WEBVTT - 8: One More Try

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<v Speaker 1>How did you feel about the style of the group

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<v Speaker 1>and how that sort of evolved.

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<v Speaker 2>Yeah, so I was I was definitely the outsider of

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<v Speaker 2>the Outsiders just because like they called me tiger Beat

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<v Speaker 2>because I was I don't have any edge, right, like

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<v Speaker 2>like Todd Allen and and even Jimmy, you know, like

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<v Speaker 2>they all kind of grew up in a I don't know,

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<v Speaker 2>there were military kids, and they grew up in around

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<v Speaker 2>with different culture than I did.

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<v Speaker 1>This right here is Jason Dowdy. When Aaron Kane and

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<v Speaker 1>his brother Noel left Sudden Impact, which by then was

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<v Speaker 1>called the Outsiders, Jason is one of the new guys

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<v Speaker 1>who took their place, and for the rest of the group,

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<v Speaker 1>the first order of business was to dirty him up

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<v Speaker 1>a little.

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<v Speaker 3>Yeah.

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<v Speaker 2>So when I joined the group, they kind of had

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<v Speaker 2>to give me a makeover, you know a little bit. Yeah,

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<v Speaker 2>and like what like how oh, like you know, get

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<v Speaker 2>like Jibo jeans and Iceberg and I don't know all

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<v Speaker 2>this stuff in the.

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<v Speaker 4>Time, sure, all giant giant jeans.

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<v Speaker 2>Yeah, yeah, I had my jeans that I had at

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<v Speaker 2>the time were more Jimko than Chirpo, you know what

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<v Speaker 2>I mean.

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<v Speaker 5>Yeah, But what I got there, I got there.

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<v Speaker 1>Yeah, Jason didn't know he'd be a part of the

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<v Speaker 1>version of Sudden Impact that came the closest to fulfilling

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<v Speaker 1>the promise of the Motown Philly Moment, the version that

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<v Speaker 1>finally got a whole song on a movie soundtrack, The

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<v Speaker 1>version that finally appeared in music videos for its own music.

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<v Speaker 1>These Outsiders for live videos are on YouTube, by the way,

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<v Speaker 1>And in the one I'm looking at right now, the

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<v Speaker 1>one that you will not believe me when I tell

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<v Speaker 1>you who directed it, Sweet Tiger Beat, Jason is definitely

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<v Speaker 1>all decked out and bad boy tank tops and do

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<v Speaker 1>rags and wide leg jeans. He exhales blunt smoke and

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<v Speaker 1>when you look, you don't even have to look that closely,

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<v Speaker 1>you see it. The blunt smoke is cgi. We'll talk

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<v Speaker 1>to Sweet Jason Dowdy Tiger Beat, the new guy in

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<v Speaker 1>Sudden Impact, about his life in the group's final stretch,

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<v Speaker 1>the Outsiders for Life years. He'll take us into the

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<v Speaker 1>inevitable tragic drug chapter of the story.

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<v Speaker 4>Every group has one.

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<v Speaker 1>And since we're taking some big swings lately, if we

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<v Speaker 1>are really chiseling out Mount Rushmore of early nineties music

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<v Speaker 1>video special guest performers. I have found the daddy of

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<v Speaker 1>them all. No, I have found the zaddy of them all.

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<v Speaker 1>I've reached out to an unforgettable face from a nineteen

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<v Speaker 1>ninety one music video, someone I have always wanted to

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<v Speaker 1>track down, and baby, Baby, you will not believe who

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<v Speaker 1>I have got for you. This is Waiting for Impact,

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<v Speaker 1>a Dave Holmes pasion project. By the late nineties, the

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<v Speaker 1>group that had started as Two Special became White Hot Empty,

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<v Speaker 1>famous as Sudden Impact, got renamed White Guys, and later

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<v Speaker 1>rebranded themselves.

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<v Speaker 4>The Outsiders began to implode.

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<v Speaker 1>After being pulled off of Capital and then dropped from

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<v Speaker 1>BIV ten Records. Their third record label, Stone Creek, just

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<v Speaker 1>folded entirely, putting them right back to square one. Brothers

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<v Speaker 1>Aaron and Noel Kine left the group to start a

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<v Speaker 1>new one, and their empty seats got taken by two

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<v Speaker 1>young singers, Jimmy Marble and Jason Dowdy.

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<v Speaker 4>How are you good, Dave good good?

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<v Speaker 5>Where are you in well OneD Ontario where we have

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<v Speaker 5>free healthcare?

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<v Speaker 4>Oh? Come on, good thinking.

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<v Speaker 1>When we talk, Jason Dowdy is freshly vexed and ready

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<v Speaker 1>to talk about his adventure with a group he already

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<v Speaker 1>knew a little bit about. Did you remember having seen

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<v Speaker 1>the Boys to Men Motown, Philly video and the sudden impact?

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<v Speaker 2>Oh yeah, absolutely, Yeah, Okay, I remember. Let's see that

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<v Speaker 2>was in ninety I want to say one or two

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<v Speaker 2>somewhere around there house, still in high school when I

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<v Speaker 2>saw that. Yeah, And of course I was like what

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<v Speaker 2>I was like cause, you know, new addition Viv like

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<v Speaker 2>all that. There were my heroes growing up. So yeah,

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<v Speaker 2>I was like, what's gonna happen with this?

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<v Speaker 4>What was the Outsiders for life lifestyle?

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<v Speaker 3>Like?

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<v Speaker 4>For you, what was a typical day?

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<v Speaker 5>Hurry up and wait?

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<v Speaker 2>So it depended on the day, right, Yeah, Like I

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<v Speaker 2>would say, most of my time spent with the Outsiders

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<v Speaker 2>was downtime because we were waiting on this or that

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<v Speaker 2>to happen before we could you know, tour or record

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<v Speaker 2>or that type of thing. They put us up in

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<v Speaker 2>a really nice apartment. You know, we were at this

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<v Speaker 2>we were definitely vampires, so you know, we were staying

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<v Speaker 2>up all night.

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<v Speaker 5>I would say Tim probably worked the hardest out of

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<v Speaker 5>us all.

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<v Speaker 2>Like I would go sing my little bit and then

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<v Speaker 2>I would be, you know, walking the streets with Jimmy

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<v Speaker 2>or ordering Chinese food, or we'd play ping.

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<v Speaker 3>Pong or whatever.

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<v Speaker 2>Right, Like a lot of a lot of weed being smoked,

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<v Speaker 2>a lot of that going on. I wasn't I wasn't

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<v Speaker 2>a weat smoker, but a lot of that happening people

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<v Speaker 2>in and out of the studio all the time. Like

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<v Speaker 2>you know, we'd run into Kenny Loggins and I remember

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<v Speaker 2>Queen Latakifa stopping by at some point. So it's a

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<v Speaker 2>little bit of like surreal, you know what I mean.

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<v Speaker 1>That is the entire tragic drug chapter of the story.

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<v Speaker 1>By the way, you're safe now. Like I said, if

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<v Speaker 1>you do some digging on YouTube, you can find some

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<v Speaker 1>of the videos from the early Outsiders for Life era.

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<v Speaker 1>There's one called college Degrees spelled with a Z, just

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<v Speaker 1>like Outsiders.

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<v Speaker 3>Those God, the.

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<v Speaker 1>Guys are a little thugged up in this one. They're

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<v Speaker 1>in low riders. They're smoking blunts for Jason and I'm

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<v Speaker 1>just gonna repeat this in case his parents are listening.

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<v Speaker 1>The blunt smoke is cgi. This video is a wild ride.

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<v Speaker 1>But I was not prepared for what Jason told me

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<v Speaker 1>about it.

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<v Speaker 2>That one that was a hype Williams one. So first

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<v Speaker 2>of all, we got like the best director.

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<v Speaker 4>Wait a minute, Hype Williams directed.

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<v Speaker 5>That college degree.

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<v Speaker 2>Yeah yeah, wow, yeah, Okay, yeah, I can send over

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<v Speaker 2>like a picture.

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<v Speaker 5>I think we have a picture of us with him.

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<v Speaker 1>Okay, gather round, kids. Hype Williams was the music video

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<v Speaker 1>director of the late nineties. Every hip hop video cliche,

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<v Speaker 1>he did it first, fish eye lenses, hype, artists bathed

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<v Speaker 1>in deep red or vivid blue lighting, hype. All those

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<v Speaker 1>early Missy Elliott and Buster Rhymes videos, all hype. Name

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<v Speaker 1>an iconic nineties hip hop or R and B video,

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<v Speaker 1>and I bet he directed it. No scrubs, getting jiggy

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<v Speaker 1>with it, MO money, more problems, Hype, hype and hype.

