1 00:00:01,560 --> 00:00:04,720 Speaker 1: Welcome to Stuff from the Science Lab from how stuff 2 00:00:04,760 --> 00:00:16,239 Speaker 1: works dot com. Hey guys, welcome to the podcast. This 3 00:00:16,320 --> 00:00:18,120 Speaker 1: is Alison I don't know if the science editor how 4 00:00:18,160 --> 00:00:20,640 Speaker 1: stuff works dot com. And this is Robert Lamb, science 5 00:00:20,640 --> 00:00:23,520 Speaker 1: writer at how stuff works dot com. And in this episode, 6 00:00:23,520 --> 00:00:29,080 Speaker 1: we've got monsters um. More specifically, we have bouts, battles, 7 00:00:29,240 --> 00:00:37,000 Speaker 1: um fights, um coral skirmishes between monsters and science. And 8 00:00:37,080 --> 00:00:41,800 Speaker 1: I mean actual science um as opposed to kind. Right, 9 00:00:42,000 --> 00:00:44,280 Speaker 1: this is what we're not talking about science fiction here, 10 00:00:44,360 --> 00:00:48,760 Speaker 1: as awesome science fiction is. We're talking about actual um 11 00:00:49,080 --> 00:00:55,920 Speaker 1: published scientific studies that deal with various fictional monsters. UM. 12 00:00:55,960 --> 00:00:59,920 Speaker 1: So we're gonna end include such bouts as the sad 13 00:01:00,040 --> 00:01:05,680 Speaker 1: Squatch versus the werewolf, UM, physicist versus ghost and vampires. Well, 14 00:01:05,800 --> 00:01:07,960 Speaker 1: that's that's what I'm That one's kind of a tag 15 00:01:07,959 --> 00:01:10,840 Speaker 1: teammate because I think it's technically like physicists and mathematicians 16 00:01:10,880 --> 00:01:14,160 Speaker 1: against ghost and vampires. And then the final bout is 17 00:01:14,200 --> 00:01:18,399 Speaker 1: going to be Robert Smith versus zombies. We're not talking 18 00:01:18,440 --> 00:01:21,160 Speaker 1: about the curius Robert Smith, you know, the different Robert Smith. 19 00:01:21,280 --> 00:01:22,920 Speaker 1: Although now I'm gonna I'm gonna have a cure song. 20 00:01:22,959 --> 00:01:25,240 Speaker 1: Playing in my head the whole podcast. Well, that's a 21 00:01:25,319 --> 00:01:28,360 Speaker 1: that's a good problem to have, alright, So let's kick 22 00:01:28,360 --> 00:01:32,000 Speaker 1: it off. First, battle Sasquatch versus Werewolves. Tell me a 23 00:01:32,040 --> 00:01:36,160 Speaker 1: little about the Sasquatch. You're familiar with the big Foot? Yeah, yeah, 24 00:01:36,200 --> 00:01:41,039 Speaker 1: the reportings of sasquatch sighting in North Georgia Mountains a 25 00:01:41,040 --> 00:01:45,960 Speaker 1: while back, Right, Yeah, there was those guys that. Yeah, 26 00:01:46,360 --> 00:01:49,920 Speaker 1: the fixtures were pretty hilarious. Yeah, most pictures of Bigfoot 27 00:01:49,960 --> 00:01:53,000 Speaker 1: are pretty hilarious because they're pretty fake or they're just 28 00:01:53,000 --> 00:01:56,160 Speaker 1: just abysmal quality. Um. And he goes by many names 29 00:01:56,200 --> 00:02:00,360 Speaker 1: old Bigfoot again's Sasquatch, bigfoot, Yettie, one of my it's 30 00:02:00,400 --> 00:02:02,800 Speaker 1: the Skunk Cape if you live in Florida. Yeah, and 31 00:02:02,840 --> 00:02:05,040 Speaker 1: I noticed you wrote a couple of other ones down 32 00:02:05,040 --> 00:02:07,120 Speaker 1: here that I've not heard of, and perhaps you listeners 33 00:02:07,120 --> 00:02:11,680 Speaker 1: haven't heard of. Yeah, Like, how about why don't you 34 00:02:11,720 --> 00:02:14,920 Speaker 1: pronounce them? Robberts? Heard of the wind to go right, 35 00:02:14,960 --> 00:02:17,000 Speaker 1: I've not heard the window. Oh man, the window goes off. 36 00:02:17,080 --> 00:02:19,320 Speaker 1: The window goes off and tied and like, um, sort 37 00:02:19,320 --> 00:02:21,960 Speaker 1: of like cannibalism myths, and I think it comes out 38 00:02:21,960 --> 00:02:25,880 Speaker 1: of various Native American traditions. Um, but it is also 39 00:02:25,919 --> 00:02:27,960 Speaker 1: like an X Men character and stuff. I think it 40 00:02:28,000 --> 00:02:30,560 Speaker 1: was in a Stephen King book. But anyway, then there's 41 00:02:30,600 --> 00:02:36,880 Speaker 1: also the yehoa, the oma, the rugaru and uh and 42 00:02:37,040 --> 00:02:41,280 Speaker 1: the box b o q s. So depending on who's 43 00:02:41,560 --> 00:02:44,480 Speaker 1: describing this guy, he runs any who are between seven 44 00:02:44,560 --> 00:02:50,000 Speaker 1: and fifteen ft tall. Um. He's extremely hairy, surprisingly hard 45 00:02:50,000 --> 00:02:53,520 Speaker 1: to capture on film, and despite having been uh uh 46 00:02:53,600 --> 00:02:55,840 Speaker 1: you know reported for centuries. Um, you know, we haven't 47 00:02:56,040 --> 00:02:57,639 Speaker 1: managed to catch one and put one in a zoo 48 00:02:57,720 --> 00:03:00,280 Speaker 1: or anything. And he walks on two legs, right, he 49 00:03:00,760 --> 00:03:03,120 Speaker 1: can have a little bit of a strong odor to him. Yeah, 50 00:03:03,120 --> 00:03:04,959 Speaker 1: there are a lot of reports of him smelling like 51 00:03:05,000 --> 00:03:08,280 Speaker 1: you don't really smelling before you see him. And uh yeah. 52 00:03:08,280 --> 00:03:13,520 Speaker 1: So in this corner, a pretty rough and tumble character. Umquat. Yeah. 53 00:03:13,840 --> 00:03:16,160 Speaker 1: In the other corner we have the werewolf. Now, what 54 00:03:16,200 --> 00:03:19,760 Speaker 1: comes to mind when you think of a werewolf? I mean, 55 00:03:19,800 --> 00:03:22,760 Speaker 1: I'm looking at you and you're you're kind of growing 56 00:03:22,800 --> 00:03:25,240 Speaker 1: a beard. So I'm imagining that beard kind of growing 57 00:03:25,280 --> 00:03:28,040 Speaker 1: and then hair sprouting on the knuckles. And but it 58 00:03:28,080 --> 00:03:30,560 Speaker 1: would work better if you didn't have blonde hair. Yeah, 59 00:03:30,560 --> 00:03:32,880 Speaker 1: you don't see very many. You see white werewolves, I guess, 60 00:03:32,919 --> 00:03:35,280 Speaker 1: but not, I mean you see them in fiction, not 61 00:03:35,480 --> 00:03:37,560 Speaker 1: around town. Do you think a little bit of chebacca 62 00:03:37,760 --> 00:03:40,520 Speaker 1: when I tend to think of where I guess, But 63 00:03:40,520 --> 00:03:42,760 Speaker 1: but that's not really quite what I'm when I'm after, 64 00:03:43,360 --> 00:03:45,560 Speaker 1: what do you think of? Well, I mean, it varies, 65 00:03:45,600 --> 00:03:47,600 Speaker 1: you have I want it kind of depends on the 66 00:03:47,600 --> 00:03:50,520 Speaker 1: budget of the film that you're watching, because werewolves can 67 00:03:51,000 --> 00:03:53,400 Speaker 1: can sometimes just be like trained wolves, like people who 68 00:03:53,440 --> 00:03:55,680 Speaker 1: watch True Blood right now, I've been seeing kind of 69 00:03:55,720 --> 00:03:59,000 Speaker 1: like semi trained wolves running around as the werewolves. And 70 00:03:59,040 --> 00:04:01,080 Speaker 1: then you have for the whole like Lawn Cheney junior 71 00:04:01,160 --> 00:04:03,320 Speaker 1: werewolves where it was like a dude with a bunch 72 00:04:03,320 --> 00:04:05,720 Speaker 1: of fake hair stuck on his face. Kind that's my favorite, 73 00:04:05,760 --> 00:04:07,920 Speaker 1: that's my favorite kind of werewolf. Yeah. And then sometimes 74 00:04:07,960 --> 00:04:10,640 Speaker 1: like computers allow us to do something awkward in between 75 00:04:10,640 --> 00:04:13,680 Speaker 1: that doesn't really work. Um, but yeah, they're a normal 76 00:04:13,720 --> 00:04:16,919 Speaker 1: man by day. And then what turns them into a 77 00:04:16,960 --> 00:04:21,600 Speaker 1: wolf A full moon? Right, they suffer from lacanthropy. Uh, 78 00:04:21,600 --> 00:04:23,520 Speaker 1: And this was the one. The legends for this has 79 00:04:23,520 --> 00:04:26,040 Speaker 1: been around for like seemingly forever. I mean, you have 80 00:04:26,040 --> 00:04:29,320 Speaker 1: people turning into wolves as early as the epic of Gilgamesh, 81 00:04:29,360 --> 00:04:31,239 Speaker 1: you know, one of the earliest known works of literature, 82 00:04:31,320 --> 00:04:33,440 Speaker 1: and now we have been Harry Potter. That's right, Yeah, 83 00:04:33,480 --> 00:04:35,520 Speaker 1: the Harry Potter is full. When you can't throw a 84 00:04:35,600 --> 00:04:39,560 Speaker 1: stick without hitting a werewolf these days. So so what 85 00:04:39,560 --> 00:04:41,320 Speaker 1: do you think who's gonna win between in a battle 86 00:04:41,360 --> 00:04:44,760 Speaker 1: between a big foot, between a you know, sasquatch, a yetie, 87 00:04:44,800 --> 00:04:48,000 Speaker 1: and a werewolf. Well, I think on either ends you 88 00:04:48,000 --> 00:04:49,920 Speaker 1: have a lot of Harry brawn, but I'm going to 89 00:04:50,000 --> 00:04:54,440 Speaker 1: give it to sasquatch just for sheer muscle, muscled strength, 90 00:04:54,560 --> 00:04:58,000 Speaker 1: and uh, the werewolf, I'm thinking quickness, you know, agile, 91 00:04:58,080 --> 00:05:01,440 Speaker 1: laid on its feet kind of the um what is 92 00:05:01,520 --> 00:05:06,280 Speaker 1: what is that famous fighting quote, sting like a yeah, um, 93 00:05:07,760 --> 00:05:10,720 Speaker 1: fly like a butterfly, sting like a b. Yeah. Yeah, 94 00:05:10,760 --> 00:05:13,000 Speaker 1: so I'm thinking that famous fighting quote, you know, fly 95 00:05:13,120 --> 00:05:16,599 Speaker 1: like a butterfly, sting like a b yeah. Well okay, yeah, 96 00:05:16,640 --> 00:05:19,120 Speaker 1: and also yeah, but then of course the sasquatch has 97 00:05:19,160 --> 00:05:21,320 Speaker 1: kind of got this kind of peaceful, uh you know 98 00:05:21,400 --> 00:05:23,120 Speaker 1: thing going for him, like people kind of see that 99 00:05:23,160 --> 00:05:25,280 Speaker 1: the bigfoot is a as a as a pacifist in 100 00:05:25,279 --> 00:05:29,440 Speaker 1: the werewolf is a bloodthirsty killer. So, uh well, the 101 00:05:29,480 --> 00:05:33,040 Speaker 1: outcome for this bout, according to Brian Regal, assistant professor 102 00:05:33,120 --> 00:05:36,200 Speaker 1: of the history of science at Keene University in Union, 103 00:05:36,200 --> 00:05:40,480 Speaker 1: New Jersey, sasquatch wins. But get this, he wins through 104 00:05:40,560 --> 00:05:45,840 Speaker 1: interference from Charles Darwin. Really, how does Darwin figure into this? Well? Um, 105 00:05:46,160 --> 00:05:50,120 Speaker 1: Regal's argument here is that you know, you had in 106 00:05:50,279 --> 00:05:54,040 Speaker 1: eighteen fifty nine Darwin published The Origin Species and all that, right, 107 00:05:54,320 --> 00:05:58,120 Speaker 1: and the big take home from from all of this 108 00:05:58,240 --> 00:06:00,960 Speaker 1: that everybody just ran nuts within the media was the 109 00:06:00,960 --> 00:06:05,840 Speaker 1: connection between man and ape, all right, and you as 110 00:06:05,839 --> 00:06:08,400 Speaker 1: we're going too in the How Charles Darwin Works article 111 00:06:08,560 --> 00:06:12,360 Speaker 1: which you wrote, which which I wrote, Uh, there's um, 112 00:06:12,400 --> 00:06:14,760 Speaker 1: you know, but like people just really lashed into them 113 00:06:14,760 --> 00:06:16,919 Speaker 1: with all these like cruel cartoons of like, you know, 114 00:06:16,960 --> 00:06:19,560 Speaker 1: how dare this man, you know, say that the noble 115 00:06:19,800 --> 00:06:23,080 Speaker 1: uh you know, refined human, this child of God is 116 00:06:23,240 --> 00:06:25,440 Speaker 1: in any way you know, related to these you know, 117 00:06:25,520 --> 00:06:30,360 Speaker 1: bestial creatures that wander around naked and Harry you know, so, um, 118 00:06:30,400 --> 00:06:32,400 Speaker 1: it was a pretty shock. We can't go any farther 119 00:06:32,480 --> 00:06:34,720 Speaker 1: because I just have to say it bothers me. This 120 00:06:34,760 --> 00:06:39,000 Speaker 1: whole you know, progression, this thought of evolution of uh 121 00:06:39,040 --> 00:06:42,760 Speaker 1: you know, leading from directly from uh an ape to 122 00:06:42,760 --> 00:06:44,720 Speaker 1: to man. And and of course we've written a lot 123 00:06:44,760 --> 00:06:46,440 Speaker 1: about this, and we know that this is not true. 124 00:06:46,520 --> 00:06:49,719 Speaker 1: They evolve along too divergent lines with some sort of 125 00:06:49,760 --> 00:06:53,120 Speaker 1: common ancestors exactly, just to clear that up. And and 126 00:06:53,160 --> 00:06:55,520 Speaker 1: here's the here's the key though, the like the last 127 00:06:55,560 --> 00:06:59,480 Speaker 1: common ancestor between man and ape not too terribly far 128 00:06:59,520 --> 00:07:02,320 Speaker 1: in the few in the past. I mean yes, like 129 00:07:02,560 --> 00:07:04,240 Speaker 1: a long time in the past, like five million years 130 00:07:04,320 --> 00:07:06,880 Speaker 1: or like five million years or so. But the last 131 00:07:06,920 --> 00:07:10,480 Speaker 1: common ancestor between a man and wolf. Guess when that 132 00:07:10,480 --> 00:07:20,120 Speaker 1: would have would have occurred? Um, all right, it was 133 00:07:20,160 --> 00:07:21,560 Speaker 1: a It was the hand. It was a hundred