1 00:00:01,760 --> 00:00:04,359 Speaker 1: And That's what You Really Missed with Jenna. 2 00:00:04,480 --> 00:00:07,119 Speaker 2: And Kevin an iHeartRadio podcast. 3 00:00:09,400 --> 00:00:12,719 Speaker 1: Welcome to and That's What You Really miss Podcast. 4 00:00:13,960 --> 00:00:17,520 Speaker 2: I'm Jenna, I'm Kevin, and welcome to another just exciting, 5 00:00:17,760 --> 00:00:23,360 Speaker 2: exciting episode of this recapping season three with us. 6 00:00:23,840 --> 00:00:27,760 Speaker 1: This is season three episode fifteen, titled Big Brother. This 7 00:00:27,840 --> 00:00:29,920 Speaker 1: is one of the funniest episodes I think we have. 8 00:00:30,480 --> 00:00:34,440 Speaker 2: Really, Yes, I would like to say that this is 9 00:00:35,840 --> 00:00:37,720 Speaker 2: why guest stars I think want to come on the show, 10 00:00:37,760 --> 00:00:42,400 Speaker 2: because they get to do really fun things, show off 11 00:00:42,479 --> 00:00:46,880 Speaker 2: other talents and other sides of themselves that are maybe 12 00:00:46,920 --> 00:00:48,800 Speaker 2: not the sides that the public knows them for. 13 00:00:49,240 --> 00:00:52,560 Speaker 1: Aka Matt Boehmer being the funniest. 14 00:00:52,800 --> 00:00:55,280 Speaker 2: I'm just going to talk about Matt for a second. Sure, 15 00:00:55,480 --> 00:00:59,440 Speaker 2: Matt Bohmer is the Jonathan Groff of You're right now, 16 00:01:00,320 --> 00:01:04,479 Speaker 2: because they are both they have the same energy. Yes, 17 00:01:05,400 --> 00:01:08,920 Speaker 2: and it's shocking because they're both insanely talented, obviously, and 18 00:01:08,920 --> 00:01:14,560 Speaker 2: they're both insanely gorgeous. Yes, And you one might think, 19 00:01:14,640 --> 00:01:19,160 Speaker 2: because of their success, their looks, their talents, that they 20 00:01:19,160 --> 00:01:22,479 Speaker 2: would not be the kindest people on the planet, but. 21 00:01:22,720 --> 00:01:25,520 Speaker 1: Just like the nicest and like always talk and whisper 22 00:01:25,600 --> 00:01:25,959 Speaker 1: kind of. 23 00:01:25,880 --> 00:01:30,160 Speaker 2: Person, like they command a room without trying. They look 24 00:01:30,200 --> 00:01:32,319 Speaker 2: at you like you're the only person that's ever existed. 25 00:01:32,520 --> 00:01:36,240 Speaker 1: Yes, yes, you feel seen, You feel the golden light, 26 00:01:36,440 --> 00:01:40,880 Speaker 1: if you through you. If either of them started a cult, 27 00:01:41,120 --> 00:01:44,479 Speaker 1: I would willingly joint, joint happily, and I would tell 28 00:01:44,520 --> 00:01:49,040 Speaker 1: I would brag about it, like it's not a dangerous thing. Well, 29 00:01:49,080 --> 00:01:51,560 Speaker 1: it would be a nice cult, yeah, But at the 30 00:01:51,560 --> 00:01:53,480 Speaker 1: same time you'd be like jump off the cliff and 31 00:01:53,560 --> 00:01:59,680 Speaker 1: like okay, okay, okay. So this episode aired on April 32 00:01:59,760 --> 00:02:04,080 Speaker 1: twenty twelve. Time Jump, We're back. What was going on 33 00:02:04,120 --> 00:02:04,640 Speaker 1: in the world? 34 00:02:05,000 --> 00:02:09,240 Speaker 2: We Are Young? By Fun and Jenne Monae. Previously on Glee. 35 00:02:09,320 --> 00:02:12,480 Speaker 2: Seene on Glee is the number one song in the country. 36 00:02:12,520 --> 00:02:16,119 Speaker 2: Look at that, look at the impact. The number one 37 00:02:16,160 --> 00:02:19,000 Speaker 2: movie was Hunger Games. 38 00:02:19,120 --> 00:02:19,799 Speaker 1: I've seen it. 39 00:02:20,240 --> 00:02:22,200 Speaker 2: Yes, I went to this premiere. 40 00:02:24,560 --> 00:02:25,480 Speaker 1: I think I did. 41 00:02:25,680 --> 00:02:28,840 Speaker 2: Yeah, A bunch of us went together and I don't 42 00:02:28,880 --> 00:02:30,920 Speaker 2: remember who I was with, but we. 43 00:02:30,960 --> 00:02:35,000 Speaker 1: Did all go right, Okay, I thought, so, maybe I'm 44 00:02:35,000 --> 00:02:40,000 Speaker 1: conflating this with Twilight, but anyway, I've seen it. In 45 00:02:40,080 --> 00:02:43,799 Speaker 1: Glee News this Week on April ninth, twenty twelve, Chris Corey, Lee, 46 00:02:43,880 --> 00:02:46,520 Speaker 1: and Matt and Jean appeared on the Inside the Actors 47 00:02:46,560 --> 00:02:50,320 Speaker 1: Studio alongside of Ryan and it was filmed on December 48 00:02:50,360 --> 00:02:55,240 Speaker 1: of twenty eleven and then aired April nine, twenty twelve. 49 00:02:56,080 --> 00:02:59,440 Speaker 1: Of all the things that everybody, everybody used to do, 50 00:02:59,480 --> 00:03:02,440 Speaker 1: separate things, if everybody gets to do something different, you know, 51 00:03:02,480 --> 00:03:06,840 Speaker 1: they can't always bring everybody on the show, you know, 52 00:03:06,919 --> 00:03:10,520 Speaker 1: on all these special shows, this is the one I 53 00:03:10,600 --> 00:03:17,760 Speaker 1: was the most envious. So absolutely I felt sad that 54 00:03:17,840 --> 00:03:21,639 Speaker 1: I wasn't a part of it. But also I was like, yes, 55 00:03:21,800 --> 00:03:27,440 Speaker 1: Glee represent on the Actor Studio, are you Katie? 56 00:03:27,560 --> 00:03:30,079 Speaker 2: I couldn't believe that the show got asked to be 57 00:03:30,120 --> 00:03:34,040 Speaker 2: on there in the first place, and definitely like had 58 00:03:34,160 --> 00:03:38,119 Speaker 2: severe fomo, but this was the right crew and how 59 00:03:38,120 --> 00:03:39,920 Speaker 2: cool that they got to do that. 60 00:03:40,080 --> 00:03:40,520 Speaker 1: Totally. 61 00:03:40,640 --> 00:03:42,760 Speaker 2: Also, I like this so this is film in December 62 00:03:42,840 --> 00:03:46,040 Speaker 2: because my question going into this was in the next episode, 63 00:03:46,680 --> 00:03:51,600 Speaker 2: Finn talks about Inside the Active Studio, I'm an actress, 64 00:03:51,600 --> 00:03:54,560 Speaker 2: and so I imagine maybe they took some inspiration from 65 00:03:54,560 --> 00:03:56,520 Speaker 2: what was going on in real life, like let's put 66 00:03:56,520 --> 00:03:58,960 Speaker 2: this in because I would find up for when they 67 00:03:58,960 --> 00:04:00,440 Speaker 2: were working on that script, wasn't it. 68 00:04:01,160 --> 00:04:04,720 Speaker 1: I think so, Kevin, I think you're right. So after 69 00:04:04,840 --> 00:04:08,640 Speaker 1: Big Brother aired this episode, the Bio channel aired Glee 70 00:04:09,480 --> 00:04:15,720 Speaker 1: Don't Stop Believing Keep On Believing, a special featuring behind 71 00:04:15,760 --> 00:04:19,960 Speaker 1: the scenes content and interviews from the cast, crew and creators. 72 00:04:20,080 --> 00:04:21,359 Speaker 1: I don't think I ever saw this. 73 00:04:22,360 --> 00:04:28,359 Speaker 2: We were at Taylor Swift levels of saturation at this point. 74 00:04:29,760 --> 00:04:34,080 Speaker 2: We were everywhere, you know, like it was after the tour, 75 00:04:34,600 --> 00:04:38,240 Speaker 2: after the movie. We had shows about the show while 76 00:04:38,240 --> 00:04:39,640 Speaker 2: we were on other shows. 77 00:04:39,839 --> 00:04:40,920 Speaker 1: This is why people hate us. 78 00:04:41,000 --> 00:04:45,400 Speaker 2: Now. Yeah, we really were just like everywhere. 79 00:04:46,200 --> 00:04:53,400 Speaker 1: Yeah, okay, well there was a lot happening. But important 80 00:04:53,440 --> 00:04:56,200 Speaker 1: things for this episode were that Eric Stoltz is. 81 00:04:56,160 --> 00:04:57,239 Speaker 2: Back, couldn't you tell? 82 00:04:57,560 --> 00:05:00,960 Speaker 1: I can always always tell. 83 00:05:00,160 --> 00:05:03,400 Speaker 2: There's something about It's also I knew he directed a 84 00:05:03,400 --> 00:05:05,560 Speaker 2: lot of episodes, but damn. 85 00:05:06,920 --> 00:05:10,160 Speaker 1: No a lot. There was one I remember, like towards 86 00:05:10,160 --> 00:05:12,840 Speaker 1: the end he was doing two in a row yea, 87 00:05:13,440 --> 00:05:17,359 Speaker 1: And that never happened because I mean, you really rarely 88 00:05:17,400 --> 00:05:20,320 Speaker 1: got time to prep. Directors got time to prep for 89 00:05:20,400 --> 00:05:22,839 Speaker 1: an episode because they were receiving the script pretty much 90 00:05:23,000 --> 00:05:26,039 Speaker 1: the day that they started. But to do two in 91 00:05:26,080 --> 00:05:28,440 Speaker 1: a row is and then you can't edit it and 92 00:05:28,720 --> 00:05:32,360 Speaker 1: it's just too much people don't normally do that's not normal, 93 00:05:32,839 --> 00:05:35,360 Speaker 1: but he did it once. This was written by our 94 00:05:35,440 --> 00:05:39,400 Speaker 1: friend Michael Leitchcock and the crew and special guests, not 95 00:05:39,520 --> 00:05:41,839 Speaker 1: Boomer as Kevin said, our o cult leader. 96 00:05:41,920 --> 00:05:45,679 Speaker 2: Yeah, as Cooper Anderson, not to be confused with Anderson Cooper. 97 00:05:47,320 --> 00:05:50,560 Speaker 3: Can you tell me about the songs in this episode, gladly, Jenna. 98 00:05:50,960 --> 00:05:53,919 Speaker 2: So there's quite a bit of music. I'm still standing 99 00:05:55,880 --> 00:06:00,719 Speaker 2: hungry like a wolf sash Rio mashup fighter up up 100 00:06:01,480 --> 00:06:05,400 Speaker 2: somebody that I used to know. And there as an 101 00:06:05,400 --> 00:06:10,400 Speaker 2: honorable mention, Bop by Hanson is playing in the background 102 00:06:10,480 --> 00:06:14,919 Speaker 2: when a young Blaine is dancing Hansen. Yes, this is 103 00:06:14,920 --> 00:06:17,839 Speaker 2: the first episode where both Mercedes and Rachel aren't featured 104 00:06:17,880 --> 00:06:24,480 Speaker 2: in any songs. Very weird. It also so weird. Fun 105 00:06:24,520 --> 00:06:26,800 Speaker 2: fact follow me on this. Okay, So you know when 106 00:06:26,800 --> 00:06:29,440 Speaker 2: we did the duets episode and then like people just 107 00:06:29,520 --> 00:06:34,720 Speaker 2: didn't end up doing the duets. This episode marks the 108 00:06:34,839 --> 00:06:38,120 Speaker 2: end of all of those people actually getting to do duets. 