WEBVTT - Hablando Reggaeton con La Gata

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<v Speaker 1>Welcome, Welcome guys with your girl and you're listening to

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<v Speaker 1>Exactly A Mada. Welcome back, guys. I've missed you all week. Batto.

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<v Speaker 1>I am grateful that you guys continue to download and

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<v Speaker 1>subscribe to Exactly Amada. I'm so grateful for that. I

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<v Speaker 1>love the reviews so far, so good, great reviews. I'm

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<v Speaker 1>grateful for it. You have to saw it, whether it

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<v Speaker 1>is on the YouTube channel or on the podcast, whether

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<v Speaker 1>it's good or bad, or comment or there's something specific

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<v Speaker 1>you want me to talk about that being a creement

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<v Speaker 1>and let me know what's happening, what's popping. And by

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<v Speaker 1>the way, let me send you with the stars. Let

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<v Speaker 1>me send you with the stars and rate us five

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<v Speaker 1>stars and share this podcast with your friends. You from

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<v Speaker 1>going everybody that you know to stop it. But anyways, um,

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<v Speaker 1>I definitely want to hear from you guys, and today

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<v Speaker 1>I want to get right to it. Because chat Chasm

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<v Speaker 1>we we have had several conversations in the past. I

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<v Speaker 1>think that she is beautiful, she's smart. I love the

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<v Speaker 1>fact that she's outspoken. She's also after Latina. She is

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<v Speaker 1>all about women empowerment. She supports and she supports more

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<v Speaker 1>than a lot of people that have bigger platforms could

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<v Speaker 1>She's created a movement, a wave. I mean she is

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<v Speaker 1>everything A lot of you guys see like I didn't

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<v Speaker 1>know her like that, but as soon as they told

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<v Speaker 1>me I'm not your guest today is She's from Bana

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<v Speaker 1>and she's a creator of a multimedia platform dedicated to

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<v Speaker 1>the history and evolution of Regestas. Welcome to exactly a

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<v Speaker 1>Madam Marten, Thank you for having me. What an introduction.

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<v Speaker 1>I feel that ten times about you. I love you

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<v Speaker 1>having to be here. Thank you know, I'm super proud

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<v Speaker 1>and honored to have you today on the show. I

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<v Speaker 1>feel like, um we I don't know why it hasn't

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<v Speaker 1>happened yet, but one of my dreams and I'm gonna

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<v Speaker 1>put it out to the Universethaniel somehow, even if it's

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<v Speaker 1>at the end of the year. I need to figure out,

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<v Speaker 1>you know what, I should write it down so I

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<v Speaker 1>don't forget. But um we need to do something where

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<v Speaker 1>the all the after latinos we really come together and

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<v Speaker 1>do something annually, something where we continue to support because

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<v Speaker 1>I really hate when when we start well I don't

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<v Speaker 1>want to say when we started, but it's very few

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<v Speaker 1>of us that use our platform and our voices not

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<v Speaker 1>only to entertain, but also to also to talk about

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<v Speaker 1>real things that happened in our community and all those things.

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<v Speaker 1>And you're one of those people that are very outspoken.

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<v Speaker 1>Wins that I see me once that I see it. Okay,

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<v Speaker 1>we have to uplift mass after Latinos or more Latino's overall.

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<v Speaker 1>So what inspires you to be so outspoken and vocal

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<v Speaker 1>when it comes to the music industry and also the

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<v Speaker 1>AFRI Latino community. Thank you there, Um, What can I say?

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<v Speaker 1>I created my platform in college. UM, I studied UM

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<v Speaker 1>the the industry. I studied racism in the industry. I

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<v Speaker 1>have the honor of interviewing some grades UM and the

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<v Speaker 1>data was depressing. Um. The data was was tough, you know,

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<v Speaker 1>and it painted me a very clear picture of just

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<v Speaker 1>how difficult it is to move in the Latin music industry. Right.

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<v Speaker 1>Moving in music is not easy in general. I know

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<v Speaker 1>you know this, so you're they here, Okay, if it's

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<v Speaker 1>this hard, let me make a platform for myself to

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<v Speaker 1>give myself a voice. And the way I moved just

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<v Speaker 1>in general, but both in front of them behind the camera.

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<v Speaker 1>You're simple Flores I'm very serious about that. I'm all

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<v Speaker 1>about giving people their flowers. I'm not a first and

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<v Speaker 1>I won't be the last. And the only way that

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<v Speaker 1>we will move forward is if we give each other

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<v Speaker 1>our our credit are flores and a space to really

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<v Speaker 1>be to be, you know, because none. So I'm grateful

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<v Speaker 1>that you know, the platform took off and me, Um,

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<v Speaker 1>if we don't see each other, who will you know?

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<v Speaker 1>Most definitely what inspired you UM specifically to do because

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<v Speaker 1>as you know, it's it's a it's a big part

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<v Speaker 1>of the community. But there's so many different genres, right

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<v Speaker 1>and didn't give ba laa like everything you can think of?

