WEBVTT - From the Vault: The Holy Undead, Part 2

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<v Speaker 1>Hey, welcome to Stuff to Blow Your Mind. My name

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<v Speaker 1>is Robert Lamb and I'm Joe McCormick, and we're out

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<v Speaker 1>on fall break this week. So we're bringing you an

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<v Speaker 1>episode from the vault. This is the sequel to the

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<v Speaker 1>episode that aired on Tuesday. This is The Holy Undead

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<v Speaker 1>Part two, originally published October one. Let's jump right in.

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<v Speaker 1>Welcome to Stuff to Blow Your Mind, production of My

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<v Speaker 1>Heart Radio. Hey, welcome to Stuff to Blow your Mind.

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<v Speaker 1>My name is Robert Lamb and I'm Joe McCormick, and

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<v Speaker 1>we're back at you with the second part of our

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<v Speaker 1>series about the Holy Undead. So in the last episode

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<v Speaker 1>we talked about various tales of what you what you

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<v Speaker 1>might call the pious or the holy undead. These would

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<v Speaker 1>be ghosts, revenants, zombies that don't seem to be purely

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<v Speaker 1>demonic entities of the night, but instead they take part

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<v Speaker 1>in activities that are considered by the people telling the

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<v Speaker 1>tales to be wholesome and and and good. In particular,

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<v Speaker 1>these these are undead that love going to church, and

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<v Speaker 1>yet at the same time, they're not usually entirely benign.

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<v Speaker 1>They retain this aura of menace. Sometimes they offer ill

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<v Speaker 1>omens to people or sometimes they even uh they go

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<v Speaker 1>hands on and get a little violent. So Rob, in

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<v Speaker 1>the last episode, you told a wonderful story that was

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<v Speaker 1>based on an old Swedish folk tale called the Hooded Congregation.

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<v Speaker 1>And this is a tale in which a woman is

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<v Speaker 1>awoken in the dark of night on Christmas I think,

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<v Speaker 1>or is it Christmas Eve? I believe it's Christmas Eve

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<v Speaker 1>slash early Christmas morning. Yeah. Yeah, and so so their

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<v Speaker 1>church bells and she hears them out in the dark.

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<v Speaker 1>And then so of course the church bells are ringing.

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<v Speaker 1>That means you need to go to church. So she

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<v Speaker 1>goes to church, but she finds it full of hooded

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<v Speaker 1>figures who were eventually revealed to be the undead, including

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<v Speaker 1>her own dearly departed sister. And when when she discovers this,

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<v Speaker 1>the attack and she narrowly escapes. Yeah. It's a it's

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<v Speaker 1>a fun story and it uh it really it relates

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<v Speaker 1>to this um, this trend that we see in um

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<v Speaker 1>in in Nordic traditions of these revenants, these these physical

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<v Speaker 1>undead um, these these corporeal undead that you can they

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<v Speaker 1>can touch you, they can grab you, that you can

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<v Speaker 1>wrestle and do battle with the if need be. And

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<v Speaker 1>uh yeah, in many cases they are, they're they're quite malevolent,

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<v Speaker 1>but in other cases they are, they're almost benign, just

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<v Speaker 1>attending church, going about their their business doing church stuff,

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<v Speaker 1>um as the not quite rested dead or want to

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<v Speaker 1>do right. And so we also ended up talking about

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<v Speaker 1>a bunch of medieval ghost stories of of the pious

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<v Speaker 1>undead that are translated and analized in a wonderful historical

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<v Speaker 1>paper that we're going to continue talking about in this

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<v Speaker 1>episode and again. So the reference on this paper is

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<v Speaker 1>that it's called Revenants, Resurrection and Burnt Sacrifice by a

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<v Speaker 1>historian named Nancy Mandeville Cacciola, who is a medieval historian

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<v Speaker 1>at University of California, San Diego. And this was published

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<v Speaker 1>in fourteen in a journal called Predator Nature Critical and

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<v Speaker 1>Historical Studies on the Predator Natural. And this paper focuses

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<v Speaker 1>on stories told by a tenth to eleventh century German

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<v Speaker 1>bishop named tete marvon Merseburg. And so around the year

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<v Speaker 1>ten thirteen to ten eighteen or so, uh teit Mar

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<v Speaker 1>was writing an eight volume historical text called the Chronic

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<v Speaker 1>con which was supposed to be about the glories of

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<v Speaker 1>the Ottonian dynasty, and this was a series of Saxon

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<v Speaker 1>Christian kings that he served under who were involved in

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<v Speaker 1>conquering and christianizing lands that previously belonged to various Slavic

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<v Speaker 1>pagan people's uh so, so this was a sort of

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<v Speaker 1>coll Anneal frontier zone. And within recent memory, the former

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<v Speaker 1>inhabitants of one town within this zone had been massacred

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<v Speaker 1>during a revolt of the locals. And so in the

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<v Speaker 1>middle of this history, Tetmar goes into a digression about

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<v Speaker 1>a story of the undead from this fortified town where

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<v Speaker 1>there had been a massacre. This town is called vols Laban,

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<v Speaker 1>and the story goes that there is a priest who

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<v Speaker 1>arrives at church to sing Matten's matins as spelled m

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<v Speaker 1>A t I n s. That means like an early

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<v Speaker 1>morning prayer. The medieval Catholics had a lot of interesting

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<v Speaker 1>names for like the different prayers you would say at

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<v Speaker 1>the different times of day. I don't remember them all,

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<v Speaker 1>but there's like mattins, there's lauds. I remember. These are

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<v Speaker 1>used as sort of like a time delineation. Chapter headings

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<v Speaker 1>in In the Name of the Rose, if I recall correctly. Um.

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<v Speaker 1>But so he's there for Mattins so the morning prayer

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<v Speaker 1>and uh. And when he shows up at the church,

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<v Speaker 1>he goes to the cemetery and he sees a multitude

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<v Speaker 1>of dead people there. These are revenants, and they are

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<v Speaker 1>worse apping they're making offerings to a revenant priest, and

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<v Speaker 1>so the living priest who has just arrived, he makes

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<v Speaker 1>the sign of the Cross, and then he walks through

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<v Speaker 1>the crowd of the undead until he sees a woman

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<v Speaker 1>he knows one who had died just recently, and she

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<v Speaker 1>asks him, Hey, what are you doing here. He says,

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<v Speaker 1>I'm here to sing Matin's and she's like, well, you

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<v Speaker 1>don't need to do that, because we already did it.

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<v Speaker 1>And then she's like, by the way, you're going to

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<v Speaker 1>die soon, and then he did. That's what tite Mar

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<v Speaker 1>tells us. But then he also explains that the point

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<v Speaker 1>of him relaying the story is to prove the truth

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<v Speaker 1>of the Catholic doctrine of the resurrection of the dead

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<v Speaker 1>in Christ, which he says that the formerly pagan Slavs

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<v Speaker 1>do not understand very well. He thinks they need correcting

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<v Speaker 1>on this subject. Though I also wonder sort of if

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<v Speaker 1>this persuasive framing, like I'm trying to prove the truth

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<v Speaker 1>of the resurrection, if this persuasive, apologetic framing is really

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<v Speaker 1>the reason he tells these stories, because aparently after telling

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<v Speaker 1>this first one, he digresses from his from his history

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<v Speaker 1>to just tell a bunch of other ghost stories, including

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<v Speaker 1>an awesomely grizzly tale that we're going to get to

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<v Speaker 1>in just a bit. Yeah, you're right. It does make

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<v Speaker 1>you wonder is this about about using the ghost stories

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<v Speaker 1>to uh, to support Christianity, or is it about finding

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<v Speaker 1>an excuse to keep these ghost stories around just because

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<v Speaker 1>they're really cool. Yeah, maybe he just wanted to tell

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<v Speaker 1>them because he thought they were really fun, And then

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<v Speaker 1>he's like, oh, I need a good reason to say

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<v Speaker 1>I'm doing this. Well, actually they prove that that Christianity

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<v Speaker 1>is true. Yeah, and I should. I don't want to

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<v Speaker 1>say just fun, because I mean, certainly ghost stories can

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<v Speaker 1>be fun, but also ghost stories can be culturally important,

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<v Speaker 1>and they are you know that they are part of

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<v Speaker 1>one's cultural background, So there's there's an added incentive to

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<v Speaker 1>to keep them around if it all possible, because they

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<v Speaker 1>are they are a part of your history. Yeah, and

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<v Speaker 1>I think this is very much part of something that

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<v Speaker 1>that Cachiola is going to argue in this paper. But

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<v Speaker 1>picking back up with that paper of hers, I want

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<v Speaker 1>to go into some of the historical, cultural, in religious

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<v Speaker 1>context that she explains to help us better understand what

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<v Speaker 1>these stories might have meant in their in their time

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<v Speaker 1>and place. So one thing she says is that during

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<v Speaker 1>this period, religion and politics were deeply linked. German rule

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<v Speaker 1>was self consciously formulated as Christian rule, and the Ottonian

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<v Speaker 1>dynasty mythologize themselves consciously as the so called Last World Emperors.

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<v Speaker 1>So they were thinking of themselves as as great kings

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<v Speaker 1>who would by conquest, expand Christianity to the ends of

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<v Speaker 1>the earth and thus bring about the second Coming of Christ. Oh. Wow,

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<v Speaker 1>the Last World Emperors. I love that it sounds sounds

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<v Speaker 1>positively evil. Yeah, And it's the funny thing. So this

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<v Speaker 1>is something that people might not realize like they think. Oh,

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<v Speaker 1>people in the twentieth century are always saying that the

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<v Speaker 1>world the end is coming soon. You know that this

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<v Speaker 1>religious apocalypticism. It says, I've I've received a revelation from

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<v Speaker 1>God and I know finally the end is happening now.

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<v Speaker 1>People in the tenth and eleventh century thought this way

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<v Speaker 1>to people all the time throughout every century of of

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<v Speaker 1>Christian history of thought that they were living in the

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<v Speaker 1>end times. This is just a perennial phenomenon. But because

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<v Speaker 1>of the linking of religion and politics here, the military

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<v Speaker 1>expansion of the Ottonians was also an expansion of the

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<v Speaker 1>Catholic Church. So when they would go and establish fortified

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<v Speaker 1>military outposts along the frontier, they were also establishing new bishoprics,

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<v Speaker 1>they were establishing new footholds for the Church. And so

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<v Speaker 1>in the paper, Caciola makes the argument that though the

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<v Speaker 1>Slavic rebellions against the German conquest and German power were

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<v Speaker 1>were obviously they would have had many complex reasons for

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<v Speaker 1>doing this. She does make the case that it really

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<v Speaker 1>looks like one of those reasons was religious resistance, resistance

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<v Speaker 1>to the Christianizing impulse of the Germans and protecting their

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<v Speaker 1>traditional ancestral beliefs. Uh So, she writes, as one example

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<v Speaker 1>of this quote, centers of German power, which were of

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<v Speaker 1>course also Christian religion centers, were targets for attack among

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<v Speaker 1>these Slavic revolts. Uh continuing this included the Cathedral of

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<v Speaker 1>have Alburg and the and the Bishopric of Brandenburg, where

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<v Speaker 1>the remains of the last bishop parentheses tit martells Us

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<v Speaker 1>he had been assassinated by his own flock, were dragged

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<v Speaker 1>from his tomb and despoiled. The nunneries of Kalba and

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<v Speaker 1>hillers Laban were also not spared, showing that institutions with

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<v Speaker 1>predominantly religious rather than political associations were targeted as well.

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<v Speaker 1>So this is some evidence that the Slavic rebellions against

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<v Speaker 1>the Ottonians they were not just trying to protect their

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<v Speaker 1>political autonomy, but they were also resisting the the the

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<v Speaker 1>conversion impulse. They were saying, no, we like our religious beliefs,

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<v Speaker 1>we'd like to keep them. Please. Now. Another thing that's

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<v Speaker 1>worth clarifying is that talking about pagan Slavs of the

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<v Speaker 1>region is a shorthand, because of course this is not

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<v Speaker 1>one monolithic culture with one monolithic religion, but rather a

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<v Speaker 1>collection of different tribes with their own distinct cultures and beliefs.

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<v Speaker 1>Uh Though, it does seem that a general motivating factor

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<v Speaker 1>for the tribal rebellions against the Saxon Ottonians was defense

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<v Speaker 1>of these pagan religious beliefs against the Christianization mission, and

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<v Speaker 1>of course paganism itself is not a religion, not one

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<v Speaker 1>unified religion at this time. In this context, it simply

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<v Speaker 1>means any of the non Abrahamic religions, so this would

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<v Speaker 1>not usually be any kind of polytheism. And unfortunately there's

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<v Speaker 1>a lot we don't know about these pagan religious beliefs.