109 00:06:38,560 --> 00:06:38,880 Speaker 1: Whow. 110 00:06:41,160 --> 00:06:43,480 Speaker 2: I shout out to Sam for putting that one together 111 00:06:43,520 --> 00:06:48,480 Speaker 2: because we were reading like what is what you kept trying? 112 00:06:49,320 --> 00:06:51,799 Speaker 2: But I love it because we have finally followed through. 113 00:06:52,600 --> 00:06:53,520 Speaker 1: We did it. 114 00:06:53,560 --> 00:06:55,480 Speaker 2: Sometimes it just takes us some. 115 00:06:55,520 --> 00:06:59,080 Speaker 1: Time a second. Yeah, I just believe suspension of disbelieve that, 116 00:06:59,240 --> 00:07:01,960 Speaker 1: like at some point point they did it. We just 117 00:07:02,000 --> 00:07:03,479 Speaker 1: didn't see it, right. 118 00:07:03,560 --> 00:07:04,960 Speaker 2: But it's Glee. I want to see it. I want 119 00:07:05,000 --> 00:07:05,520 Speaker 2: to see the duet. 120 00:07:05,640 --> 00:07:07,279 Speaker 1: No, no, I always want to see it. I always 121 00:07:07,320 --> 00:07:09,680 Speaker 1: want to see it. This episode also aired on the 122 00:07:09,680 --> 00:07:13,880 Speaker 1: same day as National Sibling Day in the United States. 123 00:07:16,760 --> 00:07:21,040 Speaker 1: Matt Boehmer suggested to Ryan Murphy that he should consider 124 00:07:21,440 --> 00:07:24,880 Speaker 1: using Gautier's song Somebody that I Used to know as 125 00:07:24,920 --> 00:07:29,160 Speaker 1: a duet on the show. Well, Ryan obviously had already 126 00:07:29,360 --> 00:07:32,280 Speaker 1: thought about doing the song on the show, and a 127 00:07:32,320 --> 00:07:35,760 Speaker 1: week later, Matt received a text from mine asking if 128 00:07:35,800 --> 00:07:38,440 Speaker 1: he wanted to come on the show and sing it. 129 00:07:38,480 --> 00:07:40,320 Speaker 1: Is that how you get a job from Ryan Murphy 130 00:07:40,320 --> 00:07:45,440 Speaker 1: these days, gay Mafia, gest a thing and then secretly 131 00:07:45,480 --> 00:07:48,000 Speaker 1: plan it, and then you get on the show because 132 00:07:48,040 --> 00:07:53,200 Speaker 1: you suggested it. Fair enough? Yeah, anyway, I'm kidding, there's 133 00:07:53,240 --> 00:07:55,320 Speaker 1: nobody better but Matt Bohmer to come and guest star 134 00:07:55,520 --> 00:08:01,320 Speaker 1: on this episode. He made this episode, I mean, foking fabulous. 135 00:08:01,480 --> 00:08:04,720 Speaker 2: You know what's crazy about Matt Bomer. Matt Bomer grew 136 00:08:04,800 --> 00:08:05,480 Speaker 2: up with Lee Pace. 137 00:08:06,880 --> 00:08:07,160 Speaker 1: What. 138 00:08:07,520 --> 00:08:09,360 Speaker 2: Yeah, they were to high school together in Houston. 139 00:08:09,560 --> 00:08:09,640 Speaker 4: No. 140 00:08:10,080 --> 00:08:16,360 Speaker 2: Yeah, can you imagine. Wow, if I was in high 141 00:08:16,400 --> 00:08:20,800 Speaker 2: school with them as like a closeted gay boy and 142 00:08:20,880 --> 00:08:24,600 Speaker 2: both of them eight feet tall, I don't know what 143 00:08:24,640 --> 00:08:28,440 Speaker 2: I would I like, what do you're both? They're both 144 00:08:28,480 --> 00:08:33,200 Speaker 2: like the two most beautiful people ever get talented. I 145 00:08:33,320 --> 00:08:38,080 Speaker 2: just can't believe that that's too much beauty. They took 146 00:08:38,160 --> 00:08:40,400 Speaker 2: up all the good Texas jeans because then you get 147 00:08:40,440 --> 00:08:43,680 Speaker 2: Patroll like me, you stop, you stop? 148 00:08:44,400 --> 00:08:55,120 Speaker 1: Oh my gosh. That and Darren this is new to me. 149 00:08:55,240 --> 00:09:00,520 Speaker 1: So there's a flip that they filmed some time during 150 00:09:00,520 --> 00:09:05,280 Speaker 1: this episode off to the side of Cooper's Transformer's audition 151 00:09:05,440 --> 00:09:08,800 Speaker 1: tape that Blaine makes an appearance in, and it's on 152 00:09:08,840 --> 00:09:11,800 Speaker 1: YouTube so you can just google quick. It's so Cooper's 153 00:09:11,800 --> 00:09:15,880 Speaker 1: Transformer's audition tape. It is so funny and it brings 154 00:09:15,920 --> 00:09:16,880 Speaker 1: me so much chold. 155 00:09:16,920 --> 00:09:20,240 Speaker 2: I wish this somehow. I wish it was in the episode. 156 00:09:20,080 --> 00:09:21,720 Speaker 1: But I would love the spin off of the two 157 00:09:21,720 --> 00:09:22,040 Speaker 1: of them. 158 00:09:22,320 --> 00:09:25,160 Speaker 2: Their chemistry was unmatched. 159 00:09:26,400 --> 00:09:30,880 Speaker 1: I really loved this whole Cooper Blaine storyline. 160 00:09:30,920 --> 00:09:33,679 Speaker 2: It's also so fun that like, okay, we'll talk about that. 161 00:09:33,800 --> 00:09:35,160 Speaker 1: I'm not gonna okay, Okay. 162 00:09:35,440 --> 00:09:39,199 Speaker 2: Before the episode aired, the Glee on Fox's YouTube channel 163 00:09:39,240 --> 00:09:41,240 Speaker 2: uploaded the promo in which you could see Quinn in 164 00:09:41,240 --> 00:09:44,240 Speaker 2: her wheelchair, but it was later removed and replaced by 165 00:09:44,240 --> 00:09:48,600 Speaker 2: a similar one, but without Quinn because spoiler alert, you know, 166 00:09:48,840 --> 00:09:51,959 Speaker 2: they gave it away really quickly, right, And the roller 167 00:09:52,000 --> 00:09:54,160 Speaker 2: coaster scene, Rory is the only gree member that's not 168 00:09:54,280 --> 00:10:00,679 Speaker 2: sitting next to another member, and the roller coaster scene 169 00:10:00,920 --> 00:10:04,720 Speaker 2: is viper at six fives match the mountain Valencia, California, 170 00:10:04,760 --> 00:10:06,440 Speaker 2: which is where I sort of grew up and went 171 00:10:06,440 --> 00:10:09,360 Speaker 2: to high school, and the skatepark was also up there, 172 00:10:09,400 --> 00:10:12,080 Speaker 2: so it felt like a homecoming day for me because 173 00:10:12,480 --> 00:10:16,640 Speaker 2: that was my territory. I used to live drive Yeah, 174 00:10:16,640 --> 00:10:19,000 Speaker 2: the first two years agree I, or first season agree 175 00:10:19,000 --> 00:10:23,199 Speaker 2: I lived on Magic Mountain Parkway and would drive down 176 00:10:23,280 --> 00:10:27,280 Speaker 2: to La Proper and shoot and be driving back at 177 00:10:27,280 --> 00:10:29,440 Speaker 2: like two or three am, which is why I moved 178 00:10:29,440 --> 00:10:31,679 Speaker 2: down and moved in with you. It was too far, 179 00:10:31,760 --> 00:10:33,079 Speaker 2: it was dangerous. 180 00:10:32,880 --> 00:10:35,200 Speaker 1: It was too much. The amount of time you slept 181 00:10:35,240 --> 00:10:38,440 Speaker 1: on our couches so that you wouldn't fall asleep at 182 00:10:38,440 --> 00:10:43,520 Speaker 1: the wheel was okay. This is the sixth episode after 183 00:10:43,760 --> 00:10:46,880 Speaker 1: Throwdown Home Duets Rumors and the first time in which 184 00:10:47,000 --> 00:10:50,920 Speaker 1: two duets are sung by the in two people, but 185 00:10:51,000 --> 00:10:55,880 Speaker 1: the first were two different pairings. Seeing two duets in 186 00:10:55,960 --> 00:10:59,960 Speaker 1: one episode aka like Blade and Cooper sing two duets 187 00:11:00,080 --> 00:11:02,760 Speaker 1: and quinnin Larky seeing true duets. You guys have a 188 00:11:02,800 --> 00:11:05,160 Speaker 1: lot of songs in this episode, and. 189 00:11:05,120 --> 00:11:08,800 Speaker 2: It was very exciting to have duets with Diana. It 190 00:11:09,080 --> 00:11:13,440 Speaker 2: never happened and very exciting. I remember distinctly going into 191 00:11:13,440 --> 00:11:20,200 Speaker 2: the recording booth and hearing part of her vocal that 192 00:11:20,280 --> 00:11:23,160 Speaker 2: she had recorded, and it was so nice because our 193 00:11:23,200 --> 00:11:25,959 Speaker 2: voices are quite different and her are both very distinct. 194 00:11:26,000 --> 00:11:29,440 Speaker 2: It's like they do that with a lot of us 195 00:11:29,480 --> 00:11:31,480 Speaker 2: for all. Our voices were so different and we found 196 00:11:31,480 --> 00:11:35,240 Speaker 2: that good pairing. It just sounds really nice. 197 00:11:35,280 --> 00:11:38,960 Speaker 1: Very yeah, and it makes you like sing differently to 198 00:11:39,040 --> 00:11:41,840 Speaker 1: try to like match them in a way. Yeah. Yeah, 199 00:11:41,840 --> 00:11:43,960 Speaker 1: it's like being in a scene with some money, you know. 200 00:11:44,000 --> 00:11:46,800 Speaker 2: It was really it was really fun and I really 201 00:11:47,120 --> 00:11:48,080 Speaker 2: like both of those songs. 202 00:11:49,520 --> 00:11:53,520 Speaker 1: I really enjoyed them both given some of the circumstances 203 00:11:53,520 --> 00:11:53,959 Speaker 1: being a. 204 00:11:54,040 --> 00:11:57,480 Speaker 2: Little Yeah, you can take the song out of story. 205 00:11:57,640 --> 00:12:00,080 Speaker 1: Yeah, yeah, yeah, yeah, for sure. Okay, we'll get into it. 206 00:12:00,120 --> 00:12:02,320 Speaker 2: So the little summary of this episode is much to 207 00:12:02,320 --> 00:12:06,000 Speaker 2: Blaine chagrin. His big shot of Hollywood actor brother Cooper 208 00:12:06,600 --> 00:12:10,600 Speaker 2: comes to visit. Meanwhile, Finn contemplates a new career path 209 00:12:11,000 --> 00:12:15,160 Speaker 2: and suicides to help the new Directions win at Nationals. Plus, 210 00:12:15,760 --> 00:12:22,280 Speaker 2: Quinn's fate is revealed. So Quinn is alive after the accident. 