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Speaker 1: Big Bank, DJ Scream bring you Big Facts, that number

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Speaker 1: one podcast in the street.

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Speaker 2: A lot for Revose Studios in the atil it's time

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Speaker 2: for Big Facts, Big Bank, What up, DJ scream? I'm

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Speaker 2: here listen to ogsu is here today from the atl

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Speaker 2: the whole two eighty five on date B representing that

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Speaker 2: west side, Bear representing that south side, Big Blade representing

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Speaker 2: that north side. Everybody is here. Give it up for

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Speaker 2: the ogs on Big Facts. We had to have this

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Speaker 2: conversation again because the people in the comments wanted it

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Speaker 2: so bad. They're gonna say, we can talk about Atlanta

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Speaker 2: all day because we just love our city. And what

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Speaker 2: we're gonna do today is similar to what we do

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Speaker 2: last time. Like, let me start off with this question,

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Speaker 2: like what's some of the things in the city that

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Speaker 2: bother y'all? Right now, disturb y'all, concerned y'all, what's one

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Speaker 2: of the main concerns And this is coming from different

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Speaker 2: sides of the city.

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Speaker 1: Start with you, b oh with me.

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Speaker 3: I just probably I can go with like just the

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Speaker 3: missing missing interpretations of Atlanta, the easy misinterpretation that is

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Speaker 3: being brought to the to the masses, not personally like

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Speaker 3: because Atlanta probably can't see it, but I look at

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Speaker 3: Atlanta from an outside view being in it. You know

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Speaker 3: what I'm saying, I'm not in the game, no more,

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Speaker 3: I'm not. I'm not in the game. But so I

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Speaker 3: got men still on the field. So we're just getting misinterpreted,

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Speaker 3: you know, just for with the rap, you know, a

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Speaker 3: bunch of rap stuff we dont went through and just

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Speaker 3: you know, I.

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Speaker 2: Know what you want to say, warming up, but I know.

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Speaker 1: But it's just a whole just you know, And I

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Speaker 1: was thinking of this on the way here.

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Speaker 2: Man.

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Speaker 3: Now you know how many man It's people was representing

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Speaker 3: this long before we got here, You hear what I'm saying.

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Speaker 3: And to get right here and lose it over sight

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Speaker 3: or something small, man, you know that's me. I just

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Speaker 3: want to fix the way Atlanta look, you know what

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Speaker 3: I mean, Like I won't want people to know we

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Speaker 3: were just talking about. Man, We're just talking about like

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Speaker 3: just ogs all over over Atlanta before the internet, the

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Speaker 3: word of mouth. Og know, they knew that great call

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Speaker 3: like you used to have or whatever. You know what

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Speaker 3: I mean, when Atlanta was you know what I mean,

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Speaker 3: we got to get back to that. And it's a

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Speaker 3: disconnect because we're not putting the proper pieces in front

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Speaker 3: of us. I can't expect the o G my young guys,

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Speaker 3: my young niggad is respect me if I ain't putting

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Speaker 3: it in the game for the ones in front of me.

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Speaker 3: You understand, yes, sir, man, Like we just said, they

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Speaker 3: don't know those people.

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Speaker 4: Man.

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Speaker 1: You know Franky J. Did you know Frank J?

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Speaker 3: Okay, Frank J from rid Or used people they want

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Speaker 3: to go friend you guys, right, he got killed back

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Speaker 3: in the day, but he was just you know what

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Speaker 3: I mean, all over legendary people in College Park when

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Speaker 3: I was coming up, you know what I'm saying. And

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Speaker 3: these people that you know, the West Side don't know.

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Speaker 3: But we should know the whole Atlanta story. Again, I'm

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Speaker 3: from the Atlanta before the boundary.

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Speaker 5: You know what has happened a lot of times for us,

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Speaker 5: Our story has not been told by us. There's been

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Speaker 5: a lot of people from New York and other places

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Speaker 5: producing so called documentaries about Atlanta from their perspective, and

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Speaker 5: our voices.

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Speaker 4: Are not really even heard.

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Speaker 5: And for some reason, even you know, some of these

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Speaker 5: people seem to be intimidated to sit down with somebody

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Speaker 5: who really from the soil now mind you And I

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Speaker 5: saw you a couple of weeks ago on the net

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Speaker 5: talking about a situation between two prominent influential people in Atlanta.

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Speaker 5: I wasn't born in it. I wasn't born in Atlanta.

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Speaker 5: I was born in Aniston, Alabama. But I moved to

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Speaker 5: Atlanta in seventy seven and I moved to College Park

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Speaker 5: in seventy eight, Alabama, the west side.

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Speaker 3: Talking about Semney anything, Bro, you ain't eat so much Atlanta?

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Speaker 1: And right, do you know who Steve boykowskills? Yeah? Hell yeah, yeah,

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Speaker 1: you know what I'm saying.

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Speaker 4: So a small town called the rock Querry. My family

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Speaker 4: is the Ball family.

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Speaker 5: So I come and my father's side is from New Haven, Woodbridge, Connecticut.

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Speaker 4: So I lived up north. I lived in.

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Speaker 5: Alabama, but the majority of my life has been in Atlanta.

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Speaker 5: I lived on North Avenue on Peachtreet in North Avenue,

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Speaker 5: in that little high rise. Mayor Mayor Jackson was up

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Speaker 5: on the top floor. I was on the fourth floor.

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Speaker 5: I walked from c. W. Hill back to my apartment

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Speaker 5: before we moved to Pine Tree off flat shows. But

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Speaker 5: what for me coming up in Pine Tree and having

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Speaker 5: big brothers like Kevin Wells and a dude named Eddie

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Speaker 5: Murphy and Hassan Shahid. All these dudes who were in

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Speaker 5: high school really were influential to us because we were

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Speaker 5: we were dealing with missing and murdered children. We were

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Speaker 5: dealing with not knowing who was going to get kidnapped,

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Speaker 5: and we were talked by Kay Wellson and the homies

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Speaker 5: that we had to stick together. So we kind of

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Speaker 5: developed somewhat of a lack of a better word, a

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Speaker 5: gang mentality where we will be president in account for

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Speaker 5: if we were ever in a position where someone's trying

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Speaker 5: to kidnap us, you would have to come get us,

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Speaker 5: you know what I mean. So for us growing up

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Speaker 5: in College Park, we didn't even in the eighties, early eighties,

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Speaker 5: late eighties, we weren't venturing out to.

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Speaker 4: The West Side. Were on Western.

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Speaker 5: We will go to Decatur because there was a lot

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Speaker 5: of women in the Cata, but if you went out there,

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Speaker 5: they was gonna steal your volkswagon. So we stayed under.

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Speaker 5: We stayed Greenbrine South.

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Speaker 3: Me personally, I'd be heaving man and I don't you know,

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Speaker 3: and people be thinking, like I'm not president of who

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Speaker 3: come to Atlanta and how they go. We ain't really

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Speaker 3: really stunning that you just say you've been in that

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Speaker 3: lianta since the seventy anything, so that by past. Once

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Speaker 3: you get here, it's what you do. You explained it

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Speaker 3: all right. Then you went to say the missing and

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Speaker 3: murdered your brother. You don't take that locks you in

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Speaker 3: in the same place. A lot of people come to you,

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Speaker 3: and you know what I mean. And and the time

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Speaker 3: thing and the time that you came Atlanta was you

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Speaker 3: can't write at town when we didn't even know ourselves.

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Speaker 3: A lot of people came here once we developed, you

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Speaker 3: know what I'm saying. So you was here before the development.

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Speaker 3: You were part of the situation. You was here before

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Speaker 3: the development. And saying that, you said you've been since that.

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Speaker 3: When I came to.

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Speaker 6: Time, he did what I'm saying, I'm an implant to

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Speaker 6: I thought I was the only one.

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Speaker 3: But no, you don't listen. And it ain't about the

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Speaker 3: implants man. In my opinion, Once you get here, man,

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Speaker 3: what did you do? What did you do for the city,

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Speaker 3: you know what I'm saying? Or you just wanted you.

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Speaker 1: Gotta be alone?

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Speaker 4: You have you said it.

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Speaker 1: I can't say it, but you just.

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Speaker 4: Said twenty you got at least last ten years years.

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Speaker 2: If you've been here since ye after freak Nick ninety four,

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Speaker 2: I came ninety five ninety four. That's how I like

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Speaker 2: Olympics a little bitty six.

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Speaker 3: Then if you've been before the Olympic and you was

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Speaker 3: a nigga that moved around to b.

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Speaker 1: I think you do.

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Speaker 4: That's that my too.

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Speaker 1: I go for that.

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Speaker 4: I'll go for that, you know what.

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Speaker 1: But but that's when the city changed. What what y'all say?

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Speaker 2: Hold on now, what you say about somebody who and

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Speaker 2: we know these people who might have moved here, oh

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Speaker 2: one is twenty twenty six now than twenty five years.

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Speaker 2: They don't did more for this city good than people

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Speaker 2: who don't been there whole life.

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Speaker 1: And thank you. Yeah, that's what we can say. That's what.

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Speaker 4: Oh thank you, that's it.

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Speaker 1: And and that you came here when.

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Speaker 4: The project was gone, it's a whole different.

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Speaker 1: I was just gonna say the whole the city marked people.

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Speaker 1: I marked my people like with the rick dog for sure.

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Speaker 3: So if you had, you know, the rit dog Paul

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Speaker 3: that ripped was walking around searching people like Atlanta was.

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Speaker 1: We didn't get loose until then. And explained it to

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Speaker 1: the guy. The part of the day like.

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Speaker 3: Man, But we didn't have time to be worried about what.

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Speaker 3: No East Side niggas working South Sound, none of them, nigga.

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Speaker 3: We all had the same. We had all the same art,

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Speaker 3: the red Dogs in the Black exact and we.

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Speaker 4: All had the same And we wasn't going to linux.

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Speaker 1: You did what I'm saying, but we weren't going to

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Speaker 1: know how to get the linens. I got grown exactly

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Speaker 1: how to get the little that ship seemed like you

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Speaker 1: were out of town.

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Speaker 5: It was I'll never forget when Kevin Wells asked me

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Speaker 5: to come to from my barbershop on Flat Shows and

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Speaker 5: Old National to North Side Drive to Dark Studios to

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Speaker 5: cut ABC's hair. I was like, where's north Side Drive?

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Speaker 5: Like where is that at? Once I got there, me

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Speaker 5: the homie, I laid the homie job below. We got there,

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Speaker 5: we had guns, we had we had artillery that we

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Speaker 5: would need for Old NAT. And it was like, you

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Speaker 5: don't need that up here. I was like, we need

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Speaker 5: that everywhere.

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Speaker 4: No, you don't need that up here.

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Speaker 5: In dark Dallas, Austin Recording Projects Studio literally became the

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Speaker 5: most creative atmosphere that I had ever been in it. Essentially,

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Speaker 5: it freed me of what the trap mindset of old

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Speaker 5: national gobby road and flash shows was. It helped me

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Speaker 5: to see this nigga Dallas and keV, who I went

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Speaker 5: to high school with, had a five million dollar studio

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Speaker 5: on North Side Drive in ninety two. Oh yeah, I

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Speaker 5: couldn't see things the same. I never saw things the

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Speaker 5: same from that point on because that was big business.

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Speaker 5: They talking about three four hundred thousand dollars recording budgets

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Speaker 5: like it was nothing.

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Speaker 2: Yeah, so how did we get hit on? We at

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Speaker 2: the present day Atlanta and like we say some of

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Speaker 2: our concerns.

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Speaker 5: And everybody want to be hard and tough, and everybody

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Speaker 5: south side niggas and they gonna be mad at me,

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Speaker 5: but want to emulate Atlanta niggas and wear the joy

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Speaker 5: dash and the silk shirts and all that shit. We didn't.

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Speaker 5: We didn't come up like that. We didn't come up

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Speaker 5: like that. So as soon as that hard you gotta

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Speaker 5: be tough, you gotta be a street nigga, shit start

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Speaker 5: coming coming to play and women and women well and

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Speaker 5: bratch to that, and it's like, oh, I got to

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Speaker 5: be that. You know what I mean, that's where it

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Speaker 5: started sucking up to me. I know when they shutting

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Speaker 5: down the projects.

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Speaker 2: The project is one thing, but how much how much

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Speaker 2: y'all think, like gang culture influence Atlanta as a whole,

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Speaker 2: for good or bad, For.

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Speaker 1: Good or bad.

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Speaker 6: I'm just saying gang culture is more influenced in the

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Speaker 6: prison more than the streets. In the streets, everybody get along,

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Speaker 6: you could be cripped, you could be blood. Everybody get along.

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Speaker 6: It's not like California, but in prison it go down.

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Speaker 6: In prison act like Cali.

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Speaker 2: You think those like I'm saying, like, I guess what

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Speaker 2: I'm saying is as you start to travel outside of Atlanta,

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Speaker 2: the suburbs, the suburbs, like you was kind of saying,

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Speaker 2: like we want to be like whatever's going on in

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Speaker 2: the city. So that means being a player. And one

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Speaker 2: time it was a player that I mean getting money,

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Speaker 2: That's what it was. But at some point even for

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Speaker 2: the suburbs, like you got way far suburbs where they

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Speaker 2: banging or whatever they got going on.

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Speaker 5: It's like, let me be clear, in the eighties eighty

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Speaker 5: eighty two, eighty three, eighty four, I'm a little kid,

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Speaker 5: we were very aware eighty four eighty five, that there

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Speaker 5: was a group of black men from wherever they were from,

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Speaker 5: called down by law the Meadows.

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Speaker 4: So they would come people from Atlanta from there on high.

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Speaker 5: They would come to the South Side to get all women,

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Speaker 5: which was they were going to come against opposition.

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Speaker 4: Immediately, we were.

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Speaker 5: Trained by our big homies to defend all women in

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Speaker 5: our side of town.

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Speaker 4: Understand what I'm saying.

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Speaker 5: So the influx for College Park for me in eighty five,

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Speaker 5: eighty six, eighty seven with La and Seaside California and

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Speaker 5: South Central California ten Duce Raymonds one eleven sixties hitting

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Speaker 5: Old National. It was just they kind of fell into

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Speaker 5: fucking with south side shit, and a few of us

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Speaker 5: fell into fucking with fucking with what we didn't understand

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Speaker 5: as crippen. We didn't had no idea what cripping was.

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Speaker 5: But these niggas were so cool and they fell I

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Speaker 5: guess because las niggas at some point might have been

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Speaker 5: considered country with the curls and all that type of shit.

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Speaker 5: So it just fell in line, and the homies was

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Speaker 5: just trying to get money. So at that point we

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Speaker 5: didn't we didn't understand the politics. It just was blue

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Speaker 5: rags and to walk on the South Side, and that's

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Speaker 5: just what it was gonna be.

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Speaker 2: Was that six eighty six the first time I heard

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Speaker 2: a gang in Atlanta? It was probably I was staying

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Speaker 2: on Camelina Old National and it was like gds and folks.

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Speaker 2: I think something like that. Ibably a little bit younger

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Speaker 2: than by long Man a Sheppertaino. It's a whole lot

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Speaker 2: of different.

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Speaker 5: The Weekend Warriors were the white boys who would come

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Speaker 5: fuck up beat up white black kids, and college park

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Speaker 5: projects had the BBB, which was bad black boys. They

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Speaker 5: end up, you know what I mean. A few of

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Speaker 5: them went to prison, you know, for some ship. But

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Speaker 5: we've always had the mentality of having to protect ourselves,

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Speaker 5: you know what I mean. From my bad no disrespect

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Speaker 5: Chipping Dip.

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Speaker 1: Was that what you're teaching us? Some new ship ship

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Speaker 1: in dep.

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Speaker 4: With the most notorious gangsters in Atlanta. Okay, heeriet is

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Speaker 4: the whole eighties.

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Speaker 1: Okay, So when you said.

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Speaker 5: Chipping Dip, if you Dallas Austin had a recording group,

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Speaker 5: singing group called Holland Place Monsters. The lead one of

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Speaker 5: the lead singles in that group is Chip Theopolis Flash

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Speaker 5: went to thorough okay maniac h.

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Speaker 4: Yeah, when they came.

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Speaker 5: Through, they had pistols in eighty four, they were throwing battery,

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Speaker 5: acid in eighty four, stabbing in eighty four. We on,

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Speaker 5: I ain't know nothing else.

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Speaker 4: So that's the streets, right in the streets.

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Speaker 2: But even with everything he's saying, Bro, I'm being honest

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Speaker 2: to me, all that shit to some extent still made sense.

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Speaker 2: Shit started to not make sense to me. Just the

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Speaker 2: shit out here, the rap shit. It's twenty sixteen, fifteen.

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Speaker 5: Absolutely, because we were still was dealing with racism in

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Speaker 5: the eighties, so we still had to collectively be together.

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Speaker 4: Say, I think that's the difference us as black people.

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Speaker 5: We don't have an opposition that is identifiable other than

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Speaker 5: our self exactly because it's so many of us.

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Speaker 4: It's so many of us now, But back.

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Speaker 5: Then, Old National was fifty white, Stone Mountain was definitely

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Speaker 5: white and racist.

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Speaker 3: He just said, like Nigga, we all had one like you.

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Speaker 5: Are you knowing like she, We all was against them

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Speaker 5: or looking out for them more than we was looking

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Speaker 5: out to be against each other.

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Speaker 3: So that now that the police is no longer opt

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Speaker 3: they only left with each other. So there that's the difference. Well,

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Speaker 3: ain't no, ain't no universal backing out there. We had

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Speaker 3: a universal with the police and fucking pre trial, right

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Speaker 3: and we were scared to go to out to you

303
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Speaker 3: know what I'm saying. So, yeah, nigga, So they don't

304
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Speaker 3: have no man, they looking at jail. Now you know

305
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Speaker 3: what Jill look like on the phone?

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Speaker 1: Now, glorious, you understand? Yeah, watch out.

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Speaker 3: So what's the difference between the East side niggas, West

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Speaker 3: side niggas, the South side nigga? The ship, their mailbox,

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Speaker 3: the numbers on their mailbox. Man, you know what I'm saying,

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Speaker 3: Just how I feel like again, like I said, and

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Speaker 3: I come from Atlanta before we didn't know the size.

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Speaker 1: I didn't know you know what I mean?

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Speaker 3: As you can hell you can tell, yeah, but you know,

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Speaker 3: we just be careful we bring it, man, listen. And

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Speaker 3: then we used to do that, and we should do

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Speaker 3: this by Paul. And when I say Paul, man, when

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Speaker 3: we should go to Grant Paul that ship we have

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Speaker 3: some more folk neighborhood. We gotta act like these Grant

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Speaker 3: Paul folks acting. You know what I'm saying, So you

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Speaker 3: can kind of know. So when we go to krill Paul,

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Speaker 3: the crill, Paul, you know what I'm saying. I acted

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Speaker 3: every fall and it would be folk zones and is Paul,

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Speaker 3: you know how they But Atlanta man ain't no different, bro.

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Speaker 1: It really ain't no different, bro. It ain't no different.

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Speaker 3: Cause and I heard people like say, oh, this side,

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Speaker 3: this and this, man, I know the real Atlanta. If

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Speaker 3: you know the real aland you'll know all this shit

328
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Speaker 3: this ain't hold look not the sprinklers on top.

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Speaker 5: Well, I'm respectfully disagree a little bit for my era,

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Speaker 5: because we knew if we're going to go to Simpson

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Speaker 5: Road to Charles Disco, we had to go twenty deep.

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Speaker 4: We knew if we.

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Speaker 3: Were going to go on a camp or college, Paul,

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Speaker 3: we know we can't have no guns and drugs in

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Speaker 3: the car, have a license.

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Speaker 1: We hear what I'm saying. So you know those certain

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00:17:38,240 --> 00:17:38,960
Speaker 1: things right there.

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Speaker 4: Jelly beans, all that shit.

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Speaker 6: Like.

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Speaker 5: We had to go as a collective because we knew

341
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Speaker 5: Atlanta niggas thought that South Side Niggas was soft. As

342
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Speaker 5: we had houses, we had yards, we had cars. We

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Speaker 5: knew the cat niggas had all the girls. Plus they

344
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Speaker 5: had South the cab mall so they had all all

345
00:18:00,200 --> 00:18:05,960
Speaker 5: the polo, all the folks wagons, all the fly hair styles.

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Speaker 5: Super shout out to Jojo Timm and Dave Legendary. You

347
00:18:10,720 --> 00:18:13,040
Speaker 5: know what I mean, those were our idols.

348
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Speaker 4: But we knew, I mean, young niggas, we knew we would.

349
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Speaker 5: Never getting to I think them niggas was driving Porsches

350
00:18:19,040 --> 00:18:22,960
Speaker 5: and Ferraris in eighty nine. Yeah, like for real, for

351
00:18:23,080 --> 00:18:25,840
Speaker 5: real drug flying to La for a day to go

352
00:18:25,960 --> 00:18:30,919
Speaker 5: shopping and coming back. That was unimaginable for us as youngsters,

353
00:18:31,480 --> 00:18:35,000
Speaker 5: but niggas was doing it. But niggas was way more

354
00:18:35,040 --> 00:18:40,040
Speaker 5: aware of not going to prison. Niggas today are blatantly

355
00:18:40,280 --> 00:18:46,960
Speaker 5: advertising their affiliations, their money, their jewelry, their crimes.

356
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Speaker 4: It's blatant.

357
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Speaker 5: It's like it's still it's just for attention and validation.

358
00:18:51,600 --> 00:18:53,399
Speaker 5: I think that's where we fucked up. I think they

359
00:18:53,440 --> 00:18:55,320
Speaker 5: even as for a critic building system too.

360
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Speaker 3: Though. I told my nephew though that I said, you know,

361
00:18:57,440 --> 00:18:59,760
Speaker 3: I mean, your friends don't really smoke, but they.

362
00:18:59,640 --> 00:19:00,840
Speaker 1: Smoke because it looked cool.

363
00:19:01,560 --> 00:19:01,919
Speaker 4: Damn.

364
00:19:02,000 --> 00:19:03,440
Speaker 3: I'm telling you, man, I know a bunch of young

365
00:19:03,680 --> 00:19:07,800
Speaker 3: right now. They don't really smoke and go with the

366
00:19:07,880 --> 00:19:10,720
Speaker 3: nine millimeterday. He told me, understand, it's part of the

367
00:19:10,800 --> 00:19:14,280
Speaker 3: UH have to explain if he rolling blunts, why your

368
00:19:14,320 --> 00:19:16,800
Speaker 3: man don't smoke because he a fast squad dude.

369
00:19:16,640 --> 00:19:20,120
Speaker 4: Bro, And that's not acceptable today. You understand the man

370
00:19:20,320 --> 00:19:22,440
Speaker 4: was acceptable, was acceptable?

371
00:19:22,440 --> 00:19:22,600
Speaker 1: Ain't.

372
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Speaker 5: None of my homeboards from La ever pressed or pushed

373
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Speaker 5: me to be on no bullshit, because whatever it was

374
00:19:28,400 --> 00:19:32,120
Speaker 5: that they saw in me was promising. And I'm thankful

375
00:19:32,160 --> 00:19:34,280
Speaker 5: for that because there was a time in my life

376
00:19:34,320 --> 00:19:38,880
Speaker 5: that validation and acceptance was very important. Even though my mother,

377
00:19:39,000 --> 00:19:42,199
Speaker 5: Diane Sales May she rest in peace, embedded in me

378
00:19:43,560 --> 00:19:49,919
Speaker 5: morals and values and Christianity and spirituality. She embedded that

379
00:19:50,000 --> 00:19:52,600
Speaker 5: in me, but I still wanted to be accepted by

380
00:19:52,640 --> 00:19:55,960
Speaker 5: the homeboards, by the homies. And when they accepted me,

381
00:19:56,240 --> 00:19:58,080
Speaker 5: it was like, Oh, this is it for me. I'm

382
00:19:58,080 --> 00:20:00,800
Speaker 5: fucking with the walk. Didn't even know what it was,

383
00:20:01,160 --> 00:20:03,600
Speaker 5: but that's what I was fucking with because in those

384
00:20:03,640 --> 00:20:08,280
Speaker 5: teenage years, we want to be accepted, We want to

385
00:20:08,359 --> 00:20:11,840
Speaker 5: be cool. Very few of us can stand on our

386
00:20:11,840 --> 00:20:17,440
Speaker 5: own and be okay with being ourselves. Now I'm grown,

387
00:20:17,640 --> 00:20:22,240
Speaker 5: I'm okay with being I traveled LA Chicago during bad

388
00:20:22,359 --> 00:20:28,200
Speaker 5: Boy death road War, when none of the other artists

389
00:20:28,280 --> 00:20:31,720
Speaker 5: on our label was traveling and touring. We traveled in

390
00:20:31,840 --> 00:20:35,360
Speaker 5: one me one twelve, traveled and tour across the country

391
00:20:35,400 --> 00:20:40,560
Speaker 5: in wartime. Chicago to goddamn La was never safe. We

392
00:20:40,640 --> 00:20:44,159
Speaker 5: never stopped working as a South Side nigga. I just

393
00:20:44,320 --> 00:20:49,200
Speaker 5: was never gonna bow down to fear, doubt or defeat.