million 134 00:07:21,640 --> 00:07:23,520 Speaker 1: years ago. Now can you guess what kind of animal 135 00:07:23,600 --> 00:07:27,920 Speaker 1: it would have been? Um, I'm guessing Robert held me out. 136 00:07:28,120 --> 00:07:29,600 Speaker 1: It would have been something like an art vark. It 137 00:07:29,600 --> 00:07:31,800 Speaker 1: would have been an art Where did you pull this 138 00:07:31,800 --> 00:07:33,520 Speaker 1: out of there? There was a study a couple we 139 00:07:33,640 --> 00:07:37,000 Speaker 1: just back. Some some scientists have said that you have 140 00:07:37,040 --> 00:07:39,400 Speaker 1: been a hundred million years ago, like and not just 141 00:07:39,440 --> 00:07:42,720 Speaker 1: between man and wolves, between like a varying number of 142 00:07:43,040 --> 00:07:46,680 Speaker 1: a million species. But but yeah, so we're a lot 143 00:07:46,760 --> 00:07:49,440 Speaker 1: more kin to the to the apes than we are 144 00:07:49,760 --> 00:07:53,960 Speaker 1: to the wolves. So so yeah, Darwin's theory gets a 145 00:07:54,000 --> 00:07:56,160 Speaker 1: lot of traction. It's kind of like seeps into people's 146 00:07:56,200 --> 00:07:59,360 Speaker 1: minds and suddenly the idea of turning into a wolf 147 00:08:00,120 --> 00:08:02,600 Speaker 1: is it's very far removed. It's kind of it's far removed. 148 00:08:02,640 --> 00:08:05,280 Speaker 1: It's a lot sillier. Yeah, it's it's it's kind of silly. 149 00:08:05,640 --> 00:08:07,920 Speaker 1: While while the idea of this connection between man and 150 00:08:07,960 --> 00:08:11,280 Speaker 1: ape is a it's a lot more a lot it's 151 00:08:11,280 --> 00:08:14,000 Speaker 1: still ridiculous, but it's a lot more plausible that a 152 00:08:14,040 --> 00:08:17,000 Speaker 1: man can turn into an ape. And also, um, it's 153 00:08:17,080 --> 00:08:19,000 Speaker 1: kind of troubling. I mean, you see horror stories from 154 00:08:19,000 --> 00:08:21,640 Speaker 1: the day, like, uh, you know, stuff from HP Lovecraft, 155 00:08:21,800 --> 00:08:25,520 Speaker 1: Sir rather Conan Doyle, um Edgar Allan Poe dealing with like, 156 00:08:25,600 --> 00:08:28,000 Speaker 1: you know, either people turning into apes or being murdered 157 00:08:28,000 --> 00:08:31,520 Speaker 1: by apes or mating with apes. It's the love Craft one, um, 158 00:08:32,240 --> 00:08:35,439 Speaker 1: Planet of the Apes, none of that later. But in 159 00:08:35,480 --> 00:08:37,080 Speaker 1: a way that's foun off of the same thing. You know, 160 00:08:37,160 --> 00:08:41,480 Speaker 1: there's people pondering this connection between you know, what we 161 00:08:41,600 --> 00:08:43,920 Speaker 1: are and what we think we are and uh, and 162 00:08:44,080 --> 00:08:47,600 Speaker 1: ore you know, evolutionary kin. So the takeaway is really, um, 163 00:08:47,640 --> 00:08:49,920 Speaker 1: you know, science playing a role actually in our fears, 164 00:08:50,160 --> 00:08:53,760 Speaker 1: you know, to illuminate or to define our our fears 165 00:08:53,840 --> 00:08:56,880 Speaker 1: and the things that we don't understand. I guess would 166 00:08:56,880 --> 00:08:59,040 Speaker 1: you take in that direction? Yeah, I mean it's like 167 00:08:59,200 --> 00:09:02,760 Speaker 1: the where thing and the and the bigfoot thing to 168 00:09:02,800 --> 00:09:04,680 Speaker 1: a certain extent, and also like these other ideas of 169 00:09:04,720 --> 00:09:06,720 Speaker 1: like wild men in the forest that have been when 170 00:09:06,760 --> 00:09:10,000 Speaker 1: this forever like it's they're all ultimately about coming to 171 00:09:10,120 --> 00:09:12,280 Speaker 1: terms with our own bestial nature. And it's kind of 172 00:09:12,280 --> 00:09:15,320 Speaker 1: like the inner monster, you know. In fact, one fact 173 00:09:15,320 --> 00:09:17,679 Speaker 1: that I always find really amusing is that the word 174 00:09:17,720 --> 00:09:23,520 Speaker 1: monstrosity itself comes from the word um monstrary. Uh. And 175 00:09:23,559 --> 00:09:25,760 Speaker 1: I may be pronouncing that wrong, but it means to 176 00:09:25,960 --> 00:09:28,600 Speaker 1: show or illustrate a point. You know. You look back 177 00:09:28,600 --> 00:09:30,319 Speaker 1: in medieval text and you see, you know a lot 178 00:09:30,320 --> 00:09:32,400 Speaker 1: of thought went into monsters, like why does it have 179 00:09:32,440 --> 00:09:34,559 Speaker 1: the head of this and the head of that? Um, 180 00:09:35,080 --> 00:09:37,360 Speaker 1: there was like there was I remember seeing some illustration 181 00:09:37,400 --> 00:09:39,440 Speaker 1: of like a birdman. He was like he was like 182 00:09:39,880 --> 00:09:41,240 Speaker 1: I want to say, it was like it was supposed 183 00:09:41,280 --> 00:09:43,280 Speaker 1: to be like Jesus, but with a bird's head with 184 00:09:43,320 --> 00:09:46,840 Speaker 1: a really long neck. I've not seen that illustration. Yeah, 185 00:09:46,840 --> 00:09:48,640 Speaker 1: it's there were a lot of crazy illustrations back there. 186 00:09:48,640 --> 00:09:51,240 Speaker 1: But the idea was that like, uh, the like the 187 00:09:51,400 --> 00:09:54,160 Speaker 1: like a really christ like individual, very holy individual. And 188 00:09:54,200 --> 00:09:57,120 Speaker 1: what was the bird connection. The bird connection is that, um, 189 00:09:57,160 --> 00:10:00,559 Speaker 1: there's a there's a huge distance between the heart and 190 00:10:01,080 --> 00:10:04,319 Speaker 1: the mouth, so that any kind of like harsh words 191 00:10:04,480 --> 00:10:06,520 Speaker 1: that would rise up, they would have longer to travel 192 00:10:06,600 --> 00:10:08,319 Speaker 1: and you'd have more time to think about them before 193 00:10:08,360 --> 00:10:11,280 Speaker 1: you express yourself. So you know, there's a lot of 194 00:10:11,280 --> 00:10:14,440 Speaker 1: symbolism in it all. But but yeah, that's an important 195 00:10:14,440 --> 00:10:18,080 Speaker 1: thing to think about when when contemplating um our relationship 196 00:10:18,120 --> 00:10:21,400 Speaker 1: with any fictional monster, what does that monster represent, um, 197 00:10:22,040 --> 00:10:24,160 Speaker 1: you know, to us and all of us. And then 198 00:10:24,160 --> 00:10:28,600 Speaker 1: you get anthropologists such as Ernestine mq and she's a 199 00:10:28,640 --> 00:10:32,080 Speaker 1: cultural anthropologist from Rochester, and she says that a lot 200 00:10:32,120 --> 00:10:35,280 Speaker 1: of people are really disenchanted with everyday life. Um, they 201 00:10:35,360 --> 00:10:38,200 Speaker 1: long for something that seems kind of magical. Yeah, Like 202 00:10:38,280 --> 00:10:40,840 Speaker 1: she points out that even Halloween, which I mean, I'm 203 00:10:40,880 --> 00:10:43,360 Speaker 1: still excited about, you know, it's coming up here around 204 00:10:43,400 --> 00:10:45,880 Speaker 1: the corner, but she points out it's like a day 205 00:10:45,920 --> 00:10:49,640 Speaker 1: for kids. Now, there's nothing scary about Halloween and uh, 206 00:10:49,880 --> 00:10:51,560 Speaker 1: and so big Foot for a lot of people is 207 00:10:51,559 --> 00:10:53,520 Speaker 1: just one thing you could you could sort of hold 208 00:10:53,559 --> 00:10:56,319 Speaker 1: on to. You know, it hasn't No one can say 209 00:10:56,320 --> 00:10:58,760 Speaker 1: you've completely you know, you can't say there are no 210 00:10:58,800 --> 00:11:02,200 Speaker 1: big Foot like a big big feet, no big foots 211 00:11:02,440 --> 00:11:05,840 Speaker 1: out there. Um, you know, you know completely. Someone could 212 00:11:05,840 --> 00:11:08,000 Speaker 1: always make the case, well, you know they're hiding here 213 00:11:08,080 --> 00:11:10,840 Speaker 1: or there and nobody's proved you know that they exist either, 214 00:11:11,160 --> 00:11:13,120 Speaker 1: Like I remember when that thing with the guys in 215 00:11:13,160 --> 00:11:15,160 Speaker 1: the Georgia Mountains with a with a cooler with a 216 00:11:15,160 --> 00:11:18,400 Speaker 1: monkey suit in it, when that first hit um, and 217 00:11:18,920 --> 00:11:21,120 Speaker 1: that the news of it to hit, I felt this 218 00:11:21,200 --> 00:11:23,840 Speaker 1: like real excitement and you know rise up in me. 219 00:11:23,880 --> 00:11:25,360 Speaker 1: You know, they're like, oh my goodness, or is this 220 00:11:25,400 --> 00:11:27,640 Speaker 1: going to be the day that we actually find out 221 00:11:27,840 --> 00:11:29,920 Speaker 1: there's the such thing as big Foot? And then on 222 00:11:29,920 --> 00:11:31,880 Speaker 1: the other hand, I also felt like this fear's like 223 00:11:31,920 --> 00:11:35,200 Speaker 1: what what if it? You know, what if it turns 224 00:11:35,200 --> 00:11:36,600 Speaker 1: out that it does exist, that will be like this 225 00:11:36,679 --> 00:11:39,240 Speaker 1: one remaining mystery of the world that we've managed to 226 00:11:39,559 --> 00:11:42,160 Speaker 1: snuff away forever. I don't know. I think the skeptics 227 00:11:42,240 --> 00:11:45,120 Speaker 1: argument is no way. We we got nothing to to 228 00:11:45,240 --> 00:11:48,720 Speaker 1: go on here. So I mean, sasquatch or big foot 229 00:11:48,760 --> 00:11:51,080 Speaker 1: is a is a pretty interesting and fun idea to 230 00:11:51,120 --> 00:11:54,000 Speaker 1: play with. But yeah, we really literally don't have much. 231 00:11:54,720 --> 00:11:56,880 Speaker 1: But apparently the groups that are really into them have 232 00:11:56,920 --> 00:12:00,160 Speaker 1: been growing like wildfire. Yeah, so we're gonna of this 233 00:12:00,240 --> 00:12:04,080 Speaker 1: victory to sasquatch, Sasquatch over the werewolf by means of 234 00:12:04,160 --> 00:12:09,720 Speaker 1: Charles Darwin. Sasquatching science take the win. Sorry, werewolves. All right, 235 00:12:09,800 --> 00:12:13,360 Speaker 1: So on the bout two we have a physicist and 236 00:12:13,440 --> 00:12:16,560 Speaker 1: mathematicians taken on ghosts and vampires. Tell me what you 237 00:12:16,600 --> 00:12:23,280 Speaker 1: think of when you think of ghosts, um, Casper, Casper Casper, 238 00:12:23,320 --> 00:12:28,480 Speaker 1: the friendly ghost, polter Geist? Yeah, what else? Well, of 239 00:12:28,520 --> 00:12:32,240 Speaker 1: course Patrick Swayze, oh right, Patrick Swayze and Denny Moore 240 00:12:32,440 --> 00:12:36,120 Speaker 1: and uh that whole scene where they're sculpting that piece. 241 00:12:37,360 --> 00:12:41,840 Speaker 1: And Jacob Marley. Jacob Marley is a famous and in 242 00:12:41,880 --> 00:12:44,040 Speaker 1: a lot of these cases, you know, you also think 243 00:12:44,080 --> 00:12:47,400 Speaker 1: of floating, you know, I'm definitely moving around and often 244 00:12:47,440 --> 00:12:53,119 Speaker 1: going through walls, a favorite trick among ghosts. Yes, and vampires, 245 00:12:53,120 --> 00:12:57,360 Speaker 1: of course, yeah, they like just like your blood, That's 246 00:12:57,360 --> 00:13:00,439 Speaker 1: what they're renowned for they're pretty pretty strong. I gotta 247 00:13:00,440 --> 00:13:03,600 Speaker 1: I gotta say, from a purely practical point of view, 248 00:13:03,760 --> 00:13:06,240 Speaker 1: that seems I mean, sucking blood. I mean it's it's 249 00:13:06,240 --> 00:13:09,280 Speaker 1: pretty nutrient rich. You could you could do less intelligent 250 00:13:09,320 --> 00:13:13,280 Speaker 1: things as a fantastic being. Yeah, take the leech for instance, 251 00:13:13,679 --> 00:13:16,640 Speaker 1: which we covered recently in a podcast. Those guys get 252 00:13:16,640 --> 00:13:19,560 Speaker 1: along just fine on the blood um, but they're not 253 00:13:19,600 --> 00:13:23,280 Speaker 1: as sexy as the vampires that fill our television screens 254 00:13:23,320 --> 00:13:26,559 Speaker 1: these days. Yeah, I have. So have you seen any 255 00:13:26,559 --> 00:13:28,800 Speaker 1: of this true Blood or read that fictional Now? I 256 00:13:28,800 --> 00:13:31,800 Speaker 1: haven't read it, but I've watched it. Yeah. Alright, Well, 257 00:13:31,840 --> 00:13:35,000 Speaker 1: and then there's the whole series, the Twilight series. Have 258 00:13:35,000 --> 00:13:38,240 Speaker 1: you seen that? I have? I have watched them. Nice, 259 00:13:38,280 --> 00:13:41,040 Speaker 1: I got there with that on the podcast. Yeah, well 260 00:13:41,040 --> 00:13:42,880 Speaker 1: with I watched them with a riff track going, so 261 00:13:42,920 --> 00:13:46,720 Speaker 1: it was like they're they're being spoofed a little. But yeah. 262 00:13:47,000 --> 00:13:49,080 Speaker 1: So let's for the purposes of this, let's imagine a 263 00:13:49,080 --> 00:13:51,440 Speaker 1: physicist and mathematician in one corner, and in the other 264 00:13:51,480 --> 00:13:56,840 Speaker 1: corner m Edward the vampire from Twilight and Patrick Swayzy 265 00:13:56,880 --> 00:14:00,360 Speaker 1: the ghost. All right, who's gonna win which team? Yeah? 266 00:14:00,400 --> 00:14:03,640 Speaker 1: I'm gonna go with the physicists and mathematicians. Okay, yeah, 267 00:14:03,640 --> 00:14:05,320 Speaker 1: I mean, I