211 00:12:23,120 --> 00:12:26,320 Speaker 2: She's in a wheelchair, but she's convinced that she'll be 212 00:12:26,360 --> 00:12:30,839 Speaker 2: walking by Nationals and graduation, which already doesn't really love. 213 00:12:31,160 --> 00:12:33,440 Speaker 2: He's trying to be like, hey, I thought I would too, 214 00:12:33,679 --> 00:12:38,360 Speaker 2: but let's get some perspective here on the matter. And 215 00:12:38,400 --> 00:12:43,320 Speaker 2: so already, you know, Quinn's send some QT together to 216 00:12:43,360 --> 00:12:48,200 Speaker 2: help her manage your wheelchair and her expectations. 217 00:12:48,320 --> 00:12:53,000 Speaker 1: Ultimately right number one, there's like it's nuanced because she's like, well, 218 00:12:53,040 --> 00:12:56,040 Speaker 1: I'll be up and walking, and Alty's like, well, I 219 00:12:56,080 --> 00:12:59,280 Speaker 1: thought that too, So manager expectitions, but also like if 220 00:12:59,320 --> 00:13:01,720 Speaker 1: she is going to be I'm walking, like I'm sure 221 00:13:01,960 --> 00:13:05,880 Speaker 1: that weighs on already saying like this is my this 222 00:13:06,000 --> 00:13:09,640 Speaker 1: is my forever. You know you could see that on 223 00:13:09,679 --> 00:13:13,880 Speaker 1: your sweet little face. Yeah, it was very nice. I 224 00:13:13,920 --> 00:13:16,800 Speaker 1: thought the two of you were really great together and 225 00:13:16,920 --> 00:13:20,840 Speaker 1: have great chemistry. You guys are good friends obviously, so 226 00:13:21,200 --> 00:13:26,960 Speaker 1: it it reflects your relationship on screen, I think really nicely. 227 00:13:28,120 --> 00:13:30,439 Speaker 1: And like you said, your voices also sound really nice 228 00:13:30,480 --> 00:13:34,880 Speaker 1: together because they're so distinct. What was it like having 229 00:13:34,920 --> 00:13:38,680 Speaker 1: somebody in a wheelchair next to you, mister Kevin. 230 00:13:39,120 --> 00:13:41,280 Speaker 2: I think it sort of felt like the storyline in 231 00:13:41,280 --> 00:13:46,840 Speaker 2: a way where if you remember back when we did 232 00:13:46,880 --> 00:13:51,840 Speaker 2: Proud Mary Dan, it didn't love the wheel chair. It 233 00:13:51,880 --> 00:13:54,240 Speaker 2: was hard because we were going up those ramps and things, 234 00:13:54,960 --> 00:13:57,280 Speaker 2: and so it felt like when you guys are in 235 00:13:57,320 --> 00:14:00,720 Speaker 2: the wheelchair, all of you, and when she and Quinn 236 00:14:00,720 --> 00:14:03,640 Speaker 2: got in the wheelchair in this time, that it felt 237 00:14:03,640 --> 00:14:07,560 Speaker 2: like I can sort of show you how to do 238 00:14:07,600 --> 00:14:10,439 Speaker 2: this a bit at least like on this set, right, 239 00:14:10,600 --> 00:14:12,160 Speaker 2: I can't speak to how to be in a wheelchair 240 00:14:12,160 --> 00:14:14,560 Speaker 2: in real life, but I could speak to like going 241 00:14:14,559 --> 00:14:16,360 Speaker 2: around the set or these scenes like this is sort 242 00:14:16,400 --> 00:14:20,760 Speaker 2: of how it works. And so that scene when we're 243 00:14:20,800 --> 00:14:24,240 Speaker 2: going up that ramp, which was really nice steep by 244 00:14:24,240 --> 00:14:28,280 Speaker 2: the way, it was legitimately steep. I could barely do it. 245 00:14:29,240 --> 00:14:31,160 Speaker 2: And then you can see it a lot of that 246 00:14:31,280 --> 00:14:35,320 Speaker 2: status ad lived and Stolts just had us doing it 247 00:14:35,400 --> 00:14:38,440 Speaker 2: over and over and just let the cameras roll, which 248 00:14:38,480 --> 00:14:42,120 Speaker 2: was really fun. And so when she gets up there 249 00:14:42,120 --> 00:14:44,880 Speaker 2: and is laughing hystically and I'm laughing, that's all very 250 00:14:45,280 --> 00:14:49,040 Speaker 2: much real and not you know, with a tinge of 251 00:14:49,040 --> 00:14:51,560 Speaker 2: the character. And when she gets up there, she does 252 00:14:51,600 --> 00:14:54,440 Speaker 2: start to roll back down the thing, and I like 253 00:14:54,520 --> 00:14:56,240 Speaker 2: catch her, and I'm so glad they use those takes 254 00:14:56,240 --> 00:15:01,440 Speaker 2: because those were the most loose for sure. 255 00:15:02,160 --> 00:15:08,240 Speaker 1: It's really cute you guys doing I'm still standing. Well, okay, 256 00:15:08,280 --> 00:15:14,040 Speaker 1: look I love this song. Originally, I love this song 257 00:15:14,760 --> 00:15:18,560 Speaker 1: with you guys on it. I don't love this song 258 00:15:19,400 --> 00:15:22,760 Speaker 1: in the context of the show. I think it's where 259 00:15:22,840 --> 00:15:26,000 Speaker 1: we want to step too far, be on the line, 260 00:15:27,320 --> 00:15:33,560 Speaker 1: which we usually tow anyway, But everybody's faces WI watching 261 00:15:33,640 --> 00:15:37,440 Speaker 1: IM still standing is actually very funny because I'm like, okay, good, 262 00:15:37,680 --> 00:15:44,760 Speaker 1: at least we're acknowledging it. It is. What do you 263 00:15:44,840 --> 00:15:47,840 Speaker 1: remember your reaction like when you were when you got 264 00:15:47,840 --> 00:15:48,440 Speaker 1: this script? 265 00:15:49,040 --> 00:15:52,600 Speaker 2: Yes, I do, randomly, because I think I was very 266 00:15:52,680 --> 00:15:59,520 Speaker 2: much into the like bad humor of it all. M like, 267 00:15:59,560 --> 00:16:02,240 Speaker 2: this is insane, but of course we're doing this, this 268 00:16:02,280 --> 00:16:04,720 Speaker 2: is Glee, like, of course you're doing it. So it 269 00:16:04,760 --> 00:16:06,720 Speaker 2: was nice that I got to play sort of how 270 00:16:06,720 --> 00:16:09,880 Speaker 2: I felt of like, yeah, it's another number. We're so 271 00:16:10,040 --> 00:16:13,760 Speaker 2: desensitized to the crazy shit we're doing, like, yeah, I'm 272 00:16:13,760 --> 00:16:16,720 Speaker 2: just gonna do it. And then thank God because as 273 00:16:16,760 --> 00:16:19,680 Speaker 2: I was doing it, I couldn't really watch your guys's 274 00:16:19,720 --> 00:16:23,160 Speaker 2: reactions because I'm just already just sort of showing Quinn, 275 00:16:23,800 --> 00:16:26,880 Speaker 2: you know, the moves and things in real time, and 276 00:16:26,960 --> 00:16:28,720 Speaker 2: so watching it and seeing your reactions, I had the 277 00:16:28,760 --> 00:16:33,920 Speaker 2: exact same reactions. Got it because this is this is 278 00:16:33,920 --> 00:16:37,480 Speaker 2: what the deal needs to feel like, this is Yeah. 279 00:16:37,720 --> 00:16:39,600 Speaker 2: I also just have so many questions of like, we're 280 00:16:39,640 --> 00:16:43,440 Speaker 2: just gonna skip the whole recovery process and she's in 281 00:16:43,440 --> 00:16:47,480 Speaker 2: a wheelchair and it's like fine because she got t 282 00:16:47,680 --> 00:16:49,400 Speaker 2: boned really horribly. 283 00:16:50,760 --> 00:16:52,720 Speaker 1: Yeah, we tend to do that. 284 00:16:53,120 --> 00:16:54,840 Speaker 2: Yeah, But I was like, Okay, it's Glee, it's fine. 285 00:16:55,120 --> 00:16:57,840 Speaker 1: Yeah, yeah, exactly, we have to take it for what 286 00:16:57,920 --> 00:16:58,280 Speaker 1: it is. 287 00:16:58,320 --> 00:17:03,240 Speaker 2: I guess I also do you know what it's like? 288 00:17:03,400 --> 00:17:06,239 Speaker 2: So when we got to do scenes with people that 289 00:17:06,240 --> 00:17:08,960 Speaker 2: we weren't normally paired with, it just was so much fun. 290 00:17:09,920 --> 00:17:10,400 Speaker 1: Totally. 291 00:17:10,440 --> 00:17:12,400 Speaker 2: It was so much like those little things I got 292 00:17:12,400 --> 00:17:14,840 Speaker 2: to do with Naya or with Leah where it was 293 00:17:15,000 --> 00:17:16,240 Speaker 2: we never get to do it, and you get to 294 00:17:16,280 --> 00:17:19,080 Speaker 2: sort of be extra because when you're with someone else, 295 00:17:19,119 --> 00:17:21,800 Speaker 2: you're bring out different side of your character. Yes, and 296 00:17:21,880 --> 00:17:23,880 Speaker 2: so yes, we got all that time together. We got 297 00:17:23,880 --> 00:17:26,080 Speaker 2: to do that ramp thing and the number so you 298 00:17:26,080 --> 00:17:28,600 Speaker 2: have rehearsal part and the skate part was really fun. 299 00:17:28,720 --> 00:17:32,680 Speaker 2: It was really early but much like the actual scene, 300 00:17:32,720 --> 00:17:36,560 Speaker 2: we got to meet so many amazing people, legitimate lab 301 00:17:36,840 --> 00:17:39,560 Speaker 2: who could do all those things. My stunt double was 302 00:17:39,600 --> 00:17:44,720 Speaker 2: actually there doing the flips. Wow. And we got to 303 00:17:44,880 --> 00:17:46,760 Speaker 2: you know, go down the little ramps and things, which 304 00:17:46,840 --> 00:17:47,879 Speaker 2: was terrifying. 305 00:17:48,200 --> 00:17:49,720 Speaker 1: Yeah, how much did you guys do? 306 00:17:50,080 --> 00:17:54,080 Speaker 2: It was just that. I mean, so there's a shot 307 00:17:54,160 --> 00:17:59,040 Speaker 2: where there's two like downhill ramp things. We only did 308 00:17:59,040 --> 00:18:01,760 Speaker 2: the second one. So my sun double was and we 309 00:18:01,800 --> 00:18:04,080 Speaker 2: had some doubles for both of us, like go down 310 00:18:04,160 --> 00:18:06,520 Speaker 2: the big one and then we were down the little one, and. 311 00:18:06,480 --> 00:18:08,600 Speaker 1: Then Diana did that last one that she does. 312 00:18:09,040 --> 00:18:13,520 Speaker 2: Actually mini cue and then we were wrapped earlier that day, 313 00:18:13,560 --> 00:18:16,520 Speaker 2: That's what I remember. Well, you guys got to go 314 00:18:16,560 --> 00:18:18,520 Speaker 2: to six Flags, right. 