394
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Speaker 3: Hey, look, I'm coming from the College Park and all that.

395
00:20:51,960 --> 00:20:55,520
Speaker 3: What was our biggest field, just bank Head the west Side? Thanks,

396
00:20:55,960 --> 00:20:56,399
Speaker 3: talk about the.

397
00:20:58,400 --> 00:21:00,000
Speaker 4: Project on the west Side.

398
00:21:00,040 --> 00:21:04,520
Speaker 3: Okay, so so that's tell me about that story, young.

399
00:21:04,720 --> 00:21:08,520
Speaker 1: Yeah, I killed early, real early, real.

400
00:21:10,600 --> 00:21:10,840
Speaker 4: Yeah.

401
00:21:11,520 --> 00:21:14,680
Speaker 5: I mean we always knew we won outside of Red

402
00:21:14,680 --> 00:21:21,560
Speaker 5: Oak Projects, College Park projects, Hickory Park, which project.

403
00:21:21,160 --> 00:21:24,280
Speaker 3: Which was dangerous appartment Listen, then appartments you just named

404
00:21:24,320 --> 00:21:25,400
Speaker 3: them the equivalent in my.

405
00:21:25,400 --> 00:21:29,160
Speaker 1: Turn from Montier Home and Boring Home Hollywood. Keep going.

406
00:21:29,320 --> 00:21:31,439
Speaker 3: I'm just telling the West Side because they don't know

407
00:21:31,440 --> 00:21:33,880
Speaker 3: nothing about that. You can scream once at home all

408
00:21:33,920 --> 00:21:37,160
Speaker 3: these apartments that I know because I'm from I'm from

409
00:21:37,160 --> 00:21:39,720
Speaker 3: around there, and I'm I'm in Atlanta hole. So we're

410
00:21:39,720 --> 00:21:42,600
Speaker 3: taking allder I know, East late middle school too. Like

411
00:21:42,640 --> 00:21:45,680
Speaker 3: I tell people being writing this down, you understand, montell home.

412
00:21:45,800 --> 00:21:47,320
Speaker 4: No, we weren't never going over there.

413
00:21:47,440 --> 00:21:49,680
Speaker 1: No, I'm just saying though, because.

414
00:21:49,560 --> 00:21:53,359
Speaker 5: We weren't never going to none of them places Capitol Homes,

415
00:21:53,600 --> 00:21:55,800
Speaker 5: tech Wood, Bowing Home.

416
00:21:56,000 --> 00:21:56,240
Speaker 1: Yeah.

417
00:21:56,280 --> 00:21:59,680
Speaker 3: But what I'm saying to them, you call them the

418
00:21:59,720 --> 00:22:02,560
Speaker 3: saying stuff out in college part of time. Man, anybody

419
00:22:02,680 --> 00:22:03,440
Speaker 3: going down to all.

420
00:22:04,040 --> 00:22:06,440
Speaker 4: Oh, but we didn't know y'all thought like that.

421
00:22:07,640 --> 00:22:11,720
Speaker 3: Not them, but the Southwest immediately thought like that because

422
00:22:11,720 --> 00:22:13,960
Speaker 3: we were right there upon that, and we can get there again,

423
00:22:14,240 --> 00:22:17,399
Speaker 3: like I said, or the East Point, the Grill family,

424
00:22:17,440 --> 00:22:20,640
Speaker 3: all these old people, he's danger That ship was dangerous, man.

425
00:22:20,680 --> 00:22:25,160
Speaker 3: All the apartments the college part dangerous, like the west side,

426
00:22:25,200 --> 00:22:26,640
Speaker 3: and then I speak for the west side. The west

427
00:22:26,680 --> 00:22:29,440
Speaker 3: side they didn't never leave from around there, so they

428
00:22:29,440 --> 00:22:31,760
Speaker 3: only know what information somebody, but we just left own

429
00:22:31,800 --> 00:22:33,520
Speaker 3: nations a bunch of holes out there. They didn't go

430
00:22:33,600 --> 00:22:38,240
Speaker 3: to check. They couldn't. Then you understand this, This just

431
00:22:38,280 --> 00:22:40,080
Speaker 3: got loose. So the city just kind of got loose,

432
00:22:40,119 --> 00:22:42,320
Speaker 3: and it's people just not getting loose. I'm looking at

433
00:22:42,320 --> 00:22:44,640
Speaker 3: people down that's representing the city. They just got loose.

434
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Speaker 1: Out of their apartment, bro, they ain't been out the

435
00:22:46,320 --> 00:22:49,240
Speaker 1: apartment in ten years, twelve years. You know what I'm saying.

436
00:22:49,440 --> 00:22:51,200
Speaker 5: You know, you said some shit when you said you

437
00:22:51,320 --> 00:22:53,800
Speaker 5: never been you hadn't been to limitsing to you as

438
00:22:53,800 --> 00:22:56,240
Speaker 5: a don't me neil Like for what.

439
00:22:56,160 --> 00:22:57,840
Speaker 3: I got some nigga right now still in the hood,

440
00:22:57,920 --> 00:22:59,600
Speaker 3: got telling meet me and Leonard them nigga had to.

441
00:22:59,800 --> 00:23:02,880
Speaker 1: High Yeah, yeah, how you get that? Nigga don't even

442
00:23:02,920 --> 00:23:04,400
Speaker 1: know P Street can take you straight there.

443
00:23:05,960 --> 00:23:08,760
Speaker 3: Why do you think niggas just feel the leading north

444
00:23:08,760 --> 00:23:10,400
Speaker 3: Side out of ship Like, why do you think that?

445
00:23:10,480 --> 00:23:12,240
Speaker 4: Like because we never been up there?

446
00:23:12,560 --> 00:23:15,720
Speaker 6: They too, That's one of the reasons that they think

447
00:23:15,880 --> 00:23:19,480
Speaker 6: north Side is soft. They also I remember back in

448
00:23:19,480 --> 00:23:23,560
Speaker 6: two thousand and nine twenty ten, Stacked Money boys, all

449
00:23:23,600 --> 00:23:25,760
Speaker 6: of them used to come and they was beefing with

450
00:23:26,680 --> 00:23:28,080
Speaker 6: Walker and all of them used to come. They was

451
00:23:28,119 --> 00:23:30,760
Speaker 6: beefing with the north Side and it was like, hold on,

452
00:23:31,200 --> 00:23:33,399
Speaker 6: we know y'all get down like that up here. We

453
00:23:33,400 --> 00:23:35,720
Speaker 6: ain't never been across that water that Chattahoo she we

454
00:23:35,840 --> 00:23:38,480
Speaker 6: never been over that water before. They told me straight up.

455
00:23:38,560 --> 00:23:41,640
Speaker 6: They from Bankhead. They're like, I've never been there before.

456
00:23:41,880 --> 00:23:43,840
Speaker 6: Y'all got some women out there, and y'all got some

457
00:23:43,920 --> 00:23:47,840
Speaker 6: niggas getting money.

458
00:23:46,359 --> 00:23:48,200
Speaker 1: Because the niggas don't go there. They never been there.

459
00:23:48,200 --> 00:23:52,720
Speaker 1: I think, like U familiar places, just breathe like you like.

460
00:23:53,440 --> 00:23:56,639
Speaker 2: You gotta have, you gotta have you got like music

461
00:23:56,720 --> 00:23:59,160
Speaker 2: just kind of stamps it too. So by the time

462
00:23:59,200 --> 00:24:01,520
Speaker 2: Mike with my back, Mike Will and Alten became a

463
00:24:01,560 --> 00:24:05,800
Speaker 2: thing and started Mike Will from the North Yeah, just side.

464
00:24:06,080 --> 00:24:08,679
Speaker 1: Well listen, projects, No.

465
00:24:08,800 --> 00:24:13,360
Speaker 6: We have projects. We had, That's what that money. Boy,

466
00:24:13,440 --> 00:24:17,760
Speaker 6: they was hanging in the projects we had, Boston home,

467
00:24:17,920 --> 00:24:18,600
Speaker 6: we had.

468
00:24:19,440 --> 00:24:20,399
Speaker 1: Was in calls somewhere.

469
00:24:20,560 --> 00:24:25,400
Speaker 6: Yes, the north side, our north side, not the north side.

470
00:24:26,400 --> 00:24:28,280
Speaker 6: I'm talking about this north.

471
00:24:28,080 --> 00:24:34,720
Speaker 1: Side called west side. We're taking calls with them. Were

472
00:24:34,720 --> 00:24:35,119
Speaker 1: down with the.

473
00:24:37,240 --> 00:24:41,920
Speaker 7: Side, you know, the city.

474
00:24:41,600 --> 00:24:42,440
Speaker 4: Were on top of the city.

475
00:24:42,480 --> 00:24:50,600
Speaker 1: But huh, boy, listen, not personal saying that. What about

476
00:24:50,640 --> 00:24:51,360
Speaker 1: Lynnwood Park?

477
00:24:52,119 --> 00:24:55,760
Speaker 3: Get money over them that's on the north side.

478
00:24:56,040 --> 00:25:00,560
Speaker 1: Get money. You're talking about beautiful now. I think.

479
00:25:02,720 --> 00:25:05,800
Speaker 6: To the they called themselves the North Side n a

480
00:25:06,040 --> 00:25:08,560
Speaker 6: w F with the north side, north side of Atlanta.

481
00:25:08,960 --> 00:25:11,920
Speaker 4: Yeah, north We.

482
00:25:12,040 --> 00:25:16,280
Speaker 6: Have argument with the north Side forever the past twenty years.

483
00:25:16,760 --> 00:25:18,720
Speaker 1: Once you cracked eighty.

484
00:25:18,440 --> 00:25:23,760
Speaker 6: Five, yes, no, when it's split, that's going to the east,

485
00:25:24,840 --> 00:25:27,919
Speaker 6: so so Gwennett and all that is going to the

486
00:25:27,960 --> 00:25:32,800
Speaker 6: east northeast, and we're going to the northwest, which which

487
00:25:32,840 --> 00:25:36,159
Speaker 6: bank head is connected to county.

488
00:25:36,000 --> 00:25:37,320
Speaker 1: Why they call it the northwest?

489
00:25:37,359 --> 00:25:40,120
Speaker 3: When I said, think on just the north side in general,

490
00:25:40,160 --> 00:25:43,560
Speaker 3: I'm thinking, like, you know, not just saying beautiful and my.

491
00:25:43,640 --> 00:25:45,400
Speaker 1: Exation of why people ain't doing anything.

492
00:25:45,840 --> 00:25:49,840
Speaker 3: Yeah, ye north side didn't have no no trap situation cut.

493
00:25:49,880 --> 00:25:51,240
Speaker 4: I think we we called.

494
00:25:51,240 --> 00:25:54,000
Speaker 6: We told them, we said, how y'all in north y'all

495
00:25:54,040 --> 00:25:55,760
Speaker 6: don't got no hoods, don't have no hoods.

496
00:25:56,560 --> 00:25:59,359
Speaker 4: We got hoods and struct we got.

497
00:25:59,200 --> 00:26:02,720
Speaker 1: To restructure zones just in the hood.

498
00:26:03,119 --> 00:26:05,280
Speaker 3: Because I'm gonna tell you, man, call and hold dunk

499
00:26:05,320 --> 00:26:08,000
Speaker 3: the whole call man the west side taking that ye

500
00:26:08,200 --> 00:26:12,840
Speaker 3: were taking that side? Said what I told him about it.

501
00:26:13,359 --> 00:26:15,000
Speaker 3: I'm gonna tell you something to We're not gonna take

502
00:26:15,040 --> 00:26:15,680
Speaker 3: it all the way.

503
00:26:15,560 --> 00:26:19,520
Speaker 1: Up county on the west side or coming to mall

504
00:26:19,920 --> 00:26:23,840
Speaker 1: this west side. So that's west side here, Yeah, what

505
00:26:23,920 --> 00:26:29,159
Speaker 1: we taking that all that west side?

506
00:26:29,520 --> 00:26:32,800
Speaker 5: One most west side be trying to act like when

507
00:26:32,800 --> 00:26:36,360
Speaker 5: they want to claim southwest, they will, but sometimes they're like, no,

508
00:26:36,400 --> 00:26:36,800
Speaker 5: that's south.

509
00:26:36,920 --> 00:26:38,720
Speaker 3: See what people don't know where they do the west

510
00:26:38,760 --> 00:26:40,760
Speaker 3: side not just split up in the city term.

511
00:26:41,119 --> 00:26:42,760
Speaker 1: We don't cut twenty five and half to.

512
00:26:42,880 --> 00:26:45,240
Speaker 3: Half of the east side half and then when it cut,

513
00:26:45,320 --> 00:26:46,920
Speaker 3: we're gonna cut half of the north and south.

514
00:26:46,960 --> 00:26:48,600
Speaker 1: Think about this, hey, but you know, let me say that.

515
00:26:48,640 --> 00:26:50,480
Speaker 3: You know how niggas be talking about the real Atlanta,

516
00:26:50,680 --> 00:26:53,880
Speaker 3: Like like when Ken was up here, they were like, Atlanta.

517
00:26:53,920 --> 00:26:55,920
Speaker 1: Is the west side west side close to the car

518
00:26:56,080 --> 00:26:58,160
Speaker 1: than Atlanta? For sure? Am I keeping the brick?

519
00:26:58,600 --> 00:27:01,480
Speaker 3: Like if we say Atlanta in Atlanta Zone three, the

520
00:27:01,520 --> 00:27:05,760
Speaker 3: only thing is Atlanta, Bookie ball, is Atlanta like capital

521
00:27:05,800 --> 00:27:07,359
Speaker 3: home when you can see, when you can look at it,

522
00:27:07,560 --> 00:27:10,280
Speaker 3: the city get like if we want to just.

523
00:27:10,200 --> 00:27:13,400
Speaker 5: Say that, because if you had counselors at five points

524
00:27:13,440 --> 00:27:16,320
Speaker 5: and all that, we all hl green, We all out

525
00:27:16,400 --> 00:27:19,920
Speaker 5: there and we went down on on the Marty train,

526
00:27:20,080 --> 00:27:22,840
Speaker 5: but we were scared ride the pink pig all the

527
00:27:23,080 --> 00:27:23,880
Speaker 5: exactly look.

528
00:27:24,000 --> 00:27:27,080
Speaker 3: But now that just cleared it up for my west side.

529
00:27:27,119 --> 00:27:29,600
Speaker 3: Polom like I always tell me, like you're really from

530
00:27:29,600 --> 00:27:34,320
Speaker 3: card Bron, Just be them making y'all same.

531
00:27:35,680 --> 00:27:35,880
Speaker 1: Here.

532
00:27:35,960 --> 00:27:38,399
Speaker 5: Man, we were gonna take that, we were gonna but

533
00:27:38,440 --> 00:27:42,400
Speaker 5: we're gonna close. You will always say oh, you really

534
00:27:42,480 --> 00:27:45,760
Speaker 5: from Riverdale. If you're not from Old National, you ain't

535
00:27:45,840 --> 00:27:49,040
Speaker 5: South Side, not from my era. So when you say

536
00:27:49,200 --> 00:27:51,400
Speaker 5: I'm from Riverdale, I'm from Tar Boulevard.

537
00:27:51,520 --> 00:27:56,480
Speaker 1: I'm like, that's fun, real ship.

538
00:27:56,560 --> 00:27:58,200
Speaker 2: But I just said, but that's how I go because

539
00:27:58,280 --> 00:28:00,359
Speaker 2: one of no black people out there. But you know

540
00:28:00,440 --> 00:28:03,480
Speaker 2: what that create though, Yeah, niggas felt like, man, we

541
00:28:03,560 --> 00:28:05,040
Speaker 2: got to get busy and showing.

542
00:28:05,040 --> 00:28:07,040
Speaker 3: Like, well, a nigga be like, I ain't from the

543
00:28:07,080 --> 00:28:09,639
Speaker 3: East Side, but it's the east side of all niggas

544
00:28:09,680 --> 00:28:13,760
Speaker 3: because you want to say it's from East Atlanta Edgewood, Atlanta.

545
00:28:13,800 --> 00:28:16,280
Speaker 3: Police still ride through our neighborhood and a nigga get offended,

546
00:28:16,400 --> 00:28:18,439
Speaker 3: you say he's from the cat that's fucked up.

547
00:28:18,520 --> 00:28:22,040
Speaker 5: When I came back and I came back from war

548
00:28:22,440 --> 00:28:24,840
Speaker 5: and ran into my little home for a troop rest

549
00:28:24,920 --> 00:28:25,359
Speaker 5: in peace to.

550
00:28:25,440 --> 00:28:26,520
Speaker 4: My big truth.

551
00:28:26,760 --> 00:28:27,080
Speaker 1: My brother.

552
00:28:27,119 --> 00:28:29,200
Speaker 5: I ran in the troop on Old go at the

553
00:28:29,760 --> 00:28:32,280
Speaker 5: gambling spot in the studio right there, and the cut

554
00:28:33,119 --> 00:28:36,280
Speaker 5: who got a studio back there, he said, uh, titty.

555
00:28:36,080 --> 00:28:37,000
Speaker 1: Boy and a dollar.

556
00:28:37,040 --> 00:28:41,920
Speaker 4: I'm like, what they doing over here? He was like, no, no, don't,

557
00:28:42,880 --> 00:28:45,200
Speaker 4: I said, for real, he's like.

558
00:28:46,840 --> 00:28:47,080
Speaker 1: Money.

559
00:28:48,520 --> 00:28:51,800
Speaker 2: I was out the date and I didn't know. God damn,

560
00:28:52,040 --> 00:28:53,600
Speaker 2: you know what I mean, truth put me up on

561
00:28:54,200 --> 00:28:56,440
Speaker 2: what I'm saying. His territories can expand.

562
00:28:57,840 --> 00:29:00,000
Speaker 1: And battle and in the street turn we out there.

563
00:29:00,040 --> 00:29:04,080
Speaker 3: That's what we knew as college part Chitty Boy, Dollar

564
00:29:04,520 --> 00:29:08,520
Speaker 3: Troup or all them all boy, my boy Bell and

565
00:29:08,600 --> 00:29:14,000
Speaker 3: all these because all these listen, my boy west Side

566
00:29:14,840 --> 00:29:17,959
Speaker 3: grew up at them about my man, about my personal man.

567
00:29:18,040 --> 00:29:19,600
Speaker 4: I can't even say how much.

568
00:29:21,400 --> 00:29:28,240
Speaker 1: These folks connected. So the Atlanta News that yes, we

569
00:29:28,360 --> 00:29:32,240
Speaker 1: thought we man listen, just imagine Titty Boy or two Giant.

570
00:29:32,360 --> 00:29:34,520
Speaker 3: He was with Ludacris. We thought he was with lu

571
00:29:35,000 --> 00:29:38,640
Speaker 3: asd Credibility. Let's think about it. Let's talk about this

572
00:29:38,640 --> 00:29:40,560
Speaker 3: because I want to talk about this to how many

573
00:29:40,640 --> 00:29:43,520
Speaker 3: people doesn't use other folks to really get.

574
00:29:43,520 --> 00:29:47,040
Speaker 1: Across the turn bridge because a lot of people.

575
00:29:46,880 --> 00:29:49,640
Speaker 4: Use it people all the time. I know bank yeah,

576
00:29:51,440 --> 00:29:52,000
Speaker 4: you know, to get.

577
00:29:57,000 --> 00:30:00,280
Speaker 3: That man, there's a lot of stuff and and and

578
00:30:00,880 --> 00:30:02,400
Speaker 3: I wanted to say this too though, like this far

579
00:30:02,440 --> 00:30:05,360
Speaker 3: as call County and bankhead. So if I asked somebody

580
00:30:05,400 --> 00:30:07,760
Speaker 3: from Edgewood, if I say, yeah, you know, he bought

581
00:30:07,800 --> 00:30:11,200
Speaker 3: for car County Edward, they might them call you think

582
00:30:11,280 --> 00:30:12,440
Speaker 3: they squab, you know.

583
00:30:12,440 --> 00:30:16,040
Speaker 1: What I'm saying. What I'm saying, But boy, listen, Carl

584
00:30:16,080 --> 00:30:18,880
Speaker 1: County got a bunch of when it comes.

585
00:30:18,760 --> 00:30:22,239
Speaker 3: To the street, Gord, put the lock the boots. When

586
00:30:22,240 --> 00:30:25,040
Speaker 3: I'm talking about this lot of the boot man. They

587
00:30:25,160 --> 00:30:27,239
Speaker 3: got some of the crim dealer crims coming out there.

588
00:30:27,320 --> 00:30:29,720
Speaker 3: Call boy, and I'm not even gonna even call it

589
00:30:30,040 --> 00:30:34,400
Speaker 3: like they coming south side too, They coming them grill.

590
00:30:34,640 --> 00:30:38,920
Speaker 1: It's east side north side too. I always I always.

591
00:30:38,680 --> 00:30:41,320
Speaker 3: Been one of them nigga that just like clubbed on

592
00:30:41,480 --> 00:30:44,000
Speaker 3: all sides. I club on the north with the South

593
00:30:44,080 --> 00:30:46,800
Speaker 3: side like whatever the club is, okay, three.

594
00:30:47,000 --> 00:30:47,800
Speaker 4: One problem.

595
00:30:49,320 --> 00:30:51,680
Speaker 3: It got damn if five five out I'm going. So

596
00:30:51,840 --> 00:30:54,600
Speaker 3: I always knew niggas from every section. So I always

597
00:30:54,640 --> 00:30:57,920
Speaker 3: knew it was niggas like me everywherehere. You get that

598
00:30:58,080 --> 00:31:01,160
Speaker 3: just like I was blessed. But I can go back

599
00:31:01,840 --> 00:31:04,360
Speaker 3: to it's with a neigga be like uh and I

600
00:31:04,440 --> 00:31:06,000
Speaker 3: have a nigga pull up over there on me pulling

601
00:31:06,080 --> 00:31:07,880
Speaker 3: us Bank Country red car.

602
00:31:08,000 --> 00:31:11,640
Speaker 1: But they got the West side niggas over here with him,

603
00:31:11,920 --> 00:31:14,680
Speaker 1: but just not knowing all us the same.

604
00:31:16,040 --> 00:31:16,280
Speaker 4: Same.

605
00:31:16,720 --> 00:31:18,200
Speaker 3: And that's that's the old and another we were just

606
00:31:18,280 --> 00:31:20,800
Speaker 3: going around whatever, like you said, whatever were properly were going.

607
00:31:20,960 --> 00:31:23,880
Speaker 1: You just know that mother and the only club just

608
00:31:24,000 --> 00:31:29,000
Speaker 1: when we were coming up a jazzy chi. Man, you're

609
00:31:29,000 --> 00:31:37,440
Speaker 1: in the side clue she ok side. You know what

610
00:31:37,440 --> 00:31:40,520
Speaker 1: I'm saying. All the club the bounce of club.

611
00:31:41,840 --> 00:31:43,360
Speaker 3: Let's just say clo Rich And now you know you

612
00:31:43,520 --> 00:31:46,400
Speaker 3: on the south side, know you're on you on the

613
00:31:46,520 --> 00:31:47,120
Speaker 3: south side?

614
00:31:47,240 --> 00:31:47,960
Speaker 4: Club Rich?

615
00:31:48,080 --> 00:31:52,120
Speaker 1: You know where you Yeah, for sure they got nown

616
00:31:52,120 --> 00:31:55,240
Speaker 1: what's the name to the central station? The first that

617
00:31:55,360 --> 00:31:55,520
Speaker 1: was my.

618
00:31:57,360 --> 00:31:58,960
Speaker 4: Mont A home.

619
00:31:59,400 --> 00:32:01,840
Speaker 3: Oh yeah, but it's like nobody money the home player

620
00:32:01,920 --> 00:32:04,800
Speaker 3: to listen, all them are listen, man, I tell you

621
00:32:05,040 --> 00:32:08,000
Speaker 3: I ain't never had a job. This disqualified man. I

622
00:32:08,040 --> 00:32:10,040
Speaker 3: want to say this on this I ain't never had

623
00:32:10,080 --> 00:32:12,440
Speaker 3: no job. So anybody will my wife give him? Because

624
00:32:12,480 --> 00:32:15,160
Speaker 3: I ain't got but two kind of money out the street.

625
00:32:15,240 --> 00:32:19,040
Speaker 3: And I flew and did their rock star thing. That's it, Dad,

626
00:32:19,320 --> 00:32:22,240
Speaker 3: is other than this. And Ross Stars started in old Selm.

