440 --> 00:42:21,480
Speaker 1: was trying out this iPhone hack. Though it is a

758
00:42:21,640 --> 00:42:25,440
Speaker 1: really important iPhone hack. You shouldn't know, so listen up

759
00:42:25,560 --> 00:42:28,640
Speaker 1: and get a good crack out of this number three. Okay,

760
00:42:28,680 --> 00:42:31,680
Speaker 1: tell me what you saw. Well, it's an emergency SOS hack.

761
00:42:31,800 --> 00:42:34,560
Speaker 1: If you have an iPhone, the little button on the side,

762
00:42:35,800 --> 00:42:37,960
Speaker 1: not the volumes, not the volume, the big button that

763
00:42:37,960 --> 00:42:40,040
Speaker 1: you would power on power off. If you hit it

764
00:42:40,239 --> 00:42:48,400
Speaker 1: five times in a row, it'll if you do that,

765
00:42:48,640 --> 00:42:52,440
Speaker 1: it calls emergency services and it'll also send a text

766
00:42:52,600 --> 00:42:56,760
Speaker 1: your selected emergency contacts and it'll alert them of your location.

767
00:42:57,280 --> 00:42:59,400
Speaker 1: But it'll count down to three before it does that

768
00:42:59,480 --> 00:43:02,440
Speaker 1: in case you accidentally press it five times. So if

769
00:43:02,520 --> 00:43:04,520
Speaker 1: you just go one, two, let me do it. But

770
00:43:04,600 --> 00:43:07,200
Speaker 1: then what doesn't make a noise or anything? Yes, really

771
00:43:07,320 --> 00:43:11,200
Speaker 1: loud alarm, but after three seconds after so if you're

772
00:43:11,239 --> 00:43:15,160
Speaker 1: in danger, you do this. Let me do it yet yet? Now,

773
00:43:15,280 --> 00:43:19,480
Speaker 1: Okay I'm in danger. No, but you're not though. Okay,

774
00:43:19,760 --> 00:43:22,480
Speaker 1: you push it five times? Then what happens? No yet,

775
00:43:22,880 --> 00:43:26,000
Speaker 1: ask questions? Okay, so you press it five times, then

776
00:43:26,040 --> 00:43:30,040
Speaker 1: it goes three, two, one at one. It sounds a

777
00:43:30,160 --> 00:43:33,560
Speaker 1: crazy alarm, okay, letting people around you know you're in danger.

778
00:43:34,000 --> 00:43:37,759
Speaker 1: It also contacts emergency services for you. They know your

779
00:43:37,800 --> 00:43:40,759
Speaker 1: location services like nine one one and I don't know.

780
00:43:40,760 --> 00:43:43,719
Speaker 1: I don't do it. No, it'll count down to three

781
00:43:44,080 --> 00:43:47,200
Speaker 1: when will let's start making that at the third second

782
00:43:47,920 --> 00:43:49,920
Speaker 1: because I want to hear the sound. We can't do

783
00:43:50,000 --> 00:43:52,960
Speaker 1: that because then it'll have alerted people to come help you. Also,

784
00:43:53,280 --> 00:43:55,080
Speaker 1: but if it's a test for people to hear, you're

785
00:43:55,080 --> 00:43:57,000
Speaker 1: not gonna get in trouble. That's what you say. You've

786
00:43:57,000 --> 00:44:01,239
Speaker 1: got five a million dollars because some test. Hey, Scooba, Steve,

787
00:44:01,360 --> 00:44:02,839
Speaker 1: let me ask you about this. Shall we go through

788
00:44:02,880 --> 00:44:04,960
Speaker 1: with this or no? I think that because this is

789
00:44:04,960 --> 00:44:07,160
Speaker 1: an FCC related I think we should try it out

790
00:44:07,440 --> 00:44:09,520
Speaker 1: and hit cancel. If they call you, just say hey,

791
00:44:09,520 --> 00:44:11,440
Speaker 1: I'm sorry. It was an accident. I didn't know because

792
00:44:11,440 --> 00:44:14,040
Speaker 1: who knows about that hack? Nobody? I feel like, okay, yeah,

793
00:44:14,120 --> 00:44:15,960
Speaker 1: I had no idea, and I've got an iPhone for

794
00:44:16,080 --> 00:44:18,200
Speaker 1: how long? And I don't know when they they do it.

795
00:44:18,280 --> 00:44:21,480
Speaker 1: Let's do it, Okay, Okay. Bob Pittman Scooba Steve told

796
00:44:21,480 --> 00:44:23,400
Speaker 1: me to do it, president of my our radio, all right,

797
00:44:23,440 --> 00:44:25,760
Speaker 1: and then Bob Hittman, Bobby told me to do it. Okay,

798
00:44:25,800 --> 00:44:27,799
Speaker 1: are you ready? Yeah, okay, we're gonna hit it five times,

799
00:44:27,840 --> 00:44:33,520
Speaker 1: count out loud. Okay, one, two, three, four, five, Okay,

800
00:44:33,680 --> 00:44:36,279
Speaker 1: what's your phone doing? Nothing happened, it turned it turned off.

801
00:44:37,480 --> 00:44:40,640
Speaker 1: I didn't do it right, hold on five quick, one two, three,

802
00:44:40,840 --> 00:44:53,480
Speaker 1: four five, it's calling happens. You were just joking j one.

803
00:44:53,600 --> 00:44:58,719
Speaker 1: That's what it did. So there you go. That's what

804
00:44:58,800 --> 00:45:01,960
Speaker 1: I did. Now I know. Oh it goes, we're we're

805
00:45:02,120 --> 00:45:04,440
Speaker 1: And then at the count of three, it immediately started

806
00:45:04,480 --> 00:45:08,160
Speaker 1: dialing nine one one. And then also, my my sister

807
00:45:08,400 --> 00:45:10,680
Speaker 1: and my husband are probably about to get text messages

808
00:45:10,719 --> 00:45:13,600
Speaker 1: with my location because I added them as my emergency contacts.

809
00:45:13,880 --> 00:45:22,759
Speaker 1: We'll see what happens. Oh gosh said hello, Hello, police department. Yes,

810
00:45:23,280 --> 00:45:39,120
Speaker 1: the police department to hang up. No, no, somebody said, hey,

811
00:45:39,520 --> 00:45:43,440
Speaker 1: I'm sorry, that was an accident. I was testing testing

812
00:45:43,520 --> 00:45:45,399
Speaker 1: out a new feature on the phone and I'm sorry.

813
00:45:46,800 --> 00:45:50,319
Speaker 1: You're fine. Cost the next time I want to stay

814
00:45:50,320 --> 00:45:53,359
Speaker 1: on the line and speak to the operators that okay,

815
00:45:53,440 --> 00:45:58,080
Speaker 1: sorry I got nervous. Okay, thank you, No, you're fine, okay, okay,

816
00:45:58,200 --> 00:46:02,560
Speaker 1: thank you? Bye. Wow. Why did you hang it? What

817
00:46:02,719 --> 00:46:04,719
Speaker 1: all you had to do is you have to it again,

818
00:46:05,800 --> 00:46:09,719
Speaker 1: stop stop notifying. So that's a good thing to know. If,

819
00:46:09,920 --> 00:46:12,399
Speaker 1: like say, you're attacker gets your phone from you, it's

820
00:46:12,440 --> 00:46:14,520
Speaker 1: going to keep calling nine one one until you cancel it.

821
00:46:14,600 --> 00:46:17,359
Speaker 1: But even the attacker knows, oh, accident, that's an accident. Yeah,

822
00:46:17,440 --> 00:46:19,600
Speaker 1: oh my gosh, no, no, that's when you say no,

823
00:46:19,719 --> 00:46:23,560
Speaker 1: it's not in the background. Crazy baby. They I'm sweating.

824
00:46:24,920 --> 00:46:26,239
Speaker 1: Why all you had to do is say it was

825
00:46:26,239 --> 00:46:28,440
Speaker 1: an accident. It's like a ner. You've freaked out under pressure.

