1 00:00:00,320 --> 00:00:08,320 Speaker 1: Forever. Look mad, oh, I see you? Why why and 2 00:00:08,400 --> 00:00:16,560 Speaker 1: look over there? How is that culture? Yeah? Goodness, you're 3 00:00:16,560 --> 00:00:18,799 Speaker 1: going to take me to task on something. Yeah, I 4 00:00:18,840 --> 00:00:20,959 Speaker 1: hate that you always say how tired you are? I 5 00:00:21,000 --> 00:00:23,200 Speaker 1: hate that I always say how tired? It's so uninteresting, 6 00:00:23,239 --> 00:00:25,000 Speaker 1: it's so bad, it's so dumb. Why do people do it? 7 00:00:25,000 --> 00:00:26,720 Speaker 1: Why do I do it? It's I would even go 8 00:00:26,760 --> 00:00:28,200 Speaker 1: as far as to say, I don't think so, honey, 9 00:00:28,240 --> 00:00:31,000 Speaker 1: people who their thing is how tired they are? And 10 00:00:31,040 --> 00:00:33,560 Speaker 1: that's you. And I'm so sad to say that's become 11 00:00:33,600 --> 00:00:35,959 Speaker 1: your identity. Here's so much more dynamic than that. I'm 12 00:00:36,000 --> 00:00:38,760 Speaker 1: not saying it's my identity. Who's saying it's my identity? 13 00:00:38,880 --> 00:00:41,000 Speaker 1: I am. You're saying it's so much like you've been 14 00:00:41,120 --> 00:00:47,080 Speaker 1: so tired? Yeah, I don't, but I am. I am worried. 15 00:00:47,120 --> 00:00:49,800 Speaker 1: Are you too tired to talk about it? I'm worried 16 00:00:49,840 --> 00:00:54,560 Speaker 1: that it um is, it is becoming your No, no, 17 00:00:54,560 --> 00:00:58,240 Speaker 1: no no, I'm worried that it's gonna it's it's pretending 18 00:00:58,320 --> 00:01:02,240 Speaker 1: something bad? What is port? And I think I'm worried 19 00:01:02,240 --> 00:01:05,600 Speaker 1: it's gonna be a disease? Okay, stop, because I asked 20 00:01:06,080 --> 00:01:09,119 Speaker 1: so I said to Bowen, stop talking about how tired 21 00:01:09,160 --> 00:01:10,480 Speaker 1: you are. And he looks at me and he's like 22 00:01:10,560 --> 00:01:13,039 Speaker 1: sunk sunk down in the couch and he goes, what 23 00:01:13,120 --> 00:01:16,399 Speaker 1: if I have something? And I said, well, bitch, you 24 00:01:16,440 --> 00:01:19,840 Speaker 1: are currently on prep, which means you go for regular checkups. 25 00:01:19,959 --> 00:01:23,240 Speaker 1: So I'm just saying you go never your By the way, 26 00:01:23,280 --> 00:01:28,040 Speaker 1: everyone is on prepse He's in l A. He's on prep. 27 00:01:28,080 --> 00:01:31,000 Speaker 1: And have you in New York soon? He's telling all 28 00:01:31,040 --> 00:01:33,559 Speaker 1: about would be on tour. He's on prep um. Look, 29 00:01:33,600 --> 00:01:36,560 Speaker 1: I think you're fine. But here's the thing is, it's 30 00:01:36,600 --> 00:01:40,720 Speaker 1: like everyone's tired, you know what, I know, everyone's time. 31 00:01:40,880 --> 00:01:44,440 Speaker 1: Literally everyone is tired, but I just for for this 32 00:01:44,520 --> 00:01:47,560 Speaker 1: particular trip. It's like it's that whole millennial burnout thing 33 00:01:47,560 --> 00:01:49,960 Speaker 1: where there's no boundary between work and relaxation and like 34 00:01:50,320 --> 00:01:52,720 Speaker 1: that's just what it's become. So and so I and 35 00:01:52,720 --> 00:01:56,200 Speaker 1: so I've been worn out by not working. I'm also 36 00:01:56,840 --> 00:01:59,200 Speaker 1: out of high energy, and I think that maybe makes 37 00:01:59,200 --> 00:02:01,080 Speaker 1: you tired. It's like one when a when a dog 38 00:02:01,280 --> 00:02:04,480 Speaker 1: that's a little bit older, no shade, sees a younger 39 00:02:04,560 --> 00:02:06,920 Speaker 1: dog that has a lot more energy. It's like, I'm 40 00:02:06,960 --> 00:02:09,760 Speaker 1: already done you can tell the dog the older dog. 41 00:02:10,720 --> 00:02:13,600 Speaker 1: It's like getting more tired just by watching what's happened. 42 00:02:13,600 --> 00:02:15,440 Speaker 1: I don't want to be that older dog, though I 43 00:02:15,560 --> 00:02:21,720 Speaker 1: want to be I want to be um the sprightly thing. Anyway, 44 00:02:21,720 --> 00:02:23,720 Speaker 1: can I say why I'm in my happy place? Yes, 45 00:02:24,480 --> 00:02:29,480 Speaker 1: you went to the bathroom and oh hot hot associet 46 00:02:29,560 --> 00:02:35,320 Speaker 1: producer Alex I'm so sorry. He said he was going 47 00:02:35,360 --> 00:02:38,959 Speaker 1: to disney Lands, and I said, okay, cool, let me 48 00:02:39,040 --> 00:02:41,280 Speaker 1: plan for you. Can I read this By the time 49 00:02:41,320 --> 00:02:43,840 Speaker 1: Bowen Yang got back from the restroom, I had planned 50 00:02:43,880 --> 00:02:45,919 Speaker 1: his Disney day. I'm just gonna read this entire list 51 00:02:45,919 --> 00:02:48,560 Speaker 1: that filled up. This is good for everyone because I 52 00:02:48,600 --> 00:02:50,720 Speaker 1: just went from my birthday, so this is this is 53 00:02:50,720 --> 00:02:53,840 Speaker 1: good for everyone. Start at Disneyland, start tours. Can I 54 00:02:53,840 --> 00:02:56,079 Speaker 1: stop you for one second. This is to say that 55 00:02:56,120 --> 00:02:58,840 Speaker 1: you have bought a multi park pass with max Pass 56 00:02:58,880 --> 00:03:03,120 Speaker 1: that allows you to do fast past options Okay, star towards, 57 00:03:03,120 --> 00:03:08,560 Speaker 1: slash Space Mountain depending on weight time fast past, Radiator, springs, racer, okay, cars, 58 00:03:09,120 --> 00:03:12,000 Speaker 1: matter Horn, bob sleds, big thunder Mountain. This is all 59 00:03:12,000 --> 00:03:13,520 Speaker 1: just in order of and I know that the mattter 60 00:03:13,560 --> 00:03:15,799 Speaker 1: Horn thematically is very close to the Big Thunder Mountain. 61 00:03:15,880 --> 00:03:18,960 Speaker 1: But just you know for way times and for functionalities 62 00:03:19,000 --> 00:03:21,000 Speaker 1: where we're doing them both in a yeah, yeah, okay, 63 00:03:21,000 --> 00:03:23,760 Speaker 1: so Big Thunder Mountain asterisk. By this time you may 64 00:03:23,760 --> 00:03:26,320 Speaker 1: be able to do to fast past Guards into the 65 00:03:26,320 --> 00:03:34,120 Speaker 1: Galaxy Mission formerly next Haunted Mansion Splash Mountain parenthetical. You 66 00:03:34,240 --> 00:03:36,880 Speaker 1: may have to fast pass this if it's warm. Famously, 67 00:03:36,920 --> 00:03:39,440 Speaker 1: if it's warm, the flume rides will have a longer way. Yeah, 68 00:03:39,480 --> 00:03:41,960 Speaker 1: this is why I say that. In the parenthetical all 69 00:03:42,000 --> 00:03:47,200 Speaker 1: caps lunch important head over to California Adventure parenthetical. The 70 00:03:47,200 --> 00:03:50,200 Speaker 1: other part this is the other park asterisk. By this time, 71 00:03:50,200 --> 00:03:52,360 Speaker 1: you may be able to fast pass in Credit Coaster 72 00:03:52,560 --> 00:03:56,360 Speaker 1: you may um, okay, next Radiator Springs, Racers, Guardens of 73 00:03:56,400 --> 00:03:59,840 Speaker 1: the Galaxy and Credit Coaster, and then Big Bracket. Not 74 00:04:00,000 --> 00:04:02,640 Speaker 1: necessarily in this order for these three depends on fast 75 00:04:02,680 --> 00:04:06,040 Speaker 1: past reservation time. Yes, that's clear. Um, we've already we've 76 00:04:06,040 --> 00:04:08,800 Speaker 1: already maxtarted our four fast passes. Though no, that's not 77 00:04:08,840 --> 00:04:11,800 Speaker 1: the way. We don't touch. Don't touch this asterisk. Fast 78 00:04:11,800 --> 00:04:14,760 Speaker 1: past availability oh okay, should be pretty open for everything 79 00:04:14,760 --> 00:04:17,159 Speaker 1: now except Soren. You may have to wait for Sore 80 00:04:17,240 --> 00:04:20,200 Speaker 1: in parenthetical worth it. I waited an hour for sore 81 00:04:20,200 --> 00:04:22,520 Speaker 1: and it was when it was worth it. Asterisk fast 82 00:04:22,520 --> 00:04:25,880 Speaker 1: Past toy story made way Mania Fast Pass around this time, 83 00:04:25,920 --> 00:04:30,200 Speaker 1: continually checked for fast Past availability. Uh, there are must 84 00:04:30,240 --> 00:04:32,279 Speaker 1: These are these ast and I put them in quotes 85 00:04:32,279 --> 00:04:35,440 Speaker 1: because they're not really parts of the Caribbean. Sorry Shady, 86 00:04:35,440 --> 00:04:38,480 Speaker 1: but I don't like it. Buzz light ear, question mark, 87 00:04:38,560 --> 00:04:42,480 Speaker 1: question right, question mark whatever, fantasy Land stuff, those little trinkets. Yeah, okay, 88 00:04:42,480 --> 00:04:44,680 Speaker 1: but that's that's that's alex itinerary. And I think you're 89 00:04:44,720 --> 00:04:47,320 Speaker 1: going to have a great fucking day. And the people 90 00:04:47,360 --> 00:04:49,400 Speaker 1: that I took with me to my birthday, Joe can Booster, 91 00:04:49,480 --> 00:04:51,000 Speaker 1: gret A, Title, min etcetera, and it had all been 92 00:04:51,040 --> 00:04:52,760 Speaker 1: their first time in Disneyland and they will never go 93 00:04:52,839 --> 00:04:57,240 Speaker 1: without me. Now, that's what they said. It's my dream 94 00:04:57,279 --> 00:05:01,000 Speaker 1: to I think I missed my career to be a 95 00:05:01,040 --> 00:05:08,120 Speaker 1: specifically and stream theme park like planner. I