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<v Speaker 1>It's no exaggeration to say that he single handedly changed

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<v Speaker 1>the visual language of music, video and film. In two thousand,

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<v Speaker 1>he directed videos for jay Z, No Doubt, DMX, and

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<v Speaker 1>Outsiders for Life. Jason has a YouTube channel where he

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<v Speaker 1>hosts a bunch of Outsiders for Life videos. There's College

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<v Speaker 1>Degrees directed by Hype Williams. The guys are shooting, Moody

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<v Speaker 1>looks at the camera inside a bowling alley and then

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<v Speaker 1>getting hauled off to a jail cell for reasons that

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<v Speaker 1>are never made clear. There's one for Not Enough, with

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<v Speaker 1>the guys in matching black leather outfits. The video features

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<v Speaker 1>each one of the guys rolling around with a model

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<v Speaker 1>on a bed with some aggressively shiny satin sheets, and

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<v Speaker 1>the guys do the very two thousand music video thing

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<v Speaker 1>of getting so emotional they have to rip their jacket

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<v Speaker 1>or shirt off and expose their tank top. Not Enough

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<v Speaker 1>has Todd White singing the lyric You're something special girl,

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<v Speaker 1>you know your shit is tight?

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<v Speaker 4>And then there are.

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<v Speaker 1>Two videos for a song called who Are You, the

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<v Speaker 1>original and the Timbaland remix. Both of these songs start

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<v Speaker 1>with a verse from Dave Smith, the Quiet One from

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<v Speaker 1>the group Let's take a listen. Okay, you really have

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<v Speaker 1>to watch out for the Quiet Ones. But I listened

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<v Speaker 1>to this verse again and something jumps out at me.

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<v Speaker 1>Pay attention to these lyrics. You think you're hot shit,

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<v Speaker 1>but you ain't nothing.

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<v Speaker 4>Now.

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<v Speaker 1>You went from boys to men, broke to Benjamin's front

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<v Speaker 1>and day by day like we're fucking friend, come up

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<v Speaker 1>with something new because you ain't saying nothing.

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<v Speaker 4>Hold on, is who are you a diss? Track? And

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<v Speaker 4>if so, who are they dissing?

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<v Speaker 1>January nineteen ninety one, a thirty year old superstar in

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<v Speaker 1>the Christian music world released her first pop single, a

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<v Speaker 1>song whose lyrics are actually about her six week old daughter, Millie.

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<v Speaker 1>The artist was Amy Grant and the song was Baby Baby.

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<v Speaker 1>It went to number one on the Billboard Hot one

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<v Speaker 1>hundred in April, unseating Wilson Phillips You're in Love because again,

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<v Speaker 1>nineteen ninety one was a great fucking year.

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<v Speaker 4>Anyway.

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<v Speaker 1>If you know the song, which you do, you also

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<v Speaker 1>know the video. The video was absolutely everywhere you looked

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<v Speaker 1>in nineteen ninety one, seismic in our culture. Karen Kilgareth

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<v Speaker 1>herself describes the video as like if Rachel from Friends

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<v Speaker 1>were a music video. It's Amy Grant doing what we

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<v Speaker 1>can only call avoiding in some outfits right out of

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<v Speaker 1>the Elaine Bennis collection, with a guy, a handsome guy,

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<v Speaker 1>a strikingly startlingly seen, stealingly handsome guy, a rare male

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<v Speaker 1>video vixen. Largely because of him, the video for Baby

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<v Speaker 1>Baby made people crazy crazy. It was sweet, aspirational, clean

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<v Speaker 1>enough for a Christian music star. Yet because of this guy,

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<v Speaker 1>undeniably sexy, he was so popular he made the rare

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<v Speaker 1>music video move of reprising his role in a sequel,

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<v Speaker 1>the video for Ammy Grant's Good for Me. He was

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<v Speaker 1>one of the faces of nineteen ninety one, but because

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<v Speaker 1>it was nineteen ninety one and there was no Internet

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<v Speaker 1>or social media, and I guess he didn't hire a publicist.

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<v Speaker 1>Nobody knew his name. I did a little digging. I

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<v Speaker 1>found him and I talked to him, and his name

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<v Speaker 1>is Jamie Sin. Yes, sir as I live in breath.

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<v Speaker 1>I can't believe we found you and it's happening.

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<v Speaker 3>Yeah, I'm pretty in shocked myself. I'm in shock. Thirty

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<v Speaker 3>years is what I'm in shocked at.

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<v Speaker 4>Yeah, tell me what you're doing now. You're in Miami Beach.

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<v Speaker 3>Well, I'm in Miami Beach and I'm kind of going

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<v Speaker 3>back California. In Miami Beach, my son lives here. I'm still,

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<v Speaker 3>believe it or not, in the fashion world, modeling at

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<v Speaker 3>the age of fifty two.

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<v Speaker 4>I can see you. I believe it.

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<v Speaker 3>Thank you so much.

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<v Speaker 4>This is a video call. I believe it.

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<v Speaker 3>Thank you you guys.

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<v Speaker 1>Jamie Stein looks good as hell. He's in kind of

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<v Speaker 1>a salt and pepper silver Fox Daddy moment.

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<v Speaker 4>It works. Let's go back. Who was Jamie Stein in

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<v Speaker 4>nineteen ninety one?

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<v Speaker 3>Oh, my god, who was Jamie Stein in nineteen ninety one?

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<v Speaker 3>I was. I was just starting in the business of

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<v Speaker 3>doing commercials and modeling, just literally fresh into it. I

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<v Speaker 3>must have been twenty four, around twenty four years old.

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<v Speaker 3>I was living in LA and I was surfing a lot,

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<v Speaker 3>and then I got into the fashion world and that

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<v Speaker 3>kind of changed the direction on my life for sure.

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<v Speaker 4>What did you want out of life at twenty four?

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<v Speaker 3>Oh? I mean literally just I wanted to see the

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<v Speaker 3>world as I was doing. Even went out before the business.

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<v Speaker 3>I was traveling just to go surf and explore. That's

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<v Speaker 3>really what my life was about. And all I wanted

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<v Speaker 3>to do was surf and travel.

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<v Speaker 1>You can relate to this, right You moved to Los

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<v Speaker 1>Angeles to surf and then you find yourself swept up

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<v Speaker 1>in the world of high fashion modeling.

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<v Speaker 4>Well, that's Jamie's life. He's modeling.

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<v Speaker 1>He's starting to go out on commercial auditions, and at

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<v Speaker 1>that time, with four major networks and just a few

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<v Speaker 1>dozen cable channels, a national commercial could make your career.

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<v Speaker 1>The residuals alone could buy you a house, You could

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<v Speaker 1>get discovered and go onto something bigger like Brad Pitt

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<v Speaker 1>and Matt LeBlanc did. Jamie Stein went a different direction.

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<v Speaker 1>So you're going out on commercial castings and whatnot. What

0:11:50.760 --> 0:11:51.920
<v Speaker 1>kind of stuff would you go out for?

0:11:52.480 --> 0:11:59.240
<v Speaker 3>Oh my god, from Coca Cola to car commercials. Back

0:11:59.280 --> 0:12:02.480
<v Speaker 3>then there was even out cigarette commercials. I mean, it

0:12:02.520 --> 0:12:06.080
<v Speaker 3>was such a wide variety of music videos, you know, yeah,

0:12:06.080 --> 0:12:07.600
<v Speaker 3>there you go, yeah yeah.

0:12:07.760 --> 0:12:09.920
<v Speaker 4>So how did the Baby Baby job come about?

0:12:10.960 --> 0:12:15.760
<v Speaker 3>Well, they my agency sent me on a casting to

0:12:15.880 --> 0:12:20.120
<v Speaker 3>go see about this video, and I had no idea

0:12:20.200 --> 0:12:22.959
<v Speaker 3>what it was about. And I never heard of I was.

0:12:23.000 --> 0:12:25.319
<v Speaker 3>I was always listening to reggae music as I grew up,

0:12:25.520 --> 0:12:27.280
<v Speaker 3>and that was most of the music I listened to.

0:12:27.840 --> 0:12:31.440
<v Speaker 1>Just breaking in to say that reggae absolutely suits Jamie's

0:12:31.480 --> 0:12:32.160
<v Speaker 1>personal brand.

0:12:32.520 --> 0:12:35.080
<v Speaker 3>So I wasn't really familiar with Amy Grant at the time,

0:12:35.120 --> 0:12:36.560
<v Speaker 3>and I didn't know how big of the deal she

0:12:36.720 --> 0:12:40.320
<v Speaker 3>was back in that time as well. And I didn't

0:12:40.400 --> 0:12:44.320
<v Speaker 3>know that she was a christ Christian gospel singer. I

0:12:44.320 --> 0:12:46.120
<v Speaker 3>thought she was just a pop singer. So I had

0:12:46.160 --> 0:12:50.080
<v Speaker 3>no idea the whole background of this whole situation, you know.

0:12:50.360 --> 0:12:54.440
<v Speaker 3>So I just went in and I casted for it.

0:12:54.600 --> 0:12:58.760
<v Speaker 3>They made me dance around and sing to the song

0:12:58.840 --> 0:13:02.560
<v Speaker 3>that I never heard of before, which was crazy, but

0:13:02.600 --> 0:13:05.920
<v Speaker 3>it was super fun and it felt comfortable and they

0:13:06.080 --> 0:13:08.600
<v Speaker 3>liked me. And then they called me back and I

0:13:08.640 --> 0:13:11.520
<v Speaker 3>met the director and I did some more dancing and

0:13:11.600 --> 0:13:16.080
<v Speaker 3>some more singing, lip singing, obviously to her music, and

0:13:16.320 --> 0:13:18.760
<v Speaker 3>uh and there you go. They booked me for it.

