1 00:00:01,480 --> 00:00:05,680 Speaker 1: This is your weak call. Breakfast Club. They show you 2 00:00:05,800 --> 00:00:08,200 Speaker 1: Love to Hate from the East to the West, Coat 3 00:00:08,320 --> 00:00:11,920 Speaker 1: DJ and De Angela Yee, Charlomagne, the really show on 4 00:00:11,920 --> 00:00:14,080 Speaker 1: the planet. This is why I respect this show, because 5 00:00:14,120 --> 00:00:16,599 Speaker 1: this is a voice of society. Sames in the game, 6 00:00:16,720 --> 00:00:20,200 Speaker 1: guys are the coveted morning show. What y'all earn it 7 00:00:20,280 --> 00:00:22,520 Speaker 1: in bacting the coach sure up in the morning and 8 00:00:22,600 --> 00:00:25,439 Speaker 1: as they want to hear that breakfastcript the World's most 9 00:00:25,520 --> 00:00:44,199 Speaker 1: Dangerous morning show. And good morning Usa. Hey yo yo 10 00:00:44,320 --> 00:00:47,520 Speaker 1: yo yo yo, this morning, Good morning Angela, yee, good morning. 11 00:00:48,200 --> 00:00:53,680 Speaker 1: It's Friday. I kept thinking, yesterday was Friday? Really why? 12 00:00:53,840 --> 00:00:55,920 Speaker 1: I don't know why I felt like Friday. Yesterday. I 13 00:00:55,920 --> 00:00:58,200 Speaker 1: was out and about, I was running a bunch of 14 00:00:58,200 --> 00:01:01,360 Speaker 1: different errands, and then I went to go eat lunch. 15 00:01:01,440 --> 00:01:03,000 Speaker 1: It was like a late lunch around three, and I 16 00:01:03,080 --> 00:01:05,440 Speaker 1: kept thinking to his Friday, oh the whole time. And 17 00:01:05,440 --> 00:01:08,039 Speaker 1: then I was like, oh, man, it's really not Friday. Now, 18 00:01:08,040 --> 00:01:10,600 Speaker 1: today is Friday. Now I spent the night last night. Well, 19 00:01:10,600 --> 00:01:12,760 Speaker 1: today's right. Yeah. I spent the night last night and 20 00:01:12,760 --> 00:01:14,560 Speaker 1: the whole day yesterday at the hospital. My wife just 21 00:01:14,600 --> 00:01:16,959 Speaker 1: of course a few Uh, it's her. We just had 22 00:01:16,959 --> 00:01:19,039 Speaker 1: our baby, our fifth baby, a fifth and final baby. 23 00:01:19,040 --> 00:01:20,520 Speaker 1: So I was all there at the hospital. So all 24 00:01:20,560 --> 00:01:23,039 Speaker 1: I did was play with the baby. That's nice, and 25 00:01:23,120 --> 00:01:26,560 Speaker 1: watched the Olympics. I'm an Olympic fanatic. I I like 26 00:01:26,680 --> 00:01:30,560 Speaker 1: watching anything competitive, especially the swimming. Shout to Michael Phelps. 27 00:01:30,840 --> 00:01:32,800 Speaker 1: He does his damn thing. That boy is just amazing. 28 00:01:32,840 --> 00:01:34,600 Speaker 1: He's got thirty one thirty two years old. He has 29 00:01:34,640 --> 00:01:37,960 Speaker 1: the most medals ever. He is amazing. Now. Fun fact, 30 00:01:38,480 --> 00:01:40,200 Speaker 1: I thought that I was going to be an Olympic 31 00:01:40,200 --> 00:01:43,320 Speaker 1: swimman when I was younger. I was nice. I was 32 00:01:43,360 --> 00:01:47,040 Speaker 1: actually I was just going to swim on the varsity 33 00:01:47,040 --> 00:01:49,280 Speaker 1: team as far as swimming is concerned, and I was nice. 34 00:01:49,320 --> 00:01:51,760 Speaker 1: See what happened back then? They used to make us 35 00:01:51,760 --> 00:01:56,360 Speaker 1: with a little skimpy, tiny tiny underwear thing. Anyway, that's 36 00:01:56,400 --> 00:01:58,280 Speaker 1: the episode. You wearing that with some stocks. No it's 37 00:01:58,280 --> 00:02:00,240 Speaker 1: shut up, no, no, no, but and it was. It's 38 00:02:00,280 --> 00:02:02,400 Speaker 1: just uncomfortable because people come to the meet and you 39 00:02:02,520 --> 00:02:06,880 Speaker 1: got these like halfway bikini box of briefs on and 40 00:02:07,000 --> 00:02:08,799 Speaker 1: your stuff is just all out, and you're like a 41 00:02:08,840 --> 00:02:11,280 Speaker 1: little I was what fifteen years old at the time. 42 00:02:11,560 --> 00:02:13,400 Speaker 1: I just couldn't do it. I was like, this is enough, 43 00:02:13,520 --> 00:02:16,240 Speaker 1: this is embarrassing, and I stopped. And I shouldn't have stopped. 44 00:02:16,280 --> 00:02:18,000 Speaker 1: That's one of the things. My parents shouldn't have made 45 00:02:18,000 --> 00:02:19,520 Speaker 1: me stop. They should have made me continue to swim, 46 00:02:19,520 --> 00:02:21,600 Speaker 1: because I could have been an Olympic swimmer. So they 47 00:02:21,600 --> 00:02:23,920 Speaker 1: should push you. They should have pushed me to continue 48 00:02:23,919 --> 00:02:26,000 Speaker 1: to swim. And sometimes parents don't want to push their 49 00:02:26,040 --> 00:02:27,440 Speaker 1: kids too much, but they should have pushed me to 50 00:02:27,440 --> 00:02:29,800 Speaker 1: swim because I could have been I don't know if 51 00:02:29,840 --> 00:02:32,520 Speaker 1: you could have been an Olympics That great story. And 52 00:02:32,560 --> 00:02:34,840 Speaker 1: I'm lengthy and I'm long pause and I would have 53 00:02:34,880 --> 00:02:36,639 Speaker 1: been I would have been good. I'm what six foot six? 54 00:02:36,800 --> 00:02:39,160 Speaker 1: And you shave your legs. I don't shave my legs, 55 00:02:39,280 --> 00:02:40,960 Speaker 1: but I save my private areas and it makes you 56 00:02:41,000 --> 00:02:46,120 Speaker 1: go even faster. You don't believe me. I do believe 57 00:02:46,120 --> 00:02:48,720 Speaker 1: you shave your private areas. Okay, all right, and that 58 00:02:48,800 --> 00:02:52,560 Speaker 1: whole story, that's the only thing that all right. Well, 59 00:02:52,560 --> 00:02:54,200 Speaker 1: we got a bunch of people joining us this morning. 60 00:02:54,200 --> 00:02:58,000 Speaker 1: We have Joey Badass, he'll be in there, and we 61 00:02:58,040 --> 00:03:00,400 Speaker 1: also have some comedians joining us. What's the name community 62 00:03:00,560 --> 00:03:04,240 Speaker 1: Chard and Christian Finnigan and Christian Finnigan. They have a 63 00:03:04,240 --> 00:03:06,600 Speaker 1: new show. No, Christian Finnigan was the one that was 64 00:03:06,639 --> 00:03:09,079 Speaker 1: on the Chappelle show, The Mad Real World, the one 65 00:03:09,080 --> 00:03:12,120 Speaker 1: white guy that was in the house. Okay, they who 66 00:03:12,160 --> 00:03:14,920 Speaker 1: got stabbed. I think he got stabbed. I remember he 67 00:03:14,960 --> 00:03:18,240 Speaker 1: was in the room with Charlie Murform and he was 68 00:03:18,680 --> 00:03:21,240 Speaker 1: masturbating while Christian Finnigan was in the room with his girlfriend. 69 00:03:21,240 --> 00:03:22,480 Speaker 1: And then the next thing you know, he was sleeping 70 00:03:22,480 --> 00:03:24,400 Speaker 1: with his girlfriend. Got you, got you, got you. So 71 00:03:24,440 --> 00:03:26,000 Speaker 1: they'll be joining us this morning. So let's get the 72 00:03:26,000 --> 00:03:28,720 Speaker 1: show cracking front page news. What we're talking about. Imagine 73 00:03:28,760 --> 00:03:30,560 Speaker 1: being on a plane and all of a sudden, the 74 00:03:30,560 --> 00:03:32,520 Speaker 1: turbulence is so bad that you end up having to 75 00:03:32,520 --> 00:03:34,800 Speaker 1: go to the hospital. We'll tell you what. Airline put 76 00:03:34,840 --> 00:03:37,280 Speaker 1: twenty four people in the hospital because of turbulence. I 77 00:03:37,360 --> 00:03:38,640 Speaker 1: was on a plane like that, and the lady caught 78 00:03:38,640 --> 00:03:40,680 Speaker 1: a heart attack. It was so much turbulence. She had 79 00:03:40,720 --> 00:03:43,160 Speaker 1: a heart attack. And then when the plane landed, everybody 80 00:03:43,200 --> 00:03:45,400 Speaker 1: wanted to run off, but they couldn't because the medical 81 00:03:45,600 --> 00:03:47,280 Speaker 1: medical staff had to come on and get him. And 82 00:03:47,320 --> 00:03:50,120 Speaker 1: everybody was just scared, and we got storry about everything 83 00:03:50,120 --> 00:03:52,440 Speaker 1: to anything. We said, do anything. Let me tell you 84 00:03:52,480 --> 00:03:56,600 Speaker 1: one time, one time the Big page, who was next 85 00:03:56,640 --> 00:04:00,240 Speaker 1: keeping locice to breakfast logal morning in Sportson's night be 86 00:04:00,280 --> 00:04:03,920 Speaker 1: a Rod's last game at Yankee Stadium. He is retiring, 87 00:04:03,960 --> 00:04:06,640 Speaker 1: He's being forced to retire. Today. Is going to play. Yeah, 88 00:04:06,640 --> 00:04:08,880 Speaker 1: he's gonna play. He's gonna start. He's flying his family in, 89 00:04:09,000 --> 00:04:10,760 Speaker 1: He's a lot of friends coming in. So he will 90 00:04:10,800 --> 00:04:14,000 Speaker 1: play tonight. He's seven home runs away from hitting seven hundred. 91 00:04:14,040 --> 00:04:16,279 Speaker 1: But even if it hits eight tonight, he's definitely not 92 00:04:16,279 --> 00:04:18,280 Speaker 1: gonna get that tonight. Definitely not gonna get that to 93 00:04:18,279 --> 00:04:23,320 Speaker 1: Tonight's his last game. Also, Simon Bios too man for 94 00:04:23,360 --> 00:04:25,320 Speaker 1: Simon Bios. I think he's getting to it right now. 95 00:04:26,279 --> 00:04:30,720 Speaker 1: We'll congratulations to her. The USA is let me get 96 00:04:30,760 --> 00:04:35,160 Speaker 1: to that story now. Thirty eight medals, sixteen goal, twelve silver, 97 00:04:35,440 --> 00:04:40,000 Speaker 1: and ten bronze. That's her first medal, right, first African 98 00:04:40,080 --> 00:04:44,040 Speaker 1: American woman. Explain story. Oh I'm I was looking at you. 99 00:04:44,320 --> 00:04:47,080 Speaker 1: Oh yeah, she's the first African American woman to win 100 00:04:47,160 --> 00:04:51,200 Speaker 1: a hundred freestyle. Now you don't do anybody Anybody swim here, 101 00:04:51,200 --> 00:04:53,000 Speaker 1: nobody swim I don't know how to swim and write swim. 102 00:04:53,120 --> 00:04:55,680 Speaker 1: But she was far behind. She was about five strokes behind, 103 00:04:55,680 --> 00:04:58,480 Speaker 1: and she came back to win some small small swims. 104 00:04:59,000 --> 00:05:07,280 Speaker 1: Simone Bios, Oh no, what I was like, She's talk 105 00:05:07,400 --> 00:05:10,800 Speaker 1: about Simone Bios, but we were talking about Emanuel did 106 00:05:10,800 --> 00:05:13,800 Speaker 1: a great job. She was the first African American. UH 107 00:05:14,320 --> 00:05:16,240 Speaker 1: saw her. She was the one crying. I'll talk about 108 00:05:16,240 --> 00:05:18,200 Speaker 1: Simon Bio the gym. You just made me have a 109 00:05:18,200 --> 00:05:19,839 Speaker 1: whole new respect for from what I was like, when 110 00:05:19,880 --> 00:05:21,680 Speaker 1: did I go to sleep and miss our swimming too? 111 00:05:23,240 --> 00:05:25,440 Speaker 1: She was on the balance beam and jumped in the pool. 112 00:05:25,480 --> 00:05:28,800 Speaker 1: Simone Manual was the first African American. Simons are really 113 00:05:28,800 --> 00:05:31,479 Speaker 1: big in the Olympics yesterday, basically from the USA. And 114 00:05:31,520 --> 00:05:35,800 Speaker 1: congratulations to Michael Phelps. Phelps, he caught twenty two gold medals. 115 00:05:35,600 --> 00:05:38,200 Speaker 1: He's he's a he's he's dead nice for that swimming. 116 00:05:38,240 --> 00:05:40,200 Speaker 1: He's thirty one years old, thirty two years old. He 117 00:05:40,320 --> 00:05:42,440 Speaker 1: is dead nice with the swimming. He's a good case 118 00:05:42,480 --> 00:05:44,240 Speaker 1: that Baron wanted. You know, isn't as bad as people 119 00:05:44,320 --> 00:05:47,040 Speaker 1: make it out to be. All right, that's true. Michael 120 00:05:47,040 --> 00:05:50,400 Speaker 1: Phelps gets busy in that pool. Absolutely now Lebron. Lebron 121 00:05:50,520 --> 00:05:53,080 Speaker 1: resigned for thirty one million ballars here, but he did 122 00:05:53,080 --> 00:05:56,080 Speaker 1: it three year. He did a three year, one hundred 123 00:05:56,080 --> 00:05:59,359 Speaker 1: million dollar contract with the NBA, and the salary in 124 00:05:59,360 --> 00:06:01,280 Speaker 1: his first years gonna be thirty one million. He's gonna 125 00:06:01,360 --> 00:06:03,440 Speaker 1: be the highest play paid player in the NBA for 126 00:06:03,440 --> 00:06:05,960 Speaker 1: the first time in his career ever. And then for 127 00:06:06,000 --> 00:06:08,800 Speaker 1: the next year his salary will be above thirty three million, 128 00:06:08,839 --> 00:06:10,560 Speaker 1: which will make him the highest paid player in a 129 00:06:10,640 --> 00:06:13,480 Speaker 1: single season in league history. That's even more than Michael 130 00:06:13,560 --> 00:06:16,440 Speaker 1: Jordan made with the Bulls in the nineteen ninety seven 131 00:06:16,560 --> 00:06:18,360 Speaker 1: ninety eight season. But the money is different. But I'm 132 00:06:18,360 --> 00:06:19,919 Speaker 1: not going front. I think they over paid Lebron just 133 00:06:19,960 --> 00:06:24,520 Speaker 1: a little bit. What are you talking about. That's our guy, 134 00:06:24,600 --> 00:06:27,479 Speaker 1: Rich Paul, that's Lebron's agent. How much is aging it? 135 00:06:28,440 --> 00:06:30,440 Speaker 1: You have to ask him enough to enough to want 136 00:06:30,440 --> 00:06:35,919 Speaker 1: to get pregnant by him? Come on, no, if he 137 00:06:35,960 --> 00:06:37,560 Speaker 1: was a guy, he can get pregnant by back, Ain't 138 00:06:37,600 --> 00:06:39,800 Speaker 1: no doubt, yes, but enough to want to get pregnant 139 00:06:39,800 --> 00:06:42,840 Speaker 1: by him? Goodness gracious? All right, Now, let's talk about Macy's. 140 00:06:43,160 --> 00:06:45,640 Speaker 1: Macy's is actually closing down one hundred of its stores. 141 00:06:45,680 --> 00:06:49,239 Speaker 1: That's about fifteen percent of all of their department store locations. 142 00:06:49,279 --> 00:06:51,000 Speaker 1: They didn't say which stores it's going to be yet, 143 00:06:51,160 --> 00:06:52,880 Speaker 1: but they said most of them will be shut down 144 00:06:52,920 --> 00:06:56,440 Speaker 1: early next year. You know. Walmart also had announced earlier 145 00:06:56,440 --> 00:06:58,479 Speaker 1: this year they're shutting down two hundred and sixty nine 146 00:06:58,520 --> 00:07:01,960 Speaker 1: stores this year, and Sports a thirty has shut down 147 00:07:02,000 --> 00:07:04,120 Speaker 1: all four hundred and fifty of its stores after they 148 00:07:04,160 --> 00:07:07,120 Speaker 1: filed for bankruptcy. So I cannot believe y'all letting that 149 00:07:07,160 --> 00:07:10,160 Speaker 1: great institution called Walmart shutdown. I am from the country. 150 00:07:10,240 --> 00:07:12,680 Speaker 1: I am from Monks Corner, South Carolina. Late at night 151 00:07:12,760 --> 00:07:15,440 Speaker 1: when there was nothing else to do, you go walk 152 00:07:15,480 --> 00:07:18,280 Speaker 1: around a twenty four hour Walmart, okay, and you get 153 00:07:18,280 --> 00:07:21,040 Speaker 1: a new type of inspiration for the world. Cannot believe 154 00:07:21,120 --> 00:07:23,280 Speaker 1: y'all letting that institution shut down. It's like shutting down 155 00:07:23,280 --> 00:07:26,000 Speaker 1: a rec center or shutting down a church. It's not 156 00:07:26,040 --> 00:07:28,800 Speaker 1: the same thing last time you've been to Walmart. Oh, 157 00:07:28,840 --> 00:07:30,680 Speaker 1: I'm more of a targ target. All right, then that's 158 00:07:30,680 --> 00:07:32,680 Speaker 1: why the target. You're part of the problem. You're part 159 00:07:32,720 --> 00:07:34,080 Speaker 1: of the problem, more of a target. But it's I 160 00:07:34,080 --> 00:07:35,720 Speaker 1: see more targets now, I don't see a lot, but 161 00:07:35,800 --> 00:07:38,200 Speaker 1: they actually shut down some Target stores of yea, yeah, 162 00:07:38,240 --> 00:07:41,320 Speaker 1: they had. Let me tell it's like Target, jac Penny, 163 00:07:41,400 --> 00:07:43,880 Speaker 1: Kmart series and Colds. They've also gotten rid of hundreds 164 00:07:43,880 --> 00:07:45,480 Speaker 1: of stories. I'm just more of a Target, guys. I 165 00:07:45,480 --> 00:07:47,680 Speaker 1: mean there's more Targets, and Target got mostly more white. 166 00:07:47,760 --> 00:07:50,560 Speaker 1: They look nicer. Target. Just look, they do look nice. 167 00:07:51,000 --> 00:07:53,200 Speaker 1: You can go use the bathroom and Target and get pizza. 168 00:07:53,600 --> 00:07:55,120 Speaker 1: I don't know about all that, but they got mostly 169 00:07:55,200 --> 00:07:57,840 Speaker 1: more white T shirt. Your Target has pizza. They have pizza. 170 00:07:58,280 --> 00:08:01,200 Speaker 1: Target pizza. They got Starbucks too. The last let's talk 171 00:08:01,200 --> 00:08:04,320 Speaker 1: about this Jet Blue turbulence. Well, Jet Blue turbulence has 172 00:08:04,360 --> 00:08:06,680 Speaker 1: put twenty four people in the hospital, at least twenty 173 00:08:06,720 --> 00:08:11,160 Speaker 1: two customers and two crew members after experiencing rough turbulences 174 00:08:11,160 --> 00:08:13,000 Speaker 1: to the flight attendant was assisted off the plane by 175 00:08:13,000 --> 00:08:15,760 Speaker 1: a medical personnel. It was from Buston to Sacramento, and 176 00:08:15,840 --> 00:08:18,280 Speaker 1: that flight actually had to be diverted to rapid City, 177 00:08:18,360 --> 00:08:22,160 Speaker 1: South Dakota. They said, the weather obviously is what caused 178 00:08:22,160 --> 00:08:24,680 Speaker 1: some of the bumby flying conditions. Ah, y'all, weak man, 179 00:08:24,720 --> 00:08:26,360 Speaker 1: If you ever did the Hallmn shake, you survive a 180 00:08:26,360 --> 00:08:28,680 Speaker 1: little rough turbulence, man, Yeah, that's why every nighting you 181 00:08:28,800 --> 00:08:31,880 Speaker 1: to do the Halem shake, just because because you get 182 00:08:31,880 --> 00:08:33,960 Speaker 1: on a plane. If you ever did the Halem shake 183 00:08:34,000 --> 00:08:35,600 Speaker 1: and you get on a plane and you feel turbulence, 184 00:08:35,600 --> 00:08:37,960 Speaker 1: you won't even feel it's nothing plane. Do a little 185 00:08:37,960 --> 00:08:39,400 Speaker 1: hallm shake, you'd be all right. Y'all gotta go to 186 00:08:39,440 --> 00:08:41,040 Speaker 1: the hopital because y'all did a little hallm shake in 187 00:08:41,080 --> 00:08:44,000 Speaker 1: the plane topic and that's front page news. Now tell 188 00:08:44,040 --> 00:08:46,040 Speaker 1: them why you're mad. Eight on drip five eight five 189 00:08:46,080 --> 00:08:47,640 Speaker 1: one o five one. If you're upsets, you need to 190 00:08:47,720 --> 00:08:51,320 Speaker 1: vent callers right now. Maybe you are late, maybe you 191 00:08:51,360 --> 00:08:53,360 Speaker 1: had a bad night, maybe you had a bad morning. 