627
00:32:23,480 --> 00:32:26,120
Speaker 3: But since seventy two, this whole Selm, I ain't never

628
00:32:26,280 --> 00:32:29,200
Speaker 3: clopped in in nowhere. All my knowledge and money funds

629
00:32:29,240 --> 00:32:32,520
Speaker 3: came out the streets of Atlanta, Georgia. This give me

630
00:32:32,560 --> 00:32:35,680
Speaker 3: a different conversation. You can work at the windows and

631
00:32:35,720 --> 00:32:37,440
Speaker 3: not just saying then the wrong with nobody that got

632
00:32:37,520 --> 00:32:39,480
Speaker 3: a job. I ain't saying. I'm talking about my part.

633
00:32:40,040 --> 00:32:42,760
Speaker 3: I survived straight raw. There's a lot of people that

634
00:32:42,840 --> 00:32:45,680
Speaker 3: still do that, and I survived that make using my

635
00:32:45,760 --> 00:32:48,360
Speaker 3: head it ain't no. It was a funest thing. Like

636
00:32:48,440 --> 00:32:50,680
Speaker 3: you know what I'm saying. Back in my time, you

637
00:32:50,680 --> 00:32:52,600
Speaker 3: ain't had to be danger but a minute. Just have

638
00:32:52,720 --> 00:32:53,640
Speaker 3: the dangerous card.

639
00:32:54,840 --> 00:32:56,360
Speaker 1: We ain't doing back in my day. Just have a

640
00:32:56,440 --> 00:32:58,280
Speaker 1: dangerous car. You gonna put that mother up. They know

641
00:32:58,400 --> 00:32:58,760
Speaker 1: you got it.

642
00:32:59,360 --> 00:33:02,400
Speaker 3: They got a dangerous card. Some wealth he did, you

643
00:33:02,440 --> 00:33:04,000
Speaker 3: know what I'm saying. So we don't have to the

644
00:33:04,160 --> 00:33:06,680
Speaker 3: boys to have that card. So media and they play

645
00:33:06,720 --> 00:33:07,200
Speaker 3: it every day.

646
00:33:07,200 --> 00:33:10,920
Speaker 1: That's why they every day that.

647
00:33:12,400 --> 00:33:15,000
Speaker 4: Joker. Every day. They go to the card every day

648
00:33:15,000 --> 00:33:16,840
Speaker 4: when they really could just have a conversation.

649
00:33:17,640 --> 00:33:20,000
Speaker 3: You ask your question, though, man, and don't get everybody

650
00:33:20,040 --> 00:33:22,480
Speaker 3: even you screen the answer this. If you could pick

651
00:33:22,520 --> 00:33:25,840
Speaker 3: one nigga that's Atlanta nigga that the world know to represent.

652
00:33:26,960 --> 00:33:29,480
Speaker 3: I means just say, now that's the Atlanta nigga. Who

653
00:33:29,480 --> 00:33:33,320
Speaker 3: would it be? It could be whatever, Like when you

654
00:33:33,360 --> 00:33:34,880
Speaker 3: see that nigga. Be proud to see that nigga.

655
00:33:34,960 --> 00:33:38,640
Speaker 4: Like, that's for me. It's gonna be booketball but boot

656
00:33:38,760 --> 00:33:39,760
Speaker 4: Bob boot my nigga.

657
00:33:39,840 --> 00:33:45,440
Speaker 1: But book ain't just world onside my nigga.

658
00:33:45,560 --> 00:33:49,360
Speaker 4: He is worldwide. But you know what I'm saying, Okay, well,

659
00:33:49,840 --> 00:33:50,040
Speaker 4: well I.

660
00:33:50,080 --> 00:33:52,760
Speaker 1: Gotta get to my body and we're talking about world wide.

661
00:33:52,760 --> 00:33:57,360
Speaker 1: I feel ship, I get doing a good job and

662
00:33:57,440 --> 00:33:59,120
Speaker 1: represent the city as a as a whole.

663
00:33:59,160 --> 00:34:01,760
Speaker 3: And I look at I look at Future different than

664
00:34:01,800 --> 00:34:03,160
Speaker 3: all those people look at him like you know what

665
00:34:03,160 --> 00:34:06,560
Speaker 3: I'm saying. I look at him totally different, totally different,

666
00:34:07,040 --> 00:34:09,759
Speaker 3: all this flame to see where he at and see

667
00:34:09,800 --> 00:34:12,160
Speaker 3: his maneuval. And you know what I mean, Future take

668
00:34:12,200 --> 00:34:13,440
Speaker 3: a lot of pressure off of Atlanta.

669
00:34:13,560 --> 00:34:16,160
Speaker 1: Real talk call it. When they get through talking, gonna

670
00:34:16,200 --> 00:34:19,000
Speaker 1: drop a ham on that he listened. You know what

671
00:34:19,000 --> 00:34:19,359
Speaker 1: I'm saying.

672
00:34:19,400 --> 00:34:21,719
Speaker 3: He that dude, and you know, just for and there's

673
00:34:21,760 --> 00:34:24,040
Speaker 3: a lot of artists that that can represent it. But

674
00:34:24,680 --> 00:34:27,560
Speaker 3: at this momentum and the lemp that he is, the

675
00:34:27,680 --> 00:34:30,759
Speaker 3: distance that he is, So I'm I'm gonna say that

676
00:34:31,000 --> 00:34:40,560
Speaker 3: many Atlanta, that nigga represents Atlanta like Atlanta Nigga.

677
00:34:40,640 --> 00:34:42,480
Speaker 1: Man, I'm gonna get shout at no.

678
00:34:42,600 --> 00:34:43,320
Speaker 4: Matter where you do.

679
00:34:43,480 --> 00:34:45,799
Speaker 3: Now Pluto the goat of all time. Then, my brother,

680
00:34:45,840 --> 00:34:47,279
Speaker 3: I'm proud to say that you know what I'm saying

681
00:34:47,400 --> 00:34:49,080
Speaker 3: from my neighborhood. That nigga gold it.

682
00:34:49,520 --> 00:34:53,160
Speaker 6: But that nigga for terms of Atlanta, got Atlanta, then

683
00:34:53,200 --> 00:34:55,720
Speaker 6: you got new Atlanta, and now you got new new Atlanta.

684
00:34:56,000 --> 00:34:57,600
Speaker 1: So man, it's new orlanda.

685
00:34:57,680 --> 00:35:00,640
Speaker 3: But man look like he represented I knew it not

686
00:35:00,800 --> 00:35:05,560
Speaker 3: but like the old one, like the old like it

687
00:35:05,719 --> 00:35:07,839
Speaker 3: is what it is when you see them. I don't

688
00:35:07,880 --> 00:35:08,520
Speaker 3: know how to put it.

689
00:35:08,600 --> 00:35:08,680
Speaker 6: Bro.

690
00:35:09,680 --> 00:35:13,640
Speaker 4: When man to man in the future, Y got over there.

691
00:35:14,440 --> 00:35:15,360
Speaker 1: Man is Atlanta?

692
00:35:15,920 --> 00:35:21,560
Speaker 4: Yeah, and I ain't in the sports. I would listen, Man,

693
00:35:21,680 --> 00:35:23,160
Speaker 4: it's more Atlanta than future.

694
00:35:24,719 --> 00:35:26,840
Speaker 2: And I say this and these words with big words

695
00:35:26,880 --> 00:35:31,000
Speaker 2: and all this the duration of how man tip Man

696
00:35:31,080 --> 00:35:31,960
Speaker 2: represented Atlanta.

697
00:35:32,120 --> 00:35:42,600
Speaker 3: Law Like you know, I thought, like, man, you gotta understand, well,

698
00:35:42,640 --> 00:35:45,040
Speaker 3: just what I appreciate about my I'll see that, bro,

699
00:35:45,239 --> 00:35:48,759
Speaker 3: like the boy got there wants a boss of about

700
00:35:48,760 --> 00:35:51,400
Speaker 3: six niggas in it that the top one of their

701
00:35:51,480 --> 00:35:53,000
Speaker 3: names gonna come up, and they don't give it down.

702
00:35:53,000 --> 00:35:54,239
Speaker 1: Which one of the names you picked?

703
00:35:54,960 --> 00:35:58,640
Speaker 3: They don't care you think tip man because we say

704
00:35:58,719 --> 00:36:00,120
Speaker 3: future future man, we said.

705
00:36:01,480 --> 00:36:04,359
Speaker 5: I'm changing ship because you're right, I'm gonna say tip

706
00:36:04,560 --> 00:36:06,240
Speaker 5: over before I say future.

707
00:36:06,440 --> 00:36:11,080
Speaker 4: I don't know future head, but I don't I don't

708
00:36:11,160 --> 00:36:13,040
Speaker 4: know future. You know what I mean?

709
00:36:14,880 --> 00:36:18,600
Speaker 3: He doesn't have been future. I say future because he

710
00:36:18,680 --> 00:36:21,560
Speaker 3: doesn't been in some goal that a lot of rappers

711
00:36:21,560 --> 00:36:21,880
Speaker 3: ain't been.

712
00:36:22,320 --> 00:36:23,759
Speaker 1: But but he don't been.

713
00:36:23,680 --> 00:36:27,480
Speaker 3: Through some gold that was the more entertaining, entertaining you did,

714
00:36:27,560 --> 00:36:29,160
Speaker 3: know what I'm saying. I'm looking at it, man like

715
00:36:29,320 --> 00:36:32,440
Speaker 3: that's really him, Like that ain't no, he ain't that.

716
00:36:32,520 --> 00:36:35,000
Speaker 3: She ain't got no media training, that's him, you know

717
00:36:35,040 --> 00:36:36,960
Speaker 3: what I'm saying, Like you can see Puto, we can

718
00:36:37,000 --> 00:36:37,399
Speaker 3: see God.

719
00:36:37,440 --> 00:36:40,359
Speaker 1: Damn uh til we see These nigga have to them

720
00:36:40,520 --> 00:36:43,160
Speaker 1: now going to rapper mode regardless.

721
00:36:43,200 --> 00:36:47,040
Speaker 3: They have to, even though they they sometime they represent well,

722
00:36:47,360 --> 00:36:51,399
Speaker 3: but they have to go into rapper molde sometimes man

723
00:36:51,880 --> 00:36:54,680
Speaker 3: man with the with with with the in.

724
00:36:54,719 --> 00:36:57,320
Speaker 1: Front of the media, front of the goddam president. He

725
00:36:57,400 --> 00:36:58,799
Speaker 1: may tell the nigga on the truth.

726
00:37:01,040 --> 00:37:04,040
Speaker 3: He ain't trying to adapt to surroundings. And that's to me,

727
00:37:04,120 --> 00:37:06,600
Speaker 3: that's the pit of me of Atlanta about that. You know,

728
00:37:06,640 --> 00:37:08,600
Speaker 3: what I'm saying, that's the pit of Atlanta. Nigga ain't

729
00:37:08,600 --> 00:37:11,520
Speaker 3: got adapt to that. Nigga adapted me. So I'm gonna

730
00:37:11,520 --> 00:37:11,680
Speaker 3: get it.

731
00:37:11,719 --> 00:37:13,719
Speaker 4: The shout them and what's his name?

732
00:37:13,960 --> 00:37:14,200
Speaker 1: D C?

733
00:37:17,200 --> 00:37:20,040
Speaker 3: But DC Young fly that's my nigga west side to death.

734
00:37:20,320 --> 00:37:24,400
Speaker 3: But in order to to be he's A, he's A.

735
00:37:24,880 --> 00:37:27,080
Speaker 3: He'd be on TV and ship in order. It's just

736
00:37:27,200 --> 00:37:29,160
Speaker 3: not his talents, so he has to do certain ship

737
00:37:29,239 --> 00:37:31,480
Speaker 3: for certain roles. You get what I'm saying. Like on

738
00:37:31,680 --> 00:37:35,440
Speaker 3: on Atlanta Squares, he's a different DC Young Flyer he

739
00:37:35,640 --> 00:37:37,920
Speaker 3: is on I mean, what's the name of that Hollywood Squares?

740
00:37:38,440 --> 00:37:40,759
Speaker 3: He's a different, different d C than he is on

741
00:37:41,040 --> 00:37:43,600
Speaker 3: You see like three different d C. You can see

742
00:37:44,160 --> 00:37:46,759
Speaker 3: what's your ain't they wrong? Eighty five South Show Straight?

743
00:37:47,920 --> 00:37:51,080
Speaker 3: Then when they're gonna len Hollywood Squares, he's still d C.

744
00:37:51,239 --> 00:37:52,520
Speaker 3: But he gotta You know what I'm saying, we gotta

745
00:37:52,560 --> 00:37:54,439
Speaker 3: potch it up a little bit. But you ain't saying

746
00:37:54,440 --> 00:37:55,279
Speaker 3: ant polish nothing.

747
00:37:55,680 --> 00:37:56,200
Speaker 4: I want to say.

748
00:37:56,239 --> 00:37:57,160
Speaker 5: Two you.

749
00:37:58,920 --> 00:38:02,080
Speaker 2: Said basically, you're saying, basically who we send to go

750
00:38:02,160 --> 00:38:04,480
Speaker 2: talk to the president, and we had to choose.

751
00:38:04,719 --> 00:38:07,880
Speaker 1: I can go for that, man, I said, because I

752
00:38:08,040 --> 00:38:09,200
Speaker 1: know he gonna investigate.

753
00:38:09,640 --> 00:38:11,239
Speaker 3: I'm gonna tell you what because I feel like he

754
00:38:11,360 --> 00:38:13,600
Speaker 3: gonna say what we want him to say, not what

755
00:38:13,760 --> 00:38:14,560
Speaker 3: he thinks we want.

756
00:38:14,719 --> 00:38:16,520
Speaker 4: What is it the way we would say it?

757
00:38:16,920 --> 00:38:17,120
Speaker 1: Yes?

758
00:38:17,360 --> 00:38:19,400
Speaker 3: Yes, that I can't get it like you can go

759
00:38:19,480 --> 00:38:20,920
Speaker 3: in up you're going there and try to coat some

760
00:38:20,960 --> 00:38:24,080
Speaker 3: ship up and then ship to get missed interpreted. That's

761
00:38:24,120 --> 00:38:27,560
Speaker 3: why people be like Bank, your delivery to raw, I

762
00:38:27,640 --> 00:38:31,759
Speaker 3: can't misinterpreted with the delivery. Sure you heard exactly what

763
00:38:31,840 --> 00:38:33,200
Speaker 3: I said, but I'm trying to hold it up. You

764
00:38:33,320 --> 00:38:34,600
Speaker 3: might miss what I'm trying to say.

765
00:38:34,840 --> 00:38:36,680
Speaker 4: Some people would have let you a lot of people

766
00:38:36,719 --> 00:38:37,440
Speaker 4: would have Bank.

767
00:38:37,719 --> 00:38:39,480
Speaker 3: I won't elect me because I wouldn't even let you

768
00:38:40,360 --> 00:38:41,440
Speaker 3: because I wake up this.

769
00:38:42,520 --> 00:38:43,880
Speaker 4: How do you wake up? What do you mean?

770
00:38:44,239 --> 00:38:46,520
Speaker 1: It depends on how I feel, on what my responsible.

771
00:38:47,560 --> 00:38:48,400
Speaker 4: It's still a send you.

772
00:38:48,680 --> 00:38:52,799
Speaker 1: They'll send you by everybody in this everybody right here,

773
00:38:52,920 --> 00:38:55,400
Speaker 1: because I'm saying future because I need somebody that been

774
00:38:55,400 --> 00:38:56,520
Speaker 1: in a trap house or too.

775
00:38:57,200 --> 00:38:59,239
Speaker 3: And I'm gonna take you too because you apply it

776
00:38:59,280 --> 00:39:02,080
Speaker 3: to now where you going with it? Man, ain't no

777
00:39:02,239 --> 00:39:04,279
Speaker 3: dose can any dough that you get from here.

778
00:39:04,280 --> 00:39:06,399
Speaker 1: I'm gonna tell you in the future to any dough

779
00:39:06,480 --> 00:39:08,920
Speaker 1: they grabbed from here on this extra, Bro, I know

780
00:39:09,040 --> 00:39:13,040
Speaker 1: that those that y'all bought all vice versa. You did

781
00:39:13,080 --> 00:39:15,840
Speaker 1: what I'm saying. Son, the boy doesn't. They're talking for

782
00:39:15,920 --> 00:39:18,360
Speaker 1: me wherever they go whatever he said, Yeah, I'm with you,

783
00:39:18,400 --> 00:39:18,919
Speaker 1: know what I'm saying.

784
00:39:20,239 --> 00:39:25,160
Speaker 5: So that's amazing to have that trusted leadership, the relationship

785
00:39:25,480 --> 00:39:29,240
Speaker 5: of what they done been and you mature enough, especially

786
00:39:29,400 --> 00:39:31,080
Speaker 5: with you. And I'm going to say this, I've said

787
00:39:31,120 --> 00:39:35,640
Speaker 5: this one hundred times for one hundred people. Your elevation

788
00:39:35,920 --> 00:39:38,040
Speaker 5: from where you were when I met you to now

789
00:39:38,320 --> 00:39:40,919
Speaker 5: is three hundred and sixty degrees. And I don't think

790
00:39:41,120 --> 00:39:45,759
Speaker 5: people who are just getting to know you understand who

791
00:39:45,880 --> 00:39:49,200
Speaker 5: you were. And I think that every young nigga asked

792
00:39:49,239 --> 00:39:51,960
Speaker 5: me talking about how to heal the city, every young

793
00:39:52,080 --> 00:39:56,560
Speaker 5: nigga should have a playbook written by him to show

794
00:39:56,960 --> 00:40:00,719
Speaker 5: that it's possible based on them by and who you

795
00:40:00,840 --> 00:40:06,000
Speaker 5: choose to associate with to evolve. Most of the most

796
00:40:06,040 --> 00:40:09,080
Speaker 5: of these young derers are stuck in one mindset.

797
00:40:10,160 --> 00:40:12,479
Speaker 1: But people know that too though. That's why he he's

798
00:40:12,640 --> 00:40:15,200
Speaker 1: what he is. It's a struggle what he's done being

799
00:40:15,239 --> 00:40:17,000
Speaker 1: at I want to hell.

800
00:40:17,080 --> 00:40:20,439
Speaker 3: Yeah, every day else a struggle. Why because you find

801
00:40:20,520 --> 00:40:24,040
Speaker 3: yourself your real self. You know what I'm saying, You

802
00:40:24,160 --> 00:40:28,080
Speaker 3: fight your old self, say that you find your pastself.

803
00:40:28,120 --> 00:40:29,480
Speaker 1: But it's so easy to be that.

804
00:40:29,880 --> 00:40:32,120
Speaker 5: Let me give you something that my my my first

805
00:40:32,200 --> 00:40:36,000
Speaker 5: Kongfu structure gave me. It called phone called empty. Y'all

806
00:40:36,040 --> 00:40:37,000
Speaker 5: want to stop the beeping?

807
00:40:37,800 --> 00:40:39,200
Speaker 1: Yeah, what is it?

808
00:40:39,760 --> 00:40:43,560
Speaker 4: It's probably on your phone. It's that of libra. It

809
00:40:43,640 --> 00:40:46,040
Speaker 4: is that? What is it?

810
00:40:46,600 --> 00:40:52,759
Speaker 5: It's a Libre's a monitor that keep tracking your Yeah,

811
00:40:53,000 --> 00:40:56,040
Speaker 5: but if you cut the phone off, it cuts.

812
00:40:55,840 --> 00:40:57,360
Speaker 4: The monitor all night. You can't do that.

813
00:40:57,560 --> 00:41:00,920
Speaker 5: They keeping, no, no, he gotta cut it back on

814
00:41:01,280 --> 00:41:04,120
Speaker 5: and to stop it's beeping because he cut it off.

815
00:41:07,360 --> 00:41:10,040
Speaker 3: I feel I feel in Atlanta, man, Atlanta respect people

816
00:41:10,080 --> 00:41:14,640
Speaker 3: by where they're being bro and the world. So your experiences,

817
00:41:14,880 --> 00:41:17,800
Speaker 3: People kind of respect that experiences, that that that that

818
00:41:17,920 --> 00:41:20,279
Speaker 3: you've been And we like hearing from people that done

819
00:41:20,360 --> 00:41:22,520
Speaker 3: been through the stuff that we we we've been through.

820
00:41:22,840 --> 00:41:23,960
Speaker 3: Like you know what I'm saying, you done been in

821
00:41:24,040 --> 00:41:25,600
Speaker 3: the places I've been through. You done been in the

822
00:41:25,680 --> 00:41:29,440
Speaker 3: gold mine downtown. You know you know what all you

823
00:41:29,800 --> 00:41:32,080
Speaker 3: know that those things and you know, and a lot

824
00:41:32,120 --> 00:41:34,640
Speaker 3: of people don't have those minor ingredients. And you know

825
00:41:34,719 --> 00:41:37,160
Speaker 3: what I'm saying. You got understand, like you know, and

826
00:41:37,280 --> 00:41:39,080
Speaker 3: I tell people all the time, and my mom and

827
00:41:39,239 --> 00:41:40,359
Speaker 3: daddy was from here.

828
00:41:40,440 --> 00:41:41,120
Speaker 1: They mom and dad.

829
00:41:41,440 --> 00:41:44,880
Speaker 3: It's a generational little thing. And me, my term Atlanta

830
00:41:45,080 --> 00:41:47,400
Speaker 3: was a building place. When you just even the missing

831
00:41:47,440 --> 00:41:50,560
Speaker 3: and murdered children, bro, that made all the family.

832
00:41:50,320 --> 00:41:51,440
Speaker 1: Right there by.

833
00:41:51,480 --> 00:41:56,440
Speaker 3: You survived by that, then we we that ship. I'm

834
00:41:56,480 --> 00:41:59,000
Speaker 3: that generated child, like we survived or we ain't. So

835
00:41:59,120 --> 00:42:01,040
Speaker 3: what's knicks for us? You gonna mesh you'll something though,

836
00:42:01,080 --> 00:42:03,360
Speaker 3: b because I'll be telling niggas this like it's like

837
00:42:03,360 --> 00:42:05,040
Speaker 3: a nigga leave you on an island by yourself.

838
00:42:05,120 --> 00:42:05,759
Speaker 4: You see what we're doing.

839
00:42:05,840 --> 00:42:08,080
Speaker 1: We need this, We need this, Dollaru that we have enough.

840
00:42:08,480 --> 00:42:10,360
Speaker 1: What makes niggas hesitant to do this?

841
00:42:11,280 --> 00:42:13,799
Speaker 5: I'm gonna go back to what I was trying to say,

842
00:42:14,000 --> 00:42:20,440
Speaker 5: is the willingness to be corrected most of us, most niggas.

843
00:42:20,560 --> 00:42:23,600
Speaker 5: I ain't gonna say us because obviously we've taken correction

844
00:42:24,040 --> 00:42:27,359
Speaker 5: yea from somebody, whether it was your mama, whether it's

845
00:42:27,360 --> 00:42:30,640
Speaker 5: your daddy, your auntie, your big homie, your sister, say hey,

846
00:42:30,719 --> 00:42:32,560
Speaker 5: I don't I want you here.

847
00:42:33,680 --> 00:42:34,400
Speaker 4: That's correction.

848
00:42:35,400 --> 00:42:38,520
Speaker 5: Most niggas is stuck in their mindset, which brings me

849
00:42:38,680 --> 00:42:40,000
Speaker 5: back to being empty.

850
00:42:40,560 --> 00:42:42,640
Speaker 4: Empty is a cup that it may be filled.

851
00:42:43,400 --> 00:42:46,520
Speaker 5: The best way to learn anything is to become empty,

852
00:42:46,680 --> 00:42:50,680
Speaker 5: so that all knowledge sports in fresh, new, incredible and unpredictable,

853
00:42:51,080 --> 00:42:56,359
Speaker 5: and every experience is transforming, transcend down a worthwhile and real.

854
00:42:56,880 --> 00:42:59,759
Speaker 5: Even an instructor must become empty so that he too

855
00:42:59,840 --> 00:43:03,960
Speaker 5: much they learn. It's the ability to be corrected you

856
00:43:04,120 --> 00:43:10,279
Speaker 5: did wrong, accountability, change it constantly every day.

857
00:43:11,520 --> 00:43:14,959
Speaker 4: Be a new nigga every day. Don't be the same

858
00:43:15,160 --> 00:43:19,359
Speaker 4: nigga every day. This is a brand new nigga every day.

859
00:43:20,120 --> 00:43:22,480
Speaker 1: And I thought I'd just be flipping out, but yeah

860
00:43:22,560 --> 00:43:22,960
Speaker 1: every day.

861
00:43:23,080 --> 00:43:27,280
Speaker 4: Yeah, every day you're fighting. Oh ship, that's not useful

862
00:43:27,360 --> 00:43:31,440
Speaker 4: to you. So your your whole life.