0:13:18.920 --> 0:13:22.000
<v Speaker 1>You were living in La at the time where we're Yes, yeah,

0:13:22.120 --> 0:13:24.000
<v Speaker 1>I was in La Okay whereabouts.

0:13:24.160 --> 0:13:26.560
<v Speaker 3>I was living at that at that time, on top

0:13:26.600 --> 0:13:30.280
<v Speaker 3>of the Panga Canyon. Oh wow, yeah, yeah.

0:13:30.440 --> 0:13:36.880
<v Speaker 4>Theme themes are emerging here, Jamie stout. Welcome to my world, right,

0:13:37.480 --> 0:13:41.199
<v Speaker 4>I love it. Your world is a good place, Jamie steins.

0:13:41.280 --> 0:13:43.480
<v Speaker 1>Panka Canyon, for those who don't know, is just over

0:13:43.520 --> 0:13:46.240
<v Speaker 1>the hill from Malibu, and it is exactly the part

0:13:46.280 --> 0:13:47.840
<v Speaker 1>of La you would end up in if you were

0:13:47.840 --> 0:13:50.360
<v Speaker 1>a surfer turned model who listened to a lot of reggae.

0:13:50.480 --> 0:13:53.840
<v Speaker 1>It's perfect. Jamie booked the job. The video came out

0:13:53.880 --> 0:13:54.760
<v Speaker 1>and you've seen it.

0:13:54.720 --> 0:13:58.480
<v Speaker 4>So you know he crushes it. So during during.

0:13:58.280 --> 0:14:02.080
<v Speaker 1>Lockdown, we've had a lot of time time to you know,

0:14:02.160 --> 0:14:05.280
<v Speaker 1>to watch things, to binge, watch our thing here.

0:14:05.040 --> 0:14:05.600
<v Speaker 4>In our home.

0:14:05.800 --> 0:14:08.920
<v Speaker 1>My partner and I will just go down late night

0:14:09.440 --> 0:14:14.680
<v Speaker 1>YouTube music video rabbit holes, right, and we we got

0:14:15.480 --> 0:14:20.720
<v Speaker 1>into the Amygrant music videos recently, and I said out loud,

0:14:21.800 --> 0:14:27.600
<v Speaker 1>this is a man who understands the assignment. This guy

0:14:28.600 --> 0:14:32.000
<v Speaker 1>has a job and he's doing the hell out of it.

0:14:32.200 --> 0:14:34.320
<v Speaker 3>I appreciate that you're I appreciate that.

0:14:34.520 --> 0:14:39.240
<v Speaker 1>It's you're you're like you're magnetic, but you're not stealing focus.

0:14:39.320 --> 0:14:42.720
<v Speaker 1>It's like, it is. I hope you're comfortable with me

0:14:42.760 --> 0:14:49.680
<v Speaker 1>saying this. It is you're performing a male Tawny Katain situation. Wow, Wow, Wow,

0:14:50.440 --> 0:14:54.000
<v Speaker 1>all right, kids, gather around again. Tawny Katain was the

0:14:54.320 --> 0:14:57.200
<v Speaker 1>video vixen of the eighties. She appeared on the cover

0:14:57.280 --> 0:15:00.200
<v Speaker 1>of rats breakthrough album Out of the Cellar, but she's

0:15:00.280 --> 0:15:02.840
<v Speaker 1>known for her performance doing the splits and vaults on

0:15:02.880 --> 0:15:05.520
<v Speaker 1>the hoods of luxury cars in White Snakes Here I

0:15:05.560 --> 0:15:09.360
<v Speaker 1>Go Again video. That performance made MTV play that video

0:15:09.480 --> 0:15:12.160
<v Speaker 1>a million times a day, and MTV playing that video

0:15:12.240 --> 0:15:14.520
<v Speaker 1>a million times a day made that song an album

0:15:14.560 --> 0:15:17.440
<v Speaker 1>go multi platinum. You're gonna have to take my word

0:15:17.440 --> 0:15:19.400
<v Speaker 1>for it that when I said he had pulled off

0:15:19.480 --> 0:15:22.760
<v Speaker 1>a rare male Tawny Kataine maneuver. Jamie put his hand

0:15:22.840 --> 0:15:25.960
<v Speaker 1>right on his chest like he was really touched. This

0:15:26.040 --> 0:15:30.640
<v Speaker 1>guy gets it. Okay, yeah, Okay, that landed. Wow good

0:15:30.960 --> 0:15:31.520
<v Speaker 1>yeah good.

0:15:31.600 --> 0:15:31.920
<v Speaker 3>Yeah.

0:15:31.960 --> 0:15:34.280
<v Speaker 4>So on set, what kind of direction were you given?

0:15:35.800 --> 0:15:40.440
<v Speaker 3>Well, first of all, I have to say DJ Webster,

0:15:40.480 --> 0:15:43.560
<v Speaker 3>who was the director, was just he was crazy but

0:15:44.040 --> 0:15:47.360
<v Speaker 3>so like like he gave me all the energy that

0:15:47.400 --> 0:15:50.240
<v Speaker 3>I needed. I was, you have to you have to

0:15:50.280 --> 0:15:53.760
<v Speaker 3>know that I was really raw, like into this business.

0:15:53.920 --> 0:15:55.840
<v Speaker 3>So I really didn't know what I was doing at all.

0:15:56.240 --> 0:15:58.520
<v Speaker 3>I was just going with how I feel and with

0:15:59.240 --> 0:16:03.600
<v Speaker 3>the direction I was And Amy Grant Okay, so I really,

0:16:03.720 --> 0:16:05.560
<v Speaker 3>like I said, I don't really don't know anything about Amy,

0:16:05.680 --> 0:16:11.200
<v Speaker 3>And she was so sweet and so understanding and so

0:16:11.560 --> 0:16:14.280
<v Speaker 3>like I had the lip sync to her her song

0:16:14.960 --> 0:16:18.119
<v Speaker 3>and in front of like I don't know, fifty sixties

0:16:18.640 --> 0:16:22.600
<v Speaker 3>people working in front of me. So I was super

0:16:22.920 --> 0:16:26.000
<v Speaker 3>embarrassed in the beginning because I didn't want to embarrass

0:16:26.040 --> 0:16:28.640
<v Speaker 3>her by me like making a fool myself. She said,

0:16:28.760 --> 0:16:31.720
<v Speaker 3>just go with it, just let's have fun. And I

0:16:31.800 --> 0:16:34.720
<v Speaker 3>literally just whatever came on the line, I just did.

0:16:35.040 --> 0:16:38.760
<v Speaker 3>And with the direction of DJ and and Amy just

0:16:39.040 --> 0:16:42.520
<v Speaker 3>like leading it was. It just felt it felt really natural.

0:16:43.240 --> 0:16:49.160
<v Speaker 1>After the video comes out, it explodes and gets played constantly.

0:16:49.760 --> 0:16:52.600
<v Speaker 3>Oh my god, Oh my god, you have you have

0:16:52.680 --> 0:16:55.720
<v Speaker 3>no idea, you have no idea. It was no, it

0:16:55.760 --> 0:16:59.560
<v Speaker 3>was it was beyond what I'd ever thought I was

0:16:59.600 --> 0:17:02.880
<v Speaker 3>doing at the time. What was going to be the

0:17:02.920 --> 0:17:06.800
<v Speaker 3>direction of my life was going after that, Like it

0:17:06.920 --> 0:17:11.480
<v Speaker 3>was literally on I don't know, because MTV back then

0:17:11.600 --> 0:17:15.440
<v Speaker 3>was playing videos and it was my video, the video

0:17:15.480 --> 0:17:17.960
<v Speaker 3>I was in, and the Janet Jackson video at that time,

0:17:18.560 --> 0:17:22.080
<v Speaker 3>and it literally was playing probably ten ten times a

0:17:22.160 --> 0:17:26.720
<v Speaker 3>day at least. Yeah, and and averywhere I you know,

0:17:26.760 --> 0:17:29.040
<v Speaker 3>a lot of places I went, Like I would see

0:17:29.040 --> 0:17:31.760
<v Speaker 3>it on like a TV inside a restaurant I would see.

0:17:31.800 --> 0:17:33.560
<v Speaker 3>I would hear the music in like target, you know,

0:17:33.600 --> 0:17:36.920
<v Speaker 3>I would. It was and this goes on for years,

0:17:37.200 --> 0:17:42.600
<v Speaker 3>you know, for years, and every time someone would look

0:17:42.640 --> 0:17:46.040
<v Speaker 3>at me or say something to me, or it caught

0:17:46.080 --> 0:17:49.200
<v Speaker 3>me by surprise every single time. And I never ever

0:17:49.280 --> 0:17:53.280
<v Speaker 3>got used to that ever, And it happened a lot.

0:17:53.560 --> 0:17:56.119
<v Speaker 1>Yeah, I saw this video a lot that year, and

0:17:56.160 --> 0:17:57.960
<v Speaker 1>every time it was on, I would watch it all

0:17:58.000 --> 0:18:02.159
<v Speaker 1>the way through. Everybody would Jamie's that magnetic. Amy Grant's

0:18:02.160 --> 0:18:04.920
<v Speaker 1>fans ate the video up. Jamie knew a little about

0:18:04.960 --> 0:18:07.159
<v Speaker 1>Amy Grant, but he didn't get how many fans she

0:18:07.280 --> 0:18:09.320
<v Speaker 1>had or what kind of fans they were.

