WEBVTT - Needs More Turkeys: Lothar Malskat

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<v Speaker 1>Ridiculous Crime is a production of iHeartRadio Zaren Elizabeth.

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<v Speaker 2>There. I'm over here, you know, just hanging out doing

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<v Speaker 2>my thing, and.

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<v Speaker 3>I I have a question, what is it five times?

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<v Speaker 3>It's five?

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<v Speaker 2>Could? Do you know what's ridiculous?

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<v Speaker 3>Yes, dude, Okay, So recently one of my heroes passed away,

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<v Speaker 3>Bob Newhart. I thought, no, come on now, Bob Newhart

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<v Speaker 3>passed away, right, and I love that guy, and I

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<v Speaker 3>learned a fun fact about him, and it's ridiculous. So

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<v Speaker 3>his first album was called The Button Down Mind of

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<v Speaker 3>Bob Newhart, and I used to listen to his old

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<v Speaker 3>comedy albums, right, But what I didn't know was a

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<v Speaker 3>few things about this album. Well, for one, he won

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<v Speaker 3>the Grammy for Best New Artist as a comedian. I

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<v Speaker 3>think it's the only time that's ever happened.

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<v Speaker 2>Oh it wasn't, like best New Comedian. Out of all

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<v Speaker 2>the recordings, he beat the Curse.

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<v Speaker 3>Yes, he beat like Also he beat Leontine Price and

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<v Speaker 3>Miriam mckiba. And he also beat Sinatra for Best Album

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<v Speaker 3>of the Year. I mean like it, yes, what, Oh totally,

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<v Speaker 3>it's okay, it's nuts like, oh ahead. Then he also

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<v Speaker 3>it is the it's the highest selling comedy album of

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<v Speaker 3>the twentieth century.

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<v Speaker 2>And then you were listening to it as a kid.

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<v Speaker 3>I was listening to as a kid. So my mother

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<v Speaker 3>gave me all of her old Bob Newhart albums, and

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<v Speaker 3>I loved him. I memorized him. But the thing that

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<v Speaker 3>that's wild to me is so he he does that

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<v Speaker 3>recording that album. He recorded it down in Houston. It

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<v Speaker 3>was only the second time he'd ever done stand up.

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<v Speaker 3>What he never did stand up. And then all of

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<v Speaker 3>a sudden, they're like, hey, we want to do a comedy.

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<v Speaker 3>We want you to record it, like in like in

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<v Speaker 3>a club doing stand ups. Like I don't do that.

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<v Speaker 3>They're like, what do you mean. He's like, I just

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<v Speaker 3>I make these recordings and I send him in. They

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<v Speaker 3>play on the radio station, the DJ plays them. That's

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<v Speaker 3>how people know me. They're like, huh, well, can you

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<v Speaker 3>do it on a stage? What you do with the

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<v Speaker 3>with the fake phone calls and all that, And he's like,

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<v Speaker 3>I guess I can try. So he goes down to Houston.

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<v Speaker 3>He does one weekend, practices it in front of a crowd,

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<v Speaker 3>then next weekend does it live again, records it, and

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<v Speaker 3>that's what you hear on the album.

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<v Speaker 2>Wow, that's incredible, it's amazing, It's ridiculousiculous.

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<v Speaker 3>And that's the greatest comedy album of the twentieth century.

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<v Speaker 3>Highest Sailing gets them all these everybody recognizes it, you know,

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<v Speaker 3>both the credits and the fans. Yeah, and I couldn't

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<v Speaker 3>believe that.

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<v Speaker 2>Wow, that's ridiculous.

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<v Speaker 3>There you go.

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<v Speaker 2>Do you want to know what else is ridiculous? Totally

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<v Speaker 2>sneaky turkeys and a barefoot married Magdalene Good. This is

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<v Speaker 2>a Ridiculous Crime, A podcast about absurd and outrageous cavers

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<v Speaker 2>i and cons. It's always ninety nine percent murder free

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<v Speaker 2>and one hundred percent ridiculous. Damn right, here we go.

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<v Speaker 3>It's Ben whiles erin Why Where? Who told you that?

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<v Speaker 2>It's Ben A Whiles Since I told you about a

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<v Speaker 2>good art crime?

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<v Speaker 3>Oh yeah, you know I love these. So you finally

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<v Speaker 3>got my comments that I put in the comment box.

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<v Speaker 3>Oh no crimes again this week? Just yeah?

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<v Speaker 2>Well, you know, I'm not employee of the month every

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<v Speaker 2>month like you are. Maybe learned to park, I could

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<v Speaker 2>I just can't listen. Yes, I mentioned this guy or

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<v Speaker 2>as you would say, Katy.

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<v Speaker 3>And I know Louis Armstrong invented that as slang. That's

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<v Speaker 3>why I say it out of honor to Louis Good.

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<v Speaker 2>That's good me out of him. And I talked about

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<v Speaker 2>this guy in our listener Mail episode Friend of the Show.

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<v Speaker 2>Hondo recommended this guy, and let me say that was

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<v Speaker 2>a great recommendation. Yeah. Classic. So the guy's name is

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<v Speaker 2>Lothar mallscat. That sounds like when you're mallscat. It sounds

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<v Speaker 2>like when you're making up words to make a toddler.

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<v Speaker 3>You know what scat is, right?

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<v Speaker 2>I know what? You know what a mall is a Lothar,

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<v Speaker 2>which like, okay, so right there, I'm sold. He's no bumfardo,

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<v Speaker 2>but it's good.

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<v Speaker 3>Of the mall people.

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<v Speaker 2>It sounds like the name of a small woodland creature

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<v Speaker 2>in like a British nature documentary that lines its den

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<v Speaker 2>in candy wrappers and scavenged pubic hair.

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<v Speaker 3>You can see that the wild loth ball scat. He's

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<v Speaker 3>been dwelling here for a bit of.

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<v Speaker 2>Time, behold in the natural habitat. Okay, but I kid

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<v Speaker 2>ha ha. Let's talk about the real Lothar. He was

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<v Speaker 2>born in East Prussia nineteen thirteen. Now it's called where

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<v Speaker 2>he was was Knesberg. Now it's Kaliningrad, Russia, Russia, port

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<v Speaker 2>city on the Baltic. So you've been there, hang out

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<v Speaker 2>there all the time.

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<v Speaker 3>I got a buddy who's still there.

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<v Speaker 2>Yeah, you got jugged there.

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<v Speaker 3>Yeah, he's in the black markets. But I can't talk

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<v Speaker 3>about it.

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<v Speaker 2>He's I need art at this art school, Kundan's Kuhnskatami Conesberg.

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<v Speaker 3>My buddy went so fun to say he's a dance instructor.

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<v Speaker 2>Uh. His professors said that he had quote extraordinary, almost

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<v Speaker 2>uncanny versatility, and he said it like that, and so

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<v Speaker 2>he's got that praise just ringing in his ears. He

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<v Speaker 2>goes to Berlin to make his fortune and his fame,

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<v Speaker 2>but it didn't work out that. Ah. He it's a

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<v Speaker 2>long way to the top if you want a rock

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<v Speaker 2>and roll buddy.

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<v Speaker 3>Oh yeah, many steps to get there exactly.

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<v Speaker 2>So he transitioned media. He went from painting on canvas

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<v Speaker 2>to dropping canvas in order to paint walls. The boy

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<v Speaker 2>became a house painter.

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<v Speaker 3>Oh you're trying to say dropping dropping canvas, That sounds

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<v Speaker 3>like house painting. He got that real painting. I was

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<v Speaker 3>just doing some shop talk because look, it's not only beautiful,

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<v Speaker 3>but it's also effective. It seals in the house or

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<v Speaker 3>beautiful the walls, but also it's beautiful. Exactly what do

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<v Speaker 3>you do for a living the beautify the world?

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<v Speaker 2>Exactly be proud. In Berlin, where he was, there's this

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<v Speaker 2>guy named Dietrich Faye, and he was the son of

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<v Speaker 2>Professor Ernst Fay.

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<v Speaker 3>These people, no, okay.

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<v Speaker 2>And Ernst Fay was for those of us who are cultured,

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<v Speaker 2>so you wouldn't know, not me. He was a well

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<v Speaker 2>known art historian and restore and Professor Fay kind of

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<v Speaker 2>hitched his wagonto the Nazis, oh choice, especially the ones

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<v Speaker 2>who thought of themselves as total art connoisseurs.

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<v Speaker 3>Oh art, these.

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<v Speaker 2>Clowns such as Luftwaffe Commander in chief Hermann Goring.

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<v Speaker 3>Yeah, he had a huge stolen collection. Oh yeah, and

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<v Speaker 3>so like the biggest in the world.

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<v Speaker 2>I think Fay just like pals around with him. Fay

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<v Speaker 2>and his son, Dietrich, they went around and they restored

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<v Speaker 2>paintings and churches, and the professor taught his son the

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<v Speaker 2>intricacies of fresco restoration, and Dietrich he was like, really good,

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<v Speaker 2>that's one.

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<v Speaker 3>Of your favorites. Fresco restoration people who messed it up.

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<v Speaker 2>Though totally we're good. Yeah, we'll talk about.

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<v Speaker 3>That, okay.

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<v Speaker 2>So Dietrich, he's like super good at schmoozing clients and

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<v Speaker 2>like greasing government wheels.

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<v Speaker 3>Oh of course, not an artist.

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<v Speaker 2>He's terrible at the actual restoration.

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<v Speaker 3>Just crap. Meanwhile, Lothar's rollers instead. Yeah, no, it terrible.

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<v Speaker 2>Well, no, he's not the house Lothar, the house painter.

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<v Speaker 2>He's twenty four, he's looking for work. So he gets

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<v Speaker 2>hired by Professor Fay, not as a restorer, but to

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<v Speaker 2>whitewash the family home. So the professor, though it takes

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<v Speaker 2>a liking to Lothar, and he loans them all these

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<v Speaker 2>books on ecclesiastical art, okay, and it's just like, you

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<v Speaker 2>know what, you seem to have your act together more

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<v Speaker 2>than my son art. And so over time the Professor

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<v Speaker 2>taught Lothart what it was to restore a work, like

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<v Speaker 2>the whole craft.

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<v Speaker 3>It's like, would you like to be my surrogate son?

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<v Speaker 3>Basically I will teach you the guild training kind of.

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<v Speaker 2>But yeah, So nineteen thirty seven, Germany, the professor and

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<v Speaker 2>his son they get this huge contract to restore murals

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<v Speaker 2>in the Cathedral of Saint Peter in Schleswig, Schleswig.

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<v Speaker 3>Sure, sure, I believe you.

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<v Speaker 2>It is this huge project. So they needed help, so

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<v Speaker 2>they hired Lothar to help them, and they were tasked

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<v Speaker 2>with removing some like inauthentic editions that had been added

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<v Speaker 2>to the medieval pieces. So in eighteen eighty eight, this guy,

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<v Speaker 2>August Albert's he comes in. He's hired to like bring

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<v Speaker 2>the old murals back to life. He got a little

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<v Speaker 2>too into it, Okay, So the earliest images on the

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<v Speaker 2>wall of the cathedral were actually first painted around thirteen hundred, huh,

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<v Speaker 2>and over the centuries damp set in, for sure. So

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<v Speaker 2>they hired August Olbers in the eighteen eighties to like

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<v Speaker 2>go and like, you know.

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<v Speaker 3>Freshen it up.

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<v Speaker 2>He took some liberties and at the time everyone thought

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<v Speaker 2>it was fantastic. Like, so he took a bad blurry

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<v Speaker 2>image and he would paint over it to look like

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<v Speaker 2>he figured the original artist intended.

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<v Speaker 3>Oh and there's no living memory of the actual painting.

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<v Speaker 2>Yeah, And anything that he couldn't make out he made up.

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<v Speaker 3>Yes, everybody had just been living with the hazy Yeah,

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<v Speaker 3>and that's.

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<v Speaker 2>How restoration was done then too, So by the time

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<v Speaker 2>loath are so, yeah, that looks right, and so loath

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<v Speaker 2>art comes on the scene and that's just not true anymore.

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<v Speaker 2>So by the thirties, people realize you can't trample on

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<v Speaker 2>the original work. You have to just like Learnt crud Off, Yeah,

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<v Speaker 2>to let the paint sing through. And so this is

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<v Speaker 2>totally calling to mind as you referenced one of my

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<v Speaker 2>favorite works of art, the fresco of Jesus in the

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<v Speaker 2>Spanish church that the lady painted over to quote fix

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<v Speaker 2>it made horrible. Yeah, I had a T shirt with it.

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<v Speaker 2>Happened to that shirt. It was horrible and awesome.

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<v Speaker 3>I bet an intern ticket. It's so awesome. Probably one

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<v Speaker 3>of the one of the hairy ones, the dogs.

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<v Speaker 2>I'm going to go looking through their closets. So Olbers,

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<v Speaker 2>he didn't deface the walls like that. He just broke

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<v Speaker 2>the new orthodoxy established by Cologne art historian Auto H.

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<v Speaker 2>Forster quote there must be no l of addition, completion,

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<v Speaker 2>or other conjectured reconstruction of any supposed original state. So

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<v Speaker 2>Olbers is like check, check, and check. Oh, I'm not

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<v Speaker 2>supposed to do those things. So now, Professor Fay and

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<v Speaker 2>his company. They've come in. They have to restore that

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<v Speaker 2>Undo Ober, Yeah, Undo Olbers. And when they started the project,

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<v Speaker 2>it pretty much scraped away all of the paint laid

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<v Speaker 2>down by Olbers.

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<v Speaker 3>I can tell you, I just has a house painter.

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<v Speaker 3>Unpainting is your least favorite thing to do.

