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Speaker 1: The Laundronouts is a production of I Heart Radio. This

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Speaker 1: is what we remember and remember, this is what it

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Speaker 1: sounded like. What we couldn't hear, we made up. The

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Speaker 1: rest of it is ultrue. When last we left Perry

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Speaker 1: in an episent show, He's going to gigantic proportions, only

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Speaker 1: to be joined or unequally god Gantchuan Sludge rising from

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Speaker 1: the ground in all his duck destinly and mountainless glory. Hello, Perry,

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Speaker 1: you ready for what you have? What you've always wanted? Perry.

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Speaker 1: You're a mountain among men, well among sucks, maybe you

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Speaker 1: are Mount Perry. Okay, fine, I'm Mount Perry, much appreciated.

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Speaker 1: But revenge. Come on, it'll be the same when we

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Speaker 1: get back. Not necessarily. You saw the changes that Nick

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Speaker 1: and Mona. Yeah, wait, how do you know exactly what

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Speaker 1: I'm talking about? Perry? The real reason you're here? Your secret?

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Speaker 1: How could Sludge do that? That was his secret? Very

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Speaker 1: really good? Angry, but to be so easily unlocked. But

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Speaker 1: it's not faced for i'd tour of desk coming. He

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Speaker 1: had come to save it. Enraged you, Parry rose up

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Speaker 1: to his full line and shook his boulder of a

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Speaker 1: fist and sludges face. Yeah, I do know exactly what

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Speaker 1: you're talking about, sludge, But how the heck do you

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Speaker 1: know exactly what you're talking about? Sludges face curled into

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Speaker 1: an oily grid. I can hear you, Perry in my dreams.

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Speaker 1: I can't hear all love you. Perry felt a shudder

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Speaker 1: run from his toes, to his ears, to his nose.

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Speaker 1: I should have helped Jati, Of all people, I should

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Speaker 1: have helped you, because I know what it's like, really,

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Speaker 1: Charlie and its stuff joy to what Jim Locker Parry

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Speaker 1: filled with all the dirty, stinking towels from Pe. I

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Speaker 1: was locked in there for hours, banging on the door, screaming.

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Speaker 1: He was not pleasant, not pleasant at all. But I

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Speaker 1: survived Jat, and I got over it. You are in

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Speaker 1: something to another wild Perry. No, I came by choice,

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Speaker 1: sludge coop quiet, his dark presence waned the menu. But

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Speaker 1: it was a puts, a real site. We all were,

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Speaker 1: and I'm sorry, sorry, we all are sludge gazed down

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Speaker 1: at the buntside trees as that they were toys, that

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Speaker 1: they had lost their lure. When he spoke again, his

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Speaker 1: voice was small. I'm sure the voice of a ten

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Speaker 1: year old boy. Why did you hide your middle name?

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Speaker 1: What um it means autumn mountain? Why would you hide

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Speaker 1: something so beautiful? How do you why? I don't know.

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Speaker 1: I wanted to be more American normal. I don't know.

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Speaker 1: My pap told me his dad, my granddad, aki Akita

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Speaker 1: Akiyama person I was named after he sold everything he

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Speaker 1: owned to my our last name before he died Henigan.

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Speaker 1: To get it changed permanently in the city records, he

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Speaker 1: bribed some clerk. Why else would he do that unless

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Speaker 1: he was ashamed of being Japanese Sludge chuckled and plucked

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Speaker 1: a buntside tree from the ground, and he came twirling

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Speaker 1: it effortless. When he was trying to help you, silly rabbits,

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Speaker 1: He was trying to protect you from what was coming.

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Speaker 1: What's coming? He stopped turling war Well, I'm trying to

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Speaker 1: help you. J d you inhale the deep breath, and

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Speaker 1: his duck persons began to grow again. That's the deaference

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Speaker 1: when you are me very, he remembered, like a gathering

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Speaker 1: storm cloud as he expanded, swallowing the bunside tree in

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Speaker 1: his duckness. I don't need and he wants out anymore.

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Speaker 1: A giant hand shut out and clamped its massive fingers

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Speaker 1: around Perry's, lifting him like a weed being plucked from

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Speaker 1: my garden. I am flooded, I am the creator, and

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Speaker 1: I've sun shot, and you will do what I tell you.

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Speaker 1: Periake yama and again a k A. The rabbits or

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Speaker 1: you were die. Stop seeing my middle dger's gripped tight

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Speaker 1: round and all the air left Perry's body. Darkness rushed in.

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Speaker 1: Perry fought to think, to say conscious, to find our

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Speaker 1: way back to Jonica, to his friends, to carrot was

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Speaker 1: suddenly in his hand. He stabbed it into such as

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Speaker 1: body and squeezed. His skeleton lit up like orange lightning

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Speaker 1: inside a thundercloud. Then he exploded. Perry went topsy, turvy

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Speaker 1: and turvy topsy. Then he crashed through a tangle of branches,

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Speaker 1: landing with us. He was back in the gloom of

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Speaker 1: the ominous forest. He was small again. He engaged the smace.

