1 00:00:00,720 --> 00:00:08,719 Speaker 1: I Am all in you. 2 00:00:16,960 --> 00:00:20,640 Speaker 2: I Am all in with Scott Patterson an iHeartRadio podcast. 3 00:00:21,000 --> 00:00:23,960 Speaker 1: Hey Everybody, Scott Patterson, I Am all in Podcast. One 4 00:00:23,960 --> 00:00:28,880 Speaker 1: eleven Productions, one eleven Media, one eleven podcast. iHeart Radio, 5 00:00:29,000 --> 00:00:34,000 Speaker 1: iHeart Podcast, iHeartMedia. Pop Culture, Season seven, Episode one, The Longmorrow, 6 00:00:34,080 --> 00:00:37,440 Speaker 1: joined by my Trapid Crew, Terra, Danielle and Amy. I 7 00:00:37,440 --> 00:00:39,640 Speaker 1: can't see you. Where are you? Amy? Are you? 8 00:00:39,960 --> 00:00:42,080 Speaker 2: It's because we have notes up and you can't see me. 9 00:00:42,120 --> 00:00:43,720 Speaker 2: But I totally here. 10 00:00:43,920 --> 00:00:46,599 Speaker 1: I always like to see you, I know, but. 11 00:00:46,560 --> 00:00:49,519 Speaker 2: I'm definitely here. And I actually I'm pretty stoked to 12 00:00:49,560 --> 00:00:50,960 Speaker 2: talk about the Twilights. 13 00:00:50,560 --> 00:00:52,360 Speaker 1: On episode So go right ahead. 14 00:00:52,680 --> 00:00:59,000 Speaker 2: Well, so this the Longmorrow, I kept saying Morrow is 15 00:01:00,160 --> 00:01:03,480 Speaker 2: in reference to a Twilight Zone episode of the same name, 16 00:01:03,560 --> 00:01:07,960 Speaker 2: The Longmorrow, and it's the symbolism of Rory's rocket. And 17 00:01:08,880 --> 00:01:10,920 Speaker 2: sometimes this does happen to me in pop culture, but 18 00:01:11,280 --> 00:01:13,400 Speaker 2: it really made me want to go watch this Twilight 19 00:01:13,480 --> 00:01:15,199 Speaker 2: Zone episode. I haven't done it yet, but I will. 20 00:01:15,400 --> 00:01:18,400 Speaker 2: It's Logan's favorite episode of the Twilight Zone. And in 21 00:01:18,440 --> 00:01:22,080 Speaker 2: this episode, an astronaut falls in love on the eve 22 00:01:22,360 --> 00:01:26,080 Speaker 2: of a forty year long space voyage. The story focuses 23 00:01:26,080 --> 00:01:28,920 Speaker 2: on how he and his lover confront the problem that 24 00:01:28,959 --> 00:01:33,639 Speaker 2: his forty years in suspended animation will cause a age 25 00:01:33,720 --> 00:01:38,000 Speaker 2: range between them. So I didn't fully get it, but 26 00:01:38,040 --> 00:01:40,800 Speaker 2: it reminded me a bit of that Jennifer Lawrence Chris 27 00:01:40,959 --> 00:01:43,800 Speaker 2: Pratt movie where they're supposed to be in suspended animation 28 00:01:43,880 --> 00:01:46,320 Speaker 2: and then they wake up. I think it was called Passenger. 29 00:01:46,600 --> 00:01:48,880 Speaker 2: So I am going to go watch this Twilight Zone episode. 30 00:01:48,880 --> 00:01:52,040 Speaker 2: But The Twilight Zone is a science fiction horror anthology 31 00:01:52,120 --> 00:01:55,360 Speaker 2: series created by Rod Serling, which ran for five seasons 32 00:01:55,400 --> 00:01:59,279 Speaker 2: from nineteen fifty nine to nineteen sixty four. William Shatner, 33 00:01:59,360 --> 00:02:01,880 Speaker 2: Robert Redford, d Name White all made it appearances, and 34 00:02:01,920 --> 00:02:05,920 Speaker 2: it's come back like multiple times. Forrest Whitaker had a version. 35 00:02:05,920 --> 00:02:09,519 Speaker 2: I think there was another version reason recently with Peel 36 00:02:10,880 --> 00:02:18,200 Speaker 2: maybe Peel Yeah, Jordan Peel Yeah. And it's all based 37 00:02:18,200 --> 00:02:22,560 Speaker 2: off this creation of of Rod's early Okay, but it's freaky. 38 00:02:22,560 --> 00:02:24,000 Speaker 2: I only like to watch it during the day because 39 00:02:24,000 --> 00:02:26,440 Speaker 2: sometimes if I watch it too late at night, I 40 00:02:26,480 --> 00:02:28,920 Speaker 2: get kind of like freaked out somehow. 41 00:02:28,919 --> 00:02:30,960 Speaker 1: I can't see Robert Redford as. 42 00:02:31,240 --> 00:02:34,880 Speaker 2: It's very you know, the music doing just the theme 43 00:02:34,960 --> 00:02:42,240 Speaker 2: song gooke Wait you can't picture Shatner. 44 00:02:41,880 --> 00:02:44,239 Speaker 1: As what as I just did a funny choke. 45 00:02:44,360 --> 00:02:44,880 Speaker 2: Give it again. 46 00:02:45,480 --> 00:02:49,040 Speaker 1: Well it's not gonna work, it'll work better. That's ruined, ruined. 