1 00:00:00,440 --> 00:00:04,240 Speaker 1: Couest Love Supreme is a production of iHeartRadio. This classic 2 00:00:04,280 --> 00:00:09,160 Speaker 1: episode was produced by the team at Pandora. Ladies and gentlemen, 3 00:00:09,160 --> 00:00:12,119 Speaker 1: welcome to another episode of QLs Classic in which we 4 00:00:12,160 --> 00:00:14,840 Speaker 1: have cost Love Supreme dig into our archives to bring 5 00:00:14,840 --> 00:00:17,400 Speaker 1: you some of the more amazing stories and interviews from 6 00:00:17,440 --> 00:00:18,239 Speaker 1: past episodes. 7 00:00:19,040 --> 00:00:19,840 Speaker 2: What can I say? 8 00:00:19,920 --> 00:00:22,560 Speaker 1: We kind of joke to First Lady Michelle Obama that 9 00:00:22,600 --> 00:00:26,040 Speaker 1: would love her to do our podcast, and she called 10 00:00:26,040 --> 00:00:30,360 Speaker 1: her bluff, and what can we say? We were so 11 00:00:30,440 --> 00:00:33,080 Speaker 1: happy to get to talk to about her life now 12 00:00:33,440 --> 00:00:36,440 Speaker 1: after the White House and her experience of music, her 13 00:00:36,479 --> 00:00:38,960 Speaker 1: being a fan of music. We really hope you enjoyed 14 00:00:38,960 --> 00:00:43,200 Speaker 1: this episode of our talk with First Lady Michelle Obama. 15 00:00:43,479 --> 00:00:51,520 Speaker 1: Here we go, Ladies and gentlemen, this is your host 16 00:00:51,600 --> 00:00:56,040 Speaker 1: Questlove and I'm gonna take a little detour here. It 17 00:00:56,080 --> 00:00:59,520 Speaker 1: gives me great honor to present a special Quest Love 18 00:00:59,560 --> 00:01:02,440 Speaker 1: Supreme one on one with the one and know we 19 00:01:03,240 --> 00:01:06,760 Speaker 1: I'm talking about South Side of Chicago's very owned I'm 20 00:01:06,760 --> 00:01:12,759 Speaker 1: talking forever First Lady, Yes, Michelle Levon Robinson to Obama. Yes, 21 00:01:12,800 --> 00:01:15,720 Speaker 1: I have to say all board your names. 22 00:01:16,360 --> 00:01:17,000 Speaker 2: I love it. 23 00:01:17,400 --> 00:01:21,399 Speaker 1: So I just want to say on behalf of my 24 00:01:21,600 --> 00:01:26,080 Speaker 1: entire Supreme team. That's Fan Takeelo, It's Liaiah Unpaid in Boston, 25 00:01:26,120 --> 00:01:29,679 Speaker 1: Bill and Sugar Steve. We are very, very honored, and 26 00:01:30,000 --> 00:01:32,400 Speaker 1: we like to express our deepest gratitude for you for 27 00:01:32,480 --> 00:01:33,160 Speaker 1: taking time. 28 00:01:33,000 --> 00:01:37,240 Speaker 2: Out to UH to do our our our little podcast. 29 00:01:37,720 --> 00:01:40,920 Speaker 3: Well, I am excited, I am honored. I love you 30 00:01:41,040 --> 00:01:43,880 Speaker 3: first of all, so you know, give us time to 31 00:01:44,840 --> 00:01:46,960 Speaker 3: chat the wonderful break. 32 00:01:49,960 --> 00:01:51,680 Speaker 2: Thank you first of all. 33 00:01:51,960 --> 00:01:56,760 Speaker 1: I mean, just in general, how has this whole experience 34 00:01:56,880 --> 00:02:02,760 Speaker 1: been for you? Did you expect to sell as many 35 00:02:03,120 --> 00:02:05,720 Speaker 1: units and come out the gate like this this book 36 00:02:05,800 --> 00:02:08,079 Speaker 1: is changing, Like to go in the chat rooms and 37 00:02:08,080 --> 00:02:12,400 Speaker 1: see people's reaction to the book and the staggering sales, Like, 38 00:02:12,800 --> 00:02:14,280 Speaker 1: did you expect any of this at all? 39 00:02:16,560 --> 00:02:21,120 Speaker 3: Honestly, no, no, I don't expect anything that has happened 40 00:02:21,160 --> 00:02:23,480 Speaker 3: in my life. You know. I'm a girl who grew 41 00:02:23,560 --> 00:02:26,000 Speaker 3: up on the South side of Chicago. Every day Barack 42 00:02:26,040 --> 00:02:29,880 Speaker 3: and I wake up and go what so we're still 43 00:02:29,919 --> 00:02:34,800 Speaker 3: doing that. But my hope was that the book would resonate, 44 00:02:35,160 --> 00:02:39,120 Speaker 3: would resonate. I knew that I would be writing a 45 00:02:39,120 --> 00:02:44,040 Speaker 3: book because all first ladies, all for presidents, are expected 46 00:02:44,080 --> 00:02:47,000 Speaker 3: to write a memoir of some sort, so I had 47 00:02:47,040 --> 00:02:49,360 Speaker 3: to I had some time to think about what I 48 00:02:49,400 --> 00:02:52,320 Speaker 3: wanted this to be. And you know, this could have 49 00:02:52,400 --> 00:02:54,960 Speaker 3: been just a chronology. I could have just sort of 50 00:02:55,000 --> 00:02:59,919 Speaker 3: walked through the days of those eight years blow by blow. 51 00:03:00,880 --> 00:03:03,000 Speaker 3: But I knew I wanted to book the book to 52 00:03:03,040 --> 00:03:06,480 Speaker 3: be more than that. I wanted it to be a 53 00:03:06,520 --> 00:03:10,760 Speaker 3: book that would inspire people to dig deep into themselves 54 00:03:10,919 --> 00:03:13,959 Speaker 3: and understand their stories in the way that I've had 55 00:03:13,960 --> 00:03:17,000 Speaker 3: the luxury of doing over the course of my life. 56 00:03:17,639 --> 00:03:22,440 Speaker 3: So I feel like I'm just maybe the muse that 57 00:03:22,600 --> 00:03:28,560 Speaker 3: my story is the framework. But my my overall goal 58 00:03:29,040 --> 00:03:34,359 Speaker 3: was that people would start having these conversations about, uh, 59 00:03:34,440 --> 00:03:39,400 Speaker 3: their memories and the the context of their lives and 60 00:03:39,440 --> 00:03:43,280 Speaker 3: how it's shaped them and you know what, what they 61 00:03:43,320 --> 00:03:47,600 Speaker 3: want to do going forward. So I'm excited that, uh, 62 00:03:47,840 --> 00:03:50,120 Speaker 3: not just for the sales and the units and the 63 00:03:50,160 --> 00:03:53,840 Speaker 3: arena crowds, but more of what you're seeing the comments 64 00:03:53,920 --> 00:03:57,440 Speaker 3: and how how it's moving people to think differently about 65 00:03:57,480 --> 00:03:58,880 Speaker 3: their own lives and stories. 