1 00:00:03,920 --> 00:00:11,400 Speaker 1: It's that time, time, time, time, luck and load till 2 00:00:11,520 --> 00:00:13,320 Speaker 1: Michael Very Show is. 3 00:00:13,280 --> 00:00:13,920 Speaker 2: On the air. 4 00:00:14,080 --> 00:00:16,720 Speaker 3: I have all Americans. I'm proved to tell you today 5 00:00:16,720 --> 00:00:21,440 Speaker 3: that that's timed legislation without law Russia forever. We'll begin 6 00:00:21,520 --> 00:00:22,640 Speaker 3: bombing in five minutes. 7 00:00:26,079 --> 00:00:26,880 Speaker 4: If I get to like it. 8 00:00:27,000 --> 00:00:27,920 Speaker 5: Someone made around. 9 00:00:28,880 --> 00:00:32,320 Speaker 1: I noticed when you get to dislike and someone standing 10 00:00:32,360 --> 00:00:33,400 Speaker 1: around for a long name. 11 00:00:34,000 --> 00:00:34,479 Speaker 3: Guy's got a. 12 00:00:34,479 --> 00:00:36,800 Speaker 4: Lot of pickup. It's got a cop motor, a four 13 00:00:36,880 --> 00:00:39,680 Speaker 4: hundred and forty cubic inch plant. It's got cop tires, 14 00:00:39,720 --> 00:00:44,080 Speaker 4: cop suspension, cop shocks. It's a model made before catalytic converters, 15 00:00:44,080 --> 00:00:46,760 Speaker 4: so it'll run good on regular gus. What do you say, 16 00:00:46,800 --> 00:00:49,840 Speaker 4: is that the new bluesmobile or one thanks a cigarette lader. 17 00:00:49,960 --> 00:00:52,000 Speaker 1: I sure appreciate it, sir, if you could find it 18 00:00:52,240 --> 00:00:54,880 Speaker 1: in your heart to hang him up by his neck 19 00:00:55,000 --> 00:00:56,080 Speaker 1: until he was digging. 20 00:00:56,360 --> 00:00:58,280 Speaker 5: Boy escalated quickly. 21 00:00:58,640 --> 00:01:00,400 Speaker 6: I was just explaining to your better head have here 22 00:01:00,440 --> 00:01:02,640 Speaker 6: that when we were tunneling out we happened at the 23 00:01:02,680 --> 00:01:03,520 Speaker 6: main sewer line. 24 00:01:03,640 --> 00:01:05,759 Speaker 1: Dumb luck that and we followed that. 25 00:01:06,600 --> 00:01:08,640 Speaker 4: Busted out of jam no man pop. 26 00:01:08,880 --> 00:01:10,760 Speaker 5: We released her has on our own recognition. 27 00:01:25,319 --> 00:01:29,039 Speaker 1: I wouldn't know who Akira of the down Is. But 28 00:01:29,200 --> 00:01:31,560 Speaker 1: Chad listens to him, I think when he's working out, 29 00:01:32,600 --> 00:01:36,959 Speaker 1: and he puts these beats under things that are just magical. 30 00:01:38,400 --> 00:01:42,640 Speaker 1: And I guess a couple of years ago Chad shared 31 00:01:42,680 --> 00:01:46,440 Speaker 1: with me at some point Joe Rogan had done a 32 00:01:47,000 --> 00:01:48,640 Speaker 1: I don't know if it's a graduation speech or just 33 00:01:48,720 --> 00:01:51,960 Speaker 1: him giving advice with a bed of cure of the 34 00:01:52,040 --> 00:01:56,200 Speaker 1: don And since we're on the subject of life advice, 35 00:01:57,160 --> 00:01:59,840 Speaker 1: the reason we chose this one out of everything else 36 00:01:59,880 --> 00:02:08,760 Speaker 1: we could share is I like the concept of taking 37 00:02:10,160 --> 00:02:17,000 Speaker 1: paths that frighten you, taking paths that others criticize. I've 38 00:02:17,000 --> 00:02:20,720 Speaker 1: watched so many people be successful, and it's amazing to 39 00:02:20,840 --> 00:02:27,680 Speaker 1: me how many people, it seems, wish them to fail. 40 00:02:29,320 --> 00:02:33,320 Speaker 1: It's a crazy thing. My mother was very, very risk averse, 41 00:02:34,360 --> 00:02:39,560 Speaker 1: very risk averse. She didn't believe in taking chances, but 42 00:02:39,760 --> 00:02:42,360 Speaker 1: she didn't dare say anything. When I left practicing law 43 00:02:42,960 --> 00:02:45,200 Speaker 1: and started my own real estate company. She didn't dare 44 00:02:45,200 --> 00:02:47,480 Speaker 1: say anything because she knew I'd lose my mind. But 45 00:02:47,560 --> 00:02:53,760 Speaker 1: my dad did, and my dad is he He did 46 00:02:53,760 --> 00:03:01,240 Speaker 1: it in a question. So you left that salary to 47 00:03:01,280 --> 00:03:05,880 Speaker 1: just start a by yourself. The companies by yourself, and 48 00:03:05,919 --> 00:03:08,600 Speaker 1: so you won't you won't make a salary anymore, No, sir, 49 00:03:09,639 --> 00:03:14,919 Speaker 1: so you might not make anything correct. I mean, I 50 00:03:14,960 --> 00:03:18,480 Speaker 1: don't know what point you know, going on in law 51 00:03:18,520 --> 00:03:22,640 Speaker 1: degrees in England and all those years you did all that, 52 00:03:22,720 --> 00:03:26,840 Speaker 1: If you're just gonna do this, I know I understand. 53 00:03:27,680 --> 00:03:30,079 Speaker 1: And he didn't mean ill. He loves his baby boy. 54 00:03:30,120 --> 00:03:33,080 Speaker 1: He wanted the best for me. He was scared. Most 55 00:03:33,280 --> 00:03:37,400 Speaker 1: people are frightened to take chances. Doesn't make them bad, 56 00:03:38,040 --> 00:03:40,720 Speaker 1: and especially once you have kids and you're married and 57 00:03:40,840 --> 00:03:44,680 Speaker 1: other people are relying, it's harder and harder. When you're young, 58 00:03:44,840 --> 00:03:48,280 Speaker 1: it is, it is easier. It's it's you. I tell 59 00:03:48,360 --> 00:03:50,960 Speaker 1: folks this all the time. You get locked into those 60 00:03:51,000 --> 00:03:54,800 Speaker 1: golden handcuffs. You'll never get out anyway. So this I 61 00:03:54,800 --> 00:04:00,880 Speaker 1: think there's some good advice barried here. 62 00:04:03,360 --> 00:04:06,200 Speaker 6: The opportunity takes place usually when you're young and you 63 00:04:06,200 --> 00:04:10,040 Speaker 6: don't have any responsibility. Does when you have your options, well, 64 00:04:10,080 --> 00:04:11,840 Speaker 6: your options are severely limited. 65 00:04:12,160 --> 00:04:16,960 Speaker 5: The more you gather responsibilities, Like if I. 66 00:04:16,920 --> 00:04:20,640 Speaker 6: Had actually as a fifty one year old father of three, 67 00:04:20,800 --> 00:04:25,120 Speaker 6: three married man, he's taxes as a house and mortgage in. 68 00:04:25,120 --> 00:04:27,400 Speaker 2: A business and all that jazz. If I had to 69 00:04:27,600 --> 00:04:28,920 Speaker 2: quit everything now. 70 00:04:28,800 --> 00:04:31,279 Speaker 6: And struggle the rest, struggled as a stand up comedian, 71 00:04:31,279 --> 00:04:31,920 Speaker 6: and it would. 