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Speaker 1: It's nine O Gene Engine with Jenny Garth and Tory spelling.

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Speaker 1: Oh my gosh, Amy, our girl is on Dancing with

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Speaker 1: the Stars. She's busy practicing to be here with us today.

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Speaker 2: It's like, probably so much work, do you remember?

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Speaker 1: Like it just nonstar No, no, no. I fully get

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Speaker 1: why she can't be here because it is consuming when

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Speaker 1: you go on live TV and you have to remember

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Speaker 1: dance steps and remember to smile and have a personality like,

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Speaker 1: it's so much work. Yeah.

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Speaker 2: I think people don't know it when they get into it.

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Speaker 1: Especially if you're not a dancer, and Tory has no

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Speaker 1: dance background none.

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Speaker 2: Right, somebody could be like, do a double tap here,

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Speaker 2: and you'd be like, well, it's a double tap.

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Speaker 1: I don't know. I just made that up, shauset Shonte.

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Speaker 1: I don't know. No, But yes, sadly Tour can't be

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Speaker 1: with us today. But I'm sure you all understand she's very,

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Speaker 1: very busy dance. Give her votes, ye vote for her

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Speaker 1: on half on behalf of o MG podcast.

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Speaker 2: But we're going to give you like trauma when you

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Speaker 2: watch it.

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Speaker 1: But you're like, oh god, I sit on the edge

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Speaker 1: of my seat and literally I feel like I watched

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Speaker 1: it on Monday or Tuesday or whenever it was, and

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Speaker 1: I felt like I was gonna die. Like I was

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Speaker 1: like hives.

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Speaker 2: Oh, I haven't watched it in many years. Me either,

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Speaker 2: like fully like, I'll watch clips, but this is the

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Speaker 2: first time in years. It's pretty good show. But I didn't.

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Speaker 1: I didn't watch it all. I only watched it until

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Speaker 1: she danced, and then I was like, turn this off.

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Speaker 1: I can't. I'm I'm climped over here. I heard podcasts

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Speaker 1: listen on the iHeartRadio app.

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Speaker 2: Did you watch Golden Bachelorette?

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Speaker 1: Was that on?

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Speaker 2: I missed? You're gonna like it? I actually watching it

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Speaker 2: last night and I cried, Oh, I forgot And I

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Speaker 2: was texting friends, going, if she breaks these people's heart,

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Speaker 2: I can't take it.

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Speaker 1: I can't because the all the Bachelor, the little gut

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Speaker 1: the guys or.

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Speaker 2: Guys are so sweet and they like totally like her,

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Speaker 2: and they're so like it's just so different. There's something

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Speaker 2: different about them than the younger guys, and I'm just like,

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Speaker 2: I cannot deal with it if they don't get roses.

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Speaker 1: Oh, oh my god, I have to watch it after this.

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Speaker 1: I'm going and sitting on my car.

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Speaker 2: Yeah, you'll like it. Yeah, wait, what's her name?

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Speaker 1: Joan?

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Speaker 3: Joan?

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Speaker 2: And she's sweet and the guys are it's like really good.

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Speaker 1: I'm there because I don't watch any more of the

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Speaker 1: regular I'm bored by it. Sorry, I'm in and out

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Speaker 1: on that one.

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Speaker 2: Like yeah, it's like, well.

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Speaker 1: For the first I don't even know how many years

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Speaker 1: it's been on, but for the all of the years

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Speaker 1: until two years ago, I never watched a single episode,

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Speaker 1: I couldn't tell you anything. And then it became a

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Speaker 1: later like yeah it was a later grammar, no later,

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Speaker 1: I got you in m This is the sad part.

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Speaker 1: I don't even weird.

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Speaker 2: I wonder what made you get into it from some

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Speaker 2: random sheer boredom.

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Speaker 1: Nighttime?

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Speaker 2: No very good because they have better conversations. That's the

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Speaker 2: thing I like about it is there actually like talking

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Speaker 2: about stuff rather than like do you feel connection?

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Speaker 1: I think we like each other. Okay, let's like.

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Speaker 2: It's so, let's make out. It's yeah, where these people

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Speaker 2: were actually talking about stuff and one guy cooked for

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Speaker 2: her and they were playing games and pickleball and I

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Speaker 2: have to say bean bag toss because I hate it

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Speaker 2: with corn hole.

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Speaker 3: You.

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Speaker 1: I hate the word corn old too. That's not the

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Speaker 1: name of a game, right, that's like a very gross word.

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Speaker 2: But they were like just cool. And one guy made

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Speaker 2: her tea and dessert and like they were in the

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Speaker 2: kitchen and like.

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Speaker 1: It was just way all this happened on the first episode. Yeah,

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Speaker 1: it was.

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Speaker 2: We got like one kiss.

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Speaker 1: It wasn't.

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Speaker 2: It's very much more about like the connections and the

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Speaker 2: talking and like the cuteness than just like weird make out.

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Speaker 1: Yeah, and like competition, I.

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Speaker 2: Don't have a front runner yet, I really don't. It's

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Speaker 2: sort of a game.

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Speaker 1: Take your time, so each one's game right now.

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Speaker 2: They cried, Almost every guy cried they got messages from home.

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Speaker 1: I mean, you're gonna love it. You know when you

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Speaker 1: get when you get older, it starts at like fifty,

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Speaker 1: but when you get older, you start to be more

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Speaker 1: sentimental about everything, and everything has so much more meaning.

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Speaker 2: And then that Phil Collins song take Me Home, which

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Speaker 2: is so our era. I know, like young people are

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Speaker 2: probably like, what is this say me Home? I was like,

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Speaker 2: I am so a mess from the song, doesn't he say?

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Speaker 1: Because I don't remember?

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Speaker 2: Yeah, that's not nice. That song was so much Well,

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Speaker 2: when you see it, you'll know because the song really

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Speaker 2: hit and I hit differently. Oh messed right now, Like oh, anyway,

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Speaker 2: nineties we went to nineties.

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Speaker 1: It's go oh my god, tell you really quickly. We

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Speaker 1: went to nineties quickly. Tour wasn't able to be there. Uh,

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Speaker 1: things changed in her schedule.

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Speaker 2: So was you Jason.

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Speaker 1: No, Jason was working in Canada, Ian Ian, Brian, gab

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Speaker 1: and me. Just the four were cute.

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Speaker 2: Oh that's it grew.

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Speaker 1: It was cute and fun and I loved it. But

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Speaker 1: it did feel like you were missing. We were missing

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Speaker 1: a lot of elements, you know now. Now it was

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Speaker 1: three people all of a sudden that we were missing,

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Speaker 1: and it was just like, yeah, doesn't feel quite right.

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Speaker 1: So but there were a lot of ladies loving you. No,

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Speaker 1: all I hear about is I love Amy? Tell Amy, Hi,

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Speaker 1: tell her, I love her.

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Speaker 2: Oh that is so nice.

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Speaker 1: That makes my whole day, just say, you know, because

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Speaker 1: sometimes not so much on the internet. Well don't know that.

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Speaker 2: Wait, so was it enjoyable? You know what?

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Speaker 1: For me? I love it. I love it. I love it.

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Speaker 1: I think anybody will probably say this, or any of

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Speaker 1: the talent or whatever that's there. It's so nice to

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Speaker 1: connect with the fans like that, and it fills your

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Speaker 1: heart with love and it gives you purpose because you

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Speaker 1: are making people happy and that justifies everything.

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Speaker 2: Then, yeah, did you see the Melrose Place girls?

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Speaker 1: They were there sell late. I saw the ladies. I

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Speaker 1: thought that was pretty cool, all the late Josie Bissett

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Speaker 1: was there, also Laura and Day and Heather was there.

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Speaker 1: Heather was there and Grant, Grant's only guy. I think

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Speaker 1: he looks good.

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Speaker 2: I think, yeah, I do.

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Speaker 1: He looks real good. I think he does.

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Speaker 2: Somebody from iHeart. We had a couple of people there

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Speaker 2: and they said the hotel lobby is the best thing

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Speaker 2: you could ever experience though, because like you're in the

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Speaker 2: hotel lobby and you just see everybody coming and going.

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Speaker 1: Yeah, it's true, because that's the only way you can

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Speaker 1: get to your room. You gotta go to that lobby.

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Speaker 1: I'm like, is there a backstaircase? Because I don't like,

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Speaker 1: you know, I'm a little like shy. I'm shy and

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Speaker 1: I don't like a lot of people, and I get

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Speaker 1: real quiet around a lot of famous people. That's the

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Speaker 1: weirdest part. That's so weird, and so I do everything

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Speaker 1: I can to avoid it. But one night. I did

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Speaker 1: sit down there with Gab, and this is the funniest thing.

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Speaker 1: I didn't notice anybody else that was around, but I

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Speaker 1: did feel the ears of people that weren't part of

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Speaker 1: the convention, that had figured out a total to the

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Speaker 1: lobby and you'll see all they be better than the convention,

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Speaker 1: I would think. So you'll be talking and all of

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Speaker 1: a sudden, the people that were talking behind you, you're

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Speaker 1: notice that it's completely silent because I want to hear,

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Speaker 1: and they're listening to the things that you're saying. So

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Speaker 1: it's like, oh God, I gotta get out of here.

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Speaker 1: But but Gab was like, you know what, I'm We

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Speaker 1: decided we were tired. Let's just order. She she was like,

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Speaker 1: I found a PF Chains down the street. I'm going

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Speaker 1: to order for them. What do you want? Oh my god.

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Speaker 1: I was like, oh, you're going to do the ordering? Okay?

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Speaker 1: So I told her what I wanted and she sat

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Speaker 1: there for no shit one hour wait trying to put

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Speaker 1: the order in on her phone. She couldn't.

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Speaker 2: She doesn't know how to use online ordering.

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Speaker 1: Well, I don't know if it was that compiled with

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Speaker 1: like I'm not sure what the problem was, but she

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Speaker 1: was hilarious.

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Speaker 2: Why don't she just call?

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Speaker 1: She ultimately did call because they messed up and then

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Speaker 1: they canceled the order.

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Speaker 2: Oh whoa.

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Speaker 1: And then she was on the phone with them, and

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Speaker 1: all of a sudden they were as sending desserts and

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Speaker 1: things because it was not a happy camper. And yeah,

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Speaker 1: I was making fun of her the whole time, because

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Speaker 1: we did. We waited two hours for our dinner. By

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Speaker 1: the time it got there, I had gone up to

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Speaker 1: my room, taken a bath, and come back, gotten into

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Speaker 1: my robe and just said, why don't you guys come

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Speaker 1: up to my room and I'll eat here.

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Speaker 2: Wait.

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Speaker 1: I kind of love that though. Oh Yeahriel hand delivered

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Speaker 1: the food to my.

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Speaker 2: I wish they would do it somewhere like in California.

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Speaker 2: It's so like it would be fun to not have

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Speaker 2: to travel for it.

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Speaker 1: She was funny. She's like, yeah, I don't usually do

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Speaker 1: the ordering. I really tried hard.

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Speaker 2: Where were you, Florida?

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Speaker 1: Oh god, we were in Daytona. Oh wow, wow wow. Yeah. No, no,

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Speaker 1: you know, I met quite a number of nice people

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Speaker 1: that live there, and they love their lives, but I

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Speaker 1: don't think I could live.

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Speaker 2: Yeah, people love Florida. I don't know that I would

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Speaker 2: love Florida. I've never been to Florida. I've never been

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Speaker 2: past Arizona. No, I've been in New Mexico.

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Speaker 1: Yeah, yeah, you can't. You can't drive to Flora. I

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Speaker 1: went to New York once. I did fly. You flew

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Speaker 1: to New York.

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Speaker 2: Yeah. With Ryan Seacrest, I was a little more brave

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Speaker 2: back in my twenties.

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Speaker 1: Yeah, that makes sense, not super brave, though. I didn't

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Speaker 1: like it. Do you think you'll ever fly again? Amy?

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Speaker 2: Maybe when I'm like eighty and I've just like gone, like,

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Speaker 2: I don't have anything to be scared of.

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Speaker 1: Now, what if? Okay, what if one of your nieces

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Speaker 1: who you love so much was to get married on

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Speaker 1: the East Coast? What would happen? A train?

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Speaker 2: I don't know. I just for Ryan Seacrest. I held

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Speaker 2: his hand for five hours on that flight.

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Speaker 1: Five hours. He probably was like I do remember him

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Speaker 1: afterwards saying, you don't have to travel, Aney, please don't

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Speaker 1: travel like me ever again. Oh my god. Should we

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Speaker 1: talk about that episode?

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Speaker 2: Yes, let's talk about the gambling, so I know we're

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Speaker 2: going to get into it all. I was very torn

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Speaker 2: because I sort of thought the gambling was a little

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Speaker 2: bit ridiculous because it was like, you know, that's not

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Speaker 2: real gambling, like the fact that they pretended you could

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Speaker 2: use real money. I don't think you can do that.

