WEBVTT - S4/E3 | Confinement

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<v Speaker 1>Thirteen Days of Halloween tennance, a co production of iHeart

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<v Speaker 1>three D Audio Blumhouse Television and Grim and Mild from

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<v Speaker 1>Aaron Mankey Headphones Recommended. Listener discretion advised.

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<v Speaker 2>Look go with me. I can walk myself.

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<v Speaker 3>Stop struggling.

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<v Speaker 2>Where are you taking me? This is the dungeon, isn't it.

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<v Speaker 2>It is a legit fucking dungeon. You're not putting me

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<v Speaker 2>in there.

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<v Speaker 4>You are not throwing me in some random room. Oh

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<v Speaker 4>fuck you, Williams.

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<v Speaker 2>Hey, hey, get back here. Can you at least turn

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<v Speaker 2>on some lights?

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<v Speaker 4>Okay, okay, this is a trick, like a psychological torture

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<v Speaker 4>or something. They're not gonna leave me here. It's obviously

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<v Speaker 4>some Geneva convention violation.

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<v Speaker 3>Let me out.

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<v Speaker 5>Oh maybe I could get my hand through this slot.

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<v Speaker 2>On the door if it wasn't sealed shut. Come on,

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<v Speaker 2>you can't leave me here. This is in humane.

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<v Speaker 4>I swear I won't do anything else. Please, Okay, fine,

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<v Speaker 4>I'm sorry, seriously, I'll never do it again, and I'll

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<v Speaker 4>do whatever you asked.

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<v Speaker 2>Me to do.

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<v Speaker 5>Oh my god, They're just gonna leave me here. They're

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<v Speaker 5>just gonna leave me here, and I'm gonna lose my

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<v Speaker 5>fucking mind, dirt floor, stone walls, the Oh my god,

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<v Speaker 5>is that mold? Oh not even a fucking mattress.

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<v Speaker 2>It's like a morgue slab. Please, I don't belong here.

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<v Speaker 3>No one's listening.

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<v Speaker 2>Huh who said that? Hello? And now I'm hearing things?

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<v Speaker 6>Food?

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<v Speaker 3>Hi?

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<v Speaker 2>Hi?

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<v Speaker 3>Food?

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<v Speaker 2>Can you? Can you turn on the lights at least?

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<v Speaker 2>I can't see anything in here.

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<v Speaker 5>And the tray just goes right on the floor.

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<v Speaker 2>Gross, smells horrible, damn it.

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<v Speaker 4>M try Hey, hey, I swear to God, I'll never

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<v Speaker 4>try to escape again.

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<v Speaker 2>Just please, don't don't keep me in here.

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<v Speaker 4>Just say something, Please, just say anything, Please.

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<v Speaker 2>Try, no, please come on? Try fine? You want the tray?

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<v Speaker 2>Take it?

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<v Speaker 6>Food?

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<v Speaker 2>Oh god, more of this, you know what?

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<v Speaker 3>I take it all back.

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<v Speaker 2>I'm gonna get out of here, and I'm gonna find

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<v Speaker 2>you and I'm gonna kill you. How about that? Huh?

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<v Speaker 3>You should probably eat. They're only going to feed you

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<v Speaker 3>once a day.

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<v Speaker 2>Hey, I hear you. Where are you? Are you real? Hello?

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<v Speaker 3>But they're listening. Now if you want to talk, get

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<v Speaker 3>closer to the wall.

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<v Speaker 2>How about now that's better?

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<v Speaker 3>Where are we You're in solitary? You can yell all

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<v Speaker 3>you want, but they won't respond.

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<v Speaker 4>Yeah, I think I figured that out. So there's really

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<v Speaker 4>no way out of here.

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<v Speaker 3>Just the door. When the slot opens, slide that tray

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<v Speaker 3>out and they'll put more food on it. If you

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<v Speaker 3>wait too long, you won't get another chance for a

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<v Speaker 3>whole day.

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<v Speaker 2>I'm not sure I want another chance.

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<v Speaker 3>Tell me, is your tray made of metal?

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<v Speaker 2>What your food tray? Is it metal? Yeah? It is?

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<v Speaker 3>How fascinatingly careless?

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<v Speaker 2>Did you try to escape too?

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<v Speaker 3>I'm not here because I'm being punished.

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<v Speaker 2>Okay, so why are you here?

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<v Speaker 3>Do you believe that there are worlds between worlds?

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<v Speaker 2>Worlds between worlds?

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<v Speaker 3>If you really want to know the story may take time.