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<v Speaker 1>There was clearly plenty of diversity between them, though like

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<v Speaker 1>many religions, they broadly seem to have included some elements

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<v Speaker 1>of ancestor worship, as well as some common shared views

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<v Speaker 1>about what constituted a good versus a bad death, and

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<v Speaker 1>some similar beliefs about the afterlife. Now, another interesting thing

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<v Speaker 1>about the political and religious history that here is that

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<v Speaker 1>it's worth understanding that in this place and time, conversion

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<v Speaker 1>religious conversion would almost necessarily be a somewhat flimsy concept.

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<v Speaker 1>People in lands conquered by by Christians in the Middle

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<v Speaker 1>Ages would often get baptized as Christians and then simply

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<v Speaker 1>continue to practice their original pagan beliefs, either exclusively or

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<v Speaker 1>alongside Christian worship. And one way I think to help

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<v Speaker 1>understand this is that not all religions have exactly the

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<v Speaker 1>same contours sort of that they don't all make stake

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<v Speaker 1>the same ground, right, Like the role of Christianity versus

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<v Speaker 1>the local paganisms was not a one to one comparison

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<v Speaker 1>in a number of ways. For example, the Catholic Church

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<v Speaker 1>had organized dogmas and a concept of religious universality and exclusivity.

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<v Speaker 1>So this is a religion that conceptualizes itself as the

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<v Speaker 1>one religion that is true and it should be the

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<v Speaker 1>religion of the entire world. Uh. Sometimes people who grow

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<v Speaker 1>up in Christian society's assume that all religions are like this,

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<v Speaker 1>with this belief in universality and exclusivity. But that's not

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<v Speaker 1>at all true. Like most religions in history appear to

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<v Speaker 1>have been much looser, more defined by ritual rather than belief,

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<v Speaker 1>and without necessary ideas of universality or exclusivity. You know,

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<v Speaker 1>we were talking about this just yesterday in the context

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<v Speaker 1>of the Indiana Jones movies, the Indiana Jones franchise. Excepts

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<v Speaker 1>all religions and even and even like like fringe beliefs

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<v Speaker 1>and ancient aliens and what have you. Oh, yeah, that's funny.

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<v Speaker 1>That's one thing I kind of appreciate about it. It's

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<v Speaker 1>got a sort of totalizing mythology and maybe one that

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<v Speaker 1>seems sort of geographically linked to so that it's like

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<v Speaker 1>where maybe when you go into a geographical area that

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<v Speaker 1>has predominantly one religion, that that religion mainly applies within

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<v Speaker 1>that geography. Yeah, yeah, yeah, so in this region Hebrew

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<v Speaker 1>got is real and this region Shiva is real? Um

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<v Speaker 1>or was it Shiva Cali? It's and so long since

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<v Speaker 1>I've seen um the Second Indiana, I think both the

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<v Speaker 1>second one that the movie has got a lot of problems.

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<v Speaker 1>But yeah, Collie is sort of the bad guy and

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<v Speaker 1>it Eshivahs the good god. And okay, it's more complicated

0:13:12.320 --> 0:13:16.000
<v Speaker 1>than that. The folks, if so, don't don't use the

0:13:16.000 --> 0:13:18.920
<v Speaker 1>Second Indiana Jones movie is your your guide into the

0:13:18.960 --> 0:13:23.480
<v Speaker 1>world of Hinduism. Um but u. But still, I think

0:13:23.480 --> 0:13:25.560
<v Speaker 1>it's an interesting point about the idea yet that in

0:13:25.559 --> 0:13:28.040
<v Speaker 1>the Indiana Jones world, like all these faiths are real

0:13:28.200 --> 0:13:31.280
<v Speaker 1>and they don't seem to exclude one another unless you say,

0:13:31.320 --> 0:13:34.880
<v Speaker 1>well that the Egyptian gods, the Egyptian pantheon is kind

0:13:34.880 --> 0:13:37.960
<v Speaker 1>of excluded from the uh. All the happenings that go

0:13:38.040 --> 0:13:40.560
<v Speaker 1>on in um Indiana Jones and the you know, the

0:13:40.600 --> 0:13:42.480
<v Speaker 1>raiders of the Lost art. Well, do we know that?

0:13:42.559 --> 0:13:44.600
<v Speaker 1>For sure? We never see a contest of the gods.

0:13:44.640 --> 0:13:47.600
<v Speaker 1>They're like the Pharaoh's magicians. Never true, we don't get

0:13:47.640 --> 0:13:50.080
<v Speaker 1>to see what they can do, that's right. And maybe

0:13:50.120 --> 0:13:53.040
<v Speaker 1>they're just watching on you know, they're they're they're sleeping,

0:13:53.080 --> 0:13:56.320
<v Speaker 1>who knows. I know, for one, I'm pretty certain that

0:13:56.400 --> 0:13:59.000
<v Speaker 1>there's there's bound to be some sort of Indiana Jones

0:13:59.080 --> 0:14:02.960
<v Speaker 1>related media from comics or TV series or something that

0:14:03.040 --> 0:14:06.720
<v Speaker 1>actually involves Egyptian gods. So if it's out there, someone

0:14:06.760 --> 0:14:09.680
<v Speaker 1>tell me about it. Well, I think one consequence of

0:14:09.960 --> 0:14:14.720
<v Speaker 1>the different types of groundstaking games that are that are

0:14:14.760 --> 0:14:18.160
<v Speaker 1>being played by the different religions at this time means that,

0:14:18.400 --> 0:14:21.800
<v Speaker 1>for example, so the Christians might insist that you believe

0:14:21.840 --> 0:14:25.400
<v Speaker 1>in no gods except the Christian Trinity, but many of

0:14:25.440 --> 0:14:30.320
<v Speaker 1>the European polytheists at this time could simply incorporate new gods.

0:14:30.440 --> 0:14:33.960
<v Speaker 1>So it's possible that they might well view a conversion

0:14:34.000 --> 0:14:38.680
<v Speaker 1>to Christianity rather as a kind of incorporation exercise. So

0:14:38.760 --> 0:14:41.400
<v Speaker 1>like we have our gods, we have our rituals, and

0:14:41.480 --> 0:14:44.040
<v Speaker 1>now here's this other thing sort of added on top

0:14:44.080 --> 0:14:46.720
<v Speaker 1>of that. And here's also Jesus and the Catholic Church.

0:14:47.680 --> 0:14:49.040
<v Speaker 1>So it's kind of like this. It's almost like a

0:14:49.120 --> 0:14:52.720
<v Speaker 1>chemical situation where the pre existing religion uh is more

0:14:52.720 --> 0:14:57.840
<v Speaker 1>inclined to bond with with additives, even though those additives

0:14:57.920 --> 0:15:00.240
<v Speaker 1>are you know, tend to be a tend to have uh,

0:15:00.400 --> 0:15:03.560
<v Speaker 1>you know, exclusive ideas in them. Uh. You know, it

0:15:03.840 --> 0:15:06.560
<v Speaker 1>doesn't it doesn't matter. When push comes to shove, the

0:15:06.600 --> 0:15:10.960
<v Speaker 1>polytheistic religion is going going to absorb the monotheistic uh,

0:15:11.440 --> 0:15:15.440
<v Speaker 1>even if to some outsiders it it appears uh in

0:15:15.480 --> 0:15:19.280
<v Speaker 1>some cases that you've set aside the old ways, right. Yeah,

0:15:19.320 --> 0:15:23.000
<v Speaker 1>so so, Cacchiolo writes that given these religious starting points,

0:15:23.040 --> 0:15:25.840
<v Speaker 1>what you would probably expect to see at this place

0:15:25.840 --> 0:15:29.240
<v Speaker 1>in time is not a just sort of exchange of

0:15:29.280 --> 0:15:32.040
<v Speaker 1>the old gods for the new, but rather a sort

0:15:32.040 --> 0:15:36.040
<v Speaker 1>of what she calls an untidy syncretic admixture, you know,

0:15:36.040 --> 0:15:39.440
<v Speaker 1>syncretism against the mixing of religious beliefs, a sort of

0:15:39.520 --> 0:15:43.160
<v Speaker 1>mixing and blending and hybridization process that would arrive at

0:15:43.200 --> 0:15:47.520
<v Speaker 1>these new combinatorial beliefs. Um. And she gives us one

0:15:47.600 --> 0:15:51.680
<v Speaker 1>interesting example of this. Uh. She talks about a text

0:15:51.880 --> 0:15:57.920
<v Speaker 1>known as the Merseburg Charms uh quote short rhythmic invocations

0:15:57.960 --> 0:16:03.240
<v Speaker 1>of the valkyries full Wodan and Freya, composed an archaic

0:16:03.320 --> 0:16:07.080
<v Speaker 1>German but carefully transcribed onto a leaf of an otherwise

0:16:07.240 --> 0:16:11.080
<v Speaker 1>entirely Christian manuscript found in the library of the Cathedral

0:16:11.120 --> 0:16:14.240
<v Speaker 1>of Merseburg. And then she has a great comment it

0:16:14.360 --> 0:16:17.520
<v Speaker 1>is pleasing to think that Titmar himself might have encountered it.

0:16:20.120 --> 0:16:21.640
<v Speaker 1>And and then of course we're going to drive home

0:16:21.680 --> 0:16:23.640
<v Speaker 1>something we've mentioned before in the show is that, of

0:16:23.680 --> 0:16:27.280
<v Speaker 1>course humans are capable of having multiple and conflicting um

0:16:27.400 --> 0:16:31.640
<v Speaker 1>beliefs and ideas, particularly as it pertains to the you know,

0:16:31.680 --> 0:16:33.960
<v Speaker 1>the origins of the world and the inner workings of

0:16:34.000 --> 0:16:37.080
<v Speaker 1>the supernatural realm. So um. You know, we see that

0:16:37.120 --> 0:16:40.080
<v Speaker 1>even today, and many people who think that they are,

0:16:40.240 --> 0:16:44.160
<v Speaker 1>you know, a pure subscriber to one particular brand of faith,

0:16:44.600 --> 0:16:46.720
<v Speaker 1>if if they're to self analyze, they might find that

0:16:46.760 --> 0:16:49.640
<v Speaker 1>they actually have some ideas from other other faiths and

0:16:49.800 --> 0:16:53.440
<v Speaker 1>sort of non faith origin sort of mixed up in

0:16:53.520 --> 0:16:57.160
<v Speaker 1>their supernatural understanding of the world or the same One

0:16:57.160 --> 0:17:01.200
<v Speaker 1>person actually quite easily switches gears but tween different belief

0:17:01.240 --> 0:17:04.280
<v Speaker 1>systems depending on the context. Yeah, I mean to come

0:17:04.320 --> 0:17:07.040
<v Speaker 1>back to this example. Perhaps perhaps you are you know,

0:17:07.080 --> 0:17:08.879
<v Speaker 1>a Christian when you were at the Christian church or

0:17:09.400 --> 0:17:12.960
<v Speaker 1>walking among the Christian gravestones, but then when you're in

0:17:13.000 --> 0:17:16.399
<v Speaker 1>the woods or when you were you know, walking the shore. Uh,

0:17:16.480 --> 0:17:18.879
<v Speaker 1>then perhaps it's the the older gods that called to you,

0:17:18.920 --> 0:17:21.280
<v Speaker 1>and so this other way of looking at the world,

0:17:21.880 --> 0:17:23.520
<v Speaker 1>or you could look at it as a night and

0:17:23.600 --> 0:17:31.639
<v Speaker 1>day thing that might yeah, yeah, thank thank you, thank you.

