1 00:00:00,120 --> 00:00:04,160 Speaker 1: Welcome to another episode of Eating While Broke. I'm your 2 00:00:04,160 --> 00:00:08,280 Speaker 1: host Colleen Wits, and today we have in the building 3 00:00:08,800 --> 00:00:16,360 Speaker 1: music artists, philosopher entrepreneur Lar Russell, and I am truly excited. 4 00:00:16,720 --> 00:00:19,239 Speaker 1: Nothing made my day more than like what two days 5 00:00:19,280 --> 00:00:21,800 Speaker 1: ago when your I think his crew confirmed like two 6 00:00:21,920 --> 00:00:24,360 Speaker 1: or three days ago, and it literally they were like, 7 00:00:24,360 --> 00:00:26,560 Speaker 1: holy why are you so silent? You're supposed to be happy. 8 00:00:26,560 --> 00:00:27,880 Speaker 1: And I was like, well, I'm just making sure you 9 00:00:27,880 --> 00:00:29,480 Speaker 1: tell me the date because if you tell me a 10 00:00:29,520 --> 00:00:32,000 Speaker 1: month from now, I'm not getting excited because just in 11 00:00:32,040 --> 00:00:34,520 Speaker 1: case something happens. And she was like, so you're happy, 12 00:00:34,560 --> 00:00:36,479 Speaker 1: I said, what was the date two days from now? 13 00:00:36,520 --> 00:00:39,479 Speaker 1: I said, hell, yeah, I'm happy. Girl. Thanks shoutouts in 14 00:00:39,560 --> 00:00:43,280 Speaker 1: Nicole from the Black Effect for booking you. UM super 15 00:00:43,360 --> 00:00:45,360 Speaker 1: happy to have you. I love the name of your 16 00:00:45,400 --> 00:00:48,519 Speaker 1: company and I love what you're about. I'm the name 17 00:00:48,560 --> 00:00:53,360 Speaker 1: of his company is called Good comp Penny as in Points, 18 00:00:53,840 --> 00:00:58,040 Speaker 1: which I was like, oh, oh that's different, I said, Man, 19 00:00:58,200 --> 00:01:00,360 Speaker 1: Larrussell's hitting us with so much in teg pretty you 20 00:01:00,360 --> 00:01:02,320 Speaker 1: remind me of a cross between jay Z and Drake 21 00:01:02,480 --> 00:01:05,440 Speaker 1: and anyone that has not heard your music or kind 22 00:01:05,440 --> 00:01:08,240 Speaker 1: of even tried to cyberspy on you was like really 23 00:01:08,280 --> 00:01:12,000 Speaker 1: missing out, like on some good stuff. But um, since 24 00:01:12,040 --> 00:01:14,679 Speaker 1: I have you in my kitchen, uh the eating while 25 00:01:14,720 --> 00:01:16,440 Speaker 1: broke kitchen, I have to know what were you eating 26 00:01:16,560 --> 00:01:20,960 Speaker 1: when you were broke? Man. Today I'm going to be 27 00:01:21,000 --> 00:01:24,200 Speaker 1: making an egg sandwich. This was a classic. My mama 28 00:01:24,240 --> 00:01:26,360 Speaker 1: taught me how to make eggs when I was like five, 29 00:01:26,920 --> 00:01:28,840 Speaker 1: and I used to wake up every morning and make 30 00:01:28,880 --> 00:01:30,600 Speaker 1: eggs and that was the only thing I knew how 31 00:01:30,640 --> 00:01:33,240 Speaker 1: to make. So we're taking it back to the basics. 32 00:01:33,640 --> 00:01:36,080 Speaker 1: We got some eggs, we got some salt and pepper. 33 00:01:36,480 --> 00:01:39,600 Speaker 1: Today we're gonna be doing it on garlic bread. Because 34 00:01:39,840 --> 00:01:41,960 Speaker 1: I usually use regular bread. We just throw it in 35 00:01:42,000 --> 00:01:44,360 Speaker 1: a toaster. But my boy Austin was like, you gotta 36 00:01:44,400 --> 00:02:10,560 Speaker 1: do garlic bread, so I figured we spice it up today. Yeah, 37 00:02:10,600 --> 00:02:13,839 Speaker 1: we've had a whole discussion about the whole garlic bread, 38 00:02:13,880 --> 00:02:16,280 Speaker 1: you and I because I've actually never even thought of 39 00:02:16,280 --> 00:02:18,480 Speaker 1: garlic bread. Actually, the first time I ever had garlic 40 00:02:18,520 --> 00:02:21,200 Speaker 1: bread for real, for real was the Texas toast in 41 00:02:21,280 --> 00:02:23,680 Speaker 1: the box. And now if you go into a store, 42 00:02:24,240 --> 00:02:27,480 Speaker 1: it is sold out, like you can't get it. It's 43 00:02:27,520 --> 00:02:31,000 Speaker 1: a miracle if you find one maybe on eBay, but 44 00:02:31,120 --> 00:02:34,240 Speaker 1: I don't know the pandemic. Just like said, take away 45 00:02:34,280 --> 00:02:37,840 Speaker 1: the best bread on earth? Um, but um, I'm excited 46 00:02:37,919 --> 00:02:41,120 Speaker 1: to eat with you, so let's get it cracking. Oh 47 00:02:41,160 --> 00:02:50,120 Speaker 1: my gosh, an egg a crack. I listened to rap 48 00:02:50,200 --> 00:02:54,040 Speaker 1: music so much that my girlfriend and I shout out 49 00:02:54,120 --> 00:02:58,440 Speaker 1: to will Let behind the mirror over there. Um. I 50 00:02:58,480 --> 00:03:00,840 Speaker 1: listened to wrap soap music so much that I actually 51 00:03:00,880 --> 00:03:03,799 Speaker 1: speak in metaphors and sometimes people have to stop me 52 00:03:03,840 --> 00:03:06,239 Speaker 1: and say, can we get it? You know you don't 53 00:03:06,280 --> 00:03:07,919 Speaker 1: have to, you don't have to rebreak it down in 54 00:03:08,040 --> 00:03:11,880 Speaker 1: puzzle terms. I'm a metaphor speakers. Can I move this 55 00:03:11,960 --> 00:03:15,160 Speaker 1: so I can crack some magazine? Slide over to my 56 00:03:15,240 --> 00:03:19,480 Speaker 1: side the greatest? Are you eating one too? So I 57 00:03:19,480 --> 00:03:21,480 Speaker 1: should make all you have to cook for both of 58 00:03:21,560 --> 00:03:24,440 Speaker 1: us because if it's trash, we can both discover that 59 00:03:24,600 --> 00:03:28,320 Speaker 1: garlic bread egg sandwiches is just not I'm going to 60 00:03:28,480 --> 00:03:30,760 Speaker 1: drop some butt up in here because my mom would 61 00:03:30,760 --> 00:03:33,960 Speaker 1: be like, use some PAM so you don't leave egg 62 00:03:34,040 --> 00:03:36,280 Speaker 1: stained all over the now. Are you one of those 63 00:03:36,280 --> 00:03:41,320 Speaker 1: people that are really going to use metal on age? Yes? Yeah, yeah, 64 00:03:43,160 --> 00:03:45,840 Speaker 1: we're not supposed to do that. Even every listener is 65 00:03:45,880 --> 00:03:49,040 Speaker 1: hearing that scratching is like, what is he doing? That's crazy? 66 00:03:49,160 --> 00:03:51,560 Speaker 1: What is he doing? His mama could have handled ever 67 00:03:51,680 --> 00:03:54,320 Speaker 1: let him do that. Man, she did. You wouldn't believe 68 00:03:54,360 --> 00:03:59,360 Speaker 1: how much stuff my mom let me do. Let I 69 00:03:59,360 --> 00:04:03,520 Speaker 1: don't even think we had tesline back then. Maybe I 70 00:04:03,560 --> 00:04:08,680 Speaker 1: don't remember. You're right, it was like a luxury. I'm sure, yeah, yeah, 71 00:04:08,760 --> 00:04:11,280 Speaker 1: back then. I think you're right. You just had to 72 00:04:11,480 --> 00:04:14,360 Speaker 1: butter everything down. Otherwise it's stuck or you get that 73 00:04:14,400 --> 00:04:17,480 Speaker 1: good old pam spray and you in it. Oh, I'm 74 00:04:17,480 --> 00:04:20,839 Speaker 1: getting it all over there. I'm not. I'm not a 75 00:04:21,000 --> 00:04:25,240 Speaker 1: you know, So tell me a little bit about what 76 00:04:25,320 --> 00:04:27,600 Speaker 1: was going on. I know this is like the first 77 00:04:27,640 --> 00:04:29,880 Speaker 1: dish that you ever cooked, But tell me what was 78 00:04:29,920 --> 00:04:34,479 Speaker 1: going on during the time of Also, I usually add 79 00:04:34,560 --> 00:04:38,080 Speaker 1: bacon beat bacon bits and cheddar cheese. But I heard 80 00:04:38,160 --> 00:04:43,720 Speaker 1: y'all broke, so it wasn't here. So we're gonna go pepper. 81 00:04:44,000 --> 00:04:50,440 Speaker 1: I don't see salt over here. There's y'all struggling, Yo, 82 00:04:51,120 --> 00:04:54,800 Speaker 1: so much fun of us over here. You're not even 83 00:04:54,839 --> 00:04:57,960 Speaker 1: gonna use lorries because we don't Now, I'm not gonna 84 00:04:58,040 --> 00:05:00,080 Speaker 1: use lorries. I've never done that. I'm trying to you 85 00:05:00,080 --> 00:05:04,360 Speaker 1: could authentic. Wow, okay, okay, I respect it to be honest. 86 00:05:04,360 --> 00:05:07,960 Speaker 1: I don't use lowries. Well, I just started to recently, 87 00:05:08,080 --> 00:05:12,800 Speaker 1: but it's only because I married a black man from 88 00:05:12,839 --> 00:05:19,920 Speaker 1: Detroit who believes loss everything season and yes, beautiful. Um, 89 00:05:19,960 --> 00:05:24,840 Speaker 1: So what was going on growing up? Uh? Like around 90 00:05:24,880 --> 00:05:26,880 Speaker 1: when you were making egg sandwiches? I know you started 91 00:05:26,920 --> 00:05:30,000 Speaker 1: at five, you know, making these, but like kind of 92 00:05:30,040 --> 00:05:31,840 Speaker 1: tell me a little bit of your background growing up, 93 00:05:31,880 --> 00:05:37,960 Speaker 1: Like where you middle class? I thought I was middle 94 00:05:38,000 --> 00:05:42,760 Speaker 1: class until I got older and realized we're definitely lower 95 00:05:42,800 --> 00:05:45,600 Speaker 1: middle class. But my pops was a hustler, so we 96 00:05:45,600 --> 00:05:49,320 Speaker 1: were like we had enough money to be like the 97 00:05:49,440 --> 00:05:52,320 Speaker 1: richest nigga is in the broke neighborhood. Touch you feel it, 98 00:05:53,320 --> 00:05:59,880 Speaker 1: but definitely uh lord class, just regular neighborhood and be 99 00:06:00,040 --> 00:06:02,480 Speaker 1: hard to describe when people ask that question because you've 100 00:06:02,480 --> 00:06:05,000 Speaker 1: got to kind of growth in it to to be familiar. 101 00:06:05,160 --> 00:06:09,799 Speaker 1: Did you grow up in a two parent household? Yeah? Definitely. Wow, Okay, okay, 102 00:06:09,880 --> 00:06:15,880 Speaker 1: a lot of people on the show haven't. I'm going in. Um, 103 00:06:15,960 --> 00:06:21,880 Speaker 1: that's good. So when did you transition to music. Um. 104 00:06:21,920 --> 00:06:26,280 Speaker 1: I've been writing since I was like seven, whether through 105 00:06:26,320 --> 00:06:32,640 Speaker 1: like writing poems or just journaling, um, drawing. Just I've 106 00:06:32,680 --> 00:06:35,080 Speaker 1: just always used kind of writing an art as like 107 00:06:35,200 --> 00:06:40,520 Speaker 1: an artistic expression inform um. So yeah, since I was seven, 108 00:06:40,839 --> 00:06:43,000 Speaker 1: and it's kind of just cultivated me. And my sister 109 00:06:43,640 --> 00:06:46,960 Speaker 1: had this boom box and we used to download instrumentals 110 00:06:47,000 --> 00:06:50,240 Speaker 1: from line Wire and burn them on the CD the 111 00:06:50,320 --> 00:06:52,760 Speaker 1: instrumentals on the boom box and wrap over it. And 112 00:06:52,800 --> 00:06:55,240 Speaker 1: I remember we had a wrapped over nucket you buck, 113 00:06:56,000 --> 00:06:58,400 Speaker 1: and I was going crazy, but my sister was better 114 00:06:58,440 --> 00:07:00,680 Speaker 1: than me at the time, so I just had to 115 00:07:00,720 --> 00:07:04,360 Speaker 1: keep working. Your sister was rapping two. Yeah, my sister 116 00:07:04,440 --> 00:07:08,400 Speaker 1: was rapping two So does she still wrap? No, she doesn't. 117 00:07:09,160 --> 00:07:11,680 Speaker 1: So you surpassed her and the rap skills and then 118 00:07:11,680 --> 00:07:14,600 Speaker 1: she was like, I'm good. I don't. I don't think 119 00:07:14,640 --> 00:07:16,160 Speaker 1: she ever had a passion for it. It It was just 120 00:07:16,200 --> 00:07:19,080 Speaker 1: something