0:18:09.800 --> 0:18:12.679
<v Speaker 3>And I didn't realize she had that many followers and

0:18:12.840 --> 0:18:18.600
<v Speaker 3>that many fans. The followers fans, like a crazy, crazy

0:18:18.600 --> 0:18:19.399
<v Speaker 3>amount of fans.

0:18:19.720 --> 0:18:21.679
<v Speaker 4>Yeah, well, she had a lot of fans.

0:18:21.680 --> 0:18:25.400
<v Speaker 1>But then also that song and that album made her

0:18:25.400 --> 0:18:28.480
<v Speaker 1>cross over to the mainstream pop charts, and then then

0:18:28.480 --> 0:18:29.320
<v Speaker 1>it really exploded.

0:18:29.520 --> 0:18:32.920
<v Speaker 3>I didn't realize that's what was going on. And then

0:18:32.960 --> 0:18:37.160
<v Speaker 3>it kind of got a little controversial, I guess with oh, explain, Yeah,

0:18:37.200 --> 0:18:40.399
<v Speaker 3>well she was married and I was playing her love interest.

0:18:40.440 --> 0:18:44.080
<v Speaker 3>So the Christian gospel fans, some of them, you know,

0:18:44.480 --> 0:18:46.560
<v Speaker 3>were just like, well, what's going on here? You know,

0:18:46.760 --> 0:18:49.560
<v Speaker 3>they actually believed I was her boyfriend on the side.

0:18:49.720 --> 0:18:50.320
<v Speaker 3>Some people.

0:18:50.840 --> 0:18:53.159
<v Speaker 1>While another guy might have tried to seize that moment

0:18:53.280 --> 0:18:55.639
<v Speaker 1>and capitalize on it, try to spin it into a

0:18:55.680 --> 0:18:58.199
<v Speaker 1>movie career or a pop single of his own, Jamie

0:18:58.240 --> 0:19:00.679
<v Speaker 1>just kind of took it in stride. It raised your

0:19:00.680 --> 0:19:04.439
<v Speaker 1>profile through the roof. Did it did it change the

0:19:04.480 --> 0:19:05.719
<v Speaker 1>way you saw your future?

0:19:06.359 --> 0:19:09.359
<v Speaker 3>I mean day I saw my future. I saw like

0:19:10.400 --> 0:19:12.639
<v Speaker 3>I see my future day by day, not like long

0:19:12.800 --> 0:19:17.639
<v Speaker 3>long term. But it changed it for sure within within

0:19:17.680 --> 0:19:20.840
<v Speaker 3>my within my work, because people started calling for me

0:19:21.400 --> 0:19:23.840
<v Speaker 3>because I want that guy in the in the amy gravity,

0:19:23.880 --> 0:19:25.680
<v Speaker 3>who's that guy? Let's get him for this, Let's get

0:19:25.720 --> 0:19:29.399
<v Speaker 3>him for that. So it opened up huge opportunities for me.

0:19:30.320 --> 0:19:33.879
<v Speaker 3>I just went with it, and and from there I

0:19:34.119 --> 0:19:37.120
<v Speaker 3>ended up moving to Europe to Paris, and I stayed

0:19:37.160 --> 0:19:40.439
<v Speaker 3>in Paris for like almost eight years, working working fashion

0:19:40.480 --> 0:19:42.720
<v Speaker 3>in Paris, and I would come back to California and

0:19:42.760 --> 0:19:45.720
<v Speaker 3>do jobs through through my agency's in LA and New York,

0:19:45.840 --> 0:19:49.200
<v Speaker 3>and and I was getting a lot of work because

0:19:49.240 --> 0:19:53.920
<v Speaker 3>of that video of the videos, but first basically from

0:19:53.960 --> 0:19:55.000
<v Speaker 3>the first one for sure.

0:19:55.400 --> 0:19:57.280
<v Speaker 4>So just as a model, it got.

0:19:57.119 --> 0:20:00.640
<v Speaker 3>To yes, yes, okay. But I also think because they

0:20:00.680 --> 0:20:04.479
<v Speaker 3>saw that, they believe that I wasn't just modeling in it.

0:20:04.520 --> 0:20:08.280
<v Speaker 3>They believed that the emotions and stuff like that and

0:20:08.440 --> 0:20:11.600
<v Speaker 3>in the chemistry, they believe it's real, and so a

0:20:11.640 --> 0:20:13.840
<v Speaker 3>lot of those jobs that's what they wanted. And so

0:20:14.000 --> 0:20:15.760
<v Speaker 3>they saw that and they're like, oh, let's try this

0:20:15.800 --> 0:20:18.760
<v Speaker 3>guy looks good for what we're doing. So I mean,

0:20:18.800 --> 0:20:22.119
<v Speaker 3>I can't give enough thanks to aiming for all that.

0:20:22.680 --> 0:20:26.680
<v Speaker 1>So a music video, there are no like residuals or

0:20:26.680 --> 0:20:28.800
<v Speaker 1>anything like that, Like it's you get your day right

0:20:28.880 --> 0:20:29.520
<v Speaker 1>and then it doesn't.

0:20:29.560 --> 0:20:32.560
<v Speaker 3>Yeah, I if there was residuals from that, I would

0:20:32.600 --> 0:20:37.120
<v Speaker 3>be a different, different category. But yeah, no, no, it's

0:20:37.160 --> 0:20:41.400
<v Speaker 3>it's just it's a it's a one time thing, okay, yeah,

0:20:41.600 --> 0:20:46.480
<v Speaker 3>but what it gave me in the future is priceless. Absolutely.

0:20:46.880 --> 0:20:48.800
<v Speaker 1>So he took a big role in a big music

0:20:48.880 --> 0:20:51.520
<v Speaker 1>video that he did extremely well, and he used it

0:20:51.560 --> 0:20:53.000
<v Speaker 1>as a way to do more of what he was

0:20:53.080 --> 0:20:55.800
<v Speaker 1>already doing. He got exactly what he wanted from his

0:20:55.840 --> 0:20:58.840
<v Speaker 1>big break, and what he wanted was what he already had.

0:20:59.600 --> 0:21:01.359
<v Speaker 4>This goes against everything that you're.

0:21:01.240 --> 0:21:03.359
<v Speaker 1>Taught about how you're supposed to live in America in

0:21:03.440 --> 0:21:04.360
<v Speaker 1>late capitalism.

0:21:04.520 --> 0:21:06.400
<v Speaker 4>But he didn't want to be rich, he didn't want

0:21:06.440 --> 0:21:07.160
<v Speaker 4>to be famous.

0:21:07.800 --> 0:21:12.600
<v Speaker 3>No, I just wanted to to be to be be happy,

0:21:13.080 --> 0:21:17.440
<v Speaker 3>be at peace with myself, enjoy my life. I wanted

0:21:17.560 --> 0:21:21.200
<v Speaker 3>I wanted to. I wanted to I wanted to surf, obviously,

0:21:21.280 --> 0:21:23.919
<v Speaker 3>and I wanted to travel and and and get different

0:21:23.920 --> 0:21:27.359
<v Speaker 3>cultures and and and experienced life. That's what I wanted

0:21:27.400 --> 0:21:30.240
<v Speaker 3>to do, and that's what I was doing and continuing

0:21:30.240 --> 0:21:33.520
<v Speaker 3>to do. And I would just pick another place to

0:21:33.560 --> 0:21:36.840
<v Speaker 3>go into experience and and and to dive into the culture.

0:21:37.359 --> 0:21:39.840
<v Speaker 3>I saw myself doing that until I couldn't do it anymore.

0:21:39.920 --> 0:21:40.800
<v Speaker 3>Let's just put it that way.

0:21:41.359 --> 0:21:43.960
<v Speaker 4>And and it sounds like that is how it's panned.

0:21:43.680 --> 0:21:46.520
<v Speaker 3>Out a little bit. It has it, really, it really has.

0:21:46.560 --> 0:21:50.040
<v Speaker 3>I mean since I had my son, it's obviously slowed

0:21:50.080 --> 0:21:52.280
<v Speaker 3>me down. It's not slowed me down, it's it's put

0:21:52.320 --> 0:21:56.640
<v Speaker 3>me in a different position to be. To be a father,

0:21:56.840 --> 0:21:58.960
<v Speaker 3>you have to be there for your for your son

0:21:59.040 --> 0:22:03.520
<v Speaker 3>or your daughter. So I'm more focused on being a father,

0:22:04.440 --> 0:22:07.280
<v Speaker 3>but also traveling and doing that as much as possible

0:22:07.320 --> 0:22:11.879
<v Speaker 3>and actually making him understand, like feel the way I

0:22:11.920 --> 0:22:15.000
<v Speaker 3>feel about it as well. That's important to me to

0:22:15.080 --> 0:22:19.040
<v Speaker 3>understand that there's a world out there. Yeah, what's he's studying,

0:22:19.080 --> 0:22:23.159
<v Speaker 3>what's his marine biology? I mean it's amazing. Yeah.

0:22:23.240 --> 0:22:26.200
<v Speaker 4>Yeah, the apple has not fallen far from the trade.