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<v Speaker 1>Why the genre specifically? Um? Yes, American? Now right, my

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<v Speaker 1>they talk about, um the Jamaicans who immigranted to Panama

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<v Speaker 1>to work in the Canal. I'm like, you made my

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<v Speaker 1>grand father the Panamins who speak Patua and Spanish. I'm

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<v Speaker 1>like me, what I love me? My mom ste s

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<v Speaker 1>So it's like it's it's just parallel to the history

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<v Speaker 1>of my family. UM. And of course I was raising Boston.

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<v Speaker 1>Shout out to Boston a bunch of bunny light holes.

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<v Speaker 1>I was raised by bunny like Dominicans. UM, shout out

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<v Speaker 1>to me, Bunny, I'm in d R right now, Um

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<v Speaker 1>shout down. You already know dang r yes um. I

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<v Speaker 1>was raised by Dominicans um and bodiq was and Natra.

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<v Speaker 1>It just stuck to me. You know, my mom she

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<v Speaker 1>would so um like that. Yes. So I became gata

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<v Speaker 1>by the person who was always throwing the house party's um,

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<v Speaker 1>you know, and it just pretty much came naturally, like

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<v Speaker 1>my love for you're nothing. To be honest. Now, now

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<v Speaker 1>here's something that has been debated for a very long time, right,

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<v Speaker 1>so jo and Puerto Rico local one of these Puerto

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<v Speaker 1>Ricueo las in Puerto Rico, the same thing I've heard

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<v Speaker 1>with Reggaeton. I don't know clarifying me, there's people that

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<v Speaker 1>say Puerto Rico when you talk like a legend, like

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<v Speaker 1>DJ Blast he says, you know, studying in Panama and Panama. So,

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<v Speaker 1>I don't know, how do you feel about it? Since

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<v Speaker 1>this is what you do? You know what both are right?

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<v Speaker 1>This is the thing. So I say that reggaetne right,

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<v Speaker 1>r E g g A E t o Nama and

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<v Speaker 1>that R E g U E t o and Puerto Rico.

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<v Speaker 1>Everybody gets their flowers Alfinan. No, no matter how you

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<v Speaker 1>spell it is the convention the Panama Right in the nineties,

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<v Speaker 1>Nando Boom was in the studio with Bobby Digital were

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<v Speaker 1>a sleepy wonder who were making the Dembo Pounder be

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<v Speaker 1>that the be that's Corasonno right, right, So to say

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<v Speaker 1>that it's not Panamanian, it's like it's literally incorrect. A

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<v Speaker 1>Panamanian was there in the studio as a part of

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<v Speaker 1>the process. Right. Um. I think it gets sticky because

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<v Speaker 1>in Latin that we like to stay close to like

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<v Speaker 1>our nation, like our nationality. The idea of a dual

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<v Speaker 1>nationality is like it's like foreign, right, I'm not Panamean,

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<v Speaker 1>I'm paname In Jamaican people hear that, they acknowledge, but

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<v Speaker 1>they still don't get it. You know, there's like a

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<v Speaker 1>subculture there and so I get it and that when

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<v Speaker 1>people say, oh no, it's like yeah, but the Panamans

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<v Speaker 1>are the Jamaicans in this instance. You know, Um, you

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<v Speaker 1>gotta recognize the subculture otherwise you're literally erasing us in

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<v Speaker 1>a contribution. Meanwhile, noos to be honest, like right, they

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<v Speaker 1>really put in their work, nobody now they right? Um?

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<v Speaker 1>I love you like right, but at the same time.

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<v Speaker 1>So that's how I go about it. Both are right,

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<v Speaker 1>It's just it has to be explained that way otherwise,

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<v Speaker 1>and that's not fair. Okay, I I agree. I mean

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<v Speaker 1>I didn't know its history per se the way that

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<v Speaker 1>you are describing it. Important about having these conversations because

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<v Speaker 1>now it also makes me feel like I want to

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<v Speaker 1>go over there and do my own research to find out.

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<v Speaker 1>You know what it is. Um here you go something

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<v Speaker 1>else that I also have heard in something else. I

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<v Speaker 1>want you to break down to me because there has

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<v Speaker 1>always been like a white washing, you know, white washing

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<v Speaker 1>when it comes to music. Um, now, what's happening when

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<v Speaker 1>it comes to you feel that this is currently happening.

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<v Speaker 1>It's something that happened. I think that we are pastgeton.

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<v Speaker 1>I don't think what's being made right now could even

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<v Speaker 1>be considered. I think it's considered. I call it. It's

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<v Speaker 1>like popet like even to the max. Because you know

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<v Speaker 1>when the Colombians Colombia UM literally not my words the

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<v Speaker 1>words of Maloma, the words of Jay Balvin is literally

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<v Speaker 1>they took off the timbales, They took off every African

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<v Speaker 1>instrument from the music to make it something that's a

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<v Speaker 1>little bit more pop. Um. And you know, people can

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<v Speaker 1>do what they want. But my mom, so it's a tendencia.

