1 00:00:01,160 --> 00:00:04,240 Speaker 1: Welcome to the iHeartRadio and Coast to Coast AM paranormal 2 00:00:04,280 --> 00:00:07,560 Speaker 1: podcast network. Now get ready for us Strange Things with 3 00:00:07,720 --> 00:00:08,720 Speaker 1: Joshua P. Warre. 4 00:00:13,920 --> 00:00:17,200 Speaker 2: Welcome to our podcast. Please be aware the thoughts and 5 00:00:17,280 --> 00:00:21,239 Speaker 2: opinions expressed by the host are their thoughts and opinions 6 00:00:21,280 --> 00:00:26,480 Speaker 2: only and do not reflect those of iHeartMedia, iHeartRadio, Coast 7 00:00:26,480 --> 00:00:30,920 Speaker 2: to Coast AM, employees of Premiere Networks, or their sponsors 8 00:00:30,960 --> 00:00:34,159 Speaker 2: and associates. We would like to encourage you to do 9 00:00:34,200 --> 00:00:55,480 Speaker 2: your own research and discover the subject matter for yourself. 10 00:00:55,840 --> 00:01:01,280 Speaker 1: Ready to be amazed by the wizard of Weird This 11 00:01:01,440 --> 00:01:10,400 Speaker 1: with Joshua Warren. I am Joshua pe Warren, and each 12 00:01:10,400 --> 00:01:12,759 Speaker 1: week on this show, I'll be bringing you brand new 13 00:01:12,800 --> 00:01:17,360 Speaker 1: mind blowing content, news exercises, and weird in experiments you 14 00:01:17,400 --> 00:01:20,880 Speaker 1: can do at home, and a lot more. On this 15 00:01:21,120 --> 00:01:27,720 Speaker 1: edition of the show. Mars Attacks Watching a building implosion 16 00:01:27,959 --> 00:01:33,839 Speaker 1: in Las Vegas. Yes days ago, I had a front 17 00:01:34,120 --> 00:01:40,600 Speaker 1: row seat to a demolition of a big building here 18 00:01:40,640 --> 00:01:45,480 Speaker 1: in Vegas via implosion. That's where they put all these 19 00:01:45,520 --> 00:01:50,400 Speaker 1: explosives in these particular areas around a structure, and when 20 00:01:50,400 --> 00:01:53,880 Speaker 1: they set the explosives off the building doesn't fly out 21 00:01:53,920 --> 00:01:58,560 Speaker 1: all over the place. It crumbles in on itself, and 22 00:01:58,720 --> 00:02:04,440 Speaker 1: it's a very dramatic sign. Obviously, probably the biggest explosion 23 00:02:04,680 --> 00:02:09,600 Speaker 1: or the biggest explosive event that you can see without 24 00:02:09,720 --> 00:02:14,640 Speaker 1: going to war or maybe to some kind of mining operation. 25 00:02:16,480 --> 00:02:21,960 Speaker 1: And what's especially interesting about this is some of my 26 00:02:22,040 --> 00:02:28,840 Speaker 1: favorite movies are Pee Wee's Big Adventure or nineteen eighty 27 00:02:28,960 --> 00:02:34,560 Speaker 1: nine's Batman with Michael Keaton and Jack Nicholson, or ed 28 00:02:34,680 --> 00:02:38,840 Speaker 1: Wood with Johnny Depp, or The Nightmare Before Christmas. Do 29 00:02:38,919 --> 00:02:42,800 Speaker 1: you see a pattern here? These are all movies that 30 00:02:42,880 --> 00:02:48,880 Speaker 1: were directed by Tim Burton, and Tim Burton is currently 31 00:02:49,080 --> 00:02:53,000 Speaker 1: sixty six years old. He spent a lot of time 32 00:02:53,080 --> 00:02:56,720 Speaker 1: when he was young, apparently visiting Las Vegas. He was 33 00:02:56,720 --> 00:03:02,320 Speaker 1: born in California, and as the young man, he was 34 00:03:02,960 --> 00:03:05,760 Speaker 1: always coming to Vegas and he liked to stay at 35 00:03:05,800 --> 00:03:12,160 Speaker 1: this hotel casino called the Landmark, and he was upset 36 00:03:12,320 --> 00:03:15,280 Speaker 1: when they announced in nineteen ninety five they were going 37 00:03:15,320 --> 00:03:19,359 Speaker 1: to demolish the Landmark by way of implosion. And the Landmark, 38 00:03:19,400 --> 00:03:22,320 Speaker 1: by the way, if you've never seen it, it looks 39 00:03:22,360 --> 00:03:26,560 Speaker 1: a lot like the Strat looks today. It's a very 40 00:03:26,600 --> 00:03:30,200 Speaker 1: similar design. So he was upset that they were going 41 00:03:30,240 --> 00:03:32,520 Speaker 1: to destroy it, but you know, being a resourceful man, 42 00:03:33,080 --> 00:03:35,720 Speaker 1: Tim Burton said, well, I want to send a film 43 00:03:35,760 --> 00:03:40,000 Speaker 1: crew there to properly document the implosion of this building 44 00:03:40,240 --> 00:03:42,840 Speaker 1: so I can use it in my upcoming film called 45 00:03:43,320 --> 00:03:48,960 Speaker 1: Mars Attacks. And that's exactly what happened. He had a 46 00:03:48,960 --> 00:03:52,720 Speaker 1: professional film crew from I guess it was probably Warner Brothers. 47 00:03:52,760 --> 00:03:56,520 Speaker 1: I want to say, yep, Warner Brothers that went there 48 00:03:56,640 --> 00:04:00,880 Speaker 1: and filmed the Landmark being imploded. And then if you've 49 00:04:00,920 --> 00:04:03,680 Speaker 1: ever seen Mars Attacks, that's in nineteen ninety six. They 50 00:04:03,760 --> 00:04:08,160 Speaker 1: call it a black comedy science fiction film. It had 51 00:04:08,400 --> 00:04:13,200 Speaker 1: Jack Nicholson, Glenn Close, Annette Binning, Pierce Brosnan, Danny DeVito, 52 00:04:14,280 --> 00:04:18,520 Speaker 1: Martin Short, Sarah Jessica Parker, Michael J. Fox. I mean, 53 00:04:18,760 --> 00:04:23,400 Speaker 1: the list goes on, and it's been a long time 54 00:04:23,400 --> 00:04:26,960 Speaker 1: since I've seen that movie, but there is a scene 55 00:04:26,960 --> 00:04:29,840 Speaker 1: where there's some kind of a meeting happening inside of 56 00:04:29,880 --> 00:04:32,680 Speaker 1: what appears to be the Landmark Hotel and then it 57 00:04:32,720 --> 00:04:35,599 Speaker 1: gets zapped by aliens and it crumbles, and that's real footage. 58 00:04:35,640 --> 00:04:38,599 Speaker 1: And the Landmark was actually used in a variety of 59 00:04:38,800 --> 00:04:42,760 Speaker 1: other movies that that implosion footage popped up in other 60 00:04:42,800 --> 00:04:47,160 Speaker 1: films as well. But one reason that that's especially interesting 61 00:04:47,200 --> 00:04:52,160 Speaker 1: to me is because if you come to my house 62 00:04:52,680 --> 00:04:58,080 Speaker 1: in Las Vegas, even when it's not Halloween time, there 63 00:04:58,240 --> 00:05:03,200 Speaker 1: is an alien. It's the alien from Mars Attacks standing 64 00:05:03,240 --> 00:05:06,159 Speaker 1: there with the clear dome over its head and the 65 00:05:06,240 --> 00:05:09,280 Speaker 1: ray gun. It's in the corner of my living room. 66 00:05:09,360 --> 00:05:15,359 Speaker 1: It's taller than I am, and it's an animatronic. So 67 00:05:16,440 --> 00:05:20,400 Speaker 1: at least subconsciously, I think about Mars Attacks every day. 68 00:05:20,880 --> 00:05:24,599 Speaker 1: And frankly, the movie was not that great. I just 69 00:05:24,680 --> 00:05:27,400 Speaker 1: must say. It's not one of my favorite Tim Burton films, 70 00:05:27,600 --> 00:05:29,960 Speaker 1: but it is interesting that it was filmed all around 71 00:05:30,080 --> 00:05:35,040 Speaker 1: Las Vegas. So there's this connection between building demolitions and 72 00:05:35,279 --> 00:05:37,640 Speaker 1: Tim Burton, one of my favorite directors, in this thing 73 00:05:37,640 --> 00:05:40,000 Speaker 1: in my living room, and the course the whole alien stuff. 74 00:05:40,200 --> 00:05:42,920 Speaker 1: But what it's even odder about this perhaps is that 75 00:05:44,200 --> 00:05:46,640 Speaker 1: you know, Lauren and I have been together for twenty 76 00:05:46,720 --> 00:05:51,159 Speaker 1: seven years, and for some reason, I don't know why, 77 00:05:51,240 --> 00:05:54,560 Speaker 1: when I met her, she told me early on someday, 78 00:05:54,680 --> 00:05:57,679 Speaker 1: you know what I'd love to see? What's that I'd 79 00:05:57,720 --> 00:06:00,760 Speaker 1: love to see one of those big buildings being demolished 80 00:06:01,200 --> 00:06:05,880 Speaker 1: by implosion in Las Vegas, and I thought that's an 81 00:06:05,920 --> 00:06:09,160 Speaker 1: odd thing for a person to want to see. But okay. 82 00:06:09,440 --> 00:06:11,839 Speaker 1: She later told me that she thinks maybe she and 83 00:06:11,880 --> 00:06:15,840 Speaker 1: her brother watched some documentary about implosions when there were 84 00:06:15,920 --> 00:06:18,200 Speaker 1: kids or something, and she has some fascination with it. 85 00:06:18,279 --> 00:06:22,760 Speaker 1: So I just cut me obviously. I thought, well, maybe 86 00:06:22,800 --> 00:06:26,360 Speaker 1: someday that will that opportunity will present itself. Well, sure enough, 87 00:06:28,120 --> 00:06:33,080 Speaker 1: just recently they announced that this giant hotel casino in 88 00:06:33,160 --> 00:06:38,240 Speaker 1: Las Vegas called The Tropicana was to be destroyed by implosion. 