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Speaker 1: I think, but it was a fundraiser, so you probably

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Speaker 1: could use real money, but it wasn't like you were

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Speaker 1: going to get it back.

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Speaker 2: Correct, that's right, Like you buy in probably because this

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Speaker 2: is like a fundraiser in California. You're not allowed to

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Speaker 2: do that in California. So gambling like that, Yeah, you

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Speaker 2: get like chips, you can, you can have mock casinos,

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Speaker 2: but you'd like, I think you then take your chips

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Speaker 2: and buy like a Teddy Bear, do you know what

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Speaker 2: I mean?

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Speaker 1: Like, oh yeah, they did say like you could go

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Speaker 1: get your Casher chips in for prizes.

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Speaker 2: Right, And he was so obsessed. That was weird.

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Speaker 1: We have a lot to talk about.

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Speaker 2: But at the same time, I was like enjoyable callback

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Speaker 2: in that, Like if he truly was sort of a

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Speaker 2: gambling addict lack of a better word, he.

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Speaker 1: Still would be.

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Speaker 2: So I was like, Okay, I'm actually sort of okay

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Speaker 2: with this that they brought it back. It was just

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Speaker 2: so over the top for me, Like he was so

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Speaker 2: crazy at a fundraiser. I'm like, this isn't Vegas, dude,

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Speaker 2: Like this isn't real money.

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Speaker 1: We are gonna break it down.

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Speaker 3: Hey everyone, Amy Roboch here along with TJ Holmes, and

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Speaker 3: we have a very exciting amount what's been to make

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Speaker 3: to all of you.

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Speaker 4: We are expanding. We are now going to be coming

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Speaker 4: to you Monday through Friday for a new part of

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Speaker 4: our Amy and TJ franchise, if you will, the Morning Run.

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Speaker 4: We're going to help listeners navigate the busy news cycle

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Speaker 4: and the historic political season that the country is facing.

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Speaker 4: And we're going to do this now each and every day.

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Speaker 3: Wow, we have a news franchise now, I like the

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Speaker 3: way you put that.

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Speaker 1: We're going to be covering all the latest news headlines

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Speaker 1: for all of you.

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Speaker 3: We'll have entertainment updates, and we'll even give some perspective

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Speaker 3: on the current events that are happening right now. And this,

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Speaker 3: by the way, is in addition to our already established

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Speaker 3: bi weekly podcasts that we hope you guys are tuning

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Speaker 3: into as well, with more in depth conversations and interviews.

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Speaker 3: So we're going to be with you Monday through Friday

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Speaker 3: with Morning Run. Listen to morning run on the iHeartRadio app,

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Speaker 3: Apple Podcasts or wherever you listen to podcasts.

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Speaker 1: We're back. We are talking about season six, episode fourteenth,

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Speaker 1: Fortune Its Son air December thirteenth, nineteen ninety five. Amy,

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Speaker 1: you want to read this anopsens.

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Speaker 2: Brandon rolls the dice and almost loses his girlfriend. Meanwhile,

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Speaker 2: Valerie puts her money where her mouth is when it

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Speaker 2: comes to Colin. Yes, Steve, I know that was weird.

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Speaker 2: I can't wait to talk about that. Steve tries to

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Speaker 2: save his boss from getting fired. I enjoyed this, and

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Speaker 2: Donna tries to save a latchkey kid from being home alone.

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Speaker 2: I enjoyed these sort of secondary storylines.

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Speaker 1: Yes, directed by directed by James Fargo, written by so

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Speaker 1: many people, Lana Free, Stat Melman, Steve Wasserman, John Eisendratht,

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Speaker 1: John Welpley, Jessica Klein, and Larry Mullin. I mean, how

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Speaker 1: many people doesn't take to write an episode?

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Speaker 5: Do you?

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Speaker 2: Maybe they hich wrote one of the storylines.

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Speaker 1: Maybe that's the new boss is saying, everybody, take a

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Speaker 1: storyline and we'll all come together at the ard.

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Speaker 2: I'm not mad about it, because there was something about

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Speaker 2: this episode. That I liked in that I like not

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Speaker 2: going on. Lots going on. We've got this fundraiser, We've

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Speaker 2: got the whole storyline with Donna and working at the

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Speaker 2: convenience store by the way, who lets you fill in

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Speaker 2: for somebody at a place you don't work right for

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Speaker 2: one day just because you're on the.

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Speaker 1: Face fine, Like that was just I mean, she had

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Speaker 1: to get her shift covered, but yeah, you would normally

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Speaker 1: get your shift covered by somebody else that.

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Speaker 2: Works there, correct, Like how did she know how to

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Speaker 2: use the register? There's no training?

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Speaker 1: Like what is she selling alcohol and stuff? In the story?

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Speaker 1: Like that? That was just make sense, completely bananas.

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Speaker 2: Then the Steve storyline I was super into.

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Speaker 1: And how about so out there? Like where'd that come from? Though?

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Speaker 1: And the boss was such a bad guy.

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Speaker 2: That was like she basically said she doesn't sleep with me? What?

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Speaker 1: Like what insane?

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Speaker 2: The whole thing was so good. And Valerie, I don't

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Speaker 2: even get because I don't get your ex a nation,

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Speaker 2: which we'll get to.

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Speaker 1: We started the beach House where Donna shows off her

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Speaker 1: work uniform to Joe because yep, she's filling in for Lisa,

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Speaker 1: who's at a place she's never worked there's eleven or whatever.

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Speaker 2: No paperwork, no W nine or whatever you have to do.

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Speaker 1: Yeah, there's no training, the.

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Speaker 2: Right, no background check. Like they just trust her. I

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Speaker 2: mean yeah, very far fetched. Joe doesn't know where anything

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Speaker 2: is or how to do the job. But yet she

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Speaker 2: was crushing it.

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Speaker 1: She looked great. I thought the red lipstick was a

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Speaker 1: good choice.

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Speaker 2: She looked great. It was a great convenience store. But

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Speaker 2: it was like, I don't know the kid, I don't know,

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Speaker 2: I don't We're not there yet.

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Speaker 1: Joe tells Donna that he wants to drive her to

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Speaker 1: work because it's not a safe area, and when Donna

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Speaker 1: says it's safe for Lisa, Joe replies, it's because she's local. Doo.

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Speaker 1: Donna calls him out and says because she's black, and

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Speaker 1: Joe says, no, no, no, she's just looking out for her.

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Speaker 1: He's just looking out for her. Donna assures him she

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Speaker 1: will be fine, but he drives her anyway.

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Speaker 2: And get a map quest Joe, like, you can't get

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Speaker 2: out of the neighborhood.

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Speaker 1: You were born and raised here. Like did he get lost?

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Speaker 2: Yeah, that's why they they get lost, and then they

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Speaker 2: ran out of gas. I mean, first of all far fetched,

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Speaker 2: so far fetched.

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Speaker 1: Joe I also was like, wait, why how does she

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Speaker 1: know stand so well already? The guy that worked there,

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Speaker 1: Like they go way back. She's like Stan.

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Speaker 2: It was so she would Okay, keep going, we're going

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Speaker 2: over it.

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Speaker 1: Okay, we're going. I have to keep you on the rails.

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Speaker 2: Yeah, because I started wanted to play that storyline through.

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Speaker 2: It's almost like I was watching four different episodes.

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Speaker 1: That's the thing about the all the different right now. Yeah,

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Speaker 1: really three, which is kind of needle, but like also

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Speaker 1: very different.

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Speaker 2: Yeah, I would say it was three different, totally different

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Speaker 2: episodes because the gambling and the calling of it kind

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Speaker 2: of crossover.

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Speaker 1: Yeah, that felt like the a storyline. Yeah, because in

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Speaker 1: the Hub and the peapad so and then the other

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Speaker 1: and everything else was out and about. But I like

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Speaker 1: that how they're trying to service all the actors though.

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Speaker 2: That kind of Yeah, we finally got like a Steve storyline.

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Speaker 2: They finally gave him something to do.

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Speaker 1: We're at the peach pit after dark and Valerie walks

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Speaker 1: up to Kelly and says, thank you for that. Oh.

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Speaker 1: Valerie wants Kelly to thank her for letting her hold

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Speaker 1: her sorority casino. Night at the peach pit, and Kelly

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Speaker 1: reluctantly says thank you. Now it was such a bitch off.

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Speaker 2: It was who can be bitch here? And I was like,

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Speaker 2: this is great, I think Kelly actually can I agree? Although,

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Speaker 2: but Valerie is so conniving, like she is very kind

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Speaker 2: of bessive. Aggressive.

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Speaker 1: Yeah, Kelly was just aggressive Kelly. She val is like,

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Speaker 1: what how can I twist this into something that suits me?

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Speaker 1: And val and Kelly is more like defensive of like,

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Speaker 1: don't do that. She doesn't.

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Speaker 2: Kelly is just so done with this girl, and Valerie's

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Speaker 2: just still going for it.

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Speaker 1: Oh my god, you think that they would stay away

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Speaker 1: from each other. We head back to the blackjack table,

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Speaker 1: where Brandon tells Steve to go home and rest up

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Speaker 1: for his talent agency internship. So that's the first time

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Speaker 1: we learn about what's gonna happen with Steve coming up.

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Speaker 1: Steve tells him that he's been assigned to a hot

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Speaker 1: female agent with no talent. But why would she have

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Speaker 1: no talent? Well, no, I think she has no talent.

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Speaker 1: He Steve is assigned to a hot female agent with

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Speaker 1: no talent, meaning she doesn't want, she doesn't have any

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Speaker 1: she doesn't have any clients. Come to find out she

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Speaker 1: doesn't have any talent either. But yeah, right, she's a

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Speaker 1: cute haircut though. Yeah, she was anorable. She reminded me

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Speaker 1: of like the other Bonds that we've had on the show. Yes,

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Speaker 1: all the all the other bonds she does. Yes, Susan

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Speaker 1: comes over and Brandon says that he will teach her

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Speaker 1: how to gamble.

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Speaker 2: Oh boy, Susan. I just she trips me out because

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Speaker 2: I really remember these episodes and yet not Susan. It's

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Speaker 2: like so weird. I remember all this, I remember this

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Speaker 2: whole season, and yet she was so.

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Speaker 1: Not in my mind.

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Speaker 2: But yet she's in every episode and she's very prominent

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Speaker 2: and major, and it's like nothing.

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Speaker 1: And she's and she's spunky and like says things that

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Speaker 1: you know, she feels memorable as I'm watching it now,

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Speaker 1: but I don't really doesn't.

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Speaker 2: Honestly, do you remember hanging out with her?

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Speaker 3: No?

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Speaker 1: I saw her not that long ago and we were

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Speaker 1: passing and she said hi to me, and I had

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Speaker 1: no clue who it was.

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Speaker 2: Yeah, it's like she bless her heart. Like it's so

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Speaker 2: weird because I in the.

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Speaker 1: Color she's a talented actress, like and I remember everything

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Speaker 1: about Joe everything, So maybe that was just I think

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Speaker 1: it's the abs. Yeah, yeah, let's see inside the peach bit.

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Speaker 1: Nat reminds brand No, this is he gets real Brandon. Yeah,

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Speaker 1: you got a gambling addiction. Brandon assures him that he

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Speaker 1: doesn't want to go through that again. And there was

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Speaker 1: a flashback scene where Duke played by Billy Vera that

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Speaker 1: was rad is collecting Brandon's gambling debt. So he does

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Speaker 1: in his mind, He's like, ooh, that takes me back

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Speaker 1: to a bad place.

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Speaker 2: And that's probably so mad because Mad had to bail

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Speaker 2: him out. Didn't that have to give him ten grand?

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Speaker 1: Yeah? Yeah, didn't that? He never got that money back.

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Speaker 1: I don't really remember where would he get it? How

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Speaker 1: would Brandon get ten thousand dollars back?

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Speaker 2: Then, I'd be like sixty thousand dollars or one hundred

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Speaker 2: thousand dollars, whoa, it's a lot.

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Speaker 1: Yeah, So when you put it into that context, he

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Speaker 1: did have a really bad gambling problem in one.

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Speaker 2: Episode, in one episode, yeah, I think it had. Maybe

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Speaker 2: I think it might have been a couple two episodes,

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Speaker 2: but we have heard nothing of it in many years,

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Speaker 2: and then now it's back.

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Speaker 1: Back Kelly's sitting in a booth and Colin comes over

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Speaker 1: and they talk about the charity event and how one

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Speaker 1: of the prizes is a sitting with the famous Colin

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Speaker 1: what's his last name? No clue, Collin Gucci the artist,

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Speaker 1: and then make.

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Speaker 2: A real problem with this storyline because the payoff makes

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Speaker 2: no sense whatsoever.

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Speaker 1: They kiss and Valerie is, of course peeping in the background.

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Speaker 1: He's visibly upset by it. Why and I don't know why?