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<v Speaker 2>Yeah, yeah, And so they're trying to take Olbers off,

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<v Speaker 2>but they're taking even more stuff.

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<v Speaker 3>It's very difficult, it's really and they have.

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<v Speaker 2>To work with what they have, the notes from the

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<v Speaker 2>eighteen eighties. So he has to restore a blank wall now.

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<v Speaker 2>And so the phase decided they were going to have

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<v Speaker 2>Lothar repaint the murals from scratch and pretend they were restorations.

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<v Speaker 2>So Lothar whitewashed the brick and then he like discolored

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<v Speaker 2>the line that he used with pigment to get it

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<v Speaker 2>that like lived in ancient Terror. Then he freehanded his

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<v Speaker 2>own version of the murals based on Olber's restorations, and

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<v Speaker 2>he looked at medieval examples to try and fill in

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<v Speaker 2>any blanks, and he drew the figures in earth tones

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<v Speaker 2>and like went all in on the medieval style. But

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<v Speaker 2>he also made a bunch of anachronistic errors on purpose.

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<v Speaker 2>Oh really yeah, Like the big one is that he

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<v Speaker 2>included turkeys in one of the corn tomatoes, and like

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<v Speaker 2>turkeys weren't known of in fourteenth century years.

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<v Speaker 3>None of those potatoes they world.

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<v Speaker 2>He also modeled the virtue Mary's face after Hanseik, Austrian

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<v Speaker 2>movie star, and he painted his father as a prophet.

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<v Speaker 2>And he used an old classmate as the inspiration for

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<v Speaker 2>the face of Christ. That's an honor. And when he

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<v Speaker 2>was done, the professor swooped in Fay and he just

0:11:56.520 --> 0:11:58.680
<v Speaker 2>rubbed a brick over the entire thing to give it

0:11:58.760 --> 0:12:00.280
<v Speaker 2>like wear and tear patina.

0:12:00.679 --> 0:12:02.320
<v Speaker 3>Did he have like a fishmonger? Who was the face

0:12:02.360 --> 0:12:04.240
<v Speaker 3>of Mary? I mean, like how deep did it go?

0:12:04.520 --> 0:12:08.240
<v Speaker 2>It goes deep? And people loved it. They're like, this

0:12:08.400 --> 0:12:11.280
<v Speaker 2>is gorgeous. An art historian at the University of bond

0:12:11.360 --> 0:12:16.080
<v Speaker 2>Fell by the name of Alfred Staunch, he just gushed

0:12:16.240 --> 0:12:20.400
<v Speaker 2>about Professor Fay and the restoration work said it was

0:12:20.520 --> 0:12:24.720
<v Speaker 2>quote as restrained as it was careful, and he said

0:12:24.720 --> 0:12:28.760
<v Speaker 2>it was the quote last deepest final word in German art.

0:12:29.280 --> 0:12:33.679
<v Speaker 2>Like this guy got sensual with it, s all about it.

0:12:33.960 --> 0:12:34.920
<v Speaker 2>But he also.

0:12:34.800 --> 0:12:36.600
<v Speaker 3>Didn't realize he was putting all of his name on

0:12:36.640 --> 0:12:36.959
<v Speaker 3>this too.

0:12:37.080 --> 0:12:39.600
<v Speaker 2>Yeah, well he had. He thought that the art had

0:12:39.640 --> 0:12:43.520
<v Speaker 2>another use. He wanted the government to use the murals

0:12:43.559 --> 0:12:45.520
<v Speaker 2>to promote Third Reich nationalism.

0:12:45.920 --> 0:12:50.160
<v Speaker 3>Oh that's right, German art the last word.

0:12:50.679 --> 0:12:52.880
<v Speaker 2>He thought the murals would be right up their alley

0:12:52.920 --> 0:12:57.679
<v Speaker 2>because first of all, the figures conformed to their stereotypes,

0:12:57.720 --> 0:13:00.959
<v Speaker 2>the blond and like the purity of the German. Yeah. Sure,

0:13:01.400 --> 0:13:05.000
<v Speaker 2>Lothar said in an interview later quote, I had to

0:13:05.000 --> 0:13:08.679
<v Speaker 2>paint the apostles as longheaded vikings because one did not

0:13:08.840 --> 0:13:14.760
<v Speaker 2>want Eastern roundheads. Okay, right, wow, But then there's the turkeys.

0:13:15.000 --> 0:13:18.160
<v Speaker 3>So do the Nazis really know that they're talking about

0:13:18.160 --> 0:13:22.079
<v Speaker 3>a Jewish guy in like the like not the Nazi

0:13:22.160 --> 0:13:24.000
<v Speaker 3>pass Like? Are they just skipping past that? Are they

0:13:24.000 --> 0:13:26.600
<v Speaker 3>trying to pretend like the Jesus, the Jesus is not Jewish,

0:13:27.120 --> 0:13:28.720
<v Speaker 3>the Disciples are not Jewish fishermen.

0:13:28.920 --> 0:13:31.079
<v Speaker 2>I can't explain the disconnects.

0:13:30.480 --> 0:13:32.160
<v Speaker 3>Okay, I was just wondering if they were, Like, Also,

0:13:32.200 --> 0:13:34.280
<v Speaker 3>by the way, can we make everyone blonde in the picture?

0:13:34.320 --> 0:13:35.319
<v Speaker 2>Everyone comes from here?

0:13:35.400 --> 0:13:35.559
<v Speaker 4>Well?

0:13:35.559 --> 0:13:37.840
<v Speaker 2>So okay, so then we got the turkeys, sure, and

0:13:37.880 --> 0:13:39.840
<v Speaker 2>there are eight turkeys in the Mural.

0:13:40.320 --> 0:13:41.480
<v Speaker 3>And twelve disciples.

0:13:42.240 --> 0:13:48.280
<v Speaker 2>Independent historian named Freer Kai. Sherman Hompkins I know, pointed

0:13:48.320 --> 0:13:51.200
<v Speaker 2>out that the turkeys were introduced to Europe by the

0:13:51.240 --> 0:13:53.560
<v Speaker 2>Spaniards in the fifteen fifties, so like, how are they

0:13:53.559 --> 0:13:57.200
<v Speaker 2>in this painting? The paintings had been given the okay

0:13:57.280 --> 0:14:01.880
<v Speaker 2>by the Nazis. Himmler himself had attested to their value.

0:14:02.200 --> 0:14:06.839
<v Speaker 2>So Sherman Hompkins, he couldn't question the authenticity without questioning

0:14:06.880 --> 0:14:10.240
<v Speaker 2>the Nazis. So he did like a good fascist, and

0:14:10.280 --> 0:14:15.920
<v Speaker 2>he questioned history itself. He decided that the paintings were

0:14:16.040 --> 0:14:18.440
<v Speaker 2>proof that the Vikings had discovered America.

0:14:18.679 --> 0:14:19.000
<v Speaker 3>I knew.

0:14:19.520 --> 0:14:21.960
<v Speaker 2>And then they brought the turkeys back with of course,

0:14:22.600 --> 0:14:25.119
<v Speaker 2>and people bought into this, so of course.

0:14:24.880 --> 0:14:26.360
<v Speaker 3>That makes the most sense.

0:14:26.400 --> 0:14:28.960
<v Speaker 2>And it was already like a big Nazi talking point

0:14:29.000 --> 0:14:33.280
<v Speaker 2>that supposedly the German explorer Diedrich Pining had reached America

0:14:33.320 --> 0:14:34.400
<v Speaker 2>in fourteen seventy three.

0:14:34.680 --> 0:14:37.680
<v Speaker 3>They're not even going with like Leif Ericksson in history, well.

0:14:37.560 --> 0:14:39.720
<v Speaker 2>No, because then they're like, oh wait a second, this

0:14:39.920 --> 0:14:42.680
<v Speaker 2>just proves the Vikings had actually been there earlier, because

0:14:42.680 --> 0:14:45.480
<v Speaker 2>this is from the thirteen hundreds, and they brought not

0:14:45.520 --> 0:14:48.680
<v Speaker 2>fourteen seventy three, they brought the turkeys to Germany so

0:14:48.720 --> 0:14:50.360
<v Speaker 2>a dude could paint them on the walls of a

0:14:50.440 --> 0:14:53.680
<v Speaker 2>church and that was just fantastic, and that meant that

0:14:53.720 --> 0:14:57.080
<v Speaker 2>the Germans could then further cement their Viking pedigree.

0:14:57.160 --> 0:14:59.240
<v Speaker 3>Of course, really just drive home.

0:14:59.080 --> 0:15:03.480
<v Speaker 2>That Teutonics premisy. So the turkeys existing in early medieval

0:15:03.560 --> 0:15:07.760
<v Speaker 2>Germany became a part of Nazi cannon. What yeah, and

0:15:07.800 --> 0:15:11.320
<v Speaker 2>it got integrated into their propaganda. So a guidebook for

0:15:11.360 --> 0:15:15.880
<v Speaker 2>the church said, quote Arian seafarers went to America long

0:15:15.920 --> 0:15:20.560
<v Speaker 2>before Columbus did. Incidentally, Columbus is the descendant of Spanish

0:15:20.720 --> 0:15:27.040
<v Speaker 2>Jews from Barcelona. Like wow, people are disgusting, so gross. Yeah,

0:15:27.120 --> 0:15:31.520
<v Speaker 2>so about Columbus, right, I mean you got I can

0:15:31.640 --> 0:15:33.200
<v Speaker 2>say a lot about Columbus, but like.

0:15:33.320 --> 0:15:36.280
<v Speaker 3>Yeah, irrelevant. I find small mind and is funny sometimes,

0:15:36.280 --> 0:15:37.720
<v Speaker 3>so I can laugh at a lot of things.

0:15:38.600 --> 0:15:41.480
<v Speaker 2>The turkeys. The turkeys were painted in the eighteen eighties

0:15:41.680 --> 0:15:44.400
<v Speaker 2>by August Olbers, because that's when he was like, I

0:15:44.440 --> 0:15:44.880
<v Speaker 2>don't know what.

0:15:44.880 --> 0:15:48.440
<v Speaker 3>Goes in there to paint feet, And then after the.

0:15:48.440 --> 0:15:52.680
<v Speaker 2>Mural was unveiled in the nineteen thirties, eighty year old

0:15:52.760 --> 0:15:56.280
<v Speaker 2>Olbers comes forward and it's like, the mural is not

0:15:56.480 --> 0:16:01.720
<v Speaker 2>proof that the Vikings discovered America because I painted those

0:16:01.840 --> 0:16:06.040
<v Speaker 2>jive turkeys in the eighteen eighties, like he confesses. And

0:16:06.080 --> 0:16:07.920
<v Speaker 2>he's like, I wasn't trying to pull a fast one.

0:16:07.960 --> 0:16:09.800
<v Speaker 2>I just couldn't figure there was a big empty spot.

0:16:09.880 --> 0:16:10.960
<v Speaker 2>I didn't know what to put in there.

0:16:11.000 --> 0:16:14.080
<v Speaker 3>Is doing this publicly to the authorities.

0:16:13.680 --> 0:16:17.240
<v Speaker 2>Publicly, oh wow, and to the like everybody. And he's like,

0:16:17.360 --> 0:16:20.080
<v Speaker 2>I didn't want to leave a bear spot. I paint turkeys.

0:16:20.120 --> 0:16:21.440
<v Speaker 2>I'm really good at painting turkeys.

0:16:21.600 --> 0:16:22.400
<v Speaker 3>I love the gobblers.

0:16:22.480 --> 0:16:24.840
<v Speaker 2>He put a bunch of foxes, and he put four turkeys,

0:16:25.040 --> 0:16:27.640
<v Speaker 2>and they were supposed to symbolize the guile and gluttony

0:16:27.760 --> 0:16:29.360
<v Speaker 2>of King Herod.

0:16:29.880 --> 0:16:31.080
<v Speaker 3>Oh okay, okay.

0:16:31.240 --> 0:16:33.760
<v Speaker 2>So then Lothar he sees the turkeys, he's like, oh,

0:16:33.800 --> 0:16:36.720
<v Speaker 2>these are original. I guess what does he know from turkeys?

0:16:37.120 --> 0:16:39.120
<v Speaker 2>You know, who knows where they came from? They're just

0:16:39.160 --> 0:16:42.000
<v Speaker 2>delicious whatever. But remember I said there were eight in

0:16:42.040 --> 0:16:44.840
<v Speaker 2>the mural. Let's got Olbers only painted four of them.

0:16:44.920 --> 0:16:48.360
<v Speaker 2>Lothar liked how they looked, and he really liked painting turkeys.

0:16:48.360 --> 0:16:50.040
<v Speaker 2>This is good at it, so he doubled up.

0:16:49.960 --> 0:16:52.280
<v Speaker 3>On it and they're so fun.

0:16:53.880 --> 0:16:57.080
<v Speaker 2>Yeah, exactly, nobody, thank you.

0:16:57.120 --> 0:16:59.400
<v Speaker 3>I did you know? You did celebrity pressions and animals?

0:17:00.120 --> 0:17:04.440
<v Speaker 2>Everybody it's me But okay, nobody listened to Olbers. Right,

0:17:04.560 --> 0:17:07.040
<v Speaker 2>So the old guy, they're like, you're senile, you don't

0:17:07.040 --> 0:17:09.520
<v Speaker 2>remember anything you see sad go away.

0:17:09.760 --> 0:17:11.840
<v Speaker 3>He's like, I did it. They're like no, yeah.

0:17:11.720 --> 0:17:12.520
<v Speaker 2>No, I'm sorry.

0:17:12.760 --> 0:17:15.920
<v Speaker 3>The Vikings sit down, grandpa, we have to talk about.