863
00:43:31,600 --> 00:43:35,520
Speaker 5: Your playbook is the It's the blueprint for young niggas

864
00:43:35,520 --> 00:43:38,560
Speaker 5: to say, if this nigga can do it, That's what

865
00:43:38,800 --> 00:43:42,480
Speaker 5: Dallas Austin and Kevin Wells, that's what they influenced were

866
00:43:42,960 --> 00:43:45,080
Speaker 5: and Divine Stevens and JD like.

867
00:43:45,440 --> 00:43:49,239
Speaker 4: What nigga just skate time with these niggas. Oh no,

868
00:43:49,400 --> 00:43:52,280
Speaker 4: I can do this, it was possible.

869
00:43:52,400 --> 00:43:55,040
Speaker 3: We got the inspirational guys too, though, because just like

870
00:43:55,120 --> 00:43:57,520
Speaker 3: you're saying that, because I'm very inspirational, it's all us

871
00:43:57,640 --> 00:43:59,960
Speaker 3: inspirational people like you know what I'm saying, we ain't

872
00:44:00,120 --> 00:44:02,360
Speaker 3: inspiring and like you know what I mean, somebody inspired

873
00:44:02,440 --> 00:44:04,400
Speaker 3: me and like you just you're not. Just when you

874
00:44:04,480 --> 00:44:07,759
Speaker 3: were just saying that, man, you know, even after this

875
00:44:07,880 --> 00:44:10,479
Speaker 3: talk thing with Bank, this just was just fast forward

876
00:44:10,520 --> 00:44:13,799
Speaker 3: Bank ten years. Man, his employance gonna out grow because

877
00:44:13,800 --> 00:44:16,000
Speaker 3: I just seen him. They would just donate just the

878
00:44:16,120 --> 00:44:20,040
Speaker 3: east Side Edge Group to the past Atlanta, you know,

879
00:44:20,239 --> 00:44:22,920
Speaker 3: Westside Georgia, Nigga Global.

880
00:44:24,960 --> 00:44:26,840
Speaker 1: But what what hell does it tell you? Like Nigga,

881
00:44:26,880 --> 00:44:27,919
Speaker 1: we've seen that grow.

882
00:44:28,600 --> 00:44:31,480
Speaker 3: His real fertilizer is coming out the hood. I think

883
00:44:31,560 --> 00:44:36,759
Speaker 3: he cannot forget that, the fertilizer whatever you whatever. Listen, Bro,

884
00:44:36,920 --> 00:44:39,960
Speaker 3: that hood is fertilizer to everybody thing.

885
00:44:40,120 --> 00:44:40,200
Speaker 1: Bro.

886
00:44:40,480 --> 00:44:42,440
Speaker 3: But when Nigga can't do it, That's why Nigga, when

887
00:44:42,440 --> 00:44:44,160
Speaker 3: were sitting over there to day, I'll tell you, like, bro,

888
00:44:44,560 --> 00:44:45,240
Speaker 3: what is niggas?

889
00:44:45,280 --> 00:44:45,400
Speaker 1: Wait?

890
00:44:45,480 --> 00:44:49,440
Speaker 3: No niggas, because it's so many niggas that he he

891
00:44:49,560 --> 00:44:52,600
Speaker 3: can't identify with you can identify well never listen to

892
00:44:54,760 --> 00:45:02,080
Speaker 3: listen and and and that and that, like Ben had

893
00:45:02,120 --> 00:45:05,280
Speaker 3: the big So so now I'm on my side.

894
00:45:05,400 --> 00:45:08,160
Speaker 1: I'm chewing my people. You know what I'm saying. I'm

895
00:45:08,320 --> 00:45:11,440
Speaker 1: translating east side ship to him without knowing that we

896
00:45:11,520 --> 00:45:17,480
Speaker 1: got to France east side. Even on my post, bro Man,

897
00:45:17,600 --> 00:45:18,720
Speaker 1: I be done, my Pope.

898
00:45:19,160 --> 00:45:21,000
Speaker 3: Sometimes I scratched the word and I'll be like, no,

899
00:45:21,120 --> 00:45:23,920
Speaker 3: let me say it like this, and I I throw

900
00:45:23,960 --> 00:45:25,960
Speaker 3: a lot of Zone six in here, just to put

901
00:45:26,040 --> 00:45:27,360
Speaker 3: the East west files.

902
00:45:27,400 --> 00:45:30,759
Speaker 1: Been trying to put east with file three years now.

903
00:45:30,880 --> 00:45:32,680
Speaker 1: Just just east oh yesterday.

904
00:45:33,120 --> 00:45:36,000
Speaker 3: It's leading by example and they know I'm feeling that,

905
00:45:36,200 --> 00:45:38,520
Speaker 3: and so they know it's cool like that, you know

906
00:45:38,600 --> 00:45:40,600
Speaker 3: what I'm saying. They know Leon of the gate down

907
00:45:41,040 --> 00:45:43,480
Speaker 3: on woman Man, that zone C Jude, me and him

908
00:45:43,480 --> 00:45:44,959
Speaker 3: been missing around the back and forth.

909
00:45:45,040 --> 00:45:47,799
Speaker 1: Just I'm trying to cut that fence down in Atlanta, Bro,

910
00:45:47,880 --> 00:45:49,400
Speaker 1: but just do it right here.

911
00:45:49,560 --> 00:45:51,640
Speaker 4: This stuff is not to fish that definite I'm about

912
00:45:51,640 --> 00:45:55,520
Speaker 4: to say. Is that why we're here? Yeah, I don't

913
00:45:55,520 --> 00:45:57,520
Speaker 4: know how I got the call. I still don't know

914
00:45:57,640 --> 00:46:01,440
Speaker 4: how I got talking came up.

915
00:46:01,719 --> 00:46:02,720
Speaker 1: We need to have that colleage.

916
00:46:03,000 --> 00:46:05,960
Speaker 3: We're gonna get the north side the east side. We

917
00:46:06,080 --> 00:46:08,719
Speaker 3: need to have a neutral spot where we can have

918
00:46:08,880 --> 00:46:10,520
Speaker 3: the differences expunged.

919
00:46:12,800 --> 00:46:14,120
Speaker 1: You know what I'm saying. Let's throw all them on

920
00:46:14,200 --> 00:46:16,120
Speaker 1: the on the table. You know what I'm saying.

921
00:46:16,160 --> 00:46:17,920
Speaker 3: And I do this all the time, like you know, hey,

922
00:46:18,960 --> 00:46:22,400
Speaker 3: it shouldn't be no east Side or Coline Paul different.

923
00:46:22,600 --> 00:46:28,000
Speaker 1: I don't know. It's better than saying anything else. Besides, hey,

924
00:46:28,040 --> 00:46:28,360
Speaker 1: I don't know.

925
00:46:28,760 --> 00:46:32,400
Speaker 3: I don't know about Coline Paul. You say truth, no

926
00:46:32,520 --> 00:46:34,680
Speaker 3: truth now because the legs and what done? They don't

927
00:46:34,680 --> 00:46:37,120
Speaker 3: went to research and they can catch them new truth.

928
00:46:37,160 --> 00:46:40,080
Speaker 3: When he would get before all this for the.

929
00:46:40,120 --> 00:46:45,040
Speaker 4: Truth and them said truth is who educated me on

930
00:46:45,160 --> 00:46:45,840
Speaker 4: who you were.

931
00:46:47,239 --> 00:46:51,399
Speaker 5: And the way his his education was made me come

932
00:46:51,440 --> 00:46:54,960
Speaker 5: to you and introduce myself based on what he told me.

933
00:46:55,640 --> 00:46:59,400
Speaker 5: So real niggas are going to acknowledge real niggas. So

934
00:46:59,600 --> 00:47:04,880
Speaker 5: at the point you're mature enough and have enough vision to.

935
00:47:05,000 --> 00:47:07,080
Speaker 4: Be like, oh, this might be somebody.

936
00:47:07,160 --> 00:47:12,600
Speaker 5: I need my car because we can share information in

937
00:47:12,760 --> 00:47:16,120
Speaker 5: it and it broadens my scope of vision.

938
00:47:17,160 --> 00:47:19,080
Speaker 3: Because that's just like right now, a nigga from the

939
00:47:19,120 --> 00:47:21,960
Speaker 3: east Side could be watching this to watch me and

940
00:47:22,080 --> 00:47:24,399
Speaker 3: pick up Like, now, what o G what bad?

941
00:47:24,400 --> 00:47:27,120
Speaker 1: I got the Instagram? What be Instagram? What? Brothers?

942
00:47:27,719 --> 00:47:29,960
Speaker 3: Let me talp in there with these niggas because because

943
00:47:30,000 --> 00:47:32,480
Speaker 3: they see the admiration that we have for each other,

944
00:47:32,880 --> 00:47:36,560
Speaker 3: so now they create the same admiration amongst themself. That's

945
00:47:36,600 --> 00:47:39,200
Speaker 3: how this ship goes. You get what I'm saying, Like, now,

946
00:47:39,560 --> 00:47:42,800
Speaker 3: a nigga that I might not know ship by the

947
00:47:42,880 --> 00:47:45,120
Speaker 3: south side, but let me call bell. Hey, you know

948
00:47:45,280 --> 00:47:47,480
Speaker 3: such such s such they said, they said my car

949
00:47:47,640 --> 00:47:48,480
Speaker 3: was over there by such.

950
00:47:49,040 --> 00:47:51,560
Speaker 4: Oh yeah, pull up on my top of all the time.

951
00:47:52,480 --> 00:47:55,520
Speaker 1: That's what we missing too, though, those those calls and

952
00:47:56,320 --> 00:47:59,440
Speaker 1: the connections. You know what I'm saying with the.

953
00:47:59,520 --> 00:48:05,440
Speaker 5: Young guys, actual phone call, not the DM, the actual

954
00:48:05,719 --> 00:48:10,360
Speaker 5: conversation that humanizes everybody, say hey man, look out for

955
00:48:10,480 --> 00:48:12,000
Speaker 5: my I do have it.

956
00:48:12,360 --> 00:48:16,120
Speaker 6: It's not it's not in the street nigga stuff. It's

957
00:48:16,200 --> 00:48:18,680
Speaker 6: in the gang culture. So the gang culture, all the

958
00:48:18,719 --> 00:48:21,800
Speaker 6: big homies you can call each other, don't even.

959
00:48:21,719 --> 00:48:22,160
Speaker 1: Know each other.

960
00:48:22,280 --> 00:48:24,120
Speaker 6: You call each other, Hey, I got a polem on

961
00:48:24,160 --> 00:48:26,879
Speaker 6: your side of town. Such such woofy woop. I even

962
00:48:26,960 --> 00:48:30,839
Speaker 6: call gd's encrypt homies and be like, hey, what's up

963
00:48:31,160 --> 00:48:34,000
Speaker 6: you over this and we get all the things acknowledged.

964
00:48:34,080 --> 00:48:36,480
Speaker 3: Real good should should we should get together and and

965
00:48:36,640 --> 00:48:38,799
Speaker 3: and some put some type of little man whole thing

966
00:48:38,920 --> 00:48:42,319
Speaker 3: down like just go on OG's and people under us

967
00:48:42,440 --> 00:48:43,319
Speaker 3: like you know what I mean, the.

968
00:48:43,360 --> 00:48:46,799
Speaker 6: Og just get the hell on and they think they

969
00:48:46,880 --> 00:48:48,800
Speaker 6: don't want to be in tune with the youth. So

970
00:48:49,280 --> 00:48:52,040
Speaker 6: I stay in tune with the youth. I'm in tune

971
00:48:52,080 --> 00:48:55,360
Speaker 6: with the youth. Every every decade, I'm in tune with

972
00:48:55,440 --> 00:48:58,520
Speaker 6: the next eight sixteen. Atos is coming up here.

973
00:48:58,880 --> 00:49:00,680
Speaker 1: So I've been trying to do there to the way

974
00:49:01,160 --> 00:49:02,440
Speaker 1: that's that's some men that do.

975
00:49:02,560 --> 00:49:04,960
Speaker 3: We had to come say back there to man, I

976
00:49:05,040 --> 00:49:07,120
Speaker 3: got to stay right next to mine, under me, and

977
00:49:07,320 --> 00:49:08,799
Speaker 3: you got to keep it all the way down, because

978
00:49:08,800 --> 00:49:09,120
Speaker 3: if I go.

979
00:49:09,200 --> 00:49:11,920
Speaker 1: Around him to go too far down, I'm missing my

980
00:49:12,000 --> 00:49:14,560
Speaker 1: whole spot. No, the one right there to me and

981
00:49:14,719 --> 00:49:16,200
Speaker 1: word of offic down to the l.

982
00:49:18,120 --> 00:49:20,600
Speaker 5: I text you about a month ago, maybe three four

983
00:49:20,640 --> 00:49:22,400
Speaker 5: weeks ago, and I said I wanted to get together

984
00:49:22,920 --> 00:49:25,239
Speaker 5: me and you killer and some other people. And it

985
00:49:25,400 --> 00:49:29,120
Speaker 5: was about getting people out to what you said. I'm

986
00:49:29,160 --> 00:49:30,680
Speaker 5: down with whatever you just said.

987
00:49:30,520 --> 00:49:31,200
Speaker 4: On the phone.

988
00:49:31,239 --> 00:49:31,600
Speaker 1: That was.

989
00:49:35,440 --> 00:49:39,160
Speaker 5: That was their time in two years But the thing was,

990
00:49:39,280 --> 00:49:43,399
Speaker 5: I was calling you about us getting together to get

991
00:49:43,520 --> 00:49:48,280
Speaker 5: people out to vote for politics. But now I'm saying

992
00:49:48,320 --> 00:49:51,760
Speaker 5: that we need to get together to get us together

993
00:49:52,320 --> 00:49:55,640
Speaker 5: to vote for the politics of how the city is

994
00:49:56,719 --> 00:50:00,719
Speaker 5: with with outside of the or within the bound or whatever.

995
00:50:01,280 --> 00:50:01,440
Speaker 1: You know.

996
00:50:01,560 --> 00:50:04,359
Speaker 4: That other bullshit for a letter word comes.

997
00:50:04,440 --> 00:50:06,720
Speaker 5: We don't need that, but we want to be able

998
00:50:06,840 --> 00:50:09,719
Speaker 5: to if we all have some type of impact or

999
00:50:09,880 --> 00:50:15,399
Speaker 5: influence on our particular side. That's some democracy here when

1000
00:50:15,440 --> 00:50:18,000
Speaker 5: we can each sit down and say, hey, hey, we're

1001
00:50:18,040 --> 00:50:19,960
Speaker 5: not doing this, we don't need to do this. Let

1002
00:50:20,000 --> 00:50:21,880
Speaker 5: me show you why, let me teach you why. And

1003
00:50:21,960 --> 00:50:24,360
Speaker 5: a lot of times when I in my mentoring and

1004
00:50:24,480 --> 00:50:29,839
Speaker 5: conflict resolution, let's go to dinner, and you'd be surprised

1005
00:50:30,080 --> 00:50:36,920
Speaker 5: how impactful breaking bread with two enemies makes them come together.

1006
00:50:37,200 --> 00:50:40,640
Speaker 1: The easy part about that shit is introduction. It's like

1007
00:50:40,760 --> 00:50:42,000
Speaker 1: right now. It's just like right now.

1008
00:50:42,080 --> 00:50:43,840
Speaker 3: If you say we're gonna throw a part on the

1009
00:50:43,880 --> 00:50:45,640
Speaker 3: south side, I'm gonna throw a part on the south side,

1010
00:50:45,880 --> 00:50:48,080
Speaker 3: all right. Make sure you bring all the little knock

1011
00:50:48,080 --> 00:50:50,279
Speaker 3: ahead niggas from the south side. I'm gonna bring all mine.

1012
00:50:50,560 --> 00:50:53,480
Speaker 3: And once they see this, my man, this my man. Okay, Now, y'all,

1013
00:50:53,560 --> 00:50:56,560
Speaker 3: niggas don't matter what today ain't gonna be no bullshit

1014
00:50:56,600 --> 00:50:58,759
Speaker 3: cause niggas ain't gonna because you need some bullshit on

1015
00:50:58,840 --> 00:51:01,680
Speaker 3: my faith. Now I gotta I gotta demonstrate vice versa.

1016
00:51:01,960 --> 00:51:05,080
Speaker 3: So it's like, okay, just for that moment's respect, then

1017
00:51:05,160 --> 00:51:07,640
Speaker 3: nigga gonna gonna suck around a bump into the kind like, oh,

1018
00:51:07,960 --> 00:51:11,560
Speaker 3: I fucking shoot, you get that from that? I fuck

1019
00:51:11,640 --> 00:51:13,560
Speaker 3: with your music. Niggas just don't know how to tell

1020
00:51:13,640 --> 00:51:14,279
Speaker 3: another nigga.

1021
00:51:14,320 --> 00:51:16,279
Speaker 1: I fought with you. That's all it is.

1022
00:51:16,680 --> 00:51:21,000
Speaker 4: Niggas ain't playing no more. No, that's the player.

1023
00:51:21,080 --> 00:51:22,640
Speaker 1: Ship stopped stopped.

1024
00:51:22,760 --> 00:51:24,359
Speaker 3: I think it start like I don't know this when

1025
00:51:24,440 --> 00:51:27,040
Speaker 3: Atlanta stopped and all that ship was, Man, we didn't

1026
00:51:27,080 --> 00:51:28,680
Speaker 3: know none of them, boy, we just seen.

1027
00:51:28,800 --> 00:51:32,600
Speaker 1: Your vert clean niggas. But let me hard by right

1028
00:51:32,719 --> 00:51:36,120
Speaker 1: up on this. This This is Atlanta just in general player,

1029
00:51:36,280 --> 00:51:38,279
Speaker 1: all of Tony McK and I, we didn't know them.

1030
00:51:38,520 --> 00:51:39,239
Speaker 1: We knew this car.

1031
00:51:41,080 --> 00:51:45,520
Speaker 3: Okay, even know your faith. You gotta heard about you

1032
00:51:45,600 --> 00:51:48,279
Speaker 3: see the car let something. Nigga know where you're from

1033
00:51:48,320 --> 00:51:48,680
Speaker 3: and everything.

1034
00:51:48,760 --> 00:51:49,359
Speaker 1: You know what I'm saying.

1035
00:51:49,719 --> 00:51:51,800
Speaker 3: And that was without the Pune. So you can just

1036
00:51:51,880 --> 00:51:54,080
Speaker 3: hear man back then, the word them out were good.

1037
00:51:54,160 --> 00:51:57,959
Speaker 3: Just word them out words. Turning the hate now because

1038
00:51:57,960 --> 00:52:02,040
Speaker 3: you gotta understand, I hate bringing they think hate. Bring

1039
00:52:02,160 --> 00:52:04,920
Speaker 3: a little man. Listen, man, we got to go past that.

1040
00:52:05,120 --> 00:52:06,800
Speaker 3: Like Atlanta bigger than all that. All these see that

1041
00:52:06,840 --> 00:52:08,640
Speaker 3: were really bigger than all that old hating and ship

1042
00:52:08,719 --> 00:52:10,960
Speaker 3: like we gotta deal it right here. I think Atlanta

1043
00:52:11,080 --> 00:52:17,120
Speaker 3: niggas fear of having that dick Ryan tag. Sure that's it, Like, Bro,

1044
00:52:17,160 --> 00:52:19,239
Speaker 3: I ain't on your dicks, cause niggas will walk up

1045
00:52:19,280 --> 00:52:20,719
Speaker 3: on you and be like bank, fuck, this ain't no

1046
00:52:20,800 --> 00:52:21,399
Speaker 3: dick Ryan ship.

1047
00:52:21,480 --> 00:52:22,239
Speaker 1: Like, Bro, you ain't got.

1048
00:52:23,719 --> 00:52:27,200
Speaker 3: Right if you had to say that, I know, but

1049
00:52:27,400 --> 00:52:29,240
Speaker 3: niggas got a feel of that thanking.

1050
00:52:29,040 --> 00:52:32,760
Speaker 1: The niggas be on their disks because so many niggas

1051
00:52:32,800 --> 00:52:33,799
Speaker 1: won't niggas on their dick.

1052
00:52:33,960 --> 00:52:36,799
Speaker 6: But when I came down here, Atlanta showed so much love.

1053
00:52:37,160 --> 00:52:40,240
Speaker 6: It was like they called Philly brotherly love. Now Atlanta

1054
00:52:40,400 --> 00:52:44,880
Speaker 6: was about brotherly love. I'm from New York, South South Jamerica.

1055
00:52:45,760 --> 00:52:48,879
Speaker 6: So when I came down here, New York is about

1056
00:52:48,960 --> 00:52:51,400
Speaker 6: taking over the block. So we thought we had to

1057
00:52:51,480 --> 00:52:54,799
Speaker 6: take over the block. Was like, no, nigga, we all

1058
00:52:54,920 --> 00:52:57,319
Speaker 6: hustled right here. Everybody getting money. It's too much money.

1059
00:52:57,360 --> 00:53:01,520
Speaker 6: Everybody getting next door neighbor hustling the same ship. We hustling,

1060
00:53:01,800 --> 00:53:05,040
Speaker 6: and everybody get money. So when New York niggas did

1061
00:53:05,120 --> 00:53:07,200
Speaker 6: come down here and try to take over the block,

1062
00:53:07,520 --> 00:53:10,200
Speaker 6: I had to defend the block because we.

1063
00:53:10,239 --> 00:53:12,080
Speaker 4: Don't get down like that now here. I had to

1064
00:53:12,160 --> 00:53:15,160
Speaker 4: let them know. Now they've been down here fifteen twenty years.

1065
00:53:15,200 --> 00:53:17,480
Speaker 4: Now they see. Man, it's all love down here.

1066
00:53:17,560 --> 00:53:17,799
Speaker 1: Ship.

1067
00:53:18,280 --> 00:53:19,280
Speaker 4: That's why I love Atlanta.

1068
00:53:19,520 --> 00:53:21,359
Speaker 1: I just think. I just think that, like you said,

1069
00:53:21,400 --> 00:53:22,759
Speaker 1: the neighborless ship is done.

1070
00:53:22,840 --> 00:53:22,960
Speaker 2: Man.

1071
00:53:22,960 --> 00:53:25,000
Speaker 3: It's like nigga don't know how to tell you, like, Bro,

1072
00:53:25,080 --> 00:53:26,920
Speaker 3: I fucked with them mother for them here right there, Bro,

1073
00:53:26,960 --> 00:53:27,680
Speaker 3: where you get them at.

1074
00:53:28,040 --> 00:53:29,960
Speaker 1: I ain't seen them bit never. You know what I'm saying.

1075
00:53:29,960 --> 00:53:31,600
Speaker 1: The mother go hard to here. Like niggas don't know

1076
00:53:31,600 --> 00:53:34,160
Speaker 1: how to tell a nigga. She gotta be taught. Niggas

1077
00:53:34,160 --> 00:53:34,759
Speaker 1: don't not tell me.

1078
00:53:37,239 --> 00:53:42,040
Speaker 6: Don't we probably have good mentors they have these young

1079
00:53:42,280 --> 00:53:43,759
Speaker 6: they don't have no ministry like this.

1080
00:53:44,120 --> 00:53:47,040
Speaker 1: Don't brain like a lot of for they don't know.

1081
00:53:47,560 --> 00:53:48,239
Speaker 1: They look on going.

1082
00:53:48,480 --> 00:53:50,600
Speaker 3: It is like you gotta tell them like going in

1083
00:53:50,680 --> 00:53:55,200
Speaker 3: the store, just you know, don't touch nig Gotta make

1084
00:53:55,239 --> 00:53:58,320
Speaker 3: sure you speak to these boys. Yeah, she real crypt

1085
00:53:58,400 --> 00:54:01,560
Speaker 3: but don't don't do too much at having to que

1086
00:54:01,640 --> 00:54:03,879
Speaker 3: somebody if you can't come in the room and pete

1087
00:54:04,000 --> 00:54:05,600
Speaker 3: the scene and gllecute the niggas.

1088
00:54:06,640 --> 00:54:07,680
Speaker 4: They don't know what they don't.

1089
00:54:08,680 --> 00:54:14,480
Speaker 1: We need to practice like live on and so we're

1090
00:54:14,480 --> 00:54:18,200
Speaker 1: gonna around and make ourselves live while to take rolling. No,

1091
00:54:18,360 --> 00:54:20,200
Speaker 1: we got to queue that ship back then, like this

1092
00:54:20,360 --> 00:54:21,080
Speaker 1: is what it needs to be.

1093
00:54:22,000 --> 00:54:24,600
Speaker 3: Even if we're doing that, we can't show these cameras

1094
00:54:24,640 --> 00:54:29,280
Speaker 3: that broke any Atlanta tearing of the man. Listen again,

1095
00:54:29,360 --> 00:54:32,799
Speaker 3: like we said before these started, bro we doing these

1096
00:54:32,880 --> 00:54:36,200
Speaker 3: things to build the city and help the city water

1097
00:54:36,320 --> 00:54:36,960
Speaker 3: these plants.

