1 00:00:07,640 --> 00:00:10,560 Speaker 1: Loka Tora Radio is a radiophonic novella. 2 00:00:10,680 --> 00:00:14,640 Speaker 2: Which is just a very extra way of saying a podcast. 3 00:00:15,400 --> 00:00:19,920 Speaker 1: I'm Fosa m and I am Mala Munos. Lokatra Radio 4 00:00:20,120 --> 00:00:25,160 Speaker 1: is yr Brima's favorite podcast, hosted by us Mala and Viosa. 5 00:00:25,440 --> 00:00:30,840 Speaker 2: We're two ig friends turned podcast partners, breaking down pop culture, feminism, 6 00:00:31,000 --> 00:00:35,320 Speaker 2: sexual wellness, and offering fresh takes on trending topics through 7 00:00:35,400 --> 00:00:39,840 Speaker 2: nuanced interviews with up and coming LATINX creatives. 8 00:00:38,880 --> 00:00:42,040 Speaker 1: Known as Las Lokatas, Las Mammis of Myth and Bullshit 9 00:00:42,200 --> 00:00:47,320 Speaker 1: and Las Borgass Prosas. We were podcasting independently since twenty sixteen, 10 00:00:47,479 --> 00:00:51,080 Speaker 1: but joined iHeartMedia's Microtura network in twenty twenty two. 11 00:00:51,560 --> 00:00:55,520 Speaker 2: This year, we're continuing to share stories from the LATINX community. 12 00:00:55,840 --> 00:00:59,080 Speaker 1: Bartodo el Mundo, Welcome to season eight. 13 00:00:59,520 --> 00:01:00,440 Speaker 2: Are you listening? 14 00:01:04,120 --> 00:01:07,280 Speaker 1: O La la Loka Motes, Welcome to season eight of 15 00:01:07,360 --> 00:01:11,319 Speaker 1: Loka Dora Radio. I'm Dosa and I'm Mala. You're tuning 16 00:01:11,319 --> 00:01:15,000 Speaker 1: in to Capitoo one seventy four. 17 00:01:15,720 --> 00:01:18,200 Speaker 2: Make sure you subscribe to lok Ata Radio, leave us 18 00:01:18,200 --> 00:01:19,839 Speaker 2: a review and share with a friend. 19 00:01:20,680 --> 00:01:24,320 Speaker 1: Remember to follow Loka Dora across all social media platforms 20 00:01:24,360 --> 00:01:28,959 Speaker 1: at Loka Dora Underscore Radio. Last time on lok at 21 00:01:28,959 --> 00:01:33,560 Speaker 1: Dora Radio, we talked about the one and Only Beyonce. 22 00:01:33,800 --> 00:01:38,199 Speaker 2: That's our Beyonce Sode. We talked about the Renaissance World Tour. 23 00:01:38,319 --> 00:01:42,440 Speaker 2: We talked about how Beyonce has raised us since childhood. 24 00:01:42,520 --> 00:01:45,080 Speaker 2: She is mother. Go back and take a listen. If 25 00:01:45,120 --> 00:01:46,720 Speaker 2: you haven't already and. 26 00:01:46,680 --> 00:01:49,600 Speaker 1: Don't forget, you can listen to our show on Amazon 27 00:01:49,680 --> 00:01:53,520 Speaker 1: Music or wherever you get your podcast now. 28 00:01:54,040 --> 00:01:57,400 Speaker 2: On today's episode of Lokata Radio, it's that time of 29 00:01:57,520 --> 00:02:02,600 Speaker 2: year again. It's Hispanicariage Month. So let's talk about it. 30 00:02:03,000 --> 00:02:06,960 Speaker 1: So each year, the US is reminded that Latinos have 31 00:02:07,000 --> 00:02:10,120 Speaker 1: a one point six trillion buying power. So they gave 32 00:02:10,200 --> 00:02:11,720 Speaker 1: us a little month to celebrate. 33 00:02:12,320 --> 00:02:16,320 Speaker 2: Yes, so go out and be a cog of capitalism 34 00:02:16,600 --> 00:02:19,680 Speaker 2: and buy things. I know we are. It's our favorite 35 00:02:19,680 --> 00:02:22,079 Speaker 2: thing to do is spend our money on chew Chittyes, 36 00:02:22,400 --> 00:02:24,160 Speaker 2: and this is the month for that. I love chow 37 00:02:24,240 --> 00:02:26,880 Speaker 2: Chitty as Oh yeah, who doesn't, but you. 38 00:02:26,800 --> 00:02:31,160 Speaker 1: Know actually and seriously, right, just a history on Hispanic 39 00:02:31,160 --> 00:02:34,239 Speaker 1: Heritage Month. The first time the federal government used the 40 00:02:34,240 --> 00:02:37,560 Speaker 1: word Hispanic in a census was nineteen eighty. The appearance 41 00:02:37,560 --> 00:02:40,639 Speaker 1: of the term was born from decades of lobbying. Now 42 00:02:40,720 --> 00:02:43,079 Speaker 1: we know a lot of people don't identify as Hispanic. 43 00:02:43,720 --> 00:02:47,440 Speaker 1: They identify as Latino or LATINX. And that's a whole 44 00:02:47,520 --> 00:02:52,080 Speaker 1: other episode, the LATINX Latina Latino conversation. It seems like 45 00:02:52,120 --> 00:02:54,079 Speaker 1: we can never get on the same page about how 46 00:02:54,080 --> 00:02:59,119 Speaker 1: to identify. My belief is like, let people identify how 47 00:02:59,160 --> 00:03:04,040 Speaker 1: they identify. Yeah, Latino is gendered, and I don't know 48 00:03:04,080 --> 00:03:07,760 Speaker 1: why it's so hard to wrap our minds around that. Yeah, 49 00:03:07,840 --> 00:03:10,800 Speaker 1: but patriarchy prevails and that's where we are. 50 00:03:11,160 --> 00:03:14,080 Speaker 2: Yeah, And it almost sounds like, okay, well if we 51 00:03:14,120 --> 00:03:16,360 Speaker 2: don't identify it the same way, well maybe we're not 52 00:03:16,480 --> 00:03:19,840 Speaker 2: the same. Maybe that's why we identify differently, because we 53 00:03:19,880 --> 00:03:20,760 Speaker 2: are in fact different. 54 00:03:20,880 --> 00:03:22,959 Speaker 1: I don't know, girl, that takes some critical thinking that 55 00:03:23,080 --> 00:03:24,120 Speaker 1: not everybody has. 56 00:03:24,240 --> 00:03:24,880 Speaker 2: It's tough. 57 00:03:25,240 --> 00:03:25,799 Speaker 1: It's tough. 58 00:03:25,960 --> 00:03:29,040 Speaker 2: It's tough, and we we love our Latino community, but 59 00:03:29,480 --> 00:03:31,720 Speaker 2: we need to do more reading, we need to do 60 00:03:31,800 --> 00:03:35,240 Speaker 2: more listening. And it's a tall order. But I do 61 00:03:35,320 --> 00:03:37,119 Speaker 2: believe in us, and I do believe we can get there. 62 00:03:37,240 --> 00:03:39,120 Speaker 1: We can do it. We can do it. I believe 63 00:03:39,160 --> 00:03:42,000 Speaker 1: in US. I believe in US. Just talk to your theo, like, 64 00:03:42,240 --> 00:03:44,320 Speaker 1: just do it, please, Yeah, somebody has. 65 00:03:44,160 --> 00:03:47,520 Speaker 2: To somebody's got to have that conversation. And some of 66 00:03:47,560 --> 00:03:50,680 Speaker 2: these statistics that we're pulling from are from a History 67 00:03:50,760 --> 00:03:54,920 Speaker 2: Channel article written by Yara Simon called Latino Hispanic, latinx 68 00:03:54,960 --> 00:03:59,480 Speaker 2: Chicano The History behind the Terms. And according to this article, 69 00:04:00,160 --> 00:04:03,680 Speaker 2: right like Yosa said, nineteen eighty the word Hispanic appeared 70 00:04:03,720 --> 00:04:05,520 Speaker 2: in the census, and that was in the eighties, and 71 00:04:05,520 --> 00:04:10,280 Speaker 2: then by two thousand, the term Latino was included on 72 00:04:10,360 --> 00:04:14,720 Speaker 2: the census with the question is this person Spanish slash 73 00:04:14,880 --> 00:04:20,240 Speaker 2: Hispanic slash Latino. So as time progresses, we have had 74 00:04:20,400 --> 00:04:26,239 Speaker 2: more words, more identifiers formally introduced into like the public 75 00:04:26,279 --> 00:04:30,239 Speaker 2: space through lobbying and voting, and you know, people asked 76 00:04:30,240 --> 00:04:33,360 Speaker 2: for these words to be put into the census Hispanic 77 00:04:33,440 --> 00:04:38,520 Speaker 2: Latino people, and that's why we have them. So I 78 00:04:38,560 --> 00:04:40,440 Speaker 2: don't know, I just think it's really interesting because like 79 00:04:40,480 --> 00:04:42,919 Speaker 2: the terms are not that old, right, Like this is 80 00:04:43,000 --> 00:04:46,240 Speaker 2: very recent history, right, you know, eighties being our parents 81 00:04:46,279 --> 00:04:49,640 Speaker 2: and then two thousands being us. So it's also for 82 00:04:49,720 --> 00:04:51,400 Speaker 2: me a question of what are we going to be 83 00:04:51,400 --> 00:04:53,359 Speaker 2: calling ourselves twenty years from now. 84 00:04:53,560 --> 00:04:57,520 Speaker 1: Yes, it will probably change again as it continues to change. 85 00:04:57,600 --> 00:05:00,520 Speaker 1: You know, folks are kind of not face out. But 86 00:05:00,560 --> 00:05:04,040 Speaker 1: in addition to using LATINX or also using Latina and 87 00:05:04,120 --> 00:05:06,800 Speaker 1: so I think that we just have to let language 88 00:05:06,839 --> 00:05:10,039 Speaker 1: evolve and be comfortable with that and not be so 89 00:05:10,200 --> 00:05:13,680 Speaker 1: rigid in those in words because. 90 00:05:13,440 --> 00:05:16,000 Speaker 2: It can't be. We can't be, because they're ever changing. 91 00:05:16,040 --> 00:05:20,839 Speaker 2: And there's also a movement of people predominantly like Indigenous 92 00:05:20,880 --> 00:05:25,039 Speaker 2: and Afro Latino Afro Indigenous people who even are sort 93 00:05:25,040 --> 00:05:29,520 Speaker 2: of championing this idea of like let's cancel latinivad all together. Yeah, 94 00:05:29,680 --> 00:05:32,400 Speaker 2: sometimes I wonder, like, yeah, how much how much of 95 00:05:32,440 --> 00:05:36,600 Speaker 2: a shelf life does Latino as it exists, Like what's 96 00:05:36,640 --> 00:05:38,600 Speaker 2: the shelf life? Like, how much longer is it going 97 00:05:38,680 --> 00:05:41,360 Speaker 2: to be in use and popular and in vogue? 98 00:05:41,440 --> 00:05:43,920 Speaker 1: Well, because yeah, I mean even in the I mean, 99 00:05:43,960 --> 00:05:46,200 Speaker 1: as we know, right, these are terms that were created 100 00:05:46,200 --> 00:05:48,440 Speaker 1: by the census, and so really it's only in the 101 00:05:48,600 --> 00:05:51,400 Speaker 1: US to my knowledge, right, maybe it's it's different in 102 00:05:51,440 --> 00:05:55,240 Speaker 1: other places, but to my knowledge, in the US, it's 103 00:05:55,279 --> 00:05:58,320 Speaker 1: the only place where we identify as Latino. In Latin America, 104 00:05:58,360 --> 00:06:00,600 Speaker 1: you identify the country that you're in, identify as a 105 00:06:00,640 --> 00:06:03,600 Speaker 1: country that you're from, your Peruvian, your Colombia, and you're Brazilian. 106 00:06:04,040 --> 00:06:07,000 Speaker 1: You know, you're very specific with these this identity, this 107 00:06:07,080 --> 00:06:11,320 Speaker 1: nationality and ethnicity, whereas here it's umbrella. 108 00:06:11,880 --> 00:06:14,599 Speaker 2: It's very umbrella. And you know, so for all, for 109 00:06:14,640 --> 00:06:18,400 Speaker 2: all intents and purposes, Latino is an American identity, like 110 00:06:18,480 --> 00:06:23,279 Speaker 2: Latinos are Americans. This is we only exist here in 111 00:06:23,320 --> 00:06:26,360 Speaker 2: the United States. And so that being said, we're going 112 00:06:26,440 --> 00:06:29,560 Speaker 2: to go from the because there's obviously a very long 113 00:06:29,680 --> 00:06:32,279 Speaker 2: history that we could tap into, but instead we're going 114 00:06:32,360 --> 00:06:35,200 Speaker 2: to start in nineteen eighty to the present, and in 115 00:06:35,240 --> 00:06:37,599 Speaker 2: no particular order, we're going to talk about some of 116 00:06:38,240 --> 00:06:41,840 Speaker 2: the moments we think are the most pivotal moments in 117 00:06:42,400 --> 00:06:46,280 Speaker 2: US Latino history. And again this is in no particular order. 118 00:06:46,360 --> 00:06:49,080 Speaker 2: We kind of just did a brain dump of growing 119 00:06:49,160 --> 00:06:51,720 Speaker 2: up into the present, like what has stood out for us, 120 00:06:51,800 --> 00:06:53,240 Speaker 2: like what have Latinos been up to? 121 00:06:53,720 --> 00:06:58,360 Speaker 1: And these are pop culture memorable moments. We're not really 122 00:06:58,400 --> 00:07:03,880 Speaker 1: diving into the nitty gritty his historical life changing farm 123 00:07:03,880 --> 00:07:07,680 Speaker 1: worker movement type of events, right, that's not this episode. 124 00:07:07,760 --> 00:07:11,120 Speaker 1: Now go back to other episodes to tune into those 125 00:07:11,240 --> 00:07:13,680 Speaker 1: kinds of topics. We're gonna have fun with this episode 126 00:07:14,400 --> 00:07:18,360 Speaker 1: in celebration of Latino Latinx heritage a month and just 127 00:07:18,440 --> 00:07:20,960 Speaker 1: have some fun with some of our favorite pop culture moments. 128 00:07:21,000 --> 00:07:26,000 Speaker 2: Absolutely, we're not talking about sterilization today or defortation. We're 129 00:07:26,000 --> 00:07:29,480 Speaker 2: gonna start with one of the most pivotal moments in 130 00:07:30,080 --> 00:07:32,240 Speaker 2: not just pop culture, but in history. 