WEBVTT - Full House

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<v Speaker 1>It's nine O Gene Engine with Jenny Garth and Tory spelling.

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<v Speaker 1>Oh my gosh, Amy, our girl is on Dancing with

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<v Speaker 1>the Stars. She's busy practicing to be here with us today.

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<v Speaker 2>It's like, probably so much work, do you remember?

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<v Speaker 1>Like it just nonstar No, no, no. I fully get

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<v Speaker 1>why she can't be here because it is consuming when

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<v Speaker 1>you go on live TV and you have to remember

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<v Speaker 1>dance steps and remember to smile and have a personality like,

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<v Speaker 1>it's so much work. Yeah.

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<v Speaker 2>I think people don't know it when they get into it.

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<v Speaker 1>Especially if you're not a dancer, and Tory has no

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<v Speaker 1>dance background none.

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<v Speaker 2>Right, somebody could be like, do a double tap here,

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<v Speaker 2>and you'd be like, well, it's a double tap.

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<v Speaker 1>I don't know. I just made that up, shauset Shonte.

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<v Speaker 1>I don't know. No, But yes, sadly Tour can't be

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<v Speaker 1>with us today. But I'm sure you all understand she's very,

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<v Speaker 1>very busy dance. Give her votes, ye vote for her

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<v Speaker 1>on half on behalf of o MG podcast.

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<v Speaker 2>But we're going to give you like trauma when you

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<v Speaker 2>watch it.

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<v Speaker 1>But you're like, oh god, I sit on the edge

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<v Speaker 1>of my seat and literally I feel like I watched

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<v Speaker 1>it on Monday or Tuesday or whenever it was, and

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<v Speaker 1>I felt like I was gonna die. Like I was

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<v Speaker 1>like hives.

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<v Speaker 2>Oh, I haven't watched it in many years. Me either,

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<v Speaker 2>like fully like, I'll watch clips, but this is the

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<v Speaker 2>first time in years. It's pretty good show. But I didn't.

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<v Speaker 1>I didn't watch it all. I only watched it until

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<v Speaker 1>she danced, and then I was like, turn this off.

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<v Speaker 1>I can't. I'm I'm climped over here. I heard podcasts

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<v Speaker 1>listen on the iHeartRadio app.

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<v Speaker 2>Did you watch Golden Bachelorette?

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<v Speaker 1>Was that on?

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<v Speaker 2>I missed? You're gonna like it? I actually watching it

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<v Speaker 2>last night and I cried, Oh, I forgot And I

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<v Speaker 2>was texting friends, going, if she breaks these people's heart,

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<v Speaker 2>I can't take it.

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<v Speaker 1>I can't because the all the Bachelor, the little gut

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<v Speaker 1>the guys or.

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<v Speaker 2>Guys are so sweet and they like totally like her,

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<v Speaker 2>and they're so like it's just so different. There's something

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<v Speaker 2>different about them than the younger guys, and I'm just like,

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<v Speaker 2>I cannot deal with it if they don't get roses.

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<v Speaker 1>Oh, oh my god, I have to watch it after this.

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<v Speaker 1>I'm going and sitting on my car.

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<v Speaker 2>Yeah, you'll like it. Yeah, wait, what's her name?

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<v Speaker 1>Joan?

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<v Speaker 3>Joan?

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<v Speaker 2>And she's sweet and the guys are it's like really good.

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<v Speaker 1>I'm there because I don't watch any more of the

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<v Speaker 1>regular I'm bored by it. Sorry, I'm in and out

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<v Speaker 1>on that one.

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<v Speaker 2>Like yeah, it's like, well.

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<v Speaker 1>For the first I don't even know how many years

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<v Speaker 1>it's been on, but for the all of the years

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<v Speaker 1>until two years ago, I never watched a single episode,

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<v Speaker 1>I couldn't tell you anything. And then it became a

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<v Speaker 1>later like yeah it was a later grammar, no later,

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<v Speaker 1>I got you in m This is the sad part.

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<v Speaker 1>I don't even weird.

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<v Speaker 2>I wonder what made you get into it from some

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<v Speaker 2>random sheer boredom.

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<v Speaker 1>Nighttime?

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<v Speaker 2>No very good because they have better conversations. That's the

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<v Speaker 2>thing I like about it is there actually like talking

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<v Speaker 2>about stuff rather than like do you feel connection?

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<v Speaker 1>I think we like each other. Okay, let's like.

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<v Speaker 2>It's so, let's make out. It's yeah, where these people

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<v Speaker 2>were actually talking about stuff and one guy cooked for

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<v Speaker 2>her and they were playing games and pickleball and I

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<v Speaker 2>have to say bean bag toss because I hate it

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<v Speaker 2>with corn hole.

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<v Speaker 3>You.

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<v Speaker 1>I hate the word corn old too. That's not the

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<v Speaker 1>name of a game, right, that's like a very gross word.

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<v Speaker 2>But they were like just cool. And one guy made

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<v Speaker 2>her tea and dessert and like they were in the

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<v Speaker 2>kitchen and like.

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<v Speaker 1>It was just way all this happened on the first episode. Yeah,

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<v Speaker 1>it was.

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<v Speaker 2>We got like one kiss.

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<v Speaker 1>It wasn't.

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<v Speaker 2>It's very much more about like the connections and the

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<v Speaker 2>talking and like the cuteness than just like weird make out.

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<v Speaker 1>Yeah, and like competition, I.

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<v Speaker 2>Don't have a front runner yet, I really don't. It's

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<v Speaker 2>sort of a game.

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<v Speaker 1>Take your time, so each one's game right now.

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<v Speaker 2>They cried, Almost every guy cried they got messages from home.

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<v Speaker 1>I mean, you're gonna love it. You know when you

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<v Speaker 1>get when you get older, it starts at like fifty,

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<v Speaker 1>but when you get older, you start to be more

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<v Speaker 1>sentimental about everything, and everything has so much more meaning.

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<v Speaker 2>And then that Phil Collins song take Me Home, which

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<v Speaker 2>is so our era. I know, like young people are

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<v Speaker 2>probably like, what is this say me Home? I was like,

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<v Speaker 2>I am so a mess from the song, doesn't he say?

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<v Speaker 1>Because I don't remember?

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<v Speaker 2>Yeah, that's not nice. That song was so much Well,

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<v Speaker 2>when you see it, you'll know because the song really

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<v Speaker 2>hit and I hit differently. Oh messed right now, Like oh, anyway,

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<v Speaker 2>nineties we went to nineties.

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<v Speaker 1>It's go oh my god, tell you really quickly. We

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<v Speaker 1>went to nineties quickly. Tour wasn't able to be there. Uh,

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<v Speaker 1>things changed in her schedule.

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<v Speaker 2>So was you Jason.

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<v Speaker 1>No, Jason was working in Canada, Ian Ian, Brian, gab

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<v Speaker 1>and me. Just the four were cute.

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<v Speaker 2>Oh that's it grew.

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<v Speaker 1>It was cute and fun and I loved it. But

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<v Speaker 1>it did feel like you were missing. We were missing

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<v Speaker 1>a lot of elements, you know now. Now it was

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<v Speaker 1>three people all of a sudden that we were missing,

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<v Speaker 1>and it was just like, yeah, doesn't feel quite right.

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<v Speaker 1>So but there were a lot of ladies loving you. No,

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<v Speaker 1>all I hear about is I love Amy? Tell Amy, Hi,

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<v Speaker 1>tell her, I love her.

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<v Speaker 2>Oh that is so nice.

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<v Speaker 1>That makes my whole day, just say, you know, because

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<v Speaker 1>sometimes not so much on the internet. Well don't know that.

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<v Speaker 2>Wait, so was it enjoyable? You know what?

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<v Speaker 1>For me? I love it. I love it. I love it.

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<v Speaker 1>I think anybody will probably say this, or any of

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<v Speaker 1>the talent or whatever that's there. It's so nice to

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<v Speaker 1>connect with the fans like that, and it fills your

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<v Speaker 1>heart with love and it gives you purpose because you

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<v Speaker 1>are making people happy and that justifies everything.

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<v Speaker 2>Then, yeah, did you see the Melrose Place girls?

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<v Speaker 1>They were there sell late. I saw the ladies. I

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<v Speaker 1>thought that was pretty cool, all the late Josie Bissett

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<v Speaker 1>was there, also Laura and Day and Heather was there.

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<v Speaker 1>Heather was there and Grant, Grant's only guy. I think

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<v Speaker 1>he looks good.

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<v Speaker 2>I think, yeah, I do.

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<v Speaker 1>He looks real good. I think he does.

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<v Speaker 2>Somebody from iHeart. We had a couple of people there

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<v Speaker 2>and they said the hotel lobby is the best thing

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<v Speaker 2>you could ever experience though, because like you're in the

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<v Speaker 2>hotel lobby and you just see everybody coming and going.

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<v Speaker 1>Yeah, it's true, because that's the only way you can

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<v Speaker 1>get to your room. You gotta go to that lobby.

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<v Speaker 1>I'm like, is there a backstaircase? Because I don't like,

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<v Speaker 1>you know, I'm a little like shy. I'm shy and

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<v Speaker 1>I don't like a lot of people, and I get

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<v Speaker 1>real quiet around a lot of famous people. That's the

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<v Speaker 1>weirdest part. That's so weird, and so I do everything

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<v Speaker 1>I can to avoid it. But one night. I did

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<v Speaker 1>sit down there with Gab, and this is the funniest thing.

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<v Speaker 1>I didn't notice anybody else that was around, but I

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<v Speaker 1>did feel the ears of people that weren't part of

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<v Speaker 1>the convention, that had figured out a total to the

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<v Speaker 1>lobby and you'll see all they be better than the convention,

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<v Speaker 1>I would think. So you'll be talking and all of

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<v Speaker 1>a sudden, the people that were talking behind you, you're

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<v Speaker 1>notice that it's completely silent because I want to hear,

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<v Speaker 1>and they're listening to the things that you're saying. So

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<v Speaker 1>it's like, oh God, I gotta get out of here.

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<v Speaker 1>But but Gab was like, you know what, I'm We

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<v Speaker 1>decided we were tired. Let's just order. She she was like,

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<v Speaker 1>I found a PF Chains down the street. I'm going

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<v Speaker 1>to order for them. What do you want? Oh my god.

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<v Speaker 1>I was like, oh, you're going to do the ordering? Okay?

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<v Speaker 1>So I told her what I wanted and she sat

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<v Speaker 1>there for no shit one hour wait trying to put

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<v Speaker 1>the order in on her phone. She couldn't.

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<v Speaker 2>She doesn't know how to use online ordering.

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<v Speaker 1>Well, I don't know if it was that compiled with

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<v Speaker 1>like I'm not sure what the problem was, but she

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<v Speaker 1>was hilarious.

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<v Speaker 2>Why don't she just call?

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<v Speaker 1>She ultimately did call because they messed up and then

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<v Speaker 1>they canceled the order.

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<v Speaker 2>Oh whoa.

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<v Speaker 1>And then she was on the phone with them, and

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<v Speaker 1>all of a sudden they were as sending desserts and

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<v Speaker 1>things because it was not a happy camper. And yeah,

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<v Speaker 1>I was making fun of her the whole time, because

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<v Speaker 1>we did. We waited two hours for our dinner. By

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<v Speaker 1>the time it got there, I had gone up to

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<v Speaker 1>my room, taken a bath, and come back, gotten into

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<v Speaker 1>my robe and just said, why don't you guys come

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<v Speaker 1>up to my room and I'll eat here.

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<v Speaker 2>Wait.

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<v Speaker 1>I kind of love that though. Oh Yeahriel hand delivered

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<v Speaker 1>the food to my.

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<v Speaker 2>I wish they would do it somewhere like in California.

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<v Speaker 2>It's so like it would be fun to not have

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<v Speaker 2>to travel for it.

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<v Speaker 1>She was funny. She's like, yeah, I don't usually do

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<v Speaker 1>the ordering. I really tried hard.

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<v Speaker 2>Where were you, Florida?

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<v Speaker 1>Oh god, we were in Daytona. Oh wow, wow wow. Yeah. No, no,

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<v Speaker 1>you know, I met quite a number of nice people

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<v Speaker 1>that live there, and they love their lives, but I

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<v Speaker 1>don't think I could live.

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<v Speaker 2>Yeah, people love Florida. I don't know that I would

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<v Speaker 2>love Florida. I've never been to Florida. I've never been

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<v Speaker 2>past Arizona. No, I've been in New Mexico.

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<v Speaker 1>Yeah, yeah, you can't. You can't drive to Flora. I

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<v Speaker 1>went to New York once. I did fly. You flew

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<v Speaker 1>to New York.

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<v Speaker 2>Yeah. With Ryan Seacrest, I was a little more brave

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<v Speaker 2>back in my twenties.

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<v Speaker 1>Yeah, that makes sense, not super brave, though. I didn't

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<v Speaker 1>like it. Do you think you'll ever fly again? Amy?

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<v Speaker 2>Maybe when I'm like eighty and I've just like gone, like,

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<v Speaker 2>I don't have anything to be scared of.

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<v Speaker 1>Now, what if? Okay, what if one of your nieces

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<v Speaker 1>who you love so much was to get married on

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<v Speaker 1>the East Coast? What would happen? A train?

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<v Speaker 2>I don't know. I just for Ryan Seacrest. I held

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<v Speaker 2>his hand for five hours on that flight.

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<v Speaker 1>Five hours. He probably was like I do remember him

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<v Speaker 1>afterwards saying, you don't have to travel, Aney, please don't

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<v Speaker 1>travel like me ever again. Oh my god. Should we

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<v Speaker 1>talk about that episode?

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<v Speaker 2>Yes, let's talk about the gambling, so I know we're

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<v Speaker 2>going to get into it all. I was very torn

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<v Speaker 2>because I sort of thought the gambling was a little

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<v Speaker 2>bit ridiculous because it was like, you know, that's not

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<v Speaker 2>real gambling, like the fact that they pretended you could

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<v Speaker 2>use real money. I don't think you can do that.

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<v Speaker 1>I think, but it was a fundraiser, so you probably

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<v Speaker 1>could use real money, but it wasn't like you were

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<v Speaker 1>going to get it back.