89 00:06:38,800 --> 00:06:43,640 Speaker 1: The Tropicana it was originally built there, let's see, nineteen 90 00:06:43,760 --> 00:06:47,880 Speaker 1: fifty seven. By the time it closed down, it occupied 91 00:06:47,960 --> 00:06:52,640 Speaker 1: thirty five acres and had one four hundred and sixty 92 00:06:52,640 --> 00:06:57,080 Speaker 1: seven rooms. Big old place, I mean, a classic legendary place. 93 00:06:57,120 --> 00:07:00,839 Speaker 1: There's a road called Tropicana Avenue that runs right cross Vegas, 94 00:07:00,839 --> 00:07:04,480 Speaker 1: and people use Tropicana as a reference point for their directions. 95 00:07:05,720 --> 00:07:08,000 Speaker 1: But if you've listened to the show for a while, 96 00:07:08,000 --> 00:07:09,760 Speaker 1: you may have heard me talk about how that Vegas 97 00:07:09,800 --> 00:07:14,320 Speaker 1: is becoming a big sports destination. For example, the loss 98 00:07:14,680 --> 00:07:18,040 Speaker 1: let's see the Los Angeles Raiders, the LA Raiders, the 99 00:07:18,040 --> 00:07:22,160 Speaker 1: football team. They moved to Vegas. So they are now 100 00:07:22,160 --> 00:07:28,280 Speaker 1: the Las Vegas Raiders. And here's the next thing. The 101 00:07:28,320 --> 00:07:33,760 Speaker 1: Oakland A's in Oakland, California. That's a major League baseball team. 102 00:07:34,960 --> 00:07:39,440 Speaker 1: They have decided to leave Oakland, California and move to Vegas. 103 00:07:39,680 --> 00:07:43,080 Speaker 1: If you've ever seen that movie Moneyball with Brad Pitt, 104 00:07:43,080 --> 00:07:46,119 Speaker 1: it's about the Oakland A's. That's a very good movie, 105 00:07:46,120 --> 00:07:50,680 Speaker 1: by the way. So sure enough, Oakland A's are moving here, 106 00:07:50,760 --> 00:07:53,800 Speaker 1: and they decided that they wanted to build a stadium 107 00:07:53,880 --> 00:07:57,640 Speaker 1: on that property where the Tropicana was sitting. And there 108 00:07:57,680 --> 00:08:00,000 Speaker 1: was a lot of wheeling and dilling, and sure enough 109 00:08:00,160 --> 00:08:02,560 Speaker 1: they made a deal to get the property, and so 110 00:08:02,640 --> 00:08:06,080 Speaker 1: the tropicanic closed down. The experts went in there, they 111 00:08:06,080 --> 00:08:08,360 Speaker 1: gutted it. They took out all the asbestos and all 112 00:08:08,360 --> 00:08:10,880 Speaker 1: that kind of stuff, and then all that was remaining 113 00:08:11,040 --> 00:08:14,480 Speaker 1: was that the concrete skeleton of this thing. And so 114 00:08:15,080 --> 00:08:19,800 Speaker 1: days ago they decided to blow it up. Now, one 115 00:08:19,800 --> 00:08:23,200 Speaker 1: of my friends here in Vegas is a famous magician 116 00:08:23,480 --> 00:08:28,360 Speaker 1: named Murray Salchuk, And I mean he's the kind of 117 00:08:28,360 --> 00:08:30,440 Speaker 1: guy like when you're driving down the Vegas Strip, you 118 00:08:30,520 --> 00:08:32,800 Speaker 1: look up and there's a billboard and there's Murray there. 119 00:08:33,360 --> 00:08:36,360 Speaker 1: He's got this big shock of bleach blonde hair and 120 00:08:36,400 --> 00:08:39,360 Speaker 1: he wears thick black glasses. He's very memorable looking guy. 121 00:08:39,960 --> 00:08:42,640 Speaker 1: He was on America's Got Talent. He's been all over TV. 122 00:08:42,720 --> 00:08:44,400 Speaker 1: He's been doing this a long time. He's in his 123 00:08:44,440 --> 00:08:47,360 Speaker 1: fifties now, been doing this stuff since he was a kid. 124 00:08:47,400 --> 00:08:52,040 Speaker 1: As a matter of fact, the podcast that I used 125 00:08:52,040 --> 00:08:55,000 Speaker 1: to do was called Joshua Pee Warren Day. I still 126 00:08:55,040 --> 00:08:58,520 Speaker 1: occasionally will post little special things on that feed. But 127 00:08:58,600 --> 00:09:00,560 Speaker 1: if you go to if you just go to Google 128 00:09:00,559 --> 00:09:03,840 Speaker 1: and you look up Joshua P. Warren Daily and you 129 00:09:03,960 --> 00:09:08,959 Speaker 1: find there's hundreds of episodes. I interviewed Murray on an 130 00:09:09,000 --> 00:09:12,679 Speaker 1: episode that let's see was posted on June fifth of 131 00:09:12,760 --> 00:09:18,360 Speaker 1: twenty eighteen. It's called I Interviewed Murray the Magician. I 132 00:09:18,400 --> 00:09:23,360 Speaker 1: met Murray probably in twenty eighteen because we were working 133 00:09:23,440 --> 00:09:27,440 Speaker 1: on a television project together and I won't get to 134 00:09:27,480 --> 00:09:29,680 Speaker 1: the details of that, but we shot a sizzle for 135 00:09:29,720 --> 00:09:32,400 Speaker 1: a TV show and the show didn't get picked up. 136 00:09:32,400 --> 00:09:35,719 Speaker 1: But anyway, since then, you know, we've remained friends. And 137 00:09:35,840 --> 00:09:37,880 Speaker 1: Murray is one of those guys who just has this 138 00:09:38,080 --> 00:09:43,199 Speaker 1: endless supply of energy he's a huge socialite. He travels 139 00:09:43,240 --> 00:09:44,960 Speaker 1: the world performing and then he comes home and he 140 00:09:45,000 --> 00:09:48,400 Speaker 1: throws these big parties and invites you know, all the 141 00:09:48,400 --> 00:09:53,720 Speaker 1: the who's who in Vegas to these parties. And I 142 00:09:53,920 --> 00:09:59,240 Speaker 1: just so happened to be on I think it was Facebook, 143 00:10:00,320 --> 00:10:02,840 Speaker 1: and this is a few months ago, and Murray the 144 00:10:02,880 --> 00:10:07,959 Speaker 1: Magician he posted that he was thinking about throwing a 145 00:10:08,160 --> 00:10:13,600 Speaker 1: demolition party. And that's because when I met Murray, he 146 00:10:13,880 --> 00:10:17,440 Speaker 1: was performing at Planet Hollywood on the Strip, but then 147 00:10:17,480 --> 00:10:20,760 Speaker 1: they changed things around there and Murray switched to the Tropicana. 148 00:10:21,480 --> 00:10:26,200 Speaker 1: So Murray did this nightly show at the Tropicana for years, 149 00:10:26,800 --> 00:10:30,280 Speaker 1: all the way up to the end. So he's very 150 00:10:30,400 --> 00:10:34,040 Speaker 1: intimately connected with his property. So he wanted to see 151 00:10:34,040 --> 00:10:37,000 Speaker 1: it go down in style, and he said, I'm thinking 152 00:10:37,000 --> 00:10:41,720 Speaker 1: about throwing this party called drop the trop And the 153 00:10:41,800 --> 00:10:45,360 Speaker 1: idea was that right next to the Tropicana is the 154 00:10:45,480 --> 00:10:50,320 Speaker 1: MGM Grand and he was going to rent this big 155 00:10:50,480 --> 00:10:54,080 Speaker 1: what they call a patio suite and we would all 156 00:10:54,200 --> 00:10:59,000 Speaker 1: chip in if we were invited. And then basically the 157 00:10:59,040 --> 00:11:01,040 Speaker 1: idea was we throw a big, you know, just a 158 00:11:01,040 --> 00:11:03,720 Speaker 1: big party. We go out there on the patio and 159 00:11:03,840 --> 00:11:08,400 Speaker 1: we watched this building collapse right before our eyes as 160 00:11:08,440 --> 00:11:14,800 Speaker 1: a big dramatic special treat. And so I immediately told Murray, 161 00:11:14,840 --> 00:11:18,640 Speaker 1: I said, count me in. And I just knew that 162 00:11:18,720 --> 00:11:22,320 Speaker 1: Lauren was gonna be thrilled, just tickled, because you know, 163 00:11:22,360 --> 00:11:24,480 Speaker 1: it's I figured it was gonna be kind of hard 164 00:11:24,520 --> 00:11:26,640 Speaker 1: to get good access to something like that, and I 165 00:11:26,640 --> 00:11:28,200 Speaker 1: figured if anybody would know how to do it, to 166 00:11:28,240 --> 00:11:31,640 Speaker 1: be Murray the Magician. Okay, when we come back, I'm 167 00:11:31,640 --> 00:11:34,040 Speaker 1: gonna tell you what happened that night. It was a 168 00:11:34,040 --> 00:11:38,240 Speaker 1: little more interesting and odd and in some ways bizarre 169 00:11:38,280 --> 00:11:42,920 Speaker 1: than you might be thinking to watch something to watch 170 00:11:43,000 --> 00:11:49,719 Speaker 1: history unfold like that, explosively and implosively right before your eyes. Hey, 171 00:11:49,760 --> 00:11:52,200 Speaker 1: you know what, this is a free show. If you 172 00:11:52,400 --> 00:11:55,840 Speaker 1: like it, go take advantage of all the amenities and 173 00:11:55,840 --> 00:12:00,720 Speaker 1: support the show. Go to Joshua Pwarren dot com. Go 174 00:12:00,800 --> 00:12:04,440 Speaker 1: to the Curiosity Shop, buy something nice for yourself or 175 00:12:04,480 --> 00:12:06,320 Speaker 1: a loved one. There are things there that you will 176 00:12:06,320 --> 00:12:08,600 Speaker 1: not find anywhere else in the world, I promise you. 177 00:12:08,960 --> 00:12:15,960 Speaker 1: And also, I am about to release some updates on 178 00:12:16,080 --> 00:12:20,720 Speaker 1: some money magic secrets that have been working very well 179 00:12:20,760 --> 00:12:22,880 Speaker 1: for me, and you'll get them for free if you 180 00:12:22,920 --> 00:12:26,880 Speaker 1: sign up for my free e newsletter right through on 181 00:12:26,960 --> 00:12:29,400 Speaker 1: the homepage. Put your email address in there takes you 182 00:12:29,440 --> 00:12:32,840 Speaker 1: two seconds hit submit. You'll you'll receive an automated email 183 00:12:32,840 --> 00:12:36,160 Speaker 1: from me that's already got some free online instant gifts. 