0:17:32.640 --> 0:17:34.320
<v Speaker 1>So I think we should get back to teit Mar's

0:17:34.359 --> 0:17:37.160
<v Speaker 1>ghost stories. Uh. And so the first place I guess

0:17:37.200 --> 0:17:40.080
<v Speaker 1>would be to comment a little more on that first story,

0:17:40.119 --> 0:17:42.640
<v Speaker 1>the one about the priest who arrives to sing Matten's

0:17:42.680 --> 0:17:45.920
<v Speaker 1>and and finds the congregation the multitude of dead there

0:17:46.359 --> 0:17:49.040
<v Speaker 1>and they're making offerings to a dead priest and then

0:17:49.080 --> 0:17:51.600
<v Speaker 1>they and then one of them is someone he knows

0:17:52.040 --> 0:17:55.040
<v Speaker 1>tells him, I think you're gonna die soon, and then

0:17:55.119 --> 0:17:57.760
<v Speaker 1>he does. So I wanted to go through a few

0:17:57.760 --> 0:18:00.520
<v Speaker 1>observations about the story that they catch you ala notes

0:18:00.560 --> 0:18:02.800
<v Speaker 1>that are probably worth logging for when we look at

0:18:02.800 --> 0:18:06.480
<v Speaker 1>the other ones. Uh. First, it's worth noting that instead

0:18:06.520 --> 0:18:10.320
<v Speaker 1>of going to another plane of existence in this story,

0:18:10.560 --> 0:18:13.440
<v Speaker 1>the returned dead or the revenants they hang out here

0:18:13.480 --> 0:18:16.440
<v Speaker 1>on earth, so they're not going off to heaven. This

0:18:16.520 --> 0:18:18.879
<v Speaker 1>is where they live. They're here on earth and this

0:18:18.960 --> 0:18:23.960
<v Speaker 1>is where they do their business. Second, they are bodily reanimations,

0:18:24.000 --> 0:18:27.400
<v Speaker 1>not in substantial specters. This has come up several times already,

0:18:27.440 --> 0:18:32.080
<v Speaker 1>but this is apparently common, especially throughout the pagan mythology

0:18:32.119 --> 0:18:34.719
<v Speaker 1>of Northern Europe, that uh, you know, it's not just

0:18:34.800 --> 0:18:38.600
<v Speaker 1>like a gas like ghost that forms an image that

0:18:38.680 --> 0:18:41.240
<v Speaker 1>you could walk right through. These are undead with mass

0:18:41.280 --> 0:18:43.919
<v Speaker 1>and heft they can grab you. Yeah, they are the

0:18:44.000 --> 0:18:48.240
<v Speaker 1>literal dead. They are you know, decaying bodies and skeletons

0:18:48.560 --> 0:18:52.080
<v Speaker 1>going about their business. Another thing, so these dead are

0:18:52.359 --> 0:18:54.320
<v Speaker 1>said to be in the version of the story, we

0:18:54.359 --> 0:18:58.919
<v Speaker 1>get faithful Christians who worship the Christian God even after death,

0:18:59.480 --> 0:19:02.760
<v Speaker 1>which is an interesting thing because I think another common

0:19:02.880 --> 0:19:05.960
<v Speaker 1>modern assumption that would be that like a religion is

0:19:06.040 --> 0:19:09.200
<v Speaker 1>something that people maybe need during life. You know, it's

0:19:09.240 --> 0:19:13.120
<v Speaker 1>it's in order specifically to prepare you for the afterlife,

0:19:13.520 --> 0:19:15.760
<v Speaker 1>So there would be no need in the afterlife for

0:19:15.760 --> 0:19:19.320
<v Speaker 1>people to continue doing religious practices. But here that that

0:19:19.400 --> 0:19:22.520
<v Speaker 1>assumption is clearly not on display. The dead also need

0:19:22.560 --> 0:19:25.919
<v Speaker 1>to go to church and of course, in thinking about this,

0:19:26.000 --> 0:19:31.200
<v Speaker 1>our mind can easily go to Christian doctrines of of

0:19:31.240 --> 0:19:33.919
<v Speaker 1>the of the dead returning to life be at the

0:19:34.080 --> 0:19:39.560
<v Speaker 1>resurrection of Christ um after death or um the idea

0:19:39.760 --> 0:19:42.239
<v Speaker 1>that once we die, our bodies just kind of hang

0:19:42.280 --> 0:19:45.960
<v Speaker 1>around for a while until the physical resurrection occurs at

0:19:45.960 --> 0:19:49.720
<v Speaker 1>the end of time UM. Which you can imagine how

0:19:50.680 --> 0:19:54.800
<v Speaker 1>how that idea would um would come to life if

0:19:54.840 --> 0:19:58.679
<v Speaker 1>you had these pre existing concepts of revenant spirits, like

0:19:58.760 --> 0:20:02.440
<v Speaker 1>it's my body just in the ground awaiting um Christ's return. Well,

0:20:02.440 --> 0:20:04.280
<v Speaker 1>what else is it doing? Is it going to church?

0:20:04.880 --> 0:20:07.520
<v Speaker 1>There's it just lazy bones. This is something we mentioned,

0:20:07.640 --> 0:20:09.960
<v Speaker 1>uh we mentioned last time. So the Catholic teaching at

0:20:10.000 --> 0:20:13.399
<v Speaker 1>the time emphasized the inertness of the dead body until

0:20:13.480 --> 0:20:16.080
<v Speaker 1>the general resurrection at the second coming of Christ. So

0:20:16.520 --> 0:20:20.359
<v Speaker 1>they they would emphasize, no, until Jesus comes back, your

0:20:20.359 --> 0:20:22.800
<v Speaker 1>body just stays there. It doesn't do anything. And so

0:20:22.880 --> 0:20:25.840
<v Speaker 1>this is clearly in contradiction with that. And yet this

0:20:25.920 --> 0:20:28.040
<v Speaker 1>is also something we talked about in the previous episode.

0:20:28.600 --> 0:20:33.520
<v Speaker 1>There appears to have been a pretty wide uh tolerance

0:20:33.880 --> 0:20:37.719
<v Speaker 1>for various beliefs about the undead, even if they weren't

0:20:37.760 --> 0:20:40.520
<v Speaker 1>if there were beliefs about the undead that we're not

0:20:40.760 --> 0:20:44.600
<v Speaker 1>strictly in line with Catholic teaching. For some reason, this

0:20:44.680 --> 0:20:46.800
<v Speaker 1>is an area of belief that the Church did not

0:20:46.880 --> 0:20:50.359
<v Speaker 1>seem to police very strongly. And we're broadly tolerant of

0:20:50.760 --> 0:20:54.080
<v Speaker 1>people sort of coloring outside the lines on beliefs about

0:20:54.080 --> 0:20:57.200
<v Speaker 1>the dead. But to come back to Titmar's first ghost

0:20:57.240 --> 0:21:00.239
<v Speaker 1>story here, there there are some weird elements that are

0:21:00.280 --> 0:21:04.159
<v Speaker 1>illuminating on top of the more straightforward elements we just mentioned.

0:21:04.800 --> 0:21:07.120
<v Speaker 1>First of all, so again we we noticed that these

0:21:07.160 --> 0:21:09.960
<v Speaker 1>dead are pious from a Christian point of view. They're

0:21:10.000 --> 0:21:12.359
<v Speaker 1>going to church, they're worshiping God, and yet at the

0:21:12.400 --> 0:21:17.160
<v Speaker 1>same time they project what Catchiola calls a strong aura

0:21:17.280 --> 0:21:20.479
<v Speaker 1>of menace that seems to be about right. These are

0:21:20.520 --> 0:21:23.320
<v Speaker 1>not like happy, nice ghosts who are like hey, sweet,

0:21:23.320 --> 0:21:27.119
<v Speaker 1>you know, they're scary and the priest is terrified of them.

0:21:27.160 --> 0:21:29.080
<v Speaker 1>He has to do the sign of the Cross before

0:21:29.080 --> 0:21:32.359
<v Speaker 1>he can go in, go in among the crowd. And

0:21:32.400 --> 0:21:35.040
<v Speaker 1>then here's another interesting thing. I didn't notice this, but

0:21:35.119 --> 0:21:38.439
<v Speaker 1>she points this out in the analysis. Not only is

0:21:38.480 --> 0:21:41.520
<v Speaker 1>the priest given a true omen of his own impending death,

0:21:41.640 --> 0:21:45.600
<v Speaker 1>that part's creepy enough, but more so his office has

0:21:45.680 --> 0:21:50.080
<v Speaker 1>been usurped. They are performing the morning Mass that he

0:21:50.240 --> 0:21:53.680
<v Speaker 1>came there to do. They are doing the priest's job

0:21:53.840 --> 0:21:57.920
<v Speaker 1>for him. So there's an interesting implied interplay of ideas

0:21:58.000 --> 0:21:59.919
<v Speaker 1>here when when you look at what could have been

0:22:00.200 --> 0:22:03.119
<v Speaker 1>the inputs. Number one, you'd have Okay, they're appearing in

0:22:03.160 --> 0:22:07.160
<v Speaker 1>this Catholic church. And again, the Catholic doctrine emphasized the

0:22:07.240 --> 0:22:10.280
<v Speaker 1>inertness of the dead body, So this is not really

0:22:10.359 --> 0:22:13.359
<v Speaker 1>totally within the you know, the central teachings of the church.

0:22:13.400 --> 0:22:16.840
<v Speaker 1>And yet obviously here's here's titmur a Catholic bishop recording

0:22:16.880 --> 0:22:20.399
<v Speaker 1>this event um and yet it includes these elements that

0:22:20.400 --> 0:22:24.120
<v Speaker 1>would seem to come from European paganism that had these

0:22:24.119 --> 0:22:27.280
<v Speaker 1>sort of common sense ideas about what would lead somebody

0:22:27.280 --> 0:22:29.159
<v Speaker 1>to get up out of their grave and walk around.

0:22:29.520 --> 0:22:32.560
<v Speaker 1>And generally this would be associated with what would be

0:22:32.600 --> 0:22:37.840
<v Speaker 1>considered a bad death, people who say died of like

0:22:37.880 --> 0:22:41.520
<v Speaker 1>a painful or violent death, or died young, or died

0:22:41.600 --> 0:22:44.679
<v Speaker 1>with unfinished business. That these are generally the kinds of

0:22:44.680 --> 0:22:48.480
<v Speaker 1>people who were believed to have energy still left in

0:22:48.560 --> 0:22:51.800
<v Speaker 1>them because they had something unresolved or they died too young,

0:22:52.240 --> 0:22:53.920
<v Speaker 1>and they would be the ones who would be likely

0:22:53.960 --> 0:22:57.800
<v Speaker 1>to get up out of their graves. Right. Another area

0:22:57.880 --> 0:23:02.960
<v Speaker 1>being the revenants of individuals who had not been buried properly. Uh.

0:23:03.000 --> 0:23:06.400
<v Speaker 1>And during the Christian period this becomes had a case

0:23:06.440 --> 0:23:09.520
<v Speaker 1>of had not been given a proper Christian burial. Right.

0:23:09.600 --> 0:23:13.000
<v Speaker 1>So you're you're combining these weird connotations of you know,

0:23:13.280 --> 0:23:15.840
<v Speaker 1>beliefs that would traditionally say these are the kind of

0:23:15.880 --> 0:23:17.880
<v Speaker 1>dead you should be worried about, the ones that get

0:23:17.920 --> 0:23:20.200
<v Speaker 1>up and walk around that you know there's something wrong

0:23:20.240 --> 0:23:22.840
<v Speaker 1>with them. These are the bad dead, the dangerous dead.

0:23:23.200 --> 0:23:25.480
<v Speaker 1>And yet here in this story while they're going to

0:23:25.560 --> 0:23:29.080
<v Speaker 1>church and that's nice. Um and so teep margin he

0:23:29.160 --> 0:23:31.639
<v Speaker 1>gives this, uh, this persuasive framing where he says, this

0:23:31.680 --> 0:23:34.840
<v Speaker 1>story proves the Christian doctrine of the ultimate resurrection of

0:23:34.880 --> 0:23:37.439
<v Speaker 1>the dead at the end of time. Though I to

0:23:37.480 --> 0:23:39.760
<v Speaker 1>come back to when I brought up earlier, I wonder

0:23:39.800 --> 0:23:41.879
<v Speaker 1>if he's got other things in mind. I was actually

0:23:42.000 --> 0:23:45.840
<v Speaker 1>kind of wondering about stories like this, if this is

0:23:45.920 --> 0:23:48.440
<v Speaker 1>kind of the same logic. There's a lot of say

0:23:48.440 --> 0:23:53.280
<v Speaker 1>twentieth century exploitation movies where they say, here's a movie

0:23:53.359 --> 0:23:56.359
<v Speaker 1>with like lurid content that is playing to you know,

0:23:56.400 --> 0:24:00.840
<v Speaker 1>people's perverse interests and seeing you know, violence or sexuality

0:24:00.920 --> 0:24:06.159
<v Speaker 1>or something, but couched as somehow educational or topical about

0:24:06.240 --> 0:24:09.840
<v Speaker 1>important subject matter. You know what I mean. Yeah, like

0:24:09.840 --> 0:24:12.040
<v Speaker 1>like an like an early anti drug film that is

0:24:12.119 --> 0:24:17.680
<v Speaker 1>ultimately kind of a celebration at access around supposed drug doings. Yeah,

0:24:17.720 --> 0:24:20.040
<v Speaker 1>like refor madness or something. They're like, We're gonna get

0:24:20.040 --> 0:24:23.120
<v Speaker 1>your heart racing with some with some kind of kind

0:24:23.119 --> 0:24:26.560
<v Speaker 1>of scandalous content. But really this is all framed in

0:24:26.600 --> 0:24:30.520
<v Speaker 1>showing you how how dangerous and bad marijuana is. But

0:24:30.560 --> 0:24:32.879
<v Speaker 1>then again, I think about how I guess, to be

0:24:32.920 --> 0:24:35.879
<v Speaker 1>fair to teach more this story could be presented with

0:24:35.920 --> 0:24:38.679
<v Speaker 1>both purposes at once. One in one one hand, is

0:24:38.720 --> 0:24:41.679
<v Speaker 1>just kind of a very fascinating, entertaining ghost story, and

0:24:41.720 --> 0:24:43.960
<v Speaker 1>then on the other hand, it does, at least from

0:24:44.000 --> 0:24:47.479
<v Speaker 1>his point of view, have this persuasive power in showing

0:24:47.520 --> 0:24:51.840
<v Speaker 1>evidence of the possibility of the general resurrection. I think

0:24:51.840 --> 0:24:57.320
<v Speaker 1>people often underestimate the importance of entertainment within religious education

0:24:57.400 --> 0:25:01.720
<v Speaker 1>and preaching. I mean, what kind preachers are the most effective?