315 00:18:18,320 --> 00:18:24,639 Speaker 1: So the skate Park was Inlandcia next or near Six Flags, 316 00:18:24,680 --> 00:18:27,120 Speaker 1: and so we did it all in one day, and 317 00:18:27,160 --> 00:18:30,199 Speaker 1: so yes, and then we did Six Flags, which is 318 00:18:30,280 --> 00:18:35,080 Speaker 1: all about Senior Ditch Day. So they're trying to find 319 00:18:35,240 --> 00:18:39,359 Speaker 1: finn Is, trying to think up the best Senior Ditch 320 00:18:39,440 --> 00:18:44,720 Speaker 1: Day possible. They have a meeting about it, which I 321 00:18:44,760 --> 00:18:48,199 Speaker 1: guess I'm there because I'm sure I asked why I 322 00:18:48,240 --> 00:18:51,920 Speaker 1: was there Anyway. I actually think that maybe Eric brought 323 00:18:51,960 --> 00:18:56,000 Speaker 1: me in for that. So Eric Stoltz was the only 324 00:18:56,560 --> 00:19:01,719 Speaker 1: director that would call somebody in. He wasn't written into 325 00:19:01,800 --> 00:19:04,959 Speaker 1: a scene. And let me be very clear, I love 326 00:19:05,080 --> 00:19:11,040 Speaker 1: Eric Stults. I did not love that because it was 327 00:19:11,119 --> 00:19:14,119 Speaker 1: like we were never not in scenes. We were always 328 00:19:14,160 --> 00:19:17,639 Speaker 1: in scenes together and very rarely like you know, you 329 00:19:17,720 --> 00:19:19,760 Speaker 1: and Diana like that was the time off, but we 330 00:19:19,760 --> 00:19:23,720 Speaker 1: were probably rehearsing or doing something else. So it's it 331 00:19:23,840 --> 00:19:27,960 Speaker 1: was like, what a not in the scene? And then 332 00:19:28,000 --> 00:19:32,359 Speaker 1: he called me in, and uh, Tina's a junior, but 333 00:19:32,400 --> 00:19:33,800 Speaker 1: I guess she was there for Mike. 334 00:19:34,000 --> 00:19:38,120 Speaker 2: Well and Artie's a junior, but I was you there 335 00:19:38,160 --> 00:19:38,639 Speaker 2: for Quinn? 336 00:19:39,440 --> 00:19:42,120 Speaker 1: I guess so, But you're really talking about Senior Ditch 337 00:19:42,200 --> 00:19:44,840 Speaker 1: Day like it was senior ditch day, Like it wasn't 338 00:19:45,160 --> 00:19:50,600 Speaker 1: acknowledged that, like we weren't supposed to be there right anyway, 339 00:19:50,880 --> 00:19:52,760 Speaker 1: because there was a whole scene where all of you talking. 340 00:19:52,880 --> 00:19:56,240 Speaker 1: I wasn't in, so you weren't there. But why I 341 00:19:56,280 --> 00:19:58,680 Speaker 1: was Tina there then? Because Eric stults? 342 00:19:58,680 --> 00:20:01,840 Speaker 2: Well probably because like I could have been recording, so 343 00:20:02,040 --> 00:20:06,560 Speaker 2: I wasn't available, you could come in. I mean, I 344 00:20:06,600 --> 00:20:09,919 Speaker 2: do yes, in terms of practicality, it was like, let 345 00:20:10,000 --> 00:20:14,680 Speaker 2: me take this afternoon off, please, But also he was 346 00:20:14,720 --> 00:20:17,880 Speaker 2: the best at making it feel real and feel those 347 00:20:17,880 --> 00:20:19,320 Speaker 2: scenes out with us, and. 348 00:20:19,480 --> 00:20:22,680 Speaker 1: I appreciate it now. I just didn't love it then, 349 00:20:23,040 --> 00:20:26,400 Speaker 1: but I get in. I get it. I would probably 350 00:20:26,440 --> 00:20:29,200 Speaker 1: do the same thing. Have I read totally No, you're 351 00:20:29,280 --> 00:20:31,200 Speaker 1: just like whatever, it's for the best of the. 352 00:20:31,720 --> 00:20:34,560 Speaker 2: Like you're getting paid anyway, it doesn't cost anymore to 353 00:20:34,600 --> 00:20:36,080 Speaker 2: have you there, like just or they. 354 00:20:36,040 --> 00:20:37,359 Speaker 1: Wouldn't have brought it totally. 355 00:20:43,680 --> 00:20:44,560 Speaker 5: Hi, I'm Kate. 356 00:20:44,440 --> 00:20:48,280 Speaker 6: Hudson and I'm Oliver Hudson. And at last I checked for. 357 00:20:48,320 --> 00:20:51,480 Speaker 5: Siblings, and this is sibling revelry. 358 00:20:51,720 --> 00:20:53,560 Speaker 6: We're full blood siblings, the only. 359 00:20:53,400 --> 00:20:56,800 Speaker 5: Full blood and our family well not in the world, 360 00:20:57,080 --> 00:20:57,480 Speaker 5: I mean. 361 00:20:57,560 --> 00:20:58,160 Speaker 6: In the whole world. 362 00:20:58,280 --> 00:21:01,040 Speaker 2: This is it, like no one. 363 00:21:00,560 --> 00:21:03,280 Speaker 6: Anyway, We're back with season four. I can't believe it. 364 00:21:03,520 --> 00:21:07,639 Speaker 5: Yes, I'm so excited, bigger and better than ever. You 365 00:21:07,720 --> 00:21:12,200 Speaker 5: might be asking yourself, what is sibling revelry? 366 00:21:12,400 --> 00:21:14,640 Speaker 6: Yeah, well we just made it up. There is no 367 00:21:14,680 --> 00:21:17,200 Speaker 6: sibling revelry. It's reveling in your sibling. 368 00:21:17,440 --> 00:21:20,240 Speaker 5: And it's fun because we've decided to open it up, 369 00:21:20,320 --> 00:21:23,520 Speaker 5: you know, to really like all kinds of different siblings. 370 00:21:23,760 --> 00:21:27,840 Speaker 5: And it's going to be an awesome season. 371 00:21:28,080 --> 00:21:30,919 Speaker 6: So listen to Sibling Revelry on the iHeartRadio app, Apple 372 00:21:31,000 --> 00:21:34,480 Speaker 6: Podcasts or wherever you listen to. 373 00:21:34,840 --> 00:21:36,240 Speaker 4: What Gods. 374 00:21:44,280 --> 00:21:47,680 Speaker 1: We decide to go to Six Flags for Senior Ditch Day, 375 00:21:48,040 --> 00:21:50,280 Speaker 1: and that's how you guys end up at the skate park. 376 00:21:50,320 --> 00:21:54,480 Speaker 1: Already and Quinn because it's not really the best Senior 377 00:21:54,520 --> 00:21:56,679 Speaker 1: Ditch Day for you guys, and so Already can then 378 00:21:56,800 --> 00:22:02,600 Speaker 1: Squinn to do something different. But Tina goes to Senior 379 00:22:02,640 --> 00:22:04,840 Speaker 1: Ditch today because like, why wouldn't I go to Senior 380 00:22:04,840 --> 00:22:08,040 Speaker 1: Ditch Day. But here's the funny part. It was awesome 381 00:22:08,080 --> 00:22:08,920 Speaker 1: they closed the park. 382 00:22:09,080 --> 00:22:10,280 Speaker 2: Yeah, I was so jealous. 383 00:22:11,000 --> 00:22:14,600 Speaker 1: It was so cool. The whole parking lot was just 384 00:22:14,680 --> 00:22:17,520 Speaker 1: empty and it was just our trailers, and you could 385 00:22:17,520 --> 00:22:20,760 Speaker 1: see like the all the roller coasters, you know, like 386 00:22:21,000 --> 00:22:22,880 Speaker 1: as you walk into a theme park, and they were 387 00:22:22,920 --> 00:22:25,360 Speaker 1: like not going, and it was empty and it was quiet, 388 00:22:26,119 --> 00:22:29,439 Speaker 1: and we kind of got to like run around the 389 00:22:29,440 --> 00:22:32,359 Speaker 1: park and like Hafrey Rain and it was really fun. 390 00:22:32,880 --> 00:22:37,000 Speaker 1: The only thing was I love roller coasters. I'm a 391 00:22:37,080 --> 00:22:40,080 Speaker 1: roller coaster girly. This is my favorite thing. If I 392 00:22:40,080 --> 00:22:43,680 Speaker 1: could really ride roller coasters all day long, I would. 393 00:22:44,440 --> 00:22:49,520 Speaker 1: I had recently hurt my back really badly. And this 394 00:22:49,640 --> 00:22:53,000 Speaker 1: was when this is after two and a half seasons 395 00:22:53,080 --> 00:22:58,920 Speaker 1: of dancing in heels, stomping up and down those risers repetitively, 396 00:23:00,000 --> 00:23:04,480 Speaker 1: I had to get injuries. I'm going to stop, and 397 00:23:04,800 --> 00:23:08,040 Speaker 1: a lot of people started getting injuries, and my back 398 00:23:08,080 --> 00:23:11,879 Speaker 1: went out really badly, so badly that we were living together, Kevin, 399 00:23:12,240 --> 00:23:15,600 Speaker 1: and one night I went out to a bar with 400 00:23:15,640 --> 00:23:20,960 Speaker 1: some friends and I bent down and I couldn't stand 401 00:23:21,040 --> 00:23:24,240 Speaker 1: up straight. And this was the time before ubers, before 402 00:23:24,280 --> 00:23:27,280 Speaker 1: any of that. I had to leave the bar and 403 00:23:27,359 --> 00:23:31,159 Speaker 1: get in a cab bent over to go home. I 404 00:23:31,200 --> 00:23:32,960 Speaker 1: had to leave. I was like, you guys, can stay, 405 00:23:33,480 --> 00:23:35,680 Speaker 1: have to go home. I came home and I laid 406 00:23:35,680 --> 00:23:39,800 Speaker 1: on the living room floor of the wooden floor, and 407 00:23:39,920 --> 00:23:43,840 Speaker 1: you guys had left. I remember you were going somewhere 408 00:23:43,920 --> 00:23:45,719 Speaker 1: and I was like, I'll be fine. You gave me 409 00:23:45,840 --> 00:23:48,200 Speaker 1: water in medicine and you put it by my head. 410 00:23:50,359 --> 00:23:54,760 Speaker 1: About four hours later, I could not get up. I 411 00:23:54,800 --> 00:23:59,240 Speaker 1: could not stand up by myself, so somebody had peeled 412 00:23:59,240 --> 00:24:01,280 Speaker 1: me off the floor, taking me to the emergency room. 413 00:24:02,160 --> 00:24:04,399 Speaker 1: I was at the emergency room all night because they 414 00:24:04,400 --> 00:24:06,959 Speaker 1: thought I had like kidney infection, because usually like your 415 00:24:07,000 --> 00:24:09,480 Speaker 1: back or the heart from kidney infections. Now it was 416 00:24:09,560 --> 00:24:12,920 Speaker 1: just I had a herniated disc in my back, in 417 00:24:12,960 --> 00:24:16,919 Speaker 1: my spine. So I was recovering from that at the time, 418 00:24:17,840 --> 00:24:21,119 Speaker 1: all while still going to to work. I was calling 419 00:24:21,119 --> 00:24:25,320 Speaker 1: it school, and so I wasn't really able to ride 420 00:24:25,320 --> 00:24:28,240 Speaker 1: the roller coasters because it was really painful. 