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Speaker 1: Text from Kevin nine oh six, heyes, are you close?

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Speaker 1: Conversation must have been pretty before I got here.

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Speaker 2: Uh huh, Well, we were told I got to pull

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Speaker 2: the fire alarm on this thing. We were told.

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Speaker 1: That you were mid quite as are you close? Yeah?

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Speaker 2: And so what we know that that can take a

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Speaker 2: long time, but you asking maybe that makes it take

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Speaker 2: long longer. Yeah, well, and asking in that way, ye

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Speaker 2: are you close? Is like it's sort of a foot

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Speaker 2: tap expectation. If Kevin had texted parenthetical whispering, are you

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Speaker 2: going to come for me?

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Speaker 1: Baby? Sure?

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Speaker 2: Now all of a sudden, this is maybe expediting the process. Well, Jesse,

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Speaker 2: you talk about this all the time?

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Speaker 1: Or are you close? Like with fear? You know what

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Speaker 1: I mean? Like, oh no, because that's your worst nightmare.

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Speaker 1: Why doesn't he say he's close? Why doesn't Kevin say

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Speaker 1: that that underesting.

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Speaker 2: That could be interesting, that could really inspire.

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Speaker 1: Be really good. Because now I'm picking.

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Speaker 3: I'm close, right now, right, I'm close, and you start

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Speaker 3: speeding up. Yeah, and before you know it, you know, yeah,

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Speaker 3: we're kind of doing our thing.

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Speaker 2: If I had, oh God, beating up because I heard

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Speaker 2: that Kevin was close, Jesus Christ man, don't tell me that.

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Speaker 2: If you had two hundred thousand dollars, go ahead, Well, it's.

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Speaker 1: I would say if I hadn't, don't nickle for every

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Speaker 1: time I heard that you don't have to race. But

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Speaker 1: it's really if I had like two hundred thousand dollars, yeah,

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Speaker 1: for every time, yeah I heard it, you're close, I'd

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Speaker 1: be I'd have about fifty thousand bucks.

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Speaker 2: Yeah, just about.

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Speaker 1: It'll give me some walking around money.

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Speaker 2: Yeah, oh god, sockets bulging a producer coming is really

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Speaker 2: important to a show.

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Speaker 3: I'll say that I've learned in my time in the industry.

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Speaker 2: So you yeah, you wanted to talk about how long

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Speaker 2: you've been in the game, right.

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Speaker 1: When you when we first had you on here, Yeah,

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Speaker 1: you had nothing going on.

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Speaker 2: I know you were a fucking loser. I was, I

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Speaker 2: was going, why is he here?

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Speaker 1: I think you did say that, Yeah.

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Speaker 2: Yeah, why are you here? What are we even gonna do?

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Speaker 2: Like can we release this?

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Speaker 1: Ye?

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Speaker 2: Like who would listen? I felt like we need to

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Speaker 2: do so much explaining of who you were, And then

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Speaker 2: every opportunity we gave you to explain who you were,

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Speaker 2: you just talked about getting like jerked off of the

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Speaker 2: grocery story.

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Speaker 3: Right, yeah, and so we won't do that now that

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Speaker 3: you've reminded me, we won't do that this.

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Speaker 1: Time because of the tariffs. Yes, yeah, I you know.

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Speaker 3: I think it's I shared this with Kevin uh the

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Speaker 3: other day. Kevin and I are friends.

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Speaker 1: Because you did podcast simulation. So you're the one. Yeah

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Speaker 1: that's right.

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Speaker 2: Come on, you got that.

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Speaker 1: So you're the one. Hey, that should be called friends simulator.

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Speaker 2: Heyes, you hear my joke.

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Speaker 1: Yeah, I thought I was kind of adding on it.

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Speaker 1: Really I was. It was in the same area at

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Speaker 1: least you were playing in the space. Yeah, I was

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Speaker 1: shared with Kevin that. I don't know.

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Speaker 3: It's just like a dough Boys thing where you are

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Speaker 3: not allowed to speak about the subreddit at all because

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Speaker 3: it will derail. Is it okay to mention that you

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Speaker 3: have one? Do you know you have one?

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Speaker 2: Yeah?

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Speaker 1: Okay, yeah, okay, so we can bring it up. Yeah.

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Speaker 2: Nothing. Nothing here is like a dough Boys thing.

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Speaker 3: Okay, Right, Sometimes I'm calibrated for dough Boys, like what

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Speaker 3: not to say. It's like you get that whole like

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Speaker 3: you're going to that big.

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Speaker 2: Sort of rider that they send out of like how

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Speaker 2: you need to behave.

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Speaker 3: On their show, right, but this is sort of more

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Speaker 3: free flowing conversation that occasionally touches on mature subjects.

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Speaker 1: And we already did the mature subject so now it

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Speaker 1: can just be.

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Speaker 2: Now, yeah, we talked about comment we only we only

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Speaker 2: touch on mature subjects occasionally occasionally. I was showed him, boy,

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Speaker 2: we touched on one a lot this morning.

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Speaker 3: There's a thread that's what's your favorite handbook train Wreck episode? Okay,

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Speaker 3: and this, as far as I can tell, this is

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Speaker 3: the most popular thread ever posted in the history of

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Speaker 3: the handbooks that rout and I told Kevin, I said,

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Speaker 3: I had to scroll all the way to the bottom.

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Speaker 3: But do you know how proud I am that I

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Speaker 3: know I'll always be in these threads.

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Speaker 1: And it is.

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Speaker 2: A thread that recurs, right like it does. It comes

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Speaker 2: up like once every instead of months.

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Speaker 3: Instead of saying, what's a good episode for a new

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Speaker 3: listener to the show, it's what's the worst episode you've

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Speaker 3: ever heard?

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Speaker 1: You had to scroll all the way to the bottom

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Speaker 1: because it's both a bad episode and.

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Speaker 3: Not not episodes right right, But at.

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Speaker 2: The bottom it says there was one guy who couldn't

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Speaker 2: stop talking about getting jacked off at the grocery still and.

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Speaker 1: It has minus two. Yeah, that's why, because it's good

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Speaker 1: or people don't even talk about this at all, not even.

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Speaker 3: Yeah, this is not going for the list, but I

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Speaker 3: don't know which episode it even is. That's what I

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Speaker 3: like about it is they just say that one guy

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Speaker 3: who was out of his depth.

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Speaker 1: I really like that one.

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Speaker 2: Okay, And it's actually it's kaufman asque because there's a

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Speaker 2: lot of people who insist that the badness of the

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Speaker 2: episode was intentional, correct, that it was all like by design,

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Speaker 2: twisted mind of.

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Speaker 3: He's a genius and you're not getting it.

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Speaker 2: Yeah, that that's something I like about it because I

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Speaker 2: gotta say, if that's the case, you had even me

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Speaker 2: fooled during the episode. Right as we're doing it, I thought, boy,

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Speaker 2: this is not going well, and that I was just

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Speaker 2: a puppet on your strings, my friend, you had me

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Speaker 2: dead to rights. And now yes, now the veil has

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Speaker 2: been lifted for me because I was chatting with you

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Speaker 2: before the show.

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Speaker 1: Hayes's a little.

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Speaker 2: Lady who was having sex, and I thought the level

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Speaker 2: of commitment this guy brings to this character because even

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Speaker 2: just our conversation as referenced by his was so stilted

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Speaker 2: and awkward.

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Speaker 1: It's the prestige. Yeah, I just for me, it's like,

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Speaker 1: what would an idiot do? Uh huh imagine. I was like,

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Speaker 1: this is kind of the yes, yeah, I started before.

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Speaker 3: It's like the parking lot is sort of like a

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Speaker 3: you know you guys game obviously, you know, you kind

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Speaker 3: of walk into the zone and it's like there's a

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Speaker 3: cut scene happening.

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Speaker 2: Favorite place in the game, right when I step into

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Speaker 2: the zone.

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Speaker 3: Yeah, that's when I'm really playing. Yeah, game starts now now,

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Speaker 3: it does, and really from.

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Speaker 1: Their start when I hit the zone. Yeah, trying to

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Speaker 1: press start.

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Speaker 3: But then you lose all control too well, I mean

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Speaker 3: the game takes the slippery as falk.

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Speaker 2: Yeah, control is slippery as fucked right. Yeah, I've been Yeah,

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Speaker 2: I've been doing this thing that.

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Speaker 1: I just have to stop. Soup to soup to soup tua.

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Speaker 1: Slip on that thing.

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Speaker 2: That's how you that's how you ta slip on that thing.

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Speaker 1: That's how you really get it with.

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Speaker 3: Yeah, soup on it, soup, get that ladle if Kevin says,

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Speaker 3: get the ladleop on that thing. Yeah, I'm about the bus.

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Speaker 2: Yeah, oh wow, soup tua soup to a Yeah, I

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Speaker 2: was just gonna say I've been doing this thing, this

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Speaker 2: new gaming technique that I think I'm gonna stop, which

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Speaker 2: is I soak my hands in olive oil for a

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Speaker 2: full thirty six hours right before I start to play.

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Speaker 1: Yeah, because I want my skin to be supple.

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Speaker 2: Yeah, but unfortunately, you know, I'm lifting immediately out of

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Speaker 2: the vat and then getting onto the controller.

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Speaker 1: You do the gloves like the.

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Speaker 2: So this is now you're I'm not afraid to admit

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Speaker 2: you are beyond even my awareness.

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Speaker 1: Like I think I.