0:25:01.920 --> 0:25:04.920
<v Speaker 1>I personally would argue, it's very often those who are

0:25:05.000 --> 0:25:08.960
<v Speaker 1>the most entertaining to listen to that that really keep

0:25:09.000 --> 0:25:12.080
<v Speaker 1>your attention. How do you keep people's attention, You entertain them,

0:25:12.400 --> 0:25:15.800
<v Speaker 1>and having good ghost stories is one way to achieve that. Yeah,

0:25:15.920 --> 0:25:18.280
<v Speaker 1>I mean, when I think of of preachers that I've

0:25:18.320 --> 0:25:21.760
<v Speaker 1>connected with the most, they mean, they're they're always stories

0:25:21.760 --> 0:25:23.440
<v Speaker 1>to tell, right, I mean, they are always these Bible

0:25:23.480 --> 0:25:27.639
<v Speaker 1>stories and scriptures to read. And in some cases those

0:25:27.680 --> 0:25:31.040
<v Speaker 1>scriptures are inherently interesting, and you know, maybe it doesn't

0:25:31.040 --> 0:25:33.679
<v Speaker 1>take much for a preacher to to make something interesting

0:25:33.680 --> 0:25:35.159
<v Speaker 1>out of it, to make a meal out of this

0:25:35.200 --> 0:25:38.600
<v Speaker 1>particular scripture. Other times the scripture can be especially if

0:25:38.640 --> 0:25:41.159
<v Speaker 1>you're following a calendar, uh, you know, and you're just

0:25:41.240 --> 0:25:42.840
<v Speaker 1>this is the one you have to preach on today.

0:25:42.960 --> 0:25:46.000
<v Speaker 1>Some of those can be real dogs, or real are

0:25:46.040 --> 0:25:48.359
<v Speaker 1>real mountains to climb to try and make it relevant

0:25:48.760 --> 0:25:51.480
<v Speaker 1>um or interesting to an audience. But but a really

0:25:51.520 --> 0:25:53.960
<v Speaker 1>good preacher can do that. They can they can find

0:25:53.960 --> 0:25:56.240
<v Speaker 1>a way, like maybe you're not just focusing on the

0:25:56.280 --> 0:25:59.280
<v Speaker 1>story in the scripture, but you're you're telling a story, uh,

0:25:59.480 --> 0:26:02.720
<v Speaker 1>from your life and applying it to you know, the

0:26:02.920 --> 0:26:06.760
<v Speaker 1>truth of supposed truths in the scripture, that sort of thing. Yeah, yeah,

0:26:06.920 --> 0:26:10.240
<v Speaker 1>there's storytelling. Is is inherent to the whole whole process

0:26:10.800 --> 0:26:14.720
<v Speaker 1>when it's not there. You notice regarding this this persuasive

0:26:14.760 --> 0:26:18.119
<v Speaker 1>presentation or whatever I think I've called it apologetic, persuasive,

0:26:18.200 --> 0:26:21.320
<v Speaker 1>rhetorical whatever, that he's saying that he's telling the story

0:26:21.359 --> 0:26:25.040
<v Speaker 1>to convince people of the resurrection. Catchiola argues that this

0:26:25.119 --> 0:26:28.760
<v Speaker 1>actually is uh something that's plausibly important in the context

0:26:28.840 --> 0:26:33.520
<v Speaker 1>because people like Titmar and uh and and Catholics at

0:26:33.520 --> 0:26:36.239
<v Speaker 1>the time, one of the things they mainly wanted to

0:26:36.440 --> 0:26:42.359
<v Speaker 1>promote to the laity was the truth of life after death. Uh.

0:26:42.359 --> 0:26:45.880
<v Speaker 1>That there was apparently doubt that the afterlife existed, and

0:26:46.000 --> 0:26:50.280
<v Speaker 1>that this doubt was incredibly threatening to the church. That

0:26:50.560 --> 0:26:53.760
<v Speaker 1>was perceived as one of the main things to to

0:26:53.920 --> 0:26:56.280
<v Speaker 1>fight off and be wary of. It were any doubts

0:26:56.280 --> 0:27:00.199
<v Speaker 1>about the possibility of the afterlife or of resurrection. And

0:27:00.240 --> 0:27:03.399
<v Speaker 1>so even if this story is kind of weird, like

0:27:03.440 --> 0:27:07.399
<v Speaker 1>it doesn't really fit exactly with Catholic Catholic doctrines about

0:27:07.520 --> 0:27:11.080
<v Speaker 1>the afterlife or about the resurrection, it's close enough. At

0:27:11.119 --> 0:27:14.880
<v Speaker 1>least there is resurrection. There is some kind of afterlife,

0:27:15.240 --> 0:27:19.200
<v Speaker 1>and because there's this strong impulse to just say, well,

0:27:19.240 --> 0:27:21.440
<v Speaker 1>whatever it is, you just gotta make make sure people

0:27:21.520 --> 0:27:25.359
<v Speaker 1>understand that it is possible to achieve immortality. There is

0:27:25.440 --> 0:27:29.320
<v Speaker 1>life after physical death of the body, and that's good enough. Yeah,

0:27:29.320 --> 0:27:31.520
<v Speaker 1>It's kind of like this is the point where the

0:27:32.720 --> 0:27:35.840
<v Speaker 1>salesman at the car dealership has convinced you that, yes,

0:27:35.920 --> 0:27:38.000
<v Speaker 1>in theory, you would like a new car. You believe

0:27:38.080 --> 0:27:40.440
<v Speaker 1>in the value of getting a new car. Now it's

0:27:40.440 --> 0:27:42.520
<v Speaker 1>about convincing you that we need to get you in

0:27:42.560 --> 0:27:51.920
<v Speaker 1>this car today, right, thank thank, Okay, So it's time

0:27:51.960 --> 0:27:53.639
<v Speaker 1>I think to get to a couple of Tee Mar's

0:27:53.720 --> 0:27:56.840
<v Speaker 1>other stories, which which are a lot of fun. So

0:27:57.400 --> 0:28:00.520
<v Speaker 1>for there's also a thing where, briefly, he apparently said

0:28:00.680 --> 0:28:03.639
<v Speaker 1>just he recounts a few personal experiences. I think at

0:28:03.680 --> 0:28:05.879
<v Speaker 1>one point he says he heard grunts coming out of

0:28:05.880 --> 0:28:10.120
<v Speaker 1>a graveyard. I thought that was good. But then there's

0:28:10.119 --> 0:28:12.359
<v Speaker 1>a second tale he tells us. So the second tale

0:28:12.400 --> 0:28:14.959
<v Speaker 1>is much shorter, and then there's a tremendous third one.

0:28:15.000 --> 0:28:18.760
<v Speaker 1>The second one takes place in the yard of Magdeburgh's

0:28:18.880 --> 0:28:22.560
<v Speaker 1>Merchants Church, and it's spooky, but not as wild as

0:28:22.600 --> 0:28:25.280
<v Speaker 1>the first or third, So I'll just read directly Caciola's

0:28:25.320 --> 0:28:29.480
<v Speaker 1>translation of the story. During my time in Magdeburg, the

0:28:29.560 --> 0:28:32.520
<v Speaker 1>guards of the Merchants Church, while keeping watch at night,

0:28:32.920 --> 0:28:36.240
<v Speaker 1>experienced by sight and by hearing phenomena similar to what

0:28:36.359 --> 0:28:39.840
<v Speaker 1>I have described. So they brought some of the foremost citizens.

0:28:40.200 --> 0:28:43.720
<v Speaker 1>Having set themselves at a far distance from the cadaver cemetery,

0:28:44.080 --> 0:28:47.240
<v Speaker 1>they watched as lights were placed in the canned labras,

0:28:47.600 --> 0:28:51.320
<v Speaker 1>and then they faintly heard two parts singing the invitatory

0:28:51.400 --> 0:28:55.920
<v Speaker 1>and completing all the morning lauds in proper order. However, afterward,

0:28:55.960 --> 0:29:00.320
<v Speaker 1>when they approached, they discovered nothing. This one's interesting because

0:29:00.400 --> 0:29:02.720
<v Speaker 1>this sounds more like the kind of ghost stories you

0:29:02.800 --> 0:29:06.520
<v Speaker 1>hear people talk about today. It's like something seen very

0:29:06.600 --> 0:29:10.760
<v Speaker 1>faintly at a distance and heard in an uncertain way. Yeah,

0:29:10.920 --> 0:29:13.800
<v Speaker 1>just as that's an example of someone saying, hey, sometimes

0:29:13.800 --> 0:29:16.760
<v Speaker 1>we see strange lights, or I've heard that that sometimes

0:29:16.800 --> 0:29:19.840
<v Speaker 1>they see strange lights in the in the graveyard, and

0:29:19.840 --> 0:29:22.160
<v Speaker 1>and that's that's enough. Like that, just the idea of

0:29:22.200 --> 0:29:25.160
<v Speaker 1>that occurring and the idea that there are accounts of

0:29:25.200 --> 0:29:29.480
<v Speaker 1>that are are enough to tickle the imagination. Okay, but

0:29:29.560 --> 0:29:32.680
<v Speaker 1>time for the third tale. This is the real barn Burner. Okay,

0:29:32.800 --> 0:29:34.760
<v Speaker 1>let's do it. So this one is a story that

0:29:34.800 --> 0:29:39.560
<v Speaker 1>Tetmer says he heard from his niece Bridget about something

0:29:39.600 --> 0:29:42.440
<v Speaker 1>that happened in You Tracked. So I love that we're

0:29:42.440 --> 0:29:45.800
<v Speaker 1>getting niece stories now. Again from the translation in in

0:29:46.200 --> 0:29:49.880
<v Speaker 1>the catchy Alla's paper quote the next day, I told

0:29:49.920 --> 0:29:53.000
<v Speaker 1>my niece Bridget about the episode in Magdeburgh, and I

0:29:53.040 --> 0:29:57.000
<v Speaker 1>received this reply from her. During the eighty years or more,

0:29:57.080 --> 0:29:59.840
<v Speaker 1>when the great man Baldric held the Holy See of

0:30:00.040 --> 0:30:03.120
<v Speaker 1>You Trecked, he renovated a church that had fallen into

0:30:03.200 --> 0:30:07.080
<v Speaker 1>ruin from old age in a place called Devonter. He

0:30:07.160 --> 0:30:09.719
<v Speaker 1>consecrated it and commended it to the care of one

0:30:09.800 --> 0:30:13.080
<v Speaker 1>of his priests. One day, when the priest was going

0:30:13.120 --> 0:30:15.840
<v Speaker 1>to the church very early in the morning, he saw

0:30:15.960 --> 0:30:19.400
<v Speaker 1>dead people in the church in cemetery making offerings, and

0:30:19.400 --> 0:30:23.240
<v Speaker 1>he heard them singing. The priest informed the bishop immediately.

0:30:23.640 --> 0:30:26.960
<v Speaker 1>He was ordered by the latter to sleep in the church.

0:30:27.440 --> 0:30:30.320
<v Speaker 1>But the next night he was thrown out by the dead,

0:30:30.480 --> 0:30:33.440
<v Speaker 1>along with the bed he lay on. First of all, man,

0:30:33.480 --> 0:30:36.160
<v Speaker 1>this bishop is a tyrant. Is oh, there's dead people

0:30:36.160 --> 0:30:37.960
<v Speaker 1>in the church. Well, you gotta sleep in there now.