826
00:46:28,440 --> 00:46:30,160
Speaker 1: Because this is against the law. With the game on

827
00:46:30,200 --> 00:46:31,560
Speaker 1: the line, you had to freak the line. I don't

828
00:46:31,600 --> 00:46:35,000
Speaker 1: want you up. You can get for um misuse of

829
00:46:35,120 --> 00:46:36,959
Speaker 1: nine one one. We didn't misuse it. We were showing

830
00:46:37,040 --> 00:46:39,880
Speaker 1: our listeners what to do. Stop waving your face, like

831
00:46:39,920 --> 00:46:43,279
Speaker 1: you're in truck. I almost my heart is I hot

832
00:46:43,560 --> 00:46:48,799
Speaker 1: hot hot. When Amy hung up on that one one,

833
00:46:48,840 --> 00:46:52,640
Speaker 1: everyone in the room goes, no, it's the worst thing

834
00:46:52,680 --> 00:46:55,120
Speaker 1: you could have done. Okay, guys. Her husband kicks the

835
00:46:55,200 --> 00:46:59,759
Speaker 1: door in now, like what's wrong? So I'm dizzy, but

836
00:47:00,280 --> 00:47:04,160
Speaker 1: now we know it works. That's awesome. Calmly, what people

837
00:47:04,280 --> 00:47:06,840
Speaker 1: do if they're in trouble is you gotta press it

838
00:47:07,040 --> 00:47:09,359
Speaker 1: fast five times. We learned five times boom boom, boom,

839
00:47:09,360 --> 00:47:12,160
Speaker 1: boom boom, because when I did five kind of fast,

840
00:47:12,600 --> 00:47:15,960
Speaker 1: it didn't work, but five, like you're in trouble, and

841
00:47:16,040 --> 00:47:21,719
Speaker 1: then it goes boom and now and then I hang

842
00:47:21,800 --> 00:47:24,680
Speaker 1: up on them again. They're like, Okay, something's happening over

843
00:47:24,920 --> 00:47:27,400
Speaker 1: right now. Okay, Amy's not fanning yourself. You didn't almost

844
00:47:27,400 --> 00:47:29,440
Speaker 1: go to jail and exactingly like she's just committed a

845
00:47:29,480 --> 00:47:31,640
Speaker 1: crime and got away with it a good thing. Yes

846
00:47:31,760 --> 00:47:34,600
Speaker 1: she was. But sometimes nine one will be like, I'm sorry,

847
00:47:34,640 --> 00:47:36,759
Speaker 1: no matter what, we got to send officers out. We

848
00:47:36,880 --> 00:47:41,920
Speaker 1: see a squad bust in right, can you imagine? Okay, Amy,

849
00:47:41,960 --> 00:47:43,800
Speaker 1: great job, thank you for sharing that with us. Welcome.

850
00:47:43,800 --> 00:47:47,359
Speaker 1: The more you know, the more it's the best Bits

851
00:47:47,440 --> 00:47:52,279
Speaker 1: of the week, with Morgan number two coming in at

852
00:47:52,400 --> 00:47:56,719
Speaker 1: number two. It was originally a rejected segment. Mike d

853
00:47:57,000 --> 00:48:00,359
Speaker 1: had pitched to Lunchbox to prank call the tax ms

854
00:48:00,440 --> 00:48:03,160
Speaker 1: and try and get his granny what do you call

855
00:48:03,200 --> 00:48:06,800
Speaker 1: it stuffed? Yeah, grandmother's stuffed. Yeah, And it was originally

856
00:48:06,840 --> 00:48:09,359
Speaker 1: a rejected segment. Well, we got to hear the call

857
00:48:10,040 --> 00:48:12,200
Speaker 1: and it was pretty funny. I'm pretty glad it wasn't

858
00:48:12,400 --> 00:48:16,040
Speaker 1: rejected segment. Well, it was a rejected segment because Bobby

859
00:48:16,120 --> 00:48:18,960
Speaker 1: said no to it, but I had never heard the idea,

860
00:48:19,040 --> 00:48:21,120
Speaker 1: and I was like, well, why not try it? And

861
00:48:21,280 --> 00:48:24,319
Speaker 1: so I tried it, and I tried it a bunch,

862
00:48:24,360 --> 00:48:27,360
Speaker 1: and I had to change tactics because at first I

863
00:48:27,480 --> 00:48:28,879
Speaker 1: was just calling up saying, hey, I want to get

864
00:48:28,920 --> 00:48:30,680
Speaker 1: my granny stuffed, and people would just hang up on

865
00:48:30,719 --> 00:48:32,800
Speaker 1: me right away. Everybody even talk to you, right, They're like,

866
00:48:32,840 --> 00:48:35,320
Speaker 1: all right, we're not playing this game. So then I

867
00:48:35,440 --> 00:48:37,000
Speaker 1: was like, you know what, you gotta not just say

868
00:48:37,080 --> 00:48:38,960
Speaker 1: granny right off the bat, you idiot. So I had

869
00:48:39,040 --> 00:48:43,320
Speaker 1: started saying things describing granny, and then I got to

870
00:48:43,400 --> 00:48:46,200
Speaker 1: the granny at the end, and I thought it was

871
00:48:46,239 --> 00:48:49,239
Speaker 1: pretty dang, funny. The guy that you did finally get

872
00:48:49,280 --> 00:48:51,040
Speaker 1: on the phone that you guys are gonna hear in

873
00:48:51,080 --> 00:48:54,600
Speaker 1: this segment played back, he was so angry at you, like,

874
00:48:54,840 --> 00:48:58,120
Speaker 1: very passionate about this subject. He got pretty upset. And

875
00:48:58,160 --> 00:49:01,520
Speaker 1: I don't know, like I don't know. I guess maybe

876
00:49:01,600 --> 00:49:05,160
Speaker 1: taxidermy they get weird questions or I don't know, I

877
00:49:05,200 --> 00:49:06,880
Speaker 1: don't know why he got so upset, or he just

878
00:49:06,920 --> 00:49:10,839
Speaker 1: thought I was just crazy, or I don't know. Maybe

879
00:49:10,840 --> 00:49:15,200
Speaker 1: they're maybe taxidermists or strange people so people ask them

880
00:49:15,200 --> 00:49:17,680
Speaker 1: strange questions and they get offended by strange questions. I

881
00:49:17,760 --> 00:49:21,200
Speaker 1: don't know, but he did get passionate and angry, and

882
00:49:21,760 --> 00:49:23,879
Speaker 1: I was like, dang, I adn't see going all that far,

883
00:49:24,080 --> 00:49:26,080
Speaker 1: but okay, if that's how you want to be. You

884
00:49:26,200 --> 00:49:30,200
Speaker 1: also did another prank call. You had prank call trying

885
00:49:30,239 --> 00:49:32,440
Speaker 1: to buy George Straits house. Yes, and that was a

886
00:49:32,520 --> 00:49:36,160
Speaker 1: few weeks back. But we got a cartoon back cartoon

887
00:49:36,440 --> 00:49:39,279
Speaker 1: version hilarious. It is hilarious. It is now out for

888
00:49:39,400 --> 00:49:42,680
Speaker 1: your consumption. So this cartoonist, I don't know how they

889
00:49:42,760 --> 00:49:45,600
Speaker 1: do it. It is beautifully done. But we even sent

890
00:49:45,680 --> 00:49:47,920
Speaker 1: them a link to George Straits's house and we're like, oh,

891
00:49:48,000 --> 00:49:51,000
Speaker 1: here's the house. So in parts of the call when

892
00:49:51,120 --> 00:49:53,479
Speaker 1: I am talking about a certain part of the house,

893
00:49:54,000 --> 00:49:57,839
Speaker 1: they show the cartoon version of inside George Strait's House,

894
00:49:57,920 --> 00:50:00,239
Speaker 1: exactly what the pictures look like on the internet. It

895
00:50:00,719 --> 00:50:05,080
Speaker 1: is awesome. It is such a good, good cartoon. They

896
00:50:05,160 --> 00:50:07,080
Speaker 1: are very creative, and you have to go watch this.

897
00:50:07,160 --> 00:50:08,960
Speaker 1: Where can I watch this though I don't know. It's

898
00:50:08,960 --> 00:50:11,400
Speaker 1: at Bobbybones dot com. Yeah, I will make sure you

899
00:50:11,480 --> 00:50:14,120
Speaker 1: even tweet it too, so it'll be on lunchboxes Twitter. Yeah,

900
00:50:14,160 --> 00:50:15,799
Speaker 1: but it's more important if they go to Bobby Bones

901
00:50:15,800 --> 00:50:17,759
Speaker 1: dot com. More important, I mean, and by the time

902
00:50:17,760 --> 00:50:19,840
Speaker 1: I probably get Lunchbox tweeted, it's probably gonna be like

903
00:50:19,920 --> 00:50:23,320
Speaker 1: tomorrow Monday. So go to Bobbybones dot com to watch it.

904
00:50:23,400 --> 00:50:27,320
Speaker 1: It's amazing, Like we love the cartoon version, especially Lunchbox.