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Speaker 2: I think I saw it TikTok telling me that this

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Speaker 2: was like the you know, the best gaming technique, but

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Speaker 2: maybe they didn't explain it right, or but maybe I

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Speaker 2: only saw part one gloves.

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Speaker 3: Yeah, so tell me about the gloves. You put your glove,

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Speaker 3: You put your gloves on. It's an overnight thing. You

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Speaker 3: don't have to do the full thirty six and it's

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Speaker 3: not like gloves gloves.

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Speaker 1: It's an Albertson's bag, right, and you get a zip

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Speaker 1: tie around your wrist yank that with your teeth. Yeah, really, sentient,

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Speaker 1: Please put the olive oil in. If you have a

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Speaker 1: partner then it's easier. But It's like, are they going

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Speaker 1: to be there the next morning to help you take

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Speaker 1: them off? You might as well learn how to do

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Speaker 1: it yourself so you're independent. You don't have to do

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Speaker 1: a whole Yeah. Yeah, I have a partner, but right,

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Speaker 1: well not everybody not staying overnight. Yeah yeah, yeah, right, you.

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Speaker 2: Know, hey, I have a partner and help me get

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Speaker 2: it on. But yeah, the fact is they're not going

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Speaker 2: to be there when I wake up to take them off.

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Speaker 1: The gloves are on the dresser, you know, mm hmm.

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Speaker 3: There's a reason that the first four letters of that

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Speaker 3: word are part you know what I mean?

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Speaker 2: Partner.

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Speaker 1: It's not a.

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Speaker 2: Full Yeah, although it's part time, not full time, it

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Speaker 2: can be at it can get there. Yeah, it could

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Speaker 2: be a stainer for sure, Absolutely could Yeah, absolutely Kevin text,

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Speaker 2: did you stain yet?

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Speaker 1: Almost?

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Speaker 3: I thought I was about to and now I've been

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Speaker 3: interrupted by the Kevin text?

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Speaker 1: Are you guys good? Texters? Oh? Can we get can

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Speaker 1: we just stay on? You had your glove technique? I

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Speaker 1: just don't.

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Speaker 2: Yeah, let's get the glove technique. This is so good

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Speaker 2: you don't want to talk. The best it's ever gone.

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Speaker 1: This stread is so good that you're trying to take

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Speaker 1: us down, but I also don't want to lose sight

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Speaker 1: of the old one. Did you find that? Okay? Straw?

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Speaker 2: Find it with my mouth? Yeah, it took me a

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Speaker 2: couple of stabs. Took me a couple runs out.

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Speaker 3: This is because this is not your typical straw, Is

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Speaker 3: that right?

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Speaker 1: Well?

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Speaker 3: One of the things I know about you, one of

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Speaker 3: the very few things you've allowed me in on, is

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Speaker 3: that you do have your straw.

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Speaker 2: Ah, that's a long time that's old. I think that's

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Speaker 2: a long time ago. This is the kind of straw.

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Speaker 2: I tend to use this plant based, uh, compostable straw,

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Speaker 2: but it feels, you know, somewhat authentic. What's it made

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Speaker 2: out of? Some kind of vegetable? But I brought this

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Speaker 2: straw in because he Gamma stopped providing them. So it

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Speaker 2: is very much my straw. Did you bring this from home?

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Speaker 2: The glass is here though the glass was here and

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Speaker 2: and credit to Marty out there. The cole brew was filled,

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Speaker 2: which we were here on Friday, but that's why we

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Speaker 2: and it was speak up right.

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Speaker 1: Well he came say like, hey, leave these guys alone.

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Speaker 1: Obviously a lot of problems up in a year. There's

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Speaker 1: got more important things.

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Speaker 2: And then the cole brew. But he sat in this

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Speaker 2: count we complained about something else here, and he said,

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Speaker 2: don't I make sure the coal brew is filled? And

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Speaker 2: I was like sometimes, and I was com and I

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Speaker 2: was driving in straw in my hand, going it's just

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Speaker 2: a waste to carry this all the way to the

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Speaker 2: office because there might not be anything to put it in.

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Speaker 3: But sure enough, locked and loaded. So the squeaky wheel.

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Speaker 3: I'm gonna see if you get the straw in again.

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Speaker 1: Okay, Also dangerous just to hold a straw in your

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Speaker 1: hand this year. Do you think about stuff?

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Speaker 2: It's all.

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Speaker 1: It's all I think about. I do have a People say, wow,

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Speaker 1: I think you got a big skinny. Oh I didn't

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Speaker 1: even that was not my skin.

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Speaker 2: Oh no, no, you're gonna I'm gonna get rear ended

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Speaker 2: and the straw is going to go straight through the

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Speaker 2: center of my skull, exactly right. I think about that stuff.

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Speaker 3: God, I can't remember if it's real or if it's

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Speaker 3: something I made up. But did someone get decapitated with

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Speaker 3: skis in the back of the car one time?

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Speaker 1: That was final destination? Okay, so it can't happen. Some

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Speaker 1: of those metal straws.

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Speaker 2: When everybody was on the metal straws, somebody did like

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Speaker 2: fall and have it go like straight through their neck

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Speaker 2: or something that's insane, And it's all I think about it.

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Speaker 3: When I heard about that, I thought about you, yeah,

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Speaker 3: oh yeah, because I in my mind you were still

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Speaker 3: that the straw guy.

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Speaker 2: Yeah, And it was one of the rare occasions that

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Speaker 2: I thought about me as well. Right, I'm doing it again,

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Speaker 2: right now.

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Speaker 1: Yeah, I'm there. It's not bad.

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Speaker 3: I'm close. I'm very close. Gloves, the glove, the gloves. Well,

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Speaker 3: I guess for me, it's inspired by one of my

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Speaker 3: favorite novels.

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Speaker 2: Okay, here we go, American Pastoral.

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Speaker 1: Right the roth the Master right right, the scarlet pimple smell.

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Speaker 3: And you put them so anyways, it's just, uh, it's

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Speaker 3: an expression of love for yourself. And you know, I

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Speaker 3: don't want to you understand what the reference and of

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Speaker 3: that is.

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Speaker 1: The glove.

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Speaker 3: The glove is a symbol of symbol Well, it's a

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Speaker 3: contract you make with yourself to show self love, Okay,

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Speaker 3: but it's also the part where you allow yourself to

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Speaker 3: you have to you have to allow yourself to do it,

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Speaker 3: and it's important to do I think.

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Speaker 1: Okay, and this is something that like Ron Weasley as.

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Speaker 3: A aswear as I understand.

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Speaker 1: Yes, okay, there's a serious actor now as a magic

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Speaker 1: glove or something, right, Okay.

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Speaker 3: Well he has he has powers. But it's like I

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Speaker 3: think his family's poor. Uh huh, so it's kind of inspiring.

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Speaker 3: I hated that part of the book. You wouldn't live

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Speaker 3: in the Weasley house. I hated that it felt it

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Speaker 3: felt like it was full of love.

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Speaker 2: It's just like you're making it up. Sorry, you're making.

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Speaker 1: It and so don't have all those kids.

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Speaker 2: You literally could anything, and then you're gonna make me

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Speaker 2: so uncomfortable thinking about the Weasley's house. It's just like,

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Speaker 2: I don't want to feel this way.

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Speaker 1: Well, Harry's house is not that great either. Yeah. I

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Speaker 1: hated that because he knows that, you know what I mean,

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Speaker 1: Like Ron kind of thinks his house is good. Yeah,

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Speaker 1: Ron thinks it's hitting.

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Speaker 3: Is there a single good house in the Harry Potter

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Speaker 3: you know?

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Speaker 1: And at least with Harry Potter's house, he didn't have

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Speaker 1: all those kids right around, right, it's just not responsible.

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Speaker 1: A child like you could be one of the one

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Speaker 1: of the what death eaters. Okay, Jesse, I I'm trying

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Speaker 1: so hard. Like you. You you had a really good thing,

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Speaker 1: going to love thing. We kept giving you room just

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Speaker 1: seeing the Reddit thread.

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Speaker 2: Well, don't do it on purpose, I'm not. I wish

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Speaker 2: I did not count to count. Have you come in

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Speaker 2: and you plan.

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Speaker 1: On some of them? I think we're planned. You wanted

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Speaker 1: to talk about how long you've been in the game

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Speaker 1: and sort of what you've been up to. Now. You've

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Speaker 1: got a whole rig at home. I have a whole

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Speaker 1: rig at home. You got one of those NFL like

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Speaker 1: flying cams going right around your your playroom.

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Speaker 3: Yeah, it's a workroom, but we have fun. We have

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Speaker 3: fun as well.

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Speaker 1: Yeah.

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Speaker 3: Look, I'm able to work from home so I never

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Speaker 3: have to leave, which is nice. And uh yeah, I

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Speaker 3: don't know. I I it hasn't had any deleterious effects

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Speaker 3: as far as I can tell, because I still get out.

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Speaker 1: I'm here.

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Speaker 2: God man, the idea of you not leaving just gave

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Speaker 2: me a chill down my spine.

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Speaker 1: How long have you gone the house? You know? The house?

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Speaker 2: I don't know. But just when you said I never

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Speaker 2: have to leave, I don't. But I need him to leave.

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Speaker 1: I don't.

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Speaker 2: Just really disturbed me. I get what you're talking about,

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Speaker 2: but just the collection of words was like, Yeah.

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Speaker 1: I'm picturing having to craft a big bathroom trash can

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Speaker 1: to put upside down over this building. Yeah, you know

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Speaker 1: what I mean. So it's just like we're just gonna

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Speaker 1: leave it there.