421 00:24:28,560 --> 00:24:30,040 Speaker 2: Well, I was going to ask how many times did 422 00:24:30,080 --> 00:24:30,960 Speaker 2: you guys do it? 423 00:24:31,840 --> 00:24:38,680 Speaker 1: A lot? I would say ten, maybe maybe more, because 424 00:24:38,680 --> 00:24:40,959 Speaker 1: they put so what they did was I think Andrew 425 00:24:40,960 --> 00:24:45,960 Speaker 1: Mitchell got in one cameras like ragged himself. I don't know, 426 00:24:46,000 --> 00:24:48,720 Speaker 1: I don't remember how he did it. And then the 427 00:24:48,760 --> 00:24:52,159 Speaker 1: other times they put cameras in front of us that 428 00:24:52,240 --> 00:24:58,600 Speaker 1: were ragged exactly on the carts, and so I had 429 00:24:58,640 --> 00:25:01,040 Speaker 1: said to him, look, I'm really not supposed to do this, 430 00:25:01,680 --> 00:25:04,439 Speaker 1: but for my own selfishly, I want to do this, 431 00:25:05,000 --> 00:25:07,320 Speaker 1: so like I can do it a few times, that's 432 00:25:07,320 --> 00:25:09,880 Speaker 1: probably all I should do it, because I don't want 433 00:25:09,880 --> 00:25:12,040 Speaker 1: to mess at my back forever and like not be 434 00:25:12,040 --> 00:25:16,040 Speaker 1: able to work. But they did it like a lot, 435 00:25:16,240 --> 00:25:22,080 Speaker 1: and I remember sitting out probably most of those. He 436 00:25:22,160 --> 00:25:25,080 Speaker 1: will He was like, you're not doing it. I also 437 00:25:25,200 --> 00:25:27,199 Speaker 1: was like, I can't dance, and so if you're like, 438 00:25:27,359 --> 00:25:29,720 Speaker 1: I can write a roller coaster, but I can't dance unkily, 439 00:25:29,840 --> 00:25:35,840 Speaker 1: like it doesn't really track. So I got I got 440 00:25:35,840 --> 00:25:39,080 Speaker 1: in one time with Harry. I think you catch a 441 00:25:39,080 --> 00:25:41,920 Speaker 1: glimpse of me. It was really really fun the roller 442 00:25:41,920 --> 00:25:44,879 Speaker 1: coast that was viper. He had his make out the 443 00:25:44,920 --> 00:25:49,760 Speaker 1: whole time, shocking and Harry and I really worried about 444 00:25:49,760 --> 00:25:54,879 Speaker 1: our teeth. Oh yeah, like bang our cheek. So we 445 00:25:54,880 --> 00:25:56,439 Speaker 1: were just laughing and we did it a little bit 446 00:25:56,440 --> 00:25:58,520 Speaker 1: and then we stopped. But then I got to ride it. 447 00:25:58,560 --> 00:26:00,320 Speaker 1: I think like one or two other times. But it 448 00:26:00,359 --> 00:26:01,200 Speaker 1: was really really. 449 00:26:01,200 --> 00:26:05,400 Speaker 2: Challenge, like going again. During the resets, was there quite 450 00:26:05,400 --> 00:26:07,159 Speaker 2: a bit of time or were you just sort of 451 00:26:07,160 --> 00:26:08,200 Speaker 2: going back to back to back. 452 00:26:08,880 --> 00:26:10,360 Speaker 1: No, no, no, it wasn't back to back. I don't 453 00:26:10,359 --> 00:26:12,240 Speaker 1: think anybody would have made it that way. I think 454 00:26:12,560 --> 00:26:16,080 Speaker 1: each time they did a different camera angle, camera set up. 455 00:26:16,119 --> 00:26:18,040 Speaker 1: I think they only had a few go pros, so 456 00:26:18,080 --> 00:26:23,200 Speaker 1: I think they would actually swap them out on different carts. Okay, yeah, yeah. 457 00:26:23,240 --> 00:26:27,480 Speaker 1: It wasn't like, uh, it wasn't constant, but it was 458 00:26:27,480 --> 00:26:31,679 Speaker 1: definitely like often, like they were going pretty often and 459 00:26:31,760 --> 00:26:35,199 Speaker 1: everybody was like pretty game. I don't think anybody was like, 460 00:26:35,280 --> 00:26:37,199 Speaker 1: oh I get sick, or they wouldn't have made them 461 00:26:37,240 --> 00:26:44,200 Speaker 1: do it. Everybody was really having totally and it was 462 00:26:44,240 --> 00:26:48,159 Speaker 1: a quick day, Like we were out of there very early. 463 00:26:48,840 --> 00:26:50,440 Speaker 2: We were out of the skate park really early. 464 00:26:51,280 --> 00:26:53,840 Speaker 1: I think it was expensive also to rent out like 465 00:26:53,960 --> 00:26:56,240 Speaker 1: they probably did it by I don't know, I actually 466 00:26:56,240 --> 00:26:58,919 Speaker 1: don't know, but it was enough that like they were like, 467 00:26:59,040 --> 00:27:00,600 Speaker 1: let's let's get it out of here, and then we 468 00:27:00,640 --> 00:27:04,119 Speaker 1: had to shoot entering the park exiting the park, so 469 00:27:04,280 --> 00:27:06,080 Speaker 1: all of that stuff, you know, all of the non 470 00:27:06,480 --> 00:27:10,000 Speaker 1: not so fun stuff, but we're not as fun stuff 471 00:27:10,000 --> 00:27:13,560 Speaker 1: for roller kisters, but that anyway, that that was the 472 00:27:13,560 --> 00:27:14,320 Speaker 1: the Six. 473 00:27:14,040 --> 00:27:17,720 Speaker 2: Flags I drove over there just to see recently. No, 474 00:27:17,880 --> 00:27:19,760 Speaker 2: when you guys are filming it. I remember after oh 475 00:27:19,800 --> 00:27:23,600 Speaker 2: you did. Yeah, I drove over there. I don't remember why, 476 00:27:23,600 --> 00:27:25,119 Speaker 2: but I just sort of looked around and then I 477 00:27:25,160 --> 00:27:26,879 Speaker 2: was like, I'm going to go see my other friends 478 00:27:26,960 --> 00:27:27,800 Speaker 2: that live Flin. 479 00:27:28,000 --> 00:27:28,200 Speaker 1: Yeah. 480 00:27:28,359 --> 00:27:30,080 Speaker 2: Yeah, it was so nice. 481 00:27:31,400 --> 00:27:31,879 Speaker 1: Mm hmmm. 482 00:27:32,800 --> 00:27:36,440 Speaker 2: So a couple of smaller things that happened get out 483 00:27:36,440 --> 00:27:40,399 Speaker 2: of the way here. So Figgins makes coach Ros. 484 00:27:41,000 --> 00:27:41,200 Speaker 6: God. 485 00:27:41,240 --> 00:27:44,080 Speaker 2: I love Nini. I'm just every time I see her 486 00:27:44,119 --> 00:27:45,879 Speaker 2: on screen, I'm like, she needs to be in more things. 487 00:27:47,160 --> 00:27:50,280 Speaker 1: Thankfully, she she really doesn't make she comes quite a bit, 488 00:27:50,680 --> 00:27:51,320 Speaker 1: thank goodness. 489 00:27:51,359 --> 00:27:54,200 Speaker 2: But she's now the new co captain of the Cheerios 490 00:27:54,880 --> 00:27:57,320 Speaker 2: and Sue is furious. So she says she's going to 491 00:27:57,320 --> 00:28:00,320 Speaker 2: help new Directions with nationals and when she wins, she'll 492 00:28:00,359 --> 00:28:04,400 Speaker 2: be the sole captain of the Cheerios. So Sue takes 493 00:28:04,400 --> 00:28:09,000 Speaker 2: over booty Camp, which is great, starts shouting at everyone, 494 00:28:09,240 --> 00:28:13,679 Speaker 2: and then will accompany Sue at the doctor, her first 495 00:28:13,840 --> 00:28:18,000 Speaker 2: where she's finding out the sex of her baby mm hmm, 496 00:28:18,320 --> 00:28:22,399 Speaker 2: and finds out she's having a girl, but the doctor 497 00:28:22,440 --> 00:28:26,920 Speaker 2: says there's some irregularities, pointing to the baby most likely 498 00:28:27,000 --> 00:28:31,320 Speaker 2: we'll have Down syndrome. Yeah, and so it's sort of 499 00:28:32,640 --> 00:28:35,600 Speaker 2: you know, there's not a better person to have a 500 00:28:35,680 --> 00:28:38,400 Speaker 2: child with Down syndrome than Sue Syvester. 501 00:28:38,600 --> 00:28:39,800 Speaker 1: That's right, that's right. 502 00:28:40,720 --> 00:28:45,600 Speaker 2: Ironically, it's a weird it's like a weirdly sweet storyline 503 00:28:45,600 --> 00:28:49,360 Speaker 2: of like Sue being genuine about wanting Obviously she's heretive 504 00:28:49,400 --> 00:28:52,080 Speaker 2: motives for wanting to help the new directions win. Like, 505 00:28:52,880 --> 00:28:56,440 Speaker 2: but that's season three, here we go. 506 00:28:57,880 --> 00:29:03,880 Speaker 1: Yeah, it all feels strange because Sue's having a baby, 507 00:29:04,320 --> 00:29:09,200 Speaker 1: and yeah, it's always strange, but this this moment in it, 508 00:29:09,280 --> 00:29:12,240 Speaker 1: I thought it was very sweet as well. And the 509 00:29:12,240 --> 00:29:14,560 Speaker 1: fact that like she's gonna go by herself and I 510 00:29:14,640 --> 00:29:16,479 Speaker 1: was like, who's going to go with you? Like this 511 00:29:16,560 --> 00:29:21,440 Speaker 1: is a big deal and so friend, Yeah really. 512 00:29:21,560 --> 00:29:25,600 Speaker 2: She said friend. That felt like a really big moment 513 00:29:25,760 --> 00:29:29,800 Speaker 2: because when have they ever referred to each other as friends? 514 00:29:29,840 --> 00:29:32,520 Speaker 2: And so, you know, most of the show they've been 515 00:29:32,600 --> 00:29:36,840 Speaker 2: each other's next and so it's nice that when it 516 00:29:36,920 --> 00:29:39,840 Speaker 2: counts the most, you know, will and Emma show up. 517 00:29:40,880 --> 00:29:42,520 Speaker 2: That's right, I mean they always do. 518 00:29:42,680 --> 00:29:45,720 Speaker 1: Sue's little like almost non response was just very countering. 