WEBVTT - The Things We Live With

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<v Speaker 1>Mordeo is a production of I Heart Radio, Blumhouse Television

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<v Speaker 1>and Crypt TV in association with Wolf at the Door.

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<v Speaker 1>It's terrifying finding out what you're capable of. What's even

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<v Speaker 1>worse is finding out you can live with it. This

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<v Speaker 1>is this is the place, home, sweet home for now.

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<v Speaker 1>Jocolin Jocle, he's safe inside, stay here while Ashley stop right,

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<v Speaker 1>God damn it, get me down from here. You really

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<v Speaker 1>need to start listening. You got the place booby trapped.

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<v Speaker 1>I prefer the term protected, and it said it than

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<v Speaker 1>catching us by surprise. Get me down now, mom, Joplin,

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<v Speaker 1>Oh thank god? Are you okay? Did she hurt? You know?

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<v Speaker 1>I'm fine? As I said, let me down, not until

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<v Speaker 1>you agreed to listen. So you're gonna hear me out?

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<v Speaker 1>Are you gonna let all the blood cap want into

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<v Speaker 1>your head like that? I swear to Jesus if you

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<v Speaker 1>do not get me out of this right now. Just

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<v Speaker 1>listen to her, just trying to help Poppy. Please get

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<v Speaker 1>her down, and we talk sold to the ex cop

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<v Speaker 1>in the tan coat. Oh now, come on, let's get inside.

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<v Speaker 1>We brought enough attention to ourselves as it is. What

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<v Speaker 1>is this place? It's an old hunting lodge, abandoned since

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<v Speaker 1>the turn of the century. With century cute. It's pretty

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<v Speaker 1>much been wiped off any map. Even the satellites can't

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<v Speaker 1>find it. No WiFi or phone lines. Everything's powered by solar.

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<v Speaker 1>It's been a haven for me throughout the years. You're

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<v Speaker 1>safer here than anywhere else. There are sensors on every

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<v Speaker 1>door and window. She showed me. Hey, Josh, can you

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<v Speaker 1>just give us a sec I'd like to speak to

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<v Speaker 1>your pappy and we just have a few things to discuss.

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<v Speaker 1>Are you serious? I'm not leaving. Maybe she should be

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<v Speaker 1>part of this. It's not only gonna traumatize her. I

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<v Speaker 1>don't think you can protect her from that anymore. Hello,

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<v Speaker 1>I'm right here. Don't talk about me like I don't

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<v Speaker 1>have a say in this. You don't. She already told

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<v Speaker 1>me about and the Mordale you told her. I told

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<v Speaker 1>her what she needed to know. You all really need

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<v Speaker 1>to work on your interpersonal issues. I shouldn't have had

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<v Speaker 1>to explain it to her. You're right, you shouldn't have.

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<v Speaker 1>You don't call the shots here. I'm her mother, and

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<v Speaker 1>as her mother, you need to start giving her the

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<v Speaker 1>information she needs to protect herself. Who the hell are you? Huh?

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<v Speaker 1>How are you connected to all this? Anyway? That's not

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<v Speaker 1>important right now. What I can say is that I

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<v Speaker 1>know a hell of a lot more about all this

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<v Speaker 1>than the three of you. Then tell us your us answers.

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<v Speaker 1>I don't owe you anything, but this world you've stumbled into,

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<v Speaker 1>it's much bigger than you think. It reaches farther back

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<v Speaker 1>than any of us. The more Dao, the ward. These

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<v Speaker 1>are long standing forces we're dealing with, and right now

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<v Speaker 1>our focus should be on getting Isaiah out before one

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<v Speaker 1>or both of them destroy him. Maybe he should be destroyed.

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<v Speaker 1>Maybe he deserves everything he has coming to him. Mom,

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<v Speaker 1>you don't mean that, you know you don't. You looked

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<v Speaker 1>into his eyes before you shot him, like I told

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<v Speaker 1>you too, and when you did, you saw what I saw.