mean, can 96 00:05:08,160 --> 00:05:10,440 Speaker 1: I say something there's a hole in the market, and 97 00:05:11,080 --> 00:05:12,520 Speaker 1: have a hole in the market, you have to fill 98 00:05:12,640 --> 00:05:14,720 Speaker 1: that hole, you know who? I bet it's fun at Disneyland, 99 00:05:14,839 --> 00:05:18,840 Speaker 1: our guests, our guests. But but one just shook his head. 100 00:05:19,120 --> 00:05:21,520 Speaker 1: And that makes me feel like maybe not, but I 101 00:05:22,279 --> 00:05:24,360 Speaker 1: feel like I would crack and right open at Disneyland, 102 00:05:24,520 --> 00:05:28,320 Speaker 1: crack it, crack it at Disneyland. I feel like you 103 00:05:28,440 --> 00:05:30,840 Speaker 1: just love it. But with him from the heads, from 104 00:05:30,839 --> 00:05:32,520 Speaker 1: the shake of the head, I don't know. Well, we'll 105 00:05:32,560 --> 00:05:35,480 Speaker 1: get into it. But this is constantly, this is your 106 00:05:35,560 --> 00:05:38,200 Speaker 1: litmus test for if we can, if we can be 107 00:05:38,240 --> 00:05:41,800 Speaker 1: from yeah, really connect? Okay, well I we have. You 108 00:05:41,800 --> 00:05:44,240 Speaker 1: and I have already connected to so many We've already 109 00:05:44,240 --> 00:05:47,440 Speaker 1: connected people. You and I have already connected. I'm talking 110 00:05:47,440 --> 00:05:50,080 Speaker 1: about us connecting with our guests. Yeah, that's what I'm saying. 111 00:05:50,080 --> 00:05:53,280 Speaker 1: We've connected so many ways. You've been directed by one 112 00:05:53,279 --> 00:05:57,279 Speaker 1: of our guests. Yes, And I was very jealous because 113 00:05:57,279 --> 00:05:59,680 Speaker 1: this is a this is a director and director of 114 00:05:59,720 --> 00:06:03,520 Speaker 1: the Millennium, of the Millennium. Sorry, I didn't mean to last. 115 00:06:03,520 --> 00:06:06,600 Speaker 1: She wins today, she wins the director of the Millennium. 116 00:06:06,800 --> 00:06:09,480 Speaker 1: This is this is your up and printed out Papa, 117 00:06:09,720 --> 00:06:13,160 Speaker 1: your Britney Spears at the Viet Maze when she called 118 00:06:13,240 --> 00:06:15,400 Speaker 1: when Michael Jackson thought he was getting the Artist of 119 00:06:15,440 --> 00:06:19,159 Speaker 1: the Millennium award because Britney Spears presenting said I consider 120 00:06:19,240 --> 00:06:21,280 Speaker 1: him to be the artist of the millennium, and then 121 00:06:21,520 --> 00:06:23,440 Speaker 1: he Mishurt mistook that to be It was like the 122 00:06:23,480 --> 00:06:25,680 Speaker 1: video Van Guard Award. You're right, that is the situation. 123 00:06:26,320 --> 00:06:28,600 Speaker 1: That is what we're saying. We're saying one of our 124 00:06:28,640 --> 00:06:32,839 Speaker 1: guests is She's Michael and I'm Brittany, which tracks we're 125 00:06:32,880 --> 00:06:38,880 Speaker 1: both entire straights. Anyway, Okay, well, these guests are iconic 126 00:06:38,920 --> 00:06:40,760 Speaker 1: to me, and I even emailed the guests after they 127 00:06:40,800 --> 00:06:42,640 Speaker 1: did I don't think so, honey, because I'm such a fan. 128 00:06:42,640 --> 00:06:45,039 Speaker 1: And it was so gagged that they were at and well, 129 00:06:45,200 --> 00:06:48,520 Speaker 1: this is the gag is that one of our guests 130 00:06:48,520 --> 00:06:51,160 Speaker 1: was directing, and then in between takes she was like, 131 00:06:51,760 --> 00:06:54,240 Speaker 1: when are Paul and I coming on? And I was like, 132 00:06:54,600 --> 00:07:01,680 Speaker 1: I literally said whenever trash. I was talked about Disneyland 133 00:07:01,680 --> 00:07:04,040 Speaker 1: for two minutes, and I felt I felt really self conscious. 134 00:07:04,040 --> 00:07:06,720 Speaker 1: I was like, I've sounded like an idiot of the time, 135 00:07:06,880 --> 00:07:09,320 Speaker 1: but here's the thing, I still feel connection. I still 136 00:07:09,320 --> 00:07:12,840 Speaker 1: feel because also Polly Lou was my favorite sketch that 137 00:07:13,080 --> 00:07:16,360 Speaker 1: what really was and stop stop it it really was. 138 00:07:16,440 --> 00:07:18,360 Speaker 1: And before you guys came in, we watched Real Housewives 139 00:07:18,360 --> 00:07:21,000 Speaker 1: of South Boston the same on St. Patrick's Day, watched 140 00:07:21,000 --> 00:07:23,640 Speaker 1: The St. Patrick's Day and famously, I think the best 141 00:07:23,680 --> 00:07:26,000 Speaker 1: sketch of all time is one of our guests. No, 142 00:07:26,120 --> 00:07:28,160 Speaker 1: one of our guests playing Robin from Batman and Robert 143 00:07:30,240 --> 00:07:32,800 Speaker 1: and then forget about the mainstream film. They've moved on 144 00:07:32,840 --> 00:07:35,320 Speaker 1: to baby. Rough Night is what me and my family 145 00:07:35,400 --> 00:07:38,240 Speaker 1: watched on Thanksgiving and we loved it. And guess who 146 00:07:38,280 --> 00:07:41,160 Speaker 1: was there? Who One of the stars of the film, 147 00:07:41,720 --> 00:07:47,760 Speaker 1: Zoey Kravitz not just kidding, was there. He's out there, 148 00:07:48,400 --> 00:07:54,520 Speaker 1: come over, but past was there? Yea, And she was there. 149 00:07:55,120 --> 00:07:57,760 Speaker 1: He was not there. He's always invited over too though, 150 00:07:58,160 --> 00:08:01,000 Speaker 1: um but he No. Mo was filling in for my 151 00:08:01,040 --> 00:08:03,960 Speaker 1: sister for thanks She came over to the Rogers house. 152 00:08:03,960 --> 00:08:06,560 Speaker 1: She's so good and my parents were so taken with her. 153 00:08:06,920 --> 00:08:09,040 Speaker 1: They were like, we have to watch most movie and 154 00:08:09,160 --> 00:08:10,880 Speaker 1: that was rough Night and we had a great time. 155 00:08:10,960 --> 00:08:13,520 Speaker 1: That's beautiful And that was the second time I seen it. Um, 156 00:08:14,000 --> 00:08:16,760 Speaker 1: never watch movies on planes. I never want movies on planes. 157 00:08:16,800 --> 00:08:18,760 Speaker 1: But you didn't saw saw rough Nan on a plane. 158 00:08:19,000 --> 00:08:21,080 Speaker 1: I was like made the whole experience. I was like, 159 00:08:21,160 --> 00:08:24,000 Speaker 1: you forgot. I was like, do people know how good 160 00:08:24,040 --> 00:08:26,000 Speaker 1: this movie? Is. I wanted to tell people and I 161 00:08:26,040 --> 00:08:28,520 Speaker 1: was like, sir, you have to watch this movie. And 162 00:08:28,560 --> 00:08:31,720 Speaker 1: it was sir, like the flight attendant. Yes, and he 163 00:08:31,760 --> 00:08:33,319 Speaker 1: was just hope it wasn't the pilot. He had a 164 00:08:33,400 --> 00:08:35,600 Speaker 1: job to do. He was he had a job to do. Um, 165 00:08:35,920 --> 00:08:39,640 Speaker 1: but yeah, he loved him so much. U having no 166 00:08:39,679 --> 00:08:44,959 Speaker 1: interest in interrupting, no, no, no, no no, no on on 167 00:08:45,440 --> 00:08:48,080 Speaker 1: we love them so much. Please welcome into your ears. 168 00:08:48,240 --> 00:08:57,920 Speaker 1: Lucia and Paul here and Pleasure said like, I was like, 169 00:08:57,960 --> 00:09:00,320 Speaker 1: when are we coming on? This is not this is 170 00:09:00,360 --> 00:09:03,760 Speaker 1: not just a whim. This is a promise. This is 171 00:09:04,120 --> 00:09:07,439 Speaker 1: unbelievable to me. Is a threat. This is a threat 172 00:09:07,679 --> 00:09:11,720 Speaker 1: coming on and we are coming on and turned on. 173 00:09:11,960 --> 00:09:16,280 Speaker 1: I believe this such a quick origin. Actually yes, I 174 00:09:16,320 --> 00:09:19,760 Speaker 1: want to do it. Well, you don't have a comment 175 00:09:19,760 --> 00:09:24,160 Speaker 1: alours are different, so but they're not. This is no. 176 00:09:24,360 --> 00:09:26,640 Speaker 1: I well I know, you go ahead, you go ahead. Okay, 177 00:09:26,880 --> 00:09:28,319 Speaker 1: this is like the version of what we just said, 178 00:09:28,960 --> 00:09:34,080 Speaker 1: cut it out. Year is I don't know, twenties, Oh 179 00:09:34,120 --> 00:09:43,400 Speaker 1: my gosh. Lower's side set the scene on set broad City, 180 00:09:43,720 --> 00:09:49,199 Speaker 1: broad City, Comedy Central. So I had seen Bowen audition 181 00:09:49,360 --> 00:09:54,160 Speaker 1: for you know, Sundry Things, Caddy sales clerk part that 182 00:09:54,200 --> 00:09:57,600 Speaker 1: we had whatever it was for Broad City, so we 183 00:09:57,600 --> 00:09:59,160 Speaker 1: were I already knew he was coming in, but I 184 00:09:59,160 --> 00:10:02,040 Speaker 1: didn't know of am right. I just had known him 185 00:10:02,040 --> 00:10:04,240 Speaker 1: for the audition. But he comes on to set and 186 00:10:04,800 --> 00:10:06,720 Speaker 1: after the first take. I don't know if you remember this, 187 00:10:07,160 --> 00:10:11,080 Speaker 1: after the first take, you were so fucking funny. I 188 00:10:11,160 --> 00:10:13,160 Speaker 1: literally wit said. I came up to you, I having 189 00:10:13,160 --> 00:10:17,520 Speaker 1: already met you, and I said who are you? I remember, 190 00:10:18,000 --> 00:10:20,600 Speaker 1: I truly did that. I said who are you? And 191 00:10:20,640 --> 00:10:23,959 Speaker 1: then we changed some stuff later in the scene that 192 00:10:24,040 --> 00:10:26,760 Speaker 1: ended up getting cut that had you in this stretcher 193 00:10:27,160 --> 00:10:31,760 Speaker 1: in the end, because I was like more more, but 194 00:10:31,800 --> 00:10:34,120 Speaker 1: it is the same, the same story because I came 195 00:10:34,120 --> 00:10:36,760 Speaker 1: to set and then she was like, wait till you 196 00:10:36,800 --> 00:10:40,120 Speaker 1: see that. Truly truly not a joke because I was 197 00:10:40,120 --> 00:10:42,520 Speaker 1: on set that day and I've heard of you before 198 00:10:42,520 --> 00:10:46,280 Speaker 1: I saw a take that she was already talking about someone. 