0:30:38.320 --> 0:30:40.000
<v Speaker 1>But then they just they just threw him out, which

0:30:40.040 --> 0:30:41.480
<v Speaker 1>is kind of nice, you know, They just they just

0:30:41.520 --> 0:30:43.800
<v Speaker 1>threw they evicted him from the church. This is the

0:30:44.240 --> 0:30:47.160
<v Speaker 1>eviction of the living dead here, that's nice. Yeah, they

0:30:47.360 --> 0:30:49.120
<v Speaker 1>get the heck out of here. They just threw him

0:30:49.120 --> 0:30:50.880
<v Speaker 1>out and the bed he lay on, but then it

0:30:50.920 --> 0:30:54.120
<v Speaker 1>goes on. Terrified on account of what had happened, the

0:30:54.200 --> 0:30:57.960
<v Speaker 1>priest again complained to his superior about these things, but

0:30:58.040 --> 0:31:00.520
<v Speaker 1>the latter ordered that he should cross him himself with

0:31:00.600 --> 0:31:03.720
<v Speaker 1>saints relics and be sprinkled with holy water, but on

0:31:03.760 --> 0:31:07.480
<v Speaker 1>no account cease guarding the church. The priest followed the

0:31:07.480 --> 0:31:10.720
<v Speaker 1>bishop's command tried to sleep in the church again, but

0:31:10.800 --> 0:31:13.520
<v Speaker 1>he was struck with terror, and so lay wide awake

0:31:13.520 --> 0:31:18.600
<v Speaker 1>and watchful, and behold, at the accustomed hour the dead arrived.

0:31:18.960 --> 0:31:21.800
<v Speaker 1>They picked him up, they placed him upon the altar,

0:31:22.240 --> 0:31:25.720
<v Speaker 1>and they incinerated his body with fire down to a

0:31:25.840 --> 0:31:29.400
<v Speaker 1>fine ash. When the bishop heard about this, he ordered

0:31:29.400 --> 0:31:31.720
<v Speaker 1>a three day fast to be held for the sucker

0:31:31.840 --> 0:31:34.760
<v Speaker 1>of the dead man's soul. I could say much more,

0:31:34.840 --> 0:31:37.520
<v Speaker 1>my son, about all these things, if my illness did

0:31:37.560 --> 0:31:40.520
<v Speaker 1>not prevent me as day is to the living, so

0:31:40.680 --> 0:31:44.160
<v Speaker 1>night is conceded to the dead. And there's that line

0:31:44.200 --> 0:31:46.200
<v Speaker 1>we talked about last time. Actually, I guess this means

0:31:46.240 --> 0:31:48.800
<v Speaker 1>I may have falsely attributed that to to tit Mar

0:31:48.840 --> 0:31:52.400
<v Speaker 1>when he was actually quoting bridget Well. This this is

0:31:52.440 --> 0:31:56.120
<v Speaker 1>a great story, um. And and they're they're apparently variations

0:31:56.160 --> 0:32:00.280
<v Speaker 1>of this as well. That uh Canellia Christiansen blog post

0:32:00.320 --> 0:32:03.760
<v Speaker 1>from the Legends of the North dot com um. She

0:32:03.920 --> 0:32:07.680
<v Speaker 1>shares one variation from Lapland, which involves a priest who

0:32:07.720 --> 0:32:11.080
<v Speaker 1>dares to venture into the church during the midnight mass

0:32:11.080 --> 0:32:14.080
<v Speaker 1>of the dead. And he even gets up in front

0:32:14.080 --> 0:32:16.040
<v Speaker 1>and begins preaching a sermon to the dead. And I

0:32:16.040 --> 0:32:20.080
<v Speaker 1>believe he's also protected you know by various uh you know,

0:32:20.120 --> 0:32:23.560
<v Speaker 1>holy waters and and and and signs and so forth.

0:32:23.800 --> 0:32:26.800
<v Speaker 1>But the dead don't care, and they care him apart,

0:32:27.280 --> 0:32:33.720
<v Speaker 1>leaving only his intestines quote carefully swirled about the pillars. WHOA, yeah,

0:32:33.800 --> 0:32:36.240
<v Speaker 1>so that's that's pretty uh. I mean that that's that's

0:32:36.240 --> 0:32:38.200
<v Speaker 1>above and beyond. I mean, I like the idea of

0:32:38.200 --> 0:32:40.760
<v Speaker 1>them also just burning him on the altar, but just

0:32:40.800 --> 0:32:43.400
<v Speaker 1>tearing him apart and decorating the place with his intestines

0:32:43.440 --> 0:32:47.280
<v Speaker 1>like their their garlands. Uh that's also pretty nice. Well,

0:32:47.320 --> 0:32:51.040
<v Speaker 1>one's more wicker Man and one's more splatter punk. Yeah. Now,

0:32:51.080 --> 0:32:53.680
<v Speaker 1>one thing worth noticing about this tale, which is fun, is,

0:32:53.720 --> 0:32:55.800
<v Speaker 1>as far as I can tell, this third tale has

0:32:55.840 --> 0:32:59.160
<v Speaker 1>no living witnesses. So how does anybody know this happened? Well?

0:32:59.160 --> 0:33:01.719
<v Speaker 1>I guess they just found the ashes, right, Like what happened?

0:33:02.320 --> 0:33:05.680
<v Speaker 1>He had burned up forred the rest. Yeah that's true. Okay,

0:33:05.680 --> 0:33:07.200
<v Speaker 1>I guess the only part they would really have to

0:33:07.240 --> 0:33:09.840
<v Speaker 1>supply would be the order of events the night he

0:33:09.920 --> 0:33:12.640
<v Speaker 1>gets burned. Yeah. I mean, it's possible that the living

0:33:12.680 --> 0:33:15.960
<v Speaker 1>dead were framed, but otherwise we know the living dead

0:33:16.000 --> 0:33:17.800
<v Speaker 1>hang out in here at night. They kicked him out

0:33:17.880 --> 0:33:20.600
<v Speaker 1>last time, and this time we found him burnt to

0:33:20.640 --> 0:33:24.320
<v Speaker 1>a crisp probably the living dead again. Well. You know,

0:33:24.400 --> 0:33:28.600
<v Speaker 1>another thing that's interesting here we're worth noticing is that

0:33:28.720 --> 0:33:32.480
<v Speaker 1>the reanimated dead bodies they take the priests, they don't

0:33:32.520 --> 0:33:35.000
<v Speaker 1>just kill him. They burn him to a fine ash,

0:33:35.240 --> 0:33:38.360
<v Speaker 1>meaning that he cannot be reanimated in bodily form like

0:33:38.440 --> 0:33:42.520
<v Speaker 1>they can. Interesting, and perhaps something similar is achieved by

0:33:42.560 --> 0:33:44.880
<v Speaker 1>just tearing him to pieces and stringing him up all

0:33:44.880 --> 0:33:48.160
<v Speaker 1>over the place. But there's a there's a whole subsection

0:33:48.240 --> 0:33:52.080
<v Speaker 1>of Cachiola's paper where she makes a very interesting connection

0:33:52.160 --> 0:33:57.680
<v Speaker 1>with this story, and it is this many of the

0:33:57.680 --> 0:34:00.320
<v Speaker 1>the European paganisms, and this probably would have and true

0:34:00.320 --> 0:34:04.320
<v Speaker 1>of some of the Slavic paganism that predated the Christianizing

0:34:04.360 --> 0:34:07.680
<v Speaker 1>mission of the Saxons here in this region. Uh. A

0:34:07.760 --> 0:34:14.120
<v Speaker 1>lot of these religions involve burnt offerings and sometimes probably

0:34:14.400 --> 0:34:18.600
<v Speaker 1>burnt offerings of human beings. And so it's conceivable, at

0:34:18.680 --> 0:34:22.440
<v Speaker 1>least in in Catchiola's presentation, that this story about taking

0:34:22.480 --> 0:34:25.239
<v Speaker 1>the priest. Now, notice they don't just kill him, They

0:34:25.280 --> 0:34:29.520
<v Speaker 1>put him on the altar and burn him, suggesting that

0:34:29.560 --> 0:34:32.680
<v Speaker 1>this is a a deliberate form of worship, that the

0:34:32.680 --> 0:34:36.440
<v Speaker 1>burning itself is worshiped to them uh. And so this

0:34:36.520 --> 0:34:39.520
<v Speaker 1>is a sacrifice to the gods or to the ancestors.

0:34:39.600 --> 0:34:41.880
<v Speaker 1>That there might have been some blurring of the lines

0:34:41.920 --> 0:34:44.920
<v Speaker 1>there in in these pagan beliefs, and this I think

0:34:44.960 --> 0:34:47.959
<v Speaker 1>further suggests that the story we're getting here is some

0:34:48.080 --> 0:34:51.080
<v Speaker 1>kind of hybrid detailed. This is a tale that may

0:34:51.120 --> 0:34:55.000
<v Speaker 1>originally involve some kind of more Slavic pagan beliefs that

0:34:55.160 --> 0:34:59.120
<v Speaker 1>involve burnt offerings and human sacrifices, and that it has

0:34:59.200 --> 0:35:04.359
<v Speaker 1>been given a sort of Christian reframing to tame it. Now,

0:35:04.400 --> 0:35:06.960
<v Speaker 1>that's hard to know for sure, but um, it does

0:35:07.080 --> 0:35:09.839
<v Speaker 1>raise interesting questions. You might assume, Okay, now, if there

0:35:09.920 --> 0:35:13.640
<v Speaker 1>were sort of these underlying pagan elements in this story

0:35:13.680 --> 0:35:17.680
<v Speaker 1>that then has gotten this Christian window dressing, why would

0:35:17.760 --> 0:35:20.440
<v Speaker 1>that be? I mean, is it just possibly that ghost

0:35:20.480 --> 0:35:23.600
<v Speaker 1>stories are difficult to drive out of the culture. Something

0:35:23.600 --> 0:35:26.080
<v Speaker 1>about them is too captivating and you can you just

0:35:26.640 --> 0:35:29.760
<v Speaker 1>find that you can't really pry them out of people's minds.

0:35:30.160 --> 0:35:32.600
<v Speaker 1>So instead of trying to do that, what you might

0:35:32.640 --> 0:35:35.040
<v Speaker 1>do is try to reframe it to to make it

0:35:35.160 --> 0:35:38.719
<v Speaker 1>somewhat Christian, give it a generally Christian texture, even if

0:35:38.760 --> 0:35:42.320
<v Speaker 1>that leads to some sort of weird, contradictory or ambiguous elements,

0:35:42.320 --> 0:35:45.440
<v Speaker 1>like the fact that the dead are pious and murderous

0:35:45.520 --> 0:35:48.200
<v Speaker 1>at the same time. And then at least when you

0:35:48.239 --> 0:35:50.239
<v Speaker 1>do it that way, it makes it easier to give

0:35:50.239 --> 0:35:53.279
<v Speaker 1>it this, uh, this persuasive framing that Titmar does, and say,

0:35:53.320 --> 0:35:56.240
<v Speaker 1>see the story that you believe, you know, the scary

0:35:56.280 --> 0:35:58.680
<v Speaker 1>tale that that you believe about the dead rising and

0:35:58.719 --> 0:36:02.080
<v Speaker 1>burning somebody at night. Well, that just proves Christian doctrines anyway,

0:36:02.080 --> 0:36:04.560
<v Speaker 1>at least sort of. And from here there's a whole

0:36:04.600 --> 0:36:08.280
<v Speaker 1>section in this article where Catchiola gets into talking about

0:36:09.239 --> 0:36:12.600
<v Speaker 1>stories from the period of elements of these stories and

0:36:12.719 --> 0:36:18.080
<v Speaker 1>other stories that are somewhat related that suggests that the dead,

0:36:18.120 --> 0:36:20.479
<v Speaker 1>like the dead that we see, are not just sort

0:36:20.480 --> 0:36:24.239
<v Speaker 1>of like only existing in the moments that they haunt us,

0:36:24.680 --> 0:36:29.160
<v Speaker 1>and they're also not singly focused, mindless zombies, but there

0:36:29.239 --> 0:36:32.839
<v Speaker 1>is instead a sort of rich afterlife for the revenants

0:36:32.840 --> 0:36:36.200
<v Speaker 1>that they appear to have a whole functioning society of

0:36:36.239 --> 0:36:39.640
<v Speaker 1>their own. Uh. Like one weird detail, and there's a

0:36:39.640 --> 0:36:42.160
<v Speaker 1>lot of stuff like this in these stories. One weird

0:36:42.200 --> 0:36:44.600
<v Speaker 1>detail you might not notice at first is that back

0:36:44.640 --> 0:36:47.680
<v Speaker 1>in the first story that te Martel's, the dead are

0:36:47.719 --> 0:36:51.960
<v Speaker 1>said to be giving offerings to the priest. This suggests

0:36:52.040 --> 0:36:56.919
<v Speaker 1>that the dead have possessions, that the dead have an economy,

0:36:57.000 --> 0:36:59.800
<v Speaker 1>and this is consistent with other pagan influenced to me

0:37:00.040 --> 0:37:02.360
<v Speaker 1>full tales of the societies of the dead who are

0:37:02.400 --> 0:37:06.000
<v Speaker 1>said to lead full lives. Uh. There's one story that

0:37:06.080 --> 0:37:09.960
<v Speaker 1>she cites that is in something called the Chronicle of

0:37:10.040 --> 0:37:13.560
<v Speaker 1>Henry of Erfurt, where a dead man in the middle

0:37:13.560 --> 0:37:16.600
<v Speaker 1>of the stories is speaking to a living man and

0:37:17.040 --> 0:37:20.200
<v Speaker 1>or speaking to a living person, and he says, we eat,

0:37:20.440 --> 0:37:24.560
<v Speaker 1>we drink, we take wives, we have children, We arrange

0:37:24.600 --> 0:37:27.240
<v Speaker 1>the weddings of our daughters and the marriages of our sons.