131 00:07:32,800 --> 00:07:33,280 Speaker 1: Internet. 132 00:07:33,720 --> 00:07:37,440 Speaker 2: Yeah, global, global history, the history of the world. But 133 00:07:37,680 --> 00:07:41,360 Speaker 2: the fact that Google Images, the search option for images, 134 00:07:41,560 --> 00:07:45,760 Speaker 2: was invented specifically because so many people were searching up 135 00:07:46,000 --> 00:07:48,000 Speaker 2: Jlo's green Versace dress. 136 00:07:48,440 --> 00:07:51,640 Speaker 3: Believe it or not, Google Images was invented because of 137 00:07:51,680 --> 00:07:52,200 Speaker 3: the dress. 138 00:07:52,960 --> 00:07:55,640 Speaker 2: So many people went searching for this and they had 139 00:07:55,640 --> 00:07:58,280 Speaker 2: no way to search a picture at that time on 140 00:07:58,320 --> 00:08:01,200 Speaker 2: the Internet, so they created Google Images. 141 00:08:01,600 --> 00:08:06,120 Speaker 1: Her dress changed history literally, and she was not the 142 00:08:06,160 --> 00:08:10,120 Speaker 1: first person to wear it either. Donna TULLIVERSACEI wore it, 143 00:08:10,320 --> 00:08:14,120 Speaker 1: Ginger from the Spice Girls wore it, but no one 144 00:08:14,200 --> 00:08:17,800 Speaker 1: wore it the way Jelo wore it. And it's very 145 00:08:17,880 --> 00:08:21,480 Speaker 1: much like the face that launched a thousand ships, she 146 00:08:21,640 --> 00:08:27,440 Speaker 1: launched Google images. So I remember in the year two 147 00:08:27,520 --> 00:08:31,680 Speaker 1: thousand watching the Grammy Awards and watching as j Loo 148 00:08:32,080 --> 00:08:35,200 Speaker 1: wore this dress to the Grammys presented an award, walk 149 00:08:35,280 --> 00:08:37,960 Speaker 1: the red carpet, the whole thing. I remember how shook 150 00:08:38,280 --> 00:08:40,720 Speaker 1: my family was because she looked so good. 151 00:08:41,120 --> 00:08:43,360 Speaker 2: Yeah, And if you don't, if you don't recall it, 152 00:08:43,400 --> 00:08:48,000 Speaker 2: it's the green Versace dress. There's kind of like a 153 00:08:48,040 --> 00:08:51,679 Speaker 2: tropical print. It's a very sheer fabric, and she's wearing 154 00:08:52,080 --> 00:08:54,480 Speaker 2: an extremely deep V cut. 155 00:08:54,559 --> 00:08:58,080 Speaker 1: Deep V that goes past her belly button. It's very deep, 156 00:08:58,320 --> 00:09:01,760 Speaker 1: and she had her boobs taped so that it wouldn't open. 157 00:09:02,559 --> 00:09:06,800 Speaker 2: And today we have a lot more sheer, nude, semi 158 00:09:06,880 --> 00:09:09,480 Speaker 2: nude looks. I think on the runway. I think back 159 00:09:09,559 --> 00:09:15,079 Speaker 2: then it wasn't so much no style. Her green dress 160 00:09:15,200 --> 00:09:17,880 Speaker 2: was on the news like it was. It set off 161 00:09:17,880 --> 00:09:21,120 Speaker 2: a firestorm, it really did. 162 00:09:21,280 --> 00:09:23,040 Speaker 1: And I think, you know, you have to think of 163 00:09:23,080 --> 00:09:27,120 Speaker 1: the year in the cultural context of the year two thousand, right. 164 00:09:27,640 --> 00:09:31,000 Speaker 1: Jlo has always been a thin woman, but at that 165 00:09:31,200 --> 00:09:34,520 Speaker 1: time she was like the curvy woman. She was the 166 00:09:34,559 --> 00:09:37,440 Speaker 1: woman with the big ass, like in a sea of 167 00:09:37,640 --> 00:09:41,640 Speaker 1: very skinny white women. And so I feel like that 168 00:09:41,760 --> 00:09:46,839 Speaker 1: added layer of sexualization, of course, and just curiosity of like, well, 169 00:09:46,840 --> 00:09:49,600 Speaker 1: what does she look like? Yeah, you know, and Jayla was, 170 00:09:49,720 --> 00:09:51,719 Speaker 1: I mean, her career had already begun, but this was 171 00:09:51,760 --> 00:09:54,559 Speaker 1: the era that she was dating p Ditty and she 172 00:09:54,760 --> 00:09:58,120 Speaker 1: was like walking arm in arm with him at the Grammys. 173 00:09:58,520 --> 00:10:02,880 Speaker 1: And I just the context of why I think that 174 00:10:02,880 --> 00:10:05,040 Speaker 1: that dress and her being the one to wear it 175 00:10:05,200 --> 00:10:08,320 Speaker 1: shook the world as like very layered because of who 176 00:10:08,360 --> 00:10:09,679 Speaker 1: she is and how she identifies. 177 00:10:10,000 --> 00:10:13,680 Speaker 2: Oh, totally one. And then there was not too long ago, 178 00:10:14,000 --> 00:10:17,400 Speaker 2: like a reunion of the dress and she wore it 179 00:10:17,440 --> 00:10:19,880 Speaker 2: again and she did sort of like a runway walk 180 00:10:19,920 --> 00:10:25,199 Speaker 2: in the dress, and she still looks incredible. She Jlo. 181 00:10:25,360 --> 00:10:29,040 Speaker 2: I can just tell that woman is just relentlessly in 182 00:10:29,120 --> 00:10:33,280 Speaker 2: the gym and working on herself, and she's like preservation 183 00:10:33,840 --> 00:10:38,040 Speaker 2: is like her her I feel like preservation is probably 184 00:10:38,080 --> 00:10:40,000 Speaker 2: like how she spends most of her time. 185 00:10:40,360 --> 00:10:44,520 Speaker 1: Oh yeah, because to I mean, she's obviously a very 186 00:10:44,559 --> 00:10:48,520 Speaker 1: wealthy celebrity, but to look as good as she does 187 00:10:49,400 --> 00:10:54,400 Speaker 1: like that takes hours daily. It's it's not just like 188 00:10:54,520 --> 00:10:59,120 Speaker 1: oh I sleep eight hours. It's like I work out intensely. 189 00:10:59,480 --> 00:11:02,960 Speaker 1: I don't I don't smoke probably you know, I eat 190 00:11:03,000 --> 00:11:06,240 Speaker 1: a certain way. It's just very very intense good for her, 191 00:11:06,320 --> 00:11:08,719 Speaker 1: it wouldn't be me, but like love that for her. 192 00:11:08,880 --> 00:11:10,040 Speaker 2: Yeah, that's it's. 193 00:11:09,920 --> 00:11:12,600 Speaker 1: Also I feel like you can't really because it's so 194 00:11:12,600 --> 00:11:16,440 Speaker 1: solidified with her image, like that pressure maybe to like 195 00:11:16,520 --> 00:11:18,880 Speaker 1: always look that way, you know. 196 00:11:19,480 --> 00:11:24,080 Speaker 2: Yeah, like is she even allowed to look differently contractually? 197 00:11:24,240 --> 00:11:25,360 Speaker 1: Even actually right? 198 00:11:25,880 --> 00:11:28,320 Speaker 2: You know, Like you hear about celebrities getting their legs 199 00:11:28,360 --> 00:11:30,000 Speaker 2: insured and all that stuff. 200 00:11:30,080 --> 00:11:32,320 Speaker 1: I'm pretty sure her ass is insured. I remember that 201 00:11:32,360 --> 00:11:33,600 Speaker 1: being a rumor back in the day. 202 00:11:33,679 --> 00:11:35,480 Speaker 2: There's got to be truth to it. There's got to 203 00:11:35,480 --> 00:11:39,360 Speaker 2: be something somewhere there is, like an insurance adjuster whose 204 00:11:39,360 --> 00:11:46,439 Speaker 2: sole job is ensuring j Lo's. But when Ricky Martin 205 00:11:46,600 --> 00:11:50,320 Speaker 2: came out as gay, why was this significant? It was 206 00:11:50,400 --> 00:11:52,640 Speaker 2: all over the news, It was all over the media, 207 00:11:52,840 --> 00:11:55,920 Speaker 2: like it was a major topic for a very long time. 208 00:11:56,320 --> 00:11:59,800 Speaker 2: Ricky Martin still is a pop star and a superstar, 209 00:12:00,000 --> 00:12:03,640 Speaker 2: but he had a moment where he was like everywhere 210 00:12:03,920 --> 00:12:07,120 Speaker 2: Ricky was a big deal. Like Ricky Martin was putting 211 00:12:07,120 --> 00:12:10,400 Speaker 2: out bangers, he was putting out hits. You know, people 212 00:12:10,400 --> 00:12:12,880 Speaker 2: were dancing to his music in the club, he was 213 00:12:12,880 --> 00:12:15,480 Speaker 2: at the award shows, he was on TV. Like, so 214 00:12:16,200 --> 00:12:19,400 Speaker 2: when he came out. It was like, oh my god, 215 00:12:19,559 --> 00:12:22,600 Speaker 2: like this is a big deal. Yeah. In the past, 216 00:12:22,640 --> 00:12:25,600 Speaker 2: we had like figures like Walter Mercado and Juan Gabriel 217 00:12:25,640 --> 00:12:29,760 Speaker 2: who were super famous, you know Mexican Puerto Rican, but 218 00:12:29,880 --> 00:12:34,280 Speaker 2: who were never explicit about being queer, right, you know, 219 00:12:34,480 --> 00:12:37,040 Speaker 2: it was always sort of kind of just assumed or 220 00:12:37,080 --> 00:12:39,360 Speaker 2: speculated or talked about. But then here you have Ricky 221 00:12:39,400 --> 00:12:44,360 Speaker 2: Martin coming out completely and publicly and being very clear 222 00:12:44,360 --> 00:12:45,600 Speaker 2: about no, I am a gay man. 223 00:12:45,880 --> 00:12:49,160 Speaker 1: I remember the speculations about Ricky Martin, right, and you know, 224 00:12:49,240 --> 00:12:51,600 Speaker 1: he came out on his own time and his own accord, 225 00:12:51,640 --> 00:12:53,760 Speaker 1: and we love that for him, and I agree like 226 00:12:53,840 --> 00:12:58,360 Speaker 1: it very much changed the way people talk about gay men, 227 00:12:59,200 --> 00:13:02,200 Speaker 1: and at least very publicly in public ways. So yeah, 228 00:13:02,240 --> 00:13:06,760 Speaker 1: it was definitely news in the Latino community. But famously, 229 00:13:06,880 --> 00:13:09,120 Speaker 1: I want to add because you mentioned Hongoviel, which I 230 00:13:09,160 --> 00:13:14,080 Speaker 1: feel is also a part of Mexican American Latino history. 231 00:13:14,760 --> 00:13:17,520 Speaker 1: Juangavila is famously from Chihuahua, where my mom is from, 232 00:13:17,559 --> 00:13:21,760 Speaker 1: from Tuatas. They're from like the same little town. Allegedly, 233 00:13:21,920 --> 00:13:26,439 Speaker 1: my my mom knew his mother. It's like it's like 234 00:13:26,480 --> 00:13:27,920 Speaker 1: a big story in our family. 235 00:13:28,520 --> 00:13:30,480 Speaker 2: Like the our family. 236 00:13:30,240 --> 00:13:34,040 Speaker 1: Knew his mother, right, and SOEs is like a very 237 00:13:34,080 --> 00:13:36,720 Speaker 1: big deal in our in our house. And so he 238 00:13:36,800 --> 00:13:47,040 Speaker 1: famously said right, and that just it translates to like 239 00:13:47,080 --> 00:13:49,600 Speaker 1: I don't even need to say it because you can 240 00:13:49,679 --> 00:13:52,440 Speaker 1: see it, right. And so he I think very much 241 00:13:52,520 --> 00:13:54,600 Speaker 1: championed that, like I don't need to come out to 242 00:13:54,760 --> 00:14:00,200 Speaker 1: anybody I am who I am, Lokua and do what 243 00:14:00,200 --> 00:14:01,280 Speaker 1: you want with that information. 244 00:14:01,559 --> 00:14:03,800 Speaker 2: Yeah, it's like if you if you have to ask, 245 00:14:03,880 --> 00:14:06,640 Speaker 2: I can't help you exactly. If you have to ask, 246 00:14:06,679 --> 00:14:07,640 Speaker 2: you're never gonna get it. 247 00:14:07,880 --> 00:14:12,160 Speaker 1: Yeah, so very very you know, different sides of the spectrum, 248 00:14:12,400 --> 00:14:16,319 Speaker 1: different generations, same with Mealo. You know, it's like he 249 00:14:16,400 --> 00:14:19,960 Speaker 1: was so beloved in our communities and and I say 250 00:14:19,960 --> 00:14:23,000 Speaker 1: in spite of not because obviously I think like being queer, 251 00:14:23,040 --> 00:14:26,200 Speaker 1: they shouldn't love him, but considering the homophobia in our community, 252 00:14:26,280 --> 00:14:30,080 Speaker 1: Like in spite of the homophobia he was so Juan 253 00:14:30,120 --> 00:14:34,240 Speaker 1: Gavriel was so they were so beloved, beloved by our community. 254 00:14:33,800 --> 00:14:38,840 Speaker 2: Totally and so fascinating then that Ricky Martin making the 255 00:14:38,960 --> 00:14:44,040 Speaker 2: choice that no, he wants people to know because maybe 256 00:14:44,080 --> 00:14:46,560 Speaker 2: it's like, well, I don't want you to speculate. I 257 00:14:46,600 --> 00:14:49,480 Speaker 2: want to confirm it for you. Yeah, I'm proud. 258 00:14:49,680 --> 00:14:51,960 Speaker 1: Yes, and he did, and he has children and he 259 00:14:52,080 --> 00:14:55,120 Speaker 1: had he got married. He's actually getting divorced right now. 260 00:14:55,240 --> 00:14:55,800 Speaker 2: Oh no. 261 00:14:56,000 --> 00:14:58,720 Speaker 1: But you know, he he was very public about his 262 00:14:58,800 --> 00:15:02,800 Speaker 1: marriage and his children, and he very much lived that life. 263 00:15:02,840 --> 00:15:04,680 Speaker 1: And I wonder if that was part of why he 264 00:15:04,760 --> 00:15:07,440 Speaker 1: wanted to publicly address it so that he could live 265 00:15:07,520 --> 00:15:10,920 Speaker 1: with his kids and you eventually his kids and his husband. 