199 00:10:46,920 --> 00:10:49,400 Speaker 1: Not a joke. I remember. I was just sitting with 200 00:10:49,400 --> 00:10:51,920 Speaker 1: with with with Um with background people and we were 201 00:10:51,960 --> 00:10:55,160 Speaker 1: just hanging out and that little pop up space and 202 00:10:55,160 --> 00:10:57,439 Speaker 1: I saw Paul walk in and I was like, Wow, 203 00:10:57,559 --> 00:11:01,439 Speaker 1: that's Paul. Double you down and I love and he 204 00:11:02,040 --> 00:11:04,760 Speaker 1: looked at me and smiled and I was like oh 205 00:11:04,840 --> 00:11:06,960 Speaker 1: and like and he seems like such a nice person. 206 00:11:07,200 --> 00:11:09,560 Speaker 1: And then right before I left, right before I right 207 00:11:09,559 --> 00:11:13,640 Speaker 1: after I wrapped, I made I like, was so this person? 208 00:11:14,000 --> 00:11:15,360 Speaker 1: But I went up to Luc She was sitting with 209 00:11:15,360 --> 00:11:18,080 Speaker 1: with Alana, just a video village, and I went up 210 00:11:18,080 --> 00:11:20,480 Speaker 1: to them. It was like before I go, but she 211 00:11:20,640 --> 00:11:22,600 Speaker 1: I just have to tell you, I fucking love real 212 00:11:22,640 --> 00:11:24,920 Speaker 1: Housetives of South Boston. All right, I decaid, I love Pollylo. 213 00:11:25,000 --> 00:11:26,880 Speaker 1: I love it was that Boston and then you and 214 00:11:26,880 --> 00:11:31,320 Speaker 1: then you said um or you said yeah yeah, well 215 00:11:31,800 --> 00:11:34,200 Speaker 1: like you said like yeah, well thanks a lot or 216 00:11:34,240 --> 00:11:35,920 Speaker 1: something that you went into the accident. It was like 217 00:11:35,920 --> 00:11:40,560 Speaker 1: a lovely dropped in and that was the point of arch. 218 00:11:40,720 --> 00:11:44,040 Speaker 1: That was the gorge and wow, I mean that was 219 00:11:44,080 --> 00:11:46,640 Speaker 1: going back from set glowing that day. I was so 220 00:11:46,720 --> 00:11:49,160 Speaker 1: happy and I went to Rice to Riches to reward 221 00:11:49,200 --> 00:11:58,040 Speaker 1: myself love Richard. What is it's the right person. You 222 00:11:58,080 --> 00:12:01,000 Speaker 1: don't have to be okay to Riches. It transcends Rice. 223 00:12:01,000 --> 00:12:03,920 Speaker 1: But you know that the Laura of Rice Riches, right, No, no, 224 00:12:05,080 --> 00:12:10,839 Speaker 1: the lore is this well yeah, in the I believe 225 00:12:10,920 --> 00:12:14,040 Speaker 1: it's the nineties. When it first opened, it was opened 226 00:12:14,200 --> 00:12:19,120 Speaker 1: as a mobb front, like laundering money, laundering money. But 227 00:12:19,160 --> 00:12:22,280 Speaker 1: then the rice pudding was too damn good, and the 228 00:12:22,320 --> 00:12:24,680 Speaker 1: city was like, it will not go well. It was 229 00:12:24,880 --> 00:12:27,079 Speaker 1: it was making too much money. It wasn't working as 230 00:12:27,120 --> 00:12:29,760 Speaker 1: a front because the rice pudding was so good. It 231 00:12:30,120 --> 00:12:32,160 Speaker 1: is so good, and so it doesn't that help the 232 00:12:32,240 --> 00:12:35,680 Speaker 1: laundering scheme if you would think, I think it doesn't. 233 00:12:35,679 --> 00:12:39,240 Speaker 1: I never watched Breaking Bad, Just kidding, this is literally 234 00:12:39,240 --> 00:12:43,640 Speaker 1: the plot of small time crooks. Yeah, yeah, exactly with 235 00:12:44,120 --> 00:12:48,760 Speaker 1: tray think at the network show yeah, bad Girls or whatever. Yeah, 236 00:12:50,640 --> 00:12:55,839 Speaker 1: we're talking about the Woody film We Are, which you 237 00:12:55,880 --> 00:12:59,760 Speaker 1: brought us here, just kidding. And so the rice pudding 238 00:12:59,800 --> 00:13:02,120 Speaker 1: was literally too good. I believe that's what happened. I 239 00:13:02,120 --> 00:13:04,440 Speaker 1: think they had to buy out the mobsters or something. 240 00:13:04,480 --> 00:13:07,480 Speaker 1: And so now it's just it exists, pretty clear. That's fun. 241 00:13:07,520 --> 00:13:10,640 Speaker 1: That's like a victory for food. It is food can 242 00:13:10,679 --> 00:13:13,960 Speaker 1: be any conquer all who can conquer all food might 243 00:13:14,000 --> 00:13:18,559 Speaker 1: get us out of this mess where this speaking in 244 00:13:19,720 --> 00:13:24,280 Speaker 1: this administration, it's still happening. Is this crazy? I never 245 00:13:24,280 --> 00:13:26,440 Speaker 1: thought we'd be here. I never thought we'd be here. 246 00:13:26,920 --> 00:13:28,960 Speaker 1: That's the first time I've ever been said to you know. 247 00:13:29,320 --> 00:13:32,040 Speaker 1: One of the reasons I really like Happa Hot associate 248 00:13:32,080 --> 00:13:34,719 Speaker 1: producer Alec is because I came in here just now 249 00:13:34,760 --> 00:13:40,959 Speaker 1: when he was watching Pete Buddha Judge videos. Wow, that 250 00:13:41,520 --> 00:13:44,000 Speaker 1: you're with it. Um, that guy's great. We met him 251 00:13:44,040 --> 00:13:48,959 Speaker 1: very briefly when you did say where we met a like, 252 00:13:49,000 --> 00:13:51,319 Speaker 1: we just met him. He is great. He's great so far. 253 00:13:51,360 --> 00:13:53,440 Speaker 1: So it was like at a backstage of I mean, 254 00:13:53,480 --> 00:13:57,560 Speaker 1: I don't need to, but because you want to backstage 255 00:13:57,559 --> 00:14:03,920 Speaker 1: of Larry King. Honey doesn't age well, no, no, you 256 00:14:03,960 --> 00:14:07,280 Speaker 1: know what doesn't age? Well, Um, well, just that reference 257 00:14:07,280 --> 00:14:12,800 Speaker 1: because it is Charlie Rose. I think that does age. Well. 258 00:14:13,720 --> 00:14:16,319 Speaker 1: He looks as great and he's sharp as hell. Yeah, 259 00:14:17,840 --> 00:14:19,640 Speaker 1: he actually doesn't age at all. I feel like he's 260 00:14:19,640 --> 00:14:24,160 Speaker 1: been as you know. Yeah, he's constantly like in that 261 00:14:24,240 --> 00:14:29,280 Speaker 1: like kind of like what's the boss from the Simpsons. 262 00:14:27,360 --> 00:14:34,520 Speaker 1: Smiths is the assistant Mr Burns. Mr. He's like in 263 00:14:34,640 --> 00:14:38,400 Speaker 1: Mr Burns like eternally ancient, yes, but always with That's 264 00:14:38,400 --> 00:14:42,160 Speaker 1: the thing. He can never look worse, you know, so exactly, 265 00:14:42,200 --> 00:14:45,040 Speaker 1: he's really Yeah, he likes set his image at like 266 00:14:45,160 --> 00:14:47,840 Speaker 1: eighty and they were like, this is like chic for you, right, 267 00:14:48,120 --> 00:14:53,880 Speaker 1: so they've preserved him, yes, which which we love. Um 268 00:14:53,960 --> 00:14:56,840 Speaker 1: oh my god. I we really were just on a 269 00:14:56,840 --> 00:15:00,840 Speaker 1: fun polly little kick or a little little viewing already on. 270 00:15:01,400 --> 00:15:03,520 Speaker 1: You guys were like that was like above average, Like 271 00:15:03,560 --> 00:15:05,120 Speaker 1: that was like the early days of above average. I 272 00:15:05,160 --> 00:15:07,520 Speaker 1: was also a channel partner, but like they didn't make 273 00:15:07,560 --> 00:15:12,120 Speaker 1: our videos, but they seemed to make a lot of yours, 274 00:15:12,160 --> 00:15:14,760 Speaker 1: and I was like, well, it's because they're really fucking good. Thanks. 275 00:15:14,800 --> 00:15:16,440 Speaker 1: That was a fun time, It really was. It was 276 00:15:16,480 --> 00:15:20,320 Speaker 1: like we had just moved to l a um and 277 00:15:20,400 --> 00:15:22,040 Speaker 1: we just got to make stuff in this all and 278 00:15:22,080 --> 00:15:23,920 Speaker 1: we're actually like now trying to get back to that 279 00:15:24,000 --> 00:15:26,000 Speaker 1: place of just being able to be like, here's a fun, 280 00:15:26,080 --> 00:15:27,920 Speaker 1: dumb idea. We want to just go make it and 281 00:15:27,920 --> 00:15:30,640 Speaker 1: it doesn't mistakes and it's just for us and it 282 00:15:30,680 --> 00:15:32,440 Speaker 1: was a really it was fun. And you know, actually 283 00:15:32,520 --> 00:15:35,280 Speaker 1: I think Allana produced some of those Real Housewives because 284 00:15:35,280 --> 00:15:36,920 Speaker 1: she was staying with us at the time of pitching 285 00:15:36,960 --> 00:15:40,320 Speaker 1: Broad City, sleeping on our couch and truly like holding 286 00:15:40,320 --> 00:15:44,080 Speaker 1: a boom yeah yeah, yeah, like being like okay, she 287 00:15:44,200 --> 00:15:45,800 Speaker 1: was a ding as well, like it was. It was 288 00:15:45,960 --> 00:15:48,320 Speaker 1: very but it was a really fun time to be 289 00:15:51,000 --> 00:15:53,680 Speaker 1: I believe that too. Yeah, oh yeah, that is a thing. Though. 