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Speaker 1: Thirteen Days of Halloween tennance, a co production of iHeart

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Speaker 1: three D Audio Blumhouse Television and Grim and Mild from

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Speaker 1: Aaron Nkey Headphones. Recommended Listener discretion advised.

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Speaker 2: Look go with me. I can walk myself.

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Speaker 3: Stop struggling.

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Speaker 2: Where are you taking me? This is the dungeon, isn't it.

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Speaker 2: It is a legit fucking dungeon. You're not putting me

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Speaker 2: in there.

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Speaker 4: You are not throwing me in some random room.

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Speaker 2: Oh fuck you? He hey, get back here. Can you

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Speaker 2: at least turn on some lights?

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Speaker 4: Okay, okay, this is a trick, like a psychological torture

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Speaker 4: or something. They're not gonna leave me here. It's obviously

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Speaker 4: some Geneva convention violation.

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Speaker 2: Let me out.

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Speaker 4: Oh maybe I could get my hand through this slot.

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Speaker 2: On the door.

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Speaker 4: If it wasn't sealed shut.

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Speaker 2: Come on, you can't leave me here. This is in humane.

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Speaker 4: I swear I won't do anything else. Please, Okay, fine,

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Speaker 4: I'm sorry, seriously, I'll never do it again, and I'll

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Speaker 4: do whatever you asked.

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Speaker 2: Me to do.

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Speaker 4: Oh my god, they're just gonna leave me here. They're

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Speaker 4: just gonna leave me here, and I'm gonna lose my

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Speaker 4: fucking mind. Dirt, floor, stone walls.

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Speaker 2: Oh my god, is that mold?

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Speaker 4: Oh? Not even a fucking mattress.

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Speaker 2: It's like a morgue slab. Please, I don't belong here.

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Speaker 3: No one's listening.

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Speaker 2: Huh who said that? Hello? And now I'm hearing things?

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Speaker 3: Food? O? Hi?

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Speaker 2: Hi?

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Speaker 3: Food?

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Speaker 2: Can you? Can you turn on the lights at least?

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Speaker 2: I can't see anything in here?

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Speaker 4: And the tray just goes right on the floor.

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Speaker 2: Gross, smells horrible, damn it.

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Speaker 4: M try Hey, Hey, I swear to God, I'll never

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Speaker 4: try to escape again.

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Speaker 2: Just please, don't don't keep me in here.

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Speaker 4: Just say something, Please, just say anything, Please.

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Speaker 2: Try? No, please, come on? Try fine? You want the tray?

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Speaker 4: Take it?

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Speaker 3: Food?

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Speaker 2: Oh god, more of this, you know what?

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Speaker 3: I take it all back.

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Speaker 2: I'm gonna get out of here, and I'm gonna find

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Speaker 2: you and I'm gonna kill tell you. How about that?

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Speaker 4: Huh?

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Speaker 3: You should probably eat. They're only going to feed you

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Speaker 3: once a day.

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Speaker 2: Hey, I hear you. Where are you? Are you real? Hello?

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Speaker 3: But they're listening. Now if you want to talk, get

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Speaker 3: closer to the wall.

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Speaker 4: How about now that's better?

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Speaker 2: Where are we?

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Speaker 3: You're in solitary. You can yell all you want, but

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Speaker 3: they won't respond.

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Speaker 4: Yeah, I think I figured that out. So there's really

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Speaker 4: no way out of here.

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Speaker 3: Just the door. When the slot opens, slide that tray out,

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Speaker 3: and they'll put more food on it. If you wait

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Speaker 3: too long, you won't get another chance for a whole day.

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Speaker 4: I'm not sure I want another chance.

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Speaker 3: Tell me, is your train made of metal?

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Speaker 4: What your food tray?

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Speaker 2: Is it metal?

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Speaker 4: Yeah? It is?

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Speaker 3: How fascinatingly careless?

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Speaker 4: Did you try to escape too?

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Speaker 3: I'm not here because I'm being punished.

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Speaker 4: Okay, so why are you here?

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Speaker 3: Do you believe that there are worlds between worlds?