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<v Speaker 1>And that's why a lot of the music we hear now,

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<v Speaker 1>I don't hear the Lanka anymore. That's too like quote

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<v Speaker 1>and quote ghatto. Some people even have the cohors old

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<v Speaker 1>school Yeah, which opinion? Um, So with that sun, Um, Yes,

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<v Speaker 1>there's been a whitewashing. It was deliberate. It was intentional, um,

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<v Speaker 1>both by way of the artists and also by way

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<v Speaker 1>of the industry. Um. And sadly, if in these rooms

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<v Speaker 1>there aren't enough people to tell you're like, hey, hey,

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<v Speaker 1>you make that, and we also make you know, No,

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<v Speaker 1>nobody's in the room stopping this from happening. So I mean,

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<v Speaker 1>why why do you think that there? Why do you

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<v Speaker 1>think that they're not stopping it? Do you think it's convenience?

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<v Speaker 1>Because I'm gonna be honest, um, being being in the

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<v Speaker 1>music industry since I was you know, a really you

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<v Speaker 1>know young girl, it's harder. Obviously. I feel that if

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<v Speaker 1>this would have been a whole bunch of like sech

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<v Speaker 1>and a whole bunch of like, I don't know, a

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<v Speaker 1>whole bunch of morenos being the ones to sing their

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<v Speaker 1>own music, their own cultural stuff or whatever. It wouldn't

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<v Speaker 1>be as accepted as obviously when it's cookie cutter and

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<v Speaker 1>they clean up the quote unquote image. Because a lot

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<v Speaker 1>of the times, if you go to the studio, in

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<v Speaker 1>the studio there's a whole bunch of either Jamaicans, Morenos, Latinos,

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<v Speaker 1>Dominican banan, there's a whole bunch of us, but when

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<v Speaker 1>they come up on stage, none of them look like us.

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<v Speaker 1>So I do believe that it's part of convenience, um,

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<v Speaker 1>because it's you know, it's the market, it's society, standards

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<v Speaker 1>of beauty, it's all those things. Do you feel that

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<v Speaker 1>that's ever going to change? Do you ever do you

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<v Speaker 1>feel that there's gonna be a wave? Which sucks to

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<v Speaker 1>even kind of a wave. They shouldn't be a wave,

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<v Speaker 1>But do you think there will ever be progressed in

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<v Speaker 1>that aspect that will be a whole bunch of us

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<v Speaker 1>singing our own music without it having to be you know,

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<v Speaker 1>kind of washed a little bit. I'm trying so hard

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<v Speaker 1>to not be like, yes, everything you're saying, because you know,

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<v Speaker 1>like you've been on the block, you know this, Um.

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<v Speaker 1>Do I think they'll be a wave. This is the thing,

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<v Speaker 1>and and this is what makes it difficult, right, Um,

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<v Speaker 1>and what I was trying to like finish up with

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<v Speaker 1>at the I get it, but I'm in the studio now,

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<v Speaker 1>so now out of my yant and I'm like, this

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<v Speaker 1>costs money. Um, you know I do you want to

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<v Speaker 1>play the game or not? So this is the thing.

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<v Speaker 1>I feel like in order for that to happen and

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<v Speaker 1>to be successful, they would really have to be when

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<v Speaker 1>I'm young, right, we would really need to have a conversation,

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<v Speaker 1>have to get together and be intentional and like make

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<v Speaker 1>it happen, reclaim the culture and let other people do

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<v Speaker 1>what they want to do. Um. And sadly, because I

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<v Speaker 1>get come in. I understand that you know you want

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<v Speaker 1>to make the songs that you know are going to

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<v Speaker 1>hit the radios, that you know certain markets are gonna

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<v Speaker 1>turn the quick book, right, and when it comes time

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<v Speaker 1>down to make the music that you want to make, No,

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<v Speaker 1>I animal, no, I like urso No, I you know

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<v Speaker 1>it's difficult, right, So I feel like, in order afraid

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<v Speaker 1>to happen right now, there's a wave which I agree

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<v Speaker 1>with you that it shouldn't be a wave. It should

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<v Speaker 1>be the dominant. Um. There's a wave of like there

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<v Speaker 1>are people who are tired of this sagatum circle and

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<v Speaker 1>I'm living for it. Um. They're making like pereo, like

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<v Speaker 1>actual pereo um oi in thea um mochosa Requila. We

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<v Speaker 1>really need to like listen to like lo paavo. But

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<v Speaker 1>it's a lot of give and take. It's complicated, it

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<v Speaker 1>isn't it's the point? Yeah, do you feel that the

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<v Speaker 1>same thing happens UM when it comes to because I

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<v Speaker 1>know that I think, okay, so were the relevant as

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<v Speaker 1>important whether you're after Latin or just as a Latina industry,

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<v Speaker 1>how much harder is it or how do you feel

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<v Speaker 1>that as women we have evolved in regat because in

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<v Speaker 1>the days there were very few dona Is obviously you

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<v Speaker 1>know one that would still get and with female is

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<v Speaker 1>ev right, Ivy queens and Anthiana, you know it. It

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<v Speaker 1>was kind of hard because to my understanding, we all

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<v Speaker 1>admired her as women because she was one of the few.