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<v Speaker 2>Seems like we got plenty of it.

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<v Speaker 7>Hm.

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<v Speaker 3>It really all started as a game. I was in school,

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<v Speaker 3>and you know, kids being kids. I just wanted to

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<v Speaker 3>fit in.

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<v Speaker 6>Five times in a row.

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<v Speaker 2>Ready, monic, monic, monic, monic.

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<v Speaker 3>Chicken shit.

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<v Speaker 2>Whatever you do it, then I don't have to do anything.

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<v Speaker 2>You're the chicken shit, chicken shit. No, you're the chicken

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<v Speaker 2>shit whatever.

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<v Speaker 7>Give me the money you made a bet.

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<v Speaker 2>I'm not giving you anything. Almost you try it. Screw you.

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<v Speaker 3>Oh, I don't know what compelled me to do it.

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<v Speaker 3>Maybe I just wanted to show up, make them like me. Manach, Monach,

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<v Speaker 3>monoc Oh.

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<v Speaker 6>Shit, Monach, tan't me.

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<v Speaker 2>I was gonna do it, Monoch. See, you shouldn't have

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<v Speaker 2>been such a little.

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<v Speaker 3>And they were gone.

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<v Speaker 2>Mm hmm, uhhh hmm. It was terrifying.

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<v Speaker 3>I don't really know if I even processed what happened

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<v Speaker 3>at the time.

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<v Speaker 4>So so you're saying all of your friends vanished because

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<v Speaker 4>you played Bloody Mary.

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<v Speaker 3>No, not bloody Mary, something much better.

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<v Speaker 2>Then where did they all go?

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<v Speaker 3>I don't know. No one did. Eventually they stopped looking,

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<v Speaker 3>but I didn't forget.

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<v Speaker 2>And that's why you're here.

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<v Speaker 3>Sort of.

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<v Speaker 2>You tried it again, didn't you?

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<v Speaker 3>Not until years later?

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<v Speaker 2>You are such a freak.

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<v Speaker 3>I probably should have just let it go. I know

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<v Speaker 3>you hear me, weirdo, but I don't know.

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<v Speaker 2>Nobody wants you here. You make everyone uncomfortable.

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<v Speaker 3>Do you understand that she'd done this every single day

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<v Speaker 3>for weeks?

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<v Speaker 1>And what's the deal with your weird fucking sister.

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<v Speaker 3>I guess I was just done.

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<v Speaker 1>It is your entire family a bunch of freaks.

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<v Speaker 3>I'd said it before I even realized I was speaking.

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<v Speaker 3>Monoc monac. What the fuck are you even saying? Mana, Mana,

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<v Speaker 3>Oh my god, why don't you just save us all

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<v Speaker 3>the trouble? And mana, it was just like before suddenly

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<v Speaker 3>she was gone, so was everyone else?

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<v Speaker 2>Right?

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<v Speaker 3>I should sleep now?

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<v Speaker 4>Oh okay, hey, so when did these weird lights turn off?

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<v Speaker 2>Lights? Yeah?

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<v Speaker 4>It was like it was like really dark when I

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<v Speaker 4>got here. And now there's this weird blue light. I

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<v Speaker 4>noticed it when I woke up.

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<v Speaker 2>Your eyes have adjusted.

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<v Speaker 3>It's the mold on the walls.

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<v Speaker 2>Oh yuck. It's not radioactive, is it?

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<v Speaker 3>Good night?

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<v Speaker 5>Good night?

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<v Speaker 2>Try now go.

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<v Speaker 3>Foams. You'll start to feel when it's coming.

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<v Speaker 5>Like a circadian rhythm type of thing.

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<v Speaker 3>Maybe.

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<v Speaker 5>I guess it's good to have something to keep track

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<v Speaker 5>of the time.

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<v Speaker 3>You know, I could get us both out of here.

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<v Speaker 4>How are you gonna spirit me away with your boogeyman?

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<v Speaker 3>The floor?

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<v Speaker 2>The floor is completely solid, it's earth. So what we

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<v Speaker 2>tunnel out?

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<v Speaker 3>Just listen? Gather up some sand and try to pick

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<v Speaker 3>out any big pieces.

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<v Speaker 2>Just sand? Okay, okay, sand? Sure, now what put it

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<v Speaker 2>on the tray? Okay?

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<v Speaker 3>Now you need some water from the sink.

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<v Speaker 6>Try food?