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<v Speaker 1>You saw hope. That's why you didn't kill him. You're saying,

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<v Speaker 1>there is hopeful and then well, there are steps so

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<v Speaker 1>we can take, but it's hard. So Isaiah can be

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<v Speaker 1>Isaiaha as long as we keep him from transitioning into

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<v Speaker 1>his final more day and four, how do you know

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<v Speaker 1>he has He's still waking up human, which means he

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<v Speaker 1>still wants to be human. He's choosing that, whether he

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<v Speaker 1>knows it or not, it's a brave choice. Every transition

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<v Speaker 1>is extremely painful. After a while, the pain becomes too much.

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<v Speaker 1>When he's in his final form, he'll just stay a monster.

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<v Speaker 1>He'll be gone for all intents and purposes. To find

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<v Speaker 1>their way back once they've left their human life behind,

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<v Speaker 1>it's a dark journey, almost impossible. So if we keep

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<v Speaker 1>him around and he does take his final form, it

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<v Speaker 1>means he'll never transition back and we'll be defenseless. But

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<v Speaker 1>he said, we can't stop it. How we need to

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<v Speaker 1>trust that Isaiah is still in there somewhere in order

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<v Speaker 1>to save him, in order to keep one more of

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<v Speaker 1>these things out of the world. Old, the first thing

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<v Speaker 1>you need to do is be there for him. He

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<v Speaker 1>needs to know that he's got something to come home to, Ashley.

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<v Speaker 1>He needs to know that he's forgiven. And if I

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<v Speaker 1>can't do that, he'll be the monster you've decided he is.

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<v Speaker 1>I want him back, Jocelyn, if I can forgive him, Mom,

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<v Speaker 1>so can you? You don't know what he how do

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<v Speaker 1>we get him back? Leave that to me. I'm taking

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<v Speaker 1>these so you can't go anywhere against your better judgment.

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<v Speaker 1>Don't use your phones. Might be better if you destroy them.

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<v Speaker 1>Trust no one but the people in this room. You

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<v Speaker 1>understand know in this family, that'll be hard enough as

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<v Speaker 1>it is. Stay put, maybe trying to get some rest.

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<v Speaker 1>You'll need it. It doesn't make sense, a mom, don't leave.

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<v Speaker 1>Why are you helping us? Does it really matter if

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<v Speaker 1>you want us to trust you? Says the one. It

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<v Speaker 1>was the life I saved last night. Let's just say

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<v Speaker 1>I have a debt to pay, and I have a

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<v Speaker 1>lot more lives to say to repay it. The more

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<v Speaker 1>DAYO live in these woods, the last place I want

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<v Speaker 1>to keep my daughter is out here in the mall.

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<v Speaker 1>The biggest threats to your daughter isn't the more Dao.

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<v Speaker 1>It's that brand on your foot. These traps, they're not

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<v Speaker 1>just for the more Dao. Therefore the ward You've broken

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<v Speaker 1>your oath, Ashley, first by taking Isaiah away from them,

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<v Speaker 1>then by keeping him alive. War doesn't forget, and they

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<v Speaker 1>sure as hell don't forgive. Stay inside, don't go anywhere.

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<v Speaker 1>I'll be back as soon as I can. What do

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<v Speaker 1>you want, Michelle cap just looking for a status report?

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<v Speaker 1>Anyone come back to Ernesto's place? Did I call you

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<v Speaker 1>and say otherwise, no one's come back to Ashley's house

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<v Speaker 1>all night either doing the perimeter check. Now, I thought

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<v Speaker 1>the point of a steak out was sustaining incognito. You

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<v Speaker 1>know this is a nice house. A little quaint maybe,

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<v Speaker 1>but nice. I never realized that before. Dude. It's small

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<v Speaker 1>town suburbia. Its entire purpose is to convince you quaint

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<v Speaker 1>is nice. This is what it is supposed to make

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<v Speaker 1>us happy, A simple life lived in a nice house

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<v Speaker 1>like this. But I don't really think it's ever made

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<v Speaker 1>anyone happy, do you not? When there could be something more?