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Speaker 2: Why David.

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Speaker 1: I'd be like, you're done, You're done.

440
00:21:28,920 --> 00:21:32,960
Speaker 2: What's her what's her fixation? She wants to relive like camp?

441
00:21:33,040 --> 00:21:34,919
Speaker 2: Remember they made out in camp or something?

442
00:21:37,040 --> 00:21:37,399
Speaker 4: Weird.

443
00:21:37,880 --> 00:21:43,359
Speaker 2: Colin just is so ugh. I'm not a Calling fan.

444
00:21:43,600 --> 00:21:46,280
Speaker 1: You are so not a Calling fan because I watching.

445
00:21:46,480 --> 00:21:48,360
Speaker 1: I was a fan of his in the moment, but.

446
00:21:48,359 --> 00:21:52,000
Speaker 2: Wait till later. The problem is he's so bad later

447
00:21:52,119 --> 00:21:53,919
Speaker 2: that I can't go back and now, like him in

448
00:21:53,920 --> 00:21:55,560
Speaker 2: the beginning, I'm like, this guy sucks.

449
00:21:55,680 --> 00:21:59,320
Speaker 1: He feels schwarmie. Is that a word?

450
00:21:59,640 --> 00:22:03,480
Speaker 2: Yes, yeah, schmarmy. I think is like bugs that are

451
00:22:03,520 --> 00:22:05,280
Speaker 2: gathering around you. But schmarmy, No.

452
00:22:05,359 --> 00:22:09,359
Speaker 1: That's a swarm, oh swarm. But schmarmie is like, maybe

453
00:22:09,359 --> 00:22:11,639
Speaker 1: you eat a phish Kebob or something. I don't know.

454
00:22:11,800 --> 00:22:14,879
Speaker 2: He's schmarmy. And he was sleeping with that woman and

455
00:22:14,920 --> 00:22:16,239
Speaker 2: you just forgave for that.

456
00:22:16,600 --> 00:22:21,200
Speaker 1: Why did she like this, Kelly? No, he was sleeping

457
00:22:21,240 --> 00:22:21,720
Speaker 1: with that woman.

458
00:22:21,800 --> 00:22:26,639
Speaker 2: Yes, I watched he watched that a while ago. Yes,

459
00:22:27,480 --> 00:22:31,520
Speaker 2: he was like, she was like his sugar mama, sugar mama. Oh,

460
00:22:31,600 --> 00:22:32,760
Speaker 2: get back with Brandon.

461
00:22:32,880 --> 00:22:35,680
Speaker 1: My gosh, let's go to the talent agency. Steve is

462
00:22:35,720 --> 00:22:40,600
Speaker 1: there answering the phone accurate, set accurate, set the cubicles.

463
00:22:41,600 --> 00:22:44,280
Speaker 1: And then there there's like a thirty eight year old male,

464
00:22:44,480 --> 00:22:46,480
Speaker 1: a guy that works in the mail room. A thirty

465
00:22:46,520 --> 00:22:48,800
Speaker 1: eight year old man who works in the mail room

466
00:22:48,840 --> 00:22:49,880
Speaker 1: and comes around and says.

467
00:22:49,680 --> 00:22:51,040
Speaker 2: But he's also in the fraternity.

468
00:22:51,680 --> 00:22:53,000
Speaker 1: Yeah, And then he says, are you going to go

469
00:22:53,040 --> 00:22:54,040
Speaker 1: to the peach pit after dark?

470
00:22:54,119 --> 00:22:54,199
Speaker 4: Like?

471
00:22:54,240 --> 00:22:56,239
Speaker 1: What is this guy his life is?

472
00:22:56,640 --> 00:22:58,679
Speaker 2: But he said, he goes to see you also, and

473
00:22:58,680 --> 00:23:01,520
Speaker 2: it's just in a different for term. That guy he

474
00:23:01,600 --> 00:23:06,159
Speaker 2: just looked old. Yeah, we think he is in his twenties.

475
00:23:07,520 --> 00:23:10,120
Speaker 2: The mailroom's probably pretty accurate, though, don't you know, don't

476
00:23:10,160 --> 00:23:11,960
Speaker 2: you remember when we were young, all those people that

477
00:23:12,000 --> 00:23:14,200
Speaker 2: would go work at the agency's it still.

478
00:23:14,040 --> 00:23:18,160
Speaker 1: Happens, you guys. My daughter Lola's boyfriend, Gabe Hi Gabe.

479
00:23:18,400 --> 00:23:22,920
Speaker 1: He just did an internship at a big management firm

480
00:23:23,600 --> 00:23:26,360
Speaker 1: and there were people he didn't start out in the mailroom,

481
00:23:26,359 --> 00:23:29,240
Speaker 1: but there were people in his internship that were starting

482
00:23:29,240 --> 00:23:29,800
Speaker 1: out in the mailroom.

483
00:23:29,880 --> 00:23:33,360
Speaker 2: Yeah, they make you I mean this room.

484
00:23:33,400 --> 00:23:35,840
Speaker 1: Is there actual mail in the mailroom still or how

485
00:23:35,880 --> 00:23:36,480
Speaker 1: does that work?

486
00:23:36,800 --> 00:23:40,600
Speaker 2: Because of that is a great question that the mailroom

487
00:23:40,720 --> 00:23:42,200
Speaker 2: probably is not as.

488
00:23:42,280 --> 00:23:45,320
Speaker 1: Who mails things these days, right, is not as much

489
00:23:45,320 --> 00:23:48,679
Speaker 1: of a priority as it probably was back in the

490
00:23:48,760 --> 00:23:52,240
Speaker 1: day because you just email it. Maybe you're just fielding

491
00:23:52,560 --> 00:23:53,600
Speaker 1: general emails.

492
00:23:54,119 --> 00:23:56,920
Speaker 2: When I started working this, well, people are going to

493
00:23:56,960 --> 00:23:57,520
Speaker 2: be bored by.

494
00:23:57,400 --> 00:23:59,199
Speaker 1: The story, but that's okay, I won't be.

495
00:23:59,560 --> 00:24:02,479
Speaker 2: There was no email. So if the if the general

496
00:24:02,520 --> 00:24:06,560
Speaker 2: manager who I worked for, needed to send something to

497
00:24:06,840 --> 00:24:11,919
Speaker 2: the you know person down in the newsroom, he would

498
00:24:12,000 --> 00:24:15,679
Speaker 2: type it, put it in an envelope, hand it to me.

499
00:24:16,000 --> 00:24:17,880
Speaker 2: I had to put it in a different He would

500
00:24:17,880 --> 00:24:22,760
Speaker 2: type it on paper, Type it on paper, do or

501
00:24:22,840 --> 00:24:25,159
Speaker 2: have an assistant type it so he would type it,

502
00:24:25,240 --> 00:24:27,959
Speaker 2: say it into a little dictaphone. She would type it,

503
00:24:28,280 --> 00:24:30,160
Speaker 2: put it in an envelope, It would then go into

504
00:24:30,200 --> 00:24:34,720
Speaker 2: a yellow sort of Manila envelope and tell me where

505
00:24:34,720 --> 00:24:38,200
Speaker 2: to go. I would then carry it from the big

506
00:24:38,240 --> 00:24:42,480
Speaker 2: office upstairs, down the stairs, down the hallway down to

507
00:24:42,520 --> 00:24:45,879
Speaker 2: the newsroom, and then I would either wait for a

508
00:24:45,960 --> 00:24:48,320
Speaker 2: response to bring it back up.

509
00:24:48,640 --> 00:24:48,840
Speaker 4: Wait.

510
00:24:48,840 --> 00:24:51,720
Speaker 1: They didn't have elevators. I don't go on elevators, but

511
00:24:51,720 --> 00:24:53,800
Speaker 1: there was an elevator, or they would.

512
00:24:53,920 --> 00:24:56,439
Speaker 2: I would drop it off, go back and wait and

513
00:24:56,480 --> 00:24:59,000
Speaker 2: then like somebody would deliver the response. I mean, it

514
00:24:59,080 --> 00:25:02,200
Speaker 2: was so crazy. I did that all day long. Take

515
00:25:02,240 --> 00:25:04,960
Speaker 2: a letter down to there, take this letter back up

516
00:25:05,000 --> 00:25:06,399
Speaker 2: there because there was no email.

517
00:25:06,960 --> 00:25:09,920
Speaker 1: I don't really love this story. You really got your

518
00:25:09,920 --> 00:25:11,639
Speaker 1: steps in though, totally.

519
00:25:11,680 --> 00:25:14,920
Speaker 2: This was in the early nineties and that was how

520
00:25:14,920 --> 00:25:19,440
Speaker 2: you communicated a memo through Amy Sugarman. Yeah, just carrying

521
00:25:19,480 --> 00:25:22,000
Speaker 2: stuff all over the office.

522
00:25:22,240 --> 00:25:22,720
Speaker 1: Here I go.

523
00:25:23,920 --> 00:25:26,280
Speaker 2: Yeah, and I worked for the big boss. So people

524
00:25:26,280 --> 00:25:31,679
Speaker 2: would be if and terrified like an envelope, and if

525
00:25:31,720 --> 00:25:35,440
Speaker 2: it was really serious, it would say personal and confidential.

526
00:25:35,960 --> 00:25:39,639
Speaker 2: That meant oh, like what happened to the lady in

527
00:25:39,640 --> 00:25:42,800
Speaker 2: this episode. That was so real, except that was weird

528
00:25:42,800 --> 00:25:44,760
Speaker 2: that it came in the mail. But maybe we were

529
00:25:44,800 --> 00:25:48,960
Speaker 2: not too It wasn't mail, it was an inner office delivery.

530
00:25:50,119 --> 00:25:56,359
Speaker 1: Yeah, yes, wow, let's go to Oh no, no, let's

531
00:25:56,359 --> 00:25:58,399
Speaker 1: figure this out. Hold on one second. Sorry, sorry, sorry

532
00:25:58,800 --> 00:26:02,040
Speaker 1: at the talent agency. So he gets the that he

533
00:26:02,080 --> 00:26:04,480
Speaker 1: gets the invite to the peepad after dark from the

534
00:26:04,480 --> 00:26:07,640
Speaker 1: old guy, and then Steve is answering the phones and

535
00:26:08,320 --> 00:26:10,880
Speaker 1: he's very professional. Yes, he's very good at his john,

536
00:26:10,960 --> 00:26:14,879
Speaker 1: really good with absolutely no. I guess it's been around

537
00:26:14,920 --> 00:26:18,560
Speaker 1: it right, like from from Samantha. And then Tammy Kane,

538
00:26:19,800 --> 00:26:23,960
Speaker 1: the cute blonde lady, is already annoyed with him. She's

539
00:26:24,200 --> 00:26:26,200
Speaker 1: very yes, she doesn't like him from the get.

540
00:26:25,960 --> 00:26:29,080
Speaker 2: Go, right, but then that switches when she realizes he's

541
00:26:29,160 --> 00:26:33,760
Speaker 2: like the boss's friend. She perked right up.

542
00:26:34,320 --> 00:26:39,239
Speaker 1: Yeah. Then then his dad's friend Scottie comes in and

543
00:26:39,280 --> 00:26:45,280
Speaker 1: well this yeah guy. Hey, Tammy asks Scotti to assign

544
00:26:45,280 --> 00:26:48,520
Speaker 1: Steve to her permanently.

545
00:26:48,359 --> 00:26:52,800
Speaker 2: Right because because now she overheard there friend there that

546
00:26:52,920 --> 00:26:55,720
Speaker 2: he knows the big boss somehow and he's tight with

547
00:26:55,760 --> 00:26:57,200
Speaker 2: the big boss. And the big Boss was like, let's

548
00:26:57,240 --> 00:26:59,200
Speaker 2: grow up lunch, and suddenly she was like.

549
00:26:59,840 --> 00:27:02,720
Speaker 1: I need to keep this guy. Very smart cookie.

550
00:27:02,880 --> 00:27:04,680
Speaker 2: Maybe she knew she wasn't good at her job.

551
00:27:05,720 --> 00:27:08,440
Speaker 1: Maybe that was going to help her bag at the

552
00:27:08,520 --> 00:27:11,479
Speaker 1: liquor store. We find that Donna has finally made her

553
00:27:11,520 --> 00:27:15,400
Speaker 1: way there without a Way's map. Thank god. I wanted

554
00:27:15,480 --> 00:27:19,440
Speaker 1: to be like, can you print out a map? Quest right?

555
00:27:19,560 --> 00:27:21,000
Speaker 2: Remember you have to use you just have to print

556
00:27:21,040 --> 00:27:24,040
Speaker 2: that out. Yeah, you'd be like, where am I going?

557
00:27:24,119 --> 00:27:27,359
Speaker 2: Let me get the directions printed out. I don't know

558
00:27:27,400 --> 00:27:29,480
Speaker 2: how we got Remember, I, first of all, I hate

559
00:27:29,480 --> 00:27:32,240
Speaker 2: when I don't say remember the word is not member,

560
00:27:32,520 --> 00:27:33,440
Speaker 2: it's remember.