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Speaker 3: You're thinking of the symbols that you can put on,

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Speaker 3: the signs that people can read, even into a future

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Speaker 3: where there's no longer English.

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Speaker 1: What is it is?

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Speaker 3: Does the skull mean anything at that point? Or has

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Speaker 3: the skull changed so much that it's no longer communicating

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Speaker 3: what we want it to. It's an interesting level of

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Speaker 3: it's it's an it's interesting area of study.

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Speaker 1: I'm trying to, yeah, and think about what expression to

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Speaker 1: put on the skull's face to be like this guy's

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Speaker 1: just like, yeah, maybe these glasses and is the skull

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Speaker 1: me or is it you? You know? But oh my god,

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Speaker 1: what do you think?

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Speaker 2: Oh my gosh, what do you think? And we found

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Speaker 2: Hayes's style and spo Wow, Jesse has had these glasses

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Speaker 2: from all the way.

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Speaker 1: Back to that first train wreck of an episode. Have

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Speaker 1: you really had those for a while?

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Speaker 3: This has been a number of years I've been wearing this.

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Speaker 2: Now I look back and it didn't Hayes without realizing

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Speaker 2: I've throwed into his brain. This is who I want

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Speaker 2: to be. Like are these are you never been jacked

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Speaker 2: off in the grocery store?

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Speaker 1: It's away on me, hamood Ham Jesse. Yeah, six four

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Speaker 1: eight nines. Let's talk about where in your house is

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Speaker 1: You're like, it is battle stations, right, you know what

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Speaker 1: I mean? Yeah? Is it like separate structure? Is it

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Speaker 1: down a hallway? I don't see clips of like kids

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Speaker 1: knocking on the door and be like daddy like like, yeah,

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00:17:53,200 --> 00:17:56,040
Speaker 1: can you play? Is that from total disinterest on their part?

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Speaker 1: When the toddler that's so cute.

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Speaker 3: We have gone through a lot of trouble to make

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Speaker 3: sure that we don't have a viral clip. I mean

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Speaker 3: just period. But also like that where the girl toddles

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Speaker 3: in while.

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Speaker 2: He and they came into Yeah.

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00:18:11,359 --> 00:18:13,399
Speaker 1: Very very funny. Yeah, because the baby.

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Speaker 3: The heightening of it when the baby wheels in is

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Speaker 3: really good. But no, I'm upstairs. I'm over my garage

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Speaker 3: space and I have the streaming battle station on one side,

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Speaker 3: I have the podcasting station.

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Speaker 1: Together, soft story setup, structural integrity. I'm a little bit worried.

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Speaker 3: About you're you're saying you're worried about the physical safety

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Speaker 3: of me.

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Speaker 1: If it's over the garage, right, then you don't have

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Speaker 1: the support structure of like interior walls houlding you up,

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Speaker 1: especially the pound you put on those floors in there, right.

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Speaker 2: I'm just thinking about you come crashing down through the garage,

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00:18:52,920 --> 00:18:56,680
Speaker 2: landing directly on top of your mopead collection. Yeah, it's

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00:18:56,720 --> 00:19:01,080
Speaker 2: just scary to me. Like, yeah, I mean, as Hayes said,

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00:19:01,160 --> 00:19:04,760
Speaker 2: like the thumping and bumping that you find it necessary

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00:19:04,840 --> 00:19:07,159
Speaker 2: to do while you are.

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00:19:08,640 --> 00:19:10,920
Speaker 1: Podcasting, gaming, whatever whatever it is.

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Speaker 2: And the stairs you said, we went to a lot

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Speaker 2: of trouble to make sure we don't have a viral moment.

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Speaker 2: First of all, you crashing through the ceiling would be.

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Speaker 1: A viral moment. I don't know how much of it

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Speaker 1: you'd see.

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Speaker 2: Secondly, secondly, the lot of trouble is just that you're

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Speaker 2: at the top of a flight of stairs. As far

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Speaker 2: as you know, as far as what you've described, which

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00:19:31,840 --> 00:19:34,040
Speaker 2: is have you you just never taught your children to

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Speaker 2: use stairs?

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Speaker 3: There's a number of doorways as well. You mentioned a

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00:19:39,440 --> 00:19:41,879
Speaker 3: hallway earlier. Yeah, I can now confirm there is a

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Speaker 3: hallway involved as well.

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Speaker 1: Is the number two? The number a network of moving

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Speaker 1: lasers on the hallway, there's a yeah, your toddlers dancing

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00:19:53,240 --> 00:20:03,880
Speaker 1: through them? Character Marcel, there's two the show. We talked

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Speaker 1: about it. We talked about her way too much. We

399
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Speaker 1: cannot People are like, hey, man, you cannot be talking

400
00:20:10,240 --> 00:20:13,040
Speaker 1: about Marcel's dog.

401
00:20:16,080 --> 00:20:19,280
Speaker 2: Just that was a wake up calls reflecting poorly on us,

402
00:20:19,280 --> 00:20:21,000
Speaker 2: how much we bring up Marcela show.

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Speaker 3: We get that. We get that too. We get that

404
00:20:23,480 --> 00:20:26,120
Speaker 3: feedback to are you guys still talking about this? Yeah,

405
00:20:26,200 --> 00:20:26,960
Speaker 3: it's normally not.

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00:20:27,600 --> 00:20:29,880
Speaker 1: It's not Marcel's subjects.

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00:20:30,520 --> 00:20:33,399
Speaker 3: Well to be Frank soup to it's soup to a

408
00:20:33,600 --> 00:20:38,159
Speaker 3: yeah it is. Our producers come, yeah, that's yeah, and

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Speaker 3: that has to stop. I do agree that that needs

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Speaker 3: that needs to end.

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Speaker 2: Or it needs to become even more of the show,

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00:20:45,160 --> 00:20:47,800
Speaker 2: or it needs to become the main part of the

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Speaker 2: show so that everyone knows that's what they're getting into, right.

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Speaker 2: I think the fact that it sneaks up on them

415
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Speaker 2: so much.

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Speaker 1: That's the problem.

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00:20:53,600 --> 00:20:55,720
Speaker 3: Yeah, that's the It's something in the do you guys

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00:20:55,720 --> 00:20:59,239
Speaker 3: write your episode descriptions, so maybe there's something in there

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00:20:59,280 --> 00:21:04,679
Speaker 3: where you say, like tags, you know producers, come, do

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00:21:04,680 --> 00:21:05,480
Speaker 3: you do tags?

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00:21:05,840 --> 00:21:06,240
Speaker 1: Yeah?

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00:21:06,640 --> 00:21:08,520
Speaker 2: Yeah, when we're writing them, we put the tags in.

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00:21:08,560 --> 00:21:11,080
Speaker 2: I do got hashtag f whitep. That's good.

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Speaker 3: Oh for clips, I mean for the episode, for the

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00:21:14,280 --> 00:21:16,920
Speaker 3: episode till whole episode is hashtag fiep okay.

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Speaker 1: That explains it. Well, that's why you have an active

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00:21:19,880 --> 00:21:20,920
Speaker 1: subred for you podcast.

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00:21:21,119 --> 00:21:23,360
Speaker 2: Yeah, yeah, for you podcast.

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Speaker 1: M hm. So you're you're crashing down through your studio.

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Speaker 2: Fire jack pussy m.

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00:21:34,400 --> 00:21:38,600
Speaker 1: I'm close. I'm going to fall into your mopeg collection.

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00:21:38,720 --> 00:21:43,360
Speaker 1: Well I hit one, yeah, and I've you hit the ignition.

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00:21:43,480 --> 00:21:45,520
Speaker 3: I've parked them in such a way where one will

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Speaker 3: then hit the next, and so on and so forth,

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00:21:49,560 --> 00:21:51,560
Speaker 3: which is a funny visual gag. But of course there's

436
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Speaker 3: no camera there, so who's it for?

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Speaker 1: And so you're you're as the wheels start spinning, your

438
00:21:57,160 --> 00:22:02,560
Speaker 1: legs go through them, right like a spiralizer, goofy style. Yeah. Yeah,

439
00:22:03,440 --> 00:22:08,000
Speaker 1: and I'm stretching you get turned into.

440
00:22:08,760 --> 00:22:11,240
Speaker 2: Just you being on this show as a stretch. Yeah, right,

441
00:22:11,359 --> 00:22:11,880
Speaker 2: you know what I mean.

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00:22:12,119 --> 00:22:14,200
Speaker 3: It's the pro version. I don't think it.

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00:22:14,200 --> 00:22:18,040
Speaker 1: It's not it's not we up to you.

444
00:22:18,119 --> 00:22:22,320
Speaker 2: Jesse Kevin suggested pro version for you right, yes, I

445
00:22:22,359 --> 00:22:22,960
Speaker 2: said he did.

446
00:22:23,440 --> 00:22:25,959
Speaker 1: Yeah, he actually we don't have one for this week,

447
00:22:26,400 --> 00:22:29,600
Speaker 1: and we have like eighteen episodes of the main feed bank.

448
00:22:30,000 --> 00:22:35,359
Speaker 1: But however, however, no, be honest, I mean he is

449
00:22:35,440 --> 00:22:35,840
Speaker 1: lying to.

450
00:22:35,840 --> 00:22:38,560
Speaker 2: You, Jesse two, two, maybe three?

451
00:22:38,960 --> 00:22:40,720
Speaker 1: Yeah, we definitely don't have three.

452
00:22:41,160 --> 00:22:42,639
Speaker 2: Yeah, I think we have two.