266 00:15:11,160 --> 00:15:13,240 Speaker 2: So you go, Ricky, we love you, Ricky, we love you. 267 00:15:13,320 --> 00:15:15,280 Speaker 1: Ricky Madin. What's next? 268 00:15:15,360 --> 00:15:18,720 Speaker 2: GISSI get MTV thres in general. 269 00:15:18,520 --> 00:15:21,440 Speaker 1: A moment tell us about EMPTV thres for the youngins 270 00:15:21,440 --> 00:15:22,360 Speaker 1: that maybe listening. 271 00:15:22,560 --> 00:15:25,720 Speaker 2: We had our own TV channel, our own MTV channel 272 00:15:26,160 --> 00:15:30,760 Speaker 2: twenty four to seven, LATINX Latina and Latino Latina programming 273 00:15:31,840 --> 00:15:35,040 Speaker 2: and very coast to coast and very East coast. Yes, 274 00:15:35,240 --> 00:15:36,000 Speaker 2: MTV Thress. 275 00:15:36,080 --> 00:15:38,880 Speaker 1: I remember being very East Coast heavy and loving it. 276 00:15:38,920 --> 00:15:41,600 Speaker 2: Loving it because you know, we're over here in southern California, 277 00:15:41,640 --> 00:15:44,600 Speaker 2: We're watching MTV Thress and we're being exposed to like 278 00:15:45,000 --> 00:15:48,040 Speaker 2: Daddy Yankee, you know, and like Nina Sky. This is 279 00:15:48,080 --> 00:15:53,200 Speaker 2: that era. We're like, this was our music television where 280 00:15:53,240 --> 00:15:56,240 Speaker 2: the up and coming Latino artists, their music videos are 281 00:15:56,280 --> 00:16:01,360 Speaker 2: playing on TV. Cataluna why not iconic. I mean even 282 00:16:01,360 --> 00:16:03,640 Speaker 2: like Prima j you know their West Coast but yeah, 283 00:16:03,840 --> 00:16:08,280 Speaker 2: and so I just remember being like so into all 284 00:16:08,320 --> 00:16:10,440 Speaker 2: the New York music that was coming out, all the 285 00:16:10,440 --> 00:16:14,520 Speaker 2: Puerto Ricans making music. Cataluna is Dominican, and just like 286 00:16:14,600 --> 00:16:18,200 Speaker 2: the sound was so different, yes, than what I was 287 00:16:18,240 --> 00:16:19,680 Speaker 2: hearing over here. 288 00:16:19,880 --> 00:16:22,160 Speaker 1: Yeah, because on the flip side, you know, on this list, 289 00:16:22,200 --> 00:16:25,680 Speaker 1: we have the West Coast, you know, Latino boom, because 290 00:16:25,760 --> 00:16:28,400 Speaker 1: we've been having the Latino boom, like it's each decade 291 00:16:28,520 --> 00:16:30,960 Speaker 1: there's a Latino boom. Right. You have the Clodia Stephan era, 292 00:16:31,080 --> 00:16:34,000 Speaker 1: you have Selena, and then you have this era right 293 00:16:34,040 --> 00:16:37,000 Speaker 1: in the early two thousands where you have Baby Bash. Yeah, 294 00:16:37,000 --> 00:16:40,200 Speaker 1: you have Franky J. You have Pala DeAnda doing too 295 00:16:40,280 --> 00:16:43,000 Speaker 1: much so good. You know, like you have this era 296 00:16:43,480 --> 00:16:47,680 Speaker 1: of Latino musicians that were coming up on the West 297 00:16:47,680 --> 00:16:50,160 Speaker 1: Coast and the East coast, and they were us Latinos, 298 00:16:50,200 --> 00:16:52,520 Speaker 1: which is I think what makes it very different than 299 00:16:53,280 --> 00:16:57,240 Speaker 1: someone like Ricky Martin, right or Huangaviel obviously from Mexico. 300 00:16:58,440 --> 00:17:00,400 Speaker 1: But you had the I think for the first time 301 00:17:00,480 --> 00:17:05,119 Speaker 1: the US Latino experience on display somewhere like MTV Tres. 302 00:17:05,359 --> 00:17:09,920 Speaker 2: Yeah, really cool stuff. So MTV Tres. Also in addition 303 00:17:10,080 --> 00:17:14,679 Speaker 2: to the music and the music videos, there was like 304 00:17:14,840 --> 00:17:19,160 Speaker 2: reality TV programming on MTV Thres. So, like specifically, Kerto 305 00:17:19,200 --> 00:17:25,239 Speaker 2: Miskin says, phenomenal show, iconic show, and really interesting the 306 00:17:25,280 --> 00:17:28,360 Speaker 2: way that like we would see different types of Quen 307 00:17:28,440 --> 00:17:31,520 Speaker 2: signeras depending on where they were in the country. I 308 00:17:31,600 --> 00:17:34,919 Speaker 2: remember one episode specifically where at the King Signira she 309 00:17:34,960 --> 00:17:38,879 Speaker 2: wanted to wear her white botas under her dress and 310 00:17:38,920 --> 00:17:41,400 Speaker 2: then she had her dad pick her up and take 311 00:17:41,480 --> 00:17:45,600 Speaker 2: her in her dad's like gigantic truck, you know, and 312 00:17:45,640 --> 00:17:48,080 Speaker 2: like that was like her special request, you know. And 313 00:17:48,119 --> 00:17:51,200 Speaker 2: I just remember that being like, Okay, she's making very 314 00:17:51,200 --> 00:17:54,479 Speaker 2: different choices than I would have made at my kinze, 315 00:17:54,640 --> 00:17:56,199 Speaker 2: but like it was cool, you know. 316 00:17:56,840 --> 00:18:00,800 Speaker 1: Yeah, Yeah, there was a there was a time in 317 00:18:00,880 --> 00:18:03,680 Speaker 1: the early two thousands where it's like Latinos were cool, 318 00:18:04,080 --> 00:18:07,680 Speaker 1: you know, where our stuff was being funded. And then 319 00:18:07,720 --> 00:18:10,119 Speaker 1: I think we're obviously living through that right now again, 320 00:18:10,840 --> 00:18:13,080 Speaker 1: and it's kind of just preparing I don't want to 321 00:18:13,080 --> 00:18:15,520 Speaker 1: say for the fall, but it's just there's the way 322 00:18:15,560 --> 00:18:18,560 Speaker 1: culture moves is that ebb and flow. And right now 323 00:18:18,600 --> 00:18:21,720 Speaker 1: we have you know, someone like Beso Bluema performing at 324 00:18:21,720 --> 00:18:25,560 Speaker 1: the VMA's the first Mexican regional singer to perform, and 325 00:18:25,680 --> 00:18:28,880 Speaker 1: so you know, I hope that it last and it stays. 326 00:18:29,920 --> 00:18:32,159 Speaker 1: But you know, I mean, we've been here obviously and 327 00:18:32,200 --> 00:18:34,480 Speaker 1: we will continue to be here. But it's very interesting 328 00:18:34,560 --> 00:18:37,840 Speaker 1: to then look at the early two thousands see those artists, 329 00:18:37,880 --> 00:18:40,840 Speaker 1: like why didn't Paula DeAnda blow up the way she 330 00:18:40,880 --> 00:18:43,280 Speaker 1: should have? Why didn't Franky j and Baby Bash have 331 00:18:43,359 --> 00:18:46,040 Speaker 1: bigger careers than they did? They were huge and hot 332 00:18:46,119 --> 00:18:48,800 Speaker 1: at that moment, But like what happened? You know what 333 00:18:48,880 --> 00:18:52,000 Speaker 1: I mean? Was it for management? Was it the record labels? 334 00:18:52,040 --> 00:18:54,639 Speaker 1: Like I'm sure there's a lot at question here, but 335 00:18:55,040 --> 00:18:57,320 Speaker 1: it does make me wonder, like why aren't these folks, 336 00:18:57,720 --> 00:18:59,560 Speaker 1: why didn't they blow up the way they should have? 337 00:19:00,359 --> 00:19:02,320 Speaker 1: Like the way a gott o ge is now right, 338 00:19:02,400 --> 00:19:03,439 Speaker 1: the way a Bad Bunny did. 339 00:19:05,080 --> 00:19:10,600 Speaker 2: Yeah, it's really fascinating. It's like, on the one hand, 340 00:19:10,640 --> 00:19:14,920 Speaker 2: I wonder sometimes some artists, like a Beyonce for example, 341 00:19:15,760 --> 00:19:20,440 Speaker 2: I feel like Beyonce has so much, so many ideas 342 00:19:20,480 --> 00:19:23,880 Speaker 2: in her head, like she has to make them a reality, right, 343 00:19:24,040 --> 00:19:26,240 Speaker 2: Like I don't think she can hold that stuff in, 344 00:19:26,920 --> 00:19:29,800 Speaker 2: you know, Like she's that type of artist that she 345 00:19:29,920 --> 00:19:34,080 Speaker 2: has an inspired idea, it must be executed upon. And 346 00:19:34,119 --> 00:19:36,720 Speaker 2: I just don't think that everybody has that, right. I 347 00:19:36,760 --> 00:19:40,760 Speaker 2: think some artists truly have like that killer that one 348 00:19:40,840 --> 00:19:45,360 Speaker 2: killer album, those two killer albums, and that's like what 349 00:19:45,440 --> 00:19:48,640 Speaker 2: they have to share with the world, and like that's okay, yeah, 350 00:19:48,680 --> 00:19:50,600 Speaker 2: you know. And so sometimes with some of these artists, 351 00:19:50,640 --> 00:19:53,399 Speaker 2: I wonder like, was it like at the time, like 352 00:19:53,440 --> 00:19:55,840 Speaker 2: that's what they wanted to do, but they're not so 353 00:19:56,000 --> 00:19:59,239 Speaker 2: pressed to keep making music, you know, or is it 354 00:19:59,320 --> 00:20:02,639 Speaker 2: like you said, like the management drops them, the funding's 355 00:20:02,680 --> 00:20:06,840 Speaker 2: not there, like the support's not there. I sometimes with artists, 356 00:20:06,840 --> 00:20:09,560 Speaker 2: I'm like, I'm like, maybe that was all they wanted 357 00:20:09,600 --> 00:20:10,879 Speaker 2: to do, you know. 358 00:20:11,200 --> 00:20:13,800 Speaker 1: Yeah, I mean clearly not everyone can be Beyonce, right. 359 00:20:13,840 --> 00:20:16,320 Speaker 1: I don't expect like Paula Deander to have like a 360 00:20:16,359 --> 00:20:20,040 Speaker 1: prolific career in the same way Beyonce did. No shade 361 00:20:20,040 --> 00:20:21,879 Speaker 1: to Paula. I love her doing too much was on 362 00:20:21,920 --> 00:20:25,280 Speaker 1: my MySpace for months, you know, I and I follow her. 363 00:20:25,359 --> 00:20:29,120 Speaker 1: She's like still around she posts. She posts, She's not 364 00:20:29,240 --> 00:20:32,040 Speaker 1: like making music in the same way, at least not yet. 365 00:20:32,560 --> 00:20:34,919 Speaker 1: But yeah, those are things that make me that I question, 366 00:20:35,480 --> 00:20:38,959 Speaker 1: you know, what what happened? Was it they all collectively 367 00:20:39,000 --> 00:20:41,679 Speaker 1: didn't want to keep making music, Like I don't I 368 00:20:41,720 --> 00:20:43,840 Speaker 1: feel like maybe one of them, but all of them, 369 00:20:43,920 --> 00:20:45,520 Speaker 1: I don't know, there were a lot, there were more. 370 00:20:45,560 --> 00:20:46,959 Speaker 1: These are just a couple that I mentioned. 371 00:20:46,960 --> 00:20:49,800 Speaker 2: But well, also like baby Bash and Franky J. Like 372 00:20:49,920 --> 00:20:53,520 Speaker 2: they occasionally still day tours, they still perform. 373 00:20:53,640 --> 00:20:55,480 Speaker 1: I don't know if they put on new music though, 374 00:20:55,480 --> 00:20:58,000 Speaker 1: like they're performing their old hits which we love, which 375 00:20:58,000 --> 00:21:01,840 Speaker 1: we love. Like Baby Bash was, he was he was 376 00:21:02,000 --> 00:21:04,439 Speaker 1: very much not the same type of career. But do 377 00:21:04,440 --> 00:21:08,000 Speaker 1: you remember like at one point in Pipule's career he 378 00:21:08,200 --> 00:21:09,800 Speaker 1: was like mister three or five and he was on 379 00:21:10,000 --> 00:21:13,240 Speaker 1: every song. It was like baby Bash had that moment too, 380 00:21:13,240 --> 00:21:14,640 Speaker 1: where she was on every song. 381 00:21:14,880 --> 00:21:18,320 Speaker 2: Yeah, yeah, he he did like a guest verse yes 382 00:21:18,560 --> 00:21:21,040 Speaker 2: for a lot of people. Yes, And we were similarly 383 00:21:21,119 --> 00:21:23,400 Speaker 2: in high school Baby Bash with they were playing baby 384 00:21:23,440 --> 00:21:26,960 Speaker 2: Bash at the party's chancellors. We were we were grinding 385 00:21:26,960 --> 00:21:28,680 Speaker 2: to baby Bash left and right. 386 00:21:28,960 --> 00:21:34,240 Speaker 1: So good, so good. Give them all their flowers next. 387 00:21:35,640 --> 00:21:40,920 Speaker 2: Okay, so we want to shout out Zoe Saldania. Yeah, yes, 388 00:21:41,240 --> 00:21:44,000 Speaker 2: she technically has an enna over her end in her name. 389 00:21:44,119 --> 00:21:49,640 Speaker 2: She changed it, she did change it. But so Zoe. 390 00:21:49,920 --> 00:21:53,560 Speaker 2: She has had a very long and storied career as well. 391 00:21:54,280 --> 00:21:57,760 Speaker 2: And I remember for seeing Zoe acting in Center Stage. 