192 00:08:53,679 --> 00:08:56,559 Speaker 1: Eight on drip five one o five one in Charlemagne, 193 00:08:56,600 --> 00:08:59,200 Speaker 1: what thank you for putting me on to the jerk 194 00:08:59,240 --> 00:09:01,120 Speaker 1: shat Grill. I want to close bonds with the jerk 195 00:09:01,160 --> 00:09:03,360 Speaker 1: shot Grill. Damn it. I know people out of town 196 00:09:03,360 --> 00:09:05,440 Speaker 1: don't know what the hell we talk about. The jerk 197 00:09:05,480 --> 00:09:07,720 Speaker 1: Shot Grill is the Jamaican restaurant in New Jersey. If 198 00:09:07,720 --> 00:09:09,800 Speaker 1: you ever just happened to be from Houston, a South 199 00:09:09,840 --> 00:09:13,240 Speaker 1: Caroline of driving up route for and uh Inglewood, New Jersey, 200 00:09:13,280 --> 00:09:15,000 Speaker 1: go by the jerks. It's part of a gas station. 201 00:09:15,040 --> 00:09:17,240 Speaker 1: So it looks like a mobile gas station. Yes it is, 202 00:09:17,360 --> 00:09:20,000 Speaker 1: but half of it is a jerk shat grill. They 203 00:09:20,080 --> 00:09:22,120 Speaker 1: opened late last night. My wife wanted something at the 204 00:09:22,160 --> 00:09:24,240 Speaker 1: hospital and I went through and oh my god, you're 205 00:09:24,280 --> 00:09:29,520 Speaker 1: talking about jerks. Take jerky chicken everything, jerk Sam. Oh 206 00:09:29,640 --> 00:09:32,200 Speaker 1: my god, that was amazing. They even got ladies in 207 00:09:32,240 --> 00:09:34,439 Speaker 1: the back. That a jerk you. I don't know about that. 208 00:09:34,520 --> 00:09:37,120 Speaker 1: But eight hundred five eight five one O five one. 209 00:09:37,160 --> 00:09:38,960 Speaker 1: Tell them why you're mad? It's the breakfast club. God morning, 210 00:09:39,880 --> 00:09:43,600 Speaker 1: Hey Yox, you know what makes you mad? But truth 211 00:09:43,920 --> 00:09:46,080 Speaker 1: can't handle the truth. I tell them why you mad? 212 00:09:46,200 --> 00:09:50,040 Speaker 1: Want to breakfast club? Hey, Chris, tell them why you're mad. Okay, 213 00:09:50,040 --> 00:09:53,000 Speaker 1: So I've been going to school and trying to enjoy it. 214 00:09:53,040 --> 00:09:55,920 Speaker 1: But I already got five ten tens already. I'm trying 215 00:09:55,920 --> 00:10:01,480 Speaker 1: to enjoy myself. You got five ten what tests last? Yes, 216 00:10:01,760 --> 00:10:04,920 Speaker 1: it's a lot, and it's already the beginning of school 217 00:10:04,960 --> 00:10:08,800 Speaker 1: and nobody else already got none of them. Well, you listen, 218 00:10:08,840 --> 00:10:10,400 Speaker 1: you go on to school. You're paying to learn, so 219 00:10:10,480 --> 00:10:13,800 Speaker 1: take advantage of that. Okay, what's cool? You go to UM? 220 00:10:14,000 --> 00:10:17,560 Speaker 1: I go to school Columbus Columbicas on school. That's like 221 00:10:17,559 --> 00:10:19,480 Speaker 1: showing up to your job every day and complaining because 222 00:10:19,480 --> 00:10:21,120 Speaker 1: they give you work. Oh my god, they give me 223 00:10:21,160 --> 00:10:23,680 Speaker 1: so much work today. It's your job school. He goes 224 00:10:23,679 --> 00:10:27,120 Speaker 1: to Hello, who's this? Yeah you're doing listen, Kevin w 225 00:10:27,280 --> 00:10:28,920 Speaker 1: from both for a long island. Hey, you tell them 226 00:10:28,920 --> 00:10:32,560 Speaker 1: how you man? I'm mad because Charlomagne Necard is always 227 00:10:32,559 --> 00:10:34,199 Speaker 1: playing walk back. Think he's got to be late for 228 00:10:34,800 --> 00:10:38,559 Speaker 1: time I missed. Just talk about that. I've been doing 229 00:10:38,640 --> 00:10:40,640 Speaker 1: good this week though, Oh my god, you weren't even 230 00:10:40,679 --> 00:10:44,040 Speaker 1: here this week for one day this week stopping knock 231 00:10:44,040 --> 00:10:45,840 Speaker 1: it off. But I've been here every day this week 232 00:10:45,880 --> 00:10:49,120 Speaker 1: except for the day, so three days. It was late 233 00:10:49,280 --> 00:10:52,360 Speaker 1: yesterday too, No I wasn't. Yeah, yeah, I just didn't. 234 00:10:52,760 --> 00:10:55,280 Speaker 1: Y'all just started over your yesterday. Yeah, we started over. 235 00:10:55,360 --> 00:10:59,920 Speaker 1: We did it. Hello, who's this? You not going to part? 236 00:11:00,040 --> 00:11:03,040 Speaker 1: Let's up? Bro? Tell him more? You mad because the 237 00:11:03,120 --> 00:11:07,280 Speaker 1: day frien w Oh my gosh, we're all that work 238 00:11:07,360 --> 00:11:12,560 Speaker 1: this morn. Hey, Hey, hey, Charolette, yo, hey man right here, 239 00:11:13,040 --> 00:11:16,760 Speaker 1: Oh man, I did hear samming? Something said you really? 240 00:11:17,200 --> 00:11:22,080 Speaker 1: Because I hear this water? Okay, all right, all right, 241 00:11:22,200 --> 00:11:24,480 Speaker 1: all right, really little from it. Yo yo yo yo 242 00:11:24,559 --> 00:11:26,040 Speaker 1: yo ya ya ya ya yo yo yo yo yo 243 00:11:26,120 --> 00:11:27,760 Speaker 1: yo yo yo yo yo yo yo yo yo yo 244 00:11:27,880 --> 00:11:30,040 Speaker 1: yo Yo's not the same? Are you turned off? Are 245 00:11:30,080 --> 00:11:31,959 Speaker 1: you turned on the same? I didn't feel it. You 246 00:11:32,040 --> 00:11:35,000 Speaker 1: turned on? I didn't feel it. Hello, who's this? Hey? 247 00:11:35,080 --> 00:11:37,600 Speaker 1: What's up? This is Mark for Rock and County Man Mark. 248 00:11:37,640 --> 00:11:40,600 Speaker 1: How you guys? How are you guys doing today? Good? Yeah? 249 00:11:40,600 --> 00:11:42,280 Speaker 1: I just wanted to say, man, I got this. I'm 250 00:11:42,280 --> 00:11:44,320 Speaker 1: mad because I got this friend. Yet we played Fantasy 251 00:11:44,360 --> 00:11:46,559 Speaker 1: Football of the Year. This guy don't never pay and 252 00:11:46,679 --> 00:11:48,520 Speaker 1: he's still begging to get in the league. Well, why 253 00:11:48,559 --> 00:11:51,120 Speaker 1: do you guys let him in? Well, he's a really 254 00:11:51,160 --> 00:11:52,880 Speaker 1: good friend, and I try to give him the benefit 255 00:11:52,880 --> 00:11:54,760 Speaker 1: of doubt. But my thing is, I want to leave 256 00:11:54,760 --> 00:11:55,760 Speaker 1: it up to you guys. Do you think I have 257 00:11:55,840 --> 00:11:57,360 Speaker 1: to let him in this year? I think you should 258 00:11:57,360 --> 00:11:58,720 Speaker 1: tell him he got to put his money up. Friend, 259 00:11:58,840 --> 00:12:01,640 Speaker 1: he gotta pay first. You gotta stop letting you gotta 260 00:12:01,640 --> 00:12:03,840 Speaker 1: play his money in a scrow. Now, our boys wants 261 00:12:03,880 --> 00:12:06,040 Speaker 1: us to play in Fantasy Football league, and it's expensive. 262 00:12:06,040 --> 00:12:09,160 Speaker 1: I said, if Charlomagne goes half, I'll pay in Charlomagne 263 00:12:09,200 --> 00:12:11,360 Speaker 1: ain't paying, so I ain't playing listening to I ain't 264 00:12:11,400 --> 00:12:13,960 Speaker 1: playing twenty five hundred dollars to get into I got 265 00:12:14,000 --> 00:12:17,080 Speaker 1: five kids. Ain't playing crazy. I'm a Dallas cowboy fans 266 00:12:17,120 --> 00:12:19,160 Speaker 1: for every year is fantasy football for me. Okay, because 267 00:12:19,160 --> 00:12:21,200 Speaker 1: every year I think we're going to the super Bowl. Yeah, 268 00:12:21,280 --> 00:12:25,920 Speaker 1: never do Hello, who's this man? Steph far and Steve 269 00:12:26,000 --> 00:12:29,000 Speaker 1: tell them how you're mad? I'm magic because win. I 270 00:12:29,080 --> 00:12:32,720 Speaker 1: watched album for vote, y'all close? Magic change when Jeff 271 00:12:32,800 --> 00:12:38,319 Speaker 1: Comerton like what we try to get fresh and changes. Yeah, 272 00:12:38,559 --> 00:12:40,760 Speaker 1: when you watch the war shows, you'd be seeing when 273 00:12:40,760 --> 00:12:42,720 Speaker 1: you go to concert, you see people do wardrobe changes. 274 00:12:42,800 --> 00:12:45,080 Speaker 1: Right there, we do wardrobe. You see people hosting war shows, 275 00:12:45,120 --> 00:12:52,160 Speaker 1: you see them chat. We'll be changing. Like Joey Back 276 00:12:52,360 --> 00:12:55,480 Speaker 1: was coming in here today. I'm gonna change change. Then 277 00:12:55,480 --> 00:12:58,079 Speaker 1: we got Sharad Small and Christian I'm gonna change it. 278 00:12:58,280 --> 00:13:00,959 Speaker 1: I'm definitely changing. Shut up to vote to her like 279 00:13:01,800 --> 00:13:04,240 Speaker 1: and also let the record show voters not give us 280 00:13:04,240 --> 00:13:07,160 Speaker 1: a wardrobe budget. That's why it's always just T shirts. Hello, 281 00:13:07,240 --> 00:13:12,160 Speaker 1: who's this? This is Joe? Joe? What up? Man? Did 282 00:13:12,200 --> 00:13:17,400 Speaker 1: you try that? Jerk? Chat? Grilling Inglewood the jerk sh no, no, yeah, 283 00:13:17,440 --> 00:13:19,520 Speaker 1: I heard about it. You gotta try. Why are you mad? Bro? 284 00:13:20,080 --> 00:13:23,040 Speaker 1: All right? So I gave my girl my car yesterday 285 00:13:23,080 --> 00:13:25,400 Speaker 1: to take my little sister to the dentist, right right. 286 00:13:25,960 --> 00:13:29,080 Speaker 1: And I told her like, yo, it's a new car. 287 00:13:29,480 --> 00:13:32,760 Speaker 1: Don't up the car. She's like, yeah, yeah, I gotta 288 00:13:32,840 --> 00:13:36,000 Speaker 1: I got it. I got it. So she taking her 289 00:13:36,080 --> 00:13:39,319 Speaker 1: to the dentist. I'll come back to find that the 290 00:13:39,640 --> 00:13:43,559 Speaker 1: biggest bit in the bumper. So I walked inside the curve, 291 00:13:43,679 --> 00:13:48,719 Speaker 1: I'm like, yo, fab, what happened to the car? She's like, oh, um, 292 00:13:49,120 --> 00:13:51,760 Speaker 1: I don't know what are you talking about. I was like, 293 00:13:56,080 --> 00:13:57,679 Speaker 1: your wife didn't tell your girl didn't tell you? That 294 00:13:57,760 --> 00:14:00,439 Speaker 1: was the most That was the most boringest way to 295 00:14:00,440 --> 00:14:02,120 Speaker 1: say you gotta diet in your car. Ever, you could 296 00:14:02,120 --> 00:14:05,360 Speaker 1: have did that in ten seconds. Got that debt. Yeah, 297 00:14:05,440 --> 00:14:07,559 Speaker 1: you have a good storytelling ability, sir. I met you. 298 00:14:07,640 --> 00:14:09,520 Speaker 1: The story about your wife being at the dennist was better. 299 00:14:09,559 --> 00:14:16,360 Speaker 1: Who was in your wife's mouth? Oh tell them why 300 00:14:16,400 --> 00:14:19,000 Speaker 1: you're mad? Eight hundred five eight five one oh five one. 301 00:14:19,200 --> 00:14:20,960 Speaker 1: When we come back, we're gonna tell you who's joining 302 00:14:21,040 --> 00:14:23,200 Speaker 1: us this morning. They both have a lot to talk about. 303 00:14:23,200 --> 00:14:25,360 Speaker 1: We got two special guests, we'll actually three keep a lot. 304 00:14:25,440 --> 00:14:28,440 Speaker 1: It's the breakfast club Good Morning. That was Bryson Tiller 305 00:14:28,520 --> 00:14:31,800 Speaker 1: with Dope Morning. Everybody is DJ M, v Angela, Yee, 306 00:14:31,880 --> 00:14:34,480 Speaker 1: Charlemagne and God. Now we got a lot of special 307 00:14:34,520 --> 00:14:36,640 Speaker 1: guests joining us this morning. The first Joey Badass will 308 00:14:36,680 --> 00:14:40,120 Speaker 1: be here. Young Joey Badass, Brooklyn's own underground artist who 309 00:14:40,160 --> 00:14:42,760 Speaker 1: has a record that is actually playing on radio right now. 310 00:14:43,160 --> 00:14:46,000 Speaker 1: It's devastated love. Yeah, guys like Jolia Interer, I thin 311 00:14:46,000 --> 00:14:47,680 Speaker 1: because I don't even know if you call him underground, 312 00:14:47,680 --> 00:14:50,080 Speaker 1: because they'll dropping an album and sells seventy thousand record 313 00:14:50,120 --> 00:14:53,680 Speaker 1: of the first week, sells out, mad shows, mad festivals. 314 00:14:53,920 --> 00:14:56,600 Speaker 1: It's almost like what we used to call underground is 315 00:14:56,640 --> 00:14:58,600 Speaker 1: the way to do things now. Yeah, but it seems 316 00:14:58,600 --> 00:15:00,320 Speaker 1: like he just has a cult following. And I think 317 00:15:00,400 --> 00:15:03,400 Speaker 1: performances are really great for artists like Joey Badass. You 318 00:15:03,480 --> 00:15:05,360 Speaker 1: go out, you do a lot of shows. That's how 319 00:15:05,400 --> 00:15:07,200 Speaker 1: people really know your music. You put out a lot 320 00:15:07,240 --> 00:15:09,840 Speaker 1: of stuff online and the internet. Yeah, but those undergrounding 321 00:15:09,920 --> 00:15:11,840 Speaker 1: artists when they make a radio record, does his call 322 00:15:11,920 --> 00:15:15,040 Speaker 1: follow and be like, oh you sold out there? I 323 00:15:15,120 --> 00:15:17,040 Speaker 1: mean like guys like Chance the Rabbit could be considered 324 00:15:17,120 --> 00:15:20,960 Speaker 1: underground with them. Dude. It's on SNL radio record right now, 325 00:15:23,280 --> 00:15:26,440 Speaker 1: the third album. Yeah, it's a great you know, this 326 00:15:26,680 --> 00:15:29,000 Speaker 1: third full length project. And also we got a bunch 327 00:15:29,000 --> 00:15:32,160 Speaker 1: of comedian joining us this morning. Sue is too too. Yeah. 328 00:15:32,200 --> 00:15:34,920 Speaker 1: My man sharag Smalls has got a podcast called Race 329 00:15:35,000 --> 00:15:38,560 Speaker 1: Wars Um Finnigan. They got a shown and he called 330 00:15:38,600 --> 00:15:40,240 Speaker 1: Black and White. I was actually one of the was 331 00:15:40,280 --> 00:15:42,360 Speaker 1: their first guest, Me and me and the white dude 332 00:15:42,400 --> 00:15:46,200 Speaker 1: Jim what is Jim's last name? Jim Gannigan, Jim Gafferganafanafrigan, 333 00:15:46,200 --> 00:15:47,960 Speaker 1: Why white? Who always gotta have a gang a cannon 334 00:15:48,000 --> 00:15:53,080 Speaker 1: their name? Dammit? Finnegan, Cannigan, Gaffgan. But yeah, but to 335 00:15:53,160 --> 00:15:54,560 Speaker 1: be here this morning, we'll kicking with both of them 336 00:15:54,600 --> 00:15:56,160 Speaker 1: in a little bit. All so don't go anywhere. We 337 00:15:56,200 --> 00:15:58,240 Speaker 1: got rumors on the way what we're talking about. Yes, 338 00:15:58,320 --> 00:16:00,960 Speaker 1: but tell you what, artists now has a new record 339 00:16:01,000 --> 00:16:03,320 Speaker 1: deal and he's telling all these rappers they better watch 340 00:16:03,400 --> 00:16:06,080 Speaker 1: out for him. Oh boy, all right, we'll get into 341 00:16:06,120 --> 00:16:08,520 Speaker 1: that when we tell keep it locked. It's the Breakfast Club. 342 00:16:08,560 --> 00:16:11,240 Speaker 1: Come on to get your ass up. The Breakfast Club. 343 00:16:15,280 --> 00:16:23,520 Speaker 1: Oh my goodness, this with Angela on the Breakfast Club 344 00:16:26,920 --> 00:16:29,400 Speaker 1: work that we're gonna work on. I can't with that. 345 00:16:29,880 --> 00:16:34,720 Speaker 1: I love that intro. Maybe cut it just to cut 346 00:16:34,800 --> 00:16:37,640 Speaker 1: the instrument off a little bit. We're gonna work on that, 347 00:16:38,120 --> 00:16:41,320 Speaker 1: all right. Kevin Hart is signing a record deal. He 348 00:16:41,360 --> 00:16:44,800 Speaker 1: already has signed with Motown. Now we all know his alias, 349 00:16:44,960 --> 00:16:48,080 Speaker 1: Chocolate Droppa. That's his alter ego. I'm a track dropping 350 00:16:48,120 --> 00:16:50,720 Speaker 1: and getting no record deal. That's Chocolate Dropper has signed 351 00:16:50,760 --> 00:16:52,800 Speaker 1: the Motown Records, and now he put out it's the 352 00:16:52,920 --> 00:16:55,880 Speaker 1: return of Droppa. Bitches, you've been worn. I just got 353 00:16:55,920 --> 00:16:59,160 Speaker 1: signed by Motown Records, Capital Music Group. It's just got real. 354 00:16:59,400 --> 00:17:01,880 Speaker 1: I'm dropping the mixtape on you, bitches. It's war. Y'all 355 00:17:01,920 --> 00:17:04,640 Speaker 1: can't run from this lyrical ass whipping. Well, even though 356 00:17:04,680 --> 00:17:06,880 Speaker 1: I feel like lyricism has come back to the forefront 357 00:17:06,920 --> 00:17:08,400 Speaker 1: in a big way in the past couple of years 358 00:17:08,400 --> 00:17:11,040 Speaker 1: in hip hop, it's still a lot of melodic mumbling 359 00:17:11,080 --> 00:17:13,879 Speaker 1: out here. So Chocolate Dropper can have a lane. All right. Well, 360 00:17:13,920 --> 00:17:16,560 Speaker 1: if you guys never heard Kevin Hart rap, or should 361 00:17:16,600 --> 00:17:19,119 Speaker 1: I say Chocolate Dropper, here's a little snippet of what 362 00:17:19,200 --> 00:17:23,720 Speaker 1: you can expect a liar. You won't fire. You won't 363 00:17:23,800 --> 00:17:27,640 Speaker 1: believe me to. Don't try to deny you. What's your name? 364 00:17:28,080 --> 00:17:33,119 Speaker 1: Mariah car not lad read, I'm harr reading daddy in 365 00:17:33,280 --> 00:17:36,399 Speaker 1: a gym on the weight lifting machine. I'm liking. What 366 00:17:36,760 --> 00:17:39,159 Speaker 1: got a gun in my hand? What you see a 367 00:17:39,320 --> 00:17:44,920 Speaker 1: bullet in your face? Now? What we back from track 368 00:17:45,119 --> 00:17:47,680 Speaker 1: track two is the one that we thought we were 369 00:17:47,760 --> 00:17:50,320 Speaker 1: gonna do. I see you do either? You get it? 370 00:17:50,400 --> 00:17:55,040 Speaker 1: A dope that sucks? Yeah, you won't. Well, he is 371 00:17:55,080 --> 00:17:57,760 Speaker 1: taking shots at everybody, apparently on this new album. He said, 372 00:17:57,880 --> 00:17:59,920 Speaker 1: if you're a rapper, I suggest you run. I'm about 373 00:17:59,920 --> 00:18:02,440 Speaker 1: to come for all you suckers. Y'all just knocked on 374 00:18:02,480 --> 00:18:04,920 Speaker 1: the door of a small giant that loves chicken nuggets 375 00:18:05,119 --> 00:18:06,920 Speaker 1: and love walks in the park in the summer, which 376 00:18:06,960 --> 00:18:09,560 Speaker 1: basically means I would kill everybody. You get metro booming 377 00:18:09,600 --> 00:18:11,359 Speaker 1: of Michael who made it to provide the soundtrack for 378 00:18:11,440 --> 00:18:14,240 Speaker 1: them trash balls, and you got something. It might work, 379 00:18:14,600 --> 00:18:17,600 Speaker 1: It could listen. We're gonna see what happens. All right. Now, 380 00:18:17,760 --> 00:18:20,120 Speaker 1: let's discuss a Rod We talked about his retirement. Well, 381 00:18:20,160 --> 00:18:22,359 Speaker 1: Jamie Fox is hosting a big party for him tonight 382 00:18:22,840 --> 00:18:26,159 Speaker 1: after a Rod's final game as a Yankee, So that 383 00:18:26,200 --> 00:18:28,520 Speaker 1: should be a big dealing. Speaking of Jamie Fox, we 384 00:18:28,640 --> 00:18:31,240 Speaker 1: told you about Jay Farrell getting let go from Saturday 385 00:18:31,359 --> 00:18:34,359 Speaker 1: Night Live, getting fired based after six he wasn't here. 386 00:18:35,920 --> 00:18:38,600 Speaker 1: We reported that two. Yeah, he's not doing it anymore. 