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<v Speaker 2>Do we always get the same thing hmmm, I think

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<v Speaker 2>so it's so mushy. I don't think I readstalled the standoff.

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<v Speaker 4>So this game that you play, Mana, do you mean

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<v Speaker 4>yeah that if you knew what was going to happen,

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<v Speaker 4>why did you do it?

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<v Speaker 3>At some point? I guess it became about something else.

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<v Speaker 6>You're not going to want breakfast or anything?

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<v Speaker 3>Right?

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<v Speaker 6>No?

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<v Speaker 3>Cool?

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<v Speaker 7>Well I'm going to take a shower, just like, take

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<v Speaker 7>your time.

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<v Speaker 3>But also don't you really can't stick.

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<v Speaker 2>Around, you know what I mean?

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<v Speaker 3>Okay? Good?

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<v Speaker 1>Right, we both understand what this was.

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<v Speaker 3>There was something so disgusting about him. I could smell

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<v Speaker 3>him on my skin. People can be so cruel. When

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<v Speaker 3>I walked in and saw myself in the mirror, I

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<v Speaker 3>think I was crying. Hey, you're not about to take

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<v Speaker 3>a piss while I'm in here, are you?

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<v Speaker 6>There's a bathroom in the lobby you can use, you know,

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<v Speaker 6>on the way out?

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<v Speaker 3>Monarch, Hello, Monoch, are you saying something to me? Monoch? Mona?

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<v Speaker 3>So survival he had hurt my sister.

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<v Speaker 2>What happened? She was a lot more trusting.

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<v Speaker 5>And fragile, and so he disappeared too. You're doing what

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<v Speaker 5>I asked, Rubbin Mud on the tray good.

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<v Speaker 3>Just keep going until you can't anymore, and start again tomorrow.

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<v Speaker 2>Why am I doing this because.

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<v Speaker 3>My tray is wooden?

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<v Speaker 6>Try food?

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<v Speaker 2>God, really is the same thing every day. How long

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<v Speaker 2>have you been down here?

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<v Speaker 3>This time a few months? I think it's hard to tell.

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<v Speaker 2>And this isn't punishment for you.

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<v Speaker 3>I suppose it is in a way, but that's not

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<v Speaker 3>the intent. I am contained.

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<v Speaker 5>Right contained. I don't think I can do this today.

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<v Speaker 3>It's difficult to be down here. I know.

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<v Speaker 2>I don't know how you've done it for so long.

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<v Speaker 3>But it's nice to have someone to talk to.

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<v Speaker 2>Yeah, it is, you know.

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<v Speaker 3>I never believed in an afterlife until I started killing people.

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<v Speaker 3>You asked me if I only did it for survival.

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<v Speaker 3>I wasn't being completely truthful. I knew that it needed

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<v Speaker 3>to be satisfied. Whatever it was it was speaking to me.

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<v Speaker 2>Listen to me, old man.

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<v Speaker 1>If we goddamn there, you come in here and ask

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<v Speaker 1>for the same shit.

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<v Speaker 3>We don't have the newspaper, Okay, we are never gonna

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<v Speaker 3>have the newspaper again.

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<v Speaker 1>Okay, no one buys it.

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<v Speaker 2>I buy it.

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<v Speaker 3>There's no more newspaper. I don't know what to tell you.

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<v Speaker 3>Can you just pay for your coffee and leave already.

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<v Speaker 3>Oh Jesus Christ, change, Really you fucking with me?

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<v Speaker 2>Old man?

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<v Speaker 3>I stood there at the door to the drink coolers,

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<v Speaker 3>and I was there behind my reflection.

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<v Speaker 1>Can you please just find another place to get coffee?

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<v Speaker 1>Please just take it? Okay, just take the coffee, Jesus Christ.

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<v Speaker 1>Every day with a slow shit.

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<v Speaker 3>Sometimes the world is just better off without certain people

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<v Speaker 3>in it. Plus it was hungry Monoch, stupid old man

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<v Speaker 3>Monoch mose people who reads the fucking moves people?

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<v Speaker 6>Monoch Monoch.

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<v Speaker 3>I guess you can figure out the next part. But

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<v Speaker 3>there was something different this time.

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<v Speaker 2>I felt loved, loved by who Monoch.

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<v Speaker 3>It needed me in a way that nothing had ever

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<v Speaker 3>needed me. With my sister I could never do enough.

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<v Speaker 3>But with Mana I felt warm and cared about whatever

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<v Speaker 3>Monoch was. We were connected. I could feel its joy

0:14:49.080 --> 0:14:53.840
<v Speaker 3>and its satisfaction. It was sated, and it loved me

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<v Speaker 3>for it. Do you know what it is to be loved?