184 00:12:36,559 --> 00:12:39,439 Speaker 1: But then I'm going to be updating you soon with 185 00:12:39,480 --> 00:12:44,280 Speaker 1: some other goodies. Joshua Pwarren dot com. That's me. I'm 186 00:12:44,320 --> 00:12:47,840 Speaker 1: Joshua Pee Warren. And you're listening to Strange Things on 187 00:12:47,880 --> 00:12:52,120 Speaker 1: the iHeartRadio and Coast to Coast Damn Paranormal Podcast Network, 188 00:12:52,400 --> 00:13:31,080 Speaker 1: and I will be right back. Welcome back to Strange 189 00:13:31,640 --> 00:13:36,760 Speaker 1: Things on the iHeartRadio and Coast to Coast am Paranormal 190 00:13:36,800 --> 00:13:39,720 Speaker 1: Podcast Network. I am your host, a wizard of weird, 191 00:13:40,120 --> 00:13:44,360 Speaker 1: Joshua P. Warren, beaming into your wormhole brain from my 192 00:13:44,440 --> 00:13:48,800 Speaker 1: studio in Sin City, Las Vegas, Nevada, where every day 193 00:13:48,880 --> 00:13:55,000 Speaker 1: is golden and every unit is silver. Gietato Zume. It 194 00:13:55,160 --> 00:14:00,560 Speaker 1: is amazing how quickly this city grows. It just it 195 00:14:00,600 --> 00:14:02,760 Speaker 1: grows at light speed. There are more and more people 196 00:14:02,800 --> 00:14:07,040 Speaker 1: here every year. They make more money every year. I 197 00:14:07,160 --> 00:14:11,920 Speaker 1: have lived here going on seven years now, and of 198 00:14:12,360 --> 00:14:14,160 Speaker 1: course a little over two and a half years ago 199 00:14:14,200 --> 00:14:16,560 Speaker 1: I finally bought a house I was renting up until then. 200 00:14:17,240 --> 00:14:22,040 Speaker 1: I bought a house and very nice neighborhood, but there 201 00:14:22,080 --> 00:14:24,600 Speaker 1: really wasn't much around here when I bought the house. 202 00:14:24,960 --> 00:14:28,200 Speaker 1: And now two and a half years later, there is 203 00:14:28,400 --> 00:14:36,200 Speaker 1: this huge, luxurious casino which is basically on one side 204 00:14:36,240 --> 00:14:41,360 Speaker 1: of me. I could practically walk to it. And now 205 00:14:42,280 --> 00:14:45,120 Speaker 1: on the other side of me, they're building a big, 206 00:14:45,320 --> 00:14:53,480 Speaker 1: fancy church. And so I'm between a casino and a church. 207 00:14:53,640 --> 00:14:55,960 Speaker 1: It's like having the devil on one shoulder and the 208 00:14:56,000 --> 00:14:58,400 Speaker 1: angel on the other. Let me tell you something, though, 209 00:14:58,520 --> 00:15:02,800 Speaker 1: this better be a really fun church, because over here 210 00:15:02,840 --> 00:15:08,920 Speaker 1: I got bars and food and gambling, even the Ladies' 211 00:15:09,040 --> 00:15:12,400 Speaker 1: night if you know what I mean, guys, I mean, 212 00:15:12,440 --> 00:15:16,480 Speaker 1: if you're not married or you can go to church. 213 00:15:18,440 --> 00:15:22,680 Speaker 1: And honestly, they're already off to a bad start because 214 00:15:23,040 --> 00:15:25,240 Speaker 1: the church isn't even built, and yet they have people 215 00:15:25,320 --> 00:15:30,560 Speaker 1: running around the neighborhood putting these little tags on people's 216 00:15:30,600 --> 00:15:34,560 Speaker 1: door knobs of their cars and houses announcing the church. 217 00:15:34,600 --> 00:15:36,280 Speaker 1: It's like, so you're already off to a bad start, 218 00:15:36,360 --> 00:15:40,800 Speaker 1: leaving trash on my doorstep. I don't want to say 219 00:15:40,840 --> 00:15:44,040 Speaker 1: what kind of church it is, but it's not a 220 00:15:44,120 --> 00:15:47,400 Speaker 1: Catholic Church. I actually kind of wish that it was 221 00:15:47,480 --> 00:15:52,520 Speaker 1: a Catholic church because Catholics are just so creepy and cool. 222 00:15:53,520 --> 00:15:55,680 Speaker 1: You can go to a Catholic church and you can 223 00:15:55,720 --> 00:16:01,280 Speaker 1: get holy water there that you can square on vampires 224 00:16:01,400 --> 00:16:07,760 Speaker 1: and werewolves. Yeah, you can confess all your sins leave 225 00:16:07,800 --> 00:16:12,600 Speaker 1: there with a clean conscience. I think the Catholic Church 226 00:16:12,680 --> 00:16:18,239 Speaker 1: is kind of like the Marvel expanded universe of US religions, 227 00:16:18,400 --> 00:16:21,360 Speaker 1: don't you think. I mean, there's these they have all 228 00:16:21,360 --> 00:16:25,880 Speaker 1: these saints that are like superheroes. This is the Saint 229 00:16:25,920 --> 00:16:31,200 Speaker 1: of chefs, this is the Saint of comedians. I wonder 230 00:16:31,200 --> 00:16:34,720 Speaker 1: if there's a Saint of broadcasters. I bet there is. 231 00:16:35,200 --> 00:16:39,560 Speaker 1: I here's the extent of my exposure to the Catholic Church. 232 00:16:41,560 --> 00:16:45,560 Speaker 1: When I was a teenager, I dated a girl who 233 00:16:45,640 --> 00:16:47,680 Speaker 1: was Catholic for a while, and I'm by Catholic, I 234 00:16:47,680 --> 00:16:53,440 Speaker 1: mean like really Catholic. She was from South America, and 235 00:16:53,560 --> 00:16:56,400 Speaker 1: so that's where I kind of got my first real 236 00:16:57,040 --> 00:16:59,600 Speaker 1: taste of what you know, mass and all that kind 237 00:16:59,600 --> 00:17:04,440 Speaker 1: of stuff like in the Catholic Church. And then over 238 00:17:04,480 --> 00:17:09,200 Speaker 1: the years I've had like, well, for what one time, 239 00:17:09,600 --> 00:17:13,280 Speaker 1: when I was I was a young man, and I 240 00:17:13,320 --> 00:17:17,760 Speaker 1: was about to go investigate this house that was where 241 00:17:17,800 --> 00:17:20,880 Speaker 1: supposedly demonic activity was taking place, and the woman there 242 00:17:20,920 --> 00:17:22,840 Speaker 1: claimed that she would get possessed and this sort of thing. 243 00:17:23,240 --> 00:17:25,320 Speaker 1: So one of my friends took me to this big, 244 00:17:25,320 --> 00:17:28,479 Speaker 1: grand Catholic church and we actually went into this little 245 00:17:28,480 --> 00:17:33,280 Speaker 1: house next door where the priest lived, like the head priest, 246 00:17:35,440 --> 00:17:40,040 Speaker 1: and we sat down in his office and he was 247 00:17:40,080 --> 00:17:44,240 Speaker 1: telling us about how to handle demonic stuff, and he 248 00:17:44,280 --> 00:17:48,280 Speaker 1: gave us some holy water, and so so we went 249 00:17:48,320 --> 00:17:52,720 Speaker 1: to this woman's house and we threw it on her 250 00:17:53,920 --> 00:17:59,840 Speaker 1: and it really ticked her off, so she must have 251 00:18:00,080 --> 00:18:03,560 Speaker 1: had a demon. And then then when I was in 252 00:18:03,640 --> 00:18:08,240 Speaker 1: Puerto Rico, there was an you might have heard me 253 00:18:08,280 --> 00:18:10,879 Speaker 1: talk about, this guy named Michael Rivera who said there 254 00:18:10,920 --> 00:18:13,320 Speaker 1: was a presence living in his house. And so he 255 00:18:13,359 --> 00:18:15,480 Speaker 1: and I went to his priest at the Catholic church 256 00:18:15,520 --> 00:18:17,760 Speaker 1: and he gave us all kinds of tips. It's very 257 00:18:17,760 --> 00:18:19,679 Speaker 1: interesting when you sit down in an office with a 258 00:18:19,720 --> 00:18:25,320 Speaker 1: priest and they start talking very clinically about demons. You know, 259 00:18:25,520 --> 00:18:27,960 Speaker 1: it's like you're in a doctor's office talking about medicine, 260 00:18:27,960 --> 00:18:35,080 Speaker 1: except they're talking very factually about demons. Anyway, let's get 261 00:18:35,119 --> 00:18:42,200 Speaker 1: back to the story. So we're gonna do this demolition party. 