47 00:02:49,600 --> 00:02:50,520 Speaker 1: I can't hear. 48 00:02:52,040 --> 00:02:54,200 Speaker 2: Sometimes, Like everybody gets so mad because I interrupt. It's 49 00:02:54,240 --> 00:02:57,920 Speaker 2: just because I can't hear sometimes because of the way 50 00:02:58,000 --> 00:03:00,560 Speaker 2: the technology is. It's not an excuse, but just like, 51 00:03:00,639 --> 00:03:08,640 Speaker 2: leave me alone. It's hard. This is hard, Like people 52 00:03:08,639 --> 00:03:11,600 Speaker 2: don't understand, like this is actually kind of hard what 53 00:03:11,639 --> 00:03:13,800 Speaker 2: we do. It doesn't seem like it should be, but 54 00:03:13,919 --> 00:03:14,440 Speaker 2: it is. 55 00:03:16,880 --> 00:03:19,359 Speaker 1: It is so hard. 56 00:03:19,840 --> 00:03:23,200 Speaker 2: It's so hard. Your joke again, it is good. I 57 00:03:23,240 --> 00:03:25,600 Speaker 2: don't want to miss it. I don't want to miss 58 00:03:25,639 --> 00:03:30,080 Speaker 2: your joke, especially if it's a shattered joke. Can you 59 00:03:30,120 --> 00:03:31,960 Speaker 2: please do it again? I was like, I gonna have 60 00:03:32,000 --> 00:03:35,119 Speaker 2: to go back and listen to this episode. I don't 61 00:03:35,160 --> 00:03:39,200 Speaker 2: have to mute my own feed. God, it's torturing me 62 00:03:40,440 --> 00:03:41,360 Speaker 2: and stuff like that. 63 00:03:41,520 --> 00:03:46,080 Speaker 1: Read like I can't else, Taylor, you run a red light. 64 00:03:46,120 --> 00:03:49,360 Speaker 1: It's time for your close up, mister Demil. These little 65 00:03:49,360 --> 00:03:51,760 Speaker 1: wonders are taking over the globe New York, Los Angeles, 66 00:03:51,760 --> 00:03:55,560 Speaker 1: piis Singapore. Cecil b. Demil was a filmmaker and actor. 67 00:03:55,600 --> 00:03:58,720 Speaker 1: I didn't know he's an actor. Between nineteen fourteen and 68 00:03:58,800 --> 00:04:06,240 Speaker 1: nineteen fifty eight, he made seventy features, both silent and sound. 69 00:04:06,600 --> 00:04:09,240 Speaker 1: He has acknowledged as a founding father of American cinema 70 00:04:09,280 --> 00:04:13,560 Speaker 1: and the most commercially successful producer director in film history. 71 00:04:13,600 --> 00:04:16,240 Speaker 1: Taylor is saying, because of the camera, he's ready for 72 00:04:16,320 --> 00:04:19,880 Speaker 1: a famous filmmaker to take his picture. Did you know? 73 00:04:19,960 --> 00:04:24,200 Speaker 1: In nineteen thirteen, Demil, along with other industry pioneers, founded 74 00:04:24,240 --> 00:04:30,039 Speaker 1: the Famous Player's Lasky Corporation, which eventually evolved into Paramount Pictures. 75 00:04:30,560 --> 00:04:32,440 Speaker 1: Interesting tidbits there. 76 00:04:32,720 --> 00:04:35,599 Speaker 3: Lorelei and Rory are attempting to play racketball but end 77 00:04:35,720 --> 00:04:38,240 Speaker 3: up sitting on the ground to chat. Rory is trying 78 00:04:38,240 --> 00:04:42,240 Speaker 3: to figure out what Logan's rocket gift is supposed to mean, 79 00:04:42,360 --> 00:04:45,160 Speaker 3: and Rory says, it's just a model rocket. I mean, 80 00:04:45,200 --> 00:04:48,960 Speaker 3: what could that mean? Who gives somebody a rocket? Laurli says, 81 00:04:49,000 --> 00:04:51,320 Speaker 3: I don't know, I don't know. We'll figure it out, though, 82 00:04:51,560 --> 00:04:54,479 Speaker 3: rocket rock, a rocket, rocketman, crocodile rock was good. Benny 83 00:04:54,520 --> 00:04:57,000 Speaker 3: and the Jets Candle in the wind? Rory says, are 84 00:04:57,040 --> 00:05:00,919 Speaker 3: you just naming nuts in? John songs. Elton John is 85 00:05:01,000 --> 00:05:05,600 Speaker 3: a singer, pianist, and composer. Rocketman, Crocodile, Benny and the 86 00:05:05,680 --> 00:05:09,120 Speaker 3: Jets and Candle in the Wind were written. We're written 87 00:05:09,160 --> 00:05:13,120 Speaker 3: in collaboration with Bernie toppin Their partnership is recognized as 88 00:05:13,160 --> 00:05:15,479 Speaker 3: one of the most successful in musical history. 89 00:05:15,720 --> 00:05:18,520 Speaker 2: If I get this right, Elton writes the music, the 90 00:05:18,600 --> 00:05:21,440 Speaker 2: no no no no no no no, and Bernie right, 91 00:05:21,720 --> 00:05:24,080 Speaker 2: sorry the word. Bernie writes the lyrics. 92 00:05:24,200 --> 00:05:29,200 Speaker 3: Yeah. Did you know? Elton John has ten god children, 93 00:05:29,240 --> 00:05:32,719 Speaker 3: including Sean Lennon, David and Victoria Beckhams sons Brooklyn and Romeo, 94 00:05:32,760 --> 00:05:36,919 Speaker 3: Elizabeth Hurley's son Damien Hurley, and Seymour Signs, VP of 95 00:05:36,920 --> 00:05:41,279 Speaker 3: Warner Brothers Records daughter. And I think I think Lady 96 00:05:41,360 --> 00:05:45,000 Speaker 3: Gaga is his kids god mother. 97 00:05:45,480 --> 00:05:46,960 Speaker 2: Oh really, I think so. 98 00:05:47,080 --> 00:05:49,960 Speaker 4: I actually think you're right. Someone's it's godmother. 