392 00:21:57,800 --> 00:22:00,959 Speaker 2: She plays a ballerina that is sort of like this 393 00:22:01,119 --> 00:22:04,119 Speaker 2: really great ballet drama. If you've never seen Center Stage, 394 00:22:04,359 --> 00:22:08,240 Speaker 2: definitely watch it. And it's cool to see Zoe now 395 00:22:08,400 --> 00:22:12,720 Speaker 2: like racking up all these huge roles in like she's 396 00:22:12,720 --> 00:22:13,879 Speaker 2: a Marvel star. 397 00:22:14,359 --> 00:22:17,360 Speaker 1: Yes, she plays Gomara in Marvel. And she's also famously 398 00:22:17,400 --> 00:22:18,040 Speaker 1: an Avatar. 399 00:22:18,520 --> 00:22:25,040 Speaker 2: Yes, I mean she has led these huge movie franchises, 400 00:22:25,800 --> 00:22:29,159 Speaker 2: and I just think that she's one of those actors 401 00:22:29,320 --> 00:22:31,879 Speaker 2: who gets these big parts. But I don't think that 402 00:22:31,960 --> 00:22:35,200 Speaker 2: she necessarily gets all the accolades that she deserves, right, 403 00:22:35,600 --> 00:22:38,960 Speaker 2: you know, like she gets cast, but I don't think 404 00:22:39,000 --> 00:22:42,720 Speaker 2: that the fanfare is there as much as it could 405 00:22:42,720 --> 00:22:45,080 Speaker 2: be or as it should be. And I find it 406 00:22:45,160 --> 00:22:49,080 Speaker 2: interesting sort of that dynamic with Zoe because she has 407 00:22:49,160 --> 00:22:51,280 Speaker 2: been in such like major projects. 408 00:22:51,560 --> 00:22:55,040 Speaker 1: The first time that I saw Zoe Saldana act was 409 00:22:55,119 --> 00:22:59,880 Speaker 1: in the film Crossroads. Yeah, Britney Spears I think first film, 410 00:23:00,560 --> 00:23:03,920 Speaker 1: and I thought she was incredible, both of them, right, 411 00:23:04,000 --> 00:23:07,639 Speaker 1: but Zoe in particular, right, she just performed so well. 412 00:23:07,680 --> 00:23:10,720 Speaker 1: And that's one of my favorite movies from childhood is Crossroads. 413 00:23:10,880 --> 00:23:11,440 Speaker 2: Iconic film. 414 00:23:11,520 --> 00:23:13,840 Speaker 1: It was so good because Britney Spears was obviously Britney 415 00:23:13,840 --> 00:23:17,919 Speaker 1: Spears at that time was like, you know, heyday, yeah, 416 00:23:17,960 --> 00:23:20,199 Speaker 1: you know, and then Zoe's Saldana was like just starting 417 00:23:20,240 --> 00:23:22,879 Speaker 1: I feel, probably early in her career at least, and 418 00:23:23,040 --> 00:23:23,960 Speaker 1: just really loving her. 419 00:23:24,320 --> 00:23:27,639 Speaker 2: Yes, there's that iconic scene where they like do like 420 00:23:27,680 --> 00:23:30,399 Speaker 2: a karaoke contest and they're singing I love rock and 421 00:23:30,520 --> 00:23:33,680 Speaker 2: roll YEP, iconic, iconic, iconic, and then Brittany came out 422 00:23:34,000 --> 00:23:35,840 Speaker 2: with I'm not a girl, might yet a Woman's so 423 00:23:35,880 --> 00:23:38,080 Speaker 2: good to go along with the film, yes, and that 424 00:23:38,160 --> 00:23:41,920 Speaker 2: music video yes, but yeah, Zoe was in it. Incredible. 425 00:23:42,000 --> 00:23:43,600 Speaker 2: I mean, yeah, she's been in a lot of like 426 00:23:43,680 --> 00:23:46,040 Speaker 2: really seminal work she has. 427 00:23:46,200 --> 00:23:49,400 Speaker 1: She has shout out Zoe Saldana next on the list 428 00:23:49,600 --> 00:23:53,760 Speaker 1: I wanted to bring to the table. When Selena being 429 00:23:53,840 --> 00:24:15,280 Speaker 1: interviewed by Christina the Christina said the sequatro instead, it 430 00:24:15,640 --> 00:24:19,840 Speaker 1: is a text mex queen. I love her and I 431 00:24:20,320 --> 00:24:23,000 Speaker 1: love and the thing is, like, you know, she's a 432 00:24:23,040 --> 00:24:26,359 Speaker 1: good example of how we should treat, you know, folks 433 00:24:26,440 --> 00:24:28,919 Speaker 1: that are trying to speak Spanish, because on in that 434 00:24:29,000 --> 00:24:31,680 Speaker 1: interview she handled it so gracefully and Cristina was so 435 00:24:31,800 --> 00:24:33,920 Speaker 1: nice about it, you know what I mean, someone else 436 00:24:33,960 --> 00:24:38,199 Speaker 1: could have been like what, but no, she was like 437 00:24:41,480 --> 00:24:44,800 Speaker 1: and she laughed and the audience laughed and Cristina laughed, 438 00:24:44,880 --> 00:24:50,679 Speaker 1: and it was like people were just so like that. 439 00:24:50,840 --> 00:24:53,080 Speaker 1: It just you just couldn't be mean to her, you 440 00:24:53,119 --> 00:24:54,879 Speaker 1: know what I mean, Like it was she just again 441 00:24:54,960 --> 00:24:57,439 Speaker 1: another beloved Obviously, I can't that we've talked about so 442 00:24:57,600 --> 00:24:58,320 Speaker 1: much on the show. 443 00:24:58,480 --> 00:25:01,960 Speaker 2: Totally. Selina was very charming. Yes, like, how can you 444 00:25:02,000 --> 00:25:03,080 Speaker 2: get mad at her for anything? 445 00:25:03,119 --> 00:25:03,400 Speaker 1: You can? 446 00:25:03,680 --> 00:25:08,320 Speaker 2: You can't? What next? Okay, this is an iconic throwback. 447 00:25:08,359 --> 00:25:11,920 Speaker 2: This is a deep cut that one interview where Beyonce 448 00:25:12,040 --> 00:25:16,160 Speaker 2: talks about seeing Selena at the mall in Texas as 449 00:25:16,200 --> 00:25:19,440 Speaker 2: a child and that being like a formative memory. Yes, 450 00:25:19,840 --> 00:25:22,160 Speaker 2: I love that tidbit. I love that story. I love 451 00:25:22,240 --> 00:25:25,840 Speaker 2: that idea of Beyonce being like a young bee and 452 00:25:25,920 --> 00:25:28,359 Speaker 2: Selena is there. She was either performing or doing a 453 00:25:28,400 --> 00:25:31,600 Speaker 2: meet and greet. But the idea of them crossing paths 454 00:25:31,640 --> 00:25:33,760 Speaker 2: in that way is like really lovely to me. 455 00:25:34,600 --> 00:25:40,119 Speaker 1: Yeah, because I feel like every artist, global artists, big 456 00:25:40,200 --> 00:25:44,439 Speaker 1: artist right from Texas really always does mention Selena, like 457 00:25:44,480 --> 00:25:47,000 Speaker 1: if they've come after her or even before her, they 458 00:25:47,080 --> 00:25:51,439 Speaker 1: always mention her and Beyonce famously obviously from Texas. And 459 00:25:51,520 --> 00:25:53,240 Speaker 1: so there's that overlap in that way. 460 00:25:53,600 --> 00:25:57,120 Speaker 2: Yeah, I mean Selena, I mean Texas is Selena country, right, 461 00:25:57,240 --> 00:26:01,600 Speaker 2: Like that's just a fact. That's next. This is another 462 00:26:01,640 --> 00:26:05,200 Speaker 2: deep cut. So you guys remember, oh my god, the 463 00:26:05,240 --> 00:26:09,679 Speaker 2: era of the Yo Kiero Taco Bell Chihuahua because he 464 00:26:09,800 --> 00:26:10,600 Speaker 2: was a superstar. 465 00:26:11,000 --> 00:26:27,160 Speaker 4: He was, it was a phenomenon, Yo Kiddle Taco Bell. 466 00:26:33,320 --> 00:26:37,399 Speaker 1: Yes, I don't remember ever eating a Taco Bell, but 467 00:26:37,520 --> 00:26:40,520 Speaker 1: I remember having all the dogs I like, because they 468 00:26:40,600 --> 00:26:43,160 Speaker 1: used to give them away like in the little meals. 469 00:26:43,600 --> 00:26:45,199 Speaker 1: I don't know if you could buy them separately, but 470 00:26:45,240 --> 00:26:48,119 Speaker 1: I somehow had a bunch of them, and there was 471 00:26:48,160 --> 00:26:50,480 Speaker 1: like the little chihuahua with like the little rose in 472 00:26:50,520 --> 00:26:53,320 Speaker 1: his mouth. I remember that one specifically, and I had 473 00:26:53,320 --> 00:26:55,439 Speaker 1: a bunch of them because I've always been obsessed with 474 00:26:55,520 --> 00:26:59,359 Speaker 1: dogs and stuffed animals. Also, and so the chihuahua was 475 00:26:59,440 --> 00:27:02,800 Speaker 1: definitely core memory for me growing up. He was his 476 00:27:02,920 --> 00:27:06,840 Speaker 1: own he deserves his own recognition during Latino Heritage months. 477 00:27:06,840 --> 00:27:09,399 Speaker 2: And there were a lot of different commercials, Like he 478 00:27:09,520 --> 00:27:12,360 Speaker 2: was on TV for very it was probably different dogs, right, 479 00:27:12,600 --> 00:27:17,000 Speaker 2: but the figure right was on TV for a long time. 480 00:27:17,280 --> 00:27:19,840 Speaker 2: There was all kinds of merge I remember we had 481 00:27:19,880 --> 00:27:22,359 Speaker 2: one that like you pressed the paw and it says 482 00:27:22,440 --> 00:27:24,480 Speaker 2: you'll get a Taco bell an era. 483 00:27:25,560 --> 00:27:30,120 Speaker 1: So the Taco Bell Chihuahua is actually named Gidget and 484 00:27:30,440 --> 00:27:31,840 Speaker 1: he lived fifteen years. 485 00:27:31,880 --> 00:27:32,480 Speaker 2: Oh my god. 486 00:27:32,560 --> 00:27:35,359 Speaker 1: And so it was only he was the mascot for 487 00:27:35,560 --> 00:27:39,960 Speaker 1: the Taco Bell Chihuahua. So the Taco Bell Chihuahua actually 488 00:27:40,200 --> 00:27:44,760 Speaker 1: is named Gidget, and she became the mascot for Taco 489 00:27:44,800 --> 00:27:48,040 Speaker 1: Bell from ninety seven to two thousand and she was 490 00:27:48,160 --> 00:27:53,480 Speaker 1: voiced by Carlos Alaaski and lived a very long life 491 00:27:53,520 --> 00:27:57,879 Speaker 1: fifteen years. This little chihuahua lived fifteen years, and you 492 00:27:57,880 --> 00:28:00,600 Speaker 1: know had her little career for three of those years. 493 00:28:00,640 --> 00:28:04,600 Speaker 2: Gidget worked longer than a lot of actors. That's a 494 00:28:04,640 --> 00:28:05,200 Speaker 2: long career. 495 00:28:05,320 --> 00:28:07,600 Speaker 1: That is a long career career. 496 00:28:07,840 --> 00:28:11,200 Speaker 2: Yes, that is Gidget is Latino history. I'm so glad 497 00:28:11,200 --> 00:28:14,040 Speaker 2: we brought when you brought this up, because really like 498 00:28:14,320 --> 00:28:18,160 Speaker 2: she was a celebrity. Yeah, and people would quote, you'll 499 00:28:18,160 --> 00:28:20,720 Speaker 2: get a Taco Bell. Yes, it was a thing. 500 00:28:20,680 --> 00:28:21,720 Speaker 1: That was their slogan. 501 00:28:22,280 --> 00:28:22,600 Speaker 2: Yeah. 502 00:28:22,720 --> 00:28:24,840 Speaker 1: I don't really know what Taco Bell does now. I 503 00:28:24,880 --> 00:28:27,200 Speaker 1: mean I kind of follow them what they do, yeah, 504 00:28:27,240 --> 00:28:29,439 Speaker 1: a little bit, because they've collabed with some people that 505 00:28:29,480 --> 00:28:33,160 Speaker 1: we know, but I like, I don't. I don't think 506 00:28:33,160 --> 00:28:35,400 Speaker 1: they have like a mascot the way you know, they 507 00:28:35,440 --> 00:28:37,320 Speaker 1: just face. I wonder why they phased it out, but 508 00:28:37,440 --> 00:28:40,000 Speaker 1: I remember like being obsessed with the little chihuahua. 509 00:28:40,160 --> 00:28:42,320 Speaker 2: I wonder do you think there was Do you think 510 00:28:42,360 --> 00:28:44,800 Speaker 2: there was backlash from the Latino community? 511 00:28:44,880 --> 00:28:50,280 Speaker 1: Oh god, I mean maybe, who knows. We'll have to 512 00:28:50,280 --> 00:28:53,520 Speaker 1: do further research on this, y'all, but we remember. 513 00:28:53,960 --> 00:28:57,400 Speaker 2: I remember I remember that time fondly me too. 514 00:28:57,560 --> 00:29:00,000 Speaker 1: I remember exactly where I lived, and I remember exactly 515 00:29:00,120 --> 00:29:02,440 Speaker 1: which Taco Bell we would drive too, And I don't 516 00:29:02,480 --> 00:29:04,960 Speaker 1: remember eating there, which drives me crazy. I don't think 517 00:29:04,960 --> 00:29:07,440 Speaker 1: we actually ate there because that was not a food 518 00:29:07,520 --> 00:29:10,120 Speaker 1: that was like you know, like every family has their 519 00:29:10,160 --> 00:29:13,640 Speaker 1: like fast food approved locations, right, and Taco Bell was 520 00:29:13,680 --> 00:29:16,320 Speaker 1: not one of them. So I never remember actually eating 521 00:29:16,360 --> 00:29:19,280 Speaker 1: the food, but somehow I always had dogs, totally a 522 00:29:19,360 --> 00:29:20,200 Speaker 1: little toy dogs. 523 00:29:20,280 --> 00:29:22,600 Speaker 2: You found a way you were gonna get your hands 524 00:29:22,640 --> 00:29:25,040 Speaker 2: on the merge. Yes, we were more of a Dell 525 00:29:25,120 --> 00:29:27,080 Speaker 2: taco family ourselves. 526 00:29:27,080 --> 00:29:28,080 Speaker 5: Okay, not that. 527 00:29:29,960 --> 00:29:32,960 Speaker 2: I think the Hardshell tacos are very different. I will 528 00:29:33,000 --> 00:29:39,040 Speaker 2: say that. And then of course, like is it Jack 529 00:29:39,160 --> 00:29:44,280 Speaker 2: and then Jack in the Box specifically for the monster tacos? Right, yeah, 530 00:29:44,320 --> 00:29:46,080 Speaker 2: so it kind of I think it like it depends 531 00:29:46,080 --> 00:29:49,920 Speaker 2: for us. It depended on like what type of trash taco? Okay, 532 00:29:50,040 --> 00:29:51,520 Speaker 2: and then you go to those places. 