72 00:04:31,720 --> 00:04:32,960 Speaker 2: Never work or work. 73 00:04:33,640 --> 00:04:35,839 Speaker 6: The only way I could be this person now is 74 00:04:35,880 --> 00:04:37,839 Speaker 6: if I took that chance when I was twenty one, 75 00:04:38,000 --> 00:04:41,560 Speaker 6: when I was said broken, had my cars repossessed and 76 00:04:41,600 --> 00:04:42,239 Speaker 6: all that stuff. 77 00:04:43,240 --> 00:04:44,920 Speaker 5: That's that's the only. 78 00:04:44,720 --> 00:04:47,400 Speaker 2: Way ever get where you want to go? Be able 79 00:04:47,440 --> 00:04:48,120 Speaker 2: to pick a path. 80 00:04:48,200 --> 00:04:50,760 Speaker 5: It's dangerous. A path, it's dangerous. 81 00:04:51,040 --> 00:04:54,120 Speaker 2: A way ever get what you want to If you 82 00:04:54,120 --> 00:04:55,200 Speaker 2: have to pick a path. 83 00:04:55,040 --> 00:04:57,560 Speaker 5: It's dangerous. Take a path, it's dangerous. 84 00:04:59,160 --> 00:05:01,359 Speaker 2: Ever get want to be able. 85 00:05:01,160 --> 00:05:04,640 Speaker 5: To take a path, it's dangerous. Take a path, it's dangerous. 86 00:05:04,720 --> 00:05:07,760 Speaker 2: Own way ever, get where you want to go? You 87 00:05:07,839 --> 00:05:09,560 Speaker 2: have to take a path. It's dangerous. 88 00:05:09,600 --> 00:05:10,400 Speaker 5: Take to take a path. 89 00:05:10,480 --> 00:05:14,039 Speaker 6: It's dangerous, And most people want to take a safe path. 90 00:05:14,800 --> 00:05:22,200 Speaker 5: The safe path leaves you stuck in quiet desperation. Almost 91 00:05:22,240 --> 00:05:23,200 Speaker 5: every time. 92 00:05:24,960 --> 00:05:27,680 Speaker 2: It's hell. That's hell. 93 00:05:28,400 --> 00:05:30,159 Speaker 5: There's some insurance, there's some other that. 94 00:05:30,480 --> 00:05:36,640 Speaker 2: You care zero about. That it's hell. That's hell. Now, 95 00:05:37,040 --> 00:05:38,400 Speaker 2: that's hell. Hell. 96 00:05:38,760 --> 00:05:41,560 Speaker 7: The only way ever get where you want to go, 97 00:05:42,000 --> 00:05:42,960 Speaker 7: you have to take a path. 98 00:05:43,040 --> 00:05:45,800 Speaker 5: It's dangerous. Take a path, it's dangerous. 99 00:05:45,880 --> 00:05:48,920 Speaker 2: Own way ever get where you want to go, be 100 00:05:48,960 --> 00:05:50,719 Speaker 2: able to take a path, it's dangerous. 101 00:05:50,760 --> 00:05:52,440 Speaker 5: Take a thing a path, it's dangerous. 102 00:05:52,520 --> 00:05:55,279 Speaker 2: The only way ever get where you want to go. 103 00:05:55,560 --> 00:05:56,839 Speaker 2: If you want to take a path. 104 00:05:56,760 --> 00:05:59,520 Speaker 5: It's dangerous. Take a path, it's dangerous. 105 00:05:59,560 --> 00:06:02,960 Speaker 2: All get what you want to go, you have to 106 00:06:02,960 --> 00:06:04,400 Speaker 2: take a path. That's dangerous. 107 00:06:04,480 --> 00:06:06,159 Speaker 5: Take the path is dangerous. 108 00:06:07,560 --> 00:06:09,440 Speaker 6: The way you can change is you have to put 109 00:06:09,480 --> 00:06:12,320 Speaker 6: us out enough money to give yourself a window, and 110 00:06:12,360 --> 00:06:14,080 Speaker 6: then you have to have a plan, and you have 111 00:06:14,160 --> 00:06:17,400 Speaker 6: to spend all your waking hours outside of whatever job 112 00:06:17,440 --> 00:06:20,080 Speaker 6: you do, you do planning your escape, and you have 113 00:06:20,120 --> 00:06:23,360 Speaker 6: to come to the realization very clearly that you lived up. 114 00:06:23,960 --> 00:06:24,960 Speaker 5: You got yourself stuck. 115 00:06:25,040 --> 00:06:28,599 Speaker 6: So whatever you're doing, you have to do it like 116 00:06:28,760 --> 00:06:32,400 Speaker 6: your life depends on it. And whether it is you're 117 00:06:32,440 --> 00:06:34,680 Speaker 6: trying to be an author and you're working eight hours 118 00:06:34,680 --> 00:06:36,560 Speaker 6: a day plus Canadian plus family. 119 00:06:36,360 --> 00:06:37,920 Speaker 5: Responsibilities or whatever. 120 00:06:37,720 --> 00:06:40,719 Speaker 2: Time you have, you have to attack like you're. 121 00:06:40,560 --> 00:06:41,599 Speaker 5: Trying to save the world. 122 00:06:41,960 --> 00:06:44,760 Speaker 2: In the world, you're trying to save your life. You 123 00:06:44,800 --> 00:06:46,080 Speaker 2: don't want to drown. Don't want to. 124 00:06:46,080 --> 00:06:48,680 Speaker 6: Drown that one and a half hours a day that 125 00:06:48,680 --> 00:06:51,640 Speaker 6: you have to write and like, damn, you better be 126 00:06:51,720 --> 00:06:53,320 Speaker 6: caffeinated and motivated. 127 00:06:54,000 --> 00:06:54,560 Speaker 4: You gotta go. 128 00:06:54,839 --> 00:06:55,960 Speaker 6: You got to get after it. 129 00:06:57,400 --> 00:06:58,000 Speaker 1: You gotta go. 130 00:06:58,240 --> 00:07:01,159 Speaker 2: You gotta get older, You got to get after the 131 00:07:02,960 --> 00:07:05,040 Speaker 2: Get to take a. 132 00:07:05,000 --> 00:07:11,880 Speaker 7: Path, that's dangerous, path that's dangerous, To get to take. 133 00:07:11,720 --> 00:07:15,280 Speaker 5: A past, it's dangerous. It is dangerous. 134 00:07:17,920 --> 00:07:27,920 Speaker 7: To get to take a path to stangers, pat dangerous. 135 00:07:24,760 --> 00:07:26,040 Speaker 2: To get to take a path. 136 00:07:26,000 --> 00:07:32,560 Speaker 7: Is dangerous, and the path is dangerous. 137 00:07:33,640 --> 00:07:36,880 Speaker 1: The thing about it is you don't want to encourage 138 00:07:36,920 --> 00:07:41,360 Speaker 1: everybody to take a path that's dangerous. Most people don't 139 00:07:41,440 --> 00:07:45,960 Speaker 1: need to do that. Most people need to find stability 140 00:07:46,160 --> 00:07:54,360 Speaker 1: in security. The problem is the person in security and 141 00:07:54,480 --> 00:07:58,440 Speaker 1: stability that should be taking the dangerous path would be 142 00:07:58,480 --> 00:08:03,080 Speaker 1: stuck and you and it manifests itself in other ways, 143 00:08:04,200 --> 00:08:09,960 Speaker 1: being a grump, being a drunk, being angry that that 144 00:08:10,000 --> 00:08:12,400 Speaker 1: person didn't chase the dream they were supposed to chase. 