99 00:05:50,200 --> 00:05:53,320 Speaker 3: It's Lady Gaga. But I did see Elton John on 100 00:05:53,360 --> 00:05:57,839 Speaker 3: his farewell tour at Dodger Stadium. Oh my god, that 101 00:05:58,080 --> 00:06:00,320 Speaker 3: was one of the best concerts I've ever been to. 102 00:06:00,400 --> 00:06:00,680 Speaker 1: It my. 103 00:06:02,560 --> 00:06:04,680 Speaker 2: Stud. He's a total stud. 104 00:06:04,960 --> 00:06:05,680 Speaker 3: Such a stud. 105 00:06:06,440 --> 00:06:08,320 Speaker 1: Did they play a funeral for a friend? 106 00:06:09,240 --> 00:06:11,520 Speaker 2: You mean handle in the wind. 107 00:06:11,960 --> 00:06:17,719 Speaker 1: No Funeral for a Friend. No, that's the Lady Die 108 00:06:17,800 --> 00:06:19,120 Speaker 1: song that he wrote for ye. 109 00:06:19,200 --> 00:06:20,920 Speaker 2: But he wrote it before and then redid it. 110 00:06:21,400 --> 00:06:23,240 Speaker 1: Funeral for a Friend is different song. 111 00:06:23,400 --> 00:06:25,400 Speaker 2: What is everybody's favorite Elton John song? 112 00:06:25,440 --> 00:06:27,559 Speaker 1: Before we move on Funeral for a Friend? 113 00:06:28,240 --> 00:06:28,800 Speaker 2: Never heard of it? 114 00:06:28,880 --> 00:06:32,480 Speaker 3: But Bene I was not, say Benny in the chests. 115 00:06:34,320 --> 00:06:36,920 Speaker 2: First of all, mine is definitely your song, but I 116 00:06:36,960 --> 00:06:40,479 Speaker 2: cannot think of it. You're not being of Phoebe being like, 117 00:06:41,120 --> 00:06:44,240 Speaker 2: you're right, hold me close, young tone and dns. 118 00:06:44,920 --> 00:06:52,520 Speaker 3: Yeah, we are so lucky to have been graced with 119 00:06:52,560 --> 00:06:53,279 Speaker 3: Elton John. 120 00:06:53,560 --> 00:06:55,920 Speaker 2: You're in your life. The movie is good. To the 121 00:06:55,960 --> 00:07:01,760 Speaker 2: movie Rocketman, it's goods Do you are you too young 122 00:07:02,040 --> 00:07:02,280 Speaker 2: to know? 123 00:07:02,400 --> 00:07:02,479 Speaker 1: No? 124 00:07:02,520 --> 00:07:03,560 Speaker 4: I said Benny and the Jets. 125 00:07:03,720 --> 00:07:07,480 Speaker 2: Oh, I also, you know what is? It's an It's 126 00:07:07,520 --> 00:07:11,800 Speaker 2: a really good one that nobody remembers. Sad songs say 127 00:07:11,920 --> 00:07:15,440 Speaker 2: so much. Sad songs say so much? Do you guys 128 00:07:15,440 --> 00:07:17,960 Speaker 2: know it? You need to listen to it. It's actually 129 00:07:18,120 --> 00:07:18,679 Speaker 2: real good. 130 00:07:19,440 --> 00:07:19,840 Speaker 1: M hmm. 131 00:07:20,880 --> 00:07:23,600 Speaker 2: Can you feel. 132 00:07:24,600 --> 00:07:28,480 Speaker 3: To night? I thought we not allowed to do this. 133 00:07:30,520 --> 00:07:34,480 Speaker 2: We're not supposed to sing songs, but we delay from zoom. 134 00:07:36,080 --> 00:07:39,000 Speaker 2: I know suddenly my zoom started like saying things to me. 135 00:07:39,080 --> 00:07:43,360 Speaker 2: I was like, sorry, you'll go break in my house. 136 00:07:44,400 --> 00:07:46,880 Speaker 3: Good one, Yeah, it's a really good one. 137 00:07:47,080 --> 00:07:50,840 Speaker 4: So Rory barges into her home after seeing Kirk crash 138 00:07:50,920 --> 00:07:53,560 Speaker 4: through Luke Steiner. Laurel I is carrying laundry and a 139 00:07:53,560 --> 00:07:56,920 Speaker 4: big pile of stuff in her living room. Rory says, Okay, 140 00:07:56,960 --> 00:07:58,960 Speaker 4: do you remember when you begged me to see Fast 141 00:07:59,000 --> 00:08:01,480 Speaker 4: and the Furious with you? And I said no? And 142 00:08:01,480 --> 00:08:03,040 Speaker 4: then you begged me to go see the Fast and 143 00:08:03,120 --> 00:08:05,240 Speaker 4: Fury is two with you and I said no, And 144 00:08:05,240 --> 00:08:07,720 Speaker 4: then Fast and the Furies three Tokyo drift came out. 145 00:08:08,080 --> 00:08:10,480 Speaker 4: Loreal says, cars, they drift. 146 00:08:09,920 --> 00:08:15,240 Speaker 2: They still be making new Fast and Furious, But they 147 00:08:15,360 --> 00:08:15,880 Speaker 2: sure are? 148 00:08:16,000 --> 00:08:16,720 Speaker 4: I know, right? 149 00:08:16,960 --> 00:08:18,800 Speaker 2: And oh I still miss Paul Walker. 150 00:08:18,960 --> 00:08:25,360 Speaker 4: Like so, The Fast and Furious is a media franchise 151 00:08:25,400 --> 00:08:30,040 Speaker 4: about street racing, street racing, heights and family, starring Vin 152 00:08:30,080 --> 00:08:33,280 Speaker 4: Diesel and Paul Walker up until his death, and the 153 00:08:33,320 --> 00:08:36,520 Speaker 4: first film is based on the nineteen ninety eight Vibe 154 00:08:36,520 --> 00:08:40,840 Speaker 4: magazine article Racer X by Ken Lee. It began the 155 00:08:40,920 --> 00:08:45,480 Speaker 4: original Tetri tetrology. 