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Speaker 1: No one rabbit dead, nabby. Perry was having second thoughts

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Speaker 1: about everything. As he thought this thought, a third thought

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Speaker 1: slapped him upside the brain wrinkle. You know here to

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Speaker 1: fight rabbits. You're here together in and hop on out.

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Speaker 1: Perry whipped out his yoyo and began performing some basic

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Speaker 1: yoyo tricks while he did the required thinking walk the

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Speaker 1: dog around the world for the bob, just the basics

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Speaker 1: for focusing as a yo yo. Questions overflowed in the

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Speaker 1: form of a musical loan lodges everywhere? So how am

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Speaker 1: I supposed to move? What are you looking for? What

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Speaker 1: do I have to lose? I don't know, I don't know,

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Speaker 1: But on word, you must go. I don't know, I

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Speaker 1: don't know, but onward I must go. Maybe a friend,

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Speaker 1: maybe your weakness, maybe the source of this you needness

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Speaker 1: in the clocks, in the socks and the city beneath

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Speaker 1: the rocks. He can't hear me his dream. What does

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Speaker 1: that even met me like? It makes me want to scream?

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Speaker 1: I don't know, I don't know. Put on you must

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Speaker 1: go maybe maybe maybe the source of you need mess.

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Speaker 1: I don't know, I don't know. I must go Utterly intercontinental,

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Speaker 1: Harry's head began to sound like a bungle. He was hungry, thirsty,

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Speaker 1: dusty saw from being punted, squeezed and can cussed, munched

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Speaker 1: on some pretzels, washing them down with a swing from

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Speaker 1: his cante It made him sleepy. He lay back on

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Speaker 1: a spongeing ground, letting the music wash over him. His

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Speaker 1: eyes grew heavy. He began to dream of his seventh

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Speaker 1: birthday when he stomped into his kitchen and declared to

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Speaker 1: his parents and Oto son, and his younger twin siblings,

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Speaker 1: Reacha and Frank, sitting in their high chair, I have

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Speaker 1: decided I will no longer be using my middle name

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Speaker 1: because I am American and not Japanese. Petty Chan new

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Speaker 1: home Jin. You know I will also no longer be

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Speaker 1: speaking Japanese because I'm American, and as an American, I

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Speaker 1: will be speaking American and American only. What you say,

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Speaker 1: why are you talking a city rabbit? Grandpa Ucky gave

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Speaker 1: away everything to help us, and now you want to

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Speaker 1: get rid of only Japanese you still have. I am

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Speaker 1: now going to run away from home and the highest

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Speaker 1: point on Earth? Should I pack us land which and

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Speaker 1: shout my full name at the top of my lungs

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Speaker 1: for the last time so that everyone will know that I,

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Speaker 1: Perry Akiyama Hennigan did indeed exist on this day. And

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Speaker 1: then I clearly asked for the hobbit by j R. R.

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Speaker 1: Tolkien for my birthday, and not of Mice and Men

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Speaker 1: by John Steinbeck. I will then cast my middle name,

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Speaker 1: my mother tongue, the lucky wallet that Grandpa Acky gave me,

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Speaker 1: and this book that I didn't ask for into the

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Speaker 1: abyss below, never to be spoken of by or four again.

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Speaker 1: Got it see you. By sunset, Perry got as far

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Speaker 1: as the summit of Mount David's line. The hundred and

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Speaker 1: twenty eight feet in the air was no main feat

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Speaker 1: being in Mount Davidson was the highest point in San Francisco,

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Speaker 1: and that Perry was only seven. It took him nine hours.

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Speaker 1: Perry finally reached the peak, gasp for breath, his legs burning,

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Speaker 1: He looked around and realized that not only did he

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Speaker 1: not have the strength to shout his full name at

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Speaker 1: the towers lung, he didn't really want to anymore. Never

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Speaker 1: before had he beheld such beauty as Twilet des Sentinel.

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Speaker 1: The city of San Francisco. Lights were pubbling on in

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Speaker 1: the houses below, in the hills around here, placing Parry

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Speaker 1: in the center of his own solutional constellation. Interstellar street

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Speaker 1: lamps flickered to life in huminating roads that stretched out

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Speaker 1: through San Francisco outlining its curves swords and called the secks.

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Speaker 1: The sun's after glow lit up the horizon, the marmalade splash. Perry,

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Speaker 1: it was just a boy, but he knew this was

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Speaker 1: meant for him. There was the sunset of Perry's middle name,

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Speaker 1: the sunset of his mother tongue, the sunset of Perry

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Speaker 1: Yucky Yama Henigan. Perry flung Steinbeck's Book of Mice and

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Speaker 1: Men off the cliff. It vanished in the darkness below.

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Speaker 1: He took out his look he wallet, reared back to

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Speaker 1: throw it, but stopped. He slipped out the withered photo

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Speaker 1: of his Grandpa Hockey as a boy like looking in

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Speaker 1: a mirror, Perry bowed low to the Photodpa. He put

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Speaker 1: the photo back in his wallet, and with a wallet

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Speaker 1: back in his pocket, and Perry went home. This was

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Speaker 1: his dream as he lay asleep in the ominous forest

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Speaker 1: of Absentia, and when he awoke with a start, It's

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Speaker 1: where he was sitting on the summit of Mount David's,

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Speaker 1: clutching the carrot tightly in his hand. A teeny we

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Speaker 1: be so gleefully free sees thee and he sneezed and

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Speaker 1: flees to these trees. He was back in the gloom

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Speaker 1: of the ominous forest. Perry repeated the ritual, clutching the carrot.