we like to play around and do, and I 121 00:07:19,240 --> 00:07:22,920 Speaker 1: just kind of stuck with it. Okay, okay, okay, that's 122 00:07:22,920 --> 00:07:29,120 Speaker 1: pretty cool. So you is it that you like Drake, 123 00:07:29,160 --> 00:07:31,800 Speaker 1: because its like from what I've researched on you, is 124 00:07:31,840 --> 00:07:35,720 Speaker 1: that you from other articles and you could correct me 125 00:07:35,760 --> 00:07:40,920 Speaker 1: if I'm wrong. But your goal was to be on 126 00:07:40,960 --> 00:07:45,080 Speaker 1: the level I want to say, and on the I 127 00:07:45,080 --> 00:07:48,240 Speaker 1: don't know, like numbers level, because obviously talent wise, you're 128 00:07:48,240 --> 00:07:52,480 Speaker 1: on the same level as Drake, but I'm saying numbers wise, 129 00:07:52,520 --> 00:07:57,120 Speaker 1: you want to be on the same level, but independently. Yeah, 130 00:07:57,320 --> 00:08:01,880 Speaker 1: is that correct? And not necessarily numbers wise, but impacting 131 00:08:01,960 --> 00:08:05,320 Speaker 1: notoriety wise. You know, I want people to respect me 132 00:08:05,400 --> 00:08:08,480 Speaker 1: as such, and partially the way to do that is 133 00:08:08,520 --> 00:08:10,600 Speaker 1: to put up the numbers. Right. If you're not scoring 134 00:08:10,640 --> 00:08:13,560 Speaker 1: as well as Jordan's, people don't expect you respect you 135 00:08:13,640 --> 00:08:16,440 Speaker 1: like a Jordan, right, Um, and yeah, to do that 136 00:08:16,520 --> 00:08:19,320 Speaker 1: independently and just show people that it's possible to be 137 00:08:19,400 --> 00:08:24,400 Speaker 1: the greatest at something without um having to utilize someone 138 00:08:24,440 --> 00:08:27,280 Speaker 1: else's infrastructure that they tell you you gotta go through 139 00:08:27,360 --> 00:08:29,400 Speaker 1: and you got to use these methods and you gotta 140 00:08:29,760 --> 00:08:32,839 Speaker 1: sell away your ownership, you know, like everyone knows early 141 00:08:32,880 --> 00:08:36,600 Speaker 1: on Drake didn't have his masters and had a horrible deal. Um, 142 00:08:36,640 --> 00:08:38,120 Speaker 1: I want to show people that you can get to 143 00:08:38,200 --> 00:08:41,600 Speaker 1: that level without having to go through that. Right. When 144 00:08:41,640 --> 00:08:44,280 Speaker 1: you say, uh, I just want to rewind you said 145 00:08:44,440 --> 00:08:47,040 Speaker 1: it was important for you to have impact and notoriety, 146 00:08:47,280 --> 00:08:52,120 Speaker 1: Like why, what does that even mean to me? It 147 00:08:52,280 --> 00:08:57,679 Speaker 1: just uh, it enables you to two It enables you 148 00:08:57,880 --> 00:09:01,000 Speaker 1: to make change, like right now, feed the whole hood 149 00:09:01,000 --> 00:09:03,320 Speaker 1: where I'm from. You know, from down to the end 150 00:09:03,360 --> 00:09:04,800 Speaker 1: of the year, I've been feeding the hood out of 151 00:09:04,840 --> 00:09:07,160 Speaker 1: my own pocket. And I've only been able to do 152 00:09:07,200 --> 00:09:10,560 Speaker 1: that because of my impact and my notoriety. I've become 153 00:09:10,600 --> 00:09:12,800 Speaker 1: so great that I make enough money to where I 154 00:09:12,840 --> 00:09:14,960 Speaker 1: could take care of the place that birth me right, 155 00:09:15,880 --> 00:09:17,920 Speaker 1: And a lot of people don't get to do that 156 00:09:18,000 --> 00:09:20,160 Speaker 1: because they don't have either the talent, devil or the 157 00:09:20,200 --> 00:09:23,120 Speaker 1: resource to do it. I've been able to do it independently. 158 00:09:23,600 --> 00:09:27,120 Speaker 1: I finish dropped this garly bread on this joint. It's already, 159 00:09:27,640 --> 00:09:31,480 Speaker 1: it's already done, already toasted it in Oh that's crazy. Yeah, 160 00:09:31,520 --> 00:09:32,960 Speaker 1: I try to cheat it because I wanted to get 161 00:09:33,000 --> 00:09:36,000 Speaker 1: all up in yourkool aid. Wow, So I put the 162 00:09:36,040 --> 00:09:42,240 Speaker 1: tempo because you can't find that anywhere intriguing. Okay, let's 163 00:09:42,280 --> 00:09:47,120 Speaker 1: try it. Let's be a team here. Um dang, why 164 00:09:47,480 --> 00:09:50,000 Speaker 1: do we have to break from your story? Though? Right? 165 00:09:50,920 --> 00:09:54,160 Speaker 1: Is this not the hardest interview or process? This is great, 166 00:09:54,440 --> 00:09:57,320 Speaker 1: This is great I'm a I'm a multitasker. I'm gonna 167 00:09:57,360 --> 00:09:59,920 Speaker 1: try this still, all right, So we get the bread. Everyone, 168 00:10:00,280 --> 00:10:04,400 Speaker 1: we're getting the garlic bread situation together and we're putting 169 00:10:04,440 --> 00:10:07,280 Speaker 1: eggs in it. Yeah, this is new. I've never had this. 170 00:10:07,360 --> 00:10:10,040 Speaker 1: Shout out Austin for you have to turn off the store. 171 00:10:10,120 --> 00:10:14,520 Speaker 1: Ye let me get right on there. Berthie was talking 172 00:10:14,559 --> 00:10:17,640 Speaker 1: as mess about us being broke. Now, well, I was 173 00:10:17,679 --> 00:10:19,520 Speaker 1: going to put garlic bread on there, but you know 174 00:10:19,559 --> 00:10:23,200 Speaker 1: you guys did it so okay, completely forgot you were 175 00:10:23,240 --> 00:10:24,880 Speaker 1: going to actually make it. You don't even know how 176 00:10:24,880 --> 00:10:27,800 Speaker 1: to make garlic bread, do you. I mean, I use 177 00:10:27,880 --> 00:10:30,080 Speaker 1: Texas toes, so I was just gonna throw it up 178 00:10:30,120 --> 00:10:32,040 Speaker 1: on that joint and then it does what it does 179 00:10:32,120 --> 00:10:37,440 Speaker 1: and you're good after let's trying. Okay, let's go back 180 00:10:37,480 --> 00:10:43,679 Speaker 1: to notoriety and impact and you feeding your community. Okay, 181 00:10:46,000 --> 00:10:49,480 Speaker 1: stealing all your eggs, buddy, All right, here we go. 182 00:10:50,720 --> 00:10:52,600 Speaker 1: Do you want to sample it first before we get 183 00:10:52,640 --> 00:10:58,760 Speaker 1: into the nuts and bolts? Sure, all right, let's try 184 00:10:58,800 --> 00:11:12,680 Speaker 1: to Here we go. Okay, bread, I think Texas garlic, 185 00:11:16,240 --> 00:11:21,400 Speaker 1: but at least we now know we actually now know 186 00:11:21,559 --> 00:11:23,520 Speaker 1: how to do it in the future. But it's way 187 00:11:23,520 --> 00:11:25,240 Speaker 1: too much bread on this one, way too much bread. 188 00:11:26,320 --> 00:11:30,120 Speaker 1: It's like a bread with a side of eggs. It's 189 00:11:30,160 --> 00:11:36,400 Speaker 1: actually garlic, a garlic bread sandwich. Would you ever serve 190 00:11:36,440 --> 00:11:39,800 Speaker 1: the same? Almost? Mm hmm. That could be an ideal 191 00:11:41,040 --> 00:11:45,160 Speaker 1: but within a bread, right, yeah, look at me? Do 192 00:11:45,200 --> 00:11:47,040 Speaker 1: I Can we call it the eating wall Brooks and no? 193 00:11:47,200 --> 00:11:49,160 Speaker 1: That would probably be horrible haunts to name it the 194 00:11:49,160 --> 00:11:51,400 Speaker 1: eating wall broke sandwich? While you're at a pay pay 195 00:11:51,440 --> 00:11:53,400 Speaker 1: as you go, is it pay as you go or 196 00:11:53,440 --> 00:11:55,600 Speaker 1: pay what you want? Let's pay what you want? Proud 197 00:11:55,679 --> 00:11:58,599 Speaker 1: to pay? Well, comes sit sit with me so I 198 00:11:58,640 --> 00:12:01,240 Speaker 1: can get all up in your who I know he 199 00:12:01,320 --> 00:12:04,840 Speaker 1: jumped off camera on that one. Right, It's fine, it's 200 00:12:05,360 --> 00:12:11,080 Speaker 1: real life, real life. So let's go into moments Momo's 201 00:12:11,720 --> 00:12:15,760 Speaker 1: moms Cafe, momos cafe for a second. What inspired all 202 00:12:15,840 --> 00:12:23,360 Speaker 1: of that? Mm hmmm, or at least a partner just 203 00:12:23,480 --> 00:12:29,240 Speaker 1: seeing the need. There's a lot of homeless in Leo 204 00:12:30,160 --> 00:12:32,520 Speaker 1: and just people who don't get to eat. And I'm 205 00:12:32,559 --> 00:12:35,560 Speaker 1: always outside so I always see it. I'm always giving 206 00:12:35,640 --> 00:12:38,480 Speaker 1: someone money or take care of someone. Whether my mom 207 00:12:38,520 --> 00:12:42,320 Speaker 1: would drop off boxes of merch to the homeless community, 208 00:12:42,360 --> 00:12:46,000 Speaker 1: out there to the different encampments, and um, I'm just 209 00:12:46,040 --> 00:12:48,800 Speaker 1: always trying to help, right, and this is the way 210 00:12:48,880 --> 00:12:50,880 Speaker 1: that we can help now that I'm in a granded position. 211 00:12:51,960 --> 00:12:53,880 Speaker 1: I've done a few of these prior this year, but 212 00:12:54,000 --> 00:12:56,480 Speaker 1: just for a day. And when you do it today, 213 00:12:56,520 --> 00:12:58,559 Speaker 1: it's like everybody don't get a chance to eat. So 214 00:12:58,920 --> 00:13:01,360 Speaker 1: this time it was like, let's make sure everybody gets 215 00:13:01,400 --> 00:13:05,760 Speaker 1: a chance to e. Yeah, so I think what you're 216 00:13:05,760 --> 00:13:08,760 Speaker 1: doing is great. I'm gonna circle back to your music again. Um, 217 00:13:11,280 --> 00:13:14,320 Speaker 1: so you're a talented artist. Again, for anyone that hasn't 218 00:13:14,400 --> 00:13:17,280 Speaker 1: heard your music, I definitely would say you're in the 219 00:13:17,360 --> 00:13:21,480 Speaker 1: same lay as jay Z and Drake, which, by the way, 220 00:13:22,120 --> 00:13:24,280 Speaker 1: I'm a hardcore jay Z fan. Everyone that listens to 221 00:13:24,320 --> 00:13:26,880 Speaker 1: this show knows this. I have a huge five ft 222 00:13:27,080 --> 00:13:29,880 Speaker 1: painting that's literally the only one in the world that 223 00:13:30,080 --> 00:13:33,079 Speaker 1: was custom made of jay Z like hanging out and projects. 224 00:13:33,120 --> 00:13:38,800 Speaker 1: I'm from Brooklyn. But but I will say this in 225 00:13:38,960 --> 00:13:44,600 Speaker 1: all truest form um. Currently, over the last couple of years, 226 00:13:44,920 --> 00:13:47,800 Speaker 1: I listened to Drake more and I feel guilty. I 227 00:13:47,880 --> 00:13:50,520 Speaker 1: feel like I'm cheating, like for real, Like I don't 228 00:13:50,600 --> 00:13:53,000 Speaker 1: let nobody know that, Like nobody knows that this is 229 00:13:53,000 --> 00:13:54,640 Speaker 1: the first time I've set it out loud, but in 230 00:13:54,760 --> 00:13:57,520 Speaker 1: my heart, I'm like, yo, just listen to jay Z today, 231 00:13:57,559 --> 00:14:00,720 Speaker 1: dog and you don't have to always pick Drake. But um, 232 00:14:00,880 --> 00:14:02,920 Speaker 1: I listened to your lyrics. I'm just wondering, like, what 233 00:14:03,360 --> 00:14:08,040 Speaker 1: did have you ever been signed? Uh? Not in the 234 00:14:08,160 --> 00:14:12,120 Speaker 1: capacity that artists get signed, Like I've never been signed 235 00:14:12,160 --> 00:14:15,000 Speaker 1: to a major deal. All of my deals have been partnerships, 236 00:14:15,280 --> 00:14:19,400 Speaker 1: like distribution deals. Uh No, I've done like record deals, 237 00:14:19,480 --> 00:14:22,400 Speaker 1: but in partnership for him, like fifty profit shares, like 238 00:14:22,520 --> 00:14:26,040 Speaker 1: I don't belong to anyone on my own entity and 239 00:14:26,160 --> 00:14:29,840 Speaker 1: we just split profit versus when a record label usually 240 00:14:29,880 --> 00:14:31,720 Speaker 1: signed to you, you're in like a royalty deal and 241 00:14:31,800 --> 00:14:34,120 Speaker 1: they own your ship. And if they don't own your ship, 242 00:14:34,200 --> 00:14:36,000 Speaker 1: they like and said for twenty years and they have 243 00:14:36,240 --> 00:14:38,600 Speaker 1: power and rule over when you release, how you release, 244 00:14:38,720 --> 00:14:40,520 Speaker 1: any of that. So I've never I've never been in 245 00:14:40,640 --> 00:14:44,360 Speaker 1: a major deal. All of my deals have been partnerships. Currently, 246 00:14:44,440 --> 00:14:46,600 Speaker 1: are you in a partnership deal or are you independent? 