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<v Speaker 1>She also when there with a more masculine energy in

0:15:25.680 --> 0:15:30.920
<v Speaker 1>order to be respected, in order to be UM. Now,

0:15:31.000 --> 0:15:33.520
<v Speaker 1>obviously she came out more feminine and I feel that

0:15:33.640 --> 0:15:36.960
<v Speaker 1>it almost affected her a little bit because people wanted

0:15:37.000 --> 0:15:41.480
<v Speaker 1>to see that that tough, that toughness in her. But

0:15:41.760 --> 0:15:46.080
<v Speaker 1>then at the same time, now we see that are

0:15:46.520 --> 0:15:50.440
<v Speaker 1>much more sexualized, are much more sexi or ec and

0:15:50.560 --> 0:15:53.000
<v Speaker 1>handed out cambiallo. But when you listen to cat g

0:15:53.520 --> 0:15:56.760
<v Speaker 1>or Becky g or Natasha, or you listen to the

0:15:56.800 --> 0:16:00.120
<v Speaker 1>women that are now predominating, how do you feel that

0:16:01.000 --> 0:16:04.720
<v Speaker 1>don't have evolved and changed for women? I think you

0:16:04.760 --> 0:16:13.040
<v Speaker 1>said it perfectly in the Queen so La Patriot route

0:16:13.120 --> 0:16:16.840
<v Speaker 1>gown um who you know, she was a little bit

0:16:17.000 --> 0:16:20.880
<v Speaker 1>on the I'd say on, yeah, on the masculine side,

0:16:20.960 --> 0:16:24.080
<v Speaker 1>Tambia and going the heater was handed on, you know,

0:16:24.720 --> 0:16:30.280
<v Speaker 1>thinking about women's autonomy and sexual agency in Mexico. Oh

0:16:30.320 --> 0:16:35.200
<v Speaker 1>my god, we definitely I feel that so many times

0:16:35.240 --> 0:16:38.760
<v Speaker 1>we talked about and we've been leaving him out, but

0:16:41.160 --> 0:16:45.520
<v Speaker 1>when I missed them both right, you know, I'm that

0:16:45.680 --> 0:16:48.800
<v Speaker 1>much older, but he was like the first person I

0:16:48.880 --> 0:16:52.440
<v Speaker 1>can think of that was singing reg but we here

0:16:52.520 --> 0:16:57.720
<v Speaker 1>now as reget do you play that music? So I

0:16:57.840 --> 0:16:59.920
<v Speaker 1>definitely am like, yeah, if that you're right, you know

0:17:00.000 --> 0:17:11.399
<v Speaker 1>I did, but um Panama or no, definitely, So the

0:17:11.560 --> 0:17:17.879
<v Speaker 1>first of all handedo Urbano Panama Um and he was

0:17:17.960 --> 0:17:22.760
<v Speaker 1>in a quarta. It was actually him and not the book,

0:17:22.840 --> 0:17:28.320
<v Speaker 1>No excuse me. It was Renato and handed On and

0:17:28.440 --> 0:17:32.600
<v Speaker 1>Reggae Sam. They were the four first group um of

0:17:33.080 --> 0:17:38.119
<v Speaker 1>Hando and that they translated music from Patua to Spanish,

0:17:38.680 --> 0:17:42.520
<v Speaker 1>made Soka, made dance so mid regae, and then and

0:17:42.640 --> 0:17:45.080
<v Speaker 1>handed On went a little bit more commercial, made what

0:17:45.280 --> 0:17:48.440
<v Speaker 1>we call now Regaton produced by Michael Ellis UM and

0:17:48.560 --> 0:17:52.920
<v Speaker 1>he rest in peace. Um and Dada. She was the

0:17:52.960 --> 0:17:56.080
<v Speaker 1>one who could hang with the guys. Um, but even

0:17:56.200 --> 0:17:59.600
<v Speaker 1>queen and answering the previous with the women, I would

0:17:59.640 --> 0:18:02.600
<v Speaker 1>definitely say that the earlier women and I mean evy

0:18:02.680 --> 0:18:07.480
<v Speaker 1>queen at a glory glow Um had to like tap

0:18:07.560 --> 0:18:11.560
<v Speaker 1>into their you know, their hood sign to like make

0:18:11.640 --> 0:18:14.840
<v Speaker 1>the men forget that they are women. Um. And I'm

0:18:15.000 --> 0:18:23.280
<v Speaker 1>very happy now that they're more women. But elas like negras,

0:18:25.520 --> 0:18:28.879
<v Speaker 1>like you know, I'm tired of feeling crazy. It's actually

0:18:28.920 --> 0:18:31.520
<v Speaker 1>what influenced me to give it a shot, honestly, being

0:18:31.600 --> 0:18:34.919
<v Speaker 1>inspired by you, being inspired by Salia, being inspired by