0:22:26.080 --> 0:22:27.640
<v Speaker 3>No, no, thank god.

0:22:29.160 --> 0:22:31.640
<v Speaker 1>The day after we spoke, he headed to Las Vegas

0:22:31.640 --> 0:22:33.879
<v Speaker 1>to do some modeling for a hotel, then off to

0:22:34.000 --> 0:22:37.960
<v Speaker 1>Kona in Hawaii. Than Corus out than Hamburg, Germany. Dude

0:22:37.960 --> 0:22:41.480
<v Speaker 1>has not stopped working or exploring or surfing. He's busy.

0:22:42.000 --> 0:22:45.600
<v Speaker 4>Your dance card is full and I love it.

0:22:45.880 --> 0:22:48.800
<v Speaker 3>Thank you so much. I'm very I'm very happy.

0:22:49.760 --> 0:22:53.240
<v Speaker 1>You've got a great energy. I would if I were

0:22:53.280 --> 0:22:55.560
<v Speaker 1>to in a position to cast you in my music video,

0:22:55.680 --> 0:22:57.080
<v Speaker 1>I would do it in a heartbeat.

0:22:57.320 --> 0:23:00.439
<v Speaker 3>Oh my god, I appreciate it truly.

0:23:00.520 --> 0:23:03.240
<v Speaker 4>I'm gonna You've made me want to learn to surf.

0:23:04.720 --> 0:23:06.600
<v Speaker 3>See, that's all. That's all I want to do. That's

0:23:06.640 --> 0:23:08.520
<v Speaker 3>all I want to do, inspire people to get in

0:23:08.520 --> 0:23:09.760
<v Speaker 3>the water and enjoy the water.

0:23:10.240 --> 0:23:12.639
<v Speaker 1>Just as we were saying goodbye, Jamie remembered a message

0:23:12.680 --> 0:23:15.200
<v Speaker 1>he had just gotten on his Instagram. And it's too

0:23:15.240 --> 0:23:16.240
<v Speaker 1>good not to play for you.

0:23:16.560 --> 0:23:18.440
<v Speaker 3>I want to share one thing with you guys really quick,

0:23:18.440 --> 0:23:20.320
<v Speaker 3>because I thought this was really special. If someone sent

0:23:20.359 --> 0:23:24.600
<v Speaker 3>me this message on Instagram literally two days ago. Do

0:23:24.680 --> 0:23:26.000
<v Speaker 3>you mind if I share it with you guys?

0:23:26.240 --> 0:23:26.600
<v Speaker 4>Please?

0:23:27.200 --> 0:23:30.200
<v Speaker 3>Okay, so let me just put my glasses on because

0:23:30.240 --> 0:23:35.000
<v Speaker 3>I'm flying without him, That's all right, Okay. This is

0:23:35.000 --> 0:23:38.359
<v Speaker 3>from Lisa twenty five years ago. My husband and I,

0:23:38.400 --> 0:23:41.439
<v Speaker 3>being nine months pregnant and overdue, went on a dancing

0:23:41.520 --> 0:23:46.680
<v Speaker 3>date to possibly get things moving. As luck would have it,

0:23:46.840 --> 0:23:50.720
<v Speaker 3>the DJ saw my huge belly on the dance floor

0:23:50.760 --> 0:23:53.959
<v Speaker 3>and played Baby Baby and made me feel like a

0:23:53.960 --> 0:23:57.160
<v Speaker 3>star out there. Not only did I love the song

0:23:57.200 --> 0:23:59.679
<v Speaker 3>and the artists, but I thought you were perfect in

0:23:59.680 --> 0:24:03.520
<v Speaker 3>the role. So now I have an amazingly gifted and

0:24:03.560 --> 0:24:07.159
<v Speaker 3>gorgeous twenty five year old son named Jamie. Can you

0:24:07.240 --> 0:24:09.200
<v Speaker 3>believe that? It's unbelievable?

0:24:09.480 --> 0:24:11.040
<v Speaker 4>How often does that kind of thing happen?

0:24:11.160 --> 0:24:15.560
<v Speaker 3>It happens quite a bit, honestly. Yeah, yeah, yeah, it's

0:24:15.960 --> 0:24:18.320
<v Speaker 3>I mean, it makes me feel really good. You know,

0:24:18.760 --> 0:24:20.240
<v Speaker 3>if I get if I'm down one day, I'll look

0:24:20.240 --> 0:24:22.560
<v Speaker 3>at one of these texts, these messages, I'm like, wow,

0:24:22.720 --> 0:24:26.320
<v Speaker 3>that's pretty amazing. So yeah, it makes me happy.

0:24:26.760 --> 0:24:29.199
<v Speaker 1>Jamie Stein has the life he wants. He has a

0:24:29.280 --> 0:24:31.760
<v Speaker 1>chill attitude, and there's at least one child out in

0:24:31.760 --> 0:24:34.480
<v Speaker 1>the world named after him. If he's not alongside such

0:24:34.560 --> 0:24:37.000
<v Speaker 1>an impact in the music video co Star Hall of Fame,

0:24:37.280 --> 0:24:39.520
<v Speaker 1>I don't know who is. Now, feel excuse me, I

0:24:39.600 --> 0:24:51.760
<v Speaker 1>need to watch Baby Baby five more times. So there

0:24:51.840 --> 0:24:53.960
<v Speaker 1>is a thing that people do in conversation that really

0:24:54.040 --> 0:24:56.320
<v Speaker 1>jumps out at me and it's starting a sentence with

0:24:56.600 --> 0:24:59.240
<v Speaker 1>the word so. I find myself doing it a lot

0:24:59.280 --> 0:25:01.600
<v Speaker 1>in questions. I'm not sure what it's all about. I

0:25:01.600 --> 0:25:04.040
<v Speaker 1>think it's to reassure the person I'm talking to that

0:25:04.080 --> 0:25:07.080
<v Speaker 1>I've done my research, So tell me about that BBD

0:25:07.240 --> 0:25:08.040
<v Speaker 1>tour jacket.

0:25:08.280 --> 0:25:10.040
<v Speaker 4>So what was the super Bowl halftime show?

0:25:10.119 --> 0:25:10.199
<v Speaker 1>Like?

0:25:10.320 --> 0:25:10.520
<v Speaker 3>Etc.

0:25:11.320 --> 0:25:13.520
<v Speaker 1>But often I ask a question and then the answer

0:25:13.560 --> 0:25:16.320
<v Speaker 1>begins with the words so, I've thought a lot about

0:25:16.359 --> 0:25:19.560
<v Speaker 1>what that so signifies, because, as you probably know by now,

0:25:19.640 --> 0:25:21.680
<v Speaker 1>I think about a lot of things that can't possibly

0:25:21.760 --> 0:25:24.960
<v Speaker 1>benefit me financially. I think what it says is, Okay,

0:25:24.960 --> 0:25:27.960
<v Speaker 1>here it goes, I've anticipated your question, and you're going

0:25:28.040 --> 0:25:30.720
<v Speaker 1>to get a full and satisfying answer. Jason goes a

0:25:30.760 --> 0:25:34.560
<v Speaker 1>step further. I ask a question and he begins his answer, yeah,

0:25:35.040 --> 0:25:36.720
<v Speaker 1>even if it isn't a yes or no question.

0:25:37.000 --> 0:25:40.119
<v Speaker 4>Yeah. And then sometimes so it's next level.

0:25:40.760 --> 0:25:43.760
<v Speaker 1>It's Jason saying, not only have I anticipated this question,

0:25:44.040 --> 0:25:46.400
<v Speaker 1>I've answered it in my head a few times already.

0:25:46.640 --> 0:25:48.600
<v Speaker 1>To me, it says, Jason has been ready to talk

0:25:48.640 --> 0:25:50.960
<v Speaker 1>about this stuff for a long time. He's just been

0:25:50.960 --> 0:25:53.080
<v Speaker 1>waiting for someone to ask, how does.

0:25:52.960 --> 0:25:53.800
<v Speaker 4>That feel to you?

0:25:53.880 --> 0:25:57.080
<v Speaker 1>When you've you've made something, and now it's just you're

0:25:57.119 --> 0:25:59.959
<v Speaker 1>just waiting for strangers to do something with it.

0:26:00.760 --> 0:26:01.119
<v Speaker 3>Yeah.

0:26:01.280 --> 0:26:07.440
<v Speaker 2>Well, at the time, like it was, it was so gradual,

0:26:07.760 --> 0:26:11.320
<v Speaker 2>like our you know, the realization that you're not going

0:26:11.359 --> 0:26:12.400
<v Speaker 2>to get released.

0:26:12.840 --> 0:26:15.520
<v Speaker 1>Once again, the three remaining guys of Sudden Impact, who

0:26:15.560 --> 0:26:18.440
<v Speaker 1>are now recording as Outsiders for Life with Jimmy Marble

0:26:18.480 --> 0:26:21.439
<v Speaker 1>and Jason Dowdy, are recording for a hot record label,

0:26:21.760 --> 0:26:25.560
<v Speaker 1>this time Blackground Records, the label launched by Aliah's uncle

0:26:25.600 --> 0:26:29.440
<v Speaker 1>Barry Hankerson, and once again, the finished product never sees

0:26:29.480 --> 0:26:30.120
<v Speaker 1>the light of day.