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<v Speaker 1>Your family owns almost an entire town single handedly. If

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<v Speaker 1>you're not happy, I'm not sure there's much hope for

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<v Speaker 1>the rest of us. I'll call if there's any sign

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<v Speaker 1>of them. You don't need to check in, It's no problem. No,

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<v Speaker 1>please don't check in. Ten four, See you soon, cat Isaiah, Isaiah, Hello, Isaiah,

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<v Speaker 1>can you hear me? I said this, Madam? I think

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<v Speaker 1>a h Isaiah. I need you to find my brush,

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<v Speaker 1>start forge God held you everywhere, focus on my I

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<v Speaker 1>can't kill us, I think killed Isaiah. Set aside the hunger.

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<v Speaker 1>Your family needs you. My family, they're waiting for you,

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<v Speaker 1>like they're waiting outside this place. That can really wat

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<v Speaker 1>She's there, She's alive. They're all alive. I can help you,

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<v Speaker 1>Isaiah hart Felish order just constantly focus on me and

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<v Speaker 1>that anything else all away. By there? You mean good?

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<v Speaker 1>Keep listening to my voice. Hello, Isaiah, you remember your voice,

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<v Speaker 1>and I remember you, just not quite like this. Look down,

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<v Speaker 1>cut your hands, h sist. I'm one of them. Give

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<v Speaker 1>me out of here, give me. I need you to

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<v Speaker 1>stay calm. I can help you, okay, but you need

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<v Speaker 1>to censor yourself. I don't see where I am. You

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<v Speaker 1>already know what. You can smell it the blood. Here

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<v Speaker 1>you go, follow the sense. I'll be waiting for you. Hey, Josh,

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<v Speaker 1>what did you find there? I don't know. Some book, Joscelyn.

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<v Speaker 1>You're upset with me. You left me behind. I know.

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<v Speaker 1>Don't ever do that again. Promise me. You won't promise me.

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<v Speaker 1>I can't do that. My job is to protect you,

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<v Speaker 1>and if that means leaving you behind, that's what I'll you. Well,

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<v Speaker 1>at least he didn't lie this time. Were dead? I mean,

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<v Speaker 1>it's god of death. This book is full of Latin roots.

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<v Speaker 1>Those monsters that's we found them in the woods. They

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<v Speaker 1>killed Dad and then turn Isaiah into whatever he is. Look, bug,

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<v Speaker 1>I know what you heard earlier, but please listen to

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<v Speaker 1>me when I say Isaiah is dangerous. She's gonna help.

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<v Speaker 1>We all said we would. Isaiah he's dumb things, very

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<v Speaker 1>bad things. He can't help what he does when he's

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<v Speaker 1>not himself. It's not that simple, Yes it is. Please Mama.

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<v Speaker 1>I don't want to lose anyone else this place. Maybe

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<v Speaker 1>for a Knox, but there isn't much in the way

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<v Speaker 1>of self defense if they were to get past her

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<v Speaker 1>security systems. What's going on in here? I found a

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<v Speaker 1>bunch of these books. They're super old, but I figured

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<v Speaker 1>I should read something educational since it doesn't look like

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<v Speaker 1>I'm going back to school in a time. So, oh God, school,

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<v Speaker 1>I have to go back the gym. It's all still

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<v Speaker 1>there is something I definitely can't explain my way out of.

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<v Speaker 1>She said, we can't leave. Jocelyn's right, it's too risky.

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<v Speaker 1>You don't get it. The broken glass, the busted door

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<v Speaker 1>could be a few kids are broken, but the chains,

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<v Speaker 1>the gun. Jesus, Ashley, I need to go back. You can.