66 00:03:59,440 --> 00:04:03,200 Speaker 1: Yeah, and I'll say that even and well, first of all, 67 00:04:03,240 --> 00:04:07,280 Speaker 1: thank you for granted me the honor of of of 68 00:04:07,520 --> 00:04:10,480 Speaker 1: of scoring the the playlist that goes with the book, 69 00:04:10,560 --> 00:04:14,920 Speaker 1: but even with me, like I have to dig so 70 00:04:15,080 --> 00:04:19,479 Speaker 1: deep into memories, and you know, songs for me are 71 00:04:19,480 --> 00:04:22,600 Speaker 1: like polaroids of moments in my life. So songs aren't 72 00:04:22,640 --> 00:04:25,920 Speaker 1: just songs for me, they're they're like audio polaroids. 73 00:04:26,000 --> 00:04:28,000 Speaker 2: And you know, even for me. 74 00:04:30,240 --> 00:04:32,960 Speaker 1: Knowing your your vast music tastes, which I really want 75 00:04:32,960 --> 00:04:39,040 Speaker 1: to get into, I you know, for me, it was 76 00:04:40,240 --> 00:04:44,360 Speaker 1: also an experience like trying to figure out what moment 77 00:04:44,480 --> 00:04:48,400 Speaker 1: you were uh or trying to guess what moment you 78 00:04:48,440 --> 00:04:51,240 Speaker 1: were feeling when this particular thing happened or that particularly 79 00:04:51,240 --> 00:04:56,160 Speaker 1: thing happened. In classic questla form I forgot to mention, yes, 80 00:04:56,440 --> 00:04:58,160 Speaker 1: the name of your book is becoming. 81 00:05:00,320 --> 00:05:01,159 Speaker 3: Duh. 82 00:05:01,240 --> 00:05:02,960 Speaker 1: Yeah. I'm one of those people that will have the 83 00:05:03,000 --> 00:05:04,840 Speaker 1: guests on the show and be like, oh, by the way, 84 00:05:04,880 --> 00:05:06,680 Speaker 1: we were talking about someone's going to keep wifelies and 85 00:05:06,720 --> 00:05:14,680 Speaker 1: gentlemen good night. You so knowing that the how big 86 00:05:14,760 --> 00:05:18,800 Speaker 1: of a role that music plays in your life, I 87 00:05:19,120 --> 00:05:22,240 Speaker 1: always start this question with all my guests, do you 88 00:05:22,520 --> 00:05:24,760 Speaker 1: what was your first musical memory or. 89 00:05:24,760 --> 00:05:27,040 Speaker 2: Do you remember the first album you ever brought or 90 00:05:27,200 --> 00:05:28,120 Speaker 2: first single year? Yeah? 91 00:05:28,200 --> 00:05:36,880 Speaker 3: Yeah, absolutely absolutely, I talk about that Talking Book. Stevie 92 00:05:36,960 --> 00:05:40,599 Speaker 3: Wonders Talking Book was the first album I remember getting 93 00:05:40,640 --> 00:05:44,560 Speaker 3: as a gift, and I got it twice, That's how 94 00:05:44,880 --> 00:05:48,240 Speaker 3: good an album was. I got it as a gift 95 00:05:48,440 --> 00:05:53,240 Speaker 3: for Christmas from my parents and then from my grandfather Southside, 96 00:05:53,279 --> 00:05:55,640 Speaker 3: who I wrote about, who is sort of the musical 97 00:05:55,920 --> 00:06:01,520 Speaker 3: core of our family, my maternal grandfather, who he gave 98 00:06:01,640 --> 00:06:03,640 Speaker 3: me the album. You remember there was the album you 99 00:06:03,720 --> 00:06:08,120 Speaker 3: could get with the lyrics and brail. Yeah, yeah, And 100 00:06:08,240 --> 00:06:11,680 Speaker 3: I remember spending time just not only listening to the 101 00:06:12,920 --> 00:06:16,200 Speaker 3: record over and over again, but trying to feel the 102 00:06:16,320 --> 00:06:19,720 Speaker 3: brail and understand the words and to think about and 103 00:06:19,960 --> 00:06:23,040 Speaker 3: I would memorize the cover because there's something about that 104 00:06:23,200 --> 00:06:27,120 Speaker 3: cover with Stevie without his glasses, sitting like in a 105 00:06:27,240 --> 00:06:32,520 Speaker 3: canyon area in that Dashiki Afghan sort of thing with 106 00:06:32,680 --> 00:06:36,800 Speaker 3: the braids and all of that was, you know, that 107 00:06:37,080 --> 00:06:41,960 Speaker 3: cover to me was as much the experience of the album. 108 00:06:42,080 --> 00:06:44,280 Speaker 3: For me, I was trying to really find I was 109 00:06:44,360 --> 00:06:46,920 Speaker 3: really trying to figure out what goes on in his mind, 110 00:06:47,360 --> 00:06:50,040 Speaker 3: what is he thinking, what does it feel like being blind? 111 00:06:50,120 --> 00:06:53,640 Speaker 3: How does he feel music? So that was the first 112 00:06:54,320 --> 00:06:56,840 Speaker 3: album that I ever owned as a child. But then 113 00:06:56,920 --> 00:07:00,320 Speaker 3: There was the music that I bought myself that was 114 00:07:00,400 --> 00:07:06,559 Speaker 3: the forty five version of something with the Jackson five ABC. Okay, 115 00:07:06,560 --> 00:07:09,760 Speaker 3: you know Stop the Love You Save. That's when those 116 00:07:09,800 --> 00:07:12,120 Speaker 3: were the forty fives that you played on your little 117 00:07:12,160 --> 00:07:16,320 Speaker 3: makeshift record player thing. It wasn't like the big stereo 118 00:07:16,480 --> 00:07:19,000 Speaker 3: that your parents allowed you to use, but the thing 119 00:07:19,080 --> 00:07:21,360 Speaker 3: you plugged in and you had to put the little 120 00:07:21,440 --> 00:07:25,400 Speaker 3: round thing in the hole, right, you know. That was 121 00:07:26,080 --> 00:07:28,360 Speaker 3: the music that I was allowed to play on my 122 00:07:28,520 --> 00:07:31,480 Speaker 3: own keep the record in my bedroom kind of thing. 