262 00:18:42,760 --> 00:18:47,760 Speaker 1: It's called Drop the trop And of course access to 263 00:18:47,800 --> 00:18:52,360 Speaker 1: the Tropicana is pretty limited. But Murray the Magician, he 264 00:18:52,359 --> 00:18:54,920 Speaker 1: he's the man about town here in Vegas. So I 265 00:18:55,000 --> 00:18:56,680 Speaker 1: knew if anybody was going to get us a front 266 00:18:56,720 --> 00:18:59,600 Speaker 1: row seat, it would be Murray the Magician. Of course, 267 00:18:59,600 --> 00:19:02,520 Speaker 1: they had the engineers on the news talking about how that, 268 00:19:03,119 --> 00:19:06,040 Speaker 1: how they're going to arrange this, and I guess the 269 00:19:06,040 --> 00:19:10,120 Speaker 1: head engineer he said, at the moment when these explosives 270 00:19:10,160 --> 00:19:15,879 Speaker 1: go off, it's going to fire these pins or whatever 271 00:19:15,960 --> 00:19:23,399 Speaker 1: into these sensitive joints on this structure at five miles 272 00:19:23,720 --> 00:19:29,639 Speaker 1: per second. Five miles per second. So this is dangerous 273 00:19:29,680 --> 00:19:33,880 Speaker 1: business here, right, And it did cross my mind, Well, 274 00:19:33,880 --> 00:19:37,080 Speaker 1: what if these guys kind of screw up here and 275 00:19:37,160 --> 00:19:40,520 Speaker 1: I'm sitting right there and I get a bolt through 276 00:19:40,520 --> 00:19:43,520 Speaker 1: the skull at five miles per second. Hey, at least 277 00:19:43,520 --> 00:19:45,520 Speaker 1: it'd be instantaneous death. That you know, I can think 278 00:19:45,560 --> 00:19:48,960 Speaker 1: of worse ways to die. I just don't want to 279 00:19:48,960 --> 00:19:53,119 Speaker 1: get like nicked in the elbow or something. Well, Murray, 280 00:19:53,160 --> 00:19:56,480 Speaker 1: sure enough, he follows through and he gets this room 281 00:19:56,520 --> 00:19:58,640 Speaker 1: and he says, we're a go. It's a green light. 282 00:20:00,080 --> 00:20:04,199 Speaker 1: So the day rolls around, they're going to demolish this 283 00:20:04,280 --> 00:20:11,199 Speaker 1: building at two thirty seven am, So yeah, am in 284 00:20:11,200 --> 00:20:14,280 Speaker 1: the middle of the night. On October the ninth of 285 00:20:14,359 --> 00:20:18,480 Speaker 1: twenty twenty four, the news said that there were going 286 00:20:18,520 --> 00:20:21,920 Speaker 1: to be road closures at some point around the hotel, 287 00:20:23,840 --> 00:20:26,680 Speaker 1: and we didn't want to get, of course, like stuck 288 00:20:26,720 --> 00:20:30,480 Speaker 1: in some weird traffic situations. So Lauren and I decided 289 00:20:31,280 --> 00:20:35,000 Speaker 1: that we would go to the MGM Grand about eight 290 00:20:35,000 --> 00:20:37,600 Speaker 1: o'clock because they were saying they weren't going to start 291 00:20:37,600 --> 00:20:40,240 Speaker 1: closing the roads down till maybe eleven or twelve, so 292 00:20:40,600 --> 00:20:42,159 Speaker 1: we could we went there and we would go there 293 00:20:42,160 --> 00:20:46,800 Speaker 1: at eight, have dinner, gamble a little bit because Murray 294 00:20:46,800 --> 00:20:51,119 Speaker 1: said the party would start at ten thirty pm, and 295 00:20:51,200 --> 00:20:53,520 Speaker 1: so that's what we did. We went there. We had 296 00:20:53,520 --> 00:20:56,639 Speaker 1: a really nice dinner at this bar, I think it 297 00:20:56,720 --> 00:21:02,639 Speaker 1: was called Tap Sports Bar, and then we gambled a 298 00:21:02,640 --> 00:21:04,720 Speaker 1: little bit. We were doing well, and then when ten 299 00:21:04,840 --> 00:21:07,399 Speaker 1: thirty rolled around, if you were part of the party, 300 00:21:07,440 --> 00:21:09,600 Speaker 1: you had to meet Murray at the bottom of this 301 00:21:09,680 --> 00:21:12,439 Speaker 1: elevator because he had this swipe. You can't go up 302 00:21:12,440 --> 00:21:15,280 Speaker 1: to room the guest rooms here in Vegas unless you 303 00:21:15,400 --> 00:21:18,840 Speaker 1: swipe your key on the elevator to activate it. So 304 00:21:19,480 --> 00:21:23,680 Speaker 1: we met Murray there about ten thirty and he swiped 305 00:21:23,720 --> 00:21:26,719 Speaker 1: the thing and led us all up there. But he 306 00:21:26,800 --> 00:21:32,760 Speaker 1: also said, listen, there's been a change of plans because 307 00:21:32,840 --> 00:21:36,440 Speaker 1: the original idea was that he was going to have 308 00:21:36,520 --> 00:21:40,479 Speaker 1: this big patio room. And he said he'd hired a 309 00:21:40,520 --> 00:21:43,280 Speaker 1: two piece band and there was going to be a 310 00:21:43,400 --> 00:21:49,000 Speaker 1: bartender there with an open bar and we were and 311 00:21:49,280 --> 00:21:52,880 Speaker 1: some catering, you know, like like food and snacks, I mean, 312 00:21:52,880 --> 00:21:56,960 Speaker 1: a really nice layout. But he said that okay. So 313 00:21:57,000 --> 00:21:58,600 Speaker 1: the idea was we were going to have that with 314 00:21:58,680 --> 00:22:00,440 Speaker 1: a big patio and we would all just kind of 315 00:22:00,480 --> 00:22:04,119 Speaker 1: be mingling going in and out. But at the last minute, 316 00:22:04,160 --> 00:22:09,000 Speaker 1: like three days before this demolition was to take place, 317 00:22:09,119 --> 00:22:13,960 Speaker 1: Clark County, the county here within which we are told 318 00:22:13,960 --> 00:22:18,240 Speaker 1: all the hotels you cannot have patios open, you cannot 319 00:22:18,240 --> 00:22:21,440 Speaker 1: have balconies open. Everybody has to be inside. It's too dangerous. 320 00:22:23,280 --> 00:22:26,760 Speaker 1: So Murray said, he gets up there on the fifteenth 321 00:22:26,800 --> 00:22:29,600 Speaker 1: floor of the MGM Grand and he goes into the 322 00:22:29,640 --> 00:22:32,400 Speaker 1: patio room and he looks out and he's like oh 323 00:22:32,400 --> 00:22:35,719 Speaker 1: my god, we can't even see the Tropicana. It was 324 00:22:35,800 --> 00:22:38,720 Speaker 1: like on the north end. This is going to be 325 00:22:38,760 --> 00:22:42,359 Speaker 1: a disaster. And Murray is a very detail oriented man, 326 00:22:42,440 --> 00:22:47,080 Speaker 1: as all professional magicians are, so here he has I mean, 327 00:22:47,240 --> 00:22:49,040 Speaker 1: I'm sure he laid an egg when he saw this. 328 00:22:49,800 --> 00:22:53,240 Speaker 1: So he goes down he starts talking to the staff saying, 329 00:22:53,840 --> 00:22:55,360 Speaker 1: you know what's going on here. We have to see 330 00:22:55,359 --> 00:22:57,679 Speaker 1: the buildings to drop the trop on it. So they 331 00:22:57,760 --> 00:23:00,199 Speaker 1: ended up saying, here's a second room that we're going 332 00:23:00,200 --> 00:23:03,320 Speaker 1: to give you on the twelfth floor, which is literally 333 00:23:03,440 --> 00:23:07,640 Speaker 1: right there, directly facing the Tropicana. So, in other words, 334 00:23:08,200 --> 00:23:11,840 Speaker 1: the party with the booze and the food and the 335 00:23:11,920 --> 00:23:14,240 Speaker 1: band and all that is going to be on four fifteen. 336 00:23:15,040 --> 00:23:18,640 Speaker 1: But when it comes time for the demolition, everybody goes 337 00:23:18,680 --> 00:23:21,920 Speaker 1: down to floor twelve, where we go into this room 338 00:23:21,960 --> 00:23:24,400 Speaker 1: where we get to pile around and look out these windows, 339 00:23:24,400 --> 00:23:26,800 Speaker 1: and we're all hoping that we actually have a good 340 00:23:26,920 --> 00:23:30,040 Speaker 1: view because now we're indoors and they're going to be 341 00:23:30,080 --> 00:23:34,000 Speaker 1: reflections and we're not sure what's going to happen. So 342 00:23:34,119 --> 00:23:39,440 Speaker 1: we go up to the original party room and it's 343 00:23:39,520 --> 00:23:43,640 Speaker 1: really nice. It's two stories and I was surprised how 344 00:23:43,640 --> 00:23:46,560 Speaker 1: many people were there because Murray said, you can bring 345 00:23:46,600 --> 00:23:48,399 Speaker 1: two people with you, and I only it was just 346 00:23:48,480 --> 00:23:50,800 Speaker 1: I just brought Lauren. It was just Lauren and myself, 347 00:23:50,960 --> 00:23:53,520 Speaker 1: but he said they were about seventy five people altogether. 