453
00:22:43,960 --> 00:22:47,080
Speaker 1: Let's say three right now Exploration Live cool op and

454
00:22:47,160 --> 00:22:48,640
Speaker 1: uh phoebe.

455
00:22:49,359 --> 00:22:51,960
Speaker 2: Okay, that's okay. Three.

456
00:22:52,200 --> 00:22:54,240
Speaker 1: The bank is really a stretch. I mean one comes

457
00:22:54,240 --> 00:22:55,360
Speaker 1: out tomorrow.

458
00:22:54,960 --> 00:22:58,440
Speaker 2: One comes out tomorrow. So I consider us having two bank.

459
00:22:58,640 --> 00:23:02,520
Speaker 1: Yeah, we're on the treadmill. And it's is it not.

460
00:23:04,400 --> 00:23:08,360
Speaker 2: Just crazy? How every week you got to put one

461
00:23:08,359 --> 00:23:10,679
Speaker 2: out and then he goes, oh good, we've got three banked,

462
00:23:10,680 --> 00:23:13,119
Speaker 2: as Kevin just said, and then tomorrow it'll go no,

463
00:23:13,240 --> 00:23:16,400
Speaker 2: you don't, yeah, you have two banked. And by the way,

464
00:23:16,400 --> 00:23:18,360
Speaker 2: one comes out in like six days.

465
00:23:18,320 --> 00:23:22,920
Speaker 1: Right, and we there's pressure on us to like rotate,

466
00:23:23,000 --> 00:23:25,760
Speaker 1: have like a variety of guests, or you have like

467
00:23:25,800 --> 00:23:29,399
Speaker 1: the same six people. You'll be like, Okay, Wednesday today

468
00:23:29,480 --> 00:23:31,040
Speaker 1: Blungus is on. Yeah.

469
00:23:31,280 --> 00:23:33,239
Speaker 3: Yeah, you know it was a train wreck of an

470
00:23:33,240 --> 00:23:36,920
Speaker 3: episode when you had blung Guts every Wednesday. Every Wednesday,

471
00:23:37,000 --> 00:23:41,879
Speaker 3: the Blungest episode twenty nine. Yeah, yeah, yeah, how do

472
00:23:42,000 --> 00:23:43,200
Speaker 3: you get guests on your show?

473
00:23:43,280 --> 00:23:43,600
Speaker 1: Do you know?

474
00:23:43,800 --> 00:23:48,000
Speaker 2: Motherfucker? I don't know, but I don't want to know,

475
00:23:48,400 --> 00:23:53,680
Speaker 2: because if if I had any more insight into the process,

476
00:23:54,880 --> 00:23:57,879
Speaker 2: I might destroy it because I was just talking about

477
00:23:57,960 --> 00:23:59,879
Speaker 2: what we talked about it with Kool Up. Some of

478
00:23:59,880 --> 00:24:05,120
Speaker 2: these guests come in. Yeah, some of them are you know, famous,

479
00:24:05,119 --> 00:24:10,120
Speaker 2: accomplished people that don't make me feel good. Some of them,

480
00:24:10,160 --> 00:24:12,080
Speaker 2: I go, some of them are like, well, the first

481
00:24:12,080 --> 00:24:13,679
Speaker 2: time you were here, I go, who the fuck is

482
00:24:13,720 --> 00:24:14,080
Speaker 2: this guy?

483
00:24:14,160 --> 00:24:14,680
Speaker 1: Turn around?

484
00:24:14,760 --> 00:24:18,119
Speaker 2: Blink? Next day, Oh, this guy's like, you know, it

485
00:24:18,240 --> 00:24:19,919
Speaker 2: didn't happen with you, but all of a sudden, like

486
00:24:20,000 --> 00:24:22,320
Speaker 2: some kind of big deal you know.

487
00:24:22,960 --> 00:24:23,840
Speaker 1: That makes your head spin.

488
00:24:24,119 --> 00:24:27,439
Speaker 2: That sucks, right. And then every once in a while

489
00:24:27,520 --> 00:24:30,800
Speaker 2: there's somebody who I'm like, oh, my buddy's here, like Blungus. Right,

490
00:24:31,720 --> 00:24:34,119
Speaker 2: It's like, oh, Blungus is here. And then I go, oh,

491
00:24:34,200 --> 00:24:37,120
Speaker 2: let me just hang out. Are the episodes good? No?

492
00:24:37,240 --> 00:24:40,159
Speaker 2: But when I'm doing it, what are you supposed to

493
00:24:40,160 --> 00:24:43,600
Speaker 2: They're supposed to be good? This thank you?

494
00:24:43,640 --> 00:24:44,280
Speaker 1: No?

495
00:24:44,520 --> 00:24:48,840
Speaker 2: Yeah, so this episode's not good? So what didn't I

496
00:24:48,880 --> 00:24:50,920
Speaker 2: do a good one? Just a couple of months ago for.

497
00:24:50,920 --> 00:24:53,320
Speaker 1: You, and you can listen to that one again. Also,

498
00:24:53,400 --> 00:24:54,840
Speaker 1: I don't know if people run it back.

499
00:24:55,080 --> 00:24:58,200
Speaker 2: Yeah, there's threads online. What's the what's your favorite train

500
00:24:58,240 --> 00:25:00,439
Speaker 2: wreck episode? Goal? Listen to one of those starting.

501
00:25:02,080 --> 00:25:04,840
Speaker 3: Some of those are paywall though, are they?

502
00:25:04,880 --> 00:25:06,359
Speaker 2: We got to get those back for us?

503
00:25:06,520 --> 00:25:09,200
Speaker 1: No, we don't pay. We don't pay all the old ones.

504
00:25:10,320 --> 00:25:13,520
Speaker 1: But your thing now is like you go on cam

505
00:25:13,560 --> 00:25:16,920
Speaker 1: and you do like a challenge and you and it'll

506
00:25:16,920 --> 00:25:20,560
Speaker 1: be like it's smellysock night on the stream. Yes, and

507
00:25:22,119 --> 00:25:23,679
Speaker 1: you like what then you like?

508
00:25:23,760 --> 00:25:24,040
Speaker 2: Well?

509
00:25:24,640 --> 00:25:28,359
Speaker 3: So the the well the problem and well, the problem

510
00:25:28,359 --> 00:25:32,440
Speaker 3: with the problem with the stream versus a podcast is

511
00:25:32,440 --> 00:25:35,680
Speaker 3: is with the podcast, you guys show up or sometimes don't,

512
00:25:36,200 --> 00:25:39,080
Speaker 3: and the check clears and it's fine, uh huh. Whereas

513
00:25:39,119 --> 00:25:41,159
Speaker 3: with the stream you do have to turn it on

514
00:25:41,240 --> 00:25:44,320
Speaker 3: and it's like that pressure of I need to somehow

515
00:25:44,320 --> 00:25:48,520
Speaker 3: turn those people into cash right now. And so you

516
00:25:48,560 --> 00:25:50,600
Speaker 3: start looking around the room. You go, I have chips,

517
00:25:50,600 --> 00:25:54,159
Speaker 3: I have water, I have smelly socks. I'm gonna have

518
00:25:54,280 --> 00:25:56,719
Speaker 3: to get them to pay me to put some of

519
00:25:56,760 --> 00:25:57,680
Speaker 3: that in my mouth.

520
00:25:58,720 --> 00:26:01,960
Speaker 2: And the chippen water they're probably not gonna they're probably

521
00:26:02,000 --> 00:26:02,880
Speaker 2: not gonna pay as much.

522
00:26:02,920 --> 00:26:05,040
Speaker 3: We actually did do chip night and water night. But

523
00:26:05,080 --> 00:26:06,040
Speaker 3: I understand your point.

524
00:26:06,359 --> 00:26:09,600
Speaker 2: Yeah, but that's not the one that Hayes remembered. Hayes

525
00:26:09,640 --> 00:26:12,280
Speaker 2: immediately we remember coming smelly sock night.

526
00:26:13,280 --> 00:26:14,120
Speaker 1: Water night.

527
00:26:14,600 --> 00:26:16,480
Speaker 2: I remember being sort of weird because like.

528
00:26:19,040 --> 00:26:22,920
Speaker 1: You got you just clearly don't drink a lot of water. Yeah,

529
00:26:23,000 --> 00:26:25,879
Speaker 1: the fact that, like the whole challenge about you, like

530
00:26:25,960 --> 00:26:26,960
Speaker 1: drinking a whole glass.

531
00:26:27,080 --> 00:26:30,360
Speaker 2: Where are the bubbles? Why why isn't it mountain dew colored?

532
00:26:30,600 --> 00:26:30,879
Speaker 1: Yeah?

533
00:26:31,040 --> 00:26:33,720
Speaker 3: Some of it was because we did it was the

534
00:26:33,760 --> 00:26:34,879
Speaker 3: me We did the meos.

535
00:26:34,880 --> 00:26:36,639
Speaker 2: Do you have MEO here? You know you could have

536
00:26:36,720 --> 00:26:42,960
Speaker 2: called it we never mind, I won't do it. Start over,

537
00:26:43,480 --> 00:26:47,720
Speaker 2: I won't do it. Never mind. I don't know why

538
00:26:47,720 --> 00:26:48,679
Speaker 2: I was going to say anything.

539
00:26:48,720 --> 00:26:50,680
Speaker 1: Anyway, you have to admit it was worth it.

540
00:26:52,160 --> 00:26:57,960
Speaker 3: We have Oh my, everything does feel a little backwards here.