905
00:50:27,440 --> 00:50:31,240
Speaker 1: He looks pretty funny as a cartoon. Yeah, yeah, I agree. Okay,

906
00:50:31,560 --> 00:50:34,120
Speaker 1: Well before you do that, though, listen to this segment

907
00:50:34,160 --> 00:50:37,279
Speaker 1: at Lunchbox prank called the Taxidermist. He tried to get

908
00:50:37,320 --> 00:50:40,520
Speaker 1: his granny stuffed, and you can imagine the response he got.

909
00:50:40,880 --> 00:50:44,840
Speaker 1: It's it's amazing. Here we go Number two, Lunchbox calls

910
00:50:45,160 --> 00:50:48,080
Speaker 1: a taxidermist to see how much it would cost a

911
00:50:48,120 --> 00:50:54,120
Speaker 1: taxidermy his granny. So set me up, Lunchbox. So, I

912
00:50:54,239 --> 00:50:57,239
Speaker 1: mean I just called places and I was just I

913
00:50:57,320 --> 00:51:00,520
Speaker 1: explained to them kind of oh, you know, passed away

914
00:51:00,600 --> 00:51:03,080
Speaker 1: on Saturday, and I just want to have it in

915
00:51:03,160 --> 00:51:05,920
Speaker 1: the house. And I didn't refer to it as granny

916
00:51:06,560 --> 00:51:09,360
Speaker 1: until later. That way I could keep him on the

917
00:51:09,440 --> 00:51:11,279
Speaker 1: line and he thinks it's an animal, and then when

918
00:51:11,320 --> 00:51:13,840
Speaker 1: I hit him with granny, kind of goes downhill. So

919
00:51:14,239 --> 00:51:16,480
Speaker 1: but this is one call to one place. Yeah, this

920
00:51:16,640 --> 00:51:18,800
Speaker 1: is one call to one place. Did you try to

921
00:51:18,840 --> 00:51:21,000
Speaker 1: call other places? And they just wouldn't even they wouldn't.

922
00:51:21,160 --> 00:51:23,120
Speaker 1: I had to change my strategy because I kind of

923
00:51:23,160 --> 00:51:25,319
Speaker 1: went in with the granny at the beginning and they

924
00:51:25,360 --> 00:51:27,120
Speaker 1: would just hang up and they wouldn't. They didn't give

925
00:51:27,120 --> 00:51:28,720
Speaker 1: me the time of day. And then I realized, Okay,

926
00:51:28,920 --> 00:51:31,120
Speaker 1: you can't say granny right off the bat because it

927
00:51:31,640 --> 00:51:34,560
Speaker 1: gets people a little like I'm out click. So I

928
00:51:35,040 --> 00:51:37,520
Speaker 1: did it a different way. Okay, here's the lunchbox calling

929
00:51:37,520 --> 00:51:39,399
Speaker 1: a taxidermist. See I they would tax it dermy, he's

930
00:51:39,400 --> 00:51:45,720
Speaker 1: a granny. Okay, Taxidermy. Hey, I was just calling because

931
00:51:46,320 --> 00:51:49,640
Speaker 1: we lost her this weekend, and I, you know, I'm

932
00:51:49,680 --> 00:51:51,160
Speaker 1: trying to see how much it is going to be

933
00:51:51,200 --> 00:51:54,920
Speaker 1: to get her stuffed. Well, uh probably be talking about here,

934
00:51:55,200 --> 00:51:59,040
Speaker 1: how big your specimen there? She's about I mean five

935
00:51:59,120 --> 00:52:04,239
Speaker 1: foot two? Oh wow, I got got a deer or something. Yeah,

936
00:52:05,239 --> 00:52:07,680
Speaker 1: got near and dear to my heart, for sure, near

937
00:52:07,760 --> 00:52:10,240
Speaker 1: and dear to my heart. It's just so hard because

938
00:52:10,280 --> 00:52:13,200
Speaker 1: she always went on family vacation. She always came to

939
00:52:13,280 --> 00:52:15,759
Speaker 1: the Little Deed to watch us play baseball, and just

940
00:52:15,880 --> 00:52:17,959
Speaker 1: we've had her, you know, in just my entire life.

941
00:52:18,000 --> 00:52:21,760
Speaker 1: And oh well, I'm sorry to hear about that. Although

942
00:52:21,800 --> 00:52:26,760
Speaker 1: it seems a little strange, uh taking it down, taking

943
00:52:26,840 --> 00:52:31,320
Speaker 1: it animal to a baseball game. I guess you know

944
00:52:31,640 --> 00:52:33,840
Speaker 1: that one that size and do it? So when I

945
00:52:33,920 --> 00:52:37,279
Speaker 1: bring her in, do do I bring granny's outfit that

946
00:52:37,400 --> 00:52:39,239
Speaker 1: she wanted to be buried? You know that she wanted

947
00:52:39,239 --> 00:52:44,520
Speaker 1: to be stuffed in? Uh? Hold on by granny? Do

948
00:52:44,560 --> 00:52:48,200
Speaker 1: you mean your grandmother like you're a human being grandmother? Yeah,

949
00:52:48,280 --> 00:52:53,400
Speaker 1: it's my mom's mom. Okay, listen, I'm going to tell

950
00:52:53,440 --> 00:52:57,120
Speaker 1: you this straight up. You know, Uh, if you're expecting

951
00:52:57,200 --> 00:53:01,719
Speaker 1: me to to taxi, Jeremy, your grandmother, it's illegally the

952
00:53:01,840 --> 00:53:04,800
Speaker 1: United States and do that. And so I'm telling you

953
00:53:04,960 --> 00:53:07,840
Speaker 1: right now, Bud, you just better get a good grasp

954
00:53:07,920 --> 00:53:11,400
Speaker 1: for this is that I'm not gonna stuff your grandma.

955
00:53:11,719 --> 00:53:18,080
Speaker 1: Oh that was like, what unnecessary? Right? He's very passionate.

956
00:53:18,280 --> 00:53:28,440
Speaker 1: I want to fight like you sick of He went

957
00:53:28,520 --> 00:53:32,800
Speaker 1: from being caring, I'm really sorry. I hate that too, specimen,

958
00:53:32,920 --> 00:53:35,600
Speaker 1: and then it's like, well that's a lot it is

959
00:53:35,680 --> 00:53:41,600
Speaker 1: being angry. That's funny. Breaked him out. Good call. It's

960
00:53:41,680 --> 00:53:45,160
Speaker 1: the best bits of the week with Morgan number two

961
00:53:47,360 --> 00:53:50,960
Speaker 1: coming in on number one, nineties Country. We love it.

962
00:53:51,280 --> 00:53:54,359
Speaker 1: We are here for it. I am living for how

963
00:53:54,440 --> 00:53:57,080
Speaker 1: much nineties country is in our lives right now. We

964
00:53:57,280 --> 00:53:59,640
Speaker 1: had the frontman of Country on this show and it

965
00:53:59,800 --> 00:54:03,840
Speaker 1: is formed from members of Lone Star, Little Texas, and

966
00:54:04,080 --> 00:54:07,319
Speaker 1: Restless Heart. They all played one of their biggest hits

967
00:54:07,440 --> 00:54:09,640
Speaker 1: from their band days. And I'm just telling you this

968
00:54:09,760 --> 00:54:12,840
Speaker 1: segment was so cool as a country fan, as a

969
00:54:13,000 --> 00:54:16,680
Speaker 1: nineties country fan, as a new fan, like everything about

970
00:54:16,719 --> 00:54:19,160
Speaker 1: this segment was so fun. And I am a huge

971
00:54:19,320 --> 00:54:22,359
Speaker 1: fan of Lone Star. I have been like my entire life.

972
00:54:22,440 --> 00:54:24,640
Speaker 1: But all these other bands, just all of them coming together.

973
00:54:24,800 --> 00:54:27,120
Speaker 1: It's really cool. You can hear about how they formed

974
00:54:27,520 --> 00:54:30,080
Speaker 1: and you can hear their performances. So here we go.

975
00:54:30,280 --> 00:54:33,640
Speaker 1: Listen to this. It's gonna make your entire weekend number

976
00:54:33,719 --> 00:54:37,960
Speaker 1: one on the Bobby Bones Show. Now the frontman of Country,

977
00:54:38,120 --> 00:54:39,600
Speaker 1: I gotta tell you, guys, when I heard you guys

978
00:54:39,600 --> 00:54:42,280
Speaker 1: that created a supergroup, I was like, I had my producer,

979
00:54:42,360 --> 00:54:44,160
Speaker 1: so we have to get them in immediately. So let

980
00:54:44,239 --> 00:54:46,279
Speaker 1: me introduce you guys first of all, from Lone Star,

981
00:54:46,400 --> 00:54:52,120
Speaker 1: Richie McDonald from Little Texas, Tim Rushlow Tim What's Up? Wing?