156 00:08:45,760 --> 00:08:47,520 Speaker 2: I don't even think I've ever heard that word. What 157 00:08:47,559 --> 00:08:48,319 Speaker 2: does that word mean? 158 00:08:48,760 --> 00:08:49,520 Speaker 3: I haven't either. 159 00:08:50,679 --> 00:08:53,600 Speaker 4: I don't know the original tetrilogy of film. 160 00:08:53,800 --> 00:08:56,720 Speaker 2: I thought the word was trilogy. So trilogy is three 161 00:08:58,120 --> 00:09:01,120 Speaker 2: tenh there you go? 162 00:09:01,440 --> 00:09:03,120 Speaker 1: Wow thing? 163 00:09:04,400 --> 00:09:05,600 Speaker 2: And did you oh, here we go? 164 00:09:05,640 --> 00:09:07,160 Speaker 4: I guess if I kept reading, I would know. 165 00:09:07,840 --> 00:09:09,320 Speaker 2: Did you know that there's a. 166 00:09:09,280 --> 00:09:13,520 Speaker 4: Total of eleven fast the various movies the franchise has 167 00:09:13,559 --> 00:09:17,800 Speaker 4: brought in seven point forty seven billion at the worldwide 168 00:09:17,840 --> 00:09:18,480 Speaker 4: box office? 169 00:09:18,679 --> 00:09:19,000 Speaker 1: Wow? 170 00:09:19,840 --> 00:09:23,959 Speaker 2: Yeah? Vin Diesel is not struggling. 171 00:09:24,200 --> 00:09:27,000 Speaker 1: And I don't know loan of good lights. 172 00:09:27,080 --> 00:09:30,280 Speaker 2: Vin Diesel's like this thing is a real fluke that 173 00:09:30,360 --> 00:09:32,640 Speaker 2: turned into be a real cash cow. 174 00:09:33,440 --> 00:09:37,760 Speaker 1: M all right. So same scene Rory explaining what happened 175 00:09:37,800 --> 00:09:41,920 Speaker 1: with Kirk and Luke at Luke steiner Ry and nobody 176 00:09:42,040 --> 00:09:44,400 Speaker 1: was hurt, Everything was fine, but the smashup was unbelievable 177 00:09:44,440 --> 00:09:46,200 Speaker 1: in one right, the Luke's and Kirk gets up and 178 00:09:46,240 --> 00:09:48,320 Speaker 1: he gets out in the car. He says he's like 179 00:09:48,360 --> 00:09:51,600 Speaker 1: Evil Kniebel style, like I'm okay, I'm okay. By the way, 180 00:09:51,640 --> 00:09:56,280 Speaker 1: Evil Kniebel uh really never got up from a crash 181 00:09:56,360 --> 00:09:59,720 Speaker 1: and said he was okay because he was getting rushed 182 00:09:59,760 --> 00:10:02,000 Speaker 1: the hot all the time with ninety thousand broken bones. 183 00:10:02,040 --> 00:10:05,600 Speaker 1: Evil Knebel was a stunt performer entertainer. Throughout his career, 184 00:10:05,640 --> 00:10:08,760 Speaker 1: he attempted more than seventy five ramped or ramp motorcycle jumps. 185 00:10:09,080 --> 00:10:12,160 Speaker 1: His most famous stunt was an attempt to jump the 186 00:10:12,200 --> 00:10:16,559 Speaker 1: fountains at Caesar's Palace, which resulted in severe injuries. Despite 187 00:10:16,559 --> 00:10:20,000 Speaker 1: his own injuries, he was a proponent of motorcycle helmet 188 00:10:20,040 --> 00:10:24,520 Speaker 1: safety and supported the mandatory helmet bill in the state 189 00:10:24,559 --> 00:10:28,840 Speaker 1: of California. Did you know? Evil Kniebel chose his nickname 190 00:10:28,920 --> 00:10:31,320 Speaker 1: after spending a night in jail ninety fifty six after 191 00:10:31,360 --> 00:10:34,640 Speaker 1: being arrested for reckless driving. In the same Jimbo that 192 00:10:34,840 --> 00:10:40,400 Speaker 1: night was a man named William Kanu Kanufful who had 193 00:10:40,400 --> 00:10:46,640 Speaker 1: the nickname Awful Kanffle. No. This led to Knievl. This 194 00:10:46,720 --> 00:10:50,880 Speaker 1: is a fun fact being referred to as Evil Knieval. 195 00:10:51,000 --> 00:10:54,680 Speaker 2: Now is Evil Canevl like? And don't yell at me? 196 00:10:54,840 --> 00:10:56,520 Speaker 1: Please? No? What he's yelling? 197 00:10:56,640 --> 00:11:00,760 Speaker 2: Nobody's yelling, Danielle and Tara? Does his mean anything to you? 198 00:11:00,880 --> 00:11:03,240 Speaker 2: Or is it like a real seventies thing? Evil? 199 00:11:03,720 --> 00:11:05,199 Speaker 1: That's a real seventies. 200 00:11:05,040 --> 00:11:06,960 Speaker 3: When I think of Evil Knieval, I think of just 201 00:11:07,200 --> 00:11:09,360 Speaker 3: somebody like crashing into stuff. 202 00:11:09,480 --> 00:11:12,760 Speaker 1: So in the seventies they did these. There was this 203 00:11:13,160 --> 00:11:18,079 Speaker 1: trim and every Saturday called ABC's Wide World of Sports. 204 00:11:18,120 --> 00:11:22,599 Speaker 1: It was a big show, and Evil Knievel was a 205 00:11:22,640 --> 00:11:26,720 Speaker 1: couple of times a year, ABC's world Wide World Sports 206 00:11:26,720 --> 00:11:30,280 Speaker 1: would cover Evil Canevl jumping over like you know, all 207 00:11:30,320 --> 00:11:31,480 Speaker 1: these buses. 