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Speaker 1: Teeny we be so gleefully free c z and me

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Speaker 1: sneezed and fleece to these trees. Mount Davidson answers began

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Speaker 1: to dance like ballerinas. In his head is an empty canvas.

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Speaker 1: Whoever has the paints and brushes is in charge. I

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Speaker 1: have the carrot, I have the plum. I made this mountain,

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Speaker 1: but what does j D have. Perry folded his arms defiantly.

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Speaker 1: Vasco got no to come on me. Sludge. J D

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Speaker 1: was standing in front of him before he could complete

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Speaker 1: another breath. But gone was the dark, oozing form of slug.

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Speaker 1: It was j D, the boy standing there, the boy

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Speaker 1: with a stupid, taped up blesses, the sickly ten year

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Speaker 1: old boy with the condition no one could describe, or

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Speaker 1: manage or cure, the condition that made j D a

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Speaker 1: little bit different from everybody here. Did you have a

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Speaker 1: nice rest rabbit? Perry glanced around in confusion. They were

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Speaker 1: still on Mount david'son. What's going on? I wanted to

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Speaker 1: give you a chance to play. Let you build a

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Speaker 1: sand castle on my beach, so you could see that,

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Speaker 1: no matter how pretty you make it, eventually the big

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Speaker 1: bad ocean will come along and wipe it all away.

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Speaker 1: D touched his glasses, and the gloom of the ominous

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Speaker 1: forests ascended around them. Ever been to the beach, Perry, sure,

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Speaker 1: a couple of times. Not me. It was for my protection.

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Speaker 1: Apparently my parents didn't want me catching something. You ever

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Speaker 1: notice how I was always in danger of catching something, Perry,

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Speaker 1: yet I never did. Can't imagine how exhausting that can be. Well,

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Speaker 1: I did have that scarlet fever when I was three.

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Speaker 1: My parents say it stunted me, but hey, better stunted

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Speaker 1: than punted, all right? You always wear a clown, Perry.

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Speaker 1: Who was that dropkicking son of a slipper head that

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Speaker 1: punted me? He's a so cling He doesn't have a name.

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Speaker 1: He doesn't deserve one, mctweetie, And now he does, thank you.

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Speaker 1: Would you name something here, Perry? That's it? It sticks

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Speaker 1: like you did with absentia and sludge. How does that work?

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Speaker 1: It doesn't matter. Mctweetie was being naughty, Perry. Now he's

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Speaker 1: being punished for all his sins. Perry could see j

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Speaker 1: D was lowering his guard, so he said what he

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Speaker 1: would have wanted to hear at that moment. Your dad

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Speaker 1: really misses you, j D. Jendy's head jerked violently. My

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Speaker 1: father probably hasn't even noticed, I, Dodd Berry. Something raw

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Speaker 1: flashed across j D's face, and I was swapped away

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Speaker 1: by the darkness. It floated back into his eyes, bled

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Speaker 1: into his glasses, turning them into shades of nuance. Stop

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Speaker 1: naming things. There's only one master that such Perry, and

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Speaker 1: his name. All I see is my old buddy, j D.

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Speaker 1: Old buddy. We were buddies, sure, I mean not close buddies,

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Speaker 1: but we were definitely a charm chum. We failed, Okay,

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Speaker 1: I failed, and I'm trying to make it right, j D.

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Speaker 1: Harry clutched the curt again, blinked Mount Davidson return, come back.

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Speaker 1: I'll take you here. This is your favorite memory? Pretty

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Speaker 1: neat huh? You want to see mine? Well? J D

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Speaker 1: touched his shades and they were back in the white

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Speaker 1: world of absence. I have no favorite memory, Perry. Maybe

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Speaker 1: you buried it somewhere j D. J D stared at

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Speaker 1: Perry quietly. Perry shuffled nervously, maybe you're more of a

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00:16:17,040 --> 00:16:21,720
Speaker 1: canvas maker than a painter. Canvas maker. My mom paints right,

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00:16:21,920 --> 00:16:25,800
Speaker 1: and she's always telling me somebody cut would, somebody stretched cloth,

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Speaker 1: somebody hungered together. Canvas don't fall from sky. I'm sure

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Speaker 1: that Da Vinci guy was shopping canvas makers back in

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Speaker 1: the day. You know, maybe absential is your canvas waiting

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Speaker 1: to be filled with other people's good memories. Can a

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Speaker 1: canvas maker do this? J D touched his shades and

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00:16:46,440 --> 00:16:49,920
Speaker 1: they were on the rainbow striped plane, a hot wind

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00:16:49,960 --> 00:16:53,640
Speaker 1: blowing hard at their backs. J D grinned, bowed, and

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00:16:53,760 --> 00:16:58,120
Speaker 1: gestured for Perry to turn. Perry obeyed. His legs turned

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00:16:58,120 --> 00:17:06,240
Speaker 1: to molasses. Suck sucklings, sucklings, sucklings as far back as

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00:17:06,280 --> 00:17:12,760
Speaker 1: the eye could see, terms of thousands of suckling regimentally

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00:17:12,920 --> 00:17:20,440
Speaker 1: aligned battalion after battalion, rustling and bustling, frosty for battle.