290 00:15:53,720 --> 00:15:56,640 Speaker 1: It's like as as your careers like start to get 291 00:15:57,080 --> 00:15:59,400 Speaker 1: bigger and like things get more, you kind of do 292 00:15:59,720 --> 00:16:02,120 Speaker 1: you lose the opportunity to just do whatever the fuck 293 00:16:02,600 --> 00:16:04,720 Speaker 1: And that's then you kind of are like, oh, I 294 00:16:04,800 --> 00:16:07,400 Speaker 1: missed that time. But also at that time you were 295 00:16:07,440 --> 00:16:10,680 Speaker 1: fully I was waiting tables and like doing miserable, like 296 00:16:10,680 --> 00:16:12,400 Speaker 1: how am I going to like find my next check? 297 00:16:12,720 --> 00:16:14,560 Speaker 1: But also you did have freedom to do kind of 298 00:16:14,600 --> 00:16:17,000 Speaker 1: whatever the fuck. Yeah, and I think I think it 299 00:16:17,080 --> 00:16:20,160 Speaker 1: makes you braver too, because there's tho eyeballs, it's like whatever, 300 00:16:20,600 --> 00:16:23,520 Speaker 1: you know, I missed that time for that, right, And 301 00:16:23,800 --> 00:16:25,800 Speaker 1: I don't know, does it will it like loop background 302 00:16:25,800 --> 00:16:28,640 Speaker 1: to that kind of weird? It wasn't weird. It was 303 00:16:28,640 --> 00:16:30,560 Speaker 1: like a great time of just like all this stuff 304 00:16:30,600 --> 00:16:33,160 Speaker 1: sort of whatever whatever was. I don't know. I always 305 00:16:33,200 --> 00:16:35,800 Speaker 1: think to myself, like, are people that are super successful, 306 00:16:35,800 --> 00:16:37,920 Speaker 1: are they actually able to do whatever they want? Like? 307 00:16:37,960 --> 00:16:40,360 Speaker 1: Because but no, I don't think so. Well. I think 308 00:16:40,360 --> 00:16:42,600 Speaker 1: it depends because sometimes you look at I don't know 309 00:16:42,800 --> 00:16:46,000 Speaker 1: sometimes and this doesn't happened now for years. But I 310 00:16:46,000 --> 00:16:48,000 Speaker 1: remember I used to watch like Ben Stiller at the 311 00:16:48,040 --> 00:16:50,480 Speaker 1: Oscars and I was like, no, he didn't ask anybody. 312 00:16:50,800 --> 00:16:52,720 Speaker 1: He's just doing this thing. And I'm not I'm asking 313 00:16:52,720 --> 00:16:54,600 Speaker 1: no judgment good or bad. I'm just like he's doing 314 00:16:54,640 --> 00:16:56,960 Speaker 1: whatever he wants, you know. So I think sometimes you 315 00:16:56,960 --> 00:17:00,240 Speaker 1: get permission, but but I don't know, but you gotta 316 00:17:00,280 --> 00:17:05,240 Speaker 1: be Stiller. Yeah, I've got to. Unfortunately Stiller, Well, I 317 00:17:05,240 --> 00:17:08,040 Speaker 1: mean one of like the and correct me if I'm wrong. 318 00:17:08,080 --> 00:17:10,320 Speaker 1: But I feel like the like the prevailing narrative of 319 00:17:10,440 --> 00:17:12,840 Speaker 1: Broad City, especially when it first started out, was that 320 00:17:12,880 --> 00:17:15,800 Speaker 1: it was like especially the writer's room was just like 321 00:17:16,520 --> 00:17:18,320 Speaker 1: pretty like it was just like self taught. It was 322 00:17:18,320 --> 00:17:21,200 Speaker 1: these people who like came together and they were just like, well, 323 00:17:21,240 --> 00:17:23,840 Speaker 1: figure this out together. And then it ended up being 324 00:17:23,880 --> 00:17:26,080 Speaker 1: this thing that like broke open all these just it 325 00:17:26,200 --> 00:17:28,480 Speaker 1: just it just like was so new and so cool 326 00:17:28,800 --> 00:17:31,399 Speaker 1: and like that was what ended up sort of giving 327 00:17:31,400 --> 00:17:34,600 Speaker 1: it its identity and like and like Chris was saying 328 00:17:34,600 --> 00:17:35,960 Speaker 1: the other day that it was a lot of stories 329 00:17:36,000 --> 00:17:38,520 Speaker 1: from your life about like being like being in New 330 00:17:38,600 --> 00:17:41,280 Speaker 1: York and being young, and like all of them, every 331 00:17:41,320 --> 00:17:44,680 Speaker 1: single every single thing happened to either one of us 332 00:17:44,760 --> 00:17:47,720 Speaker 1: or somebody we know, or something that happened to all 333 00:17:47,760 --> 00:17:50,040 Speaker 1: of us, you know, and that kind of made it 334 00:17:50,080 --> 00:17:52,320 Speaker 1: feel like, oh, this is our story, has to be 335 00:17:52,359 --> 00:17:54,720 Speaker 1: other people's story and set it. And I was true 336 00:17:54,720 --> 00:17:56,440 Speaker 1: of the in the room too. People would be like, oh, 337 00:17:56,440 --> 00:17:57,879 Speaker 1: I got locked out in this, and they're like, I 338 00:17:57,960 --> 00:17:59,520 Speaker 1: got locked out in the I got locked out in this. 339 00:17:59,640 --> 00:18:03,560 Speaker 1: So every one had those twenties bobo stories. Yeah. I 340 00:18:03,600 --> 00:18:05,800 Speaker 1: do think that's why people were like, oh, yeah, that 341 00:18:05,920 --> 00:18:08,600 Speaker 1: is New York because it really was. Yeah, it's like 342 00:18:08,359 --> 00:18:11,520 Speaker 1: a like a surreal like that scene was it. She 343 00:18:11,560 --> 00:18:13,600 Speaker 1: takes some sort of like drug and then she's like 344 00:18:13,640 --> 00:18:15,280 Speaker 1: having like a full she has like a full day 345 00:18:15,280 --> 00:18:27,040 Speaker 1: and she sees that like this is season one. I think, yeah, him, Okay, 346 00:18:27,119 --> 00:18:28,880 Speaker 1: that like really struck to to me, just like having 347 00:18:28,920 --> 00:18:31,800 Speaker 1: one cold brew. It was like that's me. That's me 348 00:18:31,880 --> 00:18:35,320 Speaker 1: with a little bit of caffeine. Like creatures like and 349 00:18:35,400 --> 00:18:39,359 Speaker 1: I'm in ye and you have painted on eyebrows. Yeah 350 00:18:40,000 --> 00:18:43,200 Speaker 1: for some reason. Yeah, but actually that from that episode, 351 00:18:43,240 --> 00:18:47,200 Speaker 1: that crack thing that cooks, Yeah, she cooked once for Yeah, 352 00:18:47,240 --> 00:18:49,120 Speaker 1: she made me. We had to work one so she 353 00:18:49,359 --> 00:18:51,320 Speaker 1: ate it. Yes, it was like, I'm so high. I 354 00:18:51,359 --> 00:18:52,840 Speaker 1: went to bed. We woke up the next day to 355 00:18:52,880 --> 00:18:54,960 Speaker 1: go shoot something. I'm going to back up even a 356 00:18:54,960 --> 00:18:57,919 Speaker 1: little more before we actually did. So I ate it, 357 00:18:57,960 --> 00:18:59,440 Speaker 1: and then I was going to go watch Paul do 358 00:18:59,520 --> 00:19:07,040 Speaker 1: a show Gentrify remember and so, but I was so 359 00:19:07,119 --> 00:19:10,440 Speaker 1: absolutely out of my mind because she she actually had 360 00:19:10,480 --> 00:19:13,520 Speaker 1: me do was actually eat weed, like actual weed that 361 00:19:13,560 --> 00:19:15,600 Speaker 1: she baked into it, but like you're just eating weed, 362 00:19:15,680 --> 00:19:17,720 Speaker 1: but she has the name was the name for um 363 00:19:18,240 --> 00:19:21,080 Speaker 1: oh shoot, I should know it. But it's denser than 364 00:19:21,320 --> 00:19:27,480 Speaker 1: edible though, like those things can get crazy. She was laughing, 365 00:19:27,520 --> 00:19:30,359 Speaker 1: but also crimes. Would I forget what you did? Something 366 00:19:30,400 --> 00:19:32,520 Speaker 1: happened and there was this moment of silence and I 367 00:19:32,560 --> 00:19:36,399 Speaker 1: was like what she was like the crowd? She was 368 00:19:36,440 --> 00:19:38,960 Speaker 1: out of it. I had like leave early, took her home, 369 00:19:39,080 --> 00:19:40,320 Speaker 1: she went to bed, and then she woke up. The 370 00:19:40,320 --> 00:19:44,080 Speaker 1: next day we were making a short and I was 371 00:19:44,119 --> 00:19:46,520 Speaker 1: like I had been like for like a year, being 372 00:19:46,560 --> 00:19:47,920 Speaker 1: like Paul, I want to be in front of the 373 00:19:48,000 --> 00:19:50,840 Speaker 1: camera too, and so finally he was like, Okay, let's 374 00:19:50,840 --> 00:19:52,600 Speaker 1: do it. And so we'd written a short that I 375 00:19:52,640 --> 00:19:53,919 Speaker 1: was going to be in and we woke up the 376 00:19:53,960 --> 00:19:57,000 Speaker 1: next morning to be in that short so high, and 377 00:19:57,160 --> 00:19:59,840 Speaker 1: she woke up and she said, oh no, I'm still 378 00:20:00,040 --> 00:20:02,639 Speaker 1: so high from the thing that she serves Abby in 379 00:20:02,640 --> 00:20:07,400 Speaker 1: that episode. And then you had that experience. You cannot 380 00:20:07,600 --> 00:20:10,439 Speaker 1: just sunk around with edibles. I swear to God one 381 00:20:10,480 --> 00:20:12,360 Speaker 1: time I had an edible that was like cooked by 382 00:20:12,359 --> 00:20:14,879 Speaker 1: someone at work and like it was like a brownie, 383 00:20:14,920 --> 00:20:17,680 Speaker 1: and I thought, oh, I mean, it's like Alex who cares? 