0:17:15.800 --> 0:17:18.280
<v Speaker 2>It was too important to the third Yeah, this is

0:17:18.280 --> 0:17:20.679
<v Speaker 2>the Viking legend and the Turkeys live on.

0:17:21.080 --> 0:17:23.120
<v Speaker 3>Yeah. So the war, there was a war.

0:17:23.119 --> 0:17:24.080
<v Speaker 2>I don't know if you heard about it.

0:17:24.119 --> 0:17:25.760
<v Speaker 3>Oh right, right right.

0:17:26.920 --> 0:17:29.880
<v Speaker 2>Loth Ars survived the war, but he couldn't get a job.

0:17:29.920 --> 0:17:30.639
<v Speaker 2>He had no money.

0:17:30.720 --> 0:17:31.680
<v Speaker 3>Was in the war.

0:17:31.800 --> 0:17:35.160
<v Speaker 2>Yeah, I know. He tried to make it as an artist,

0:17:35.400 --> 0:17:38.160
<v Speaker 2>and that by that I mean he painted erotic pinups

0:17:38.160 --> 0:17:40.040
<v Speaker 2>that he sold on the streets of Hamburg.

0:17:40.840 --> 0:17:41.159
<v Speaker 3>Wow.

0:17:41.240 --> 0:17:44.760
<v Speaker 2>Yeah, so by the summer of forty five erotic pinups. Yeah,

0:17:45.119 --> 0:17:49.119
<v Speaker 2>summer forty five, totally broke, totally starving. He goes to

0:17:49.200 --> 0:17:50.360
<v Speaker 2>the phase to ask for.

0:17:50.359 --> 0:17:53.119
<v Speaker 3>What, how terrible is it that there you are? And

0:17:53.200 --> 0:17:57.080
<v Speaker 3>this specifically as a straight man who's broke, penniless hoping

0:17:57.160 --> 0:17:59.280
<v Speaker 3>to like get something, and they have to just stare

0:17:59.359 --> 0:18:02.119
<v Speaker 3>at like a beautiful woman who's half naked all day

0:18:02.119 --> 0:18:04.240
<v Speaker 3>while you're trying to paint this thing. It's like for

0:18:04.400 --> 0:18:06.600
<v Speaker 3>that guy, I mean, what a temptation of like, I'm

0:18:06.680 --> 0:18:09.919
<v Speaker 3>never doing anything like this. Oh god, terrible.

0:18:10.040 --> 0:18:13.399
<v Speaker 2>Anyway, I don't feel bad for him anyway. So he

0:18:13.480 --> 0:18:16.400
<v Speaker 2>goes to the phase looking for work. Professor Ernst died

0:18:16.440 --> 0:18:18.520
<v Speaker 2>in the war and so, and there weren't like a

0:18:18.560 --> 0:18:22.600
<v Speaker 2>whole lot of paying restoration projects going on. But Dietrich

0:18:22.680 --> 0:18:24.160
<v Speaker 2>the sun live and large.

0:18:24.240 --> 0:18:25.600
<v Speaker 3>So that wasn't big on the Marshall plan.

0:18:25.680 --> 0:18:28.600
<v Speaker 2>Huh well, I mean that didn't. That was you look

0:18:28.640 --> 0:18:31.320
<v Speaker 2>at like a few years later and you'll see shows that. Okay, yeah,

0:18:31.359 --> 0:18:34.479
<v Speaker 2>so Dietrich he's like wearing these like beautiful suits and

0:18:34.520 --> 0:18:38.560
<v Speaker 2>smoking expensive cigarettes just like he had before, and he's like,

0:18:38.680 --> 0:18:41.000
<v Speaker 2>Lothar aw high are you? And you can even move

0:18:41.040 --> 0:18:44.560
<v Speaker 2>into my servants quarters, thank you? But this is there's

0:18:44.560 --> 0:18:48.879
<v Speaker 2>no restoration work there. What's the there's work, there's art forgeries. Ah,

0:18:48.920 --> 0:18:51.520
<v Speaker 2>so the economy is in the toilet, but there's still

0:18:51.560 --> 0:18:54.280
<v Speaker 2>plenty of buyers, you know, on this black market.

0:18:54.040 --> 0:18:57.399
<v Speaker 3>And all this art that's been liberated.

0:18:56.440 --> 0:18:59.639
<v Speaker 2>Cash means nothing. People are trading in cigarettes. And they

0:18:59.680 --> 0:19:03.080
<v Speaker 2>also they protect their savings by buying things with lasting

0:19:03.160 --> 0:19:03.960
<v Speaker 2>value like art.

0:19:04.200 --> 0:19:05.480
<v Speaker 3>It's like the loose diamonds events.

0:19:05.560 --> 0:19:08.240
<v Speaker 2>Yeah, so most of the new collectors are inexperienced with it.

0:19:08.280 --> 0:19:10.000
<v Speaker 2>They just want to lock their money into a solid

0:19:10.040 --> 0:19:12.600
<v Speaker 2>piece of art. Most of the high value paintings had

0:19:12.600 --> 0:19:16.359
<v Speaker 2>been looted from foreign museums or seized from Jewish collectors

0:19:16.359 --> 0:19:19.520
<v Speaker 2>and families, which meant that like no one was asking

0:19:19.560 --> 0:19:23.320
<v Speaker 2>any questions about provenans lips zipped. So the collectors, they

0:19:23.320 --> 0:19:25.720
<v Speaker 2>figured someone else's bad luck, as they're a good fortune.

0:19:26.080 --> 0:19:30.120
<v Speaker 2>They're just lovely people. Collectors. They figured the art had

0:19:30.119 --> 0:19:32.320
<v Speaker 2>to be real with all the hush hush and all.

0:19:32.440 --> 0:19:33.000
<v Speaker 3>That's the thing.

0:19:33.160 --> 0:19:34.919
<v Speaker 2>Yeah, and the ones who had their doubts about the

0:19:34.960 --> 0:19:37.399
<v Speaker 2>authenticity just kind of like push it out of their minds.

0:19:37.600 --> 0:19:41.359
<v Speaker 2>They're just trying to survive. So Fee gave Loathar some canvasses,

0:19:41.440 --> 0:19:47.200
<v Speaker 2>some paints, and then a list of names Rembrandt, Shegal, Picasso. Orders.

0:19:47.240 --> 0:19:51.600
<v Speaker 2>They're coming in fast and furious from Munich, Frankfurt and

0:19:51.760 --> 0:19:54.200
<v Speaker 2>Lothar really had to like bust Rump to keep up.

0:19:54.840 --> 0:19:57.679
<v Speaker 2>He said, quote, sometimes I copied an old painting in

0:19:57.720 --> 0:19:59.920
<v Speaker 2>a day. It took me an hour to do a Picasso.

0:20:00.359 --> 0:20:02.680
<v Speaker 2>But what I like best was to do new paintings

0:20:02.720 --> 0:20:05.439
<v Speaker 2>in the style of the French Impressionists. He had a

0:20:05.520 --> 0:20:09.040
<v Speaker 2>catalog of more than seventy artists whose work and or

0:20:09.119 --> 0:20:10.040
<v Speaker 2>style he copied.

0:20:10.160 --> 0:20:12.440
<v Speaker 3>There's the catalog for black market buyers to then sell

0:20:12.480 --> 0:20:13.399
<v Speaker 3>to annoying people.

0:20:13.520 --> 0:20:15.680
<v Speaker 2>Yea. And then he turned out in this time, he

0:20:15.760 --> 0:20:19.280
<v Speaker 2>turned out six hundred oils and watercolors, and he was

0:20:19.320 --> 0:20:22.480
<v Speaker 2>making Dietrich Fay a lot of money. But he was

0:20:22.560 --> 0:20:25.359
<v Speaker 2>so let's hang that on the wall. Okay, when we

0:20:25.440 --> 0:20:27.320
<v Speaker 2>come back, we're going to talk more art fraud.

0:20:27.520 --> 0:20:50.800
<v Speaker 3>Yeah, Elizabeth Saren, Okay, I want to hear more story.

0:20:50.800 --> 0:20:51.479
<v Speaker 3>Come on back up.

0:20:52.480 --> 0:20:57.280
<v Speaker 2>I'm ready. When I left off Lowthar Malscott, he's making.

0:20:57.320 --> 0:20:59.320
<v Speaker 3>I'm sorry, I'm trying to be professional. Go on.

0:21:00.040 --> 0:21:04.520
<v Speaker 2>He was making fakean famous works of art for Dietrich Fay,

0:21:04.760 --> 0:21:07.360
<v Speaker 2>the son of his former boss. And he's painting. He's

0:21:07.359 --> 0:21:10.960
<v Speaker 2>at a breakneck speech day, sometimes multiple and he was

0:21:11.040 --> 0:21:13.760
<v Speaker 2>painting so many so quickly that a lot of times

0:21:13.840 --> 0:21:15.760
<v Speaker 2>the quality left a lot to be desired.

0:21:15.800 --> 0:21:16.320
<v Speaker 3>I had to wonder.

0:21:16.520 --> 0:21:20.320
<v Speaker 2>Yeah, there was this dealer in Frankfurt who showed one

0:21:20.400 --> 0:21:24.959
<v Speaker 2>of the chagalls to Chagall himself. Now, like Mark, Chagall

0:21:25.440 --> 0:21:30.760
<v Speaker 2>was notoriously bad at detecting his his on counter. Yeah,

0:21:30.800 --> 0:21:32.840
<v Speaker 2>and so this time though, he takes one look at

0:21:32.920 --> 0:21:34.960
<v Speaker 2>it and just rips it up with his bare hands.

0:21:35.200 --> 0:21:35.320
<v Speaker 3>Oh.

0:21:35.600 --> 0:21:38.760
<v Speaker 2>He's like, oh, well, it doesn't matter. The dealer is like,

0:21:38.840 --> 0:21:41.200
<v Speaker 2>I can get another one, super easy, and he makes

0:21:41.240 --> 0:21:44.640
<v Speaker 2>a mental note not to show show Chagall the paintings

0:21:44.680 --> 0:21:49.400
<v Speaker 2>that again. Yeah, so the art forgery business is going well.

0:21:50.560 --> 0:21:52.479
<v Speaker 3>But then Dietrich I like that the art road has

0:21:52.520 --> 0:21:53.600
<v Speaker 3>always been the same.

0:21:53.600 --> 0:21:57.520
<v Speaker 2>Always, always. Dietrich, though, he comes to Lothar with a

0:21:57.600 --> 0:22:01.600
<v Speaker 2>new gig. So back on March twenty ninth, nineteen forty two,

0:22:01.720 --> 0:22:04.240
<v Speaker 2>so we're going back in time, back in the war. Yeah,

0:22:04.680 --> 0:22:08.840
<v Speaker 2>it was Palm in time is Palm Sunday. The Allied

0:22:08.880 --> 0:22:12.600
<v Speaker 2>forces used almost two hundred and thirty four planes and

0:22:12.880 --> 0:22:15.840
<v Speaker 2>three hundred tons of bombs to pretty much level the

0:22:15.960 --> 0:22:22.440
<v Speaker 2>German city of Lubek Gonzers. Everything burned, including Saint Mary's Church,

0:22:22.920 --> 0:22:26.080
<v Speaker 2>which was also you know known to them as Marion Kerch.

0:22:27.720 --> 0:22:30.879
<v Speaker 2>So the Churchill he was like directing the bombers to

0:22:31.000 --> 0:22:33.520
<v Speaker 2>just wreck shop on the towns in Germany and break

0:22:33.560 --> 0:22:34.280
<v Speaker 2>everyone's will.

0:22:34.720 --> 0:22:37.240
<v Speaker 3>And you see it with like Dresden, the producer Di

0:22:37.320 --> 0:22:39.080
<v Speaker 3>and I were watching Masters of Air. We're into this,

0:22:39.320 --> 0:22:39.480
<v Speaker 3>I know.

0:22:39.840 --> 0:22:43.399
<v Speaker 2>I figured you'd like that. So thelwa they retaliated what

0:22:43.560 --> 0:22:46.720
<v Speaker 2>was with what was called the bey Decker Blitz, and

0:22:46.800 --> 0:22:49.159
<v Speaker 2>they said they would lay waste to every town that

0:22:49.280 --> 0:22:51.840
<v Speaker 2>had a three star rating in bay Decker's Guide to

0:22:51.960 --> 0:22:52.520
<v Speaker 2>Great Britain.

0:22:53.000 --> 0:22:53.720
<v Speaker 3>Are you kidding No?

0:22:54.400 --> 0:22:55.040
<v Speaker 2>Are you kidding you?

0:22:55.240 --> 0:22:55.840
<v Speaker 3>That's serious.

0:22:56.000 --> 0:22:56.200
<v Speaker 2>Yeah.

0:22:56.280 --> 0:22:58.080
<v Speaker 3>So they basically used like the Michelin star.

0:23:00.000 --> 0:23:03.080
<v Speaker 2>All your cool stuff. Howd that work out?

0:23:04.280 --> 0:23:04.680
<v Speaker 3>How about that?

0:23:04.880 --> 0:23:11.280
<v Speaker 2>So anyway, Lubeck, the heat from the fires your bombing campaign.

0:23:11.400 --> 0:23:12.160
<v Speaker 2>It was pretty smart.

0:23:12.440 --> 0:23:13.600
<v Speaker 3>It's funny and.