247 00:14:47,480 --> 00:14:49,880 Speaker 1: I've been independent the entire time, So all of these 248 00:14:49,960 --> 00:14:53,240 Speaker 1: partnerships are completely like me and my team do everything 249 00:14:53,320 --> 00:14:57,440 Speaker 1: you see you're controlling all the marketing everything, so in 250 00:14:57,560 --> 00:15:00,040 Speaker 1: they're controlling because nowadays it's a little confusing what a 251 00:15:00,120 --> 00:15:02,840 Speaker 1: record label is really bringing to the table at this point. 252 00:15:05,120 --> 00:15:08,240 Speaker 1: It depends now I mean with I mean if oh 253 00:15:08,280 --> 00:15:10,600 Speaker 1: my gosh, why am I spacing? Uh? When it comes 254 00:15:10,640 --> 00:15:13,320 Speaker 1: to who is Drake in Little Wayne? And what's their 255 00:15:13,400 --> 00:15:16,760 Speaker 1: name of their young Money is it? No, it's not 256 00:15:16,880 --> 00:15:22,880 Speaker 1: young Money, it's but no, no, no, he was signed 257 00:15:22,920 --> 00:15:27,920 Speaker 1: to Little Wayne, who was the young So they're so 258 00:15:29,560 --> 00:15:33,200 Speaker 1: from what I know of the history of the music industry, 259 00:15:33,280 --> 00:15:38,520 Speaker 1: Birdman had the best deal in the industry. So young 260 00:15:38,600 --> 00:15:42,560 Speaker 1: Money cash Money has literally the best deals on the table. 261 00:15:43,360 --> 00:15:47,360 Speaker 1: Cash money, cash money. So if cash Money calls you 262 00:15:47,480 --> 00:15:51,120 Speaker 1: up right now, I'm just playing it. It was advocated 263 00:15:51,840 --> 00:15:55,960 Speaker 1: not to see there's a cash Money had the best 264 00:15:56,080 --> 00:16:00,160 Speaker 1: deal in terms of their deal with Republic, not in him, 265 00:16:00,240 --> 00:16:02,720 Speaker 1: of the deals that they gave artists. Really, you don't 266 00:16:02,720 --> 00:16:05,400 Speaker 1: think they gave artists really good deals? No, because they 267 00:16:05,680 --> 00:16:07,920 Speaker 1: Drake didn't have his masters. He just got him. He 268 00:16:08,000 --> 00:16:09,760 Speaker 1: was in the royalty deal. A Little Wayne had to 269 00:16:09,800 --> 00:16:12,440 Speaker 1: take him to court to get his money. How could 270 00:16:12,480 --> 00:16:17,000 Speaker 1: they be in a great deal? Has been complaining for years. 271 00:16:17,080 --> 00:16:18,800 Speaker 1: How could they be in a great deal that doesn't 272 00:16:18,840 --> 00:16:23,600 Speaker 1: make any sense? Yeah, I didn't know that. Yeah, but yeah, 273 00:16:23,680 --> 00:16:26,080 Speaker 1: cash Money had a substantial deal. You know when dy 274 00:16:26,200 --> 00:16:28,800 Speaker 1: Day was a part of helping put that together with Republic, 275 00:16:28,880 --> 00:16:32,520 Speaker 1: they really broke the bank. When did you? So you're 276 00:16:32,520 --> 00:16:37,040 Speaker 1: a music artist, what is intriguing about you is, for instance, 277 00:16:37,080 --> 00:16:40,360 Speaker 1: today we gave you a release, Clarence, and you sat 278 00:16:40,440 --> 00:16:46,880 Speaker 1: there quietly and read it. Um, you're a businessman all 279 00:16:46,960 --> 00:16:48,800 Speaker 1: the way through. So where do you think you're an 280 00:16:48,880 --> 00:16:53,680 Speaker 1: entrepreneur before you're an artist? Definitely? Definitely. Before I was 281 00:16:53,760 --> 00:16:57,280 Speaker 1: releasing art, I was selling beats. I was making like 282 00:16:58,000 --> 00:17:01,680 Speaker 1: album covers for people and selling I've been I used 283 00:17:01,680 --> 00:17:06,439 Speaker 1: to sell swishers. One of your parents, Yeah, my pops 284 00:17:06,560 --> 00:17:09,479 Speaker 1: was a hustler. He sold everything under the sun except drugs, 285 00:17:09,640 --> 00:17:11,440 Speaker 1: like everything. I was gonna be my next question, cause 286 00:17:11,440 --> 00:17:13,480 Speaker 1: when I hear hustle, I'm like, what was he saying? Yeah, no, 287 00:17:13,800 --> 00:17:17,600 Speaker 1: man ever everything. But exactly so, you got your entrepreneur 288 00:17:17,720 --> 00:17:21,760 Speaker 1: spirit from him, and then you're talent girls kind of 289 00:17:21,840 --> 00:17:24,760 Speaker 1: came from you and your sister, like in this boombox. 290 00:17:25,520 --> 00:17:29,640 Speaker 1: Kind of my pops as well, he's very creatively inclined, right, 291 00:17:29,720 --> 00:17:32,879 Speaker 1: And he's a problem solver, right. And I feel like 292 00:17:33,080 --> 00:17:35,200 Speaker 1: a part of my talent and just my skill, my 293 00:17:35,320 --> 00:17:38,840 Speaker 1: business acumen is because I'm a problem solver. My favorite 294 00:17:38,880 --> 00:17:42,720 Speaker 1: thing to say is I'll figure it out, and I will. Yeah, yeah, yeah, 295 00:17:42,800 --> 00:17:46,320 Speaker 1: spoken like a true entrepreneur. You know how to pivot, right, Yeah. 296 00:17:46,359 --> 00:17:48,680 Speaker 1: That's whenever I see a problem, I'm always like, it's 297 00:17:48,680 --> 00:17:51,240 Speaker 1: not a problem, it's a challenge. Right, what are we 298 00:17:51,240 --> 00:17:53,520 Speaker 1: going to do? I was I was walking to get 299 00:17:53,560 --> 00:17:55,040 Speaker 1: my daughter the other day and I was talking to 300 00:17:55,119 --> 00:17:58,159 Speaker 1: my brother, and uh, I was like, man, are you 301 00:17:58,240 --> 00:18:01,240 Speaker 1: looking for problems or are you looking for lu? You 302 00:18:01,440 --> 00:18:05,200 Speaker 1: usually find whatever you're looking for. I like that, you 303 00:18:05,280 --> 00:18:09,360 Speaker 1: know what you say? How I think. I think that's 304 00:18:09,400 --> 00:18:14,000 Speaker 1: why I like you so much. I genuinely I genuinely 305 00:18:14,119 --> 00:18:16,520 Speaker 1: funk with you hard. I don't say funk on the 306 00:18:16,560 --> 00:18:20,760 Speaker 1: show ever. Really, I genuinely mess with you. I was 307 00:18:20,840 --> 00:18:24,000 Speaker 1: just like, yo, is he as dope? So what I've 308 00:18:24,080 --> 00:18:26,359 Speaker 1: learned being a Christian and just living in the world 309 00:18:26,560 --> 00:18:29,080 Speaker 1: is like, there's so many dope people that are doing 310 00:18:29,160 --> 00:18:34,880 Speaker 1: great things externally. But now that I'm old, older, I've 311 00:18:34,920 --> 00:18:38,600 Speaker 1: grown enough. Wasn't to ask myself, well, if they're externally 312 00:18:39,080 --> 00:18:41,480 Speaker 1: have all this integrity, I just wonder, like if I 313 00:18:41,600 --> 00:18:44,600 Speaker 1: was a fly on their wall at home, you know, 314 00:18:45,080 --> 00:18:48,440 Speaker 1: do they carry that same level of integrity? When I 315 00:18:48,520 --> 00:18:51,639 Speaker 1: listen to some of your rap lyrics, I'm like, Okay, 316 00:18:52,240 --> 00:18:54,680 Speaker 1: they're great. And then there's some that teeter into like 317 00:18:55,600 --> 00:18:59,720 Speaker 1: how you uh enjoy women in the past. I don't 318 00:18:59,720 --> 00:19:02,800 Speaker 1: know if current, I don't know. You know, it's hard 319 00:19:02,840 --> 00:19:05,639 Speaker 1: being a man. I'm not a man, So I just wondering, 320 00:19:05,720 --> 00:19:09,320 Speaker 1: like I think, if you're a fly on the wall 321 00:19:09,359 --> 00:19:11,840 Speaker 1: in my house, you'd see a human and supreme form 322 00:19:12,600 --> 00:19:15,560 Speaker 1: right in every aspect on their roller coaster and on 323 00:19:15,680 --> 00:19:19,040 Speaker 1: the journey. I think there's everyone around me could speak 324 00:19:19,119 --> 00:19:22,560 Speaker 1: to my my heart and my greatness and my moral 325 00:19:22,640 --> 00:19:26,680 Speaker 1: and my character. But I also have issues as a 326 00:19:26,760 --> 00:19:29,240 Speaker 1: human as well that I have to develop from and 327 00:19:29,320 --> 00:19:31,919 Speaker 1: that I've had to grow from just through a journey, 328 00:19:32,040 --> 00:19:37,200 Speaker 1: right like you, m you learn self respect and you 329 00:19:37,359 --> 00:19:40,879 Speaker 1: learn value, and you learn respecting other people throughout your journey, 330 00:19:40,960 --> 00:19:44,479 Speaker 1: depending on your experience and you're surrounding and what you witness, right, 331 00:19:44,840 --> 00:19:47,639 Speaker 1: most of us just replicate whatever we see. If you 332 00:19:47,680 --> 00:19:51,359 Speaker 1: don't see anybody and like loving and nurturing situations and 333 00:19:51,520 --> 00:19:54,600 Speaker 1: providing that you don't often replicate it, right, because that's 334 00:19:54,640 --> 00:19:58,240 Speaker 1: not something you're familiar with, So just through that process. 335 00:19:58,320 --> 00:20:01,359 Speaker 1: Of course, I'm a human, but I think for the 336 00:20:01,440 --> 00:20:04,560 Speaker 1: most part, what you see externally of me, it's what 337 00:20:04,680 --> 00:20:06,960 Speaker 1: you see and when you meet me, I'm the exact 338 00:20:07,000 --> 00:20:13,280 Speaker 1: same person. Right when I hear your lyrics, you're I 339 00:20:13,560 --> 00:20:17,320 Speaker 1: feel like you're vulnerable, You're you're honest with yourself, and 340 00:20:17,440 --> 00:20:20,200 Speaker 1: I think for a lot of men, I don't want 341 00:20:20,200 --> 00:20:22,520 Speaker 1: to say a lot of men, for humans, I think 342 00:20:22,720 --> 00:20:25,760 Speaker 1: we we tend to either tell ourselves the truth that 343 00:20:25,800 --> 00:20:29,520 Speaker 1: we tell ourselves a lie, and it's the battle of 344 00:20:29,760 --> 00:20:32,119 Speaker 1: you know, but the only way to grow is to 345 00:20:32,160 --> 00:20:35,080 Speaker 1: tell yourself the truth. So there's a lot of vulnerability 346 00:20:35,160 --> 00:20:37,320 Speaker 1: in your lyrics, and I love it like I love 347 00:20:37,359 --> 00:20:39,479 Speaker 1: it for the same reason why I love a lot 348 00:20:39,560 --> 00:20:41,920 Speaker 1: of y'all. You know that you are my top three, 349 00:20:42,040 --> 00:20:47,919 Speaker 1: you know, so, Um, now I do do snooping. Obviously 350 00:20:48,000 --> 00:20:50,520 Speaker 1: I had the cyberstalk the hell out of you. Um, 351 00:20:51,320 --> 00:20:53,680 Speaker 1: but um, I noticed you were, like, if you're a 352 00:20:53,760 --> 00:20:58,639 Speaker 1: fan of mine, you come directly to me, Like, how 353 00:20:58,720 --> 00:21:01,720 Speaker 1: did you even conceive that concept of like you want 354 00:21:01,720 --> 00:21:03,320 Speaker 1: to come to my show, you buy the tickets from me. 355 00:21:03,400 --> 00:21:06,240 Speaker 1: No ticket messing, no no middleman, Like where did that 356 00:21:06,320 --> 00:21:11,840 Speaker 1: come