561
00:27:34,600 --> 00:27:35,480
Speaker 1: I never had the.

562
00:27:35,520 --> 00:27:37,080
Speaker 2: Thomas Guide that.

563
00:27:38,560 --> 00:27:40,000
Speaker 1: I didn't know that guide.

564
00:27:40,359 --> 00:27:41,880
Speaker 2: I know because I didn't live here.

565
00:27:42,200 --> 00:27:44,760
Speaker 1: People that don't know that don't live here don't know

566
00:27:44,760 --> 00:27:46,760
Speaker 1: what a Tom's Guide is. But if you ever lived

567
00:27:46,800 --> 00:27:49,600
Speaker 1: in LA in the nineties, you know what a Tom's

568
00:27:49,600 --> 00:27:54,200
Speaker 1: Guide is. It's like this thick bible and you turn

569
00:27:54,280 --> 00:27:55,960
Speaker 1: it and you like find the address you want to

570
00:27:55,960 --> 00:27:58,119
Speaker 1: go to, and then you go find that piece of

571
00:27:58,119 --> 00:28:00,679
Speaker 1: paper that corresponds with that number, and then you go

572
00:28:00,800 --> 00:28:04,200
Speaker 1: down on one side and then down. It felt very scientific.

573
00:28:03,880 --> 00:28:06,040
Speaker 2: Razy that you guys could figure out how to do it.

574
00:28:06,320 --> 00:28:09,280
Speaker 1: I razy loved the Thomas Guide, and in fact, if

575
00:28:09,320 --> 00:28:11,159
Speaker 1: I could have one again, I would go back to

576
00:28:11,200 --> 00:28:13,440
Speaker 1: it because it actually made you use your brain.

577
00:28:13,640 --> 00:28:17,000
Speaker 2: It made my head explode because I came. I moved

578
00:28:17,000 --> 00:28:19,480
Speaker 2: here right as I think it was called map quest,

579
00:28:19,480 --> 00:28:21,359
Speaker 2: and you would like put it in a computer and

580
00:28:21,440 --> 00:28:24,480
Speaker 2: it would print out the directions, like turn by turn directions. Yeah,

581
00:28:24,480 --> 00:28:26,840
Speaker 2: but people still were doing Thomas guides and I was like,

582
00:28:26,920 --> 00:28:29,800
Speaker 2: I don't know how you possibly are doing that. It

583
00:28:29,880 --> 00:28:32,520
Speaker 2: was like a map reading. It was in a very

584
00:28:32,560 --> 00:28:34,800
Speaker 2: thick book because there's a lot of streets in Race

585
00:28:35,359 --> 00:28:38,480
Speaker 2: totally bananas. Anyway, Anyway, I don't know why we're talking

586
00:28:38,520 --> 00:28:40,440
Speaker 2: about that. Oh yeah, because she got to the candy, got.

587
00:28:40,360 --> 00:28:43,560
Speaker 1: To the thing. Yeah. Donna's working in the cast register

588
00:28:43,640 --> 00:28:46,560
Speaker 1: when a kid comes up to her to price check

589
00:28:46,920 --> 00:28:49,920
Speaker 1: a Teddy Bear. He says that it's for his brother's birthday,

590
00:28:50,200 --> 00:28:54,080
Speaker 1: but he says he forgot it. But he says forget it.

591
00:28:54,400 --> 00:28:57,120
Speaker 1: When Donna says it it's four dollars in ninety ninety cents,

592
00:28:57,400 --> 00:29:01,880
Speaker 1: a kid tries to steal the pusu ninety nine. That's fun. Yeah,

593
00:29:01,920 --> 00:29:05,760
Speaker 1: well kids, So the kid decides obviously to steal it,

594
00:29:06,960 --> 00:29:11,360
Speaker 1: but I'm sure the worth or that stops him, and

595
00:29:11,440 --> 00:29:13,600
Speaker 1: Donna jumps in and covers for the kid and says

596
00:29:13,600 --> 00:29:15,560
Speaker 1: that he paid for the teddy bear and then she

597
00:29:15,600 --> 00:29:17,640
Speaker 1: puts her own money in the cash register. Was very

598
00:29:17,680 --> 00:29:18,960
Speaker 1: sweet of her, very very sweet.

599
00:29:18,960 --> 00:29:21,000
Speaker 2: And I had a moment of panic because I saw

600
00:29:21,000 --> 00:29:22,920
Speaker 2: her put the five in and I thought, she's not

601
00:29:22,920 --> 00:29:24,960
Speaker 2: gonna remember the tax. She's not going to remember the

602
00:29:25,000 --> 00:29:26,920
Speaker 2: tax and at the end of the day, the cash

603
00:29:26,920 --> 00:29:29,960
Speaker 2: register is not gonna had up right, But she then

604
00:29:30,200 --> 00:29:31,320
Speaker 2: blopped some coins in.

605
00:29:32,080 --> 00:29:32,880
Speaker 1: Wow, very sweet?

606
00:29:32,920 --> 00:29:34,920
Speaker 2: Did remember the tax? How she knows how to use

607
00:29:34,960 --> 00:29:36,920
Speaker 2: that cash reister? Or do tax?

608
00:29:37,600 --> 00:29:40,440
Speaker 1: I know you. Joe comes to pick Donna up after

609
00:29:40,520 --> 00:29:43,720
Speaker 1: work and that kid Isaiah with a teddy Bear is

610
00:29:43,760 --> 00:29:46,960
Speaker 1: waiting outside to thank her and tells her that he

611
00:29:47,000 --> 00:29:49,040
Speaker 1: wants her to know that she's not he's not a thief.

612
00:29:49,400 --> 00:29:51,000
Speaker 1: I liked him from the start, that little kid. I

613
00:29:51,040 --> 00:29:56,080
Speaker 1: was like, this kid's actually cool and I'm into it. Yeah,

614
00:29:56,360 --> 00:29:57,400
Speaker 1: he's really cute.

615
00:29:57,720 --> 00:30:00,600
Speaker 2: Storyline has no connection to anything else happening in this

616
00:30:00,640 --> 00:30:02,800
Speaker 2: whole episode, though, as I realized.

617
00:30:02,480 --> 00:30:03,440
Speaker 1: That, which I don't mind.

618
00:30:03,960 --> 00:30:06,080
Speaker 2: I know, but I definitely think you're right that like

619
00:30:06,440 --> 00:30:09,400
Speaker 2: those writers to talk.

620
00:30:09,960 --> 00:30:16,440
Speaker 1: Yeah, maybe you should have second in the room. Back

621
00:30:16,480 --> 00:30:19,640
Speaker 1: at the talent agency, the male guy talks to Steve

622
00:30:19,720 --> 00:30:22,360
Speaker 1: and mentions the kid care benefit of the peach pit

623
00:30:22,440 --> 00:30:24,320
Speaker 1: after dark and that he's going to go even though

624
00:30:24,360 --> 00:30:27,760
Speaker 1: he's way, way, way too old. He's in college, isn't.

625
00:30:27,920 --> 00:30:29,240
Speaker 2: He's like in the opposing for terms.

626
00:30:29,560 --> 00:30:31,160
Speaker 1: That man is not in college.

627
00:30:31,200 --> 00:30:33,200
Speaker 2: I'm sorry, he's not a keg man. He's like an

628
00:30:33,280 --> 00:30:34,160
Speaker 2: SAE or something.

629
00:30:34,200 --> 00:30:36,040
Speaker 1: I don't know. Does that mean you've been out of

630
00:30:36,040 --> 00:30:38,720
Speaker 1: college for twenty years? Because that's how old he was.

631
00:30:38,960 --> 00:30:41,600
Speaker 2: Look at how bless your heart Steve is.

632
00:30:41,760 --> 00:30:45,400
Speaker 1: I can't well, I believe old. I believe he's there.

633
00:30:46,640 --> 00:30:49,560
Speaker 1: Steve opens Tammy's personal and confidential mail.

634
00:30:49,640 --> 00:30:52,400
Speaker 2: What if you said to she said too, she said,

635
00:30:52,440 --> 00:30:54,240
Speaker 2: I don't like rips. Remember he had to use the

636
00:30:54,320 --> 00:30:59,040
Speaker 2: like letter cutter letter opener, and then he finds that.

637
00:30:59,400 --> 00:31:01,960
Speaker 1: Yeah, he find that she's got a termination letter. So

638
00:31:02,000 --> 00:31:04,840
Speaker 1: we quickly makes another envelope and seals the letter back up,

639
00:31:04,840 --> 00:31:05,520
Speaker 1: so she doesn't know.

640
00:31:05,760 --> 00:31:08,760
Speaker 2: I don't think anyone gets fired with a letter, but

641
00:31:08,840 --> 00:31:10,920
Speaker 2: I could be wrong. Right that felt it feels like

642
00:31:10,920 --> 00:31:14,680
Speaker 2: you get called in to somebody.

643
00:31:15,000 --> 00:31:19,440
Speaker 1: She comes by, she gets the letter and uh, we

644
00:31:19,520 --> 00:31:22,920
Speaker 1: see Tammy cry. Oh yeah, that was actually painful. Yeah,

645
00:31:22,960 --> 00:31:25,360
Speaker 1: because she did not see that coming. No, we've known

646
00:31:25,400 --> 00:31:29,080
Speaker 1: her for thirty three seconds, already invested in her livelihood.

647
00:31:29,240 --> 00:31:31,720
Speaker 2: Yeah, like, I don't know you, but I care and

648
00:31:31,720 --> 00:31:37,480
Speaker 2: I'm sorry you got shit canned by this very creepy boss. Yeah, Like,

649
00:31:37,480 --> 00:31:40,360
Speaker 2: why don't you just go back and be like, don't

650
00:31:40,360 --> 00:31:48,280
Speaker 2: fire me because you're creepy and gross.

651
00:31:52,200 --> 00:31:55,760
Speaker 6: Jenny Garth, Jana Kramer, Amy Roeboch and TJ. Holmes bring

652
00:31:55,840 --> 00:31:59,280
Speaker 6: you I Do Part two, one of a kind experiment

653
00:31:59,320 --> 00:32:01,880
Speaker 6: in podcast to help you find love again. If you

654
00:32:01,920 --> 00:32:03,680
Speaker 6: didn't get it right the first time, it's time to

655
00:32:03,720 --> 00:32:06,400
Speaker 6: try try again, as they guide you through this podcast

656
00:32:06,480 --> 00:32:07,560
Speaker 6: experiment in dating.

657
00:32:07,760 --> 00:32:11,280
Speaker 5: Hey, I'm Jana Kramer. As they say, those that cannot

658
00:32:11,360 --> 00:32:14,640
Speaker 5: do teach. Actually, I think I finally got it right,

659
00:32:14,680 --> 00:32:17,760
Speaker 5: So take the failures I've had the second or even

660
00:32:17,760 --> 00:32:19,960
Speaker 5: third whatever, maybe the fourth time around.

661
00:32:20,160 --> 00:32:23,840
Speaker 1: I'm Jenny Garth. Twenty nine years ago, Kelly Taylor said

662
00:32:23,880 --> 00:32:27,160
Speaker 1: these words, I choose me. She made her choice, She

663
00:32:27,360 --> 00:32:31,560
Speaker 1: chose herself when it comes to love, choose you first.

664
00:32:31,920 --> 00:32:34,080
Speaker 2: Hi, everyone, I'm Amy Rovoch and I'm TJ.

665
00:32:34,240 --> 00:32:38,360
Speaker 4: Holmes, and we are well not necessarily relationship experts. If

666
00:32:38,360 --> 00:32:41,000
Speaker 4: you're ready to dive back into the dating pool and

667
00:32:41,040 --> 00:32:44,560
Speaker 4: find lasting love. Finally, we want to help.

668
00:32:44,600 --> 00:32:47,480
Speaker 5: Listen to I Do Part two starting September nineteenth on

669
00:32:47,560 --> 00:32:51,480
Speaker 5: the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts.

670
00:32:55,880 --> 00:32:58,479
Speaker 1: We go back where Joe has picked Anna up and

671
00:32:58,480 --> 00:33:03,680
Speaker 1: he's driving the streets of la and he again he

672
00:33:03,880 --> 00:33:08,360
Speaker 1: gets lost, all nervous, gets lost in mad neighborhood, bad neighborhood.

673
00:33:08,640 --> 00:33:10,440
Speaker 1: He's on the other side of the tracks. If you

674
00:33:10,640 --> 00:33:11,160
Speaker 1: oh got it?

675
00:33:12,680 --> 00:33:12,960
Speaker 2: Uh?

676
00:33:13,600 --> 00:33:18,080
Speaker 1: Donna asks why men never ask for directions? And then

677
00:33:18,320 --> 00:33:22,760
Speaker 1: he runs completely out of gas. First of all, very

678
00:33:22,800 --> 00:33:24,800
Speaker 1: predictable and stupid.