0:26:30.400 --> 0:26:32.720
<v Speaker 2>There's probably one moment where, you know, I think all

0:26:32.760 --> 0:26:36.760
<v Speaker 2>of our hearts sank a little bit when we were

0:26:36.760 --> 0:26:40.200
<v Speaker 2>promoting not Enough, So we got a lot of radio play.

0:26:40.560 --> 0:26:43.639
<v Speaker 2>It was trending up. We were on tour like it

0:26:43.680 --> 0:26:48.199
<v Speaker 2>was around spring break time. I want to say, I

0:26:48.200 --> 0:26:50.000
<v Speaker 2>can't remember if it was ninety nine or two thousand,

0:26:50.080 --> 0:26:50.960
<v Speaker 2>I cannot remember.

0:26:51.400 --> 0:26:52.280
<v Speaker 5>Somewhere in that time.

0:26:53.280 --> 0:26:54.760
<v Speaker 2>I remember it was spring break time because we were

0:26:54.800 --> 0:26:59.320
<v Speaker 2>in Florida and we were, you know, opening for our idols,

0:26:59.359 --> 0:27:02.600
<v Speaker 2>you know, like Loud Cruise and Pink and Shaggy, and

0:27:02.640 --> 0:27:04.480
<v Speaker 2>we're starting to get some attention, We're starting to gain

0:27:04.560 --> 0:27:08.800
<v Speaker 2>some momentum, doing interviews all of that, and then I

0:27:08.800 --> 0:27:11.639
<v Speaker 2>guess the single lost momentum and they just pulled the

0:27:11.640 --> 0:27:14.440
<v Speaker 2>plug on the tour, so we're off the tour bus

0:27:14.440 --> 0:27:15.639
<v Speaker 2>and all that, and I think that was kind of

0:27:15.640 --> 0:27:19.040
<v Speaker 2>the moment where like, and you know that boy bands

0:27:19.080 --> 0:27:22.080
<v Speaker 2>are about to be over, you know, the kind of

0:27:22.640 --> 0:27:24.320
<v Speaker 2>run their course. By the time, I think this was

0:27:24.320 --> 0:27:26.159
<v Speaker 2>in two thousand, so he kind of knew that they

0:27:26.160 --> 0:27:29.280
<v Speaker 2>were running their course. And that's probably the moment where

0:27:29.280 --> 0:27:31.399
<v Speaker 2>I was like, oh, I don't think this.

0:27:31.320 --> 0:27:32.040
<v Speaker 5>May not happen.

0:27:32.400 --> 0:27:35.080
<v Speaker 1>With the single sputtering out, Blackground pulled the plug on

0:27:35.119 --> 0:27:38.560
<v Speaker 1>the album, an album that was already made, finished, had

0:27:38.600 --> 0:27:42.000
<v Speaker 1>a cover and everything. They did get one song, a

0:27:42.080 --> 0:27:45.080
<v Speaker 1>remix of hell Yeah on the soundtrack of the DMX

0:27:45.280 --> 0:27:49.200
<v Speaker 1>Steven Sigall movie Exit Wounds, But as for a full album, again,

0:27:49.440 --> 0:27:51.800
<v Speaker 1>the guys have poured their hearts into a project that

0:27:51.920 --> 0:27:54.760
<v Speaker 1>sits in a vault at a record company. Why record

0:27:54.840 --> 0:27:58.200
<v Speaker 1>something and then never give it an opportunity to earn

0:27:58.359 --> 0:27:59.680
<v Speaker 1>a single dollar back?

0:28:00.640 --> 0:28:02.639
<v Speaker 2>I think that's just I think that's just part of

0:28:02.640 --> 0:28:06.160
<v Speaker 2>the business at the time. There, I mean, there are

0:28:06.280 --> 0:28:10.320
<v Speaker 2>so many boy bands and like girl groups from that

0:28:10.400 --> 0:28:12.720
<v Speaker 2>time that probably got left on the cutting room floor,

0:28:12.760 --> 0:28:13.320
<v Speaker 2>you know what I mean.

0:28:13.520 --> 0:28:15.160
<v Speaker 5>Like, I bet there are.

0:28:16.640 --> 0:28:19.600
<v Speaker 2>Thousands of stories like mine out there, and I think

0:28:19.640 --> 0:28:21.159
<v Speaker 2>it was just the way they did business like they

0:28:21.200 --> 0:28:23.600
<v Speaker 2>would it was worth the investment to see if it

0:28:23.640 --> 0:28:26.520
<v Speaker 2>would happen to get like like, it's kind of like

0:28:26.560 --> 0:28:30.160
<v Speaker 2>a gold rush, right instinct. You know, Backstreet Boys are popular.

0:28:30.480 --> 0:28:32.920
<v Speaker 2>Everybody's like, let's make the next one. When they all

0:28:33.000 --> 0:28:35.240
<v Speaker 2>rushed to it and they all throw money at it,

0:28:35.400 --> 0:28:38.560
<v Speaker 2>and then you know, whoever catches on, great, But if

0:28:38.600 --> 0:28:41.000
<v Speaker 2>they don't catch on, it was worth the investment to

0:28:41.040 --> 0:28:42.960
<v Speaker 2>seek to get part of that part of that market.

0:28:43.280 --> 0:28:47.840
<v Speaker 1>To your point about boy bands that that don't take off,

0:28:48.000 --> 0:28:50.200
<v Speaker 1>Get this, Okay, I'm going to tell you a story.

0:28:50.840 --> 0:28:54.959
<v Speaker 1>This would have to have been. In two thousand, I

0:28:55.000 --> 0:28:59.640
<v Speaker 1>hosted the get this you're sitting down, this is good.

0:29:00.200 --> 0:29:06.760
<v Speaker 1>I hosted the press conference the unveiling of the Backstreet

0:29:06.760 --> 0:29:11.120
<v Speaker 1>Boys Burger King Kids Club action figures.

0:29:12.280 --> 0:29:13.520
<v Speaker 5>Okay, yeah, yeah.

0:29:13.560 --> 0:29:17.200
<v Speaker 1>They flew me down to Orlando, Florida to like to

0:29:17.280 --> 0:29:20.280
<v Speaker 1>some theme park or something, and the Backstreet Boys were

0:29:20.320 --> 0:29:23.520
<v Speaker 1>there and they were unveiling their kids Club, Action figures

0:29:24.000 --> 0:29:26.360
<v Speaker 1>and so and so that's that was going on there,

0:29:26.760 --> 0:29:30.400
<v Speaker 1>which was of course wild. And the night that I

0:29:30.480 --> 0:29:33.360
<v Speaker 1>spent in Orlando, we ended up going to some club

0:29:34.760 --> 0:29:39.320
<v Speaker 1>and the club was literally full. Like everyone that I

0:29:39.360 --> 0:29:42.840
<v Speaker 1>met was like in a boy band or a girl group.

0:29:43.000 --> 0:29:46.960
<v Speaker 1>So it was like they would introduce themselves by name

0:29:47.240 --> 0:29:48.440
<v Speaker 1>and then.

0:29:48.200 --> 0:29:49.040
<v Speaker 4>Name of group.

0:29:49.320 --> 0:29:52.200
<v Speaker 1>Oh wow, as though I knew like these you know,

0:29:52.280 --> 0:29:54.720
<v Speaker 1>second and third tier like groups that Lou Pearlman was,

0:29:54.960 --> 0:29:59.480
<v Speaker 1>you know, was working with, but it was it was insane.

0:29:59.520 --> 0:30:03.760
<v Speaker 1>It would just be like, Hi, I'm Ashley Innocence. Okay, Okay,

0:30:03.800 --> 0:30:05.520
<v Speaker 1>I don't know what that means. I don't know what

0:30:05.560 --> 0:30:10.120
<v Speaker 1>that means. But there were dozens of them, and it

0:30:10.200 --> 0:30:14.160
<v Speaker 1>was like I am fully in like in like some

0:30:14.160 --> 0:30:17.560
<v Speaker 1>sort of I'm like at Hogwarts for boy bands and

0:30:17.640 --> 0:30:22.360
<v Speaker 1>girl groups, and most of the ones I met nothing happened.

0:30:23.080 --> 0:30:24.280
<v Speaker 4>So there you go.

0:30:24.800 --> 0:30:27.000
<v Speaker 2>Well, and I think part of the reason we had

0:30:27.000 --> 0:30:32.000
<v Speaker 2>some success was like there was some integrity to our

0:30:32.000 --> 0:30:37.160
<v Speaker 2>group because we wrote and produced the stuff, and we

0:30:37.520 --> 0:30:40.360
<v Speaker 2>like the contracts that we had to choose from. DreamWorks

0:30:40.400 --> 0:30:42.240
<v Speaker 2>was one of them, and we could have gone that route,

0:30:42.840 --> 0:30:45.719
<v Speaker 2>you know, work with David Foster, you know, with that direction.