533 00:29:51,520 --> 00:29:55,040 Speaker 1: Accordingly, we were like never allowed to eat trash tacos. 534 00:29:55,280 --> 00:29:58,680 Speaker 1: But I will share that at the like final years 535 00:29:58,800 --> 00:30:01,320 Speaker 1: of my grandfather's life, I've actually never really talked about 536 00:30:01,360 --> 00:30:04,400 Speaker 1: on this show, but he was like my father figure. 537 00:30:04,560 --> 00:30:08,080 Speaker 1: He lived with us, and he at the eck towards 538 00:30:08,120 --> 00:30:10,640 Speaker 1: the end of his life, the final like maybe five years. 539 00:30:10,760 --> 00:30:14,080 Speaker 1: He really loved the Jack in the Box tacos so good, 540 00:30:14,440 --> 00:30:16,640 Speaker 1: and we didn't really like them. But we had a 541 00:30:16,720 --> 00:30:18,400 Speaker 1: Jack in the Box near us, and so he would 542 00:30:18,400 --> 00:30:20,240 Speaker 1: walk there because he no longer drove, and so he 543 00:30:20,240 --> 00:30:22,440 Speaker 1: would walk there and he'd come back with a bag 544 00:30:22,600 --> 00:30:25,040 Speaker 1: full of thackles from Jack in the Box and we 545 00:30:25,080 --> 00:30:26,960 Speaker 1: would all eat them because he would go and get 546 00:30:26,960 --> 00:30:30,160 Speaker 1: them for us, and he loved them. So sometimes during 547 00:30:30,160 --> 00:30:32,360 Speaker 1: the ye little mottos we got, we buy the thacles 548 00:30:32,360 --> 00:30:33,680 Speaker 1: and we put them on our little out of that. 549 00:30:33,960 --> 00:30:37,720 Speaker 1: But for some reason, like my grandfather loved those tacles, 550 00:30:37,760 --> 00:30:40,320 Speaker 1: at some point they hit, Yeah. 551 00:30:40,040 --> 00:30:44,160 Speaker 2: They hit. They're real good. So that's that's Taco Bell, 552 00:30:44,240 --> 00:30:49,160 Speaker 2: that's del Taco. What's next. I love the clip of 553 00:30:49,280 --> 00:30:52,760 Speaker 2: Rosie Perez dancing on Soul Train. Every once in a 554 00:30:52,800 --> 00:30:56,320 Speaker 2: while that clip goes kind of viral and becomes kind 555 00:30:56,360 --> 00:31:01,080 Speaker 2: of nemified. Yes, and Rosie is just so hot. She's 556 00:31:01,120 --> 00:31:04,640 Speaker 2: so cute, she's so fun, she has such presence. I 557 00:31:04,680 --> 00:31:07,160 Speaker 2: love Rosie. I love her acting. I love her and 558 00:31:07,240 --> 00:31:10,760 Speaker 2: white men Can't Jump. I love her in do the 559 00:31:10,800 --> 00:31:13,800 Speaker 2: Right Thing, Spike Lee. She's one of my favorites. 560 00:31:14,280 --> 00:31:17,120 Speaker 1: I feel like I've seen her involved more at least online, 561 00:31:17,280 --> 00:31:19,200 Speaker 1: and not to say she hasn't always been, but I've 562 00:31:19,200 --> 00:31:23,080 Speaker 1: seen her more online. Be very present in these like 563 00:31:23,160 --> 00:31:28,240 Speaker 1: cultural movement conversations that are happening specifically on the East Coast. 564 00:31:28,720 --> 00:31:33,320 Speaker 2: Totally. And I think Rosie Prez because of how long 565 00:31:33,400 --> 00:31:36,360 Speaker 2: she's been acting and you know she I think Rosie 566 00:31:36,360 --> 00:31:41,600 Speaker 2: definitely made space for somebody like Cardi B. Because of 567 00:31:41,800 --> 00:31:44,880 Speaker 2: her presence and her accent and the way she talks 568 00:31:44,880 --> 00:31:47,440 Speaker 2: and the way she carries herself. I think that she 569 00:31:47,680 --> 00:31:50,520 Speaker 2: kind of prepped the public for somebody like Cardi B 570 00:31:50,880 --> 00:31:55,880 Speaker 2: to come along. And I've heard different comedians talk about 571 00:31:56,000 --> 00:32:01,560 Speaker 2: Rosie Prez as like their first introduction to Afro Latinos 572 00:32:01,680 --> 00:32:06,000 Speaker 2: and Puerto Ricans, especially coming from like West Coast like 573 00:32:06,240 --> 00:32:10,400 Speaker 2: La Like White or Latino comics like I've heard them 574 00:32:10,480 --> 00:32:13,200 Speaker 2: talk about Rosie Prez. So I think that she did 575 00:32:13,400 --> 00:32:15,440 Speaker 2: that for a lot of people. 576 00:32:15,760 --> 00:32:18,840 Speaker 1: For sure. She's the blueprint in so many ways. And 577 00:32:18,880 --> 00:32:23,360 Speaker 1: speaking of Cardi B, I mean this girl, Yeah, a 578 00:32:23,400 --> 00:32:28,160 Speaker 1: woman came up like in reality TV, right love and 579 00:32:28,240 --> 00:32:28,680 Speaker 1: hip hop. 580 00:32:29,080 --> 00:32:32,120 Speaker 2: I remember following Carti she was still dancing, she was 581 00:32:32,160 --> 00:32:34,800 Speaker 2: still in the clubs, and she was getting a lot 582 00:32:34,840 --> 00:32:39,880 Speaker 2: of traction on Instagram and I remember people talking about 583 00:32:39,880 --> 00:32:42,080 Speaker 2: her and at the time her handle was Cardi Bebe 584 00:32:43,040 --> 00:32:46,080 Speaker 2: and she would just post like just hilarious clips of 585 00:32:46,120 --> 00:32:49,600 Speaker 2: herself just saying the most off the cuff wild things, 586 00:32:50,160 --> 00:32:54,440 Speaker 2: and so she really gained traction for me online because 587 00:32:54,480 --> 00:32:58,320 Speaker 2: of her her jokes and like her stories and just 588 00:32:58,560 --> 00:33:01,200 Speaker 2: her her way of talking, in her way of being. 589 00:33:01,760 --> 00:33:05,200 Speaker 2: And then she was cast on Love and Hip Hop 590 00:33:05,200 --> 00:33:07,680 Speaker 2: New York. I would watch her, and this is back 591 00:33:07,680 --> 00:33:11,560 Speaker 2: in the day when Love and Hip Hop was, you know, 592 00:33:11,680 --> 00:33:14,479 Speaker 2: once a week during a one hour time slot and 593 00:33:14,520 --> 00:33:16,920 Speaker 2: you have to like sit down and watch it on 594 00:33:17,080 --> 00:33:18,240 Speaker 2: TV because it's airing. 595 00:33:19,160 --> 00:33:21,479 Speaker 1: Yeah, it was not that long ago, but it just 596 00:33:22,200 --> 00:33:24,920 Speaker 1: the way we consume TV even five years ago is 597 00:33:24,960 --> 00:33:25,560 Speaker 1: so different. 598 00:33:25,920 --> 00:33:28,640 Speaker 2: Yes, yeah, And so she was on Love and Hip 599 00:33:28,640 --> 00:33:31,880 Speaker 2: Hop and Carti did what a lot of other people 600 00:33:32,000 --> 00:33:34,600 Speaker 2: have not done on Love and Hip Hop is she 601 00:33:34,680 --> 00:33:37,000 Speaker 2: got in and she got out. A lot of other 602 00:33:37,680 --> 00:33:42,280 Speaker 2: celebs have kind of stayed on Love and Hip Hop 603 00:33:42,360 --> 00:33:45,720 Speaker 2: season after season after season, and then their music has 604 00:33:45,800 --> 00:33:49,040 Speaker 2: not taken off. But Carti was on for a short 605 00:33:49,040 --> 00:33:52,640 Speaker 2: period of time. She got off, and then she puts 606 00:33:52,640 --> 00:33:57,880 Speaker 2: out Bodak Yellow, her single, right, it takes off it 607 00:33:58,080 --> 00:34:01,120 Speaker 2: like catches Fire, and it really puts her on the 608 00:34:01,280 --> 00:34:05,160 Speaker 2: map as a rapper, as a recording artist, and it's 609 00:34:05,240 --> 00:34:08,440 Speaker 2: just it's been history since then. Carti is I think 610 00:34:08,480 --> 00:34:10,319 Speaker 2: Carti is here to stay. I think Carti is someone 611 00:34:10,360 --> 00:34:13,200 Speaker 2: who has a lot of ideas, and I think she 612 00:34:13,239 --> 00:34:15,200 Speaker 2: has a lot of music in her I think she 613 00:34:15,239 --> 00:34:17,400 Speaker 2: has staying power, and I think that she's going to 614 00:34:17,400 --> 00:34:18,840 Speaker 2: continue to act as well. 615 00:34:19,200 --> 00:34:21,600 Speaker 1: I agree. I agree that she has staying power, and 616 00:34:21,640 --> 00:34:26,160 Speaker 1: that she is someone that again can be very endearing. 617 00:34:26,400 --> 00:34:28,919 Speaker 1: And I think that there's from what I've seen, two 618 00:34:28,960 --> 00:34:31,479 Speaker 1: extremes like you either love her or you don't really 619 00:34:31,560 --> 00:34:33,840 Speaker 1: like her, or you hate her totally, you know, But 620 00:34:33,920 --> 00:34:36,880 Speaker 1: I think that she can be also very endearing in 621 00:34:36,920 --> 00:34:39,279 Speaker 1: the way that she talks to her fans and the 622 00:34:39,280 --> 00:34:41,400 Speaker 1: way she shows up online, and she can also be 623 00:34:41,440 --> 00:34:42,480 Speaker 1: really real. 624 00:34:44,000 --> 00:34:47,040 Speaker 3: January twenty eighth, here in New York City your hometown? 625 00:34:47,560 --> 00:34:48,400 Speaker 4: Are you nervous? 626 00:34:48,680 --> 00:34:49,640 Speaker 2: I am nervous. 627 00:34:49,760 --> 00:34:51,040 Speaker 1: You want to know something? 628 00:34:51,520 --> 00:34:56,040 Speaker 2: You want to know something? Yeah? 629 00:34:56,360 --> 00:34:58,280 Speaker 5: Yes, I already feel like a winner. 630 00:34:58,680 --> 00:35:00,880 Speaker 4: Yeah, comes because. 631 00:35:00,640 --> 00:35:06,520 Speaker 2: This is I never thought me you already are. 632 00:35:07,320 --> 00:35:10,160 Speaker 1: I love the way she talks about sex, but she 633 00:35:10,239 --> 00:35:13,080 Speaker 1: gives us her own little sex ed talks, which I love. 634 00:35:13,280 --> 00:35:15,320 Speaker 1: You know, I'll never forget when she posted a video 635 00:35:15,360 --> 00:35:18,520 Speaker 1: that was like, your your pH balance is fucked up 636 00:35:18,520 --> 00:35:21,640 Speaker 1: because you're not brushing your teeth before having sex. Your 637 00:35:21,640 --> 00:35:23,000 Speaker 1: man is going to go down on you. He just 638 00:35:23,040 --> 00:35:25,880 Speaker 1: had a bacon, egg and cheese. Yes. I remember literally 639 00:35:25,960 --> 00:35:28,200 Speaker 1: showing that to my mom, and my mom was like, 640 00:35:28,400 --> 00:35:31,600 Speaker 1: she's right, She's not wrong, She's not wrong. And it's 641 00:35:31,640 --> 00:35:34,160 Speaker 1: like those are the things that for me, aside from 642 00:35:34,160 --> 00:35:37,239 Speaker 1: her music, because I do really love her music, is 643 00:35:37,280 --> 00:35:39,279 Speaker 1: like the way she talks to us and the way 644 00:35:39,320 --> 00:35:41,560 Speaker 1: she makes things really accessible for people that are not 645 00:35:41,600 --> 00:35:44,000 Speaker 1: gonna are not gonna think about those things like wait, 646 00:35:44,000 --> 00:35:45,640 Speaker 1: why is my pH balance off? 647 00:35:45,719 --> 00:35:49,400 Speaker 2: You know, and CARTI. I think her politics tend to 648 00:35:49,480 --> 00:35:51,040 Speaker 2: be on point and spawn on. 649 00:35:51,800 --> 00:35:55,040 Speaker 1: There's a reason Bernie Sanders interviewed with her. 650 00:35:55,239 --> 00:35:59,839 Speaker 2: Yes, she's she is politically liberal and left leaning. She 651 00:36:00,120 --> 00:36:05,759 Speaker 2: is unapologetically pro black in her own like identity and 652 00:36:05,800 --> 00:36:07,839 Speaker 2: in her politics and the way that she talks. And 653 00:36:07,880 --> 00:36:12,239 Speaker 2: she's you know, undoubtedly a feminist. I mean, she's definitely 654 00:36:12,320 --> 00:36:16,880 Speaker 2: a firm feminist, and I think that it's present in 655 00:36:16,920 --> 00:36:19,640 Speaker 2: her music. I mean when she she when Cardi and 656 00:36:19,680 --> 00:36:21,520 Speaker 2: Megan the Stallion put out wop. 657 00:36:22,800 --> 00:36:23,960 Speaker 1: They covered that also. 658 00:36:24,080 --> 00:36:27,040 Speaker 2: Yeah, so go back, go back and listen, because again, 659 00:36:27,200 --> 00:36:30,839 Speaker 2: paradigm shifting, earth shattering a bop. 660 00:36:30,960 --> 00:36:33,760 Speaker 1: Yeah, that's so true. There was like Cardi b before Wop, 661 00:36:33,840 --> 00:36:36,799 Speaker 1: Megan the Stallion before Wop and then Post Yeah you 662 00:36:36,840 --> 00:36:41,840 Speaker 1: know because not only was the song like groundbreaking, game changing, 663 00:36:41,920 --> 00:36:45,840 Speaker 1: but the music video you know the way. Yes, just 664 00:36:46,080 --> 00:36:47,680 Speaker 1: and they recently collabed again. 