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Speaker 2: Worlds between worlds?

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Speaker 3: If you really want to know the story may take time.

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Speaker 4: Seems like we got plenty of it. Hm.

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Speaker 3: It really all started as a game. I was in school,

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Speaker 3: and you know, kids being kids. I just wanted to

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Speaker 3: fit in.

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Speaker 5: Five times in a row. Ready, monic, monic, monic, monic,

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Speaker 5: chicken shit.

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Speaker 6: Whatever you do it, then I don't have to do anything.

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Speaker 2: You're the chicken shit, chicken shit. No, you're the chicken

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Speaker 2: shit whatever.

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Speaker 6: Give me the money you made a bet.

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Speaker 2: I'm not giving you anything. Almost you try it, screw you.

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Speaker 3: Oh, I don't know what compelled me to do it.

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Speaker 3: Maybe I just wanted to show up, make them like me, Manach, Monoch, Monoc, Oh.

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Speaker 2: Shit, Monac, tan't me. I was gonna do it, Monoch, See,

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Speaker 2: you shouldn't have been such a little.

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Speaker 3: And they were gone.

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Speaker 2: Mm hmm uhhh hmm.

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Speaker 4: It was terrifying.

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Speaker 3: I don't really know if I even processed what happened

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Speaker 3: at the time.

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Speaker 4: So so you're saying all of your friends vanished because

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Speaker 4: you played Bloody Mary.

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Speaker 3: No, not bloody Mary, something much better.

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Speaker 4: Then where did they all go?

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Speaker 3: I don't know. No one did. Eventually they stopped looking,

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Speaker 3: but I didn't forget.

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Speaker 4: And that's why you're here.

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Speaker 3: Sort of.

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Speaker 4: You tried it again, didn't you?

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Speaker 3: Not until years later?

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Speaker 4: You are such a freak.

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Speaker 3: I probably should have just let it go. I know

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Speaker 3: you hear me, weirdo, but I don't know.

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Speaker 2: Nobody wants you here.

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Speaker 3: You make everyone uncomfortable. Do you understand that she'd done

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Speaker 3: this every single day for weeks?

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Speaker 1: And what's the deal with your weird fucking sister.

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Speaker 3: I guess I was just done.

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Speaker 1: It is your entire family a bunch of freaks.

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Speaker 3: I'd said it before I even realized I was speaking. Monac, Monac,

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Speaker 3: the fuck are you even saying? Mana, mana, Oh my god,

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Speaker 3: why don't you just save us all the trouble? And mana,

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Speaker 3: it was just like before suddenly she was gone, So

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Speaker 3: was everyone else?

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Speaker 4: Right?

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Speaker 3: I should sleep now?

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Speaker 4: Oh okay, hey, so when did these weird lights turn off?

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Speaker 2: Lights? Yeah?

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Speaker 4: It was like it was like really dark when I

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Speaker 4: got here. And now there's this weird blue light. I

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Speaker 4: noticed it when I woke up.

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Speaker 2: Your eyes have adjusted.

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Speaker 3: It's the mold on the walls.

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Speaker 4: Oh yuck. It's not radioactive, is it?

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Speaker 3: Good night?

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Speaker 4: Good night?

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Speaker 2: Try now go.

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Speaker 3: Foams. You'll start to feel when it's coming.

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Speaker 4: Like a circadian rhythm type of thing.

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Speaker 3: Maybe.

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Speaker 4: I guess it's good to have something to keep track

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Speaker 4: of the time.

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Speaker 3: You know, I could get us both out of here.

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Speaker 4: How are you gonna spirit me away with your boogeyman?

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Speaker 3: The floor?

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Speaker 4: The floor is completely solid, it's earth. So what we

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Speaker 4: tunnel out?

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Speaker 1: Just listen?

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Speaker 3: Gather up some sand and try to pick out any

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Speaker 3: big pieces.

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Speaker 4: Just sand, okay, okay, sand? Sure? Now what put it

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Speaker 4: on the tray? Okay?

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Speaker 3: Now you need some water from the sink. Try food?