679
00:33:26,240 --> 00:33:29,880
Speaker 2: I'm like, okay, we all know we have thirty miles

680
00:33:29,920 --> 00:33:32,360
Speaker 2: at least when the light goes on. Yeah, so that

681
00:33:32,480 --> 00:33:35,200
Speaker 2: means he started out with the light in Beverly Hill.

682
00:33:35,680 --> 00:33:36,320
Speaker 1: This is the thing.

683
00:33:37,000 --> 00:33:40,720
Speaker 2: Beverly Hills to wherever they are is literally nine miles.

684
00:33:40,920 --> 00:33:44,720
Speaker 2: It could take an hour, correct, but it's it's all

685
00:33:44,760 --> 00:33:47,520
Speaker 2: real close. So he'd left the house with the light on,

686
00:33:48,080 --> 00:33:50,360
Speaker 2: you know, the gas he and he had old day

687
00:33:50,400 --> 00:33:51,280
Speaker 2: to get gas.

688
00:33:51,680 --> 00:33:54,200
Speaker 1: It's just he dropped her off in the morning, and.

689
00:33:54,120 --> 00:33:56,680
Speaker 2: He's such a responsible guy. There's no way he was

690
00:33:56,720 --> 00:33:57,880
Speaker 2: criss around on fumes.

691
00:33:57,960 --> 00:33:59,760
Speaker 1: It's just not having it. Doesn't try to run out

692
00:33:59,760 --> 00:34:03,080
Speaker 1: of gas, have you? No, But I've been with my

693
00:34:03,600 --> 00:34:04,920
Speaker 1: Peter used to run out of gassle.

694
00:34:05,280 --> 00:34:07,200
Speaker 2: So the reason I ran out I ran. I've run

695
00:34:07,240 --> 00:34:10,120
Speaker 2: out of gas multiple times because I when I lived here,

696
00:34:11,160 --> 00:34:13,719
Speaker 2: I had a car and the gas cage broke. I

697
00:34:13,760 --> 00:34:17,440
Speaker 2: can't remember which that was good, So I had to

698
00:34:17,440 --> 00:34:19,200
Speaker 2: do it by the mile counter, Like every time I

699
00:34:19,200 --> 00:34:20,920
Speaker 2: got gas, you'd have to reset and go, I'm got

700
00:34:20,960 --> 00:34:23,680
Speaker 2: about three hundred miles and I would forget to look.

701
00:34:24,000 --> 00:34:24,799
Speaker 1: Yeah, that's so I.

702
00:34:24,800 --> 00:34:27,200
Speaker 2: Probably ran out of gas five times in that car.

703
00:34:28,800 --> 00:34:30,680
Speaker 2: That was that that the gas thing broke.

704
00:34:31,160 --> 00:34:33,760
Speaker 1: Did you ever run out of gas in an area

705
00:34:33,800 --> 00:34:36,200
Speaker 1: that you felt unsafe in? I ran out of gas

706
00:34:36,200 --> 00:34:40,399
Speaker 1: on the freeway, Like that'll do it. Wait what did

707
00:34:40,400 --> 00:34:40,719
Speaker 1: you do?

708
00:34:40,840 --> 00:34:42,479
Speaker 2: Did you call Triple A and just.

709
00:34:42,440 --> 00:34:44,319
Speaker 1: Like like I cheat over to the Yeah, I.

710
00:34:44,320 --> 00:34:45,840
Speaker 2: Don't remember being like panicked.

711
00:34:45,880 --> 00:34:46,960
Speaker 1: I might have made it off.

712
00:34:47,200 --> 00:34:49,480
Speaker 2: No, I mean many times I ran out of gas

713
00:34:49,520 --> 00:34:51,600
Speaker 2: and Triple A comes and they like kind of top

714
00:34:51,680 --> 00:34:52,439
Speaker 2: you off and then.

715
00:34:52,320 --> 00:34:55,520
Speaker 1: You wait, wait, if you we should tell the listeners

716
00:34:55,560 --> 00:34:58,000
Speaker 1: if you run out of gas on a freeway, our

717
00:34:58,040 --> 00:34:58,920
Speaker 1: freeways are.

718
00:34:58,800 --> 00:35:02,720
Speaker 2: Like six solarly so gnarly, Like this is what people

719
00:35:02,719 --> 00:35:04,799
Speaker 2: need to know that. I'm sure like tons of people

720
00:35:04,800 --> 00:35:06,799
Speaker 2: live in California that listen to us. But I just

721
00:35:06,880 --> 00:35:09,160
Speaker 2: drove down from San Francisco and it's a pretty chill

722
00:35:09,280 --> 00:35:11,560
Speaker 2: drive down the water. It was like two lanes maybe

723
00:35:12,080 --> 00:35:16,799
Speaker 2: minute you hit La. Like I Am not kidding. You

724
00:35:16,880 --> 00:35:19,960
Speaker 2: literally leave Ventura and you are now on the one

725
00:35:20,040 --> 00:35:23,880
Speaker 2: oh one in La. Immediately everyone's going fifteen miles faster.

726
00:35:24,239 --> 00:35:27,160
Speaker 2: It feels like that. Immediately my mom was in the

727
00:35:27,200 --> 00:35:28,799
Speaker 2: car and she's like, oh my god, and I go

728
00:35:29,000 --> 00:35:32,520
Speaker 2: wanna it's the second you get here, it's just people.

729
00:35:32,600 --> 00:35:34,719
Speaker 1: I've never I mean I've been all over the world.

730
00:35:34,719 --> 00:35:36,840
Speaker 1: I've never seen forree guys with that many lanes.

731
00:35:37,000 --> 00:35:39,680
Speaker 2: Very explaines like it's crazy.

732
00:35:40,200 --> 00:35:43,879
Speaker 1: I know that if I've I grew up in La,

733
00:35:44,000 --> 00:35:46,360
Speaker 1: so driving in that kind of traffic doesn't FaZe me

734
00:35:46,480 --> 00:35:49,040
Speaker 1: one bit. I'm like m zoom in and out of totally.

735
00:35:49,120 --> 00:35:50,839
Speaker 2: I said to my mom, you should never drive here,

736
00:35:50,920 --> 00:35:51,560
Speaker 2: Like I don't think.

737
00:35:51,400 --> 00:35:53,080
Speaker 1: She's get out for it. No, I don't think certain

738
00:35:53,080 --> 00:35:56,040
Speaker 1: people should drive here. Absolutely not. And then when you

739
00:35:56,120 --> 00:35:58,200
Speaker 1: teach your daughters to drive in LA like I had

740
00:35:58,239 --> 00:36:00,640
Speaker 1: to do. But now I know they can drive anywhere

741
00:36:00,640 --> 00:36:01,840
Speaker 1: and they can. Yeah, totally.

742
00:36:02,760 --> 00:36:04,360
Speaker 2: I don't see how people drive in New York, but

743
00:36:04,360 --> 00:36:05,640
Speaker 2: that would be a whole nother thing.

744
00:36:06,040 --> 00:36:10,160
Speaker 1: So anyway, anyway, Donna asks why men never ask for directions,

745
00:36:10,200 --> 00:36:11,640
Speaker 1: which is a good question.

746
00:36:12,760 --> 00:36:15,719
Speaker 2: It's like that's such an old time thing. Oh, gil up,

747
00:36:15,760 --> 00:36:18,920
Speaker 2: men can't answ for directions. That's like an old Do

748
00:36:18,920 --> 00:36:21,359
Speaker 2: you think that still holds though? Well, I think now

749
00:36:21,360 --> 00:36:23,200
Speaker 2: everyone has a phone you just type it in, so

750
00:36:23,239 --> 00:36:25,719
Speaker 2: it's not even around anymore. But that was that was

751
00:36:25,719 --> 00:36:27,640
Speaker 2: sort of an old tale.

752
00:36:27,680 --> 00:36:30,520
Speaker 1: Is all a time? This guy won't ask for directions?

753
00:36:30,600 --> 00:36:33,240
Speaker 1: His egos too big? Yeah, it looks like a loser.

754
00:36:33,960 --> 00:36:34,160
Speaker 5: Uh.

755
00:36:34,200 --> 00:36:37,680
Speaker 1: They leave Joe's truck parked and they go to look

756
00:36:37,719 --> 00:36:40,240
Speaker 1: for a phone or gas.

757
00:36:39,800 --> 00:36:43,359
Speaker 2: And immediately it's like the most dangerous place.

758
00:36:43,360 --> 00:36:47,200
Speaker 1: Yeh in America and on the streets and like that

759
00:36:47,520 --> 00:36:52,319
Speaker 1: drive by got like right, it's not like that. I mean,

760
00:36:52,520 --> 00:36:54,279
Speaker 1: it might be like that, and I just haven't been

761
00:36:54,320 --> 00:36:56,520
Speaker 1: to that neighborhood, but I have.

762
00:36:56,440 --> 00:37:02,200
Speaker 2: And I've never experienced that. Like that was really over

763
00:37:02,239 --> 00:37:04,560
Speaker 2: the top. The whole thing was just so over the top.

764
00:37:04,840 --> 00:37:06,279
Speaker 1: It was very extreme.

765
00:37:06,680 --> 00:37:09,799
Speaker 2: Actually, frankly was somewhat of an this is weird to say,

766
00:37:09,840 --> 00:37:12,480
Speaker 2: but like this was in somewhat of a nice neighborhood

767
00:37:12,480 --> 00:37:13,000
Speaker 2: with nice.

768
00:37:12,800 --> 00:37:14,680
Speaker 1: Homes, Like it was just like this is not skid

769
00:37:14,760 --> 00:37:17,239
Speaker 1: row like what it was like boys in the hood.

770
00:37:17,239 --> 00:37:21,880
Speaker 1: All of a sudden, like we cut to that movie seriously.

771
00:37:23,840 --> 00:37:26,239
Speaker 1: We go to the Kassa Walsh. Brandon is sitting in

772
00:37:26,239 --> 00:37:29,319
Speaker 1: the kitchen trying to learn how to count cards. So

773
00:37:29,520 --> 00:37:32,600
Speaker 1: right there we see like something's a bruin with Brandon

774
00:37:32,640 --> 00:37:36,560
Speaker 1: and his addiction. And then Brandon tells her that Jim

775
00:37:36,600 --> 00:37:40,160
Speaker 1: and Cindy aren't coming home for Christmas, which is unbelievable.

776
00:37:40,400 --> 00:37:41,799
Speaker 2: And first of all, the fact that they say Jim

777
00:37:41,840 --> 00:37:44,000
Speaker 2: and Cindy, Like wouldn't you say, oh, I'm sorry, Mom

778
00:37:44,000 --> 00:37:44,839
Speaker 2: and Dad aren't coming.

779
00:37:44,920 --> 00:37:48,040
Speaker 1: Yeah, but why wouldn't they come home for Christmas? That

780
00:37:48,040 --> 00:37:49,080
Speaker 1: doesn't make any sense.

781
00:37:48,840 --> 00:37:54,440
Speaker 2: Because they aren't being paid enough money anymore by the.

782
00:37:53,239 --> 00:37:57,640
Speaker 1: Aaron Spelling Box company. They're having too much fun as donsters.

783
00:37:59,040 --> 00:38:00,239
Speaker 4: We go to.

784
00:38:03,040 --> 00:38:05,919
Speaker 1: We've on the Streets Before when Donna and Joe were

785
00:38:05,960 --> 00:38:09,319
Speaker 1: looking for gas. That's where Isaiah comes up to her

786
00:38:09,520 --> 00:38:12,640
Speaker 1: and says Donna, Joe, Oh yeah, come on over for dinner.

787
00:38:12,760 --> 00:38:14,560
Speaker 1: I'm so glad you guys are here. So he like

788
00:38:14,719 --> 00:38:16,880
Speaker 1: saves them from the bad guys.

789
00:38:17,480 --> 00:38:25,400
Speaker 2: Like, first of all, correct, it's just so ridiculous. And

790
00:38:25,440 --> 00:38:31,000
Speaker 2: they're they've driven, oh sorry, they've driven many many minutes, right,

791
00:38:31,080 --> 00:38:34,799
Speaker 2: so they're way away from the convenience store. I guess

792
00:38:34,840 --> 00:38:37,480
Speaker 2: they were circling. But the odds that they're going to

793
00:38:37,520 --> 00:38:39,120
Speaker 2: be in front of his house.

794
00:38:39,239 --> 00:38:41,799
Speaker 1: Yeah, no, it's it's all perfect, it's great, it's hot.