384 00:20:18,000 --> 00:20:20,280 Speaker 1: And I ate it? And I when I tell you, 385 00:20:20,800 --> 00:20:23,239 Speaker 1: I remember I ate it at work. I worked at 386 00:20:23,240 --> 00:20:25,919 Speaker 1: Brooklyn Crab in Red Hook Um and we went to 387 00:20:25,960 --> 00:20:28,480 Speaker 1: this restaurant like probably in Go honest, and I remember 388 00:20:28,520 --> 00:20:30,880 Speaker 1: I like sat down and ordered food, took one step 389 00:20:30,880 --> 00:20:33,080 Speaker 1: of my red wine, and was like, oh, I have 390 00:20:33,160 --> 00:20:36,760 Speaker 1: to leave right now or I'll die. And I remember 391 00:20:37,000 --> 00:20:40,080 Speaker 1: I left, like and I lived pretty close around there. 392 00:20:40,119 --> 00:20:42,960 Speaker 1: I somehow made it to my apartment. I remember thinking 393 00:20:42,960 --> 00:20:45,200 Speaker 1: like seven or eight times I have to lay face 394 00:20:45,240 --> 00:20:48,000 Speaker 1: down on the street right like I finally get there, 395 00:20:48,520 --> 00:20:50,639 Speaker 1: laid in my bed, but I realized I didn't want 396 00:20:50,640 --> 00:20:52,120 Speaker 1: to lay It's like the kind of high where you're 397 00:20:52,119 --> 00:20:54,920 Speaker 1: like you don't know whether you want music on not down, 398 00:20:55,800 --> 00:21:00,960 Speaker 1: walk around what happens in the Wizard of Oz the Tornado, 399 00:21:01,080 --> 00:21:03,960 Speaker 1: and it felt like a giant picked up my bedroom 400 00:21:03,960 --> 00:21:08,240 Speaker 1: and through it and I was projectile and I was like, 401 00:21:08,520 --> 00:21:14,800 Speaker 1: this is inedible, this is marijuana. Yeah, Alex, Alex, And 402 00:21:14,840 --> 00:21:19,200 Speaker 1: now he's the GM in that placed you up when 403 00:21:19,200 --> 00:21:28,360 Speaker 1: you swing by. We have a toxic relationship. I love 404 00:21:28,400 --> 00:21:32,280 Speaker 1: the institution crap, but but but it's that thing of 405 00:21:32,320 --> 00:21:35,920 Speaker 1: like what we were both servers together and he did 406 00:21:35,920 --> 00:21:38,040 Speaker 1: the shitty thing one time where like it was like 407 00:21:38,320 --> 00:21:40,399 Speaker 1: almost ten pm in the restaurant was closing, and like 408 00:21:40,440 --> 00:21:43,520 Speaker 1: at nine pm a table walked in and he said 409 00:21:43,560 --> 00:21:45,240 Speaker 1: to the host, just don't give me that table, and 410 00:21:45,280 --> 00:21:46,800 Speaker 1: she was scared of him, so she gave it to 411 00:21:46,840 --> 00:21:49,520 Speaker 1: someone else, and I was like, you're a piece of ship. 412 00:21:49,840 --> 00:21:51,600 Speaker 1: I was like that sucks. Like I really got in 413 00:21:51,640 --> 00:21:53,720 Speaker 1: his face and was like you suck to work with. 414 00:21:53,800 --> 00:21:56,879 Speaker 1: You're not like like this is really like that was 415 00:21:56,920 --> 00:21:58,560 Speaker 1: funked up what you did. And I see it and 416 00:21:58,640 --> 00:22:03,200 Speaker 1: like I'm not afraid of you. And then he became GM. Okay, 417 00:22:04,240 --> 00:22:06,040 Speaker 1: and that's why you just keep your mouth shut at 418 00:22:06,040 --> 00:22:09,520 Speaker 1: your restaurant job, because it's just a job. But I 419 00:22:09,520 --> 00:22:12,720 Speaker 1: always got like very involved socially at my restaurant jobs, 420 00:22:12,760 --> 00:22:16,399 Speaker 1: really service jobs. I think everybody does. I mean for me, 421 00:22:16,480 --> 00:22:19,800 Speaker 1: that happened, like everybody right after we would end, especially 422 00:22:19,880 --> 00:22:22,160 Speaker 1: it was a weekend, would immediately go and spend half 423 00:22:22,200 --> 00:22:24,840 Speaker 1: the money they just made on drinks. And then to 424 00:22:24,960 --> 00:22:27,000 Speaker 1: be like this weird little circle of like who was 425 00:22:27,040 --> 00:22:29,760 Speaker 1: going to hook up with who? It became a community. 426 00:22:29,880 --> 00:22:33,160 Speaker 1: Yeah did you wait tables? Oh? Yeah, I did too, 427 00:22:33,240 --> 00:22:36,040 Speaker 1: You did too? Yeah. I waited at UM Tavern on 428 00:22:36,080 --> 00:22:40,679 Speaker 1: the Green Wow and UM one Central Park South in 429 00:22:40,680 --> 00:22:43,880 Speaker 1: the Plaza Hotel where you don't get tips because it's 430 00:22:43,880 --> 00:22:46,639 Speaker 1: all like tourists, you know, it's like European tourists, And 431 00:22:46,680 --> 00:22:48,040 Speaker 1: so I did not make mine. I thought it would 432 00:22:48,040 --> 00:22:51,119 Speaker 1: make a ton there, and I know those like nice 433 00:22:51,280 --> 00:22:54,919 Speaker 1: restaurants off in their traps, yes, oh yeah for the 434 00:22:54,920 --> 00:22:56,880 Speaker 1: people working in them. Yeah. If you think it's gonna 435 00:22:56,880 --> 00:22:58,480 Speaker 1: be oh, it's gonna be great tips, and it's really 436 00:22:58,520 --> 00:23:02,320 Speaker 1: not there. I were there for a summer, and then 437 00:23:02,359 --> 00:23:04,760 Speaker 1: I worked at Tavern for a summer, and I it 438 00:23:04,880 --> 00:23:06,960 Speaker 1: was like a hundred degrees in New York in the 439 00:23:07,240 --> 00:23:09,800 Speaker 1: summer and you have to wear like a tuxedo in 440 00:23:09,800 --> 00:23:12,760 Speaker 1: in the outdoors. So I one day at the end 441 00:23:12,800 --> 00:23:14,840 Speaker 1: of my shift walked off with a tuxedo never went back. 442 00:23:15,119 --> 00:23:18,520 Speaker 1: I was like, yeah, but you kept I did I 443 00:23:18,520 --> 00:23:22,399 Speaker 1: have like a mint green very short tuxedo jacket. Yeah, 444 00:23:22,880 --> 00:23:25,080 Speaker 1: anybody wants to borrow I think it could be I 445 00:23:25,080 --> 00:23:27,560 Speaker 1: should wear it to something. You really should. And also 446 00:23:27,600 --> 00:23:31,520 Speaker 1: I remember justifying having like bizarre clothes because like it's 447 00:23:31,560 --> 00:23:34,080 Speaker 1: a prop. Please the amount of the amount of bizarre 448 00:23:34,359 --> 00:23:36,080 Speaker 1: props we have. Do you know that we have a 449 00:23:36,119 --> 00:23:40,879 Speaker 1: storage container in Hollywood Stord unit unit amazing, give us 450 00:23:40,880 --> 00:23:42,840 Speaker 1: give us a little walk through. Well, okay, it had 451 00:23:42,880 --> 00:23:45,600 Speaker 1: to be condition because of the wigs. I didn't want 452 00:23:45,600 --> 00:23:48,880 Speaker 1: the wigs melting or getting flat, so air conditions. It's 453 00:23:48,880 --> 00:23:52,760 Speaker 1: actually real culture number nine three, ta take care of 454 00:23:52,800 --> 00:23:56,960 Speaker 1: your wigs, truly truly. Um, what's what's what's How do 455 00:23:56,960 --> 00:23:59,440 Speaker 1: you individually contain them? Because Cold does the donut boxes, 456 00:23:59,560 --> 00:24:04,240 Speaker 1: the edemand cakes. He's serious and he has like very 457 00:24:04,240 --> 00:24:08,480 Speaker 1: expensive and ours are like ours are containous store plastic 458 00:24:08,800 --> 00:24:11,320 Speaker 1: case like like tough. You know, you're kind of just 459 00:24:11,400 --> 00:24:13,560 Speaker 1: in there. But they're like a little little bag. You know. 460 00:24:14,119 --> 00:24:16,280 Speaker 1: We try. Yeah, you know what, case we have to 461 00:24:16,320 --> 00:24:20,639 Speaker 1: go back to sketch, have to get to toe. They 462 00:24:20,760 --> 00:24:22,760 Speaker 1: also have a huge spin and I refused to get 463 00:24:22,840 --> 00:24:24,040 Speaker 1: rid of it for that reason. I think I have 464 00:24:24,160 --> 00:24:29,359 Speaker 1: like a few bags of like mint green tuxedos and 465 00:24:29,400 --> 00:24:31,879 Speaker 1: like wigs that I'll never use, but I won't give 466 00:24:31,920 --> 00:24:39,199 Speaker 1: him away. Three prop guns just just problematic. Yeah, did 467 00:24:39,240 --> 00:24:42,439 Speaker 1: you ever travel to sketch festivals and like like of 468 00:24:42,440 --> 00:24:47,480 Speaker 1: course every sketch in like two thousand nine had guns, 469 00:24:47,520 --> 00:24:50,439 Speaker 1: And yeah, well I had a I had I was 470 00:24:50,480 --> 00:24:53,560 Speaker 1: doing a my second solo show, Sad Sentence, my second 471 00:24:53,560 --> 00:24:56,040 Speaker 1: solo show it used to be and full blown downs, 472 00:24:56,240 --> 00:24:58,720 Speaker 1: full blown downs, yes, thank you, And I had a 473 00:24:59,240 --> 00:25:04,080 Speaker 1: suitcase full of props, which included a gun, a soft dildo, 474 00:25:04,200 --> 00:25:07,400 Speaker 1: a baby doll, all kinds of things like very very 475 00:25:07,560 --> 00:25:09,240 Speaker 1: very because the baby you wanted it to look like 476 00:25:09,280 --> 00:25:11,639 Speaker 1: a real baby, so it was very I got it. 477 00:25:11,680 --> 00:25:14,840 Speaker 1: I got it, I got it, I got it. Go 478 00:25:14,920 --> 00:25:16,639 Speaker 1: on and it was scary like it was for you know, 479 00:25:17,080 --> 00:25:19,880 Speaker 1: I don't even know who buys these things. It's it's 480 00:25:20,000 --> 00:25:21,720 Speaker 1: like people who don't have babies and they want like 481 00:25:21,720 --> 00:25:25,720 Speaker 1: a and we went, we did the show, such a 482 00:25:25,760 --> 00:25:28,600 Speaker 1: smash it's such a huge success that we went out afterwards. 