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Speaker 1: At the vanguard of the Great Army, the very tip

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00:17:24,960 --> 00:17:32,119
Speaker 1: of sludgers spear, thousands of oially black socks undulated nefariously.

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00:17:32,480 --> 00:17:35,720
Speaker 1: J D raised his hands like a conductor, and a

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00:17:35,840 --> 00:17:42,040
Speaker 1: black socks rose as a single wave. They expanded, contracted,

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00:17:42,600 --> 00:17:47,359
Speaker 1: rose again, all in time with their master's dancing hands.

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Speaker 1: The grubby rumblers, you're so cute, very scandal ranks back

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Speaker 1: back back, trying to find the end. Went from the

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Speaker 1: middle the pack, A tall, tweety suckling leaped out, bounced

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Speaker 1: high in the air, then darted back into the line

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00:18:09,600 --> 00:18:14,800
Speaker 1: the tweet, the one that punted him. Perry glanced wearily

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Speaker 1: at j D. He was still focused on his rumbler.

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Speaker 1: So what's the plane sludge? J D stopped and turned.

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Speaker 1: The rumblers collapsed like teach a girl, we invade, invade?

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Speaker 1: What do you mean invade San Francisco with these socks? Yes? Why? Why?

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Speaker 1: Because they are angry? What do they have to be

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00:18:40,560 --> 00:18:48,440
Speaker 1: angry about their sucks? You think former inanimates have no feelings, Perry,

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00:18:48,720 --> 00:18:55,120
Speaker 1: no dreams, no manories. They are angry about being forgotten,

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00:18:56,880 --> 00:19:03,320
Speaker 1: like you don't pretend you know me, Perry? Yeah? Why

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00:19:04,119 --> 00:19:09,720
Speaker 1: revenge to make things right? Why are you paid so thick?

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00:19:10,359 --> 00:19:14,879
Speaker 1: I'm not thick, you're thick, red facing, breathless. J D

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00:19:15,160 --> 00:19:19,359
Speaker 1: leaned in close to Perry. I have more hope for you, Perry,

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00:19:19,640 --> 00:19:23,520
Speaker 1: king on my head again. That's why I wanted you

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00:19:23,720 --> 00:19:30,040
Speaker 1: to go first. That's why you want. Perry's tongue went limp.

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00:19:30,359 --> 00:19:34,840
Speaker 1: The baby bunny began kicking madly in his chest. J

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00:19:35,040 --> 00:19:40,760
Speaker 1: D grinned devilishly. I need another way back, a door

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00:19:41,320 --> 00:19:47,160
Speaker 1: large enough to bring my army with me. Don't you understand, rabbit,

250
00:19:47,680 --> 00:19:53,280
Speaker 1: I need a trail plaser like you. J D touched

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00:19:53,280 --> 00:19:57,720
Speaker 1: his shapes, he went sludge like, and they both grew

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00:19:57,920 --> 00:20:06,680
Speaker 1: to giants size but portions again. So Mount Perry, are

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00:20:06,720 --> 00:20:11,439
Speaker 1: you with me? Or are you against me? Choose? A

254
00:20:11,600 --> 00:20:18,760
Speaker 1: lifetime flashed before Perry's eyes. Images of bullies bowing, girl's blushing.

255
00:20:19,040 --> 00:20:22,640
Speaker 1: It was all there in a moment of glory. Then

256
00:20:22,760 --> 00:20:29,160
Speaker 1: Perry snatched Jay's glasses off his face. They shrunk back

257
00:20:29,200 --> 00:20:32,440
Speaker 1: to normal, and Perry quickly backed away as j D

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00:20:32,840 --> 00:20:37,119
Speaker 1: swung blindly in the air are He caught sight of

259
00:20:37,240 --> 00:20:41,800
Speaker 1: Perry's blurry retreating form and strode after. Get those back

260
00:20:41,880 --> 00:20:46,160
Speaker 1: to me, this very medicaryak again, stop using my middle name.

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00:20:46,600 --> 00:20:50,600
Speaker 1: Perry hit the signal on the plum. The purple pocket

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00:20:50,680 --> 00:20:54,600
Speaker 1: watch shook shimmy, then the hork the ball of Purple

263
00:20:54,760 --> 00:20:59,200
Speaker 1: harkage high into the air. The boys halted in surprise,

264
00:20:59,560 --> 00:21:03,320
Speaker 1: and why the ball of Google rise hit its apex.

265
00:21:03,680 --> 00:21:09,560
Speaker 1: However that explode j D. The Suckling's, the Rumblers absentia,

266
00:21:09,880 --> 00:21:14,960
Speaker 1: everything vanished. Perry was suddenly alone in a cozy cocoon

267
00:21:15,040 --> 00:21:20,480
Speaker 1: of coconut and lavender. Didn't expect that to happen. The

268
00:21:20,600 --> 00:21:24,800
Speaker 1: Plum was guiding him onward to the invisible keyhole in

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00:21:24,880 --> 00:21:29,280
Speaker 1: the sky in exactly fifteen minutes. To still have it, sir?