145 00:08:14,440 --> 00:08:18,040 Speaker 1: I guess that's the difficulty, isn't We're all so different? 146 00:08:18,240 --> 00:08:25,560 Speaker 1: There is no one size fits off. Again, that's why 147 00:08:25,560 --> 00:08:29,640 Speaker 1: I have my guitar probably out of tune. 148 00:08:29,800 --> 00:08:30,840 Speaker 2: You might have to edit that. 149 00:08:31,200 --> 00:08:34,760 Speaker 1: This is Mark Chestnut and Jar Bizaar of Talk Radio. 150 00:08:37,280 --> 00:08:40,480 Speaker 3: They say It's good word if you can get it. 151 00:08:40,800 --> 00:08:44,120 Speaker 3: For this beginning and this grinting, it ain't a w 152 00:08:44,360 --> 00:08:49,440 Speaker 3: isw is cracked up to be from the outside looking in. 153 00:08:50,000 --> 00:08:54,320 Speaker 3: It's all guitar stars and women staying high, getting loose, 154 00:08:54,520 --> 00:08:59,679 Speaker 3: and women free. All something's about to give inside of me. 155 00:09:01,800 --> 00:09:06,280 Speaker 3: It's hardest settled down whenever days in another town. 156 00:09:06,280 --> 00:09:09,120 Speaker 2: So you hit the stage and try to kill the numb. 157 00:09:10,800 --> 00:09:14,800 Speaker 8: I've seen a million miles of blacktop motels, bars. 158 00:09:14,520 --> 00:09:17,000 Speaker 3: And truck stops because I spend. 159 00:09:16,760 --> 00:09:18,480 Speaker 1: A lot of time on the run. 160 00:09:20,480 --> 00:09:26,600 Speaker 3: Chasing now the song, I still ain't some I guess 161 00:09:26,840 --> 00:09:30,280 Speaker 3: I let him all in rear view, and I kept 162 00:09:30,360 --> 00:09:33,559 Speaker 3: you own up to I don't know how much longer 163 00:09:33,720 --> 00:09:38,320 Speaker 3: I can last living a life between the guard grabs 164 00:09:38,800 --> 00:09:41,960 Speaker 3: the devil on the coattails, trying. 165 00:09:41,760 --> 00:09:44,000 Speaker 5: To out and run my checkers fast. 166 00:09:45,559 --> 00:09:47,800 Speaker 8: If you're getting in, you better. 167 00:09:47,640 --> 00:09:52,840 Speaker 2: Make it fast. It's hardest settled down whenever. 168 00:09:52,720 --> 00:09:56,280 Speaker 3: Days in another town, So you hit the stage and 169 00:09:56,480 --> 00:09:57,319 Speaker 3: try to kill. 170 00:09:57,200 --> 00:09:57,800 Speaker 2: The non. 171 00:09:59,360 --> 00:10:04,040 Speaker 3: Seen a million a massive cooktop hotels, parsle truck stops. 172 00:10:04,240 --> 00:10:06,440 Speaker 3: I guess I spend a lot of time on the 173 00:10:06,520 --> 00:10:18,960 Speaker 3: run chasing Dallan's song astellaatee son dey lose me. 174 00:10:19,760 --> 00:10:22,720 Speaker 5: That I the woman dancing through my dreams. 175 00:10:22,840 --> 00:10:31,520 Speaker 3: Dott that's disserts me new and then it's all out 176 00:10:31,559 --> 00:10:35,800 Speaker 3: of my hands. And that's just that still round reason 177 00:10:36,120 --> 00:10:40,640 Speaker 3: as of I guess I spend a lot of time 178 00:10:40,800 --> 00:10:46,160 Speaker 3: on the run chasing guy last song estellate. 179 00:10:46,160 --> 00:11:06,400 Speaker 9: So us stylings of John Carroll right there. 180 00:11:06,640 --> 00:11:07,839 Speaker 1: This is Corey Marson's song. 181 00:11:15,640 --> 00:11:19,520 Speaker 3: It's hard is settled down every days another town. 182 00:11:20,160 --> 00:11:23,520 Speaker 2: So you hit the stage and try to kill number. 183 00:11:24,760 --> 00:11:28,400 Speaker 3: Seen a million miles of cock up hotels, cars and 184 00:11:28,600 --> 00:11:32,120 Speaker 3: truck stops. Because I spent a lot of time on run, 185 00:11:34,160 --> 00:11:37,240 Speaker 3: chasing down that song, I still ain't son. 186 00:11:38,720 --> 00:11:41,440 Speaker 2: I guess I spend a lot of time on the run. 187 00:11:43,280 --> 00:11:44,959 Speaker 5: I'm chasing down that song. 188 00:11:45,080 --> 00:11:46,520 Speaker 2: I still at song. 189 00:12:13,920 --> 00:12:19,600 Speaker 1: That's Corey Morrow's newest release. He was supposed to be 190 00:12:19,679 --> 00:12:25,280 Speaker 1: here in studio with us today and he was going 191 00:12:25,360 --> 00:12:31,319 Speaker 1: to sing our Bumps. But I goofed and miscommunicated. Actually 192 00:12:32,440 --> 00:12:35,400 Speaker 1: I didn't miscommunicate. I fail. It was a failure to 193 00:12:35,480 --> 00:12:41,640 Speaker 1: communicate Ramon. And what happened was what happened was people 194 00:12:41,679 --> 00:12:46,920 Speaker 1: get very used to me being responsive in messages and 195 00:12:46,960 --> 00:12:51,480 Speaker 1: when I turn it off. They don't. You're stupid. You 196 00:12:51,520 --> 00:12:54,600 Speaker 1: know what. You got a new watch and you think 197 00:12:54,640 --> 00:13:01,080 Speaker 1: you're somebody. No, they do. And when I don't respond, 198 00:13:01,200 --> 00:13:05,080 Speaker 1: people think something's wrong, and you know, they take that 199 00:13:05,160 --> 00:13:08,120 Speaker 1: as a sign. And so Corey thought, well, if you 200 00:13:08,160 --> 00:13:12,280 Speaker 1: didn't respond. And as you know, nobody knows where our 201 00:13:12,280 --> 00:13:16,280 Speaker 1: studio is. We've only had two in studio guests. I said, 202 00:13:16,320 --> 00:13:18,000 Speaker 1: you're gonna be the third in studio guest. You ever 203 00:13:18,040 --> 00:13:21,160 Speaker 1: tell a soul where our studio is, I will wring 204 00:13:21,240 --> 00:13:24,520 Speaker 1: your skinny little neck, cause he's skinny. Now, you know, 205 00:13:24,600 --> 00:13:28,280 Speaker 1: he doesn't dream. I don't think he eats. I really don't. 206 00:13:28,360 --> 00:13:30,719 Speaker 1: I don't think he eats any anything. He just sings, 207 00:13:31,240 --> 00:13:33,400 Speaker 1: just sits around singing, and I never eat. And he's 208 00:13:33,400 --> 00:13:36,040 Speaker 1: got like ten kids now, there's probably no food left 209 00:13:36,480 --> 00:13:38,720 Speaker 1: by the time it gets to him. You know, he's 210 00:13:38,760 --> 00:13:42,800 Speaker 1: the one. When we were little, my grandmother, we took 211 00:13:42,920 --> 00:13:45,880 Speaker 1: pride that you would eat the ligament. If you got 212 00:13:45,920 --> 00:13:49,560 Speaker 1: the drumstick, you would eat the ligament. You know what's funny. 