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<v Speaker 4>I'm I'm not sure. Actually, I hope that one day

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<v Speaker 4>you will, so wait. Didn't anyone think that it was

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<v Speaker 4>strange that the people near you were disappearing?

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<v Speaker 3>Hm? Well, eventually I guess they did. They got greedy,

0:15:19.440 --> 0:15:24.240
<v Speaker 3>greedy in your life. I bet there are people who've

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<v Speaker 3>hurt you, hurt people you care about, people you watch

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<v Speaker 3>do horrible things with impunity. You can think of a

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<v Speaker 3>few people like that, can't you?

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<v Speaker 2>Yeah? I can? Actually, I absolutely can.

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<v Speaker 3>And what if they could just vanish, nothing left to find,

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<v Speaker 3>gone forever, nothing to point back to you, just new

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<v Speaker 3>life looking forward without them in it. What is that

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<v Speaker 3>worth to you?

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<v Speaker 4>Huh? Maybe everything that's right and people paid. I made

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<v Speaker 4>the problems go away Monarch eight. And more than money,

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<v Speaker 4>my reward was endless, warm love, pure and beautiful love.

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<v Speaker 4>We had each other.

0:16:24.720 --> 0:16:26.720
<v Speaker 3>It needed me as much as I needed it.

0:16:30.120 --> 0:16:31.080
<v Speaker 2>My wrist hurts.

0:16:31.560 --> 0:16:34.880
<v Speaker 3>That's okay, maybe it's time to rest for a bit.

0:16:37.360 --> 0:16:39.920
<v Speaker 2>You still haven't really said why you're here.

0:16:41.160 --> 0:16:45.720
<v Speaker 3>Because I let them use me, use you as a weapon,

0:16:49.840 --> 0:16:52.880
<v Speaker 3>and you can assure if there won't be a trace left, right?

0:16:53.320 --> 0:16:55.560
<v Speaker 3>That's correct? Okay, Okay?

0:16:57.400 --> 0:16:58.880
<v Speaker 2>Aren't you curious what he did?

0:16:59.640 --> 0:17:03.440
<v Speaker 3>No, they promised me that my sister and her family

0:17:03.480 --> 0:17:06.080
<v Speaker 3>would be given safe harbor and escort at home.

0:17:06.480 --> 0:17:09.280
<v Speaker 5>Home from where I'd rather not say.

0:17:10.680 --> 0:17:13.879
<v Speaker 3>It doesn't really matter anyway, because they lied to me.

0:17:15.000 --> 0:17:18.320
<v Speaker 3>It's always struck me how rich men love to lie

0:17:19.520 --> 0:17:22.920
<v Speaker 3>now they love to meet in fancy hotels.

0:17:24.600 --> 0:17:27.840
<v Speaker 7>The board is going to eat me alive. You know that,

0:17:28.600 --> 0:17:32.320
<v Speaker 7>the shareholders too. I just need that one little weasel

0:17:32.440 --> 0:17:33.240
<v Speaker 7>to get in line.

0:17:33.760 --> 0:17:35.560
<v Speaker 3>I understand, Elsie.

0:17:36.680 --> 0:17:39.520
<v Speaker 7>You know I tried to explain things, get him to

0:17:39.600 --> 0:17:42.880
<v Speaker 7>change his mind. If he goes to the press, We're done.

0:17:43.720 --> 0:17:45.080
<v Speaker 2>I'm done.

0:17:45.119 --> 0:17:46.919
<v Speaker 7>This is a lot of money.

0:17:47.880 --> 0:17:49.960
<v Speaker 3>Do you know what I find so interesting?

0:17:50.800 --> 0:17:55.120
<v Speaker 2>What all of this money and all.

0:17:54.960 --> 0:17:59.840
<v Speaker 3>Of this blood to build a legacy, and I can

0:18:00.080 --> 0:18:02.120
<v Speaker 3>get down with just a whisper.

0:18:02.880 --> 0:18:04.560
<v Speaker 7>That's quite a talent.

0:18:05.200 --> 0:18:05.600
<v Speaker 4>Mm hmm.

0:18:06.160 --> 0:18:14.120
<v Speaker 1>Too bad through the pockets now, daging strop it on time,

0:18:16.880 --> 0:18:17.560
<v Speaker 1>And that is.

0:18:17.520 --> 0:18:18.359
<v Speaker 3>How I got here.