665 00:36:47,600 --> 00:36:51,080 Speaker 2: On Bongos, their new song. They performed that at the 666 00:36:51,080 --> 00:36:55,239 Speaker 2: They performed Bongos at the VMA's are bisexual queens? Yes, yeah, 667 00:36:55,280 --> 00:36:58,040 Speaker 2: we love them. They're killing it and I love them together. 668 00:36:58,160 --> 00:37:00,680 Speaker 2: I can see Cardi and Meghan like starring in a 669 00:37:00,680 --> 00:37:01,760 Speaker 2: buddy comedy together. 670 00:37:01,920 --> 00:37:03,000 Speaker 5: Yes, I can see that. 671 00:37:03,080 --> 00:37:04,879 Speaker 2: I can see them acting, and I hope that they 672 00:37:04,880 --> 00:37:07,440 Speaker 2: continue to make music together because I just love I 673 00:37:07,480 --> 00:37:11,640 Speaker 2: love them together. I can give me pats what's next? Okay. 674 00:37:11,719 --> 00:37:15,399 Speaker 2: One of my favorite moments in Latian history is John 675 00:37:15,480 --> 00:37:18,880 Speaker 2: Leguizamo as chee Chy and two Long Food Things for Everything, 676 00:37:19,080 --> 00:37:23,640 Speaker 2: Julie Newmar. If you have never seen this movie, John 677 00:37:23,719 --> 00:37:29,919 Speaker 2: Leguizamo acting opposite Wesley Snipes and Patrick Swayzee and all 678 00:37:29,960 --> 00:37:35,520 Speaker 2: three of them are in drag and John just hilarious, 679 00:37:36,000 --> 00:37:42,360 Speaker 2: very feminine, very believable, very charismatic. Just one of my 680 00:37:42,440 --> 00:37:46,360 Speaker 2: favorite roles ever from John and he in the past, 681 00:37:46,760 --> 00:37:50,400 Speaker 2: he's done Broadway, he's done one man shows, and he 682 00:37:50,520 --> 00:37:54,879 Speaker 2: often performs in drag. He has a number of characters 683 00:37:54,920 --> 00:37:57,439 Speaker 2: that he embodies on stage and he's very very good 684 00:37:57,480 --> 00:38:02,560 Speaker 2: at it. So yeah, I think Withzamo also, like is 685 00:38:02,680 --> 00:38:06,160 Speaker 2: very interesting because in the past, I think he used 686 00:38:06,160 --> 00:38:09,680 Speaker 2: to like publicly identify as Puerto Rican. He's not. 687 00:38:09,960 --> 00:38:12,920 Speaker 1: I was gonna say, that's my favorite LATINX history moment 688 00:38:13,239 --> 00:38:16,520 Speaker 1: is John Leguizamo used to identify as Puerto Rican, but 689 00:38:16,560 --> 00:38:20,239 Speaker 1: he's actually Colombian. Yeah, And so I don't know, I 690 00:38:20,360 --> 00:38:24,400 Speaker 1: speculate that like at the time, Puerto Ricans there were 691 00:38:24,400 --> 00:38:26,800 Speaker 1: more Puerto Ricans in the game, you know, so people 692 00:38:26,800 --> 00:38:29,640 Speaker 1: could identify and maybe he could because I think he's 693 00:38:29,640 --> 00:38:31,920 Speaker 1: from New York too, So it was just I don't know, 694 00:38:32,040 --> 00:38:35,440 Speaker 1: I had those are my speculations. But he's actually Colombiano, 695 00:38:35,719 --> 00:38:37,480 Speaker 1: like straight up from Colombia. 696 00:38:38,040 --> 00:38:41,200 Speaker 2: So yeah, John Leguizamo shout out. We're gonna cepe it going. 697 00:38:42,080 --> 00:38:45,240 Speaker 2: Since we're talking about Colombians, let's talk about our favorite 698 00:38:45,280 --> 00:38:49,320 Speaker 2: Columbian Shakira. We're gonna we're gonna start with the most salacious, 699 00:38:49,640 --> 00:38:52,839 Speaker 2: I think the thing that has ever happened in Shakira's career, 700 00:38:52,840 --> 00:38:55,080 Speaker 2: which is when she got charged with tax evasion by 701 00:38:55,080 --> 00:38:56,040 Speaker 2: the Spanish government. 702 00:38:56,320 --> 00:38:58,200 Speaker 1: Girl, I don't know if that would be considered the 703 00:38:58,200 --> 00:39:03,759 Speaker 1: most salacious anymore, because has post Pequet, she has really 704 00:39:03,840 --> 00:39:07,799 Speaker 1: like given us the breakup anthems and has really like 705 00:39:08,080 --> 00:39:12,160 Speaker 1: publicly drag this man that he can't even go to 706 00:39:12,280 --> 00:39:17,440 Speaker 1: a club without people chanting Shakira. So you know, I 707 00:39:17,880 --> 00:39:20,879 Speaker 1: agree that at one point that was the most salacious thing, 708 00:39:21,520 --> 00:39:24,840 Speaker 1: but then you know, Bisa rap Session came out, De 709 00:39:25,280 --> 00:39:28,439 Speaker 1: Grande came out with gott g and like game changer. 710 00:39:28,680 --> 00:39:33,359 Speaker 2: And Shakira being so smart by doing that by including 711 00:39:33,600 --> 00:39:37,560 Speaker 2: the breakup like so specifically and sort of like intentionally 712 00:39:38,440 --> 00:39:41,480 Speaker 2: in the music. And she's not like, oh no, it's 713 00:39:41,520 --> 00:39:44,640 Speaker 2: not about him. She's like, no, yeah, let's go, let's 714 00:39:44,719 --> 00:39:47,040 Speaker 2: do this, let's get him. 715 00:39:47,880 --> 00:39:51,440 Speaker 1: Yes, she like made no mistakes there. And you have 716 00:39:51,520 --> 00:39:55,560 Speaker 1: to remember, Shakira is a poet, like if you remember 717 00:39:55,600 --> 00:39:59,520 Speaker 1: piaz Eskalzos, if you've ever listened to Antolohia, like, Shakira 718 00:40:00,120 --> 00:40:03,440 Speaker 1: in her heart is a poet, and you cannot fuck 719 00:40:03,480 --> 00:40:06,080 Speaker 1: with a poet because she will have the words for you. 720 00:40:06,320 --> 00:40:09,759 Speaker 2: Yeah, and she did, Yes, she really is a true songwriter. 721 00:40:10,800 --> 00:40:12,799 Speaker 2: She's not just a pop star. She's not just a 722 00:40:12,840 --> 00:40:15,719 Speaker 2: belly dancer, like, she really is a musician. 723 00:40:16,040 --> 00:40:19,799 Speaker 1: Yes, she plays multiple instruments. She's not just a vocalist. 724 00:40:20,040 --> 00:40:22,280 Speaker 1: And going back to j Loo, I mean. 725 00:40:22,160 --> 00:40:26,080 Speaker 2: Famously, famously Jlo j Loo. 726 00:40:26,480 --> 00:40:33,680 Speaker 1: Jlo has done Jayla has done this. This favorite history 727 00:40:33,680 --> 00:40:36,040 Speaker 1: moment also reminded me of another one that Jaylo did. 728 00:40:36,120 --> 00:40:38,480 Speaker 1: So let's start with the one that we have right now, 729 00:40:38,560 --> 00:40:41,680 Speaker 1: which is that she sang the national anthem at the 730 00:40:41,680 --> 00:40:44,480 Speaker 1: White House for Biden's inauguration. 731 00:40:44,080 --> 00:40:46,280 Speaker 2: The presidential inauguration. 732 00:40:46,560 --> 00:40:49,640 Speaker 1: Med lead ad libbed Let's get Loud. 733 00:40:50,080 --> 00:40:51,360 Speaker 4: Yeah, I don't know. 734 00:40:51,440 --> 00:40:53,399 Speaker 1: It was a hit or miss, depending on who you ask. 735 00:40:53,840 --> 00:40:58,600 Speaker 2: Yeah, I just Jlo is so funny, but like unintentionally funny, 736 00:40:58,719 --> 00:41:01,640 Speaker 2: Like she doesn't try. Jayala does not try to be funny. 737 00:41:01,800 --> 00:41:04,239 Speaker 1: She looked good, by the way, at that inauguration. She 738 00:41:04,320 --> 00:41:06,640 Speaker 1: will always look good no matter what she does. 739 00:41:07,239 --> 00:41:11,080 Speaker 2: Yeah, she sounded okay, I think she's saying it. She didn't. 740 00:41:11,600 --> 00:41:12,680 Speaker 1: What did they expect? 741 00:41:12,960 --> 00:41:15,920 Speaker 2: They know who she is, Yes, they've heard her music. 742 00:41:16,080 --> 00:41:18,239 Speaker 1: Yes, and we know we know what to expect. We 743 00:41:18,280 --> 00:41:21,319 Speaker 1: love her, we know what to expect. Also I will 744 00:41:21,320 --> 00:41:23,719 Speaker 1: say she I think she does speak sing better in Spanish. 745 00:41:23,840 --> 00:41:26,480 Speaker 1: Her Spanish album is I think actually good interest. 746 00:41:26,560 --> 00:41:27,239 Speaker 2: I've never heard it. 747 00:41:27,360 --> 00:41:30,480 Speaker 1: Yeah, I think honestly because Mark Anthony, the actual vocalist, 748 00:41:30,560 --> 00:41:34,320 Speaker 1: trained her, like that was post breakup with him, that album. 749 00:41:34,640 --> 00:41:36,400 Speaker 2: And yeah, I'm. 750 00:41:36,239 --> 00:41:38,600 Speaker 1: Sorry not to go on that tangent, but I do 751 00:41:38,680 --> 00:41:42,960 Speaker 1: think Mark Anthony again another icon, the actual vocalist. Yes, 752 00:41:43,000 --> 00:41:44,160 Speaker 1: I think that he trained her. 753 00:41:44,360 --> 00:41:47,279 Speaker 2: And their marriage. Maybe we can add their marriage to 754 00:41:47,320 --> 00:41:51,560 Speaker 2: this list. Yeah, the most important Latino history. I agree, 755 00:41:51,760 --> 00:41:54,040 Speaker 2: because I mean the two of them getting together, like 756 00:41:54,160 --> 00:41:54,880 Speaker 2: what a force. 757 00:41:55,320 --> 00:41:58,560 Speaker 1: And I feel like, aside from you know, their their 758 00:41:58,640 --> 00:42:01,799 Speaker 1: marriage being you know, kind of what it was. But 759 00:42:01,840 --> 00:42:04,239 Speaker 1: I think very you know, I don't know jay Low, 760 00:42:04,280 --> 00:42:07,120 Speaker 1: but very I think intentionally that this is the husband 761 00:42:07,120 --> 00:42:10,480 Speaker 1: she had children with. Oh yes, a vocalist, a singer 762 00:42:10,640 --> 00:42:13,799 Speaker 1: Puerto Rican. I you know, very much, like this is 763 00:42:13,840 --> 00:42:17,400 Speaker 1: the father of my children. Marriage or no marriage, like 764 00:42:17,680 --> 00:42:21,600 Speaker 1: this is the relationship that we'll always have. Oh yeah, and. 765 00:42:22,560 --> 00:42:25,000 Speaker 2: Yes, oh yeah she she I think, okay, because she's 766 00:42:25,000 --> 00:42:27,720 Speaker 2: been married, she's doing she's been married a bunch of times. 767 00:42:27,840 --> 00:42:29,880 Speaker 1: Yes. If there's one thing is jay Loo knows what 768 00:42:29,920 --> 00:42:32,120 Speaker 1: she's doing. She does, and I will say, because we're 769 00:42:32,160 --> 00:42:34,120 Speaker 1: talking about her vocals, and it did remind me that 770 00:42:34,200 --> 00:42:38,880 Speaker 1: she did the Celia Cruz tribute. Yes, and that I 771 00:42:38,920 --> 00:42:41,000 Speaker 1: think is also a hit or miss depending on who 772 00:42:41,040 --> 00:42:43,160 Speaker 1: you ask. People felt a lot of people felt there 773 00:42:43,160 --> 00:42:47,200 Speaker 1: shouldn't have been her. It should have been a black latina. Yeah, 774 00:42:47,239 --> 00:42:50,120 Speaker 1: it should have been someone with the vocal range. I 775 00:42:50,160 --> 00:42:52,000 Speaker 1: will say, she did perform the hell out of it. 776 00:42:52,120 --> 00:42:52,439 Speaker 2: She did. 777 00:42:52,480 --> 00:42:55,640 Speaker 1: She really, she danced because she's an answer. She danced 778 00:42:55,680 --> 00:42:57,640 Speaker 1: the hell out of that performance. 779 00:42:57,800 --> 00:42:59,880 Speaker 2: Yeah, And I want to go back and say that 780 00:43:00,239 --> 00:43:04,319 Speaker 2: I'm thinking, I'm thinking, I'm thinking at the time. And 781 00:43:04,360 --> 00:43:06,480 Speaker 2: she also did the Motown tribute, which I thought was 782 00:43:06,520 --> 00:43:07,160 Speaker 2: really random. 783 00:43:07,719 --> 00:43:09,960 Speaker 1: People were upset about that. That was continued to get 784 00:43:10,000 --> 00:43:11,759 Speaker 1: upset and I get it. I'm like, why are we 785 00:43:11,800 --> 00:43:13,640 Speaker 1: why do we book her? And also why are you 786 00:43:13,680 --> 00:43:19,759 Speaker 1: saying yes? Girl? Like some have some self awareness and 787 00:43:19,960 --> 00:43:22,040 Speaker 1: someone on your team is too afraid to say no. 788 00:43:22,560 --> 00:43:25,000 Speaker 2: Yeah. I feel like Jaylo's like a huge opportunity. We're 789 00:43:25,040 --> 00:43:27,160 Speaker 2: saying yes, yes, like she doesn't she doesn't say no. 790 00:43:27,480 --> 00:43:31,480 Speaker 1: It's also then now I feel like sparked. It gives 791 00:43:31,520 --> 00:43:34,960 Speaker 1: people then the license to create rumors online. Like I 792 00:43:35,040 --> 00:43:37,120 Speaker 1: was on Twitter the other day and I saw someone 793 00:43:37,360 --> 00:43:39,799 Speaker 1: that created like a it was just a it was 794 00:43:39,880 --> 00:43:41,879 Speaker 1: just a rumor. It was just a side by side 795 00:43:41,880 --> 00:43:44,200 Speaker 1: photo of Tina Turner and Jlo and was like Jayla 796 00:43:44,320 --> 00:43:47,799 Speaker 1: to perform the Tina Turner tribute. Obviously the fuck no, 797 00:43:48,239 --> 00:43:51,840 Speaker 1: right right. But because it's been so like kind of 798 00:43:51,920 --> 00:43:55,040 Speaker 1: random in some ways, like with the Motown tribute, people 799 00:43:55,120 --> 00:43:57,440 Speaker 1: now create little rumors like she's gonna do the Winny 800 00:43:57,480 --> 00:44:02,120 Speaker 1: Houston Tribute again, She's not, but it has legs because 801 00:44:02,120 --> 00:44:02,800 Speaker 1: of the history. 