982
00:54:53,040 --> 00:54:57,359
Speaker 1: And Larry Stewart from Restless Heart What Larry? Well, Larry,

983
00:54:57,440 --> 00:55:00,719
Speaker 1: let me start with you. How did this come together? Oh? Well,

984
00:55:00,760 --> 00:55:05,719
Speaker 1: it short and came together really sort of part time,

985
00:55:05,960 --> 00:55:10,520
Speaker 1: almost ten years ago. And it was his idea and

986
00:55:11,000 --> 00:55:13,719
Speaker 1: we ended up going putting the three of us together

987
00:55:13,760 --> 00:55:16,560
Speaker 1: and going overseas and playing for the troops for quite

988
00:55:16,560 --> 00:55:18,640
Speaker 1: a few trips. And uh, and we would just do

989
00:55:18,680 --> 00:55:21,359
Speaker 1: a few shows here and there, a handful, a couple

990
00:55:21,400 --> 00:55:26,040
Speaker 1: of handfuls a year, and then here we are, Huh,

991
00:55:26,239 --> 00:55:29,279
Speaker 1: let's do something different, guys. Well, and there's such a

992
00:55:29,440 --> 00:55:33,680
Speaker 1: demand for nineties country, I would I would pay money.

993
00:55:33,719 --> 00:55:35,279
Speaker 1: I'm not bound up paying you today, don't get any

994
00:55:37,160 --> 00:55:40,200
Speaker 1: but Richie, I would pay money to watch this this group.

995
00:55:40,280 --> 00:55:41,680
Speaker 1: And you guys had to see that too, Like you

996
00:55:41,719 --> 00:55:43,479
Speaker 1: can go out and play all your hits but also

997
00:55:43,719 --> 00:55:46,759
Speaker 1: play like basically a whole generation, you know, with you

998
00:55:46,880 --> 00:55:49,759
Speaker 1: three massive Mantil thirty million records altogether. Like that had

999
00:55:49,760 --> 00:55:50,879
Speaker 1: to be a part of it too, Like we could

1000
00:55:50,920 --> 00:55:52,680
Speaker 1: really go out and really entertain a lot of people

1001
00:55:52,680 --> 00:55:55,799
Speaker 1: because of such a demand. Absolutely, and we're hoping that's

1002
00:55:55,840 --> 00:55:58,480
Speaker 1: what happens. You know. It's such a great era for music,

1003
00:56:00,120 --> 00:56:04,759
Speaker 1: just the story, storytelling songs and you know, the the

1004
00:56:05,360 --> 00:56:09,239
Speaker 1: melodic you know, the music of the songs. Uh, we're

1005
00:56:09,280 --> 00:56:12,080
Speaker 1: excited about this, just three of us. And the thing

1006
00:56:12,280 --> 00:56:15,400
Speaker 1: is it's, ah, it'll be an hour. We'll play an

1007
00:56:15,440 --> 00:56:16,920
Speaker 1: hour and a half. We could probably play two or

1008
00:56:16,960 --> 00:56:20,319
Speaker 1: three hours and still not play all the hits. Tim

1009
00:56:20,400 --> 00:56:23,359
Speaker 1: When I think of Little Texas, it's the I think

1010
00:56:23,400 --> 00:56:25,200
Speaker 1: of the video for God Bless Texas because I was

1011
00:56:26,080 --> 00:56:29,560
Speaker 1: I don't know what year was that, ninety ninety three.

1012
00:56:30,200 --> 00:56:33,120
Speaker 1: You think stuck on his face, you think of that,

1013
00:56:35,239 --> 00:56:37,359
Speaker 1: I think about the girls because I was thirteen years

1014
00:56:37,400 --> 00:56:40,279
Speaker 1: old and I'm watching CMT and I'm like, there are

1015
00:56:40,840 --> 00:56:45,279
Speaker 1: really voluptuous ladies in Texas bikinis. People always thought we

1016
00:56:45,320 --> 00:56:47,160
Speaker 1: were a big part of that, and in reality, we

1017
00:56:47,239 --> 00:56:50,200
Speaker 1: did the concert scene at South Fork Ranch and everything

1018
00:56:50,280 --> 00:56:52,520
Speaker 1: else was shot without us. They took like three weeks

1019
00:56:52,520 --> 00:56:56,040
Speaker 1: and went around the whole state of Texas, and the cheerleaders, Daskaways, cheerleaders,

1020
00:56:56,080 --> 00:56:58,400
Speaker 1: all that stuff. We weren't there for all that, but

1021
00:56:58,480 --> 00:57:00,480
Speaker 1: it was fun to see it. Final, you know, killed

1022
00:57:00,480 --> 00:57:03,359
Speaker 1: the fantasy? Can you just sorry? Yeah? Well, I mean,

1023
00:57:03,400 --> 00:57:05,120
Speaker 1: you know, I could be David Lye Roth for a minute,

1024
00:57:05,120 --> 00:57:08,000
Speaker 1: but oh my goodness. Well, I know you guys have

1025
00:57:08,120 --> 00:57:10,120
Speaker 1: all been extremely generous with what you would do. So

1026
00:57:10,560 --> 00:57:13,080
Speaker 1: let's just call a few out. How about from Let's

1027
00:57:13,160 --> 00:57:16,040
Speaker 1: do up first, Let's do when she cried? Let's do

1028
00:57:16,080 --> 00:57:18,880
Speaker 1: a restless Heart original? Is that that cool? We start

1029
00:57:18,920 --> 00:57:20,520
Speaker 1: with that? Yeah, I'd love to it all? Right? Here

1030
00:57:20,560 --> 00:57:22,440
Speaker 1: we got I brought my piano player, with my personal

1031
00:57:22,480 --> 00:57:26,360
Speaker 1: piano player with me over here. Who Richie McDonald star?

1032
00:57:26,480 --> 00:57:28,320
Speaker 1: Yeah yeah, yeah, alright, the front minute country, Let's go

1033
00:57:39,800 --> 00:57:45,480
Speaker 1: the road I have traveled on. It's people good team.

1034
00:57:48,360 --> 00:57:57,600
Speaker 1: It's leaded with broken country, never quicking true. When all

1035
00:57:57,640 --> 00:58:03,920
Speaker 1: of my hopes were die, her love kept me trying.

1036
00:58:05,920 --> 00:58:10,880
Speaker 1: She does her best, too high the pain she's been

1037
00:58:11,200 --> 00:58:17,000
Speaker 1: through when she cries. She cries at night at night,

1038
00:58:17,160 --> 00:58:22,680
Speaker 1: and she tells you things that I can hear. She tries,

1039
00:58:22,960 --> 00:58:29,440
Speaker 1: she try to hide all the feel she feels in side.

1040
00:58:30,320 --> 00:58:35,440
Speaker 1: So I pray, I breathe this time I can be

1041
00:58:35,960 --> 00:58:41,640
Speaker 1: the man and she desers because I die a little

1042
00:58:41,720 --> 00:58:57,360
Speaker 1: each time when she cries. Nice from it a tree.

1043
00:58:58,480 --> 00:59:01,120
Speaker 1: So I'm assuming And this could be an awkward question.

1044
00:59:01,160 --> 00:59:05,800
Speaker 1: And were cutting in thirds here? You mean money? Were yeah? Yeah, yeah,

1045
00:59:06,120 --> 00:59:11,280
Speaker 1: Well it's all larious. We are the oldest we are.

1046
00:59:11,640 --> 00:59:14,640
Speaker 1: We're decided guys. They haven't. We haven't done a business

1047
00:59:14,680 --> 00:59:17,800
Speaker 1: plan yet. We already been in that with those bands. Man,

1048
00:59:18,160 --> 00:59:22,600
Speaker 1: did you guys ever tour together throughout the nineties two thousands?

1049
00:59:22,760 --> 00:59:25,040
Speaker 1: Like did did Lone star in Little Texas the Wrestler?