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<v Speaker 1>She took Poppy's keys. Oh I bet you keep your

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<v Speaker 1>spare in the glove compartment, just like Gabe did. We

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<v Speaker 1>should wait until whoever she is comes back. We don't

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<v Speaker 1>have that kind of time. We're in the middle of nowhere,

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<v Speaker 1>you don't know the way, and we barely know anything

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<v Speaker 1>about her defenses. We could trip something our backtrack. It

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<v Speaker 1>was muddy last night, so we must have left some

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<v Speaker 1>sort of a trail. It's a risk I have to take. Mom,

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<v Speaker 1>don't go. Please. It's not saying she's right. I can't

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<v Speaker 1>let you go. I don't need your permission. I'll go.

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<v Speaker 1>They're looking for you, but no one even suspects I

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<v Speaker 1>know anything. I'm much more like to slip under the radar.

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<v Speaker 1>You know. It's a better idea. I can get rid

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<v Speaker 1>of the evidence at the school, then head to my

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<v Speaker 1>place and get some extra protection. Just to the school,

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<v Speaker 1>in and out as fast as you can. Please, Poppy,

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<v Speaker 1>don't go. It's all right, Jocelyn. I'll be back before

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<v Speaker 1>you know it. I promise. H I'm here to get

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<v Speaker 1>rid of me. They're too strong. Push them away like

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<v Speaker 1>you did before. I can see you from where I

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<v Speaker 1>am fight them. Did you wake me up? And here

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<v Speaker 1>you're always awake? You just don't remember. Stay focused, You'll

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<v Speaker 1>get better at every time. Could I forget it? Sitting

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<v Speaker 1>everything I've done like this? There are lots of reasons

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<v Speaker 1>that you choose to forget and loneliness, guilt, God say,

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<v Speaker 1>I can feel all of your Guilt's what holds you

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<v Speaker 1>to them? It's or pain said. You can help me

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<v Speaker 1>more than I can teach you, and help yourself. Your

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<v Speaker 1>heart is good, a rare kind of good, and your

0:14:24.880 --> 0:14:30.280
<v Speaker 1>will power, your pain tolerance. It's unusually hot. You've been

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<v Speaker 1>doing a lot for someone so young. That will help

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<v Speaker 1>most more day. Only they can't be saved. Saved you

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<v Speaker 1>mean only if I can trust you? Can I trust

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<v Speaker 1>you as anyway? Please? Yes, I'll be waiting here. I

0:14:52.040 --> 0:14:58.440
<v Speaker 1>am Isaiah in flesh and blood. Now you're going to

0:14:58.600 --> 0:15:02.440
<v Speaker 1>need to fight every instinct you have not to tear

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<v Speaker 1>me apart. Come come, come go, come go. Fucking shit

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<v Speaker 1>all they're back. Someone's back. Come on, shell, pick up, pickup,

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<v Speaker 1>pickup cup. You've reached the voice mailbox of Detective Michelle Race.

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<v Speaker 1>Please leave a message after the town, Michelle, Where the

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<v Speaker 1>funk are you? Someone's here. It looks like it's just

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<v Speaker 1>a nisto. I don't see anything except his pickup is

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<v Speaker 1>really muddy, splashed all the way to his to no cover.

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<v Speaker 1>Does that mean something? I feel like that means something. Jesus,

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<v Speaker 1>Where is a detective when you actually need one? You

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<v Speaker 1>know what? This was a fucking cop, Dude. I cannot

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<v Speaker 1>tell a cop he's gonna see me unless I had

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<v Speaker 1>in the back of his pickup truck. Okay, I gotta go. Yeah,

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<v Speaker 1>this is the first idea I've ever had. Ship, get

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<v Speaker 1>a car washing nest. Long that's more crimp than I thought. Shit,

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<v Speaker 1>can't turn back now. Yep, this was a terrible idea, Isaiah,

0:16:43.720 --> 0:16:55.440
<v Speaker 1>fight your hunger. You are stronger than them. They're desperate.