123 00:07:31,680 --> 00:07:35,040 Speaker 3: But the Jackson five that was what young people. That's 124 00:07:35,800 --> 00:07:38,720 Speaker 3: we grew up imitating the Jackson five and putting the 125 00:07:38,800 --> 00:07:42,760 Speaker 3: record on and cousins would be Tito and I'd be Michael, 126 00:07:43,160 --> 00:07:45,760 Speaker 3: my brother would be on the drums. You know. We 127 00:07:45,920 --> 00:07:49,480 Speaker 3: spent the whole afternoon like just shaping our performance to 128 00:07:49,680 --> 00:07:52,640 Speaker 3: Stop the Love You Save. So those were some of 129 00:07:52,720 --> 00:07:53,520 Speaker 3: my first memories. 130 00:07:53,880 --> 00:07:57,920 Speaker 1: I always tease, I always tell them that when I 131 00:07:57,960 --> 00:08:01,000 Speaker 1: want to see the Jacksons that you know, for a 132 00:08:01,080 --> 00:08:03,600 Speaker 1: lot of us that were young and you know, like 133 00:08:03,800 --> 00:08:08,240 Speaker 1: they were the first superheroes that we really had, the 134 00:08:08,400 --> 00:08:11,480 Speaker 1: Jackson's were an occupation almost. 135 00:08:12,080 --> 00:08:17,800 Speaker 3: Well, and it was interesting culturally because there were the Osmond's, remember, 136 00:08:17,920 --> 00:08:21,000 Speaker 3: were the big sort of white family group back then, 137 00:08:21,400 --> 00:08:24,080 Speaker 3: and there were the big debates about who was better, 138 00:08:24,200 --> 00:08:26,760 Speaker 3: the Jackson five or the Osmond's, and that was a 139 00:08:26,840 --> 00:08:29,240 Speaker 3: sort of a political statement. So how did you fell 140 00:08:29,280 --> 00:08:29,800 Speaker 3: on the lines? 141 00:08:29,920 --> 00:08:31,560 Speaker 2: How did you feel about One Bad Apple when it 142 00:08:31,640 --> 00:08:32,520 Speaker 2: came out? Were you fooled? 143 00:08:32,600 --> 00:08:32,640 Speaker 1: Like? 144 00:08:32,840 --> 00:08:35,880 Speaker 3: You know it? It was cute because back then you 145 00:08:35,960 --> 00:08:38,599 Speaker 3: didn't have like fifty million stations, right, you had the 146 00:08:38,679 --> 00:08:41,240 Speaker 3: one station and that played all the pop music. So 147 00:08:41,440 --> 00:08:43,480 Speaker 3: you heard stop the Love You Say along with One 148 00:08:43,559 --> 00:08:46,120 Speaker 3: Bad Apple and that. You know, you had your little 149 00:08:46,160 --> 00:08:47,640 Speaker 3: grooving dances to that too. 150 00:08:47,920 --> 00:08:49,360 Speaker 2: But where was your heart? 151 00:08:49,720 --> 00:08:53,000 Speaker 3: You know? Yeah, your heart was with the Jackson five. 152 00:08:53,400 --> 00:08:56,360 Speaker 2: Okay, you always call it first, and you were Michael. 153 00:08:56,440 --> 00:08:57,599 Speaker 2: That's funny because I was. 154 00:08:58,160 --> 00:09:00,360 Speaker 1: I'm one of those friends in the group of friends 155 00:09:00,440 --> 00:09:04,360 Speaker 1: that it is always last to call something, So I 156 00:09:04,520 --> 00:09:05,600 Speaker 1: was always Tito. 157 00:09:07,520 --> 00:09:13,360 Speaker 3: Everybody right, Yeah, I was like, well, I was also 158 00:09:13,760 --> 00:09:17,679 Speaker 3: surrounded by my brother and my male cousins, so I 159 00:09:17,920 --> 00:09:20,400 Speaker 3: was the only girl in the in the in the 160 00:09:20,520 --> 00:09:23,920 Speaker 3: posse then, so it was just natural that I stood 161 00:09:23,960 --> 00:09:28,280 Speaker 3: out as Michael. You know, I felt I would justified 162 00:09:28,400 --> 00:09:30,000 Speaker 3: in being Michael. If I had to hang out with 163 00:09:30,040 --> 00:09:31,800 Speaker 3: all these boys, I should at least be able to 164 00:09:31,840 --> 00:09:35,640 Speaker 3: tell them what to be around my grandniss. 165 00:09:36,559 --> 00:09:38,360 Speaker 1: So even then, you knew, you knew you had a 166 00:09:38,440 --> 00:09:40,959 Speaker 1: role to play, without even knowing what your future was 167 00:09:41,000 --> 00:09:41,319 Speaker 1: going to be. 168 00:09:42,040 --> 00:09:45,079 Speaker 2: Obviously, do you remember your first concert? 169 00:09:46,400 --> 00:09:49,160 Speaker 3: You know that's that we were too broke for concerts. 170 00:09:49,280 --> 00:09:52,360 Speaker 3: I mean, you know, I'm trying to think, because my 171 00:09:52,559 --> 00:09:54,880 Speaker 3: kids go to concerts all the time, and I'm like, 172 00:09:55,000 --> 00:09:58,679 Speaker 3: you all are so lucky. We were too poor for concerts. 173 00:09:58,760 --> 00:10:02,880 Speaker 3: Quite frankly, I never saw the Jackson five live. I'm 174 00:10:02,920 --> 00:10:08,240 Speaker 3: trying to think. Maybe it was in college where and 175 00:10:08,320 --> 00:10:11,800 Speaker 3: it wasn't really a concert. It was like an arena 176 00:10:12,120 --> 00:10:17,640 Speaker 3: orchestra sort of Stevie Wonder was playing in an orchestra. 