0:18:19.560 --> 0:18:20.600
<v Speaker 2>How long ago was this?

0:18:21.240 --> 0:18:24.320
<v Speaker 3>M I forget how many years years?

0:18:24.680 --> 0:18:27.240
<v Speaker 2>You've been down here for years? I thought you said months.

0:18:27.720 --> 0:18:30.840
<v Speaker 3>They let me out sometimes when they need things done,

0:18:32.160 --> 0:18:34.879
<v Speaker 3>and exchange my sisters to stay safe.

0:18:35.040 --> 0:18:39.639
<v Speaker 2>But I miss her need things done like people.

0:18:40.280 --> 0:18:45.400
<v Speaker 3>Yes, but it's been so long, I don't really remember

0:18:45.440 --> 0:18:50.239
<v Speaker 3>the last time. Monarch is so hungry.

0:18:50.440 --> 0:18:52.080
<v Speaker 2>How often do they let you out?

0:18:52.720 --> 0:18:53.280
<v Speaker 3>Not enough?

0:18:54.160 --> 0:18:54.840
<v Speaker 2>Not anymore.

0:18:56.200 --> 0:19:00.760
<v Speaker 3>I can no longer feel it's love where it's warm,

0:19:01.520 --> 0:19:06.080
<v Speaker 3>I feel cold and empty, and I know it's there,

0:19:06.960 --> 0:19:10.639
<v Speaker 3>abandoned and hungry. It hurts.

0:19:12.080 --> 0:19:13.119
<v Speaker 2>I'm sorry.

0:19:13.400 --> 0:19:16.880
<v Speaker 3>Tell me what does the tray look like now where

0:19:16.880 --> 0:19:19.680
<v Speaker 3>you've been rubbing it.

0:19:19.680 --> 0:19:21.520
<v Speaker 2>It's hard to tell in this light.

0:19:22.200 --> 0:19:24.639
<v Speaker 3>Try to get it really close to the mold. I

0:19:24.680 --> 0:19:26.200
<v Speaker 3>think it feeds off body heat.

0:19:27.440 --> 0:19:31.399
<v Speaker 2>Okay, here we go. It looks like it's getting brighter.

0:19:32.560 --> 0:19:35.399
<v Speaker 3>Can you see yourself? Yes?

0:19:36.760 --> 0:19:37.240
<v Speaker 2>Perfect?

0:19:38.080 --> 0:19:40.359
<v Speaker 4>Holy shit, you're gonna do the thing, aren't you?

0:19:41.359 --> 0:19:47.919
<v Speaker 2>Tomorrow? This is so fucking crazy. I'm not ready to

0:19:48.000 --> 0:19:50.760
<v Speaker 2>die though. Okay, I'm really not ready to die.

0:19:50.840 --> 0:19:52.320
<v Speaker 3>Do you understand what to do?

0:19:52.560 --> 0:19:55.000
<v Speaker 2>When the slot opens? Just shove it out like normal

0:19:55.240 --> 0:19:57.200
<v Speaker 2>and then just close your eyes tight.

0:19:57.560 --> 0:20:00.680
<v Speaker 5>Okay, swear this isn't gonna kill me too.

0:20:01.080 --> 0:20:03.000
<v Speaker 3>You'll be on the other side of the door. It

0:20:03.040 --> 0:20:06.280
<v Speaker 3>won't see your reflection. Just be ready.

0:20:09.760 --> 0:20:11.640
<v Speaker 2>Try tray. It is.

0:20:13.640 --> 0:20:16.000
<v Speaker 3>Monoch monoch, monoch, monoch, monoch.

0:20:23.080 --> 0:20:23.439
<v Speaker 2>Monic.

0:20:38.400 --> 0:20:40.200
<v Speaker 3>It's okay. I didn't let it take you.

0:20:42.400 --> 0:20:42.880
<v Speaker 2>Wear them.

0:20:43.000 --> 0:20:44.359
<v Speaker 3>Just breathe your back.

0:20:45.320 --> 0:20:45.679
<v Speaker 2>Okay.

0:20:46.680 --> 0:20:49.760
<v Speaker 3>I want to thank you for helping me, and I

0:20:49.800 --> 0:20:52.720
<v Speaker 3>want to give you something, But what happened to this? Listen?

0:20:53.600 --> 0:20:54.200
<v Speaker 2>I'll let you.

0:20:54.160 --> 0:20:57.919
<v Speaker 3>Feed him, but you can only do it once, feed

0:20:58.000 --> 0:21:00.840
<v Speaker 3>him only once. Remember that.