348 00:23:54,440 --> 00:23:56,360 Speaker 1: So we go into this room and even though it's 349 00:23:56,359 --> 00:23:59,199 Speaker 1: a big, two story room, it is quite hot and 350 00:23:59,240 --> 00:24:02,000 Speaker 1: claustrophobic because this is Vegas, and I really wish that 351 00:24:02,520 --> 00:24:07,000 Speaker 1: we can open that patio up and gone outside. But 352 00:24:08,520 --> 00:24:13,280 Speaker 1: the band was fantastic. The bartender, she had everything you 353 00:24:13,320 --> 00:24:16,960 Speaker 1: could ever want, super nice. There was I mean, a 354 00:24:17,119 --> 00:24:20,920 Speaker 1: really impressive display of food and very snacks all over 355 00:24:20,960 --> 00:24:24,520 Speaker 1: the place. He couldn't have done a better job. And 356 00:24:26,080 --> 00:24:33,320 Speaker 1: not surprisingly, there were celebrities there. Okay, we're up on 357 00:24:33,359 --> 00:24:37,119 Speaker 1: a break. When we come back, I'm going to I'm 358 00:24:37,160 --> 00:24:38,680 Speaker 1: going to tell you a little bit more about what 359 00:24:39,160 --> 00:24:41,200 Speaker 1: happened at these parties. I had kind of an odd 360 00:24:41,200 --> 00:24:46,680 Speaker 1: experience with a celebrity. And then I actually have audio 361 00:24:46,760 --> 00:24:50,840 Speaker 1: that I recorded just for you of the moment when 362 00:24:50,840 --> 00:24:55,640 Speaker 1: this building that was right across the street, this historic building, 363 00:24:56,880 --> 00:25:01,280 Speaker 1: blew all to pieces. You're gonna hear the reaction inside 364 00:25:01,320 --> 00:25:04,000 Speaker 1: the room. I did have to do a little bit 365 00:25:04,000 --> 00:25:09,320 Speaker 1: of bleeping though. I'm Joshua pe Warren. You're listening to 366 00:25:09,359 --> 00:25:12,679 Speaker 1: Strange Things on the iHeartRadio and Coast to Coast AM 367 00:25:12,880 --> 00:25:16,320 Speaker 1: Paranormal Podcast Network, and I will be back after these 368 00:25:16,400 --> 00:25:59,920 Speaker 1: important messages. Welcome back to Strange Things well the Eye 369 00:26:00,160 --> 00:26:04,639 Speaker 1: Art Radio and Coast to Coast AM Paranormal Podcast Network. 370 00:26:05,800 --> 00:26:08,280 Speaker 1: I'm your host, Joshua P. Warren, And this is the 371 00:26:08,359 --> 00:26:16,280 Speaker 1: show where the unusual becomes usual. The party is Rarin Murray, 372 00:26:16,280 --> 00:26:22,520 Speaker 1: the magician and his wife, showgirl Danny, have quite the 373 00:26:22,560 --> 00:26:28,919 Speaker 1: menagerie of individuals from all around Vegas and beyond. You know, 374 00:26:28,960 --> 00:26:32,840 Speaker 1: people traveled from Afar for this event. As you can imagine, 375 00:26:33,040 --> 00:26:38,880 Speaker 1: everybody's having a great time. And then yeah, there's celebrities there. 376 00:26:39,080 --> 00:26:41,520 Speaker 1: I don't want to get into who they were, you know, 377 00:26:41,600 --> 00:26:47,480 Speaker 1: that's that's crass, that's taboo. At a certain point, we 378 00:26:47,560 --> 00:26:51,400 Speaker 1: moved down to the twelfth floor, which is the viewing room, 379 00:26:51,840 --> 00:26:54,680 Speaker 1: and we walked in there and let me just tell you, 380 00:26:55,600 --> 00:26:59,840 Speaker 1: we were just right there, dead on, looking across this 381 00:27:00,280 --> 00:27:04,920 Speaker 1: exactly at the Tropicana, which is actually two towers, two 382 00:27:05,000 --> 00:27:09,640 Speaker 1: big tall towers. Was too big tall towers. But again, 383 00:27:09,840 --> 00:27:12,439 Speaker 1: are there are seventy five of us or so, so, 384 00:27:12,560 --> 00:27:19,360 Speaker 1: I mean, space is really tight. And there was this 385 00:27:19,480 --> 00:27:24,840 Speaker 1: one guy who was just sprawled out pretty as you 386 00:27:24,960 --> 00:27:30,760 Speaker 1: please on this couch taking a nap. In the middle 387 00:27:30,760 --> 00:27:33,320 Speaker 1: of this, there's a DJ in there playing all kinds 388 00:27:33,359 --> 00:27:38,800 Speaker 1: of hardcore music. This guy's taking a nap and he 389 00:27:38,880 --> 00:27:42,560 Speaker 1: had like a hand towel over his face. Well anyway, 390 00:27:43,080 --> 00:27:44,800 Speaker 1: he had a pretty good position though, so I kind 391 00:27:44,840 --> 00:27:48,080 Speaker 1: of sat down on this stool that was next to 392 00:27:48,480 --> 00:27:52,359 Speaker 1: his cowboy boots, and his cowboy boots kept kicking me 393 00:27:52,359 --> 00:27:56,639 Speaker 1: in the elbow, and I'm just like, woss this guy, 394 00:27:56,840 --> 00:27:59,679 Speaker 1: you know, And then finally I look over and the 395 00:28:00,040 --> 00:28:04,960 Speaker 1: somebody takes the towel off. It's a very famous man, 396 00:28:05,119 --> 00:28:07,119 Speaker 1: and I know that. I it sucks for me to 397 00:28:07,160 --> 00:28:09,000 Speaker 1: tell you that and then not tell you who it is. 398 00:28:09,040 --> 00:28:10,760 Speaker 1: But you would know who it was if I told you. 399 00:28:10,800 --> 00:28:18,840 Speaker 1: And I thought, huh, interesting. Well, everybody's getting psyched up 400 00:28:20,760 --> 00:28:25,280 Speaker 1: as it's getting closer to the time two thirty seven am. 401 00:28:26,560 --> 00:28:31,360 Speaker 1: They have this big fireworks display. They have this drone 402 00:28:31,440 --> 00:28:35,480 Speaker 1: show that they say has it's using technology and techniques 403 00:28:35,520 --> 00:28:39,320 Speaker 1: that have never been used before. Just big, glorious, amazing 404 00:28:39,360 --> 00:28:44,320 Speaker 1: I mean, this is a celebration of magnificent Vegas proportions. 405 00:28:44,800 --> 00:28:48,400 Speaker 1: And so then finally it came time for and I mean, 406 00:28:48,440 --> 00:28:51,000 Speaker 1: I don't know why two thirty seven am. And that 407 00:28:51,120 --> 00:28:54,320 Speaker 1: is interesting how specific it is. And I mean, you're 408 00:28:54,360 --> 00:28:58,040 Speaker 1: talking about a situation where they have to halt airplanes 409 00:28:58,040 --> 00:29:00,680 Speaker 1: flying over and all kinds of stuff, so who knows 410 00:29:00,720 --> 00:29:02,960 Speaker 1: what they take into consideration to come up with that. 411 00:29:04,400 --> 00:29:07,600 Speaker 1: So the excite. So at this point, everybody's been drinking. 412 00:29:07,640 --> 00:29:10,000 Speaker 1: I mean there's been an open bar for like three 413 00:29:10,320 --> 00:29:12,120 Speaker 1: three and a half hours or something, I don't know, 414 00:29:12,800 --> 00:29:17,120 Speaker 1: and so people are drinking, people are acting kind of 415 00:29:17,320 --> 00:29:19,720 Speaker 1: kind of crazy. But everybody was cool, you know, everybody 416 00:29:19,800 --> 00:29:25,479 Speaker 1: was fun and nice. And then here is the big 417 00:29:25,840 --> 00:29:30,800 Speaker 1: moment and the excitement you're talking about building for months. 418 00:29:31,160 --> 00:29:34,920 Speaker 1: So I brought a little audio recorder with me and 419 00:29:35,240 --> 00:29:38,400 Speaker 1: I'm going to play for you right now the audio 420 00:29:38,920 --> 00:29:42,960 Speaker 1: of the moment when the building that we were looking 421 00:29:42,960 --> 00:29:46,240 Speaker 1: at came down. Because what we're talking about here is 422 00:29:47,880 --> 00:29:50,000 Speaker 1: it's the middle of the night, you're looking out a window, 423 00:29:50,400 --> 00:29:57,080 Speaker 1: you've just seen fireworks. Everybody psyched, and then you start hearing. 424 00:29:58,640 --> 00:30:04,200 Speaker 1: And first we heard the other tower, Uh, coming down, 425 00:30:04,240 --> 00:30:06,200 Speaker 1: and then the one right in front of us came down. 426 00:30:06,360 --> 00:30:10,240 Speaker 1: Here's here's the audio from from what uh, Here's here's 427 00:30:10,240 --> 00:30:13,600 Speaker 1: the audio from that moment. Okay, Oh, and I did 428 00:30:13,640 --> 00:30:17,800 Speaker 1: have to bleep out at least one word because people 429 00:30:18,160 --> 00:30:44,920 Speaker 1: have a tendency to curse when this kind of thing happens. 430 00:30:54,920 --> 00:30:59,360 Speaker 1: You can imagine how powerful the percussion was from that. 431 00:30:59,440 --> 00:31:03,160 Speaker 1: And actually, afterward, I thought to myself, it's probably a 432 00:31:03,200 --> 00:31:05,719 Speaker 1: good thing that we weren't out on a patio, because 433 00:31:06,320 --> 00:31:11,400 Speaker 1: as soon as that thing collapsed in on itself, there 434 00:31:11,640 --> 00:31:20,719 Speaker 1: was this gigantic, boiling, roiling, thick, dark gray cloud of 435 00:31:20,840 --> 00:31:25,600 Speaker 1: dust that just came seething out from it and just 436 00:31:25,760 --> 00:31:29,719 Speaker 1: slowly moved up to the window like a big fog. 437 00:31:30,400 --> 00:31:32,520 Speaker 1: And yeah, if you'd been outside, you would have been 438 00:31:32,560 --> 00:31:36,680 Speaker 1: covered covered with dust and breathing in who knows what 439 00:31:36,960 --> 00:31:39,840 Speaker 1: and getting that in your eyes. So yeah, I can 440 00:31:39,880 --> 00:31:42,800 Speaker 1: see why when you're that close to it, it's not 441 00:31:42,920 --> 00:31:45,760 Speaker 1: a good idea to be out on the patio. And also, 442 00:31:45,800 --> 00:31:49,440 Speaker 1: I mean, we didn't have to use earplugs or anything, 443 00:31:50,960 --> 00:31:53,200 Speaker 1: which who knows that maybe if you were standing out 444 00:31:53,280 --> 00:31:56,280 Speaker 1: on a patio that close you maybe you could damage 445 00:31:56,280 --> 00:31:59,440 Speaker 1: your ears, I guess so, but it was. It was 446 00:31:59,440 --> 00:32:02,600 Speaker 1: definitely a p and the thing that that stood out 447 00:32:02,600 --> 00:32:09,080 Speaker 1: the most for me was that. And you've probably seen 448 00:32:09,120 --> 00:32:11,840 Speaker 1: these videos before, and so you know what I'm talking about. 