541
00:26:58,800 --> 00:27:04,840
Speaker 1: So that makes sense delivered so delivered so loud. You

542
00:27:04,880 --> 00:27:08,479
Speaker 1: can tell that he knew he was talking over you

543
00:27:08,720 --> 00:27:10,840
Speaker 1: sitting on it. There'd be no reason for him to

544
00:27:10,880 --> 00:27:12,080
Speaker 1: be so loud.

545
00:27:12,200 --> 00:27:13,920
Speaker 2: Yeah, he jumped in.

546
00:27:14,440 --> 00:27:18,359
Speaker 1: But I'm laughing my ass off.

547
00:27:18,800 --> 00:27:20,680
Speaker 2: You know what I mean, which is like, really, that's

548
00:27:20,680 --> 00:27:23,000
Speaker 2: what the show is about. Like, I'm coming here to laugh,

549
00:27:23,080 --> 00:27:27,000
Speaker 2: have fun with my friends, you know, I to even

550
00:27:27,040 --> 00:27:28,880
Speaker 2: double all the way back. Kevin was like, we could

551
00:27:28,920 --> 00:27:30,920
Speaker 2: do a proverb in with him. I go, if I'm

552
00:27:30,920 --> 00:27:35,439
Speaker 2: going to talk to this guy, sure, everyone has to

553
00:27:35,520 --> 00:27:36,160
Speaker 2: listen to it.

554
00:27:36,320 --> 00:27:41,400
Speaker 1: Okay. Have you seen his clip with Tony and Kristen

555
00:27:41,440 --> 00:27:46,360
Speaker 1: and Matt. Yeah, they had this clip go around. Let

556
00:27:46,359 --> 00:27:49,000
Speaker 1: me describe this clip for you. It made me a

557
00:27:49,080 --> 00:27:52,560
Speaker 1: little like a little wistful, for like when I when

558
00:27:52,640 --> 00:27:55,920
Speaker 1: I know he can really like lock in and deliver

559
00:27:56,000 --> 00:28:00,479
Speaker 1: the goods? Are you pulling it up? Do you? And

560
00:28:00,520 --> 00:28:05,160
Speaker 1: he knows the one I'm talking about.

561
00:28:03,920 --> 00:28:07,640
Speaker 2: If somebody points at me and goes, have you seen

562
00:28:07,680 --> 00:28:11,120
Speaker 2: the clip with this guy, your guess is good as mine.

563
00:28:11,119 --> 00:28:12,199
Speaker 2: There's a million clips.

564
00:28:12,400 --> 00:28:15,040
Speaker 1: Let's watch some of them are good. Let's watch this

565
00:28:15,119 --> 00:28:19,680
Speaker 1: and compare it to the oh my moment that we

566
00:28:19,840 --> 00:28:20,680
Speaker 1: just experienced.

567
00:28:20,760 --> 00:28:24,600
Speaker 2: Oh yeah, I'd be curious to see Kevin just a

568
00:28:24,720 --> 00:28:26,159
Speaker 2: little a little more on.

569
00:28:26,040 --> 00:28:32,719
Speaker 1: His best behavior. What's your producer's name, Dan Daniel? And

570
00:28:32,760 --> 00:28:34,320
Speaker 1: you're still working with the dogs Boner?

571
00:28:34,960 --> 00:28:39,920
Speaker 3: You I don't, Yes, we are. It's a team. We

572
00:28:40,000 --> 00:28:43,520
Speaker 3: have a whole team Boner. It's like the Avengers for podcasting.

573
00:28:43,600 --> 00:28:46,360
Speaker 2: Just imagine, write any songs that are Stephan sort of

574
00:28:46,400 --> 00:28:47,200
Speaker 2: the songs.

575
00:28:47,240 --> 00:28:48,480
Speaker 1: Stephan sort of the song.

576
00:28:48,600 --> 00:28:51,480
Speaker 3: Actually, he has sent me something, but it's for a

577
00:28:51,480 --> 00:28:53,280
Speaker 3: different show, so I couldn't play it here.

578
00:28:53,320 --> 00:28:55,680
Speaker 1: But he has sent me something. Mm hmm. Feels good.

579
00:28:56,080 --> 00:28:59,760
Speaker 1: You'll need your headphones for the clip.

580
00:29:00,040 --> 00:29:00,400
Speaker 2: Mm hmm.

581
00:29:04,240 --> 00:29:08,280
Speaker 1: That's a big clip. It's a big clip. I'm seeing it.

582
00:29:08,280 --> 00:29:09,000
Speaker 1: It's a big clip.

583
00:29:11,400 --> 00:29:16,240
Speaker 2: Say this word wrong, but it's so vague. How you

584
00:29:16,320 --> 00:29:16,920
Speaker 2: knew you were?

585
00:29:17,520 --> 00:29:18,680
Speaker 1: Yeah, say it again.

586
00:29:20,120 --> 00:29:22,360
Speaker 2: That is a weird way to pronounce that word.

587
00:29:23,440 --> 00:29:24,520
Speaker 1: Vague. Vague.

588
00:29:26,560 --> 00:29:32,200
Speaker 2: Yeah, Kevin, you say that's the worst stop.

589
00:29:34,520 --> 00:29:38,640
Speaker 1: See, that's exactly what you want. He has value in him. Yeah,

590
00:29:39,040 --> 00:29:43,920
Speaker 1: so who wrote that for you? That was a chef

591
00:29:43,960 --> 00:29:47,240
Speaker 1: Kevin original And it was and it was right there,

592
00:29:47,720 --> 00:29:51,400
Speaker 1: it was really he was top of it. Oh my well,

593
00:29:51,480 --> 00:29:54,920
Speaker 1: it was like, it's not even it's not called Mayo.

594
00:29:55,160 --> 00:30:00,200
Speaker 2: Here's what's crazy. Not even just that he said valu,

595
00:30:00,480 --> 00:30:04,840
Speaker 2: which is very funny that when they went to talk

596
00:30:04,880 --> 00:30:08,440
Speaker 2: to him, he was sort of ready as if, yes,

597
00:30:08,760 --> 00:30:12,000
Speaker 2: as if someone might talk to him and he might

598
00:30:12,160 --> 00:30:14,040
Speaker 2: then respond and be a part of the show.

599
00:30:14,120 --> 00:30:18,000
Speaker 1: Yes, I've never he was looking at to pull up

600
00:30:18,040 --> 00:30:18,440
Speaker 1: this clip.

601
00:30:18,680 --> 00:30:20,680
Speaker 2: What was happening while it happened at the clip?

602
00:30:21,240 --> 00:30:24,160
Speaker 1: Yes, got the clip up really fast. Yeah.

603
00:30:24,800 --> 00:30:28,360
Speaker 3: Do you guys far be it from me? Is there

604
00:30:28,400 --> 00:30:30,480
Speaker 3: any part of you that wonders whether that's something you

605
00:30:30,520 --> 00:30:32,400
Speaker 3: guys are doing instead of what Kevin is doing.

606
00:30:32,480 --> 00:30:37,320
Speaker 1: I'm just imagining after you fall through your studio floor

607
00:30:37,440 --> 00:30:42,280
Speaker 1: and gets vialized by your mopet collection, the dog boner,

608
00:30:42,360 --> 00:30:48,120
Speaker 1: curling up on your grave, yeah, saying goodbye one last week,

609
00:30:48,120 --> 00:30:49,959
Speaker 1: refusing to eat you even though he has no other

610
00:30:50,000 --> 00:30:53,000
Speaker 1: way to get food, because you think he won't go

611
00:30:53,040 --> 00:30:53,480
Speaker 1: before me.

612
00:30:55,600 --> 00:30:59,360
Speaker 2: Well, I think that you're going to be the one

613
00:30:59,360 --> 00:31:01,120
Speaker 2: that causes the hole in the floor.

614
00:31:01,400 --> 00:31:02,480
Speaker 1: Okay, but he's not there.

615
00:31:03,760 --> 00:31:07,120
Speaker 2: I I believe that he will be somewhere in the room.

616
00:31:07,760 --> 00:31:10,560
Speaker 1: And even if you've after you've been spiralized, he's he

617
00:31:10,640 --> 00:31:13,280
Speaker 1: knows that's not real noodles, you know what I mean?

618
00:31:13,520 --> 00:31:15,560
Speaker 1: I think I think what like noodles?

619
00:31:16,160 --> 00:31:18,040
Speaker 2: I think what will maybe happen is he will be

620
00:31:18,120 --> 00:31:22,520
Speaker 2: downstairs siphoning gas from the mopeds, a ritual for him

621
00:31:22,520 --> 00:31:25,320
Speaker 2: when he knows that you're recording upstairs. When he can

622
00:31:25,400 --> 00:31:28,479
Speaker 2: hear the thumping so he knows you're not coming. And

623
00:31:28,520 --> 00:31:32,720
Speaker 2: then when you come crashing down and get spiralized that

624
00:31:34,000 --> 00:31:37,440
Speaker 2: then he will sort of let out a soft whimper

625
00:31:37,920 --> 00:31:38,840
Speaker 2: and just curl up.

626
00:31:38,720 --> 00:31:39,440
Speaker 1: And go to sleep.

627
00:31:39,680 --> 00:31:42,000
Speaker 3: Spit taking with jewel or fries that used to be

628
00:31:42,040 --> 00:31:44,520
Speaker 3: your body? What spit take with the fuel or no,

629
00:31:45,320 --> 00:31:47,600
Speaker 3: spit take with the fuel.

630
00:31:47,360 --> 00:31:48,680
Speaker 1: Because he's the guy.

631
00:31:49,240 --> 00:31:53,000
Speaker 2: I you know, I understand friends with this guy. Yeah,

632
00:31:53,240 --> 00:31:54,760
Speaker 2: I'm just trying to decide what I want.