0:21:01.280 --> 0:21:02.520
<v Speaker 2>But I don't have to go now.

0:21:03.240 --> 0:21:08.000
<v Speaker 1>Wait, her eyes are open, She's still alive. We need

0:21:08.000 --> 0:21:09.040
<v Speaker 1>to get her up to medicals now.

0:21:09.160 --> 0:21:13.760
<v Speaker 7>Breach protocols elevated level six men, you understand level.

0:21:14.760 --> 0:21:15.600
<v Speaker 1>Get her on her feet.

0:21:15.680 --> 0:21:17.760
<v Speaker 3>Stop what Queery?

0:21:18.640 --> 0:21:19.200
<v Speaker 7>The other one?

0:21:21.240 --> 0:21:23.960
<v Speaker 1>I don't know, how did you survive this?

0:21:24.280 --> 0:21:28.680
<v Speaker 7>Obviously she was allowed to man, what is she saying?

0:21:29.840 --> 0:21:30.359
<v Speaker 3>What luck?

0:21:31.840 --> 0:21:32.840
<v Speaker 7>That's what I think it is?

0:21:33.359 --> 0:21:58.680
<v Speaker 6>Then allow me? Oh yeah.

0:22:00.280 --> 0:22:05.880
<v Speaker 1>Days of Halloween Pennance starring Natalie Morales, Episode three, Confinement,

0:22:06.200 --> 0:22:10.520
<v Speaker 1>written by Matthew Riddle, editing and sound designed by Noemi Griffin.

0:22:10.840 --> 0:22:15.480
<v Speaker 1>Featuring the voices of Aaron Aster, Laura Shin, Rachel Rosenbloom,

0:22:15.680 --> 0:22:20.399
<v Speaker 1>Steve B. Green, Joseph Whipp, Chris Jy, Alex Alex Bowling,

0:22:20.800 --> 0:22:26.960
<v Speaker 1>Rafael Corkil, Jay Jones, and Noah Feinberg. Directed by Alexander Williams.

0:22:27.160 --> 0:22:31.880
<v Speaker 1>Executive producers Aaron Mankey, Noah Feinberg, Chris Dicky, Matt Frederick

0:22:31.960 --> 0:22:36.600
<v Speaker 1>and Alexander Williams. Supervising producers Trevor Young and Josh Thain.

0:22:36.920 --> 0:22:41.760
<v Speaker 1>Producers Jesse funk rima Ilkali, Noemi Griffin, Chandler Mays and

0:22:41.920 --> 0:22:46.600
<v Speaker 1>Casby Bias. Script editing by Lauren Vogelbaum, story consultants Ben

0:22:46.640 --> 0:22:50.560
<v Speaker 1>Bolan and Matthew Riddle, Casting by Sunday Bowling CSA and

0:22:50.680 --> 0:22:56.399
<v Speaker 1>Meg Mormon CSA. Production coordinator Wayna Calderon. Production assistants Jenna

0:22:56.520 --> 0:22:59.879
<v Speaker 1>Johnson and Winona Lowe. Theme music by Rose a Z

0:23:00.600 --> 0:23:04.240
<v Speaker 1>with vocals by Anna Hummler, recorded at This Is Sound

0:23:04.240 --> 0:23:09.560
<v Speaker 1>Design Studios in Burbank, California. Engineered by Ross aeronaut special

0:23:09.600 --> 0:23:14.680
<v Speaker 1>thanks to Romelia Osorio, Nathan Rule, Glen Nishida, and Rob Mosca.

0:23:14.920 --> 0:23:17.960
<v Speaker 1>Thirteen Days of Halloween was created by Matt Frederick and

0:23:18.080 --> 0:23:22.879
<v Speaker 1>Alexander Williams and is a production of iHeart Podcasts, Blumhouse Television,

0:23:23.080 --> 0:23:26.160
<v Speaker 1>and Grimm and Mild from Aaron Makey. Learn more about

0:23:26.160 --> 0:23:29.960
<v Speaker 1>the show at Grimandmild dot com slash thirteen Days and

0:23:30.080 --> 0:23:33.760
<v Speaker 1>find more podcasts from iHeartRadio by visiting the iHeartRadio app,

0:23:33.840 --> 0:23:37.000
<v Speaker 1>Apple Podcasts, or wherever you listen to your favorite shows.

0:23:37.640 --> 0:23:38.520
<v Speaker 1>Happy Halloween,