449 00:32:12,280 --> 00:32:15,760 Speaker 1: It's a gigantic structure right there before your eyes and 450 00:32:15,800 --> 00:32:21,160 Speaker 1: then within seconds it just looks like it melts. It's 451 00:32:21,200 --> 00:32:24,400 Speaker 1: not like it goes pop. I mean you could see 452 00:32:24,480 --> 00:32:27,000 Speaker 1: little little lights here and there because it was dark, 453 00:32:27,240 --> 00:32:30,040 Speaker 1: but basically all together because it just gives the impression 454 00:32:30,080 --> 00:32:34,760 Speaker 1: that this giant building just melts. And then when finally 455 00:32:34,760 --> 00:32:40,080 Speaker 1: the dust clear is there's just a big clump. It's 456 00:32:40,080 --> 00:32:43,840 Speaker 1: like a like a hill of debris there. And if 457 00:32:43,840 --> 00:32:46,920 Speaker 1: you follow me on social media then you've probably seen 458 00:32:47,040 --> 00:32:51,280 Speaker 1: some of the footage. Laren got just news like TV 459 00:32:51,520 --> 00:32:54,960 Speaker 1: news quality footage of this. Uh. If if you follow 460 00:32:55,000 --> 00:32:59,400 Speaker 1: my social media on Facebook or Twitter, we may or 461 00:32:59,400 --> 00:33:01,920 Speaker 1: may not have an my Instagram page. There's an Instagram 462 00:33:01,920 --> 00:33:04,880 Speaker 1: page just for this show called Joshua P. Warren Podcast, 463 00:33:06,440 --> 00:33:08,440 Speaker 1: And if it's not there, we'll get something up there 464 00:33:08,440 --> 00:33:15,120 Speaker 1: for you. But I mean, it just it's so weird 465 00:33:15,200 --> 00:33:18,000 Speaker 1: to watch something gigantic like that and melt in a 466 00:33:18,000 --> 00:33:22,600 Speaker 1: matter of seconds and right off the bat. There were 467 00:33:22,600 --> 00:33:29,280 Speaker 1: people saying, doesn't this remind you of how Building seven 468 00:33:30,040 --> 00:33:36,320 Speaker 1: looked nine to eleven when the World Trade Center was attacked, 469 00:33:38,640 --> 00:33:42,840 Speaker 1: And it really does. You know, one of my best 470 00:33:42,880 --> 00:33:46,800 Speaker 1: friends was Jim Mars, the greatest conspiracy theorist who ever lived. 471 00:33:47,760 --> 00:33:51,200 Speaker 1: And of course we know that planes hit the two towers, 472 00:33:51,240 --> 00:33:54,400 Speaker 1: but there was this other building called seven World Trade Center, 473 00:33:55,680 --> 00:33:57,760 Speaker 1: and there are lots of people who say that if 474 00:33:57,800 --> 00:34:01,720 Speaker 1: you look at that footage of that thing collapsing, a 475 00:34:01,760 --> 00:34:05,280 Speaker 1: plane did not hit it. And there are people who 476 00:34:05,320 --> 00:34:09,120 Speaker 1: say it was a controlled demolition, that this forty seven 477 00:34:09,200 --> 00:34:14,759 Speaker 1: story skyscraper that stood across Vesey Street, north of the 478 00:34:14,800 --> 00:34:18,160 Speaker 1: main part of the World Trade Center site was intentionally 479 00:34:18,200 --> 00:34:23,320 Speaker 1: destroyed with explosives. As I said, Unlike the Twin Towers, 480 00:34:23,520 --> 00:34:26,200 Speaker 1: seven World Trade Center was not hit by a plane, 481 00:34:26,719 --> 00:34:30,000 Speaker 1: although it was hit by debris from the Twin Towers 482 00:34:30,560 --> 00:34:33,760 Speaker 1: and was damaged by fires which burned for seven hours 483 00:34:34,200 --> 00:34:36,840 Speaker 1: until it collapsed completely at about five to twenty pm 484 00:34:36,960 --> 00:34:42,920 Speaker 1: on the evening of September eleventh. Proponents typically say the 485 00:34:42,960 --> 00:34:46,000 Speaker 1: collapse of seven World Trade Center was not mentioned in 486 00:34:46,120 --> 00:34:49,040 Speaker 1: the nine to eleven Commission report, and that the federal 487 00:34:49,080 --> 00:34:53,000 Speaker 1: body charged with investigating the event required seven years to 488 00:34:53,080 --> 00:34:58,440 Speaker 1: conduct its investigation and issue a report. Apparently, some people 489 00:34:58,520 --> 00:35:02,799 Speaker 1: say that it was it was demolished because it may 490 00:35:02,840 --> 00:35:07,279 Speaker 1: have served as an operational center for the demolition of 491 00:35:07,280 --> 00:35:11,640 Speaker 1: the twin towers, while others suggest the government may have 492 00:35:11,719 --> 00:35:15,560 Speaker 1: had insiders that wanted to destroy some key files in 493 00:35:15,640 --> 00:35:20,120 Speaker 1: the building pertaining to fraud. This building housed dozens of federal, state, 494 00:35:20,200 --> 00:35:26,600 Speaker 1: and local government agencies. Look, I don't know, I really 495 00:35:26,640 --> 00:35:29,280 Speaker 1: don't know. I've heard people say this for the longest time, 496 00:35:29,600 --> 00:35:32,239 Speaker 1: and I honestly do not know. But what I can 497 00:35:32,320 --> 00:35:33,759 Speaker 1: tell you is that when I go back and I 498 00:35:33,800 --> 00:35:36,920 Speaker 1: look at footage of Building seven, I don't see the 499 00:35:36,960 --> 00:35:43,600 Speaker 1: little sparks of light like we saw when the Tropicana 500 00:35:43,719 --> 00:35:47,719 Speaker 1: was demolished. But Tropicana was demolished at night, and so 501 00:35:48,440 --> 00:35:51,759 Speaker 1: it's maybe in the daytime you wouldn't see that, you 502 00:35:51,760 --> 00:35:54,439 Speaker 1: wouldn't see those sparks, or maybe a totally different type 503 00:35:54,440 --> 00:35:58,799 Speaker 1: of explosive technology was used that would not create those 504 00:35:58,880 --> 00:36:01,799 Speaker 1: kinds of sparks. I really I can't tell you, but 505 00:36:01,920 --> 00:36:04,359 Speaker 1: it does look. I mean, when you when you watch 506 00:36:04,440 --> 00:36:07,040 Speaker 1: that footage, I'm telling you it looks like a demolition. 507 00:36:07,400 --> 00:36:09,719 Speaker 1: I'm not saying it is. I'm not saying it was, 508 00:36:10,600 --> 00:36:17,080 Speaker 1: but it does look like it. After the demolition, they 509 00:36:17,120 --> 00:36:19,799 Speaker 1: told us that we could not leave until six in 510 00:36:19,840 --> 00:36:22,879 Speaker 1: the morning because the roads were closed off. Like, oh, 511 00:36:22,960 --> 00:36:25,120 Speaker 1: you kidding me. You know, we've been here since eight o'clock. 512 00:36:25,560 --> 00:36:27,120 Speaker 1: We don't want to stay till six in the morning. 513 00:36:27,480 --> 00:36:31,160 Speaker 1: The party ended at I think three thirty am, so 514 00:36:31,440 --> 00:36:35,319 Speaker 1: we set our goodbyes. We went down into the lobby 515 00:36:35,440 --> 00:36:41,200 Speaker 1: of the MGM Grand and the lobby was hazy with dust. 516 00:36:42,000 --> 00:36:44,520 Speaker 1: There were people wearing masks in the lobby of the 517 00:36:44,640 --> 00:36:48,279 Speaker 1: MGM Grand, So that was I mean, I guess that 518 00:36:48,280 --> 00:36:50,800 Speaker 1: shouldn't be totally unexpected, but that was kind of weird, 519 00:36:50,880 --> 00:36:54,320 Speaker 1: you know that. You see you see Lauren took pictures 520 00:36:54,360 --> 00:36:59,040 Speaker 1: of of you know, the hazy lobby. So we thought, well, 521 00:36:59,320 --> 00:37:01,120 Speaker 1: are we going to be wrapped here or can we 522 00:37:01,200 --> 00:37:03,719 Speaker 1: actually get out of here and start working our way 523 00:37:03,719 --> 00:37:07,239 Speaker 1: back home. So we decided to go outside, hit the 524 00:37:07,680 --> 00:37:11,399 Speaker 1: strip and start walking and get outside of the demolition zone. 525 00:37:11,840 --> 00:37:13,759 Speaker 1: When we come back from this break, I'm going to 526 00:37:13,800 --> 00:37:17,520 Speaker 1: tell you about something rather magnificent that happened after this. 527 00:37:19,000 --> 00:37:23,600 Speaker 1: And then also I believe I will have time to 528 00:37:23,680 --> 00:37:30,440 Speaker 1: tell you about a new concept in using radionics and 529 00:37:30,560 --> 00:37:33,799 Speaker 1: wishing machines. A great tip for you that I've been 530 00:37:33,800 --> 00:37:36,879 