519 00:29:46,000 --> 00:29:50,160 Speaker 2: You know, gosh, there's You're right though, I keep thinking 520 00:29:50,200 --> 00:29:55,200 Speaker 2: about there's always a baby. There's always a baby. Always 521 00:29:55,920 --> 00:30:02,280 Speaker 2: Beth is gone, disappeared, and now there's this baby. There's 522 00:30:02,320 --> 00:30:03,960 Speaker 2: this baby. 523 00:30:04,480 --> 00:30:07,680 Speaker 1: Mm hmm. I couldn't tell you. You're gonna have to 524 00:30:07,720 --> 00:30:13,160 Speaker 1: ask somebody else. Huck is convinced trying to convince Finn 525 00:30:13,960 --> 00:30:16,400 Speaker 1: to move to California with him to start a pool 526 00:30:16,440 --> 00:30:20,480 Speaker 1: cleaning business together, and then Finn's like, no, I'm going 527 00:30:20,520 --> 00:30:25,000 Speaker 1: to New York with Rachel. But Puck's like, yo, you 528 00:30:25,040 --> 00:30:28,600 Speaker 1: seem to be doing like only what Rachel wants, Like 529 00:30:28,600 --> 00:30:31,920 Speaker 1: why aren't you thinking about yourself? And this plants a 530 00:30:31,960 --> 00:30:36,360 Speaker 1: seed in Finn's mind like, oh right, what about me? 531 00:30:37,160 --> 00:30:42,880 Speaker 1: And so they're cleaning these pools said line about like 532 00:30:43,520 --> 00:30:48,280 Speaker 1: she's like ugly for La or something. It's crazy. I'm sorry, 533 00:30:49,840 --> 00:30:55,240 Speaker 1: she's like a five in La. But this does send 534 00:30:55,360 --> 00:30:58,360 Speaker 1: Finn into a bit of a tailspin, and it creates 535 00:30:58,400 --> 00:31:02,720 Speaker 1: some drama with Finn and Rachel about him saying like, yeah, 536 00:31:03,240 --> 00:31:06,160 Speaker 1: but is this all for you or for me? Are 537 00:31:06,160 --> 00:31:09,200 Speaker 1: you only thinking about yourself? Or what about what I 538 00:31:09,320 --> 00:31:12,440 Speaker 1: want and what I eat? Which is a very fair thing, 539 00:31:12,560 --> 00:31:16,880 Speaker 1: And I think you know, as they've gotten into some 540 00:31:17,000 --> 00:31:20,440 Speaker 1: very serious commitments to each other, these are the questions 541 00:31:20,480 --> 00:31:25,000 Speaker 1: that need to be as Yeah, but they're really sweet together, 542 00:31:25,040 --> 00:31:25,280 Speaker 1: I think. 543 00:31:25,320 --> 00:31:28,040 Speaker 2: And I really like the storyline between them, and I 544 00:31:28,080 --> 00:31:31,280 Speaker 2: really like it for Ben because it goes on for 545 00:31:31,320 --> 00:31:34,640 Speaker 2: a little bit. Yeah, and that's it's nice to give 546 00:31:34,720 --> 00:31:39,320 Speaker 2: him something juicy like this, because it can be funny, 547 00:31:39,520 --> 00:31:43,240 Speaker 2: like the actual cleaning of the pool, but then it's 548 00:31:44,440 --> 00:31:46,280 Speaker 2: a real issue. And I think, I you know me, 549 00:31:46,560 --> 00:31:48,280 Speaker 2: I've said it a million times, but I love the 550 00:31:48,320 --> 00:31:50,160 Speaker 2: real high school drama of it all. 551 00:31:50,640 --> 00:31:51,360 Speaker 1: Yes, and this. 552 00:31:51,440 --> 00:31:56,760 Speaker 2: Storyline really brings that out, because it's not normal. I 553 00:31:56,760 --> 00:31:59,800 Speaker 2: don't think that you have kids like Rachel and Kurt 554 00:31:59,840 --> 00:32:02,760 Speaker 2: you know exactly what they want to do. They're the exception, 555 00:32:03,640 --> 00:32:05,360 Speaker 2: that's right. And then like, how are you supposed to 556 00:32:05,400 --> 00:32:08,160 Speaker 2: know what you want to do at seventeen sixteen, seventeen 557 00:32:08,200 --> 00:32:10,479 Speaker 2: eighteen years old for the rest of your life. And 558 00:32:10,560 --> 00:32:13,000 Speaker 2: he's from a small town and he's with somebody who 559 00:32:13,080 --> 00:32:15,880 Speaker 2: is overpowering and that way, and a lot of times 560 00:32:15,920 --> 00:32:18,160 Speaker 2: it's easier just to follow them. And Corey is such 561 00:32:18,160 --> 00:32:20,800 Speaker 2: a good actor. Oh my god, it's so nice to 562 00:32:20,800 --> 00:32:24,600 Speaker 2: see him use this one story line, Yes, to get 563 00:32:24,640 --> 00:32:27,160 Speaker 2: you all of this, it's yeah. In the next episode 564 00:32:27,160 --> 00:32:27,920 Speaker 2: it's also great. 565 00:32:28,320 --> 00:32:31,480 Speaker 1: Oh my gosh, it's stunning. Yeah, okay, it's a little 566 00:32:31,480 --> 00:32:36,240 Speaker 1: bit more of that. I know, it's infuriating, it is. 567 00:32:36,840 --> 00:32:38,960 Speaker 1: There's a lot that happens in this episode. 568 00:32:39,080 --> 00:32:41,520 Speaker 2: There's so much, but it feels really balanced. 569 00:32:41,920 --> 00:32:44,600 Speaker 1: It does. I mean, I think we skimmed over a 570 00:32:44,640 --> 00:32:47,520 Speaker 1: little bit of Quinn more like I would have I 571 00:32:47,520 --> 00:32:50,760 Speaker 1: would have loved, like, I agree, you're right, you and 572 00:32:50,840 --> 00:32:53,880 Speaker 1: Quinn and a little bit more of her journey versus 573 00:32:53,960 --> 00:32:57,920 Speaker 1: just kind of being like I'm gonna walk again, don't worry. 574 00:32:58,440 --> 00:33:03,640 Speaker 1: Like I think that could have been stretched out. But look, 575 00:33:03,720 --> 00:33:09,160 Speaker 1: it was effective and it's really and it will it 576 00:33:09,160 --> 00:33:12,480 Speaker 1: will live on, we'll see more of it. So but 577 00:33:12,560 --> 00:33:18,120 Speaker 1: most importantly, Matt Boemer Cooper Anderson is in this episode, 578 00:33:18,200 --> 00:33:22,040 Speaker 1: and it's Blaine's big brother who comes to town and 579 00:33:22,280 --> 00:33:28,200 Speaker 1: charms the hell out of us. But I I can 580 00:33:28,280 --> 00:33:31,880 Speaker 1: kind of explain to you the joy of watching somebody 581 00:33:32,000 --> 00:33:35,720 Speaker 1: like try to be a good actor or with like 582 00:33:35,800 --> 00:33:39,280 Speaker 1: the worst advice and direction possible. 583 00:33:40,960 --> 00:33:46,600 Speaker 2: That pointing shit brings me. That pointing thing is brilliant. 584 00:33:47,400 --> 00:33:51,560 Speaker 1: So his masterclass like he's first seen introduced, like coming 585 00:33:51,600 --> 00:33:56,080 Speaker 1: in and then introducing himself and just sitting in front 586 00:33:56,120 --> 00:34:00,920 Speaker 1: of the classroom, like the power he held and the 587 00:34:00,960 --> 00:34:06,120 Speaker 1: comedic genius and the delivery of everything. Like actually, if 588 00:34:06,160 --> 00:34:09,080 Speaker 1: you're a really good actor, which Matt Boehmer is, you 589 00:34:09,160 --> 00:34:12,240 Speaker 1: really have to play against all of your all against 590 00:34:12,320 --> 00:34:15,840 Speaker 1: your instincts. And it's it's like trying to be drunk, 591 00:34:15,960 --> 00:34:18,279 Speaker 1: like they say, to act like you're trying not to 592 00:34:18,320 --> 00:34:20,759 Speaker 1: be drunk instead of acting drunk, Like he has to 593 00:34:20,800 --> 00:34:24,000 Speaker 1: play against all of his good instincts to do something 594 00:34:24,200 --> 00:34:29,319 Speaker 1: like this to actually be bad, to be funny, he 595 00:34:29,440 --> 00:34:33,120 Speaker 1: says in his masterclass, which I got to play the 596 00:34:33,120 --> 00:34:36,279 Speaker 1: dead body. I was honored. The key, of course, the 597 00:34:36,360 --> 00:34:39,000 Speaker 1: key to a dramatic scene is pointing. When people are 598 00:34:39,000 --> 00:34:45,680 Speaker 1: really emotional, they point their fingers a lot. It's just 599 00:34:47,360 --> 00:34:51,040 Speaker 1: other choices. I plan ahead of time screening all my 600 00:34:51,239 --> 00:34:54,880 Speaker 1: lines because I'm really intense and the things I'm feeling 601 00:34:54,920 --> 00:34:59,040 Speaker 1: are really tense because I'm an intense actor. Nicholas Cage, right, 602 00:34:59,080 --> 00:35:02,880 Speaker 1: and you can hear not laughing in this he. 603 00:35:02,960 --> 00:35:06,759 Speaker 2: Does like a a good Nicholas Cage. It's very good, 604 00:35:06,800 --> 00:35:09,239 Speaker 2: and I guess and I can't tell if he's I 605 00:35:09,280 --> 00:35:11,319 Speaker 2: feel like some of these lines he's ad libbing because 606 00:35:11,360 --> 00:35:14,920 Speaker 2: he's so in it. He is a little bit here 607 00:35:14,960 --> 00:35:18,879 Speaker 2: and there because it is his commitment to it. Also, 608 00:35:19,480 --> 00:35:21,640 Speaker 2: you know that that's it, there was a commitment. Glee 609 00:35:21,680 --> 00:35:24,200 Speaker 2: started out as an hour long comedy, and we were 610 00:35:24,200 --> 00:35:26,279 Speaker 2: in all the comedy categorized, all the award shows, and 611 00:35:26,280 --> 00:35:29,839 Speaker 2: then at some point like, oh, we're a full drama. However, right, 612 00:35:30,560 --> 00:35:33,960 Speaker 2: you have Matt Boemer come on and his storyline is 613 00:35:34,000 --> 00:35:37,400 Speaker 2: that of someone who's famous because they're in a popular 614 00:35:37,400 --> 00:35:41,520 Speaker 2: credit score commercial and everyone is freaking out, Like Sue's 615 00:35:41,520 --> 00:35:44,839 Speaker 2: reaction to him, like stalking him in the hallways is 616 00:35:45,000 --> 00:35:46,799 Speaker 2: so good. 617 00:35:47,320 --> 00:35:50,279 Speaker 1: When he kisses Sue on the lips, I was. I 618 00:35:50,360 --> 00:35:52,839 Speaker 1: cackled this whole episode. There's a couple of really good 619 00:35:52,840 --> 00:35:54,919 Speaker 1: lines of Cooper says that we have to I feel 620 00:35:54,920 --> 00:35:57,760 Speaker 1: like we have to point out he says, the secret 621 00:35:57,800 --> 00:36:00,719 Speaker 1: to great acting. Great acting is ignoring whatever the other 622 00:36:00,800 --> 00:36:03,759 Speaker 1: actor is doing. I contact with a scene partner is 623 00:36:03,800 --> 00:36:08,080 Speaker 1: incredibly distracting. I try to tune them out entirely. Sometimes 624 00:36:08,160 --> 00:36:10,960 Speaker 1: I wear earplugs that way, I don't get distracted by 625 00:36:11,000 --> 00:36:12,840 Speaker 1: what they're doing, and I can focus on the awesome 626 00:36:12,840 --> 00:36:15,400 Speaker 1: acting choices I've planned ahead of time, like eating a 627 00:36:15,480 --> 00:36:21,799 Speaker 1: roast beef sandwich. Right, that could go really terribly wrong. Yea, 628 00:36:22,000 --> 00:36:25,919 Speaker 1: like somebody'd saying delivering that line could go terribly wrong. 