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00:21:32,440 --> 00:21:36,520
Speaker 1: Have what the watch? Which the first pocket watch plucked

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Speaker 1: in absentia? The Plum present to my interest in pencer.

272
00:21:40,600 --> 00:21:43,720
Speaker 1: I'm also looking collector of early time pieces. Your resume

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00:21:43,960 --> 00:21:48,240
Speaker 1: continues to underwhelm. Do I imagine it was not at all?

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00:21:48,320 --> 00:21:52,919
Speaker 1: It's here? That's just an old pocket watch? Oh is

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Speaker 1: it now? And then? I nothing more than just an

276
00:21:56,320 --> 00:21:59,840
Speaker 1: older man? Are you nothing more than just an extreme,

277
00:22:00,119 --> 00:22:04,320
Speaker 1: comply rude little girl? And you, son, are you nothing

278
00:22:04,359 --> 00:22:09,879
Speaker 1: more than a revoltingly polite and ridiculously overgrown little boy?

279
00:22:11,800 --> 00:22:15,920
Speaker 1: Of course you do. Appearances rarely reveal the true heart

280
00:22:16,000 --> 00:22:19,159
Speaker 1: of the matter or the manner of the man. Listen,

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00:22:19,520 --> 00:22:22,560
Speaker 1: does it not tick? Yes, but that doesn't? Does it

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00:22:22,680 --> 00:22:27,879
Speaker 1: not continue to reveal time? But time never existed? What

283
00:22:28,280 --> 00:22:32,159
Speaker 1: does it not continue to cling to me, faithfully committed

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00:22:32,280 --> 00:22:36,159
Speaker 1: to its place in the world, trustworthy too. That doesn't

285
00:22:36,200 --> 00:22:43,440
Speaker 1: make it special. Oh you question its specialness? What did

286
00:22:43,440 --> 00:22:49,159
Speaker 1: you guys do? Sir? I signaled its sibling. That's the one,

287
00:22:49,960 --> 00:22:56,160
Speaker 1: and we wait for a reply that we regrettably cannot

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00:22:56,359 --> 00:23:01,439
Speaker 1: physically reclaim the exile twin at this particular moment, we

289
00:23:01,520 --> 00:23:04,720
Speaker 1: can still communicate with her. I have to believe it

290
00:23:04,840 --> 00:23:10,800
Speaker 1: provides some comfort. It does me. Now, be still, Stitchling's

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00:23:11,359 --> 00:23:14,639
Speaker 1: The signal can come in many forms. We must be

292
00:23:14,680 --> 00:23:21,080
Speaker 1: alert to a peculiarities. Where is plum do, sir? Still

293
00:23:21,600 --> 00:23:36,480
Speaker 1: in absentire? Listen? Ah there, yes, there, she is toling

294
00:23:36,680 --> 00:23:42,240
Speaker 1: the time. That's not proof. No, what was the fist?

295
00:23:42,320 --> 00:23:46,159
Speaker 1: Professor would be better sludge himself oozed out of that

296
00:23:46,359 --> 00:23:49,560
Speaker 1: washing machine there and told you everything you hold to

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00:23:49,640 --> 00:23:53,159
Speaker 1: be true and real is full. That this world you

298
00:23:53,240 --> 00:23:57,639
Speaker 1: rely on so unshakably is merely a madman's sketch on

299
00:23:57,720 --> 00:24:02,400
Speaker 1: our white can fits, craftily concocted in order to distruct

300
00:24:02,440 --> 00:24:10,600
Speaker 1: you from what really matters. Happy, all will be made

301
00:24:10,720 --> 00:24:14,919
Speaker 1: known in its own time and proper order. Now, before

302
00:24:15,000 --> 00:24:20,280
Speaker 1: we rejoin our loudronautical proper children, we must first return

303
00:24:20,359 --> 00:24:23,160
Speaker 1: to San Francisco, as the rest of our crew were

304
00:24:23,200 --> 00:24:27,199
Speaker 1: about to encounter an unexpected snarl in the weave of

305
00:24:27,200 --> 00:24:35,600
Speaker 1: our stories tapestry. No, we did not best to stay

306
00:24:35,680 --> 00:24:40,000
Speaker 1: clear of Charlie. Three days in the Pay's incursion, Charlie's

307
00:24:40,040 --> 00:24:44,520
Speaker 1: incessant lingering and lurking turned into something form of a

308
00:24:44,680 --> 00:24:49,400
Speaker 1: fane sky. You see over there, That is don sky.