802 00:44:03,080 --> 00:44:06,239 Speaker 2: It's like when people say, like, oh, Scarlet Johansson, Yes, 803 00:44:06,360 --> 00:44:08,799 Speaker 2: it's going to play Harriet Tupman, you know. 804 00:44:08,960 --> 00:44:11,960 Speaker 1: Because it has legs because she did play an Asian 805 00:44:12,000 --> 00:44:13,359 Speaker 1: person in a film. 806 00:44:13,000 --> 00:44:16,000 Speaker 2: In The Ghost in the Shell. Yes, yeah, yes, exactly. 807 00:44:16,239 --> 00:44:26,560 Speaker 3: So just again history month, she really is Who's next? 808 00:44:27,080 --> 00:44:27,200 Speaker 6: Uh? 809 00:44:27,320 --> 00:44:31,600 Speaker 2: This person has gotten a lot of attention in recent 810 00:44:31,760 --> 00:44:36,080 Speaker 2: years because they have played chady As on and just 811 00:44:36,239 --> 00:44:38,760 Speaker 2: like that the Sex and the City TV show reboot, 812 00:44:39,040 --> 00:44:43,120 Speaker 2: we're talking about Sarah Ramirez, Yes, and Sarah right now. 813 00:44:43,280 --> 00:44:46,560 Speaker 2: I don't think people are loving chady As. No, but 814 00:44:46,640 --> 00:44:49,960 Speaker 2: I think chad As was intentionally written to be insufferable 815 00:44:49,960 --> 00:44:50,680 Speaker 2: and unlikable. 816 00:44:50,800 --> 00:44:53,920 Speaker 1: Yeah, people I think aren't able to separate the characters, 817 00:44:53,960 --> 00:44:57,920 Speaker 1: which happens, right, And because Sada is non binary in 818 00:44:57,960 --> 00:45:02,480 Speaker 1: real life, is very politically active in real life that 819 00:45:02,600 --> 00:45:07,680 Speaker 1: people are conflating them with the Chada's character. And there 820 00:45:07,880 --> 00:45:11,600 Speaker 1: was the cut article about them. It was a profile 821 00:45:11,880 --> 00:45:15,200 Speaker 1: and it was not the kindest and I felt that 822 00:45:15,320 --> 00:45:18,680 Speaker 1: when I read it, it very much conflated who Sata is 823 00:45:18,719 --> 00:45:20,600 Speaker 1: as a person and Cheddy as a character. 824 00:45:21,400 --> 00:45:26,279 Speaker 2: Totally, totally. I wonder if the writers were almost like 825 00:45:26,400 --> 00:45:30,600 Speaker 2: playing with that, you know, like conflation, yes, because you 826 00:45:30,600 --> 00:45:34,359 Speaker 2: know sometimes like you have a character who is like 827 00:45:34,440 --> 00:45:37,239 Speaker 2: a villain who is hated but like you hate to 828 00:45:37,440 --> 00:45:39,799 Speaker 2: you love to hate them, right, you know, but they're 829 00:45:39,840 --> 00:45:44,480 Speaker 2: still getting talked about, They're still getting written about, they're 830 00:45:44,520 --> 00:45:48,000 Speaker 2: getting pressed, like there's chatter. There is like a viral 831 00:45:48,040 --> 00:45:51,400 Speaker 2: element there, even if people are being mean about it, 832 00:45:51,400 --> 00:45:54,520 Speaker 2: it's still viral. And I feel like, because it's been 833 00:45:54,520 --> 00:45:57,560 Speaker 2: a long time since Gray's yes, that for a lot 834 00:45:57,560 --> 00:46:00,880 Speaker 2: of people, this is their very first introduction to Sada, 835 00:46:00,920 --> 00:46:03,879 Speaker 2: and Sada looks very different now than when they were 836 00:46:03,920 --> 00:46:06,839 Speaker 2: acting in Grays, very fam long hair. 837 00:46:07,080 --> 00:46:12,480 Speaker 1: Yeah, Sata Damidas played a bisexual character, one of the 838 00:46:12,520 --> 00:46:17,160 Speaker 1: first bisexual Latina characters on TV, named Callie Taurres, and 839 00:46:17,840 --> 00:46:21,680 Speaker 1: sadas character, Calli was an orthopedic surgeon. I've watched all 840 00:46:21,680 --> 00:46:25,400 Speaker 1: of GRAYCE, so like I know this, and sadas character 841 00:46:25,520 --> 00:46:27,759 Speaker 1: Calli was like probably one of the first times that 842 00:46:27,840 --> 00:46:31,480 Speaker 1: I remember seeing like a bisexual Latina on TV, like 843 00:46:31,640 --> 00:46:35,759 Speaker 1: very famously was like the b in LGBT is not 844 00:46:35,840 --> 00:46:39,000 Speaker 1: just for badass, it's for bisexual, says her character. And 845 00:46:39,080 --> 00:46:41,560 Speaker 1: I remember that being like, yes, you know what, you're right, 846 00:46:41,719 --> 00:46:44,600 Speaker 1: Callie Taurus and so yeah, I agree, Like I think 847 00:46:44,640 --> 00:46:48,560 Speaker 1: after Gray's Anatomy, Sada was then doing a lot of 848 00:46:48,600 --> 00:46:52,800 Speaker 1: Broadway because they're actually like a vocalist as well they sing, 849 00:46:53,400 --> 00:46:55,359 Speaker 1: and so they were doing some Broadway stuff and I 850 00:46:55,400 --> 00:46:58,000 Speaker 1: think now the more mainstream is obviously and just like that. 851 00:46:58,360 --> 00:47:02,879 Speaker 2: Yeah, and I'm just on their Wikipedia right now. So 852 00:47:02,920 --> 00:47:08,759 Speaker 2: Sara was born in Sinaloa and actually when Sada came 853 00:47:08,800 --> 00:47:11,560 Speaker 2: to the United States ended up graduating with a degree 854 00:47:11,600 --> 00:47:15,719 Speaker 2: from the Juilliard School. And I didn't realize that Sada 855 00:47:15,719 --> 00:47:18,919 Speaker 2: was married before to a man, and that's like one 856 00:47:18,920 --> 00:47:22,400 Speaker 2: of the storylines. Yes, for Chadeas in and just like 857 00:47:22,480 --> 00:47:26,279 Speaker 2: that formerly married is a stand up comedian, you know, 858 00:47:26,360 --> 00:47:28,719 Speaker 2: is a live performer. So I feel like they like 859 00:47:28,920 --> 00:47:32,479 Speaker 2: wrote this role like literally with Sarah in mind, because 860 00:47:32,520 --> 00:47:36,719 Speaker 2: Chadeas has like a husband that they're separated from on 861 00:47:36,800 --> 00:47:37,200 Speaker 2: the show. 862 00:47:37,440 --> 00:47:40,920 Speaker 1: Yeah, and I think that Sada is also Irish Mexican 863 00:47:41,080 --> 00:47:44,080 Speaker 1: and I think Chadeas is also Irish Mexican. 864 00:47:44,120 --> 00:47:47,600 Speaker 2: That's part of the storyline. Yes, wow, see they wrote 865 00:47:47,640 --> 00:47:51,720 Speaker 2: they like wrote this for Sada Soda, Yes for sure. 866 00:47:53,160 --> 00:47:57,480 Speaker 1: Yeah, so I agree, a crucial part of LATINX history 867 00:47:57,719 --> 00:47:58,880 Speaker 1: right now in the making. 868 00:47:59,320 --> 00:48:01,239 Speaker 2: Yeah, and this is again this is this list is 869 00:48:01,239 --> 00:48:03,200 Speaker 2: in no particular order. It's not extensive. 870 00:48:03,520 --> 00:48:05,640 Speaker 1: No, there's there's so much. I was even just thinking 871 00:48:05,719 --> 00:48:08,319 Speaker 1: right now, like do you remember when cele Cruz invented asuka? 872 00:48:08,440 --> 00:48:11,840 Speaker 6: Like, oh my god, yes, you know, the maker of asuka. 873 00:48:11,960 --> 00:48:17,200 Speaker 6: Basically Selia invented the word, the product. 874 00:48:17,000 --> 00:48:20,680 Speaker 1: Everything, every thing. I mean, Santa Cruz again, I probably 875 00:48:20,719 --> 00:48:24,080 Speaker 1: another person then needs their own dedicated episode, but so 876 00:48:24,120 --> 00:48:26,440 Speaker 1: many people have covered her work over the years. But 877 00:48:26,600 --> 00:48:31,160 Speaker 1: another like, of course part of LATINX history. And like 878 00:48:31,320 --> 00:48:33,040 Speaker 1: I did include this in here, but like because I 879 00:48:33,040 --> 00:48:34,880 Speaker 1: didn't want to nerd out too much on Satasa. But 880 00:48:34,960 --> 00:48:38,160 Speaker 1: like Fania All Stars, like all of those they came 881 00:48:38,239 --> 00:48:41,359 Speaker 1: up in that time, like incredible part of like not 882 00:48:41,400 --> 00:48:44,839 Speaker 1: only music history, but like Latino history in the US. 883 00:48:45,080 --> 00:48:50,000 Speaker 2: Yeah, the the Buenavista Social Club, and Celia Cruz was 884 00:48:50,040 --> 00:48:53,759 Speaker 2: still making music like when we were young. Going back 885 00:48:53,760 --> 00:49:01,880 Speaker 2: to mtvres, they were playing music video video that video 886 00:49:02,520 --> 00:49:05,640 Speaker 2: like featuring this like beautiful beautiful woman who ends up 887 00:49:05,719 --> 00:49:08,920 Speaker 2: like taking her clothes off and walking naked through the streets. 888 00:49:09,000 --> 00:49:12,880 Speaker 2: And Celia is like very old already, but she's wearing 889 00:49:12,880 --> 00:49:16,759 Speaker 2: her wigs, she's wearing her colorful, colorful outfits, and like 890 00:49:16,840 --> 00:49:19,319 Speaker 2: it was it that song was a hit, it was, 891 00:49:19,480 --> 00:49:21,600 Speaker 2: and it was a much later in life, but she 892 00:49:21,600 --> 00:49:22,440 Speaker 2: she kept working. 893 00:49:22,719 --> 00:49:26,799 Speaker 1: Yeah, she made music her entire life. And there's also 894 00:49:26,800 --> 00:49:30,440 Speaker 1: a Telemundo about her life. 895 00:49:30,480 --> 00:49:31,200 Speaker 2: And it's so bad. 896 00:49:31,239 --> 00:49:31,839 Speaker 1: It's so good. 897 00:49:31,840 --> 00:49:32,919 Speaker 2: It's really well done. 898 00:49:33,000 --> 00:49:37,600 Speaker 1: The actors, ugh, just incredible casting. It was very good. 899 00:49:37,680 --> 00:49:39,080 Speaker 2: And there's like a lot of episodes. 900 00:49:39,160 --> 00:49:41,680 Speaker 1: There's like a hundred episodes. I watched all of them. 901 00:49:41,719 --> 00:49:45,680 Speaker 2: There's it's very well done. Yeah, very well written. Go 902 00:49:45,800 --> 00:49:46,880 Speaker 2: check that out if you haven't. 903 00:49:47,800 --> 00:49:50,560 Speaker 1: Okay, let's see we're nearing towards the end of our list. 904 00:49:50,880 --> 00:49:55,240 Speaker 1: Anything Aventura Romeo Santos to me is LATINX history. 905 00:49:55,440 --> 00:49:55,720 Speaker 2: Yeah. 906 00:49:56,040 --> 00:49:58,279 Speaker 1: I have been obsessed with them since I was in 907 00:49:58,400 --> 00:50:01,680 Speaker 1: high school. I saw them Reform when it used to 908 00:50:01,719 --> 00:50:05,120 Speaker 1: be the Gibson Amphitheater. Oh my god, I think I 909 00:50:05,120 --> 00:50:07,000 Speaker 1: don't even know what it is now does it even 910 00:50:07,040 --> 00:50:07,640 Speaker 1: exist anymore? 911 00:50:07,680 --> 00:50:10,319 Speaker 2: I I haven't heard that name I know right well. 912 00:50:10,280 --> 00:50:12,239 Speaker 1: Okay, anyway, I'm that old. So I went to see 913 00:50:12,200 --> 00:50:16,080 Speaker 1: Aventura there, and I was obsessed with them in high school. 914 00:50:16,120 --> 00:50:17,799 Speaker 1: I saw them in twenty twenty one, and I saw 915 00:50:17,880 --> 00:50:21,919 Speaker 1: Romeo Santos' past year in twenty twenty three. So yeah, 916 00:50:21,920 --> 00:50:24,479 Speaker 1: I've just been rocking with them for decades, like many 917 00:50:24,560 --> 00:50:27,160 Speaker 1: Latinas listening have also been rocking with them. 918 00:50:27,320 --> 00:50:29,280 Speaker 2: Yes, and special shout out to Prince Royce. 919 00:50:29,880 --> 00:50:33,439 Speaker 1: Yeah, okay, no, I'm kidding, I'm kidding, I' kidding. 920 00:50:33,600 --> 00:50:37,640 Speaker 2: Prince Royce also a little more poppy like pretty Boy balladeer. 921 00:50:37,719 --> 00:50:37,919 Speaker 1: Yeah. 922 00:50:39,120 --> 00:50:39,600 Speaker 2: Different. 923 00:50:39,960 --> 00:50:42,560 Speaker 1: I feel like those two get like Romeo and Prince 924 00:50:42,600 --> 00:50:45,600 Speaker 1: get compared a lot, and you can they're very because 925 00:50:45,800 --> 00:50:48,719 Speaker 1: the careers are very different. But also, yes, Prince Royce 926 00:50:48,800 --> 00:50:52,440 Speaker 1: is also an incredible musician. I remember when he first 927 00:50:52,560 --> 00:50:55,640 Speaker 1: came out, Yeah, so cute. It was the stand by 928 00:50:55,680 --> 00:51:01,520 Speaker 1: me like Bachata, so good rendition, remember it was very good. 929 00:51:01,680 --> 00:51:02,320 Speaker 2: He's a cutie. 