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Speaker 4: Do we always get the same thing?

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Speaker 3: Hmmm? I think so.

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Speaker 2: It's so mushy. I don't think I readstalled the standoff.

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Speaker 4: So this game that you play, Mana, do you mean

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Speaker 4: yeah that if you knew what was going to happen,

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Speaker 4: why did you do it?

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Speaker 3: At some point? I guess it became about something else.

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Speaker 2: You're not going to want breakfast or anything?

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Speaker 3: Right?

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Speaker 5: No?

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Speaker 3: Cool?

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Speaker 6: Well I'm going to take a shower, just like, take

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Speaker 6: your time.

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Speaker 2: But also don't you really can't stick.

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Speaker 4: Around, you know what I mean?

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Speaker 3: Okay? Good?

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Speaker 4: Right, we both understand what this was.

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Speaker 3: There was something so disgusting about him. I could smell

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Speaker 3: him on my skin. People can be so cruel. When

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Speaker 3: I walked in and saw myself in the mirror, I

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Speaker 3: think I was crying. Hey, you're not about to take

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Speaker 3: a piss while I'm in here, are you? There's a

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Speaker 3: bathroom in the lobby you can use, you know, on

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Speaker 3: the way out. Monarch, Hello, Monoch, are you saying something

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Speaker 3: to me? Monoch? Mona so survival? He had hurt my sister.

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Speaker 4: What happened?

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Speaker 3: She was a lot more trusting.

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Speaker 4: And fragile, and so he disappeared too. You're doing what

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Speaker 4: I asked, rubbin mud on the tray.

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Speaker 3: Good, just keep going until you can't anymore and start

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Speaker 3: again tomorrow.

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Speaker 4: Why am I doing this because.

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Speaker 3: My tray is wooden? Try food?

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Speaker 4: God, really is the same thing every day. How long

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Speaker 4: have you been down here?

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Speaker 3: This time a few months? I think it's hard to tell.

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Speaker 2: And this isn't punishment for you.

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Speaker 3: I suppose it is in a way, but that's not

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Speaker 3: the intent. I am contained.

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Speaker 4: Right contained. I don't think I can do this today.

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Speaker 3: It's difficult to be down here. I know.

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Speaker 4: I don't know how you've done it for so long.

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Speaker 3: But it's nice to have someone to talk to.

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Speaker 4: Yeah, it is, you know.

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Speaker 3: I never believed in an afterlife until I started killing people.

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Speaker 3: You asked me if I only did it for survival.

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Speaker 3: I wasn't being completely truthful. I knew that it needed

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Speaker 3: to be satisfied. Whatever it was, it was speaking to me.

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Speaker 4: Listen to me, old man.

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Speaker 3: If we goddamn there, you come in here and ask

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Speaker 3: for the same shit. We don't have the newspaper, Okay,

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Speaker 3: we are never gonna have the newspaper again.

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Speaker 1: Okay, no one buys it.

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Speaker 4: I buy it.

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Speaker 3: There's no more newspaper. I don't know what to tell you.

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Speaker 3: Can you just pay for your coffee?

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Speaker 2: And leave already.

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Speaker 3: Oh Jesus Christ.

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Speaker 1: Change, Really you fucking with me?

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Speaker 2: Old man?

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Speaker 3: I stood there at the door to the drink coolers,

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Speaker 3: and I was there behind my reflection.

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Speaker 1: Can you please just find another place to get coffee?

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Speaker 1: Please just take it? Okay, just take the coffee, Jesus Christ.

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Speaker 1: Every day with a slow shit.

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Speaker 3: Sometimes the world is just better off without certain people

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Speaker 3: in it. Plus it was hungry Monoch, stupid old man

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Speaker 3: Monoch mose people who reads the fucking moves people? Monoch Monoch.

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Speaker 3: I guess you can figure out the next part. But

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Speaker 3: there was something different this time.

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Speaker 2: I felt loved, loved by who Monoch.

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Speaker 3: It needed me in a way that nothing had ever

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Speaker 3: needed me. With my sister I could never do enough.