629 00:36:26,040 --> 00:36:29,000 Speaker 2: Yeah, not if they're good like Matt Boehmer. I also 630 00:36:29,000 --> 00:36:31,640 Speaker 2: love that scene opens up with don't go to college. 631 00:36:32,160 --> 00:36:34,800 Speaker 2: It's a waste of time after everyone's been talking about 632 00:36:34,800 --> 00:36:40,479 Speaker 2: college the entire season. Theeder's Laye broadways Dead React TV 633 00:36:40,640 --> 00:36:44,839 Speaker 2: in the film Oh God. He also when he gets 634 00:36:44,880 --> 00:36:47,160 Speaker 2: in a fight with Blaine later on, he's like, I 635 00:36:47,160 --> 00:36:49,080 Speaker 2: can't tell you're mad because you're not pointing at me. 636 00:36:52,800 --> 00:36:55,080 Speaker 1: He recently master plos. He says things are serious. A 637 00:36:55,120 --> 00:36:56,399 Speaker 1: man in an address is dead. 638 00:36:58,040 --> 00:37:02,640 Speaker 2: I will also what my equally favorite part of this 639 00:37:02,840 --> 00:37:06,279 Speaker 2: is the storyline is Darren gets something to do. 640 00:37:07,160 --> 00:37:07,799 Speaker 1: Oh man. 641 00:37:08,160 --> 00:37:10,400 Speaker 2: We all get into our like sort of rhythms of 642 00:37:10,400 --> 00:37:14,600 Speaker 2: what the characters their everyday lives and dramas are, and 643 00:37:14,640 --> 00:37:19,319 Speaker 2: then Blaine all of a sudden. It's just irritated the 644 00:37:19,520 --> 00:37:23,200 Speaker 2: entire time, and it's so amazing to see somebody who 645 00:37:23,239 --> 00:37:25,719 Speaker 2: is so likable like Matt Bomer, come on and then 646 00:37:25,800 --> 00:37:29,600 Speaker 2: have a character from the outset hate him. Yes, it 647 00:37:29,640 --> 00:37:32,239 Speaker 2: was written. Darren was so good at it. 648 00:37:32,200 --> 00:37:32,919 Speaker 1: It was so good. 649 00:37:33,239 --> 00:37:36,360 Speaker 2: It's so dramatic. You hate him so much. You have 650 00:37:36,480 --> 00:37:37,440 Speaker 2: to sing Fighter by. 651 00:37:37,360 --> 00:37:43,879 Speaker 7: Christine the screams screen behind him. 652 00:37:43,920 --> 00:37:45,160 Speaker 1: Of all of that, I. 653 00:37:45,280 --> 00:37:48,400 Speaker 2: Was thinking every department must have loved this, but the 654 00:37:48,520 --> 00:37:51,760 Speaker 2: art department because they got to do all this crazy 655 00:37:51,800 --> 00:37:53,960 Speaker 2: shit the commercial. 656 00:37:57,440 --> 00:38:00,000 Speaker 1: It's really funny. It's really really funny. 657 00:38:00,120 --> 00:38:02,399 Speaker 2: Do you remember working with Matt, like doing these scenes 658 00:38:02,440 --> 00:38:02,759 Speaker 2: with him? 659 00:38:03,480 --> 00:38:06,880 Speaker 1: Yes, I remember, okay, so I remember him being really funny, 660 00:38:09,239 --> 00:38:11,719 Speaker 1: but watching him back, like, I don't know that I 661 00:38:11,800 --> 00:38:16,319 Speaker 1: appreciated how funny he was. Like I felt like I 662 00:38:16,360 --> 00:38:20,560 Speaker 1: was like, oh my god, I was truly shocked. But 663 00:38:20,600 --> 00:38:22,879 Speaker 1: I do remember working with him, and I remember these 664 00:38:22,920 --> 00:38:25,400 Speaker 1: scenes very vividly, I think because Eric and him were 665 00:38:25,480 --> 00:38:28,239 Speaker 1: very collaborative, and like, I think he did add live 666 00:38:28,360 --> 00:38:32,120 Speaker 1: some of this stuff because I think it's yes, it's 667 00:38:32,200 --> 00:38:34,400 Speaker 1: very clear in my mind, and I think I was 668 00:38:34,440 --> 00:38:35,200 Speaker 1: shocked by it. 669 00:38:35,560 --> 00:38:37,880 Speaker 2: And he felt like such a natural fit on the show. 670 00:38:39,120 --> 00:38:42,640 Speaker 2: Especially watching it's like, oh, he fully understands. We had 671 00:38:42,680 --> 00:38:45,839 Speaker 2: other guest stars who were extremely talented, but you know, 672 00:38:46,080 --> 00:38:49,839 Speaker 2: everyone's got their own thing, and he fully fit in. 673 00:38:49,800 --> 00:38:54,960 Speaker 1: Like himself in it. Yeah, yeah, that's right, that's totally right. 674 00:38:55,239 --> 00:38:56,480 Speaker 2: How was she came back for more? 675 00:38:57,040 --> 00:38:59,600 Speaker 1: I think it's his commitment, Like he was just so 676 00:38:59,719 --> 00:39:02,840 Speaker 1: honest about everything, and he was so like every the 677 00:39:02,920 --> 00:39:05,640 Speaker 1: circumstances were so ridiculous, but he was just so honest 678 00:39:05,640 --> 00:39:08,880 Speaker 1: about it all that he made it. It just elevated 679 00:39:09,400 --> 00:39:10,880 Speaker 1: all of it. It was just so funny. 680 00:39:10,920 --> 00:39:15,239 Speaker 2: Have you seen fellow travelers. No, he's very good, and 681 00:39:15,280 --> 00:39:17,359 Speaker 2: it's the content opposite of this. 682 00:39:18,040 --> 00:39:20,319 Speaker 1: I mean, he is a he is the he's the 683 00:39:20,360 --> 00:39:21,600 Speaker 1: most versatile. 684 00:39:21,600 --> 00:39:26,839 Speaker 2: Which is I mean, I think like when this, when 685 00:39:26,840 --> 00:39:30,480 Speaker 2: he did Glee, mm hmm, he wasn't He was famous, 686 00:39:30,480 --> 00:39:32,160 Speaker 2: but he wasn't as famous as he is now, and 687 00:39:32,160 --> 00:39:34,839 Speaker 2: he hadn't done as much as he's done now. And 688 00:39:34,880 --> 00:39:36,880 Speaker 2: like to now look back and see the range of 689 00:39:36,920 --> 00:39:39,319 Speaker 2: all the things he has done and how good he 690 00:39:39,400 --> 00:39:43,000 Speaker 2: is at all of those things is truly remarkable. And 691 00:39:43,040 --> 00:39:48,359 Speaker 2: I think sometimes people are sold short sometimes if they 692 00:39:48,360 --> 00:39:51,640 Speaker 2: look like Matt Omer that's where he is just as 693 00:39:51,640 --> 00:39:53,760 Speaker 2: talented as he is beautiful. 694 00:39:54,000 --> 00:39:58,000 Speaker 1: Yes, yes, right, No, you're totally right and nice, like 695 00:39:58,080 --> 00:39:59,120 Speaker 1: a nice person to work with. 696 00:39:59,480 --> 00:39:59,879 Speaker 2: So nice. 697 00:40:00,160 --> 00:40:01,359 Speaker 1: Do you remember working with him? 698 00:40:01,440 --> 00:40:06,640 Speaker 2: Yes, And I just remember I think, like dying laughing 699 00:40:06,680 --> 00:40:09,000 Speaker 2: at all this and that Nicholas cage. 700 00:40:09,400 --> 00:40:11,759 Speaker 1: I'll never forget the Nicholas Cage of it all and 701 00:40:11,840 --> 00:40:14,439 Speaker 1: the yelling. I remember that line. I was yelling because 702 00:40:14,440 --> 00:40:18,239 Speaker 1: we had a hard time not laughing. Yeah, because I 703 00:40:18,320 --> 00:40:22,480 Speaker 1: don't think that's he also like came in just doing that, 704 00:40:23,000 --> 00:40:25,279 Speaker 1: like he started out a tent's right. 705 00:40:25,200 --> 00:40:28,319 Speaker 2: And it is. You've heard us talk about how you know, 706 00:40:28,320 --> 00:40:31,400 Speaker 2: the wheels were falling off. We were all like tired, 707 00:40:31,760 --> 00:40:34,640 Speaker 2: broken people, and then you have somebody come in like 708 00:40:34,680 --> 00:40:39,279 Speaker 2: that and just energize you and remind you of like 709 00:40:39,360 --> 00:40:41,160 Speaker 2: what you're doing and why you're doing and how much 710 00:40:41,160 --> 00:40:43,440 Speaker 2: fun it is. Was just such a game. 711 00:40:43,600 --> 00:40:46,400 Speaker 1: I was just gonna say, like even the reactions of 712 00:40:46,640 --> 00:40:49,160 Speaker 1: the Glee club, like in his Master clubs, all the 713 00:40:49,200 --> 00:40:52,319 Speaker 1: different takes of like how people were perceiving him and 714 00:40:52,360 --> 00:40:55,000 Speaker 1: like reacting to him like he made us better. 715 00:40:55,280 --> 00:40:57,799 Speaker 2: Oh yeah, well we didn't have to do anything because 716 00:40:57,760 --> 00:41:01,719 Speaker 2: see he was so good. We were just being ourselves. 717 00:41:03,480 --> 00:41:06,680 Speaker 1: Okay, Well, and that's a Matt Boomer love fest orf 718 00:41:06,719 --> 00:41:08,960 Speaker 1: I've ever heard one, But I really cackled like a 719 00:41:09,000 --> 00:41:12,719 Speaker 1: lot during this more than usual, like quite a bit 720 00:41:12,760 --> 00:41:15,319 Speaker 1: more than usual. So I think this episode is really 721 00:41:15,320 --> 00:41:18,400 Speaker 1: really funny for me, like very belly belly laughing funny. 722 00:41:18,560 --> 00:41:23,400 Speaker 2: And I think it also shows I really enjoyed his 723 00:41:23,520 --> 00:41:27,680 Speaker 2: delusion because that's that first number he does with Darren. 