177 00:10:17,920 --> 00:10:20,360 Speaker 3: Maybe it was in Philly. It's kind of a blur, 178 00:10:21,040 --> 00:10:23,920 Speaker 3: and a girlfriend had the idea of getting tickets and 179 00:10:24,040 --> 00:10:27,480 Speaker 3: going to see it. I do remember that because what period, 180 00:10:28,720 --> 00:10:32,160 Speaker 3: Oh gosh, if I had to have been maybe a 181 00:10:32,360 --> 00:10:39,160 Speaker 3: sophomore in college, so that was what eighty eighty two, 182 00:10:39,520 --> 00:10:43,599 Speaker 3: eighty three, And it wasn't Stevie wasn't like on some 183 00:10:43,800 --> 00:10:47,440 Speaker 3: big arena tour. Maybe it was a benefit. I don't 184 00:10:47,480 --> 00:10:50,280 Speaker 3: even remember, but I do remember that we had front 185 00:10:50,400 --> 00:10:55,040 Speaker 3: row tickets and we both walked in not knowing where 186 00:10:55,040 --> 00:10:57,520 Speaker 3: our tickets were, and then we realized that it's like 187 00:10:57,640 --> 00:10:59,800 Speaker 3: we are in the front row. What happened? We were 188 00:11:00,160 --> 00:11:02,440 Speaker 3: around waiting for somebody to tell us to move, to move, 189 00:11:03,520 --> 00:11:05,439 Speaker 3: but it was just him and his band and he 190 00:11:05,600 --> 00:11:12,360 Speaker 3: played some numbers and then he called his bodyguard. People 191 00:11:12,480 --> 00:11:15,800 Speaker 3: picked some people to come up on stage and stand 192 00:11:15,920 --> 00:11:20,000 Speaker 3: around the piano and sing Ebony and Ivory and me 193 00:11:20,120 --> 00:11:23,079 Speaker 3: and my girlfriend were picked. So I was standing on 194 00:11:23,280 --> 00:11:30,240 Speaker 3: stage with Stevie by his piano thinking what but that 195 00:11:30,480 --> 00:11:33,480 Speaker 3: was yeah, yeah, I never told him about that because 196 00:11:33,480 --> 00:11:35,120 Speaker 3: I figured he didn't see me. Right. 197 00:11:35,280 --> 00:11:41,839 Speaker 1: Remember, well, I know that Stevie has been at the 198 00:11:41,880 --> 00:11:50,880 Speaker 1: White House at least fifty eleven times, maybe any event 199 00:11:51,000 --> 00:11:54,360 Speaker 1: that I've seen between two thousand and eight and twenty sixteen. 200 00:11:54,520 --> 00:11:57,679 Speaker 1: Like it's almost like Stevie Wonder comes with the package. 201 00:11:57,400 --> 00:12:00,719 Speaker 3: Like, you know Stevie, Stevie is you know that he 202 00:12:01,360 --> 00:12:03,760 Speaker 3: and he is always you know, he's always game if 203 00:12:03,800 --> 00:12:06,720 Speaker 3: there's a cause and it's something he believes in. Ooh, 204 00:12:07,360 --> 00:12:11,679 Speaker 3: the first time he showed up was at one of 205 00:12:11,720 --> 00:12:16,079 Speaker 3: the biggest fundraisers that I had during the campaign. It 206 00:12:16,200 --> 00:12:19,720 Speaker 3: was at UCLA, and this was a big announcement because 207 00:12:20,440 --> 00:12:25,640 Speaker 3: I was highlighting I was the keynote representing my husband 208 00:12:25,720 --> 00:12:31,400 Speaker 3: in the campaign. But Oprah introduced us. It was Maria 209 00:12:31,480 --> 00:12:33,640 Speaker 3: Shriver and that was a big deal because that was 210 00:12:33,760 --> 00:12:38,559 Speaker 3: right when she was going to endorse Barack over what 211 00:12:39,360 --> 00:12:41,800 Speaker 3: her husband, the governor, was doing, and that was a 212 00:12:41,880 --> 00:12:45,880 Speaker 3: big deal. Caroline Kennedy so was a women's empowerment kind 213 00:12:45,920 --> 00:12:48,560 Speaker 3: of thing. The first time I was surrounded by all 214 00:12:48,640 --> 00:12:51,480 Speaker 3: these mega giants and I was the keynote speaker. They 215 00:12:51,559 --> 00:12:55,480 Speaker 3: were passing off these introductions to me. And right before 216 00:12:55,520 --> 00:12:59,400 Speaker 3: I went on stage, one of our staff said, Stevie 217 00:12:59,440 --> 00:13:01,400 Speaker 3: Wonders on the phone and he's in the area. He 218 00:13:01,480 --> 00:13:03,520 Speaker 3: heard about the concert and he wants to come by. 219 00:13:04,160 --> 00:13:08,800 Speaker 3: And I was like, oh yeah, so he just shows up. 220 00:13:11,000 --> 00:13:12,199 Speaker 2: How many like I know? 221 00:13:12,320 --> 00:13:15,480 Speaker 1: That happens a lot. I actually wanted to ask, are 222 00:13:15,520 --> 00:13:19,720 Speaker 1: there any other non Stevie wonder moments at the White 223 00:13:19,760 --> 00:13:21,160 Speaker 1: House that stand out to you? 224 00:13:22,040 --> 00:13:28,720 Speaker 3: Oh? Yeah, yeah, Prince, but the first one is Prince performing. 225 00:13:28,960 --> 00:13:31,040 Speaker 3: But of course Stevie performed too. I know. 226 00:13:32,800 --> 00:13:35,240 Speaker 2: So he's all right, Stevee's the ultimate party crash. I 227 00:13:35,280 --> 00:13:36,600 Speaker 2: get it, I get it right right. 228 00:13:36,679 --> 00:13:39,400 Speaker 3: And when Stevie's there, everybody's like, Okay, Steve's got play. 229 00:13:39,559 --> 00:13:42,880 Speaker 3: But Prince and we went back and forth trying to 230 00:13:42,920 --> 00:13:45,360 Speaker 3: get Prince because every time we do our parties and 231 00:13:45,440 --> 00:13:47,880 Speaker 3: you've been to one of the parties, I've been Yes, 232 00:13:48,200 --> 00:13:52,800 Speaker 3: you've been there, and so oftentimes the personal parties were 233 00:13:52,960 --> 00:13:55,720 Speaker 3: around a birthday or something like that, and of course 234 00:13:56,360 --> 00:14:00,839 Speaker 3: Prince doesn't celebrate birthdays, so he was like, I can't come, 235 00:14:00,960 --> 00:14:03,040 Speaker 3: but I want to come. So we had to figure 236 00:14:03,080 --> 00:14:05,679 Speaker 3: out how to create something that wasn't a birthday that 237 00:14:05,800 --> 00:14:08,080 Speaker 3: he could come to, and we finally worked it out, 238 00:14:09,120 --> 00:14:11,920 Speaker 3: and that, you know, that was just that's just amazing. 