mean, I'm not really thinking of these 268 00:14:05,320 --> 00:14:08,360 Speaker 1: guys as particularly skilled in hand to hand combat. I 269 00:14:08,600 --> 00:14:10,960 Speaker 1: don't think that they're you know, they have their black 270 00:14:11,000 --> 00:14:13,640 Speaker 1: belt by any means. But the wits, the wits will 271 00:14:13,679 --> 00:14:16,559 Speaker 1: outsmart these beings. And and here's the here's the thing, 272 00:14:16,600 --> 00:14:21,640 Speaker 1: the the paper in question, which is cinema fiction versus 273 00:14:21,680 --> 00:14:24,240 Speaker 1: physical reality. Yeah, let's back the sepe with scientific research, 274 00:14:24,240 --> 00:14:26,840 Speaker 1: why don't. Yeah, it comes from our tow you know, 275 00:14:27,160 --> 00:14:30,440 Speaker 1: people in the physicist corner being so Hong Gandhi and 276 00:14:30,520 --> 00:14:35,840 Speaker 1: his mentor and professor uh Costas Femi. Yeah, I think 277 00:14:35,840 --> 00:14:37,960 Speaker 1: he sounds like a Greek guy. Yeah, and they're from 278 00:14:38,080 --> 00:14:39,600 Speaker 1: what they may be Greek, but they're hanging out in 279 00:14:39,600 --> 00:14:42,840 Speaker 1: Florida at the University of Central Florida. Well, the professor 280 00:14:42,920 --> 00:14:47,880 Speaker 1: being Greek, I think the other one was not necessarily Greek. Yes, anyway, 281 00:14:47,920 --> 00:14:50,360 Speaker 1: that's it. We're diverged. So anyway, here these are the 282 00:14:50,360 --> 00:14:53,320 Speaker 1: guys that wrote the study, and like right out of 283 00:14:53,320 --> 00:14:56,440 Speaker 1: the gate, their first um, their first argument pretty much 284 00:14:56,480 --> 00:14:59,600 Speaker 1: takes the ghost out of the equation because they basically 285 00:14:59,600 --> 00:15:02,120 Speaker 1: say that all right, So a ghost by its very 286 00:15:02,200 --> 00:15:05,200 Speaker 1: nature is not supposed to take up space. It has 287 00:15:05,200 --> 00:15:10,320 Speaker 1: no mass, right, um. But to move forward, a ghost 288 00:15:10,400 --> 00:15:13,680 Speaker 1: would have to be capable of producing force downward, you know, 289 00:15:13,680 --> 00:15:18,000 Speaker 1: in this case, through feet or something you know. Um, 290 00:15:18,080 --> 00:15:19,800 Speaker 1: But to go through a wall, a ghost would have 291 00:15:19,840 --> 00:15:23,640 Speaker 1: to be immaterial. See. So it's like you can't have 292 00:15:23,680 --> 00:15:26,200 Speaker 1: it both ways. Either either the ghosts it takes you know, 293 00:15:26,240 --> 00:15:28,720 Speaker 1: has mass and takes up space and can move, or 294 00:15:28,760 --> 00:15:31,880 Speaker 1: it's in material and can go through walls. So their 295 00:15:31,960 --> 00:15:36,160 Speaker 1: argument is that ghosts, as typically betrayed in cinema, just 296 00:15:36,240 --> 00:15:38,960 Speaker 1: cannot happen. So it would be either So in this 297 00:15:39,360 --> 00:15:41,440 Speaker 1: fictional battle, which I like to think is taking place 298 00:15:41,440 --> 00:15:45,840 Speaker 1: inside boxing or wrestling ring, Patrick Swayze would either be 299 00:15:46,400 --> 00:15:49,360 Speaker 1: you know, moving through the ring and through the ropes, 300 00:15:49,800 --> 00:15:54,000 Speaker 1: or he'll just be standing there. Okay, so we've taken well, 301 00:15:54,040 --> 00:15:56,480 Speaker 1: I mean, we've only knocked out ghosts in one regard 302 00:15:56,880 --> 00:15:59,360 Speaker 1: in that we've we've knocked out a method of look 303 00:15:59,360 --> 00:16:03,120 Speaker 1: emotion that true, pretty much a method of moving around 304 00:16:03,160 --> 00:16:06,040 Speaker 1: the world. Right. Well, I think basically they're saying the 305 00:16:06,040 --> 00:16:08,200 Speaker 1: ghost could move or the ghosts could go through walls. 306 00:16:08,240 --> 00:16:11,120 Speaker 1: But you can't have it both ways. Yeah, so, and 307 00:16:11,160 --> 00:16:13,400 Speaker 1: you could argue, well, that doesn't really say that ghosts 308 00:16:13,440 --> 00:16:15,120 Speaker 1: don't exist, and when they're not really making there even, 309 00:16:15,120 --> 00:16:17,880 Speaker 1: they're just saying the ghost has betrayed that they can't 310 00:16:17,880 --> 00:16:22,640 Speaker 1: have it both ways from a physics standpoint, Alright, sorry, 311 00:16:22,840 --> 00:16:25,640 Speaker 1: what about vampires? How are they faring in this whole battle? Well, 312 00:16:26,360 --> 00:16:29,920 Speaker 1: vampire for vampires, they come down to they reduce it 313 00:16:29,920 --> 00:16:33,000 Speaker 1: to a pretty simple argument, like what happens when you 314 00:16:33,000 --> 00:16:36,160 Speaker 1: get bit by a vampire in something? In some versions 315 00:16:36,160 --> 00:16:39,360 Speaker 1: of the myth, I turned into a vampire, right, And 316 00:16:39,560 --> 00:16:41,640 Speaker 1: it's a little more complicated in some versions, but they're 317 00:16:41,640 --> 00:16:43,480 Speaker 1: going with become a half vampire? Do I become a 318 00:16:43,480 --> 00:16:45,840 Speaker 1: half vampire? No? No, no, let's just say you become 319 00:16:45,840 --> 00:16:48,920 Speaker 1: a vampire. And again this is vaire. Yeah, do you 320 00:16:48,920 --> 00:16:50,760 Speaker 1: get you get bit by a vampire, you become a vampire. 321 00:16:50,760 --> 00:16:52,840 Speaker 1: And a lot of people say that doesn't make sense 322 00:16:53,160 --> 00:16:56,800 Speaker 1: just from a mathematics standpoint, Well, because they deplete their 323 00:16:56,800 --> 00:16:59,960 Speaker 1: food supply to rapidly, right, and they'd eventually just start 324 00:17:00,080 --> 00:17:01,640 Speaker 1: to death because it wouldn't be anything left to eat 325 00:17:02,160 --> 00:17:05,520 Speaker 1: or to drain. Uh. And it's the it's something called 326 00:17:05,560 --> 00:17:09,600 Speaker 1: the mathematical principle of geometric progression. I see, yeah, and 327 00:17:09,600 --> 00:17:11,640 Speaker 1: they say, would say that it would play out about 328 00:17:11,680 --> 00:17:16,639 Speaker 1: like this, two point two point five years after like 329 00:17:16,680 --> 00:17:20,560 Speaker 1: a one vampire arrives on the scene, all of humanity 330 00:17:20,600 --> 00:17:23,560 Speaker 1: would be wiped out. Those are some hungry vampires. Yeah, 331 00:17:23,560 --> 00:17:26,959 Speaker 1: and it get he breaks down to, like, yeah, it's 332 00:17:27,119 --> 00:17:29,320 Speaker 1: it's like you have a vampire feed once a month 333 00:17:29,800 --> 00:17:31,800 Speaker 1: and then you know there are two more vampires. It's 334 00:17:31,840 --> 00:17:35,119 Speaker 1: it's it's just it just gives, it just gives exponential growth. 