0:18:34.960 --> 0:18:37.280
<v Speaker 1>I'm like, I'm tired of the industry, feeling like there

0:18:37.320 --> 0:18:45.320
<v Speaker 1>could only be one great Negra like and it's like

0:18:45.480 --> 0:18:48.840
<v Speaker 1>and yet, um, I'm tired of seeing us added into

0:18:48.920 --> 0:18:59.680
<v Speaker 1>token playlists plist Yeah no, no, no playlist. You know

0:18:59.680 --> 0:19:05.359
<v Speaker 1>What's like just like just like they'll they'll do the

0:19:06.280 --> 0:19:12.520
<v Speaker 1>it's Black History month, you know, after so in that

0:19:12.760 --> 0:19:15.040
<v Speaker 1>month it will be like the most light that you're

0:19:15.080 --> 0:19:19.240
<v Speaker 1>gonna get after that is like, you know, I was surprised,

0:19:19.320 --> 0:19:23.359
<v Speaker 1>not the way I'm indeed super talented, but I was

0:19:23.440 --> 0:19:25.920
<v Speaker 1>surprised when I saw such come out. I was like,

0:19:26.119 --> 0:19:29.800
<v Speaker 1>whoa do we have a black person? And it wasn't

0:19:29.800 --> 0:19:32.960
<v Speaker 1>a black cooking cutter. It was just he's talented. This

0:19:33.160 --> 0:19:35.320
<v Speaker 1>is what it is. I look like this, it's like

0:19:35.400 --> 0:19:38.840
<v Speaker 1>a I whatever. Um, do I feel that he gets

0:19:38.920 --> 0:19:42.920
<v Speaker 1>as much flowers as he could in comparison to other talents? No?

0:19:44.080 --> 0:19:46.520
<v Speaker 1>Do I feel that. I almost feel like they opened

0:19:46.560 --> 0:19:48.600
<v Speaker 1>the door for him. And it's like, y'all need to

0:19:48.680 --> 0:19:52.040
<v Speaker 1>be grateful, right that we allowed him, Like he's the

0:19:52.119 --> 0:19:54.320
<v Speaker 1>one that's going to represent all of y'all. That's it.

0:19:54.560 --> 0:19:57.680
<v Speaker 1>We got one. And if you look at the billboards

0:19:57.680 --> 0:20:00.000
<v Speaker 1>and you look at the charts, you can actually count

0:20:00.000 --> 0:20:05.200
<v Speaker 1>out with one hand equ without how many negroes or more.

0:20:06.720 --> 0:20:09.040
<v Speaker 1>After this in the end, are really on this list.

0:20:09.400 --> 0:20:11.280
<v Speaker 1>It's like I don't want to say that they took

0:20:11.320 --> 0:20:14.200
<v Speaker 1>our music or culture book. I know that I understand

0:20:14.240 --> 0:20:18.440
<v Speaker 1>how perhaps we have influenced. We are music, our culture,

0:20:18.560 --> 0:20:22.040
<v Speaker 1>our sound or food, our style, our hairstyle or everything

0:20:22.440 --> 0:20:26.720
<v Speaker 1>are features all of us have affected the whole world,

0:20:26.920 --> 0:20:29.800
<v Speaker 1>you know what I'm saying, not just musically. So I

0:20:29.920 --> 0:20:36.320
<v Speaker 1>get that part, Okay, someone who names speed we are

0:20:36.480 --> 0:20:39.920
<v Speaker 1>It's okay, Like I get it, and that we don't

0:20:39.920 --> 0:20:44.200
<v Speaker 1>want to ruffle no feathers. But it's it's okay to

0:20:44.240 --> 0:20:47.720
<v Speaker 1>say that they stole because I did, you know, like

0:20:50.840 --> 0:20:54.280
<v Speaker 1>but even like it hurts turning on the TV and

0:20:54.320 --> 0:20:57.639
<v Speaker 1>it's like, look at everything about me except me, Like

0:20:58.119 --> 0:21:03.520
<v Speaker 1>that hurts, you know, like, h it's true. And then

0:21:03.600 --> 0:21:10.640
<v Speaker 1>that's what they'll do. Okay. Commercially is more accepted. They

0:21:10.760 --> 0:21:13.280
<v Speaker 1>sing it, they become rich, they become the image now

0:21:13.400 --> 0:21:16.320
<v Speaker 1>with this music, with the sound is and you completely

0:21:16.440 --> 0:21:21.080
<v Speaker 1>get discredit, You completely get erased from the map, even

0:21:21.160 --> 0:21:24.840
<v Speaker 1>though that you created this. So I definitely agree. Um

0:21:25.680 --> 0:21:28.240
<v Speaker 1>if it is hard to see it, and I'll ask

0:21:28.280 --> 0:21:32.000
<v Speaker 1>you this too, you've been um in the Rolling Stone magazine.

0:21:32.040 --> 0:21:34.560
<v Speaker 1>We need to see at eight times you have done

0:21:34.600 --> 0:21:37.719
<v Speaker 1>it all. Tell us about the work you're doing right

0:21:37.840 --> 0:21:40.800
<v Speaker 1>now and how can we support you? Know what you're doing.