from? Um? Life? That's always been the process, you know, 357 00:21:12,040 --> 00:21:15,080 Speaker 1: Like I've watched my dad hustle, and everyone who bought 358 00:21:15,119 --> 00:21:17,760 Speaker 1: product from him pulled up on him, or he pulled 359 00:21:17,840 --> 00:21:20,560 Speaker 1: up on them. If you want something from the Russell, 360 00:21:20,720 --> 00:21:23,200 Speaker 1: you have to go communicate with the Russell. When you 361 00:21:23,280 --> 00:21:26,440 Speaker 1: start adding third parties, you can either miss opportunity or 362 00:21:26,520 --> 00:21:29,040 Speaker 1: something to you misplaced. Like I used to do booking 363 00:21:29,520 --> 00:21:31,639 Speaker 1: for a theater and I was trying to book certain 364 00:21:31,760 --> 00:21:34,879 Speaker 1: artists and I'd have to go through their agents and 365 00:21:35,000 --> 00:21:37,320 Speaker 1: It'll be like a C, A W or whatever. Sometimes 366 00:21:37,320 --> 00:21:40,080 Speaker 1: they down even get to it, and then when I 367 00:21:40,160 --> 00:21:41,800 Speaker 1: meet them later, I'm like, bro, I was trying to 368 00:21:41,880 --> 00:21:43,240 Speaker 1: get you for it would have been dope because I 369 00:21:43,320 --> 00:21:45,080 Speaker 1: was building this thing. And they're like, man, I didn't 370 00:21:45,080 --> 00:21:48,760 Speaker 1: even know, right, And that's because you ain't holding at you. 371 00:21:48,960 --> 00:21:51,720 Speaker 1: And then as the more middlemen you have, the more 372 00:21:52,080 --> 00:21:55,040 Speaker 1: uh pie that's getting dipped into. And I'm a firm 373 00:21:55,119 --> 00:21:57,320 Speaker 1: believer and if I'm splitting pie, it needs to be 374 00:21:57,480 --> 00:21:59,720 Speaker 1: with people who helped me bake the pie, not some 375 00:22:00,000 --> 00:22:03,760 Speaker 1: on who's just there. Because the end, this is a standard. 376 00:22:03,840 --> 00:22:05,680 Speaker 1: You need to have a business manager, You need to 377 00:22:05,760 --> 00:22:07,760 Speaker 1: have a this that like, we're not going to do that. 378 00:22:07,960 --> 00:22:10,959 Speaker 1: You got to actually provide something. If you didn't bring 379 00:22:11,080 --> 00:22:13,240 Speaker 1: no ingredients or help bath this, you shouldn't get a 380 00:22:13,280 --> 00:22:16,520 Speaker 1: slice of it. Now, you do have a team, because 381 00:22:17,240 --> 00:22:20,280 Speaker 1: to get to you, I tried emailing, Okay, I was like, 382 00:22:20,520 --> 00:22:22,840 Speaker 1: this is the email, this is how I gets him. 383 00:22:23,280 --> 00:22:24,600 Speaker 1: But you do have a team. Do you have a 384 00:22:24,720 --> 00:22:27,960 Speaker 1: rule amongst your team that they don't get to say no, 385 00:22:28,640 --> 00:22:30,760 Speaker 1: that you have to at least they have to at 386 00:22:30,800 --> 00:22:33,359 Speaker 1: least present the opportunity to you. Because that's a valid 387 00:22:33,400 --> 00:22:36,399 Speaker 1: point that happens in the industry. Just about everything comes 388 00:22:36,480 --> 00:22:38,879 Speaker 1: to me. And I may have seen this, I was 389 00:22:38,960 --> 00:22:42,480 Speaker 1: telling Austin. No, I'm for sure I have. I was 390 00:22:42,560 --> 00:22:45,280 Speaker 1: telling Austin when it first came I had seen the 391 00:22:45,320 --> 00:22:48,720 Speaker 1: show similar and I was like, I don't know, because 392 00:22:48,720 --> 00:22:50,639 Speaker 1: I've seen the tide that eating while broke thing, and 393 00:22:50,680 --> 00:22:52,399 Speaker 1: I feel like a lot of people play on like 394 00:22:52,560 --> 00:22:55,240 Speaker 1: poor people and ship and I didn't. I didn't like it. 395 00:22:55,359 --> 00:22:57,359 Speaker 1: So I was just like, I'm not gonna deal with 396 00:22:57,440 --> 00:22:59,440 Speaker 1: that right now and let me see as it cultivates. So, 397 00:22:59,680 --> 00:23:01,359 Speaker 1: I mean, I've seen it. There's not too much that 398 00:23:01,480 --> 00:23:03,600 Speaker 1: comes through the email that I don't see. And if 399 00:23:03,640 --> 00:23:06,560 Speaker 1: I don't see it, my two right hands always see 400 00:23:06,600 --> 00:23:08,680 Speaker 1: it and it and it still makes his way to me. 401 00:23:08,840 --> 00:23:11,560 Speaker 1: So with thet I broke, that was one of the reasons. 402 00:23:11,600 --> 00:23:15,800 Speaker 1: I was, like the title, I don't like when people 403 00:23:15,920 --> 00:23:18,840 Speaker 1: play on the on poverty and like, it's just like 404 00:23:19,880 --> 00:23:24,320 Speaker 1: when I created Eating Wall Broke, I I was like, 405 00:23:24,400 --> 00:23:28,359 Speaker 1: I just I have so many dope successful friends that 406 00:23:28,440 --> 00:23:32,359 Speaker 1: are like millionaires and blowing celebrities, entrepreneurs, and they always 407 00:23:32,400 --> 00:23:34,680 Speaker 1: have these crazy stories like they were in jail, or 408 00:23:34,800 --> 00:23:39,080 Speaker 1: they were male escorts or just crazy as stories, and 409 00:23:39,160 --> 00:23:40,680 Speaker 1: I love them. I live for them. We go on 410 00:23:40,720 --> 00:23:42,679 Speaker 1: a hike and like, tell me more, what else did 411 00:23:42,720 --> 00:23:44,800 Speaker 1: you do? You're a hugger? Okay, let's there, you know, 412 00:23:45,240 --> 00:23:48,400 Speaker 1: And so I just love the journey. I actually don't 413 00:23:48,440 --> 00:23:51,359 Speaker 1: even I do enjoy the solutions, but I love the journey. 414 00:23:51,400 --> 00:23:53,960 Speaker 1: I love the storytelling. I love the hero's journey. And 415 00:23:54,000 --> 00:23:56,000 Speaker 1: so when I came up with Eating Wall Broke, I 416 00:23:56,119 --> 00:23:58,040 Speaker 1: was like, well, we gotta started at the root, you 417 00:23:58,119 --> 00:24:01,000 Speaker 1: know that everyone can relate to, like, you know, people 418 00:24:01,080 --> 00:24:03,119 Speaker 1: that are aspiring rappers that are literally only have two 419 00:24:03,160 --> 00:24:05,920 Speaker 1: pennies to rub together. And I named the Eating Wall Broke. 420 00:24:06,600 --> 00:24:09,760 Speaker 1: But then I realized, damn. Every time I pitched the show, 421 00:24:10,080 --> 00:24:13,320 Speaker 1: I have to say, hey, I have this great opportunity 422 00:24:13,359 --> 00:24:16,600 Speaker 1: for you. It's it's ignore the name. Let me tell 423 00:24:16,640 --> 00:24:18,840 Speaker 1: you what it is. And I always have to say, 424 00:24:19,320 --> 00:24:21,520 Speaker 1: ignore the name, and then I tell them, you know, 425 00:24:21,600 --> 00:24:23,800 Speaker 1: the show is about inspiring people and just kind of 426 00:24:24,119 --> 00:24:27,000 Speaker 1: leveling with them and inspiring them that they can do 427 00:24:27,119 --> 00:24:29,200 Speaker 1: exactly what you did, or they should believe in themselves 428 00:24:29,200 --> 00:24:31,720 Speaker 1: no matter what their environment isn't. But I always have 429 00:24:31,840 --> 00:24:36,280 Speaker 1: to do this thing her. That's why I like certain 430 00:24:36,320 --> 00:24:38,680 Speaker 1: things will get to me through email, but since it 431 00:24:38,760 --> 00:24:41,879 Speaker 1: doesn't have full context, it's like I can't tend to 432 00:24:42,000 --> 00:24:44,200 Speaker 1: it right because it doesn't resonate. But that's why I'm 433 00:24:44,200 --> 00:24:47,200 Speaker 1: always somebody. I'm so open. If you see me anywhere, 434 00:24:47,520 --> 00:24:50,040 Speaker 1: you can comes to me and address me, and once 435 00:24:50,119 --> 00:24:52,360 Speaker 1: I meet you and feel your energy, it's like, okay, 436 00:24:52,440 --> 00:24:55,600 Speaker 1: that makes sense, right, But emails have no context like that. 437 00:24:55,800 --> 00:25:00,320 Speaker 1: Just you gotta take it for whatever you want I'm uh. 438 00:25:00,840 --> 00:25:03,400 Speaker 1: Pitpole told me this once. He said, if they locked 439 00:25:03,440 --> 00:25:05,159 Speaker 1: the door, you're climbing through the window. I was like, oh, 440 00:25:05,240 --> 00:25:21,560 Speaker 1: he didn't respond, and nicolete better use that show me 441 00:25:22,280 --> 00:25:24,960 Speaker 1: you know, it's running this show and uh, you know, 442 00:25:25,520 --> 00:25:28,240 Speaker 1: get his attention. And not only did I do that, 443 00:25:28,320 --> 00:25:30,600 Speaker 1: but I liked you so much. I literally was like, 444 00:25:31,680 --> 00:25:34,399 Speaker 1: and your Leisure should have him, Charlemagne should have him, 445 00:25:34,520 --> 00:25:36,440 Speaker 1: all these people should have him, and she was like, mmmm, 446 00:25:37,359 --> 00:25:39,240 Speaker 1: I think they already did. Like I was like the 447 00:25:39,359 --> 00:25:41,240 Speaker 1: last one to the table, like these are the shows 448 00:25:41,280 --> 00:25:44,000 Speaker 1: he should be on. I don't even even never had 449 00:25:44,000 --> 00:25:45,800 Speaker 1: an opportunity with him, but I was like, damn, all 450 00:25:45,840 --> 00:25:49,000 Speaker 1: your publicists over there like this is who I want, um, 451 00:25:49,359 --> 00:25:53,680 Speaker 1: And and that's you know why we name the show, 452 00:25:54,040 --> 00:25:55,640 Speaker 1: you know, at the end of the day, eating Wall Broke. 453 00:25:55,760 --> 00:25:58,200 Speaker 1: But I get it because I literally every time I 454 00:25:58,280 --> 00:26:00,840 Speaker 1: sell someone on the idea, I'm like, just ignore the name, 455 00:26:01,760 --> 00:26:04,280 Speaker 1: ignore the name. But I'm glad that you take time 456 00:26:04,359 --> 00:26:07,359 Speaker 1: to come and sit with me, and super excited. I 457 00:26:07,520 --> 00:26:13,639 Speaker 1: love literally everything you're about um and uh sorry, uh. 458 00:26:13,960 --> 00:26:17,600 Speaker 1: One of the things that kind of surprised me is 459 00:26:17,760 --> 00:26:25,520 Speaker 1: the entrepreneur in you and like also, like, why did 460 00:26:25,600 --> 00:26:30,480 Speaker 1: you name your company the good compenny? Right? Well, I 461 00:26:30,560 --> 00:26:33,320 Speaker 1: mean good company just because there's a quote. Let's say 462 00:26:33,359 --> 00:26:36,040 Speaker 1: your mamma say you just by the company you keep, right, 463 00:26:36,480 --> 00:26:38,879 Speaker 1: So I feel like good company isn't compassing of just 464 00:26:39,080 --> 00:26:41,240 Speaker 1: I like to have good people around me, and we 465 00:26:41,359 --> 00:26:43,920 Speaker 1: build great energy when we go into places. We're good 466 00:26:43,960 --> 00:26:47,960 Speaker 1: company to have, right, just that name, it's welcoming. And 467 00:26:48,000 --> 00:26:50,240 Speaker 1: then I use pennies because I feel like pennies are 468 00:26:50,440 --> 00:26:53,320 Speaker 1: undervalued and overlooked. Right, if you see a penny on 469 00:26:53,359 --> 00:26:55,320 Speaker 1: the ground, you usually don't stop and pick it up. 470 00:26:55,560 --> 00:26:57,840 Speaker 1: But imagine if you stopped and picked up every penny 471 00:26:57,880 --> 00:27:00,600 Speaker 1: you walk past throughout your whole life, only have more 472 00:27:00,640 --> 00:27:02,640 Speaker 1: money than a lot of the people beside you. Even 473 00:27:02,680 --> 00:27:05,200 Speaker 1: though it's a penny, there's a multitude of them, Like 474 00:27:05,320 --> 00:27:08,359 Speaker 1: we passed them up all the time everywhere, and no 475 00:27:08,480 --> 00:27:11,720 Speaker 1: one really cares. Right, But it exists for a reason. 