795
00:38:42,760 --> 00:38:47,239
Speaker 1: They go inside, they go into this kid's apartment because

796
00:38:47,280 --> 00:38:50,239
Speaker 1: they guess right in the phone or something, and they

797
00:38:50,239 --> 00:38:53,160
Speaker 1: see that Isaiah is taking care of his siblings while

798
00:38:53,160 --> 00:38:56,000
Speaker 1: his mom is at work. He's afraid that child Services

799
00:38:56,040 --> 00:38:58,160
Speaker 1: will find out that the kids are left alone, and

800
00:38:58,200 --> 00:39:03,840
Speaker 1: Donna promises not to say anything and orders pizza for everybody. Okay, Donna,

801
00:39:04,120 --> 00:39:06,719
Speaker 1: you need to mind your own bees wax. This is

802
00:39:06,840 --> 00:39:08,640
Speaker 1: what I'm going to say to this whole storyline.

803
00:39:08,960 --> 00:39:10,920
Speaker 2: The storyline is good, but can I say this, and

804
00:39:11,000 --> 00:39:13,200
Speaker 2: I hope I say this the right way. It's just

805
00:39:13,400 --> 00:39:22,560
Speaker 2: so like misconceptions, stereotypical, like gross, it's pretty gross. And

806
00:39:22,600 --> 00:39:25,200
Speaker 2: then the mom, the mom comes home I don't want

807
00:39:25,239 --> 00:39:25,960
Speaker 2: your help.

808
00:39:26,400 --> 00:39:28,960
Speaker 1: I'm yelling at Donna, saying, get out of her house.

809
00:39:28,960 --> 00:39:31,400
Speaker 1: You got no business. Get what are you doing?

810
00:39:33,640 --> 00:39:34,840
Speaker 2: Then she comes around.

811
00:39:35,200 --> 00:39:37,520
Speaker 1: It's just so I love the mom by the way.

812
00:39:37,600 --> 00:39:40,360
Speaker 1: She told a badass like she's making it all worry

813
00:39:41,120 --> 00:39:43,200
Speaker 1: and Donna has to butt her nose it and tell

814
00:39:43,200 --> 00:39:45,200
Speaker 1: her she's not doing it right and be.

815
00:39:45,200 --> 00:39:45,839
Speaker 4: So like.

816
00:39:47,600 --> 00:39:53,839
Speaker 1: It was so ugh. I was like, oh God, yeah, uh,

817
00:39:55,600 --> 00:39:58,759
Speaker 1: we're going back to We go to the peach bed

818
00:39:58,760 --> 00:40:02,040
Speaker 1: after dark and we see that Lisa r Rose Queen

819
00:40:02,400 --> 00:40:05,160
Speaker 1: and Kelly are saying, I wonder where Donna is. So

820
00:40:05,200 --> 00:40:08,280
Speaker 1: it kind of like intermixes the storylines, right.

821
00:40:08,600 --> 00:40:10,680
Speaker 2: And then there was some sort of like a conflict

822
00:40:11,120 --> 00:40:14,360
Speaker 2: there that was quickly resolved. Remember oh oh yeah, that

823
00:40:14,480 --> 00:40:17,320
Speaker 2: was when Donna shows up. Sorry I jumped ahead, because

824
00:40:17,360 --> 00:40:19,400
Speaker 2: Donna and Lisa have a little bit of a conflict

825
00:40:19,440 --> 00:40:23,040
Speaker 2: over helping the family, and then quickly that was resolved.

826
00:40:23,480 --> 00:40:26,960
Speaker 1: Back at the apartment, Joe says it's not right and

827
00:40:27,040 --> 00:40:29,840
Speaker 1: thank you Joe to be butting into these kids lives.

828
00:40:30,640 --> 00:40:33,960
Speaker 1: But Donna says she refuses to leave these kids home alone.

829
00:40:34,160 --> 00:40:37,600
Speaker 1: She's very police in this moment, like Mama was coming

830
00:40:37,719 --> 00:40:41,000
Speaker 1: through here, and then the mom comes in and says,

831
00:40:41,040 --> 00:40:42,240
Speaker 1: oh the hell are you people?

832
00:40:44,600 --> 00:40:47,279
Speaker 2: Seriously? Can you imagine you come home and there's two

833
00:40:48,120 --> 00:40:51,600
Speaker 2: random adults that you don't know with your children.

834
00:40:51,640 --> 00:40:54,560
Speaker 1: I would be like and telling you. I would call

835
00:40:54,560 --> 00:40:57,960
Speaker 1: the police and telling you you're not raising your kids right.

836
00:40:58,040 --> 00:41:03,120
Speaker 1: And you've ordered them pizza. Weird? What's on that pizza? Yeah,

837
00:41:04,160 --> 00:41:09,200
Speaker 1: if they don't eat cheese, like she don't know. We

838
00:41:09,280 --> 00:41:12,040
Speaker 1: go back to the beach d after dark. Nat catches

839
00:41:12,080 --> 00:41:15,400
Speaker 1: Brandon getting more money to gamble, and Brandon says that

840
00:41:15,520 --> 00:41:17,880
Speaker 1: was a long time ago and the statue of limitations

841
00:41:17,880 --> 00:41:18,600
Speaker 1: has expired.

842
00:41:18,719 --> 00:41:21,680
Speaker 2: Brandon is so unhinged in this episode, like that like

843
00:41:21,800 --> 00:41:26,480
Speaker 2: zero to sixty. But maybe the fake gambling. That's the thing, Brandon,

844
00:41:26,840 --> 00:41:29,200
Speaker 2: You're not in Vegas. This is fake gambling like.

845
00:41:30,760 --> 00:41:37,080
Speaker 1: Raffle tickets. I'm really is excited about it. It's so addicted. Yeah.

846
00:41:37,120 --> 00:41:40,040
Speaker 1: They head to the dice table and Brandon is out

847
00:41:40,040 --> 00:41:43,279
Speaker 1: of control. Susan says you need to stop, and Nat

848
00:41:43,360 --> 00:41:46,279
Speaker 1: comes over to stop him, and that blocked his h

849
00:41:46,600 --> 00:41:49,280
Speaker 1: and he beats him. Brandon loses way to go Nat,

850
00:41:49,680 --> 00:41:52,399
Speaker 1: so that whole thing is shut down real fast.

851
00:41:52,520 --> 00:41:55,320
Speaker 2: And then but Brandon was so, you know, to the cashier,

852
00:41:55,440 --> 00:41:58,080
Speaker 2: just so I need more, give me more, and he's like,

853
00:41:58,080 --> 00:41:59,160
Speaker 2: we're closed during the auction.

854
00:41:59,360 --> 00:42:01,640
Speaker 1: Not even a real cashier, bake.

855
00:42:02,040 --> 00:42:07,440
Speaker 2: It's like you're at an elementary school blackjack night. Brandon

856
00:42:07,600 --> 00:42:08,280
Speaker 2: like what?

857
00:42:08,760 --> 00:42:11,920
Speaker 1: And then of course Steve's boss, Tammy Kane comes in

858
00:42:11,960 --> 00:42:14,640
Speaker 1: to the peach bit after that's so random looking for

859
00:42:14,880 --> 00:42:17,560
Speaker 1: how does she know he's there? Just terry eyed. She

860
00:42:17,680 --> 00:42:20,799
Speaker 1: takes him aside and asks him to help her. First

861
00:42:20,840 --> 00:42:23,279
Speaker 1: of all, Steve to talk to Scott and save her

862
00:42:23,360 --> 00:42:23,880
Speaker 1: her job.

863
00:42:24,560 --> 00:42:28,480
Speaker 2: Literally, in what world is anyone that's got a job

864
00:42:28,760 --> 00:42:31,439
Speaker 2: going to the intern to try and save them and.

865
00:42:31,400 --> 00:42:34,279
Speaker 1: Make them go back to the office. Night Riday night

866
00:42:34,760 --> 00:42:38,040
Speaker 1: he leaves. I know her friend, he's always there until eleven,

867
00:42:38,440 --> 00:42:41,440
Speaker 1: Like what Friday? Would Steve be that soft that he

868
00:42:41,480 --> 00:42:45,880
Speaker 1: would leave his his evening, his girlfriend, his party and

869
00:42:45,960 --> 00:42:49,719
Speaker 1: go do this. It's just a little little outlandish, is

870
00:42:49,760 --> 00:42:50,279
Speaker 1: what it is.

871
00:42:52,320 --> 00:42:52,680
Speaker 2: Uh.

872
00:42:52,719 --> 00:42:55,600
Speaker 1: Then we cut to and see Susan telling Brandon that

873
00:42:55,640 --> 00:42:58,759
Speaker 1: he is out of control. Kelly introduces Nat to the

874
00:42:58,840 --> 00:43:02,160
Speaker 1: stage to start the auction, and she places a bid

875
00:43:02,160 --> 00:43:06,040
Speaker 1: of three hundred dollars to sit for the Colin feral

876
00:43:06,120 --> 00:43:08,319
Speaker 1: painting session. I don't know what his last name is.

877
00:43:09,719 --> 00:43:13,000
Speaker 1: Then Valerie of course comes in and bids four hundred

878
00:43:13,080 --> 00:43:15,480
Speaker 1: dollars and tell and tells Kelly that she is not

879
00:43:15,520 --> 00:43:19,319
Speaker 1: going to let her have him without a fight, which

880
00:43:19,440 --> 00:43:23,120
Speaker 1: just gets so weird. And we think because that she

881
00:43:23,280 --> 00:43:25,520
Speaker 1: was looking at them the way she was in the beginning,

882
00:43:25,600 --> 00:43:29,480
Speaker 1: kissing like that, we think she just wants to win Colin.

883
00:43:29,719 --> 00:43:30,840
Speaker 1: So it's very bizarre.

884
00:43:31,400 --> 00:43:37,879
Speaker 2: It's so stupid, Jenny. It's like, clearly, this is why

885
00:43:37,920 --> 00:43:40,040
Speaker 2: I was so frustrated by this. First of all, it's

886
00:43:40,080 --> 00:43:44,719
Speaker 2: like it's such a silly Valerie, like you're doing this

887
00:43:44,920 --> 00:43:47,600
Speaker 2: competition with the betting. First of all, you know, Colin,

888
00:43:47,680 --> 00:43:49,279
Speaker 2: if you really want to if the true, if it

889
00:43:49,320 --> 00:43:53,840
Speaker 2: was true in quotes that you wanted to get David

890
00:43:54,520 --> 00:43:57,560
Speaker 2: a portrait, you just go to Colin and be like,

891
00:43:57,600 --> 00:43:59,120
Speaker 2: can I give you a hundred bucks? You don't need

892
00:43:59,120 --> 00:44:02,879
Speaker 2: to make a scene outbidding. It was so crazy. I

893
00:44:02,960 --> 00:44:07,640
Speaker 2: don't believe it. I actually think that she was trying

894
00:44:07,680 --> 00:44:11,600
Speaker 2: to just one up you and then she panicked. This

895
00:44:11,640 --> 00:44:13,719
Speaker 2: is all in my head, never on the show. This

896
00:44:13,800 --> 00:44:16,400
Speaker 2: is all just what I think that David was like

897
00:44:16,800 --> 00:44:20,759
Speaker 2: fu Valerie like and then she's like came up with

898
00:44:20,800 --> 00:44:23,880
Speaker 2: that in her scheming mind, like no, no, I was

899
00:44:23,920 --> 00:44:26,799
Speaker 2: getting you this for your Christmas present. Oh okay, all

900
00:44:26,920 --> 00:44:30,400
Speaker 2: is right in the world, and you you Jenny Kelly

901
00:44:31,200 --> 00:44:36,480
Speaker 2: forgive her also, like everybody is falling for this crap.

902
00:44:37,239 --> 00:44:40,319
Speaker 1: Well, she doesn't forgive it right away, but once once

903
00:44:40,360 --> 00:44:42,000
Speaker 1: she hears that it was a gift for David.

904
00:44:42,120 --> 00:44:45,840
Speaker 2: But that was a lie that was in my mind.

905
00:44:45,960 --> 00:44:48,759
Speaker 1: That was just total Look, I fully believe.

906
00:44:48,719 --> 00:44:52,680
Speaker 2: Yes, I'm like, this just doesn't track. Why would she

907
00:44:52,760 --> 00:44:55,759
Speaker 2: be so beauchy about it and one upping? She would

908
00:44:55,760 --> 00:44:57,440
Speaker 2: have just been like, hey, Colin, can you do a

909
00:44:57,480 --> 00:44:59,879
Speaker 2: session with me? It was so dumb.

910
00:44:59,640 --> 00:45:06,400
Speaker 1: When Kelly beat Kelly at something anything, It was so dumb. Yeah,

911
00:45:06,440 --> 00:45:09,680
Speaker 1: we go and we see salaries. Mean, sorry, she's just

912
00:45:09,760 --> 00:45:11,600
Speaker 1: got ill intentions.

913
00:45:12,040 --> 00:45:14,879
Speaker 2: She was not trying to get a session to give

914
00:45:14,920 --> 00:45:18,040
Speaker 2: a gift. So am I to understand like Colin's gonna

915
00:45:18,080 --> 00:45:19,600
Speaker 2: paint her and that's going to be for David.