387 00:18:38,720 --> 00:18:41,120 Speaker 1: Let him go, Oh yeah, you weren't here really after 388 00:18:41,240 --> 00:18:44,640 Speaker 1: six seasons? Oh, let me text my guy. I didn't 389 00:18:44,680 --> 00:18:46,280 Speaker 1: know that. Well, it's all right. He's got a new 390 00:18:46,400 --> 00:18:48,600 Speaker 1: job already. That's the door, all right. He's going to 391 00:18:48,640 --> 00:18:50,600 Speaker 1: be on a new show executive produced by Jamie Fox 392 00:18:50,800 --> 00:18:54,800 Speaker 1: on Showtime. It's called White Famous. So it's a pilot basically, 393 00:18:54,960 --> 00:18:57,240 Speaker 1: but you know, it is what it is, and that 394 00:18:57,400 --> 00:19:00,360 Speaker 1: doesn't sound like a bad situation. It's a show that's 395 00:19:00,359 --> 00:19:03,560 Speaker 1: focused on a talented young African American comedian played by 396 00:19:03,880 --> 00:19:07,119 Speaker 1: Jay Farrell who start is rising, forcing him to navigate 397 00:19:07,160 --> 00:19:10,359 Speaker 1: the treacherous borders of maintaining his credibility as he begins 398 00:19:10,400 --> 00:19:13,679 Speaker 1: to cruss over towards becoming White Famous. I'm texting him 399 00:19:13,720 --> 00:19:16,640 Speaker 1: right now. I'm sitting them to generic. When one door closes, 400 00:19:16,640 --> 00:19:19,320 Speaker 1: another one open. It's already open. Did he get fired? 401 00:19:19,359 --> 00:19:22,160 Speaker 1: He quit. I think he quit. They said, they said 402 00:19:22,160 --> 00:19:24,959 Speaker 1: he they said he left, because that don't apply if 403 00:19:24,960 --> 00:19:27,720 Speaker 1: he quit. When one door closes, another one sending anyway, 404 00:19:27,720 --> 00:19:29,400 Speaker 1: You're a little late, though, but you can said it. Yeah, 405 00:19:29,720 --> 00:19:31,359 Speaker 1: just should have been like four days ago. You know 406 00:19:31,480 --> 00:19:34,160 Speaker 1: what I'm gonna say. Just found out. Damn, my nigga 407 00:19:34,320 --> 00:19:38,240 Speaker 1: said almost. But the good news already. Congrats on the show. 408 00:19:38,880 --> 00:19:41,600 Speaker 1: There you go, Yeah, you go congratulate the congrats on 409 00:19:41,640 --> 00:19:43,479 Speaker 1: the new show. All right, And Tiger, he was all 410 00:19:43,520 --> 00:19:45,439 Speaker 1: set to get arrested when he got back from texting 411 00:19:45,480 --> 00:19:48,560 Speaker 1: Caicos in the airport because of the arrest warrant because 412 00:19:48,600 --> 00:19:50,879 Speaker 1: of the four hundred and eighty thousand dollars judgment from 413 00:19:50,920 --> 00:19:54,040 Speaker 1: his former landlord. Well, it turns out that he has 414 00:19:54,680 --> 00:19:57,320 Speaker 1: settled with that Larlard. We don't know what kind of 415 00:19:57,400 --> 00:19:59,880 Speaker 1: check that he's cut, but I guess they have revoked 416 00:20:00,080 --> 00:20:02,520 Speaker 1: that warrant because of that. The settlement is less than 417 00:20:02,560 --> 00:20:04,440 Speaker 1: the four hundred and eighty thousand dollars. But we don't 418 00:20:04,480 --> 00:20:06,560 Speaker 1: know exactly how much he has to pay to getting 419 00:20:06,600 --> 00:20:11,320 Speaker 1: some bread out there, shoulder or Kylie. You're right, all right, 420 00:20:11,359 --> 00:20:12,880 Speaker 1: so that's good news. You don't got to worry about 421 00:20:12,880 --> 00:20:15,359 Speaker 1: getting arrested in the airport. And that is your rumor report. 422 00:20:15,359 --> 00:20:17,439 Speaker 1: I'm Angela yee. All right, thank you, miss eating. Now 423 00:20:17,520 --> 00:20:20,679 Speaker 1: when we come back, Joey Badass will be joining us. 424 00:20:21,520 --> 00:20:23,760 Speaker 1: He was an underground artist, but now he has a 425 00:20:23,800 --> 00:20:25,800 Speaker 1: record that's playing on the radio, so he's crossed over 426 00:20:25,840 --> 00:20:30,520 Speaker 1: a little bit. Terms no more though he's just a 427 00:20:30,560 --> 00:20:33,760 Speaker 1: successful ain't a successful artist. He's a successful artist who's 428 00:20:33,760 --> 00:20:35,480 Speaker 1: not doing it the traditional way. Oh, we'll talk to 429 00:20:35,560 --> 00:20:37,960 Speaker 1: him about that and more to keep it locked, Joey Badass. 430 00:20:38,000 --> 00:20:40,600 Speaker 1: When we return, it's the Breakfast Club, Go Morning. That 431 00:20:40,840 --> 00:20:44,960 Speaker 1: was reread wneeded me Morning. Everybody is dj mv Angela yee, 432 00:20:45,080 --> 00:20:47,239 Speaker 1: Charlomagne the guy. We are the Breakfast Club. We got 433 00:20:47,280 --> 00:20:52,239 Speaker 1: a special guest in the building, Joey Badass. Joey came 434 00:20:52,280 --> 00:20:53,720 Speaker 1: in here and went right to the books. Most guys 435 00:20:53,760 --> 00:20:56,040 Speaker 1: come in here and go right for the liquor. Went 436 00:20:56,080 --> 00:20:58,000 Speaker 1: for the book show. That's right. I was looking at 437 00:20:58,080 --> 00:21:00,800 Speaker 1: you guys. Book collection. We have a library every in here. Yeah, 438 00:21:00,800 --> 00:21:03,080 Speaker 1: I've been taking this one conversations with God. I think 439 00:21:03,119 --> 00:21:05,760 Speaker 1: it's gonna do me some justice. You read heavy, Yeah, 440 00:21:05,800 --> 00:21:07,760 Speaker 1: I do. I like reading a lot what you read 441 00:21:07,880 --> 00:21:10,760 Speaker 1: right now, you said, Marcus Garry, Right, yeah, philosophy and opinions. 442 00:21:11,560 --> 00:21:13,760 Speaker 1: So you like like self help books and your sir 443 00:21:14,040 --> 00:21:18,840 Speaker 1: self motivation books, you know, yeah, history, especially mind history. Dope. Well, 444 00:21:18,920 --> 00:21:22,399 Speaker 1: congratulations of success so far of the new single Devastated. 445 00:21:22,600 --> 00:21:24,680 Speaker 1: I really liked that song. It's a very hopeful song 446 00:21:24,800 --> 00:21:30,560 Speaker 1: for people so out man, That's what I'm saying. I 447 00:21:30,640 --> 00:21:34,479 Speaker 1: saw Joey outside a couple months ago doing a program 448 00:21:34,560 --> 00:21:36,840 Speaker 1: director meeting, and I said, what the hell is Joey 449 00:21:36,920 --> 00:21:42,800 Speaker 1: Badass doing here? A few months later, the great song 450 00:21:42,960 --> 00:21:44,359 Speaker 1: is a great song, and I think it's good for 451 00:21:44,440 --> 00:21:46,080 Speaker 1: people that you know, have been through a lot of 452 00:21:46,160 --> 00:21:48,720 Speaker 1: stuff and they can see you know clearly you have. 453 00:21:49,119 --> 00:21:51,880 Speaker 1: I just had one mission in mind, Like I wasn't 454 00:21:51,920 --> 00:21:54,480 Speaker 1: even trying to make a his song, you know. I 455 00:21:54,640 --> 00:21:57,080 Speaker 1: was just like, I wanted to make an uplifting song 456 00:21:57,160 --> 00:22:00,520 Speaker 1: because a lot of my catalog is really like manditative, 457 00:22:00,640 --> 00:22:03,880 Speaker 1: thought provoking type of music or a really aggressive rap 458 00:22:03,960 --> 00:22:06,560 Speaker 1: style stuff. So I was like, Yo, I'm gonna challenge 459 00:22:06,600 --> 00:22:08,800 Speaker 1: myself today. I told my producers, Yo, let's make something 460 00:22:08,880 --> 00:22:10,880 Speaker 1: up lifting and let's speed totember. We Yeah, it don't 461 00:22:10,920 --> 00:22:12,400 Speaker 1: sound like a reach. Like you know what I'm saying, 462 00:22:12,440 --> 00:22:14,560 Speaker 1: I hit on the radio, It don't sound like you. Honestly, 463 00:22:14,600 --> 00:22:16,119 Speaker 1: I was just having fun in the boof. Like I 464 00:22:16,160 --> 00:22:18,639 Speaker 1: didn't even write that song. I'm saying somebody wrote for me. 465 00:22:18,720 --> 00:22:20,800 Speaker 1: I just freestyle it, you know what I'm saying, Like 466 00:22:21,320 --> 00:22:23,120 Speaker 1: it was just a vibe. I went in that boof 467 00:22:23,160 --> 00:22:25,040 Speaker 1: and I just blacked out, and I came out and 468 00:22:25,200 --> 00:22:27,320 Speaker 1: it was a song. You know, we're surprised at the 469 00:22:27,440 --> 00:22:30,520 Speaker 1: success because you don't ever hear Joey Badass music. I mean, 470 00:22:30,760 --> 00:22:32,320 Speaker 1: when they said it to me, I'm like, well, you know, 471 00:22:32,359 --> 00:22:34,080 Speaker 1: I can't play Joey Badass in the morning. It's just 472 00:22:34,200 --> 00:22:37,520 Speaker 1: two us. Yeah, street, well you could you guys just 473 00:22:37,640 --> 00:22:40,560 Speaker 1: choose not to you know what I'm saying, that's a 474 00:22:40,680 --> 00:22:44,000 Speaker 1: bad Jello may knows. But now with this record, were 475 00:22:44,000 --> 00:22:45,919 Speaker 1: you surprised at the success and how well it did 476 00:22:45,960 --> 00:22:47,800 Speaker 1: and how well it code? Also fast? I mean, you know, 477 00:22:48,440 --> 00:22:50,320 Speaker 1: so the first time I made the record, you know, 478 00:22:50,359 --> 00:22:51,760 Speaker 1: I had a couple of people in the studio, but 479 00:22:51,840 --> 00:22:53,199 Speaker 1: there was in the other room. So as soon as 480 00:22:53,240 --> 00:22:55,120 Speaker 1: I laid it down, we like gave a little mix. 481 00:22:55,560 --> 00:22:58,240 Speaker 1: My homies came in the room and I was like, oh, yeah, 482 00:22:58,320 --> 00:23:00,480 Speaker 1: you got one, bro. And when he's said that, my 483 00:23:00,560 --> 00:23:02,560 Speaker 1: homie dal I was like, yeah, you think so. It's 484 00:23:02,600 --> 00:23:04,920 Speaker 1: like I didn't really think about it like that. But 485 00:23:05,440 --> 00:23:07,440 Speaker 1: when I they beauted it for the first time I 486 00:23:07,560 --> 00:23:10,520 Speaker 1: Coachella and I see how crazy that crowd one, I 487 00:23:10,680 --> 00:23:12,800 Speaker 1: was like, wow, I really do have one. Like it 488 00:23:12,880 --> 00:23:14,920 Speaker 1: was the first time I performed it. Nobody even heard 489 00:23:14,960 --> 00:23:17,560 Speaker 1: it before, and by the time the second hook came around, 490 00:23:17,600 --> 00:23:19,640 Speaker 1: everybody in the crowd was screaming the words to the hook. 491 00:23:19,840 --> 00:23:22,240 Speaker 1: Now I know you have a background in acting, Yeah, 492 00:23:22,400 --> 00:23:25,080 Speaker 1: you know, And clearly we know you've been on Mister Robot. 493 00:23:25,720 --> 00:23:27,560 Speaker 1: How is that for you? I feel like acting is 494 00:23:27,600 --> 00:23:29,920 Speaker 1: such a scary thing, Joel. You're just selling all the 495 00:23:29,960 --> 00:23:34,080 Speaker 1: way out. You acting like we're selling out every seat 496 00:23:34,160 --> 00:23:37,920 Speaker 1: at the shows. That's what we're doing. But um, yeah, 497 00:23:37,960 --> 00:23:39,840 Speaker 1: I do have a background and acting. I actually went 498 00:23:39,920 --> 00:23:42,680 Speaker 1: to high school for screen theater. That's when I met 499 00:23:42,800 --> 00:23:45,560 Speaker 1: all the guys for my crew, like Steve C. J. Nick. 500 00:23:46,040 --> 00:23:47,680 Speaker 1: That's when we just linked up on music and I 501 00:23:47,760 --> 00:23:49,800 Speaker 1: just realized, you know, music, it's my corner for right now. 502 00:23:49,920 --> 00:23:52,479 Speaker 1: But I always looked at it, like if I pursue 503 00:23:52,600 --> 00:23:54,760 Speaker 1: music and it became successful, I could use it as 504 00:23:54,840 --> 00:23:57,520 Speaker 1: leverage in the future for acting. And here I am. 505 00:23:57,760 --> 00:24:00,159 Speaker 1: Do you see how your your fans don't want you 506 00:24:00,200 --> 00:24:02,159 Speaker 1: to grow like the like they like you when you 507 00:24:02,240 --> 00:24:04,040 Speaker 1: underground as soon as you start getting the radio playing, 508 00:24:04,040 --> 00:24:06,439 Speaker 1: pop it up on TV. Yeah, you know, fans are 509 00:24:06,560 --> 00:24:08,240 Speaker 1: very fickle. You know. It's like they just want to 510 00:24:08,359 --> 00:24:11,120 Speaker 1: keep you for themselves. It's like at a point in life, 511 00:24:11,160 --> 00:24:12,880 Speaker 1: I was one of those type of fans, Like y'all 512 00:24:13,000 --> 00:24:16,000 Speaker 1: know about this artists first, Like, nah, everybody finding out 513 00:24:16,000 --> 00:24:17,679 Speaker 1: a bottom eye. I don't care about them no more. 514 00:24:17,680 --> 00:24:19,320 Speaker 1: You know what I'm saying. But you just gotta go 515 00:24:19,480 --> 00:24:22,280 Speaker 1: past it and just be happy for your favorite artists. 516 00:24:22,320 --> 00:24:24,600 Speaker 1: Like you know, at the end of the day, artists 517 00:24:24,960 --> 00:24:27,000 Speaker 1: they all want to grow and they want to expand it. 518 00:24:27,040 --> 00:24:28,520 Speaker 1: They want to be hurt. We don't do this just 519 00:24:28,600 --> 00:24:30,960 Speaker 1: so hurt by a little small community of people, at 520 00:24:31,040 --> 00:24:33,320 Speaker 1: least not me. Like when I'm doing something, I do 521 00:24:33,400 --> 00:24:35,600 Speaker 1: it to the fullest capacity, to the fullest potential, Like 522 00:24:35,920 --> 00:24:38,200 Speaker 1: I want to be one of the greatest autists of 523 00:24:38,240 --> 00:24:40,480 Speaker 1: all time. I don't just rap to be an underground rapper. 524 00:24:40,600 --> 00:24:42,520 Speaker 1: I rap because I want to be one of the biggest, 525 00:24:42,600 --> 00:24:45,320 Speaker 1: one of the greatest ever, one of the greatest influences 526 00:24:45,400 --> 00:24:46,920 Speaker 1: in the world when it comes to music. You know 527 00:24:46,920 --> 00:24:49,840 Speaker 1: what I'm saying. So that's my mission, that's my goal. 528 00:24:49,920 --> 00:24:52,399 Speaker 1: And you need hit records. Absolutely, what does this need 529 00:24:52,480 --> 00:24:56,680 Speaker 1: for the new album? It's a song of feature something 530 00:24:56,880 --> 00:24:59,800 Speaker 1: young thug and I'm just kidding. There's actually no features 531 00:24:59,800 --> 00:25:06,200 Speaker 1: on right now. You really went all the way left? No, no, no, no. 532 00:25:06,880 --> 00:25:10,080 Speaker 1: This new album is, well what a new album? I 533 00:25:10,240 --> 00:25:13,280 Speaker 1: figured it has. What I'm saying talking about it, I 534 00:25:13,320 --> 00:25:15,200 Speaker 1: don't know what you're talking about. You you see, that's 535 00:25:15,240 --> 00:25:17,919 Speaker 1: what y'all do, y'all love you know what I'm saying't 536 00:25:17,920 --> 00:25:20,080 Speaker 1: even though new album, ain't working on nothing. I'm just 537 00:25:20,200 --> 00:25:22,200 Speaker 1: acting right now, working on my next movie. You know 538 00:25:22,240 --> 00:25:24,400 Speaker 1: what I'm saying. That's sick. Are you a big Steinfeld 539 00:25:24,440 --> 00:25:26,480 Speaker 1: fan now after having to watch the first seas? No, 540 00:25:26,640 --> 00:25:29,640 Speaker 1: I'm not. I'm staying on. You're not a fan after 541 00:25:29,720 --> 00:25:32,520 Speaker 1: watching it? Yeah, it's cool, it's dope. It's just that, 542 00:25:32,680 --> 00:25:34,560 Speaker 1: like you know, being a young black kid growing up, 543 00:25:34,600 --> 00:25:36,840 Speaker 1: that just wasn't my sick. I'm a choice. You have 544 00:25:36,920 --> 00:25:40,760 Speaker 1: to watch it for mister Robot. Oh yeah, yeah, my 545 00:25:40,840 --> 00:25:43,200 Speaker 1: character loves since felt that I was just acting. It 546 00:25:43,280 --> 00:25:45,280 Speaker 1: was cool, it was pretty funny. I feel like I 547 00:25:45,320 --> 00:25:47,480 Speaker 1: don't necessarily relate to it, but I still feel like 548 00:25:47,520 --> 00:25:49,560 Speaker 1: it's a funny show. No, it is funny. It's funny. 549 00:25:49,560 --> 00:25:55,520 Speaker 1: I just totally missed out exactly. You see, we was 550 00:25:55,560 --> 00:25:58,720 Speaker 1: too busy watching coffee Show, Law and Fresh, Princeip Belair. 551 00:25:58,880 --> 00:26:02,400 Speaker 1: You know what I'm saying. It's like, yeah, the president's 552 00:26:02,480 --> 00:26:08,000 Speaker 1: daughter loves your music. No, especially now we seek ye. 553 00:26:09,359 --> 00:26:11,920 Speaker 1: I mean, you know, Malay Obama, she's a lady of color. 554 00:26:12,000 --> 00:26:14,640 Speaker 1: But even if it was, you know, George Busher's daughter, 555 00:26:14,680 --> 00:26:16,640 Speaker 1: I still wouldn't be surprised if she loved my music. 