476 00:27:12,760 --> 00:27:15,640 Speaker 1: I sometimes think pennies exists to go in my daughter's mouth. 477 00:27:18,960 --> 00:27:21,359 Speaker 1: That was a terrible joke. I'm a new mom, I'm 478 00:27:21,400 --> 00:27:23,960 Speaker 1: a random mom. I spend most of my days trying 479 00:27:24,000 --> 00:27:26,040 Speaker 1: to commence my daughter, not to try a new way 480 00:27:26,119 --> 00:27:29,320 Speaker 1: to commit suicide right right now? You see. Now you 481 00:27:29,359 --> 00:27:32,480 Speaker 1: see why our parents are like tired by eight o'clock 482 00:27:32,480 --> 00:27:34,920 Speaker 1: because they spent the entire day like what do you 483 00:27:35,040 --> 00:27:40,280 Speaker 1: have to do next? But? Um, but what can people 484 00:27:40,400 --> 00:27:45,440 Speaker 1: expect from you in the future music wise? Um? A 485 00:27:45,560 --> 00:27:48,240 Speaker 1: ton of it? Oh a lot of it. You know. 486 00:27:48,400 --> 00:27:52,399 Speaker 1: I'm someone I live by this theory of like leaving empty. 487 00:27:52,960 --> 00:27:55,119 Speaker 1: I don't want to leave with nothing on my plate 488 00:27:55,320 --> 00:27:57,720 Speaker 1: and all the music I have I intend to release 489 00:27:57,800 --> 00:28:00,320 Speaker 1: and get out. I don't want to sit on things 490 00:28:00,400 --> 00:28:05,360 Speaker 1: for years. Um. I'm currently building crazy infrastructure at home. 491 00:28:05,480 --> 00:28:08,480 Speaker 1: I keep saying I'm building Disneyland because we're building something 492 00:28:08,640 --> 00:28:13,680 Speaker 1: like that completely laterally. Um but really, uh, I don't know. 493 00:28:13,800 --> 00:28:16,200 Speaker 1: I don't have any expectation of myself. So I think 494 00:28:16,240 --> 00:28:18,679 Speaker 1: people shouldn't. They should just enjoy the journey. Like how 495 00:28:18,760 --> 00:28:20,639 Speaker 1: you say you've been spying, Like, I hope when you 496 00:28:20,720 --> 00:28:23,119 Speaker 1: spy you're smiling because it's just it's a hell of 497 00:28:23,200 --> 00:28:26,000 Speaker 1: a show to watch. You haven't got to see too 498 00:28:26,080 --> 00:28:30,000 Speaker 1: many artists actually make it in front of us, right, 499 00:28:30,160 --> 00:28:33,280 Speaker 1: Like we see the resulting that the label post and share, 500 00:28:33,400 --> 00:28:35,960 Speaker 1: but we don't see like him going City of the 501 00:28:36,040 --> 00:28:37,640 Speaker 1: City Hey, yeah, I'm out. I'm gonna do a pop 502 00:28:37,760 --> 00:28:39,200 Speaker 1: up to you know, like we don't get to see 503 00:28:39,240 --> 00:28:41,520 Speaker 1: that part of the journey, and I'm showing all of it. 504 00:28:41,560 --> 00:28:43,960 Speaker 1: I'm showing us running merch fulfilment out of my house. 505 00:28:44,160 --> 00:28:46,680 Speaker 1: My mom is dropping them, dropping them off, like I'm 506 00:28:46,720 --> 00:28:50,080 Speaker 1: showing the entire process, and we're sharing the gyms alone. 507 00:28:50,280 --> 00:28:52,880 Speaker 1: So I think people should just stay tuned and and 508 00:28:53,080 --> 00:28:56,000 Speaker 1: and this. We got enough sequels to to beat the 509 00:28:56,080 --> 00:28:59,320 Speaker 1: Fast and Furious series, you know, like we're coming like that, 510 00:29:00,040 --> 00:29:03,080 Speaker 1: and you will do your pop YouTube pop up shows, right, 511 00:29:03,320 --> 00:29:06,080 Speaker 1: We're doing one tonight. I just I just got off 512 00:29:06,120 --> 00:29:08,080 Speaker 1: a plane and I was like, man, I want to 513 00:29:08,120 --> 00:29:10,080 Speaker 1: do a show. So we announced it and now the 514 00:29:10,120 --> 00:29:13,440 Speaker 1: show tickets have been selling tonight. It's going to be 515 00:29:13,600 --> 00:29:21,000 Speaker 1: at going this is. This one's gonna be special because 516 00:29:21,040 --> 00:29:23,480 Speaker 1: it's an unplugged version and it's like live Q and 517 00:29:23,560 --> 00:29:28,480 Speaker 1: A like people eight, I'm not gonna lie, like I 518 00:29:28,560 --> 00:29:36,560 Speaker 1: would love to go come on, please come on. Man's 519 00:29:36,640 --> 00:29:39,800 Speaker 1: dope about our shows. It's like this one is a 520 00:29:39,880 --> 00:29:43,040 Speaker 1: bit different, but generally with our shows, like I used 521 00:29:43,400 --> 00:29:45,320 Speaker 1: the second half of my set to just let the 522 00:29:45,440 --> 00:29:47,840 Speaker 1: fans choose the songs they wanted here, and I wrap 523 00:29:48,040 --> 00:29:50,280 Speaker 1: whatever they say they want to hear, right, So it's 524 00:29:50,320 --> 00:29:53,239 Speaker 1: like a really interactive show. We did one in New 525 00:29:53,320 --> 00:29:55,360 Speaker 1: York and Brooklyn when we went out there and sold 526 00:29:55,400 --> 00:29:58,360 Speaker 1: out in six hours five hundred tickets. So now I've 527 00:29:58,440 --> 00:30:01,040 Speaker 1: just kind of been in this wave where it's like 528 00:30:01,160 --> 00:30:02,920 Speaker 1: I just be like, I feel like doing it, and 529 00:30:03,040 --> 00:30:06,440 Speaker 1: we do it and it usually goes well. And then 530 00:30:06,560 --> 00:30:11,280 Speaker 1: who kind of does the logistics? So myself for Naughty, 531 00:30:11,440 --> 00:30:13,520 Speaker 1: he's a member of my team. He helps with booking, 532 00:30:14,480 --> 00:30:17,520 Speaker 1: Teata helps with logistics. Millie is on my team so 533 00:30:17,760 --> 00:30:19,840 Speaker 1: anytime we go to a tour route and she kind 534 00:30:19,880 --> 00:30:23,880 Speaker 1: of plans and give a guy in girl team. Yeah, yeah, 535 00:30:24,680 --> 00:30:26,560 Speaker 1: I like that because sometimes you work with people and 536 00:30:26,640 --> 00:30:31,280 Speaker 1: they like Slay Holder, like Charloagne's companies pretty pretty much 537 00:30:31,400 --> 00:30:36,480 Speaker 1: ran by women, Black women, which is amazing. Man. I 538 00:30:36,520 --> 00:30:38,840 Speaker 1: wouldn't be where I am without women. I have a 539 00:30:38,920 --> 00:30:42,560 Speaker 1: team of like the most incredible creative intuit and women 540 00:30:42,640 --> 00:30:46,400 Speaker 1: when it comes to just business and everything. Now, one 541 00:30:46,440 --> 00:30:49,000 Speaker 1: of the things I did see, and I could be wrong, 542 00:30:49,440 --> 00:30:52,920 Speaker 1: maybe lack of research, um, but I feel like on 543 00:30:53,240 --> 00:30:55,520 Speaker 1: one of the things you had posted was like if 544 00:30:55,640 --> 00:30:57,640 Speaker 1: people buy your records, they have like some kind of 545 00:30:58,560 --> 00:31:02,240 Speaker 1: ownership in it, so not necessarily if you buy it 546 00:31:02,480 --> 00:31:06,160 Speaker 1: some people so on on. Usually on projects, I'll sell 547 00:31:06,240 --> 00:31:09,640 Speaker 1: my album before it comes to streaming, and anyone who 548 00:31:09,720 --> 00:31:13,360 Speaker 1: buys that project is up for selection to receive a royalty. 549 00:31:13,640 --> 00:31:15,640 Speaker 1: So I usually go through the list of buyers and 550 00:31:15,680 --> 00:31:17,920 Speaker 1: I'll pick like fifty to a hundred people, sometimes a 551 00:31:18,000 --> 00:31:20,760 Speaker 1: hundred fifty if I'm feeling good, sometimes two, and I'll 552 00:31:20,800 --> 00:31:23,280 Speaker 1: give them a percentage of royalty in different songs from 553 00:31:23,360 --> 00:31:26,640 Speaker 1: that album. You can also buy royalties, like you could 554 00:31:26,760 --> 00:31:28,840 Speaker 1: make an offer to purchase a share. So if you 555 00:31:28,920 --> 00:31:30,920 Speaker 1: have a favorite song you're like, I love this song, 556 00:31:31,240 --> 00:31:32,920 Speaker 1: I know it's gonna be big, or just I love 557 00:31:33,000 --> 00:31:34,680 Speaker 1: this song, I just want to have a stake in it, 558 00:31:35,040 --> 00:31:37,000 Speaker 1: you can make an offer to me and say I 559 00:31:37,120 --> 00:31:39,440 Speaker 1: want five percent of the revenue from this song. I'm 560 00:31:39,440 --> 00:31:42,320 Speaker 1: willing to give you a thousand dollars five hundred dollars, 561 00:31:42,400 --> 00:31:44,600 Speaker 1: and I'll read I'll hit you and negotiate and say 562 00:31:44,800 --> 00:31:46,959 Speaker 1: I'm willing to take this so I'm not, and then 563 00:31:47,000 --> 00:31:49,320 Speaker 1: I send you a percentage through the distro you collect 564 00:31:49,400 --> 00:31:52,400 Speaker 1: every month into perpetuity for the rest of your life. Yeah, 565 00:31:52,480 --> 00:31:54,760 Speaker 1: I've never heard of someone doing that, but I've never 566 00:31:54,840 --> 00:31:56,280 Speaker 1: heard of song. I was like, did he do what 567 00:31:56,360 --> 00:31:59,680 Speaker 1: I think he did? How do you? How do you? 568 00:32:01,000 --> 00:32:03,520 Speaker 1: How did you come up with that? Though? How it 569 00:32:03,720 --> 00:32:06,719 Speaker 1: was just a late night thought of Like, I've always 570 00:32:06,800 --> 00:32:11,080 Speaker 1: been split in revenue with my team. Everyone who helped, producers, engineers, 571 00:32:11,120 --> 00:32:12,960 Speaker 1: they all get a percent. So one day it was 572 00:32:13,080 --> 00:32:16,160 Speaker 1: just like, we should give the fans something. They listened 573 00:32:16,200 --> 00:32:18,760 Speaker 1: to this ship every day. Imagine if your favorite jay 574 00:32:18,840 --> 00:32:20,680 Speaker 1: Z song, I Man, you listen to it every day, 575 00:32:20,760 --> 00:32:22,960 Speaker 1: but you don't want to present it my fans, like 576 00:32:23,040 --> 00:32:25,920 Speaker 1: Baggas claim, blew up. Some of my fans had equity 577 00:32:25,960 --> 00:32:28,600 Speaker 1: in that song when it first dropped, that a year 578 00:32:28,720 --> 00:32:31,200 Speaker 1: before it even took off. So they for the rest 579 00:32:31,240 --> 00:32:33,200 Speaker 1: of their life they're going to be getting money off, 580 00:32:33,240 --> 00:32:35,760 Speaker 1: Baggs claimed, because they just made the right call. They 581 00:32:35,880 --> 00:32:40,800 Speaker 1: enjoyed the song so and then, but they reached out 582 00:32:40,880 --> 00:32:43,400 Speaker 1: to you, or how did you even announce that I 583 00:32:43,520 --> 00:32:46,400 Speaker 1: made this big announcement in Tieta on my team. She 584 00:32:46,520 --> 00:32:49,040 Speaker 1: created this form for people to go fill out and 585 00:32:49,120 --> 00:32:51,280 Speaker 1: you put all your information, you put your offer amount, 586 00:32:51,320 --> 00:32:53,440 Speaker 1: how much you want it comes to a database. I 587 00:32:53,560 --> 00:32:55,880 Speaker 1: look at all the offers. I'll email you and say, yeah, 588 00:32:55,880 --> 00:32:59,280 Speaker 1: I sent your offer, I liked it, I accept me. 589 00:32:59,520 --> 00:33:03,400 Speaker 1: I go every offered person over, even through email, like 590 00:33:03,680 --> 00:33:05,840 Speaker 1: when we do bookings and ship like, people are always 591 00:33:05,880 --> 00:33:08,640 Speaker 1: surprised that they're talking to me. It's like, it's my business. 