0:37:27.600 --> 0:37:30.719
<v Speaker 1>We sow when we reap, and various other things, just

0:37:30.920 --> 0:37:34.440
<v Speaker 1>as you do. But then we get the detail. Except

0:37:34.760 --> 0:37:37.959
<v Speaker 1>they don't do it down in town where everybody else

0:37:38.000 --> 0:37:40.080
<v Speaker 1>does it, and they don't do it on the farms

0:37:40.120 --> 0:37:43.320
<v Speaker 1>with all the living. They do it inside the mountain

0:37:43.400 --> 0:37:47.359
<v Speaker 1>of Sirenburg instead of down among the living um And

0:37:47.360 --> 0:37:50.399
<v Speaker 1>and there's even more so there's weird stuff about how

0:37:50.520 --> 0:37:54.400
<v Speaker 1>the dead are saying that they are, that they procreate right,

0:37:54.440 --> 0:37:56.840
<v Speaker 1>that they have children, and they have their children, have

0:37:56.920 --> 0:37:59.640
<v Speaker 1>weddings and stuff. And it's also said that they have

0:38:00.040 --> 0:38:03.480
<v Speaker 1>wars with other neighboring communities of dead people. So there's

0:38:03.520 --> 0:38:09.000
<v Speaker 1>like a separate world of geopolitics entirely among the dead. Yeah,

0:38:09.120 --> 0:38:10.960
<v Speaker 1>Like up there in the mountains, there's a mountain in

0:38:10.960 --> 0:38:14.279
<v Speaker 1>which the the good revenants reside, and there's one where

0:38:14.320 --> 0:38:19.040
<v Speaker 1>the warlike revenants reside, and and inside you have these

0:38:19.040 --> 0:38:22.880
<v Speaker 1>whole societies that yeah, where where there's reproduction, even undead

0:38:22.920 --> 0:38:25.920
<v Speaker 1>babies being born and growing up to live full lives

0:38:26.480 --> 0:38:31.160
<v Speaker 1>underneath the mountain. Um this, this was fascinating to me.

0:38:31.160 --> 0:38:33.160
<v Speaker 1>I wish I could have found out more about it.

0:38:33.200 --> 0:38:34.839
<v Speaker 1>I was, I was looking it up a little bit.

0:38:34.880 --> 0:38:37.560
<v Speaker 1>And this is um u that this uh, this is

0:38:37.600 --> 0:38:41.000
<v Speaker 1>actually this is modern day Zerenberg in the German district

0:38:41.000 --> 0:38:44.319
<v Speaker 1>of Cassal. So it's uh, if you live in this area,

0:38:44.719 --> 0:38:46.839
<v Speaker 1>you go up to the mountains and make inquiries for

0:38:46.920 --> 0:38:49.239
<v Speaker 1>us and see if you can find these dead societies,

0:38:49.880 --> 0:38:51.759
<v Speaker 1>because this is usually something I mean, we don't even

0:38:51.760 --> 0:38:55.160
<v Speaker 1>really encounter this much in our our our fantas, our

0:38:55.200 --> 0:38:57.839
<v Speaker 1>modern fantasy world building, where you know, there are plenty

0:38:57.880 --> 0:39:01.920
<v Speaker 1>of people plowing away in the realms of the undead,

0:39:02.040 --> 0:39:03.879
<v Speaker 1>and uh, you know a lot of times, yeah, we don't,

0:39:03.920 --> 0:39:07.560
<v Speaker 1>we don't give much. We don't, we don't subscribe much

0:39:07.560 --> 0:39:10.920
<v Speaker 1>in the way of culture to to our our fictionalized undead,

0:39:10.920 --> 0:39:13.239
<v Speaker 1>certainly not to the zombies. But but then you see

0:39:13.239 --> 0:39:16.319
<v Speaker 1>this sometimes with vampires, where they'll be we'll we'll we'll

0:39:16.320 --> 0:39:19.120
<v Speaker 1>get all in, you know, on like vampire societies and

0:39:19.200 --> 0:39:22.560
<v Speaker 1>vampire kings and cultures and lords and so forth. But

0:39:22.600 --> 0:39:25.040
<v Speaker 1>even then you don't see a lot of like vampire

0:39:25.120 --> 0:39:29.880
<v Speaker 1>nurseries and vampire babies going on. You know. Yeah, I

0:39:29.960 --> 0:39:33.560
<v Speaker 1>find it's almost all of the visions of of life

0:39:33.560 --> 0:39:37.400
<v Speaker 1>after death that I can think of present life after

0:39:37.440 --> 0:39:41.680
<v Speaker 1>death as in some way of a kind of reduced richness.

0:39:41.719 --> 0:39:43.480
<v Speaker 1>Like you might think that the closest thing you can

0:39:43.520 --> 0:39:46.839
<v Speaker 1>think of too, the dead having rich lives like this

0:39:46.880 --> 0:39:49.879
<v Speaker 1>would be I don't know, in in Christian beliefs about

0:39:49.880 --> 0:39:53.280
<v Speaker 1>like going to heaven or something. But even then life

0:39:53.280 --> 0:39:55.120
<v Speaker 1>has a kind of its life is said to be

0:39:55.200 --> 0:39:57.680
<v Speaker 1>blissful and good and you enjoy God. But there's not

0:39:57.719 --> 0:40:01.480
<v Speaker 1>all there's not like, uh much drama there. There's not

0:40:01.520 --> 0:40:03.600
<v Speaker 1>like a lot of like you know, politics and people

0:40:03.640 --> 0:40:05.920
<v Speaker 1>falling in love and having children and all that. It

0:40:06.239 --> 0:40:10.560
<v Speaker 1>has a reduced level of complexity when compared to to

0:40:11.000 --> 0:40:13.759
<v Speaker 1>life here on earth. And that seems like it's always true,

0:40:13.760 --> 0:40:15.920
<v Speaker 1>Like if you go back to old stories, you know,

0:40:16.160 --> 0:40:19.399
<v Speaker 1>pre Christian ideas of the afterlife, like in uh uh,

0:40:19.400 --> 0:40:22.359
<v Speaker 1>in the Odyssey, when when Odysseus goes and he hears

0:40:22.400 --> 0:40:25.000
<v Speaker 1>about what's what is life like in in the afterlife?

0:40:25.040 --> 0:40:27.799
<v Speaker 1>It sounds like it's it's crappy. You know, everybody's just like, well,

0:40:27.840 --> 0:40:31.000
<v Speaker 1>there's nothing much to do. Uh, Like it is that

0:40:31.080 --> 0:40:34.200
<v Speaker 1>reduced level of richness. It sounds gloomy and kind of

0:40:34.200 --> 0:40:36.560
<v Speaker 1>like your brain isn't really there. It's kind of kind

0:40:36.560 --> 0:40:39.800
<v Speaker 1>of a fog of eternity. I think, unless I'm mistaken,

0:40:39.800 --> 0:40:42.000
<v Speaker 1>it's described that way in the epic of Gilgamesh that

0:40:42.040 --> 0:40:44.000
<v Speaker 1>once a man is dead, it says he he just

0:40:44.040 --> 0:40:46.560
<v Speaker 1>sort of like lies down among the dust and he

0:40:46.600 --> 0:40:49.600
<v Speaker 1>eats dirt or something. Yeah, so you're either doing that

0:40:49.800 --> 0:40:51.799
<v Speaker 1>or it's like hell is a place where you are

0:40:51.840 --> 0:40:54.120
<v Speaker 1>just always screaming or having as a place where you're

0:40:54.160 --> 0:40:57.719
<v Speaker 1>just always beaming and smiling. Yeah, not not not often

0:40:57.760 --> 0:41:00.160
<v Speaker 1>a lot of added complexity. I mean, I guess there

0:41:00.160 --> 0:41:02.600
<v Speaker 1>are versions where hey, you're in heaven. Would you like

0:41:02.640 --> 0:41:04.799
<v Speaker 1>to come back as a as an angel and uh

0:41:04.880 --> 0:41:07.040
<v Speaker 1>talk people off of bridges? Well you can do that,

0:41:07.239 --> 0:41:10.120
<v Speaker 1>or I guess there are also some variations where it's like, hey,

0:41:10.160 --> 0:41:12.440
<v Speaker 1>you're in hell, um, but we have a we have

0:41:12.480 --> 0:41:15.120
<v Speaker 1>a whole system here and you can level up if

0:41:15.200 --> 0:41:20.680
<v Speaker 1>you if you work hard. Yeah, um, the only or

0:41:20.719 --> 0:41:24.320
<v Speaker 1>something Um I was actually thinking about um Alan Moore's

0:41:24.360 --> 0:41:26.840
<v Speaker 1>run on Swamp thing. There's this whole plot where the

0:41:26.880 --> 0:41:31.040
<v Speaker 1>evil dr Anton Arcane has his soul has gone to hell,

0:41:31.560 --> 0:41:34.160
<v Speaker 1>but he's just so evil that he works his way

0:41:34.239 --> 0:41:36.319
<v Speaker 1>up through the ranks and eventually gets a place of

0:41:36.360 --> 0:41:39.200
<v Speaker 1>power again. He's a real go getter. Yeah, he is.

0:41:39.640 --> 0:41:42.239
<v Speaker 1>Um as far as like the Undead Reproduction, the only

0:41:42.600 --> 0:41:45.440
<v Speaker 1>fictional examples that come to mind, or first of all,

0:41:45.480 --> 0:41:48.200
<v Speaker 1>the Crypt Keeper, where in which there is one episode

0:41:48.200 --> 0:41:50.320
<v Speaker 1>of Tales for the Crypt where we're given his backstory

0:41:50.400 --> 0:41:52.400
<v Speaker 1>and we find out that his mom is a mummy,

0:41:52.960 --> 0:41:56.440
<v Speaker 1>So his mom is reanimated corpse, but his dad is

0:41:56.880 --> 0:42:01.080
<v Speaker 1>a like two faced um circus mutant. Uh kind of

0:42:01.120 --> 0:42:06.000
<v Speaker 1>a situation. So there's that, and um oh, speaking of mummies,

0:42:06.000 --> 0:42:09.200
<v Speaker 1>maybe maybe Egyptian afterlife has a sort of has a

0:42:09.880 --> 0:42:12.960
<v Speaker 1>level of richness and complexity, Oh very much. So, yes,

0:42:13.000 --> 0:42:15.399
<v Speaker 1>it certainly we can't forget that if you're looking at

0:42:15.480 --> 0:42:18.919
<v Speaker 1>the Egyptian afterlife. The Egyptian afterlife is an idea where

0:42:18.960 --> 0:42:21.399
<v Speaker 1>you are going into an entire world where you will

0:42:21.400 --> 0:42:25.480
<v Speaker 1>need resources, you will need spells, you will have to

0:42:25.600 --> 0:42:31.200
<v Speaker 1>navigate various obstacles and enemies. It's Yeah, the Egyptian after

0:42:31.520 --> 0:42:33.839
<v Speaker 1>Afterlife is a strong example to bring up, for sure.

0:42:34.520 --> 0:42:36.600
<v Speaker 1>The other undead example that comes to mind, though, is

0:42:36.680 --> 0:42:39.520
<v Speaker 1>that I believe it now in two different zombie films,

0:42:40.040 --> 0:42:44.640
<v Speaker 1>director Zack Snyder has betrayed a um, a strong interest

0:42:44.680 --> 0:42:47.440
<v Speaker 1>in zombie reproduction. He seems to really into the idea

0:42:47.520 --> 0:42:52.360
<v Speaker 1>of of zombie newborns and so forth. So um, I

0:42:52.360 --> 0:42:54.879
<v Speaker 1>don't know. Take that. Take that for as you will.