0:23:13.680 --> 0:23:20.120
<v Speaker 2>It's funny, but it's also the heat from the fires

0:23:20.359 --> 0:23:23.880
<v Speaker 2>from the bombing. Yeah, they made the plaster peel off

0:23:24.000 --> 0:23:27.440
<v Speaker 2>the church walls. The plaster, the plaster and then these

0:23:27.600 --> 0:23:32.720
<v Speaker 2>Gothic frescoes that were previously hidden since the church's construction

0:23:33.640 --> 0:23:34.400
<v Speaker 2>were revealed.

0:23:34.480 --> 0:23:36.600
<v Speaker 3>Yeah, so they just basically bubbled up the plaster.

0:23:36.880 --> 0:23:40.240
<v Speaker 2>Yeah, the paint peels away, plaster peels away, and underneath

0:23:40.359 --> 0:23:44.720
<v Speaker 2>is another layer with these beautiful but weathered frescoes. And

0:23:44.920 --> 0:23:47.480
<v Speaker 2>so this this is this like sign of hope, and

0:23:47.600 --> 0:23:51.680
<v Speaker 2>people are calling it a miracle of Marion Cash. Church

0:23:51.760 --> 0:23:56.240
<v Speaker 2>officials they put makeshift roofs over the frescoes to protect

0:23:56.280 --> 0:23:56.679
<v Speaker 2>them from the.

0:23:56.720 --> 0:23:59.920
<v Speaker 3>Elements restoration work.

0:24:00.440 --> 0:24:02.040
<v Speaker 2>But they're like, we can't do it right now because

0:24:02.200 --> 0:24:04.560
<v Speaker 2>we're in the middle some So then so now we're

0:24:04.600 --> 0:24:08.960
<v Speaker 2>going to jump forward. We're going to jump forward to

0:24:09.080 --> 0:24:13.440
<v Speaker 2>nineteen forty K. So the government and church authorities they

0:24:13.760 --> 0:24:16.680
<v Speaker 2>approached Dietrich and they say, we're going to pay you

0:24:16.880 --> 0:24:21.440
<v Speaker 2>eighty eight thousand German marks to fix the frescoes, and

0:24:22.280 --> 0:24:26.159
<v Speaker 2>like this wasn't a one hundred percent popular decision. In

0:24:26.280 --> 0:24:30.480
<v Speaker 2>this sealed report filed with the provincial Culture Ministry, the

0:24:30.760 --> 0:24:37.160
<v Speaker 2>Schleswig Holstein state curator Peter Hirschfeld, yeah totally sure, wrote

0:24:37.240 --> 0:24:41.560
<v Speaker 2>quote the restoration of defective medieval mural paintings is, in

0:24:41.680 --> 0:24:45.520
<v Speaker 2>the last analysis, a question of trust. Dietrich Fay will

0:24:45.600 --> 0:24:49.119
<v Speaker 2>not guarantee that he has never done any overpainting in

0:24:49.200 --> 0:24:54.600
<v Speaker 2>an unguarded moment, I therefore declare that I disassociate myself

0:24:54.680 --> 0:24:58.399
<v Speaker 2>from the working methods of the restore Dietrich Fay, I

0:24:58.640 --> 0:25:03.520
<v Speaker 2>decline all further RESI reponsibility. Yeah, whatever. The church is like,

0:25:03.560 --> 0:25:07.160
<v Speaker 2>we want, Fay. They wanted the attention that those turkeys

0:25:07.240 --> 0:25:12.560
<v Speaker 2>got so lubak. Bishop Johannes Poka told them, quote, paint

0:25:12.600 --> 0:25:13.720
<v Speaker 2>out the church beautifully.

0:25:14.080 --> 0:25:14.960
<v Speaker 4>I just like, go for it.

0:25:15.080 --> 0:25:17.520
<v Speaker 3>Did people ever sort out the whole like Vikings didn't

0:25:17.520 --> 0:25:19.440
<v Speaker 3>really get to do. Are they still going with that?

0:25:20.119 --> 0:25:22.959
<v Speaker 2>At this point? They're like that that's what happened. These

0:25:23.000 --> 0:25:28.720
<v Speaker 2>are Viking turkeys, and they're bold, strong, big busted Viking turkeys.

0:25:29.520 --> 0:25:33.359
<v Speaker 3>They're so brave.

0:25:33.840 --> 0:25:39.760
<v Speaker 2>The chief architects at the church, doctor Bruno friedric I, can't.

0:25:40.080 --> 0:25:42.960
<v Speaker 2>He told Dietrich and lowth Art to quote preserve the

0:25:43.080 --> 0:25:47.200
<v Speaker 2>religious impression, and he reminded them that we don't want

0:25:47.240 --> 0:25:50.840
<v Speaker 2>a museum. So with the contract in place, it's time

0:25:50.920 --> 0:25:54.240
<v Speaker 2>to get to work. Maybe this would be a legit job,

0:25:54.480 --> 0:25:57.440
<v Speaker 2>like a chance to really use the skills that Professor

0:25:57.560 --> 0:26:01.520
<v Speaker 2>Fay had taught him about restoration and preserv he learned

0:26:01.560 --> 0:26:07.720
<v Speaker 2>from the master Zarin closure eyes. Yes, I want you

0:26:07.760 --> 0:26:12.200
<v Speaker 2>to picture it. You are a stonemason hired to rebuild

0:26:12.320 --> 0:26:16.399
<v Speaker 2>and repair Marian Kirch to its former glory. Instead of

0:26:16.520 --> 0:26:18.840
<v Speaker 2>asking you where you were in the war, I'm just

0:26:18.960 --> 0:26:21.159
<v Speaker 2>going to say that you are eighteen years old and

0:26:21.280 --> 0:26:24.200
<v Speaker 2>have just moved to Germany for whatever reason, just six

0:26:24.280 --> 0:26:26.879
<v Speaker 2>months ago. Basically, you've never been a member of the

0:26:26.960 --> 0:26:29.560
<v Speaker 2>Nazi Party or aligned with them in any way. You're wolcome.

0:26:30.400 --> 0:26:33.960
<v Speaker 2>So there you are sitting on some scaffolding, assessing the

0:26:34.040 --> 0:26:36.879
<v Speaker 2>state of some joining in the nave. A painter, some

0:26:37.080 --> 0:26:40.200
<v Speaker 2>guy assisting the fancy dude who got the restoration contract

0:26:40.680 --> 0:26:43.760
<v Speaker 2>climbs the seventy foot scaffolding next two years, the one

0:26:43.800 --> 0:26:46.879
<v Speaker 2>that reaches all the way to the ceiling. There's not

0:26:47.040 --> 0:26:49.160
<v Speaker 2>much light in here, so you can't see too well

0:26:49.240 --> 0:26:53.040
<v Speaker 2>what he's about to go. Check out the frescoes, the miracles.

0:26:53.119 --> 0:26:55.840
<v Speaker 2>You've heard about them, and you realize that when the

0:26:55.920 --> 0:26:58.840
<v Speaker 2>guy shines his lantern up there, you'll finally be able

0:26:58.880 --> 0:27:02.760
<v Speaker 2>to see them. Scaffolding creaks is the man Lothar malscat

0:27:03.440 --> 0:27:07.080
<v Speaker 2>raises his lantern to the frescoes. Someone hammers in the distance,

0:27:07.320 --> 0:27:11.399
<v Speaker 2>some engineers chat far below you. Above you, though the

0:27:11.480 --> 0:27:15.880
<v Speaker 2>ceiling is now illuminated with soft light, revealing nothing really,

0:27:16.240 --> 0:27:20.119
<v Speaker 2>just the faintest of outlines. Loathar blows on the surface,

0:27:20.200 --> 0:27:23.640
<v Speaker 2>hoping to move some dust and reveal a masterpiece. Instead,

0:27:23.880 --> 0:27:26.720
<v Speaker 2>what paint that is there sweeps off the ceiling and

0:27:26.880 --> 0:27:29.920
<v Speaker 2>reins down onto you on your perch. You cough and

0:27:30.160 --> 0:27:33.240
<v Speaker 2>wave the dust away with your hand. Lothar looks down

0:27:33.280 --> 0:27:37.040
<v Speaker 2>at you, crestfallen, you lock eyes. He places his index

0:27:37.119 --> 0:27:40.760
<v Speaker 2>finger to his lips. Sh you get it, this didn't happen.

0:27:40.920 --> 0:27:43.800
<v Speaker 2>There's no miracle. You realize, well, it's a miracle. You

0:27:43.840 --> 0:27:45.600
<v Speaker 2>have a job, So you're just gonna keep your mouth

0:27:45.640 --> 0:27:48.920
<v Speaker 2>shut and get on with your work. Been there s

0:27:49.800 --> 0:27:53.160
<v Speaker 2>so Dietrich and Lothar they put up barriers to keep

0:27:53.200 --> 0:27:54.879
<v Speaker 2>people out of the nave, and they hung all these

0:27:54.960 --> 0:27:58.520
<v Speaker 2>warning signs of like danger overhead. Basically stay out and

0:27:58.680 --> 0:28:01.359
<v Speaker 2>don't look up, because you know, it's like they you

0:28:01.480 --> 0:28:04.280
<v Speaker 2>couldn't really protect what had been revealed from the elements

0:28:04.320 --> 0:28:07.760
<v Speaker 2>in those three years or whatever. So then loth Aar,

0:28:07.880 --> 0:28:12.119
<v Speaker 2>he's got this assistant, Theo, and Lothar and Theo they

0:28:12.200 --> 0:28:15.120
<v Speaker 2>hang huge wooden panels to conceal their work.

0:28:15.960 --> 0:28:18.159
<v Speaker 3>And they had they had to work, and Theo has

0:28:18.200 --> 0:28:19.040
<v Speaker 3>a brother named Vincent.

0:28:21.040 --> 0:28:23.440
<v Speaker 2>They couldn't walk away from this contract, you know, because

0:28:23.480 --> 0:28:26.399
<v Speaker 2>it's like everyone's trying just to make ends meet, and

0:28:26.480 --> 0:28:30.520
<v Speaker 2>he got a giganic contract. So Theo and Lothar they

0:28:30.600 --> 0:28:33.960
<v Speaker 2>scrubbed the walls and they primed the bare brick, and

0:28:34.160 --> 0:28:37.080
<v Speaker 2>then Lothar got to work creating the apostles and the

0:28:37.200 --> 0:28:40.040
<v Speaker 2>saints that he could like barely make out before the

0:28:40.160 --> 0:28:43.120
<v Speaker 2>dusty paint had blown away, and he used really bold

0:28:43.240 --> 0:28:45.760
<v Speaker 2>lines and bright colors. He's like, this is a miracle,

0:28:46.240 --> 0:28:48.800
<v Speaker 2>and he hauled tail like he did with his face.

0:28:49.200 --> 0:28:52.760
<v Speaker 2>So he worked quickly a little too quickly, and what

0:28:52.880 --> 0:28:56.320
<v Speaker 2>would take a real restore months took him just days.

0:28:57.080 --> 0:29:00.800
<v Speaker 2>And tearing through things two years later.

0:29:01.200 --> 0:29:05.760
<v Speaker 3>But what chemicals you use that work two years later?

0:29:05.960 --> 0:29:09.800
<v Speaker 2>He's done. The whole thing is nineteen fifty, way ahead

0:29:09.800 --> 0:29:13.360
<v Speaker 2>of schedule. He had finished all the murals in the nave,

0:29:13.760 --> 0:29:16.800
<v Speaker 2>and the completion was timed like to coincide with the

0:29:16.880 --> 0:29:20.160
<v Speaker 2>seven hundredth anniversary of the church the next year, so

0:29:20.240 --> 0:29:23.520
<v Speaker 2>they had to stall. So Dietrich put up scaffolding in

0:29:23.600 --> 0:29:27.560
<v Speaker 2>the choir and told Lothar to go discover some more murals.

0:29:29.240 --> 0:29:31.360
<v Speaker 2>There are no murals in there at all. There never

0:29:31.520 --> 0:29:36.040
<v Speaker 2>were like nothing even slightly to work with. So loth

0:29:36.040 --> 0:29:39.280
<v Speaker 2>Are he's just like hitting the books, cramming. He's reading

0:29:39.320 --> 0:29:42.320
<v Speaker 2>about art from the Middle Ages, and like once again

0:29:42.480 --> 0:29:45.400
<v Speaker 2>he uses his own models, like his dad shows up

0:29:45.480 --> 0:29:48.360
<v Speaker 2>in there. That Hansey the actress, she's up in there,

0:29:48.920 --> 0:29:51.560
<v Speaker 2>he throws res buttan In is like a bearded king.

0:29:51.920 --> 0:29:55.959
<v Speaker 2>Why not, to quote Jonathan Keats writing for Forbes, quote

0:29:56.800 --> 0:30:00.920
<v Speaker 2>he painted in local laborers as monks, trade himself as

0:30:00.960 --> 0:30:04.200
<v Speaker 2>a patriarch. Within months, the walls of the choir were

0:30:04.280 --> 0:30:08.720
<v Speaker 2>resplendent with art. Twenty one Gothic figures stood ten feet

0:30:08.800 --> 0:30:12.920
<v Speaker 2>in height, embellished with friezes of animals and flowers. The

0:30:13.040 --> 0:30:16.960
<v Speaker 2>Marian Kirsch Miracle had a surprise post war sequel.

0:30:19.000 --> 0:30:22.560
<v Speaker 3>The Terracotta Warriors, that all had individual like soldiers they

0:30:22.600 --> 0:30:24.040
<v Speaker 3>were based on He's just looking around.

0:30:24.040 --> 0:30:27.280
<v Speaker 2>Okay, all right, you're you there, the mason you showed up.

0:30:27.400 --> 0:30:29.360
<v Speaker 3>You happened to look like one of the shepherds.