1098
00:54:37,120 --> 00:54:39,480
Speaker 1: You know what I'm saying, any terdation of it.

1099
00:54:40,080 --> 00:54:42,200
Speaker 3: We can't do that stuff like we ain't prep for this,

1100
00:54:42,360 --> 00:54:44,719
Speaker 3: and you know what I mean, the east side North

1101
00:54:44,800 --> 00:54:46,920
Speaker 3: side this one.

1102
00:54:46,880 --> 00:54:47,600
Speaker 1: One whole thing.

1103
00:54:47,880 --> 00:54:50,560
Speaker 3: And I want everybody that knows me that's watching this

1104
00:54:50,800 --> 00:54:53,520
Speaker 3: to know that Atlanta is like this right here. But

1105
00:54:53,600 --> 00:54:55,359
Speaker 3: I wouldn't even know Atlanta had it not been from

1106
00:54:55,400 --> 00:54:57,120
Speaker 3: east side on west side. I want to know the

1107
00:54:57,200 --> 00:54:59,320
Speaker 3: value of my street. Had it not been for your street.

1108
00:55:00,440 --> 00:55:02,080
Speaker 3: I went to the veil of my crew, had it

1109
00:55:02,200 --> 00:55:03,640
Speaker 3: not been for your No.

1110
00:55:03,800 --> 00:55:05,279
Speaker 1: What he said was, you got a cute nigga.

1111
00:55:05,280 --> 00:55:09,080
Speaker 3: That's just like, bro, it's automatic day. If you walk

1112
00:55:09,120 --> 00:55:11,600
Speaker 3: in the room like I saw you downstairs, speak your

1113
00:55:11,600 --> 00:55:12,960
Speaker 3: game because I walked in the room that you in.

1114
00:55:13,640 --> 00:55:15,279
Speaker 3: That's just how it goes. Like when you walk in

1115
00:55:15,320 --> 00:55:18,160
Speaker 3: the room, it's your dude. Just everybody niggas are walking

1116
00:55:18,160 --> 00:55:22,719
Speaker 3: in the room. Yeah, like some he's saying, that's automatically.

1117
00:55:22,800 --> 00:55:25,279
Speaker 3: You on some bullship in my eyes, like what this

1118
00:55:25,440 --> 00:55:28,719
Speaker 3: nigga walk in the room the growth on this day.

1119
00:55:29,280 --> 00:55:31,640
Speaker 3: You know, I'm y'all walking the room before.

1120
00:55:33,040 --> 00:55:34,160
Speaker 1: No boy coming in the club.

1121
00:55:34,320 --> 00:55:43,319
Speaker 4: You know what it got lost? No I remember remember

1122
00:55:43,680 --> 00:55:46,000
Speaker 4: remember the clubs the yard on the east side of

1123
00:55:46,040 --> 00:55:50,040
Speaker 4: the yard that was a dangerous ass. I went down.

1124
00:55:50,320 --> 00:55:53,120
Speaker 4: I went down there with Alpha T. I think, what

1125
00:55:53,280 --> 00:55:56,680
Speaker 4: was the DJ you? So we went down there.

1126
00:55:57,080 --> 00:55:59,320
Speaker 6: I walked around the bottle ball like a square. So

1127
00:55:59,400 --> 00:56:02,399
Speaker 6: I walked around me mugget, just showing like I ain't

1128
00:56:02,400 --> 00:56:04,960
Speaker 6: scared none of y'all niggas. But it's like I'm letting

1129
00:56:04,960 --> 00:56:06,600
Speaker 6: my president be known. I ain't to be fucked with.

1130
00:56:06,880 --> 00:56:08,680
Speaker 6: But after I walked around that ball, I got my

1131
00:56:08,719 --> 00:56:09,400
Speaker 6: ass upstairs.

1132
00:56:09,400 --> 00:56:11,880
Speaker 1: And so knowing that too.

1133
00:56:11,960 --> 00:56:15,719
Speaker 3: Though even that stiffness, even that stiffness man had that

1134
00:56:15,800 --> 00:56:17,000
Speaker 3: nigga not cut that stiffness.

1135
00:56:17,160 --> 00:56:21,480
Speaker 1: He was blocking doors. You know, you just locked yourself.

1136
00:56:21,600 --> 00:56:22,680
Speaker 1: But he was saying that. He was just in a

1137
00:56:22,719 --> 00:56:23,520
Speaker 1: room full of all the dose.

1138
00:56:23,600 --> 00:56:26,200
Speaker 3: You didn't say this, do that, But I'm just saying

1139
00:56:26,680 --> 00:56:29,719
Speaker 3: so so so if you're potting them, if you're potting them,

1140
00:56:29,719 --> 00:56:32,520
Speaker 3: cann't teach you that. God got to get in everybody, bro.

1141
00:56:32,880 --> 00:56:36,160
Speaker 3: So everybody need to pray for growth. Everybody again, everybody

1142
00:56:36,160 --> 00:56:39,800
Speaker 3: need to pray for growth. And like God gotta what

1143
00:56:40,040 --> 00:56:42,239
Speaker 3: he gotta put that in. Gott he gotta get in there, you.

1144
00:56:42,280 --> 00:56:42,799
Speaker 4: Know what I'm saying.

1145
00:56:42,800 --> 00:56:43,719
Speaker 1: So he can't put it in.

1146
00:56:43,880 --> 00:56:45,560
Speaker 4: He ain't get it in you till you put get

1147
00:56:45,640 --> 00:56:48,239
Speaker 4: what out. You gotta get the bulls. But I didn't

1148
00:56:48,280 --> 00:56:48,799
Speaker 4: know that though.

1149
00:56:48,840 --> 00:56:50,239
Speaker 1: He didn't know. You know what I'm saying, I didn't

1150
00:56:50,280 --> 00:56:50,560
Speaker 1: know that.

1151
00:56:50,760 --> 00:56:53,919
Speaker 4: I want to know when did you identify that you knew?

1152
00:56:54,400 --> 00:56:56,920
Speaker 4: When did? When did the light bulb go off? And

1153
00:56:57,000 --> 00:56:59,560
Speaker 4: you just lie I'm blocking myself.

1154
00:56:59,760 --> 00:57:01,880
Speaker 3: I then I still did until he just said what

1155
00:57:01,960 --> 00:57:04,720
Speaker 3: I used to do, I didn't even I wouldn't even cognizant.

1156
00:57:04,480 --> 00:57:05,279
Speaker 1: That I used to do that.

1157
00:57:05,480 --> 00:57:07,719
Speaker 3: Yes, you get what I'm saying, like until nothing like

1158
00:57:07,920 --> 00:57:10,399
Speaker 3: now it's just automatic. I don't know where that is done.

1159
00:57:10,440 --> 00:57:12,640
Speaker 3: Click Now it's just automatic. When I walk in the room,

1160
00:57:12,719 --> 00:57:14,839
Speaker 3: I want to bring joy to it. Back then when

1161
00:57:14,840 --> 00:57:16,320
Speaker 3: I walk in the room, I want to bring ship,

1162
00:57:16,400 --> 00:57:19,520
Speaker 3: what's happening, feel to it, keeping the bridge like because

1163
00:57:19,600 --> 00:57:23,280
Speaker 3: because it was it was survival tactics. I guess you

1164
00:57:23,320 --> 00:57:26,880
Speaker 3: know what I'm saying, laid with me no way, shape

1165
00:57:27,000 --> 00:57:30,040
Speaker 3: or boom. Yes, but now I want to be approachable

1166
00:57:30,280 --> 00:57:32,400
Speaker 3: walking in the room. And nigga, the nigga the owner

1167
00:57:32,520 --> 00:57:34,560
Speaker 3: state might be sitting over the baby girl who you say,

1168
00:57:34,640 --> 00:57:36,080
Speaker 3: manage you? She might got done, got to play you

1169
00:57:36,120 --> 00:57:37,320
Speaker 3: know what, bank I got to play for you. But

1170
00:57:37,400 --> 00:57:40,520
Speaker 3: you look at too mean to even telling you tell

1171
00:57:40,600 --> 00:57:41,520
Speaker 3: me all the time.

1172
00:57:41,560 --> 00:57:44,360
Speaker 5: Like, hey, you know you're on the podcast now, right,

1173
00:57:44,960 --> 00:57:47,360
Speaker 5: you gotta you gotta loosen up a little bit, go

1174
00:57:47,600 --> 00:57:48,400
Speaker 5: down all the time.

1175
00:57:48,520 --> 00:57:51,640
Speaker 3: Man, that could be explained. That's something that need to

1176
00:57:51,640 --> 00:57:54,040
Speaker 3: be talked to the to the youth. More like you

1177
00:57:54,200 --> 00:57:55,080
Speaker 3: gotta relax on.

1178
00:57:55,160 --> 00:57:58,440
Speaker 2: That's why I said that, you gotta it's hard for

1179
00:57:58,520 --> 00:58:06,720
Speaker 2: them to see everybody's out you still, you still are

1180
00:58:06,840 --> 00:58:10,000
Speaker 2: who you are, but they're actively still in the field.

1181
00:58:10,120 --> 00:58:12,320
Speaker 3: No, like my son little will say, right, we could

1182
00:58:12,360 --> 00:58:16,600
Speaker 3: be out together, And I'm automatically when I see a

1183
00:58:16,680 --> 00:58:20,640
Speaker 3: nigga thinking that they don't love time and they could

1184
00:58:20,640 --> 00:58:23,000
Speaker 3: be on our time. So I'm automatically speaking for like

1185
00:58:23,040 --> 00:58:25,840
Speaker 3: what's up, bro? Even in the nigga wants a sucker ship,

1186
00:58:26,240 --> 00:58:28,400
Speaker 3: he can't be in that moment. He's gonna have to

1187
00:58:28,440 --> 00:58:30,760
Speaker 3: show it right then. You know what I'm saying, Yeah,

1188
00:58:30,760 --> 00:58:32,400
Speaker 3: I'm broken. You're gonna have to show it right then,

1189
00:58:32,560 --> 00:58:35,040
Speaker 3: like fuck you. But the I'm like, what's up, king,

1190
00:58:35,640 --> 00:58:37,480
Speaker 3: So you're gonna have to show you either fuck nigga

1191
00:58:37,720 --> 00:58:39,439
Speaker 3: or you be like what's up bro? And keep it moving.

1192
00:58:39,680 --> 00:58:41,760
Speaker 3: You're gonna like I'm breaking the ice. But if I

1193
00:58:41,840 --> 00:58:43,280
Speaker 3: look at him and he look at me, we wait

1194
00:58:43,320 --> 00:58:44,840
Speaker 3: and to see who gonna turn away? That could be

1195
00:58:44,920 --> 00:58:47,760
Speaker 3: like what you you can turn into a shootout you.

1196
00:58:47,800 --> 00:58:48,800
Speaker 1: Put on fire.

1197
00:58:48,960 --> 00:58:51,480
Speaker 6: I changed a lot because I got in the world

1198
00:58:51,560 --> 00:58:53,160
Speaker 6: of promotion, the club promotions.

1199
00:58:53,560 --> 00:58:57,240
Speaker 4: So now I gotta be. I gotta smile all the

1200
00:58:57,360 --> 00:58:58,280
Speaker 4: time with folks.

1201
00:58:58,680 --> 00:59:01,480
Speaker 6: Back in the day, you couldn't approached me and smiling

1202
00:59:01,840 --> 00:59:04,160
Speaker 6: or say how or anything like that because i'mna look

1203
00:59:04,200 --> 00:59:04,640
Speaker 6: at you like.

1204
00:59:04,680 --> 00:59:06,960
Speaker 4: Your op every time from on the block.

1205
00:59:07,640 --> 00:59:08,480
Speaker 1: So that's how it was.

1206
00:59:08,600 --> 00:59:11,680
Speaker 6: But in the promotion game, I had to change and

1207
00:59:11,840 --> 00:59:13,840
Speaker 6: I don't. There's so many people know me. People come

1208
00:59:13,920 --> 00:59:16,080
Speaker 6: up to me tomorrow, I just shake their hand and nod,

1209
00:59:16,520 --> 00:59:18,320
Speaker 6: you know, because I don't know if they op or not.

1210
00:59:18,520 --> 00:59:20,880
Speaker 6: I just everybody, Hey, how you doing.

1211
00:59:20,880 --> 00:59:24,040
Speaker 1: The I'm gonna lead with the love though. That's I'm

1212
00:59:24,040 --> 00:59:26,360
Speaker 1: gonna leave with you.

1213
00:59:26,440 --> 00:59:28,560
Speaker 3: Show me like cause I can get right on the

1214
00:59:28,640 --> 00:59:31,680
Speaker 3: same ship hit you, but off the rip, it's gonna

1215
00:59:32,440 --> 00:59:34,680
Speaker 3: the art is gonna be in my favor because I

1216
00:59:34,840 --> 00:59:37,280
Speaker 3: wasn't on that. Yeah, you know what I'm saying. That's

1217
00:59:37,280 --> 00:59:39,600
Speaker 3: how I look at life now. Like, Bro, I'm coming

1218
00:59:39,680 --> 00:59:41,920
Speaker 3: with no matter what. If a nigga having a bad day,

1219
00:59:42,080 --> 00:59:43,200
Speaker 3: I'm gonna try to help your day.

1220
00:59:43,200 --> 00:59:43,720
Speaker 1: Bro, what's up?

1221
00:59:44,040 --> 00:59:44,200
Speaker 6: Good?

1222
00:59:44,200 --> 00:59:46,080
Speaker 1: But whatever that shit did, you're good. You could be

1223
00:59:46,120 --> 00:59:47,600
Speaker 1: money because I ain't gonna take it personal.

1224
00:59:48,520 --> 00:59:51,760
Speaker 5: Your man who was outside who greeted us and brought

1225
00:59:51,840 --> 00:59:58,040
Speaker 5: us in security. The most incredible human being in the

1226
00:59:58,240 --> 01:00:02,360
Speaker 5: top ten of mine. Okay, that's College Muhammad. He is

1227
01:00:02,480 --> 01:00:07,640
Speaker 5: the son of grand Master Joe Steve Muhammad. He is

1228
01:00:07,760 --> 01:00:13,000
Speaker 5: the son of grand Master si Jo Steve Muhammad. He

1229
01:00:15,400 --> 01:00:19,240
Speaker 5: the man can open doors. Well, I didn't go to

1230
01:00:19,320 --> 01:00:25,000
Speaker 5: you where I went to him because of the respect

1231
01:00:25,200 --> 01:00:27,000
Speaker 5: I have for him and his father.

1232
01:00:28,680 --> 01:00:29,160
Speaker 1: That's why his.

1233
01:00:29,360 --> 01:00:29,840
Speaker 4: Energy like that.

1234
01:00:29,920 --> 01:00:30,360
Speaker 1: That's crazy.

1235
01:00:30,360 --> 01:00:32,200
Speaker 5: I didn't even know that that nigga energy is period.

1236
01:00:32,320 --> 01:00:37,640
Speaker 5: He always like that, you have no idea should I do? No, no, no,

1237
01:00:37,840 --> 01:00:41,760
Speaker 5: I'm trust me. You have no idea of the lineageure

1238
01:00:42,200 --> 01:00:42,840
Speaker 5: and I had.

1239
01:00:43,080 --> 01:00:46,240
Speaker 4: I didn't know you. I introduced myself. I didn't know you.

1240
01:00:46,760 --> 01:00:47,960
Speaker 4: I introduced myself.

1241
01:00:48,800 --> 01:00:49,240
Speaker 1: I know you.

1242
01:00:50,640 --> 01:00:55,360
Speaker 5: But my thing is, I really wasn't excited about coming

1243
01:00:55,400 --> 01:00:59,040
Speaker 5: here today because part of you know certain ship in

1244
01:00:59,120 --> 01:01:02,040
Speaker 5: my life and my pass I want to stay there.

1245
01:01:02,600 --> 01:01:05,880
Speaker 5: But I also based on the mentoring I do, based

1246
01:01:05,920 --> 01:01:08,240
Speaker 5: on my training in martial arts for over the last

1247
01:01:08,320 --> 01:01:10,720
Speaker 5: thirty years, which his father is one of my instructors.

1248
01:01:11,160 --> 01:01:16,920
Speaker 5: He's one of my instructors. I have to plant seeds

1249
01:01:17,040 --> 01:01:21,840
Speaker 5: in fertile ground. We have to plant seeds and fertile ground.

1250
01:01:21,920 --> 01:01:26,240
Speaker 5: We have to be vulnerable and transparent with one another.

1251
01:01:26,440 --> 01:01:28,400
Speaker 4: In order to show these because a lot of these

1252
01:01:28,480 --> 01:01:34,840
Speaker 4: young niggas are really weak, immature and insecure. Right, but

1253
01:01:35,120 --> 01:01:40,840
Speaker 4: once they know we all have been that and and.

1254
01:01:43,360 --> 01:01:47,520
Speaker 5: But there's a way to elevate, but it comes from correction.

1255
01:01:48,880 --> 01:01:51,440
Speaker 5: We just got to be students at all times.

1256
01:01:53,320 --> 01:01:53,880
Speaker 4: Now, that's real.

1257
01:01:53,960 --> 01:01:57,040
Speaker 1: Ship niggas. Afraid niggas want to feel like they know everything.

1258
01:01:57,760 --> 01:01:58,480
Speaker 1: That's the whole thing.

1259
01:01:58,840 --> 01:02:01,520
Speaker 4: The wise man knows that he knows nothing.

1260
01:02:03,080 --> 01:02:05,560
Speaker 3: I'll be playing what did I say? I don't know,

1261
01:02:05,880 --> 01:02:09,280
Speaker 3: but I played dumber to make sure to suck it up,

1262
01:02:09,640 --> 01:02:13,840
Speaker 3: it out. I play too like people don't understand. Like

1263
01:02:13,960 --> 01:02:15,800
Speaker 3: that's my whole tech and I'm going to give away

1264
01:02:15,800 --> 01:02:18,360
Speaker 3: on big fans. Like when I do interviews and ship

1265
01:02:18,840 --> 01:02:21,439
Speaker 3: people be like, come on, Bank, you just don't know shit.

1266
01:02:21,680 --> 01:02:23,000
Speaker 4: You asked questions, bro.

1267
01:02:23,400 --> 01:02:26,880
Speaker 5: I love it, Thank you, bro, because everybody don't even

1268
01:02:26,960 --> 01:02:28,840
Speaker 5: have a clue asked to what's going on?

1269
01:02:29,080 --> 01:02:29,560
Speaker 4: They don't know.

1270
01:02:29,720 --> 01:02:33,400
Speaker 5: So when you asked the question, it gets understanding. To

1271
01:02:33,560 --> 01:02:37,520
Speaker 5: be unclear is to be unkind. Fact, to be unclear

1272
01:02:37,760 --> 01:02:40,200
Speaker 5: is to be unkind. And I try to if we

1273
01:02:40,400 --> 01:02:43,439
Speaker 5: walk away from a conversation and I don't understand shit

1274
01:02:43,560 --> 01:02:44,000
Speaker 5: you said.

1275
01:02:44,640 --> 01:02:45,400
Speaker 4: What was the point?

1276
01:02:45,520 --> 01:02:47,600
Speaker 3: And I try to ask questions in a way that

1277
01:02:47,680 --> 01:02:49,840
Speaker 3: I would have asked them twenty years ago when I

1278
01:02:49,880 --> 01:02:51,720
Speaker 3: ain't had a courage to ask the question, because I

1279
01:02:51,800 --> 01:02:53,560
Speaker 3: know it's some niggas that you said when you didn't

1280
01:02:53,600 --> 01:02:55,320
Speaker 3: have the courage, when I didn't have the courage to

1281
01:02:55,320 --> 01:02:57,240
Speaker 3: ask the question, why would why wouldn't you have had

1282
01:02:57,480 --> 01:02:59,280
Speaker 3: as a kid? I don't want to nigga, got to say,

1283
01:02:59,320 --> 01:03:02,160
Speaker 3: I'm saying years ago these questions I wanted to ask

1284
01:03:02,240 --> 01:03:05,520
Speaker 3: twenty years ago that I wouldn't ask period.

1285
01:03:05,520 --> 01:03:07,400
Speaker 1: I wouldn't even say nothing. Fuck it, I gotta figure out.

1286
01:03:08,600 --> 01:03:10,640
Speaker 4: Yeah, just trying mistakes and all type.

1287
01:03:10,440 --> 01:03:12,880
Speaker 3: Of show where you could have just asked the question exactly.

1288
01:03:13,000 --> 01:03:15,880
Speaker 3: So now I'm asking the question as if my mind

1289
01:03:16,000 --> 01:03:17,840
Speaker 3: was back then. For the young nigga that's mine is

1290
01:03:17,840 --> 01:03:19,880
Speaker 3: still back there. Now you get what I'm saying. Yeah,

1291
01:03:20,280 --> 01:03:21,880
Speaker 3: It's just like if I interview a nigga, right, if

1292
01:03:21,880 --> 01:03:23,960
Speaker 3: I come to interview today, I'm not finna look you up.

1293
01:03:23,960 --> 01:03:26,040
Speaker 1: I'm gonna I'm gonna learn you in front of the world.

1294
01:03:26,560 --> 01:03:28,960
Speaker 3: I'm gonna ask you the questions in front, like I'm

1295
01:03:29,000 --> 01:03:31,120
Speaker 3: gonna it's gonna be my first Like people be saying

1296
01:03:31,120 --> 01:03:33,320
Speaker 3: in the comings, like, man, you gotta research your guests

1297
01:03:34,080 --> 01:03:34,840
Speaker 3: the other people.

1298
01:03:34,960 --> 01:03:36,840
Speaker 5: Do you know how gifted you are to have that

1299
01:03:37,000 --> 01:03:39,400
Speaker 5: level of awareness and sensitivity?

1300
01:03:39,480 --> 01:03:42,520
Speaker 4: What do you mean? Do you know how gifted you

1301
01:03:42,720 --> 01:03:46,000
Speaker 4: are will have that level of awareness.

1302
01:03:45,760 --> 01:03:49,760
Speaker 5: Breaking down from you your sensitivity to what other people

1303
01:03:49,800 --> 01:03:53,760
Speaker 5: are thinking or feeling, even your own your awareness of

1304
01:03:54,360 --> 01:03:56,760
Speaker 5: Let me ask him a question from a from a

1305
01:03:57,360 --> 01:04:01,800
Speaker 5: really old version of myself, is that that opens the

1306
01:04:01,960 --> 01:04:04,480
Speaker 5: door to so much more shit than you realize.

1307
01:04:04,720 --> 01:04:08,240
Speaker 4: But you're aware of it. You're aware of yourself. You're

1308
01:04:08,280 --> 01:04:11,200
Speaker 4: aware of your own past insecurities and doubt for sure,

1309
01:04:11,520 --> 01:04:13,560
Speaker 4: and you lay it out there for the world to see.

1310
01:04:13,720 --> 01:04:16,280
Speaker 4: That's powerful. No, real shit, that's powerful.

1311
01:04:16,360 --> 01:04:16,720
Speaker 1: I don't know.

1312
01:04:16,880 --> 01:04:19,760
Speaker 3: God did that too, because it's like like nigga be like,

1313
01:04:19,800 --> 01:04:22,120
Speaker 3: did you do your research on niggas? No, because they

1314
01:04:22,120 --> 01:04:24,000
Speaker 3: ain't gonna get a real reaction from me once they

1315
01:04:24,080 --> 01:04:26,080
Speaker 3: tell me something that I didn't know. You get what

1316
01:04:26,120 --> 01:04:27,920
Speaker 3: I'm saying, Like if I asked you a question like

1317
01:04:28,040 --> 01:04:29,680
Speaker 3: while you grew up and you tell me shit like damn,

1318
01:04:30,080 --> 01:04:30,560
Speaker 3: I ain't.

1319
01:04:30,400 --> 01:04:31,200
Speaker 1: Read that on Google.

1320
01:04:31,400 --> 01:04:33,000
Speaker 3: You just told me that ship, so you're gonna get

1321
01:04:33,000 --> 01:04:35,520
Speaker 3: my real reaction in real time. Me and me and

1322
01:04:35,640 --> 01:04:38,040
Speaker 3: the people are learning you at real time. I ain't

1323
01:04:38,080 --> 01:04:41,000
Speaker 3: a typical journalists. God damn google you and ask you questions.

1324
01:04:41,160 --> 01:04:42,760
Speaker 3: So people be like, why ain't ask your nigga this?

1325
01:04:43,000 --> 01:04:44,160
Speaker 1: But I didn't know? Yeah?

1326
01:04:44,760 --> 01:04:47,400
Speaker 3: Yeah, And that's something we gotta teach that too, though.

1327
01:04:47,520 --> 01:04:49,919
Speaker 3: We gotta teach that that how to be leaders because

1328
01:04:49,920 --> 01:04:52,400
Speaker 3: you gotta understand, like it was talked to me like

1329
01:04:52,480 --> 01:04:54,200
Speaker 3: and I just walked up on a crip up on it.