309
00:24:51,200 --> 00:24:53,840
Speaker 1: We were gathered down the road from the washing chilium,

310
00:24:54,160 --> 00:24:58,040
Speaker 1: playing marvels, waiting for Jonica to get the signal so

311
00:24:58,160 --> 00:25:02,359
Speaker 1: we can help her extract pair. Charlie Evans appeared across

312
00:25:02,359 --> 00:25:06,679
Speaker 1: the street at Nunzio the new Favorites newspapers stand. Charlie

313
00:25:06,760 --> 00:25:10,240
Speaker 1: could barely read, but did his best impression of a customer,

314
00:25:10,760 --> 00:25:14,880
Speaker 1: flipping to the pages of an upside down magazine, staring

315
00:25:14,960 --> 00:25:18,919
Speaker 1: at us all the while Nunzio was slumped in his

316
00:25:19,000 --> 00:25:23,160
Speaker 1: lawn chair asleep. This was Zuzio's usual post at this

317
00:25:23,200 --> 00:25:26,960
Speaker 1: time of day or any time day. Benny tried not

318
00:25:27,080 --> 00:25:29,880
Speaker 1: to look at Charlie. We all tried not to look.

319
00:25:30,440 --> 00:25:34,560
Speaker 1: But and Benny's not looking, the frustration swelled to the

320
00:25:34,600 --> 00:25:38,359
Speaker 1: point of combustion. He finally sucked in one last breath

321
00:25:39,119 --> 00:25:42,880
Speaker 1: and released it like an elephant blowing its nose through

322
00:25:42,920 --> 00:25:52,760
Speaker 1: a bullhorn. Cars slammed on their brakes, Passing pedestrians excused themselves.

323
00:25:53,040 --> 00:25:59,600
Speaker 1: Children run for covers. Benny strode across the street. Benny relaxed.

324
00:26:00,200 --> 00:26:03,600
Speaker 1: Now he's now the time. Benjamin at him. Benjie mona

325
00:26:03,720 --> 00:26:09,959
Speaker 1: elbowed Nick in the abdomen. Benny was already across the street,

326
00:26:10,320 --> 00:26:15,200
Speaker 1: tabbing Charlie Evans on the shoulder. Charlie was an intimidating presence,

327
00:26:15,320 --> 00:26:17,639
Speaker 1: two years older than any of us. They're like a

328
00:26:17,760 --> 00:26:22,520
Speaker 1: brick pizza oven, hair buzz short, almost six ft tall.

329
00:26:22,960 --> 00:26:27,120
Speaker 1: He had shoulders wide enough to hang curtains. His face

330
00:26:27,200 --> 00:26:33,080
Speaker 1: was enormous, hands like fly swatters, feet like snowshoes, ears

331
00:26:33,200 --> 00:26:36,800
Speaker 1: like truck doors flog open. Benny, on the other hand,

332
00:26:36,920 --> 00:26:40,680
Speaker 1: was a fire hydrunted with legs, more girth than brawn,

333
00:26:41,160 --> 00:26:44,200
Speaker 1: six inches shorter than Charlie. Not that any of that

334
00:26:44,240 --> 00:26:47,639
Speaker 1: matter to Benny. He just kept having Charlie on his shoulder,

335
00:26:47,960 --> 00:26:50,640
Speaker 1: even though Charlie was now looking him in the face.

336
00:26:51,359 --> 00:26:56,240
Speaker 1: What Charlie slapped Benny's hand away, Benny jabbed his meaty

337
00:26:56,320 --> 00:27:01,000
Speaker 1: finger back into the taller boy's chest way, This is

338
00:27:01,000 --> 00:27:04,280
Speaker 1: a free country. Benny culled his hand into a ball

339
00:27:04,560 --> 00:27:10,040
Speaker 1: and shook it into Charlie's face. This is my free fist, Benny.

340
00:27:10,480 --> 00:27:13,480
Speaker 1: Jonica was the quickest to cross the street, as if

341
00:27:13,560 --> 00:27:20,919
Speaker 1: she'd flown. She squeezed Benny's hand gently stop, But Benny

342
00:27:21,080 --> 00:27:24,760
Speaker 1: was way past launch mood. The rest of us filed

343
00:27:24,840 --> 00:27:28,440
Speaker 1: in behind him. Oh, you got yourself a posse there,

344
00:27:28,600 --> 00:27:33,320
Speaker 1: that boy. I never saw a Benny's fist move. Charlie

345
00:27:33,359 --> 00:27:37,600
Speaker 1: went down in a heap. He was up just as quickly, grinning,

346
00:27:37,800 --> 00:27:41,080
Speaker 1: hopping around like a boxer. That boy's got some pluck.

347
00:27:42,960 --> 00:27:47,120
Speaker 1: Charlie wasn't as quick as Benny, but far more powerful.

348
00:27:47,640 --> 00:27:50,320
Speaker 1: His upper cud lifted Benny off the ground, and then

349
00:27:50,320 --> 00:27:54,280
Speaker 1: he was upside down in a rack devoted exclusively to

350
00:27:54,400 --> 00:28:00,800
Speaker 1: the approaching war in Europe or Love of Lentil. Nunzio

351
00:28:00,880 --> 00:28:04,800
Speaker 1: the newspapers was a tall Italian with a bushy mustache.

352
00:28:05,119 --> 00:28:08,640
Speaker 1: I collected everything he ate throughout the day. Rarely did

353
00:28:08,640 --> 00:28:11,639
Speaker 1: he awaken for anything other than a purchase, which is

354
00:28:11,760 --> 00:28:15,200
Speaker 1: rare enough. Our brawl, apparently, was the other exception to

355
00:28:15,280 --> 00:28:18,760
Speaker 1: the rule. No Pi taking the water sex or that

356
00:28:19,200 --> 00:28:22,600
Speaker 1: I don't remember attacking Charlie, but attack him I did.