0:30:30.640 --> 0:30:34.320
<v Speaker 2>So like Lothar and Dietrich, they fought all the time. Yeah,

0:30:34.480 --> 0:30:38.320
<v Speaker 2>and Dietrich. Dietrich was only paying Lothart one hundred and

0:30:38.480 --> 0:30:42.440
<v Speaker 2>ten marks a week out of that eighty eight thousands the.

0:30:44.120 --> 0:30:44.400
<v Speaker 3>Cash.

0:30:44.560 --> 0:30:48.520
<v Speaker 2>Yeah, And so Dietrich would remind Lothar all the time, look,

0:30:48.560 --> 0:30:51.840
<v Speaker 2>you're just an assistant. You're nobody special here. You hold

0:30:51.840 --> 0:30:53.800
<v Speaker 2>a bas get up there and pay your mural.

0:30:53.840 --> 0:30:55.520
<v Speaker 3>I got a monkey, and he was like.

0:30:55.600 --> 0:30:59.640
<v Speaker 2>You know something, uh, Lothar, the city of Lubec hired me,

0:31:00.280 --> 0:31:03.080
<v Speaker 2>Dietrich Fay to bring this church back to its glory.

0:31:03.120 --> 0:31:03.960
<v Speaker 2>They didn't hire you.

0:31:04.240 --> 0:31:06.200
<v Speaker 3>You know who discovers the work around here.

0:31:06.960 --> 0:31:10.360
<v Speaker 2>So the low pay hurt, but it was the disrespect

0:31:10.560 --> 0:31:13.360
<v Speaker 2>and the lack of acknowledgment that hurt more for Lothar,

0:31:13.800 --> 0:31:17.880
<v Speaker 2>Like he loved these paintings. They're his, like literally he

0:31:18.040 --> 0:31:20.840
<v Speaker 2>even started marking some of the figures with his initials,

0:31:21.000 --> 0:31:23.560
<v Speaker 2>like those days are mind and he wrote at one

0:31:23.600 --> 0:31:25.880
<v Speaker 2>point he wrote on the wall, all paintings in this

0:31:26.040 --> 0:31:30.520
<v Speaker 2>church are by Lothar Maltska. And like Dietrich sees it

0:31:31.000 --> 0:31:33.360
<v Speaker 2>freaks out like goes and paints over it, just scrupture.

0:31:33.600 --> 0:31:35.280
<v Speaker 3>It doesn't even do it like in like weird laugh,

0:31:36.200 --> 0:31:37.600
<v Speaker 3>like he's just literally.

0:31:37.320 --> 0:31:42.800
<v Speaker 2>Lobarto German font totally in the old German script. So

0:31:42.960 --> 0:31:46.680
<v Speaker 2>one day this doctoral student shows up Johanna Kolbe. She

0:31:47.000 --> 0:31:49.960
<v Speaker 2>scales the scaffolding like no one was really going up there,

0:31:49.960 --> 0:31:54.000
<v Speaker 2>and what she saw was shocking, like super thick paint,

0:31:55.000 --> 0:31:59.760
<v Speaker 2>and Mary Magdalene was running around barefoot. So she goes

0:31:59.760 --> 0:32:02.120
<v Speaker 2>to the local town government to complain and blow the

0:32:02.160 --> 0:32:07.080
<v Speaker 2>whistle boo. Dietrich was like, you know what, she's a liar.

0:32:07.760 --> 0:32:09.880
<v Speaker 2>You can't look at her. She looks like a liar,

0:32:10.280 --> 0:32:13.000
<v Speaker 2>and the officials are like, you know what, You're totally right, Teatrick.

0:32:13.000 --> 0:32:15.440
<v Speaker 2>She's probably just confused. So they ignored her. Really, they

0:32:15.560 --> 0:32:19.160
<v Speaker 2>dismissed her. And the experts they're elated with this, like

0:32:19.320 --> 0:32:21.720
<v Speaker 2>supposedly these newly discovered.

0:32:21.320 --> 0:32:22.680
<v Speaker 3>Murals more German history.

0:32:22.760 --> 0:32:27.880
<v Speaker 2>On the walls, the Lubek Museum director Hans Arnold Grobkok wrote, quote,

0:32:28.160 --> 0:32:33.520
<v Speaker 2>ideas hitherto current as to the original aspect of Gothic

0:32:33.600 --> 0:32:37.160
<v Speaker 2>brick interiors will have to be revised in light of

0:32:37.200 --> 0:32:39.400
<v Speaker 2>the merits of the works here recovered.

0:32:39.240 --> 0:32:40.240
<v Speaker 3>History been written.

0:32:40.360 --> 0:32:44.320
<v Speaker 2>Uh huh Art historian Hans Jurgen Hansen he wrote, quote,

0:32:44.880 --> 0:32:50.440
<v Speaker 2>they exhibit a severe style, Byzantine influenced and still almost Romanesque,

0:32:50.920 --> 0:32:53.120
<v Speaker 2>and then he contrasted them with the ones in the nave,

0:32:53.160 --> 0:32:57.000
<v Speaker 2>which he found quote more animated, softer, entirely Gothic. So

0:32:57.120 --> 0:32:59.640
<v Speaker 2>he's like, they're amazing, They're totally different. I can't believe

0:33:00.080 --> 0:33:03.800
<v Speaker 2>in the arientime, Like wow, that Peter Hirschfeld wanted nothing

0:33:03.840 --> 0:33:05.440
<v Speaker 2>to do with it. All of a sudden, he calls

0:33:05.480 --> 0:33:09.480
<v Speaker 2>the murals quote the most important and extensive ever disclosed

0:33:09.520 --> 0:33:13.160
<v Speaker 2>in Germany. In fact, one of the finest intact frescoes

0:33:13.240 --> 0:33:16.600
<v Speaker 2>of the thirteenth and fourteenth centuries, extant through Western Europe.

0:33:16.640 --> 0:33:18.040
<v Speaker 3>So he just wanted to get on like the art

0:33:18.080 --> 0:33:20.120
<v Speaker 3>shows and talk about it. He's like, let me talk

0:33:20.160 --> 0:33:22.760
<v Speaker 3>on the show. So, guys, there were photos.

0:33:22.360 --> 0:33:25.280
<v Speaker 2>From nineteen forty two when the outer paint first peeled

0:33:25.320 --> 0:33:28.400
<v Speaker 2>away and the paintings were revealed, And if anyone had

0:33:28.480 --> 0:33:31.240
<v Speaker 2>cared to look at those photos, anyone other than that

0:33:31.360 --> 0:33:33.720
<v Speaker 2>grad student, they would have seen that some of the

0:33:33.800 --> 0:33:37.080
<v Speaker 2>saints had moved and that Mary Magdalene had indeed lost

0:33:37.120 --> 0:33:40.040
<v Speaker 2>her shoes. She had no sandals on where she had

0:33:40.120 --> 0:33:40.960
<v Speaker 2>sandals on before.

0:33:41.080 --> 0:33:43.680
<v Speaker 3>Okay, whatever, they're like, is that major ly significant?

0:33:43.800 --> 0:33:45.840
<v Speaker 2>Well, I mean what happened, Like did they get blown

0:33:45.880 --> 0:33:48.360
<v Speaker 2>off in the war? Where did her shoes go, well, you.

0:33:48.400 --> 0:33:51.720
<v Speaker 3>Know after the war they wanted a lot more barefoot home,

0:33:52.200 --> 0:33:53.960
<v Speaker 3>like you know, taking care of the kids.

0:33:54.280 --> 0:33:56.840
<v Speaker 2>He just like loathers like I'm not really good at

0:33:56.840 --> 0:33:57.560
<v Speaker 2>painting sandals.

0:33:57.800 --> 0:34:00.440
<v Speaker 3>Yea. So Mary Magdalene was she like a big figure,

0:34:00.640 --> 0:34:03.080
<v Speaker 3>like I mean like figure well making. The French they

0:34:03.120 --> 0:34:05.040
<v Speaker 3>love Mary Magdalene? So is she also big?

0:34:05.680 --> 0:34:08.200
<v Speaker 2>She's ever seen their painting like you know, this crowd

0:34:08.239 --> 0:34:10.880
<v Speaker 2>hanging out, she'd normally be their usual suspect.

0:34:10.560 --> 0:34:11.480
<v Speaker 4>On So.

0:34:13.000 --> 0:34:16.480
<v Speaker 2>Nineteen fifty one, the restored Church, they have the big

0:34:16.680 --> 0:34:20.960
<v Speaker 2>seven hundredth anniversary. The everyone's like yeah, high five and

0:34:21.280 --> 0:34:27.160
<v Speaker 2>skipping around. West German Chancellor Conrad Adenauer said, that's East

0:34:27.320 --> 0:34:32.280
<v Speaker 2>Erbund mine headn. I don't know whatever. It's uplifting, gentlemen.

0:34:32.920 --> 0:34:34.480
<v Speaker 2>I didn't say it right, but that's.

0:34:34.320 --> 0:34:36.160
<v Speaker 3>East I think taking us up, gentlemen.

0:34:36.520 --> 0:34:39.880
<v Speaker 2>So he said the murals were quote a valuable treasure

0:34:40.040 --> 0:34:42.720
<v Speaker 2>and a fabulous discovery of lost masterpieces.

0:34:43.239 --> 0:34:48.040
<v Speaker 3>Dude, what better way to celebrate your what Septis centennial.

0:34:47.880 --> 0:34:53.320
<v Speaker 2>Than with some art that's a farefoot Mary and so

0:34:54.520 --> 0:34:57.720
<v Speaker 2>the government they printed two million postage stands.

0:34:57.840 --> 0:34:59.160
<v Speaker 3>Does Peter have an afro in this?

0:35:01.800 --> 0:35:06.200
<v Speaker 2>That would not be allow. So the two million postage

0:35:06.239 --> 0:35:09.480
<v Speaker 2>stamps are printed with reproductions of the murals on them.

0:35:11.200 --> 0:35:14.279
<v Speaker 2>And this is like rebuilt Germany. This is Phoenix from

0:35:14.320 --> 0:35:19.960
<v Speaker 2>the ashes the thunder, so wonder okay. Time magazine said

0:35:19.960 --> 0:35:23.160
<v Speaker 2>the paintings were quote a major artistic fine and told

0:35:23.239 --> 0:35:26.120
<v Speaker 2>readers that quote the interior of the Marian Kirch looks

0:35:26.440 --> 0:35:29.279
<v Speaker 2>more as its original decorators intended than it has for

0:35:29.400 --> 0:35:34.640
<v Speaker 2>five hundred years. So in the months following this grand reopening,

0:35:34.719 --> 0:35:37.520
<v Speaker 2>one hundred thousand people came through to take a peep.

0:35:38.719 --> 0:35:41.160
<v Speaker 2>The town loved the attention, but they really really loved

0:35:41.200 --> 0:35:45.440
<v Speaker 2>the tourist money coming in. Everyone partied and celebrated the murals.

0:35:45.600 --> 0:35:49.319
<v Speaker 2>Dietrich like soaked up the adoration that the chancellor gave

0:35:49.440 --> 0:35:52.560
<v Speaker 2>him an extra one hundred and fifty thousand marks for

0:35:52.640 --> 0:35:56.440
<v Speaker 2>a job well done. Yeah, almost twice what the contract was.

0:35:56.880 --> 0:35:58.520
<v Speaker 3>And the townsound a lot of pretzels and beers, so

0:35:58.520 --> 0:36:00.680
<v Speaker 3>they're all still happy with it.

0:36:01.000 --> 0:36:03.960
<v Speaker 2>Then they also Dietrich gets a job. He's offered a

0:36:04.120 --> 0:36:07.680
<v Speaker 2>job as a university professor in Bond And then you

0:36:07.760 --> 0:36:12.960
<v Speaker 2>got Lothar forgot the parties, always getting the short end

0:36:12.960 --> 0:36:17.280
<v Speaker 2>of the still kind of broke. So he kept working

0:36:17.360 --> 0:36:20.080
<v Speaker 2>for Dietrich, but like he's getting more and more bitter.

0:36:20.320 --> 0:36:22.880
<v Speaker 2>I imagine, Yeah, he'd like stew over it. And they

0:36:23.239 --> 0:36:25.840
<v Speaker 2>work on you know, he and THEO, they're working on

0:36:25.920 --> 0:36:29.880
<v Speaker 2>these small projects for Dietrich. He just is chewing Theo's

0:36:29.920 --> 0:36:31.279
<v Speaker 2>ear off, nagging about it.

0:36:32.000 --> 0:36:32.719
<v Speaker 3>Can you imagine that?

0:36:32.920 --> 0:36:35.320
<v Speaker 2>Yeah, And like he's like THEO, I gotta get even,

0:36:35.440 --> 0:36:38.319
<v Speaker 2>I want revenge, Like I'm the real talent here.

0:36:38.520 --> 0:36:40.120
<v Speaker 3>Joe Pesci and Casino.

0:36:40.120 --> 0:36:44.200
<v Speaker 2>Completely anyway, So they sit there like Lothar is complaining,

0:36:44.680 --> 0:36:46.719
<v Speaker 2>but like they just keep working for him, and the

0:36:46.840 --> 0:36:50.680
<v Speaker 2>work they're doing is lining Dietrich's pockets. Let's go to commercial.

0:36:51.640 --> 0:36:53.680
<v Speaker 2>I'm about to hit you with some ads when we

0:36:53.840 --> 0:36:56.200
<v Speaker 2>come back. More moping Lothar.

0:36:56.520 --> 0:37:19.239
<v Speaker 4>Hey we are back, look at us.

0:37:19.360 --> 0:37:21.360
<v Speaker 2>Hey, how you doing this?

0:37:21.560 --> 0:37:21.719
<v Speaker 4>Guy?