483 00:25:29,320 --> 00:25:32,399 Speaker 1: We had some food um and our favorite restaurant now closed. 484 00:25:32,440 --> 00:25:34,600 Speaker 1: And when we got back to the place we were staying, 485 00:25:34,680 --> 00:25:38,359 Speaker 1: I realized I left that suitcase with everything in the 486 00:25:38,400 --> 00:25:41,439 Speaker 1: cab and we had a I had a show in 487 00:25:41,560 --> 00:25:44,360 Speaker 1: l A. I appreciate the we Yes, we had a show. 488 00:25:44,480 --> 00:25:45,639 Speaker 1: We had to come back to LA to do it 489 00:25:45,640 --> 00:25:48,480 Speaker 1: in in l A. So I had to track down 490 00:25:48,680 --> 00:25:51,280 Speaker 1: I got the receipt. I googled till I found a 491 00:25:51,320 --> 00:25:56,400 Speaker 1: PDF of a spreadsheet like taxi medallion's. Found this person's 492 00:25:56,480 --> 00:26:00,720 Speaker 1: name and number, called his home whatever his home it 493 00:26:00,800 --> 00:26:04,320 Speaker 1: called his home, called his home home. I had to 494 00:26:04,320 --> 00:26:07,680 Speaker 1: go through three people until somebody who spoke English was like, oh, 495 00:26:07,720 --> 00:26:11,040 Speaker 1: you're looking for my uncle. He dropped your suitcase in 496 00:26:11,080 --> 00:26:13,800 Speaker 1: Williamsburg at the police station or in green Point. I 497 00:26:13,840 --> 00:26:16,239 Speaker 1: went there, and when I went there, they were like 498 00:26:18,000 --> 00:26:20,320 Speaker 1: they went back and they had everything in evidence backs 499 00:26:20,359 --> 00:26:25,320 Speaker 1: because it was like weird ass, like totally, and I 500 00:26:25,359 --> 00:26:26,760 Speaker 1: was like, Okay, this is only half of it. Where's 501 00:26:26,800 --> 00:26:28,399 Speaker 1: the rest. I need my wigs, and I need my 502 00:26:28,880 --> 00:26:31,400 Speaker 1: and I need my MTV Europe teacher. And they were 503 00:26:31,400 --> 00:26:33,840 Speaker 1: like the rest of it was sent to evidence holding 504 00:26:33,880 --> 00:26:36,600 Speaker 1: in Queens. This was the most we had to go 505 00:26:36,640 --> 00:26:39,040 Speaker 1: to Queen's. We went to an evidence like storage locker 506 00:26:39,359 --> 00:26:41,400 Speaker 1: which they were closing because by the time we got 507 00:26:41,440 --> 00:26:44,000 Speaker 1: there it was I took hours to get there. It 508 00:26:44,040 --> 00:26:46,080 Speaker 1: was really hard. But he got mostly all of it back. 509 00:26:46,119 --> 00:26:48,800 Speaker 1: I got almost all of it back. Remember what was missing? 510 00:26:48,840 --> 00:26:52,159 Speaker 1: But like what you didn't get back? I think it 511 00:26:52,240 --> 00:26:54,360 Speaker 1: was some imagin and of sky. I think it was 512 00:26:55,560 --> 00:27:01,440 Speaker 1: MTV j Mber. I remember I wigs might it'll it'll, 513 00:27:01,440 --> 00:27:04,560 Speaker 1: it'll round the corner again, It'll come full circle, will 514 00:27:04,560 --> 00:27:07,240 Speaker 1: come back. It's like fascism. It'll be like so instil 515 00:27:07,480 --> 00:27:11,840 Speaker 1: popular like whenever anyway, Um, that was sad whenever Bone whenever, 516 00:27:12,480 --> 00:27:14,440 Speaker 1: whenever Bone is like stressed out at work. I'm like, 517 00:27:14,480 --> 00:27:18,200 Speaker 1: we'll just remember it's wigs. Like that's good, that's good. 518 00:27:18,680 --> 00:27:23,480 Speaker 1: But no, that's being so reductive because Jody's okay, we'll 519 00:27:23,520 --> 00:27:30,080 Speaker 1: cut that part out. Um we love joy. Um. Okay, 520 00:27:30,119 --> 00:27:32,640 Speaker 1: So listen here on this Culture Recess, we do ask 521 00:27:32,680 --> 00:27:35,160 Speaker 1: a question of our guests, and that question guys asked 522 00:27:35,160 --> 00:27:38,120 Speaker 1: each and every episode, and it is a special question, 523 00:27:38,440 --> 00:27:40,840 Speaker 1: is what is the culture that made you say culture? 524 00:27:41,000 --> 00:27:43,840 Speaker 1: Is for you. So this is the pop culture or 525 00:27:43,920 --> 00:27:46,400 Speaker 1: formative culture in your life that you feel looking back, 526 00:27:46,400 --> 00:27:49,119 Speaker 1: you were like, okay, that's why I am this ready. 527 00:27:49,240 --> 00:27:54,439 Speaker 1: WoT yeats road Rules whoa okay road Rules and not 528 00:27:54,560 --> 00:27:58,320 Speaker 1: real world? Why not? Why not real world? Okay, real world? Great? 529 00:27:58,400 --> 00:28:01,760 Speaker 1: Love it it me in and I'm grateful for that, 530 00:28:01,880 --> 00:28:08,680 Speaker 1: thank you. But road Rules showed me the world, because 531 00:28:08,720 --> 00:28:14,000 Speaker 1: the world that's exactly right until it went to London 532 00:28:14,080 --> 00:28:15,920 Speaker 1: and then when we're opening the world but still we're 533 00:28:15,920 --> 00:28:19,840 Speaker 1: still closed now, road Rules showed me. It showed me 534 00:28:20,160 --> 00:28:24,000 Speaker 1: anything I've never been to, you know, Tucson, Arizona. I'd 535 00:28:24,000 --> 00:28:26,040 Speaker 1: never been to the Caribbean. I had never been to 536 00:28:26,080 --> 00:28:33,920 Speaker 1: these places the world well, because it expanded the world, um, 537 00:28:33,960 --> 00:28:36,280 Speaker 1: and so I really felt like I was able to 538 00:28:36,520 --> 00:28:39,000 Speaker 1: see the see the world through the eyes of people 539 00:28:39,040 --> 00:28:41,800 Speaker 1: who were older than me, but not dramatically older than me. 540 00:28:42,040 --> 00:28:44,440 Speaker 1: And they were like fumbling and dumb and like falling 541 00:28:44,480 --> 00:28:46,560 Speaker 1: in love and doing stupid things and getting drunk and 542 00:28:46,600 --> 00:28:48,480 Speaker 1: making out in hot tubs, which was like, sounds good, 543 00:28:49,280 --> 00:28:51,920 Speaker 1: but they were all hot, beautiful people, and but they 544 00:28:51,920 --> 00:28:53,760 Speaker 1: were also I don't know if I felt like showing 545 00:28:53,800 --> 00:28:56,160 Speaker 1: me the world in a way that felt like documentary 546 00:28:56,160 --> 00:29:00,280 Speaker 1: without being boring. Um, and I loved it, and I 547 00:29:00,320 --> 00:29:03,480 Speaker 1: became obsessed with road Rules, and I would like where 548 00:29:03,520 --> 00:29:05,800 Speaker 1: I grew up, Western Massachusetts has a lot of colleges, 549 00:29:06,880 --> 00:29:09,440 Speaker 1: and so this was really at the height of Road Rules, 550 00:29:09,480 --> 00:29:11,480 Speaker 1: which was when I was like in you know, middle 551 00:29:11,480 --> 00:29:14,360 Speaker 1: school and high school. And so a lot of the 552 00:29:14,440 --> 00:29:19,280 Speaker 1: people from Road Rules would do speaking tours afterwards, yes exactly, 553 00:29:19,440 --> 00:29:23,600 Speaker 1: Ums or Smith College where the Hampshire. They would It 554 00:29:23,640 --> 00:29:26,560 Speaker 1: depends on who they were, like, um, you know, some 555 00:29:26,600 --> 00:29:32,360 Speaker 1: people would talk about drinking problems, q whatever. It was 556 00:29:32,400 --> 00:29:36,160 Speaker 1: their specific like the way they got in their narrative 557 00:29:36,240 --> 00:29:38,840 Speaker 1: was then what they would continue to talk about, but 558 00:29:38,880 --> 00:29:42,000 Speaker 1: in a way that actually was cool. And I would 559 00:29:42,040 --> 00:29:44,600 Speaker 1: go and like watch watch them and sometimes like you know, 560 00:29:44,720 --> 00:29:47,240 Speaker 1: talk to them afterwards if I could or whatever. Um. 561 00:29:47,320 --> 00:29:50,880 Speaker 1: So it became this like socratic thing for you like 562 00:29:51,840 --> 00:29:59,800 Speaker 1: really like I was going to say, and you know, 563 00:30:00,720 --> 00:30:03,200 Speaker 1: if we want to take it a step further, and 564 00:30:03,240 --> 00:30:08,160 Speaker 1: we do we do well. I don't know about the 565 00:30:08,200 --> 00:30:10,760 Speaker 1: last step. And then the next step was that. Um. 566 00:30:11,160 --> 00:30:14,800 Speaker 1: When I went to college, I kind of thought what 567 00:30:14,840 --> 00:30:18,160 Speaker 1: I was going to do with my life was, um, 568 00:30:19,000 --> 00:30:22,120 Speaker 1: try to create something that was in the realm of 569 00:30:22,200 --> 00:30:24,280 Speaker 1: road Rules and that it would kind of explore youth 570 00:30:24,320 --> 00:30:27,280 Speaker 1: culture around the world, because I was fascinated by it, 571 00:30:27,400 --> 00:30:30,640 Speaker 1: and I wasn't exactly We never left my town, like 572 00:30:30,680 --> 00:30:33,360 Speaker 1: I traveled a fair amount, but not as extensively, I 573 00:30:33,360 --> 00:30:35,600 Speaker 1: guess as I would have liked to, And so I 574 00:30:35,640 --> 00:30:37,240 Speaker 1: really thought I was going to end up doing something 575 00:30:37,280 --> 00:30:39,000 Speaker 1: that was I guess. It turned out to be vice, 576 00:30:39,120 --> 00:30:42,040 Speaker 1: so they got me there, but I really was really 577 00:30:42,080 --> 00:30:44,000 Speaker 1: excited about that. That's like kind of what I thought 578 00:30:44,000 --> 00:30:46,600 Speaker 1: I was going to do. And I you know, it 579 