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<v Speaker 1>You have purpose us Jocelyn Ashley, your father. They're counting

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<v Speaker 1>on you. They need you to fight. Please, I say, uh,

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<v Speaker 1>they believe in you. I believe in you, child. More fish,

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<v Speaker 1>more figuring. I'm sorry, Uh sorry, M? Did you get

0:18:12.440 --> 0:18:17.879
<v Speaker 1>rid of it all? Everything's clear, M and I stopped

0:18:17.880 --> 0:18:22.480
<v Speaker 1>for I told you just to the school. We should

0:18:22.480 --> 0:18:25.360
<v Speaker 1>be armed. Were you seeing not a soul in sight?

0:18:26.080 --> 0:18:30.400
<v Speaker 1>Like I said? If you come back now, not yet,

0:18:31.200 --> 0:18:50.440
<v Speaker 1>steel drafting ship, Jesus my back. So this is where

0:18:50.440 --> 0:18:56.920
<v Speaker 1>you've been hitting. You've reached the voice mailbox of Detective

0:18:56.920 --> 0:19:05.720
<v Speaker 1>Michelle Rieck message after the town ms Morales. Do you

0:19:05.800 --> 0:19:09.640
<v Speaker 1>have what we're looking for? Not exactly, You're almost out

0:19:09.640 --> 0:19:13.679
<v Speaker 1>of time. Yeah, you mean that perfectly clear. Listen, I

0:19:13.720 --> 0:19:16.000
<v Speaker 1>may not have Isaiah, but I'm looking at the next

0:19:16.000 --> 0:19:38.960
<v Speaker 1>best thing. I'm back. No, no, oh no, why did

0:19:38.960 --> 0:19:41.080
<v Speaker 1>you do that? I should have stayed here and you

0:19:41.160 --> 0:19:48.479
<v Speaker 1>knew what I was. Happens every time. Don't beat yourself

0:19:48.520 --> 0:19:53.000
<v Speaker 1>up to Jesus Christ. How how are you alive? I

0:19:53.119 --> 0:19:56.960
<v Speaker 1>told you to pieces. This is impossible. It is if

0:19:57.000 --> 0:20:02.840
<v Speaker 1>you can't die. Mm hmm. You're one of them, one

0:20:02.920 --> 0:20:09.040
<v Speaker 1>of us, technically not for twenty two years. But they

0:20:09.080 --> 0:20:13.040
<v Speaker 1>don't have a chip for these sorts of things. Wow,

0:20:13.920 --> 0:20:25.159
<v Speaker 1>mm hmm. That's what I'm gonna show you. I'm not

0:20:25.160 --> 0:20:28.280
<v Speaker 1>going to sleep. You know where all then? Pretend for me.

0:20:29.160 --> 0:20:31.840
<v Speaker 1>Do you think she's coming back? We'll see you in

0:20:31.840 --> 0:20:35.120
<v Speaker 1>the morning. Wan't gon to close the window. I'd love

0:20:35.160 --> 0:20:38.199
<v Speaker 1>to listen outside. It makes me feel I don't know

0:20:38.800 --> 0:20:49.480
<v Speaker 1>safe for I guess all right, open it is. I

0:20:49.600 --> 0:20:53.520
<v Speaker 1>think she'll sleep. I think she'll try not to. You

0:20:53.520 --> 0:20:56.480
<v Speaker 1>shouldn't have stopped by your place. It was risky. Well,

0:20:57.080 --> 0:21:00.880
<v Speaker 1>we needed some kind of defense. Carry you doing. I've

0:21:00.920 --> 0:21:05.000
<v Speaker 1>loaded these four I got some extra magazines here. How

0:21:05.040 --> 0:21:10.359
<v Speaker 1>are you doing? I'm processing that one of my sons

0:21:10.400 --> 0:21:14.480
<v Speaker 1>is dead because of the other, and then you tried

0:21:14.480 --> 0:21:17.479
<v Speaker 1>to kill him for it last night. Had he still wishes?

0:21:17.520 --> 0:21:24.080
<v Speaker 1>I had the lord stay in here with door lined.