213 00:13:50,480 --> 00:13:53,440 Speaker 1: When you're a kid, everybody likes a drumstick. Then you 214 00:13:53,480 --> 00:13:56,200 Speaker 1: get older and you can't eat the drumstick because drum stick. 215 00:13:56,280 --> 00:13:58,880 Speaker 1: Drumstick has to go to the kids, right, And I 216 00:13:58,960 --> 00:14:04,200 Speaker 1: start eating the thing I like better? Or is it 217 00:14:04,280 --> 00:14:07,800 Speaker 1: the wing? It's dark meat, but you got a bunch 218 00:14:07,800 --> 00:14:11,199 Speaker 1: of bone in there, so you gotta work at it. 219 00:14:11,240 --> 00:14:13,920 Speaker 1: The thigh, yes, the thigh, yes, it's a thigh. Now 220 00:14:14,000 --> 00:14:18,080 Speaker 1: I like the thigh better. The problem is, and you'd 221 00:14:18,120 --> 00:14:20,040 Speaker 1: think as much fried chicken as I've eaten in my life, 222 00:14:21,000 --> 00:14:22,600 Speaker 1: I can't tell which one is the thigh till I 223 00:14:22,600 --> 00:14:26,600 Speaker 1: brought into it and you go bite into some white meat. Oh, 224 00:14:26,920 --> 00:14:31,680 Speaker 1: why why do people do that? Why does anybody eat 225 00:14:31,720 --> 00:14:33,480 Speaker 1: the white meat of chicken? 226 00:14:34,000 --> 00:14:34,480 Speaker 5: Oh? 227 00:14:34,560 --> 00:14:37,920 Speaker 1: My goodness, I can't Was it my brother? Somebody used 228 00:14:37,960 --> 00:14:41,560 Speaker 1: to say to me, Oh, man, you eat the dark meat. Yes, 229 00:14:42,680 --> 00:14:47,920 Speaker 1: that's all blood. Yes, that's the flavor. You think that 230 00:14:48,000 --> 00:14:52,080 Speaker 1: old flesh is what makes it taste good? No? No, no, no, 231 00:14:53,160 --> 00:14:58,120 Speaker 1: same way on uh uh on wings. When I go 232 00:14:58,200 --> 00:15:02,400 Speaker 1: to Big City wings, it's just flats. It's all aids, 233 00:15:02,440 --> 00:15:05,480 Speaker 1: the flats. Were you telling me you like the flats too? 234 00:15:06,160 --> 00:15:08,160 Speaker 1: I only learned they were called flats a few months ago. 235 00:15:08,240 --> 00:15:10,120 Speaker 1: So now I like to say it like I know something. 236 00:15:11,000 --> 00:15:14,520 Speaker 1: So you know there's two there's two wings you can 237 00:15:14,600 --> 00:15:18,800 Speaker 1: get at at most places. One is the drumstick. What 238 00:15:19,080 --> 00:15:22,640 Speaker 1: is that one called? Is that a drum? Drumstick? And 239 00:15:22,680 --> 00:15:24,760 Speaker 1: then the other one is the flat, which is the 240 00:15:24,760 --> 00:15:27,240 Speaker 1: one that you got to you gotta work at because 241 00:15:27,240 --> 00:15:29,280 Speaker 1: it's the bone and you're going in between there. And 242 00:15:29,560 --> 00:15:32,000 Speaker 1: I like to eat all that cartledge and stuff, all 243 00:15:32,000 --> 00:15:34,000 Speaker 1: the stuff there towards the wing tip and all that 244 00:15:34,120 --> 00:15:37,520 Speaker 1: I see people throw that back. Of course I eat 245 00:15:37,560 --> 00:15:40,040 Speaker 1: the tail of the of the shrimp too. I just 246 00:15:40,040 --> 00:15:42,320 Speaker 1: think there's a lot of flavor in those things. But 247 00:15:42,440 --> 00:15:44,440 Speaker 1: that's just me, you know, that's just me. 248 00:15:45,600 --> 00:15:45,720 Speaker 8: Uh. 249 00:15:46,120 --> 00:15:49,200 Speaker 1: Carla Boscarino says, be brave, try new things. Every once 250 00:15:49,200 --> 00:15:50,600 Speaker 1: in a while. You might have to make a decision 251 00:15:50,680 --> 00:15:52,880 Speaker 1: that you know is best for you, but it's very scary. 252 00:15:52,960 --> 00:15:55,600 Speaker 1: Go for it. Sometimes you have it wrong, and when 253 00:15:55,600 --> 00:15:57,760 Speaker 1: that happens, learn the lesson, move on with a little 254 00:15:57,760 --> 00:16:03,200 Speaker 1: better understanding of life and it's realities. The only bad mistake, 255 00:16:03,240 --> 00:16:06,160 Speaker 1: says Glenn Holtzman, are those we don't learn from. Be curious, 256 00:16:06,160 --> 00:16:11,760 Speaker 1: No stupid questions, only stupid answers. The best advice that 257 00:16:11,800 --> 00:16:14,080 Speaker 1: I can give, says Yack four twenty, is just to 258 00:16:14,080 --> 00:16:16,320 Speaker 1: be happy. You have to love the person you stare 259 00:16:16,360 --> 00:16:19,000 Speaker 1: at in the mirror before anyone else. Life's not happy, 260 00:16:19,040 --> 00:16:21,120 Speaker 1: and to be truthful and honest. These things will carry 261 00:16:21,160 --> 00:16:25,840 Speaker 1: you through. Gerald from Magnolia. You know, it's interesting. I've 262 00:16:25,920 --> 00:16:31,560 Speaker 1: watched so many men marry women and the woman is broken, 263 00:16:32,280 --> 00:16:35,400 Speaker 1: and they marry a woman because they got a savior complex. 264 00:16:36,080 --> 00:16:39,880 Speaker 1: They're gonna protect her, they're gonna advise her, they're gonna 265 00:16:39,920 --> 00:16:42,840 Speaker 1: heal her. But she's broken, she's broken to the core. 266 00:16:43,600 --> 00:16:48,080 Speaker 1: Bless her heart, and it always ends badly, and you later, 267 00:16:48,200 --> 00:16:50,520 Speaker 1: nobody really wants to be told that. They later want 268 00:16:50,520 --> 00:16:52,600 Speaker 1: to tell you how crazy she was. Now we knew 269 00:16:52,640 --> 00:16:55,000 Speaker 1: she was crazy the first time you brought This is 270 00:16:55,040 --> 00:16:57,560 Speaker 1: Tracy Bird and welcome to the lifestyles of the not 271 00:16:57,760 --> 00:16:59,760 Speaker 1: so rich and famous are as. 272 00:16:59,800 --> 00:17:02,040 Speaker 4: I can call it the Michael Barry Show. 273 00:17:04,040 --> 00:17:07,280 Speaker 1: Let me tell you something that songs we wish we'd 274 00:17:07,280 --> 00:17:13,480 Speaker 1: written between Corey and Pat. That is a golden era 275 00:17:14,920 --> 00:17:21,000 Speaker 1: of Texas country music. You think who was out You 276 00:17:21,000 --> 00:17:24,679 Speaker 1: don't know what you're in until it's gone. Well, you 277 00:17:24,760 --> 00:17:27,440 Speaker 1: think who was out on the road active at that time? 278 00:17:28,800 --> 00:17:33,719 Speaker 1: You had Robert Earl burning up the roads. You had 279 00:17:33,800 --> 00:17:37,919 Speaker 1: Charlie Robinson rest in peace. You had Jerry Jeff still 280 00:17:37,960 --> 00:17:41,080 Speaker 1: active and he was on the backside, but still very active. 