633
00:31:55,160 --> 00:31:57,480
Speaker 1: So, like, you know, like you don't ask me what

634
00:31:57,600 --> 00:32:02,720
Speaker 1: he's like gonna do or not. Yeah, is your friend.

635
00:32:03,720 --> 00:32:06,120
Speaker 1: There's a few different ways that can go. My friends

636
00:32:06,120 --> 00:32:11,720
Speaker 1: are named like Peter, you know, my friends aren't named

637
00:32:11,720 --> 00:32:15,480
Speaker 1: like the Dog's daughter and who else? Brian Stewie.

638
00:32:15,680 --> 00:32:22,320
Speaker 3: Yeah, the boss, mister Tweed?

639
00:32:23,880 --> 00:32:26,480
Speaker 1: M Pat were you there, Pat? Joe?

640
00:32:26,520 --> 00:32:29,080
Speaker 3: Were you there for mister Tweet? Or no?

641
00:32:29,080 --> 00:32:33,640
Speaker 1: No? What was it? Like? What happened? What do you means?

642
00:32:33,680 --> 00:32:35,680
Speaker 3: Like you remember he was the boss of he was

643
00:32:35,720 --> 00:32:36,720
Speaker 3: one of the boss.

644
00:32:36,760 --> 00:32:38,760
Speaker 1: Mister Tweet was one of the bosster Tweed.

645
00:32:39,120 --> 00:32:41,360
Speaker 3: Mister Tweet, Okay, mister Tweet was the boss at a

646
00:32:41,360 --> 00:32:42,120
Speaker 3: toy factory.

647
00:32:42,200 --> 00:32:43,960
Speaker 1: Okay, this is before your time.

648
00:32:44,120 --> 00:32:52,320
Speaker 2: Okay, great, Uhucky.

649
00:32:49,160 --> 00:32:54,160
Speaker 1: There's a family guy Jesse, And so people go to

650
00:32:54,240 --> 00:32:58,640
Speaker 1: like a website for what to see you do your thing?

651
00:32:59,240 --> 00:33:02,720
Speaker 3: A lot of people, Yeah, a lot of people do that.

652
00:33:02,720 --> 00:33:06,160
Speaker 1: That is true, And you have your own Sometimes it's

653
00:33:06,280 --> 00:33:06,920
Speaker 1: just you.

654
00:33:08,760 --> 00:33:10,360
Speaker 2: Do you ever just get to get your shit off

655
00:33:10,360 --> 00:33:12,560
Speaker 2: finally and just get the dogs boner out of there

656
00:33:12,600 --> 00:33:20,200
Speaker 2: and like none of the wonderful musician lyricist Stefan, and

657
00:33:20,280 --> 00:33:24,200
Speaker 2: it's just you alone without your kids around. You've locked

658
00:33:24,200 --> 00:33:28,680
Speaker 2: them somewhere else through behind multiple doorways, right and a

659
00:33:28,720 --> 00:33:31,120
Speaker 2: set of stairs, and you just actually get your shit

660
00:33:31,200 --> 00:33:33,000
Speaker 2: off in a really significant way.

661
00:33:33,120 --> 00:33:36,840
Speaker 3: This is something I am working on continuously. How do

662
00:33:36,960 --> 00:33:39,640
Speaker 3: you have the thing that you can do by yourself

663
00:33:40,160 --> 00:33:44,280
Speaker 3: that's not dependent on others? Yeah, and it's for you.

664
00:33:45,280 --> 00:33:47,920
Speaker 3: It's for everyone, but it's for you. I think it's important,

665
00:33:47,920 --> 00:33:49,280
Speaker 3: but I don't know how to do it. And that's

666
00:33:49,280 --> 00:33:52,560
Speaker 3: what I'm worried about. Is I approach because you got ideas?

667
00:33:52,680 --> 00:33:54,880
Speaker 1: I know you do. I know you have a lot

668
00:33:54,920 --> 00:33:55,720
Speaker 1: of thoughts in there.

669
00:33:55,840 --> 00:33:58,480
Speaker 3: I've been working on things. I've been working on things.

670
00:33:58,720 --> 00:34:01,000
Speaker 2: Yeah, you have to have ideas, is because you're clearly

671
00:34:01,000 --> 00:34:05,440
Speaker 2: not listening. So something's going on up there, right, you know.

672
00:34:05,720 --> 00:34:08,000
Speaker 1: And you try to talk about like politics on a

673
00:34:08,000 --> 00:34:10,879
Speaker 1: stream or whatever. Sure, but then Stefan's got to point

674
00:34:10,880 --> 00:34:15,440
Speaker 1: out that you've got a big snot yo yo going.

675
00:34:15,280 --> 00:34:17,759
Speaker 3: Up and down out ear does right, that wasnt night,

676
00:34:19,200 --> 00:34:21,520
Speaker 3: So it was on. We spun a wheel, yeah for

677
00:34:21,560 --> 00:34:24,880
Speaker 3: twenty dollars, and.

678
00:34:23,600 --> 00:34:27,440
Speaker 1: And the wheel your body just does whatever the wheel says.

679
00:34:27,480 --> 00:34:30,359
Speaker 3: At this point, there's some whammies on there that we

680
00:34:30,400 --> 00:34:35,359
Speaker 3: don't do. Yeah, but we'll respind, okay, to be fair,

681
00:34:36,440 --> 00:34:39,440
Speaker 3: because it's for fun and it's that's.

682
00:34:39,280 --> 00:34:41,520
Speaker 1: What rammies that you don't do. But you'll respend.

683
00:34:41,640 --> 00:34:44,040
Speaker 3: We we will respind if we hit a whammy.

684
00:34:44,440 --> 00:34:47,520
Speaker 2: Okay, Yeah, they're there is a joke. It's just to

685
00:34:47,560 --> 00:34:50,800
Speaker 2: make the wheel funny. Just the wheel is content.

686
00:34:50,600 --> 00:34:53,640
Speaker 3: Yeah, because that's like a significant portion of the stream.

687
00:34:53,719 --> 00:34:56,759
Speaker 2: Is that just reading every item in the wheel talk

688
00:34:56,800 --> 00:34:57,440
Speaker 2: about a book.

689
00:34:57,960 --> 00:35:02,360
Speaker 3: It does not say that. It might say like smell

690
00:35:02,400 --> 00:35:07,040
Speaker 3: your chair. So that's a twenty dollars. That's not a whammy. Yeah,

691
00:35:07,160 --> 00:35:10,719
Speaker 3: that one's good. That sounds really good. But I think

692
00:35:10,760 --> 00:35:12,759
Speaker 3: we're looking for an example of one of the whammies.

693
00:35:13,480 --> 00:35:15,200
Speaker 1: Oh he want one we wouldn't do.

694
00:35:15,640 --> 00:35:17,719
Speaker 2: I'd like to hear a whammy that you wouldn't do

695
00:35:17,920 --> 00:35:21,319
Speaker 2: that you would respind, right, that is like because you're

696
00:35:21,320 --> 00:35:23,800
Speaker 2: saying it's part of the entertainment, part of the stream

697
00:35:23,880 --> 00:35:26,319
Speaker 2: is just reading off the wheel. Read the whammies are

698
00:35:26,320 --> 00:35:28,279
Speaker 2: there just to get a lavel. Imagine if it landed

699
00:35:28,320 --> 00:35:29,879
Speaker 2: on that. But if it does, you just don't do it.

700
00:35:29,960 --> 00:35:30,480
Speaker 1: Can we see?

701
00:35:30,480 --> 00:35:31,359
Speaker 2: So what's like one of those?

702
00:35:31,400 --> 00:35:33,520
Speaker 1: Well, I'm also curious to you. I'm curious.

703
00:35:33,560 --> 00:35:35,000
Speaker 2: I mean to talk about a book. Was a pitch

704
00:35:35,360 --> 00:35:36,759
Speaker 2: of like, you would never do that.

705
00:35:36,800 --> 00:35:39,480
Speaker 1: I wouldn't and that's what he confirmed that, But I would, yeah,

706
00:35:39,560 --> 00:35:41,080
Speaker 1: but I wouldn't think to put it on the wheel

707
00:35:41,400 --> 00:35:43,680
Speaker 1: even that Yeah, even that way, it's not something that

708
00:35:43,680 --> 00:35:45,840
Speaker 1: would be considered. But not even as a whamy. It

709
00:35:45,880 --> 00:35:48,880
Speaker 1: wouldn't be funny. Now, let me ask you this. If

710
00:35:48,920 --> 00:35:51,800
Speaker 1: you were going on like GFA or something, what is

711
00:35:51,840 --> 00:35:59,440
Speaker 1: that Good Farm America? Okay, and you were like promoting

712
00:36:00,680 --> 00:36:03,279
Speaker 1: your stream, right, they would say like, can we see

713
00:36:03,320 --> 00:36:06,319
Speaker 1: smell the chair? Yeah, and you would give them a

714
00:36:06,360 --> 00:36:09,799
Speaker 1: little taste, right, not of the chair, no, but of

715
00:36:09,920 --> 00:36:14,520
Speaker 1: you smelling it. Smelling the chair because like part of

716
00:36:14,560 --> 00:36:17,560
Speaker 1: the thing is like you do a big reaction, right,

717
00:36:17,920 --> 00:36:23,600
Speaker 1: you're not actually smelling it. I you don't I do it.