0:30:47.040 --> 0:30:51.640
<v Speaker 2>But Todd and Alan and Tim really liked the offer

0:30:51.640 --> 0:30:54.360
<v Speaker 2>from Blackground because they were more like our people, you

0:30:54.400 --> 0:30:57.200
<v Speaker 2>know what I mean, Like they understood the type of

0:30:57.280 --> 0:30:59.840
<v Speaker 2>music we wanted to make. They were working with our

0:31:00.080 --> 0:31:04.280
<v Speaker 2>ye rows, you know, Timberlance from the Missier Votes, from

0:31:04.280 --> 0:31:07.760
<v Speaker 2>that Hampton Roads area, like, you know, it just seemed

0:31:07.760 --> 0:31:09.720
<v Speaker 2>like a better fit. So, like, I think the reason

0:31:09.720 --> 0:31:12.440
<v Speaker 2>we even caught on some was because there was like

0:31:12.480 --> 0:31:15.240
<v Speaker 2>that people can tell genuine from fake pretty easily, right,

0:31:15.360 --> 0:31:17.760
<v Speaker 2>and I think at least people could tell that, you know,

0:31:17.800 --> 0:31:19.480
<v Speaker 2>we wrote the song and it's real and we mean

0:31:19.560 --> 0:31:20.440
<v Speaker 2>the lyrics and all that.

0:31:20.560 --> 0:31:23.760
<v Speaker 1>So in the early nineties, Sudden Impact slash White Guys

0:31:23.760 --> 0:31:26.760
<v Speaker 1>Slashed the Outsiders couldn't get their records released because new

0:31:26.840 --> 0:31:29.880
<v Speaker 1>Kids on the Block were over. In two thousand, Outsiders

0:31:29.920 --> 0:31:32.960
<v Speaker 1>for Life couldn't get their record released because Backstreet Boys

0:31:33.000 --> 0:31:36.160
<v Speaker 1>and in Sync were huge. Sudden Impact got pushed to

0:31:36.200 --> 0:31:39.080
<v Speaker 1>the side because there were no boy bands. Outsiders for

0:31:39.160 --> 0:31:41.040
<v Speaker 1>Life got pushed to the side because there were too

0:31:41.040 --> 0:31:44.440
<v Speaker 1>many boy bands. For Jason, this was a disappointment, but

0:31:44.480 --> 0:31:46.440
<v Speaker 1>he was still new to the game. For the core

0:31:46.480 --> 0:31:49.240
<v Speaker 1>group from Sudden impact. This has to have been devastating.

0:31:49.680 --> 0:31:54.200
<v Speaker 1>If this is two thousand, this is nine years into

0:31:55.680 --> 0:31:58.200
<v Speaker 1>a career where this has been happening over and over

0:31:58.240 --> 0:32:01.080
<v Speaker 1>and over. Did you get a sense for how they

0:32:01.080 --> 0:32:01.640
<v Speaker 1>were feeling.

0:32:02.200 --> 0:32:03.320
<v Speaker 5>Yeah, so Todd.

0:32:04.880 --> 0:32:08.720
<v Speaker 2>Todd is definitely the most persistent person in the group

0:32:08.760 --> 0:32:12.120
<v Speaker 2>that will do anything to make the dream happen. He

0:32:12.200 --> 0:32:17.160
<v Speaker 2>started the group, it's his dream. He is so good

0:32:17.280 --> 0:32:22.760
<v Speaker 2>at I don't know, like motivating people and getting people

0:32:22.760 --> 0:32:27.880
<v Speaker 2>on board. But his I think his thought process at

0:32:27.880 --> 0:32:30.440
<v Speaker 2>the time was this sucks. What can I do next

0:32:30.440 --> 0:32:32.920
<v Speaker 2>to make it happen? Like, you know, it was more

0:32:33.080 --> 0:32:35.440
<v Speaker 2>like let's do this, let's do that, let's talk to

0:32:35.440 --> 0:32:37.480
<v Speaker 2>these people. He's more in like, let's still make it

0:32:37.520 --> 0:32:42.440
<v Speaker 2>happen mode. So I think you'll have to ask Todd

0:32:42.480 --> 0:32:44.960
<v Speaker 2>what happened after that. But I think for him it

0:32:45.000 --> 0:32:49.200
<v Speaker 2>wasn't quite real yet, and it wasn't real necessarily for

0:32:49.400 --> 0:32:50.920
<v Speaker 2>any of us were But that was kind of a

0:32:50.920 --> 0:32:53.120
<v Speaker 2>moment where I was like, oh, yeah, this could be

0:32:53.200 --> 0:32:55.520
<v Speaker 2>over soon, you know, like where at least that light

0:32:55.560 --> 0:32:58.240
<v Speaker 2>bulb went on, you know, but we weren't ready to

0:32:58.240 --> 0:32:58.600
<v Speaker 2>give up.

0:32:59.240 --> 0:33:01.480
<v Speaker 4>Sure, and what does that feel like?

0:33:02.920 --> 0:33:05.320
<v Speaker 2>So joining this group has always felt like it's too

0:33:05.360 --> 0:33:08.040
<v Speaker 2>good to be true anyway, you know what I mean,

0:33:08.120 --> 0:33:10.560
<v Speaker 2>Like I talked in right when everybody did the groundwork,

0:33:11.640 --> 0:33:14.360
<v Speaker 2>you know what I'm saying, Like everybody had already done

0:33:14.400 --> 0:33:16.880
<v Speaker 2>the groundwork, got the contract and all that, and I'm

0:33:16.920 --> 0:33:19.440
<v Speaker 2>just like singing songs that other people are writing. Like

0:33:19.920 --> 0:33:21.640
<v Speaker 2>so for me it wasn't as bad. I was like,

0:33:21.680 --> 0:33:24.600
<v Speaker 2>I can always go back to, you know, performing doing

0:33:24.600 --> 0:33:28.600
<v Speaker 2>what I was doing before. So and you know, it's

0:33:28.600 --> 0:33:31.720
<v Speaker 2>been a dream of mine, but I'm not like, you know,

0:33:31.760 --> 0:33:33.520
<v Speaker 2>there are people who dream and then there's people who

0:33:33.560 --> 0:33:37.160
<v Speaker 2>build and do things about it. When I was that young,

0:33:37.200 --> 0:33:39.160
<v Speaker 2>I was just dreaming, not doing anything about it. So

0:33:39.200 --> 0:33:43.440
<v Speaker 2>I wasn't like invested too heavily. So I probably took

0:33:43.480 --> 0:33:45.840
<v Speaker 2>it better than most of the people, like especially Pod

0:33:45.880 --> 0:33:46.800
<v Speaker 2>and Allen and.

0:33:46.840 --> 0:33:50.080
<v Speaker 1>Day and Jason had a fallback position doing something else

0:33:50.160 --> 0:33:51.600
<v Speaker 1>that I feel like I'm going to have to explain

0:33:51.640 --> 0:33:52.960
<v Speaker 1>to young people, like.

0:33:52.880 --> 0:33:56.160
<v Speaker 2>I moved did a cruise ship contract two thousand and

0:33:56.200 --> 0:33:57.600
<v Speaker 2>four and moved back to two thousand and five to

0:33:57.640 --> 0:34:00.320
<v Speaker 2>make one last go of the group, and then in

0:34:00.400 --> 0:34:04.280
<v Speaker 2>two thousand and six is when I moved away started

0:34:04.320 --> 0:34:05.680
<v Speaker 2>doing cruise ships again and all of that.

0:34:06.080 --> 0:34:09.080
<v Speaker 1>All right, kids gather around one more time. People used

0:34:09.080 --> 0:34:10.120
<v Speaker 1>to go on cruise ships.

0:34:10.760 --> 0:34:11.200
<v Speaker 4>That's it.

0:34:11.560 --> 0:34:14.560
<v Speaker 2>So I think that's kind of when the realization happened

0:34:14.560 --> 0:34:18.000
<v Speaker 2>for Todd and for the guys in the group. I

0:34:18.040 --> 0:34:20.799
<v Speaker 2>think we're all slowly accepting it over time.

0:34:21.520 --> 0:34:23.880
<v Speaker 1>Now Todd, as I understand it, is still in the business,

0:34:23.880 --> 0:34:27.120
<v Speaker 1>still like writing songs for country artists.

0:34:27.360 --> 0:34:29.200
<v Speaker 5>Yeah, yeah, he's still doing that.

0:34:29.239 --> 0:34:32.799
<v Speaker 2>He's I think he has a You'll have to ask

0:34:32.840 --> 0:34:36.200
<v Speaker 2>Todd obviously to get the exact thing, but I know

0:34:36.239 --> 0:34:38.480
<v Speaker 2>he had a last time I spoke to him, he

0:34:38.520 --> 0:34:40.680
<v Speaker 2>said he had a big meeting in Nashville and he

0:34:40.760 --> 0:34:43.640
<v Speaker 2>was considering, like there offered him a publishing contract. But

0:34:44.640 --> 0:34:47.719
<v Speaker 2>you know, he has a family now, he's got a mortgage,

0:34:47.880 --> 0:34:50.759
<v Speaker 2>and he's got all these responsibilities. So in order to

0:34:51.239 --> 0:34:55.000
<v Speaker 2>only focus on writing, like we'd have to take drastic cut.

0:34:54.880 --> 0:34:57.840
<v Speaker 5>And pay and so I think he was weighing those options.

0:34:57.840 --> 0:34:59.680
<v Speaker 5>You'll have to ask him how it came out.