208 00:11:31,200 --> 00:11:33,640 Speaker 2: Or something like jumped the Grand Canyon. 209 00:11:33,320 --> 00:11:35,440 Speaker 1: Or and he tried to jump the Grand Canyon in 210 00:11:35,480 --> 00:11:38,640 Speaker 1: a rocket car. Okay, so this guy was hell bent 211 00:11:38,720 --> 00:11:42,240 Speaker 1: for leather. He was completely suicidal like. 212 00:11:42,200 --> 00:11:46,160 Speaker 3: Our guys or our generation's jackass. 213 00:11:46,480 --> 00:11:49,880 Speaker 1: No, no, no, this was a guy who was literally 214 00:11:50,040 --> 00:11:54,920 Speaker 1: risking his life. It wasn't like, yeah, so hard that 215 00:11:55,640 --> 00:12:00,600 Speaker 1: they would show slow motion reruns of the jibt his 216 00:12:00,760 --> 00:12:05,360 Speaker 1: crash and you could actually see his bones breaking in 217 00:12:05,440 --> 00:12:08,880 Speaker 1: those room. They showed slow motion over and over and 218 00:12:08,920 --> 00:12:10,439 Speaker 1: here's the crashun And. 219 00:12:10,880 --> 00:12:14,960 Speaker 2: I mean, this guy was remember Robbie Knievel, Evil's son. 220 00:12:15,480 --> 00:12:19,559 Speaker 1: Yeah, and once in a while he'd land to jump 221 00:12:19,800 --> 00:12:22,240 Speaker 1: without getting hurt too bad, But I don't know how 222 00:12:22,280 --> 00:12:26,360 Speaker 1: many times he landed clean. He was always crashing and 223 00:12:26,440 --> 00:12:29,480 Speaker 1: break it in and they'd run almost helicopter him to 224 00:12:29,520 --> 00:12:31,000 Speaker 1: the hospital. It was constantly. 225 00:12:31,120 --> 00:12:32,640 Speaker 2: I kind of had like a He had sort of 226 00:12:32,640 --> 00:12:34,360 Speaker 2: a whole get up like I kind of remember Star 227 00:12:34,800 --> 00:12:38,200 Speaker 2: like hel Kate. I feel like he had a Kate 228 00:12:39,559 --> 00:12:43,120 Speaker 2: dressed like Elvis with a helmet like. The seventies were really. 229 00:12:43,160 --> 00:12:46,320 Speaker 1: I mean the guy, you know, he had some he 230 00:12:46,320 --> 00:12:47,040 Speaker 1: had some guts. 231 00:12:47,200 --> 00:12:49,920 Speaker 2: The eighties were real fire. He did have a cape, 232 00:12:50,160 --> 00:12:53,679 Speaker 2: sorry cape with like blue stars. He was almost got 233 00:12:53,679 --> 00:13:05,600 Speaker 2: a similar uniform to Wonder Woman. Lorlai is sorting through 234 00:13:05,640 --> 00:13:08,959 Speaker 2: Luke's stuff in the living room with Wory. This is Luke's. No, 235 00:13:09,240 --> 00:13:11,520 Speaker 2: this is mine, but I wore it with Luke. When 236 00:13:11,520 --> 00:13:13,839 Speaker 2: we went to see Jarhead, I was trying to look 237 00:13:13,960 --> 00:13:16,240 Speaker 2: kind of army, and something about that combination of the 238 00:13:16,240 --> 00:13:18,600 Speaker 2: movie and the hot dogs at the Waterbury Cineplex made 239 00:13:18,640 --> 00:13:20,079 Speaker 2: me sick in the parking lot, and Luke held my 240 00:13:20,120 --> 00:13:23,720 Speaker 2: hair and it was nice. Jarhead is a two thousand 241 00:13:23,760 --> 00:13:27,160 Speaker 2: and five biographical war drama film. It's based on the 242 00:13:27,160 --> 00:13:30,640 Speaker 2: two thousand and three memoir Jarhead by Anthony Swafford, chronicling 243 00:13:30,960 --> 00:13:33,760 Speaker 2: his military service in the Marine Corps during the Persian 244 00:13:33,760 --> 00:13:37,440 Speaker 2: Gulf War. The film stars Jake Jillenhall and Jamie Fox. 245 00:13:37,480 --> 00:13:42,720 Speaker 1: I really and here's a side note, tell Renie Bell, 246 00:13:42,800 --> 00:13:48,000 Speaker 1: who plays Lulu as the Poor Girls, portrayed Jake Jillenhall's 247 00:13:50,240 --> 00:13:58,000 Speaker 1: great tidbit deranged institutionalized sister. No id of jar Head. 248 00:13:58,120 --> 00:14:01,120 Speaker 2: I never saw Jarhead, but immediately I Jake Jillenhall was 249 00:14:01,160 --> 00:14:03,360 Speaker 2: in it. I did not recall that Jamie Fox was 250 00:14:03,400 --> 00:14:05,840 Speaker 2: in it, but I knew j Jillhall. The term jar 251 00:14:05,920 --> 00:14:09,079 Speaker 2: heads first appeared as an as early as World War 252 00:14:09,120 --> 00:14:13,920 Speaker 2: Two and referred to marine's appearance wearing their dress blue uniforms. 253 00:14:14,160 --> 00:14:16,280 Speaker 2: The high collar on the uniform in the marine's head 254 00:14:16,280 --> 00:14:19,160 Speaker 2: popping out of the top resembled a Mason jar. It 255 00:14:19,240 --> 00:14:22,080 Speaker 2: is also a slang phrase used by sailors when referring 256 00:14:22,080 --> 00:14:25,520 Speaker 2: to marines. Interesting, now, I still want to watch the 257 00:14:25,560 --> 00:14:27,320 Speaker 2: Twilight Zone episode more than jar hits. 258 00:14:27,360 --> 00:14:27,880 Speaker 1: I'm just saying. 