0:42:54.920 --> 0:42:57.479
<v Speaker 1>I don't know. If he makes another zombie film, maybe

0:42:57.480 --> 0:43:09.000
<v Speaker 1>he'll expand on that. We can only hope than all right,

0:43:09.040 --> 0:43:11.759
<v Speaker 1>but you know enough about about the zombie movies. Let's

0:43:11.800 --> 0:43:14.879
<v Speaker 1>get back to Christmas stuff. Okay, That's that's what people

0:43:14.920 --> 0:43:16.680
<v Speaker 1>want to hear about. And uh and indeed, I want

0:43:16.680 --> 0:43:19.360
<v Speaker 1>to come back to the idea of Yule Tide revenants,

0:43:20.080 --> 0:43:24.120
<v Speaker 1>Christmas zombies. I was reading the Ghosts of Christmas Past

0:43:24.200 --> 0:43:28.000
<v Speaker 1>by Sarah Hoffman. This was published in by the Institute

0:43:28.000 --> 0:43:33.120
<v Speaker 1>of European and Mediterranean Archaeology in the Chronica Journal. The

0:43:33.160 --> 0:43:36.960
<v Speaker 1>paper centers on local customs and beliefs about the dead

0:43:37.360 --> 0:43:41.560
<v Speaker 1>and the Catholic Church of St. Nicholas on and near

0:43:41.760 --> 0:43:45.719
<v Speaker 1>the island of hof Girary in Iceland. So this is

0:43:45.760 --> 0:43:49.239
<v Speaker 1>off the western coast of Iceland, north of k Vik,

0:43:49.680 --> 0:43:53.279
<v Speaker 1>but not not far off the coast. It can be

0:43:53.320 --> 0:43:57.440
<v Speaker 1>reached by boat or over the frozen ice. So the

0:43:57.520 --> 0:44:01.040
<v Speaker 1>church and cemetery here served as a major funerary and

0:44:01.120 --> 0:44:04.359
<v Speaker 1>burial destination for a large portion of western Iceland from

0:44:04.400 --> 0:44:08.600
<v Speaker 1>about twelve hundred to fifteen sixty three. Then the church

0:44:08.640 --> 0:44:12.600
<v Speaker 1>wind cemetery were both closed during the Lutheran Reformation and

0:44:12.640 --> 0:44:16.200
<v Speaker 1>the island was abandoned. Now the author here notes that

0:44:16.920 --> 0:44:19.359
<v Speaker 1>you know, when we talk about the Lutheran Reformation like

0:44:19.400 --> 0:44:22.600
<v Speaker 1>this was this was a time of of of great

0:44:22.719 --> 0:44:25.600
<v Speaker 1>change um and an often violent change. She notes that

0:44:25.640 --> 0:44:30.360
<v Speaker 1>the last Catholic bishop in Iceland, John Arson, was executed

0:44:30.360 --> 0:44:33.120
<v Speaker 1>by beheading in fifteen fifty during the height of the

0:44:33.200 --> 0:44:37.399
<v Speaker 1>Lutheran Reformation. So after this took place, after this place

0:44:37.480 --> 0:44:41.920
<v Speaker 1>was abandoned, uh stories about the island and about the

0:44:42.000 --> 0:44:45.200
<v Speaker 1>church and the graveyard there. They kind of dealt with

0:44:45.239 --> 0:44:50.200
<v Speaker 1>the abandonment in different ways, both to reinforce the abandonment

0:44:50.560 --> 0:44:53.080
<v Speaker 1>and to excuse it by turning the island into a

0:44:53.160 --> 0:44:56.640
<v Speaker 1>kind of forsaken and dangerous place. And this comes to

0:44:56.680 --> 0:45:01.040
<v Speaker 1>involve revenance of course, Hoffman naturally to discusses the corporeal

0:45:01.120 --> 0:45:05.239
<v Speaker 1>nature of of these undead. Quote, these restless dead often

0:45:05.280 --> 0:45:08.480
<v Speaker 1>emerge as a result of improper death or unfinished business,

0:45:08.760 --> 0:45:13.600
<v Speaker 1>frequently overlapping with Christmas or yield Tide. So remember we

0:45:13.600 --> 0:45:15.560
<v Speaker 1>we've already gone through a few different examples, but even

0:45:15.600 --> 0:45:19.840
<v Speaker 1>that example from the Gretist saka um that where you

0:45:19.920 --> 0:45:21.880
<v Speaker 1>have the you know, the battle, the wrestling match against

0:45:21.880 --> 0:45:24.440
<v Speaker 1>the undead beast with the moon in its eyes, that

0:45:24.520 --> 0:45:27.319
<v Speaker 1>takes place at Christmas as well as well, and she

0:45:27.360 --> 0:45:29.680
<v Speaker 1>points out that most of these tales take place during

0:45:29.680 --> 0:45:32.960
<v Speaker 1>a festival of transition, uh you know in in this

0:45:33.000 --> 0:45:37.520
<v Speaker 1>example Christmas Cereal Tide, and are often set during a

0:45:37.560 --> 0:45:41.600
<v Speaker 1>time period of transition, in this case transition to either

0:45:41.640 --> 0:45:47.640
<v Speaker 1>transition to Christianity or transition from Catholicism to a Protestant

0:45:47.680 --> 0:45:51.839
<v Speaker 1>faith and um in in the in cases of where

0:45:51.880 --> 0:45:55.319
<v Speaker 1>it's like a Christian pagan uh situation we often see,

0:45:55.320 --> 0:45:58.040
<v Speaker 1>the Christian heroes are the ones that are usually the

0:45:58.080 --> 0:46:01.239
<v Speaker 1>individuals who are able to bring some sort of finality

0:46:01.520 --> 0:46:05.959
<v Speaker 1>to this disruption involving the untead. However, she does share

0:46:06.000 --> 0:46:08.600
<v Speaker 1>a tale in which the new religion does not seem

0:46:08.640 --> 0:46:12.120
<v Speaker 1>to be enough. Quote. In the story of the Deacon

0:46:12.400 --> 0:46:16.280
<v Speaker 1>of of Mirca, a deacon of of Edge of florid

0:46:16.360 --> 0:46:19.799
<v Speaker 1>Or fell in love with a woman named good Run

0:46:19.960 --> 0:46:23.400
<v Speaker 1>who lived on the opposite shore of a fjord valley.

0:46:23.440 --> 0:46:26.000
<v Speaker 1>One day near Christmas, the deacon attempted to cross the

0:46:26.040 --> 0:46:28.759
<v Speaker 1>frozen river to meet his beloved, only to fall through

0:46:28.800 --> 0:46:32.120
<v Speaker 1>the ice to his death. His ghost returned to torment

0:46:32.200 --> 0:46:35.920
<v Speaker 1>Guruin for two weeks, and while a priest was unable

0:46:35.920 --> 0:46:40.000
<v Speaker 1>to help, a sorcerer quote skilled in witchcraft finally managed

0:46:40.040 --> 0:46:44.960
<v Speaker 1>to exercise the ghost. This is interesting because I um,

0:46:45.080 --> 0:46:49.560
<v Speaker 1>I remember from years ago when I visited Iceland a

0:46:49.800 --> 0:46:54.279
<v Speaker 1>story about a story from somewhere I went about a

0:46:54.280 --> 0:46:57.040
<v Speaker 1>guy who died trying to cross the river to see

0:46:57.080 --> 0:47:00.080
<v Speaker 1>his beloved. But I wondered. But I don't think it

0:47:00.120 --> 0:47:02.680
<v Speaker 1>was in a fjord valley. I think it was more inland.

0:47:02.760 --> 0:47:05.960
<v Speaker 1>So maybe they're just multiple stories like that. I think so,

0:47:06.280 --> 0:47:10.319
<v Speaker 1>based on what the author here shares. There are a

0:47:10.320 --> 0:47:13.040
<v Speaker 1>few key things here. First of all, when we're talking,

0:47:13.200 --> 0:47:14.680
<v Speaker 1>first of all, we're dealing with a part of the

0:47:14.680 --> 0:47:17.320
<v Speaker 1>world in which, yes, the bodies of water will freeze

0:47:17.360 --> 0:47:20.080
<v Speaker 1>and you can cross them on foot, but there's always

0:47:20.120 --> 0:47:22.680
<v Speaker 1>the possibility that you will break through and then you're

0:47:22.719 --> 0:47:25.799
<v Speaker 1>in the water, the chilling water, uh, and you may

0:47:25.920 --> 0:47:30.040
<v Speaker 1>drown and then drowning, especially when you're dealing with death

0:47:30.040 --> 0:47:32.520
<v Speaker 1>at sea, this is said to leave one in a

0:47:32.600 --> 0:47:36.359
<v Speaker 1>state uh, stuck between worlds. Uh. So there are a

0:47:36.360 --> 0:47:39.600
<v Speaker 1>lot of tales involving drowned revenance. In fact, we already

0:47:39.600 --> 0:47:42.600
<v Speaker 1>shared one in the first episode about the the guys

0:47:42.640 --> 0:47:44.759
<v Speaker 1>going to the feast and showing up anyway even though

0:47:44.760 --> 0:47:47.080
<v Speaker 1>their their boat um uh you know, wrecked and they

0:47:47.160 --> 0:47:51.200
<v Speaker 1>drowned on the way. Um. So this you know, the

0:47:51.440 --> 0:47:54.360
<v Speaker 1>idea that those who die in the water are especially

0:47:54.360 --> 0:47:57.319
<v Speaker 1>prone to return, and we actually see this in one

0:47:57.320 --> 0:48:00.320
<v Speaker 1>of the tales told to affirm the cursed and nature

0:48:00.800 --> 0:48:05.600
<v Speaker 1>of this particular church, this abandoned church. The account says

0:48:05.680 --> 0:48:09.719
<v Speaker 1>that on Christmas Even fifteen sixty three, the priests and

0:48:09.760 --> 0:48:13.600
<v Speaker 1>parishioners of the church were walking back to their farms

0:48:13.640 --> 0:48:17.080
<v Speaker 1>over the frozen tidal flats. They were broken walking back

0:48:17.120 --> 0:48:21.040
<v Speaker 1>to the mainland essentially from this island. And what happened

0:48:21.040 --> 0:48:25.160
<v Speaker 1>while the ice broke halfway and everyone drowned. So in

0:48:25.160 --> 0:48:28.480
<v Speaker 1>the entire church drowns in the water, and of course

0:48:28.520 --> 0:48:32.439
<v Speaker 1>by virtue of that, they are going to be lost souls. Now,

0:48:33.560 --> 0:48:35.560
<v Speaker 1>the author adds here that the waters off the coast

0:48:35.560 --> 0:48:38.400
<v Speaker 1>we were dangerous, and it was apparently common enough to

0:48:38.480 --> 0:48:42.480
<v Speaker 1>discover human bodies washed upon the shore from shipwrecks and um.