00:30:46,640 --> 00:30:50,400 Speaker 1: wasn't exactly like comedy or directing or performing or anything obviously, 580 00:30:50,440 --> 00:30:53,440 Speaker 1: which I got to later, but um, but that is 581 00:30:53,480 --> 00:30:54,920 Speaker 1: really actually what I thought I was going to do 582 00:30:54,920 --> 00:30:57,120 Speaker 1: with my life, and it was kind of inspired by 583 00:30:57,160 --> 00:31:00,600 Speaker 1: my love of road Rules. They also like road Rules 584 00:31:00,640 --> 00:31:03,360 Speaker 1: and and also real world. What I appreciate about them 585 00:31:03,520 --> 00:31:08,520 Speaker 1: is they also exposed like a lot of LGBTQ people 586 00:31:08,640 --> 00:31:11,680 Speaker 1: before anyone else, Like of course, there's like famously and 587 00:31:11,880 --> 00:31:15,440 Speaker 1: iconically Pedro, and that was also like an important like 588 00:31:16,120 --> 00:31:19,800 Speaker 1: step in the Aids story, I think huge, but also 589 00:31:19,960 --> 00:31:22,280 Speaker 1: there every season and I'd be actually curious to watch 590 00:31:22,280 --> 00:31:24,680 Speaker 1: it again now because I want to know how much 591 00:31:24,680 --> 00:31:26,719 Speaker 1: of a straight gaze we're seeing it through and how 592 00:31:26,800 --> 00:31:29,920 Speaker 1: much it holds up. But just like the representation period 593 00:31:30,440 --> 00:31:34,600 Speaker 1: of and I guess like famously Karamo too. Now he 594 00:31:34,720 --> 00:31:39,760 Speaker 1: was the real World, yes, and the narrative around him 595 00:31:39,880 --> 00:31:42,880 Speaker 1: in his season of the Real World was like, what 596 00:31:42,920 --> 00:31:45,560 Speaker 1: do you mean this like straight seeming black guy is 597 00:31:45,640 --> 00:31:48,560 Speaker 1: gay And that's like I'd be interested to see it now. 598 00:31:48,600 --> 00:31:50,520 Speaker 1: But I remember like the two straight like white meat 599 00:31:50,560 --> 00:31:54,480 Speaker 1: heads were like what but um, But it was like, 600 00:31:55,160 --> 00:31:58,080 Speaker 1: I guess important for many people like those two dudes 601 00:31:58,120 --> 00:32:01,160 Speaker 1: to see someone like this, and that is I guess 602 00:32:01,480 --> 00:32:03,760 Speaker 1: what I really liked about those shows in the beginning. 603 00:32:04,200 --> 00:32:06,400 Speaker 1: And then it felt kind of like or you're just 604 00:32:06,440 --> 00:32:08,400 Speaker 1: like putting a bunch of different people together that you 605 00:32:08,440 --> 00:32:10,800 Speaker 1: know we're going to fight, because that's ratings. But it 606 00:32:10,880 --> 00:32:13,760 Speaker 1: was important was Las Vegas was a turning point. Las 607 00:32:13,840 --> 00:32:16,960 Speaker 1: Vegas was it's actually real culture number one hundred and three, 608 00:32:17,080 --> 00:32:20,760 Speaker 1: Las Vegas was turning point. But prior to that, and 609 00:32:20,760 --> 00:32:25,040 Speaker 1: that was the tricous But prior to that, it was 610 00:32:25,080 --> 00:32:27,960 Speaker 1: actually just a bunch of interesting people who were figuring 611 00:32:28,000 --> 00:32:30,040 Speaker 1: it out and then we're like weird types. And then 612 00:32:30,360 --> 00:32:32,080 Speaker 1: after that it just became a season one was like 613 00:32:32,160 --> 00:32:34,840 Speaker 1: indie film of real real world, right, and then it 614 00:32:34,880 --> 00:32:37,720 Speaker 1: became like don't they have like X come in now 615 00:32:38,040 --> 00:32:42,800 Speaker 1: and that there's no gimmicks like physically fighting. It's become 616 00:32:42,880 --> 00:32:45,080 Speaker 1: much more gladiator and it's like we found a racist 617 00:32:45,160 --> 00:32:47,720 Speaker 1: and someone black. We're going to put them in a 618 00:32:47,760 --> 00:32:51,760 Speaker 1: house and see what happened. It's very crazy. But road 619 00:32:51,840 --> 00:32:55,000 Speaker 1: rules and bikes that was It did add that travel element, 620 00:32:55,440 --> 00:32:57,960 Speaker 1: like it is like for me growing up like similar, 621 00:32:58,040 --> 00:33:00,240 Speaker 1: like my world was pretty small. I would imagine stayed 622 00:33:00,240 --> 00:33:02,880 Speaker 1: in western western Massachusetts a lot because I was on 623 00:33:02,920 --> 00:33:04,560 Speaker 1: Long Island like all the time. We never went to 624 00:33:04,560 --> 00:33:09,440 Speaker 1: anywhere except Orlando. But um, seeing the world was like, wow, 625 00:33:09,560 --> 00:33:11,760 Speaker 1: that's kind of interesting that there's a whole big world 626 00:33:11,760 --> 00:33:14,680 Speaker 1: out there. And then the challenge to challenge. You watched 627 00:33:14,720 --> 00:33:16,720 Speaker 1: the challenge I did. I was I was a little 628 00:33:16,800 --> 00:33:18,400 Speaker 1: lesson to the chuge but but of course I watched 629 00:33:19,080 --> 00:33:25,720 Speaker 1: my kidding if this is like a comedian famous comedian, now, 630 00:33:25,960 --> 00:33:30,080 Speaker 1: I think so what right? I think just but like 631 00:33:30,280 --> 00:33:36,440 Speaker 1: but like you has a website that's like a comedy 632 00:33:36,520 --> 00:33:41,560 Speaker 1: dot com Yeah, look it up. Oh my god, that's 633 00:33:41,560 --> 00:33:44,200 Speaker 1: a good one. I see, like I never watched but 634 00:33:44,440 --> 00:33:48,960 Speaker 1: didn't have but like you didn't have cable, but I 635 00:33:49,040 --> 00:33:52,000 Speaker 1: had had a general awareness of these things. But they're 636 00:33:52,160 --> 00:33:53,680 Speaker 1: the only the only thing I have to add to 637 00:33:53,720 --> 00:33:57,160 Speaker 1: this conversation is that, um, there was such a cultural 638 00:33:57,320 --> 00:33:59,560 Speaker 1: locus of a moment when people making out in hot 639 00:33:59,560 --> 00:34:01,840 Speaker 1: tubs was like the coolest thing at the end could 640 00:34:01,840 --> 00:34:05,040 Speaker 1: possibly see on TV. I mean that was that was 641 00:34:05,040 --> 00:34:09,200 Speaker 1: Tchelle and Stephen and that was Remember there was like 642 00:34:09,200 --> 00:34:12,799 Speaker 1: a pregnancy scare. Yeah, that was a good one. That 643 00:34:12,880 --> 00:34:16,759 Speaker 1: was auditioned for that season. And I think Chris Kelly also, 644 00:34:16,840 --> 00:34:19,480 Speaker 1: turns out also auditioned for that season. So Chris Kelly 645 00:34:19,520 --> 00:34:25,480 Speaker 1: was almost the gay on the season, the actually the 646 00:34:25,600 --> 00:34:27,239 Speaker 1: best friend. Of course I would have been, Yeah, that's 647 00:34:27,239 --> 00:34:29,239 Speaker 1: my origin, so they would have season one or the 648 00:34:29,280 --> 00:34:32,799 Speaker 1: other two. Yeah. I didn't get that far. I did 649 00:34:32,800 --> 00:34:36,120 Speaker 1: in person, Yes I did. In person. I didn't get 650 00:34:36,160 --> 00:34:38,959 Speaker 1: very far. But my thing I had, like my because 651 00:34:39,000 --> 00:34:41,040 Speaker 1: I you know, it was well versed in this, and 652 00:34:41,080 --> 00:34:43,239 Speaker 1: so I came in with like, here's my point, here's 653 00:34:43,280 --> 00:34:49,239 Speaker 1: my what makes me unique. I think I just turned eighteen. Okay, yes, 654 00:34:49,520 --> 00:34:55,880 Speaker 1: and soon at the moment that struck, that struck absolutely, 655 00:34:56,400 --> 00:34:58,719 Speaker 1: I was like, Okay, I mean I don't need to 656 00:34:58,719 --> 00:35:00,160 Speaker 1: get into my whole story. But I dropped out of 657 00:35:00,239 --> 00:35:02,560 Speaker 1: high school and got my g E D. But then 658 00:35:02,600 --> 00:35:05,240 Speaker 1: I was a freshman. I was my first year of Columbia. 659 00:35:05,239 --> 00:35:07,080 Speaker 1: I got transferred in. I played tennis. But I was 660 00:35:07,080 --> 00:35:10,560 Speaker 1: also like, but I'm also a virgin, like all these 661 00:35:10,600 --> 00:35:14,359 Speaker 1: things I was going, I was like, a smart virgin. Great, yeah, yeah. 662 00:35:14,719 --> 00:35:16,920 Speaker 1: I was like, you just don't know with me, and 663 00:35:16,960 --> 00:35:19,640 Speaker 1: that was kind of my thing, and I didn't get 664 00:35:19,680 --> 00:35:22,000 Speaker 1: I didn't get very far. You know when I first 665 00:35:22,000 --> 00:35:25,000 Speaker 1: met Legia. Honestly, maybe the first few months I knew you. 666 00:35:25,440 --> 00:35:28,439 Speaker 1: She auditioned to be a j and MTV. I'd gotten 667 00:35:28,560 --> 00:35:30,520 Speaker 1: kind of far on that one. Yeah. I remember we 668 00:35:30,520 --> 00:35:34,040 Speaker 1: met in the day and had a drink and you 669 00:35:34,080 --> 00:35:36,600 Speaker 1: were going to yeah, yeah, that one. I originally did 670 00:35:36,600 --> 00:35:38,000 Speaker 1: send in a tape and then I got called in 671 00:35:38,040 --> 00:35:39,719 Speaker 1: a bit, but they kept being like, you need to 672 00:35:39,760 --> 00:35:41,600 Speaker 1: be like a little more excited and a little bit 673 00:35:41,600 --> 00:35:44,040 Speaker 1: more like a beat, and I was like, that's not 674 00:35:44,080 --> 00:35:46,640 Speaker 1: what I'm starting to tell you something. They were I 675 00:35:46,680 --> 00:35:48,719 Speaker 1: also unditioned to be a j and they told me 676 00:35:48,760 --> 00:35:51,600 Speaker 1: to tone it down because I was like, come on, guys, 677 00:35:51,719 --> 00:35:53,640 Speaker 1: I was just like I was like I saw on 678 00:35:53,840 --> 00:35:56,880 Speaker 1: my natural Like they tell me this in every single audition. 