556 00:26:16,760 --> 00:26:18,399 Speaker 1: You know what I'm saying. White people actually really love 557 00:26:18,480 --> 00:26:23,480 Speaker 1: my music. Has she ever reached out Obama? Nah, not 558 00:26:23,760 --> 00:26:26,119 Speaker 1: directly to me. You can't even talk to her though, 559 00:26:26,160 --> 00:26:29,280 Speaker 1: because you'll shut it down the secret Service. It's something, 560 00:26:29,400 --> 00:26:31,560 Speaker 1: it's something did happen. I wouldn't even talk about it. 561 00:26:31,640 --> 00:26:34,040 Speaker 1: So did they press you a little bit? Like? Who 562 00:26:34,119 --> 00:26:36,399 Speaker 1: was this joy badass? I mean they did a lot 563 00:26:36,480 --> 00:26:38,040 Speaker 1: of things. They did a couple of things, you know, 564 00:26:38,119 --> 00:26:42,040 Speaker 1: I fust clicks in my phone and all that. They 565 00:26:42,119 --> 00:26:44,080 Speaker 1: cut down this treeing from my cryps so they could 566 00:26:44,119 --> 00:26:46,679 Speaker 1: take better photos. You know, the fads and all that. Man, 567 00:26:46,720 --> 00:26:49,800 Speaker 1: it's crazy right now, they're listening right now. Man, Hey, Charlomagne, 568 00:26:49,840 --> 00:26:55,439 Speaker 1: you the fairs, Man, I am yet I knew. Oh 569 00:26:55,520 --> 00:26:58,320 Speaker 1: they really cut down a tree in front of the house. Hey, man, allegedly, 570 00:26:58,400 --> 00:27:01,040 Speaker 1: I think so. Man. I mean, my third eye is 571 00:27:01,200 --> 00:27:04,400 Speaker 1: very overreacted, so I could just be mean. I don't 572 00:27:04,400 --> 00:27:06,040 Speaker 1: see the problem. She's a young girl. She listened to 573 00:27:06,160 --> 00:27:10,120 Speaker 1: hip hop like I'm like. But the problem is I'm 574 00:27:10,119 --> 00:27:12,879 Speaker 1: a young with Sia. I'm revolutionary leader with that mindset, 575 00:27:13,040 --> 00:27:15,159 Speaker 1: you know, the secret service that you gotta change the 576 00:27:15,200 --> 00:27:17,080 Speaker 1: direction of your music and making more out. That's right, 577 00:27:20,560 --> 00:27:22,119 Speaker 1: you know what I'm saying. All right, we got more 578 00:27:22,200 --> 00:27:24,240 Speaker 1: with Joey Badass when we come back, and we got 579 00:27:24,320 --> 00:27:26,280 Speaker 1: to talk to him about his best friend killing himself. 580 00:27:26,520 --> 00:27:29,400 Speaker 1: Keeping lock this to Breakfast Club. Good Morning, the breakfast 581 00:27:29,480 --> 00:27:35,520 Speaker 1: club that was ot Genesis with cut It Morning. Everybody 582 00:27:35,680 --> 00:27:38,440 Speaker 1: is DJ m vy Angela Yee, Charlemagne, the guy we 583 00:27:38,520 --> 00:27:42,000 Speaker 1: are the Breakfast Club. Joey Badass is in the building 584 00:27:42,119 --> 00:27:43,960 Speaker 1: now going to your shows. You're starting to see a 585 00:27:44,040 --> 00:27:45,280 Speaker 1: lot of white people let the show. I think I 586 00:27:45,280 --> 00:27:47,920 Speaker 1: wanted to Shore maybe a couple of years ago, and 587 00:27:48,000 --> 00:27:51,159 Speaker 1: it was majority of white people. Yeah, did that surprise you? 588 00:27:51,400 --> 00:27:54,320 Speaker 1: You know what, I started realizing the white people, they 589 00:27:54,359 --> 00:27:57,280 Speaker 1: could afford them tickets festivals, you know what I'm saying. 590 00:27:57,320 --> 00:28:00,080 Speaker 1: And I really started keeping that in mind. Now for 591 00:28:00,280 --> 00:28:02,359 Speaker 1: my upcoming shows and tours, I'm really trying to lower 592 00:28:02,400 --> 00:28:04,200 Speaker 1: the ticket prices because I've never really thought about it 593 00:28:04,320 --> 00:28:07,359 Speaker 1: like that. Like, YO, low income kids can't afford these tickets. 594 00:28:08,080 --> 00:28:10,520 Speaker 1: They can't afford to drop twenty five thirty dollars on 595 00:28:10,640 --> 00:28:12,720 Speaker 1: a weekend just for a show, you know what I'm saying. 596 00:28:13,080 --> 00:28:15,200 Speaker 1: They gotta eat, they gotta do all types of things. 597 00:28:15,280 --> 00:28:18,240 Speaker 1: Sometimes the shows might be way far from their neighborhood, 598 00:28:18,320 --> 00:28:20,720 Speaker 1: you know. So I'm taking all those things into consideration now. 599 00:28:21,000 --> 00:28:23,080 Speaker 1: But no, I'm not. I'm not surprised to see white 600 00:28:23,080 --> 00:28:25,080 Speaker 1: people out the shows. They're in love with the culture, 601 00:28:25,080 --> 00:28:27,120 Speaker 1: they're in love with the music. You know. If anything, 602 00:28:27,160 --> 00:28:29,480 Speaker 1: I'm surprised I don't see as much black people out 603 00:28:29,480 --> 00:28:31,600 Speaker 1: of my shows. But like I said, that's one of 604 00:28:31,640 --> 00:28:34,160 Speaker 1: the factors right there. You know, That's so funny because 605 00:28:34,160 --> 00:28:35,840 Speaker 1: when I used to work with Wu Tang, I remember 606 00:28:35,960 --> 00:28:38,360 Speaker 1: there was a shift in their audience. They went onto 607 00:28:38,440 --> 00:28:40,040 Speaker 1: a rage against the machine and then after that it 608 00:28:40,160 --> 00:28:42,160 Speaker 1: was really a lot of white people at all their shows, 609 00:28:42,200 --> 00:28:44,040 Speaker 1: and they were like, where's all the black people. But 610 00:28:44,160 --> 00:28:45,520 Speaker 1: the truth of the matter is when you do do 611 00:28:45,600 --> 00:28:48,080 Speaker 1: a lot of those stadium and those tours, and everything 612 00:28:48,600 --> 00:28:52,080 Speaker 1: goes to the people that go because especially festivals, being 613 00:28:52,120 --> 00:28:54,120 Speaker 1: like a festival artist and you're in like you know, 614 00:28:54,240 --> 00:28:58,080 Speaker 1: West Bubble wherever, those people that come out to the forest, 615 00:28:58,240 --> 00:29:02,320 Speaker 1: then you know, do psychedelics and before Schoolboy Q. Now right, yes, 616 00:29:02,400 --> 00:29:04,240 Speaker 1: I am the blank face to a shot out the 617 00:29:04,240 --> 00:29:07,000 Speaker 1: Schoolboy Q Show. Told the TV homies, that's a nice 618 00:29:07,040 --> 00:29:10,120 Speaker 1: match up. The best toy you're gonna catch this fall man, 619 00:29:10,200 --> 00:29:12,320 Speaker 1: So make sure you'll copy your tickets right now. Man, 620 00:29:12,360 --> 00:29:14,640 Speaker 1: we're gonna shut that down. Oh you see this not 621 00:29:14,760 --> 00:29:16,400 Speaker 1: my toy. So you know what I'm saying. I had 622 00:29:16,440 --> 00:29:18,600 Speaker 1: said the ticket sales on this one, so oh my, 623 00:29:18,800 --> 00:29:20,320 Speaker 1: you know you know what I'm saying, coming out to 624 00:29:20,440 --> 00:29:22,880 Speaker 1: support if you can, let's do it, free show every nothing. 625 00:29:22,880 --> 00:29:24,400 Speaker 1: And then you'd be like, oh yeah, for sure, for 626 00:29:24,480 --> 00:29:27,040 Speaker 1: show definitely. I mean I was doing the free shows 627 00:29:27,040 --> 00:29:29,240 Speaker 1: all over the city like two days ago. Even the 628 00:29:29,320 --> 00:29:32,200 Speaker 1: police is letting us rock at a certain points, certain locations. 629 00:29:32,280 --> 00:29:34,719 Speaker 1: So it was really though, why would you raised as 630 00:29:34,720 --> 00:29:36,440 Speaker 1: a kid because you grew up in the same neighborhood 631 00:29:36,440 --> 00:29:39,240 Speaker 1: as Bobby's murdering gs not Yeah, And obviously they went 632 00:29:39,360 --> 00:29:41,640 Speaker 1: one way and you went another way. Yeah, why was 633 00:29:41,680 --> 00:29:43,360 Speaker 1: the difference is how you were raised? Because it was 634 00:29:43,400 --> 00:29:46,720 Speaker 1: still Brooklyn. I lived in Flatbush my like basically my 635 00:29:46,960 --> 00:29:50,040 Speaker 1: whole teenage years, my childhood years. But I grew up 636 00:29:50,080 --> 00:29:52,920 Speaker 1: in Best Style, Like best Style was my hood, Like 637 00:29:53,040 --> 00:29:55,160 Speaker 1: that was my neighborhood. That's where I walked around, That's 638 00:29:55,200 --> 00:29:57,800 Speaker 1: where all my friends was at. I just lived in Flatbush. 639 00:29:58,160 --> 00:30:00,240 Speaker 1: But um, you know, for me growing up, it's like 640 00:30:00,720 --> 00:30:03,320 Speaker 1: I was never a follower, always a leader. I always 641 00:30:03,360 --> 00:30:05,800 Speaker 1: like that kid. I was in the smartest class, but 642 00:30:05,920 --> 00:30:08,800 Speaker 1: I wore the coolest clothes, so like I got the girls. 643 00:30:08,880 --> 00:30:10,520 Speaker 1: I was the cool kid. Plus I was cool with 644 00:30:10,600 --> 00:30:12,480 Speaker 1: the nerves. I was like the kid who I could 645 00:30:12,520 --> 00:30:15,320 Speaker 1: say at any lunch table. I was a lunch table hopper, 646 00:30:15,360 --> 00:30:17,160 Speaker 1: you know what I'm I can say anywhere. People would 647 00:30:17,160 --> 00:30:20,960 Speaker 1: just you know, presence and whatnot. I was just always 648 00:30:21,000 --> 00:30:23,480 Speaker 1: that neutral kid like I just always grew up with, 649 00:30:23,600 --> 00:30:26,080 Speaker 1: you know, like a solid head on my shoulders. Thanks 650 00:30:26,080 --> 00:30:27,680 Speaker 1: to my mom and my dad. You know, they always 651 00:30:27,720 --> 00:30:30,680 Speaker 1: kept me in line. I never had to, you know, 652 00:30:30,920 --> 00:30:33,840 Speaker 1: succumb or go down a negative path. You know what 653 00:30:33,960 --> 00:30:37,080 Speaker 1: I'm saying. Came up. It was low income living. You know, 654 00:30:37,200 --> 00:30:40,080 Speaker 1: my mom was struggling. My mom worked two jobs. When 655 00:30:40,120 --> 00:30:42,720 Speaker 1: that recession hit. You know what I'm saying. They started 656 00:30:42,800 --> 00:30:45,040 Speaker 1: locking our doors up coming home from school, not being 657 00:30:45,080 --> 00:30:46,800 Speaker 1: able to get into my crib. You know what I'm saying. 658 00:30:46,880 --> 00:30:49,640 Speaker 1: Real devastation, real devastation. You still got that hooding. You 659 00:30:49,680 --> 00:30:52,200 Speaker 1: know you punched the camera man, I signed MSG. I mean, 660 00:30:52,320 --> 00:30:59,320 Speaker 1: you know what I'm saying. Well, I forgot what was that? Yeah, 661 00:30:59,400 --> 00:31:01,280 Speaker 1: he did something something like that. He was just rolling me. 662 00:31:03,680 --> 00:31:06,160 Speaker 1: I seen, I'm rolling stones. Oh yeah, I'm mad they 663 00:31:06,280 --> 00:31:11,000 Speaker 1: did that. They brought the ninth grade Joe. Yeah, man, 664 00:31:11,080 --> 00:31:15,120 Speaker 1: that's crazy. I want to talk about was Alice after 665 00:31:15,160 --> 00:31:17,240 Speaker 1: she shrunk when I was one of the tweetles, the 666 00:31:17,280 --> 00:31:22,800 Speaker 1: tweetle drums stuff. When you when you put the caraman, 667 00:31:22,880 --> 00:31:25,480 Speaker 1: Why was him calling you a sap? Such an insult. Nah, 668 00:31:25,640 --> 00:31:28,160 Speaker 1: that wasn't the insult. What was the insult was that 669 00:31:28,480 --> 00:31:30,760 Speaker 1: everybody was like Joe Joe, Joe Joe, that he came 670 00:31:30,840 --> 00:31:35,680 Speaker 1: my face. I say, you're just showing me. I was like, yo, bro, 671 00:31:35,800 --> 00:31:38,680 Speaker 1: stopped playing. I smacked. You know what I'm saying. He's like, 672 00:31:38,760 --> 00:31:40,240 Speaker 1: why ain't gonna do that? You hit me in the 673 00:31:40,320 --> 00:31:42,200 Speaker 1: back of my hands. So I was like, oh, word 674 00:31:42,600 --> 00:31:44,400 Speaker 1: like it was just snap. Like I didn't even think 675 00:31:44,400 --> 00:31:48,520 Speaker 1: about nothing, that didn't try to sue you. I was surprised, 676 00:31:49,200 --> 00:31:51,880 Speaker 1: that's true. But exactly he hit me first with your 677 00:31:51,960 --> 00:31:54,719 Speaker 1: man passing. How did that affect how your career went, 678 00:31:54,920 --> 00:31:57,720 Speaker 1: as far as rapping and everything. It affected everything, you know, 679 00:31:57,880 --> 00:32:01,960 Speaker 1: because capital steeds for ever. You know, he was the architect. 680 00:32:02,360 --> 00:32:05,800 Speaker 1: I say, like this, every group, every community of friends, 681 00:32:06,680 --> 00:32:10,000 Speaker 1: we all have what this is called conductors in life. 682 00:32:11,000 --> 00:32:13,480 Speaker 1: Everybody is on like a train. You know what I'm saying, 683 00:32:13,520 --> 00:32:16,920 Speaker 1: on a train. Card Steves was our conductor, you know 684 00:32:17,000 --> 00:32:19,720 Speaker 1: what I'm saying. So we all followed him. He all 685 00:32:19,840 --> 00:32:22,120 Speaker 1: paved the road, and you know what I'm saying, he 686 00:32:22,240 --> 00:32:26,800 Speaker 1: paved our mindsets, like our ideologies and who. He influenced everything. 687 00:32:26,880 --> 00:32:29,320 Speaker 1: So when we lost him. It's like we really lost 688 00:32:29,360 --> 00:32:32,720 Speaker 1: a part of ourselves bad. What happened that made him 689 00:32:32,960 --> 00:32:34,640 Speaker 1: do that? Like what got too deep? It was a 690 00:32:34,720 --> 00:32:36,960 Speaker 1: lot going on, and honestly, I don't want to get 691 00:32:37,040 --> 00:32:39,400 Speaker 1: into it that much right now. You know what I'm saying, 692 00:32:39,440 --> 00:32:41,760 Speaker 1: it's really personal to me. Is not anything I'm comfortable 693 00:32:41,880 --> 00:32:45,200 Speaker 1: really speaking on, like you know, mainstream publications. But it 694 00:32:45,400 --> 00:32:47,640 Speaker 1: was just a lot depression. You know, a lot of 695 00:32:47,720 --> 00:32:50,320 Speaker 1: things that happened in his life in the past, a 696 00:32:50,400 --> 00:32:52,280 Speaker 1: lot of changes that was going on, like a lot 697 00:32:52,320 --> 00:32:55,600 Speaker 1: of things that just nobody knew about. There's a lot 698 00:32:55,600 --> 00:32:57,120 Speaker 1: of people that have friends that are going through it, 699 00:32:57,200 --> 00:32:59,640 Speaker 1: and sometimes they don't want to say nothing because they 700 00:32:59,680 --> 00:33:01,200 Speaker 1: feel like they don't want to put that personal life. 701 00:33:01,200 --> 00:33:03,560 Speaker 1: And I feel like I went through a situation where 702 00:33:03,560 --> 00:33:06,560 Speaker 1: I was I was fed up. And there's certain friends 703 00:33:06,600 --> 00:33:08,440 Speaker 1: like Charlomage who makes fun of it, but that's him, 704 00:33:08,560 --> 00:33:09,800 Speaker 1: you know what I mean. I mean, I make fun 705 00:33:09,880 --> 00:33:12,800 Speaker 1: of it. Finish friends like Charlomagne that'll make funny think 706 00:33:12,800 --> 00:33:14,480 Speaker 1: it's funny because you never think it's gonna happen. And 707 00:33:14,520 --> 00:33:16,360 Speaker 1: there there's certain people yeah, okay, yeah, I don't think 708 00:33:16,400 --> 00:33:19,160 Speaker 1: that you would kill yourself. Yeah, but you don't know 709 00:33:19,280 --> 00:33:22,200 Speaker 1: how hard or how deep a person situation is, you know, 710 00:33:22,240 --> 00:33:24,960 Speaker 1: I mean, so to talk about how it affected you 711 00:33:25,120 --> 00:33:27,360 Speaker 1: and what you've seeing, you know, because somebody else might 712 00:33:27,360 --> 00:33:28,440 Speaker 1: have a friend of the same way, but like, nah, 713 00:33:28,480 --> 00:33:30,040 Speaker 1: they ain't gonna do it. Then you never know that. 714 00:33:30,280 --> 00:33:32,120 Speaker 1: I mean, I ain't gonna lie, I ain't gonna was 715 00:33:32,160 --> 00:33:34,200 Speaker 1: definitely the case, Like I would have never thought, like 716 00:33:34,320 --> 00:33:35,960 Speaker 1: he was one of the strongest people that I know, 717 00:33:36,120 --> 00:33:37,360 Speaker 1: you know what I'm saying. I would have never thought 718 00:33:37,400 --> 00:33:39,080 Speaker 1: for a second that he would bring himself to do 719 00:33:39,240 --> 00:33:42,120 Speaker 1: something like that. So it was really just so unbelievable 720 00:33:42,160 --> 00:33:44,440 Speaker 1: when that happened. It was just like I couldn't believe it. 721 00:33:44,480 --> 00:33:45,920 Speaker 1: I was just had a lust for us. I was 722 00:33:46,000 --> 00:33:48,240 Speaker 1: so shocked. And when he says make fun of people, 723 00:33:48,320 --> 00:33:51,240 Speaker 1: he means me telling him, man up. No, No, I 724 00:33:51,360 --> 00:33:54,000 Speaker 1: know exactly trip, I know exactly what it. Yeah, I know, 725 00:33:54,600 --> 00:33:56,840 Speaker 1: making fun of the whole situation. I know what you mean. 726 00:33:57,400 --> 00:33:59,840 Speaker 1: Like I said, I was never following my life, but 727 00:34:00,040 --> 00:34:02,800 Speaker 1: he was the one person who I followed who I 728 00:34:02,920 --> 00:34:05,200 Speaker 1: knew if I followed this person wouldn't leave me to 729 00:34:05,280 --> 00:34:06,680 Speaker 1: no wrong. You know what I'm saying he was on 730 00:34:06,800 --> 00:34:09,360 Speaker 1: the strongest people that I knew. So when that happened, 731 00:34:09,360 --> 00:34:11,320 Speaker 1: it's just like I said, I couldn't believe it. I know, 732 00:34:11,400 --> 00:34:13,640 Speaker 1: you believe in the law of energy because you read 733 00:34:13,680 --> 00:34:16,800 Speaker 1: a lot, right, everything comes back to you what you 734 00:34:16,880 --> 00:34:21,240 Speaker 1: put out. So when Troy av used capital stege passing 735 00:34:21,320 --> 00:34:23,320 Speaker 1: of the disc then you see what happened to his 736 00:34:23,440 --> 00:34:26,239 Speaker 1: man later. How did you feel about that? Carmen got 737 00:34:26,320 --> 00:34:30,120 Speaker 1: cousin a big way. And I'm such at a positive 738 00:34:30,120 --> 00:34:31,719 Speaker 1: point in my life right now. We haven't got to 739 00:34:31,760 --> 00:34:34,040 Speaker 1: really discuss the negative, but you know, it is what 740 00:34:34,200 --> 00:34:36,640 Speaker 1: it is. Wish that man the best of luck with 741 00:34:36,800 --> 00:34:40,440 Speaker 1: his situation. Yeah, it still is. Unfortunately, you know another 742 00:34:40,600 --> 00:34:43,200 Speaker 1: mom is left without a sun, so like that's and 743 00:34:43,320 --> 00:34:45,200 Speaker 1: it's a black man, So it's nothing like you know 744 00:34:45,239 --> 00:34:47,239 Speaker 1: what I'm saying, I ain't. I ain't the type to 745 00:34:47,320 --> 00:34:49,680 Speaker 1: breathe a man while he down, so I won't do that. 746 00:34:50,040 --> 00:34:51,799 Speaker 1: We got more with Joey Badass when we come back. 747 00:34:51,840 --> 00:34:53,600 Speaker 1: Matter of fact, let's get into a single right now. 748 00:34:53,680 --> 00:34:56,560 Speaker 1: This is devastated. This is Joey Badass. It's a breakfast 749 00:34:56,600 --> 00:35:02,160 Speaker 1: clogal morning. That was Joey. That ass devastated. That's a 750 00:35:02,239 --> 00:35:04,920 Speaker 1: great record, man, I love that record. He's in the building. 