1330
01:04:54,240 --> 01:04:56,320
Speaker 1: I don't know how his story is or your story

1331
01:04:56,520 --> 01:04:59,320
Speaker 1: or yours. How did you get to be this leader thing? Man?

1332
01:04:59,520 --> 01:05:02,480
Speaker 1: It was a it was a wire walk at some

1333
01:05:02,640 --> 01:05:05,520
Speaker 1: point to actually get over there, to get a nominated

1334
01:05:05,560 --> 01:05:08,880
Speaker 1: to be in these spots. It's somebody to be.

1335
01:05:09,080 --> 01:05:11,080
Speaker 4: I ain't never wanted to be nobody's leader.

1336
01:05:11,160 --> 01:05:12,880
Speaker 3: Yeah, okay, Well, whether I'm saying though, you've got people

1337
01:05:12,920 --> 01:05:14,600
Speaker 3: that look up to you, because I ain't no where

1338
01:05:15,720 --> 01:05:19,000
Speaker 3: out your number. You know what I'm saying, You would

1339
01:05:19,040 --> 01:05:21,560
Speaker 3: call the pun because of some motivation. And I can

1340
01:05:21,600 --> 01:05:23,720
Speaker 3: tell why the way you speak and the knowledge that

1341
01:05:24,680 --> 01:05:26,600
Speaker 3: the length of time that you have those stories need

1342
01:05:26,640 --> 01:05:29,080
Speaker 3: to be told, like we got to preserve your knowledge,

1343
01:05:29,560 --> 01:05:30,800
Speaker 3: you know what I'm saying, and they got to be

1344
01:05:30,880 --> 01:05:33,320
Speaker 3: spread around with where people can know that. Okay, you

1345
01:05:33,400 --> 01:05:35,840
Speaker 3: got a lot of missing college Paul links because when

1346
01:05:35,880 --> 01:05:38,440
Speaker 3: you were saying that part about the whole crypt, I

1347
01:05:38,600 --> 01:05:39,560
Speaker 3: know the bat piece of that.

1348
01:05:40,080 --> 01:05:41,320
Speaker 1: I did the date where you at.

1349
01:05:41,240 --> 01:05:43,320
Speaker 3: Because I can pick up around the nineties and I

1350
01:05:43,360 --> 01:05:44,800
Speaker 3: can see where it grew. For you just said where

1351
01:05:44,800 --> 01:05:47,560
Speaker 3: it grew from the stories given you saying the call Paul.

1352
01:05:47,640 --> 01:05:49,240
Speaker 3: We need to have this conversation so you will know

1353
01:05:49,320 --> 01:05:51,880
Speaker 3: that the west Side don't consider call North.

1354
01:05:51,960 --> 01:05:54,920
Speaker 7: But just so you'll know that, like we don't consist

1355
01:05:55,640 --> 01:05:58,760
Speaker 7: what they say, we well, the west Side it is

1356
01:05:59,320 --> 01:06:03,240
Speaker 7: that it is never would know we all bro Joo.

1357
01:06:06,360 --> 01:06:08,360
Speaker 4: Franklin the west side.

1358
01:06:10,200 --> 01:06:14,440
Speaker 1: You know you know yeah Roads.

1359
01:06:14,240 --> 01:06:19,200
Speaker 6: Garden, Ye boy, that's six flags drive. You might consider

1360
01:06:19,280 --> 01:06:21,760
Speaker 6: that Wes y'all moved the six flags.

1361
01:06:21,920 --> 01:06:24,160
Speaker 4: Don't get don't get it real, keep it real.

1362
01:06:25,040 --> 01:06:27,640
Speaker 1: When you went to Vegas Knights, the motherfucker was west side.

1363
01:06:28,400 --> 01:06:32,240
Speaker 2: Vegas Nights was west side, you know in the Vegas Knights,

1364
01:06:32,320 --> 01:06:34,080
Speaker 2: the people you see, I thought that was.

1365
01:06:34,160 --> 01:06:40,520
Speaker 4: Safe from anywhere pre date that's why the West.

1366
01:06:41,280 --> 01:06:45,080
Speaker 3: But predicting the rap culture to predate the rap culture,

1367
01:06:45,160 --> 01:06:46,880
Speaker 3: and my terms like we used to like you could

1368
01:06:46,920 --> 01:06:49,880
Speaker 3: tell where they're from, like who they met with back

1369
01:06:49,960 --> 01:06:51,720
Speaker 3: in the day. The car boy come to the flag.

1370
01:06:51,800 --> 01:07:01,280
Speaker 3: They hanging with the West, with the West. Listen my fault.

1371
01:07:01,360 --> 01:07:04,240
Speaker 1: Listen, ain't gonna take calls from him, man, Listen. This

1372
01:07:04,400 --> 01:07:07,240
Speaker 1: was my main one of my spot. Man.

1373
01:07:07,320 --> 01:07:09,840
Speaker 2: Listen, call kind of frank row all that old oh

1374
01:07:10,000 --> 01:07:12,600
Speaker 2: road God listen awaiting their tip.

1375
01:07:13,800 --> 01:07:19,439
Speaker 3: Yeah, call my wife from call like but that was listen,

1376
01:07:19,560 --> 01:07:21,920
Speaker 3: call has been. They come across the bridge coming right

1377
01:07:21,960 --> 01:07:24,840
Speaker 3: there though. That's our them, folk family, that's croind of

1378
01:07:24,920 --> 01:07:26,320
Speaker 3: like taking life on from east.

1379
01:07:29,600 --> 01:07:30,080
Speaker 1: That's them.

1380
01:07:30,120 --> 01:07:32,880
Speaker 3: You gotta understand, especially day take the wrap out of

1381
01:07:32,920 --> 01:07:36,320
Speaker 3: it and folk eating out there eating the Old National?

1382
01:07:36,400 --> 01:07:38,280
Speaker 3: Do you not much South, y'all? Even just look south

1383
01:07:38,320 --> 01:07:42,400
Speaker 3: of Old National? Whatever South that we we want, we want,

1384
01:07:43,480 --> 01:07:50,040
Speaker 3: we want, we want all that while we listen, Man,

1385
01:07:50,080 --> 01:07:54,800
Speaker 3: we're taking carf them in Alabama want to come up

1386
01:07:54,840 --> 01:07:55,520
Speaker 3: from Aniston.

1387
01:07:55,600 --> 01:07:57,680
Speaker 4: Damn the way go down the road and we go

1388
01:07:57,840 --> 01:07:59,320
Speaker 4: down they go.

1389
01:07:59,440 --> 01:07:59,960
Speaker 1: Down the road.

1390
01:08:00,240 --> 01:08:03,200
Speaker 6: We do not claim I mean the soft ass niggas

1391
01:08:03,280 --> 01:08:05,440
Speaker 6: they claim Atlanta. We don't claim Milanda.

1392
01:08:05,760 --> 01:08:09,240
Speaker 4: We claim we're not down there.

1393
01:08:10,360 --> 01:08:14,520
Speaker 3: You're from Atlanta, and study claiming it may read the

1394
01:08:14,640 --> 01:08:16,880
Speaker 3: call count and they were doing any kind of street

1395
01:08:17,000 --> 01:08:21,360
Speaker 3: hoodshon boy them boy came across one bridge. My house

1396
01:08:21,439 --> 01:08:31,720
Speaker 3: was the first house he crossed that bridge. Home three care, Paul,

1397
01:08:31,800 --> 01:08:35,200
Speaker 3: that's right, neighborhood. I'm at the door. I'm the first

1398
01:08:35,200 --> 01:08:35,920
Speaker 3: one they're gonna see.

1399
01:08:35,960 --> 01:08:39,120
Speaker 1: So all that for years, it ain't nobody to call,

1400
01:08:39,200 --> 01:08:43,479
Speaker 1: counting on sp They was in the mini they wrapped.

1401
01:08:43,479 --> 01:08:44,720
Speaker 1: They might not know you know what I mean, but

1402
01:08:44,840 --> 01:08:49,080
Speaker 1: they know what we take me not allocause these cats

1403
01:08:49,120 --> 01:08:50,800
Speaker 1: didn't eat out there. They ain't even They don't even

1404
01:08:50,800 --> 01:08:53,160
Speaker 1: know the plate I'm talking about. But man called them

1405
01:08:53,200 --> 01:08:55,599
Speaker 1: being so sufficient and not to mention the real games.

1406
01:08:55,680 --> 01:08:58,160
Speaker 1: I'm mention the boy. Now you know what I'm saying.

1407
01:08:58,160 --> 01:09:00,320
Speaker 1: We'll talking about after the cargo, but not so real.

1408
01:09:02,120 --> 01:09:06,880
Speaker 4: Tell yeah, they even they even learned. They said the

1409
01:09:07,000 --> 01:09:07,519
Speaker 4: kind of call.

1410
01:09:07,520 --> 01:09:11,599
Speaker 1: Boys you're talking about, but got killed, especially on my block.

1411
01:09:11,720 --> 01:09:14,880
Speaker 6: My block is Franklin Road, so it's the original carb

1412
01:09:14,960 --> 01:09:20,200
Speaker 6: County projects. They generations have family generation grew up there,

1413
01:09:20,360 --> 01:09:24,320
Speaker 6: grandma and everything. But Franklin Road. We're from the most

1414
01:09:24,479 --> 01:09:29,720
Speaker 6: craziest cities in America. Franklin Road is Detroit, Chicago, New York,

1415
01:09:29,960 --> 01:09:32,439
Speaker 6: Miami all in one, melting Poland.

1416
01:09:33,120 --> 01:09:35,120
Speaker 3: And again like just just as far as Atlanta, just

1417
01:09:35,240 --> 01:09:38,400
Speaker 3: in general, we have to tell I have to tell

1418
01:09:38,520 --> 01:09:42,240
Speaker 3: you guys how we feel about I'm not looking in Atlanta.

1419
01:09:42,400 --> 01:09:44,400
Speaker 1: Everybody need to turn their back and look that way.

1420
01:09:44,520 --> 01:09:47,479
Speaker 3: Yeah, if you don't look at downtown, just turn around

1421
01:09:47,520 --> 01:09:48,479
Speaker 3: and look the opposite way.

1422
01:09:48,520 --> 01:09:51,800
Speaker 1: Look and let's identify this. Let's let's move this fence.

1423
01:09:51,880 --> 01:09:53,519
Speaker 1: I'm gonna take the west side fence and move it

1424
01:09:53,560 --> 01:09:56,559
Speaker 1: back back by a villa k.

1425
01:10:03,000 --> 01:10:05,719
Speaker 4: We always to Elbo.

1426
01:10:10,400 --> 01:10:13,080
Speaker 1: That's a thing. That's how I really feel like. We're

1427
01:10:13,120 --> 01:10:15,040
Speaker 1: so they're gonna move the fence.

1428
01:10:15,160 --> 01:10:17,639
Speaker 3: That's the problem. We took man, Man, we don't conker

1429
01:10:17,680 --> 01:10:20,400
Speaker 3: that listen, and then nobody el can beat their chins.

1430
01:10:20,680 --> 01:10:22,000
Speaker 3: We got enough people that can move the.

1431
01:10:22,000 --> 01:10:24,720
Speaker 1: Fish we got. I got.

1432
01:10:27,960 --> 01:10:31,320
Speaker 4: Got it out them little traps niggas were stuck in.

1433
01:10:31,479 --> 01:10:34,840
Speaker 5: Once they find a plug, a cohort they could deal

1434
01:10:34,880 --> 01:10:39,360
Speaker 5: with on the west side, I got the whole everybody happen.

1435
01:10:40,160 --> 01:10:42,760
Speaker 3: Everybody haven't really getting no money with niggas in my hood,

1436
01:10:44,600 --> 01:10:46,840
Speaker 3: you got on the outside money with niggas from the.

1437
01:10:46,880 --> 01:10:51,040
Speaker 4: West Side, south Side, north Side. We always money.

1438
01:10:51,560 --> 01:10:54,080
Speaker 1: Always see those who could can't get around. That was

1439
01:10:54,200 --> 01:10:57,880
Speaker 1: my advantage to cost man from Camelton going to scared

1440
01:10:57,920 --> 01:11:01,400
Speaker 1: to go to the nigga in my spot. Let me

1441
01:11:01,400 --> 01:11:03,000
Speaker 1: get in the car. It's to get money.

1442
01:11:03,120 --> 01:11:05,040
Speaker 3: They were scared even go over. This is all family

1443
01:11:05,120 --> 01:11:07,560
Speaker 3: to me. I had to come out Camelton, dry the

1444
01:11:07,640 --> 01:11:09,479
Speaker 3: ass over there, take the ass around.

1445
01:11:09,280 --> 01:11:13,080
Speaker 1: That motherfucker or faster whoever we were doing, and leave it.

1446
01:11:13,240 --> 01:11:16,639
Speaker 1: I'm making mone of that because they didn't know same thing.

1447
01:11:16,640 --> 01:11:19,800
Speaker 3: Like I didn't know Coler. Bath took us to Colon

1448
01:11:19,840 --> 01:11:22,040
Speaker 3: Paul me in Westside, but we didn't know them. Man,

1449
01:11:22,160 --> 01:11:24,479
Speaker 3: go down there, man and and see how the boy moving.

1450
01:11:25,320 --> 01:11:27,200
Speaker 3: I didn't even want to go back to Bankhead becauseieve

1451
01:11:27,240 --> 01:11:28,120
Speaker 3: all were moving it at.

1452
01:11:27,960 --> 01:11:31,000
Speaker 1: A higher pace. You know what. I'm just saying that.

1453
01:11:31,080 --> 01:11:33,439
Speaker 1: But Bath troops down there and gave us and with

1454
01:11:33,680 --> 01:11:36,799
Speaker 1: Beth stamp that I still got today with I protected

1455
01:11:36,840 --> 01:11:38,720
Speaker 1: with man stamp me and.

1456
01:11:38,720 --> 01:11:40,559
Speaker 3: Then what people ain't doing. They'll come out here, get

1457
01:11:40,560 --> 01:11:42,920
Speaker 3: Atlanta stamp and go to this smitting that stamp after you.

1458
01:11:43,880 --> 01:11:45,600
Speaker 3: Then what were trying to stop this. I'm trying to

1459
01:11:45,600 --> 01:11:47,760
Speaker 3: stop and say, look, you could be cut and you

1460
01:11:47,840 --> 01:11:50,320
Speaker 3: got a stamp. Just know cause I tell you you

1461
01:11:50,439 --> 01:11:52,439
Speaker 3: got somewhere you can pum nigga like cause this is

1462
01:11:52,520 --> 01:11:54,760
Speaker 3: my man. Okay, okay, he ain't got saying that there.

1463
01:11:54,800 --> 01:11:56,200
Speaker 3: Bank say that as a man who will say that man,

1464
01:11:56,240 --> 01:11:58,400
Speaker 3: that's his man. But once your man get hit there,

1465
01:11:58,439 --> 01:12:00,559
Speaker 3: you don't walk off your man in him buyself showing

1466
01:12:00,640 --> 01:12:03,920
Speaker 3: out like on good fellaw man, your man got his

1467
01:12:04,000 --> 01:12:07,200
Speaker 3: boots on my motherfucking table. You did what I'm saying,

1468
01:12:07,240 --> 01:12:08,719
Speaker 3: And then what's going on to a nigga be like, okay,

1469
01:12:08,760 --> 01:12:10,720
Speaker 3: put you your man want to talk to you. The

1470
01:12:10,840 --> 01:12:12,120
Speaker 3: nigga that turned you on to me want to talk

1471
01:12:12,120 --> 01:12:14,479
Speaker 3: to you. And you're seeing how he handled him. Your

1472
01:12:14,560 --> 01:12:16,960
Speaker 3: man ain't representing you, bro, He represents you, and he

1473
01:12:17,040 --> 01:12:19,200
Speaker 3: represents you while you're here, and you come to the

1474
01:12:19,280 --> 01:12:20,599
Speaker 3: club three fourth time with him.

1475
01:12:20,600 --> 01:12:22,240
Speaker 1: Now you ain't got to come back. Your man solid

1476
01:12:22,280 --> 01:12:25,200
Speaker 1: he daping with us. Now he with us. You know,

1477
01:12:25,400 --> 01:12:28,680
Speaker 1: he's showing who he is for one what he might

1478
01:12:28,720 --> 01:12:30,479
Speaker 1: be key. He ain't calling you no more.

1479
01:12:31,320 --> 01:12:36,639
Speaker 4: I might accept the call. I accept humble I might

1480
01:12:36,720 --> 01:12:37,280
Speaker 4: accept that.

1481
01:12:40,640 --> 01:12:44,120
Speaker 5: Talking about Man, I'm just a humble country boy from

1482
01:12:44,240 --> 01:12:45,559
Speaker 5: college bar Man trying to.

1483
01:12:47,479 --> 01:12:50,960
Speaker 1: Make got on my head about rape Daniels too. Man.

1484
01:12:51,520 --> 01:12:52,519
Speaker 4: Yeah, I've seen that.

1485
01:12:54,160 --> 01:12:56,120
Speaker 3: Because I told Nigga, I say, Man, Man, Ray, and

1486
01:12:56,240 --> 01:12:58,840
Speaker 3: I was just keep kidding it because I just like, yeah,

1487
01:12:59,160 --> 01:13:01,040
Speaker 3: Atlanta want me in right done to have a talk man,

1488
01:13:01,120 --> 01:13:03,559
Speaker 3: put me on your show. And I was just saying

1489
01:13:03,600 --> 01:13:06,360
Speaker 3: this and interpretating little color. It's a couple of things,

1490
01:13:06,360 --> 01:13:08,120
Speaker 3: and I've been trying to light race. So then another

1491
01:13:08,160 --> 01:13:08,559
Speaker 3: new game.

1492
01:13:08,600 --> 01:13:10,640
Speaker 1: I'm like, nah, Ray, he came when he was got

1493
01:13:10,720 --> 01:13:14,080
Speaker 1: damn twelve. It ain't about that. I appreciate what Ray doing,

1494
01:13:14,400 --> 01:13:16,120
Speaker 1: but I just wanted to tell Ray, like, you know,

1495
01:13:16,840 --> 01:13:19,960
Speaker 1: we have to be got damn Atlanta very sensitive first,

1496
01:13:20,040 --> 01:13:24,400
Speaker 1: if we don't know Atlanta sensitive saying we hold crying

1497
01:13:24,479 --> 01:13:25,080
Speaker 1: by everything.

1498
01:13:26,840 --> 01:13:29,519
Speaker 4: I'm gonna wait, you get all this out, and I'm

1499
01:13:29,560 --> 01:13:30,120
Speaker 4: a clear.

1500
01:13:30,720 --> 01:13:33,720
Speaker 1: Especially about our side of town, west side.

1501
01:13:33,800 --> 01:13:35,960
Speaker 3: Nigga like me, he ain't gonna catch me got damn

1502
01:13:36,040 --> 01:13:39,600
Speaker 3: preaching about nine Colline Paul, because that's out of my jurisdiction.

1503
01:13:40,040 --> 01:13:42,920
Speaker 1: I be dick wronging the scream of oh.

1504
01:13:42,880 --> 01:13:46,639
Speaker 3: Two chain better than God damn Krel Parker, how I'm

1505
01:13:46,680 --> 01:13:49,599
Speaker 3: on the West side mixing that ship up over there

1506
01:13:49,920 --> 01:13:52,360
Speaker 3: and and Atlanta like especially once you get these mist

1507
01:13:52,560 --> 01:13:53,040
Speaker 3: cameras up.

1508
01:13:53,040 --> 01:13:53,559
Speaker 1: It's certain thing.

1509
01:13:53,600 --> 01:13:55,519
Speaker 3: We can't even come out and say, you know what

1510
01:13:55,520 --> 01:13:57,639
Speaker 3: I'm saying, and you know, not saying he don't violated,

1511
01:13:57,680 --> 01:14:00,400
Speaker 3: but he doesn't what I'm saying, whether it is what happened,

1512
01:14:00,439 --> 01:14:04,280
Speaker 3: what you say about wasn't it wasn't there going on?

1513
01:14:04,600 --> 01:14:08,360
Speaker 1: I think Race says and ship no question? Ship about

1514
01:14:08,400 --> 01:14:09,639
Speaker 1: all he said some ship.

1515
01:14:09,400 --> 01:14:13,760
Speaker 3: About man taking out it was taking out of content. Yeah,

1516
01:14:13,800 --> 01:14:16,320
Speaker 3: Coolokola Radom and took out of content too many times.

1517
01:14:17,400 --> 01:14:19,880
Speaker 4: But he talked more and took out a country. He

1518
01:14:20,080 --> 01:14:21,760
Speaker 4: talked more more than most people.

1519
01:14:21,840 --> 01:14:24,760
Speaker 5: So it's more opportunity to cut and splice and make

1520
01:14:24,840 --> 01:14:27,760
Speaker 5: that ship be something now to mind you and not

1521
01:14:27,920 --> 01:14:28,519
Speaker 5: to interrupt.

1522
01:14:28,600 --> 01:14:31,120
Speaker 4: If it's okay out, go ahead ahead.

1523
01:14:33,240 --> 01:14:36,560
Speaker 5: That's the first call I got when uh, whether the

1524
01:14:36,600 --> 01:14:39,559
Speaker 5: Breakfast Club interview came out and they brought that ship

1525
01:14:39,640 --> 01:14:42,679
Speaker 5: to Tip, and Tip was of course he's a West

1526
01:14:42,760 --> 01:14:46,360
Speaker 5: Side nigga, so you know, y'all already got chips on

1527
01:14:46,560 --> 01:14:49,040
Speaker 5: your shoulder and Tip need an adversary.

1528
01:14:49,479 --> 01:14:53,240
Speaker 4: But every album he gonna he finding somebody to go out.

1529
01:14:53,280 --> 01:14:57,320
Speaker 4: That's his motivation creatively, right. So I'm like, what's going on?

1530
01:14:57,520 --> 01:14:59,519
Speaker 5: And called me like, hey man, you need to be

1531
01:14:59,520 --> 01:15:01,200
Speaker 5: cause you know it looks like it's gonna be beef

1532
01:15:01,240 --> 01:15:01,679
Speaker 5: with who.

1533
01:15:01,840 --> 01:15:03,000
Speaker 4: What are you talking about?

1534
01:15:04,760 --> 01:15:12,280
Speaker 5: It can't be not with Ray because Ray we all related,

1535
01:15:13,280 --> 01:15:17,920
Speaker 5: were so closely related, but we don't know it. We

1536
01:15:18,120 --> 01:15:22,720
Speaker 5: have no idea how intertwined we are. So when I

1537
01:15:22,880 --> 01:15:27,280
Speaker 5: have to pull up to raise office, say hey, what happened?

1538
01:15:27,439 --> 01:15:27,960
Speaker 1: Talk to me?

1539
01:15:28,320 --> 01:15:31,519
Speaker 5: And he explained, I said, oh, I just now need

1540
01:15:31,600 --> 01:15:36,559
Speaker 5: to have a conversation with big Man. Big Man had

1541
01:15:36,640 --> 01:15:37,360
Speaker 5: we had three.

1542
01:15:37,240 --> 01:15:40,559
Speaker 4: Conversations like oh, what's that mean? An interview?

1543
01:15:41,840 --> 01:15:46,080
Speaker 5: We're getting pulled off off square by clips o g

1544
01:15:46,360 --> 01:15:51,240
Speaker 5: niggas who getting put in the twist by clips What

1545
01:15:51,439 --> 01:15:52,360
Speaker 5: I say, sit.

1546
01:15:52,360 --> 01:15:58,479
Speaker 4: Now, have dinner. Then you'll understand. There's probably nobody in

1547
01:15:58,600 --> 01:16:02,320
Speaker 4: this room who's more fan of Tip than Ray Daniels.

1548
01:16:03,040 --> 01:16:06,240
Speaker 5: There's probably nobody in this room who's more a fan

1549
01:16:06,439 --> 01:16:07,280
Speaker 5: of Atlanta.

1550
01:16:07,439 --> 01:16:12,840
Speaker 4: But he said he chase hits. He said he chased hits.

1551
01:16:12,920 --> 01:16:19,160
Speaker 5: But he was talking about uh verses between fifty and Tip,

1552
01:16:19,560 --> 01:16:24,000
Speaker 5: and in that he was saying, well, Fifty's album was this,

1553
01:16:24,160 --> 01:16:27,599
Speaker 5: It was authentic to this a whole work of art album.

1554
01:16:28,400 --> 01:16:32,519
Speaker 5: Where Tip has had so many hits after hits on

1555
01:16:32,760 --> 01:16:37,400
Speaker 5: different albums that it seemed like Tip would have more

1556
01:16:37,520 --> 01:16:41,360
Speaker 5: hits because he chased hits, whereas fifty had this one

1557
01:16:41,439 --> 01:16:43,400
Speaker 5: body of work that was absolutely incredible.