Speaker 1: saving up for a while. I'm Joshua P. Warren. You're 531 00:37:36,920 --> 00:37:40,800 Speaker 1: listening to Strange Things on the iHeartRadio and Coast to 532 00:37:40,880 --> 00:37:45,200 Speaker 1: Coast AM Paranormal Podcast Network, and I will be right back. 533 00:38:20,600 --> 00:38:23,400 Speaker 1: Welcome back to the final segments of this edition of 534 00:38:23,440 --> 00:38:27,880 Speaker 1: Strange Things on the iHeartRadio and Coast to Coast AM 535 00:38:28,040 --> 00:38:32,520 Speaker 1: Paranormal Podcast Network. I am your host, Joshua P. Warren, 536 00:38:33,760 --> 00:38:36,920 Speaker 1: and I definitely want to make sure that I think 537 00:38:38,280 --> 00:38:44,719 Speaker 1: Murray Sawchuck Murray the magician and his wife Danny Elizabeth 538 00:38:45,400 --> 00:38:48,799 Speaker 1: the showgirl. I guess she's Danny Sawchuk now because she 539 00:38:48,880 --> 00:38:53,759 Speaker 1: was Danny Elizabeth and now they're married. Thank them for 540 00:38:53,800 --> 00:38:58,120 Speaker 1: having me and Lauren. And I want to also reiterate 541 00:38:58,200 --> 00:39:01,080 Speaker 1: that if you go to Google and type in Joshua P. 542 00:39:01,360 --> 00:39:05,520 Speaker 1: Warren Daily, you will find the podcast that I used 543 00:39:05,520 --> 00:39:08,200 Speaker 1: to do I still occasionally will do, like Special Reports, 544 00:39:08,440 --> 00:39:13,200 Speaker 1: but it's an R rated, uncensored podcast, and I interviewed 545 00:39:13,239 --> 00:39:16,279 Speaker 1: both of them on it. I interviewed Murray. If you 546 00:39:16,360 --> 00:39:20,320 Speaker 1: find the one from June fifth, twenty eighteen. It's called 547 00:39:20,360 --> 00:39:23,439 Speaker 1: I Interviewed Murray the Magician, and then I interviewed Danny 548 00:39:23,480 --> 00:39:27,719 Speaker 1: the Showgirl on August fifteenth of twenty eighteen, and that 549 00:39:27,880 --> 00:39:32,440 Speaker 1: is called My Call with Top Vegas Showgirl Danny Elizabeth 550 00:39:33,120 --> 00:39:36,160 Speaker 1: Danny spelled d A N I. And you can learn 551 00:39:36,160 --> 00:39:40,000 Speaker 1: about their life stories and they're just really warm, kind, 552 00:39:40,239 --> 00:39:44,080 Speaker 1: generous people, and I guess that's why that they liked 553 00:39:44,120 --> 00:39:49,759 Speaker 1: us throw these kinds of parties and socialize. Well, Lauren 554 00:39:49,840 --> 00:39:52,279 Speaker 1: and I we didn't want to stick around all six 555 00:39:52,320 --> 00:39:56,040 Speaker 1: o'clock in the morning, so yeah, we hit the road 556 00:39:56,239 --> 00:40:00,560 Speaker 1: and finally we ended up going into another hotel casino 557 00:40:01,080 --> 00:40:04,719 Speaker 1: where we could catch a taxi. And at this point 558 00:40:04,760 --> 00:40:08,120 Speaker 1: it's like four o'clock in the morning. We knew we 559 00:40:08,120 --> 00:40:10,040 Speaker 1: were going to be up all night, of course, and 560 00:40:10,440 --> 00:40:13,839 Speaker 1: so we decided to stop at a bar, because there 561 00:40:13,840 --> 00:40:16,680 Speaker 1: are lots of twenty four hour bars here in Vegas. 562 00:40:16,719 --> 00:40:18,960 Speaker 1: Of course, stop at a bar and pick up some 563 00:40:19,040 --> 00:40:22,040 Speaker 1: food to take back to the house to eat and 564 00:40:22,080 --> 00:40:26,480 Speaker 1: then go to bed. And we just so happened to 565 00:40:26,560 --> 00:40:30,920 Speaker 1: be near this bar that we were at, oh maybe 566 00:40:30,960 --> 00:40:34,919 Speaker 1: a couple months ago, when Lauren sat down and hit 567 00:40:35,080 --> 00:40:38,799 Speaker 1: a delt royal flush. And if you know anything about 568 00:40:38,880 --> 00:40:42,160 Speaker 1: video poker, I mean, that's the holy grail. A lot 569 00:40:42,200 --> 00:40:45,160 Speaker 1: of people never hit a royal flush in their entire lives. 570 00:40:45,600 --> 00:40:49,520 Speaker 1: She goes in there wearing her electrom ring, she sat down, 571 00:40:50,400 --> 00:40:52,120 Speaker 1: she didn't even put that much money in. It might 572 00:40:52,160 --> 00:40:55,040 Speaker 1: have been twenty bucks, and next thing you know, she 573 00:40:55,160 --> 00:41:00,240 Speaker 1: hits a delt royal and wins at least a thousand dollar. 574 00:41:02,360 --> 00:41:07,239 Speaker 1: We went back to that same bar that night. So 575 00:41:07,280 --> 00:41:12,200 Speaker 1: we go in, sit down, we order our food. While 576 00:41:12,200 --> 00:41:14,680 Speaker 1: we're waiting for the food, we start playing the video 577 00:41:14,800 --> 00:41:21,839 Speaker 1: poker and guess what, it's my turn this time. I'm 578 00:41:21,840 --> 00:41:25,320 Speaker 1: wearing the electrom ring, I'm wearing the real gold chain, 579 00:41:26,440 --> 00:41:32,480 Speaker 1: and boom, I hit a royal flush. And I was 580 00:41:32,520 --> 00:41:36,960 Speaker 1: betting more than she was, so I went even more money. 581 00:41:37,040 --> 00:41:40,319 Speaker 1: And I just can't believe that both of us went 582 00:41:40,400 --> 00:41:43,040 Speaker 1: there and hit royal flushes. And no, I'm not going 583 00:41:43,080 --> 00:41:47,399 Speaker 1: to tell you what bar this is. This is our 584 00:41:47,840 --> 00:41:50,520 Speaker 1: this is our our our little secrets here, all right. 585 00:41:53,520 --> 00:41:56,000 Speaker 1: But if you're interested in the electrom ring, go to 586 00:41:56,120 --> 00:42:01,160 Speaker 1: joshuap Warren dot com. You can right now, I believe 587 00:42:01,600 --> 00:42:03,920 Speaker 1: you can get one made for you an electrom ring, 588 00:42:04,080 --> 00:42:06,920 Speaker 1: or if you want, if you really want to go hardcore, 589 00:42:07,880 --> 00:42:11,799 Speaker 1: get the gold chain. Go to the Real gold Chain 590 00:42:11,920 --> 00:42:15,919 Speaker 1: dot com the Real gold Chain dot Com and you'll 591 00:42:15,920 --> 00:42:24,600 Speaker 1: see why these are such special items, you know. I honestly, 592 00:42:25,040 --> 00:42:27,360 Speaker 1: I felt kind of bad because we're just having a blast. 593 00:42:27,480 --> 00:42:30,520 Speaker 1: We're having the time of our lives. We're in these 594 00:42:30,600 --> 00:42:34,640 Speaker 1: luxurious hotels, we're eating the best food, we're having these parties, 595 00:42:35,480 --> 00:42:37,680 Speaker 1: we're winning money. I mean like we're having a good time. 596 00:42:38,320 --> 00:42:41,120 Speaker 1: And yet while this was happening, all of these storms 597 00:42:41,120 --> 00:42:46,960 Speaker 1: and hurricanes we're hitting the southeast North Carolina, my hometown 598 00:42:47,480 --> 00:42:54,000 Speaker 1: in Florida, and people are suffering and there's nothing I 599 00:42:54,040 --> 00:42:56,239 Speaker 1: can do about it at this point. But let me 600 00:42:56,400 --> 00:42:58,960 Speaker 1: just I want to state this as plainly as I can. 601 00:43:01,680 --> 00:43:03,759 Speaker 1: It's not like that these things happen and you're never 602 00:43:03,800 --> 00:43:07,880 Speaker 1: gonna have to go through them again. I have a 603 00:43:08,000 --> 00:43:12,879 Speaker 1: Sunshine Simple solar generator, so I don't need gas, and 604 00:43:13,320 --> 00:43:17,480 Speaker 1: that's what I use when I have a disaster situation, 605 00:43:17,719 --> 00:43:21,360 Speaker 1: and it is the world's most powerful solar generator for 606 00:43:21,400 --> 00:43:25,680 Speaker 1: the price period. I created the company many years ago 607 00:43:25,760 --> 00:43:28,000 Speaker 1: and then I sold it to Mobius because he's the 608 00:43:28,040 --> 00:43:31,759 Speaker 1: engineer who actually puts them together. So I'm just going 609 00:43:31,840 --> 00:43:33,839 Speaker 1: to tell you I'm not being paid to say this. 610 00:43:34,640 --> 00:43:39,000 Speaker 1: Go to Sunshine Simple dot com. Just watch the video 611 00:43:39,719 --> 00:43:42,799 Speaker 1: and think about how much better your life would have 612 00:43:42,840 --> 00:43:46,359 Speaker 1: been if you went through those things if you had 613 00:43:46,400 --> 00:43:52,000 Speaker 1: had the Sunshine Simple generator. Sunshine Simple dot com. Okay, 614 00:43:52,040 --> 00:43:54,239 Speaker 1: now I want to before we run out of time, 615 00:43:54,280 --> 00:43:56,160 Speaker 1: I want to tell you something that I've been thinking 616 00:43:56,200 --> 00:43:59,560 Speaker 1: about that I believe that you will find of interest. 