1050
00:59:25,120 --> 00:59:26,919
Speaker 1: Did you guys ever end up on the same same

1051
00:59:27,000 --> 00:59:29,960
Speaker 1: bill ever? That's a great question. Restless Heart did a

1052
00:59:30,000 --> 00:59:32,520
Speaker 1: couple of shows with Lone start two years ago? Yeah,

1053
00:59:32,600 --> 00:59:36,600
Speaker 1: we did. I remember in the early nineties we did

1054
00:59:36,680 --> 00:59:40,320
Speaker 1: a show opening for Rustless Heart in Oklahoma somewhere, and

1055
00:59:40,880 --> 00:59:43,720
Speaker 1: they were like hugeness and we were starting but we

1056
00:59:43,800 --> 00:59:45,520
Speaker 1: were just like they were like the eagles to us,

1057
00:59:45,720 --> 00:59:48,720
Speaker 1: and we were just in awe and I was hoping

1058
00:59:48,800 --> 00:59:50,360
Speaker 1: that they would, you know, be great, and they were

1059
00:59:50,400 --> 00:59:52,080
Speaker 1: better than that. They were like it was stunning. We

1060
00:59:52,280 --> 00:59:53,560
Speaker 1: kind of realized at that point we had to go

1061
00:59:53,600 --> 00:59:55,640
Speaker 1: back the drawing board and get get better, which was

1062
00:59:55,760 --> 00:59:57,960
Speaker 1: a great thing. They were a huge influence. Were we nice?

1063
00:59:58,280 --> 01:00:00,040
Speaker 1: You were very kind? Good? Yeah, it was a a

1064
01:00:00,160 --> 01:00:04,040
Speaker 1: day for you. I was good. All the front men

1065
01:00:04,120 --> 01:00:06,640
Speaker 1: from Lone Star, Little Texas and Restless Harder here they're

1066
01:00:06,640 --> 01:00:09,120
Speaker 1: in a new band called the Frontmen of Country and Richie,

1067
01:00:09,160 --> 01:00:11,280
Speaker 1: I'm gonna come over to you. You're with Lone Star

1068
01:00:11,400 --> 01:00:14,840
Speaker 1: for thirty years. That's a whole lifetime. Um. I told

1069
01:00:14,920 --> 01:00:16,560
Speaker 1: my son, and he didn't like the way I put this,

1070
01:00:16,680 --> 01:00:18,440
Speaker 1: but I said, you know, in the twilight of my career.

1071
01:00:18,760 --> 01:00:20,800
Speaker 1: He goes, well, Dad, you're not in the twilight. I said, well,

1072
01:00:21,040 --> 01:00:23,040
Speaker 1: I'm not gonna do this for forty more years. I'm

1073
01:00:23,080 --> 01:00:25,160
Speaker 1: just telling you, but I don't know. This is just

1074
01:00:25,680 --> 01:00:29,240
Speaker 1: a really exciting chapter to get to sing with these

1075
01:00:29,280 --> 01:00:32,840
Speaker 1: two guys. I gotta imagine when Amazed hits, because it

1076
01:00:33,040 --> 01:00:35,880
Speaker 1: wasn't just a massive country song. It became a massive

1077
01:00:35,920 --> 01:00:38,440
Speaker 1: it was everywhere. It did never started to be like

1078
01:00:38,640 --> 01:00:43,120
Speaker 1: dance like you heard that too, your ro dance mixes

1079
01:00:43,160 --> 01:00:45,400
Speaker 1: of Amazed. I was on the way home from Nashville

1080
01:00:45,440 --> 01:00:48,280
Speaker 1: one day and I heard that mix, that dance mix

1081
01:00:48,360 --> 01:00:53,840
Speaker 1: to Amaze. I was like, who authorized that? What's the

1082
01:00:54,000 --> 01:00:56,600
Speaker 1: feeling whenever you cross over from being a country star

1083
01:00:56,680 --> 01:00:58,360
Speaker 1: to where the whole world is hearing your music that

1084
01:00:58,360 --> 01:01:01,080
Speaker 1: doesn't even know country music? Does it feel different? You

1085
01:01:01,160 --> 01:01:02,800
Speaker 1: know what it really does? And I think the three

1086
01:01:02,840 --> 01:01:05,160
Speaker 1: of us have all had that song in our careers.

1087
01:01:05,840 --> 01:01:08,120
Speaker 1: But h it just opened a lot more doors, you know,

1088
01:01:08,320 --> 01:01:11,880
Speaker 1: you know, sitting from sitting in a listening room at

1089
01:01:12,000 --> 01:01:14,880
Speaker 1: RCA Records and P and A Records, and you know,

1090
01:01:15,120 --> 01:01:17,360
Speaker 1: getting songs pitched to you, that song pitch to us

1091
01:01:17,440 --> 01:01:20,760
Speaker 1: and going from the studio and then to watch it

1092
01:01:21,480 --> 01:01:24,200
Speaker 1: moreph into what it did, you know, crossing over from

1093
01:01:24,320 --> 01:01:29,280
Speaker 1: country to pop to you know, contemporary hot. I don't

1094
01:01:29,320 --> 01:01:32,440
Speaker 1: know all the different genres, but um, it's crazy, but

1095
01:01:32,520 --> 01:01:34,120
Speaker 1: it did. It did allow us to do a lot

1096
01:01:34,240 --> 01:01:36,760
Speaker 1: more things and and it widen the fan base. I'd

1097
01:01:36,800 --> 01:01:38,840
Speaker 1: say this is a song that I will never dare

1098
01:01:38,880 --> 01:01:43,240
Speaker 1: to sing karaoke because it is so up there. You know,

1099
01:01:44,040 --> 01:01:46,400
Speaker 1: I can't even I can't even like. Oh, come on, no,

1100
01:01:46,960 --> 01:01:49,880
Speaker 1: I will not come on. How how in the world

1101
01:01:50,120 --> 01:01:51,760
Speaker 1: are you singing? How do you not blow out a

1102
01:01:51,840 --> 01:01:54,760
Speaker 1: voice singing this every night? I don't know, I just

1103
01:01:55,040 --> 01:01:57,000
Speaker 1: I guess I've been lucky over the years and tried

1104
01:01:57,040 --> 01:01:59,160
Speaker 1: to take care of my voice and uh, just gargle

1105
01:01:59,240 --> 01:02:04,200
Speaker 1: with whiskey and tequila. But other than that, you know,

1106
01:02:05,400 --> 01:02:08,919
Speaker 1: just gargle the frontmen of country or here, um, let's

1107
01:02:09,000 --> 01:02:11,600
Speaker 1: do let's do a little, a little lone star here

1108
01:02:11,680 --> 01:02:23,080
Speaker 1: here is amazed every time I as me is feeling

1109
01:02:23,280 --> 01:02:32,400
Speaker 1: inside me, It's almost more than I can take. Baby,

1110
01:02:32,480 --> 01:02:36,880
Speaker 1: when you touch me, I can fail much you love me,

1111
01:02:38,200 --> 01:02:45,920
Speaker 1: and it just blows me away. I've never been this

1112
01:02:46,240 --> 01:02:53,800
Speaker 1: close to anyone anything. I can hear your thoughts, I

1113
01:02:53,920 --> 01:02:58,560
Speaker 1: can see your dreams. Don't know how you do what

1114
01:02:58,960 --> 01:03:06,400
Speaker 1: you do. I'm so lovely. You just keeps getting better.

1115
01:03:09,920 --> 01:03:14,200
Speaker 1: I want to spend the rest of my life you

1116
01:03:14,600 --> 01:03:26,800
Speaker 1: by my side, reverdem every little thing like you do. Baby,

1117
01:03:26,920 --> 01:03:41,040
Speaker 1: I'm amazed by that's so good. You know what, I

1118
01:03:41,120 --> 01:03:43,120
Speaker 1: like it? I know, well, here suppose you did. You

1119
01:03:43,160 --> 01:03:46,440
Speaker 1: did two things. You know it's the only person of chorse,

1120
01:03:46,520 --> 01:03:48,040
Speaker 1: but you took us to the last. But you know

1121
01:03:48,120 --> 01:03:49,880
Speaker 1: the last chorse I had to and you flex that.

1122
01:03:49,920 --> 01:03:51,320
Speaker 1: They call it a flex when you jump back and

1123
01:03:51,320 --> 01:03:54,560
Speaker 1: you would. I saw you. You're just prove it to

1124
01:03:54,720 --> 01:03:56,560
Speaker 1: you still had it. You're just proven it to us.