0:21:24.840 --> 0:21:29.160
<v Speaker 1>Next job. We need to know what's out there. There's

0:21:29.200 --> 0:21:31.480
<v Speaker 1>no way I'm letting you go out there alone. Here,

0:21:31.560 --> 0:21:42.120
<v Speaker 1>take this, stay close, we stick together. Do you see anything?

0:21:47.600 --> 0:21:50.560
<v Speaker 1>What the hell happened? Maybe it was an animal or

0:21:50.600 --> 0:22:03.080
<v Speaker 1>saying John. In the end, we do what we have

0:22:03.160 --> 0:22:08.600
<v Speaker 1>to do to survive, and that's all that matters, isn't it?

0:22:24.760 --> 0:22:29.000
<v Speaker 1>Next time, on more day home, I'm willing to do

0:22:30.000 --> 0:22:37.240
<v Speaker 1>whatever it takes. We we didn't make it any time.

0:22:38.280 --> 0:22:41.359
<v Speaker 1>This is a curse. You'll be paying for what you

0:22:41.440 --> 0:22:45.680
<v Speaker 1>did for the rest of your life. There's another one

0:22:45.720 --> 0:22:51.239
<v Speaker 1>of the balls. What are you doing? I'm giving you

0:22:51.280 --> 0:23:08.160
<v Speaker 1>a little inspiration. H I Heart Radio. Blum House Television

0:23:08.760 --> 0:23:13.160
<v Speaker 1>and Crypt TV in association with Wolfe at the Door

0:23:13.320 --> 0:23:21.240
<v Speaker 1>present Mordeo. Executive produced by Jack Davis, Kate Krantz, Darren Brandel,

0:23:21.800 --> 0:23:28.120
<v Speaker 1>Jason Blum Chris Dickey, Matt Frederick, and Alex Williams. Written

0:23:28.160 --> 0:23:35.440
<v Speaker 1>by Caitlin Crabb, directed by Alex Kemp, Produced by Toby Lawless,

0:23:35.840 --> 0:23:42.840
<v Speaker 1>Winnie Kemp, Daniel Parsons, Co producers ben So Tech, Anthony Magnolo,

0:23:43.920 --> 0:23:51.320
<v Speaker 1>Associate producer Federico Torrado. Starring j L. Fahons, Nicholson as Isaiah,

0:23:52.160 --> 0:24:00.720
<v Speaker 1>Ashley Platts as Ashley, Olivia Lott as Jocelyn Vonnegulo as Michelle,

0:24:02.000 --> 0:24:10.159
<v Speaker 1>with performances by Tacy Adams, Ariella Amar Jamie, Joseph kim Estes,

0:24:10.960 --> 0:24:16.840
<v Speaker 1>Patty Wilkins. Sound designed by Dean Hovey. Original score by

0:24:16.920 --> 0:24:23.360
<v Speaker 1>Christopher Kimp, Mixing by Mark Scarce, Edited by Fernando Diaz,

0:24:24.440 --> 0:24:29.919
<v Speaker 1>Assistant engineer Noah Sour. Recorded at Wolf at the Door Studios.

0:24:31.440 --> 0:24:37.840
<v Speaker 1>Casting consultant Michelle Leewitt, Production assistants Hailey mckeckney and Sophia

0:24:37.880 --> 0:24:46.320
<v Speaker 1>gilbertel studio teacher Pearl Hika, Writing assistant Bill Hanson. This

0:24:46.400 --> 0:24:50.800
<v Speaker 1>podcast was recorded under a SAG after collective bargaining agreement.

0:24:52.119 --> 0:24:56.280
<v Speaker 1>Mordeo is a production of I Heart Radio Blumhouse Television

0:24:56.640 --> 0:25:01.359
<v Speaker 1>Crypt TV. For more podcasts from I Heart Radio, visit

0:25:01.400 --> 0:25:06.040
<v Speaker 1>the i heart radio, app, Apple podcasts, or wherever you

0:25:06.160 --> 0:25:11.879
<v Speaker 1>listen to your favorite shows. H