0:37:21.920 --> 0:37:22.960
<v Speaker 2>Loth Ar mallscut.

0:37:23.960 --> 0:37:26.759
<v Speaker 3>I'm trying to like it, you know, I love him,

0:37:27.400 --> 0:37:29.359
<v Speaker 3>Maybe I feel bad for him. Him and THEO down

0:37:29.400 --> 0:37:31.480
<v Speaker 3>there grouse and making the fakes.

0:37:31.400 --> 0:37:34.080
<v Speaker 2>Faking it until he's making it. He's not making it,

0:37:34.400 --> 0:37:36.000
<v Speaker 2>creating lost masterpieces.

0:37:36.040 --> 0:37:39.399
<v Speaker 3>He's rallying the people. Yeah, he's doing that. He's raising

0:37:39.440 --> 0:37:40.280
<v Speaker 3>some bacon only.

0:37:40.239 --> 0:37:42.239
<v Speaker 2>No one knows about all the stuff that he's doing.

0:37:42.320 --> 0:37:43.200
<v Speaker 2>But that's about to change.

0:37:43.320 --> 0:37:44.440
<v Speaker 3>Trying, it's about to change.

0:37:45.040 --> 0:37:49.080
<v Speaker 2>May ninth, nineteen fifty two. Great May Lothar just gathers

0:37:49.160 --> 0:37:53.399
<v Speaker 2>up his courage strolls into the police station. He tells

0:37:53.480 --> 0:37:57.480
<v Speaker 2>them the Marian Kirch murals are fakes. I'm here to

0:37:57.560 --> 0:37:57.759
<v Speaker 2>tell you.

0:37:58.120 --> 0:37:58.640
<v Speaker 3>Is he sober?

0:37:58.880 --> 0:38:02.160
<v Speaker 2>He's totally sober. Dietrich Fay made him paint them. He's

0:38:02.200 --> 0:38:04.040
<v Speaker 2>like this, he made me do it. The whole thing's

0:38:04.040 --> 0:38:09.080
<v Speaker 2>a con. You all have been swindled by by Faye,

0:38:09.520 --> 0:38:14.040
<v Speaker 2>by Dietrick Faye and me, and we've all been cheated.

0:38:14.640 --> 0:38:18.240
<v Speaker 2>Everyone's shocked. They immediately put out a warrant for Dietrich's arrest,

0:38:18.360 --> 0:38:20.440
<v Speaker 2>and then they cut Lowthar a check for five hundred

0:38:20.440 --> 0:38:22.800
<v Speaker 2>thousand marks. Are you kidding, I'm totally kidding you.

0:38:22.920 --> 0:38:26.120
<v Speaker 3>That is not what happened. Okay, No, nobody believed him,

0:38:26.719 --> 0:38:32.759
<v Speaker 3>say this does not follow. He gets arrested right, tossed.

0:38:32.480 --> 0:38:35.000
<v Speaker 2>Him out, and they told a local newspaper that quote,

0:38:35.080 --> 0:38:38.600
<v Speaker 2>this is the lamentable case of a painter gone crazy.

0:38:39.239 --> 0:38:43.080
<v Speaker 3>Oh yeah, they're like, he's huff there's an expression. My friends,

0:38:43.400 --> 0:38:45.640
<v Speaker 3>Derek His German mother used to always say, it's about

0:38:45.680 --> 0:38:49.040
<v Speaker 3>the turpentine to mock and it makes a turpentine makes

0:38:49.080 --> 0:38:49.760
<v Speaker 3>a painter crazy.

0:38:49.880 --> 0:38:53.600
<v Speaker 2>Oh really German expression, That's probably what people used all

0:38:53.640 --> 0:38:55.160
<v Speaker 2>the time. That's probably what they said.

0:38:55.280 --> 0:38:56.480
<v Speaker 3>Like their version is mad as a hatter.

0:38:56.640 --> 0:38:58.200
<v Speaker 2>Yeah, and so that's what they said. They've been he's

0:38:58.200 --> 0:39:01.279
<v Speaker 2>been huffing. So people, they wanted him tossed into an

0:39:01.320 --> 0:39:04.920
<v Speaker 2>insane asylum for even suggesting such a thing. Not not

0:39:05.080 --> 0:39:08.480
<v Speaker 2>the soul asylum, like a runaway trains are an insane assylum.

0:39:09.520 --> 0:39:13.439
<v Speaker 2>I prefer the first, the oversized sweater and the white

0:39:13.520 --> 0:39:19.960
<v Speaker 2>dreads and the piercing Come on, Sarah, So did they

0:39:20.000 --> 0:39:22.440
<v Speaker 2>at least go look at the murals? Did they know

0:39:22.600 --> 0:39:26.000
<v Speaker 2>it's too high up? Man? Did they look at the

0:39:26.160 --> 0:39:30.880
<v Speaker 2>actual pictures that are yeah? How about no? No, no,

0:39:31.040 --> 0:39:32.960
<v Speaker 2>But the pictures that loath Are took with him to

0:39:33.040 --> 0:39:36.800
<v Speaker 2>the police station, that he himself took with his own camera,

0:39:37.440 --> 0:39:41.320
<v Speaker 2>that detailed the entire process from oh crap, the original

0:39:41.360 --> 0:39:44.440
<v Speaker 2>paint isn't even there to uh, let's just do a

0:39:44.520 --> 0:39:45.880
<v Speaker 2>clean slate to toda.

0:39:46.880 --> 0:39:50.239
<v Speaker 3>So they just were willfully ignored. They're like, do not

0:39:50.440 --> 0:39:53.160
<v Speaker 3>mess up our backs please, we have finally secured the

0:39:53.239 --> 0:39:54.040
<v Speaker 3>bag for the town.

0:39:54.640 --> 0:39:57.000
<v Speaker 2>Put those photos away. I'm not looking. They're turning their heads,

0:39:57.040 --> 0:39:58.080
<v Speaker 2>like put them away. Put them away?

0:39:58.880 --> 0:39:59.000
<v Speaker 3>Uh?

0:39:59.239 --> 0:40:02.160
<v Speaker 2>So loath are big. He went to the national media.

0:40:02.280 --> 0:40:05.279
<v Speaker 2>Oh and he made the rounds. He did interviews, He

0:40:05.400 --> 0:40:08.239
<v Speaker 2>pointed out all his like inside jokes and the differences

0:40:08.320 --> 0:40:09.520
<v Speaker 2>from the original.

0:40:09.960 --> 0:40:12.279
<v Speaker 3>To Spiegel around where's Spiegel around here?

0:40:12.360 --> 0:40:16.280
<v Speaker 2>And then the city of Lubec issued an official statement quote,

0:40:16.760 --> 0:40:21.399
<v Speaker 2>rumors and accusations against the renowned art expert doctor Fay

0:40:22.000 --> 0:40:25.120
<v Speaker 2>are of no consequence and purely malicious gossip.

0:40:25.680 --> 0:40:29.120
<v Speaker 3>This is so unexpectedly un German, right, the whole not

0:40:29.320 --> 0:40:32.520
<v Speaker 3>caring about the precision and the truth of Like this

0:40:32.719 --> 0:40:34.160
<v Speaker 3>is actually the thing. I mean, like, I know what.

0:40:34.200 --> 0:40:35.840
<v Speaker 3>They're humans too. I'm not trying to get on a

0:40:35.880 --> 0:40:37.799
<v Speaker 3>high horse about Germans, but as a culture, they tend

0:40:37.880 --> 0:40:39.400
<v Speaker 3>to really like things to be a little bit more.

0:40:39.840 --> 0:40:41.200
<v Speaker 3>Buy the book exactly.

0:40:41.680 --> 0:40:45.680
<v Speaker 2>So okay, thought Lothar, think, think, Lothar think, come on,

0:40:45.920 --> 0:40:48.839
<v Speaker 2>there's got to be something I can get to trick on. Yes,

0:40:49.320 --> 0:40:52.960
<v Speaker 2>the first church. Oh right, So it goes back to

0:40:53.040 --> 0:40:56.080
<v Speaker 2>the police station and he confessed to that pre war

0:40:56.280 --> 0:40:59.160
<v Speaker 2>phony Turkey restoration and that was the one that they

0:40:59.280 --> 0:41:02.759
<v Speaker 2>used to get all the future restoration contract starting. This

0:41:02.920 --> 0:41:04.920
<v Speaker 2>did not help. So now they're like, you know what,

0:41:05.040 --> 0:41:08.880
<v Speaker 2>you are a serious nutcase. You are super cuckoo. So

0:41:09.520 --> 0:41:11.800
<v Speaker 2>is there anything else that you're responsible for painting?

0:41:11.880 --> 0:41:12.000
<v Speaker 3>Now?

0:41:12.200 --> 0:41:13.000
<v Speaker 2>Are you a Viking?

0:41:13.239 --> 0:41:13.279
<v Speaker 3>Was?

0:41:13.440 --> 0:41:14.840
<v Speaker 2>Did you paint Assistine Chapel?

0:41:15.000 --> 0:41:15.439
<v Speaker 4>Do tell?

0:41:15.640 --> 0:41:18.600
<v Speaker 2>Like they're just brushing them off. Church officials issued a

0:41:18.640 --> 0:41:23.200
<v Speaker 2>statement quote, any charges at present being leveled at the

0:41:23.280 --> 0:41:27.719
<v Speaker 2>Restore Dietrich Fay are as yet insufficient to rouse our misgivings.

0:41:28.239 --> 0:41:31.480
<v Speaker 2>The work of preservation will therefore continue under the Restore

0:41:31.640 --> 0:41:35.120
<v Speaker 2>Dietrich Fay. Like they're like totally back in their boy

0:41:35.800 --> 0:41:37.040
<v Speaker 2>and I don't know why they talk like that.

0:41:37.560 --> 0:41:40.040
<v Speaker 3>This seems very un German too. This is another on German.

0:41:40.640 --> 0:41:41.440
<v Speaker 2>Nothing's adding up.

0:41:41.480 --> 0:41:43.040
<v Speaker 3>But only going makes sense is they want to keep

0:41:43.080 --> 0:41:44.120
<v Speaker 3>that tourist dollar rolling in.

0:41:44.200 --> 0:41:49.160
<v Speaker 2>That's the only thing. So loth are lawyered up good Man. Yeah.

0:41:49.440 --> 0:41:54.000
<v Speaker 2>He hires an attorney named Willie flot Wrongly Willy, I

0:41:54.040 --> 0:41:59.360
<v Speaker 2>don't know Willy flot wrong it was to say so

0:41:59.560 --> 0:42:02.840
<v Speaker 2>he's fills the beans to flat wrong about all the

0:42:02.920 --> 0:42:06.680
<v Speaker 2>fake restorations and the art forgeries that he did, right, yeah,

0:42:06.719 --> 0:42:10.320
<v Speaker 2>the Picassos, the renwas he had evidence there too. So

0:42:10.560 --> 0:42:13.960
<v Speaker 2>looking over all of the materials, the lawyer is like

0:42:14.160 --> 0:42:18.000
<v Speaker 2>thinking about it, and then Lothar's like, I got an idea,

0:42:18.920 --> 0:42:22.120
<v Speaker 2>why don't you file charges against Dietrich and me you

0:42:22.280 --> 0:42:25.440
<v Speaker 2>be the one to file him. Oh yeah, So then

0:42:25.480 --> 0:42:28.000
<v Speaker 2>the cops have to do something, and they did so

0:42:28.200 --> 0:42:31.960
<v Speaker 2>Flatrong goes to the police. Dietrich gets arrested and they

0:42:32.040 --> 0:42:35.680
<v Speaker 2>search his house and the cops find seven paintings and

0:42:35.800 --> 0:42:41.040
<v Speaker 2>twenty one drawings, all forgeries matist de go Chagall Beckmann.

0:42:40.800 --> 0:42:42.640
<v Speaker 3>And in various states of preparation.

0:42:43.520 --> 0:42:44.719
<v Speaker 2>I think they're all just completed.

0:42:44.880 --> 0:42:47.200
<v Speaker 3>Oh okay, like his little you know, gallery, his.

0:42:47.280 --> 0:42:52.040
<v Speaker 2>Own home stable. And so here's this like famous lauded

0:42:52.200 --> 0:42:55.239
<v Speaker 2>preservationist with a house full of fakes. The town and

0:42:55.320 --> 0:42:57.440
<v Speaker 2>the church. They got a group of experts together to

0:42:57.520 --> 0:43:00.880
<v Speaker 2>go and inspect the murals, like for realness. Time, climb

0:43:00.920 --> 0:43:02.040
<v Speaker 2>on up there, Hansil, like.

0:43:02.160 --> 0:43:04.000
<v Speaker 3>Business is real, bring your big ladder.

0:43:04.160 --> 0:43:08.360
<v Speaker 2>Yes. So in their October twentieth, nineteen fifty two report,

0:43:08.480 --> 0:43:11.720
<v Speaker 2>they said, quote, the twenty one figures in the choir

0:43:12.080 --> 0:43:16.400
<v Speaker 2>are not Gothic, but painted freehand by Malscat. The painting

0:43:16.520 --> 0:43:20.040
<v Speaker 2>described as old by the restoer Fay does not lie

0:43:20.200 --> 0:43:22.480
<v Speaker 2>on the medieval layer of mortar, but on a post

0:43:22.600 --> 0:43:26.840
<v Speaker 2>medieval layer. It cannot, for this reason alone, be considered original.

0:43:27.920 --> 0:43:29.920
<v Speaker 2>So finally, finally.

0:43:30.560 --> 0:43:32.400
<v Speaker 3>Like someone's like actually looking at the building.