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<v Speaker 2>Correct, that's right, Like you buy in probably because this

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<v Speaker 2>is like a fundraiser in California. You're not allowed to

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<v Speaker 2>do that in California. So gambling like that, Yeah, you

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<v Speaker 2>get like chips, you can, you can have mock casinos,

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<v Speaker 2>but you'd like, I think you then take your chips

0:11:05.040 --> 0:11:06.480
<v Speaker 2>and buy like a Teddy Bear, do you know what

0:11:06.480 --> 0:11:06.760
<v Speaker 2>I mean?

0:11:06.880 --> 0:11:09.120
<v Speaker 1>Like, oh yeah, they did say like you could go

0:11:09.280 --> 0:11:11.920
<v Speaker 1>get your Casher chips in for prizes.

0:11:11.720 --> 0:11:15.600
<v Speaker 2>Right, And he was so obsessed. That was weird.

0:11:15.920 --> 0:11:17.240
<v Speaker 1>We have a lot to talk about.

0:11:17.320 --> 0:11:20.439
<v Speaker 2>But at the same time, I was like enjoyable callback

0:11:20.640 --> 0:11:23.120
<v Speaker 2>in that, Like if he truly was sort of a

0:11:23.120 --> 0:11:27.079
<v Speaker 2>gambling addict lack of a better word, he.

0:11:27.120 --> 0:11:27.839
<v Speaker 1>Still would be.

0:11:28.679 --> 0:11:31.480
<v Speaker 2>So I was like, Okay, I'm actually sort of okay

0:11:31.520 --> 0:11:34.400
<v Speaker 2>with this that they brought it back. It was just

0:11:34.559 --> 0:11:37.720
<v Speaker 2>so over the top for me, Like he was so

0:11:38.480 --> 0:11:41.839
<v Speaker 2>crazy at a fundraiser. I'm like, this isn't Vegas, dude,

0:11:41.960 --> 0:11:43.640
<v Speaker 2>Like this isn't real money.

0:11:44.160 --> 0:11:46.319
<v Speaker 1>We are gonna break it down.

0:11:54.520 --> 0:11:57.640
<v Speaker 3>Hey everyone, Amy Roboch here along with TJ Holmes, and

0:11:57.679 --> 0:12:00.520
<v Speaker 3>we have a very exciting amount what's been to make

0:12:00.559 --> 0:12:01.000
<v Speaker 3>to all of you.

0:12:01.280 --> 0:12:05.440
<v Speaker 4>We are expanding. We are now going to be coming

0:12:05.480 --> 0:12:09.679
<v Speaker 4>to you Monday through Friday for a new part of

0:12:09.720 --> 0:12:14.080
<v Speaker 4>our Amy and TJ franchise, if you will, the Morning Run.

0:12:14.120 --> 0:12:16.520
<v Speaker 4>We're going to help listeners navigate the busy news cycle

0:12:16.600 --> 0:12:19.880
<v Speaker 4>and the historic political season that the country is facing.

0:12:19.880 --> 0:12:21.800
<v Speaker 4>And we're going to do this now each and every day.

0:12:21.840 --> 0:12:24.040
<v Speaker 3>Wow, we have a news franchise now, I like the

0:12:24.040 --> 0:12:24.720
<v Speaker 3>way you put that.

0:12:24.920 --> 0:12:27.480
<v Speaker 1>We're going to be covering all the latest news headlines

0:12:27.520 --> 0:12:28.079
<v Speaker 1>for all of you.

0:12:28.320 --> 0:12:31.439
<v Speaker 3>We'll have entertainment updates, and we'll even give some perspective

0:12:31.559 --> 0:12:34.080
<v Speaker 3>on the current events that are happening right now. And this,

0:12:34.200 --> 0:12:38.160
<v Speaker 3>by the way, is in addition to our already established

0:12:38.160 --> 0:12:40.320
<v Speaker 3>bi weekly podcasts that we hope you guys are tuning

0:12:40.320 --> 0:12:44.000
<v Speaker 3>into as well, with more in depth conversations and interviews.

0:12:44.040 --> 0:12:47.480
<v Speaker 3>So we're going to be with you Monday through Friday

0:12:47.600 --> 0:12:51.440
<v Speaker 3>with Morning Run. Listen to morning run on the iHeartRadio app,

0:12:51.520 --> 0:12:54.439
<v Speaker 3>Apple Podcasts or wherever you listen to podcasts.

0:12:58.679 --> 0:13:02.200
<v Speaker 1>We're back. We are talking about season six, episode fourteenth,

0:13:02.320 --> 0:13:06.040
<v Speaker 1>Fortune Its Son air December thirteenth, nineteen ninety five. Amy,

0:13:06.080 --> 0:13:08.040
<v Speaker 1>you want to read this anopsens.

0:13:07.720 --> 0:13:11.880
<v Speaker 2>Brandon rolls the dice and almost loses his girlfriend. Meanwhile,

0:13:12.400 --> 0:13:14.840
<v Speaker 2>Valerie puts her money where her mouth is when it

0:13:14.840 --> 0:13:17.400
<v Speaker 2>comes to Colin. Yes, Steve, I know that was weird.

0:13:17.400 --> 0:13:19.400
<v Speaker 2>I can't wait to talk about that. Steve tries to

0:13:19.440 --> 0:13:22.600
<v Speaker 2>save his boss from getting fired. I enjoyed this, and

0:13:22.880 --> 0:13:27.559
<v Speaker 2>Donna tries to save a latchkey kid from being home alone.

0:13:27.960 --> 0:13:31.320
<v Speaker 2>I enjoyed these sort of secondary storylines.

0:13:31.880 --> 0:13:36.640
<v Speaker 1>Yes, directed by directed by James Fargo, written by so

0:13:36.760 --> 0:13:41.360
<v Speaker 1>many people, Lana Free, Stat Melman, Steve Wasserman, John Eisendratht,

0:13:41.440 --> 0:13:45.679
<v Speaker 1>John Welpley, Jessica Klein, and Larry Mullin. I mean, how

0:13:45.679 --> 0:13:47.480
<v Speaker 1>many people doesn't take to write an episode?

0:13:47.520 --> 0:13:47.679
<v Speaker 5>Do you?

0:13:47.679 --> 0:13:49.599
<v Speaker 2>Maybe they hich wrote one of the storylines.

0:13:50.080 --> 0:13:54.160
<v Speaker 1>Maybe that's the new boss is saying, everybody, take a

0:13:54.160 --> 0:13:55.840
<v Speaker 1>storyline and we'll all come together at the ard.

0:13:55.880 --> 0:13:58.319
<v Speaker 2>I'm not mad about it, because there was something about

0:13:58.320 --> 0:14:00.920
<v Speaker 2>this episode. That I liked in that I like not

0:14:01.040 --> 0:14:04.680
<v Speaker 2>going on. Lots going on. We've got this fundraiser, We've

0:14:04.679 --> 0:14:07.800
<v Speaker 2>got the whole storyline with Donna and working at the

0:14:07.800 --> 0:14:10.600
<v Speaker 2>convenience store by the way, who lets you fill in

0:14:10.640 --> 0:14:14.360
<v Speaker 2>for somebody at a place you don't work right for

0:14:14.520 --> 0:14:16.240
<v Speaker 2>one day just because you're on the.

0:14:16.200 --> 0:14:20.880
<v Speaker 1>Face fine, Like that was just I mean, she had

0:14:20.920 --> 0:14:23.200
<v Speaker 1>to get her shift covered, but yeah, you would normally

0:14:23.240 --> 0:14:24.920
<v Speaker 1>get your shift covered by somebody else that.

0:14:24.880 --> 0:14:27.000
<v Speaker 2>Works there, correct, Like how did she know how to

0:14:27.040 --> 0:14:29.120
<v Speaker 2>use the register? There's no training?

0:14:29.480 --> 0:14:32.960
<v Speaker 1>Like what is she selling alcohol and stuff? In the story?

0:14:33.080 --> 0:14:35.520
<v Speaker 1>Like that? That was just make sense, completely bananas.

0:14:35.960 --> 0:14:39.640
<v Speaker 2>Then the Steve storyline I was super into.

0:14:39.960 --> 0:14:43.040
<v Speaker 1>And how about so out there? Like where'd that come from? Though?

0:14:43.280 --> 0:14:46.360
<v Speaker 1>And the boss was such a bad guy.

0:14:46.480 --> 0:14:50.640
<v Speaker 2>That was like she basically said she doesn't sleep with me? What?

0:14:51.280 --> 0:14:53.800
<v Speaker 1>Like what insane?

0:14:55.240 --> 0:14:57.920
<v Speaker 2>The whole thing was so good. And Valerie, I don't

0:14:57.920 --> 0:15:00.400
<v Speaker 2>even get because I don't get your ex a nation,

0:15:00.600 --> 0:15:01.320
<v Speaker 2>which we'll get to.

0:15:01.640 --> 0:15:04.200
<v Speaker 1>We started the beach House where Donna shows off her

0:15:04.240 --> 0:15:07.720
<v Speaker 1>work uniform to Joe because yep, she's filling in for Lisa,

0:15:07.800 --> 0:15:10.960
<v Speaker 1>who's at a place she's never worked there's eleven or whatever.

0:15:11.520 --> 0:15:15.440
<v Speaker 2>No paperwork, no W nine or whatever you have to do.

0:15:15.840 --> 0:15:17.040
<v Speaker 1>Yeah, there's no training, the.

0:15:17.160 --> 0:15:20.120
<v Speaker 2>Right, no background check. Like they just trust her. I

0:15:20.200 --> 0:15:23.760
<v Speaker 2>mean yeah, very far fetched. Joe doesn't know where anything

0:15:23.840 --> 0:15:25.640
<v Speaker 2>is or how to do the job. But yet she

0:15:25.760 --> 0:15:26.440
<v Speaker 2>was crushing it.

0:15:27.360 --> 0:15:30.600
<v Speaker 1>She looked great. I thought the red lipstick was a

0:15:30.640 --> 0:15:31.360
<v Speaker 1>good choice.

0:15:31.400 --> 0:15:34.720
<v Speaker 2>She looked great. It was a great convenience store. But

0:15:34.760 --> 0:15:38.320
<v Speaker 2>it was like, I don't know the kid, I don't know,

0:15:38.600 --> 0:15:39.600
<v Speaker 2>I don't We're not there yet.

0:15:39.920 --> 0:15:41.840
<v Speaker 1>Joe tells Donna that he wants to drive her to

0:15:41.880 --> 0:15:44.320
<v Speaker 1>work because it's not a safe area, and when Donna

0:15:44.360 --> 0:15:49.760
<v Speaker 1>says it's safe for Lisa, Joe replies, it's because she's local. Doo.

0:15:51.320 --> 0:15:54.120
<v Speaker 1>Donna calls him out and says because she's black, and

0:15:54.200 --> 0:15:57.160
<v Speaker 1>Joe says, no, no, no, she's just looking out for her.

0:15:57.200 --> 0:15:59.520
<v Speaker 1>He's just looking out for her. Donna assures him she

0:15:59.560 --> 0:16:02.200
<v Speaker 1>will be fine, but he drives her anyway.

0:16:02.200 --> 0:16:05.000
<v Speaker 2>And get a map quest Joe, like, you can't get

0:16:05.000 --> 0:16:06.120
<v Speaker 2>out of the neighborhood.

0:16:06.200 --> 0:16:08.960
<v Speaker 1>You were born and raised here. Like did he get lost?

0:16:09.360 --> 0:16:11.920
<v Speaker 2>Yeah, that's why they they get lost, and then they

0:16:12.000 --> 0:16:16.240
<v Speaker 2>ran out of gas. I mean, first of all far fetched,

0:16:17.200 --> 0:16:18.359
<v Speaker 2>so far fetched.

0:16:18.760 --> 0:16:22.920
<v Speaker 1>Joe I also was like, wait, why how does she

0:16:23.040 --> 0:16:25.280
<v Speaker 1>know stand so well already? The guy that worked there,

0:16:25.440 --> 0:16:28.600
<v Speaker 1>Like they go way back. She's like Stan.

0:16:29.600 --> 0:16:33.960
<v Speaker 2>It was so she would Okay, keep going, we're going

0:16:34.040 --> 0:16:34.280
<v Speaker 2>over it.

0:16:34.280 --> 0:16:36.800
<v Speaker 1>Okay, we're going. I have to keep you on the rails.

0:16:36.920 --> 0:16:38.960
<v Speaker 2>Yeah, because I started wanted to play that storyline through.

0:16:39.000 --> 0:16:41.040
<v Speaker 2>It's almost like I was watching four different episodes.

0:16:41.720 --> 0:16:44.120
<v Speaker 1>That's the thing about the all the different right now. Yeah,

0:16:44.160 --> 0:16:47.280
<v Speaker 1>really three, which is kind of needle, but like also

0:16:47.800 --> 0:16:48.400
<v Speaker 1>very different.

0:16:48.920 --> 0:16:51.480
<v Speaker 2>Yeah, I would say it was three different, totally different

0:16:51.520 --> 0:16:55.760
<v Speaker 2>episodes because the gambling and the calling of it kind

0:16:55.760 --> 0:16:56.440
<v Speaker 2>of crossover.

0:16:56.960 --> 0:17:00.200
<v Speaker 1>Yeah, that felt like the a storyline. Yeah, because in

0:17:00.240 --> 0:17:02.520
<v Speaker 1>the Hub and the peapad so and then the other

0:17:02.560 --> 0:17:05.240
<v Speaker 1>and everything else was out and about. But I like

0:17:05.320 --> 0:17:08.440
<v Speaker 1>that how they're trying to service all the actors though.

0:17:08.440 --> 0:17:11.280
<v Speaker 2>That kind of Yeah, we finally got like a Steve storyline.

0:17:11.280 --> 0:17:12.840
<v Speaker 2>They finally gave him something to do.

0:17:14.000 --> 0:17:16.440
<v Speaker 1>We're at the peach pit after dark and Valerie walks

0:17:16.520 --> 0:17:20.400
<v Speaker 1>up to Kelly and says, thank you for that. Oh.

0:17:20.640 --> 0:17:24.359
<v Speaker 1>Valerie wants Kelly to thank her for letting her hold

0:17:24.400 --> 0:17:28.040
<v Speaker 1>her sorority casino. Night at the peach pit, and Kelly

0:17:28.040 --> 0:17:31.520
<v Speaker 1>reluctantly says thank you. Now it was such a bitch off.