1125
01:03:57,040 --> 01:03:59,000
Speaker 1: And then I like to you that because I like

1126
01:03:59,080 --> 01:04:01,880
Speaker 1: how the song ends. Imbody did that. Dang, that's so

1127
01:04:02,040 --> 01:04:05,800
Speaker 1: cool man. So you my wife listens every morning, said

1128
01:04:05,840 --> 01:04:08,120
Speaker 1: you need, you need. You are looking for a wedding

1129
01:04:08,200 --> 01:04:10,920
Speaker 1: singer or so I'm thinking I will three of them here.

1130
01:04:10,960 --> 01:04:13,760
Speaker 1: I will invite you guys to the wedding. You come

1131
01:04:13,840 --> 01:04:16,400
Speaker 1: up and playing gold songs. Dang, that's so you guys are.

1132
01:04:16,560 --> 01:04:18,200
Speaker 1: That's just again, I will pay money to go to

1133
01:04:18,280 --> 01:04:20,880
Speaker 1: this show. And again, I don't think listen, I'm in

1134
01:04:20,960 --> 01:04:22,920
Speaker 1: the industry and have a career that I have to

1135
01:04:22,960 --> 01:04:24,920
Speaker 1: pay to go to mini shows. Honestly, but this is

1136
01:04:25,480 --> 01:04:28,840
Speaker 1: so cool because you guys have songs of like my life.

1137
01:04:28,920 --> 01:04:30,480
Speaker 1: Like when you play these songs, we're gonna do God

1138
01:04:30,520 --> 01:04:32,160
Speaker 1: bless Texas in a second, like I know where I

1139
01:04:32,320 --> 01:04:34,240
Speaker 1: was at the exact time that these songs hit. You

1140
01:04:34,320 --> 01:04:36,800
Speaker 1: brought up a good point. Um, I think that when

1141
01:04:36,840 --> 01:04:38,959
Speaker 1: we first did this, it was just like fun, Like, Wow,

1142
01:04:39,080 --> 01:04:41,320
Speaker 1: this is fun because we're actually fans of each other's

1143
01:04:41,360 --> 01:04:42,920
Speaker 1: bands big time, and we'd love to sing on each

1144
01:04:42,920 --> 01:04:46,080
Speaker 1: other's songs. But there's a common thread that runs through

1145
01:04:46,120 --> 01:04:49,400
Speaker 1: the three of our groups that's really Um, it's authentic.

1146
01:04:49,920 --> 01:04:51,960
Speaker 1: It's real. We're not trying to be you know whatever.

1147
01:04:52,040 --> 01:04:54,440
Speaker 1: It's just really authentic, and it really is the soundtrack

1148
01:04:54,480 --> 01:04:57,800
Speaker 1: to people's lives. That that nineties thing, that's just it's

1149
01:04:57,920 --> 01:05:00,280
Speaker 1: there's just something to it. And as we have grown

1150
01:05:00,320 --> 01:05:02,680
Speaker 1: and doing these shows. I that was during the COVID thing,

1151
01:05:03,000 --> 01:05:05,760
Speaker 1: and then of course post that, now thank god we're

1152
01:05:05,800 --> 01:05:07,840
Speaker 1: going you know what, we could go out and do

1153
01:05:07,920 --> 01:05:10,400
Speaker 1: this and have fun and hopefully if people are really

1154
01:05:10,440 --> 01:05:12,560
Speaker 1: trying to go, hey, what show can I go see?

1155
01:05:12,600 --> 01:05:15,200
Speaker 1: I got enough to see one. Well, we want to

1156
01:05:15,240 --> 01:05:17,840
Speaker 1: be Hey, there's three acts here that can play a

1157
01:05:17,920 --> 01:05:20,320
Speaker 1: bunch of things and create an evening of a full

1158
01:05:20,360 --> 01:05:22,640
Speaker 1: fabric of the landscape of the nineties country, at least

1159
01:05:22,640 --> 01:05:25,200
Speaker 1: from the band perspective. So for us, it's kind of cool,

1160
01:05:25,360 --> 01:05:27,760
Speaker 1: you know. And you said it's kind of your soundtrack,

1161
01:05:27,840 --> 01:05:30,080
Speaker 1: it's our soundtrack too. It's kind of cool. A kid

1162
01:05:30,080 --> 01:05:32,480
Speaker 1: who grew up in Mountain Pine, Arkansas, population seven hundred

1163
01:05:32,480 --> 01:05:34,840
Speaker 1: and seventy people. Man, this is it, Like, this is

1164
01:05:34,880 --> 01:05:36,400
Speaker 1: why I go. I know exactly where I was. I

1165
01:05:36,480 --> 01:05:38,920
Speaker 1: know exactly where all these Richie McDonald from Lone Star,

1166
01:05:38,960 --> 01:05:41,480
Speaker 1: Tim Rushlow from Little Texas, and Larry Stewart from Restless

1167
01:05:41,480 --> 01:05:44,080
Speaker 1: Heart are here. And if you missed the first segment,

1168
01:05:44,200 --> 01:05:46,400
Speaker 1: go back and listen from the podcast. But you guys

1169
01:05:46,440 --> 01:05:48,320
Speaker 1: are touring. I have your all your show dates here

1170
01:05:48,840 --> 01:05:51,880
Speaker 1: from April to November. You guys are on the road.

1171
01:05:52,400 --> 01:05:55,200
Speaker 1: I mean three big stars, three big tour buses, different

1172
01:05:55,320 --> 01:06:00,320
Speaker 1: different jets, I mean three road managers. Yeah all right,

1173
01:06:00,440 --> 01:06:02,400
Speaker 1: Like is this like the Eagles? You don't get together

1174
01:06:02,480 --> 01:06:04,560
Speaker 1: until it's time to go on stage. Are your bodyguard? Yeah,

1175
01:06:04,600 --> 01:06:09,080
Speaker 1: we're three minivans. Are you guys hitting doing the bus again?

1176
01:06:09,200 --> 01:06:11,160
Speaker 1: Like you get on the bus and going back on

1177
01:06:11,280 --> 01:06:13,400
Speaker 1: the road that way it looks like it. Yeah. Yeah,

1178
01:06:14,080 --> 01:06:15,480
Speaker 1: we're gonna do a lot of flight dates, a lot

1179
01:06:15,520 --> 01:06:18,040
Speaker 1: of bus dates. Yeah, I mean we've got on some

1180
01:06:18,200 --> 01:06:20,240
Speaker 1: of the shows that we're booking now it's going to

1181
01:06:20,280 --> 01:06:22,800
Speaker 1: be with a band as well, So we'll do someng

1182
01:06:22,880 --> 01:06:24,520
Speaker 1: with just the three of us and some with the

1183
01:06:24,600 --> 01:06:26,440
Speaker 1: band behind us. I'm telling you, if I were just

1184
01:06:26,520 --> 01:06:28,560
Speaker 1: getting to pick I would have no band. I know,

1185
01:06:28,640 --> 01:06:30,160
Speaker 1: the band would be great for it, but it's just

1186
01:06:30,800 --> 01:06:33,080
Speaker 1: watch you and you. I'm sure you're telling stories too

1187
01:06:33,200 --> 01:06:34,440
Speaker 1: in your show if it's just the three of you.

1188
01:06:34,880 --> 01:06:37,120
Speaker 1: I mean, this is primetimes. The unplug show you get

1189
01:06:37,160 --> 01:06:38,720
Speaker 1: more of that, where you know, you get to hear

1190
01:06:38,720 --> 01:06:40,520
Speaker 1: the stories behind the songs. The band shows are more

1191
01:06:40,560 --> 01:06:43,680
Speaker 1: power because it's the full blown thing. But yeah, I'm

1192
01:06:43,720 --> 01:06:45,840
Speaker 1: all with you. Then Plug things pretty cool, so you

1193
01:06:45,920 --> 01:06:47,800
Speaker 1: guys go check them out. The Frontmen of Country have

1194
01:06:47,840 --> 01:06:51,120
Speaker 1: all their tour dates up, starting in Grant, Oklahoma, on

1195
01:06:51,200 --> 01:06:53,200
Speaker 1: April sixteenth, and then all the way to the end

1196
01:06:53,200 --> 01:06:55,439
Speaker 1: of November. Where where all these dates? You gotta does

1197
01:06:55,480 --> 01:06:57,800
Speaker 1: have a website or what's happening here? Yeah, Frontmen of

1198
01:06:57,840 --> 01:07:00,320
Speaker 1: Country dot com um and then of course saw our

1199
01:07:00,360 --> 01:07:02,440
Speaker 1: socials and Facebook and all that stuff that everybody has.