0:21:45.400 --> 0:21:49.560
<v Speaker 1>It's been a journey. Um. I started off in Lamega

0:21:49.760 --> 0:21:52.840
<v Speaker 1>in Boston, um, talking about race and colors, and there

0:21:53.119 --> 0:21:56.400
<v Speaker 1>I realized like, if I'm gonna reach a bigger audience,

0:21:56.520 --> 0:21:59.320
<v Speaker 1>I need to take more to the internet. Um the

0:21:59.359 --> 0:22:02.520
<v Speaker 1>hella mega uh um. And then I started doing more

0:22:02.600 --> 0:22:07.800
<v Speaker 1>interviews behind the scenes, like behind concerts, which I from

0:22:07.880 --> 0:22:11.440
<v Speaker 1>was very difficult because I remember I interviewed you in

0:22:11.720 --> 0:22:18.760
<v Speaker 1>in um Boston, yeah, um with that beautiful blue Manda,

0:22:18.800 --> 0:22:23.320
<v Speaker 1>You're so pretty. Yeah. So I started like that, you know,

0:22:23.560 --> 0:22:26.280
<v Speaker 1>doing behind the scenes. But that's not easy because perfect example,

0:22:26.560 --> 0:22:29.480
<v Speaker 1>you were exhausted, do not get you wanted to go home?

0:22:29.560 --> 0:22:32.320
<v Speaker 1>I get it, um, you know, and artists just gave

0:22:32.400 --> 0:22:37.400
<v Speaker 1>us they're all on stage and then it's nothing easy. Um.

0:22:37.720 --> 0:22:44.200
<v Speaker 1>And then you know like, um, so we won't be

0:22:44.280 --> 0:22:50.480
<v Speaker 1>there on Twitter virang and I expanded my base from

0:22:50.520 --> 0:22:57.119
<v Speaker 1>there and Poco Contrado um, and I was tapped on

0:22:57.200 --> 0:22:59.960
<v Speaker 1>the shoulder. Um. It was like a two way street.

0:23:00.119 --> 0:23:02.440
<v Speaker 1>My point. Um, Yes, I was doing this work, but

0:23:02.520 --> 0:23:05.359
<v Speaker 1>also I feel like the industry was ready to have

0:23:05.560 --> 0:23:09.399
<v Speaker 1>these conversations in writing, but I didn't know whose shoulder

0:23:09.480 --> 0:23:13.240
<v Speaker 1>to tap, And it's it's a gamble, right, talking about

0:23:13.320 --> 0:23:17.160
<v Speaker 1>these topics. It's difficult because the publicists are right there.

0:23:17.520 --> 0:23:22.159
<v Speaker 1>I get that feather. So I was tapped on the

0:23:22.160 --> 0:23:25.399
<v Speaker 1>shoulder to write an op ed for Club because that

0:23:25.680 --> 0:23:29.840
<v Speaker 1>the summer when George Floyd died and everybody was really

0:23:29.880 --> 0:23:33.080
<v Speaker 1>showing their colors and it was really bad. Um, nobody

0:23:33.119 --> 0:23:36.080
<v Speaker 1>didn't really know how to talk about nobody like no

0:23:36.160 --> 0:23:38.560
<v Speaker 1>white Latino artists know how to knew how to talk

0:23:38.560 --> 0:23:42.560
<v Speaker 1>about race, and um, it was evident the industry looked

0:23:42.600 --> 0:23:47.760
<v Speaker 1>really bad. Well as bad as things are right because okay, okay,

0:23:47.920 --> 0:23:52.800
<v Speaker 1>you're sl me right, um either um henty like done

0:23:52.960 --> 0:23:58.160
<v Speaker 1>ones like you're not. That's not my point. My point

0:23:58.280 --> 0:24:00.480
<v Speaker 1>is not to put anybody down. My point is to

0:24:00.600 --> 0:24:02.600
<v Speaker 1>make people feel bad, Like what's the point of that?

0:24:02.760 --> 0:24:05.720
<v Speaker 1>Like either point? What did I saw? Right? My point is,

0:24:06.119 --> 0:24:09.200
<v Speaker 1>let's recognize the issues that that exists, right as a

0:24:09.280 --> 0:24:12.680
<v Speaker 1>continuation of many conversations that you've had a Mata and

0:24:12.760 --> 0:24:15.080
<v Speaker 1>people who have come before me, and let's get to

0:24:15.160 --> 0:24:17.240
<v Speaker 1>the point. Let's go to a solution like Bama Black Clad,

0:24:17.400 --> 0:24:20.920
<v Speaker 1>They're OK, and like, let's talk about these things exactly

0:24:20.960 --> 0:24:23.280
<v Speaker 1>how they are. So I've had the honor of talking

0:24:23.400 --> 0:24:27.520
<v Speaker 1>on race and music and Rolling Stone and l a times,

0:24:28.320 --> 0:24:31.359
<v Speaker 1>um talking about I get the own versus classical music,