718
00:36:23,640 --> 00:36:26,400
Speaker 1: I know cause you're sitting here right now right like

719
00:36:26,520 --> 00:36:29,920
Speaker 1: I know you're not actually smelling it, smelling the chair, yes, so,

720
00:36:30,120 --> 00:36:33,040
Speaker 1: but you do have to pretend to smell it and

721
00:36:33,120 --> 00:36:35,800
Speaker 1: do like a big reaction for the stream, for the clip.

722
00:36:35,800 --> 00:36:37,000
Speaker 1: That's what they're paying for.

723
00:36:37,200 --> 00:36:39,400
Speaker 2: I mean, how long do you spend working on the

724
00:36:39,440 --> 00:36:42,719
Speaker 2: noises that you're gonna make. Like people don't understand. They go, oh,

725
00:36:42,719 --> 00:36:44,160
Speaker 2: they just go on the stream and they just hang out.

726
00:36:44,360 --> 00:36:47,959
Speaker 2: But you gotta do all these rehearsals for what sound

727
00:36:48,000 --> 00:36:49,919
Speaker 2: am I going to make after I smell the chair?

728
00:36:50,200 --> 00:36:50,439
Speaker 1: Right?

729
00:36:50,560 --> 00:36:53,480
Speaker 2: And I'm sure you're running through a bunch of options,

730
00:36:53,920 --> 00:36:56,200
Speaker 2: first in the mirror, then with the cam set up

731
00:36:56,880 --> 00:36:58,520
Speaker 2: well time I can see watching it back.

732
00:36:58,640 --> 00:37:01,399
Speaker 3: My kids run lines with me too, mm hmm.

733
00:37:01,440 --> 00:37:01,800
Speaker 1: Okay.

734
00:37:01,880 --> 00:37:04,920
Speaker 3: So I'll so we'll sit down after dinner and I'll

735
00:37:04,920 --> 00:37:07,920
Speaker 3: say like, okay, pretend this is the chair I'm smelling,

736
00:37:08,520 --> 00:37:12,000
Speaker 3: and I I mime it, you know, and then one

737
00:37:12,000 --> 00:37:17,480
Speaker 3: of my kids will pitch like that's gross, okay, and

738
00:37:17,520 --> 00:37:23,720
Speaker 3: I'll go at about three quarters that's what running lines

739
00:37:23,840 --> 00:37:26,560
Speaker 3: is for the stream where you come from. For the

740
00:37:26,560 --> 00:37:27,200
Speaker 3: stream it is.

741
00:37:27,440 --> 00:37:31,000
Speaker 2: Okay round here, running lines is doing cocaine.

742
00:37:31,800 --> 00:37:32,759
Speaker 1: Mmmmm hmm.

743
00:37:32,800 --> 00:37:37,640
Speaker 2: I wouldn't do that with my kids. Yeah, so let's see.

744
00:37:37,680 --> 00:37:40,439
Speaker 1: Just give the chair a little, a little smell this one, yes,

745
00:37:40,560 --> 00:37:42,160
Speaker 1: and let me just see how you do it.

746
00:37:42,280 --> 00:37:44,959
Speaker 3: You want this one to be smelled. Yeah, you gotta

747
00:37:45,000 --> 00:37:48,600
Speaker 3: do this every night. This is daytime though, but I

748
00:37:48,600 --> 00:37:51,400
Speaker 3: guess I could. Well, you're gonna make a meal out

749
00:37:51,440 --> 00:37:53,000
Speaker 3: of it. This is how he fills the whole stream,

750
00:37:53,080 --> 00:37:53,239
Speaker 3: you know.

751
00:37:53,360 --> 00:37:58,319
Speaker 1: Yeah, it would be something like, well, what camera am I? Well,

752
00:37:58,360 --> 00:38:00,520
Speaker 1: you can't. That's the chair, So you can't scooch over

753
00:38:00,640 --> 00:38:02,080
Speaker 1: on it like it's on a catch. You have to

754
00:38:02,080 --> 00:38:06,239
Speaker 1: turn all the way around. I've seen the chair. It's

755
00:38:06,239 --> 00:38:09,760
Speaker 1: not you can't scooch to the side. You have arm rests.

756
00:38:10,800 --> 00:38:14,280
Speaker 3: Yes, okay, we're not friends. But he's seen my chair.

757
00:38:16,840 --> 00:38:20,000
Speaker 2: Okay, he's a dead, but Hayes is getting red.

758
00:38:20,480 --> 00:38:22,360
Speaker 1: He's a dead, but he see the chair.

759
00:38:22,560 --> 00:38:25,919
Speaker 3: I didn't know it was like that. So you saw

760
00:38:25,960 --> 00:38:28,480
Speaker 3: my he's a dead, but you see the chair. You

761
00:38:28,520 --> 00:38:30,880
Speaker 3: saw my chair, but not my glasses. Why because you

762
00:38:30,920 --> 00:38:33,320
Speaker 3: only saw me bent over smelling it?

763
00:38:33,360 --> 00:38:35,360
Speaker 2: Is that why I didn't know it was you? What

764
00:38:35,560 --> 00:38:36,480
Speaker 2: scenes do you have on?

765
00:38:36,680 --> 00:38:41,719
Speaker 1: Someone sent me the clip of just like someone who's

766
00:38:41,760 --> 00:38:43,959
Speaker 1: face I couldn't see smelling the chair, and I'm like, okay,

767
00:38:44,040 --> 00:38:47,040
Speaker 1: I'll check this out. And everything else looking pretty good,

768
00:38:47,280 --> 00:38:50,879
Speaker 1: right the chair smelling angle? You liked what you saw?

769
00:38:51,640 --> 00:38:57,360
Speaker 1: Little like the little demilitarized between the T shirt at

770
00:38:57,400 --> 00:39:00,319
Speaker 1: the top of the jeans. Yeah, I'm looking out over

771
00:39:00,320 --> 00:39:08,000
Speaker 1: that like Mike Pence, serious face on getting ready to

772
00:39:08,000 --> 00:39:09,160
Speaker 1: go to war on that thing.

773
00:39:09,840 --> 00:39:12,080
Speaker 2: My co host's beij flag is that he's.

774
00:39:11,880 --> 00:39:12,600
Speaker 1: Seen the chair.

775
00:39:17,280 --> 00:39:19,480
Speaker 3: Tell me you've smelled the chair without telling me you've

776
00:39:19,480 --> 00:39:20,440
Speaker 3: smelled the chair.

777
00:39:21,840 --> 00:39:23,480
Speaker 1: Seeing the chairs what we were doing.

778
00:39:23,280 --> 00:39:26,000
Speaker 2: But we were doing seeing the chair, you smelled chairs,

779
00:39:26,080 --> 00:39:28,120
Speaker 2: and then you were and you started it. You said

780
00:39:28,239 --> 00:39:29,080
Speaker 2: he's seen the chair.

781
00:39:29,160 --> 00:39:33,040
Speaker 1: It's my thing, it was and you got it wrong.

782
00:39:33,520 --> 00:39:37,680
Speaker 2: Yeah, So are you gonna smell it or yeah, I

783
00:39:37,800 --> 00:39:42,200
Speaker 2: smell like I guess it would be something like it

784
00:39:42,239 --> 00:39:46,560
Speaker 2: would be something like there it is.

785
00:39:47,239 --> 00:39:49,960
Speaker 1: Oh brother, I need to create a twenty five dollars

786
00:39:50,040 --> 00:39:50,520
Speaker 1: tier ago.

787
00:39:54,960 --> 00:39:59,560
Speaker 3: Oh man, you do that, and you see if you

788
00:39:59,600 --> 00:40:00,839
Speaker 3: get another we'll spin out of it.

789
00:40:00,960 --> 00:40:03,440
Speaker 1: Oh my god. And so that the money coming in

790
00:40:03,560 --> 00:40:07,400
Speaker 1: makes a noise. There's oftentimes a funny noise associated with

791
00:40:07,440 --> 00:40:09,120
Speaker 1: the money. Yeah okay, yeah, so you have to do

792
00:40:09,200 --> 00:40:13,319
Speaker 1: an extra because of the sound of the.

793
00:40:13,800 --> 00:40:15,920
Speaker 3: Or there's like a song playing the whole time or something.

794
00:40:16,000 --> 00:40:18,879
Speaker 3: Yeah yeah, so and some or sometimes a visual will

795
00:40:18,920 --> 00:40:22,000
Speaker 3: pop up and will occlude the chair sniff, So now

796
00:40:22,000 --> 00:40:25,880
Speaker 3: you have to do it again, and I'm like, oh crap, wow,

797
00:40:26,120 --> 00:40:30,239
Speaker 3: not again, you guys. That's the other thing. I don't

798
00:40:30,280 --> 00:40:32,360
Speaker 3: know if you guys have this. There's there's an element

799
00:40:32,400 --> 00:40:34,600
Speaker 3: to streaming where you almost have to be mad that

800
00:40:34,600 --> 00:40:36,480
Speaker 3: you're making money doing it or else.

801
00:40:36,600 --> 00:40:39,359
Speaker 1: Oh yeah, I know, of course. Ghost Yeah that's right,

802
00:40:39,880 --> 00:40:43,360
Speaker 1: stop listening to my show. Yeah yeah, that they're like

803
00:40:43,920 --> 00:40:45,799
Speaker 1: that you don't like having to do the.

804
00:40:45,800 --> 00:40:48,680
Speaker 3: Things that there are you guys able to project that

805
00:40:48,800 --> 00:40:50,280
Speaker 3: you don't like doing the show.

806
00:40:50,760 --> 00:40:55,399
Speaker 2: We would never okay, this show is my family, right

807
00:40:55,840 --> 00:40:56,239
Speaker 2: mm hmm.