617 00:44:01,200 --> 00:44:08,920 Speaker 1: Years ago, when I was first learning about wishing machines 618 00:44:08,960 --> 00:44:11,520 Speaker 1: and radionics and psionics, and I mean we were talking about, 619 00:44:11,840 --> 00:44:13,560 Speaker 1: you know, when I was a teenager. I think I 620 00:44:13,600 --> 00:44:17,520 Speaker 1: was sixteen when I first started maybe yeah, probably sixteen 621 00:44:17,320 --> 00:44:20,760 Speaker 1: when I started learning about this stuff. I started reading 622 00:44:20,800 --> 00:44:26,400 Speaker 1: some of these books by radionics pioneers like Charles Costomano. 623 00:44:27,239 --> 00:44:32,360 Speaker 1: Of course, his work was also based on Abrams, doctor Abrams, 624 00:44:32,360 --> 00:44:35,600 Speaker 1: who were going back to the nineteen twenties in that case, 625 00:44:36,800 --> 00:44:42,480 Speaker 1: and often the instructions would say, set your machine for 626 00:44:42,600 --> 00:44:45,200 Speaker 1: whatever intention that you want. You put whatever you want 627 00:44:45,200 --> 00:44:47,560 Speaker 1: on the input plate. Here's how you tune it. There 628 00:44:47,600 --> 00:44:51,040 Speaker 1: are different variations, but when you're done, you put this 629 00:44:51,160 --> 00:44:57,640 Speaker 1: machine away and you forget about it, and it's going 630 00:44:57,719 --> 00:45:02,000 Speaker 1: to sit there and start working for you even though 631 00:45:02,040 --> 00:45:04,600 Speaker 1: you're not thinking about it. Maybe it's a subconscious thing. 632 00:45:04,719 --> 00:45:08,600 Speaker 1: I don't know. And over the years I have done that, 633 00:45:09,880 --> 00:45:12,080 Speaker 1: I'll set the machine, I'll put it somewhere where I 634 00:45:12,080 --> 00:45:15,440 Speaker 1: don't even notice it, I won't even see it. But 635 00:45:15,640 --> 00:45:21,880 Speaker 1: recently I have been testing this theory so that instead 636 00:45:21,880 --> 00:45:26,200 Speaker 1: of putting my machine with a wish on it out 637 00:45:26,239 --> 00:45:30,560 Speaker 1: of the way, I put it in a very inconvenient place, 638 00:45:30,680 --> 00:45:33,440 Speaker 1: like right in the middle of a walkway that I 639 00:45:33,480 --> 00:45:36,799 Speaker 1: know I'm going to go through every day, so that 640 00:45:36,880 --> 00:45:41,040 Speaker 1: I have to notice it every single time. And at 641 00:45:41,040 --> 00:45:45,880 Speaker 1: this point, to my surprise, I am finding that I 642 00:45:46,000 --> 00:45:50,880 Speaker 1: seem to be having better luck if I actually see 643 00:45:51,239 --> 00:45:56,160 Speaker 1: the machine every day while it's working. And I think 644 00:45:56,200 --> 00:45:59,719 Speaker 1: this may have to do with reverse psychology. If you 645 00:45:59,800 --> 00:46:03,280 Speaker 1: go to Wikipedia, it says reverse psychology is a technique 646 00:46:03,400 --> 00:46:08,200 Speaker 1: involving the assertion of a belief or a behavior opposite 647 00:46:08,200 --> 00:46:12,320 Speaker 1: to the one desired, with the expectation that this approach 648 00:46:12,360 --> 00:46:15,040 Speaker 1: will encourage the subject of the persuasion to do what 649 00:46:15,160 --> 00:46:18,719 Speaker 1: is actually desired. Okay, so basically what that means is 650 00:46:19,320 --> 00:46:22,239 Speaker 1: you're kind of trying to manipulate a person. So if 651 00:46:22,280 --> 00:46:26,319 Speaker 1: I say don't think of a pink elephant, boom, you 652 00:46:26,360 --> 00:46:29,279 Speaker 1: thought of a pink elephant. Now that works for everybody. 653 00:46:29,560 --> 00:46:33,759 Speaker 1: But if I say, don't believe this wish is gonna 654 00:46:33,760 --> 00:46:37,920 Speaker 1: come true, it may not work that way because I 655 00:46:38,000 --> 00:46:43,239 Speaker 1: think it depends on whether or not you are overtly 656 00:46:43,280 --> 00:46:48,960 Speaker 1: susceptible to reverse psychology. And what I have found is 657 00:46:49,000 --> 00:46:51,200 Speaker 1: that maybe I'm a little too literal in how I 658 00:46:51,280 --> 00:46:57,680 Speaker 1: view the world, but reverse psychology does, generally speaking, not 659 00:46:57,880 --> 00:47:02,520 Speaker 1: work on me. So there are people that it works on. 660 00:47:02,800 --> 00:47:06,400 Speaker 1: I guess like a charm, which is why it exists. 661 00:47:06,719 --> 00:47:10,960 Speaker 1: You tell somebody the opposite, like no drink, drink, drink, 662 00:47:11,400 --> 00:47:14,040 Speaker 1: and they're going to want to stop drinking. Smoke smoke, smoke, 663 00:47:14,080 --> 00:47:15,600 Speaker 1: and they're going to want to stop smoking. I guess 664 00:47:15,640 --> 00:47:20,520 Speaker 1: that works, but for me it doesn't. So if you 665 00:47:21,040 --> 00:47:24,000 Speaker 1: have been using a manifestation tool, whether it's a wishing 666 00:47:24,040 --> 00:47:27,120 Speaker 1: machine or something else, and you find that you are 667 00:47:27,160 --> 00:47:30,400 Speaker 1: the type of person that is not usually sensitive to 668 00:47:30,520 --> 00:47:37,600 Speaker 1: reverse psychology, try doing the opposite of what the old 669 00:47:37,680 --> 00:47:40,279 Speaker 1: school told you to do. So what I'm saying is 670 00:47:40,360 --> 00:47:43,480 Speaker 1: instead of setting the machine and then putting it away 671 00:47:43,880 --> 00:47:45,560 Speaker 1: so you don't see it and you don't notice it, 672 00:47:45,640 --> 00:47:47,680 Speaker 1: you don't think about it, which is what all the 673 00:47:47,719 --> 00:47:53,560 Speaker 1: original texts said, try doing the opposite. Try placing it 674 00:47:53,800 --> 00:47:57,280 Speaker 1: very prominently in an inconvenient spot where you are forced 675 00:47:57,320 --> 00:48:00,880 Speaker 1: to notice it. You're practically stumbling over it, so that 676 00:48:00,920 --> 00:48:03,840 Speaker 1: you're thinking about it every day. And that might be 677 00:48:04,160 --> 00:48:08,919 Speaker 1: the magic bullet there that makes this thing actually work 678 00:48:09,000 --> 00:48:11,120 Speaker 1: for you. If you have struggled and you hear all 679 00:48:11,160 --> 00:48:14,440 Speaker 1: these stories, these success stories about people using wishing machines, 680 00:48:14,480 --> 00:48:16,279 Speaker 1: and maybe you're like, ah, I don't get it, it's 681 00:48:16,360 --> 00:48:20,600 Speaker 1: not working for me. Try that out. Try doing what's 682 00:48:20,640 --> 00:48:23,360 Speaker 1: against the grain, against the tradition. Put it in a 683 00:48:23,360 --> 00:48:26,160 Speaker 1: place where you do notice it, and see if that 684 00:48:26,280 --> 00:48:29,600 Speaker 1: changes things for you. All right, well the clock has 685 00:48:29,640 --> 00:48:31,880 Speaker 1: got us, So now it's time to end the show. 686 00:48:31,960 --> 00:48:35,319 Speaker 1: And well, my favorite way I'm about to play for 687 00:48:35,400 --> 00:48:39,239 Speaker 1: you a tone that people say has improved their lives dramatically. 688 00:48:39,320 --> 00:48:42,800 Speaker 1: So take some deep breaths, if you can close your eyes, 689 00:48:43,800 --> 00:48:45,759 Speaker 1: I want you to take twenty seconds to focus on 690 00:48:45,840 --> 00:48:49,200 Speaker 1: the positive. Now Here is the original, the world famous, 691 00:48:49,640 --> 00:49:18,279 Speaker 1: the one and only good fortune tone. That's it for 692 00:49:18,400 --> 00:49:21,880 Speaker 1: this edition of the show. Follow me at Joshua P. Warren, 693 00:49:22,360 --> 00:49:25,880 Speaker 1: Plus visit Joshuapwarren dot com to sign up for my 694 00:49:26,120 --> 00:49:30,480 Speaker 1: free E newsletter to receive a free instant gift, and 695 00:49:30,920 --> 00:49:33,839 Speaker 1: check out the cool stuff in the Curiosity Shop. All 696 00:49:34,040 --> 00:49:37,880 Speaker 1: at Joshuapwarren dot com. I have a fun one lined 697 00:49:37,920 --> 00:49:41,480 Speaker 1: up for you next time, I promise, So please tell 698 00:49:41,520 --> 00:49:44,880 Speaker 1: all your friends to subscribe to this show and to 699 00:49:45,000 --> 00:49:50,439 Speaker 1: always remember the Golden Rule. Thank you for listening, thank 700 00:49:50,480 --> 00:49:54,360 Speaker 1: you for your interest and support. Thank you for staying curious, 701 00:49:54,920 --> 00:49:59,480 Speaker 1: and I will talk to you again soon. You've been 702 00:49:59,520 --> 00:50:04,040 Speaker 1: listening to Strange Things on the iHeartRadio and Coast to 703 00:50:04,120 --> 00:50:07,440 Speaker 1: Coast AM Paranormal Podcast Network. 704 00:50:27,080 --> 00:50:30,359 Speaker 2: Well, if you like this episode of Strange Things, wait 705 00:50:30,440 --> 00:50:33,280 Speaker 2: till you hear the next one. Thank you for listening 706 00:50:33,360 --> 00:50:38,240 Speaker 2: to the iHeartRadio and Coast to Coast AM Paranormal Podcast Network.