0:24:31.600 --> 0:24:36.159
<v Speaker 1>which was an honor. Um. You know, my platform is

0:24:36.200 --> 0:24:39.840
<v Speaker 1>a bridge between academia and entertainment because I said, you know,

0:24:40.000 --> 0:24:42.199
<v Speaker 1>people really should have the tools to learn about their

0:24:42.240 --> 0:24:45.560
<v Speaker 1>own history. I was tired as a panamania like talking

0:24:45.640 --> 0:24:48.160
<v Speaker 1>about the vices of people looking at me like you're

0:24:48.200 --> 0:24:50.359
<v Speaker 1>so cute. We don't know what you're talking about, Like

0:24:50.840 --> 0:24:55.520
<v Speaker 1>what in Like that's crazy. Um. So at the it's

0:24:55.560 --> 0:24:58.720
<v Speaker 1>been a very difficult journey. Um, I made sure to

0:24:59.280 --> 0:25:02.240
<v Speaker 1>to give people our flowers and really have people understand that.

0:25:06.520 --> 0:25:16.720
<v Speaker 1>But I'm not because oh so, I'm not trying to

0:25:16.760 --> 0:25:19.520
<v Speaker 1>throw the industry array so that nobody's getting money. Let's

0:25:19.560 --> 0:25:23.080
<v Speaker 1>get money and let's do things right. Hip. Probably it's

0:25:23.119 --> 0:25:25.680
<v Speaker 1>based off off of the Civil Rights movement. There's a

0:25:25.840 --> 0:25:30.000
<v Speaker 1>legacy of centering blackness that should be evident in Latin

0:25:30.119 --> 0:25:35.119
<v Speaker 1>music and it's not. That is the point. Um. I

0:25:35.200 --> 0:25:37.920
<v Speaker 1>always feel like Latino and that aspect we're always a

0:25:37.960 --> 0:25:42.440
<v Speaker 1>little bit more like behind in comparison to like, you know,

0:25:42.560 --> 0:25:44.960
<v Speaker 1>even when you look at the African American community, and

0:25:45.040 --> 0:25:47.399
<v Speaker 1>then I think that that's why I also when I

0:25:48.040 --> 0:25:51.560
<v Speaker 1>was vocal about colorism and racism in my community as

0:25:51.600 --> 0:25:53.760
<v Speaker 1>an Alfri Latina, everybody was like, oh my god, what

0:25:54.400 --> 0:25:58.600
<v Speaker 1>you know? But that's because the Latino we're not necessarily

0:25:58.720 --> 0:26:03.040
<v Speaker 1>as outspoken. We haven't really been as you know, vocal

0:26:03.600 --> 0:26:07.840
<v Speaker 1>about our issues. We kind of conformal with knowing what

0:26:07.960 --> 0:26:12.480
<v Speaker 1>our place is and being like this is how they

0:26:12.520 --> 0:26:14.520
<v Speaker 1>treat us. We get it and we just do with it,

0:26:14.600 --> 0:26:16.920
<v Speaker 1>and this is how we go about it. And that's

0:26:16.960 --> 0:26:20.000
<v Speaker 1>not the way obviously to progress, whether it is in music,

0:26:20.440 --> 0:26:23.800
<v Speaker 1>whether it's in politics, whether it is in whatever industry. Um,

0:26:24.000 --> 0:26:26.520
<v Speaker 1>you have to be vocal about equality when it comes

0:26:26.560 --> 0:26:30.400
<v Speaker 1>to that, right. But UM, on a more positive light,

0:26:31.600 --> 0:26:34.080
<v Speaker 1>what the art is? Are there any artists out there

0:26:34.280 --> 0:26:38.880
<v Speaker 1>right now that you're like, be out in the lookout?

0:26:39.040 --> 0:26:45.080
<v Speaker 1>I um, most of us who are a trio of

0:26:45.480 --> 0:26:50.520
<v Speaker 1>Colombian our Afro Colombian Argentine sisters who are put in

0:26:50.560 --> 0:26:52.960
<v Speaker 1>the music out there. They just released a song called

0:26:53.040 --> 0:26:55.760
<v Speaker 1>Destino and now they're working on an afrobeats and we're

0:26:55.760 --> 0:26:59.480
<v Speaker 1>excited to see what comes from them. Melaner, we just

0:26:59.520 --> 0:27:02.399
<v Speaker 1>gotta say each old. Really, Melana, who's been you know

0:27:02.520 --> 0:27:07.160
<v Speaker 1>here for a little bit lay party with Nicana. She's

0:27:07.200 --> 0:27:11.680
<v Speaker 1>so pretty. Finale who makes like very upbeat music at

0:27:11.760 --> 0:27:15.000
<v Speaker 1>the den morn I have a threat on Twitter. I

0:27:15.000 --> 0:27:19.480
<v Speaker 1>have many threads on Twitter, but free to slide up

0:27:19.480 --> 0:27:21.359
<v Speaker 1>in my d m s because I always want to

0:27:21.400 --> 0:27:29.480
<v Speaker 1>be able to support a k you know that they