281 00:17:42,600 --> 00:17:48,000 Speaker 1: You had Guy Clark John Prime was going through some 282 00:17:48,000 --> 00:17:52,000 Speaker 1: some health problems at that time, but you had and 283 00:17:52,040 --> 00:17:55,520 Speaker 1: then you had those that group of young guys coming up, 284 00:17:56,320 --> 00:17:58,560 Speaker 1: and Corey and Pat were at the top of that heap. 285 00:17:58,600 --> 00:18:00,600 Speaker 1: And a couple of years later you'd have Roder Craigor 286 00:18:00,680 --> 00:18:06,960 Speaker 1: come in and Stony LaRue. It was such a glorious time, man, 287 00:18:06,960 --> 00:18:11,240 Speaker 1: There's so much good music that came out, and Lyle 288 00:18:11,320 --> 00:18:15,639 Speaker 1: and Robert Earle would get back together and do you 289 00:18:15,720 --> 00:18:19,960 Speaker 1: know number two live kind of stuff. Oh man, there's 290 00:18:20,080 --> 00:18:24,199 Speaker 1: just such wonderful music from that era. It's just so good. 291 00:18:24,960 --> 00:18:28,359 Speaker 1: You know what I was listening to the other day 292 00:18:28,920 --> 00:18:33,280 Speaker 1: by ri e K. What was that? I gotta go, Well, 293 00:18:33,359 --> 00:18:38,320 Speaker 1: that's a song right there. I gotta go. That's just 294 00:18:38,840 --> 00:18:42,119 Speaker 1: solid right there. So Pat and Corey are gonna do 295 00:18:42,200 --> 00:18:47,280 Speaker 1: another version of songs we wish we'd written, and politely 296 00:18:47,400 --> 00:18:49,920 Speaker 1: I don't think they'll take my advice, but politely asked 297 00:18:49,960 --> 00:18:55,280 Speaker 1: me what I would like to see them do, and 298 00:18:55,560 --> 00:18:58,080 Speaker 1: and my standard if you want to send a suggestion, 299 00:18:59,359 --> 00:19:01,679 Speaker 1: which we kind of talked through, is it's not just 300 00:19:01,840 --> 00:19:07,400 Speaker 1: a cover. It's first of all, a cover that is 301 00:19:07,480 --> 00:19:11,879 Speaker 1: not an obvious song. You know, it's not like Dhlia's 302 00:19:11,920 --> 00:19:17,160 Speaker 1: gone Delia's Gone with such a great tune on that album, 303 00:19:17,600 --> 00:19:22,520 Speaker 1: because it's not a huge song otherwise, and you sort 304 00:19:22,520 --> 00:19:24,600 Speaker 1: of pull it out of obscurity. So the first time 305 00:19:24,680 --> 00:19:28,040 Speaker 1: you hear Corey sing it, you go, do I know 306 00:19:28,160 --> 00:19:32,600 Speaker 1: that song already? Feels like I kind of do. Maybe 307 00:19:32,640 --> 00:19:37,800 Speaker 1: I don't know, Yeah, but they're gonna do. I know that. 308 00:19:37,920 --> 00:19:41,439 Speaker 1: The only song they've they've decided on so far is uh, 309 00:19:42,080 --> 00:19:44,399 Speaker 1: Southern Nights, And I told them they how to do 310 00:19:44,440 --> 00:19:48,600 Speaker 1: it full blowed Alan twoson style, they ot to do it, 311 00:19:48,800 --> 00:19:53,480 Speaker 1: how to do it with a keyboard accompaniment, and uh, 312 00:19:53,720 --> 00:20:00,280 Speaker 1: slow it way down and make it storytelling. And each 313 00:20:00,280 --> 00:20:02,480 Speaker 1: one of them could tell stories. Pack can tell stories 314 00:20:02,520 --> 00:20:06,280 Speaker 1: about his upbringing, Corey could tell stories about his And 315 00:20:06,400 --> 00:20:10,000 Speaker 1: that's what you want. I mean to me, the beauty 316 00:20:10,000 --> 00:20:14,240 Speaker 1: of the Texas Red Dirt scene is the storytelling. When 317 00:20:14,280 --> 00:20:17,800 Speaker 1: I go to a church service and people will say, 318 00:20:17,800 --> 00:20:21,280 Speaker 1: what was the message? The message is out of the 319 00:20:21,280 --> 00:20:24,560 Speaker 1: same Bible that I read on my own. There are 320 00:20:24,640 --> 00:20:28,960 Speaker 1: very few, very few things in the Bible, having been 321 00:20:29,000 --> 00:20:34,639 Speaker 1: a Wednesday night, Sunday morning, and Sunday evening Southern Baptists 322 00:20:35,920 --> 00:20:40,919 Speaker 1: most of my life from childhood through the end of 323 00:20:40,960 --> 00:20:45,679 Speaker 1: high school, and then in steps beyond that with my 324 00:20:45,760 --> 00:20:49,080 Speaker 1: own self guided I mean a very few things, are 325 00:20:49,160 --> 00:20:50,960 Speaker 1: very few verses you're going to get to that. Now, 326 00:20:51,040 --> 00:20:54,480 Speaker 1: you might bring something new to that, but it's the storytelling. 327 00:20:55,119 --> 00:20:59,560 Speaker 1: It's absolutely the storytelling that brings it to life and 328 00:20:59,600 --> 00:21:04,359 Speaker 1: makes it hit, makes you realize why that verse is 329 00:21:04,600 --> 00:21:09,320 Speaker 1: relevant to your life. In twenty twenty five, I got 330 00:21:09,320 --> 00:21:14,720 Speaker 1: an email from a show sponsor, Redstone Payment Solutions. They 331 00:21:14,760 --> 00:21:20,040 Speaker 1: do credit card processing, and they wanted an introduction to 332 00:21:20,160 --> 00:21:26,720 Speaker 1: Lamont Brands, which does promotional gear anything if you're going 333 00:21:26,760 --> 00:21:30,680 Speaker 1: to a convention, a conference, trade show, anything to put 334 00:21:30,720 --> 00:21:34,440 Speaker 1: your name on any item that's out there. So they said, hey, 335 00:21:34,480 --> 00:21:36,840 Speaker 1: can we'd like to talk to them, So I made 336 00:21:36,880 --> 00:21:41,080 Speaker 1: the introduction. They drive down to Galveston, they close the deal, 337 00:21:41,200 --> 00:21:43,960 Speaker 1: so now they're going to be doing their credit card work. 338 00:21:44,920 --> 00:21:49,480 Speaker 1: But then Redstone had an opportunity to refer Lamont Brands 339 00:21:49,760 --> 00:21:52,600 Speaker 1: to somebody else within a few days. So I just 340 00:21:52,680 --> 00:21:55,160 Speaker 1: want to say thank you to all of you who 341 00:21:55,240 --> 00:21:59,200 Speaker 1: make our business model work and have created this family 342 00:22:00,119 --> 00:22:03,879 