0:43:32.640 --> 0:43:34.200
<v Speaker 2>Yeah, And the same goes for the ones in the

0:43:34.320 --> 0:43:37.080
<v Speaker 2>nave repainted. The bishops are like, sure you should sure

0:43:37.120 --> 0:43:40.759
<v Speaker 2>the murals are fake and that if quote if the

0:43:40.920 --> 0:43:45.080
<v Speaker 2>restorer Dietrich Fay, has fraudulently succeeded in getting his work

0:43:45.160 --> 0:43:49.520
<v Speaker 2>recognized as faithful restoration. This was possible only because of

0:43:49.560 --> 0:43:53.279
<v Speaker 2>an extremely cunning deception which misled not only the church

0:43:53.320 --> 0:43:57.240
<v Speaker 2>administration as proprietor, but also curators and art experts.

0:43:57.440 --> 0:43:59.680
<v Speaker 3>The bishops are like, you know, God works in a

0:43:59.680 --> 0:44:01.799
<v Speaker 3>mist serious ways. I don't know what So.

0:44:01.920 --> 0:44:04.040
<v Speaker 2>Good you guys, we had no idea. The devil was

0:44:04.080 --> 0:44:05.239
<v Speaker 2>at work, boys.

0:44:05.040 --> 0:44:07.759
<v Speaker 3>One of them. I'm telling you this is supernatural.

0:44:08.120 --> 0:44:12.560
<v Speaker 2>For nearly a year, the prosecutor just conducts scores of

0:44:12.640 --> 0:44:17.399
<v Speaker 2>interviews just gathering this information. The questions brought the heat

0:44:18.040 --> 0:44:21.960
<v Speaker 2>so much so that the church superintendent requested earlier retirement,

0:44:22.440 --> 0:44:25.880
<v Speaker 2>and then another church official just up and moved to

0:44:25.960 --> 0:44:31.160
<v Speaker 2>East Germany. Yikes, he's like going the wrong way.

0:44:31.040 --> 0:44:34.000
<v Speaker 3>Over the wall. What are you doing here?

0:44:35.239 --> 0:44:37.680
<v Speaker 2>It is bad for me back, trust me on this.

0:44:37.840 --> 0:44:39.400
<v Speaker 3>You are the first person to this.

0:44:39.960 --> 0:44:42.400
<v Speaker 2>Okay, well here have like a gray up.

0:44:42.520 --> 0:44:44.440
<v Speaker 3>I don't know, you know, you know you can't kill

0:44:44.560 --> 0:44:47.200
<v Speaker 3>still be a priest here, right, He's like, I don't care.

0:44:47.800 --> 0:44:51.879
<v Speaker 2>Uh so that chief architect Bruno Fendrick, he was named

0:44:51.960 --> 0:44:55.600
<v Speaker 2>co defendant in the indictment and the phony restores are

0:44:55.640 --> 0:44:58.680
<v Speaker 2>on trial. But also like all the people that you

0:44:58.760 --> 0:45:01.400
<v Speaker 2>know threw the money at him. A local paper wrote, quote,

0:45:01.680 --> 0:45:04.920
<v Speaker 2>the real defendants are not the forgers, but the experts

0:45:05.000 --> 0:45:08.400
<v Speaker 2>and officials who failed to exercise proper care. They didn't

0:45:08.440 --> 0:45:12.080
<v Speaker 2>mind being deceived. Had Molscat not photographed the empty church

0:45:12.200 --> 0:45:15.399
<v Speaker 2>walls before he started painting his murals, the evidence would

0:45:15.400 --> 0:45:17.960
<v Speaker 2>have been suppressed by the very people who employed him.

0:45:18.440 --> 0:45:21.120
<v Speaker 2>They are as much to blame as the forgers themselves,

0:45:21.600 --> 0:45:24.560
<v Speaker 2>so at least they're kind of on that. And like

0:45:24.640 --> 0:45:28.399
<v Speaker 2>in case you couldn't guess, this trial was huge, huge,

0:45:28.480 --> 0:45:31.600
<v Speaker 2>hottest ticket in town. They moved it from the courthouse

0:45:31.760 --> 0:45:35.759
<v Speaker 2>to a dance hall where they do like swing dance

0:45:35.840 --> 0:45:36.880
<v Speaker 2>and like hey, daddi.

0:45:36.680 --> 0:45:38.200
<v Speaker 3>Oh, they got a band for the courtroom.

0:45:38.680 --> 0:45:40.800
<v Speaker 2>They had to accommodate all the people that wanted to

0:45:40.800 --> 0:45:43.879
<v Speaker 2>sit in the gallery. There still wasn't enough room even

0:45:43.960 --> 0:45:47.120
<v Speaker 2>with an occupancy number of four hundred, so they set

0:45:47.200 --> 0:45:50.759
<v Speaker 2>up chairs outside in the garden and they broadcasted the

0:45:50.840 --> 0:45:52.280
<v Speaker 2>trial on a loud speaker.

0:45:52.600 --> 0:45:56.359
<v Speaker 3>They go, like, schnitzel vendors walking through the nitzle was thick.

0:45:56.680 --> 0:46:00.680
<v Speaker 2>It was the oil in the air, and like pres oh,

0:46:00.719 --> 0:46:04.640
<v Speaker 2>my god, so much like large nugget salt on the pretzels.

0:46:05.600 --> 0:46:05.839
<v Speaker 3>Boy.

0:46:06.880 --> 0:46:10.000
<v Speaker 2>So August tenth, nineteen fifty four, the trial starts. Okay,

0:46:10.560 --> 0:46:15.280
<v Speaker 2>looth Are said that he confessed because quote, everybody raved

0:46:15.320 --> 0:46:18.200
<v Speaker 2>about my beautiful murals, yet Fay got all the credit.

0:46:18.400 --> 0:46:21.439
<v Speaker 2>Nobody even knew my name. So he's like, you, guys,

0:46:21.440 --> 0:46:24.040
<v Speaker 2>I'm an artist. I'm a genius. And then he said,

0:46:24.080 --> 0:46:27.279
<v Speaker 2>quote I love to do thirteenth century painting. Nothing to it.

0:46:28.560 --> 0:46:30.719
<v Speaker 3>So often when you have these art foragers, it comes

0:46:30.760 --> 0:46:34.920
<v Speaker 3>down to like, what about me, guys. I'm not supposed

0:46:34.920 --> 0:46:36.160
<v Speaker 3>to make all the money. I just want you guys

0:46:36.200 --> 0:46:37.840
<v Speaker 3>to say that I'm the prettiest painter.

0:46:37.760 --> 0:46:40.000
<v Speaker 2>There is so good at this, you guys, which it

0:46:40.080 --> 0:46:42.640
<v Speaker 2>always bums me out because they're great artists and he

0:46:42.719 --> 0:46:44.960
<v Speaker 2>has multiple skills. They can't do it on their own.

0:46:45.080 --> 0:46:45.920
<v Speaker 3>They had nothing to say.

0:46:46.120 --> 0:46:49.800
<v Speaker 2>Yeah, it is exactly so. Even as he's like praising himself,

0:46:50.160 --> 0:46:53.720
<v Speaker 2>he starts ragging on the experts who got full quote.

0:46:54.080 --> 0:46:55.919
<v Speaker 3>It couldn't help himsel he is what he says.

0:46:56.400 --> 0:46:59.479
<v Speaker 2>One art critic raved about the prophet with the magic eyes.

0:46:59.640 --> 0:47:00.919
<v Speaker 3>It was modeled on my father.

0:47:01.360 --> 0:47:04.600
<v Speaker 2>Another gushed about the spiritual beauty of the splendid figure

0:47:04.640 --> 0:47:07.520
<v Speaker 2>of Mary, so far removed from our present day image

0:47:07.520 --> 0:47:10.600
<v Speaker 2>of womanhood. For that painting, I used a photograph of Hansey.

0:47:10.719 --> 0:47:16.080
<v Speaker 3>No tech, not Hansey, one of my favorite models. To you, so, the.

0:47:16.200 --> 0:47:20.800
<v Speaker 2>Prosecutor asked, at a time when X ray apparatus, court slamps,

0:47:20.840 --> 0:47:24.000
<v Speaker 2>and the most modern technical equipment seemed to exclude the

0:47:24.080 --> 0:47:27.360
<v Speaker 2>possibility of large scale art forgeries, how could a second

0:47:27.440 --> 0:47:31.719
<v Speaker 2>rate painter have fooled the nation's leading experts? And there's

0:47:31.800 --> 0:47:35.080
<v Speaker 2>like that stings, But then he tells them, He tells

0:47:35.120 --> 0:47:38.080
<v Speaker 2>them quote, people like to be fooled today. We just

0:47:38.200 --> 0:47:39.200
<v Speaker 2>gave them what they wanted.

0:47:39.280 --> 0:47:41.360
<v Speaker 3>Yeah, exactly so.

0:47:41.719 --> 0:47:46.440
<v Speaker 2>January twenty sixth, nineteen fifty five a verdict. The judge said, quote,

0:47:46.840 --> 0:47:51.120
<v Speaker 2>although the ascertainable material damage done may not have been excessive,

0:47:51.600 --> 0:47:54.920
<v Speaker 2>it seriously endangered the restoration of Mary and Kersh as

0:47:54.960 --> 0:47:58.560
<v Speaker 2>a whole. The dishonest behavior of those engaged upon it

0:47:58.760 --> 0:48:03.920
<v Speaker 2>undermined confidence in the proper execution of all the reinstatement work. Then,

0:48:04.000 --> 0:48:07.280
<v Speaker 2>as Jonathan Keith wrote and Forbes quote, in other words,

0:48:07.360 --> 0:48:10.600
<v Speaker 2>the offense was not fundamentally a crime of property damage,

0:48:10.840 --> 0:48:14.960
<v Speaker 2>but rather the infringement was psychological robbery of faith, theft

0:48:15.000 --> 0:48:15.640
<v Speaker 2>of a miracle.

0:48:15.840 --> 0:48:17.520
<v Speaker 3>Totally, yeah, violation.

0:48:18.280 --> 0:48:19.279
<v Speaker 2>It's so beautifully put.

0:48:19.440 --> 0:48:23.560
<v Speaker 3>So the architects, thank you, ohamn, oh okay whatever.

0:48:24.840 --> 0:48:29.719
<v Speaker 2>Your assessment of a violation of faith was so writing this, yeah,

0:48:30.280 --> 0:48:33.680
<v Speaker 2>I think crying this isn't sweat because so hot stone

0:48:33.960 --> 0:48:36.160
<v Speaker 2>write this in Can I paint it on a fresco?

0:48:37.000 --> 0:48:41.640
<v Speaker 2>So the architects and then THEO they got slap THEO

0:48:42.600 --> 0:48:44.840
<v Speaker 2>they like they were like, you get out of here, YouTube,

0:48:44.920 --> 0:48:47.680
<v Speaker 2>just don't do this again. They're like, bye, guys. Dietrich

0:48:47.800 --> 0:48:48.799
<v Speaker 2>got twenty months in.

0:48:48.840 --> 0:48:50.920
<v Speaker 3>Prison, okay, almost two.

0:48:50.840 --> 0:48:54.320
<v Speaker 2>Years, and then Loath are eighteen months okay, yeah whatever.

0:48:55.120 --> 0:48:58.640
<v Speaker 2>After sentencing Lothar skipped out and went to Sweden. Never

0:48:58.760 --> 0:49:02.320
<v Speaker 2>catch me. He didn't Layloh there. So he goes and

0:49:02.360 --> 0:49:05.200
<v Speaker 2>he tries to make money by being infamous and like

0:49:05.400 --> 0:49:09.439
<v Speaker 2>he sold paintings. He did the interior of Stockholm's trick

0:49:09.520 --> 0:49:12.439
<v Speaker 2>Kroner restaurant in the fourteenth century Gothic style.

0:49:13.080 --> 0:49:14.320
<v Speaker 3>Painted he's now known for.

0:49:14.560 --> 0:49:16.879
<v Speaker 2>Yeah, he busted out some turkey murals at the Royal

0:49:16.960 --> 0:49:22.800
<v Speaker 2>tennis courts. Let me give you a turkey, But that

0:49:22.920 --> 0:49:25.680
<v Speaker 2>didn't last long. He gets extradited back to Germany in

0:49:25.800 --> 0:49:28.960
<v Speaker 2>late nineteen fifty six, served his time, and then he

0:49:29.160 --> 0:49:31.560
<v Speaker 2>just for the next thirty two years until the end

0:49:31.600 --> 0:49:34.920
<v Speaker 2>of his life, just lived a quiet life, painted, did

0:49:34.960 --> 0:49:35.960
<v Speaker 2>his own little paintings.

0:49:36.000 --> 0:49:37.279
<v Speaker 3>Did he get to a place where he actually was

0:49:37.320 --> 0:49:38.160
<v Speaker 3>able to generate art?

0:49:38.480 --> 0:49:40.439
<v Speaker 2>Probably? I mean he was generating his own art.

0:49:40.400 --> 0:49:41.719
<v Speaker 3>Sure, But but did anybody enjoy it?

0:49:41.880 --> 0:49:42.239
<v Speaker 2>I don't know.

0:49:42.680 --> 0:49:44.239
<v Speaker 3>So he wasn't doing showings later on.

0:49:45.920 --> 0:49:48.839
<v Speaker 2>I think he just kind of faded out. What about

0:49:48.920 --> 0:49:49.919
<v Speaker 2>the murals though?

0:49:50.200 --> 0:49:52.160
<v Speaker 3>Erin Elizabeth the murals?

0:49:52.280 --> 0:49:54.360
<v Speaker 2>Do you remember Peter Hirschfeld?

0:49:54.600 --> 0:49:54.880
<v Speaker 3>Do I?