0:17:31.560 --> 0:17:34.520
<v Speaker 2>It was who can be bitch here? And I was like,

0:17:34.760 --> 0:17:38.680
<v Speaker 2>this is great, I think Kelly actually can I agree? Although,

0:17:38.680 --> 0:17:41.840
<v Speaker 2>but Valerie is so conniving, like she is very kind

0:17:41.840 --> 0:17:42.919
<v Speaker 2>of bessive. Aggressive.

0:17:43.160 --> 0:17:47.040
<v Speaker 1>Yeah, Kelly was just aggressive Kelly. She val is like,

0:17:47.600 --> 0:17:50.800
<v Speaker 1>what how can I twist this into something that suits me?

0:17:50.960 --> 0:17:54.560
<v Speaker 1>And val and Kelly is more like defensive of like,

0:17:55.520 --> 0:17:56.760
<v Speaker 1>don't do that. She doesn't.

0:17:56.840 --> 0:17:59.400
<v Speaker 2>Kelly is just so done with this girl, and Valerie's

0:17:59.400 --> 0:18:00.439
<v Speaker 2>just still going for it.

0:18:00.520 --> 0:18:02.480
<v Speaker 1>Oh my god, you think that they would stay away

0:18:02.480 --> 0:18:05.240
<v Speaker 1>from each other. We head back to the blackjack table,

0:18:05.280 --> 0:18:07.840
<v Speaker 1>where Brandon tells Steve to go home and rest up

0:18:07.840 --> 0:18:11.560
<v Speaker 1>for his talent agency internship. So that's the first time

0:18:11.600 --> 0:18:14.000
<v Speaker 1>we learn about what's gonna happen with Steve coming up.

0:18:15.000 --> 0:18:17.640
<v Speaker 1>Steve tells him that he's been assigned to a hot

0:18:18.040 --> 0:18:21.760
<v Speaker 1>female agent with no talent. But why would she have

0:18:21.840 --> 0:18:25.040
<v Speaker 1>no talent? Well, no, I think she has no talent.

0:18:25.200 --> 0:18:28.320
<v Speaker 1>He Steve is assigned to a hot female agent with

0:18:28.400 --> 0:18:30.480
<v Speaker 1>no talent, meaning she doesn't want, she doesn't have any

0:18:30.640 --> 0:18:32.879
<v Speaker 1>she doesn't have any clients. Come to find out she

0:18:32.880 --> 0:18:36.960
<v Speaker 1>doesn't have any talent either. But yeah, right, she's a

0:18:37.000 --> 0:18:40.320
<v Speaker 1>cute haircut though. Yeah, she was anorable. She reminded me

0:18:40.359 --> 0:18:43.040
<v Speaker 1>of like the other Bonds that we've had on the show. Yes,

0:18:44.480 --> 0:18:48.119
<v Speaker 1>all the all the other bonds she does. Yes, Susan

0:18:48.160 --> 0:18:50.439
<v Speaker 1>comes over and Brandon says that he will teach her

0:18:50.520 --> 0:18:51.240
<v Speaker 1>how to gamble.

0:18:51.440 --> 0:18:56.160
<v Speaker 2>Oh boy, Susan. I just she trips me out because

0:18:56.520 --> 0:19:01.320
<v Speaker 2>I really remember these episodes and yet not Susan. It's

0:19:01.320 --> 0:19:04.359
<v Speaker 2>like so weird. I remember all this, I remember this

0:19:04.400 --> 0:19:07.520
<v Speaker 2>whole season, and yet she was so.

0:19:09.320 --> 0:19:10.240
<v Speaker 1>Not in my mind.

0:19:10.280 --> 0:19:14.000
<v Speaker 2>But yet she's in every episode and she's very prominent

0:19:14.400 --> 0:19:16.520
<v Speaker 2>and major, and it's like nothing.

0:19:16.359 --> 0:19:18.919
<v Speaker 1>And she's and she's spunky and like says things that

0:19:19.400 --> 0:19:22.520
<v Speaker 1>you know, she feels memorable as I'm watching it now,

0:19:23.960 --> 0:19:25.600
<v Speaker 1>but I don't really doesn't.

0:19:25.960 --> 0:19:28.679
<v Speaker 2>Honestly, do you remember hanging out with her?

0:19:28.760 --> 0:19:28.840
<v Speaker 3>No?

0:19:29.000 --> 0:19:32.800
<v Speaker 1>I saw her not that long ago and we were

0:19:32.840 --> 0:19:34.720
<v Speaker 1>passing and she said hi to me, and I had

0:19:34.760 --> 0:19:35.560
<v Speaker 1>no clue who it was.

0:19:35.640 --> 0:19:38.240
<v Speaker 2>Yeah, it's like she bless her heart. Like it's so

0:19:38.440 --> 0:19:40.679
<v Speaker 2>weird because I in the.

0:19:40.720 --> 0:19:44.400
<v Speaker 1>Color she's a talented actress, like and I remember everything

0:19:44.440 --> 0:19:48.000
<v Speaker 1>about Joe everything, So maybe that was just I think

0:19:48.000 --> 0:19:53.879
<v Speaker 1>it's the abs. Yeah, yeah, let's see inside the peach bit.

0:19:54.000 --> 0:19:57.960
<v Speaker 1>Nat reminds brand No, this is he gets real Brandon. Yeah,

0:19:58.000 --> 0:20:01.439
<v Speaker 1>you got a gambling addiction. Brandon assures him that he

0:20:01.480 --> 0:20:03.760
<v Speaker 1>doesn't want to go through that again. And there was

0:20:03.840 --> 0:20:07.760
<v Speaker 1>a flashback scene where Duke played by Billy Vera that

0:20:07.920 --> 0:20:12.000
<v Speaker 1>was rad is collecting Brandon's gambling debt. So he does

0:20:12.119 --> 0:20:14.280
<v Speaker 1>in his mind, He's like, ooh, that takes me back

0:20:14.280 --> 0:20:15.040
<v Speaker 1>to a bad place.

0:20:15.200 --> 0:20:17.359
<v Speaker 2>And that's probably so mad because Mad had to bail

0:20:17.400 --> 0:20:19.520
<v Speaker 2>him out. Didn't that have to give him ten grand?

0:20:20.640 --> 0:20:23.880
<v Speaker 1>Yeah? Yeah, didn't that? He never got that money back.

0:20:24.119 --> 0:20:26.879
<v Speaker 1>I don't really remember where would he get it? How

0:20:26.880 --> 0:20:29.080
<v Speaker 1>would Brandon get ten thousand dollars back?

0:20:29.080 --> 0:20:32.800
<v Speaker 2>Then, I'd be like sixty thousand dollars or one hundred

0:20:32.800 --> 0:20:34.880
<v Speaker 2>thousand dollars, whoa, it's a lot.

0:20:35.760 --> 0:20:39.560
<v Speaker 1>Yeah, So when you put it into that context, he

0:20:39.640 --> 0:20:42.040
<v Speaker 1>did have a really bad gambling problem in one.

0:20:41.960 --> 0:20:44.520
<v Speaker 2>Episode, in one episode, yeah, I think it had. Maybe

0:20:44.560 --> 0:20:46.640
<v Speaker 2>I think it might have been a couple two episodes,

0:20:46.720 --> 0:20:49.159
<v Speaker 2>but we have heard nothing of it in many years,

0:20:50.119 --> 0:20:52.000
<v Speaker 2>and then now it's back.

0:20:52.480 --> 0:20:55.720
<v Speaker 1>Back Kelly's sitting in a booth and Colin comes over

0:20:55.760 --> 0:20:58.680
<v Speaker 1>and they talk about the charity event and how one

0:20:58.720 --> 0:21:03.840
<v Speaker 1>of the prizes is a sitting with the famous Colin

0:21:04.359 --> 0:21:11.199
<v Speaker 1>what's his last name? No clue, Collin Gucci the artist,

0:21:12.000 --> 0:21:12.600
<v Speaker 1>and then make.

0:21:12.480 --> 0:21:14.960
<v Speaker 2>A real problem with this storyline because the payoff makes

0:21:15.359 --> 0:21:16.960
<v Speaker 2>no sense whatsoever.

0:21:17.440 --> 0:21:20.440
<v Speaker 1>They kiss and Valerie is, of course peeping in the background.

0:21:21.040 --> 0:21:24.560
<v Speaker 1>He's visibly upset by it. Why and I don't know why?

0:21:24.640 --> 0:21:25.240
<v Speaker 2>Why David.

0:21:25.280 --> 0:21:27.520
<v Speaker 1>I'd be like, you're done, You're done.

0:21:28.920 --> 0:21:32.960
<v Speaker 2>What's her what's her fixation? She wants to relive like camp?

0:21:33.040 --> 0:21:34.919
<v Speaker 2>Remember they made out in camp or something?

0:21:37.040 --> 0:21:37.399
<v Speaker 4>Weird.

0:21:37.880 --> 0:21:43.359
<v Speaker 2>Colin just is so ugh. I'm not a Calling fan.

0:21:43.600 --> 0:21:46.280
<v Speaker 1>You are so not a Calling fan because I watching.

0:21:46.480 --> 0:21:48.360
<v Speaker 1>I was a fan of his in the moment, but.

0:21:48.359 --> 0:21:52.000
<v Speaker 2>Wait till later. The problem is he's so bad later

0:21:52.119 --> 0:21:53.919
<v Speaker 2>that I can't go back and now, like him in

0:21:53.920 --> 0:21:55.560
<v Speaker 2>the beginning, I'm like, this guy sucks.

0:21:55.680 --> 0:21:59.320
<v Speaker 1>He feels schwarmie. Is that a word?

0:21:59.640 --> 0:22:03.480
<v Speaker 2>Yes, yeah, schmarmy. I think is like bugs that are

0:22:03.520 --> 0:22:05.280
<v Speaker 2>gathering around you. But schmarmy, No.

0:22:05.359 --> 0:22:09.359
<v Speaker 1>That's a swarm, oh swarm. But schmarmie is like, maybe

0:22:09.359 --> 0:22:11.639
<v Speaker 1>you eat a phish Kebob or something. I don't know.

0:22:11.800 --> 0:22:14.879
<v Speaker 2>He's schmarmy. And he was sleeping with that woman and

0:22:14.920 --> 0:22:16.239
<v Speaker 2>you just forgave for that.

0:22:16.600 --> 0:22:21.200
<v Speaker 1>Why did she like this, Kelly? No, he was sleeping

0:22:21.240 --> 0:22:21.720
<v Speaker 1>with that woman.

0:22:21.800 --> 0:22:26.639
<v Speaker 2>Yes, I watched he watched that a while ago. Yes,

0:22:27.480 --> 0:22:31.520
<v Speaker 2>he was like, she was like his sugar mama, sugar mama. Oh,

0:22:31.600 --> 0:22:32.760
<v Speaker 2>get back with Brandon.

0:22:32.880 --> 0:22:35.680
<v Speaker 1>My gosh, let's go to the talent agency. Steve is

0:22:35.720 --> 0:22:40.600
<v Speaker 1>there answering the phone accurate, set accurate, set the cubicles.

0:22:41.600 --> 0:22:44.280
<v Speaker 1>And then there there's like a thirty eight year old male,

0:22:44.480 --> 0:22:46.480
<v Speaker 1>a guy that works in the mail room. A thirty

0:22:46.520 --> 0:22:48.800
<v Speaker 1>eight year old man who works in the mail room

0:22:48.840 --> 0:22:49.880
<v Speaker 1>and comes around and says.

0:22:49.680 --> 0:22:51.040
<v Speaker 2>But he's also in the fraternity.

0:22:51.680 --> 0:22:53.000
<v Speaker 1>Yeah, And then he says, are you going to go

0:22:53.040 --> 0:22:54.040
<v Speaker 1>to the peach pit after dark?

0:22:54.119 --> 0:22:54.199
<v Speaker 4>Like?

0:22:54.240 --> 0:22:56.239
<v Speaker 1>What is this guy his life is?

0:22:56.640 --> 0:22:58.679
<v Speaker 2>But he said, he goes to see you also, and

0:22:58.680 --> 0:23:01.520
<v Speaker 2>it's just in a different for term. That guy he

0:23:01.600 --> 0:23:06.159
<v Speaker 2>just looked old. Yeah, we think he is in his twenties.

0:23:07.520 --> 0:23:10.120
<v Speaker 2>The mailroom's probably pretty accurate, though, don't you know, don't

0:23:10.160 --> 0:23:11.960
<v Speaker 2>you remember when we were young, all those people that

0:23:12.000 --> 0:23:14.200
<v Speaker 2>would go work at the agency's it still.

0:23:14.040 --> 0:23:18.160
<v Speaker 1>Happens, you guys. My daughter Lola's boyfriend, Gabe Hi Gabe.

0:23:18.400 --> 0:23:22.920
<v Speaker 1>He just did an internship at a big management firm

0:23:23.600 --> 0:23:26.360
<v Speaker 1>and there were people he didn't start out in the mailroom,

0:23:26.359 --> 0:23:29.240
<v Speaker 1>but there were people in his internship that were starting

0:23:29.240 --> 0:23:29.800
<v Speaker 1>out in the mailroom.

0:23:29.880 --> 0:23:33.360
<v Speaker 2>Yeah, they make you I mean this room.

0:23:33.400 --> 0:23:35.840
<v Speaker 1>Is there actual mail in the mailroom still or how

0:23:35.880 --> 0:23:36.480
<v Speaker 1>does that work?

0:23:36.800 --> 0:23:40.600
<v Speaker 2>Because of that is a great question that the mailroom

0:23:40.720 --> 0:23:42.200
<v Speaker 2>probably is not as.

0:23:42.280 --> 0:23:45.320
<v Speaker 1>Who mails things these days, right, is not as much

0:23:45.320 --> 0:23:48.679
<v Speaker 1>of a priority as it probably was back in the

0:23:48.760 --> 0:23:52.240
<v Speaker 1>day because you just email it. Maybe you're just fielding

0:23:52.560 --> 0:23:53.600
<v Speaker 1>general emails.