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Speaker 3: But with Mana, I felt warm and cared about whatever

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Speaker 3: Monoch was. We were connected. I could feel its joy

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Speaker 3: and its satisfaction. It was sated, and it loved me

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Speaker 3: for it. Do you know what it is to be loved?

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Speaker 4: I'm I'm not sure.

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Speaker 3: Actually I hope that one day you will.

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Speaker 4: So wait. Didn't anyone think that it was strange that

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Speaker 4: the people near you were disappearing?

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Speaker 3: Hm? Well, eventually I guess they did. They got greedy,

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Speaker 3: greedy in your life. I bet there are people who've

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Speaker 3: hurt you, hurt people you care about, people you watch

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Speaker 3: do horrible things with impunity. You can think of a

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Speaker 3: few people like that, can't you?

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Speaker 2: Yeah?

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Speaker 4: I can, Actually, I absolutely can.

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Speaker 3: And what if they could just vanish, nothing left to find,

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Speaker 3: gone forever, nothing to point back to you, just new

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Speaker 3: life looking forward without them in it. What is that

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Speaker 3: worth to you?

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Speaker 4: Huh? Maybe everything that's right and people paid.

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Speaker 3: I made the problems go away Monarch eight. And more

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Speaker 3: than money, my reward was endless, warm love, pure and

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Speaker 3: beautiful love. We had each other. It needed me as

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Speaker 3: much as I needed it.

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Speaker 4: My wrist hurts.

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Speaker 3: That's okay, maybe it's time to rest for a bit.

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Speaker 4: You still haven't really said why you're here.

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Speaker 3: Because I let them use me, use you as a weapon,

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Speaker 3: and you can assure if there won't be a trace left, right,

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Speaker 3: that's correct? Okay? Okay?

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Speaker 2: Aren't you curious what he did?

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Speaker 4: No?

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Speaker 3: They promised me that my sister and her family would

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Speaker 3: be given safe harbor and escort at.

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Speaker 4: Home, home from where I'd rather not say.

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Speaker 3: It doesn't really matter anyway, because they lied to me.

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Speaker 3: It's always struck me how rich men love to lie

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Speaker 3: now they love to meet in fancy hotels.

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Speaker 6: The board is going to eat me alive. You know that,

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Speaker 6: the shareholders too. I just need that one little weasel

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Speaker 6: to get in line.

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Speaker 3: I understand, Elsie.

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Speaker 6: You know I tried to explain things, get him to

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Speaker 6: change his mind. If he goes to the press, We're done.

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Speaker 6: I'm done. This is a lot of money.

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Speaker 3: Do you know what I find so interesting?

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Speaker 2: What all of this money and all.

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Speaker 3: Of this blood to build a legacy, and I can

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Speaker 3: get down with just a whisper.

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Speaker 6: That's quite a talent.

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Speaker 5: Mm hmm.

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Speaker 1: Too bad through the pockets now, daging strop it on time,

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Speaker 1: And that is.

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Speaker 3: How I got here.

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Speaker 4: How long ago was this?

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Speaker 3: M I forget how many years years?

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Speaker 4: You've been down here?

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Speaker 2: For years?

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Speaker 4: I thought you said months.

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Speaker 3: They let me out sometimes when they need things done

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Speaker 3: and exchange. My sister's stay safe, but I miss.

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Speaker 4: Her, need things done like people.

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Speaker 3: Yes, but it's been so long, I don't really remember

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Speaker 3: the last time. Monarch is so hungry.

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Speaker 4: How often do they let you out?

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Speaker 3: Not enough? Not anymore. I can no longer feel it's

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Speaker 3: love where it's warm, I feel cold and empty, and

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Speaker 3: I know it's there, abandoned and hungry. It hurts.

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Speaker 4: I'm sorry.

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Speaker 3: Tell me what does the tray look like now where

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Speaker 3: you've been rubbing it.

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Speaker 4: It's hard to tell in this light.

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Speaker 3: Try to get it really close to the mold. I

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Speaker 3: think it feeds off body heat.