Speaker 1: of not just our show sponsors, but personalities and people 343 00:22:04,119 --> 00:22:09,919 Speaker 1: from Rico to Uncle Jerry to Coy and all the 344 00:22:10,000 --> 00:22:14,520 Speaker 1: various people Chance McLain that keep this show in this family, 345 00:22:14,600 --> 00:22:17,840 Speaker 1: in this community going. That's why people so badly want 346 00:22:18,760 --> 00:22:23,920 Speaker 1: another RCC. That's a big treat out of doing the trip, 347 00:22:24,000 --> 00:22:26,920 Speaker 1: and the Palm Beach trip at the end of October 348 00:22:27,040 --> 00:22:29,639 Speaker 1: is on. If you want details, you can email me. 349 00:22:30,080 --> 00:22:34,480 Speaker 1: But when you support our show sponsors, you support our show, 350 00:22:34,680 --> 00:22:38,520 Speaker 1: and it makes so much of a difference you would 351 00:22:38,520 --> 00:22:42,240 Speaker 1: not believe it. Nadita and I went to dinner last 352 00:22:42,320 --> 00:22:45,159 Speaker 1: night with Eddie Martini and his beautiful wife Liz, and 353 00:22:45,200 --> 00:22:48,280 Speaker 1: we were talking about how far we've come together in 354 00:22:48,320 --> 00:22:51,240 Speaker 1: twenty years and what we get to do, and how 355 00:22:51,240 --> 00:22:55,159 Speaker 1: many people that's you have to work together to allow 356 00:22:55,320 --> 00:22:57,800 Speaker 1: us to do this. I always feel a little silly 357 00:22:57,840 --> 00:23:01,000 Speaker 1: when people thank us for the show, or worry we're 358 00:23:01,040 --> 00:23:03,760 Speaker 1: going off the air, or act like we're doing something 359 00:23:04,160 --> 00:23:08,040 Speaker 1: because someone enjoys to show it. You know, I'm mindful 360 00:23:08,040 --> 00:23:11,359 Speaker 1: of the fact that for many people, the show is 361 00:23:11,400 --> 00:23:15,359 Speaker 1: what entertains you while you're out making deliveries or picking 362 00:23:15,440 --> 00:23:19,480 Speaker 1: up checks, or in your uber car or on your 363 00:23:19,480 --> 00:23:21,720 Speaker 1: way to job sites, or picking up the kids, or 364 00:23:21,760 --> 00:23:24,040 Speaker 1: waiting and pickup line. I'm mindful of the fact that 365 00:23:24,040 --> 00:23:27,440 Speaker 1: for many people that's what we are, and the connection 366 00:23:27,560 --> 00:23:30,200 Speaker 1: might be deeper than well, you know, that's the best 367 00:23:30,200 --> 00:23:32,040 Speaker 1: thing on the radio, and I'm going to listen to it. 368 00:23:32,080 --> 00:23:34,040 Speaker 1: There may be more to it than that. But for 369 00:23:34,119 --> 00:23:38,479 Speaker 1: some people, our show, our personality, our lives, what we do, 370 00:23:38,560 --> 00:23:42,000 Speaker 1: what we stand for, is a big, big part of 371 00:23:43,280 --> 00:23:46,040 Speaker 1: what your life is about and what you try to 372 00:23:46,040 --> 00:23:48,560 Speaker 1: do in your own way. And that's pretty darn cool. 373 00:23:48,680 --> 00:23:51,320 Speaker 1: I mean to get to be a part of that 374 00:23:52,440 --> 00:23:56,200 Speaker 1: every day, five days a week, for five hours a day, 375 00:23:56,520 --> 00:23:59,440 Speaker 1: for twenty years. It wasn't always five hours a day, 376 00:23:59,600 --> 00:24:02,200 Speaker 1: but to get to do this for twenty years, it's 377 00:24:02,240 --> 00:24:04,800 Speaker 1: a pretty darn special thing. And I just want you 378 00:24:04,840 --> 00:24:09,600 Speaker 1: to know that we never ever lose sight. It might 379 00:24:09,680 --> 00:24:14,080 Speaker 1: appear that we are immodest, but we never ever lose 380 00:24:14,200 --> 00:24:16,600 Speaker 1: sight that it can all be gone in a moment, 381 00:24:16,720 --> 00:24:20,840 Speaker 1: if that's what you chose. A diner at a sushi restaurant, 382 00:24:20,880 --> 00:24:25,520 Speaker 1: Ramon asked the waiter what kind of eel is this? 383 00:24:26,359 --> 00:24:30,800 Speaker 1: The waiter said, do you love it? And the diner said, yeah, 384 00:24:30,840 --> 00:24:33,720 Speaker 1: that's why I was asking I do. And the waiter said, 385 00:24:34,359 --> 00:24:44,080 Speaker 1: then that's a moray. It's a mora ill ramon, that's amorray. 386 00:24:48,160 --> 00:24:50,320 Speaker 1: Did you hear about the bedbug who's going to be 387 00:24:50,400 --> 00:24:57,960 Speaker 1: a mom. She'll have her babies in the spring. You 388 00:24:58,000 --> 00:24:59,760 Speaker 1: didn't seem to get that. Did you hear about the 389 00:24:59,760 --> 00:25:03,000 Speaker 1: bed about who's gonna be a mom? She'll have in 390 00:25:03,040 --> 00:25:04,160 Speaker 1: the spring? Show? 391 00:25:27,240 --> 00:25:30,399 Speaker 8: We'll suppose your eyes and drink me going on a 392 00:25:30,480 --> 00:25:32,280 Speaker 8: trup through history. 393 00:25:32,800 --> 00:25:34,640 Speaker 1: I want to see some sat to day. 394 00:25:36,520 --> 00:25:37,880 Speaker 5: Hey, we'll go back. 395 00:25:37,760 --> 00:25:40,560 Speaker 2: When time's young and you learn the trigger. 396 00:25:40,440 --> 00:25:41,119 Speaker 8: Of the gun. 397 00:25:42,080 --> 00:25:46,240 Speaker 2: He'd be sixteen on the way when. 398 00:25:46,080 --> 00:25:49,320 Speaker 8: The Montain was closed about his side and the rivers Hill, 399 00:25:49,400 --> 00:25:50,800 Speaker 8: the Miner's pride. 400 00:25:51,240 --> 00:25:56,159 Speaker 1: It was a year of forty nine in those days. 401 00:25:56,200 --> 00:25:59,439 Speaker 8: I an't gone and didn't wish I could see the 402 00:25:59,520 --> 00:26:04,879 Speaker 8: live buying from the cowboys. And I'm on the go 403 00:26:05,440 --> 00:26:10,560 Speaker 8: time traveling through Texas, Wandy. I'm on to go time 404 00:26:10,680 --> 00:26:13,159 Speaker 8: traveling through Texas, Wendy. 405 00:26:13,520 --> 00:26:15,800 Speaker 1: I won't be then greet the. 406 00:26:15,960 --> 00:26:19,560 Speaker 2: Air and see all I can see in. 407 00:26:19,760 --> 00:26:26,760 Speaker 7: That Texas time traveling machine. 408 00:26:27,359 --> 00:26:29,760 Speaker 1: The state of Texas is the greatest in the Union. 409 00:26:30,520 --> 00:26:33,479 Speaker 1: We're lucky to call it home. For nine years, it 410 00:26:33,600 --> 00:26:36,560 Speaker 1: was its own nation, and throughout history it's held a 411 00:26:36,600 --> 00:26:38,240 Speaker 1: special place in the hearts. 