239 00:14:12,040 --> 00:14:14,719 Speaker 3: That's just Prince doing his thing and jamming in a 240 00:14:14,760 --> 00:14:19,080 Speaker 3: way where he for the first fifteen minutes, he just 241 00:14:19,200 --> 00:14:22,840 Speaker 3: let his band riff, you know, that generosity that he 242 00:14:23,000 --> 00:14:27,080 Speaker 3: has to let his you know, backup singer lead the 243 00:14:27,240 --> 00:14:30,040 Speaker 3: song in and his basses. They were just jamming before 244 00:14:30,080 --> 00:14:36,120 Speaker 3: he even showed up, and that was amazing. Paul McCartney 245 00:14:36,280 --> 00:14:44,240 Speaker 3: singing Michelle to me, Wow, you know Aretha, Aretha has performed, 246 00:14:44,320 --> 00:14:49,160 Speaker 3: performed many a time, and you know she would come 247 00:14:49,440 --> 00:14:53,960 Speaker 3: with her fur and her Medal of Freedom badge on, 248 00:14:54,320 --> 00:14:56,200 Speaker 3: because when she came to the White House, she wore 249 00:14:56,280 --> 00:15:03,160 Speaker 3: all her stuff and she's blown the house down. But 250 00:15:03,320 --> 00:15:06,560 Speaker 3: everyone from Mick Jagger to oh one of the more 251 00:15:06,680 --> 00:15:12,200 Speaker 3: beautiful performances was Esperanza Spaulding before she was really really 252 00:15:12,440 --> 00:15:15,760 Speaker 3: like hot, hot hot the first time I had seen her. Yeah, 253 00:15:15,800 --> 00:15:18,520 Speaker 3: that beautiful head of hair and that beautiful face and 254 00:15:18,600 --> 00:15:22,040 Speaker 3: that body with that big base of hers just tearing 255 00:15:22,160 --> 00:15:25,720 Speaker 3: up a song. I mean I could go on and 256 00:15:25,880 --> 00:15:30,520 Speaker 3: on and on. Gladys Knight, Shaka Khan because one of 257 00:15:30,560 --> 00:15:32,840 Speaker 3: the things I wanted to make sure was that we 258 00:15:32,960 --> 00:15:37,880 Speaker 3: got all of the like the greats to perform, because 259 00:15:37,880 --> 00:15:39,720 Speaker 3: it was like, I don't know if anybody's ever going 260 00:15:39,800 --> 00:15:42,880 Speaker 3: to ask these people to come to the White House. Yeah. Yeah, 261 00:15:43,200 --> 00:15:48,480 Speaker 3: Diana Ross came and performed just for the staff. Bruce 262 00:15:48,520 --> 00:15:55,040 Speaker 3: Springsteen the show he's doing on Broadway right now, he 263 00:15:55,440 --> 00:15:58,440 Speaker 3: tested that out. It was just a fluke he wanted 264 00:15:58,480 --> 00:16:02,000 Speaker 3: to do. He offered to do something to say thank 265 00:16:02,040 --> 00:16:05,200 Speaker 3: you to the staff, and we were like, of course, Bruce, 266 00:16:05,280 --> 00:16:08,680 Speaker 3: you can do whatever. And he put together what became 267 00:16:09,040 --> 00:16:10,160 Speaker 3: the Broadway Shows. 268 00:16:11,280 --> 00:16:15,360 Speaker 1: ANOTHERMB always shows Hamilton the same thing, like, absolutely, that's 269 00:16:15,400 --> 00:16:18,400 Speaker 1: how he got the inspiration to even go through with it. 270 00:16:19,200 --> 00:16:21,320 Speaker 2: Yeah, he tested on you first. 271 00:16:21,920 --> 00:16:24,520 Speaker 3: Yeah, and we thought he was a little crazy. We 272 00:16:24,600 --> 00:16:28,000 Speaker 3: were like, okay, don't do a wrapout Alexander Hamilton. Okay, 273 00:16:28,080 --> 00:16:29,240 Speaker 3: that's nice, that's cute. 274 00:16:29,640 --> 00:16:30,760 Speaker 2: It's funny to say that. 275 00:16:31,640 --> 00:16:35,720 Speaker 1: I always say that, like, I was part of the 276 00:16:35,840 --> 00:16:39,160 Speaker 1: production team that did the cast album, and apparently I 277 00:16:39,200 --> 00:16:41,320 Speaker 1: missed the email of him pitching it to me. 278 00:16:42,800 --> 00:16:44,320 Speaker 2: So I told him. 279 00:16:44,480 --> 00:16:46,600 Speaker 1: I found the email after I did the record and 280 00:16:46,720 --> 00:16:49,840 Speaker 1: I read the email and I told him, I said, yeah, 281 00:16:49,840 --> 00:16:53,040 Speaker 1: there's probably I would have probably said, no, I'm fine, 282 00:16:53,080 --> 00:16:54,320 Speaker 1: I'll set this one out, because. 283 00:16:54,360 --> 00:16:57,720 Speaker 3: Just looking at it the whole concept, I was like, 284 00:16:58,800 --> 00:17:01,240 Speaker 3: this has the chance being a little corny. 285 00:17:01,200 --> 00:17:05,639 Speaker 2: Right, yeah, but somehow, Yeah, he wore me through. You know, absolutely, 286 00:17:05,760 --> 00:17:10,240 Speaker 2: I have you. You and your husband are true chicagoans 287 00:17:10,680 --> 00:17:11,720 Speaker 2: Uh to the bone. 288 00:17:12,280 --> 00:17:15,280 Speaker 1: And probably one of the most touching things that shocked 289 00:17:15,359 --> 00:17:20,240 Speaker 1: me during your administration was the the letter of condolencens 290 00:17:20,359 --> 00:17:24,960 Speaker 1: that you sent to Chicago househeads Uh when Frankie Knuckles 291 00:17:25,680 --> 00:17:29,440 Speaker 1: passed away. And I always wanted to know, like as 292 00:17:29,680 --> 00:17:32,840 Speaker 1: a true blue chicagoan. Are you a househead? 293 00:17:33,000 --> 00:17:37,160 Speaker 2: Like, have you going to any house parties to see 294 00:17:38,359 --> 00:17:41,880 Speaker 2: any of the gods of house music? DJ? Ever? 295 00:17:42,359 --> 00:17:47,879 Speaker 3: Yeah, I was. I was old by the time house 296 00:17:48,000 --> 00:17:53,960 Speaker 3: music was like a big thing in Chicago. Uh, you know, 297 00:17:54,560 --> 00:17:57,359 Speaker 3: everybody has the music, the house music, you know it. 298 00:17:57,520 --> 00:18:01,879 Speaker 3: But by then I was out of clubbing and going out, 299 00:18:01,960 --> 00:18:05,120 Speaker 3: so I never got to experience the you know, going 300 00:18:05,200 --> 00:18:07,240 Speaker 3: to the club just being all up in it. But 301 00:18:07,760 --> 00:18:09,879 Speaker 3: you know you couldn't. You can't be in and out 302 00:18:09,960 --> 00:18:12,200 Speaker 3: of Chicago without knowing the house music. 303 00:18:12,400 --> 00:18:14,520 Speaker 2: Right. Well, you know what about stepping? Are you a 304 00:18:14,560 --> 00:18:16,680 Speaker 2: good are you in your husband good steppers? 