335 00:17:35,600 --> 00:17:38,159 Speaker 1: And uh and yeah, so it reminds me of this 336 00:17:39,040 --> 00:17:41,119 Speaker 1: question of the day that I just edited on. The 337 00:17:41,119 --> 00:17:45,520 Speaker 1: Malthfeustian premise is an English economist named Thomas Malthis who 338 00:17:45,760 --> 00:17:50,040 Speaker 1: was active in the nineteenth century. Since um, since did 339 00:17:51,080 --> 00:17:55,520 Speaker 1: unless he's a vampire, which case he's still living. No, 340 00:17:55,680 --> 00:17:58,680 Speaker 1: But Mauthis was saying that his he had this premise 341 00:17:58,720 --> 00:18:02,000 Speaker 1: in which it was pretty simple. He stated that humanity 342 00:18:02,040 --> 00:18:04,560 Speaker 1: and its current rate of growth would outstrip the food 343 00:18:04,560 --> 00:18:09,159 Speaker 1: supply because while humanity, while humans grow in an exponential fashion, 344 00:18:09,200 --> 00:18:12,840 Speaker 1: the rate of food production only grows linearly. Anyway, a 345 00:18:12,840 --> 00:18:14,280 Speaker 1: little bit of a tangent, but kind of on the 346 00:18:14,320 --> 00:18:17,800 Speaker 1: same thread. Well, it's worth pointing out that as as 347 00:18:18,080 --> 00:18:21,680 Speaker 1: as much as our physicist and mathematician here may may 348 00:18:21,720 --> 00:18:25,720 Speaker 1: celebrate this perceived victory over the vampire. Um, not every 349 00:18:25,800 --> 00:18:28,680 Speaker 1: version of the vampire myth entails people coming back to life, 350 00:18:28,760 --> 00:18:32,439 Speaker 1: like some um, some versions of it involved like you 351 00:18:32,440 --> 00:18:35,159 Speaker 1: have to drink the blood of the vampire to become 352 00:18:35,200 --> 00:18:37,159 Speaker 1: the vampire. And then there are a whole bunch of 353 00:18:37,200 --> 00:18:40,560 Speaker 1: like really crazy vampire myths out there that Hollywood ignores 354 00:18:40,600 --> 00:18:44,320 Speaker 1: because it's too awesome. Like seriously, look up in Vucci 355 00:18:44,680 --> 00:18:47,600 Speaker 1: and it's like one of the just crazy awesome Native 356 00:18:47,600 --> 00:18:51,040 Speaker 1: American I think vampire myths where it's like a giant 357 00:18:51,280 --> 00:18:53,800 Speaker 1: blood bladder that lives in a cave underwater and like 358 00:18:53,840 --> 00:18:57,520 Speaker 1: sends out minions to collect people. It's crazy stuff. But 359 00:18:57,840 --> 00:18:59,359 Speaker 1: and then, and then I think there have been a 360 00:18:59,520 --> 00:19:02,320 Speaker 1: vampire movies, and and what's the fiction that explore the 361 00:19:02,400 --> 00:19:06,359 Speaker 1: idea that vampires would have to discipline themselves in order 362 00:19:07,000 --> 00:19:10,560 Speaker 1: to keep their food supply intact? Yeah, actually, I mean 363 00:19:10,800 --> 00:19:13,560 Speaker 1: you wouldn't think that vampires would be dumb beasts, so 364 00:19:13,760 --> 00:19:17,400 Speaker 1: they would have some mechanism of you know, kin selection 365 00:19:18,119 --> 00:19:20,800 Speaker 1: keeping themselves alive Survival of the Fittest. But so I 366 00:19:20,800 --> 00:19:22,960 Speaker 1: guess when you come down to its science, like firmly 367 00:19:23,000 --> 00:19:28,160 Speaker 1: wallops both both ghosts and vampires, it does victory science. 368 00:19:28,560 --> 00:19:32,720 Speaker 1: So I think the score is scientists to monster zero. 369 00:19:33,880 --> 00:19:36,480 Speaker 1: All right, let's take on our final battle. Yeah, and 370 00:19:36,520 --> 00:19:38,760 Speaker 1: then this one is going to involve zombies. So what 371 00:19:38,840 --> 00:19:42,680 Speaker 1: comes to mind when when someone mentions zombies? Most recently 372 00:19:42,840 --> 00:19:48,480 Speaker 1: the British film what is it Sean Sean of the Dead? Yeah, 373 00:19:48,560 --> 00:19:51,320 Speaker 1: that one. Yeah, that's a that's a fun zombie film 374 00:19:51,400 --> 00:19:56,159 Speaker 1: that features the more classic slow zombies. I think I 375 00:19:56,400 --> 00:20:00,280 Speaker 1: will eliminate us, me and listeners on the a kind 376 00:20:00,280 --> 00:20:03,159 Speaker 1: of zombies out there. Well basically, I mean you are 377 00:20:03,160 --> 00:20:06,160 Speaker 1: slow zombies and they're fast onmbies. Basically, I think dichotomy. 378 00:20:06,200 --> 00:20:09,040 Speaker 1: There it is, and some people get really been out 379 00:20:09,040 --> 00:20:12,400 Speaker 1: of shape over, including Simon peg Star of a shot 380 00:20:12,480 --> 00:20:14,919 Speaker 1: of the Dead. Um, because you have the classic sort 381 00:20:14,920 --> 00:20:17,439 Speaker 1: of George Romero, um, you know, version of the zombie 382 00:20:17,440 --> 00:20:19,040 Speaker 1: that shambles along and as you know, it's just like 383 00:20:19,880 --> 00:20:22,760 Speaker 1: you know, you know, and they're generally generally the threat 384 00:20:22,920 --> 00:20:24,840 Speaker 1: is that there are just lots and lots of them, 385 00:20:25,280 --> 00:20:27,600 Speaker 1: and if you you'll and if you don't stay on 386 00:20:27,640 --> 00:20:30,359 Speaker 1: your feet and you know, think, then suddenly you'll find 387 00:20:30,440 --> 00:20:32,960 Speaker 1: yourself in a situation where you can't escape them. But 388 00:20:33,000 --> 00:20:37,200 Speaker 1: along the way you ended up getting some like fast zombie. Um. Um. 389 00:20:37,400 --> 00:20:41,879 Speaker 1: Movies come into play, like, uh, I think, yeah, Return 390 00:20:41,880 --> 00:20:43,720 Speaker 1: of the Living Dead I think had fast zombies brought 391 00:20:43,960 --> 00:20:46,160 Speaker 1: by the reanimator. Movies had past zombies. And then most 392 00:20:46,200 --> 00:20:49,320 Speaker 1: notably Twenty eight days Later, the which is a big 393 00:20:49,640 --> 00:20:52,840 Speaker 1: hit out of Britain, and that one had fast zombies. Um. Yeah, 394 00:20:52,880 --> 00:20:54,960 Speaker 1: And so people get get really really been out of 395 00:20:54,960 --> 00:20:57,240 Speaker 1: shape over it because people are like Tomby should never 396 00:20:57,240 --> 00:20:59,640 Speaker 1: be fast and and the zombies and twenty eight days 397 00:20:59,720 --> 00:21:03,360 Speaker 1: Later aren't technically zombies. They're actually people infected with the disease. 