412 00:26:37,960 --> 00:26:39,120 Speaker 5: Of all Americans. 413 00:26:40,080 --> 00:26:43,040 Speaker 8: We're gonna celebrate Texas great history today. 414 00:26:43,680 --> 00:26:51,600 Speaker 1: Now here's your host, Michael Barry. Funny thing about that 415 00:26:51,760 --> 00:26:55,160 Speaker 1: is people send emails saying we should bring back Texas Time. 416 00:26:56,920 --> 00:27:00,800 Speaker 1: But when I was doing Texas Time was airing on 417 00:27:00,920 --> 00:27:06,160 Speaker 1: Sunday night on exactly the prime time programming, and Ramon 418 00:27:06,240 --> 00:27:07,919 Speaker 1: would make fun of me for my little show that 419 00:27:07,960 --> 00:27:12,040 Speaker 1: he said nobody was listening to see tell the truth 420 00:27:12,640 --> 00:27:15,560 Speaker 1: because people come up to him in public, I love 421 00:27:15,640 --> 00:27:19,000 Speaker 1: the show. Oh thank you. They'll talk about a couple 422 00:27:19,040 --> 00:27:21,480 Speaker 1: of things and they'll say, man, I wish Michael would 423 00:27:21,480 --> 00:27:24,760 Speaker 1: bring back Texas. He still saying, I wish y'all'd bring 424 00:27:24,800 --> 00:27:28,080 Speaker 1: back Texas Time. He had nothing to do with Texas Time, 425 00:27:28,600 --> 00:27:31,439 Speaker 1: didn't want anything to do with it. It was a 426 00:27:31,440 --> 00:27:35,600 Speaker 1: woman named Katie Key who was my first booker for 427 00:27:35,840 --> 00:27:38,399 Speaker 1: the RCC, dear friend of mine. Her and her husband 428 00:27:38,440 --> 00:27:44,320 Speaker 1: Ken live up in I think it's splendora Ramon. You know, 429 00:27:44,800 --> 00:27:46,399 Speaker 1: if you were to show me a map of this 430 00:27:46,480 --> 00:27:56,080 Speaker 1: region and say put Shenandoah, Splendora, Conroe Spring, just just 431 00:27:56,400 --> 00:28:02,640 Speaker 1: place the Huffman place those where they are. I would 432 00:28:02,720 --> 00:28:07,520 Speaker 1: be I mean, it'd be like Jasmine Crockett at a 433 00:28:07,560 --> 00:28:11,199 Speaker 1: spelling bee. I would be confused. I mean, I have 434 00:28:11,320 --> 00:28:16,720 Speaker 1: a rough estimate. I know where the Woodlands is on 435 00:28:16,880 --> 00:28:20,679 Speaker 1: five point forty five. I know where Willis is, but 436 00:28:20,800 --> 00:28:23,239 Speaker 1: that's I would have not known where will because I 437 00:28:23,280 --> 00:28:25,560 Speaker 1: always lived inside the loop. I mean, I'm not gonna 438 00:28:25,600 --> 00:28:28,199 Speaker 1: lie to you. I always lived inside the loop. I 439 00:28:28,200 --> 00:28:32,280 Speaker 1: didn't know where those places were. So first time I 440 00:28:32,320 --> 00:28:35,840 Speaker 1: went out to Willis, well, it wasn't even Willis. First 441 00:28:35,840 --> 00:28:38,280 Speaker 1: time I went out to Texas Grand Ranch before that 442 00:28:38,440 --> 00:28:41,480 Speaker 1: sold out, I didn't know where I was going. And 443 00:28:41,560 --> 00:28:45,960 Speaker 1: I got there and I thought, man, you can live 444 00:28:46,080 --> 00:28:50,200 Speaker 1: like this and still work in Houston. I mean, this 445 00:28:50,320 --> 00:28:55,240 Speaker 1: is this is trees and forest and fresh air and 446 00:28:55,480 --> 00:29:01,320 Speaker 1: green verdant lensk oh. This is amazing. And of course 447 00:29:01,440 --> 00:29:05,240 Speaker 1: because of that, it's sold out. So Gary Sumner said, 448 00:29:06,160 --> 00:29:09,200 Speaker 1: we got some more landlocked and you're gonna love this one. 449 00:29:09,960 --> 00:29:13,240 Speaker 1: And so first time I drive to it, I turn 450 00:29:13,320 --> 00:29:16,720 Speaker 1: off the highway. There you go. You snake through the 451 00:29:16,760 --> 00:29:18,960 Speaker 1: town for about three minutes, which I don't mind doing 452 00:29:19,400 --> 00:29:23,000 Speaker 1: because it's such a wonderful little town. And I have 453 00:29:23,120 --> 00:29:25,800 Speaker 1: a Willis hang up because Marcus Latrail's from there and 454 00:29:25,840 --> 00:29:29,600 Speaker 1: he's very proud of Willis. And then you start on 455 00:29:29,640 --> 00:29:31,920 Speaker 1: I forget what the roads it is called. You start 456 00:29:31,960 --> 00:29:33,880 Speaker 1: on that little road AND's a couple of miles down. 457 00:29:34,360 --> 00:29:36,480 Speaker 1: I describe it as a bu colic. It feels like 458 00:29:36,560 --> 00:29:39,880 Speaker 1: an English country lane. You just drive on. You turn right. 459 00:29:40,680 --> 00:29:43,120 Speaker 1: First time I went, I don't think there was any 460 00:29:43,120 --> 00:29:45,920 Speaker 1: new construction yet, but they had built the bridge over 461 00:29:45,960 --> 00:29:48,520 Speaker 1: the seven Acre Lake. And I drove over that lake 462 00:29:48,600 --> 00:29:52,040 Speaker 1: and I said, oh man, that's that's not even that. 463 00:29:52,320 --> 00:29:54,720 Speaker 1: That's not even fair. That's like putting the louvies next 464 00:29:54,720 --> 00:29:57,440 Speaker 1: to an old folks home. You just can't I mean, 465 00:29:57,480 --> 00:30:00,120 Speaker 1: you can't beat that. That's like a sore. Well, you 466 00:30:00,400 --> 00:30:03,920 Speaker 1: can't beat that. I'll just say that. And anyway, what 467 00:30:04,200 --> 00:30:09,000 Speaker 1: were we talking about? Oh, so those areas I get 468 00:30:09,080 --> 00:30:12,920 Speaker 1: kind of confused. You know where Lake Conroe is, and 469 00:30:12,920 --> 00:30:15,960 Speaker 1: then I know Kingwood is over to the right. You 470 00:30:16,040 --> 00:30:18,440 Speaker 1: know it's over to the right. So you go up 471 00:30:18,480 --> 00:30:21,280 Speaker 1: fifty nine for that and there's Kingwood. But if you 472 00:30:21,320 --> 00:30:23,840 Speaker 1: were to tell me keep going north of Kingwood and 473 00:30:23,840 --> 00:30:25,320 Speaker 1: then what are you going to hit? Y'all don't need 474 00:30:25,320 --> 00:30:27,160 Speaker 1: to email me because I'll forget. It's not like I've 475 00:30:27,160 --> 00:30:29,880 Speaker 1: never been there before. You know, Jim Mudd lived somewhere 476 00:30:29,880 --> 00:30:34,120 Speaker 1: around there, I think in Huffman. Do you know that 477 00:30:34,200 --> 00:30:37,400 Speaker 1: he bought Do you know he bought his house and 478 00:30:38,360 --> 00:30:42,680 Speaker 1: they got a like a country club there, and they 479 00:30:42,680 --> 00:30:45,200 Speaker 1: got a community fishing area and they got all and 480 00:30:45,200 --> 00:30:46,840 Speaker 1: he didn't even know that when he bought the place. 