930 00:51:02,360 --> 00:51:08,320 Speaker 1: He's a cutie, and I'm waiting. I shouldn't say waiting, 931 00:51:08,400 --> 00:51:11,040 Speaker 1: but I'm hoping I have. He's another one of my 932 00:51:11,280 --> 00:51:14,319 Speaker 1: like where people speculate that he's queer, right and oh yeah, 933 00:51:14,520 --> 00:51:18,040 Speaker 1: him and him and Maluma. I'm just like, please, also 934 00:51:18,120 --> 00:51:21,399 Speaker 1: you know you don't, you don't have to, but also please, but. 935 00:51:23,160 --> 00:51:29,840 Speaker 2: It absolutely what else? Okay? Gloria Stephan in the Miami 936 00:51:29,920 --> 00:51:32,920 Speaker 2: Sound Machine, I mean put Miami on the map in 937 00:51:32,960 --> 00:51:37,439 Speaker 2: a lot of ways in pop culture, mainstream music and 938 00:51:37,960 --> 00:51:41,480 Speaker 2: fun fun fact on our very network. The Stephans are 939 00:51:41,520 --> 00:51:46,080 Speaker 2: podcasting on the Michael Podcast Network. Tune into in our 940 00:51:46,120 --> 00:51:49,399 Speaker 2: own World for more for more. 941 00:51:49,520 --> 00:51:52,480 Speaker 1: Yes, yeah, I think anything Gloria is Stephan. I mean 942 00:51:52,520 --> 00:51:57,760 Speaker 1: obviously is like Cuban Latin, American Latin, but you also 943 00:51:57,760 --> 00:52:01,399 Speaker 1: in the US Latino context, right, we're Stephan like blew up. 944 00:52:01,680 --> 00:52:04,880 Speaker 1: And the Estephans are just like you know, a powerhouse 945 00:52:05,400 --> 00:52:07,640 Speaker 1: as a duo and the family the name we just 946 00:52:07,719 --> 00:52:12,680 Speaker 1: know the Estephan and so yes, shout out to them. 947 00:52:12,800 --> 00:52:18,760 Speaker 1: Something that's a little more recent is Bad Bunny calling 948 00:52:19,080 --> 00:52:22,880 Speaker 1: Kendall Jenner mommy, mommy, be colorful. 949 00:52:24,080 --> 00:52:25,879 Speaker 5: Radies the Mosquitos. 950 00:52:26,360 --> 00:52:29,880 Speaker 2: They don't know whether to love it hate it. They're upset, 951 00:52:29,960 --> 00:52:32,319 Speaker 2: they're happy all of it. They wish it was them. 952 00:52:32,840 --> 00:52:34,919 Speaker 1: I don't know. I'm honestly a little over the Bad 953 00:52:34,920 --> 00:52:37,480 Speaker 1: Bunny Kendall Jenner chatter. I'm like just like. 954 00:52:38,640 --> 00:52:42,680 Speaker 2: Yeah, yeah, okay, yeah, you know yeah. And here's the deal. 955 00:52:42,840 --> 00:52:46,120 Speaker 2: The Kardashians, there's so many of them. They are so 956 00:52:46,280 --> 00:52:50,279 Speaker 2: they never get tired. And if you I feel like 957 00:52:50,320 --> 00:52:52,040 Speaker 2: it's one of those things like if you get too 958 00:52:52,080 --> 00:52:54,759 Speaker 2: close to the Kardashians, you're going to be pulled into 959 00:52:54,800 --> 00:52:58,799 Speaker 2: the orbit. Oh yeah, like the gravitational pull. Because at 960 00:52:58,800 --> 00:53:03,040 Speaker 2: the Renaissance Tour, Timothy Chella may right and Kylie John 961 00:53:03,200 --> 00:53:07,120 Speaker 2: and Kylie we're seeing canoodling. They get to everybody. 962 00:53:07,160 --> 00:53:09,200 Speaker 1: They do, they do, they do, And there has been 963 00:53:09,239 --> 00:53:12,280 Speaker 1: there's been so much discourse about Bad Bunny and Kendall 964 00:53:12,360 --> 00:53:16,120 Speaker 1: Jenner and what bad Bunny represents and how he's dating 965 00:53:16,320 --> 00:53:18,640 Speaker 1: like the people that are the opposite of that, And 966 00:53:18,640 --> 00:53:21,680 Speaker 1: so we're not going to get into that but just 967 00:53:21,840 --> 00:53:24,719 Speaker 1: know that we're thinking of that. We we know, we know, 968 00:53:25,040 --> 00:53:27,640 Speaker 1: and like there's a lot of really great journalists writing 969 00:53:27,640 --> 00:53:31,480 Speaker 1: about it, so that are because I get it. It's important. 970 00:53:31,600 --> 00:53:34,080 Speaker 1: Like he like championed Okay, maybe we are talking about it. 971 00:53:34,280 --> 00:53:37,480 Speaker 1: We're like he like you know, positioned himself as like 972 00:53:38,040 --> 00:53:41,279 Speaker 1: of the people is obammy hint all all of this 973 00:53:41,719 --> 00:53:44,520 Speaker 1: right has kind of leaned more politically active than the 974 00:53:44,600 --> 00:53:47,560 Speaker 1: other folks in the hand it. And then you know, 975 00:53:47,640 --> 00:53:50,080 Speaker 1: now he's dating kind of someone that's the antithesis of that. 976 00:53:50,280 --> 00:53:53,680 Speaker 1: So I understand why people are upset, but also like, 977 00:53:53,960 --> 00:53:56,160 Speaker 1: oh my god, we give we give things a lot 978 00:53:56,160 --> 00:53:56,720 Speaker 1: of energy. 979 00:53:56,840 --> 00:53:58,359 Speaker 2: We don't need to give it that much. And I mean, 980 00:53:58,400 --> 00:54:02,800 Speaker 2: you know, it's very it's very Kanye in who Kanye 981 00:54:03,000 --> 00:54:06,200 Speaker 2: was and then who Kanye married, Yeah, being Kim and 982 00:54:06,239 --> 00:54:07,400 Speaker 2: who Kanye is now. 983 00:54:07,480 --> 00:54:09,720 Speaker 1: We'll see like the Kendall Jenner effect. 984 00:54:09,719 --> 00:54:12,680 Speaker 6: AVI and I want to make a prediction, is he 985 00:54:12,719 --> 00:54:16,120 Speaker 6: going to come crawling back to the latinas what's your prediction? 986 00:54:16,280 --> 00:54:20,720 Speaker 2: We'll see what My prediction is that Kim Kardashian dating 987 00:54:20,960 --> 00:54:24,680 Speaker 2: Pete Davidson is like her bridge to eventually dating like 988 00:54:24,719 --> 00:54:28,600 Speaker 2: a peso Bluma. I just want to say, because now 989 00:54:28,600 --> 00:54:33,680 Speaker 2: they're going Latino. They are, they are, They're all going 990 00:54:33,760 --> 00:54:37,320 Speaker 2: they each of them was like dating, married to having 991 00:54:37,400 --> 00:54:40,360 Speaker 2: children with black men, and now they're going Latin. 992 00:54:40,920 --> 00:54:43,359 Speaker 1: Yeah, because you know, people have been talking in terms 993 00:54:43,440 --> 00:54:49,440 Speaker 1: of like discourse about the Kardashians specifically fetishizing black culture, 994 00:54:49,560 --> 00:54:52,560 Speaker 1: black men, like people have been talking about that for 995 00:54:52,680 --> 00:54:56,359 Speaker 1: long for a decade now, and now we're seeing like 996 00:54:56,880 --> 00:55:00,560 Speaker 1: the non black Latino novelty right in the little circle. 997 00:55:00,719 --> 00:55:03,080 Speaker 1: Yeah it's and it's of course bad bunny. The weakest 998 00:55:03,080 --> 00:55:05,279 Speaker 1: link is always the non black Latino man. 999 00:55:05,400 --> 00:55:08,239 Speaker 2: Yeah, I will say they're gonna fall first. Yeah, I 1000 00:55:08,239 --> 00:55:10,520 Speaker 2: mean I totally like because I think people were kind 1001 00:55:10,520 --> 00:55:13,200 Speaker 2: of surprised when not that surprised when Kim was dating Pete. 1002 00:55:13,560 --> 00:55:15,719 Speaker 2: But it's like, oh no, she's willing to date like 1003 00:55:16,800 --> 00:55:21,120 Speaker 2: a sallow skinned raccoon eyed like skinny man, you know 1004 00:55:21,160 --> 00:55:23,680 Speaker 2: what I mean. Like she's willing to do it full 1005 00:55:23,680 --> 00:55:27,080 Speaker 2: of terrible tattoos. If I see her out with Bessel Bluma, 1006 00:55:27,120 --> 00:55:28,120 Speaker 2: I'm not going to be shocked. 1007 00:55:28,600 --> 00:55:31,279 Speaker 1: So she that was like the the litmus test right 1008 00:55:31,320 --> 00:55:33,080 Speaker 1: of like what who shall date? 1009 00:55:33,320 --> 00:55:35,880 Speaker 2: Yeah? Yeah, So anyway, it's stay tuned. Let's keep an 1010 00:55:35,880 --> 00:55:36,239 Speaker 2: eye on. 1011 00:55:36,200 --> 00:55:39,200 Speaker 1: That, right, Mala's prediction, Let's keep. 1012 00:55:39,080 --> 00:55:43,800 Speaker 2: An eye on that. Another very recent happening in Latino 1013 00:55:43,880 --> 00:55:47,480 Speaker 2: history el Choppo's wife being released from prison all over 1014 00:55:47,520 --> 00:55:51,320 Speaker 2: the news. And I love how the Latinas, upon finding 1015 00:55:51,320 --> 00:55:53,800 Speaker 2: out who El Choppo's wife is, all of a sudden, 1016 00:55:53,880 --> 00:55:57,200 Speaker 2: wanted to dress like her, Yes, like the narco core 1017 00:55:57,640 --> 00:56:02,800 Speaker 2: narco wife, Butchona like she is like the patron saint 1018 00:56:03,080 --> 00:56:05,000 Speaker 2: for them, And I think it's hilarious. 1019 00:56:05,560 --> 00:56:07,600 Speaker 1: Yeah, I mean, I think Buton has deserved an honorary 1020 00:56:07,640 --> 00:56:12,040 Speaker 1: mention in Latino history because that's like a very specific 1021 00:56:12,120 --> 00:56:15,920 Speaker 1: type of look. Yeah, and I think has become very. 1022 00:56:15,800 --> 00:56:19,920 Speaker 2: Populars have really kind of exploded onto the scene in 1023 00:56:19,960 --> 00:56:23,120 Speaker 2: the past couple of years. And you know what, love 1024 00:56:23,160 --> 00:56:25,880 Speaker 2: it or hated. But Jenny six nine made that happen. 1025 00:56:26,480 --> 00:56:29,560 Speaker 2: I think between her and Chappo's wife, like, I think 1026 00:56:29,600 --> 00:56:31,960 Speaker 2: those are the two main figures. 1027 00:56:31,480 --> 00:56:34,600 Speaker 1: Yeah, that have kind of popularized it, made it mainstream. Yeah, 1028 00:56:34,600 --> 00:56:35,760 Speaker 1: I could see that for sure. 1029 00:56:36,280 --> 00:56:36,600 Speaker 2: Yeah. 1030 00:56:37,200 --> 00:56:42,560 Speaker 1: And finally, look at our radio joining micro Dura podcast 1031 00:56:42,600 --> 00:56:44,359 Speaker 1: network at iHeart. 1032 00:56:43,920 --> 00:56:47,120 Speaker 2: I mean, momentous, iconic, legendary, historic, we. 1033 00:56:47,080 --> 00:56:49,560 Speaker 1: Did it we're actually hitting. This is the year mark 1034 00:56:49,880 --> 00:56:54,719 Speaker 1: of us joining. We joined formerly officially in September of 1035 00:56:55,000 --> 00:56:57,640 Speaker 1: last year we made our announcement and in October we 1036 00:56:57,719 --> 00:56:59,879 Speaker 1: launched our first season with them of twenty twenty two. 1037 00:57:00,160 --> 00:57:03,200 Speaker 1: So yes, it's been a year. We did it. 1038 00:57:04,000 --> 00:57:08,520 Speaker 2: Go us making history and thank you for listening and 1039 00:57:08,560 --> 00:57:09,399 Speaker 2: being a part of it. 1040 00:57:09,560 --> 00:57:12,600 Speaker 1: Thank you so much for listening. Let us know what 1041 00:57:12,680 --> 00:57:17,160 Speaker 1: you thought of this expand extensive but not all encompassing 1042 00:57:17,360 --> 00:57:19,280 Speaker 1: list of Latino history. 1043 00:57:19,440 --> 00:57:21,960 Speaker 2: Yeah, moments, of course, there's more. 1044 00:57:21,880 --> 00:57:24,960 Speaker 1: There's more, and you know, we know that this is 1045 00:57:24,960 --> 00:57:28,040 Speaker 1: more of a pop culture, fun, light hearted episode. I 1046 00:57:28,040 --> 00:57:30,840 Speaker 1: think we did dig into some things today, but for 1047 00:57:30,960 --> 00:57:35,360 Speaker 1: more like research based type of episodes, you can always 1048 00:57:35,400 --> 00:57:38,000 Speaker 1: go back to our previous seasons. We have so many. 1049 00:57:38,080 --> 00:57:41,920 Speaker 1: We have over one hundred and fifty episodes of lots 1050 00:57:41,920 --> 00:57:44,240 Speaker 1: of discourse you can listen to if you want something 1051 00:57:44,280 --> 00:57:45,880 Speaker 1: a little more hearty. 1052 00:57:46,120 --> 00:57:50,400 Speaker 2: Absolutely so, until next time, this has been another episode 1053 00:57:50,400 --> 00:57:52,360 Speaker 2: of look at out Our Radio. Thank you for tuning 1054 00:57:52,400 --> 00:57:57,520 Speaker 2: in thous look at Our Radio, a radio funding novella, 1055 00:57:57,720 --> 00:58:01,520 Speaker 2: is executive produced and hosted by me La Munos and viosa. 1056 00:58:01,240 --> 00:58:04,240 Speaker 1: Fem story editing by me Fiosa. 1057 00:58:03,840 --> 00:58:05,480 Speaker 2: Audio editing by Stephanie Franco. 1058 00:58:05,640 --> 00:58:07,960 Speaker 1: Thank you to our locomotives, our listeners for all of 1059 00:58:08,000 --> 00:58:08,520 Speaker 1: your support. 1060 00:58:12,760 --> 00:58:23,760 Speaker 5: Beti FoST lok A Radio, A Radio Phonic. 1061 00:58:23,600 --> 00:58:27,320 Speaker 2: Nobela hosted by Mala Munos. 1062 00:58:27,240 --> 00:59:02,520 Speaker 1: And Viosa fem. 1063 00:59:11,520 --> 00:59:12,760 Speaker 2: Take us to your network. 1064 00:59:16,000 --> 00:59:16,040 Speaker 1: H