259 00:14:28,840 --> 00:14:31,480 Speaker 3: Rory holds up a pile of books. Lorelai wanted Luke 260 00:14:31,560 --> 00:14:34,720 Speaker 3: to read, but he didn't. Rory says, hmm. Cormick McCarthy, 261 00:14:34,760 --> 00:14:37,600 Speaker 3: good call in Cold Blood. He would have loved that, 262 00:14:38,200 --> 00:14:42,280 Speaker 3: Laurlai says, well, he'll never know now. Cormick McCarthy was 263 00:14:42,320 --> 00:14:45,640 Speaker 3: a writer and is a widely and is widely regarded 264 00:14:45,680 --> 00:14:48,680 Speaker 3: as one of the greatest American novelists. He wrote No 265 00:14:48,800 --> 00:14:51,200 Speaker 3: Country for Old Men, which was later turned into an 266 00:14:51,200 --> 00:14:55,080 Speaker 3: Oscar winning film by the Coen Brothers. In Cold Blood 267 00:14:55,280 --> 00:14:58,760 Speaker 3: is a nineteen sixty six nonfiction novel written by Truman. 268 00:14:58,440 --> 00:15:01,880 Speaker 1: Capoti avar Bar and A Bad Haircut is knocking on 269 00:15:01,920 --> 00:15:05,800 Speaker 1: your door, Don't answer it. 270 00:15:05,800 --> 00:15:09,400 Speaker 3: It details of nineteen fifty nine murders of four members 271 00:15:09,440 --> 00:15:14,600 Speaker 3: of the Clutter family and a small farming community of Holcombe, Tech, Kansas. 272 00:15:15,360 --> 00:15:17,720 Speaker 3: It was then made into a film in nineteen sixty seven, 273 00:15:17,960 --> 00:15:22,360 Speaker 3: starring Robert Blake, Scott Wilson, and James Forsite. The film 274 00:15:22,440 --> 00:15:25,800 Speaker 3: was nominated for four Oscars in nineteen sixty eight. And 275 00:15:26,080 --> 00:15:26,760 Speaker 3: did you Know? 276 00:15:27,120 --> 00:15:30,400 Speaker 2: And Wait? Is Robert Blake the one that got into trouble? 277 00:15:30,840 --> 00:15:31,920 Speaker 1: Yes? Wow? 278 00:15:32,920 --> 00:15:37,920 Speaker 2: And John Forsyth is Charlie in Charlie's Angels and Blake 279 00:15:37,920 --> 00:15:39,160 Speaker 2: Harrington and Dynasty. 280 00:15:39,680 --> 00:15:42,080 Speaker 1: And Scott Wilson was in The Walking Dead. 281 00:15:43,160 --> 00:15:45,560 Speaker 2: No, I oh, no, way, he's the old guy. 282 00:15:45,960 --> 00:15:48,960 Speaker 4: Way way. 283 00:15:49,640 --> 00:15:52,720 Speaker 2: I love Scott Wilson. I think one of the babies 284 00:15:52,760 --> 00:15:58,440 Speaker 2: is named after him? And Walking Dead I think, uh yeah, 285 00:15:58,600 --> 00:16:02,960 Speaker 2: one of the babies is named after him. Oh my gosh. 286 00:16:03,040 --> 00:16:05,040 Speaker 2: I loved him in Walking Dead. 287 00:16:05,480 --> 00:16:08,800 Speaker 3: M M, well, did you know in Cold Blood took 288 00:16:08,840 --> 00:16:11,600 Speaker 3: six years for Capodi to research and write. His notes 289 00:16:11,640 --> 00:16:15,400 Speaker 3: were over eight thousand pages long. It also took an 290 00:16:15,400 --> 00:16:18,840 Speaker 3: incredible toll in Capodi personally, so much so that he 291 00:16:18,960 --> 00:16:20,920 Speaker 3: never published another book again. 292 00:16:22,320 --> 00:16:24,120 Speaker 2: He's in Walking Dead. 293 00:16:24,280 --> 00:16:27,320 Speaker 1: They made it. Yeah, they made an indie film called Capodi, 294 00:16:27,520 --> 00:16:32,520 Speaker 1: a brilliant, brilliant film. And I anybody's interested in seeing 295 00:16:32,920 --> 00:16:34,560 Speaker 1: how he researched that. 296 00:16:34,680 --> 00:16:36,960 Speaker 2: I'm so interested in Capodi. But what I'm more interested 297 00:16:37,000 --> 00:16:40,360 Speaker 2: in is letting people know no, no, no, never. But 298 00:16:40,480 --> 00:16:42,880 Speaker 2: you brought up Scott Wilson, and I'm so glad you did. Yes, 299 00:16:43,080 --> 00:16:46,400 Speaker 2: the new Walking Dead, the one with Rick and Mashone. 300 00:16:46,640 --> 00:16:49,840 Speaker 2: I think it's called like the Ones who Live? Oh 301 00:16:49,880 --> 00:16:52,360 Speaker 2: my god, ten out of ten it is so good. 302 00:16:52,720 --> 00:16:54,080 Speaker 1: Who's Rick and Mashone? 303 00:16:54,480 --> 00:16:57,080 Speaker 2: They're the main Well, Rick is the main character in 304 00:16:57,120 --> 00:16:58,680 Speaker 2: Walking Dead and ma Shone. 