1558
01:16:43,400 --> 01:16:44,960
Speaker 3: You feel like, let me ask you, do you feel

1559
01:16:45,040 --> 01:16:48,160
Speaker 3: like certain certain niggas feel like certain niggas just can't

1560
01:16:48,160 --> 01:16:48,800
Speaker 3: speak on them.

1561
01:16:49,080 --> 01:16:57,200
Speaker 5: Yes, especially west Side Man is mad about everything depending

1562
01:16:57,280 --> 01:17:04,280
Speaker 5: on the day. Yeah, will snap about it anything a man.

1563
01:17:05,200 --> 01:17:07,639
Speaker 5: I thought it for Allen temple Man, the way he acts,

1564
01:17:08,200 --> 01:17:08,439
Speaker 5: you know.

1565
01:17:08,400 --> 01:17:08,800
Speaker 4: What I mean?

1566
01:17:09,000 --> 01:17:11,280
Speaker 1: There you go, it's science.

1567
01:17:11,600 --> 01:17:15,400
Speaker 5: So with that, men, it said like, did y'all see

1568
01:17:15,760 --> 01:17:17,800
Speaker 5: what happened at the BET Awards when there was a

1569
01:17:17,880 --> 01:17:22,680
Speaker 5: little so called energy between the security and and and nephew.

1570
01:17:23,120 --> 01:17:27,200
Speaker 4: Who you think jumped up first? It was on camera

1571
01:17:27,400 --> 01:17:33,560
Speaker 4: Ray jumped up first, and the defense, Uh, we have

1572
01:17:33,880 --> 01:17:35,160
Speaker 4: to we can.

1573
01:17:35,320 --> 01:17:38,600
Speaker 5: We can beef with each other a little bit, but

1574
01:17:38,760 --> 01:17:41,160
Speaker 5: when it comes down to it, Oh no, yeah, we

1575
01:17:41,280 --> 01:17:42,200
Speaker 5: know we were here.

1576
01:17:42,080 --> 01:17:48,280
Speaker 1: Together, geta get to it for each other.

1577
01:17:48,840 --> 01:17:51,200
Speaker 3: I wasn't really just putting no thing on it, but man,

1578
01:17:51,320 --> 01:17:54,400
Speaker 3: listen man, Atlanta sensitive, you know for sure.

1579
01:17:54,520 --> 01:17:56,200
Speaker 5: Now we got the Google who Ray Day is? The

1580
01:17:56,400 --> 01:18:00,439
Speaker 5: next that's mine? Let me say this, then that's my man. Okay,

1581
01:18:01,200 --> 01:18:02,360
Speaker 5: brother's my man?

1582
01:18:03,360 --> 01:18:06,240
Speaker 4: Is my main? That's here, Oh Jesus my main.

1583
01:18:06,439 --> 01:18:09,160
Speaker 1: So we got the googling. We don't know y'all. So

1584
01:18:09,240 --> 01:18:10,200
Speaker 1: we're gonna Google.

1585
01:18:10,000 --> 01:18:11,760
Speaker 3: Him and see what Google say because they don't know you,

1586
01:18:11,840 --> 01:18:14,280
Speaker 3: they don't know the platform. We're gonna google, man, where

1587
01:18:14,280 --> 01:18:16,120
Speaker 3: the hell right Dannel from this Atlanta?

1588
01:18:17,160 --> 01:18:18,280
Speaker 1: And what's gonna happen?

1589
01:18:19,439 --> 01:18:23,200
Speaker 3: It went with right with what Ray actually said. It's

1590
01:18:23,320 --> 01:18:25,760
Speaker 3: the aftermath of it called right on you. You don't

1591
01:18:25,800 --> 01:18:27,800
Speaker 3: know who following these folks, and now the lights don't

1592
01:18:27,800 --> 01:18:29,840
Speaker 3: went over. We weren't stunning that ship to Tip game

1593
01:18:29,840 --> 01:18:30,639
Speaker 3: when that mother again.

1594
01:18:30,479 --> 01:18:33,840
Speaker 1: Saying, oh he from Atlanta. We thought he was until

1595
01:18:33,920 --> 01:18:36,400
Speaker 1: t I say, no, he ain't. Now the whole nother

1596
01:18:36,400 --> 01:18:38,320
Speaker 1: google him to another that Google rate don't want them

1597
01:18:38,320 --> 01:18:41,040
Speaker 1: a million. Now we're looking at it. Google it that ship.

1598
01:18:41,960 --> 01:18:44,480
Speaker 5: You know what it's saying, Tip, one of the most intelligent,

1599
01:18:44,960 --> 01:18:46,920
Speaker 5: brilliant Atlanta niggas.

1600
01:18:46,960 --> 01:18:50,000
Speaker 1: I know all I'm saying that we don't want nigga.

1601
01:18:50,000 --> 01:18:52,000
Speaker 1: We don't want like certain niggas don't got the right year.

1602
01:18:52,080 --> 01:18:54,840
Speaker 1: We don't want nobody, we don't want let me take her,

1603
01:18:55,760 --> 01:18:56,640
Speaker 1: you don't know, let me.

1604
01:18:58,280 --> 01:19:00,519
Speaker 4: You're not really from Atlanta? What you can't.

1605
01:19:03,040 --> 01:19:14,280
Speaker 1: That came here with Martha d King with him.

1606
01:19:14,720 --> 01:19:17,280
Speaker 3: If your ass say somebody nigga who feels like he

1607
01:19:17,439 --> 01:19:18,600
Speaker 3: was born that great, you.

1608
01:19:18,680 --> 01:19:20,000
Speaker 4: Can't control how he take it.

1609
01:19:20,280 --> 01:19:22,080
Speaker 3: You can't control how he takes So when you say

1610
01:19:22,160 --> 01:19:24,679
Speaker 3: control and right, my man, that's my man. He donna

1611
01:19:24,680 --> 01:19:26,519
Speaker 3: set in that. I'm don'na sat on this ship, right

1612
01:19:26,560 --> 01:19:28,720
Speaker 3: my man, I rate hundred. But at the end of

1613
01:19:28,760 --> 01:19:31,479
Speaker 3: the day, he gotta eat whatever. Come with you on

1614
01:19:31,560 --> 01:19:33,360
Speaker 3: another man, and let me tell you how we know.

1615
01:19:33,600 --> 01:19:34,559
Speaker 3: Let me tell you what he said.

1616
01:19:34,640 --> 01:19:35,000
Speaker 1: He said.

1617
01:19:35,360 --> 01:19:38,880
Speaker 5: Once Tip understands the context of what I said, if

1618
01:19:38,920 --> 01:19:41,960
Speaker 5: he disagrees with me, I'm cool with that. I just

1619
01:19:42,080 --> 01:19:45,320
Speaker 5: want to make sure that he knows that what I

1620
01:19:45,560 --> 01:19:48,920
Speaker 5: was saying had nothing to do with that clip, because

1621
01:19:48,960 --> 01:19:52,760
Speaker 5: there's too many other evidence where he had said that's

1622
01:19:52,840 --> 01:19:53,720
Speaker 5: his favorite.

1623
01:19:53,400 --> 01:19:57,560
Speaker 4: Artists of all time, and again we did. But this

1624
01:19:57,960 --> 01:19:59,639
Speaker 4: this is a lesson for young niggas.

1625
01:20:00,120 --> 01:20:02,559
Speaker 5: Quit listening to other niggas tell you about what another

1626
01:20:02,640 --> 01:20:10,240
Speaker 5: nigga said, go to dinner, go to lunch, and that's

1627
01:20:10,280 --> 01:20:11,360
Speaker 5: what you want to understand.

1628
01:20:11,520 --> 01:20:13,320
Speaker 1: That's what that's what like. They want to have me

1629
01:20:13,400 --> 01:20:15,920
Speaker 1: on your show because I'm a spokesperson for the web side.

1630
01:20:16,200 --> 01:20:18,240
Speaker 3: They wanted me on that. They wanted they wanted him

1631
01:20:18,320 --> 01:20:20,360
Speaker 3: to say what you just said? No, no, no no,

1632
01:20:20,560 --> 01:20:22,320
Speaker 3: because I just wanted to go on there just say

1633
01:20:22,360 --> 01:20:24,519
Speaker 3: you was raped and you kind of like Ray for

1634
01:20:25,120 --> 01:20:29,560
Speaker 3: niggas don't know. Let's just say, niggas don't really know

1635
01:20:29,680 --> 01:20:33,439
Speaker 3: your game. Bro. You music affiliated you from you count

1636
01:20:33,439 --> 01:20:35,519
Speaker 3: of the same ship. Bro, you know what I'm saying.

1637
01:20:35,960 --> 01:20:39,120
Speaker 3: But your interpretations of Atlanta's is so raw and pure.

1638
01:20:39,200 --> 01:20:41,240
Speaker 3: I know this before I'm saying this, because we don't

1639
01:20:41,240 --> 01:20:42,800
Speaker 3: already walked you through. You don't say you're gonna need

1640
01:20:42,840 --> 01:20:45,799
Speaker 3: all this old stuff and your your respect for Atlanta

1641
01:20:45,920 --> 01:20:48,479
Speaker 3: pours through some visitors that come to Atlanta where you

1642
01:20:48,520 --> 01:20:51,599
Speaker 3: can see it on them. And now that we battrack

1643
01:20:51,640 --> 01:20:54,439
Speaker 3: and I'm focusing on rap, like you know, Ray can't

1644
01:20:54,479 --> 01:20:56,479
Speaker 3: be gambling that line in New York. Don't even play

1645
01:20:56,520 --> 01:21:00,639
Speaker 3: with New York once you balancing Atant if you don't

1646
01:21:00,680 --> 01:21:02,639
Speaker 3: know Atlanta and New York got these thing going.

1647
01:21:02,520 --> 01:21:04,960
Speaker 1: Bro, you got.

1648
01:21:10,160 --> 01:21:13,200
Speaker 5: It's way deeper than most even I think most New

1649
01:21:13,280 --> 01:21:17,240
Speaker 5: York niggas gonna even knows't. Actually it's a hindrance to us,

1650
01:21:17,760 --> 01:21:21,160
Speaker 5: to me because and that's only because I lived so

1651
01:21:21,840 --> 01:21:24,400
Speaker 5: spent so much time living in New York with my

1652
01:21:24,479 --> 01:21:28,519
Speaker 5: affiliation with bad boy well, I really had to. I

1653
01:21:28,680 --> 01:21:31,600
Speaker 5: was embraced by Biggie, I was embraced by Seeds, I

1654
01:21:31,720 --> 01:21:34,800
Speaker 5: was embraced by Junior Martia, I was embraced by But

1655
01:21:34,960 --> 01:21:40,400
Speaker 5: I represented my hood so hard every single god damn

1656
01:21:40,560 --> 01:21:43,519
Speaker 5: solitary day. I still didn't get no. What's some things

1657
01:21:43,560 --> 01:21:47,680
Speaker 5: called tims. Later I had to stand on them. But

1658
01:21:47,800 --> 01:21:50,400
Speaker 5: at the end of the day, like man, them some

1659
01:21:50,520 --> 01:21:52,880
Speaker 5: good niggas, Ray, his brother and the whole crew.

1660
01:21:53,520 --> 01:21:56,799
Speaker 3: I've heard this, mind you once I warn their numbers

1661
01:21:56,960 --> 01:21:59,800
Speaker 3: on the Instagram, I to run their name through the phone,

1662
01:22:00,040 --> 01:22:02,640
Speaker 3: find you the phone Instagram.

1663
01:22:02,400 --> 01:22:06,400
Speaker 4: Hip is my man, Yeah, hundred grand.

1664
01:22:06,520 --> 01:22:09,479
Speaker 3: So what I'm saying is I don't me not knowing

1665
01:22:09,640 --> 01:22:12,280
Speaker 3: Ray Daniels googling him is one thing. But picking up

1666
01:22:12,280 --> 01:22:14,400
Speaker 3: the phone and calling somebody don't own that man's a right,

1667
01:22:14,439 --> 01:22:16,800
Speaker 3: then they're like, no, I'll be They put me on place,

1668
01:22:16,880 --> 01:22:19,720
Speaker 3: but Google set them on fire. Do let him know

1669
01:22:19,800 --> 01:22:22,080
Speaker 3: if it's west side Atlanta, Google, Well, rake down, you're

1670
01:22:22,080 --> 01:22:24,599
Speaker 3: front that ship, gonna set the whole triput But get

1671
01:22:24,640 --> 01:22:27,040
Speaker 3: with I feel I mean speaking for another.

1672
01:22:27,160 --> 01:22:29,000
Speaker 1: We're trying to pick we we we fucking with Ray

1673
01:22:29,040 --> 01:22:30,040
Speaker 1: car don't mean on on.

1674
01:22:30,479 --> 01:22:32,439
Speaker 4: We're already standing for definitely, don't.

1675
01:22:34,600 --> 01:22:37,000
Speaker 1: You don't mean but he don't mean on on. You

1676
01:22:37,160 --> 01:22:37,599
Speaker 1: know what I'm saying.

1677
01:22:37,640 --> 01:22:39,479
Speaker 3: But Ray gonna slip and start a fucking fire. You're

1678
01:22:39,479 --> 01:22:41,320
Speaker 3: gonna be able to put out? Yeah, he outspoken.

1679
01:22:41,400 --> 01:22:44,800
Speaker 5: He outspoken, and you know a lot of those like that,

1680
01:22:44,960 --> 01:22:47,920
Speaker 5: and you know, almost fearless to any man, any man

1681
01:22:48,000 --> 01:22:50,680
Speaker 5: that's a man should be here. He can, but he

1682
01:22:50,800 --> 01:22:52,599
Speaker 5: also got to take it. Yeah, that's why I say

1683
01:22:52,640 --> 01:22:53,560
Speaker 5: you can't be outspoken?

1684
01:22:53,600 --> 01:22:57,680
Speaker 3: Then then then then then when a nigger react, you

1685
01:22:57,800 --> 01:22:59,879
Speaker 3: feel like what I say reacted.

1686
01:23:00,040 --> 01:23:02,800
Speaker 4: Steven A Smith can say, well you want to, but

1687
01:23:03,000 --> 01:23:04,280
Speaker 4: so can Lebron. Yeah.

1688
01:23:05,400 --> 01:23:08,320
Speaker 3: No, facts like whatever they meet as me and like

1689
01:23:08,479 --> 01:23:09,840
Speaker 3: Till could have went on there and called him out

1690
01:23:09,840 --> 01:23:11,560
Speaker 3: the name if you wanted to, because you spent my

1691
01:23:11,680 --> 01:23:12,120
Speaker 3: name first.

1692
01:23:12,680 --> 01:23:14,240
Speaker 1: No matter what you say, you can't tell me how

1693
01:23:14,240 --> 01:23:14,920
Speaker 1: to take something.

1694
01:23:15,439 --> 01:23:17,280
Speaker 3: But then when you're digging with two figures, so you

1695
01:23:17,360 --> 01:23:19,400
Speaker 3: got fifty cent, got millions a fan, and t I

1696
01:23:19,479 --> 01:23:20,240
Speaker 3: got millions a fan.

1697
01:23:20,680 --> 01:23:22,840
Speaker 1: You're playing with these fans, when you're talking about these names.

1698
01:23:22,960 --> 01:23:24,760
Speaker 1: Everybody got to know this. We're playing with the fans.

1699
01:23:25,040 --> 01:23:28,040
Speaker 3: Just say whoever, however it is so if he could

1700
01:23:28,040 --> 01:23:31,680
Speaker 3: have said, oh, Chip got fifty fucked up all why man,

1701
01:23:31,680 --> 01:23:34,519
Speaker 3: you know fans, he gonna pick off you do you

1702
01:23:34,520 --> 01:23:36,639
Speaker 3: know what I'm saying like that? But being from Atlanta,

1703
01:23:36,680 --> 01:23:40,000
Speaker 3: bro again, we need unity right now. We don't need

1704
01:23:40,080 --> 01:23:42,679
Speaker 3: no separation. We don't need no Atlanta down talk. Because

1705
01:23:42,680 --> 01:23:45,040
Speaker 3: if you if you supposed to be Atlanta some type

1706
01:23:45,080 --> 01:23:47,559
Speaker 3: what man, well, if you ain't ready to cheat for Atlanta,

1707
01:23:47,720 --> 01:23:50,639
Speaker 3: don't get over here trying to represent. If you ain't

1708
01:23:50,640 --> 01:23:53,519
Speaker 3: ready to cheat up, will we good? Listen, don't get

1709
01:23:53,560 --> 01:23:55,720
Speaker 3: over I'm gonna keep. I'm gonna keep a break with

1710
01:23:55,840 --> 01:23:59,599
Speaker 3: job bro yea, our city has to I could bring

1711
01:23:59,680 --> 01:24:01,639
Speaker 3: you know, I could do millions of views every day

1712
01:24:01,640 --> 01:24:03,360
Speaker 3: if I talked about the ship I really want.

1713
01:24:03,160 --> 01:24:05,960
Speaker 1: To talk about, but it will be tearing this city down.

1714
01:24:07,000 --> 01:24:09,320
Speaker 1: So like.

1715
01:24:10,960 --> 01:24:14,360
Speaker 3: You gotta think that's just like coming up right niggas

1716
01:24:14,400 --> 01:24:15,800
Speaker 3: take money a little bit, you know what I'm saying,

1717
01:24:16,479 --> 01:24:20,519
Speaker 3: a little bit, but it's it kind of hurts you

1718
01:24:20,560 --> 01:24:22,760
Speaker 3: when you hang it with the licks, like you grew

1719
01:24:22,880 --> 01:24:26,439
Speaker 3: up with the licks. But I can't get y'all you did,

1720
01:24:26,439 --> 01:24:28,679
Speaker 3: you know what I'm saying, Like I'm around the content.

1721
01:24:29,160 --> 01:24:31,759
Speaker 3: I could, I could go crazy, I could DJ academic

1722
01:24:31,880 --> 01:24:35,680
Speaker 3: this ship, but that's gonna hurt my city, you know

1723
01:24:35,720 --> 01:24:36,160
Speaker 3: what I'm saying.

1724
01:24:36,280 --> 01:24:39,040
Speaker 5: That's why I said, think less of ourselves and more

1725
01:24:39,160 --> 01:24:40,519
Speaker 5: of other exactly.

1726
01:24:40,720 --> 01:24:42,519
Speaker 4: So when you think about it that way, and it's

1727
01:24:42,520 --> 01:24:44,200
Speaker 4: the one thing that rarely out the rate.

1728
01:24:44,280 --> 01:24:46,360
Speaker 3: He got to think about like that too, no matter

1729
01:24:46,439 --> 01:24:50,000
Speaker 3: what his brain, how I feel about whatever, tip Chase,

1730
01:24:50,080 --> 01:24:50,559
Speaker 3: its whatever.

1731
01:24:50,920 --> 01:24:52,960
Speaker 1: I'm not to say a nigga to bite their tongue.

1732
01:24:53,080 --> 01:24:55,360
Speaker 3: Just just know what come with that, Like it's so

1733
01:24:55,520 --> 01:24:58,040
Speaker 3: much ship I can say about my friends that I

1734
01:24:58,120 --> 01:25:00,280
Speaker 3: wouldn't because I know it come with that nigga gonna

1735
01:25:00,280 --> 01:25:00,720
Speaker 3: feel try.

1736
01:25:01,080 --> 01:25:04,200
Speaker 5: I got a microphone in my hand, so and that

1737
01:25:04,280 --> 01:25:07,160
Speaker 5: ship reaches, let me say something, man, and I ain't

1738
01:25:07,200 --> 01:25:08,080
Speaker 5: gonna say shit else.

1739
01:25:08,760 --> 01:25:09,280
Speaker 1: I have the.

1740
01:25:10,880 --> 01:25:11,600
Speaker 4: Opportunity.

1741
01:25:11,720 --> 01:25:13,560
Speaker 5: Man. I was blessed to be able to work with

1742
01:25:13,680 --> 01:25:20,320
Speaker 5: Biggie Small or Notorious Big and had an incredible friendship

1743
01:25:20,400 --> 01:25:25,040
Speaker 5: with him, and everybody signed the bad Boy, right. I

1744
01:25:25,160 --> 01:25:30,360
Speaker 5: think at some point we have forgotten how powerful words are,

1745
01:25:31,520 --> 01:25:36,080
Speaker 5: and we use words without understanding how they impact people.

1746
01:25:36,920 --> 01:25:40,560
Speaker 5: And you can't say my bad. You can't shoot a

1747
01:25:40,640 --> 01:25:42,599
Speaker 5: nigga and say, oh, my bad, it was a mistake.

1748
01:25:42,880 --> 01:25:46,679
Speaker 5: No nigga, I been hit. Those words are still hitting niggas,

1749
01:25:47,160 --> 01:25:50,639
Speaker 5: and niggas are walking around here letting that that pain

1750
01:25:50,800 --> 01:25:54,080
Speaker 5: from that word fester and grow, and then there's a

1751
01:25:54,160 --> 01:25:56,320
Speaker 5: disdain and I hate for niggas.

1752
01:25:56,320 --> 01:25:58,840
Speaker 4: So we have to be and thank you for being so.

1753
01:26:00,600 --> 01:26:05,040
Speaker 5: Absolutely cautious on what you reveal on your podcast because

1754
01:26:05,080 --> 01:26:06,880
Speaker 5: you realize it could tear it down.

1755
01:26:07,160 --> 01:26:09,719
Speaker 3: But another thing what you're saying, the words be different

1756
01:26:10,080 --> 01:26:11,679
Speaker 3: back in the day because they can go away.

1757
01:26:11,960 --> 01:26:15,720
Speaker 1: Its internet. Don't get that ship you say there, So

1758
01:26:15,840 --> 01:26:18,880
Speaker 1: you gotta live this. Your people seeing this. Everybody hearts

1759
01:26:18,960 --> 01:26:23,120
Speaker 1: your word. So that ship creates wars, Bro creates wars,

1760
01:26:23,400 --> 01:26:24,280
Speaker 1: or it can create what.

1761
01:26:25,840 --> 01:26:29,800
Speaker 3: Peace and my whole thing, the universal thing just in

1762
01:26:30,000 --> 01:26:32,439
Speaker 3: all cities, Bro, we got to learn how to stop

1763
01:26:33,320 --> 01:26:35,519
Speaker 3: tearing it down. We got to take the competition out

1764
01:26:35,520 --> 01:26:36,960
Speaker 3: of it, like you hear what I'm saying. We gotta

1765
01:26:37,280 --> 01:26:41,640
Speaker 3: especially with just us in Atlanta. Bro, like Atlanta. Bro,

1766
01:26:41,760 --> 01:26:44,360
Speaker 3: when you get with Atlanta, Bro, where you got to

1767
01:26:45,200 --> 01:26:46,760
Speaker 3: And I'm gonna just say this in the eating more,

1768
01:26:46,840 --> 01:26:48,800
Speaker 3: you damn got to cut your home state off your

1769
01:26:48,840 --> 01:26:50,680
Speaker 3: home You gotta cut them off to really be one

1770
01:26:51,040 --> 01:26:51,439
Speaker 3: with Bro.

1771
01:26:52,680 --> 01:26:53,240
Speaker 1: How they feel?

1772
01:26:54,760 --> 01:26:56,960
Speaker 4: How bad you said this? We hear cut and I

1773
01:26:57,000 --> 01:26:59,920
Speaker 4: don't want to. I can't even tell you just Atlanta

1774
01:27:00,080 --> 01:27:01,599
Speaker 4: like man, he would, I'm gonna.

1775
01:27:01,360 --> 01:27:04,240
Speaker 3: Tell you off off now. He was happy when the

1776
01:27:04,280 --> 01:27:08,400
Speaker 3: Knicks won them didn't go to the game. I'm just

1777
01:27:08,520 --> 01:27:09,639
Speaker 3: talking to go to the game?

1778
01:27:09,880 --> 01:27:10,479
Speaker 1: Right my Knicks.

1779
01:27:10,479 --> 01:27:11,960
Speaker 4: Did he go to the game? Oh no, no, but

1780
01:27:12,040 --> 01:27:13,960
Speaker 4: he Why did Nick? Why didn't he go to the game?

1781
01:27:15,479 --> 01:27:18,240
Speaker 4: You got too much respect for Atlanta to.

1782
01:27:18,400 --> 01:27:22,160
Speaker 3: Atlanta, Jersey exactly of Jersey. He wasn't going there, not

1783
01:27:22,320 --> 01:27:24,400
Speaker 3: where Atlanta and not rocking with Atlanta. You gotta be

1784
01:27:24,520 --> 01:27:25,200
Speaker 3: rocking with Atlanta.

1785
01:27:25,640 --> 01:27:25,720
Speaker 2: Man.

1786
01:27:25,760 --> 01:27:29,519
Speaker 1: You cannot cheat on that is done.

1787
01:27:29,680 --> 01:27:30,280
Speaker 4: You gotta.