357
00:28:23,040 --> 00:28:26,880
Speaker 1: Weeks of pent up rage fueled me on. I don't

358
00:28:26,920 --> 00:28:30,560
Speaker 1: remember getting hit, but get hit idead. After about the

359
00:28:30,560 --> 00:28:33,600
Speaker 1: fourth time of landing on my back, I decided it

360
00:28:33,680 --> 00:28:36,639
Speaker 1: was safer to remain where I walked. I remember the

361
00:28:36,720 --> 00:28:40,760
Speaker 1: hazy image of Benny and Charlie rolling around on the sidewalk,

362
00:28:40,960 --> 00:28:44,320
Speaker 1: Nungeo trying to untangle them, the rest of my colleagues

363
00:28:44,480 --> 00:28:49,080
Speaker 1: riding on the concrete in various stages of distress. Get

364
00:28:49,160 --> 00:28:52,800
Speaker 1: off your sack of potato. Sack of potatoes, you bag

365
00:28:52,880 --> 00:28:59,640
Speaker 1: of broken vegas could stop you A lot of Nungeo

366
00:29:00,000 --> 00:29:03,360
Speaker 1: only pulled them apart. Many and Charlie glared at each other,

367
00:29:04,040 --> 00:29:11,440
Speaker 1: chest heaving shirts torn this my business, you know, to

368
00:29:11,560 --> 00:29:16,280
Speaker 1: my business? Go mind your business. Don't he give us

369
00:29:16,280 --> 00:29:20,560
Speaker 1: a final icy stare, then began gathering up his spilled magazines,

370
00:29:20,920 --> 00:29:24,880
Speaker 1: mothering Italian curshis. We pulled our battered self to our

371
00:29:24,960 --> 00:29:30,680
Speaker 1: feet and assemboled around Benny. Charlie calmly tucked in his shirt,

372
00:29:30,720 --> 00:29:33,840
Speaker 1: his face inscrutable. It's back more. We find you scolking

373
00:29:33,880 --> 00:29:37,120
Speaker 1: around here again, Charlie. We all turned in surprise. Nick

374
00:29:37,600 --> 00:29:40,400
Speaker 1: seemed to be going more of a spine each day.

375
00:29:40,960 --> 00:29:44,280
Speaker 1: Charlie spread a gob of blood into the gutter. Look,

376
00:29:44,760 --> 00:29:47,280
Speaker 1: he's ristening me in my dreams. None of us have

377
00:29:47,440 --> 00:29:51,000
Speaker 1: ever had a conversation with Charlie Evans before. It took

378
00:29:51,000 --> 00:29:56,040
Speaker 1: a moment. Who is you know who? Charlie spent another

379
00:29:56,160 --> 00:29:59,120
Speaker 1: gob of blood. That's what happens to people with a

380
00:29:59,160 --> 00:30:02,960
Speaker 1: guilty contract. I don't have a conscience, Nicky, Ricky timbo.

381
00:30:03,360 --> 00:30:07,480
Speaker 1: And why do you keep lurking and lingering? I asked? Sulky.

382
00:30:07,840 --> 00:30:11,320
Speaker 1: Charlie started to speak and noticed one of his shoes

383
00:30:11,400 --> 00:30:15,959
Speaker 1: was untied. He kneled wearily and started working on the laces.

384
00:30:16,680 --> 00:30:23,120
Speaker 1: It's j D. But he's different, older, weirder, if that's

385
00:30:23,120 --> 00:30:28,280
Speaker 1: even possible. But it's him. Doesn't talk, He's just they're waiting.

386
00:30:29,720 --> 00:30:34,320
Speaker 1: I can't even sleep anymore. The effort of speaking seemed

387
00:30:34,360 --> 00:30:39,160
Speaker 1: to diminish Charlie. He finished his laces, but remained slumped over.

388
00:30:39,840 --> 00:30:43,200
Speaker 1: How do you know it's him? Those stupid taped up

389
00:30:43,200 --> 00:30:47,920
Speaker 1: glasses we stifled? He gasps. Charlie noticed and pulled himself

390
00:30:47,960 --> 00:30:51,600
Speaker 1: back to his feet, studying our faces. What happened doing

391
00:30:52,480 --> 00:30:55,320
Speaker 1: where is he? You shoved him into a washing machine,

392
00:30:55,520 --> 00:30:58,680
Speaker 1: That's what happened. Then he lunged at Charlie, but Nick

393
00:30:58,720 --> 00:31:02,280
Speaker 1: and I were ready this. Yeah, what's it to you, Benjamin?

394
00:31:02,640 --> 00:31:05,280
Speaker 1: You'll never liked him, none of you did. Hell, Nick,

395
00:31:05,280 --> 00:31:07,800
Speaker 1: you hung up from a flagpole once. What makes you

396
00:31:07,840 --> 00:31:12,560
Speaker 1: guys so different from me? Charlie spent a final gobb

397
00:31:12,680 --> 00:31:16,560
Speaker 1: of blood into the gutter and turned to go nothing.