916
00:45:21,920 --> 00:45:25,680
Speaker 1: Well, I am to understand it was I believe.

917
00:45:25,640 --> 00:45:28,320
Speaker 2: As an audience, everyone's mad at me.

918
00:45:28,440 --> 00:45:29,319
Speaker 1: This is where I take it.

919
00:45:29,400 --> 00:45:30,200
Speaker 2: Everyone's mad at me.

920
00:45:30,239 --> 00:45:31,000
Speaker 1: Now I'm Valerie.

921
00:45:31,040 --> 00:45:32,480
Speaker 2: I'm gonna make this up and say, oh, it was

922
00:45:32,520 --> 00:45:34,680
Speaker 2: all for David, and then everyone's going to be fine

923
00:45:34,680 --> 00:45:34,960
Speaker 2: with it.

924
00:45:35,560 --> 00:45:37,239
Speaker 1: You think it was because she wanted to have a

925
00:45:37,239 --> 00:45:40,239
Speaker 1: sitting with Colin Coward. I'm thinking of names now every

926
00:45:40,280 --> 00:45:45,640
Speaker 1: time because she's wants to make the moves on them,

927
00:45:46,320 --> 00:45:49,000
Speaker 1: or just she wants to just beat you, like get

928
00:45:49,000 --> 00:45:49,440
Speaker 1: in there.

929
00:45:49,520 --> 00:45:52,080
Speaker 2: Yeah, And it was like, this is so bananas.

930
00:45:52,200 --> 00:45:55,320
Speaker 1: I can't be ause bananas anyway. Oh, they're acting like children.

931
00:45:55,400 --> 00:45:57,440
Speaker 1: I don't get it. It was just so dumb.

932
00:46:05,880 --> 00:46:08,200
Speaker 2: If you watch Dancing with the Stars, I can say

933
00:46:08,200 --> 00:46:10,080
Speaker 2: this and Karna will probably say the same thing. I

934
00:46:10,120 --> 00:46:13,600
Speaker 2: don't think that we had great dancing chemistry.

935
00:46:13,160 --> 00:46:15,520
Speaker 1: Then you need to be listening to sex lies and

936
00:46:15,560 --> 00:46:20,479
Speaker 1: spray tent. My partner Ardam, he was so intense that

937
00:46:20,840 --> 00:46:21,279
Speaker 1: made me.

938
00:46:21,520 --> 00:46:24,520
Speaker 2: Really nervous with Cerril. But Editor didn't wear a lot

939
00:46:24,560 --> 00:46:25,440
Speaker 2: of clothes.

940
00:46:25,440 --> 00:46:29,160
Speaker 1: No, she was she did super ankles warm. Get the

941
00:46:29,239 --> 00:46:32,520
Speaker 1: behind the scenes of what goes down on and off

942
00:46:32,640 --> 00:46:33,399
Speaker 1: the dance floor.

943
00:46:33,760 --> 00:46:37,280
Speaker 3: Dancing with the Stars breaths body image issues for women.

944
00:46:37,520 --> 00:46:39,960
Speaker 1: The thinner you are, the more attention you end up

945
00:46:39,960 --> 00:46:40,760
Speaker 1: getting on that show.

946
00:46:40,920 --> 00:46:45,880
Speaker 2: Injuries, my phone rings, Hey, Christian, Hey business, Yeah, I

947
00:46:45,920 --> 00:46:47,360
Speaker 2: saw you're dancing with the stars.

948
00:46:47,360 --> 00:46:49,399
Speaker 4: I saw what happened to your arm, and I have

949
00:46:49,440 --> 00:46:50,800
Speaker 4: the perfect guy to fix it.

950
00:46:51,640 --> 00:46:53,279
Speaker 1: Honestly, got to the clara, I'm like, I'm just trying

951
00:46:53,280 --> 00:46:55,560
Speaker 1: to survive. I'm just trying to make it out out

952
00:46:55,560 --> 00:46:56,200
Speaker 1: of this season.

953
00:46:56,480 --> 00:46:59,239
Speaker 2: Ego, she wanted to kill me. It was real bad

954
00:46:59,440 --> 00:47:02,400
Speaker 2: insecure on the show. It was like everyone was talking

955
00:47:02,400 --> 00:47:05,440
Speaker 2: about my weight and it really affected my confidence so

956
00:47:05,640 --> 00:47:09,000
Speaker 2: much for years to come and betrayals.

957
00:47:09,239 --> 00:47:12,480
Speaker 1: Because of that one betrayal, I knew this is probably

958
00:47:12,560 --> 00:47:15,560
Speaker 1: my last season. Listen to Sex, Lies and Spray Sands

959
00:47:15,760 --> 00:47:19,360
Speaker 1: with Cheryl Burke, new episodes every Monday, Wednesday and Friday.

960
00:47:19,600 --> 00:47:23,439
Speaker 3: My name is Cheryl Burke, and I approved this message.

961
00:47:27,040 --> 00:47:31,040
Speaker 1: Steve goes back to his job and he he finds

962
00:47:31,040 --> 00:47:33,799
Speaker 1: out that Scott is the dirt bag basically and says

963
00:47:33,840 --> 00:47:36,360
Speaker 1: that Dammy didn't sleep with him, so that's why she

964
00:47:36,400 --> 00:47:36,920
Speaker 1: got fired.

965
00:47:37,719 --> 00:47:37,799
Speaker 3: Ugh.

966
00:47:38,600 --> 00:47:39,960
Speaker 1: Uh.

967
00:47:40,040 --> 00:47:48,040
Speaker 2: It was very like everything in this episode was so cliche.

968
00:47:48,080 --> 00:47:52,880
Speaker 1: Is that the word or everything stereotypical to the cliche?

969
00:47:53,080 --> 00:47:56,920
Speaker 2: Everything was yes, so out, Oh she's fired because she's

970
00:47:56,960 --> 00:47:59,720
Speaker 2: not sleeping with the boss. And then the boss says

971
00:47:59,760 --> 00:48:01,760
Speaker 2: that like even back then.

972
00:48:02,040 --> 00:48:04,279
Speaker 1: Yeah, they're not giving us like any credit as an

973
00:48:04,320 --> 00:48:07,040
Speaker 1: audience to put two and two together or to have

974
00:48:07,160 --> 00:48:11,680
Speaker 1: like any kind of creativity like you're having about the

975
00:48:11,719 --> 00:48:14,399
Speaker 1: backstory or anything. It's just also like.

976
00:48:14,680 --> 00:48:17,319
Speaker 2: What boss, even if the boss was firing her because

977
00:48:17,320 --> 00:48:21,200
Speaker 2: she wouldn't sleep with him, what fool boss is gonna

978
00:48:21,239 --> 00:48:22,840
Speaker 2: say that to Steve Sanders.

979
00:48:22,880 --> 00:48:25,239
Speaker 1: Oh, this was the nineties, you could say things like

980
00:48:25,239 --> 00:48:27,880
Speaker 1: that and it didn't matter. So dumb.

981
00:48:29,840 --> 00:48:32,239
Speaker 2: And then she's sort of like, do to do?

982
00:48:32,440 --> 00:48:36,640
Speaker 1: Okay, that's so stupid. We go back to the PA

983
00:48:36,680 --> 00:48:39,319
Speaker 1: pad and we see that Donna. People get really mad

984
00:48:39,360 --> 00:48:40,560
Speaker 1: by the way when I say pea pad.

985
00:48:40,680 --> 00:48:41,560
Speaker 2: I know, but keep it going.

986
00:48:41,600 --> 00:48:42,000
Speaker 3: I like it.

987
00:48:42,080 --> 00:48:43,960
Speaker 1: We go back to the PA pad and Donna is

988
00:48:44,000 --> 00:48:46,480
Speaker 1: realizing how good she has it because she was in

989
00:48:46,480 --> 00:48:50,480
Speaker 1: the bad neighborhood all day and she says that today

990
00:48:50,560 --> 00:48:53,280
Speaker 1: was a reminder of that, and Joe responds by saying

991
00:48:53,320 --> 00:48:55,960
Speaker 1: that she shouldn't feel guilty about what she has. She

992
00:48:56,080 --> 00:48:58,880
Speaker 1: feels bad for Isaiah. Oh yeah, then she's like, I know,

993
00:48:59,080 --> 00:49:04,160
Speaker 1: like it was just like come on, we go inside

994
00:49:04,160 --> 00:49:06,640
Speaker 1: and here's this moment you're talking about. Donna tells Lisa

995
00:49:06,680 --> 00:49:09,319
Speaker 1: that Isaiah is a latch key kid who was left

996
00:49:09,360 --> 00:49:14,279
Speaker 1: a home alone, and Lisa tells her it's it's not

997
00:49:15,560 --> 00:49:19,240
Speaker 1: a doctor. This is funny. Lisa says, you're okay, Donna,

998
00:49:19,280 --> 00:49:23,680
Speaker 1: it's not adopt a black family day and to stay

999
00:49:23,680 --> 00:49:26,080
Speaker 1: out of people's business, which is what we're all thinking

1000
00:49:26,120 --> 00:49:28,719
Speaker 1: the whole time. So Lisa is, in fact the real deal.

1001
00:49:30,480 --> 00:49:32,759
Speaker 1: And I don't know when Donna became so passionate about

1002
00:49:32,800 --> 00:49:35,600
Speaker 1: saving all the children. And Donna had a good explanation.

1003
00:49:35,920 --> 00:49:37,640
Speaker 1: I will give her that, like this is what we

1004
00:49:37,719 --> 00:49:38,120
Speaker 1: said in.

1005
00:49:38,080 --> 00:49:41,239
Speaker 2: The rose court and we're not doing it, which I

1006
00:49:41,280 --> 00:49:43,480
Speaker 2: was like, okay, fine.

1007
00:49:44,560 --> 00:49:46,240
Speaker 1: Well she really took it to heart.

1008
00:49:46,480 --> 00:49:48,080
Speaker 2: Yeah, and then and then in the end it was

1009
00:49:48,120 --> 00:49:49,640
Speaker 2: all tied up in a nice little bow.

1010
00:49:49,680 --> 00:49:52,880
Speaker 1: But yeah, here we are at the playground at the daycare.

1011
00:49:54,760 --> 00:49:57,839
Speaker 2: Oh, let's see, and we'll never see these people ever again.

1012
00:49:58,719 --> 00:50:02,520
Speaker 2: I'm pretty sure. No, so insane.

1013
00:50:02,640 --> 00:50:08,080
Speaker 1: Steve comes back and tells Tammy Tammy Kane that she's

1014
00:50:08,080 --> 00:50:09,480
Speaker 1: not going to get her job back.

1015
00:50:11,239 --> 00:50:14,680
Speaker 2: Because in what world would that have worked? And he

1016
00:50:14,719 --> 00:50:17,160
Speaker 2: made but if my said something like that to me,

1017
00:50:17,200 --> 00:50:18,960
Speaker 2: I'd be like, yeah, you need to go.

1018
00:50:19,400 --> 00:50:21,480
Speaker 1: He went all the way to the agency and back,

1019
00:50:21,920 --> 00:50:25,480
Speaker 1: and nothing really transpired at the peach pit after dark, well.

1020
00:50:25,320 --> 00:50:27,719
Speaker 2: In five minutes while she just ate her fries and

1021
00:50:27,800 --> 00:50:31,560
Speaker 2: her megaburger or whatever, Like what I love this episode,

1022
00:50:31,600 --> 00:50:32,960
Speaker 2: by the way. I know it seems like I don't.

1023
00:50:33,360 --> 00:50:35,239
Speaker 2: I love to poke holes in it, but this is

1024
00:50:35,280 --> 00:50:36,120
Speaker 2: going to be a ten for me.

1025
00:50:36,440 --> 00:50:39,279
Speaker 1: Oh my god, stop it. He tells her that his

1026
00:50:39,400 --> 00:50:42,120
Speaker 1: dad gave him some good advice. It said, be nice

1027
00:50:42,480 --> 00:50:45,239
Speaker 1: to be nice to the people you see on the

1028
00:50:45,280 --> 00:50:48,920
Speaker 1: way up, because you'll be seeing them again on your

1029
00:50:48,960 --> 00:50:52,840
Speaker 1: way back up again. I was like, huh wait. I

1030
00:50:52,880 --> 00:50:54,440
Speaker 1: couldn't get it. I couldn't figure.

1031
00:50:57,440 --> 00:51:00,760
Speaker 2: I was like, huh, Like, I'm thinking he's gonna say,

1032
00:51:00,880 --> 00:51:02,239
Speaker 2: don't I see him on the way up, You'll see

1033
00:51:02,280 --> 00:51:02,919
Speaker 2: him on the way down.

1034
00:51:03,280 --> 00:51:03,440
Speaker 4: Right.