0:48:42.719 --> 0:48:44.799
<v Speaker 1>And many of these were even as an as an

0:48:44.800 --> 0:48:46.640
<v Speaker 1>added note, they were they were said to have occurred

0:48:46.680 --> 0:48:49.000
<v Speaker 1>on Christmas. So you'd be out on Christmas Day and

0:48:49.040 --> 0:48:52.480
<v Speaker 1>then here are bodies washed up on the shore. And

0:48:52.560 --> 0:48:56.319
<v Speaker 1>if you were to find these bodies, it's your personal responsibility, uh,

0:48:56.440 --> 0:49:01.160
<v Speaker 1>to help those bodies have a proper Christian areal. Otherwise

0:49:01.560 --> 0:49:03.880
<v Speaker 1>you're going to be cursed and the Revenant will follow

0:49:03.920 --> 0:49:07.000
<v Speaker 1>you until the end of your days. Which reminds me

0:49:07.040 --> 0:49:09.600
<v Speaker 1>of that that account of the moonlight in the eyes

0:49:09.640 --> 0:49:13.080
<v Speaker 1>of the undead creature that gretted the strong battles and

0:49:13.120 --> 0:49:15.960
<v Speaker 1>how he's essentially, uh, you know, just shaken for the

0:49:16.000 --> 0:49:19.680
<v Speaker 1>rest of his life because he saw it. But anyway,

0:49:19.680 --> 0:49:21.840
<v Speaker 1>but the idea of this, the story of the lost

0:49:21.880 --> 0:49:25.520
<v Speaker 1>congregation drowned in the ice um it was. It was

0:49:25.600 --> 0:49:30.080
<v Speaker 1>apparently compounded because after the church's abandonment the church decayed,

0:49:30.120 --> 0:49:33.920
<v Speaker 1>but not only that the burial grounds eroded. And when

0:49:33.960 --> 0:49:38.040
<v Speaker 1>burial grounds erode, what happens, well, the dead appeared to rise,

0:49:38.160 --> 0:49:41.800
<v Speaker 1>the dead are revealed, and this ended up requiring several

0:49:41.840 --> 0:49:44.920
<v Speaker 1>waves of reburial uh, you know, people having to to

0:49:44.920 --> 0:49:46.959
<v Speaker 1>go out and make sure that these bodies were given

0:49:47.320 --> 0:49:50.440
<v Speaker 1>a proper burial again so that they might rest. But

0:49:50.480 --> 0:49:54.719
<v Speaker 1>the tale, as the author, the point they're making is

0:49:54.760 --> 0:49:58.160
<v Speaker 1>that you have stories like this that we're about sort

0:49:58.160 --> 0:49:59.920
<v Speaker 1>of giving a reason why the place was a band

0:50:00.000 --> 0:50:01.640
<v Speaker 1>and while it's an evil place, it's curse the dead

0:50:01.640 --> 0:50:04.440
<v Speaker 1>are coming up through the ground. Um. But also it's

0:50:04.520 --> 0:50:07.640
<v Speaker 1>kind of compounding this idea that like the people of

0:50:07.719 --> 0:50:10.920
<v Speaker 1>the church were abandoned that there you know, it's it's

0:50:10.920 --> 0:50:13.480
<v Speaker 1>a part of like making sense of of people lost

0:50:13.600 --> 0:50:17.200
<v Speaker 1>during a time of transition um. Not only a transition

0:50:17.280 --> 0:50:20.440
<v Speaker 1>between you know, one land and another, you know, between

0:50:21.160 --> 0:50:26.360
<v Speaker 1>one of the crossing of the bay here um or

0:50:26.360 --> 0:50:28.680
<v Speaker 1>a crossing a frozen body of water, but also like

0:50:29.200 --> 0:50:33.440
<v Speaker 1>lost in this transition between Catholicism and UH and protestant

0:50:33.840 --> 0:50:36.080
<v Speaker 1>is um. You know, this is making me think of

0:50:36.160 --> 0:50:40.840
<v Speaker 1>one last way to maybe interpret the the the apparent

0:50:40.880 --> 0:50:43.760
<v Speaker 1>contradiction and these stories of the church going on dead,

0:50:43.840 --> 0:50:46.799
<v Speaker 1>these uh you know, these lost beings that are at

0:50:46.880 --> 0:50:50.680
<v Speaker 1>the same time doing something that is apparently good and holy,

0:50:50.800 --> 0:50:54.080
<v Speaker 1>but then also they are menacing, which is that And

0:50:54.120 --> 0:50:56.120
<v Speaker 1>again this would connect to the you know, the kinds

0:50:56.160 --> 0:50:58.920
<v Speaker 1>of lives lead under the Mountain of Sirenberg as well.

0:50:59.640 --> 0:51:03.319
<v Speaker 1>That that just conveys complexity like that. Um, you know,

0:51:03.400 --> 0:51:06.759
<v Speaker 1>there's a kind of confusion, ambiguity and complexity real life

0:51:06.760 --> 0:51:10.080
<v Speaker 1>as well. People. There are tons of people who subscribe

0:51:10.120 --> 0:51:12.920
<v Speaker 1>to whatever religion you think is the right one, and

0:51:12.920 --> 0:51:14.839
<v Speaker 1>and you would think it is good when they go

0:51:14.920 --> 0:51:17.920
<v Speaker 1>and worship in that religion, and then they also probably

0:51:17.960 --> 0:51:20.480
<v Speaker 1>will turn around in some cases and be menacing and

0:51:20.520 --> 0:51:25.120
<v Speaker 1>threatening and terrifying. Yeah, yeah, absolutely, Um yeah yeah. The

0:51:25.200 --> 0:51:28.279
<v Speaker 1>idea of the churchgoers turning around and attacking you, I

0:51:28.280 --> 0:51:31.640
<v Speaker 1>mean that may that may well track with with some

0:51:31.719 --> 0:51:36.520
<v Speaker 1>of your experiences with the with living congregations, So um,

0:51:36.560 --> 0:51:39.719
<v Speaker 1>you know, it's I think ultimately, yeah, I think one

0:51:39.719 --> 0:51:41.239
<v Speaker 1>of the things to take away from this is that

0:51:41.640 --> 0:51:44.520
<v Speaker 1>these stories are you know, do have a complexity to them.

0:51:44.520 --> 0:51:47.960
<v Speaker 1>They're they're probably saying multiple things. They're kept around there,

0:51:47.960 --> 0:51:50.520
<v Speaker 1>not only kept around, but you know, intentionally kept around

0:51:51.160 --> 0:51:57.520
<v Speaker 1>because they fulfill various purposes in life, explaining things, um,

0:51:57.560 --> 0:52:01.359
<v Speaker 1>making excuses for things um. And also like and also

0:52:01.440 --> 0:52:05.520
<v Speaker 1>just like keeping keeping occurrences alive too. Like you know,

0:52:05.560 --> 0:52:08.200
<v Speaker 1>we we what is literally the idea of a haunting,

0:52:08.280 --> 0:52:10.760
<v Speaker 1>you know, it's the idea that the dead won't completely

0:52:10.800 --> 0:52:13.759
<v Speaker 1>rest and they keep saying something or they keep appearing

0:52:14.360 --> 0:52:17.480
<v Speaker 1>and and and sometimes it seems that's a it's about

0:52:17.960 --> 0:52:20.040
<v Speaker 1>you know, it's obviously more about the living, like we

0:52:20.120 --> 0:52:24.120
<v Speaker 1>won't let those dead rest, and we have stories about them, uh,

0:52:24.200 --> 0:52:27.160
<v Speaker 1>to help them stay alive. Yes, in the same way

0:52:27.160 --> 0:52:30.319
<v Speaker 1>that we probably wouldn't embrace revenant realism. But you can

0:52:30.360 --> 0:52:33.360
<v Speaker 1>certainly imagine how if you do find a body washed

0:52:33.440 --> 0:52:35.279
<v Speaker 1>up on the shore, it's a dead person and you

0:52:35.320 --> 0:52:37.719
<v Speaker 1>see it and you do nothing about it, that may

0:52:37.760 --> 0:52:39.520
<v Speaker 1>well follow you for the rest of your life in

0:52:39.560 --> 0:52:42.600
<v Speaker 1>your brain. And uh yeah, and I think the same

0:52:42.600 --> 0:52:45.160
<v Speaker 1>could probably be be said to be true about these tales.

0:52:45.320 --> 0:52:47.040
<v Speaker 1>You know, people are probably not getting up out of

0:52:47.040 --> 0:52:49.360
<v Speaker 1>their graves to go to church at night, but it

0:52:49.480 --> 0:52:53.520
<v Speaker 1>is reflecting some kind of lingering, unresolved anxieties within say

0:52:53.560 --> 0:52:57.239
<v Speaker 1>these frontier lands and in in the process of Christianizing

0:52:57.239 --> 0:53:01.040
<v Speaker 1>a continent where where where people have memories of the

0:53:01.080 --> 0:53:03.799
<v Speaker 1>past and fears that they can't really face, and these

0:53:03.840 --> 0:53:06.440
<v Speaker 1>come through in the form of narratives that have strange

0:53:06.480 --> 0:53:10.640
<v Speaker 1>contradictions within them. Yeah, all right, well, we're gonna go

0:53:10.640 --> 0:53:12.640
<v Speaker 1>ahead and close out there, but we'd love to hear

0:53:12.680 --> 0:53:15.719
<v Speaker 1>from everyone if you've you've heard other variations of these

0:53:15.760 --> 0:53:20.040
<v Speaker 1>tales of churchgoing revenants right in, let us know, especially

0:53:20.040 --> 0:53:22.719
<v Speaker 1>if you have if you live in or have connections

0:53:22.760 --> 0:53:24.399
<v Speaker 1>to some of the parts of the world that we've

0:53:24.440 --> 0:53:27.960
<v Speaker 1>specifically discussed in these episodes. Also, I have to say

0:53:28.000 --> 0:53:29.879
<v Speaker 1>I looked around, I was I was hoping I could

0:53:29.960 --> 0:53:34.160
<v Speaker 1>find some examples from other cultures where you have either

0:53:34.239 --> 0:53:38.200
<v Speaker 1>a corporeal or non corporeal entity, that is, you know,

0:53:38.280 --> 0:53:41.200
<v Speaker 1>going to a church, where a temple and engaging in

0:53:41.280 --> 0:53:45.840
<v Speaker 1>some sort of pious activity. And um, I'm I'm truly

0:53:45.880 --> 0:53:47.800
<v Speaker 1>I missed something, But I wasn't able to find anything.

0:53:47.840 --> 0:53:50.839
<v Speaker 1>I found plenty of examples of various spirits that were

0:53:50.880 --> 0:53:55.200
<v Speaker 1>there to sort of maliciously punish those who were who

0:53:55.200 --> 0:53:58.560
<v Speaker 1>were engaging and impiety. You know that that that we're

0:53:58.719 --> 0:54:01.520
<v Speaker 1>you know, disgracing a temple or a church that sort

0:54:01.520 --> 0:54:06.520
<v Speaker 1>of thing, or mischief makers you know, um, demons or

0:54:06.560 --> 0:54:10.000
<v Speaker 1>angels that make um you know, monks fart during the

0:54:11.120 --> 0:54:14.640
<v Speaker 1>uh you know, during a mass or something. But uh, yeah,

0:54:14.640 --> 0:54:17.520
<v Speaker 1>I wasn't find able to find anything that really stacks

0:54:17.600 --> 0:54:20.120
<v Speaker 1>up with this idea of the of the pious undead.

0:54:20.960 --> 0:54:23.799
<v Speaker 1>But if I'm missing something, and surely I am, then

0:54:23.800 --> 0:54:25.319
<v Speaker 1>I would love to hear about them. So right in,

0:54:25.440 --> 0:54:29.520
<v Speaker 1>let us know. Yeah, I bet that exists in the media. Yeah,

0:54:29.520 --> 0:54:31.279
<v Speaker 1>because I mean there's so I mean, obviously there are

0:54:31.280 --> 0:54:34.680
<v Speaker 1>a lot of wonderful undead uh examples from around the world.

0:54:34.719 --> 0:54:36.719
<v Speaker 1>I was running across plenty that we're interesting in their

0:54:36.719 --> 0:54:39.880
<v Speaker 1>own right, you know, various things raised by sorcerers and

0:54:39.960 --> 0:54:45.000
<v Speaker 1>wizards and and which is things, um, you know, various ghosts,

0:54:45.160 --> 0:54:48.360
<v Speaker 1>your kai and so forth. But nothing that really matched

0:54:48.440 --> 0:54:50.600
<v Speaker 1>up with what we were talking about here. But like

0:54:50.640 --> 0:54:52.160
<v Speaker 1>I said, if I missed it, right in and let

0:54:52.239 --> 0:54:54.759
<v Speaker 1>us know. In the meantime, if you would like to

0:54:54.840 --> 0:54:56.719
<v Speaker 1>check out other episodes of Stuff to Blow Your Mind,

0:54:56.760 --> 0:54:59.480
<v Speaker 1>you'll find core episodes on Tuesdays and Thursdays and the

0:54:59.480 --> 0:55:03.200
<v Speaker 1>Stuff Too Your Mind podcast feed Artifact episodes on Wednesday

0:55:03.480 --> 0:55:05.839
<v Speaker 1>listener Mail on Mondays and on Friday we do Weird

0:55:05.880 --> 0:55:09.080
<v Speaker 1>House Cinema. That's our time to set most serious concerns

0:55:09.080 --> 0:55:13.360
<v Speaker 1>aside and just focus on a strange or unusual film.

0:55:13.440 --> 0:55:16.439
<v Speaker 1>Hich Thanks as always to our excellent audio producer Seth

0:55:16.520 --> 0:55:19.040
<v Speaker 1>Nicholas Johnson. If you would like to get in touch

0:55:19.080 --> 0:55:21.279
<v Speaker 1>with us with feedback on this episode or any other,

0:55:21.400 --> 0:55:23.879
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0:55:24.000 --> 0:55:26.719
<v Speaker 1>you can email us at contact at stuff to Blow

0:55:26.760 --> 0:55:36.680
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0:55:36.719 --> 0:55:39.400
<v Speaker 1>production of I Heart Radio. For more podcasts for my

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0:55:42.520 --> 0:56:00.520
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