398 00:21:03,400 --> 00:21:06,879 Speaker 1: And but but anyway, for for all intents and purposes, 399 00:21:06,960 --> 00:21:10,640 Speaker 1: in this podcast, we're talking about slow zombies. Yeah. I'm 400 00:21:10,640 --> 00:21:14,720 Speaker 1: with that. Let's stay true to be the old stereotype. Yeah. So, um, 401 00:21:15,640 --> 00:21:17,520 Speaker 1: who do we have let's set it up. Yeah, we 402 00:21:17,600 --> 00:21:20,840 Speaker 1: have Robert Smith and this is the interest. It's like 403 00:21:20,880 --> 00:21:23,520 Speaker 1: I said, it's not the guy with the you mean 404 00:21:23,600 --> 00:21:26,040 Speaker 1: that instantly comes to mind, the lead singer of the 405 00:21:26,080 --> 00:21:28,719 Speaker 1: Cure Um. Did you like the cure when you were 406 00:21:28,760 --> 00:21:30,240 Speaker 1: younger or do you like the cure? Now I have 407 00:21:30,280 --> 00:21:31,840 Speaker 1: to ask. I didn't. I did, wasn't really into the 408 00:21:31,840 --> 00:21:33,560 Speaker 1: cure when I was younger, but I I dig some 409 00:21:33,640 --> 00:21:36,879 Speaker 1: cure here and there now you know. But but this 410 00:21:36,880 --> 00:21:40,679 Speaker 1: guy is a Canadian researcher. In his name is Robert 411 00:21:40,720 --> 00:21:43,480 Speaker 1: Smith question mark, like his legal last name is Smith 412 00:21:43,560 --> 00:21:47,120 Speaker 1: question Mark. And I would like to be louder milk 413 00:21:47,160 --> 00:21:50,440 Speaker 1: exclamation point. You should go for it. And this guy 414 00:21:50,520 --> 00:21:52,400 Speaker 1: is just one of several researchers that to put out 415 00:21:52,440 --> 00:21:58,240 Speaker 1: this study called when Zombies Attack exclamation Point colon Mathematical 416 00:21:58,280 --> 00:22:00,639 Speaker 1: Modeling of an Outbreak of Zombie and Action, and that 417 00:22:00,720 --> 00:22:04,920 Speaker 1: was published in Infectious Disease Modeling Research Progress. All right, 418 00:22:05,880 --> 00:22:08,000 Speaker 1: so he's definitely one of the top tier academic journals 419 00:22:08,000 --> 00:22:10,800 Speaker 1: out there. Well, um, and this comes down like we're 420 00:22:10,800 --> 00:22:13,040 Speaker 1: talking with the vampires. What happens when you get bit 421 00:22:13,119 --> 00:22:18,320 Speaker 1: by a zombie? In most films, you turn into a zombie, 422 00:22:18,480 --> 00:22:21,520 Speaker 1: right right, like generally within you know, thirty minutes of 423 00:22:21,520 --> 00:22:23,639 Speaker 1: screen time. I'm sorry, guys, I'm not as much of 424 00:22:23,800 --> 00:22:26,200 Speaker 1: a horror officionado as Robert. I know that's one. It's 425 00:22:26,200 --> 00:22:28,720 Speaker 1: fun to quiz you on these things, um, because you know, 426 00:22:29,840 --> 00:22:34,480 Speaker 1: but but yes, the most folks go ahead, No, no, no, 427 00:22:34,680 --> 00:22:38,080 Speaker 1: it's just I mean I enjoy hearing like a more 428 00:22:38,119 --> 00:22:42,320 Speaker 1: of a mainstream um like less, let's just keep going 429 00:22:42,320 --> 00:22:46,520 Speaker 1: with the zombies, okay. So um so yeah, the ideas 430 00:22:46,520 --> 00:22:49,199 Speaker 1: that zombies bought you. You turn into a zombie and 431 00:22:49,320 --> 00:22:50,840 Speaker 1: it's kind of like with the vampire thing. It's like, 432 00:22:50,880 --> 00:22:53,720 Speaker 1: how soon would this situation get way out of control? 433 00:22:54,240 --> 00:22:57,760 Speaker 1: So these guys approached it from an infectious disease modeling standpoint. 434 00:22:57,760 --> 00:22:59,639 Speaker 1: They said, all right, let's assume you know X, Y, 435 00:22:59,680 --> 00:23:02,119 Speaker 1: and Z about a zombie outbreak, and then let's do 436 00:23:02,160 --> 00:23:05,919 Speaker 1: the math. What would happen? And uh and what what 437 00:23:06,000 --> 00:23:08,720 Speaker 1: did they find? We're kind of doomed. Yeah, it win 438 00:23:08,840 --> 00:23:12,400 Speaker 1: zombies attack. So if you to predict the scenario of 439 00:23:12,520 --> 00:23:15,600 Speaker 1: a true zombie attacked, this pretty much means a rapid 440 00:23:15,680 --> 00:23:19,200 Speaker 1: collapse of civilization as we know it. Cities would fall 441 00:23:19,240 --> 00:23:22,960 Speaker 1: in mirror days. Yeah, unless we hit them hard and 442 00:23:23,040 --> 00:23:25,159 Speaker 1: hit them often. And that is an actual quote I 443 00:23:25,200 --> 00:23:30,040 Speaker 1: believe from the paper. Yeah. They they broke it down 444 00:23:30,040 --> 00:23:34,160 Speaker 1: into a few different possible outcomes, and let's talk about 445 00:23:34,520 --> 00:23:38,280 Speaker 1: the first one they laid out was latent infection, and 446 00:23:38,280 --> 00:23:41,200 Speaker 1: then this humans have about a week before being wiped 447 00:23:41,200 --> 00:23:44,600 Speaker 1: out by zombies. And the next step would be quarantine. 448 00:23:44,680 --> 00:23:47,000 Speaker 1: And so even if they were to be lucky enough 449 00:23:47,040 --> 00:23:50,359 Speaker 1: to sequester they infected away from the general population, it's 450 00:23:50,400 --> 00:23:52,160 Speaker 1: going to do not a whole heck of a lot 451 00:23:52,200 --> 00:23:55,080 Speaker 1: to stop the outbreak. So humans only have eight days 452 00:23:55,119 --> 00:23:59,800 Speaker 1: to live. It's dire scenario. And then the next scenario 453 00:23:59,840 --> 00:24:03,480 Speaker 1: they they came up with was one that entailed a cure, 454 00:24:03,680 --> 00:24:05,959 Speaker 1: like we would have able to develop a cure for 455 00:24:06,560 --> 00:24:11,520 Speaker 1: zombie hood. Then then humans would survive, but only barely. 