0:23:54.119 --> 0:23:56.920
<v Speaker 2>When I started working this, well, people are going to

0:23:56.960 --> 0:23:57.520
<v Speaker 2>be bored by.

0:23:57.400 --> 0:23:59.199
<v Speaker 1>The story, but that's okay, I won't be.

0:23:59.560 --> 0:24:02.479
<v Speaker 2>There was no email. So if the if the general

0:24:02.520 --> 0:24:06.560
<v Speaker 2>manager who I worked for, needed to send something to

0:24:06.840 --> 0:24:11.919
<v Speaker 2>the you know person down in the newsroom, he would

0:24:12.000 --> 0:24:15.679
<v Speaker 2>type it, put it in an envelope, hand it to me.

0:24:16.000 --> 0:24:17.880
<v Speaker 2>I had to put it in a different He would

0:24:17.880 --> 0:24:22.760
<v Speaker 2>type it on paper, Type it on paper, do or

0:24:22.840 --> 0:24:25.159
<v Speaker 2>have an assistant type it so he would type it,

0:24:25.240 --> 0:24:27.959
<v Speaker 2>say it into a little dictaphone. She would type it,

0:24:28.280 --> 0:24:30.160
<v Speaker 2>put it in an envelope, It would then go into

0:24:30.200 --> 0:24:34.720
<v Speaker 2>a yellow sort of Manila envelope and tell me where

0:24:34.720 --> 0:24:38.200
<v Speaker 2>to go. I would then carry it from the big

0:24:38.240 --> 0:24:42.480
<v Speaker 2>office upstairs, down the stairs, down the hallway down to

0:24:42.520 --> 0:24:45.879
<v Speaker 2>the newsroom, and then I would either wait for a

0:24:45.960 --> 0:24:48.320
<v Speaker 2>response to bring it back up.

0:24:48.640 --> 0:24:48.840
<v Speaker 4>Wait.

0:24:48.840 --> 0:24:51.720
<v Speaker 1>They didn't have elevators. I don't go on elevators, but

0:24:51.720 --> 0:24:53.800
<v Speaker 1>there was an elevator, or they would.

0:24:53.920 --> 0:24:56.439
<v Speaker 2>I would drop it off, go back and wait and

0:24:56.480 --> 0:24:59.000
<v Speaker 2>then like somebody would deliver the response. I mean, it

0:24:59.080 --> 0:25:02.200
<v Speaker 2>was so crazy. I did that all day long. Take

0:25:02.240 --> 0:25:04.960
<v Speaker 2>a letter down to there, take this letter back up

0:25:05.000 --> 0:25:06.399
<v Speaker 2>there because there was no email.

0:25:06.960 --> 0:25:09.920
<v Speaker 1>I don't really love this story. You really got your

0:25:09.920 --> 0:25:11.639
<v Speaker 1>steps in though, totally.

0:25:11.680 --> 0:25:14.920
<v Speaker 2>This was in the early nineties and that was how

0:25:14.920 --> 0:25:19.440
<v Speaker 2>you communicated a memo through Amy Sugarman. Yeah, just carrying

0:25:19.480 --> 0:25:22.000
<v Speaker 2>stuff all over the office.

0:25:22.240 --> 0:25:22.720
<v Speaker 1>Here I go.

0:25:23.920 --> 0:25:26.280
<v Speaker 2>Yeah, and I worked for the big boss. So people

0:25:26.280 --> 0:25:31.679
<v Speaker 2>would be if and terrified like an envelope, and if

0:25:31.720 --> 0:25:35.440
<v Speaker 2>it was really serious, it would say personal and confidential.

0:25:35.960 --> 0:25:39.639
<v Speaker 2>That meant oh, like what happened to the lady in

0:25:39.640 --> 0:25:42.800
<v Speaker 2>this episode. That was so real, except that was weird

0:25:42.800 --> 0:25:44.760
<v Speaker 2>that it came in the mail. But maybe we were

0:25:44.800 --> 0:25:48.960
<v Speaker 2>not too It wasn't mail, it was an inner office delivery.

0:25:50.119 --> 0:25:56.359
<v Speaker 1>Yeah, yes, wow, let's go to Oh no, no, let's

0:25:56.359 --> 0:25:58.399
<v Speaker 1>figure this out. Hold on one second. Sorry, sorry, sorry

0:25:58.800 --> 0:26:02.040
<v Speaker 1>at the talent agency. So he gets the that he

0:26:02.080 --> 0:26:04.480
<v Speaker 1>gets the invite to the peepad after dark from the

0:26:04.480 --> 0:26:07.640
<v Speaker 1>old guy, and then Steve is answering the phones and

0:26:08.320 --> 0:26:10.880
<v Speaker 1>he's very professional. Yes, he's very good at his john,

0:26:10.960 --> 0:26:14.879
<v Speaker 1>really good with absolutely no. I guess it's been around

0:26:14.920 --> 0:26:18.560
<v Speaker 1>it right, like from from Samantha. And then Tammy Kane,

0:26:19.800 --> 0:26:23.960
<v Speaker 1>the cute blonde lady, is already annoyed with him. She's

0:26:24.200 --> 0:26:26.200
<v Speaker 1>very yes, she doesn't like him from the get.

0:26:25.960 --> 0:26:29.080
<v Speaker 2>Go, right, but then that switches when she realizes he's

0:26:29.160 --> 0:26:33.760
<v Speaker 2>like the boss's friend. She perked right up.

0:26:34.320 --> 0:26:39.239
<v Speaker 1>Yeah. Then then his dad's friend Scottie comes in and

0:26:39.280 --> 0:26:45.280
<v Speaker 1>well this yeah guy. Hey, Tammy asks Scotti to assign

0:26:45.280 --> 0:26:48.520
<v Speaker 1>Steve to her permanently.

0:26:48.359 --> 0:26:52.800
<v Speaker 2>Right because because now she overheard there friend there that

0:26:52.920 --> 0:26:55.720
<v Speaker 2>he knows the big boss somehow and he's tight with

0:26:55.760 --> 0:26:57.200
<v Speaker 2>the big boss. And the big Boss was like, let's

0:26:57.240 --> 0:26:59.200
<v Speaker 2>grow up lunch, and suddenly she was like.

0:26:59.840 --> 0:27:02.720
<v Speaker 1>I need to keep this guy. Very smart cookie.

0:27:02.880 --> 0:27:04.680
<v Speaker 2>Maybe she knew she wasn't good at her job.

0:27:05.720 --> 0:27:08.440
<v Speaker 1>Maybe that was going to help her bag at the

0:27:08.520 --> 0:27:11.479
<v Speaker 1>liquor store. We find that Donna has finally made her

0:27:11.520 --> 0:27:15.400
<v Speaker 1>way there without a Way's map. Thank god. I wanted

0:27:15.480 --> 0:27:19.440
<v Speaker 1>to be like, can you print out a map? Quest right?

0:27:19.560 --> 0:27:21.000
<v Speaker 2>Remember you have to use you just have to print

0:27:21.040 --> 0:27:24.040
<v Speaker 2>that out. Yeah, you'd be like, where am I going?

0:27:24.119 --> 0:27:27.359
<v Speaker 2>Let me get the directions printed out. I don't know

0:27:27.400 --> 0:27:29.480
<v Speaker 2>how we got Remember, I, first of all, I hate

0:27:29.480 --> 0:27:32.240
<v Speaker 2>when I don't say remember the word is not member,

0:27:32.520 --> 0:27:33.440
<v Speaker 2>it's remember.

0:27:34.600 --> 0:27:35.480
<v Speaker 1>I never had the.

0:27:35.520 --> 0:27:37.080
<v Speaker 2>Thomas Guide that.

0:27:38.560 --> 0:27:40.000
<v Speaker 1>I didn't know that guide.

0:27:40.359 --> 0:27:41.880
<v Speaker 2>I know because I didn't live here.

0:27:42.200 --> 0:27:44.760
<v Speaker 1>People that don't know that don't live here don't know

0:27:44.760 --> 0:27:46.760
<v Speaker 1>what a Tom's Guide is. But if you ever lived

0:27:46.800 --> 0:27:49.600
<v Speaker 1>in LA in the nineties, you know what a Tom's

0:27:49.600 --> 0:27:54.200
<v Speaker 1>Guide is. It's like this thick bible and you turn

0:27:54.280 --> 0:27:55.960
<v Speaker 1>it and you like find the address you want to

0:27:55.960 --> 0:27:58.119
<v Speaker 1>go to, and then you go find that piece of

0:27:58.119 --> 0:28:00.679
<v Speaker 1>paper that corresponds with that number, and then you go

0:28:00.800 --> 0:28:04.200
<v Speaker 1>down on one side and then down. It felt very scientific.

0:28:03.880 --> 0:28:06.040
<v Speaker 2>Razy that you guys could figure out how to do it.

0:28:06.320 --> 0:28:09.280
<v Speaker 1>I razy loved the Thomas Guide, and in fact, if

0:28:09.320 --> 0:28:11.159
<v Speaker 1>I could have one again, I would go back to

0:28:11.200 --> 0:28:13.440
<v Speaker 1>it because it actually made you use your brain.

0:28:13.640 --> 0:28:17.000
<v Speaker 2>It made my head explode because I came. I moved

0:28:17.000 --> 0:28:19.480
<v Speaker 2>here right as I think it was called map quest,

0:28:19.480 --> 0:28:21.359
<v Speaker 2>and you would like put it in a computer and

0:28:21.440 --> 0:28:24.480
<v Speaker 2>it would print out the directions, like turn by turn directions. Yeah,

0:28:24.480 --> 0:28:26.840
<v Speaker 2>but people still were doing Thomas guides and I was like,

0:28:26.920 --> 0:28:29.800
<v Speaker 2>I don't know how you possibly are doing that. It

0:28:29.880 --> 0:28:32.520
<v Speaker 2>was like a map reading. It was in a very

0:28:32.560 --> 0:28:34.800
<v Speaker 2>thick book because there's a lot of streets in Race

0:28:35.359 --> 0:28:38.480
<v Speaker 2>totally bananas. Anyway, Anyway, I don't know why we're talking

0:28:38.520 --> 0:28:40.440
<v Speaker 2>about that. Oh yeah, because she got to the candy, got.

0:28:40.360 --> 0:28:43.560
<v Speaker 1>To the thing. Yeah. Donna's working in the cast register

0:28:43.640 --> 0:28:46.560
<v Speaker 1>when a kid comes up to her to price check

0:28:46.920 --> 0:28:49.920
<v Speaker 1>a Teddy Bear. He says that it's for his brother's birthday,

0:28:50.200 --> 0:28:54.080
<v Speaker 1>but he says he forgot it. But he says forget it.

0:28:54.400 --> 0:28:57.120
<v Speaker 1>When Donna says it it's four dollars in ninety ninety cents,

0:28:57.400 --> 0:29:01.880
<v Speaker 1>a kid tries to steal the pusu ninety nine. That's fun. Yeah,

0:29:01.920 --> 0:29:05.760
<v Speaker 1>well kids, So the kid decides obviously to steal it,

0:29:06.960 --> 0:29:11.360
<v Speaker 1>but I'm sure the worth or that stops him, and

0:29:11.440 --> 0:29:13.600
<v Speaker 1>Donna jumps in and covers for the kid and says

0:29:13.600 --> 0:29:15.560
<v Speaker 1>that he paid for the teddy bear and then she

0:29:15.600 --> 0:29:17.640
<v Speaker 1>puts her own money in the cash register. Was very

0:29:17.680 --> 0:29:18.960
<v Speaker 1>sweet of her, very very sweet.

0:29:18.960 --> 0:29:21.000
<v Speaker 2>And I had a moment of panic because I saw

0:29:21.000 --> 0:29:22.920
<v Speaker 2>her put the five in and I thought, she's not

0:29:22.920 --> 0:29:24.960
<v Speaker 2>gonna remember the tax. She's not going to remember the

0:29:25.000 --> 0:29:26.920
<v Speaker 2>tax and at the end of the day, the cash

0:29:26.920 --> 0:29:29.960
<v Speaker 2>register is not gonna had up right, But she then

0:29:30.200 --> 0:29:31.320
<v Speaker 2>blopped some coins in.

0:29:32.080 --> 0:29:32.880
<v Speaker 1>Wow, very sweet?

0:29:32.920 --> 0:29:34.920
<v Speaker 2>Did remember the tax? How she knows how to use

0:29:34.960 --> 0:29:36.920
<v Speaker 2>that cash reister? Or do tax?

0:29:37.600 --> 0:29:40.440
<v Speaker 1>I know you. Joe comes to pick Donna up after

0:29:40.520 --> 0:29:43.720
<v Speaker 1>work and that kid Isaiah with a teddy Bear is

0:29:43.760 --> 0:29:46.960
<v Speaker 1>waiting outside to thank her and tells her that he

0:29:47.000 --> 0:29:49.040
<v Speaker 1>wants her to know that she's not he's not a thief.

0:29:49.400 --> 0:29:51.000
<v Speaker 1>I liked him from the start, that little kid. I

0:29:51.040 --> 0:29:56.080
<v Speaker 1>was like, this kid's actually cool and I'm into it. Yeah,

0:29:56.360 --> 0:29:57.400
<v Speaker 1>he's really cute.

0:29:57.720 --> 0:30:00.600
<v Speaker 2>Storyline has no connection to anything else happening in this

0:30:00.640 --> 0:30:02.800
<v Speaker 2>whole episode, though, as I realized.

0:30:02.480 --> 0:30:03.440
<v Speaker 1>That, which I don't mind.

0:30:03.960 --> 0:30:06.080
<v Speaker 2>I know, but I definitely think you're right that like

0:30:06.440 --> 0:30:09.400
<v Speaker 2>those writers to talk.

0:30:09.960 --> 0:30:16.440
<v Speaker 1>Yeah, maybe you should have second in the room. Back

0:30:16.480 --> 0:30:19.640
<v Speaker 1>at the talent agency, the male guy talks to Steve

0:30:19.720 --> 0:30:22.360
<v Speaker 1>and mentions the kid care benefit of the peach pit

0:30:22.440 --> 0:30:24.320
<v Speaker 1>after dark and that he's going to go even though

0:30:24.360 --> 0:30:27.760
<v Speaker 1>he's way, way, way too old. He's in college, isn't.