398
00:31:17,200 --> 00:31:21,360
Speaker 1: We turned to Jonica. We're not so different you and us.

399
00:31:22,320 --> 00:31:27,280
Speaker 1: Where's Perry? He's out of town with his parents. Liar.

400
00:31:27,880 --> 00:31:30,760
Speaker 1: I just want him out of my head. Okay, that's it.

401
00:31:31,200 --> 00:31:36,720
Speaker 1: That's why I've been skulking. I just and easy for

402
00:31:36,760 --> 00:31:39,640
Speaker 1: me to maybe stop beating people up and they might

403
00:31:39,680 --> 00:31:43,760
Speaker 1: start trusting you. Yeah, you're gonna trust me now, Nick, huh,

404
00:31:44,000 --> 00:31:47,240
Speaker 1: gonna be my rich pal. Nick looked down at his

405
00:31:47,400 --> 00:31:51,640
Speaker 1: new shoes. I'll settle for fear. Charlie turned to go

406
00:31:52,120 --> 00:31:55,160
Speaker 1: if he says something to you, maybe write it down. Charlie.

407
00:31:55,520 --> 00:31:58,080
Speaker 1: We all turned to Jonica, now the center of our

408
00:31:58,120 --> 00:32:02,560
Speaker 1: gravity on the drink, wake up, but say sleep, ask

409
00:32:02,640 --> 00:32:05,360
Speaker 1: him questions if he says something, shot it down on

410
00:32:05,400 --> 00:32:08,160
Speaker 1: the wake up I'll read them. That might help Charlie.

411
00:32:08,560 --> 00:32:12,960
Speaker 1: We wish we rolled back to Charlie. Okay, He turned

412
00:32:13,000 --> 00:32:16,240
Speaker 1: and shuffled off. He was limping, rying hard not to

413
00:32:16,600 --> 00:32:20,120
Speaker 1: Then he round at the corner and was gone. Dreams

414
00:32:20,160 --> 00:32:25,680
Speaker 1: aren't real. I beg your pardon. How could sludge be

415
00:32:25,760 --> 00:32:31,200
Speaker 1: in Charlie's dreams? Dreams aren't real? No? Have you never

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Speaker 1: awoken from a dream crying my dear? Maybe she has

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Speaker 1: her its grotesquely laughed so hard you're awakened yourself. Or

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Speaker 1: perhaps you were flying in your dream and awoke with

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Speaker 1: your heart beating like a bungo. Do they not affect us?

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Speaker 1: These dreams? They're not frightened? A tickle inspire the thick

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Speaker 1: turned pennies to Nichols, cucumbers to pick us. What is

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Speaker 1: it that this enguishes the real from the dream? Sleep?

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Speaker 1: Who's to say we are to sleep right now? That

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Speaker 1: all of this is the dream, and when we close

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Speaker 1: our eyes that's when our real lives begin. I have

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Speaker 1: you are scaring the clues? Never forget to wander children

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Speaker 1: without wonder. They could mean no surprise, no joy, no heartbreak,

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Speaker 1: no revelation. This glaring lack in your education has forced

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Speaker 1: me to reconsider the need for your longed or not training.

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Speaker 1: Why my lafe is glaring, sir? It begins now first

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Speaker 1: long or not challenges. Thus, when you go to sleep,

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Speaker 1: to my children awaken in your dreams, explore, report back

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Speaker 1: to me what you find right. But how do we

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Speaker 1: do that? You've turned them into dreamers? I certainly hope.

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Speaker 1: Show The laundron Nuts a potentially untrue tale based on

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Speaker 1: actual events, Conceived, written and directed by Colin mackenzie Mitchell.

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Speaker 1: Original music, sound design and editing by Dave McKeever, Produced

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Speaker 1: by Monica Michless and Dave McKeever. Script supervision and editorial

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Speaker 1: assistants by Christina Bryan. Casting by Mary Claire Sweeters. Executive

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Speaker 1: producers John Cameron Mitchell, ed Asner and Colin Mackenzie Mitchell

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Speaker 1: starring in order of the knis Isaac Robinson Smith as

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Speaker 1: the Ma and Nuncio, Alison Fraser as the Woman and

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Speaker 1: Madame Russia ed Asner as the Narrator, Corey Krueger as

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Speaker 1: j D and Sludge, Trevor Bernardino as Perry, John Cameron

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Speaker 1: Mitchell as Absentia, Sharon Omi as Okasan, Michael Hajiwara as

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Speaker 1: Otto san Max Mitchell as the Brother, Vin Toke as

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Speaker 1: the Sister, London Johnson as Benny, Lily Resto as Mona

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Speaker 1: bluebell Saraceno as Jonica, Yavon Paul as Nick Noah Bentley

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Speaker 1: as Charlie. The Laundronauts is a collaboration between I Heart

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Speaker 1: Media and Little Brother Sam Productions. For more podcasts from

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Speaker 1: I heart Radio, visit the i heart Radio app, apple

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Speaker 1: Pie Podcasts, or wherever you get your podcasts. The Laundronauts

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Speaker 1: is a production of iHeartRadio.