751 00:35:05,000 --> 00:35:07,520 Speaker 1: You still live with your mom? I read that somewhere. Yeah, 752 00:35:07,560 --> 00:35:10,080 Speaker 1: I do, du say, I'm going I'm selling too much 753 00:35:10,120 --> 00:35:13,040 Speaker 1: record and making too much money. Different, I don't care. 754 00:35:13,040 --> 00:35:17,439 Speaker 1: I'll tell her every shot. Still, No, I ain't the best. 755 00:35:17,520 --> 00:35:21,080 Speaker 1: I don't worry where I'm at. Your mom and knew 756 00:35:21,120 --> 00:35:23,400 Speaker 1: crib at Hey, don't, don't worry about it. And then 757 00:35:23,480 --> 00:35:25,719 Speaker 1: my mom is straight. Be My mom is good, my 758 00:35:25,840 --> 00:35:28,160 Speaker 1: mom is happy. That's not a bad place to be 759 00:35:28,320 --> 00:35:35,719 Speaker 1: right now. Place, But why is Joey living with his mom? Listen, listen, listen. 760 00:35:35,880 --> 00:35:38,360 Speaker 1: Me and my mom been just me and my mom 761 00:35:38,480 --> 00:35:40,480 Speaker 1: since I was five years old. We got a really 762 00:35:40,600 --> 00:35:53,600 Speaker 1: intimate relationship. I actually, yeah, what do you mean? Bro? 763 00:35:53,840 --> 00:35:56,520 Speaker 1: Let me look up to that. You're sick. You're sick. 764 00:35:56,760 --> 00:36:00,719 Speaker 1: He's sick. Still sick, bey, I know what I mean. No, 765 00:36:00,840 --> 00:36:12,680 Speaker 1: she did not my mom my mom. Sometimes. Hey, yo, 766 00:36:12,760 --> 00:36:15,560 Speaker 1: this some thirty five year old men out there right 767 00:36:15,640 --> 00:36:17,880 Speaker 1: now still living with their moms. I'm twenty one. B 768 00:36:18,320 --> 00:36:21,520 Speaker 1: Let me got money. They live with their I know, well, 769 00:36:21,600 --> 00:36:26,319 Speaker 1: then my mom lived with me. In that case, it's 770 00:36:26,320 --> 00:36:29,040 Speaker 1: a nice beautiful house and you're probably always on the road, 771 00:36:29,120 --> 00:36:32,600 Speaker 1: so yeah, easier. Can you do you bring girls home? 772 00:36:32,680 --> 00:36:35,279 Speaker 1: But it's funny because I just had the conversation with 773 00:36:35,360 --> 00:36:37,360 Speaker 1: my mom recently, like, you know, Mom, I think you 774 00:36:37,400 --> 00:36:41,880 Speaker 1: know what I'm saying, I think it's time. None of that. 775 00:36:41,960 --> 00:36:48,239 Speaker 1: I'm move out. I gotta go. I told her, like 776 00:36:48,440 --> 00:36:50,560 Speaker 1: I think I think it's time, you know, I moved out. 777 00:36:50,640 --> 00:36:55,040 Speaker 1: I do my own thing. She started crying. You know. 778 00:36:55,080 --> 00:36:57,200 Speaker 1: It made me so sad. So it's just like room 779 00:36:57,239 --> 00:37:00,200 Speaker 1: there and place seem like you still there? Yeah that 780 00:37:00,280 --> 00:37:02,359 Speaker 1: extended you know, my time for like three more years. 781 00:37:02,440 --> 00:37:05,399 Speaker 1: Can you bring Can you bring girls home? And everything? Yeah? 782 00:37:05,440 --> 00:37:07,759 Speaker 1: I could. I don't like doing it though, Like, yeah, 783 00:37:07,920 --> 00:37:10,640 Speaker 1: I don't like introducing new girls to my mom's in 784 00:37:10,680 --> 00:37:13,719 Speaker 1: the other room. You gotta keeping na like nah, I 785 00:37:13,800 --> 00:37:17,080 Speaker 1: don't like. That's hard on your chicks, oh my mom. Lah. 786 00:37:17,640 --> 00:37:19,240 Speaker 1: But he just don't want to make it seem serious, 787 00:37:19,239 --> 00:37:20,880 Speaker 1: because once you bring a girl to meet your mom, 788 00:37:21,000 --> 00:37:23,600 Speaker 1: she thinks it's serious. Yeah, he's like, yeah, man, I've 789 00:37:23,600 --> 00:37:25,680 Speaker 1: never met his mom. Yeah, I'd be having a maneuver 790 00:37:25,880 --> 00:37:28,000 Speaker 1: like hold on my way here, five sugars? Mom pass? 791 00:37:30,120 --> 00:37:32,279 Speaker 1: How you get the name Joey badasscause your first name 792 00:37:32,320 --> 00:37:35,640 Speaker 1: was was Jov. Yeah, Jov. That's the first three letters 793 00:37:35,680 --> 00:37:37,840 Speaker 1: of my first name. My name is Joe Vaughn. I 794 00:37:37,920 --> 00:37:40,959 Speaker 1: got Joey Badass from when I used to be skater life. 795 00:37:41,040 --> 00:37:43,400 Speaker 1: You know, I used to skate a lot, but certain 796 00:37:43,440 --> 00:37:45,440 Speaker 1: people used to make the mistake and be like Joey 797 00:37:45,600 --> 00:37:47,520 Speaker 1: because they just say it so fast, they thought it 798 00:37:47,600 --> 00:37:49,719 Speaker 1: was Joey when they see me. One day, I was 799 00:37:49,800 --> 00:37:53,160 Speaker 1: skating and my homie he was like, Yo, you just 800 00:37:53,200 --> 00:37:56,480 Speaker 1: feel so badass right now? Yeah, man, I actually really do. 801 00:37:56,920 --> 00:37:59,400 Speaker 1: And that moment just resonated with me so much that 802 00:37:59,600 --> 00:38:02,120 Speaker 1: like Joey Badass, those white dude didn't hit named Steve, 803 00:38:02,239 --> 00:38:09,040 Speaker 1: he goes Joey Badass and he related to Boosey. That's funny. 804 00:38:09,400 --> 00:38:11,759 Speaker 1: That's funny. Now, what do you think your responsibility is 805 00:38:11,760 --> 00:38:14,040 Speaker 1: as a young artist with the police killings and all 806 00:38:14,080 --> 00:38:16,040 Speaker 1: the stuff that's happened in the whole Black Lives Matter 807 00:38:16,120 --> 00:38:18,960 Speaker 1: movement because you're a militant brother, Yeah, your sir, I mean, 808 00:38:19,120 --> 00:38:21,360 Speaker 1: I think I hold a big responsibility. I think a 809 00:38:21,440 --> 00:38:24,000 Speaker 1: lot of artists too, They just you know, don't accept 810 00:38:24,040 --> 00:38:27,440 Speaker 1: the responsibility. You know, with great power comes great responsibility. 811 00:38:27,440 --> 00:38:29,080 Speaker 1: You heard it in all the Spider Man movies. You 812 00:38:29,160 --> 00:38:33,640 Speaker 1: know what it is. But I really think that because 813 00:38:33,680 --> 00:38:36,120 Speaker 1: I have this platform and because I have this voice, 814 00:38:36,360 --> 00:38:39,240 Speaker 1: that it should be utilized for positivity, should be utilized 815 00:38:39,280 --> 00:38:42,320 Speaker 1: to uplift people when I can't because I have that power. 816 00:38:42,400 --> 00:38:44,719 Speaker 1: And for me, I just think it's something that I 817 00:38:44,880 --> 00:38:47,440 Speaker 1: have to do. I feel like this is my sole purpose. 818 00:38:47,520 --> 00:38:50,759 Speaker 1: To inspire children, to inspire the world. I'm gonna use 819 00:38:50,880 --> 00:38:54,960 Speaker 1: my vessel too, you know, promote positivity, to promote peace, 820 00:38:55,040 --> 00:38:59,680 Speaker 1: to promote knowledge, understanding, wisdom, love. Most importantly is that 821 00:38:59,719 --> 00:39:01,760 Speaker 1: when the reasons you want to grow as an artist, 822 00:39:02,160 --> 00:39:05,160 Speaker 1: you want to be bigger exactly. Yeah, I want to expand, 823 00:39:05,320 --> 00:39:07,640 Speaker 1: you know, so the whole universe can understand why I'm 824 00:39:07,680 --> 00:39:10,080 Speaker 1: coming from me getting my message, you know. So do 825 00:39:10,120 --> 00:39:12,640 Speaker 1: you have other things in the works besides mister Robot 826 00:39:12,960 --> 00:39:16,240 Speaker 1: since that's on now? Yeah, I do. I. Actually it's funny. 827 00:39:16,520 --> 00:39:19,720 Speaker 1: I landed the role for the Obama movie called Barry, 828 00:39:19,840 --> 00:39:22,000 Speaker 1: and then they shut you down a secret service. No no, no, 829 00:39:22,120 --> 00:39:26,040 Speaker 1: they didn't shut me down. What happened? So I landed 830 00:39:26,120 --> 00:39:28,480 Speaker 1: the role as one of his best friends in college. 831 00:39:28,520 --> 00:39:30,719 Speaker 1: So the movie the guy introduced him the week No, 832 00:39:31,080 --> 00:39:35,319 Speaker 1: well possibly, but the guy who introduced him to the projects. Okay, 833 00:39:35,400 --> 00:39:37,239 Speaker 1: the guy who the guy who showed him like what 834 00:39:37,480 --> 00:39:39,800 Speaker 1: was really going on in America? That's who I was 835 00:39:39,880 --> 00:39:43,160 Speaker 1: in the movie. But because of Coachella, they were shooting 836 00:39:43,200 --> 00:39:47,000 Speaker 1: the same week as Coachella. So it was either Coachella 837 00:39:47,800 --> 00:39:53,000 Speaker 1: or the Obama. That's a huge movie. But you gotta 838 00:39:53,040 --> 00:39:55,719 Speaker 1: think about it, like this, music is my first thing. 839 00:39:55,960 --> 00:39:58,320 Speaker 1: It is my main source of income. It is my 840 00:39:58,480 --> 00:40:02,239 Speaker 1: number one thing. Resident No, for sure, But if I 841 00:40:02,320 --> 00:40:04,360 Speaker 1: didn't do Coachella that one time, I'm doing to never 842 00:40:04,480 --> 00:40:06,759 Speaker 1: let me do Coachella that you got. You gotta take 843 00:40:06,760 --> 00:40:11,000 Speaker 1: care of the home shooting. They couldn't. I told them 844 00:40:11,040 --> 00:40:13,000 Speaker 1: I wanted it so bad. I wanted it so bad 845 00:40:13,160 --> 00:40:14,600 Speaker 1: I'd have been like, how can we make this? Where 846 00:40:14,680 --> 00:40:17,719 Speaker 1: can I film on this day? Yeah, it's crazy because 847 00:40:17,719 --> 00:40:20,200 Speaker 1: they ended up going with Because from Straight out of Compton, 848 00:40:20,560 --> 00:40:23,440 Speaker 1: who play Easy A shout out to Homie Man. That's 849 00:40:23,480 --> 00:40:25,399 Speaker 1: crazy because that movie didn't look like it was gonna 850 00:40:25,440 --> 00:40:28,319 Speaker 1: be like a big theater release at first. It looked 851 00:40:28,320 --> 00:40:30,959 Speaker 1: like it was going to like Lifetime or something. At first, 852 00:40:31,480 --> 00:40:33,400 Speaker 1: How long did it take you to make the decision. 853 00:40:33,680 --> 00:40:35,480 Speaker 1: It took me like at least a week. Like I 854 00:40:35,600 --> 00:40:39,200 Speaker 1: asked so many people like people like, yo, I don't know, man, 855 00:40:39,280 --> 00:40:41,839 Speaker 1: You're never gonna be able to do a problem movie again. 856 00:40:41,920 --> 00:40:44,879 Speaker 1: I'm like you right, but I just don't know. Man, 857 00:40:45,160 --> 00:40:48,239 Speaker 1: down about it, you still look like, yeah, I'm devastated. 858 00:40:49,440 --> 00:40:54,040 Speaker 1: I'm devastating, man, I really I really wanted that road. 859 00:40:54,840 --> 00:40:56,560 Speaker 1: You've always said you want to bring lyrical hip hop 860 00:40:56,640 --> 00:40:58,319 Speaker 1: back to the forefront. You think it's come back. Oh, 861 00:40:58,360 --> 00:41:01,800 Speaker 1: it's come back. Absolutely. You know. It's like myself, Kendrick Glamar, 862 00:41:02,000 --> 00:41:05,640 Speaker 1: J Cole, push your t you know it's come back. 863 00:41:05,800 --> 00:41:08,560 Speaker 1: You know, even got whole jumping out and every now 864 00:41:09,160 --> 00:41:12,960 Speaker 1: like everybody like for sure, Yeah, everybody's rapping into everybody. 865 00:41:12,960 --> 00:41:14,800 Speaker 1: You know, it's getting, you know, more serious by it. 866 00:41:15,000 --> 00:41:17,400 Speaker 1: It's it's just a balance man, that we got to 867 00:41:17,520 --> 00:41:20,080 Speaker 1: keep in this game. Like I'm not mad at old 868 00:41:20,120 --> 00:41:22,759 Speaker 1: of the fun stuff that happens, like the club music 869 00:41:22,840 --> 00:41:25,080 Speaker 1: and whatnot. We need that sometimes we need to just 870 00:41:25,239 --> 00:41:28,279 Speaker 1: not think about stuff too deep and just let it 871 00:41:28,400 --> 00:41:32,080 Speaker 1: loose in you know what I'm saying, Just catching is 872 00:41:32,080 --> 00:41:34,680 Speaker 1: what I call melodic mumbling. Yeah. I mean we're on 873 00:41:34,760 --> 00:41:36,880 Speaker 1: a certainly that all the time, but you know the 874 00:41:37,040 --> 00:41:39,759 Speaker 1: fun stuff. I'm not mad at it at all, like 875 00:41:40,040 --> 00:41:41,880 Speaker 1: as at least as much as I used to be. 876 00:41:42,040 --> 00:41:47,360 Speaker 1: We appreciate you joining us, man, and I got some 877 00:41:47,440 --> 00:41:50,560 Speaker 1: good books too, you know what I'm saying. Good day, Yeah, Joey, 878 00:41:50,640 --> 00:42:04,120 Speaker 1: badass Peace the Breakfast Club Older Gosh reports it's a 879 00:42:04,200 --> 00:42:07,960 Speaker 1: rumal report. Well, but I saw the story yesterday, but 880 00:42:08,000 --> 00:42:10,400 Speaker 1: I only saw it on one website on Rhymes a snitch, 881 00:42:10,480 --> 00:42:12,279 Speaker 1: so I was like, let me verify this. But it 882 00:42:12,400 --> 00:42:15,760 Speaker 1: turns out it is true. Tis restaurant in Atlanta Skills 883 00:42:15,880 --> 00:42:18,200 Speaker 1: nine twenty five. They are going to be shutting down. 884 00:42:18,520 --> 00:42:21,040 Speaker 1: Just open, yeah, just opened last year in April. Damn. 885 00:42:21,040 --> 00:42:22,520 Speaker 1: We should have took him up on that free mill 886 00:42:22,560 --> 00:42:24,520 Speaker 1: when we was in Atlanta. I know, listen, I really 887 00:42:24,600 --> 00:42:26,000 Speaker 1: wanted to go, but I had to go do a 888 00:42:26,120 --> 00:42:29,200 Speaker 1: podcast and then it was just too late. We had 889 00:42:29,239 --> 00:42:31,279 Speaker 1: the morning show. I heard it's really nice too, but 890 00:42:31,360 --> 00:42:35,200 Speaker 1: apparently there was some issues with his business partner. Now 891 00:42:35,680 --> 00:42:38,520 Speaker 1: there's been issues with this restaurant for quite some time. 892 00:42:39,200 --> 00:42:42,040 Speaker 1: One guy, a Relee, he had gotten hired as a bartender. 893 00:42:42,080 --> 00:42:43,799 Speaker 1: He said it was a dream job. He put one 894 00:42:43,920 --> 00:42:46,200 Speaker 1: hundred percent into it. He stayed late nearly every shift, 895 00:42:46,800 --> 00:42:50,160 Speaker 1: and he said he did not end up getting paid 896 00:42:50,239 --> 00:42:52,839 Speaker 1: for his overtime. They stopped paying him when he became 897 00:42:52,880 --> 00:42:55,600 Speaker 1: a bar manager, so they owed him twenty eight thousand dollars. 898 00:42:55,880 --> 00:42:58,080 Speaker 1: A judge did rule in his favor, and then thirteen 899 00:42:58,200 --> 00:43:01,520 Speaker 1: other former Skills nine twenty five employees filed lawsuits that 900 00:43:01,560 --> 00:43:03,640 Speaker 1: said they were not paid for wages. That told it 901 00:43:03,680 --> 00:43:10,200 Speaker 1: about one hundred and ten thousand dollars altogether. All right, well, 902 00:43:10,200 --> 00:43:13,240 Speaker 1: it turns out they owe over a million dollars because 903 00:43:13,280 --> 00:43:15,040 Speaker 1: they just haven't been paying rent and they now have 904 00:43:15,080 --> 00:43:17,400 Speaker 1: an eviction notice for over a million dollars because of 905 00:43:17,520 --> 00:43:20,560 Speaker 1: back rent that's old to the landlord. Now the landlord 906 00:43:20,640 --> 00:43:24,400 Speaker 1: says that TI hasn't paid his rent in months. But 907 00:43:25,080 --> 00:43:27,920 Speaker 1: TI did respond to these allegations. He went on his 908 00:43:28,040 --> 00:43:31,520 Speaker 1: Instagram page to set attention attention to everybody. This is Charles. 909 00:43:31,760 --> 00:43:33,800 Speaker 1: He is not associated with me or my company in 910 00:43:33,840 --> 00:43:36,279 Speaker 1: any capacity. He has not authorized to book anything on 911 00:43:36,360 --> 00:43:38,160 Speaker 1: me or my companies. Be have to put up his picture. 912 00:43:38,400 --> 00:43:41,160 Speaker 1: We have no dealings nor partnerships outside of my restaurant 913 00:43:41,239 --> 00:43:44,400 Speaker 1: Skills nine twenty five, which was a huge mistake in hindsight. 914 00:43:44,719 --> 00:43:47,200 Speaker 1: Do not call him about any of my business. If 915 00:43:47,239 --> 00:43:49,960 Speaker 1: it ain't Clay, Doug, Kat Hannah, See Rod Gilly or 916 00:43:50,320 --> 00:43:53,200 Speaker 1: g Roberson, it ain't legit. This message has been written by, 917 00:43:53,360 --> 00:43:55,840 Speaker 1: endorsed and approved by the King. Bitch, Hey man, you 918 00:43:55,920 --> 00:43:58,880 Speaker 1: always gotta have somebody to blame it on. Bro. You 919 00:43:59,160 --> 00:44:01,680 Speaker 1: want to cluse bamb for Ta having somebody to blame 920 00:44:01,719 --> 00:44:04,160 Speaker 1: it all? It's partner, all right. Damn sure. I'm just 921 00:44:04,239 --> 00:44:06,200 Speaker 1: mad we missed that free milk. That's the same name 922 00:44:06,239 --> 00:44:11,160 Speaker 1: we got drunk with Keith Sweat that night. But I 923 00:44:11,239 --> 00:44:13,160 Speaker 1: shout out to Ta. I'm sure he's gonna work this 924 00:44:13,239 --> 00:44:15,960 Speaker 1: out and fix it somehow. But I guess they're saying 925 00:44:15,960 --> 00:44:18,879 Speaker 1: it's gonna close down unless they can write that check, 926 00:44:19,440 --> 00:44:22,640 Speaker 1: all right. Ven Diesel had some words about what's going 927 00:44:22,719 --> 00:44:25,520 Speaker 1: on with this Fast and Furious eight behind the scenes 928 00:44:25,600 --> 00:44:28,200 Speaker 1: as they're filming the Beef of Him and the Rock. 929 00:44:28,760 --> 00:44:32,759 Speaker 1: You know, he said, people now. Tyrese also posted a picture. 930 00:44:32,800 --> 00:44:34,600 Speaker 1: He said, I've always said that if only people knew 931 00:44:34,640 --> 00:44:37,600 Speaker 1: how hard you work to protect this franchise and characters 932 00:44:37,640 --> 00:44:39,960 Speaker 1: of minds were blown. I'm so effing proud to call 933 00:44:40,040 --> 00:44:42,799 Speaker 1: you my family and my brother. That's Tyrese talking about 934 00:44:42,920 --> 00:44:45,120 Speaker 1: Vin Diesel and they are super cool. Actually, when we 935 00:44:45,160 --> 00:44:47,640 Speaker 1: went to a house party at Tyrese's house, Vin Diesel 936 00:44:47,760 --> 00:44:51,320 Speaker 1: was standing outside. I remember rapping. So anyway, here is 937 00:44:51,360 --> 00:44:56,880 Speaker 1: what Ven Diesel has to say. What's a new word 938 00:44:57,280 --> 00:45:00,360 Speaker 1: kind of describes my spirit and my soul and super 939 00:45:00,480 --> 00:45:03,680 Speaker 1: who's still positive. The new word is happy. When I 940 00:45:03,840 --> 00:45:06,640 Speaker 1: heard her stay happy, I just lit up. And as 941 00:45:06,680 --> 00:45:13,520 Speaker 1: I can't even describe, I will tell you everything everything. 