0:30:27.920 --> 0:30:29.240
<v Speaker 2>He's like in the opposing for terms.

0:30:29.560 --> 0:30:31.160
<v Speaker 1>That man is not in college.

0:30:31.200 --> 0:30:33.200
<v Speaker 2>I'm sorry, he's not a keg man. He's like an

0:30:33.280 --> 0:30:34.160
<v Speaker 2>SAE or something.

0:30:34.200 --> 0:30:36.040
<v Speaker 1>I don't know. Does that mean you've been out of

0:30:36.040 --> 0:30:38.720
<v Speaker 1>college for twenty years? Because that's how old he was.

0:30:38.960 --> 0:30:41.600
<v Speaker 2>Look at how bless your heart Steve is.

0:30:41.760 --> 0:30:45.400
<v Speaker 1>I can't well, I believe old. I believe he's there.

0:30:46.640 --> 0:30:49.560
<v Speaker 1>Steve opens Tammy's personal and confidential mail.

0:30:49.640 --> 0:30:52.400
<v Speaker 2>What if you said to she said too, she said,

0:30:52.440 --> 0:30:54.240
<v Speaker 2>I don't like rips. Remember he had to use the

0:30:54.320 --> 0:30:59.040
<v Speaker 2>like letter cutter letter opener, and then he finds that.

0:30:59.400 --> 0:31:01.960
<v Speaker 1>Yeah, he find that she's got a termination letter. So

0:31:02.000 --> 0:31:04.840
<v Speaker 1>we quickly makes another envelope and seals the letter back up,

0:31:04.840 --> 0:31:05.520
<v Speaker 1>so she doesn't know.

0:31:05.760 --> 0:31:08.760
<v Speaker 2>I don't think anyone gets fired with a letter, but

0:31:08.840 --> 0:31:10.920
<v Speaker 2>I could be wrong. Right that felt it feels like

0:31:10.920 --> 0:31:14.680
<v Speaker 2>you get called in to somebody.

0:31:15.000 --> 0:31:19.440
<v Speaker 1>She comes by, she gets the letter and uh, we

0:31:19.520 --> 0:31:22.920
<v Speaker 1>see Tammy cry. Oh yeah, that was actually painful. Yeah,

0:31:22.960 --> 0:31:25.360
<v Speaker 1>because she did not see that coming. No, we've known

0:31:25.400 --> 0:31:29.080
<v Speaker 1>her for thirty three seconds, already invested in her livelihood.

0:31:29.240 --> 0:31:31.720
<v Speaker 2>Yeah, like, I don't know you, but I care and

0:31:31.720 --> 0:31:37.480
<v Speaker 2>I'm sorry you got shit canned by this very creepy boss. Yeah, Like,

0:31:37.480 --> 0:31:40.360
<v Speaker 2>why don't you just go back and be like, don't

0:31:40.360 --> 0:31:48.280
<v Speaker 2>fire me because you're creepy and gross.

0:31:52.200 --> 0:31:55.760
<v Speaker 6>Jenny Garth, Jana Kramer, Amy Roeboch and TJ. Holmes bring

0:31:55.840 --> 0:31:59.280
<v Speaker 6>you I Do Part two, one of a kind experiment

0:31:59.320 --> 0:32:01.880
<v Speaker 6>in podcast to help you find love again. If you

0:32:01.920 --> 0:32:03.680
<v Speaker 6>didn't get it right the first time, it's time to

0:32:03.720 --> 0:32:06.400
<v Speaker 6>try try again, as they guide you through this podcast

0:32:06.480 --> 0:32:07.560
<v Speaker 6>experiment in dating.

0:32:07.760 --> 0:32:11.280
<v Speaker 5>Hey, I'm Jana Kramer. As they say, those that cannot

0:32:11.360 --> 0:32:14.640
<v Speaker 5>do teach. Actually, I think I finally got it right,

0:32:14.680 --> 0:32:17.760
<v Speaker 5>So take the failures I've had the second or even

0:32:17.760 --> 0:32:19.960
<v Speaker 5>third whatever, maybe the fourth time around.

0:32:20.160 --> 0:32:23.840
<v Speaker 1>I'm Jenny Garth. Twenty nine years ago, Kelly Taylor said

0:32:23.880 --> 0:32:27.160
<v Speaker 1>these words, I choose me. She made her choice, She

0:32:27.360 --> 0:32:31.560
<v Speaker 1>chose herself when it comes to love, choose you first.

0:32:31.920 --> 0:32:34.080
<v Speaker 2>Hi, everyone, I'm Amy Rovoch and I'm TJ.

0:32:34.240 --> 0:32:38.360
<v Speaker 4>Holmes, and we are well not necessarily relationship experts. If

0:32:38.360 --> 0:32:41.000
<v Speaker 4>you're ready to dive back into the dating pool and

0:32:41.040 --> 0:32:44.560
<v Speaker 4>find lasting love. Finally, we want to help.

0:32:44.600 --> 0:32:47.480
<v Speaker 5>Listen to I Do Part two starting September nineteenth on

0:32:47.560 --> 0:32:51.480
<v Speaker 5>the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts.

0:32:55.880 --> 0:32:58.479
<v Speaker 1>We go back where Joe has picked Anna up and

0:32:58.480 --> 0:33:03.680
<v Speaker 1>he's driving the streets of la and he again he

0:33:03.880 --> 0:33:08.360
<v Speaker 1>gets lost, all nervous, gets lost in mad neighborhood, bad neighborhood.

0:33:08.640 --> 0:33:10.440
<v Speaker 1>He's on the other side of the tracks. If you

0:33:10.640 --> 0:33:11.160
<v Speaker 1>oh got it?

0:33:12.680 --> 0:33:12.960
<v Speaker 2>Uh?

0:33:13.600 --> 0:33:18.080
<v Speaker 1>Donna asks why men never ask for directions? And then

0:33:18.320 --> 0:33:22.760
<v Speaker 1>he runs completely out of gas. First of all, very

0:33:22.800 --> 0:33:24.800
<v Speaker 1>predictable and stupid.

0:33:26.240 --> 0:33:29.880
<v Speaker 2>I'm like, okay, we all know we have thirty miles

0:33:29.920 --> 0:33:32.360
<v Speaker 2>at least when the light goes on. Yeah, so that

0:33:32.480 --> 0:33:35.200
<v Speaker 2>means he started out with the light in Beverly Hill.

0:33:35.680 --> 0:33:36.320
<v Speaker 1>This is the thing.

0:33:37.000 --> 0:33:40.720
<v Speaker 2>Beverly Hills to wherever they are is literally nine miles.

0:33:40.920 --> 0:33:44.720
<v Speaker 2>It could take an hour, correct, but it's it's all

0:33:44.760 --> 0:33:47.520
<v Speaker 2>real close. So he'd left the house with the light on,

0:33:48.080 --> 0:33:50.360
<v Speaker 2>you know, the gas he and he had old day

0:33:50.400 --> 0:33:51.280
<v Speaker 2>to get gas.

0:33:51.680 --> 0:33:54.200
<v Speaker 1>It's just he dropped her off in the morning, and.

0:33:54.120 --> 0:33:56.680
<v Speaker 2>He's such a responsible guy. There's no way he was

0:33:56.720 --> 0:33:57.880
<v Speaker 2>criss around on fumes.

0:33:57.960 --> 0:33:59.760
<v Speaker 1>It's just not having it. Doesn't try to run out

0:33:59.760 --> 0:34:03.080
<v Speaker 1>of gas, have you? No, But I've been with my

0:34:03.600 --> 0:34:04.920
<v Speaker 1>Peter used to run out of gassle.

0:34:05.280 --> 0:34:07.200
<v Speaker 2>So the reason I ran out I ran. I've run

0:34:07.240 --> 0:34:10.120
<v Speaker 2>out of gas multiple times because I when I lived here,

0:34:11.160 --> 0:34:13.719
<v Speaker 2>I had a car and the gas cage broke. I

0:34:13.760 --> 0:34:17.440
<v Speaker 2>can't remember which that was good, So I had to

0:34:17.440 --> 0:34:19.200
<v Speaker 2>do it by the mile counter, Like every time I

0:34:19.200 --> 0:34:20.920
<v Speaker 2>got gas, you'd have to reset and go, I'm got

0:34:20.960 --> 0:34:23.680
<v Speaker 2>about three hundred miles and I would forget to look.

0:34:24.000 --> 0:34:24.799
<v Speaker 1>Yeah, that's so I.

0:34:24.800 --> 0:34:27.200
<v Speaker 2>Probably ran out of gas five times in that car.

0:34:28.800 --> 0:34:30.680
<v Speaker 2>That was that that the gas thing broke.

0:34:31.160 --> 0:34:33.760
<v Speaker 1>Did you ever run out of gas in an area

0:34:33.800 --> 0:34:36.200
<v Speaker 1>that you felt unsafe in? I ran out of gas

0:34:36.200 --> 0:34:40.399
<v Speaker 1>on the freeway, Like that'll do it. Wait what did

0:34:40.400 --> 0:34:40.719
<v Speaker 1>you do?

0:34:40.840 --> 0:34:42.479
<v Speaker 2>Did you call Triple A and just.

0:34:42.440 --> 0:34:44.319
<v Speaker 1>Like like I cheat over to the Yeah, I.

0:34:44.320 --> 0:34:45.840
<v Speaker 2>Don't remember being like panicked.

0:34:45.880 --> 0:34:46.960
<v Speaker 1>I might have made it off.

0:34:47.200 --> 0:34:49.480
<v Speaker 2>No, I mean many times I ran out of gas

0:34:49.520 --> 0:34:51.600
<v Speaker 2>and Triple A comes and they like kind of top

0:34:51.680 --> 0:34:52.439
<v Speaker 2>you off and then.

0:34:52.320 --> 0:34:55.520
<v Speaker 1>You wait, wait, if you we should tell the listeners

0:34:55.560 --> 0:34:58.000
<v Speaker 1>if you run out of gas on a freeway, our

0:34:58.040 --> 0:34:58.920
<v Speaker 1>freeways are.

0:34:58.800 --> 0:35:02.720
<v Speaker 2>Like six solarly so gnarly, Like this is what people

0:35:02.719 --> 0:35:04.799
<v Speaker 2>need to know that. I'm sure like tons of people

0:35:04.800 --> 0:35:06.799
<v Speaker 2>live in California that listen to us. But I just

0:35:06.880 --> 0:35:09.160
<v Speaker 2>drove down from San Francisco and it's a pretty chill

0:35:09.280 --> 0:35:11.560
<v Speaker 2>drive down the water. It was like two lanes maybe

0:35:12.080 --> 0:35:16.799
<v Speaker 2>minute you hit La. Like I Am not kidding. You

0:35:16.880 --> 0:35:19.960
<v Speaker 2>literally leave Ventura and you are now on the one

0:35:20.040 --> 0:35:23.880
<v Speaker 2>oh one in La. Immediately everyone's going fifteen miles faster.

0:35:24.239 --> 0:35:27.160
<v Speaker 2>It feels like that. Immediately my mom was in the

0:35:27.200 --> 0:35:28.799
<v Speaker 2>car and she's like, oh my god, and I go

0:35:29.000 --> 0:35:32.520
<v Speaker 2>wanna it's the second you get here, it's just people.

0:35:32.600 --> 0:35:34.719
<v Speaker 1>I've never I mean I've been all over the world.

0:35:34.719 --> 0:35:36.840
<v Speaker 1>I've never seen forree guys with that many lanes.

0:35:37.000 --> 0:35:39.680
<v Speaker 2>Very explaines like it's crazy.

0:35:40.200 --> 0:35:43.879
<v Speaker 1>I know that if I've I grew up in La,

0:35:44.000 --> 0:35:46.360
<v Speaker 1>so driving in that kind of traffic doesn't FaZe me

0:35:46.480 --> 0:35:49.040
<v Speaker 1>one bit. I'm like m zoom in and out of totally.

0:35:49.120 --> 0:35:50.839
<v Speaker 2>I said to my mom, you should never drive here,

0:35:50.920 --> 0:35:51.560
<v Speaker 2>Like I don't think.

0:35:51.400 --> 0:35:53.080
<v Speaker 1>She's get out for it. No, I don't think certain

0:35:53.080 --> 0:35:56.040
<v Speaker 1>people should drive here. Absolutely not. And then when you

0:35:56.120 --> 0:35:58.200
<v Speaker 1>teach your daughters to drive in LA like I had

0:35:58.239 --> 0:36:00.640
<v Speaker 1>to do. But now I know they can drive anywhere

0:36:00.640 --> 0:36:01.840
<v Speaker 1>and they can. Yeah, totally.

0:36:02.760 --> 0:36:04.360
<v Speaker 2>I don't see how people drive in New York, but

0:36:04.360 --> 0:36:05.640
<v Speaker 2>that would be a whole nother thing.

0:36:06.040 --> 0:36:10.160
<v Speaker 1>So anyway, anyway, Donna asks why men never ask for directions,

0:36:10.200 --> 0:36:11.640
<v Speaker 1>which is a good question.

0:36:12.760 --> 0:36:15.719
<v Speaker 2>It's like that's such an old time thing. Oh, gil up,

0:36:15.760 --> 0:36:18.920
<v Speaker 2>men can't answ for directions. That's like an old Do

0:36:18.920 --> 0:36:21.359
<v Speaker 2>you think that still holds though? Well, I think now

0:36:21.360 --> 0:36:23.200
<v Speaker 2>everyone has a phone you just type it in, so

0:36:23.239 --> 0:36:25.719
<v Speaker 2>it's not even around anymore. But that was that was

0:36:25.719 --> 0:36:27.640
<v Speaker 2>sort of an old tale.

0:36:27.680 --> 0:36:30.520
<v Speaker 1>Is all a time? This guy won't ask for directions?

0:36:30.600 --> 0:36:33.240
<v Speaker 1>His egos too big? Yeah, it looks like a loser.

0:36:33.960 --> 0:36:34.160
<v Speaker 5>Uh.

0:36:34.200 --> 0:36:37.680
<v Speaker 1>They leave Joe's truck parked and they go to look

0:36:37.719 --> 0:36:40.240
<v Speaker 1>for a phone or gas.