0:27:29.560 --> 0:27:31.280
<v Speaker 1>have a way that they're doing good. If there's any

0:27:31.320 --> 0:27:32.960
<v Speaker 1>way that I can at least post your music and

0:27:33.040 --> 0:27:35.440
<v Speaker 1>support some way somehow, I would love to be able

0:27:35.440 --> 0:27:37.600
<v Speaker 1>to do that because it starts with us. It's like, yes,

0:27:37.720 --> 0:27:40.000
<v Speaker 1>we hear about it, we know about it, um, but

0:27:40.119 --> 0:27:41.960
<v Speaker 1>then what are you doing? Because a lot of times

0:27:42.320 --> 0:27:44.720
<v Speaker 1>it's you know, will go support somebody that doesn't even

0:27:44.800 --> 0:27:48.680
<v Speaker 1>know who we are UM and doesn't add necessarily any

0:27:48.760 --> 0:27:51.440
<v Speaker 1>value to our community, But those that really do need

0:27:51.560 --> 0:27:54.520
<v Speaker 1>us we don't. So if there's anything that I can do,

0:27:55.040 --> 0:27:57.879
<v Speaker 1>count me in uh and later on in the future

0:27:59.640 --> 0:28:06.199
<v Speaker 1>being able to create something annually then we come together

0:28:06.320 --> 0:28:09.520
<v Speaker 1>and really do something. I'm definitely gonna have you in

0:28:09.640 --> 0:28:13.720
<v Speaker 1>mind that where can they follow you? Where can they

0:28:13.760 --> 0:28:15.920
<v Speaker 1>support you? Where can they hear more of your work?

0:28:17.040 --> 0:28:19.480
<v Speaker 1>Thank you? I really quick just want to give a

0:28:19.560 --> 0:28:24.399
<v Speaker 1>shout out to UM Afro Latino Festival because you know,

0:28:25.200 --> 0:28:29.240
<v Speaker 1>I feel like they've a large part of my my following,

0:28:29.440 --> 0:28:32.840
<v Speaker 1>my support of why I even got the visibility that

0:28:32.920 --> 0:28:36.920
<v Speaker 1>I needed UM is because they have an amazing event

0:28:37.040 --> 0:28:41.280
<v Speaker 1>that they pull every year, them being UM where they

0:28:41.400 --> 0:28:43.520
<v Speaker 1>like really make sure that we have a safe space.

0:28:43.560 --> 0:28:52.280
<v Speaker 1>So UM, but also thank you so much. UM is

0:28:52.440 --> 0:28:56.200
<v Speaker 1>available everywhere, but one on one is getting a face withthem.

0:28:56.200 --> 0:28:59.120
<v Speaker 1>We're excited for you guys to see that UM available

0:28:59.160 --> 0:29:02.280
<v Speaker 1>on all digital platforms and as well as for those

0:29:02.280 --> 0:29:06.760
<v Speaker 1>who are looking for a more academic type standardization of

0:29:06.840 --> 0:29:09.440
<v Speaker 1>all the information that I throw out there, check out

0:29:10.680 --> 0:29:18.960
<v Speaker 1>academy w dot what you heard it here? Umga, I'm

0:29:19.040 --> 0:29:21.280
<v Speaker 1>so grateful to have you as usual. Like I said,

0:29:21.320 --> 0:29:24.480
<v Speaker 1>it's always an honor talking to you and UH start

0:29:24.560 --> 0:29:26.360
<v Speaker 1>up in my d M. Show me how I can support,

0:29:26.440 --> 0:29:29.160
<v Speaker 1>show me what I gotta do, and I can see

0:29:29.560 --> 0:29:34.480
<v Speaker 1>I'm a big believer. Unite forces. We can only but

0:29:34.640 --> 0:29:38.080
<v Speaker 1>become stronger and become better. Thank you everyone once again

0:29:38.200 --> 0:29:41.040
<v Speaker 1>for joining me. And remember to follow exactly a Mada

0:29:41.120 --> 0:29:45.160
<v Speaker 1>Michael podcast on Instagram. You can also go check out

0:29:45.200 --> 0:29:47.920
<v Speaker 1>this podcast on YouTube by going to the search bar

0:29:48.000 --> 0:29:51.000
<v Speaker 1>and writing exactly a matter or a Madagra and you

0:29:51.160 --> 0:29:54.160
<v Speaker 1>find it all right there. And if you didn't know,

0:29:55.040 --> 0:29:56.880
<v Speaker 1>you know that this has been a production of My

0:29:57.040 --> 0:30:00.760
<v Speaker 1>Hearts Michael Cuda podcast Network. And for more podcast from

0:30:00.760 --> 0:30:03.880
<v Speaker 1>My Heart, visit the I Heart Radio app, Apple podcast,

0:30:04.040 --> 0:30:07.560
<v Speaker 1>or wherever you listen to your favorite shows. This is

0:30:07.600 --> 0:30:11.800
<v Speaker 1>your girl. Exactly am