305 00:16:58,320 --> 00:17:01,320 Speaker 1: Becomes like a very so so he got a spin off. 306 00:17:01,440 --> 00:17:07,440 Speaker 2: He got a spin off, Daryl got a spin off. Uh, 307 00:17:07,600 --> 00:17:10,480 Speaker 2: Jeffrey Dean Morgan got a spin off with Lauren Cohan, 308 00:17:10,680 --> 00:17:13,040 Speaker 2: and then yeah, Rick and Michone have a spin off, 309 00:17:13,080 --> 00:17:15,680 Speaker 2: and all the spin offs are great, but I don't 310 00:17:15,800 --> 00:17:17,960 Speaker 2: this one might be the best one. It is so 311 00:17:18,160 --> 00:17:22,159 Speaker 2: shocking that I find myself watching it like alone, talking 312 00:17:22,160 --> 00:17:24,880 Speaker 2: to the television like it's just so weird, Like I'm 313 00:17:24,880 --> 00:17:27,880 Speaker 2: fully like, no, that did not just happen. And they 314 00:17:27,920 --> 00:17:31,320 Speaker 2: will kill you off like nobody's business. They do not care, 315 00:17:31,920 --> 00:17:32,960 Speaker 2: like you'll just be dead. 316 00:17:35,040 --> 00:17:38,960 Speaker 1: And that's why the show ended, by the way, because 317 00:17:38,960 --> 00:17:39,640 Speaker 1: they didn't care. 318 00:17:40,440 --> 00:17:45,760 Speaker 2: Well so many but it is super good. Okay, anyway, 319 00:17:45,880 --> 00:17:50,160 Speaker 2: I digress. Sorry, who's given into the Walking Dead rewatch 320 00:17:50,280 --> 00:17:56,760 Speaker 2: with Scott Patterson? Just kidding, I'll go next? 321 00:17:57,160 --> 00:18:03,480 Speaker 1: Am I doing walking you want me to? 322 00:18:04,160 --> 00:18:05,440 Speaker 2: Butnhead's way better? 323 00:18:06,280 --> 00:18:06,600 Speaker 1: All right? 324 00:18:06,720 --> 00:18:08,639 Speaker 4: So Laura and Rory, you're talking about Logan and the 325 00:18:08,720 --> 00:18:11,800 Speaker 4: last time he and Rory took a break, and Rory 326 00:18:11,880 --> 00:18:15,280 Speaker 4: is getting anxious, she says, But it's hard on the phone, 327 00:18:15,320 --> 00:18:17,720 Speaker 4: you know, I can't see him. I can't read his expression. 328 00:18:18,080 --> 00:18:19,840 Speaker 4: How am I ever supposed to know what he's thinking 329 00:18:19,960 --> 00:18:22,399 Speaker 4: or feeling? I mean, his eyes always give him away. 330 00:18:22,600 --> 00:18:26,280 Speaker 4: Logan has very expressive eyes, Laura, l I says, I've noticed. 331 00:18:26,320 --> 00:18:28,280 Speaker 4: It's one of the things he and Betty Davis have 332 00:18:28,320 --> 00:18:32,720 Speaker 4: in common. Betty Davis is an American actress of film, television, 333 00:18:32,720 --> 00:18:36,080 Speaker 4: and theater. She was noted for her willingness to play 334 00:18:36,640 --> 00:18:42,399 Speaker 4: unsympathetic sardonic characters for her intent style of acting. She 335 00:18:42,480 --> 00:18:45,240 Speaker 4: is known for her role in Whatever Happened To Baby Jane? 336 00:18:45,320 --> 00:18:47,840 Speaker 4: And All About Eve. Laura is referring to. 337 00:18:47,760 --> 00:18:51,879 Speaker 1: The scariest films. Jeez, when I was a kid, we 338 00:18:51,960 --> 00:18:55,040 Speaker 1: watched those and it was just like, Wow, this is frightening, 339 00:18:55,800 --> 00:18:59,240 Speaker 1: really crazy stuff. Sorry, whatever Happened to Baby Jane's really creepy? 340 00:18:59,320 --> 00:18:59,639 Speaker 1: Go ahead? 341 00:18:59,720 --> 00:19:03,760 Speaker 4: Sorry, okay, So Laurla is referring to the song Betty 342 00:19:03,880 --> 00:19:08,679 Speaker 4: Davis Eyes by Donna Weiss and nineteen twenty four, but 343 00:19:08,800 --> 00:19:13,680 Speaker 4: made popular by Kim carn Kim Carnes Kim Carnes in 344 00:19:13,800 --> 00:19:16,960 Speaker 4: nineteen eighty one, And did you know that Betty Davis 345 00:19:16,960 --> 00:19:20,280 Speaker 4: missed out on her chance to play Scarlett O'Hara and 346 00:19:20,400 --> 00:19:24,040 Speaker 4: Gone with the Wind. She refused to work with Errol Flynn, 347 00:19:24,280 --> 00:19:27,520 Speaker 4: who the studios were pursuing for Rhett, and she had 348 00:19:27,600 --> 00:19:31,800 Speaker 4: been quoted saying she was realistic about Errol's limited acting 349 00:19:31,880 --> 00:19:35,719 Speaker 4: talent and because of this, she was haunted by losing 350 00:19:35,720 --> 00:19:37,000 Speaker 4: out on the nice. 351 00:19:36,800 --> 00:19:38,640 Speaker 1: Nice move there, Betty yeah, good. 352 00:19:38,680 --> 00:19:40,920 Speaker 2: More important to that. I was today years old when 353 00:19:40,960 --> 00:19:44,960 Speaker 2: I realized there was an earlier version of Betty Davis' 354 00:19:45,000 --> 00:19:48,600 Speaker 2: Eyes the song. I had no idea. I just thought 355 00:19:48,720 --> 00:19:55,680 Speaker 2: Kim Carnes wrote it. WHOA wow, Wow, that's shocking. 