305 00:18:17,400 --> 00:18:20,920 Speaker 3: You know I love to step. Barack is you know 306 00:18:21,280 --> 00:18:23,119 Speaker 3: he can, he can do it. But you know who 307 00:18:23,240 --> 00:18:27,480 Speaker 3: loves to step with me is Sasha, my youngest Uh she? 308 00:18:27,920 --> 00:18:28,960 Speaker 2: Oh yeah, yeah. 309 00:18:29,080 --> 00:18:31,560 Speaker 3: She She gets such a huge kick out of me 310 00:18:31,720 --> 00:18:33,920 Speaker 3: leading her through the So that's sort of one of 311 00:18:33,960 --> 00:18:35,760 Speaker 3: the things that we do when we're at a party 312 00:18:35,840 --> 00:18:38,200 Speaker 3: together and we're at a family event, She's like, mom, 313 00:18:38,280 --> 00:18:41,960 Speaker 3: let's step, let's step. But you know, we never had 314 00:18:42,000 --> 00:18:43,560 Speaker 3: the time, Barack and I never had the time to 315 00:18:43,680 --> 00:18:46,280 Speaker 3: like do the step classes. Because that's what couples do 316 00:18:46,400 --> 00:18:48,480 Speaker 3: in Chicago. You go, you go to Kennedy and King 317 00:18:48,600 --> 00:18:53,440 Speaker 3: College where you are taking the step class. H So 318 00:18:53,560 --> 00:18:56,800 Speaker 3: we never we never trained in step, can I say? 319 00:18:56,920 --> 00:18:59,040 Speaker 3: It's just sort of it's kind of just a bop, 320 00:18:59,200 --> 00:19:01,680 Speaker 3: you know, And if you've got like a rhythm and 321 00:19:01,800 --> 00:19:04,040 Speaker 3: you've got the right song, you got a little you know, 322 00:19:06,200 --> 00:19:09,480 Speaker 3: a good step in song. It just comes. But I 323 00:19:09,720 --> 00:19:13,720 Speaker 3: grew up watching it on TV and parents doing it, 324 00:19:13,960 --> 00:19:16,640 Speaker 3: so it's almost like I could imitate it. But I've 325 00:19:16,680 --> 00:19:19,120 Speaker 3: taught Sasha how to step, and that's she's my step 326 00:19:19,200 --> 00:19:19,639 Speaker 3: in partner. 327 00:19:19,720 --> 00:19:21,879 Speaker 2: Really. I will say that. 328 00:19:23,760 --> 00:19:29,000 Speaker 1: The party that you guys grant me permission to to DJ, 329 00:19:31,080 --> 00:19:35,600 Speaker 1: I'll say that I was holding back maybe for like 330 00:19:35,680 --> 00:19:38,720 Speaker 1: the first hour or so because like, okay, I'm at 331 00:19:38,760 --> 00:19:39,280 Speaker 1: the White House. 332 00:19:39,320 --> 00:19:42,119 Speaker 2: I can't be too lit at the White House. And 333 00:19:42,359 --> 00:19:43,760 Speaker 2: oh boy, little did I know. 334 00:19:45,440 --> 00:19:49,160 Speaker 1: That you all speak the same vocabulary musically, So yeah, 335 00:19:49,600 --> 00:19:53,920 Speaker 1: for you know, how important is it to also embrace 336 00:19:54,040 --> 00:19:55,000 Speaker 1: because that's the thing I've. 337 00:19:54,920 --> 00:19:56,280 Speaker 2: Just never seen. I've never seen like. 338 00:19:57,840 --> 00:20:02,680 Speaker 1: Parents wholeheartedly embrace the music culture of their kids. Like 339 00:20:02,800 --> 00:20:05,879 Speaker 1: normally the parents I know roll their eyes up in 340 00:20:05,920 --> 00:20:07,359 Speaker 1: the air and kids. 341 00:20:07,400 --> 00:20:08,520 Speaker 2: Yeah, you know that sort of thing. 342 00:20:09,200 --> 00:20:15,119 Speaker 1: Whereas you guys were out partying your daughters at you know, 343 00:20:15,760 --> 00:20:20,119 Speaker 1: the last week at the White House party, and I 344 00:20:20,280 --> 00:20:23,560 Speaker 1: was just jaw dropped, like, so, I mean, how important 345 00:20:23,640 --> 00:20:27,000 Speaker 1: is it to you to to bond and also understand 346 00:20:27,200 --> 00:20:29,359 Speaker 1: like the music they like and the artists they like, 347 00:20:29,480 --> 00:20:30,640 Speaker 1: like you know who chanced. 348 00:20:30,400 --> 00:20:30,840 Speaker 2: To rap up? 349 00:20:30,840 --> 00:20:35,639 Speaker 3: Oh? Yeah, absolutely? I mean, I you know, when you 350 00:20:35,760 --> 00:20:39,359 Speaker 3: love music, you love all music. And if it's a 351 00:20:39,440 --> 00:20:41,600 Speaker 3: good song, if it's got a good beat, you know, 352 00:20:42,040 --> 00:20:46,040 Speaker 3: I can tee. I'll tease my kids about how good 353 00:20:46,200 --> 00:20:48,920 Speaker 3: their favorite artists are compared to the greats. I'll play 354 00:20:49,000 --> 00:20:52,200 Speaker 3: that game with them. But I can appreciate a good 355 00:20:52,640 --> 00:20:56,280 Speaker 3: whatever it is, you know. And and I love that 356 00:20:56,480 --> 00:20:59,920 Speaker 3: time with my daughters. I love to let them teach 357 00:21:00,240 --> 00:21:04,879 Speaker 3: me about what they love. And again, Sasha is my 358 00:21:05,040 --> 00:21:09,040 Speaker 3: more musical child. You know. She she's got her room 359 00:21:09,240 --> 00:21:13,240 Speaker 3: set candles lit, you know, colored light bulbs with a 360 00:21:13,359 --> 00:21:16,720 Speaker 3: certain sound, and it just depends on what her mood is. 361 00:21:16,840 --> 00:21:18,800 Speaker 3: You walk into her room and she could be playing 362 00:21:18,880 --> 00:21:23,040 Speaker 3: classical music, or she could be Jama Decissa or you know, 363 00:21:24,080 --> 00:21:28,480 Speaker 3: you're just always surprised by her taste, and that reminds 364 00:21:28,560 --> 00:21:31,600 Speaker 3: me of the how I grew up. You know, my 365 00:21:31,760 --> 00:21:36,359 Speaker 3: grandfather was a jazz lover, but he respected my mother's music. 