0:34:59.760 --> 0:35:02.480
<v Speaker 1>Yeah, Jason's got a good attitude about the whole thing,

0:35:02.520 --> 0:35:04.880
<v Speaker 1>probably because he remembers why he got involved in the

0:35:04.880 --> 0:35:08.720
<v Speaker 1>first place. When you were like starting out as a singer.

0:35:08.800 --> 0:35:13.360
<v Speaker 1>What did what did success in music look like to you?

0:35:14.280 --> 0:35:14.640
<v Speaker 3>Yeah?

0:35:14.800 --> 0:35:20.200
<v Speaker 2>I I didn't really I didn't really think about it

0:35:20.239 --> 0:35:22.759
<v Speaker 2>that much. I so my very first job, I got

0:35:22.760 --> 0:35:26.880
<v Speaker 2>it Frontier City in Oklahoma, just singing in some show,

0:35:26.960 --> 0:35:30.120
<v Speaker 2>earning minimum wage, you know, and I was selling pictures

0:35:30.120 --> 0:35:32.120
<v Speaker 2>at the front of the park before and after, and

0:35:32.200 --> 0:35:36.120
<v Speaker 2>like I was thrilled, you know at the time, like I.

0:35:36.000 --> 0:35:37.120
<v Speaker 5>Can sing for a living.

0:35:37.200 --> 0:35:38.799
<v Speaker 2>Wow, you know what I mean. Like I had that

0:35:38.920 --> 0:35:44.440
<v Speaker 2>just attitude or gratitude all the time. So I success

0:35:44.480 --> 0:35:47.080
<v Speaker 2>to me was just like the fact that I could

0:35:47.080 --> 0:35:49.319
<v Speaker 2>sing and make a living at it. That was number one.

0:35:49.480 --> 0:35:53.080
<v Speaker 2>Like in Oklahoma, they don't preach that, like it doesn't

0:35:53.120 --> 0:35:57.959
<v Speaker 2>happen because there aren't any performing jobs there obviously, right,

0:35:58.160 --> 0:35:59.880
<v Speaker 2>So you know, if I grew up in La or

0:36:00.080 --> 0:36:03.280
<v Speaker 2>York or something like that, I'd probably have bigger, bigger dreams.

0:36:03.320 --> 0:36:07.319
<v Speaker 2>But did that got a job at Busch Gardens. I

0:36:07.360 --> 0:36:09.360
<v Speaker 2>was like, Wow, even a better job. And then you know,

0:36:09.400 --> 0:36:11.839
<v Speaker 2>started doing that, and then when this came along, I

0:36:11.880 --> 0:36:13.960
<v Speaker 2>was like, oh, I didn't even realize this could happen

0:36:14.040 --> 0:36:17.000
<v Speaker 2>this easily, you know what I mean, Like I was

0:36:17.120 --> 0:36:19.279
<v Speaker 2>I didn't build it from scratch or anything like that.

0:36:19.760 --> 0:36:23.560
<v Speaker 2>I just kind of luckily fell into it. So and

0:36:23.600 --> 0:36:25.520
<v Speaker 2>then I got out a new vision of success with

0:36:25.600 --> 0:36:27.239
<v Speaker 2>the group. I was like, Wow, we could really make it.

0:36:27.280 --> 0:36:29.040
<v Speaker 2>We could do this, we could do that. Started to

0:36:29.120 --> 0:36:32.520
<v Speaker 2>learn producing and songwriting and all that while while we went.

0:36:32.680 --> 0:36:36.879
<v Speaker 1>And now are you still well nobody's doing cruise ships now,

0:36:36.960 --> 0:36:41.400
<v Speaker 1>But have you had you How long did you continue

0:36:41.800 --> 0:36:43.440
<v Speaker 1>singing on cruise ships and stuff?

0:36:43.760 --> 0:36:47.240
<v Speaker 2>Yeah, until like twenty thirteen, and then I got another

0:36:47.480 --> 0:36:50.759
<v Speaker 2>regular nine to five job, met my wife, you know,

0:36:50.880 --> 0:36:53.680
<v Speaker 2>so now we have kids and all that, so just

0:36:53.760 --> 0:36:56.440
<v Speaker 2>doing that. I still write songs. I still put music

0:36:56.480 --> 0:36:59.960
<v Speaker 2>out and do some producing and stuff like that, but

0:37:00.120 --> 0:37:03.680
<v Speaker 2>not like I don't have time to pursue it or

0:37:03.719 --> 0:37:04.440
<v Speaker 2>anything like that.

0:37:04.719 --> 0:37:06.360
<v Speaker 4>Yeah. How many kids?

0:37:06.920 --> 0:37:07.040
<v Speaker 1>Oh?

0:37:07.160 --> 0:37:09.360
<v Speaker 5>Oh two? I have two kids? Yeah, three and five.

0:37:10.120 --> 0:37:11.600
<v Speaker 5>Sophia's five, Kayley's two.

0:37:12.480 --> 0:37:14.239
<v Speaker 4>Congratulations, Oh thank you, thank you.

0:37:14.840 --> 0:37:15.239
<v Speaker 3>I love it.

0:37:15.280 --> 0:37:16.680
<v Speaker 4>And what line of business are you in?

0:37:17.840 --> 0:37:21.040
<v Speaker 2>I worked for an internet service provider and as a

0:37:21.040 --> 0:37:23.799
<v Speaker 2>team manager just for people. We basically give a call

0:37:23.840 --> 0:37:25.880
<v Speaker 2>and say, hey, I see you signed up for our internet.

0:37:25.960 --> 0:37:27.879
<v Speaker 2>Let's let's get an appointment going that type.

0:37:28.719 --> 0:37:31.280
<v Speaker 4>Thanks good. It's a happy life.

0:37:31.640 --> 0:37:34.520
<v Speaker 5>It sounds like, yeah, yeah, it's a happy life most definitely.

0:37:34.719 --> 0:37:36.040
<v Speaker 4>Are you glad you took the ride?

0:37:36.680 --> 0:37:40.680
<v Speaker 2>Yeah, yeah, absolutely yeah it was. I mean I have

0:37:40.719 --> 0:37:42.080
<v Speaker 2>some of my best stories from there. I don't know

0:37:42.120 --> 0:37:44.600
<v Speaker 2>if I should share any other I think. I mean, like,

0:37:46.200 --> 0:37:48.680
<v Speaker 2>I don't know, no, not have it involves other people,

0:37:48.760 --> 0:37:52.880
<v Speaker 2>but yeah, yeah, I would say it's definitely worth the ride.

0:37:53.520 --> 0:37:56.800
<v Speaker 1>Jason Dowdy and Jamie Stein Tiger Beet and the Baby

0:37:56.840 --> 0:38:00.680
<v Speaker 1>Baby Man, two good guys, two living lessons in gratitude.

0:38:01.360 --> 0:38:01.920
<v Speaker 4>I check my.

0:38:01.840 --> 0:38:03.960
<v Speaker 1>Email after I get off the zoom and there's a

0:38:03.960 --> 0:38:07.840
<v Speaker 1>message from Todd White, the main songwriter for Sudden Impact,

0:38:08.040 --> 0:38:09.480
<v Speaker 1>the guy all the way to the right in the

0:38:09.520 --> 0:38:12.680
<v Speaker 1>Motown Philly moment, the driver of the whole project, the

0:38:12.719 --> 0:38:15.080
<v Speaker 1>guy who was gonna beat up Aaron Kine but started

0:38:15.080 --> 0:38:17.759
<v Speaker 1>a singing group with him instead. He says he's down

0:38:17.800 --> 0:38:20.880
<v Speaker 1>to talk and he wants to know if Alan Healy

0:38:20.960 --> 0:38:23.480
<v Speaker 1>can join the call. I'll talk to two fifths of

0:38:23.520 --> 0:38:26.040
<v Speaker 1>Sudden Impact at the same time, and maybe they'll give

0:38:26.080 --> 0:38:27.920
<v Speaker 1>me the dish on who that disc track was about.

0:38:28.520 --> 0:38:31.719
<v Speaker 1>We'll find out next time. On Waiting for Impact, a

0:38:31.800 --> 0:38:40.880
<v Speaker 1>Dave Holmes passion project This has been an exactly Right production.

0:38:41.400 --> 0:38:47.080
<v Speaker 1>Written by me Dave Holmes, produced by Hannah Kyle Crichton, recorded,

0:38:47.160 --> 0:38:51.560
<v Speaker 1>mixed and sound designed by Andrew Eapen. Additional engineering and

0:38:51.600 --> 0:38:57.080
<v Speaker 1>assembly by Annalise Nelson. Music by Ben Wise, artwork by

0:38:57.120 --> 0:39:01.560
<v Speaker 1>Garrett Ross. Executive produced by Caro kill Gareff, Georgia hard

0:39:01.560 --> 0:39:06.280
<v Speaker 1>Stark and Danielle Kramer. Follow the show on Instagram, Facebook,

0:39:06.320 --> 0:39:10.600
<v Speaker 1>and Twitter at exactly right and follow me at Dave Holmes.

0:39:11.160 --> 0:39:15.239
<v Speaker 1>For more information, go to Exactlyrightmedia dot com. Binge the

0:39:15.280 --> 0:39:18.880
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0:39:19.080 --> 0:39:22.520
<v Speaker 1>Head to Stitcher Premium dot com, slash impact and enter

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