1200
01:07:02,480 --> 01:07:03,959
Speaker 1: So we work. We're kind of all over and there's

1201
01:07:04,360 --> 01:07:06,640
Speaker 1: I mean, we just announced this and so our agency

1202
01:07:06,680 --> 01:07:10,160
Speaker 1: with Boxing Entertainment just put that out and so that's

1203
01:07:10,280 --> 01:07:14,040
Speaker 1: what just initially splashed up quick and there's a ton

1204
01:07:14,160 --> 01:07:16,520
Speaker 1: more coming where you know, we just haven't got them

1205
01:07:16,600 --> 01:07:18,560
Speaker 1: up yet. So are you guys, because you have I

1206
01:07:18,640 --> 01:07:22,240
Speaker 1: mentioned earlier, sold over thirty million albums combined. But are

1207
01:07:22,280 --> 01:07:25,320
Speaker 1: you guys working on new music as well? We actually

1208
01:07:25,440 --> 01:07:28,600
Speaker 1: did last year. We went in and recorded a song

1209
01:07:28,720 --> 01:07:30,720
Speaker 1: called if it Wasn't for the Radio. It's really a

1210
01:07:30,760 --> 01:07:34,520
Speaker 1: great song. Here are harmonies together, but also go back

1211
01:07:34,600 --> 01:07:37,880
Speaker 1: in and just hopefully make a little epe finish it up. Yeah,

1212
01:07:38,000 --> 01:07:39,800
Speaker 1: for sure, that'd be fun to do. Would you guys

1213
01:07:39,960 --> 01:07:43,120
Speaker 1: rather me play some of the studio version or play

1214
01:07:43,160 --> 01:07:45,040
Speaker 1: some if it Wasn't for the radio yourself? We did

1215
01:07:45,120 --> 01:07:47,600
Speaker 1: three voices and guitars and piano up to you guys,

1216
01:07:47,640 --> 01:07:49,840
Speaker 1: I sign the record, Yeah, I go record. Okay, well

1217
01:07:49,920 --> 01:07:51,640
Speaker 1: let's hear hey, Ray, give us some of if it

1218
01:07:51,760 --> 01:08:02,560
Speaker 1: Wasn't for the radio, If it wasn't for the raid,

1219
01:08:11,120 --> 01:08:15,520
Speaker 1: I get down, time rolls on in Young Love, babs away,

1220
01:08:15,800 --> 01:08:18,920
Speaker 1: who's that? That's me? Okay? Alright, right, that's rich. It

1221
01:08:19,040 --> 01:08:22,640
Speaker 1: don't playing in song? It was about her? Ray I

1222
01:08:22,840 --> 01:08:27,000
Speaker 1: might have never learned it. Sometimes you just gotta let

1223
01:08:27,080 --> 01:08:31,320
Speaker 1: her go. If it wasn't for the radio, if it

1224
01:08:31,520 --> 01:08:38,760
Speaker 1: wasn't for the race, good Days, Heartache can't the soundtrack

1225
01:08:38,920 --> 01:08:43,719
Speaker 1: in my life. It makes you feel something real, can't

1226
01:08:44,000 --> 01:08:51,000
Speaker 1: get home every time. No Zonelities wouldn't have a place

1227
01:08:51,080 --> 01:08:56,719
Speaker 1: to go for the radio if it wasn't for the races.

1228
01:08:56,720 --> 01:09:03,639
Speaker 1: That no, Bobby, because I know I look at you guys.

1229
01:09:04,360 --> 01:09:09,200
Speaker 1: So is there any sort of debate on which songs

1230
01:09:09,200 --> 01:09:10,880
Speaker 1: in the set list, Like what's first? When you do

1231
01:09:11,000 --> 01:09:12,760
Speaker 1: a show, you got a lot of hits. What do

1232
01:09:12,840 --> 01:09:15,559
Speaker 1: you start with? That's a great question. We usually start

1233
01:09:15,600 --> 01:09:19,000
Speaker 1: with me doing that Rock Won't Roll? Okay, what do

1234
01:09:19,080 --> 01:09:23,280
Speaker 1: you end with? That's usually it's kind of easy because

1235
01:09:24,720 --> 01:09:26,599
Speaker 1: I mean we try to make the show flow obviously

1236
01:09:26,960 --> 01:09:29,880
Speaker 1: from you know, from me Larry to me then Tim.

1237
01:09:30,000 --> 01:09:36,599
Speaker 1: But I usually think it's it's probably yeah, absolutely because

1238
01:09:36,600 --> 01:09:39,560
Speaker 1: it probably gets up loves it, yeahah and you and

1239
01:09:39,800 --> 01:09:41,600
Speaker 1: like between Lone Star and Russell. So there's a lot

1240
01:09:41,600 --> 01:09:43,840
Speaker 1: of tempo songs in the show. It's not just ballad heavy,

1241
01:09:43,920 --> 01:09:45,920
Speaker 1: but that that definitely is the one that gets people

1242
01:09:46,000 --> 01:09:48,800
Speaker 1: kind of rowdy, you know. That's funny because that song.

1243
01:09:49,040 --> 01:09:50,639
Speaker 1: When we put that out, we were on Warner Brothers

1244
01:09:50,680 --> 01:09:52,960
Speaker 1: at the time and they were like, man, guys, I

1245
01:09:53,000 --> 01:09:54,280
Speaker 1: don't know if you should put this out or not.

1246
01:09:54,400 --> 01:09:56,160
Speaker 1: This is regional at best. I mean, it's just a

1247
01:09:56,280 --> 01:09:58,160
Speaker 1: Texas song. We were like, look, they're singing this and

1248
01:09:58,200 --> 01:10:00,400
Speaker 1: saw like City Loud, it's not even a single. Yeah,

1249
01:10:00,479 --> 01:10:02,360
Speaker 1: let's just put it out. So we did, and of

1250
01:10:02,439 --> 01:10:04,599
Speaker 1: course it worked. So are you like, hey, knuckleheads, ever

1251
01:10:04,640 --> 01:10:08,240
Speaker 1: heard of Sweet Home Alabama? All right, right, yeah, there's

1252
01:10:08,240 --> 01:10:11,160
Speaker 1: like ten thousand other songs. Well, let's act like we've

1253
01:10:11,160 --> 01:10:13,559
Speaker 1: been at the show. We've sing along all the hits

1254
01:10:13,960 --> 01:10:16,320
Speaker 1: they've they've got one song left the front ment of

1255
01:10:16,320 --> 01:10:19,160
Speaker 1: country are gonna play their last song, and tim, I'm

1256
01:10:19,160 --> 01:10:30,679
Speaker 1: gonna hand it over to you, all right, toothing. I've

1257
01:10:30,760 --> 01:10:34,200
Speaker 1: seen a lot of places I better around the world.

1258
01:10:37,960 --> 01:10:41,679
Speaker 1: I've seen some pretty faces, been with some beautiful girls.

1259
01:10:45,240 --> 01:10:52,800
Speaker 1: We're laughter when this one being still amazes me, just

1260
01:10:53,040 --> 01:10:56,280
Speaker 1: like a miracle. You have seen him in the lead.

1261
01:10:56,720 --> 01:11:00,080
Speaker 1: I'll sing it at home. Here we go. Well, I

1262
01:11:00,320 --> 01:11:05,240
Speaker 1: missed tixes with his own hand, bro damn Angels from

1263
01:11:05,320 --> 01:11:09,679
Speaker 1: the Promise Land. He gave up my place, really good

1264
01:11:09,960 --> 01:11:14,000
Speaker 1: danceing me. Want to see him and brother, he's your chance.

1265
01:11:14,800 --> 01:11:18,920
Speaker 1: I've been sinned to spread the message. Come on, Bobby,

1266
01:11:19,040 --> 01:11:23,120
Speaker 1: sing with me. God Bless Texas. Yeah, I've been sinned.

1267
01:11:23,840 --> 01:11:36,160
Speaker 1: Spread the message. God Bless Tixes. Okay, let me tell

1268
01:11:36,160 --> 01:11:39,080
Speaker 1: you what happened while you guys are playing. Every show

1269
01:11:39,160 --> 01:11:42,080
Speaker 1: member looked at me and was like, can we sing? Oh?

1270
01:11:42,439 --> 01:11:44,600
Speaker 1: I love well. I like our audience to hear what

1271
01:11:44,680 --> 01:11:46,800
Speaker 1: it really sounds like. So if you wouldn't mind, maybe

1272
01:11:46,800 --> 01:11:49,439
Speaker 1: we can just go chorus only and we can let

1273
01:11:49,520 --> 01:11:52,200
Speaker 1: everyone sing the chords with We took his cue, by

1274
01:11:52,240 --> 01:11:55,280
Speaker 1: the way, which was yeah, it's an eye contact thing.