366 00:21:36,480 --> 00:21:39,760 Speaker 3: He respected our music. And I think that's just when 367 00:21:39,800 --> 00:21:43,400 Speaker 3: you love music, you're open to just something that feels good. 368 00:21:44,080 --> 00:21:49,000 Speaker 3: So there. I love sitting down with Sasha and just 369 00:21:49,119 --> 00:21:51,360 Speaker 3: telling her, tell me what's good, tell me what you're 370 00:21:51,400 --> 00:21:55,520 Speaker 3: liking now. Or she'll say I just heard you're gonna 371 00:21:55,600 --> 00:21:57,920 Speaker 3: love this, and she knows my taste. This is a 372 00:21:58,000 --> 00:21:59,479 Speaker 3: new artist, You're gonna love them. 373 00:22:00,119 --> 00:22:00,280 Speaker 2: Think. 374 00:22:00,440 --> 00:22:02,240 Speaker 3: You know, she's like, I think of you when I 375 00:22:02,320 --> 00:22:07,199 Speaker 3: think of this artist. So in that way, they keep me, uh, 376 00:22:07,359 --> 00:22:11,840 Speaker 3: they keep us both. Uh on point, I don't know 377 00:22:12,000 --> 00:22:15,560 Speaker 3: all the artist names now, I confuse the you know. 378 00:22:15,960 --> 00:22:21,480 Speaker 3: I just recently realized, uh that what Migos wasn't just 379 00:22:21,680 --> 00:22:26,879 Speaker 3: one that I kept saying, you know, let's meet who's 380 00:22:26,920 --> 00:22:29,960 Speaker 3: met him? Right, right, let's meet him? And they're like, no, Mom, 381 00:22:30,080 --> 00:22:34,320 Speaker 3: that's not just that's group. And then then I found out, okay, 382 00:22:34,440 --> 00:22:37,359 Speaker 3: well then who who are they? Uh? You know, so 383 00:22:37,480 --> 00:22:41,040 Speaker 3: I'm not all down with it. But when when I 384 00:22:41,320 --> 00:22:42,320 Speaker 3: like a song, I like a. 385 00:22:42,359 --> 00:22:44,840 Speaker 1: Songer halfway there, I mean your daughter shares music with you, 386 00:22:45,080 --> 00:22:47,200 Speaker 1: like you know, I share music with my parents, and 387 00:22:47,400 --> 00:22:49,200 Speaker 1: that might be grounded for two weeks. 388 00:22:49,520 --> 00:22:49,680 Speaker 3: You know. 389 00:22:51,680 --> 00:22:55,399 Speaker 2: I try not to be. 390 00:22:55,760 --> 00:22:58,080 Speaker 3: Yeah, she's like, don't do that, like that, but I 391 00:22:58,200 --> 00:23:01,639 Speaker 3: try not to be judgmental with the music because it's like, 392 00:23:02,480 --> 00:23:05,600 Speaker 3: that's how I felt about social media throughout the presidency. 393 00:23:06,119 --> 00:23:09,000 Speaker 3: The question is, if we're going to reach kids, we 394 00:23:09,160 --> 00:23:12,320 Speaker 3: have to understand their language. We have to know what 395 00:23:12,520 --> 00:23:15,000 Speaker 3: they're hearing. If we want to get young people to vote, 396 00:23:15,400 --> 00:23:18,000 Speaker 3: we can't get them to vote just talk in our language. 397 00:23:18,119 --> 00:23:20,440 Speaker 3: So we had to figure out, well, what is Twitter 398 00:23:20,560 --> 00:23:23,000 Speaker 3: and what's Vine? And what are the kids listening to? 399 00:23:23,160 --> 00:23:26,600 Speaker 3: And if you're busy judging it, you can't communicate with them. 400 00:23:26,760 --> 00:23:28,920 Speaker 3: So I don't want my kids to feel shut down 401 00:23:29,119 --> 00:23:33,240 Speaker 3: because their music isn't what I grew up with. So 402 00:23:34,000 --> 00:23:36,840 Speaker 3: I think it's very important. But you know, stuff I 403 00:23:36,920 --> 00:23:39,200 Speaker 3: don't like, I don't like, and I will tell them 404 00:23:39,240 --> 00:23:41,960 Speaker 3: if I think an artist is crap, you know, and 405 00:23:42,080 --> 00:23:46,159 Speaker 3: we'll have debates about it. So I think that's a 406 00:23:46,280 --> 00:23:48,359 Speaker 3: good conversation for families to have. 407 00:23:49,000 --> 00:24:01,720 Speaker 2: Okay, Okay, well I have one more question before I 408 00:24:01,840 --> 00:24:02,159 Speaker 2: let you go. 409 00:24:02,480 --> 00:24:09,640 Speaker 1: Yes, let's hypothetically think, Okay, let's let's go to let's 410 00:24:09,680 --> 00:24:10,160 Speaker 1: pick a year. 411 00:24:10,280 --> 00:24:17,880 Speaker 2: Let's say, let's say twenty twenty four. M hypothetically speaking, 412 00:24:18,480 --> 00:24:18,879 Speaker 2: if you. 413 00:24:19,240 --> 00:24:27,359 Speaker 1: Are accepting the nomination of presidency, just hypothetically speaking, what 414 00:24:27,600 --> 00:24:29,120 Speaker 1: song do you want me to play for you while 415 00:24:29,119 --> 00:24:30,679 Speaker 1: I'm djaying your acceptance speech? 416 00:24:32,640 --> 00:24:38,800 Speaker 3: Oh you know that's just wrong, wrong. Oh yeah, well 417 00:24:38,880 --> 00:24:45,720 Speaker 3: that that hypothetical will never happen, never again, never ever. No, 418 00:24:45,880 --> 00:24:52,440 Speaker 3: And let me just yeah, let's be clear, Okay, the presidency, 419 00:24:52,640 --> 00:24:58,000 Speaker 3: it's it's hard. It's it's not something it's not an 420 00:24:58,160 --> 00:25:03,720 Speaker 3: endeavor you take on without serious considerations. And it's not 421 00:25:03,960 --> 00:25:07,440 Speaker 3: just about whether you personally can do it or whether 422 00:25:07,720 --> 00:25:09,720 Speaker 3: they're people who want you to do it. But it's 423 00:25:09,760 --> 00:25:12,320 Speaker 3: a it's a hard ride to take your family on. 424 00:25:13,960 --> 00:25:17,240 Speaker 3: It's a it's a huge sacrifice to ask the people 425 00:25:17,320 --> 00:25:19,640 Speaker 3: that you love. And it's not I'm not just talking 426 00:25:19,680 --> 00:25:23,280 Speaker 3: about my kids, but anyone that has that is within 427 00:25:23,359 --> 00:25:29,840 Speaker 3: our orbit gets impacted by this. And I just would 428 00:25:30,000 --> 00:25:33,080 Speaker 3: never do that to my girls again. You know it 429 00:25:33,240 --> 00:25:37,240 Speaker 3: it it it shapes their life. You know, there are 