0:36:39.800 --> 0:36:43.359
<v Speaker 2>And immediately it's like the most dangerous place.

0:36:43.360 --> 0:36:47.200
<v Speaker 1>Yeh in America and on the streets and like that

0:36:47.520 --> 0:36:52.319
<v Speaker 1>drive by got like right, it's not like that. I mean,

0:36:52.520 --> 0:36:54.279
<v Speaker 1>it might be like that, and I just haven't been

0:36:54.320 --> 0:36:56.520
<v Speaker 1>to that neighborhood, but I have.

0:36:56.440 --> 0:37:02.200
<v Speaker 2>And I've never experienced that. Like that was really over

0:37:02.239 --> 0:37:04.560
<v Speaker 2>the top. The whole thing was just so over the top.

0:37:04.840 --> 0:37:06.279
<v Speaker 1>It was very extreme.

0:37:06.680 --> 0:37:09.799
<v Speaker 2>Actually, frankly was somewhat of an this is weird to say,

0:37:09.840 --> 0:37:12.480
<v Speaker 2>but like this was in somewhat of a nice neighborhood

0:37:12.480 --> 0:37:13.000
<v Speaker 2>with nice.

0:37:12.800 --> 0:37:14.680
<v Speaker 1>Homes, Like it was just like this is not skid

0:37:14.760 --> 0:37:17.239
<v Speaker 1>row like what it was like boys in the hood.

0:37:17.239 --> 0:37:21.880
<v Speaker 1>All of a sudden, like we cut to that movie seriously.

0:37:23.840 --> 0:37:26.239
<v Speaker 1>We go to the Kassa Walsh. Brandon is sitting in

0:37:26.239 --> 0:37:29.319
<v Speaker 1>the kitchen trying to learn how to count cards. So

0:37:29.520 --> 0:37:32.600
<v Speaker 1>right there we see like something's a bruin with Brandon

0:37:32.640 --> 0:37:36.560
<v Speaker 1>and his addiction. And then Brandon tells her that Jim

0:37:36.600 --> 0:37:40.160
<v Speaker 1>and Cindy aren't coming home for Christmas, which is unbelievable.

0:37:40.400 --> 0:37:41.799
<v Speaker 2>And first of all, the fact that they say Jim

0:37:41.840 --> 0:37:44.000
<v Speaker 2>and Cindy, Like wouldn't you say, oh, I'm sorry, Mom

0:37:44.000 --> 0:37:44.839
<v Speaker 2>and Dad aren't coming.

0:37:44.920 --> 0:37:48.040
<v Speaker 1>Yeah, but why wouldn't they come home for Christmas? That

0:37:48.040 --> 0:37:49.080
<v Speaker 1>doesn't make any sense.

0:37:48.840 --> 0:37:54.440
<v Speaker 2>Because they aren't being paid enough money anymore by the.

0:37:53.239 --> 0:37:57.640
<v Speaker 1>Aaron Spelling Box company. They're having too much fun as donsters.

0:37:59.040 --> 0:38:00.239
<v Speaker 4>We go to.

0:38:03.040 --> 0:38:05.919
<v Speaker 1>We've on the Streets Before when Donna and Joe were

0:38:05.960 --> 0:38:09.319
<v Speaker 1>looking for gas. That's where Isaiah comes up to her

0:38:09.520 --> 0:38:12.640
<v Speaker 1>and says Donna, Joe, Oh yeah, come on over for dinner.

0:38:12.760 --> 0:38:14.560
<v Speaker 1>I'm so glad you guys are here. So he like

0:38:14.719 --> 0:38:16.880
<v Speaker 1>saves them from the bad guys.

0:38:17.480 --> 0:38:25.400
<v Speaker 2>Like, first of all, correct, it's just so ridiculous. And

0:38:25.440 --> 0:38:31.000
<v Speaker 2>they're they've driven, oh sorry, they've driven many many minutes, right,

0:38:31.080 --> 0:38:34.799
<v Speaker 2>so they're way away from the convenience store. I guess

0:38:34.840 --> 0:38:37.480
<v Speaker 2>they were circling. But the odds that they're going to

0:38:37.520 --> 0:38:39.120
<v Speaker 2>be in front of his house.

0:38:39.239 --> 0:38:41.799
<v Speaker 1>Yeah, no, it's it's all perfect, it's great, it's hot.

0:38:42.760 --> 0:38:47.239
<v Speaker 1>They go inside, they go into this kid's apartment because

0:38:47.280 --> 0:38:50.239
<v Speaker 1>they guess right in the phone or something, and they

0:38:50.239 --> 0:38:53.160
<v Speaker 1>see that Isaiah is taking care of his siblings while

0:38:53.160 --> 0:38:56.000
<v Speaker 1>his mom is at work. He's afraid that child Services

0:38:56.040 --> 0:38:58.160
<v Speaker 1>will find out that the kids are left alone, and

0:38:58.200 --> 0:39:03.840
<v Speaker 1>Donna promises not to say anything and orders pizza for everybody. Okay, Donna,

0:39:04.120 --> 0:39:06.719
<v Speaker 1>you need to mind your own bees wax. This is

0:39:06.840 --> 0:39:08.640
<v Speaker 1>what I'm going to say to this whole storyline.

0:39:08.960 --> 0:39:10.920
<v Speaker 2>The storyline is good, but can I say this, and

0:39:11.000 --> 0:39:13.200
<v Speaker 2>I hope I say this the right way. It's just

0:39:13.400 --> 0:39:22.560
<v Speaker 2>so like misconceptions, stereotypical, like gross, it's pretty gross. And

0:39:22.600 --> 0:39:25.200
<v Speaker 2>then the mom, the mom comes home I don't want

0:39:25.239 --> 0:39:25.960
<v Speaker 2>your help.

0:39:26.400 --> 0:39:28.960
<v Speaker 1>I'm yelling at Donna, saying, get out of her house.

0:39:28.960 --> 0:39:31.400
<v Speaker 1>You got no business. Get what are you doing?

0:39:33.640 --> 0:39:34.840
<v Speaker 2>Then she comes around.

0:39:35.200 --> 0:39:37.520
<v Speaker 1>It's just so I love the mom by the way.

0:39:37.600 --> 0:39:40.360
<v Speaker 1>She told a badass like she's making it all worry

0:39:41.120 --> 0:39:43.200
<v Speaker 1>and Donna has to butt her nose it and tell

0:39:43.200 --> 0:39:45.200
<v Speaker 1>her she's not doing it right and be.

0:39:45.200 --> 0:39:45.839
<v Speaker 4>So like.

0:39:47.600 --> 0:39:53.839
<v Speaker 1>It was so ugh. I was like, oh God, yeah, uh,

0:39:55.600 --> 0:39:58.759
<v Speaker 1>we're going back to We go to the peach bed

0:39:58.760 --> 0:40:02.040
<v Speaker 1>after dark and we see that Lisa r Rose Queen

0:40:02.400 --> 0:40:05.160
<v Speaker 1>and Kelly are saying, I wonder where Donna is. So

0:40:05.200 --> 0:40:08.280
<v Speaker 1>it kind of like intermixes the storylines, right.

0:40:08.600 --> 0:40:10.680
<v Speaker 2>And then there was some sort of like a conflict

0:40:11.120 --> 0:40:14.360
<v Speaker 2>there that was quickly resolved. Remember oh oh yeah, that

0:40:14.480 --> 0:40:17.320
<v Speaker 2>was when Donna shows up. Sorry I jumped ahead, because

0:40:17.360 --> 0:40:19.400
<v Speaker 2>Donna and Lisa have a little bit of a conflict

0:40:19.440 --> 0:40:23.040
<v Speaker 2>over helping the family, and then quickly that was resolved.

0:40:23.480 --> 0:40:26.960
<v Speaker 1>Back at the apartment, Joe says it's not right and

0:40:27.040 --> 0:40:29.840
<v Speaker 1>thank you Joe to be butting into these kids lives.

0:40:30.640 --> 0:40:33.960
<v Speaker 1>But Donna says she refuses to leave these kids home alone.

0:40:34.160 --> 0:40:37.600
<v Speaker 1>She's very police in this moment, like Mama was coming

0:40:37.719 --> 0:40:41.000
<v Speaker 1>through here, and then the mom comes in and says,

0:40:41.040 --> 0:40:42.240
<v Speaker 1>oh the hell are you people?

0:40:44.600 --> 0:40:47.279
<v Speaker 2>Seriously? Can you imagine you come home and there's two

0:40:48.120 --> 0:40:51.600
<v Speaker 2>random adults that you don't know with your children.

0:40:51.640 --> 0:40:54.560
<v Speaker 1>I would be like and telling you. I would call

0:40:54.560 --> 0:40:57.960
<v Speaker 1>the police and telling you you're not raising your kids right.

0:40:58.040 --> 0:41:03.120
<v Speaker 1>And you've ordered them pizza. Weird? What's on that pizza? Yeah,

0:41:04.160 --> 0:41:09.200
<v Speaker 1>if they don't eat cheese, like she don't know. We

0:41:09.280 --> 0:41:12.040
<v Speaker 1>go back to the beach d after dark. Nat catches

0:41:12.080 --> 0:41:15.400
<v Speaker 1>Brandon getting more money to gamble, and Brandon says that

0:41:15.520 --> 0:41:17.880
<v Speaker 1>was a long time ago and the statue of limitations

0:41:17.880 --> 0:41:18.600
<v Speaker 1>has expired.

0:41:18.719 --> 0:41:21.680
<v Speaker 2>Brandon is so unhinged in this episode, like that like

0:41:21.800 --> 0:41:26.480
<v Speaker 2>zero to sixty. But maybe the fake gambling. That's the thing, Brandon,

0:41:26.840 --> 0:41:29.200
<v Speaker 2>You're not in Vegas. This is fake gambling like.

0:41:30.760 --> 0:41:37.080
<v Speaker 1>Raffle tickets. I'm really is excited about it. It's so addicted. Yeah.

0:41:37.120 --> 0:41:40.040
<v Speaker 1>They head to the dice table and Brandon is out

0:41:40.040 --> 0:41:43.279
<v Speaker 1>of control. Susan says you need to stop, and Nat

0:41:43.360 --> 0:41:46.279
<v Speaker 1>comes over to stop him, and that blocked his h

0:41:46.600 --> 0:41:49.280
<v Speaker 1>and he beats him. Brandon loses way to go Nat,

0:41:49.680 --> 0:41:52.399
<v Speaker 1>so that whole thing is shut down real fast.

0:41:52.520 --> 0:41:55.320
<v Speaker 2>And then but Brandon was so, you know, to the cashier,

0:41:55.440 --> 0:41:58.080
<v Speaker 2>just so I need more, give me more, and he's like,

0:41:58.080 --> 0:41:59.160
<v Speaker 2>we're closed during the auction.

0:41:59.360 --> 0:42:01.640
<v Speaker 1>Not even a real cashier, bake.

0:42:02.040 --> 0:42:07.440
<v Speaker 2>It's like you're at an elementary school blackjack night. Brandon

0:42:07.600 --> 0:42:08.280
<v Speaker 2>like what?

0:42:08.760 --> 0:42:11.920
<v Speaker 1>And then of course Steve's boss, Tammy Kane comes in

0:42:11.960 --> 0:42:14.640
<v Speaker 1>to the peach bit after that's so random looking for

0:42:14.880 --> 0:42:17.560
<v Speaker 1>how does she know he's there? Just terry eyed. She

0:42:17.680 --> 0:42:20.799
<v Speaker 1>takes him aside and asks him to help her. First

0:42:20.840 --> 0:42:23.279
<v Speaker 1>of all, Steve to talk to Scott and save her

0:42:23.360 --> 0:42:23.880
<v Speaker 1>her job.

0:42:24.560 --> 0:42:28.480
<v Speaker 2>Literally, in what world is anyone that's got a job

0:42:28.760 --> 0:42:31.439
<v Speaker 2>going to the intern to try and save them and.

0:42:31.400 --> 0:42:34.279
<v Speaker 1>Make them go back to the office. Night Riday night

0:42:34.760 --> 0:42:38.040
<v Speaker 1>he leaves. I know her friend, he's always there until eleven,

0:42:38.440 --> 0:42:41.440
<v Speaker 1>Like what Friday? Would Steve be that soft that he

0:42:41.480 --> 0:42:45.880
<v Speaker 1>would leave his his evening, his girlfriend, his party and

0:42:45.960 --> 0:42:49.719
<v Speaker 1>go do this. It's just a little little outlandish, is

0:42:49.760 --> 0:42:50.279
<v Speaker 1>what it is.

0:42:52.320 --> 0:42:52.680
<v Speaker 2>Uh.

0:42:52.719 --> 0:42:55.600
<v Speaker 1>Then we cut to and see Susan telling Brandon that

0:42:55.640 --> 0:42:58.759
<v Speaker 1>he is out of control. Kelly introduces Nat to the

0:42:58.840 --> 0:43:02.160
<v Speaker 1>stage to start the auction, and she places a bid

0:43:02.160 --> 0:43:06.040
<v Speaker 1>of three hundred dollars to sit for the Colin feral

0:43:06.120 --> 0:43:08.319
<v Speaker 1>painting session. I don't know what his last name is.

0:43:09.719 --> 0:43:13.000
<v Speaker 1>Then Valerie of course comes in and bids four hundred

0:43:13.080 --> 0:43:15.480
<v Speaker 1>dollars and tell and tells Kelly that she is not

0:43:15.520 --> 0:43:19.319
<v Speaker 1>going to let her have him without a fight, which

0:43:19.440 --> 0:43:23.120
<v Speaker 1>just gets so weird. And we think because that she

0:43:23.280 --> 0:43:25.520
<v Speaker 1>was looking at them the way she was in the beginning,

0:43:25.600 --> 0:43:29.480
<v Speaker 1>kissing like that, we think she just wants to win Colin.

0:43:29.719 --> 0:43:30.840
<v Speaker 1>So it's very bizarre.