456 00:24:11,680 --> 00:24:13,280 Speaker 1: And this is interesting because I was just talking to 457 00:24:13,800 --> 00:24:17,800 Speaker 1: a buddy of mine about the latest zombie game to 458 00:24:17,880 --> 00:24:19,399 Speaker 1: come out on all the system, or at least on 459 00:24:19,640 --> 00:24:24,560 Speaker 1: the three sixty. It's African what it's called, but anyway, 460 00:24:24,760 --> 00:24:27,560 Speaker 1: it entails a cure for zombies. So it's like a 461 00:24:27,640 --> 00:24:30,600 Speaker 1: zomb post apocalyptic zombie thing. But then there's also a cure, 462 00:24:30,600 --> 00:24:32,000 Speaker 1: but you have to take it every day to keep 463 00:24:32,040 --> 00:24:33,639 Speaker 1: from turning into a zombie. Yeah, and we all know 464 00:24:33,680 --> 00:24:36,159 Speaker 1: how effective cures that people have to take every day 465 00:24:36,160 --> 00:24:40,359 Speaker 1: are not very well well, I mean no, that is 466 00:24:40,359 --> 00:24:44,000 Speaker 1: a problem. You prescribe a therapy that is, and it's 467 00:24:44,000 --> 00:24:46,680 Speaker 1: it's troublesome. Yeah. Well, if you if you get if 468 00:24:46,680 --> 00:24:49,160 Speaker 1: you have a limb transplant or any kind of a transplant, 469 00:24:49,160 --> 00:24:52,000 Speaker 1: you have to take medication for the rest of your life. Yeah. Well, 470 00:24:52,040 --> 00:24:53,879 Speaker 1: I'm just saying that it can be tricky for people 471 00:24:53,960 --> 00:24:57,359 Speaker 1: to actually follow the prescribe therapy. And if it's in 472 00:24:57,400 --> 00:24:59,520 Speaker 1: a horror movie or a horror game, you know it's 473 00:24:59,520 --> 00:25:01,119 Speaker 1: not going to go right. You're gonna reach a situation 474 00:25:01,119 --> 00:25:02,760 Speaker 1: where it's like, oh my goodness, if I got my pills, 475 00:25:02,800 --> 00:25:06,199 Speaker 1: I'm turning into a zombie. Um, some people have that 476 00:25:06,240 --> 00:25:09,159 Speaker 1: problem in real life. Um, so what's the what's the 477 00:25:09,160 --> 00:25:13,359 Speaker 1: final The final scenario is eradication. So we like this 478 00:25:13,400 --> 00:25:16,360 Speaker 1: one the most, at least as non zombies do, and 479 00:25:16,720 --> 00:25:20,000 Speaker 1: that entails a four pinpointed attacks. But over ten days 480 00:25:20,040 --> 00:25:24,879 Speaker 1: and all the zombies are destroyed. Humans prevail. Robert Smith prevails, 481 00:25:25,160 --> 00:25:27,600 Speaker 1: but that's hit him hard and hit him often, hit 482 00:25:27,680 --> 00:25:30,480 Speaker 1: him early. Kind of a situation, right, So you guys 483 00:25:30,520 --> 00:25:32,960 Speaker 1: should definitely keep this in mind the next time you 484 00:25:33,000 --> 00:25:37,480 Speaker 1: get wind of a zombie attack in your neighborhood. Yeah, 485 00:25:37,880 --> 00:25:41,600 Speaker 1: act fast, don't think so. Sadly, science takes a dive 486 00:25:41,680 --> 00:25:47,480 Speaker 1: on that particular fight, and uh and zombies prevail well 487 00:25:47,520 --> 00:25:49,720 Speaker 1: except with the eradication, but in three out of the 488 00:25:49,760 --> 00:25:54,360 Speaker 1: four scenarios zombies do prevail that. I'm sorry, whoa oh 489 00:25:54,440 --> 00:25:59,600 Speaker 1: Robert Smith, Yes, Robert Smith and Company. Hey, what do 490 00:25:59,600 --> 00:26:04,920 Speaker 1: you got any listener mail going on? Uh? This little 491 00:26:04,960 --> 00:26:09,119 Speaker 1: bit of listener mail comes from Christopher, and Christopher writes, 492 00:26:09,640 --> 00:26:12,760 Speaker 1: in the interest of aiding you in your systematic research, 493 00:26:13,080 --> 00:26:15,280 Speaker 1: I am writing to tell you that my cat mono, 494 00:26:15,560 --> 00:26:18,160 Speaker 1: and there's a note here not named after a disease 495 00:26:18,200 --> 00:26:23,880 Speaker 1: as most people initially assume. Think mono versus stereo. Um, 496 00:26:24,040 --> 00:26:26,960 Speaker 1: not mono nucleosis as in the kissing disease. That would 497 00:26:26,960 --> 00:26:30,560 Speaker 1: be that that could be a good kid. Um anyway, Um, 498 00:26:30,920 --> 00:26:34,480 Speaker 1: Christopher says, says that mono also meets that's you know 499 00:26:34,600 --> 00:26:37,880 Speaker 1: we're talking about when a cat makes them kind of noise. 500 00:26:38,280 --> 00:26:43,080 Speaker 1: The kind of which podcast was that anygain? Uh? Scientific method? 501 00:26:43,240 --> 00:26:48,400 Speaker 1: I think um anyway, Christopher says, However, we're we've always 502 00:26:48,400 --> 00:26:51,840 Speaker 1: referred to this croaking sound as the quote dusty skeleton 503 00:26:51,920 --> 00:26:55,040 Speaker 1: cat noise unquote. He does it when hungry, when he 504 00:26:55,080 --> 00:26:57,600 Speaker 1: wants to be picked up and at the mocking birds 505 00:26:57,640 --> 00:27:00,560 Speaker 1: that dive bomb on the very yard. But he gets 506 00:27:00,640 --> 00:27:03,720 Speaker 1: his grizzly revenge on him every now and then, which 507 00:27:03,720 --> 00:27:06,040 Speaker 1: means he eats him. Um. I hope this helps your 508 00:27:06,080 --> 00:27:09,800 Speaker 1: reach that your translation. I hope this helps your research study. 509 00:27:09,880 --> 00:27:13,720 Speaker 1: Thanks for the podcast, and hello to Allison ry Christopher. 510 00:27:14,320 --> 00:27:17,119 Speaker 1: Thanks for writing. Yeah, so I think that wraps it up. 511 00:27:17,359 --> 00:27:21,119 Speaker 1: But if you guys want to read more about Bigfoot 512 00:27:21,240 --> 00:27:23,399 Speaker 1: and all of his crazy friends, he used to check 513 00:27:23,400 --> 00:27:25,359 Speaker 1: out Hustbrooks dot com because we have a lot of 514 00:27:25,480 --> 00:27:28,520 Speaker 1: articles on all of these creatures. Yeah. We have how 515 00:27:28,520 --> 00:27:31,159 Speaker 1: big Foot Works by Tom Harris. We have how wearableves 516 00:27:31,160 --> 00:27:33,800 Speaker 1: worked by Tracy B. Wilson. That's a good one. I'd 517 00:27:33,840 --> 00:27:35,920 Speaker 1: like to read Tracy's on where well. She also wrote 518 00:27:35,920 --> 00:27:40,080 Speaker 1: how ghost work and how zombies work as well. And uh, 519 00:27:40,160 --> 00:27:44,320 Speaker 1: I would call Tracy as skeptic too. Yeah, a skeptic 520 00:27:44,359 --> 00:27:49,320 Speaker 1: with an appreciation for, um, you know the fantastic too. 521 00:27:49,960 --> 00:27:52,960 Speaker 1: Skeptic skepticism comes from a good place. Yeah, I agreed. 522 00:27:53,040 --> 00:27:55,199 Speaker 1: It's not the same. It's very different from cynicism. So 523 00:27:55,680 --> 00:27:58,680 Speaker 1: I don't want to talk to anybody's cynical about zombies. 524 00:27:59,320 --> 00:28:03,240 Speaker 1: Just skeptic, Yeah, skeptical alright, So check out the site 525 00:28:03,320 --> 00:28:05,399 Speaker 1: or hang out with us on Facebook or on Twitter. 526 00:28:05,600 --> 00:28:08,240 Speaker 1: On Facebook, we're stuff from the Signs Lab. On Twitter, 527 00:28:08,320 --> 00:28:11,040 Speaker 1: We're lab Stuff. So that's all we got for you, guys, 528 00:28:11,080 --> 00:28:20,639 Speaker 1: Thanks for listening. For more on this and thousands of 529 00:28:20,680 --> 00:28:24,000 Speaker 1: other topics, is it how stuff works dot Com. Want 530 00:28:24,080 --> 00:28:26,720 Speaker 1: more how stuff works, check out our blogs on the 531 00:28:26,720 --> 00:28:28,359 Speaker 1: house stuff works dot Com home page