592 00:33:08,960 --> 00:33:12,560 Speaker 1: Of course you're talking to me. It makes sense, right, 593 00:33:12,760 --> 00:33:16,800 Speaker 1: I most of my companies, for social reason, cannot get 594 00:33:16,880 --> 00:33:19,640 Speaker 1: them past a certain threshold. I don't know if it's 595 00:33:19,680 --> 00:33:23,000 Speaker 1: like my whatever, but um so most of my companies 596 00:33:23,000 --> 00:33:25,800 Speaker 1: are smaller. So I'll email, but I email under an alias. 597 00:33:25,880 --> 00:33:28,680 Speaker 1: It would be like Samantha, and it'll be like Samantha 598 00:33:29,080 --> 00:33:31,440 Speaker 1: was so crazy. When I used to send out emails 599 00:33:31,480 --> 00:33:33,600 Speaker 1: to get booked, to go to venues and try to 600 00:33:33,680 --> 00:33:35,600 Speaker 1: book them, I used to act like I was my 601 00:33:35,680 --> 00:33:39,000 Speaker 1: own manager. And then eventually it's like, bro, it's me, 602 00:33:39,360 --> 00:33:42,120 Speaker 1: I am the Russell. I'm gonna venue. This is what 603 00:33:42,200 --> 00:33:44,440 Speaker 1: I want to do right. And I've gotten so much 604 00:33:44,520 --> 00:33:47,800 Speaker 1: more rapport response because it's like, of course people want 605 00:33:47,840 --> 00:33:50,520 Speaker 1: to talk to you like I'm doing it right. You 606 00:33:50,520 --> 00:33:56,640 Speaker 1: should you didn't feel at some point, um it hinders 607 00:33:56,800 --> 00:34:00,760 Speaker 1: how much more you can get because like, I'll give 608 00:34:00,800 --> 00:34:05,560 Speaker 1: it pretty v uh. I emailed her and I'm like, okay, 609 00:34:05,880 --> 00:34:09,160 Speaker 1: you know, she responded and then like it was her 610 00:34:09,320 --> 00:34:10,719 Speaker 1: and then she got on the phone with me. She 611 00:34:10,800 --> 00:34:13,520 Speaker 1: like just called me, and then I hear the Jamaican accent. 612 00:34:13,600 --> 00:34:16,160 Speaker 1: I'm like, wait a minute, I said, and we ended 613 00:34:16,239 --> 00:34:18,560 Speaker 1: up vibing on the phone like for forty five minutes. 614 00:34:18,760 --> 00:34:21,759 Speaker 1: And but it was it was the first time that 615 00:34:21,840 --> 00:34:25,120 Speaker 1: I cold called emailed somebody and not only did they 616 00:34:25,200 --> 00:34:27,319 Speaker 1: respond in record speed, but I mean, first of all, 617 00:34:27,400 --> 00:34:30,600 Speaker 1: that girl is as humble as they yet, but that 618 00:34:30,719 --> 00:34:32,960 Speaker 1: was the first time that I've ever seen like someone 619 00:34:33,120 --> 00:34:36,439 Speaker 1: on that level just be like, what's up, what's let's 620 00:34:36,480 --> 00:34:38,480 Speaker 1: do it? She was like what do you want me 621 00:34:38,520 --> 00:34:42,479 Speaker 1: to cook? I got beans and then I was like nope. 622 00:34:42,560 --> 00:34:44,040 Speaker 1: I was just like you know, you know, and it 623 00:34:44,160 --> 00:34:47,160 Speaker 1: was past um, no team, no nothing, And you know, 624 00:34:47,200 --> 00:34:48,800 Speaker 1: I don't even know it was her until she called me, 625 00:34:48,880 --> 00:34:51,319 Speaker 1: and I was like, oh, it's you. You know, that's 626 00:34:51,320 --> 00:34:52,879 Speaker 1: like if jay Z calls me after her n email 627 00:34:52,880 --> 00:34:55,560 Speaker 1: and be like right, people usually get that same shot, 628 00:34:55,680 --> 00:34:59,279 Speaker 1: but it just builds a different relationship, right You You 629 00:34:59,440 --> 00:35:02,000 Speaker 1: respect what someone is building a lot more when you 630 00:35:02,080 --> 00:35:04,279 Speaker 1: know they're working it right. It's hard to suck someone 631 00:35:04,400 --> 00:35:08,160 Speaker 1: over when it's like, oh it's you. They're right. There's 632 00:35:08,160 --> 00:35:11,200 Speaker 1: a different report you have to do. You have a 633 00:35:12,120 --> 00:35:15,640 Speaker 1: internal rule about letting new people into your camp because 634 00:35:15,680 --> 00:35:18,400 Speaker 1: it seems like you have a very large camp. It 635 00:35:18,640 --> 00:35:21,760 Speaker 1: is kind of my kind of Yeah, even my immediate 636 00:35:21,840 --> 00:35:24,719 Speaker 1: group is pretty large. Uh, there's not really a rule, 637 00:35:24,920 --> 00:35:28,520 Speaker 1: just an energy, right, if I know who I like 638 00:35:28,680 --> 00:35:31,000 Speaker 1: and who I don't like, and who fits and who doesn't. 639 00:35:31,120 --> 00:35:33,920 Speaker 1: Sometimes will trial people out and it's like that didn't 640 00:35:33,960 --> 00:35:36,520 Speaker 1: really work, and we kind of maneuver forward. But it's 641 00:35:36,560 --> 00:35:39,680 Speaker 1: not really any rule, just your energy, how you feel, 642 00:35:40,120 --> 00:35:42,840 Speaker 1: how everyone feels about you, how you feel about everyone, 643 00:35:43,600 --> 00:35:46,440 Speaker 1: and we could usually get a sense of that really fast. 644 00:35:46,560 --> 00:35:49,480 Speaker 1: I also have like I like to work with people 645 00:35:49,520 --> 00:35:52,480 Speaker 1: who work hard, like the best. You know, I don't 646 00:35:52,520 --> 00:35:54,480 Speaker 1: want to It's like, bro, I'm playing at a high 647 00:35:54,560 --> 00:35:56,719 Speaker 1: level at all times. If you can't keep up, you 648 00:35:56,840 --> 00:35:58,680 Speaker 1: need to go on the other court and play with 649 00:35:58,760 --> 00:36:01,319 Speaker 1: the little kids for a bid to your game. Get up. 650 00:36:02,200 --> 00:36:07,120 Speaker 1: Have you experienced failure? Let me just rephrase that, have 651 00:36:07,200 --> 00:36:11,080 Speaker 1: you experienced perceived failure? I hate the word, of course, yeah, 652 00:36:11,320 --> 00:36:15,920 Speaker 1: of course about perceived failure and like what the experience was. Man, 653 00:36:16,000 --> 00:36:18,600 Speaker 1: I've had shows where there was five people in the 654 00:36:18,719 --> 00:36:21,720 Speaker 1: crowd and I had to pay for venue. I rented 655 00:36:21,760 --> 00:36:24,640 Speaker 1: a sprinter van to get my team there. We brought equipment, 656 00:36:24,719 --> 00:36:26,719 Speaker 1: We brought a ton of merch that we didn't sail 657 00:36:26,800 --> 00:36:29,520 Speaker 1: because there wasn't no one to sell it to um 658 00:36:30,080 --> 00:36:31,920 Speaker 1: And I was a tough ride home. You know, I 659 00:36:32,080 --> 00:36:34,920 Speaker 1: was silent. I'm usually allowding and talking and childing, but 660 00:36:35,080 --> 00:36:37,520 Speaker 1: I was silent, right. And I've had several of those, 661 00:36:38,120 --> 00:36:42,400 Speaker 1: uh moments of perceived failure even beyond that, just sometimes 662 00:36:42,480 --> 00:36:44,480 Speaker 1: releasing merch and putting all your money into it and 663 00:36:44,680 --> 00:36:47,120 Speaker 1: it doesn't go. The people don't react. Early on, I 664 00:36:47,239 --> 00:36:50,320 Speaker 1: had a lot of albums. I dropped twenty two albums. 665 00:36:50,480 --> 00:36:52,279 Speaker 1: I've had a lot of albums. Early on, I was like, 666 00:36:52,360 --> 00:36:59,120 Speaker 1: this is gonna be Yeah, we've been We didn't blow nothing. Yeah, 667 00:36:59,440 --> 00:37:03,400 Speaker 1: way mote in not even twenty two singles. No, And 668 00:37:03,520 --> 00:37:07,520 Speaker 1: that's just my catalog. I've written other EPs single albums 669 00:37:07,560 --> 00:37:09,680 Speaker 1: for a bunch of other people, so, but just in 670 00:37:09,800 --> 00:37:15,280 Speaker 1: my own album, it's twenty two. When you experienced perceived failure, 671 00:37:16,600 --> 00:37:22,600 Speaker 1: can you walk me through your thoughts um usually as 672 00:37:22,680 --> 00:37:25,759 Speaker 1: negative first, right, it's all like I look for all 673 00:37:25,840 --> 00:37:28,960 Speaker 1: the problems, what I didn't do, how I didn't do 674 00:37:29,080 --> 00:37:31,200 Speaker 1: it while I could have done it better, And then 675 00:37:31,320 --> 00:37:36,239 Speaker 1: eventually it just becomes like analytical solution based, like I 676 00:37:36,360 --> 00:37:40,919 Speaker 1: always want to I always want to prove me wrong 677 00:37:41,160 --> 00:37:44,319 Speaker 1: or anybody wrong. I'm like, well, I'm I'm Finnish. Next time, 678 00:37:44,400 --> 00:37:47,520 Speaker 1: I'm gonna do it triple the sides and it's gonna 679 00:37:47,520 --> 00:37:51,120 Speaker 1: be a success. But yeah, it's usually just that emotional 680 00:37:51,239 --> 00:37:54,279 Speaker 1: emotional turmoil that comes with it first, where you know, 681 00:37:54,440 --> 00:37:56,960 Speaker 1: you feel that dark cloud over you and sometimes you 682 00:37:57,040 --> 00:37:59,600 Speaker 1: gotta cry or you gotta sit in there and and 683 00:37:59,680 --> 00:38:01,799 Speaker 1: kind of be in that space until you can work 684 00:38:01,880 --> 00:38:06,120 Speaker 1: through it. I'm surprised that you didn't just say, well, 685 00:38:06,239 --> 00:38:10,400 Speaker 1: maybe maybe this is a question. But in that negative space, 686 00:38:10,800 --> 00:38:15,200 Speaker 1: have you questioned you're worth? Like whether you know like 687 00:38:15,400 --> 00:38:18,120 Speaker 1: or five people. I get the logistics because I as 688 00:38:18,120 --> 00:38:20,400 Speaker 1: an entrepreneur, I get like, what did we do? What 689 00:38:20,520 --> 00:38:23,320 Speaker 1: could we have done differently? But in that negative space, 690 00:38:23,800 --> 00:38:28,600 Speaker 1: can you say and you are prolific for sure, but 691 00:38:28,760 --> 00:38:32,719 Speaker 1: have you questioned your own not? Not in music, like 692 00:38:32,880 --> 00:38:35,719 Speaker 1: anytime I failed in music. It wasn't a question of 693 00:38:35,840 --> 00:38:39,319 Speaker 1: my own worth. It was just like they don't see it. Right. 694 00:38:39,440 --> 00:38:42,080 Speaker 1: I knew, I knew I was it. I'm just like 695 00:38:42,239 --> 00:38:44,480 Speaker 1: they don't see it. I haven't done enough work for 696 00:38:44,600 --> 00:38:46,920 Speaker 1: them to see it. They don't see it. Um. So 697 00:38:47,080 --> 00:38:49,440 Speaker 1: I've never questioned my worth in that aspect. If I'm 698 00:38:49,520 --> 00:38:52,120 Speaker 1: questioning my worth, it's usually through some life ship like 699 00:38:52,280 --> 00:38:57,120 Speaker 1: me doing something um against my own morals or against 700 00:38:57,200 --> 00:39:00,040 Speaker 1: my own code, or just I let somebody down on 701 00:39:00,120 --> 00:39:03,000 Speaker 1: that's fear to me. Those are moments I questioned my 702 00:39:03,120 --> 00:39:05,120 Speaker 1: worth when I can't show up for my daughter in 703 00:39:05,200 --> 00:39:07,600 Speaker 1: a way that I felt like I should. Things like that, 704 00:39:07,880 --> 00:39:13,480 Speaker 1: but not music, and I put my our case. No, yeah, no, 705 00:39:13,680 --> 00:39:17,839 Speaker 1: not career wise at all. I know what I'm worth 706 00:39:17,960 --> 00:39:19,800 Speaker 1: in my career. I know what I deliver, I know 707 00:39:19,880 --> 00:39:22,719 Speaker 1: what I bring forth, and even even through life like 708 00:39:22,840 --> 00:39:26,040 Speaker 1: I'm getting to a point where I know my impact 709 00:39:26,080 --> 00:39:29,120 Speaker 1: and how significant I am to you know, the life 710 00:39:29,200 --> 00:39:33,120 Speaker 1: around me in the world. I'm feeding the community, needing 711 00:39:33,160 --> 00:39:36,239 Speaker 1: the community. So there's a book I just recently checked out. 712 00:39:36,280 --> 00:39:37,600 Speaker 1: I don't know if you've ever heard of it. It's 713 00:39:37,680 --> 