0:43:31.400 --> 0:43:37.879
<v Speaker 2>It's so stupid, Jenny. It's like, clearly, this is why

0:43:37.920 --> 0:43:40.040
<v Speaker 2>I was so frustrated by this. First of all, it's

0:43:40.080 --> 0:43:44.719
<v Speaker 2>like it's such a silly Valerie, like you're doing this

0:43:44.920 --> 0:43:47.600
<v Speaker 2>competition with the betting. First of all, you know, Colin,

0:43:47.680 --> 0:43:49.279
<v Speaker 2>if you really want to if the true, if it

0:43:49.320 --> 0:43:53.840
<v Speaker 2>was true in quotes that you wanted to get David

0:43:54.520 --> 0:43:57.560
<v Speaker 2>a portrait, you just go to Colin and be like,

0:43:57.600 --> 0:43:59.120
<v Speaker 2>can I give you a hundred bucks? You don't need

0:43:59.120 --> 0:44:02.879
<v Speaker 2>to make a scene outbidding. It was so crazy. I

0:44:02.960 --> 0:44:07.640
<v Speaker 2>don't believe it. I actually think that she was trying

0:44:07.680 --> 0:44:11.600
<v Speaker 2>to just one up you and then she panicked. This

0:44:11.640 --> 0:44:13.719
<v Speaker 2>is all in my head, never on the show. This

0:44:13.800 --> 0:44:16.400
<v Speaker 2>is all just what I think that David was like

0:44:16.800 --> 0:44:20.759
<v Speaker 2>fu Valerie like and then she's like came up with

0:44:20.800 --> 0:44:23.880
<v Speaker 2>that in her scheming mind, like no, no, I was

0:44:23.920 --> 0:44:26.799
<v Speaker 2>getting you this for your Christmas present. Oh okay, all

0:44:26.920 --> 0:44:30.400
<v Speaker 2>is right in the world, and you you Jenny Kelly

0:44:31.200 --> 0:44:36.480
<v Speaker 2>forgive her also, like everybody is falling for this crap.

0:44:37.239 --> 0:44:40.319
<v Speaker 1>Well, she doesn't forgive it right away, but once once

0:44:40.360 --> 0:44:42.000
<v Speaker 1>she hears that it was a gift for David.

0:44:42.120 --> 0:44:45.840
<v Speaker 2>But that was a lie that was in my mind.

0:44:45.960 --> 0:44:48.759
<v Speaker 1>That was just total Look, I fully believe.

0:44:48.719 --> 0:44:52.680
<v Speaker 2>Yes, I'm like, this just doesn't track. Why would she

0:44:52.760 --> 0:44:55.759
<v Speaker 2>be so beauchy about it and one upping? She would

0:44:55.760 --> 0:44:57.440
<v Speaker 2>have just been like, hey, Colin, can you do a

0:44:57.480 --> 0:44:59.879
<v Speaker 2>session with me? It was so dumb.

0:44:59.640 --> 0:45:06.400
<v Speaker 1>When Kelly beat Kelly at something anything, It was so dumb. Yeah,

0:45:06.440 --> 0:45:09.680
<v Speaker 1>we go and we see salaries. Mean, sorry, she's just

0:45:09.760 --> 0:45:11.600
<v Speaker 1>got ill intentions.

0:45:12.040 --> 0:45:14.879
<v Speaker 2>She was not trying to get a session to give

0:45:14.920 --> 0:45:18.040
<v Speaker 2>a gift. So am I to understand like Colin's gonna

0:45:18.080 --> 0:45:19.600
<v Speaker 2>paint her and that's going to be for David.

0:45:21.920 --> 0:45:25.680
<v Speaker 1>Well, I am to understand it was I believe.

0:45:25.640 --> 0:45:28.320
<v Speaker 2>As an audience, everyone's mad at me.

0:45:28.440 --> 0:45:29.319
<v Speaker 1>This is where I take it.

0:45:29.400 --> 0:45:30.200
<v Speaker 2>Everyone's mad at me.

0:45:30.239 --> 0:45:31.000
<v Speaker 1>Now I'm Valerie.

0:45:31.040 --> 0:45:32.480
<v Speaker 2>I'm gonna make this up and say, oh, it was

0:45:32.520 --> 0:45:34.680
<v Speaker 2>all for David, and then everyone's going to be fine

0:45:34.680 --> 0:45:34.960
<v Speaker 2>with it.

0:45:35.560 --> 0:45:37.239
<v Speaker 1>You think it was because she wanted to have a

0:45:37.239 --> 0:45:40.239
<v Speaker 1>sitting with Colin Coward. I'm thinking of names now every

0:45:40.280 --> 0:45:45.640
<v Speaker 1>time because she's wants to make the moves on them,

0:45:46.320 --> 0:45:49.000
<v Speaker 1>or just she wants to just beat you, like get

0:45:49.000 --> 0:45:49.440
<v Speaker 1>in there.

0:45:49.520 --> 0:45:52.080
<v Speaker 2>Yeah, And it was like, this is so bananas.

0:45:52.200 --> 0:45:55.320
<v Speaker 1>I can't be ause bananas anyway. Oh, they're acting like children.

0:45:55.400 --> 0:45:57.440
<v Speaker 1>I don't get it. It was just so dumb.

0:46:05.880 --> 0:46:08.200
<v Speaker 2>If you watch Dancing with the Stars, I can say

0:46:08.200 --> 0:46:10.080
<v Speaker 2>this and Karna will probably say the same thing. I

0:46:10.120 --> 0:46:13.600
<v Speaker 2>don't think that we had great dancing chemistry.

0:46:13.160 --> 0:46:15.520
<v Speaker 1>Then you need to be listening to sex lies and

0:46:15.560 --> 0:46:20.479
<v Speaker 1>spray tent. My partner Ardam, he was so intense that

0:46:20.840 --> 0:46:21.279
<v Speaker 1>made me.

0:46:21.520 --> 0:46:24.520
<v Speaker 2>Really nervous with Cerril. But Editor didn't wear a lot

0:46:24.560 --> 0:46:25.440
<v Speaker 2>of clothes.

0:46:25.440 --> 0:46:29.160
<v Speaker 1>No, she was she did super ankles warm. Get the

0:46:29.239 --> 0:46:32.520
<v Speaker 1>behind the scenes of what goes down on and off

0:46:32.640 --> 0:46:33.399
<v Speaker 1>the dance floor.

0:46:33.760 --> 0:46:37.280
<v Speaker 3>Dancing with the Stars breaths body image issues for women.

0:46:37.520 --> 0:46:39.960
<v Speaker 1>The thinner you are, the more attention you end up

0:46:39.960 --> 0:46:40.760
<v Speaker 1>getting on that show.

0:46:40.920 --> 0:46:45.880
<v Speaker 2>Injuries, my phone rings, Hey, Christian, Hey business, Yeah, I

0:46:45.920 --> 0:46:47.360
<v Speaker 2>saw you're dancing with the stars.

0:46:47.360 --> 0:46:49.399
<v Speaker 4>I saw what happened to your arm, and I have

0:46:49.440 --> 0:46:50.800
<v Speaker 4>the perfect guy to fix it.

0:46:51.640 --> 0:46:53.279
<v Speaker 1>Honestly, got to the clara, I'm like, I'm just trying

0:46:53.280 --> 0:46:55.560
<v Speaker 1>to survive. I'm just trying to make it out out

0:46:55.560 --> 0:46:56.200
<v Speaker 1>of this season.

0:46:56.480 --> 0:46:59.239
<v Speaker 2>Ego, she wanted to kill me. It was real bad

0:46:59.440 --> 0:47:02.400
<v Speaker 2>insecure on the show. It was like everyone was talking

0:47:02.400 --> 0:47:05.440
<v Speaker 2>about my weight and it really affected my confidence so

0:47:05.640 --> 0:47:09.000
<v Speaker 2>much for years to come and betrayals.

0:47:09.239 --> 0:47:12.480
<v Speaker 1>Because of that one betrayal, I knew this is probably

0:47:12.560 --> 0:47:15.560
<v Speaker 1>my last season. Listen to Sex, Lies and Spray Sands

0:47:15.760 --> 0:47:19.360
<v Speaker 1>with Cheryl Burke, new episodes every Monday, Wednesday and Friday.

0:47:19.600 --> 0:47:23.439
<v Speaker 3>My name is Cheryl Burke, and I approved this message.

0:47:27.040 --> 0:47:31.040
<v Speaker 1>Steve goes back to his job and he he finds

0:47:31.040 --> 0:47:33.799
<v Speaker 1>out that Scott is the dirt bag basically and says

0:47:33.840 --> 0:47:36.360
<v Speaker 1>that Dammy didn't sleep with him, so that's why she

0:47:36.400 --> 0:47:36.920
<v Speaker 1>got fired.

0:47:37.719 --> 0:47:37.799
<v Speaker 3>Ugh.

0:47:38.600 --> 0:47:39.960
<v Speaker 1>Uh.

0:47:40.040 --> 0:47:48.040
<v Speaker 2>It was very like everything in this episode was so cliche.

0:47:48.080 --> 0:47:52.880
<v Speaker 1>Is that the word or everything stereotypical to the cliche?

0:47:53.080 --> 0:47:56.920
<v Speaker 2>Everything was yes, so out, Oh she's fired because she's

0:47:56.960 --> 0:47:59.720
<v Speaker 2>not sleeping with the boss. And then the boss says

0:47:59.760 --> 0:48:01.760
<v Speaker 2>that like even back then.

0:48:02.040 --> 0:48:04.279
<v Speaker 1>Yeah, they're not giving us like any credit as an

0:48:04.320 --> 0:48:07.040
<v Speaker 1>audience to put two and two together or to have

0:48:07.160 --> 0:48:11.680
<v Speaker 1>like any kind of creativity like you're having about the

0:48:11.719 --> 0:48:14.399
<v Speaker 1>backstory or anything. It's just also like.

0:48:14.680 --> 0:48:17.319
<v Speaker 2>What boss, even if the boss was firing her because

0:48:17.320 --> 0:48:21.200
<v Speaker 2>she wouldn't sleep with him, what fool boss is gonna

0:48:21.239 --> 0:48:22.840
<v Speaker 2>say that to Steve Sanders.

0:48:22.880 --> 0:48:25.239
<v Speaker 1>Oh, this was the nineties, you could say things like

0:48:25.239 --> 0:48:27.880
<v Speaker 1>that and it didn't matter. So dumb.

0:48:29.840 --> 0:48:32.239
<v Speaker 2>And then she's sort of like, do to do?

0:48:32.440 --> 0:48:36.640
<v Speaker 1>Okay, that's so stupid. We go back to the PA

0:48:36.680 --> 0:48:39.319
<v Speaker 1>pad and we see that Donna. People get really mad

0:48:39.360 --> 0:48:40.560
<v Speaker 1>by the way when I say pea pad.

0:48:40.680 --> 0:48:41.560
<v Speaker 2>I know, but keep it going.

0:48:41.600 --> 0:48:42.000
<v Speaker 3>I like it.

0:48:42.080 --> 0:48:43.960
<v Speaker 1>We go back to the PA pad and Donna is

0:48:44.000 --> 0:48:46.480
<v Speaker 1>realizing how good she has it because she was in

0:48:46.480 --> 0:48:50.480
<v Speaker 1>the bad neighborhood all day and she says that today

0:48:50.560 --> 0:48:53.280
<v Speaker 1>was a reminder of that, and Joe responds by saying

0:48:53.320 --> 0:48:55.960
<v Speaker 1>that she shouldn't feel guilty about what she has. She

0:48:56.080 --> 0:48:58.880
<v Speaker 1>feels bad for Isaiah. Oh yeah, then she's like, I know,

0:48:59.080 --> 0:49:04.160
<v Speaker 1>like it was just like come on, we go inside

0:49:04.160 --> 0:49:06.640
<v Speaker 1>and here's this moment you're talking about. Donna tells Lisa

0:49:06.680 --> 0:49:09.319
<v Speaker 1>that Isaiah is a latch key kid who was left

0:49:09.360 --> 0:49:14.279
<v Speaker 1>a home alone, and Lisa tells her it's it's not

0:49:15.560 --> 0:49:19.240
<v Speaker 1>a doctor. This is funny. Lisa says, you're okay, Donna,

0:49:19.280 --> 0:49:23.680
<v Speaker 1>it's not adopt a black family day and to stay

0:49:23.680 --> 0:49:26.080
<v Speaker 1>out of people's business, which is what we're all thinking

0:49:26.120 --> 0:49:28.719
<v Speaker 1>the whole time. So Lisa is, in fact the real deal.

0:49:30.480 --> 0:49:32.759
<v Speaker 1>And I don't know when Donna became so passionate about

0:49:32.800 --> 0:49:35.600
<v Speaker 1>saving all the children. And Donna had a good explanation.

0:49:35.920 --> 0:49:37.640
<v Speaker 1>I will give her that, like this is what we

0:49:37.719 --> 0:49:38.120
<v Speaker 1>said in.

0:49:38.080 --> 0:49:41.239
<v Speaker 2>The rose court and we're not doing it, which I

0:49:41.280 --> 0:49:43.480
<v Speaker 2>was like, okay, fine.

0:49:44.560 --> 0:49:46.240
<v Speaker 1>Well she really took it to heart.

0:49:46.480 --> 0:49:48.080
<v Speaker 2>Yeah, and then and then in the end it was

0:49:48.120 --> 0:49:49.640
<v Speaker 2>all tied up in a nice little bow.

0:49:49.680 --> 0:49:52.880
<v Speaker 1>But yeah, here we are at the playground at the daycare.

0:49:54.760 --> 0:49:57.839
<v Speaker 2>Oh, let's see, and we'll never see these people ever again.

0:49:58.719 --> 0:50:02.520
<v Speaker 2>I'm pretty sure. No, so insane.

0:50:02.640 --> 0:50:08.080
<v Speaker 1>Steve comes back and tells Tammy Tammy Kane that she's

0:50:08.080 --> 0:50:09.480
<v Speaker 1>not going to get her job back.

0:50:11.239 --> 0:50:14.680
<v Speaker 2>Because in what world would that have worked? And he

0:50:14.719 --> 0:50:17.160
<v Speaker 2>made but if my said something like that to me,

0:50:17.200 --> 0:50:18.960
<v Speaker 2>I'd be like, yeah, you need to go.

0:50:19.400 --> 0:50:21.480
<v Speaker 1>He went all the way to the agency and back,

0:50:21.920 --> 0:50:25.480
<v Speaker 1>and nothing really transpired at the peach pit after dark, well.