1788
01:27:33,439 --> 01:27:34,400
Speaker 1: Let's go.

1789
01:27:35,080 --> 01:27:43,160
Speaker 4: Man, Okay, I'm not going to have nobody catch me

1790
01:27:44,000 --> 01:27:44,320
Speaker 4: and that.

1791
01:27:49,120 --> 01:27:52,679
Speaker 1: I love you every day. We're still with the Falcon,

1792
01:27:52,800 --> 01:27:56,720
Speaker 1: Yeah we will, you know and that's the whole thing,

1793
01:27:56,880 --> 01:28:00,160
Speaker 1: like you know and like that. So what you Ellison's you?

1794
01:28:00,280 --> 01:28:04,679
Speaker 5: I mean start down the schools over there, they gonna

1795
01:28:04,720 --> 01:28:09,680
Speaker 5: start said, I got kick a side. I needs think

1796
01:28:09,720 --> 01:28:11,960
Speaker 5: I'm from l A. I'm not from l A. W

1797
01:28:12,160 --> 01:28:15,320
Speaker 5: nigs think I'm from New York. I'm not from where

1798
01:28:15,320 --> 01:28:17,000
Speaker 5: you're from. I'm from I'm from.

1799
01:28:16,880 --> 01:28:19,880
Speaker 4: All of them. I'm from the side you pick it though,

1800
01:28:19,920 --> 01:28:22,400
Speaker 4: bro south side, I'm from all that.

1801
01:28:23,640 --> 01:28:31,200
Speaker 1: Where's up? It ain't where I'm with the where's that? Man?

1802
01:28:32,120 --> 01:28:34,960
Speaker 1: But no where you're from? Atlanta? All day? You got that, Paul.

1803
01:28:35,120 --> 01:28:37,200
Speaker 1: So we've been running on the spot and get what

1804
01:28:38,800 --> 01:28:39,120
Speaker 1: I done.

1805
01:28:39,160 --> 01:28:42,479
Speaker 3: Skepped a lot of people and they got him in

1806
01:28:42,520 --> 01:28:44,360
Speaker 3: the spot. I'm gonna give you perfect example.

1807
01:28:44,680 --> 01:28:46,759
Speaker 1: Excel. You know e'xcel.

1808
01:28:46,800 --> 01:28:50,280
Speaker 3: They talk to Town DVD. You know, man, I put

1809
01:28:50,360 --> 01:28:53,080
Speaker 3: with Excel with shot load because I was running around

1810
01:28:53,400 --> 01:28:54,880
Speaker 3: like Ross. We had someone to do and I was

1811
01:28:54,960 --> 01:28:58,200
Speaker 3: in that time. This sho he ain't never knowing like

1812
01:28:58,280 --> 01:29:01,120
Speaker 3: lor he takes good pictures. Just about on one time,

1813
01:29:01,960 --> 01:29:05,439
Speaker 3: Excel got the most footage than any person.

1814
01:29:05,520 --> 01:29:08,120
Speaker 1: You want to know, you know, all the artists. I'm

1815
01:29:08,160 --> 01:29:12,120
Speaker 1: gonna professional voucher ain't gonna got more footage deductat than anybody.

1816
01:29:12,520 --> 01:29:16,040
Speaker 3: Listen, he got everybody telling you listen, that's costful one.

1817
01:29:16,439 --> 01:29:18,080
Speaker 3: I gave him the name talk of the Town, Out

1818
01:29:18,080 --> 01:29:20,720
Speaker 3: of the town, Talk of the time. You can talk talk.

1819
01:29:20,800 --> 01:29:21,360
Speaker 1: I got it all on.

1820
01:29:21,680 --> 01:29:24,280
Speaker 3: Listen, man, I'm gonna start telling my story. It's gonna

1821
01:29:24,320 --> 01:29:26,760
Speaker 3: conflict with a lot of people. Well, I don't put

1822
01:29:26,920 --> 01:29:30,240
Speaker 3: more people in position. I'm a profession like this. When

1823
01:29:30,240 --> 01:29:33,559
Speaker 3: they met you today, they made it off my dollar.

1824
01:29:33,720 --> 01:29:36,240
Speaker 3: When they pulled up, I already had the dollars. Whoever,

1825
01:29:36,320 --> 01:29:38,840
Speaker 3: when they met me, I already had the dollars. But

1826
01:29:38,920 --> 01:29:43,680
Speaker 3: I say that to say this right here being in Atlanta, Bro,

1827
01:29:43,880 --> 01:29:46,240
Speaker 3: it means so much to it. We don't care who

1828
01:29:46,439 --> 01:29:49,240
Speaker 3: come when you come to this thing, man, chef it up. Bro,

1829
01:29:49,360 --> 01:29:51,639
Speaker 3: we're gonna stand with you one when.

1830
01:29:51,600 --> 01:29:56,320
Speaker 1: We get you. Yeah, we're going god damn chilling that girl.

1831
01:29:56,920 --> 01:29:58,240
Speaker 4: We're gonna add it all the way out.

1832
01:30:00,040 --> 01:30:02,240
Speaker 2: You should talk about that spot too, Bro, that's fire

1833
01:30:02,280 --> 01:30:03,639
Speaker 2: with legendary off a bolt.

1834
01:30:03,800 --> 01:30:11,160
Speaker 3: Oh listen, man, school boys, all the producers, Uh, you

1835
01:30:11,200 --> 01:30:13,000
Speaker 3: gotta understand to do with my whole trick to it,

1836
01:30:13,080 --> 01:30:15,200
Speaker 3: this wasn't made my studio, man, I had a top

1837
01:30:15,240 --> 01:30:18,120
Speaker 3: of the line studio, and you had to go to

1838
01:30:18,200 --> 01:30:20,000
Speaker 3: patchword to get a better sound than mine.

1839
01:30:20,439 --> 01:30:21,960
Speaker 1: I intended to do it and get how I did it.

1840
01:30:22,120 --> 01:30:24,880
Speaker 1: I left the goddamn door. Whoever can rap once one

1841
01:30:24,880 --> 01:30:26,360
Speaker 1: of these raped nigga vive you come on.

1842
01:30:27,040 --> 01:30:30,320
Speaker 3: That was it with no pressure on it, because I'm

1843
01:30:30,360 --> 01:30:32,400
Speaker 3: the first one that acknowledged and they had to see

1844
01:30:32,439 --> 01:30:34,120
Speaker 3: a studio that I did the first time they seen

1845
01:30:34,160 --> 01:30:36,800
Speaker 3: that studio vibe for real instead of you know, a booth.

1846
01:30:36,560 --> 01:30:37,519
Speaker 1: In the mike. Everybody had that.

1847
01:30:37,760 --> 01:30:39,479
Speaker 3: But they came out of there and you know, just

1848
01:30:39,560 --> 01:30:41,720
Speaker 3: getting open arms and just helping folks because I was

1849
01:30:41,800 --> 01:30:44,880
Speaker 3: so blessed. My I'm blessed just to have a you know,

1850
01:30:45,680 --> 01:30:49,240
Speaker 3: put niggas in position, Scream and J Money and all

1851
01:30:49,280 --> 01:30:49,880
Speaker 3: these old nigga.

1852
01:30:49,880 --> 01:30:51,880
Speaker 1: Man. I didn't really want to sign nobody, bro. I

1853
01:30:51,920 --> 01:30:55,439
Speaker 1: could have signed everybody probably was given the love away.

1854
01:30:55,920 --> 01:30:57,200
Speaker 3: I didn't cause you know what I'm saying, I got

1855
01:30:57,280 --> 01:30:58,640
Speaker 3: my piece, I got Paul out the roster, and I

1856
01:30:58,640 --> 01:30:59,760
Speaker 3: ain't got to see no more dough.

1857
01:31:00,040 --> 01:31:01,920
Speaker 1: This I'm gonna walk off with. This was my walk away.

1858
01:31:01,960 --> 01:31:04,200
Speaker 1: I didn't even want. Nobody like I'm finna go for

1859
01:31:04,320 --> 01:31:04,920
Speaker 1: rands with this.

1860
01:31:05,320 --> 01:31:06,360
Speaker 4: But you.

1861
01:31:09,840 --> 01:31:13,280
Speaker 1: Got what I'm saying, soil people. So so that's that

1862
01:31:13,439 --> 01:31:16,280
Speaker 1: was my giveback. That was my giarback. Brown.

1863
01:31:17,160 --> 01:31:19,479
Speaker 2: I can say in my head at evenig got spun

1864
01:31:19,640 --> 01:31:23,320
Speaker 2: all on. That's everybody that's important, regardless on one level.

1865
01:31:23,360 --> 01:31:26,240
Speaker 2: I feel like another big part of Atlanta is giving

1866
01:31:26,360 --> 01:31:29,600
Speaker 2: something back. Not saying like physically or financially, but you

1867
01:31:29,760 --> 01:31:32,120
Speaker 2: everyone here is giving something back to the community.

1868
01:31:32,200 --> 01:31:33,360
Speaker 1: You got to to make it work.

1869
01:31:33,560 --> 01:31:36,040
Speaker 3: And that's what part of my succests. It's what how

1870
01:31:36,080 --> 01:31:39,680
Speaker 3: we're treating guys in seven and oh you playing to

1871
01:31:39,720 --> 01:31:41,720
Speaker 3: see you know what I'm saying. And long before that,

1872
01:31:41,760 --> 01:31:44,479
Speaker 3: because even when we were doing a two thousand, going

1873
01:31:44,520 --> 01:31:47,680
Speaker 3: to pool palets and just just moving a certain way,

1874
01:31:47,720 --> 01:31:50,240
Speaker 3: that Atlanta way. I'm the pinion of all this Atlanta ship.

1875
01:31:50,400 --> 01:31:53,080
Speaker 3: Everybody else is cold. They cloning this ship. They trying

1876
01:31:53,080 --> 01:31:55,000
Speaker 3: to They got pieces and pieces and pieces. No, I

1877
01:31:55,040 --> 01:31:57,320
Speaker 3: got the original pieces from the original playoffs, you know

1878
01:31:57,360 --> 01:31:57,840
Speaker 3: what I'm saying.

1879
01:31:58,280 --> 01:31:59,960
Speaker 1: So all the time, before we get out of there,

1880
01:32:02,040 --> 01:32:05,640
Speaker 1: what of Atlanta period, Atlanta history? He ain't got to

1881
01:32:05,640 --> 01:32:10,519
Speaker 1: be no rap niggas I don't know.

1882
01:32:10,680 --> 01:32:14,120
Speaker 3: I go with God Damn Jose William because Jose was

1883
01:32:14,120 --> 01:32:15,479
Speaker 3: a hood and I'm just going over there.

1884
01:32:15,560 --> 01:32:16,040
Speaker 4: He a hood.

1885
01:32:16,680 --> 01:32:19,240
Speaker 1: He was a hood nigga, and he fed niggas. That's it,

1886
01:32:19,439 --> 01:32:25,400
Speaker 1: walking away with them too. You eat. And he was

1887
01:32:25,479 --> 01:32:32,080
Speaker 1: real sighted like, but his whole in charity, like, nigga,

1888
01:32:32,120 --> 01:32:32,400
Speaker 1: don't know.

1889
01:32:32,520 --> 01:32:35,800
Speaker 5: You just raised the bar because you didn't give it

1890
01:32:35,880 --> 01:32:38,519
Speaker 5: to somebody that could be considered a slouch.

1891
01:32:38,640 --> 01:32:41,400
Speaker 4: It's no his ain't no smell on his jacket, So

1892
01:32:41,520 --> 01:32:42,680
Speaker 4: you raised the bar like.

1893
01:32:42,880 --> 01:32:47,080
Speaker 5: That's that's what we as black men, ogs or whatever

1894
01:32:47,160 --> 01:32:49,839
Speaker 5: you want to call us, we need to lift ourselves

1895
01:32:49,920 --> 01:32:53,000
Speaker 5: to that level, aspire to be to that level so

1896
01:32:53,200 --> 01:32:55,799
Speaker 5: we can feed other people. And even if the feeding

1897
01:32:56,000 --> 01:33:00,479
Speaker 5: is just mental and spiritual nourishment, we got.

1898
01:33:00,400 --> 01:33:00,720
Speaker 4: To do it.

1899
01:33:01,240 --> 01:33:04,720
Speaker 3: I clean my whole ship on Jose will because I

1900
01:33:04,880 --> 01:33:07,000
Speaker 3: know from stores aren't hurt. And I have seen him

1901
01:33:07,240 --> 01:33:09,439
Speaker 3: so many times Atlanta grew up watching him.

1902
01:33:09,479 --> 01:33:11,800
Speaker 1: Boy. But this man pulling up in the vert of

1903
01:33:12,240 --> 01:33:14,920
Speaker 1: being drunk, whatever it was.

1904
01:33:15,040 --> 01:33:17,640
Speaker 3: But you know, the whole hood respected him and then

1905
01:33:17,760 --> 01:33:19,599
Speaker 3: he feeding folks and he'll fight.

1906
01:33:20,120 --> 01:33:24,240
Speaker 4: You'll get on to the fight. Fight stand on some.

1907
01:33:24,320 --> 01:33:26,599
Speaker 3: Of them old folks about on Jose as Atlanta about

1908
01:33:26,640 --> 01:33:28,280
Speaker 3: hose wheel stores. I ain't gonna pull him out right

1909
01:33:28,320 --> 01:33:30,320
Speaker 3: here because I don't want to tone in his name,

1910
01:33:30,800 --> 01:33:33,240
Speaker 3: but you can Jose wanted them to go to guys.

1911
01:33:33,320 --> 01:33:35,800
Speaker 1: Man, what's the first side of town to start making

1912
01:33:35,840 --> 01:33:38,920
Speaker 1: out of towns? Look at Atlanta, Funny, what you mean

1913
01:33:42,000 --> 01:33:43,599
Speaker 1: west side? Did that ship?

1914
01:33:43,760 --> 01:33:43,960
Speaker 3: Man?

1915
01:33:44,120 --> 01:33:46,720
Speaker 4: Listen, man, I'm so glad he took that.

1916
01:33:49,040 --> 01:33:50,800
Speaker 1: We're gonna get basically.

1917
01:33:50,720 --> 01:33:53,639
Speaker 3: Yeah, we gonna cut it here because the west Side,

1918
01:33:53,720 --> 01:33:56,160
Speaker 3: you know, we was a little the west Side. When

1919
01:33:56,160 --> 01:33:58,880
Speaker 3: I say west side, the west side of little adjective

1920
01:33:58,960 --> 01:34:02,200
Speaker 3: more than that everybody, and it's something it's more concentrated,

1921
01:34:02,240 --> 01:34:02,679
Speaker 3: a lot.

1922
01:34:02,640 --> 01:34:05,760
Speaker 4: Going on, and you know I had a lot of

1923
01:34:05,840 --> 01:34:06,559
Speaker 4: different hoods.

1924
01:34:06,920 --> 01:34:09,519
Speaker 1: Yeah, there's a lot of hoods. And they quit it.

1925
01:34:10,920 --> 01:34:13,120
Speaker 3: They quick to got damn out fun shit the niggas,

1926
01:34:13,200 --> 01:34:15,200
Speaker 3: So we don't have to competition going on on the

1927
01:34:15,240 --> 01:34:15,719
Speaker 3: west Side.

1928
01:34:15,760 --> 01:34:16,519
Speaker 1: So it's max.

1929
01:34:16,600 --> 01:34:18,760
Speaker 3: I'm not just saying that, but yeah, and so people

1930
01:34:18,800 --> 01:34:21,519
Speaker 3: gonna be I remember you teen a long time, man,

1931
01:34:21,560 --> 01:34:22,559
Speaker 3: I tell you to tell people.

1932
01:34:22,600 --> 01:34:24,479
Speaker 1: I had to stop saying out from the west Side.

1933
01:34:24,880 --> 01:34:25,519
Speaker 1: You know what I'm saying.

1934
01:34:25,600 --> 01:34:29,040
Speaker 3: Just when I was You gotta understand, bro, it's two

1935
01:34:29,160 --> 01:34:33,479
Speaker 3: sides of town. You gonna come the Bankhead It ain't.

1936
01:34:33,520 --> 01:34:36,240
Speaker 3: But in the world eyes, in my eyes, when people

1937
01:34:36,280 --> 01:34:39,200
Speaker 3: think of thinking two sides, either Bankhead or Buckhead, this

1938
01:34:39,240 --> 01:34:40,200
Speaker 3: is how they see Atlanta.

1939
01:34:41,280 --> 01:34:43,479
Speaker 1: They know not to go to Bankhead. They ain't seeing

1940
01:34:43,520 --> 01:34:49,360
Speaker 1: anybody's on seed. It all execrat fucking danger. Boy. You

1941
01:34:49,520 --> 01:34:53,599
Speaker 1: know what, don't you how damn okay? Yeah, yeah you called.

1942
01:34:54,160 --> 01:34:58,400
Speaker 1: But they're so putting that stigma on the west side.

1943
01:34:58,439 --> 01:35:01,880
Speaker 3: It's deserved. I ain't finna see be like oh town,

1944
01:35:02,000 --> 01:35:04,639
Speaker 3: Yeah no, that ship deserved. Don't be playing around town.

1945
01:35:06,080 --> 01:35:08,040
Speaker 1: Don't hear it and stick it over there unless you

1946
01:35:08,120 --> 01:35:10,880
Speaker 1: know what I'm saying. But that was true about Audihood.

1947
01:35:11,160 --> 01:35:14,000
Speaker 4: Shout out to killing my help, bring this ship back

1948
01:35:14,080 --> 01:35:14,400
Speaker 4: to you.

1949
01:35:15,400 --> 01:35:17,360
Speaker 3: If you if you, if you soiled in your hood,

1950
01:35:17,360 --> 01:35:19,840
Speaker 3: and you know what, man, it's universe real quick before

1951
01:35:19,840 --> 01:35:22,720
Speaker 3: we ride and message to the young homies. Briefly mess

1952
01:35:22,840 --> 01:35:26,240
Speaker 3: to the young homies. Man, hey, man, let's sit sit

1953
01:35:26,280 --> 01:35:28,519
Speaker 3: away the dick Ryan form it. Don't be scared to

1954
01:35:29,520 --> 01:35:32,280
Speaker 3: push your people, and let's not be scared to.

1955
01:35:33,920 --> 01:35:37,120
Speaker 1: Change. Let's not be scared to change because I'm a

1956
01:35:37,280 --> 01:35:39,280
Speaker 1: chain man. You know what I'm saying. I come from.

1957
01:35:40,080 --> 01:35:45,639
Speaker 3: I'm a chain person. I'm Grammy nominated on several things.

1958
01:35:46,040 --> 01:35:48,120
Speaker 3: Every time I try something, it comes out. I'm a

1959
01:35:48,280 --> 01:35:50,519
Speaker 3: DJ now I just donik I was just playing and

1960
01:35:50,720 --> 01:35:53,200
Speaker 3: now I'm a DJ on Dick Tik top player. But

1961
01:35:53,479 --> 01:35:56,680
Speaker 3: what I'm just saying, even banks this constation you had, you, man,

1962
01:35:56,760 --> 01:35:58,759
Speaker 3: we changed somewhere to get the position.

1963
01:35:58,920 --> 01:36:02,240
Speaker 1: So don't be scared to any young person changes. Good.

1964
01:36:03,880 --> 01:36:06,599
Speaker 4: I ain't got nothing, man.

1965
01:36:06,760 --> 01:36:10,040
Speaker 5: Your focus is your reality. Whatever you focus on, that's

1966
01:36:10,080 --> 01:36:12,200
Speaker 5: what you are, that's what if, that's what you do

1967
01:36:12,320 --> 01:36:15,599
Speaker 5: every day, That's who you are. The sooner you change

1968
01:36:15,640 --> 01:36:17,439
Speaker 5: your mind, the sooner you change your life.

1969
01:36:17,640 --> 01:36:23,160
Speaker 6: Man, hey man, he Basically, I know a lot of

1970
01:36:23,200 --> 01:36:25,800
Speaker 6: them don't have father figures or whatever, but they need

1971
01:36:25,920 --> 01:36:28,800
Speaker 6: to teach themselves to get on the grown man shit.

1972
01:36:29,560 --> 01:36:32,360
Speaker 6: A lot of these young ones twenty one to twenty five,

1973
01:36:32,439 --> 01:36:34,960
Speaker 6: they at like sixty year old boys. When I was

1974
01:36:35,040 --> 01:36:37,320
Speaker 6: twenty three years old, I bought a house and I

1975
01:36:37,439 --> 01:36:40,080
Speaker 6: was running the block. I was running the block like

1976
01:36:40,120 --> 01:36:43,479
Speaker 6: a general. So these these niggas act like these little

1977
01:36:43,560 --> 01:36:46,200
Speaker 6: young boys act like kids. They need to get on

1978
01:36:46,280 --> 01:36:48,639
Speaker 6: their grown man shit, we got a teacher.

1979
01:36:48,680 --> 01:36:50,840
Speaker 3: Man, I want to say, goddamn before we get out

1980
01:36:50,840 --> 01:36:53,519
Speaker 3: of here. Just because the niggagn't do something, I don't

1981
01:36:53,520 --> 01:36:55,840
Speaker 3: mean he did something to you. Take that if you

1982
01:36:55,920 --> 01:36:59,040
Speaker 3: want to take, Man, see how.

1983
01:36:59,000 --> 01:37:01,479
Speaker 4: I ended make that. However you want to take it.

1984
01:37:05,680 --> 01:37:07,519
Speaker 1: Ain't something to them because they ain't do something for him.

1985
01:37:07,800 --> 01:37:13,640
Speaker 1: Ain't doing you just because he ain't. Somebody tell me, man,

1986
01:37:13,680 --> 01:37:16,400
Speaker 1: why your boy ain't? I say? And the folk got

1987
01:37:16,439 --> 01:37:18,400
Speaker 1: a lot of stuff going on, bro, We got to

1988
01:37:18,439 --> 01:37:19,200
Speaker 1: quit taking a fence.

1989
01:37:19,840 --> 01:37:21,960
Speaker 4: Oh yeah, you gotta separate emotion. You can't.

1990
01:37:23,600 --> 01:37:28,639
Speaker 1: Yeah, I don't keep doing that time. Once you get

1991
01:37:28,720 --> 01:37:29,560
Speaker 1: you can't get the pig that.

1992
01:37:29,800 --> 01:37:35,160
Speaker 5: Gotta know the difference. Gotta know the difference between emotions

1993
01:37:35,280 --> 01:37:39,120
Speaker 5: and feelings. And once you identify what a feeling is

1994
01:37:39,240 --> 01:37:42,120
Speaker 5: and that has to do with your thoughts, get that

1995
01:37:42,200 --> 01:37:45,560
Speaker 5: ship out of there. Emotions are natural. Feelings are what

1996
01:37:45,680 --> 01:37:48,479
Speaker 5: you create in your mind and you get stuck in it.

1997
01:37:48,960 --> 01:37:51,560
Speaker 5: You gotta empty that ship out and have a conversation.

1998
01:37:52,080 --> 01:37:53,680
Speaker 4: But you gotta need or.

1999
01:37:53,800 --> 01:37:58,920
Speaker 5: Want correction, correction, correction. I appreciate each one of you

2000
01:37:59,040 --> 01:38:01,439
Speaker 5: brothers for sharing today.

2001
01:38:01,520 --> 01:38:06,160
Speaker 3: Man got some game out of that right there. Just

2002
01:38:06,280 --> 01:38:08,519
Speaker 3: the whole thing, just withness because it's pieces of it.

2003
01:38:08,920 --> 01:38:13,720
Speaker 3: I don't know, I don't know conversation, let's do it.

2004
01:38:14,520 --> 01:38:17,439
Speaker 5: Well, if I bring him on conversate, I might as

2005
01:38:17,479 --> 01:38:19,679
Speaker 5: well not be on that because the West side Nigga's

2006
01:38:19,680 --> 01:38:19,960
Speaker 5: gonna go.

2007
01:38:20,320 --> 01:38:24,240
Speaker 4: Mother. Ain't no point of being on that.

2008
01:38:25,320 --> 01:38:26,120
Speaker 1: You you know what?

2009
01:38:26,600 --> 01:38:29,960
Speaker 4: You can fill in for me, y'all have that.

2010
01:38:30,360 --> 01:38:33,160
Speaker 2: Check us out at Triple W dot big faxpod dot com.

2011
01:38:33,240 --> 01:38:35,759
Speaker 2: It's another legendary conversation salution.

2012
01:38:36,479 --> 01:38:39,519
Speaker 3: Catch the Big Facts audio experience on Ihearts Black Effect

2013
01:38:39,600 --> 01:38:44,040
Speaker 3: on Tuesdays, revote on Wednesdays, and revote YouTube channel on Thursdays.

2014
01:38:44,160 --> 01:38:47,040
Speaker 4: Visit our website now bigfaxpod dot com