0:49:55.080 --> 0:49:55.279
<v Speaker 2>Yeah?

0:49:55.880 --> 0:49:56.240
<v Speaker 3>Forget?

0:49:56.400 --> 0:49:58.759
<v Speaker 2>At first he's like no, girl, and then he's like

0:49:58.920 --> 0:49:59.439
<v Speaker 2>yes girl.

0:49:59.719 --> 0:50:04.400
<v Speaker 3>Yeah. Now he's mad girl, so he's like super livid.

0:50:04.520 --> 0:50:07.799
<v Speaker 2>Has a plan, he said. Quote. The forgeries should first

0:50:07.840 --> 0:50:10.800
<v Speaker 2>be plastered over so as to obtain a clear surface

0:50:11.360 --> 0:50:16.360
<v Speaker 2>free from all theoretical preconception, and thus enable careful plans

0:50:16.400 --> 0:50:19.000
<v Speaker 2>to be laid for an ideal solution of the problem

0:50:19.160 --> 0:50:23.520
<v Speaker 2>by substituting true works of art for forgery, honesty for insincerity,

0:50:23.960 --> 0:50:28.600
<v Speaker 2>for consequent obliteration of the stain upon morality. It should

0:50:28.600 --> 0:50:31.680
<v Speaker 2>be considered the duty of any truly Christian community to

0:50:31.800 --> 0:50:34.960
<v Speaker 2>carry out this task. He makes it into a holy war.

0:50:35.200 --> 0:50:35.560
<v Speaker 3>He does.

0:50:36.120 --> 0:50:38.480
<v Speaker 2>And that's exactly what happened to the choir murals Like

0:50:38.560 --> 0:50:41.759
<v Speaker 2>the frum scratch scratch workers covered it up. No one's

0:50:41.800 --> 0:50:46.120
<v Speaker 2>the wiser gone. But then the Nave art restorer Sep

0:50:46.239 --> 0:50:51.279
<v Speaker 2>Schuer explained quote the Nave forgeries were deliberately left as

0:50:51.400 --> 0:50:54.520
<v Speaker 2>they were. They constituted a sort of warning to all

0:50:54.600 --> 0:51:00.239
<v Speaker 2>concerned with art, either as amateurs or professionals. Detail there

0:51:01.560 --> 0:51:04.040
<v Speaker 2>so I'll leave you with this gem to ponder from

0:51:04.200 --> 0:51:10.960
<v Speaker 2>Jonathan Keats okay quote, the contradictory responses reflect our emotional

0:51:11.120 --> 0:51:15.239
<v Speaker 2>ambivalence toward a betrayal of trust, whether to obliterate or

0:51:15.400 --> 0:51:18.960
<v Speaker 2>to commemorate the offense. Yet whichever decision is made, the

0:51:19.080 --> 0:51:22.640
<v Speaker 2>sting of injury will pass and people will recover their belief.

0:51:23.200 --> 0:51:26.120
<v Speaker 2>According to the Lubeck entry in Rough Guided Germany, a

0:51:26.200 --> 0:51:29.759
<v Speaker 2>bay decker for the twenty first century, Gothic frescoes of

0:51:29.880 --> 0:51:33.160
<v Speaker 2>Christ and Saints add color to otherwise plain walls of

0:51:33.280 --> 0:51:37.160
<v Speaker 2>Marian Kirsch. The pastel images only resurfaced when a fire

0:51:37.320 --> 0:51:40.000
<v Speaker 2>caused by the nineteen forty two air raid licked away

0:51:40.120 --> 0:51:43.920
<v Speaker 2>the coat of whitewash. Malscat is not mentioned, nor is

0:51:44.000 --> 0:51:46.839
<v Speaker 2>his moral staying apparent in the church. For a new

0:51:46.960 --> 0:51:52.719
<v Speaker 2>generation of tourists, the murals are again miraculous, are they are? They?

0:51:52.840 --> 0:51:55.720
<v Speaker 2>Says Aaron. What's your ridiculous takeaway? Thanks for asking?

0:51:55.920 --> 0:52:01.520
<v Speaker 3>Oh my gosh, Malscat my man. Yeah, that lothar of

0:52:01.640 --> 0:52:05.919
<v Speaker 3>them all people he deserves. I think like they should

0:52:06.000 --> 0:52:09.840
<v Speaker 3>make him another church, right, Like that's like all anachronistic,

0:52:09.960 --> 0:52:12.480
<v Speaker 3>Like the church is wrong, like part of it's Baroque,

0:52:12.680 --> 0:52:15.320
<v Speaker 3>part of it's like Byzantine. Then he gets to go

0:52:15.400 --> 0:52:17.759
<v Speaker 3>in there and paint it into something, just like lean

0:52:17.880 --> 0:52:20.000
<v Speaker 3>into it. And you know how many people would go

0:52:20.080 --> 0:52:22.800
<v Speaker 3>to see that freaky church? Yeah, see some things like

0:52:22.920 --> 0:52:24.480
<v Speaker 3>just that way, he'd have something to say to be

0:52:24.560 --> 0:52:27.520
<v Speaker 3>a whole joke. But the point being is, like it's

0:52:27.960 --> 0:52:31.160
<v Speaker 3>my takeaway, if you will, ridiculous as it is, is

0:52:31.640 --> 0:52:35.360
<v Speaker 3>he could actually do a bit on himself and have

0:52:35.440 --> 0:52:37.160
<v Speaker 3>people want to come out and see it and still

0:52:37.239 --> 0:52:39.400
<v Speaker 3>be referencing his whole like, hey, look when I got

0:52:39.440 --> 0:52:41.959
<v Speaker 3>over on these people. Yeah, well you know, I guess

0:52:42.000 --> 0:52:46.920
<v Speaker 3>he got happy just going and living quietly. Sure, Elizabeth

0:52:46.960 --> 0:52:49.000
<v Speaker 3>does mine? I do? I do? I do.

0:52:49.280 --> 0:52:51.719
<v Speaker 2>I think it's interesting that they felt the need to

0:52:52.360 --> 0:52:56.160
<v Speaker 2>maintain this history right then, you know, even even if

0:52:56.280 --> 0:52:58.160
<v Speaker 2>in the face of the fact that there's nothing to

0:52:58.280 --> 0:53:01.960
<v Speaker 2>work with, instead of saying, well, let's recreate, let's do

0:53:02.080 --> 0:53:04.640
<v Speaker 2>a new one in the style of today, or borrowing

0:53:04.719 --> 0:53:07.920
<v Speaker 2>from their styles, because the whole point is to celebrate,

0:53:08.560 --> 0:53:11.600
<v Speaker 2>you know, the story of Christ right in this church.

0:53:11.719 --> 0:53:14.319
<v Speaker 2>But really, the whole point of these elaborate things within

0:53:14.440 --> 0:53:17.320
<v Speaker 2>churches is to celebrate the achievement of man on earth

0:53:17.760 --> 0:53:18.879
<v Speaker 2>in the name of God.

0:53:19.080 --> 0:53:19.719
<v Speaker 3>Yeah, good point.

0:53:19.880 --> 0:53:22.920
<v Speaker 2>So it's like, why wouldn't you say, here, here, we

0:53:23.000 --> 0:53:25.160
<v Speaker 2>can have this achievement of what we can do now,

0:53:26.600 --> 0:53:29.759
<v Speaker 2>this fascination with the past I mean I understand wanting

0:53:29.800 --> 0:53:33.520
<v Speaker 2>to preserve, you know, something that's beautiful and enduring, but

0:53:33.600 --> 0:53:37.360
<v Speaker 2>this wasn't enduring. And so it's either like try and

0:53:37.440 --> 0:53:40.279
<v Speaker 2>totally fully reproduce it with an acknowledgment that it's a

0:53:40.440 --> 0:53:43.880
<v Speaker 2>modern reproduction, or just do it anew But it doesn't

0:53:43.880 --> 0:53:45.520
<v Speaker 2>make it any less of a miracle, you know what

0:53:45.560 --> 0:53:48.080
<v Speaker 2>I'm saying, Like for something to stand and to persevere

0:53:48.160 --> 0:53:48.919
<v Speaker 2>and blah blah blah.

0:53:49.120 --> 0:53:52.160
<v Speaker 3>Not in special but thirteen hundred yeah, no, I mean honestly,

0:53:52.280 --> 0:53:55.160
<v Speaker 3>like they painted something, everyone's like, oh, this is the original. Yeah,

0:53:55.239 --> 0:53:57.440
<v Speaker 3>we could no offense, do a nice painting here, and

0:53:57.480 --> 0:53:59.560
<v Speaker 3>then one hundred years from now people be like this

0:53:59.719 --> 0:54:01.320
<v Speaker 3>is I'm twenty or whatever.

0:54:02.560 --> 0:54:05.919
<v Speaker 2>Like Lofar who's really talented and he can do these things,

0:54:05.960 --> 0:54:08.160
<v Speaker 2>and people look at it and they're moved. They have

0:54:08.280 --> 0:54:10.839
<v Speaker 2>that emotional response, which is the point of the art

0:54:10.920 --> 0:54:13.239
<v Speaker 2>to begin with. Like it's not to have a certain

0:54:13.360 --> 0:54:15.600
<v Speaker 2>name on it or certain date, it's what what is

0:54:15.640 --> 0:54:17.759
<v Speaker 2>the response to the art? How do you close that

0:54:17.920 --> 0:54:19.520
<v Speaker 2>circle of communication.

0:54:19.120 --> 0:54:21.680
<v Speaker 3>And humble yourself in time? Yes, like we could be

0:54:21.920 --> 0:54:23.960
<v Speaker 3>meaningful to people one hundreds years from no, exactly, So

0:54:24.080 --> 0:54:25.040
<v Speaker 3>I just be on that rone.

0:54:25.080 --> 0:54:26.920
<v Speaker 2>So I say, let him go nuts in there.

0:54:27.080 --> 0:54:28.440
<v Speaker 3>I love that. I love when you say let him

0:54:28.480 --> 0:54:28.799
<v Speaker 3>go nuts.

0:54:28.920 --> 0:54:32.080
<v Speaker 2>I want everyone to go nuts the summer of dark, Elizabeth,

0:54:32.160 --> 0:54:35.239
<v Speaker 2>I'm telling you how to keep it nuts. Dave. You

0:54:35.320 --> 0:54:36.880
<v Speaker 2>know what I need after all that, I need to

0:54:37.040 --> 0:54:37.600
<v Speaker 2>talk back.

0:54:42.280 --> 0:54:47.480
<v Speaker 3>Oh my god, I let you.

0:54:51.920 --> 0:54:54.480
<v Speaker 5>Hey, it's destrude and I just want to say, I

0:54:54.680 --> 0:54:59.360
<v Speaker 5>listen to your Sophie Smith episode many times and I

0:54:59.440 --> 0:55:02.600
<v Speaker 5>can't expect why, but it just tickles my brain cells.

0:55:04.280 --> 0:55:05.760
<v Speaker 5>So thanks for everything.

0:55:07.040 --> 0:55:09.640
<v Speaker 2>I'm so glad that your brain cells are tickled. That's

0:55:09.680 --> 0:55:10.000
<v Speaker 2>my goal.

0:55:12.200 --> 0:55:13.719
<v Speaker 3>What's Elizabeth like? I'm like, well, what you likes to

0:55:13.760 --> 0:55:14.640
<v Speaker 3>tickle brain cells?

0:55:15.400 --> 0:55:17.640
<v Speaker 2>Astra? I am so pleased that you like Soapye, I

0:55:17.719 --> 0:55:21.440
<v Speaker 2>love Sophie Smith. Wow, ma'am uh. That's it for today.

0:55:21.760 --> 0:55:24.480
<v Speaker 2>You can find us online at ridiculous crime dot com.

0:55:24.960 --> 0:55:28.080
<v Speaker 2>We're also at ridiculous Crime on Twitter and Instagram. Email

0:55:28.280 --> 0:55:31.880
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0:55:32.120 --> 0:55:36.000
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0:55:36.040 --> 0:55:37.759
<v Speaker 2>talk back. Come on, man, you got plenty of room

0:55:37.800 --> 0:55:46.239
<v Speaker 2>on your phone for another app reach out. Ridiculous Crime

0:55:46.360 --> 0:55:49.200
<v Speaker 2>is hosted by Elizabeth Dutton and Zaren Burnett, produced and

0:55:49.400 --> 0:55:53.720
<v Speaker 2>edited by Saxon Turkey Farmer Dave Kusten, starring Annalise Rutger

0:55:53.960 --> 0:55:57.840
<v Speaker 2>as Judith. Research is by Mary Magdalen's Shoe Plug, Marissa

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<v Speaker 2>Brown and Andrea Song Sharp and Tear aka third Angel

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0:56:03.600 --> 0:56:07.040
<v Speaker 2>theme song is by unemployed Rick Rubber, Thomas Lee and

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0:56:11.719 --> 0:56:15.319
<v Speaker 2>by Botany five hundred. Guest hair and makeup by Sparkleshot

0:56:15.480 --> 0:56:19.719
<v Speaker 2>and Mister Andre. Executive producers are Ben But what if

0:56:19.840 --> 0:56:24.000
<v Speaker 2>the turkeys were native to Europe Bowlin and Noel, and

0:56:24.120 --> 0:56:34.000
<v Speaker 2>then the Vikings took them to North America, Brown dus

0:56:34.800 --> 0:56:38.040
<v Speaker 2>Quime Say It one More Times.

0:56:39.640 --> 0:56:42.960
<v Speaker 1>Ridiculous Crime is a production of iHeartRadio four more podcasts.

0:56:43.120 --> 0:56:46.279
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