00:39:42,839 Speaker 1: I'm called Male Versus man, DeAndre Whitfield shoutouts to him. 714 00:39:42,880 --> 00:39:45,319 Speaker 1: I picked up the book. I thought it was for men, 715 00:39:46,160 --> 00:39:49,360 Speaker 1: but so I got it from my uh my friend 716 00:39:49,800 --> 00:39:52,800 Speaker 1: and um but I ended up reading it because I 717 00:39:53,000 --> 00:39:57,759 Speaker 1: like to read. I'm literally in a book headed that 718 00:39:58,000 --> 00:40:02,160 Speaker 1: I am obsessed with books. Um. But I read the 719 00:40:02,239 --> 00:40:04,880 Speaker 1: book and one of the things he pointed out in 720 00:40:04,920 --> 00:40:06,960 Speaker 1: the book, which I will gift you the book now 721 00:40:07,040 --> 00:40:08,560 Speaker 1: that I have, I think I have your address on 722 00:40:09,360 --> 00:40:12,400 Speaker 1: I'll get you information. Um. But anyways, one of the 723 00:40:12,480 --> 00:40:15,799 Speaker 1: things he talked about was like the male versus man. 724 00:40:16,040 --> 00:40:19,480 Speaker 1: You know, the mail is self seeking and the man 725 00:40:19,680 --> 00:40:22,680 Speaker 1: is of service, which is different programs. I never thought 726 00:40:22,719 --> 00:40:24,320 Speaker 1: of that, Like, so when a guy takes me on 727 00:40:24,360 --> 00:40:26,800 Speaker 1: a date, I'm like, are you trying to give it me? 728 00:40:27,200 --> 00:40:30,040 Speaker 1: Are you trying to serve me? Now? At first I 729 00:40:30,120 --> 00:40:32,160 Speaker 1: was like, oh, that's messed up to like seek service, 730 00:40:32,320 --> 00:40:35,520 Speaker 1: But as a female, it's actually not because you know, 731 00:40:35,719 --> 00:40:39,279 Speaker 1: we seek protection and we proceed. Some of us do 732 00:40:39,480 --> 00:40:42,200 Speaker 1: need help providing and some of us need of course, 733 00:40:42,239 --> 00:40:45,240 Speaker 1: everyone wants to be professed to marry me the announced 734 00:40:45,320 --> 00:40:50,200 Speaker 1: the world, I'm the one. Um. I also in a 735 00:40:50,280 --> 00:40:53,160 Speaker 1: hip hop head and after reading that book, lately, it's 736 00:40:53,239 --> 00:40:56,239 Speaker 1: like every song on the radio is like shout out 737 00:40:56,360 --> 00:40:59,719 Speaker 1: to my sneaky link or or yeah, I'm having sex 738 00:40:59,800 --> 00:41:02,200 Speaker 1: with a my side chick raw. But I'm never gonna 739 00:41:02,320 --> 00:41:06,040 Speaker 1: leave you. I'm never gonna leave my family for you. 740 00:41:06,760 --> 00:41:09,839 Speaker 1: And I'm like, yo, did he really just say he's 741 00:41:09,880 --> 00:41:12,399 Speaker 1: having sex with his side chick raw and that's why 742 00:41:12,480 --> 00:41:15,240 Speaker 1: she's attached? And some of these lyrics are so terrible 743 00:41:15,440 --> 00:41:19,520 Speaker 1: to women. I'm like, at what point? And who is responsible? 744 00:41:19,560 --> 00:41:22,560 Speaker 1: And this is just an honest like friend or you 745 00:41:22,640 --> 00:41:27,640 Speaker 1: know you you you have responsibilities as a philosopher and 746 00:41:28,000 --> 00:41:31,440 Speaker 1: entrepreneur and a leader and being a vulnerable man yourself, 747 00:41:31,920 --> 00:41:34,640 Speaker 1: Like who is who do you think is responsible? Is 748 00:41:34,680 --> 00:41:38,160 Speaker 1: it the art form, is it the male energy, or 749 00:41:38,239 --> 00:41:44,440 Speaker 1: is it us women? Uh? I don't think anyone is responsible, 750 00:41:44,520 --> 00:41:47,000 Speaker 1: but I think everyone is accountable. I hear the same 751 00:41:47,120 --> 00:41:50,520 Speaker 1: music coming from females as well. I agree. I went 752 00:41:50,640 --> 00:41:53,080 Speaker 1: to a nail salon. I saw nothing but strippers and 753 00:41:53,400 --> 00:41:56,160 Speaker 1: all the girls. I don't I don't think there's a responsibility, 754 00:41:56,280 --> 00:41:59,359 Speaker 1: but there's an accountability. And uh, I think that's one 755 00:41:59,400 --> 00:42:02,279 Speaker 1: of those things. Sad. It's hard to ever be what 756 00:42:02,440 --> 00:42:05,040 Speaker 1: you never see right, A lot of these men that 757 00:42:05,239 --> 00:42:07,960 Speaker 1: make it in hip hop and music, they haven't had 758 00:42:08,160 --> 00:42:13,560 Speaker 1: great examples of leadership or of men that have that 759 00:42:13,719 --> 00:42:16,799 Speaker 1: in them to not fall to desire, or that are 760 00:42:16,960 --> 00:42:21,279 Speaker 1: disciplined or impeccable in their soul or fulfill to where 761 00:42:21,320 --> 00:42:23,560 Speaker 1: they don't need to seek or go get extra and 762 00:42:23,600 --> 00:42:26,560 Speaker 1: the same with women. So I think that's just uh. 763 00:42:26,920 --> 00:42:30,680 Speaker 1: We often ask these artists to build things that they 764 00:42:30,719 --> 00:42:34,600 Speaker 1: don't have the tools to build, right, Like, if you 765 00:42:34,719 --> 00:42:40,040 Speaker 1: go look in their toolbox, it's it's like you want 766 00:42:40,080 --> 00:42:41,960 Speaker 1: them to build a house, you guys. Feel like jay 767 00:42:42,040 --> 00:42:44,200 Speaker 1: Z kind of touched on that in uh. I want 768 00:42:44,239 --> 00:42:46,120 Speaker 1: to say four for four one of the albums like 769 00:42:46,160 --> 00:42:49,839 Speaker 1: where he was the first one to be where we're 770 00:42:49,920 --> 00:42:53,400 Speaker 1: see that, Oh wow, you've upgraded your toolbox, right, But 771 00:42:53,480 --> 00:42:55,560 Speaker 1: a lot of artists don't have that. We're coming out 772 00:42:55,600 --> 00:42:59,360 Speaker 1: of environments that don't nurture that type of behavior or system. 773 00:42:59,440 --> 00:43:02,240 Speaker 1: Like when I was coming up, the older men around 774 00:43:02,280 --> 00:43:05,560 Speaker 1: me was like players do like what you feel me, 775 00:43:05,640 --> 00:43:07,920 Speaker 1: So you grow up embracing that and wanted to be 776 00:43:08,120 --> 00:43:10,360 Speaker 1: like that. That's what you replicate, that's what you know. 777 00:43:10,920 --> 00:43:15,640 Speaker 1: You don't see anyone I've I don't think I've ever 778 00:43:15,719 --> 00:43:18,000 Speaker 1: seen a man that was just so in love and 779 00:43:18,120 --> 00:43:22,160 Speaker 1: revere their family so much and treated the woman so well, 780 00:43:22,680 --> 00:43:24,360 Speaker 1: like they meant the world to me. For me to 781 00:43:24,440 --> 00:43:28,120 Speaker 1: be like, man, that's what I want, right, Very seldom 782 00:43:28,239 --> 00:43:31,000 Speaker 1: do you witness that and experience that. But yet you 783 00:43:31,160 --> 00:43:35,040 Speaker 1: expect someone to conduct themselves in that manner, that's what's 784 00:43:35,080 --> 00:43:38,520 Speaker 1: not gonna happen. That's interesting. So when it comes to 785 00:43:38,560 --> 00:43:43,920 Speaker 1: accountability in your personal life, who holds you accountable? Is it? 786 00:43:44,719 --> 00:43:48,840 Speaker 1: I don't want to answer questions. Um, everyone around me 787 00:43:49,239 --> 00:43:52,440 Speaker 1: in a sense holds me accountable in some way, but 788 00:43:52,640 --> 00:43:56,080 Speaker 1: ultimately me like I have to be. I have to 789 00:43:56,360 --> 00:43:58,440 Speaker 1: be the one that wants to get up every day 790 00:43:58,480 --> 00:44:00,840 Speaker 1: and put in work and be better and want to 791 00:44:00,920 --> 00:44:02,640 Speaker 1: drop my daughter off and pick her up and do 792 00:44:02,800 --> 00:44:06,680 Speaker 1: work and things like that. But everyone around me, from myself, 793 00:44:06,800 --> 00:44:11,640 Speaker 1: my mom, my dad, my daughter, her mother, Tieta, Milli, Testy, everyone, Fani, 794 00:44:11,960 --> 00:44:14,920 Speaker 1: just all of my friends hold me accountable in some aspect. 795 00:44:15,000 --> 00:44:18,240 Speaker 1: They're always in my you know, I can only stoop 796 00:44:18,360 --> 00:44:21,680 Speaker 1: so low sometimes before someone it's like, hey, bro, what 797 00:44:21,840 --> 00:44:25,480 Speaker 1: we're doing? Oh? I like that? I like that? Okay, 798 00:44:26,080 --> 00:44:31,719 Speaker 1: is there anything that your fans or me, I don't 799 00:44:31,760 --> 00:44:39,239 Speaker 1: know about you. Um, I mean everything. I mean, I 800 00:44:39,320 --> 00:44:42,400 Speaker 1: guess you only know the music because you're kind of 801 00:44:42,480 --> 00:44:46,160 Speaker 1: signed a camera on your entrepreneurship. You also do all 802 00:44:46,200 --> 00:44:48,399 Speaker 1: these little I don't want to say little, but these 803 00:44:48,480 --> 00:44:52,239 Speaker 1: gems on social media. Um So when I say is 804 00:44:52,280 --> 00:44:54,880 Speaker 1: there anything we don't know about you? I feel like 805 00:44:55,200 --> 00:44:57,759 Speaker 1: you're It's like you learn a lesson. You're like, let's 806 00:44:57,760 --> 00:45:02,600 Speaker 1: put it out there. What about there really somebody else 807 00:45:02,640 --> 00:45:17,880 Speaker 1: today social battle that I be like, I don't know 808 00:45:17,920 --> 00:45:22,640 Speaker 1: if I want to be personal man real no such thing. 809 00:45:22,920 --> 00:45:25,320 Speaker 1: I've had the realist reals, and I share there's no 810 00:45:25,480 --> 00:45:28,040 Speaker 1: such thing. Because there's a billion people in the world 811 00:45:28,120 --> 00:45:30,480 Speaker 1: and someone's been through exactly what you've been through, and 812 00:45:30,600 --> 00:45:33,359 Speaker 1: they may need your help, right, but you're refusing to help. 813 00:45:33,400 --> 00:45:35,320 Speaker 1: You have all the tools and all the means to 814 00:45:35,400 --> 00:45:38,000 Speaker 1: help them, but you're refusing to do it because of 815 00:45:38,120 --> 00:45:40,719 Speaker 1: your own fear, right, And Like, I don't want to 816 00:45:40,760 --> 00:45:43,360 Speaker 1: deny nobody of that tool. Like I want people to 817 00:45:43,440 --> 00:45:45,480 Speaker 1: be able to grow. If that's going to be through 818 00:45:45,520 --> 00:45:48,400 Speaker 1: me just sharing what I felt or experienced, that's an 819 00:45:48,400 --> 00:45:55,759 Speaker 1: easy call, right do you do? And the the world 820 00:45:55,880 --> 00:45:58,759 Speaker 1: is always a sensitive around this topic, but I'm gonna 821 00:45:58,800 --> 00:46:00,440 Speaker 1: go ahead and throw it out there. But do you 822 00:46:00,800 --> 00:46:04,280 Speaker 1: believe in therapy? Do you do therapy? So I recently 823 00:46:04,360 --> 00:46:07,200 Speaker 1: started therapy, probably a few months back, and I had 824 00:46:07,239 --> 00:46:11,400 Speaker 1: a few sessions, and it's uh cool. I'm not consistent 825 00:46:11,560 --> 00:46:15,000 Speaker 1: with it because I don't feel like, um, I'm gaining 826 00:46:16,040 --> 00:46:19,120 Speaker 1: much from it. But I also had like an expectation 827 00:46:19,239 --> 00:46:20,880 Speaker 1: of what I was supposed to get from it, like 828 00:46:20,960 --> 00:46:23,320 Speaker 1: I'm supposed to be here, like I have a sessions, 829 00:46:23,400 --> 00:46:25,239 Speaker 1: like man, I'm a gold new Man, right, And that's 830 00:46:25,280 --> 00:46:28,040 Speaker 1: not how it happens, and um, for me, I just 831 00:46:28,320 --> 00:46:30,680 Speaker 1: I just realized that it was worth that I need 832 00:46:30,760 --> 00:46:32,719 Speaker 1: to do right. I don't need anyone's help to be 833 00:46:32,800 --> 00:46:34,560 Speaker 1: a better human. I just need to choose to be 834 00:46:34,640 --> 00:46:37,000 Speaker 1: a better human and commit to that. That's not something 835 00:46:37,080 --> 00:46:40,600 Speaker 1: I need to talk to someone about. If you want to, yes, 836 00:46:40,840 --> 00:46:44,760 Speaker 1: But for me personally, it's like I built an entire empire. 