0:50:25.320 --> 0:50:27.719
<v Speaker 2>In five minutes while she just ate her fries and

0:50:27.800 --> 0:50:31.560
<v Speaker 2>her megaburger or whatever, Like what I love this episode,

0:50:31.600 --> 0:50:32.960
<v Speaker 2>by the way. I know it seems like I don't.

0:50:33.360 --> 0:50:35.239
<v Speaker 2>I love to poke holes in it, but this is

0:50:35.280 --> 0:50:36.120
<v Speaker 2>going to be a ten for me.

0:50:36.440 --> 0:50:39.279
<v Speaker 1>Oh my god, stop it. He tells her that his

0:50:39.400 --> 0:50:42.120
<v Speaker 1>dad gave him some good advice. It said, be nice

0:50:42.480 --> 0:50:45.239
<v Speaker 1>to be nice to the people you see on the

0:50:45.280 --> 0:50:48.920
<v Speaker 1>way up, because you'll be seeing them again on your

0:50:48.960 --> 0:50:52.840
<v Speaker 1>way back up again. I was like, huh wait. I

0:50:52.880 --> 0:50:54.440
<v Speaker 1>couldn't get it. I couldn't figure.

0:50:57.440 --> 0:51:00.760
<v Speaker 2>I was like, huh, Like, I'm thinking he's gonna say,

0:51:00.880 --> 0:51:02.239
<v Speaker 2>don't I see him on the way up, You'll see

0:51:02.280 --> 0:51:02.919
<v Speaker 2>him on the way down.

0:51:03.280 --> 0:51:03.440
<v Speaker 4>Right.

0:51:03.440 --> 0:51:04.960
<v Speaker 2>Maybe he could have even said on the way back

0:51:05.000 --> 0:51:07.120
<v Speaker 2>up again. That was what he's sort of saying, is that,

0:51:07.200 --> 0:51:10.600
<v Speaker 2>like in this town, it's ups and downs, ups and downs.

0:51:10.840 --> 0:51:14.640
<v Speaker 1>But I was just like, basically, don't burn any bridges.

0:51:15.520 --> 0:51:17.600
<v Speaker 1>Yeah that's just what you know.

0:51:17.800 --> 0:51:20.160
<v Speaker 2>Whatever, Yeah, burn the bridge with the creepy boss guy

0:51:20.160 --> 0:51:23.960
<v Speaker 2>that fired you because you're not sleeping with him, Like what.

0:51:25.680 --> 0:51:26.239
<v Speaker 5>The what?

0:51:26.600 --> 0:51:29.920
<v Speaker 2>And didn't they call it like it M or something

0:51:30.040 --> 0:51:33.560
<v Speaker 2>instead of I seem like I was like that amused me.

0:51:34.960 --> 0:51:36.960
<v Speaker 2>In this show, they just change everything by.

0:51:36.880 --> 0:51:39.920
<v Speaker 1>One letter, so convenience.

0:51:39.920 --> 0:51:44.640
<v Speaker 2>Like you all go to see you Colorado, you know, uh,

0:51:44.800 --> 0:51:45.279
<v Speaker 2>we go.

0:51:45.480 --> 0:51:49.680
<v Speaker 1>We see Brandon and Nat talking about how great Brandon

0:51:49.760 --> 0:51:52.760
<v Speaker 1>is that he helped him with his gambling addiction again,

0:51:52.840 --> 0:51:55.360
<v Speaker 1>and Nat says that he better work on things before

0:51:55.360 --> 0:51:59.719
<v Speaker 1>he loses something important. Yeah, it was not supposed to be, Susan. Yeah,

0:51:59.760 --> 0:52:00.640
<v Speaker 1>I guess, said Susan.

0:52:01.040 --> 0:52:02.920
<v Speaker 2>How about his friendship with Nat?

0:52:02.960 --> 0:52:07.879
<v Speaker 1>But whatever, stupid loved it, but stupid. Yeah. We find

0:52:07.920 --> 0:52:12.400
<v Speaker 1>out that they raised eleven thousand dollars that night, which

0:52:12.400 --> 0:52:15.760
<v Speaker 1>is pretty good. Yeah, that's very very helpful.

0:52:16.480 --> 0:52:19.440
<v Speaker 2>Yeah, that was pretty good back then that would be like,

0:52:19.440 --> 0:52:22.000
<v Speaker 2>like I said, sixty seventy one hundred. No, I don't

0:52:22.040 --> 0:52:24.480
<v Speaker 2>know how what inflation is, but this is thirty years ago.

0:52:24.640 --> 0:52:27.520
<v Speaker 1>We're right here, We're right we're tying the boat right now. Yeah,

0:52:27.560 --> 0:52:30.440
<v Speaker 1>we're really looping the loops and pulling the strings cause

0:52:30.480 --> 0:52:34.440
<v Speaker 1>Donna says that, you know, she wraps up her storyline.

0:52:34.880 --> 0:52:37.920
<v Speaker 1>Brandon confesses to Susan that he has a gambling problem

0:52:37.960 --> 0:52:40.759
<v Speaker 1>and Susan of course, forgives him and says, I want

0:52:40.800 --> 0:52:43.040
<v Speaker 1>to help him, help you. But I was getting major

0:52:43.160 --> 0:52:46.640
<v Speaker 1>mom vibes there, like, yeah, not girlfriend vibes. Yeah, I

0:52:46.680 --> 0:52:49.040
<v Speaker 1>was getting a little weird. And then Donna goes to

0:52:49.080 --> 0:52:53.399
<v Speaker 1>the park and she meets who else but Isaiah's mom

0:52:53.480 --> 0:52:56.839
<v Speaker 1>there to apologize to her for intruding into her.

0:52:56.920 --> 0:52:58.279
<v Speaker 2>I don't want to correct you, but I believe that

0:52:58.320 --> 0:53:00.279
<v Speaker 2>was the playground of the day care.

0:53:01.040 --> 0:53:03.920
<v Speaker 1>The playground of the daycare maybe, yeah, that's where the

0:53:04.000 --> 0:53:06.120
<v Speaker 1>daycare is, like a swing set thing.

0:53:06.560 --> 0:53:09.359
<v Speaker 2>Yeah, and she's gonna she's not too prideful, she's gonna

0:53:09.400 --> 0:53:10.240
<v Speaker 2>accept the help.

0:53:10.680 --> 0:53:13.319
<v Speaker 1>But why is why is as long as I say,

0:53:13.360 --> 0:53:16.000
<v Speaker 1>as mom there, if she's got a job, she has to.

0:53:16.719 --> 0:53:19.600
<v Speaker 2>Donna called her down. Donna said, come meet me. I

0:53:19.640 --> 0:53:20.920
<v Speaker 2>know you hate me, but come meet me.

0:53:21.000 --> 0:53:23.560
<v Speaker 1>Got them into the daycare. Donna correct she used her

0:53:23.600 --> 0:53:27.440
<v Speaker 1>strings and that was okay. Yeah. Now the mom's like, oh,

0:53:27.480 --> 0:53:31.440
<v Speaker 1>I like you. Uh. She says she doesn't need handouts

0:53:31.480 --> 0:53:35.359
<v Speaker 1>but accepts the help. Okay, which is what I mean.

0:53:35.520 --> 0:53:38.160
<v Speaker 1>I still like that mom, me too.

0:53:38.200 --> 0:53:40.080
<v Speaker 2>I like the whole I love that kid. That kid

0:53:40.120 --> 0:53:40.640
<v Speaker 2>is so great.

0:53:41.440 --> 0:53:44.360
<v Speaker 1>I like the whole thing, and it's ridiculous Isaiah that

0:53:44.480 --> 0:53:47.000
<v Speaker 1>he can repay her by doing the same thing for

0:53:47.080 --> 0:53:50.399
<v Speaker 1>another kid. Yeah, that was cool and he's so cute

0:53:50.440 --> 0:53:53.279
<v Speaker 1>and he says you will and that's it done, done, duh.

0:53:53.719 --> 0:53:57.680
<v Speaker 1>End episode. Everything's tied. I don't know what show I

0:53:57.760 --> 0:53:58.160
<v Speaker 1>was watching.

0:53:58.200 --> 0:54:00.919
<v Speaker 2>I was watching some nine O two one oh, some

0:54:01.080 --> 0:54:05.400
<v Speaker 2>sort of like Growing Pain sitcom. Like it was so like,

0:54:05.640 --> 0:54:08.160
<v Speaker 2>what is the show right now?

0:54:09.200 --> 0:54:12.560
<v Speaker 1>It starts to it feels very diversified, like it feels

0:54:12.600 --> 0:54:15.880
<v Speaker 1>like it's I kind of like it. It was.

0:54:16.000 --> 0:54:17.160
<v Speaker 2>It moved for me.

0:54:17.320 --> 0:54:17.879
<v Speaker 1>That was the thing.

0:54:17.920 --> 0:54:19.719
<v Speaker 2>I never had like a moment of like this has

0:54:19.760 --> 0:54:23.040
<v Speaker 2>taken a while. I was like, more storyline, more storyline,

0:54:23.040 --> 0:54:24.799
<v Speaker 2>more storyline, more storyline. Okay, we'll time going to get

0:54:24.800 --> 0:54:26.040
<v Speaker 2>the agency. Oh wow, we're gambling.

0:54:26.040 --> 0:54:28.440
<v Speaker 1>Like it was like, oh, I'm not.

0:54:28.440 --> 0:54:28.840
<v Speaker 2>Mad at it.

0:54:30.400 --> 0:54:32.879
<v Speaker 1>I'm not mad at it. It was ridiculous, but I'm

0:54:32.960 --> 0:54:35.520
<v Speaker 1>in And that's it, you guys, that's it. That's the

0:54:35.600 --> 0:54:39.400
<v Speaker 1>end of the episode. So but I don't give it

0:54:39.440 --> 0:54:43.279
<v Speaker 1>an eight and a half, all right, Yeah, I'll give

0:54:43.280 --> 0:54:44.120
<v Speaker 1>it an eight. Sure.

0:54:44.239 --> 0:54:49.920
<v Speaker 2>Yeah, Like I was totally entertained. Valerie's irritating me, Colin.

0:54:50.360 --> 0:54:54.840
<v Speaker 2>He's so dumb, like, why didn't right, why didn't.

0:54:54.640 --> 0:54:55.600
<v Speaker 1>He go Valerie?

0:54:55.880 --> 0:54:56.720
<v Speaker 2>Knock it off?

0:54:57.160 --> 0:54:59.799
<v Speaker 1>And what happened to Brandon? And Kelly's like little kind

0:54:59.800 --> 0:55:05.400
<v Speaker 1>of like everybody's fine with that, like each other again. Nope, Nope,

0:55:05.440 --> 0:55:08.319
<v Speaker 1>that's just vanished for now, vanished for now. It'll be

0:55:08.360 --> 0:55:11.799
<v Speaker 1>back when it's convenient next week. Got it?

0:55:11.880 --> 0:55:13.839
<v Speaker 2>So I just had to move to I just had

0:55:13.840 --> 0:55:17.560
<v Speaker 2>a total brain glitch because you've been talking about Gabrielle that.

0:55:17.640 --> 0:55:20.400
<v Speaker 1>I was like, where's Andrea and when she left? Yeah,

0:55:20.920 --> 0:55:21.760
<v Speaker 1>uren glitch.

0:55:22.280 --> 0:55:25.880
<v Speaker 2>She's at Yale or Harvard or somewhere Harvard with her baby.

0:55:26.239 --> 0:55:32.640
<v Speaker 1>Yeah, oh yeah, that's weird. Everybody watched next episode, Season six,

0:55:32.680 --> 0:55:36.439
<v Speaker 1>episode fifteen, Angels. We have heard on high Oh.

0:55:36.320 --> 0:55:38.040
<v Speaker 2>It's Christmas or other? Is it?

0:55:38.360 --> 0:55:40.839
<v Speaker 1>I mean that feels Christmas Christmas song.

0:55:41.160 --> 0:55:44.080
<v Speaker 2>I can't believe we're in season six. We are really

0:55:44.120 --> 0:55:47.319
<v Speaker 2>going to jump the shark next season? I think we wait,

0:55:47.400 --> 0:55:49.160
<v Speaker 2>we still have seven, eight, nine, ten.

0:55:49.560 --> 0:55:52.799
<v Speaker 1>This show went on for so long. I cannot wait

0:55:52.880 --> 0:55:54.040
<v Speaker 1>until we jump that charge.

0:55:54.120 --> 0:55:58.160
<v Speaker 2>Oh yeah, well it's pretty I think we start to

0:55:58.280 --> 0:55:59.320
<v Speaker 2>jump next season.

0:56:00.200 --> 0:56:03.080
<v Speaker 1>Very excited about it. Yeah, yeah, that's it. You guys,

0:56:03.440 --> 0:56:06.200
<v Speaker 1>I hope you liked this episode. It was a good

0:56:06.680 --> 0:56:10.520
<v Speaker 1>I think we were great. Thanks for listening. Rate us,

0:56:10.560 --> 0:56:12.800
<v Speaker 1>review us all that jazz, love you guys.

0:56:13.120 --> 0:56:13.920
<v Speaker 2>Give us five stars.

0:56:13.920 --> 0:56:16.120
<v Speaker 1>Don't be mean. We're doing our best.

0:56:16.120 --> 0:56:18.520
<v Speaker 2>This is like totally you know, this is harder than

0:56:18.520 --> 0:56:21.040
<v Speaker 2>anything because these episodes are ridiculous.

0:56:21.239 --> 0:56:23.719
<v Speaker 1>It's not it's fun to talk about them. It's really

0:56:23.800 --> 0:56:27.200
<v Speaker 1>sometimes hard to find like you know, the good, but

0:56:27.280 --> 0:56:27.880
<v Speaker 1>we try.

0:56:28.920 --> 0:56:31.760
<v Speaker 2>And the fashion is so like nothing to me right.

0:56:31.600 --> 0:56:35.840
<v Speaker 1>Now, like anything. Yeah, it's very sort of like this

0:56:36.000 --> 0:56:38.279
<v Speaker 1>was mid nineties, right yeah, and it was not.

0:56:38.640 --> 0:56:44.520
<v Speaker 2>It's just sort of there ye me bye,