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Speaker 4: Okay, here we go. It looks like it's getting brighter.

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Speaker 3: Can you see yourself? Yes?

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Speaker 2: Perfect?

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Speaker 4: Holy shit, you're gonna do the thing, aren't you?

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Speaker 2: Tomorrow?

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Speaker 4: This is so fucking crazy. I'm not ready to die though.

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Speaker 2: Okay, I'm really not ready to die.

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Speaker 3: Do you understand what to do?

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Speaker 4: When the slot opens? Just shove it out like normal

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Speaker 4: and then just close your eyes tight. Okay, swear this

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Speaker 4: isn't gonna kill me too.

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Speaker 3: You'll be on the other side of the door. It

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Speaker 3: won't see your reflection. Just be ready.

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Speaker 4: Try tray.

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Speaker 2: It is.

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Speaker 3: Monoch monoch, monoch, monoch, monochny money. It's okay. I didn't

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Speaker 3: let it take you.

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Speaker 2: Wear them.

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Speaker 3: Just breathe your back. Okay. I want to thank you

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Speaker 3: for helping me, and I want to give you something.

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Speaker 4: What happened to this?

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Speaker 3: Listen. I'll let you feed him, but you can only.

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Speaker 4: Do it once. Feed him only once.

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Speaker 3: Remember that.

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Speaker 4: But I don't have to go now.

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Speaker 1: Wait, her eyes are open, She's still alive. We need

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Speaker 1: to get her up to medicals now.

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Speaker 6: Breach protocols elevated level six men, you understand level.

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Speaker 1: Get her on her feet.

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Speaker 3: Stop what Queery?

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Speaker 1: Theother one?

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Speaker 4: I don't know.

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Speaker 1: How did you survive this?

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Speaker 6: Obviously she was allowed to man, what is she saying?

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Speaker 3: What luck?

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Speaker 6: That's what I think it is?

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Speaker 4: The better man?

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Speaker 2: Allow me?

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Speaker 4: Oh yeah.

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Speaker 1: Days of Halloween Pennance starring Natalie Morales, Episode three, Confinement,

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Speaker 1: written by Matthew Riddle, editing and sound design by Noemi Griffin,

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Speaker 1: Featuring the voices of Aaron Aster, Laura Shin, Rachel Rosenbloom,

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Speaker 1: Steve B. Green, Joseph Whipp, Chris Jy, Alex Alex Bowling,

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Speaker 1: Rafael Corkil, Jay Jones, and Noah Feinberg. Directed by Alexander Williams.

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Speaker 1: Executive producers Aaron Mankey, Noah Feinberg, Chris Dicky, Matt Frederick

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Speaker 1: and Alexander Williams. Supervising producers Trevor Young and Josh Thain.

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Speaker 1: Producers Jesse funk rima Ilkali, Noemi Griffin, Chandler Mays, and

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Speaker 1: Casby Bias. Script editing by Lauren Vogelbaum, story consultants Ben

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Speaker 1: Bolan and Matthew Riddle, Casting by Sunday Bowling CSA and

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Speaker 1: Meg Mormon CSA. Production coordinator Wayna Calderon. Production assistants Jenna

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Speaker 1: Johnson and Winona Lowe. Theme music by Rose a Z

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Speaker 1: with vocals by Anna Hummler, recorded at This Is Sound

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Speaker 1: Design Studios in Burbank, California. Engineered by Ross aeronaut special

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Speaker 1: thanks to Romelia Osorio, Nathan Rule, Glen Nishida, and Rob Mosca.

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Speaker 1: Thirteen Days of Halloween was created by Matt Frederick and

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Speaker 1: Alexander Williams and is a production of iHeart Podcasts, Blumhouse

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Speaker 1: Television and Grimm and Mild from Aaron Makey. Learn more

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Speaker 1: about the show at Grimandmild dot com slash thirteen Days

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Speaker 1: and find more podcasts from iHeartRadio by visiting the iHeartRadio app,

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Speaker 1: Apple Podcasts, or wherever you listen to your favorite shows.

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Speaker 1: Happy Halloween,