837 00:46:45,000 --> 00:46:47,680 Speaker 1: I could definitely build myself as a man, right. I 838 00:46:47,760 --> 00:46:50,120 Speaker 1: don't need anyone's assistant to do that. But I chose. 839 00:46:50,160 --> 00:46:54,040 Speaker 1: I've chosen not to write, I've chosen not to allocate 840 00:46:54,160 --> 00:46:56,440 Speaker 1: my energy towards that, which is the only reason I 841 00:46:56,560 --> 00:46:59,919 Speaker 1: haven't grown in any way that I wish to. It's 842 00:47:00,000 --> 00:47:03,319 Speaker 1: funny you say that because I recently full vulnerability here. 843 00:47:04,680 --> 00:47:08,040 Speaker 1: I recently did try therapy and I kind of felt like, 844 00:47:09,640 --> 00:47:11,799 Speaker 1: oh man, this is gonna sound really shitty for all 845 00:47:11,840 --> 00:47:14,200 Speaker 1: those people that give it. But I felt like, yeah, 846 00:47:14,200 --> 00:47:16,960 Speaker 1: I wasn't getting the response in that I needed, in 847 00:47:17,040 --> 00:47:19,719 Speaker 1: the in the record speed that I needed, And it 848 00:47:19,840 --> 00:47:22,200 Speaker 1: was like I knew the answers, but I just wasn't 849 00:47:22,320 --> 00:47:25,680 Speaker 1: choosing to make the choice that I needed to make. 850 00:47:26,200 --> 00:47:29,560 Speaker 1: And in therapy, it takes so much uprooting of your 851 00:47:29,719 --> 00:47:32,279 Speaker 1: childhood to get to the route that I was like, yo, 852 00:47:32,440 --> 00:47:34,799 Speaker 1: I'm not trying to relive the thing that I ran from, 853 00:47:35,000 --> 00:47:38,080 Speaker 1: like trying to give me PTSD. Like no, I'm good, 854 00:47:38,480 --> 00:47:40,480 Speaker 1: But I do agree with you, and I'm glad you 855 00:47:40,520 --> 00:47:43,320 Speaker 1: were honest about that because people say therapy, therapy, therapy, 856 00:47:43,960 --> 00:47:47,040 Speaker 1: and I actually thought you weren't going to say that 857 00:47:47,200 --> 00:47:51,520 Speaker 1: you do therapy because I low key feel like your 858 00:47:51,600 --> 00:47:56,160 Speaker 1: vulnerability and your lyrics is a form of therapy. Definitely, Definitely, 859 00:47:56,280 --> 00:47:58,520 Speaker 1: that's where I get to get all of that from. 860 00:47:58,680 --> 00:48:01,520 Speaker 1: And someone gets you, man, and like, because I feel 861 00:48:01,520 --> 00:48:06,080 Speaker 1: like Drake every time. Writing and talking really helps. And 862 00:48:06,160 --> 00:48:08,719 Speaker 1: that's the thing about the past, like you saying, and 863 00:48:08,800 --> 00:48:12,200 Speaker 1: that shows you how much how deep your trauma is, 864 00:48:12,400 --> 00:48:15,320 Speaker 1: because you think like speaking about it is reliving it. 865 00:48:15,640 --> 00:48:18,560 Speaker 1: You can't relive the past, right, It's already been lived, 866 00:48:18,640 --> 00:48:21,319 Speaker 1: it's gone. It only exists in your memory. You can't 867 00:48:21,360 --> 00:48:24,880 Speaker 1: relive it. But we when trauma hits in a certain way, 868 00:48:24,920 --> 00:48:27,440 Speaker 1: it makes you feel like you're going through that experience again, 869 00:48:27,600 --> 00:48:29,879 Speaker 1: but it's not. And you really have to work through 870 00:48:29,960 --> 00:48:31,680 Speaker 1: that to get You got to go through it to 871 00:48:31,760 --> 00:48:34,600 Speaker 1: get through it, right, yeah, yeah, Or you can try. 872 00:48:39,040 --> 00:48:42,279 Speaker 1: I don't. I tried my hardest to I believe. I 873 00:48:42,440 --> 00:48:45,439 Speaker 1: tell myself this. Every store at the end of every 874 00:48:45,480 --> 00:48:49,400 Speaker 1: storm is a rainbow. So the faster I don't cope 875 00:48:49,440 --> 00:48:52,759 Speaker 1: through it or the more I do not cope in them, 876 00:48:53,480 --> 00:48:56,640 Speaker 1: the faster I get through the storm. So like, if 877 00:48:56,719 --> 00:48:59,200 Speaker 1: I were to number something, drink, get high, have sex, 878 00:48:59,360 --> 00:49:01,319 Speaker 1: or do what ever it is, go go to the mall, 879 00:49:02,000 --> 00:49:04,719 Speaker 1: look pretty, whatever I gotta do, go to the clubs um. 880 00:49:05,239 --> 00:49:08,200 Speaker 1: If I cope through it, then it's gonna take me 881 00:49:08,400 --> 00:49:11,080 Speaker 1: longer to heal. So if I go through it and 882 00:49:11,239 --> 00:49:15,360 Speaker 1: like blow my girlfriends then to strangers and seven elevens. 883 00:49:15,440 --> 00:49:18,319 Speaker 1: You know whatever, I'm gonna get through it faster even 884 00:49:18,360 --> 00:49:20,600 Speaker 1: though it's gonna hurt, like you know what I'm saying. 885 00:49:21,480 --> 00:49:25,640 Speaker 1: So definitely, you definitely prolonged the healing process as you 886 00:49:26,200 --> 00:49:29,480 Speaker 1: as you add, right, every every twinky you eat just 887 00:49:29,880 --> 00:49:32,239 Speaker 1: makes you closer to the opposite end of where you 888 00:49:32,320 --> 00:49:34,719 Speaker 1: want to be, right, and that that's how it is, 889 00:49:34,840 --> 00:49:37,439 Speaker 1: or everything. Every time you do another act that goes 890 00:49:37,520 --> 00:49:39,920 Speaker 1: against what you want to be, you're just adding it. 891 00:49:40,280 --> 00:49:44,000 Speaker 1: Because the thing with with how the human system work 892 00:49:44,120 --> 00:49:46,080 Speaker 1: is the more you do something, the better you get 893 00:49:46,120 --> 00:49:49,120 Speaker 1: at it, right, So the more you live out, the 894 00:49:49,239 --> 00:49:52,160 Speaker 1: better you get at it. Some people are phenomenal cheaters, 895 00:49:52,360 --> 00:49:54,960 Speaker 1: and it's because they do it a whole lot, right, 896 00:49:55,080 --> 00:49:57,719 Speaker 1: So every time you do it, you're getting better at it, 897 00:49:57,840 --> 00:50:00,200 Speaker 1: which means it's going to take a lot long ger 898 00:50:00,400 --> 00:50:02,800 Speaker 1: to get better in the other direction because you're so 899 00:50:03,000 --> 00:50:05,200 Speaker 1: exceptional at what you do. If you lie a lot, 900 00:50:05,280 --> 00:50:08,000 Speaker 1: you're exceptional, it's gonna take you a lot to become 901 00:50:08,280 --> 00:50:12,759 Speaker 1: someone who tells the truth exceptionally. Right. That's that's deep, 902 00:50:13,520 --> 00:50:15,920 Speaker 1: that's deep. But I think at the end of the day. Um. 903 00:50:16,800 --> 00:50:18,879 Speaker 1: I mean, I personally give people a lot of grace. 904 00:50:18,920 --> 00:50:20,719 Speaker 1: I'm one of those people that you can literally push 905 00:50:20,800 --> 00:50:22,440 Speaker 1: me off my seat and be like, I was just 906 00:50:22,560 --> 00:50:25,040 Speaker 1: angry my bad plan. So I'll be like, oh no, 907 00:50:25,160 --> 00:50:28,640 Speaker 1: it's okay. Get But now I'm at the place where 908 00:50:28,680 --> 00:50:30,200 Speaker 1: it's like, I get it, you're angry. I just don't 909 00:50:30,200 --> 00:50:32,839 Speaker 1: want to sit next to you anymore. Take your anger 910 00:50:32,880 --> 00:50:36,560 Speaker 1: out on the flowers over there, you know. But it's 911 00:50:36,600 --> 00:50:38,440 Speaker 1: a pleasure to have you. I know, we kind of 912 00:50:38,800 --> 00:50:41,440 Speaker 1: we're all over the space. Um, I really would like 913 00:50:41,520 --> 00:50:44,400 Speaker 1: to go to your show tonight. I do have some plans, 914 00:50:44,480 --> 00:50:46,879 Speaker 1: but I'm gonna pivot and I'm and I'm a mother now, 915 00:50:47,040 --> 00:50:50,680 Speaker 1: so trust me, everything is like a babysitter, babysitter, nanny, babysitter. 916 00:50:51,000 --> 00:50:53,399 Speaker 1: It's like any amount of freedom costs you have to come. 917 00:50:53,480 --> 00:50:56,960 Speaker 1: This is gonna be special. I'm definitely gonna come. I 918 00:50:57,200 --> 00:51:00,359 Speaker 1: am a true fan. I have so much ad ration 919 00:51:00,520 --> 00:51:03,120 Speaker 1: for the way you run your businesses, how everyone gets 920 00:51:03,160 --> 00:51:05,320 Speaker 1: to buy and how everyone gets an option to invest, 921 00:51:05,440 --> 00:51:09,000 Speaker 1: and how you partner and do this restaurant where it's 922 00:51:09,000 --> 00:51:14,080 Speaker 1: like pay what you what you want, which is brilliant 923 00:51:14,360 --> 00:51:17,279 Speaker 1: and it's just something that a lot of artists aren't doing, 924 00:51:18,080 --> 00:51:20,280 Speaker 1: you know. And I love the vulnerability and your lyrics. 925 00:51:20,320 --> 00:51:23,719 Speaker 1: So I'm truly thankful that we finally got you on 926 00:51:23,800 --> 00:51:28,359 Speaker 1: the show. Um, thank you all listeners for checking out 927 00:51:28,400 --> 00:51:31,640 Speaker 1: another episode of Eating Wow Broke. I'm your host, coly 928 00:51:31,680 --> 00:51:34,200 Speaker 1: Wit and today we have wrestle in the building. Where 929 00:51:34,239 --> 00:51:38,320 Speaker 1: can they find your Like your Instagram handle? What's your Instagram? 930 00:51:38,480 --> 00:51:41,320 Speaker 1: I'm at Larussell on everything l A r U s 931 00:51:41,440 --> 00:51:44,120 Speaker 1: AS E L L. You can find me on social 932 00:51:44,239 --> 00:51:49,480 Speaker 1: media on DSPs, at home in Valeo, walking around. So 933 00:51:49,600 --> 00:51:52,560 Speaker 1: you don't, oh, you stay in the Bay, I stay home. 934 00:51:53,280 --> 00:51:56,160 Speaker 1: I live where I'm from and I'm there every day. 935 00:51:56,280 --> 00:51:58,520 Speaker 1: I'm taking my daughter to school, I'm begging her up, 936 00:51:58,600 --> 00:52:02,520 Speaker 1: and Momo's checking in on people. I'm around. I'm at home. 937 00:52:03,120 --> 00:52:06,000 Speaker 1: They when they told me that I got you, it 938 00:52:06,120 --> 00:52:08,239 Speaker 1: was like I had like two days notice, like you 939 00:52:08,280 --> 00:52:11,319 Speaker 1: know or whatever. And I was like negotiating with the team. 940 00:52:11,320 --> 00:52:13,520 Speaker 1: Everyone's scheduled. There's like four people that have to all 941 00:52:13,600 --> 00:52:18,320 Speaker 1: online schedules, and there was a hiccup and I'm like 942 00:52:18,360 --> 00:52:20,400 Speaker 1: going back and forth, like yo, do you think we 943 00:52:20,560 --> 00:52:25,320 Speaker 1: can push back and we're all like, no, it's not 944 00:52:25,520 --> 00:52:28,560 Speaker 1: worth it. Think we got an hour, let's take it. 945 00:52:29,239 --> 00:52:31,239 Speaker 1: But thank you and thanks for feeding me. You and 946 00:52:31,360 --> 00:52:34,200 Speaker 1: I both agree. You know, moving forward, we could do eggs, 947 00:52:34,239 --> 00:52:40,680 Speaker 1: but maybe on not bread thunder garlic bread Yeah, beautiful. 948 00:53:01,400 --> 00:53:07,719 Speaker 1: Keep keeper for more eating while broke from I Heart 949 00:53:07,800 --> 00:53:10,759 Speaker 1: Radio and The Black Effect, visit the I Heart Radio app, 950 00:53:10,880 --> 00:53:13,920 Speaker 1: Apple podcast, or wherever you listen to your favorite shows