942 00:45:14,360 --> 00:45:17,840 Speaker 1: Let me say some Diesel voice sound good. He can 943 00:45:17,920 --> 00:45:20,200 Speaker 1: sit there and sound like group all he wants. The 944 00:45:20,400 --> 00:45:23,719 Speaker 1: rock will wash him in a fight. Okay, So he 945 00:45:23,840 --> 00:45:25,920 Speaker 1: captured this video. So much has gone on in this year. 946 00:45:25,960 --> 00:45:28,000 Speaker 1: I can't believe I wrapped two back to back pictures 947 00:45:28,040 --> 00:45:30,520 Speaker 1: I both started and produced. Now I get to return 948 00:45:30,600 --> 00:45:34,239 Speaker 1: to my family, my life to me. So I don't 949 00:45:34,280 --> 00:45:36,440 Speaker 1: know what's going on, but they have a mad drama. 950 00:45:36,480 --> 00:45:40,240 Speaker 1: And speaking of drama, Janee Aiko has filed for divorce. 951 00:45:40,640 --> 00:45:43,240 Speaker 1: She is getting divorced after being married to doctor Genius 952 00:45:43,280 --> 00:45:45,239 Speaker 1: for only eleven months. Don't want to close ball for 953 00:45:45,280 --> 00:45:51,640 Speaker 1: Big Sean's pets causing divorces dot him. So yes, it's 954 00:45:51,719 --> 00:45:53,719 Speaker 1: only been a few months. In early June, there was 955 00:45:53,760 --> 00:45:56,640 Speaker 1: footage of Big Sean and Janee Ico together. A lot 956 00:45:56,640 --> 00:45:59,000 Speaker 1: of people thought it was just pr for her album, 957 00:45:59,120 --> 00:46:01,080 Speaker 1: but they do seem like they really have a thing 958 00:46:01,200 --> 00:46:07,359 Speaker 1: going on. Sean gonna play more games and apparently, yes, 959 00:46:07,600 --> 00:46:11,200 Speaker 1: she is now gonna, you know, be not married anymore. 960 00:46:11,200 --> 00:46:12,640 Speaker 1: A lot of people were saying, oh, she's not even 961 00:46:12,719 --> 00:46:15,000 Speaker 1: married for real. But he had posted Doctor Genius had 962 00:46:15,040 --> 00:46:17,279 Speaker 1: posted a picture of their wedding day and everything. So yes, 963 00:46:17,320 --> 00:46:20,440 Speaker 1: they were definitely married, and yes they are now getting divorced. 964 00:46:20,480 --> 00:46:24,040 Speaker 1: She went to deny Doctor Genius any spousal support. Also, 965 00:46:24,239 --> 00:46:26,160 Speaker 1: I live by Cashley through Big Sean. He'd just be 966 00:46:26,280 --> 00:46:28,520 Speaker 1: out here running through all these R and B singers, 967 00:46:28,680 --> 00:46:31,600 Speaker 1: all these pop stars. He'd just be moving and grooving. 968 00:46:31,760 --> 00:46:33,400 Speaker 1: Trap want the clues bumps for Big Sean, one more 969 00:46:33,480 --> 00:46:37,160 Speaker 1: damn time flew to Detroit? What up? Though? I love 970 00:46:37,239 --> 00:46:40,239 Speaker 1: it all? Right? Well, I guess some great music came 971 00:46:40,239 --> 00:46:41,880 Speaker 1: out of it, and I'm sure it will continue to 972 00:46:41,960 --> 00:46:45,040 Speaker 1: come out of Sean got a whole album full of features. 973 00:46:46,360 --> 00:46:53,880 Speaker 1: Sean will be playing and do not be playing. He 974 00:46:53,920 --> 00:46:56,400 Speaker 1: didn't get a guest role on gletough. They did a 975 00:46:56,440 --> 00:46:58,879 Speaker 1: song on the Glee sound track either, but she wasn't 976 00:46:58,920 --> 00:47:01,440 Speaker 1: even on Glee anymore. After they shouted dating, oh you 977 00:47:01,520 --> 00:47:04,680 Speaker 1: want no Oh, but you a bird yo, you got 978 00:47:04,800 --> 00:47:06,960 Speaker 1: a bird mental. I just like to see people winning, man, 979 00:47:07,000 --> 00:47:10,200 Speaker 1: Big Sean's out here winning man. Shoot that guy? All right, 980 00:47:10,440 --> 00:47:13,040 Speaker 1: Well that is your rumor report. I'm angela ye, all right, 981 00:47:13,080 --> 00:47:15,600 Speaker 1: thank you, missee Schlemint. Yes, who were giving that donkey 982 00:47:15,640 --> 00:47:17,239 Speaker 1: to on this Friday? Well, we were just talking about 983 00:47:17,320 --> 00:47:19,359 Speaker 1: rappers that are winning. Let's talk about the rapper that's losing. 984 00:47:19,400 --> 00:47:21,200 Speaker 1: You never heard of him, but his name is Kevin Murder. 985 00:47:21,239 --> 00:47:22,600 Speaker 1: He needs to come to the front of the congregation. 986 00:47:22,680 --> 00:47:23,880 Speaker 1: Would like to have a word with him. His name 987 00:47:23,920 --> 00:47:27,120 Speaker 1: is actually Kevin Simmons. And Kevin Simmons all right, and 988 00:47:27,200 --> 00:47:28,839 Speaker 1: try to encourage him to turn himself in to day. 989 00:47:28,880 --> 00:47:30,880 Speaker 1: But we'll talk about it. keV Murder, let me come back. 990 00:47:30,960 --> 00:47:34,400 Speaker 1: Keep it locked it to breakfast club. Come onring scharlm 991 00:47:34,440 --> 00:47:37,600 Speaker 1: Maine say that gang. Don't get the shape man, you 992 00:47:38,200 --> 00:47:45,239 Speaker 1: are a donkey today. Just not discriminate. I might not 993 00:47:45,320 --> 00:47:47,000 Speaker 1: have the song of today but I got to donkey 994 00:47:47,080 --> 00:47:48,800 Speaker 1: that day. So if you ever feel I need to 995 00:47:48,840 --> 00:47:53,360 Speaker 1: be a donkey man, give it with the breakfast club bitches. 996 00:47:53,440 --> 00:47:57,160 Speaker 1: They just don't kive to day today Wow, and sharing 997 00:47:58,400 --> 00:48:00,480 Speaker 1: Donkey Today for Friday, August twelve goes to a young 998 00:48:00,520 --> 00:48:03,640 Speaker 1: man named Kevin Simmons aka Kevin Murder. Kevin Murder is 999 00:48:03,640 --> 00:48:05,719 Speaker 1: his rap name, Ladies and gentlemen, And the problem with 1000 00:48:05,840 --> 00:48:08,600 Speaker 1: most rappers nowadays is that they are really too real. 1001 00:48:09,640 --> 00:48:11,840 Speaker 1: Let me rephrase that. It's a lot of rappers nowadays 1002 00:48:11,920 --> 00:48:14,360 Speaker 1: that are really too criminal. Okay, it's a difference between 1003 00:48:14,440 --> 00:48:17,080 Speaker 1: real versus criminal, and our culture we tend to confuse 1004 00:48:17,200 --> 00:48:19,799 Speaker 1: the two. But Kevin Simmons is one of these new 1005 00:48:19,920 --> 00:48:23,279 Speaker 1: negroes who is actually living the crimes he raps about. 1006 00:48:23,320 --> 00:48:25,399 Speaker 1: I don't know if it's art imitating life or life 1007 00:48:25,400 --> 00:48:28,399 Speaker 1: imitating art. Either way, Kevin Murder is a damn fool. 1008 00:48:28,440 --> 00:48:31,399 Speaker 1: See Kevin Murders from Cincinnati, and like many a lost 1009 00:48:31,480 --> 00:48:33,960 Speaker 1: negro before him, he decided to move to Atlanta to 1010 00:48:34,040 --> 00:48:36,520 Speaker 1: further his rap career. Well, I guess his money got 1011 00:48:36,600 --> 00:48:38,720 Speaker 1: law in Atlantis, so he decided to do the logical 1012 00:48:38,800 --> 00:48:41,040 Speaker 1: thing to get some paper and that's the rob that 1013 00:48:41,200 --> 00:48:46,040 Speaker 1: great institution called Wells Fargo Bank. Okay, surveillance video shows 1014 00:48:46,040 --> 00:48:48,040 Speaker 1: and passing a note to the bank teller, and less 1015 00:48:48,040 --> 00:48:50,680 Speaker 1: than a half minute later he has handed a pocket 1016 00:48:50,719 --> 00:48:53,520 Speaker 1: of cash. I ain't a whole packet of cash, Okay, 1017 00:48:53,560 --> 00:48:55,680 Speaker 1: a whole load of cash, A lot of cash. Now, 1018 00:48:55,800 --> 00:48:57,920 Speaker 1: this isn't the only video that exists of Kevin Simmons 1019 00:48:58,000 --> 00:49:01,359 Speaker 1: in a bank robbing, because Kevin Murder has a video 1020 00:49:01,440 --> 00:49:04,520 Speaker 1: on YouTube which also feeds him guess what, guess what, 1021 00:49:04,680 --> 00:49:07,840 Speaker 1: doing what? Guess what? Robbing a bank, simulating a bank robbery. 1022 00:49:08,760 --> 00:49:10,640 Speaker 1: I can't make this kind of stuff up. People go 1023 00:49:10,760 --> 00:49:14,160 Speaker 1: to wsbtv dot com for the report rap artists known 1024 00:49:14,239 --> 00:49:17,360 Speaker 1: as keV Murder. A detective say on his rap sheet 1025 00:49:17,760 --> 00:49:21,160 Speaker 1: he's known as Kevin Simmons. Cops say this is Simmons 1026 00:49:21,320 --> 00:49:24,120 Speaker 1: holding up the Wells Fargo bank along Georgia one thirty 1027 00:49:24,120 --> 00:49:27,440 Speaker 1: eight last week. Detectives believe Simmons has done this before. 1028 00:49:27,840 --> 00:49:30,280 Speaker 1: Police say when Simmons left the bank, he ran across 1029 00:49:30,320 --> 00:49:33,200 Speaker 1: the highway toward this drug store and into the trees 1030 00:49:33,320 --> 00:49:36,680 Speaker 1: behind the building, where a police dog found loads of evidence. 1031 00:49:36,920 --> 00:49:39,200 Speaker 1: The pants that he was wearing a pair of unique 1032 00:49:39,239 --> 00:49:42,239 Speaker 1: sunglasses that he was wearing Hall inside the bank. We 1033 00:49:42,360 --> 00:49:45,040 Speaker 1: also located the demand note that he provided to the 1034 00:49:45,120 --> 00:49:48,880 Speaker 1: teller and forty caliber smith and Weston handgun. And police 1035 00:49:48,880 --> 00:49:51,360 Speaker 1: say half an hour after the robbery, Simmons sent his 1036 00:49:51,520 --> 00:49:55,240 Speaker 1: girlfriend back to the spot where he dropped the pistol 1037 00:49:55,360 --> 00:49:57,719 Speaker 1: to pick it up. Problem for her, as detectives were 1038 00:49:57,760 --> 00:50:00,480 Speaker 1: already there looking for it, and they arrest a twenty 1039 00:50:00,480 --> 00:50:02,840 Speaker 1: one year old Elsa Williams. The I think Simmons is 1040 00:50:02,840 --> 00:50:06,600 Speaker 1: around the metro somewhere, all right, They didn't find him yet. No, 1041 00:50:07,480 --> 00:50:09,600 Speaker 1: When will you guys learn that things you do online 1042 00:50:09,600 --> 00:50:12,440 Speaker 1: can affect your ass offline. I don't understand you cyber criminals. 1043 00:50:12,680 --> 00:50:15,800 Speaker 1: All these screet dudes don't condone snitching, but you snitch 1044 00:50:15,880 --> 00:50:18,359 Speaker 1: on yourselves online every day. You pose with your guns, 1045 00:50:18,400 --> 00:50:20,319 Speaker 1: you pose with your drugs, you're threatened to kill people, 1046 00:50:20,520 --> 00:50:23,440 Speaker 1: and you do music videos simulating crimes that you actually 1047 00:50:23,520 --> 00:50:26,440 Speaker 1: do in real life. What was the music video practice? keV? 1048 00:50:26,560 --> 00:50:29,000 Speaker 1: Murder practice makes perfect great? Do a couple of takes 1049 00:50:29,040 --> 00:50:30,759 Speaker 1: that you robbing the bank of the music video to 1050 00:50:30,920 --> 00:50:33,000 Speaker 1: ensure that you get it done correctly in real life. Huh? 1051 00:50:33,280 --> 00:50:37,400 Speaker 1: Measure twice to cut once. I understand keV Murder. You know, 1052 00:50:37,560 --> 00:50:39,759 Speaker 1: but the worst thing that ever happened to hip hop 1053 00:50:39,840 --> 00:50:43,640 Speaker 1: was when rappers started going platinum for talking about criminal activity, 1054 00:50:43,719 --> 00:50:46,360 Speaker 1: not only rapping about criminal activity, but getting props for 1055 00:50:46,480 --> 00:50:49,040 Speaker 1: really doing criminal activity. That is why lines are so 1056 00:50:49,239 --> 00:50:52,080 Speaker 1: blurred when it comes to what's real and what's criminal. 1057 00:50:52,160 --> 00:50:54,839 Speaker 1: Real is just being yourself, being who you are doing 1058 00:50:54,960 --> 00:50:57,799 Speaker 1: you Okay, like the Joy Badasses of the world, the Chance, 1059 00:50:57,840 --> 00:51:00,000 Speaker 1: the rappers, the Race Murmurs, those guys aren't trying to 1060 00:51:00,080 --> 00:51:02,319 Speaker 1: be criminal. They're just real cool kids having a great time. 1061 00:51:02,640 --> 00:51:05,440 Speaker 1: You cav Murder, are criminal. You didn't just playing criminal 1062 00:51:05,480 --> 00:51:09,000 Speaker 1: in a music video. You are a real life criminal now, okay, 1063 00:51:09,200 --> 00:51:11,960 Speaker 1: And when you're a real criminal, it's consequences and there's 1064 00:51:11,960 --> 00:51:14,279 Speaker 1: a jail cell in your future, sir. And I know 1065 00:51:14,440 --> 00:51:16,520 Speaker 1: you might be out there listening to Kevin Simmons because 1066 00:51:16,520 --> 00:51:18,800 Speaker 1: police said you're hiding out in Atlanta. Suit to everybody 1067 00:51:18,840 --> 00:51:20,960 Speaker 1: listening to us on Screech ninety four five in Atlanta, 1068 00:51:21,280 --> 00:51:24,319 Speaker 1: just turn yourself in, Okay. You're going to jail, bro, 1069 00:51:24,800 --> 00:51:27,320 Speaker 1: No need to prolong the process. They got you, and 1070 00:51:27,440 --> 00:51:30,200 Speaker 1: you're already been snitched on, and the person that stitched 1071 00:51:30,239 --> 00:51:31,920 Speaker 1: on you will be staring back at you in the 1072 00:51:31,960 --> 00:51:34,440 Speaker 1: mirror for the rest of your life. Okay, please give 1073 00:51:34,520 --> 00:51:37,000 Speaker 1: Kevin Simmons the ka keV Murder the biggest he hull. 1074 00:51:41,840 --> 00:51:43,719 Speaker 1: It is definitely like a key and pills kit. It's 1075 00:51:43,719 --> 00:51:47,600 Speaker 1: definitely like a Way in Brothers movie. Is just all 1076 00:51:47,640 --> 00:51:49,640 Speaker 1: out ridiculous. The fact that the young lady went back 1077 00:51:49,680 --> 00:51:52,680 Speaker 1: to look for the gun and the bank robbery not 1078 00:51:52,800 --> 00:51:55,279 Speaker 1: why wouldn't you rip the bank robbery note up? Why 1079 00:51:55,320 --> 00:51:57,360 Speaker 1: would you keep the bank robbery? Not like it's a receipt. 1080 00:51:58,160 --> 00:52:00,359 Speaker 1: I don't know. It's just like First forty eight, which 1081 00:52:00,400 --> 00:52:02,400 Speaker 1: I was watching last night too, just turn yourself in. 1082 00:52:03,000 --> 00:52:04,919 Speaker 1: Very similar happened. He did a song where he talked 1083 00:52:04,960 --> 00:52:09,000 Speaker 1: about I think killing three people. Everybody everybody music, everybody's 1084 00:52:09,040 --> 00:52:11,719 Speaker 1: on the u keV murder. It's not just music when 1085 00:52:11,719 --> 00:52:14,360 Speaker 1: you actually do the crime in real life, right, Okay, 1086 00:52:14,800 --> 00:52:16,640 Speaker 1: it could be just music. It could be just the 1087 00:52:16,760 --> 00:52:19,040 Speaker 1: video until you actually go through the crime in real life. 1088 00:52:19,560 --> 00:52:22,000 Speaker 1: All right, Well, thank you for that. Donk here today, sir, 1089 00:52:22,120 --> 00:52:24,840 Speaker 1: when we come back, we have Charad Small and Christian 1090 00:52:24,920 --> 00:52:27,040 Speaker 1: finnigin now. They're from the new A and E show 1091 00:52:27,400 --> 00:52:30,000 Speaker 1: like Black and White. Now about the show. They're both 1092 00:52:30,040 --> 00:52:31,960 Speaker 1: comedians in Black and White. I was on the Black 1093 00:52:32,000 --> 00:52:34,399 Speaker 1: and White Show. Is just a show that explores race 1094 00:52:34,520 --> 00:52:37,920 Speaker 1: relations here in America. Race here in America comes on 1095 00:52:38,040 --> 00:52:39,920 Speaker 1: A and E. I was on there one night. I 1096 00:52:39,960 --> 00:52:42,040 Speaker 1: was on the first episode. Actually, Okay, so we'll kick 1097 00:52:42,080 --> 00:52:43,680 Speaker 1: with them when we come back. Keep a lock, don't 1098 00:52:43,680 --> 00:52:47,480 Speaker 1: go anywhere. It's the Breakfast Club. Good Morning, The Breakfast Club. 1099 00:52:50,719 --> 00:52:53,279 Speaker 1: That was Jay Z with un Core Morning Everybody. It's 1100 00:52:53,360 --> 00:52:56,400 Speaker 1: DJ Envy Angela Ye, Charlomagne the guy. We are the 1101 00:52:56,480 --> 00:52:59,800 Speaker 1: Breakfast Club. We got some special guests in the building. 1102 00:53:00,200 --> 00:53:04,080 Speaker 1: Host on the show Black and White. Yeahs, yes, it's 1103 00:53:04,080 --> 00:53:09,719 Speaker 1: in the house man, Yes, say me. I want to 1104 00:53:09,760 --> 00:53:12,279 Speaker 1: guys having us from the show Black and White on 1105 00:53:12,360 --> 00:53:18,920 Speaker 1: any to me and Jim Jim really white, yeah, and 1106 00:53:20,000 --> 00:53:23,440 Speaker 1: I'm really black white guy. Okay, pretty much shown for 1107 00:53:23,680 --> 00:53:25,680 Speaker 1: Christian Well, you know it's a Sharrod and I are 1108 00:53:25,760 --> 00:53:29,000 Speaker 1: friends and we kind of would always have these sort 1109 00:53:29,040 --> 00:53:31,680 Speaker 1: of conversations. Anyway. Usually when you see like a white 1110 00:53:31,719 --> 00:53:34,480 Speaker 1: guy and a black guy talking about race, either the 1111 00:53:34,560 --> 00:53:37,239 Speaker 1: white guy is like a hip hop white guy, or 1112 00:53:37,320 --> 00:53:39,759 Speaker 1: the black dude is like a Harvard black dude, like 1113 00:53:39,960 --> 00:53:43,239 Speaker 1: usually black. There's nothing wrong with that, but you know 1114 00:53:43,280 --> 00:53:44,920 Speaker 1: what I mean, like like you know, you know what 1115 00:53:44,920 --> 00:53:47,200 Speaker 1: I'm saying. Though it's like a prep school, like you know, 1116 00:53:47,239 --> 00:53:51,359 Speaker 1: an opposite, opposite white guy. I don't even tell black 1117 00:53:51,440 --> 00:53:53,960 Speaker 1: people what hip hop artists I like because I'm afraid 1118 00:53:54,000 --> 00:53:56,000 Speaker 1: that I'll ruin their careers. Why has raised such a 1119 00:53:56,040 --> 00:53:58,640 Speaker 1: hot commodity right now? It's always been. It's always been 1120 00:53:58,640 --> 00:54:00,680 Speaker 1: a hot commodity because there's always on people's minds, but 1121 00:54:00,760 --> 00:54:03,279 Speaker 1: not always on the lips. And sometimes the conversation I 1122 00:54:03,320 --> 00:54:05,400 Speaker 1: wish I was about trying to keep the conversation going. 