356 00:19:57,560 --> 00:20:00,200 Speaker 1: Who's up? All right? I mean you do? This is 357 00:20:00,240 --> 00:20:03,119 Speaker 1: the last one I'm gonna do with. Rory calls Logan 358 00:20:03,160 --> 00:20:05,880 Speaker 1: on the first day at the office. So's he can 359 00:20:05,880 --> 00:20:08,399 Speaker 1: see Piccadilly Circus from his window. Rory, So you can 360 00:20:08,440 --> 00:20:11,480 Speaker 1: just see elephants and clowns walking past your building all 361 00:20:11,560 --> 00:20:14,679 Speaker 1: day long. Must be nice, Logan, It's brilliant, ry, brilliant. 362 00:20:14,680 --> 00:20:16,280 Speaker 1: Oh my god, you're turning British? Do you have a 363 00:20:16,280 --> 00:20:21,000 Speaker 1: secretary named Moneypenny? Miss Moneypenny is a fictional character in 364 00:20:21,040 --> 00:20:24,840 Speaker 1: the James Bonds novels and films. She's secretary to m 365 00:20:24,920 --> 00:20:28,080 Speaker 1: who was Bond superior Officer and head of the British 366 00:20:28,080 --> 00:20:32,120 Speaker 1: Secret Intelligence Service. Did you know? And Ian Fleming's first 367 00:20:32,200 --> 00:20:37,840 Speaker 1: draft of Casino Royal. Moneypenny's name was originally Miss Petty Petaval, 368 00:20:39,320 --> 00:20:43,280 Speaker 1: which was taken from Kathleen Pettigrew, the personal assistant to 369 00:20:43,480 --> 00:20:47,800 Speaker 1: I Six director Stuart Menzies. Fleming changed it to be 370 00:20:48,160 --> 00:20:54,800 Speaker 1: less obvious and that ladies and gentlemen, as they say, 371 00:20:54,920 --> 00:21:01,560 Speaker 1: it's gonna be a rap on the culture. Thanks ladies, 372 00:21:01,680 --> 00:21:04,159 Speaker 1: Tara Daniel Amy, wonderful rollicks. 373 00:21:04,600 --> 00:21:06,679 Speaker 2: I'm nervous for next week. But good stuff. 374 00:21:07,440 --> 00:21:08,440 Speaker 1: Why what's next week? 375 00:21:08,480 --> 00:21:11,000 Speaker 2: What's so nervous about? Every episode? 376 00:21:11,160 --> 00:21:15,920 Speaker 1: Season continues? Well, everybody bring your own trash bags, because 377 00:21:15,920 --> 00:21:21,560 Speaker 1: there's gonna be a whole lot of garbage. Anyway, that's 378 00:21:21,600 --> 00:21:27,480 Speaker 1: a good one. I'm just trying to get everybody ready. 379 00:21:28,040 --> 00:21:29,480 Speaker 2: Anne'll be back. Don't worry. 380 00:21:30,160 --> 00:21:32,159 Speaker 1: Oh yeah, yes, I'll be back. Actual you have to 381 00:21:32,200 --> 00:21:34,040 Speaker 1: listen to us anymore. She's just going to talk the 382 00:21:34,040 --> 00:21:39,040 Speaker 1: whole time. We're just going to react. That's the new format. Yeah, 383 00:21:39,040 --> 00:21:46,119 Speaker 1: we're gonna She has no idea what she's negotiating for. Yeah, 384 00:21:46,280 --> 00:21:48,959 Speaker 1: she's making such great progress. She didn't know. It's our 385 00:21:49,080 --> 00:21:54,040 Speaker 1: evil plan. So anyway, all the best kids keep downloading, 386 00:21:54,640 --> 00:21:57,520 Speaker 1: keep sending the cards and letters, all those wonderful messages 387 00:21:57,560 --> 00:22:01,040 Speaker 1: you send, and uh, all the best. 388 00:22:01,520 --> 00:22:09,080 Speaker 2: Kind kind comments that I read, and then the job, 389 00:22:09,119 --> 00:22:11,000 Speaker 2: I have to read them, and then I take it 390 00:22:11,040 --> 00:22:12,520 Speaker 2: and I pay attention. 391 00:22:12,480 --> 00:22:17,399 Speaker 1: Amy Amy, I have to. I'm gonna look, guys, listen, 392 00:22:18,119 --> 00:22:21,480 Speaker 1: let's do an intervention here. Okay, don't read them. Don't 393 00:22:21,560 --> 00:22:23,159 Speaker 1: read them, have somebody else. 394 00:22:23,000 --> 00:22:25,280 Speaker 2: A whole job, and they get mad if we don't 395 00:22:25,320 --> 00:22:27,440 Speaker 2: read them, and if they think we don't take their 396 00:22:28,160 --> 00:22:31,359 Speaker 2: you know, suggestions, which we do. We take all your suggestions. 397 00:22:31,760 --> 00:22:32,359 Speaker 2: I can take it. 398 00:22:32,480 --> 00:22:36,000 Speaker 1: Listen, No, no, nobody can take it. It causes depression. 399 00:22:36,040 --> 00:22:40,119 Speaker 1: Nobody can take all that negativity. Don't do it. Don't 400 00:22:40,160 --> 00:22:43,000 Speaker 1: read them. I'm telling you. I know you think it's 401 00:22:43,040 --> 00:22:46,120 Speaker 1: your job. Have somebody else, Have somebody else read them, 402 00:22:46,240 --> 00:22:52,480 Speaker 1: and then they can they ones. Don't do it. It's 403 00:22:53,520 --> 00:22:57,639 Speaker 1: and mental health Week begins right now. You're not reading 404 00:22:57,640 --> 00:23:30,040 Speaker 1: them by kids. But hey, everybody, and don't forget Follow 405 00:23:30,080 --> 00:23:33,960 Speaker 1: us on Instagram at I Am all In podcast and 406 00:23:34,080 --> 00:23:46,919 Speaker 1: email us at Gilmore at iHeartRadio dot com