1275
01:11:55,560 --> 01:11:57,320
Speaker 1: I look at him like I'm itching to sing, and

1276
01:11:57,400 --> 01:12:00,840
Speaker 1: he's like, not yet, but we will. But we wanted

1277
01:12:00,960 --> 01:12:02,719
Speaker 1: them to hear the front in a country do it first,

1278
01:12:02,920 --> 01:12:05,280
Speaker 1: all right, Tammy ready? Of course? Yeah? Just of course

1279
01:12:06,640 --> 01:12:11,840
Speaker 1: to want to But yeah, bless Texas. With his own

1280
01:12:12,080 --> 01:12:17,120
Speaker 1: hand broad down angels from the promised Land. He gave

1281
01:12:17,160 --> 01:12:21,240
Speaker 1: them a place where they can dancey want to see

1282
01:12:21,520 --> 01:12:25,880
Speaker 1: him and brother, here's your chance. I've been sent the

1283
01:12:26,040 --> 01:12:29,200
Speaker 1: spread a message. It's all you can give it to us.

1284
01:12:29,240 --> 01:12:34,439
Speaker 1: Come on, God, Bless Texas. Yeah, I've been sent spreads.

1285
01:12:36,080 --> 01:12:46,080
Speaker 1: God bless Texas. Nice show, wow, wow wow. Okay, let

1286
01:12:46,160 --> 01:12:50,479
Speaker 1: me tell you they're at the front Men Underscore. Couldn't

1287
01:12:50,479 --> 01:12:51,920
Speaker 1: get to from in a country. Too many of that still,

1288
01:12:52,000 --> 01:12:55,360
Speaker 1: too many characters. Oh is that true yet? You would know?

1289
01:12:55,560 --> 01:12:57,559
Speaker 1: Is that the rumor? Okay, yes, it must be true

1290
01:12:57,760 --> 01:13:02,280
Speaker 1: at the front Men Underscore? Is that right? Yes? Okay, okay, nothing,

1291
01:13:02,360 --> 01:13:06,640
Speaker 1: It's at the Frontmen of Country dot Com right right right?

1292
01:13:08,120 --> 01:13:11,400
Speaker 1: I sing, I just you guys have to go to

1293
01:13:11,479 --> 01:13:13,200
Speaker 1: a show. I have to go to a show. Okay.

1294
01:13:13,320 --> 01:13:14,840
Speaker 1: Let me see if you guys. Are you guys coming

1295
01:13:14,960 --> 01:13:17,280
Speaker 1: near here? I don't see you near here, not yet.

1296
01:13:17,320 --> 01:13:19,120
Speaker 1: I see Beauty of Texas. I'll go to that one.

1297
01:13:19,479 --> 01:13:22,599
Speaker 1: Let's see yeah or yeah, at the Frontmen Underscore. You're

1298
01:13:22,680 --> 01:13:26,479
Speaker 1: on Twitter. I'm looking at it right now, looking sharp, young, vibrant.

1299
01:13:26,600 --> 01:13:29,680
Speaker 1: Look at you guys, right on time. We can do

1300
01:13:29,720 --> 01:13:31,479
Speaker 1: a quick ninety minute show for you right now. You know,

1301
01:13:31,560 --> 01:13:34,559
Speaker 1: what do you do? You guys know all the songs? Huh?

1302
01:13:34,960 --> 01:13:36,840
Speaker 1: All of our songs? Yeah, Like I'm saying, have you

1303
01:13:36,880 --> 01:13:38,600
Speaker 1: guys practiced every song that you're gonna do on on

1304
01:13:39,040 --> 01:13:42,120
Speaker 1: a show? Give or take. Yeah, and we throw some

1305
01:13:42,200 --> 01:13:45,400
Speaker 1: wild cards. Sometimes crowds getting nuts and they'll say something's

1306
01:13:45,400 --> 01:13:46,800
Speaker 1: not ours and we'll go, oh yeah, we'll do that.

1307
01:13:46,960 --> 01:13:48,519
Speaker 1: Like if I were if I were gonna go, I'm

1308
01:13:48,520 --> 01:13:56,040
Speaker 1: already there, would you guys know that one already there taken,

1309
01:13:57,320 --> 01:14:04,080
Speaker 1: I'm the sun shining year, the shit on the ground. Yeah,

1310
01:14:04,240 --> 01:14:06,400
Speaker 1: we would know that one. Okay, now, Bobby, do more?

1311
01:14:06,479 --> 01:14:11,799
Speaker 1: Do more? Listen, I'm gonna let him go. The frontmen

1312
01:14:11,880 --> 01:14:16,240
Speaker 1: of Country, we can go all day. Massive fan of

1313
01:14:16,280 --> 01:14:18,400
Speaker 1: all three of you guys. Thank you, such a massive fan.

1314
01:14:18,400 --> 01:14:19,880
Speaker 1: I don't know quite where to look when I talk

1315
01:14:19,880 --> 01:14:21,920
Speaker 1: because I'm just trying to equally spend one third of

1316
01:14:22,000 --> 01:14:24,320
Speaker 1: time with each of you. Thank you for having us.

1317
01:14:24,479 --> 01:14:27,120
Speaker 1: You guys. It's Richie McDonald from Lone Star, Tim Rushlove

1318
01:14:27,160 --> 01:14:29,600
Speaker 1: from Little Texas, and Lettery Stewart from Restless Heart. I

1319
01:14:29,680 --> 01:14:31,040
Speaker 1: will go to a show. If you come near and

1320
01:14:31,080 --> 01:14:33,080
Speaker 1: I'm in town, I will go. That's That's the biggest

1321
01:14:33,120 --> 01:14:35,040
Speaker 1: thing I can say, The biggest bot of confidence I

1322
01:14:35,080 --> 01:14:36,760
Speaker 1: can give you, but you don't need mine. And my

1323
01:14:36,840 --> 01:14:39,559
Speaker 1: final question is, if you could put a fourth singer

1324
01:14:39,640 --> 01:14:41,320
Speaker 1: up on this stage, who would it be? And why

1325
01:14:41,360 --> 01:14:45,400
Speaker 1: would it be Bobby Bones but case, he's a great

1326
01:14:45,439 --> 01:14:48,519
Speaker 1: singer and a great personality, and like um let us,

1327
01:14:49,200 --> 01:14:51,080
Speaker 1: you would totally be the NC host of the show too.

1328
01:14:53,120 --> 01:14:57,080
Speaker 1: You can sing yeah, all right the front ment of country.

1329
01:14:57,160 --> 01:15:01,519
Speaker 1: Thank you guys, go check him out. It's the best

1330
01:15:01,680 --> 01:15:07,560
Speaker 1: bits of the week with Morgan number two. That's a

1331
01:15:07,640 --> 01:15:10,519
Speaker 1: rap for this week's show. I am so glad y'all

1332
01:15:10,600 --> 01:15:12,680
Speaker 1: came to hang out with me. Thanks for listening. I

1333
01:15:12,800 --> 01:15:15,400
Speaker 1: hope you enjoyed Lunchbox and I talking about all the

1334
01:15:15,479 --> 01:15:18,080
Speaker 1: things that happened this week. And you make sure to

1335
01:15:18,200 --> 01:15:21,719
Speaker 1: follow us on Twitter, Instagram, Facebook, YouTube all the things

1336
01:15:21,840 --> 01:15:24,600
Speaker 1: at Bobby Bones Show and you can relive all the

1337
01:15:24,680 --> 01:15:28,200
Speaker 1: great moments in video format Bobby Bones dot com, especially

1338
01:15:28,600 --> 01:15:31,720
Speaker 1: that new cartoon version of Lunchboxes prank called trying to

1339
01:15:31,760 --> 01:15:34,599
Speaker 1: Buy George Strait's House. Go watch it for real Bobby

1340
01:15:34,640 --> 01:15:38,680
Speaker 1: Bones dot com and as usual, follow me on Twitter, Instagram,

1341
01:15:39,000 --> 01:15:41,720
Speaker 1: TikTok all the things at web Girl Morgan. I love

1342
01:15:41,840 --> 01:15:44,679
Speaker 1: hanging out with y'all, hearing from you, sending me questions.

1343
01:15:44,880 --> 01:15:47,080
Speaker 1: Whatever you want to know, hit me up in the DMS.

1344
01:15:47,600 --> 01:15:49,680
Speaker 1: Thanks y'all. Have a great weekend. By