724 00:41:29,760 --> 00:41:33,279 Speaker 2: Darren is fantastic in it, and then he's like, no, 725 00:41:33,280 --> 00:41:35,520 Speaker 2: you're a little flat. 726 00:41:37,239 --> 00:41:39,600 Speaker 1: I like their voices together, yes, oh, and you can 727 00:41:39,600 --> 00:41:40,719 Speaker 1: also sing oh. 728 00:41:43,360 --> 00:41:46,520 Speaker 2: It was a showcase of Matt's ability and range, and 729 00:41:46,560 --> 00:41:49,920 Speaker 2: also for Darren. I think because they all got to 730 00:41:49,960 --> 00:41:52,320 Speaker 2: do things, I think they were outside of the norm 731 00:41:52,360 --> 00:41:56,239 Speaker 2: for them, and just yeah, it was exciting. It was 732 00:41:56,280 --> 00:41:57,759 Speaker 2: really exciting. I wanted more of them. 733 00:41:58,520 --> 00:42:01,160 Speaker 1: Let's grade the performances. That's what I'm talking about. Spinoff 734 00:42:01,400 --> 00:42:05,840 Speaker 1: Cooper and Blaine. I'm still standing, by the way, before 735 00:42:05,840 --> 00:42:07,719 Speaker 1: we do that, did you see that Matt Bomer went 736 00:42:07,880 --> 00:42:10,880 Speaker 1: and watched Darren yes little shop and took a picture 737 00:42:10,920 --> 00:42:12,839 Speaker 1: and said his little brother, which I thought was so 738 00:42:13,520 --> 00:42:15,799 Speaker 1: very cute. Oh, that's so nice of him to go 739 00:42:15,840 --> 00:42:18,680 Speaker 1: see Darren. I wish I could go see them do that. 740 00:42:20,560 --> 00:42:22,520 Speaker 1: We should, That's right, cute. 741 00:42:22,719 --> 00:42:23,480 Speaker 2: I'm still standing. 742 00:42:25,360 --> 00:42:31,560 Speaker 1: Look, circumstances aside, situation aside. I give it an A. 743 00:42:33,239 --> 00:42:35,880 Speaker 2: Yeah. I think the covers an A. I think the 744 00:42:35,920 --> 00:42:38,719 Speaker 2: actual number is like a C. 745 00:42:40,200 --> 00:42:46,919 Speaker 1: Yeah yeah, yeah, fair enough, hungry like the Wolf rio. 746 00:42:50,560 --> 00:42:55,280 Speaker 2: I I'll give it an A minus. 747 00:42:56,160 --> 00:42:58,480 Speaker 1: Okay, that's fair. I was gonna go be plus plus. 748 00:42:58,560 --> 00:42:59,920 Speaker 1: So we're saying this. 749 00:43:00,160 --> 00:43:02,759 Speaker 2: I was gonna say that as well, because they didn't 750 00:43:03,080 --> 00:43:06,359 Speaker 2: with just being in a choir room and it being 751 00:43:06,360 --> 00:43:07,360 Speaker 2: their first number together. 752 00:43:07,520 --> 00:43:13,839 Speaker 8: Hilarious, great, yes, exactly, okay, fighter a. 753 00:43:13,080 --> 00:43:16,799 Speaker 2: Plus yes, hilarious great. I also loved it was one 754 00:43:16,800 --> 00:43:20,759 Speaker 2: of those things where reminding myself, this is a satire, 755 00:43:21,560 --> 00:43:24,520 Speaker 2: Like Blaine is so serious right now, and look at 756 00:43:24,520 --> 00:43:31,040 Speaker 2: that screen behind him. This is comedy goal, honey, because 757 00:43:31,160 --> 00:43:33,080 Speaker 2: you feel like when we were filming some of these things, 758 00:43:33,120 --> 00:43:37,319 Speaker 2: like we're so in it, probably for the better as 759 00:43:37,360 --> 00:43:41,080 Speaker 2: our characters that like, you're not playing the comedy of it, 760 00:43:41,120 --> 00:43:42,160 Speaker 2: which is why it's funny. 761 00:43:43,040 --> 00:43:46,960 Speaker 1: No, and so, but it reads ridiculous. You're like, what 762 00:43:47,160 --> 00:43:50,560 Speaker 1: is happening? But it's really very good. Yes, it's very good. 763 00:43:51,080 --> 00:43:54,759 Speaker 1: I'm glad a lot of people got it up up up. 764 00:43:57,840 --> 00:44:00,640 Speaker 2: I like the song. It was just joy like joyful. 765 00:44:00,840 --> 00:44:05,600 Speaker 2: I mean, it's very swa. I think it's sweet. 766 00:44:05,880 --> 00:44:07,879 Speaker 1: Okay, I was gonna give it a night like. 767 00:44:07,800 --> 00:44:12,680 Speaker 8: It's you know, it's fun. Plus plus somebody that I 768 00:44:13,280 --> 00:44:17,399 Speaker 8: think a Yeah, agreed, agreed. We had a good that's 769 00:44:17,400 --> 00:44:21,840 Speaker 8: a good rating all across the board, A good variety 770 00:44:21,920 --> 00:44:22,400 Speaker 8: of music. 771 00:44:23,200 --> 00:44:34,800 Speaker 9: Yeah, and also we always need more, Christina, let's. 772 00:44:34,560 --> 00:44:40,800 Speaker 7: Do some tardy taps, Okay, romans, I'm still saying that. Yeah, 773 00:44:41,160 --> 00:44:45,439 Speaker 7: the concept, We've said enough about it. Yeah, best dance move. 774 00:44:49,200 --> 00:44:52,040 Speaker 2: There wasn't a ton of dancing in this episode, right, 775 00:44:52,200 --> 00:44:55,000 Speaker 2: but I mean hungry like a wolf was insane. Darren 776 00:44:55,040 --> 00:45:00,040 Speaker 2: gets on the piano everywhere, Okay, something I also, I 777 00:45:00,080 --> 00:45:03,440 Speaker 2: would say the skate park it can be Dan this, 778 00:45:03,880 --> 00:45:06,680 Speaker 2: You're right, I mean that is the most impressive. 779 00:45:07,080 --> 00:45:10,879 Speaker 3: Yes, exactly, Okay, we'll go with that. Okay, best song, 780 00:45:16,960 --> 00:45:20,080 Speaker 3: this is hard. They're all very, very different. I guess 781 00:45:20,120 --> 00:45:21,879 Speaker 3: I'll go with somebody that I used to know. Your 782 00:45:21,880 --> 00:45:22,480 Speaker 3: favorite song. 783 00:45:23,640 --> 00:45:24,520 Speaker 1: I'm going to a fighter. 784 00:45:25,280 --> 00:45:28,359 Speaker 2: Respect. You can't go wrong, you can't go wrong. 785 00:45:28,840 --> 00:45:35,280 Speaker 1: Across the board, good report card, performance, proper stuff. 786 00:45:37,280 --> 00:45:40,480 Speaker 2: The head shot also like a special shout out to 787 00:45:40,480 --> 00:45:42,680 Speaker 2: Britney's camera. She's taking pictures with the cap. 788 00:45:42,520 --> 00:45:54,000 Speaker 4: Onery sides from n cis Oh man, that's good too. 789 00:45:54,400 --> 00:45:58,040 Speaker 2: Best line. Oh my god, it's gotta be one of Cooper's. 790 00:46:00,200 --> 00:46:08,200 Speaker 2: Yeah for sure, So okay, so Cooper says, Stanislavski says 791 00:46:08,520 --> 00:46:11,279 Speaker 2: the fingers are the eyes of the body, but he 792 00:46:11,360 --> 00:46:15,640 Speaker 2: never mentioned that the toes are the ears. 793 00:46:17,880 --> 00:46:22,920 Speaker 1: What I think I'm gonna go with the the Nicholas 794 00:46:22,920 --> 00:46:26,120 Speaker 1: Cage line, and that's more about the to be fair, 795 00:46:26,160 --> 00:46:28,680 Speaker 1: that's more about the delivery than it is the line itself. 796 00:46:28,719 --> 00:46:30,520 Speaker 1: But I think I have to give it to him. 797 00:46:31,760 --> 00:46:38,279 Speaker 2: I'm performance VP's Matt Boehmer obviously, like just crushed it, obviously. 798 00:46:38,480 --> 00:46:40,880 Speaker 2: So for should we found on TikTok This week, Grilled 799 00:46:40,920 --> 00:46:45,239 Speaker 2: Jesus Mary did a slide show about Super Bowl twenty 800 00:46:45,280 --> 00:46:48,520 Speaker 2: twenty four predictions, and there's things like San Francisco scores 801 00:46:48,560 --> 00:46:51,680 Speaker 2: at the end of the first half. Case he scores 802 00:46:51,680 --> 00:46:54,239 Speaker 2: a touchdown but misses the extra point. Usher delivers an 803 00:46:54,239 --> 00:46:57,480 Speaker 2: exciting performance. Then oh my god, a giant asteroid hit 804 00:46:57,520 --> 00:46:59,400 Speaker 2: the field and all of the Chiefs are hurt. He 805 00:46:59,480 --> 00:47:01,760 Speaker 2: can't plain anymore. Who will play the forty nine ers. 806 00:47:02,360 --> 00:47:04,560 Speaker 2: The William McKinley High School football team comes to the 807 00:47:04,560 --> 00:47:07,560 Speaker 2: field and performs single ladies taking the field in the 808 00:47:07,600 --> 00:47:10,640 Speaker 2: final play of the game, a touchdown, a score by McKinley, 809 00:47:10,680 --> 00:47:13,120 Speaker 2: bringing the score to twenty to twenty one, and send 810 00:47:13,160 --> 00:47:15,600 Speaker 2: Kurt Hummel and for the extra point to win the game. 811 00:47:15,800 --> 00:47:20,560 Speaker 2: And there's all these incredible pictures and Kurt performing ladies. 812 00:47:21,760 --> 00:47:31,040 Speaker 1: Okay, it's very funny, very good. Yeah, thank you girl, Jesus, girl, Jesus, Jesus. 813 00:47:31,120 --> 00:47:33,440 Speaker 2: I wanted to say before we go, i'n listened to 814 00:47:33,440 --> 00:47:40,560 Speaker 2: this podcast called Hollywood Gold, which interviews producers of movies, 815 00:47:42,239 --> 00:47:46,560 Speaker 2: and I feel like if people because producers don't get 816 00:47:46,600 --> 00:47:51,120 Speaker 2: often interviewed, and you can see her from start to finish, 817 00:47:51,120 --> 00:47:53,040 Speaker 2: how like some of the biggest films in the world 818 00:47:53,080 --> 00:47:57,160 Speaker 2: get made, and I feel like you have our perspective 819 00:47:57,160 --> 00:48:00,960 Speaker 2: here as the performers in it doing it, and to 820 00:48:01,080 --> 00:48:04,239 Speaker 2: hear how production goes for movies. It's not that dissimilar 821 00:48:04,280 --> 00:48:07,360 Speaker 2: from here, but it's just fascinating and I think you 822 00:48:07,400 --> 00:48:09,400 Speaker 2: should listen to it if you enjoy like behind the 823 00:48:09,400 --> 00:48:12,560 Speaker 2: scenes stuff of this. It's not a mad not getting 824 00:48:12,560 --> 00:48:15,680 Speaker 2: paid to do this, but it's just some really brilliant, 825 00:48:16,200 --> 00:48:18,640 Speaker 2: brilliant things. Like I listened Silver Linings Playbook. There's an 826 00:48:18,680 --> 00:48:22,560 Speaker 2: episode about and Arrival and it's just great. 827 00:48:23,120 --> 00:48:26,760 Speaker 1: Oh cool, good wreck Kevin. 828 00:48:27,920 --> 00:48:31,759 Speaker 2: Okay, come back next week. It's Saturday night, gleever exciting. 829 00:48:32,080 --> 00:48:33,799 Speaker 1: Thank you so much for listening to you, guys, and 830 00:48:33,840 --> 00:48:34,680 Speaker 1: that's what you really. 831 00:48:34,520 --> 00:48:38,239 Speaker 2: Miss Thanks for listening, and follow us on Instagram at 832 00:48:38,280 --> 00:48:40,520 Speaker 2: and that's what you really miss pod. Make sure to 833 00:48:40,520 --> 00:48:42,960 Speaker 2: write us a review and leave us five stars. See 834 00:48:42,960 --> 00:48:43,439 Speaker 2: you next time.