1035
00:51:03,440 --> 00:51:04,960
Speaker 2: Maybe he could have even said on the way back

1036
00:51:05,000 --> 00:51:07,120
Speaker 2: up again. That was what he's sort of saying, is that,

1037
00:51:07,200 --> 00:51:10,600
Speaker 2: like in this town, it's ups and downs, ups and downs.

1038
00:51:10,840 --> 00:51:14,640
Speaker 1: But I was just like, basically, don't burn any bridges.

1039
00:51:15,520 --> 00:51:17,600
Speaker 1: Yeah that's just what you know.

1040
00:51:17,800 --> 00:51:20,160
Speaker 2: Whatever, Yeah, burn the bridge with the creepy boss guy

1041
00:51:20,160 --> 00:51:23,960
Speaker 2: that fired you because you're not sleeping with him, Like what.

1042
00:51:25,680 --> 00:51:26,239
Speaker 5: The what?

1043
00:51:26,600 --> 00:51:29,920
Speaker 2: And didn't they call it like it M or something

1044
00:51:30,040 --> 00:51:33,560
Speaker 2: instead of I seem like I was like that amused me.

1045
00:51:34,960 --> 00:51:36,960
Speaker 2: In this show, they just change everything by.

1046
00:51:36,880 --> 00:51:39,920
Speaker 1: One letter, so convenience.

1047
00:51:39,920 --> 00:51:44,640
Speaker 2: Like you all go to see you Colorado, you know, uh,

1048
00:51:44,800 --> 00:51:45,279
Speaker 2: we go.

1049
00:51:45,480 --> 00:51:49,680
Speaker 1: We see Brandon and Nat talking about how great Brandon

1050
00:51:49,760 --> 00:51:52,760
Speaker 1: is that he helped him with his gambling addiction again,

1051
00:51:52,840 --> 00:51:55,360
Speaker 1: and Nat says that he better work on things before

1052
00:51:55,360 --> 00:51:59,719
Speaker 1: he loses something important. Yeah, it was not supposed to be, Susan. Yeah,

1053
00:51:59,760 --> 00:52:00,640
Speaker 1: I guess, said Susan.

1054
00:52:01,040 --> 00:52:02,920
Speaker 2: How about his friendship with Nat?

1055
00:52:02,960 --> 00:52:07,879
Speaker 1: But whatever, stupid loved it, but stupid. Yeah. We find

1056
00:52:07,920 --> 00:52:12,400
Speaker 1: out that they raised eleven thousand dollars that night, which

1057
00:52:12,400 --> 00:52:15,760
Speaker 1: is pretty good. Yeah, that's very very helpful.

1058
00:52:16,480 --> 00:52:19,440
Speaker 2: Yeah, that was pretty good back then that would be like,

1059
00:52:19,440 --> 00:52:22,000
Speaker 2: like I said, sixty seventy one hundred. No, I don't

1060
00:52:22,040 --> 00:52:24,480
Speaker 2: know how what inflation is, but this is thirty years ago.

1061
00:52:24,640 --> 00:52:27,520
Speaker 1: We're right here, We're right we're tying the boat right now. Yeah,

1062
00:52:27,560 --> 00:52:30,440
Speaker 1: we're really looping the loops and pulling the strings cause

1063
00:52:30,480 --> 00:52:34,440
Speaker 1: Donna says that, you know, she wraps up her storyline.

1064
00:52:34,880 --> 00:52:37,920
Speaker 1: Brandon confesses to Susan that he has a gambling problem

1065
00:52:37,960 --> 00:52:40,759
Speaker 1: and Susan of course, forgives him and says, I want

1066
00:52:40,800 --> 00:52:43,040
Speaker 1: to help him, help you. But I was getting major

1067
00:52:43,160 --> 00:52:46,640
Speaker 1: mom vibes there, like, yeah, not girlfriend vibes. Yeah, I

1068
00:52:46,680 --> 00:52:49,040
Speaker 1: was getting a little weird. And then Donna goes to

1069
00:52:49,080 --> 00:52:53,399
Speaker 1: the park and she meets who else but Isaiah's mom

1070
00:52:53,480 --> 00:52:56,839
Speaker 1: there to apologize to her for intruding into her.

1071
00:52:56,920 --> 00:52:58,279
Speaker 2: I don't want to correct you, but I believe that

1072
00:52:58,320 --> 00:53:00,279
Speaker 2: was the playground of the day care.

1073
00:53:01,040 --> 00:53:03,920
Speaker 1: The playground of the daycare maybe, yeah, that's where the

1074
00:53:04,000 --> 00:53:06,120
Speaker 1: daycare is, like a swing set thing.

1075
00:53:06,560 --> 00:53:09,359
Speaker 2: Yeah, and she's gonna she's not too prideful, she's gonna

1076
00:53:09,400 --> 00:53:10,240
Speaker 2: accept the help.

1077
00:53:10,680 --> 00:53:13,319
Speaker 1: But why is why is as long as I say,

1078
00:53:13,360 --> 00:53:16,000
Speaker 1: as mom there, if she's got a job, she has to.

1079
00:53:16,719 --> 00:53:19,600
Speaker 2: Donna called her down. Donna said, come meet me. I

1080
00:53:19,640 --> 00:53:20,920
Speaker 2: know you hate me, but come meet me.

1081
00:53:21,000 --> 00:53:23,560
Speaker 1: Got them into the daycare. Donna correct she used her

1082
00:53:23,600 --> 00:53:27,440
Speaker 1: strings and that was okay. Yeah. Now the mom's like, oh,

1083
00:53:27,480 --> 00:53:31,440
Speaker 1: I like you. Uh. She says she doesn't need handouts

1084
00:53:31,480 --> 00:53:35,359
Speaker 1: but accepts the help. Okay, which is what I mean.

1085
00:53:35,520 --> 00:53:38,160
Speaker 1: I still like that mom, me too.

1086
00:53:38,200 --> 00:53:40,080
Speaker 2: I like the whole I love that kid. That kid

1087
00:53:40,120 --> 00:53:40,640
Speaker 2: is so great.

1088
00:53:41,440 --> 00:53:44,360
Speaker 1: I like the whole thing, and it's ridiculous Isaiah that

1089
00:53:44,480 --> 00:53:47,000
Speaker 1: he can repay her by doing the same thing for

1090
00:53:47,080 --> 00:53:50,399
Speaker 1: another kid. Yeah, that was cool and he's so cute

1091
00:53:50,440 --> 00:53:53,279
Speaker 1: and he says you will and that's it done, done, duh.

1092
00:53:53,719 --> 00:53:57,680
Speaker 1: End episode. Everything's tied. I don't know what show I

1093
00:53:57,760 --> 00:53:58,160
Speaker 1: was watching.

1094
00:53:58,200 --> 00:54:00,919
Speaker 2: I was watching some nine O two one oh, some

1095
00:54:01,080 --> 00:54:05,400
Speaker 2: sort of like Growing Pain sitcom. Like it was so like,

1096
00:54:05,640 --> 00:54:08,160
Speaker 2: what is the show right now?

1097
00:54:09,200 --> 00:54:12,560
Speaker 1: It starts to it feels very diversified, like it feels

1098
00:54:12,600 --> 00:54:15,880
Speaker 1: like it's I kind of like it. It was.

1099
00:54:16,000 --> 00:54:17,160
Speaker 2: It moved for me.

1100
00:54:17,320 --> 00:54:17,879
Speaker 1: That was the thing.

1101
00:54:17,920 --> 00:54:19,719
Speaker 2: I never had like a moment of like this has

1102
00:54:19,760 --> 00:54:23,040
Speaker 2: taken a while. I was like, more storyline, more storyline,

1103
00:54:23,040 --> 00:54:24,799
Speaker 2: more storyline, more storyline. Okay, we'll time going to get

1104
00:54:24,800 --> 00:54:26,040
Speaker 2: the agency. Oh wow, we're gambling.

1105
00:54:26,040 --> 00:54:28,440
Speaker 1: Like it was like, oh, I'm not.

1106
00:54:28,440 --> 00:54:28,840
Speaker 2: Mad at it.

1107
00:54:30,400 --> 00:54:32,879
Speaker 1: I'm not mad at it. It was ridiculous, but I'm

1108
00:54:32,960 --> 00:54:35,520
Speaker 1: in And that's it, you guys, that's it. That's the

1109
00:54:35,600 --> 00:54:39,400
Speaker 1: end of the episode. So but I don't give it

1110
00:54:39,440 --> 00:54:43,279
Speaker 1: an eight and a half, all right, Yeah, I'll give

1111
00:54:43,280 --> 00:54:44,120
Speaker 1: it an eight. Sure.

1112
00:54:44,239 --> 00:54:49,920
Speaker 2: Yeah, Like I was totally entertained. Valerie's irritating me, Colin.

1113
00:54:50,360 --> 00:54:54,840
Speaker 2: He's so dumb, like, why didn't right, why didn't.

1114
00:54:54,640 --> 00:54:55,600
Speaker 1: He go Valerie?

1115
00:54:55,880 --> 00:54:56,720
Speaker 2: Knock it off?

1116
00:54:57,160 --> 00:54:59,799
Speaker 1: And what happened to Brandon? And Kelly's like little kind

1117
00:54:59,800 --> 00:55:05,400
Speaker 1: of like everybody's fine with that, like each other again. Nope, Nope,

1118
00:55:05,440 --> 00:55:08,319
Speaker 1: that's just vanished for now, vanished for now. It'll be

1119
00:55:08,360 --> 00:55:11,799
Speaker 1: back when it's convenient next week. Got it?

1120
00:55:11,880 --> 00:55:13,839
Speaker 2: So I just had to move to I just had

1121
00:55:13,840 --> 00:55:17,560
Speaker 2: a total brain glitch because you've been talking about Gabrielle that.

1122
00:55:17,640 --> 00:55:20,400
Speaker 1: I was like, where's Andrea and when she left? Yeah,

1123
00:55:20,920 --> 00:55:21,760
Speaker 1: uren glitch.

1124
00:55:22,280 --> 00:55:25,880
Speaker 2: She's at Yale or Harvard or somewhere Harvard with her baby.

1125
00:55:26,239 --> 00:55:32,640
Speaker 1: Yeah, oh yeah, that's weird. Everybody watched next episode, Season six,

1126
00:55:32,680 --> 00:55:36,439
Speaker 1: episode fifteen, Angels. We have heard on high Oh.

1127
00:55:36,320 --> 00:55:38,040
Speaker 2: It's Christmas or other? Is it?

1128
00:55:38,360 --> 00:55:40,839
Speaker 1: I mean that feels Christmas Christmas song.

1129
00:55:41,160 --> 00:55:44,080
Speaker 2: I can't believe we're in season six. We are really

1130
00:55:44,120 --> 00:55:47,319
Speaker 2: going to jump the shark next season? I think we wait,

1131
00:55:47,400 --> 00:55:49,160
Speaker 2: we still have seven, eight, nine, ten.

1132
00:55:49,560 --> 00:55:52,799
Speaker 1: This show went on for so long. I cannot wait

1133
00:55:52,880 --> 00:55:54,040
Speaker 1: until we jump that charge.

1134
00:55:54,120 --> 00:55:58,160
Speaker 2: Oh yeah, well it's pretty I think we start to

1135
00:55:58,280 --> 00:55:59,320
Speaker 2: jump next season.

1136
00:56:00,200 --> 00:56:03,080
Speaker 1: Very excited about it. Yeah, yeah, that's it. You guys,

1137
00:56:03,440 --> 00:56:06,200
Speaker 1: I hope you liked this episode. It was a good

1138
00:56:06,680 --> 00:56:10,520
Speaker 1: I think we were great. Thanks for listening. Rate us,

1139
00:56:10,560 --> 00:56:12,800
Speaker 1: review us all that jazz, love you guys.

1140
00:56:13,120 --> 00:56:13,920
Speaker 2: Give us five stars.

1141
00:56:13,920 --> 00:56:16,120
Speaker 1: Don't be mean. We're doing our best.

1142
00:56:16,120 --> 00:56:18,520
Speaker 2: This is like totally you know, this is harder than

1143
00:56:18,520 --> 00:56:21,040
Speaker 2: anything because these episodes are ridiculous.

1144
00:56:21,239 --> 00:56:23,719
Speaker 1: It's not it's fun to talk about them. It's really

1145
00:56:23,800 --> 00:56:27,200
Speaker 1: sometimes hard to find like you know, the good, but

1146
00:56:27,280 --> 00:56:27,880
Speaker 1: we try.

1147
00:56:28,920 --> 00:56:31,760
Speaker 2: And the fashion is so like nothing to me right.

1148
00:56:31,600 --> 00:56:35,840
Speaker 1: Now, like anything. Yeah, it's very sort of like this

1149
00:56:36,000 --> 00:56:38,279
Speaker 1: was mid nineties, right yeah, and it was not.

1150
00:56:38,640 --> 00:56:44,520
Speaker 2: It's just sort of there ye me bye,