481 00:30:46,880 --> 00:30:51,360 Speaker 1: He didn't even know it. And I asked him about 482 00:30:51,400 --> 00:30:55,040 Speaker 1: four days into having moved in, big, fancy, beautiful house, 483 00:30:55,440 --> 00:30:57,640 Speaker 1: I said, so, Jim, so tell me something nice. And 484 00:30:57,760 --> 00:30:59,480 Speaker 1: you've told me that you know, you got more room, 485 00:30:59,520 --> 00:31:01,760 Speaker 1: you got to by patio, it's covered, you got your smoke, 486 00:31:01,800 --> 00:31:04,240 Speaker 1: your cigar smoking area, you got your barbecue pitt building, 487 00:31:04,320 --> 00:31:07,800 Speaker 1: and okay, I got all that. Tell me something about 488 00:31:07,840 --> 00:31:10,400 Speaker 1: this area that you like. He goes, Oh, well, they 489 00:31:10,400 --> 00:31:12,440 Speaker 1: got a da da da da. I said, Does that 490 00:31:12,520 --> 00:31:15,200 Speaker 1: mean you could ride a golf cart up there and 491 00:31:15,280 --> 00:31:20,400 Speaker 1: have dinner? Yes, that's my dream. That is my dream. 492 00:31:20,640 --> 00:31:23,240 Speaker 1: I would love to be like in Pirates and be 493 00:31:23,320 --> 00:31:24,800 Speaker 1: able to get on a golf cart and go up 494 00:31:24,840 --> 00:31:28,880 Speaker 1: to the Galveston Country Club and eat and then drive 495 00:31:28,960 --> 00:31:32,920 Speaker 1: home tanked up, drive home real slow. I'm scared of 496 00:31:32,960 --> 00:31:34,880 Speaker 1: golf course, Ramona. I'm not gonna lie to you. I 497 00:31:34,920 --> 00:31:38,560 Speaker 1: have known too many people. You saw what happened with 498 00:31:38,680 --> 00:31:44,320 Speaker 1: the old Elway. I mean I saw some of the 499 00:31:44,400 --> 00:31:46,640 Speaker 1: nasty things. People said, Oh, we didn't want to kill 500 00:31:46,640 --> 00:31:53,840 Speaker 1: his best friend. Nobody does you know Jessica Willie, her 501 00:31:53,920 --> 00:31:57,360 Speaker 1: fine ass. Jessica Willie at Channel thirteen. She and her 502 00:31:57,400 --> 00:32:01,600 Speaker 1: husband Ross were like at a destination wedding in Costa Rica, 503 00:32:01,600 --> 00:32:04,560 Speaker 1: I think, or somewhere and somebody hit the gas or 504 00:32:04,600 --> 00:32:07,360 Speaker 1: turned too fast or whatever. Those things are dangerous. They'll 505 00:32:07,400 --> 00:32:09,760 Speaker 1: sling you out there and threw off her knocked her 506 00:32:09,760 --> 00:32:12,160 Speaker 1: teeth out. Now you'd never know it. It's got abuse 507 00:32:12,240 --> 00:32:15,240 Speaker 1: she got. She probably went to uh doctor Guy Lewis 508 00:32:15,480 --> 00:32:19,480 Speaker 1: at Texas Center for Cosmetic Dentistry. That woman just refuses 509 00:32:19,520 --> 00:32:23,760 Speaker 1: to age. Remember when COVID came along and Max said, 510 00:32:23,760 --> 00:32:26,600 Speaker 1: I refuse to go into a recession. I refuse to 511 00:32:26,600 --> 00:32:29,680 Speaker 1: play along. She just refuses to age. She's a beautiful one. 512 00:32:29,680 --> 00:32:33,600 Speaker 1: She's a wonderful wonderful. It's a great journalist. She is 513 00:32:33,640 --> 00:32:38,560 Speaker 1: a fantastic journalist. You know, over the years, I've gotten 514 00:32:38,600 --> 00:32:41,880 Speaker 1: to know a lot of journalists, especially when I was 515 00:32:41,920 --> 00:32:45,440 Speaker 1: being covered and then when I got out, Uh, they 516 00:32:45,480 --> 00:32:47,479 Speaker 1: would want to know, all right, what's really going on 517 00:32:47,520 --> 00:32:50,360 Speaker 1: down there? Because I had just left and it was 518 00:32:50,400 --> 00:32:52,120 Speaker 1: the same thing that I had told you before. And 519 00:32:52,160 --> 00:32:55,120 Speaker 1: I still I still see some of that crowd is 520 00:32:55,160 --> 00:32:58,920 Speaker 1: still in the news around Houston. And you know, I 521 00:32:58,960 --> 00:33:00,800 Speaker 1: don't know the newer folks. I wouldn't have a reason 522 00:33:00,840 --> 00:33:03,280 Speaker 1: to know the newer folks. But Jessica was one of 523 00:33:03,320 --> 00:33:06,520 Speaker 1: those reporters that I had a great deal of respect for. 524 00:33:08,280 --> 00:33:12,080 Speaker 1: People don't want to hear my list Ted Oberg, who 525 00:33:12,120 --> 00:33:16,600 Speaker 1: was also at Channel thirteen, Delta Fino listen. I don't 526 00:33:16,640 --> 00:33:21,200 Speaker 1: know that anybody tells a story better in presenting news 527 00:33:21,800 --> 00:33:25,920 Speaker 1: in the greater Houston area than Dutch Finna. He understands 528 00:33:26,040 --> 00:33:31,680 Speaker 1: the theater of it and he understands the storytelling element 529 00:33:31,800 --> 00:33:35,400 Speaker 1: of it. He gets that very good in terms of 530 00:33:35,600 --> 00:33:40,880 Speaker 1: doing research and chasing down stories. Greg Grugan is very good. 531 00:33:41,960 --> 00:33:47,400 Speaker 1: Randy Wallace very good. Mario Diaz at Channel two very good. 532 00:33:48,040 --> 00:33:51,320 Speaker 1: Amy Davis, Amy Davis. She like a dog on a 533 00:33:51,320 --> 00:33:54,600 Speaker 1: bone when she got on that water contract. On the 534 00:33:55,200 --> 00:33:59,120 Speaker 1: corruption at the water deal. You remember how remember Sylvester Turner, 535 00:33:59,160 --> 00:34:00,640 Speaker 1: he kind of let a little to the bedroom and 536 00:34:00,720 --> 00:34:03,240 Speaker 1: he got kind of bitchy at her, You are not 537 00:34:03,320 --> 00:34:06,479 Speaker 1: a nice lady. And she was like, okay, but are 538 00:34:06,480 --> 00:34:09,000 Speaker 1: you going to answer the question. Remember he got all 539 00:34:09,120 --> 00:34:11,440 Speaker 1: bitch Well, it turned out it was quite a fraud 540 00:34:11,520 --> 00:34:17,040 Speaker 1: running under that deal anyway,