808
00:40:56,520 --> 00:40:59,240
Speaker 1: And we have too much respect for the time of

809
00:40:59,320 --> 00:41:06,080
Speaker 1: the listener tact like we haven't like prepared for this,

810
00:41:06,160 --> 00:41:07,080
Speaker 1: and that this isn't.

811
00:41:07,120 --> 00:41:11,400
Speaker 2: It's inconvenient to us in some way. It's just like, well, look,

812
00:41:11,840 --> 00:41:15,719
Speaker 2: these people are they have a lot of choices, you know,

813
00:41:15,760 --> 00:41:18,160
Speaker 2: when you fly. They say, we know you've got a

814
00:41:18,160 --> 00:41:21,719
Speaker 2: lot of choice when you fly, and we really appreciate

815
00:41:21,880 --> 00:41:26,520
Speaker 2: you selecting right. And it's I was gonna say, air lingis,

816
00:41:26,560 --> 00:41:28,160
Speaker 2: but I know you're gonna make something out of that.

817
00:41:29,640 --> 00:41:34,319
Speaker 2: I know you're gonna make something out of that. Are

818
00:41:34,320 --> 00:41:34,840
Speaker 2: you close?

819
00:41:35,600 --> 00:41:35,680
Speaker 1: So?

820
00:41:36,680 --> 00:41:41,360
Speaker 2: But at any rate does airline aside we clearly Jesse Siloe,

821
00:41:41,480 --> 00:41:42,880
Speaker 2: but he's doing the Jumpman logo.

822
00:41:49,320 --> 00:41:51,320
Speaker 3: But isn't the thing with airlines that you don't actually

823
00:41:51,400 --> 00:41:53,759
Speaker 3: have a choice because you have to go where you're

824
00:41:53,760 --> 00:41:55,319
Speaker 3: going at like that time, Like.

825
00:41:55,239 --> 00:41:57,760
Speaker 1: There's not really saying you don't actually have it because

826
00:41:57,880 --> 00:41:59,560
Speaker 1: they say it, But it's when you flew out here

827
00:41:59,640 --> 00:42:04,640
Speaker 1: to do this podcast. He sat, We got a call

828
00:42:04,719 --> 00:42:07,000
Speaker 1: from the airline and said, the person coming to do

829
00:42:07,040 --> 00:42:11,320
Speaker 1: our show. I tried to sit backwards in in the chair.

830
00:42:11,600 --> 00:42:15,480
Speaker 1: Yeah we're being stomped on. Yeah.

831
00:42:16,360 --> 00:42:19,799
Speaker 2: It's like, oh, okay, I guess it's not a free

832
00:42:19,880 --> 00:42:22,719
Speaker 2: country anymore. I'm not allowed I have no choice as

833
00:42:22,719 --> 00:42:25,680
Speaker 2: to how I sit in this seat. I have to

834
00:42:25,719 --> 00:42:28,040
Speaker 2: face the way you want. I have to have my

835
00:42:28,120 --> 00:42:30,600
Speaker 2: knees the way you want. I can't have them up

836
00:42:30,600 --> 00:42:31,200
Speaker 2: on the seat.

837
00:42:31,360 --> 00:42:32,960
Speaker 3: I have to get the vaccines you want me to

838
00:42:32,960 --> 00:42:38,279
Speaker 3: get just to it's getting insane out there.

839
00:42:47,120 --> 00:42:49,239
Speaker 2: Anyway. We know you have a lot of choices when

840
00:42:49,239 --> 00:42:52,120
Speaker 2: it comes to podcasts that we hear a Hollywood handbook,

841
00:42:52,400 --> 00:42:54,480
Speaker 2: you know, always try to make you feel like we

842
00:42:54,600 --> 00:42:59,440
Speaker 2: appreciate you, know, being your selection for whatever it is,

843
00:42:59,520 --> 00:43:05,080
Speaker 2: whether you're or commuting to prison or whether you are

844
00:43:06,760 --> 00:43:09,760
Speaker 2: uh in prison right.

845
00:43:13,000 --> 00:43:15,240
Speaker 1: Played on the If you're hearing this on the yard

846
00:43:15,320 --> 00:43:16,120
Speaker 1: and the big.

847
00:43:16,560 --> 00:43:19,279
Speaker 2: Yeah, the warden is blasting this over the speakers as

848
00:43:19,280 --> 00:43:20,800
Speaker 2: a form of punishment.

849
00:43:22,160 --> 00:43:22,879
Speaker 1: If you're in the hole.

850
00:43:23,480 --> 00:43:30,000
Speaker 2: Imagine, imagine you're in the yard and you hear Jesse Ferrar.

851
00:43:31,880 --> 00:43:35,640
Speaker 3: Put the polysre one.

852
00:43:37,120 --> 00:43:40,200
Speaker 2: Oh no, no, I mean this is one of my

853
00:43:40,200 --> 00:43:48,520
Speaker 2: favorite train Wreck episodes, breaking rocks into smaller rocks.

854
00:43:52,440 --> 00:43:56,440
Speaker 1: But your thing is more like like you're behind glass

855
00:43:57,719 --> 00:44:01,600
Speaker 1: and like someone like puts a little coin into the.

856
00:44:01,600 --> 00:44:04,319
Speaker 2: Side and you smell a chair for them. The light

857
00:44:04,400 --> 00:44:06,719
Speaker 2: goes on in the room. That's right, Yeah, you sort

858
00:44:06,719 --> 00:44:12,040
Speaker 2: of come to life. Yeah, yeah, a little a little bit.

859
00:44:12,200 --> 00:44:14,319
Speaker 3: Yes, I think there's more to it than that, because

860
00:44:14,360 --> 00:44:17,120
Speaker 3: sometimes we might be playing like Sonic Adventure while it happens.

861
00:44:17,200 --> 00:44:18,920
Speaker 1: Right, that's right.

862
00:44:19,080 --> 00:44:22,600
Speaker 3: So there's there's there's a multiple there's multiple ways to

863
00:44:22,600 --> 00:44:24,080
Speaker 3: get your entertainment on the go off.

864
00:44:24,120 --> 00:44:27,960
Speaker 1: King stream Sonic on the screen is like, I just don't. Yeah,

865
00:44:28,840 --> 00:44:31,080
Speaker 1: I'd rather not. He's looking at the same screen as this.

866
00:44:31,400 --> 00:44:35,439
Speaker 1: He's looking at his watch. Happened while I sniffed the chair.

867
00:44:37,960 --> 00:44:42,360
Speaker 1: Who has looked in here? Was that? I think the

868
00:44:42,960 --> 00:44:43,800
Speaker 1: Dan's co host?

869
00:44:43,880 --> 00:44:48,520
Speaker 2: Probably Oh yeah, I was gonna say probably Dan, but yeah,

870
00:44:48,560 --> 00:44:49,240
Speaker 2: that makes sense.

871
00:44:49,560 --> 00:44:50,440
Speaker 1: It's the co host.

872
00:44:50,719 --> 00:44:54,040
Speaker 2: Yeah, why does he need a co host?

873
00:44:54,400 --> 00:44:56,000
Speaker 1: Why does Dan need a co host?

874
00:44:56,719 --> 00:45:01,400
Speaker 2: Yeah, Like, we're doing a really like complex show and

875
00:45:01,480 --> 00:45:03,520
Speaker 2: both of us need to be working in tandem all

876
00:45:03,560 --> 00:45:06,279
Speaker 2: the time. But when I see his show, it's like,

877
00:45:07,760 --> 00:45:08,880
Speaker 2: you can't do this by yourself.

878
00:45:10,320 --> 00:45:13,640
Speaker 3: He has a lot of issues that he needs. It's

879
00:45:13,680 --> 00:45:14,759
Speaker 3: constant propping up.

880
00:45:14,840 --> 00:45:19,279
Speaker 2: You have Mad Magazine, Yeah, okay, and my guy got

881
00:45:19,320 --> 00:45:22,680
Speaker 2: in there and I was working on for some reason,

882
00:45:22,719 --> 00:45:28,240
Speaker 2: what came to my mind was Sassy Magazine, and I thought,

883
00:45:28,600 --> 00:45:30,319
Speaker 2: I'm not gonna say this out loud, but if I

884
00:45:30,320 --> 00:45:32,720
Speaker 2: had come up with Matt, I probably would have. Yeah,

885
00:45:33,040 --> 00:45:34,000
Speaker 2: I probably would have done it.

886
00:45:34,800 --> 00:45:35,680
Speaker 1: He's a goofball.

887
00:45:36,000 --> 00:45:37,160
Speaker 3: I was cracked over mad.

888
00:45:37,440 --> 00:45:40,759
Speaker 1: Yeah, yeah, Sylvester pe smythe guy.

889
00:45:40,920 --> 00:45:43,799
Speaker 2: Mm hmmm hmm. I was mad about cracked.

890
00:45:47,400 --> 00:45:50,800
Speaker 1: But now I know, but it was a different time. Well,

891
00:45:50,840 --> 00:45:53,359
Speaker 1: it's Jesse for our Yeah, he's here.

892
00:45:54,560 --> 00:45:56,520
Speaker 2: Please do tune in to watch him smell a chair.

893
00:45:56,680 --> 00:45:58,200
Speaker 1: I'll tell you one thing. I like him a lot

894
00:45:58,200 --> 00:46:07,319
Speaker 1: better than Jesse close art mm hmm yeah, but whoa

895
00:46:07,680 --> 00:46:08,800
Speaker 1: Hollywood Hamburg