1123 00:54:05,440 --> 00:54:07,840 Speaker 1: After wad, a conversation usually stops and we try to 1124 00:54:07,880 --> 00:54:09,600 Speaker 1: bring some human too it because the comedians. You have 1125 00:54:09,719 --> 00:54:13,080 Speaker 1: dated the black woomakers? Uh date? Yeah? Yeah, not not 1126 00:54:13,880 --> 00:54:17,759 Speaker 1: long term. But you know I'm the nyud. You have 1127 00:54:17,880 --> 00:54:20,160 Speaker 1: sexual one? Yes? I have, Yes, I have had sexual 1128 00:54:20,280 --> 00:54:23,040 Speaker 1: She's still crying. She's still crying about it too. It 1129 00:54:23,160 --> 00:54:26,000 Speaker 1: was better with Gina white and black. I don't know 1130 00:54:26,160 --> 00:54:29,439 Speaker 1: that I have as a large cross section to really 1131 00:54:29,520 --> 00:54:36,000 Speaker 1: make U. I can answer that question, yeah, please answer Yeah, yeah, 1132 00:54:36,640 --> 00:54:38,880 Speaker 1: I'm talking about like two women that I'm judging on. 1133 00:54:39,000 --> 00:54:41,040 Speaker 1: So I can't really, I can't really say. I remember 1134 00:54:41,120 --> 00:54:43,440 Speaker 1: once night I was tempting at a job and in 1135 00:54:43,560 --> 00:54:45,560 Speaker 1: this dude worked with me, and he every once in 1136 00:54:45,560 --> 00:54:47,239 Speaker 1: a while he just turned over. He's like, there's only 1137 00:54:47,280 --> 00:54:49,879 Speaker 1: two things in this life to matter, man, pink and green. 1138 00:54:50,920 --> 00:54:57,520 Speaker 1: That's true. That's like an aka. By the way, I 1139 00:54:57,560 --> 00:54:58,960 Speaker 1: thought I was saying a joke, and you guys looked 1140 00:54:59,000 --> 00:55:02,120 Speaker 1: at it like I just dropped me. You know, that's 1141 00:55:02,120 --> 00:55:04,960 Speaker 1: a good point. That's a very good point, family. But 1142 00:55:05,080 --> 00:55:10,239 Speaker 1: I mean, it's like God comes behind pink though. It's 1143 00:55:10,239 --> 00:55:13,000 Speaker 1: like it's like pin grain and then you know God, sure, 1144 00:55:13,200 --> 00:55:16,600 Speaker 1: God created the pink. Can can' black people be racist? 1145 00:55:16,800 --> 00:55:19,840 Speaker 1: Of course you're looking at one right now, the racist? 1146 00:55:19,880 --> 00:55:22,520 Speaker 1: Are you racist? Are you just angry based off the 1147 00:55:22,600 --> 00:55:24,960 Speaker 1: way we've been Some people feel like black people some 1148 00:55:25,040 --> 00:55:27,560 Speaker 1: people who argue that black people cannot be racist, So 1149 00:55:27,680 --> 00:55:30,200 Speaker 1: black people in America can't be racist, or black people 1150 00:55:30,200 --> 00:55:32,759 Speaker 1: anywhere in the world can't be racist. Who was saying that? 1151 00:55:32,920 --> 00:55:34,879 Speaker 1: Was it? Mark la mount Hill. A lot of people 1152 00:55:34,880 --> 00:55:38,759 Speaker 1: say that to stat people from getting certain jobs, and 1153 00:55:38,840 --> 00:55:40,640 Speaker 1: because they're more white people are more in a position 1154 00:55:40,680 --> 00:55:44,399 Speaker 1: of power about in Jamaica. Can't be Saint Thomas. Black 1155 00:55:44,440 --> 00:55:46,359 Speaker 1: people in charge. They can keep a white man from 1156 00:55:46,400 --> 00:55:49,120 Speaker 1: getting a job. That's true. I think it's all Yeah, 1157 00:55:49,120 --> 00:55:52,400 Speaker 1: it's very very small context. Anybody can be like racially 1158 00:55:52,440 --> 00:55:56,080 Speaker 1: bigoted or prejudiced, but racism, I think is a power thing. 1159 00:55:56,320 --> 00:55:58,560 Speaker 1: One of the reasons that they kind of hate Obama 1160 00:55:58,680 --> 00:56:01,880 Speaker 1: so much is because they never been condescended to by 1161 00:56:01,920 --> 00:56:04,560 Speaker 1: a black guy before. Like they know black people as 1162 00:56:04,600 --> 00:56:06,400 Speaker 1: being either like the sweet guy who works at the 1163 00:56:06,480 --> 00:56:09,520 Speaker 1: front desk of their office building or like angry Chuck D. 1164 00:56:09,960 --> 00:56:11,680 Speaker 1: You know, like they you know, eighties Chuck D. Like 1165 00:56:11,880 --> 00:56:14,439 Speaker 1: they've never had like a black guy like like pat 1166 00:56:14,480 --> 00:56:15,960 Speaker 1: them on the head and you know, be better than 1167 00:56:16,040 --> 00:56:17,279 Speaker 1: them in a way that they don't have to at 1168 00:56:17,320 --> 00:56:18,879 Speaker 1: the front desk. Why he can't be the boss though? 1169 00:56:23,400 --> 00:56:25,560 Speaker 1: The world too sensitive, like, you know, because you can 1170 00:56:25,640 --> 00:56:27,680 Speaker 1: make a white Joe, no problem, everybody, lad, But if 1171 00:56:27,680 --> 00:56:30,520 Speaker 1: you make a black Joe, it might not have black privilege, baby, 1172 00:56:30,560 --> 00:56:33,640 Speaker 1: where they oppressed you know what though it honestly, you know, 1173 00:56:33,680 --> 00:56:35,279 Speaker 1: because I know this from doing stand up for twenty 1174 00:56:35,360 --> 00:56:38,719 Speaker 1: years and generally speaking, when I'm doing racial material, the 1175 00:56:38,800 --> 00:56:41,160 Speaker 1: club it's always the white people have a problem with it, 1176 00:56:41,280 --> 00:56:43,759 Speaker 1: Like the black I mean uncomfortable when you say something 1177 00:56:43,800 --> 00:56:45,719 Speaker 1: of black people don't agree with. They'll let you know, 1178 00:56:46,280 --> 00:56:48,359 Speaker 1: but they're way more willing to sort of go down 1179 00:56:48,440 --> 00:56:50,719 Speaker 1: the road with you if it's funny, whereas white people 1180 00:56:50,760 --> 00:56:52,960 Speaker 1: it's just like we're not supposed to talk about this, 1181 00:56:54,040 --> 00:56:55,879 Speaker 1: you know, like they all look around and they look 1182 00:56:55,880 --> 00:56:57,279 Speaker 1: at the black guy in the audience to make sure 1183 00:56:57,280 --> 00:56:59,719 Speaker 1: it's okay. And you know, I'm not gonnae I wanted 1184 00:56:59,719 --> 00:57:01,239 Speaker 1: to act more black in my life than in this 1185 00:57:01,480 --> 00:57:04,000 Speaker 1: very moment. Like these times right here make me want 1186 00:57:04,040 --> 00:57:06,520 Speaker 1: to very black, just because I know everybody's so sensitive 1187 00:57:06,560 --> 00:57:08,520 Speaker 1: to race. Yeah, that's why you want to act up, 1188 00:57:08,520 --> 00:57:09,440 Speaker 1: but you know what, you want to do it in 1189 00:57:09,480 --> 00:57:10,839 Speaker 1: the right way so you can keep doing it. That's 1190 00:57:10,880 --> 00:57:12,440 Speaker 1: why we feel there's a lot of people that have 1191 00:57:12,560 --> 00:57:15,000 Speaker 1: commented on the show, you know, the people who happen 1192 00:57:15,080 --> 00:57:17,800 Speaker 1: to just flip to black and white after watching something 1193 00:57:17,840 --> 00:57:19,120 Speaker 1: else on A and E or whatever, and they're like, 1194 00:57:19,320 --> 00:57:22,040 Speaker 1: this is a double standard and white people. You know, 1195 00:57:22,160 --> 00:57:24,160 Speaker 1: black people can say racist things and white people aren't 1196 00:57:24,160 --> 00:57:26,760 Speaker 1: allowed to. And they're right, you know, it's a double 1197 00:57:26,800 --> 00:57:29,560 Speaker 1: standard because I allow black people to say things that 1198 00:57:29,640 --> 00:57:31,960 Speaker 1: I can't say, and in exchange, I get to keep 1199 00:57:32,000 --> 00:57:36,240 Speaker 1: my money in power. That's that's a black privilege. Trying 1200 00:57:36,240 --> 00:57:39,320 Speaker 1: to tell Jim on the show, when you're an oppressed person, 1201 00:57:39,480 --> 00:57:42,400 Speaker 1: you can make jokes the oppressed you can't make Christian. 1202 00:57:42,440 --> 00:57:45,840 Speaker 1: Have you ever just said Nick, no, no, no, you 1203 00:57:45,960 --> 00:57:47,720 Speaker 1: got black friends? So what if your black friends walk 1204 00:57:47,760 --> 00:57:50,560 Speaker 1: upon you like Chris Day and my Nick, I say hello, 1205 00:57:50,680 --> 00:57:57,919 Speaker 1: good sir, Yeah, my friends. The other day I show 1206 00:57:58,200 --> 00:58:00,280 Speaker 1: and the trap and weird song came on. There was 1207 00:58:00,280 --> 00:58:02,800 Speaker 1: a white woman, Yeah, and she was definitely singing it 1208 00:58:02,840 --> 00:58:04,480 Speaker 1: all that. I looked just to see if she was 1209 00:58:04,520 --> 00:58:06,960 Speaker 1: gonna really sing it, and she really did. Good for 1210 00:58:07,040 --> 00:58:08,880 Speaker 1: her for singing it she had. I mean, that's a 1211 00:58:08,920 --> 00:58:11,000 Speaker 1: little bit of a trap. There's that no in situation there, 1212 00:58:11,040 --> 00:58:13,000 Speaker 1: you know, like how you was looking at it like 1213 00:58:13,800 --> 00:58:17,160 Speaker 1: four three looking. I just wanted to see what she 1214 00:58:17,240 --> 00:58:19,080 Speaker 1: was gonna do. I do think we're nick the generational 1215 00:58:19,160 --> 00:58:21,080 Speaker 1: thing though, yeah, young kids say they all singing and 1216 00:58:21,080 --> 00:58:22,720 Speaker 1: say it all together. They don't even know the historical 1217 00:58:22,760 --> 00:58:24,800 Speaker 1: context though. They don't look at it. But anything happened 1218 00:58:24,800 --> 00:58:26,440 Speaker 1: two weeks ago. Young kids don't know about it. So, 1219 00:58:26,800 --> 00:58:29,320 Speaker 1: I mean, I'll see Asian kids in my neighborhood say 1220 00:58:29,360 --> 00:58:30,720 Speaker 1: it to each other all the time, and they're not 1221 00:58:30,760 --> 00:58:32,760 Speaker 1: saying it to be provocative. It's just they're saying, like, dude, 1222 00:58:32,840 --> 00:58:35,600 Speaker 1: It's like, dude, it's to me. You people are also 1223 00:58:35,640 --> 00:58:38,200 Speaker 1: people of color too. For the old Asian called me 1224 00:58:40,520 --> 00:58:43,560 Speaker 1: the r at the end, but Latinos can right, yeah, 1225 00:58:45,400 --> 00:58:47,440 Speaker 1: where's the where's the line? Like? When are you? Like? 1226 00:58:47,840 --> 00:58:50,000 Speaker 1: What is the I always looked at how many degrees 1227 00:58:50,080 --> 00:58:54,040 Speaker 1: from black are you allowed to say? Says I don't 1228 00:58:54,040 --> 00:58:56,560 Speaker 1: have people said it was a huge deal. I don't 1229 00:58:56,600 --> 00:59:00,200 Speaker 1: think you can mad at Jaylo for saying it. If 1230 00:59:00,200 --> 00:59:01,520 Speaker 1: you have sex to the black guy, you can say it. 1231 00:59:01,600 --> 00:59:04,480 Speaker 1: But it honkey ball the white people does it? No, No, no, 1232 00:59:04,760 --> 00:59:09,280 Speaker 1: it's a cracker, any of those things like oh that's 1233 00:59:09,320 --> 00:59:12,800 Speaker 1: I see what you're trying to do. What about white devil? Nah? 1234 00:59:13,520 --> 00:59:18,520 Speaker 1: I mean because I got a little pink penis that 1235 00:59:18,840 --> 00:59:22,400 Speaker 1: that's a little closer. That one cuts a little deeper. 1236 00:59:22,440 --> 00:59:25,680 Speaker 1: I'm not gonna lie to have you learned anything new 1237 00:59:25,680 --> 00:59:28,600 Speaker 1: about white people into making it this show? Sharp? Uh? Yeah, 1238 00:59:29,040 --> 00:59:31,600 Speaker 1: Actually I found if you bring a white partner on 1239 00:59:31,760 --> 00:59:34,000 Speaker 1: executive produced a show with you you get white money. 1240 00:59:35,200 --> 00:59:36,720 Speaker 1: That's why you gotta have a white friend to use 1241 00:59:36,760 --> 00:59:40,800 Speaker 1: the white privilege like Wi Fi, Yes, you learned anything 1242 00:59:40,800 --> 00:59:44,200 Speaker 1: new about black people making it? I found out that 1243 00:59:44,360 --> 00:59:47,440 Speaker 1: apparently in my mind growing up Eddie Murphy, like you know, 1244 00:59:47,800 --> 00:59:50,400 Speaker 1: Beverly Hills Cop, that's like the quincential Eddie Murphy movie. 1245 00:59:50,400 --> 00:59:51,680 Speaker 1: And then every time I talked to a black person, 1246 00:59:51,720 --> 00:59:56,560 Speaker 1: they always say, coming to America, that's what I'm literally 1247 00:59:56,640 --> 00:59:58,560 Speaker 1: like our first conversation. I kind of started this show 1248 00:59:58,680 --> 01:00:00,880 Speaker 1: so folly for the person first I came not even 1249 01:00:00,960 --> 01:00:04,560 Speaker 1: close close you know what. I come to America, of course, 1250 01:00:04,760 --> 01:00:07,200 Speaker 1: but I think that is the second tier any Murphy movie, No, 1251 01:00:07,680 --> 01:00:10,680 Speaker 1: I know, see to me. To me, they think Beverly 1252 01:00:10,720 --> 01:00:13,840 Speaker 1: Hills Cop is in the cop and in trading places, 1253 01:00:15,280 --> 01:00:18,400 Speaker 1: nah and kind of trash compared to like the Golden 1254 01:00:18,560 --> 01:00:27,360 Speaker 1: Child coming to a marriage house, third tier, Golden Shower gold. 1255 01:00:28,000 --> 01:00:32,640 Speaker 1: I love that that high. Yes, that was a little 1256 01:00:32,840 --> 01:00:36,640 Speaker 1: cheesy compared to tradewin trading places after coming to America, 1257 01:00:36,680 --> 01:00:38,840 Speaker 1: I think coming to America's top, but I love trading 1258 01:00:38,880 --> 01:00:49,120 Speaker 1: places though. That was nights. What about Doctor Dolittle profession 1259 01:00:49,960 --> 01:00:52,320 Speaker 1: the first one Washings Doctor Dolttle, that was the never 1260 01:00:52,360 --> 01:00:55,120 Speaker 1: professional good. Yeah, that's what I'm talking about. Yeah, y'all, 1261 01:00:55,120 --> 01:00:58,200 Speaker 1: don't think Golden Child is up there. I Love you 1262 01:00:59,160 --> 01:01:07,120 Speaker 1: again and Hills Cop Tom Eddie Murphy Movies tells a 1263 01:01:07,120 --> 01:01:09,240 Speaker 1: lot about you and Shaw does and when we come 1264 01:01:09,280 --> 01:01:12,760 Speaker 1: back we'll talk more about that. Don't go anywhere, Sharad's Malls, 1265 01:01:12,840 --> 01:01:15,760 Speaker 1: Christian Finnigan. It's the breakfast Club God Morning. That was 1266 01:01:15,840 --> 01:01:19,520 Speaker 1: bryceon Tilla Don't Morning. Everybody's DJ m vy angela Ye, 1267 01:01:19,720 --> 01:01:22,200 Speaker 1: Charlomagne the guy. We are the breakfast Club. Now we 1268 01:01:22,320 --> 01:01:24,560 Speaker 1: got two special guests joining us this morning. Now Charlomagne 1269 01:01:24,560 --> 01:01:25,960 Speaker 1: there on the new show. What's naming this show? It's 1270 01:01:25,960 --> 01:01:28,360 Speaker 1: called Black and White. On any Black and White on 1271 01:01:28,520 --> 01:01:31,720 Speaker 1: eight and eight we have Sharad's Malls and Christian Finnigan. 1272 01:01:32,400 --> 01:01:34,680 Speaker 1: There's some stereotypes about white people that you have found 1273 01:01:34,720 --> 01:01:39,800 Speaker 1: to be true after doing the show. They sting, what 1274 01:01:39,960 --> 01:01:43,480 Speaker 1: kind of white people business? What kind of white people? 1275 01:01:43,520 --> 01:01:46,400 Speaker 1: With just men, white men, white women. I got no 1276 01:01:46,480 --> 01:01:50,840 Speaker 1: problem with no specific white man. He's going to specific 1277 01:01:50,960 --> 01:01:54,360 Speaker 1: white He's sitting a trap for You'll never work in entertainment, 1278 01:01:59,320 --> 01:02:04,000 Speaker 1: go back, run Away that we talk about stereotized late 1279 01:02:04,160 --> 01:02:08,040 Speaker 1: for shooting yeah when yes, yes, all the time. Sh 1280 01:02:08,400 --> 01:02:11,520 Speaker 1: loves it. Sharad loves it. When he shows up before 1281 01:02:11,640 --> 01:02:14,680 Speaker 1: I do somewhere, he like he acts like he won 1282 01:02:14,840 --> 01:02:20,040 Speaker 1: some just like this, because Christian is so white, being 1283 01:02:20,080 --> 01:02:22,360 Speaker 1: on time is his thing. So sometimes when I get 1284 01:02:22,400 --> 01:02:24,600 Speaker 1: to places earlier, I see his face and he's defeated. 1285 01:02:24,680 --> 01:02:30,200 Speaker 1: He's like sometimes yeah yeah no, And but here's the 1286 01:02:30,280 --> 01:02:32,680 Speaker 1: thing yeah yeah, well, I mean not not broadly, but 1287 01:02:32,760 --> 01:02:35,320 Speaker 1: it is certainly something I've noticed. Here's the thing about. 1288 01:02:35,560 --> 01:02:38,080 Speaker 1: You know, there's a little game I play sometimes the 1289 01:02:38,120 --> 01:02:40,040 Speaker 1: office is called black thing or Sharad thing, where I 1290 01:02:40,200 --> 01:02:41,960 Speaker 1: sometimes I have to wonder, is this like a black 1291 01:02:42,040 --> 01:02:43,920 Speaker 1: cultural thing that I need to respect or is this 1292 01:02:44,160 --> 01:02:46,680 Speaker 1: Sharad just being a jackass, like you know what, like 1293 01:02:46,880 --> 01:02:48,880 Speaker 1: being late, Like it's not even just being late. It's 1294 01:02:48,880 --> 01:02:51,240 Speaker 1: like I'm late sometimes, but when I'm late, I'm like, 1295 01:02:51,360 --> 01:02:53,720 Speaker 1: I'm sorry, guys, I got to hear with Sharado shop 1296 01:02:53,720 --> 01:02:55,520 Speaker 1: an hour late and just be like, hey, what's going on? Everybody? 1297 01:02:55,880 --> 01:02:58,480 Speaker 1: Like it's just completely that is that is a black thing? Right? Yeah? 1298 01:02:58,560 --> 01:03:00,800 Speaker 1: Never Russian, I'm not gonna see him rush it. So 1299 01:03:00,880 --> 01:03:04,280 Speaker 1: it's not okay. How come if all black people can 1300 01:03:04,400 --> 01:03:08,560 Speaker 1: run faster than me, they all walk slower because God damn, 1301 01:03:08,840 --> 01:03:10,920 Speaker 1: when I get stuck on the street behind like two 1302 01:03:11,000 --> 01:03:13,439 Speaker 1: black guys having conversations, Oh my God, would you please 1303 01:03:13,480 --> 01:03:18,080 Speaker 1: just move because God, trust me, crazy Sam were strolling. 