430 00:25:37,320 --> 00:25:40,760 Speaker 3: many great things that they got from it, and you 431 00:25:40,840 --> 00:25:44,760 Speaker 3: know they don't regret it for a second, but their 432 00:25:44,800 --> 00:25:49,040 Speaker 3: whole childhood was truncated in a way because you know, 433 00:25:49,119 --> 00:25:51,639 Speaker 3: imagine growing up and trying to go to prom with 434 00:25:52,000 --> 00:25:55,800 Speaker 3: armored guards and trying to you know, have a boyfriend 435 00:25:56,080 --> 00:26:00,159 Speaker 3: or go to a concert. You know, right now, my 436 00:26:00,359 --> 00:26:03,920 Speaker 3: oldest daughter can't can't go to a public place without 437 00:26:03,960 --> 00:26:09,720 Speaker 3: everything she does being scrutinized. And she's and they've held 438 00:26:09,760 --> 00:26:13,680 Speaker 3: themselves up well in it, you know. And so when 439 00:26:13,720 --> 00:26:16,440 Speaker 3: people say that, I know that there's an excitement and 440 00:26:16,520 --> 00:26:19,399 Speaker 3: what people need. But as a parent, I feel like, 441 00:26:19,680 --> 00:26:23,200 Speaker 3: you know, my family has made a sacrifice, and now 442 00:26:23,280 --> 00:26:27,960 Speaker 3: it's time to make room for the next generation. And 443 00:26:28,280 --> 00:26:30,440 Speaker 3: the flip side to that is that if we continue 444 00:26:30,520 --> 00:26:33,240 Speaker 3: to sit in these seats of power and we don't 445 00:26:33,320 --> 00:26:35,960 Speaker 3: train and build up the next people, we look around 446 00:26:36,040 --> 00:26:38,639 Speaker 3: and we find that our bench is empty, you know. 447 00:26:38,960 --> 00:26:42,200 Speaker 3: So I don't think it's good for a democracy to 448 00:26:42,320 --> 00:26:44,880 Speaker 3: have the same set of families with the same set 449 00:26:44,920 --> 00:26:48,160 Speaker 3: of ideas, just sort of passing the mantle back and forth. 450 00:26:48,560 --> 00:26:52,320 Speaker 3: I don't think it's good for the country. So that's 451 00:26:52,320 --> 00:26:56,680 Speaker 3: why Barack and I are dedicating our foundation the work 452 00:26:56,760 --> 00:26:59,920 Speaker 3: that we do to really building up that next generation 453 00:27:00,480 --> 00:27:02,320 Speaker 3: because there are a lot of young people out there 454 00:27:02,440 --> 00:27:04,639 Speaker 3: who will be good at this, who will have no 455 00:27:04,760 --> 00:27:08,159 Speaker 3: way of knowing. How do you access politics? How do 456 00:27:08,240 --> 00:27:10,960 Speaker 3: you raise money? You know? How do you go from 457 00:27:11,119 --> 00:27:15,040 Speaker 3: being a nobody to being in this exclusive network where 458 00:27:15,080 --> 00:27:17,520 Speaker 3: you can fundraise and you understand the issues and you 459 00:27:17,600 --> 00:27:20,560 Speaker 3: can build a team. You know, if we're sitting on 460 00:27:20,680 --> 00:27:23,520 Speaker 3: all those resources, using them again and again for our 461 00:27:23,600 --> 00:27:27,080 Speaker 3: benefit and not passing it on, where will we be 462 00:27:27,480 --> 00:27:30,080 Speaker 3: in twenty twenty four? You know what kind of Congress 463 00:27:30,119 --> 00:27:32,600 Speaker 3: will we have? How many mayors will we have out there? 464 00:27:33,119 --> 00:27:35,560 Speaker 3: So we want to take this energy and devote it 465 00:27:35,680 --> 00:27:41,040 Speaker 3: to empowering and lifting up and supporting those that are 466 00:27:41,080 --> 00:27:42,000 Speaker 3: coming behind us. 467 00:27:43,040 --> 00:27:47,679 Speaker 2: Well, okay, you convinced me. Okay, I'll still be your 468 00:27:47,760 --> 00:27:50,080 Speaker 2: DJ every moment happens that you Well. 469 00:27:49,960 --> 00:27:52,760 Speaker 3: We'll find some other things to djay around. 470 00:27:53,040 --> 00:27:57,560 Speaker 2: Okay, Yeah, I need to read thank you and you don't. 471 00:27:57,800 --> 00:27:59,879 Speaker 3: Okay, so let me say this for the record. I 472 00:28:00,080 --> 00:28:03,639 Speaker 3: don't know why you're tripping. You were just you were perfectionists, 473 00:28:05,119 --> 00:28:07,760 Speaker 3: and you're like, that's not I didn't. 474 00:28:08,080 --> 00:28:09,879 Speaker 2: Everybody had a ball. 475 00:28:10,400 --> 00:28:13,800 Speaker 3: You were amazing. So I'm like, okay, you can get 476 00:28:13,840 --> 00:28:17,080 Speaker 3: a Doover. We will find a party, okay for sure 477 00:28:17,160 --> 00:28:19,080 Speaker 3: if you just want to do it, but you did 478 00:28:19,200 --> 00:28:21,879 Speaker 3: not need a do over. People partied until like it 479 00:28:22,040 --> 00:28:23,439 Speaker 3: was like four in the morning. 480 00:28:23,720 --> 00:28:26,520 Speaker 1: I want to do a lot of that house. I 481 00:28:26,760 --> 00:28:29,320 Speaker 1: need a do over just so I can sleep, all right, 482 00:28:30,000 --> 00:28:32,280 Speaker 1: I thank you very much for your time. I appreciate it. 483 00:28:33,119 --> 00:28:33,840 Speaker 2: Ladies and gentlemen. 484 00:28:34,080 --> 00:28:39,120 Speaker 1: Becoming Michelle Obama in stores online. Uh, this is Quest 485 00:28:39,160 --> 00:28:40,640 Speaker 1: lovel On behalf of the Team Supreme. 486 00:28:40,800 --> 00:28:41,480 Speaker 2: Thank you very much. 487 00:28:54,280 --> 00:28:58,000 Speaker 1: Quest Love Supreme is a production of iHeartRadio. This classic 488 00:28:58,080 --> 00:29:00,800 Speaker 1: episode was produced by the team at Pandora. 489 00:29:04,040 --> 00:29:08,440 Speaker 2: For more podcasts from iHeartRadio, visit the iHeartRadio app, Apple Podcasts, 490 00:29:08,880 --> 00:29:10,600 Speaker 2: or wherever you listen to your favorite shows.