1304 01:03:18,200 --> 01:03:20,400 Speaker 1: You know, I'm saying, we're talking about this new no 1305 01:03:20,720 --> 01:03:24,120 Speaker 1: fetty whop was something's new, jay z w. I'm trying 1306 01:03:24,120 --> 01:03:27,640 Speaker 1: to get to work, gentlemen. Now here's one thing that 1307 01:03:27,760 --> 01:03:31,000 Speaker 1: bothers me. When black women get weaves. People act like 1308 01:03:31,080 --> 01:03:33,200 Speaker 1: it's only black women to get weaves, saying, why are 1309 01:03:33,240 --> 01:03:35,720 Speaker 1: you trying to act like you? Why don't you embrace 1310 01:03:35,800 --> 01:03:38,520 Speaker 1: your true self? But white women get weaves all the 1311 01:03:38,640 --> 01:03:41,280 Speaker 1: time too. I didn't know. I remember when I you know, 1312 01:03:41,400 --> 01:03:42,960 Speaker 1: I've been in New York since the nineties, and I 1313 01:03:43,040 --> 01:03:45,360 Speaker 1: remember standing on the subway platform before the age of 1314 01:03:45,400 --> 01:03:47,040 Speaker 1: cell phones and you have something to look at, and 1315 01:03:47,200 --> 01:03:50,600 Speaker 1: just staring at the magazine Kiosk and just marveling at 1316 01:03:50,640 --> 01:03:56,320 Speaker 1: all the black hair magazines, you know, black dresses and bah, yeah, 1317 01:03:56,360 --> 01:03:58,440 Speaker 1: there's so many. It's like, is this really that big 1318 01:03:58,480 --> 01:03:59,960 Speaker 1: of a deal. And now I know enough to be Yeah, 1319 01:04:00,000 --> 01:04:02,600 Speaker 1: it's a big it's a lot. There's a lot. Yeah. Yeah. 1320 01:04:02,640 --> 01:04:04,680 Speaker 1: And it's just recently that black people saw making money 1321 01:04:04,680 --> 01:04:07,480 Speaker 1: off of it. Y like big money. Yeah, we're talking 1322 01:04:07,520 --> 01:04:09,000 Speaker 1: next week going out. So I'm black and white about 1323 01:04:09,040 --> 01:04:12,400 Speaker 1: the marijuana industry and why people of color again blocked 1324 01:04:12,400 --> 01:04:16,680 Speaker 1: out the legal marijuana part of it. Yeah, that's fascinating stuff. Yeah, 1325 01:04:16,720 --> 01:04:19,720 Speaker 1: there's you know, for decades, obviously you know, black people, 1326 01:04:20,000 --> 01:04:22,080 Speaker 1: you know, have been put in jail for selling weed, 1327 01:04:22,160 --> 01:04:23,680 Speaker 1: and now that you can sell weed legally, all of 1328 01:04:23,680 --> 01:04:26,400 Speaker 1: a sudden, it's all white people. And plus you've got convicted, 1329 01:04:26,440 --> 01:04:28,920 Speaker 1: you can't sell in some states, you've got convicted back 1330 01:04:28,920 --> 01:04:30,560 Speaker 1: in the day, which is Yeah. I think that's the 1331 01:04:30,640 --> 01:04:33,040 Speaker 1: informational thing too though, because I got a lot of 1332 01:04:33,200 --> 01:04:35,600 Speaker 1: white friends in the weed industry who are trying to 1333 01:04:35,640 --> 01:04:37,120 Speaker 1: get me involved in it. So I just think it's 1334 01:04:37,160 --> 01:04:40,160 Speaker 1: like an informational thing. I don't people realize, even here 1335 01:04:40,200 --> 01:04:42,720 Speaker 1: in New York they got dispensary that you could be 1336 01:04:42,800 --> 01:04:44,960 Speaker 1: a part of. People don't know that. People don't information. 1337 01:04:45,560 --> 01:04:48,360 Speaker 1: Information is key, that's what brings people together. We an 1338 01:04:48,400 --> 01:04:53,240 Speaker 1: alcohol and pokemon and not the same altcom that was 1339 01:04:53,440 --> 01:04:55,120 Speaker 1: when I used I used to bar ten years ago 1340 01:04:55,320 --> 01:04:57,640 Speaker 1: and I had I was working at a college barl 1341 01:04:57,720 --> 01:04:59,280 Speaker 1: Cup near Columbia, and I would have the sort of 1342 01:04:59,400 --> 01:05:02,600 Speaker 1: running social experiment where I would just quietly guess what 1343 01:05:02,720 --> 01:05:05,400 Speaker 1: someone's gonna drink, because it would break down racially all 1344 01:05:05,440 --> 01:05:13,560 Speaker 1: the time. Hennessy, that's more black women, uh, Latino women, 1345 01:05:13,800 --> 01:05:17,600 Speaker 1: a lot of vodka, Krans, White girls like babies, sea breeze, 1346 01:05:17,800 --> 01:05:22,320 Speaker 1: something like that. White dudes, pictures of beer and Jack Daniels. Yeah, 1347 01:05:22,400 --> 01:05:24,400 Speaker 1: well if if that, I mean mostly these are cheap 1348 01:05:24,400 --> 01:05:26,800 Speaker 1: college kids. They're just getting pictures of bud or whatever. 1349 01:05:26,920 --> 01:05:29,320 Speaker 1: But but yeah, I remember I once bartended at a 1350 01:05:29,440 --> 01:05:32,280 Speaker 1: live funk bar and a girl came in in order 1351 01:05:32,360 --> 01:05:36,680 Speaker 1: to Hennessy and you who who? You know? We didn't. 1352 01:05:36,920 --> 01:05:38,840 Speaker 1: She assumed we did. She was shocked that we didn't. 1353 01:05:38,840 --> 01:05:43,640 Speaker 1: Think her boyfriend is so embarrassed, like they don't have 1354 01:05:43,760 --> 01:05:47,560 Speaker 1: you who were? But my favorite regular Hanny get me 1355 01:05:47,600 --> 01:05:50,280 Speaker 1: to runs. Imagine Hennessey and you. It's like, I want 1356 01:05:50,320 --> 01:05:51,919 Speaker 1: to give up, but I want to be in junior 1357 01:05:52,000 --> 01:05:58,680 Speaker 1: high school. Body drink. Occasionally occasionally that's pretty you know, 1358 01:05:59,360 --> 01:06:04,120 Speaker 1: white women, white women. Um now, still it's usually it's 1359 01:06:04,400 --> 01:06:06,640 Speaker 1: I mean, if they're college age, granted I'm talking about 1360 01:06:06,640 --> 01:06:09,680 Speaker 1: college girls, it's always got cranberry or orange shoes, or 1361 01:06:09,720 --> 01:06:22,520 Speaker 1: it's vodka. Ictions yea cranberry juice. Goodness. We appreciate you 1362 01:06:22,600 --> 01:06:25,880 Speaker 1: guys joining us. That is show black and White as 1363 01:06:26,080 --> 01:06:29,280 Speaker 1: on what time? When ten thirty on Amy ten thirty 1364 01:06:29,480 --> 01:06:32,880 Speaker 1: Eastern and century on Wednesday. Wednesday's right after the Wallburgers, 1365 01:06:32,960 --> 01:06:35,760 Speaker 1: right after Donny in him a right. Every time that 1366 01:06:35,840 --> 01:06:38,720 Speaker 1: show reruns, I get a lot of tweets, Boy, you're 1367 01:06:38,720 --> 01:06:40,080 Speaker 1: a great on him. A lot of white people watch 1368 01:06:40,120 --> 01:06:43,280 Speaker 1: any Oh yeah, yes, did You'll ever get into like 1369 01:06:43,360 --> 01:06:46,880 Speaker 1: a real argument and him always But that's the thing 1370 01:06:46,960 --> 01:06:48,800 Speaker 1: that's like, you know, and this is honestly where I 1371 01:06:48,840 --> 01:06:51,120 Speaker 1: give Shot a lot of credit. It's like he doesn't 1372 01:06:51,160 --> 01:06:52,760 Speaker 1: hang me out to dry. And it's like like we'll 1373 01:06:52,880 --> 01:06:54,760 Speaker 1: argue and stuff and we'll get kind of heated, but 1374 01:06:54,880 --> 01:06:57,000 Speaker 1: then we both have that comedian mentality where you just 1375 01:06:57,320 --> 01:06:59,240 Speaker 1: bust the tension with a joke or whatever and then 1376 01:07:00,080 --> 01:07:02,200 Speaker 1: minutes later it's over. Have you a yung sharade anywhere 1377 01:07:02,600 --> 01:07:05,120 Speaker 1: we have you have a hung sharade? Anywhere you said 1378 01:07:05,120 --> 01:07:08,200 Speaker 1: he hangs you out to drive you. No, I don't 1379 01:07:08,280 --> 01:07:10,480 Speaker 1: think I've ever liked like but I'm saying as a 1380 01:07:10,640 --> 01:07:13,960 Speaker 1: black dude, his more opportunity. I get what he's trying 1381 01:07:13,960 --> 01:07:15,720 Speaker 1: to do, but I'm not going there. I'm not going there. 1382 01:07:15,760 --> 01:07:21,920 Speaker 1: But what mfortable? I'm uncomfortable talking whether Sharad is hung 1383 01:07:22,040 --> 01:07:25,040 Speaker 1: or not. But he fills my penis on his leg 1384 01:07:25,120 --> 01:07:27,920 Speaker 1: as we speak, crawling out my shorts. That's one way 1385 01:07:27,920 --> 01:07:32,600 Speaker 1: to keep racial tension down. To get Christian. Are you 1386 01:07:32,680 --> 01:07:37,240 Speaker 1: a boobs? Are a butt man? Boobs? Yeah? Because he 1387 01:07:37,320 --> 01:07:40,120 Speaker 1: even gets angry that white dudes acting like they like butts. Now, 1388 01:07:40,200 --> 01:07:42,480 Speaker 1: I don't like that white people pretend that they're into 1389 01:07:42,560 --> 01:07:48,240 Speaker 1: huge circus butts because they're lying. They're lying. I mean 1390 01:07:48,320 --> 01:07:51,000 Speaker 1: maybe maybe young white guys now because it's big, they've 1391 01:07:51,040 --> 01:07:52,600 Speaker 1: grown up thinking that they're supposed to like it, so 1392 01:07:52,640 --> 01:07:55,200 Speaker 1: they actually do. But there's a generation of white dudes 1393 01:07:55,200 --> 01:07:56,960 Speaker 1: they're like, oh, yeah, I love a big ass. Now 1394 01:07:57,040 --> 01:08:00,760 Speaker 1: you don't stop it. There's nothing with it. But you 1395 01:08:00,840 --> 01:08:03,320 Speaker 1: didn't your your your your phone, and you're trying to 1396 01:08:03,360 --> 01:08:08,240 Speaker 1: grab onto a trend that Ben Affleck is the Christopher 1397 01:08:08,280 --> 01:08:16,599 Speaker 1: Columbut Jackie Robinson assets let you have it in Charade, 1398 01:08:16,680 --> 01:08:21,719 Speaker 1: Small Christian. It's the Breakfast Clamic Morning, the Breakfast Club. 1399 01:08:27,240 --> 01:08:37,360 Speaker 1: This is the report with Angela on the Breakfast Club. Yes, 1400 01:08:37,479 --> 01:08:41,120 Speaker 1: our President Barack Obama has put up his playlist on Spotify. 1401 01:08:41,600 --> 01:08:43,920 Speaker 1: He did a summer playlist songs for the daytime, and 1402 01:08:43,960 --> 01:08:46,200 Speaker 1: then he did his songs for the nighttime. Now what 1403 01:08:46,560 --> 01:08:49,720 Speaker 1: is on our president's playlist? Well, he has Wallet on 1404 01:08:49,840 --> 01:08:53,719 Speaker 1: Their Love Hate Things, My Guy, wal Leon Bridges Moves Sailing. 1405 01:08:53,760 --> 01:08:56,840 Speaker 1: He also has jay Z and Farrell so ambitious, I 1406 01:08:56,920 --> 01:08:58,439 Speaker 1: mean a lot of times. He has Tom on a 1407 01:08:58,600 --> 01:09:01,920 Speaker 1: tight rope that's nice one, Ratha Franklin Rocks Daddy, He's 1408 01:09:01,920 --> 01:09:04,960 Speaker 1: all over the place, nas and Damian Marley. As we enter, 1409 01:09:05,400 --> 01:09:07,479 Speaker 1: he has Prince You Got the Look? That's my song too, 1410 01:09:08,080 --> 01:09:10,479 Speaker 1: all right. As far as the nighttime playlist, he has 1411 01:09:10,560 --> 01:09:13,200 Speaker 1: Crissette Michelle if I have my way? What about between 1412 01:09:13,280 --> 01:09:16,160 Speaker 1: the Sheets? I didn't see that on this particular list. 1413 01:09:16,200 --> 01:09:18,879 Speaker 1: He has Billy Holliday lover Man. He has Lady by DeAngelo. 1414 01:09:18,920 --> 01:09:20,800 Speaker 1: I wonder if he likes the remix, so probably he 1415 01:09:20,880 --> 01:09:22,960 Speaker 1: had no Jodasi on his nighttime playlist. He does have 1416 01:09:23,080 --> 01:09:25,080 Speaker 1: Mary J. Blige and Met the Man. You're all I need. 1417 01:09:25,240 --> 01:09:27,160 Speaker 1: There you go, I walk down out of that record listen. 1418 01:09:27,200 --> 01:09:29,679 Speaker 1: I feel bad, but he has Janet Jackson. I get lonely. 1419 01:09:29,720 --> 01:09:32,360 Speaker 1: I hope our president is not lonely. Doesn't feel lonely. 1420 01:09:32,400 --> 01:09:33,960 Speaker 1: I mean that's you're the leader of the free world, 1421 01:09:34,000 --> 01:09:35,720 Speaker 1: like nobody can understand what you're going through except for 1422 01:09:35,760 --> 01:09:38,400 Speaker 1: other president. So I'm sure he gets lonely. Flowetry say 1423 01:09:38,520 --> 01:09:40,519 Speaker 1: yes and Anthony Hamilton. I saw he posted it. Do 1424 01:09:40,600 --> 01:09:43,200 Speaker 1: you feel mean? He also has Chance the rapper Acid 1425 01:09:43,360 --> 01:09:46,559 Speaker 1: Rain on his nighttime playlist, so you guys should check 1426 01:09:46,560 --> 01:09:50,680 Speaker 1: it out. People were very into President Barack Obama's summer playlist. Yeah, 1427 01:09:50,720 --> 01:09:52,840 Speaker 1: you can see Wapia smokes a little weed. Hey, you 1428 01:09:52,880 --> 01:09:54,960 Speaker 1: know what I'm saying. He probably smokes with her. No, 1429 01:09:55,600 --> 01:09:57,840 Speaker 1: you don't do that. He used to, but he don't 1430 01:09:57,880 --> 01:09:59,439 Speaker 1: do that with He's a smoke Yeah, but he can 1431 01:09:59,520 --> 01:10:01,680 Speaker 1: understand and why she smoked. He don't smoke with or 1432 01:10:01,720 --> 01:10:03,479 Speaker 1: I'm sure, but he understands. Week is legal in a 1433 01:10:03,520 --> 01:10:05,320 Speaker 1: lot of places, you know, and they ain't legal in 1434 01:10:05,400 --> 01:10:08,240 Speaker 1: the White House. It's not legal, but not at that age. 1435 01:10:08,840 --> 01:10:13,760 Speaker 1: She's seventeen eighteen, she's about to go four years off. 1436 01:10:14,320 --> 01:10:19,559 Speaker 1: Oh all right, Rihanna, congratulations to reach. She's actually going 1437 01:10:19,600 --> 01:10:22,000 Speaker 1: to be getting the Michael Jackson video van got award 1438 01:10:22,040 --> 01:10:24,800 Speaker 1: at the MTV Video Music Awards this year, and she 1439 01:10:24,920 --> 01:10:27,479 Speaker 1: posted about it. She was very honored to receive that awards. 1440 01:10:27,520 --> 01:10:29,800 Speaker 1: To congratulations to her. Oh so that means she'll be 1441 01:10:29,800 --> 01:10:33,680 Speaker 1: an attendance, yes, okay, hopefully. I mean beyond Ja's gotten it, 1442 01:10:33,800 --> 01:10:36,320 Speaker 1: Kanye's gotten it. So I go to the VMA's every year, 1443 01:10:36,520 --> 01:10:38,479 Speaker 1: every year, actually in New York this year. Yeah, I've 1444 01:10:38,479 --> 01:10:40,760 Speaker 1: been working at MTV for four years and now five years. 1445 01:10:40,840 --> 01:10:42,800 Speaker 1: I'm going every year for the past five years, right, 1446 01:10:42,880 --> 01:10:44,640 Speaker 1: so this year it's in New York, So people are 1447 01:10:44,720 --> 01:10:47,320 Speaker 1: excited because that's where it all started. Last year, actually 1448 01:10:47,320 --> 01:10:50,320 Speaker 1: worked the Red carpet pre show. Okay, I see you, yeah, 1449 01:10:50,720 --> 01:10:52,920 Speaker 1: all right. Stevie j and Jocelyn they've been having all 1450 01:10:53,000 --> 01:10:55,599 Speaker 1: kinds of issues. You know, she's pregnant right now, right, 1451 01:10:55,720 --> 01:10:58,280 Speaker 1: and Stevieja saying the baby is not his. He also 1452 01:10:58,439 --> 01:11:00,519 Speaker 1: was saying that Joscelyn's been lying about her age. She's 1453 01:11:00,560 --> 01:11:03,080 Speaker 1: not twenty nine, she's thirty nine years old. He said, 1454 01:11:03,120 --> 01:11:05,360 Speaker 1: she's not even from Puerto Rico. She might still be 1455 01:11:05,479 --> 01:11:08,360 Speaker 1: married to somebody else, and he also talks about her 1456 01:11:08,400 --> 01:11:11,280 Speaker 1: real name. Well, here is what Stevie Jay had to 1457 01:11:11,320 --> 01:11:14,000 Speaker 1: say when he spoke to TMZ. I want to extend 1458 01:11:14,040 --> 01:11:16,160 Speaker 1: this order protection. I had, you know what I'm saying 1459 01:11:16,200 --> 01:11:18,840 Speaker 1: on Joscelyn and all that, but they didn't extend it 1460 01:11:18,880 --> 01:11:21,880 Speaker 1: because they felt that we didn't have any violent and 1461 01:11:21,960 --> 01:11:24,320 Speaker 1: conscience in the past year. But I just wanted her 1462 01:11:24,360 --> 01:11:26,320 Speaker 1: to you know what I'm saying, Frank, were talking about 1463 01:11:26,400 --> 01:11:29,280 Speaker 1: my family, my daughters all no matter what, you know 1464 01:11:29,280 --> 01:11:32,040 Speaker 1: what I'm saying, She's frangnant. So I just hope, you 1465 01:11:32,120 --> 01:11:33,800 Speaker 1: know what I'm saying, the baby is all right, So 1466 01:11:34,120 --> 01:11:37,479 Speaker 1: is the baby yours. We're going DNA to sign. I'm 1467 01:11:38,040 --> 01:11:40,720 Speaker 1: as far as speaking to Jocelyn. He hasn't spoken to her. 1468 01:11:40,800 --> 01:11:44,240 Speaker 1: And here's the reason why we haven't spoken. You know, 1469 01:11:44,680 --> 01:11:47,840 Speaker 1: after you know, you were going so far to bring 1470 01:11:47,960 --> 01:11:49,640 Speaker 1: an innocent kid or too something. I don't you know, 1471 01:11:49,680 --> 01:11:51,840 Speaker 1: I'm saying, it's no worse for me, Like I said, 1472 01:11:51,840 --> 01:11:53,640 Speaker 1: I wish in the fastest. Yeah, you gotta lead a 1473 01:11:53,720 --> 01:11:55,400 Speaker 1: kids the side of things like that. Yeah, And if 1474 01:11:55,400 --> 01:11:58,320 Speaker 1: Stevie j reveal all Joscelyn's secrets, won't you just go 1475 01:11:58,320 --> 01:11:59,920 Speaker 1: ahead and tell us that Jocelyn is really a man? 1476 01:12:00,160 --> 01:12:01,799 Speaker 1: Why don't you go ahead and tell us that Jocelyn 1477 01:12:02,000 --> 01:12:05,000 Speaker 1: actually used to be Josh. Okay, don't just don't just 1478 01:12:05,120 --> 01:12:07,240 Speaker 1: tell us about all the other secrets. Tell us the 1479 01:12:07,360 --> 01:12:10,479 Speaker 1: real scoop, okay, And the real scoop is that she 1480 01:12:10,640 --> 01:12:13,439 Speaker 1: got her penistry move allegedly and got a scoop and 1481 01:12:13,479 --> 01:12:16,720 Speaker 1: her crotch allegedly. Well, and we said, we don't know 1482 01:12:16,760 --> 01:12:18,200 Speaker 1: what's going on, but he did try to get a 1483 01:12:18,240 --> 01:12:20,960 Speaker 1: restraining order against her. He wanted to have that restraining 1484 01:12:21,040 --> 01:12:24,080 Speaker 1: order extended. The judge did say no. So when you 1485 01:12:24,160 --> 01:12:26,439 Speaker 1: get a rescreening order against somebody like Jocelyn, do you 1486 01:12:26,479 --> 01:12:29,680 Speaker 1: get a rescreening order against the male or female? Does 1487 01:12:29,720 --> 01:12:33,679 Speaker 1: it say male named Joshulyn Hernandez or female a female 1488 01:12:33,760 --> 01:12:41,320 Speaker 1: man pregnant? Impossible? Okay, she has a surrogate. Okay, my goodness, 1489 01:12:41,360 --> 01:12:44,080 Speaker 1: it's impossible. All right, Well that is your rumor report. 1490 01:12:44,080 --> 01:12:46,519 Speaker 1: I'm Angela Yane. All right, thank you, miss ye. Now, 1491 01:12:46,600 --> 01:12:48,800 Speaker 1: when we come back, we got the people's choice mixed. 1492 01:12:48,840 --> 01:12:50,720 Speaker 1: Now shout to our family at Revote. We'll see you 1493 01:12:50,800 --> 01:12:54,280 Speaker 1: guys on Monday everybody else. The People's Choice mixes up next. 1494 01:12:54,320 --> 01:12:55,760 Speaker 1: We threw it back on a Friday, So let me 1495 01:12:55,800 --> 01:12:57,679 Speaker 1: know what you want to hear. I got you, called 1496 01:12:57,760 --> 01:13:00,639 Speaker 1: me up at DJ Envy. It's to breakfas love. Good morning, 1497 01:13:07,479 --> 01:13:07,960 Speaker 1: mm hmm