679 00:35:56,880 --> 00:36:02,840 Speaker 1: They're like, cool, now do it normal? So insane? He 680 00:36:02,880 --> 00:36:05,600 Speaker 1: would have been amazing duo. Honestly, that would have been good. 681 00:36:05,800 --> 00:36:08,520 Speaker 1: What a funny the other two? That's good. That's right, 682 00:36:08,880 --> 00:36:12,439 Speaker 1: the other two should be. Let's talk off Mike about 683 00:36:12,480 --> 00:36:17,080 Speaker 1: what the other two should be. Oh my god, is 684 00:36:17,120 --> 00:36:19,640 Speaker 1: this speaker stuff post right after like the Simon Rex 685 00:36:19,719 --> 00:36:23,920 Speaker 1: Sarah of things. This was like Simon R. Rex but 686 00:36:24,280 --> 00:36:27,120 Speaker 1: right around when his solo tape came out. Yeah, this 687 00:36:27,200 --> 00:36:30,560 Speaker 1: is right around like a fund hole Simon Rex inspiration 688 00:36:30,600 --> 00:36:37,080 Speaker 1: for a broad City storyline. Yea, like a fantastic arc. 689 00:36:37,200 --> 00:36:38,960 Speaker 1: I can take very little credit. I can't take any 690 00:36:38,960 --> 00:36:42,480 Speaker 1: really for that, except for except but you guys. But 691 00:36:42,760 --> 00:36:45,839 Speaker 1: I mean a lot of that stuff was like was 692 00:36:45,960 --> 00:36:48,759 Speaker 1: just like Simon Rex, like on a pool float and 693 00:36:48,800 --> 00:36:51,319 Speaker 1: then they just had tray on a pool. Yeah, I 694 00:36:51,360 --> 00:36:54,520 Speaker 1: was like on towels and yeah, yeah, I believe he 695 00:36:54,600 --> 00:36:56,560 Speaker 1: was on his back in a towel. Yes, he was 696 00:36:56,560 --> 00:36:58,440 Speaker 1: on his back in his towel outside of the pool 697 00:36:58,600 --> 00:37:03,200 Speaker 1: and like sort of like disassociating. Yeah, they're like, oh, 698 00:37:03,239 --> 00:37:06,640 Speaker 1: this is sad, but I'm still Yeah, it was the 699 00:37:06,680 --> 00:37:09,320 Speaker 1: Native American thing where like his soul was being taken. Yeah, 700 00:37:12,880 --> 00:37:15,560 Speaker 1: they were right about that with him. Yeah, okay, let's 701 00:37:15,560 --> 00:37:23,120 Speaker 1: me want to Paul Paul for you. Wow. I think honestly, um, 702 00:37:23,160 --> 00:37:24,839 Speaker 1: the thing that I used to watch that I think 703 00:37:25,040 --> 00:37:28,880 Speaker 1: no one when I was like thirteen watched was absolutely fabulous. 704 00:37:30,320 --> 00:37:33,120 Speaker 1: That was my thing. What was it about? It? Was 705 00:37:33,160 --> 00:37:34,960 Speaker 1: it just like like I think this is funny, and 706 00:37:34,960 --> 00:37:37,040 Speaker 1: I don't know why. I think the specific thing was 707 00:37:37,080 --> 00:37:38,839 Speaker 1: I was like I don't get it. I love it, 708 00:37:38,880 --> 00:37:41,560 Speaker 1: you know, and that the audience was so into it, 709 00:37:42,120 --> 00:37:44,799 Speaker 1: and even just in the translation of the language, I 710 00:37:44,800 --> 00:37:46,640 Speaker 1: was like, what are they talking about? But I knew 711 00:37:46,719 --> 00:37:48,719 Speaker 1: I liked the energy, and I knew I liked it, 712 00:37:48,760 --> 00:37:50,759 Speaker 1: and I was like I wanted to be in and 713 00:37:50,800 --> 00:37:52,360 Speaker 1: you know, there are certain things that you get of 714 00:37:52,600 --> 00:37:54,359 Speaker 1: you get like Saffie you get you know, you get 715 00:37:54,360 --> 00:37:56,959 Speaker 1: Saffie and Patsy, you get their dynamics. So it's clear 716 00:37:57,040 --> 00:38:00,480 Speaker 1: I wasn't like, you know, yeah, fully out, I got 717 00:38:00,520 --> 00:38:04,120 Speaker 1: some of it, and I was like I understood, but yeah, 718 00:38:04,120 --> 00:38:06,600 Speaker 1: I think that was it. Yeah, there are those things 719 00:38:06,640 --> 00:38:10,920 Speaker 1: like that, like it's like you want to hear it, 720 00:38:11,040 --> 00:38:12,960 Speaker 1: but you don't know why or watch it. I say 721 00:38:13,000 --> 00:38:15,040 Speaker 1: here because mine was. I would listen to Margaret Show 722 00:38:15,120 --> 00:38:19,120 Speaker 1: stand up albums without understanding a single, but I knew 723 00:38:19,160 --> 00:38:21,879 Speaker 1: that it was for me. I was like, I know 724 00:38:22,080 --> 00:38:26,799 Speaker 1: this joke about like, but sex is for me, even 725 00:38:26,800 --> 00:38:30,040 Speaker 1: though I'm I don't know yet, right, but sex is 726 00:38:30,280 --> 00:38:32,640 Speaker 1: you know. I just was like, it's those things that 727 00:38:32,680 --> 00:38:34,880 Speaker 1: you connect to when you're like why and I do 728 00:38:34,880 --> 00:38:37,040 Speaker 1: you think? How did you hear about that? Well? It 729 00:38:37,080 --> 00:38:39,600 Speaker 1: was on Comedy Central and I used to watch Comedy 730 00:38:39,600 --> 00:38:42,479 Speaker 1: Central and I would watch like Premium Roast or whatever 731 00:38:42,520 --> 00:38:45,920 Speaker 1: the stand upers were. And I mean back then it 732 00:38:46,000 --> 00:38:48,600 Speaker 1: was like it was like paul A pound Stone and 733 00:38:48,600 --> 00:38:50,719 Speaker 1: it was just like I feel like comedy was very 734 00:38:50,760 --> 00:38:54,160 Speaker 1: weird and I watched that a lot. I watched Channel 735 00:38:54,200 --> 00:38:57,080 Speaker 1: thirty two, you know, and that was one of the 736 00:38:57,080 --> 00:38:58,919 Speaker 1: things that they played. So I think it was also 737 00:38:59,000 --> 00:39:01,799 Speaker 1: like way after probably it was ever on in the UK, 738 00:39:02,200 --> 00:39:04,479 Speaker 1: you know, because then they would do marathons. They would 739 00:39:04,480 --> 00:39:07,040 Speaker 1: have marathons of a weekend it was just that. So 740 00:39:07,400 --> 00:39:11,799 Speaker 1: I think it was like the first thing I binged ever. Yeah, um, 741 00:39:12,440 --> 00:39:14,560 Speaker 1: binging has been happening for a long time because that 742 00:39:14,680 --> 00:39:16,919 Speaker 1: was a thing like on like mtvv H one where 743 00:39:17,080 --> 00:39:19,200 Speaker 1: there'd be whole weekends where just top model would be 744 00:39:19,200 --> 00:39:23,360 Speaker 1: on the Like that was like that was like remember 745 00:39:23,920 --> 00:39:26,680 Speaker 1: SPU marathons. Oh yeah, and you could just plant and 746 00:39:26,680 --> 00:39:29,239 Speaker 1: then you would I can watch all of that, yeah, 747 00:39:29,719 --> 00:39:31,799 Speaker 1: because it's easy and that that there is like an 748 00:39:31,880 --> 00:39:34,600 Speaker 1: argument for like that quote unquote easy television to watch. 749 00:39:34,680 --> 00:39:36,560 Speaker 1: Like everyone's like, oh, hold, like this is like easy 750 00:39:36,600 --> 00:39:38,880 Speaker 1: to write or whatever, but it's like, no, that's fun 751 00:39:39,320 --> 00:39:43,160 Speaker 1: and television like that's procedural, it's you know the procedure. 752 00:39:43,280 --> 00:39:47,000 Speaker 1: Yeah yeah, yeah yeah yeah. And also sitcom a situation comedy. 753 00:39:47,480 --> 00:39:50,080 Speaker 1: We know the situation. It's clear, we can see it. 754 00:39:50,320 --> 00:39:52,600 Speaker 1: This is actually I'm happy you're listening to this podcast, 755 00:39:52,600 --> 00:39:55,719 Speaker 1: which is what is to comes. Yeah, we should let 756 00:39:55,719 --> 00:39:57,839 Speaker 1: people know, which we should let people know. Um Alec 757 00:39:57,960 --> 00:40:03,640 Speaker 1: is leaving. So what about this conversation turns you off? Yeah, 758 00:40:03,719 --> 00:40:10,279 Speaker 1: go speak. I can't comedy. These normals like comedy either. 759 00:40:13,000 --> 00:40:15,680 Speaker 1: I really don't watch a lot of comedy though. I 760 00:40:16,760 --> 00:40:20,520 Speaker 1: watch only some we've been watching. We have been watching lately. 761 00:40:20,920 --> 00:40:23,560 Speaker 1: The comedy is changing, comedy is changing all the time. 762 00:40:23,920 --> 00:40:25,440 Speaker 1: But Chris and Zrich human and they were like the 763 00:40:25,520 --> 00:40:27,000 Speaker 1: last thing we wanted to do when we would go 764 00:40:27,040 --> 00:40:29,240 Speaker 1: home from shooting the other two or just even writing 765 00:40:29,280 --> 00:40:32,800 Speaker 1: it was just watching watching the comedy, seeing the production 766 00:40:32,840 --> 00:40:37,640 Speaker 1: behind the word. Absolutely when we were just watched all 767 00:40:37,640 --> 00:40:40,480 Speaker 1: the Hunger Games movies, because like how do we escape 768 00:40:40,520 --> 00:40:42,759 Speaker 1: and watch the things? Yes, because that kind of thing. 769 00:40:42,800 --> 00:40:45,160 Speaker 1: The rare times we would watch like a comedy or whatever, 770 00:40:45,200 --> 00:40:48,279 Speaker 1: I'd look at this coverage. How much time did they have? 771 00:40:48,360 --> 00:40:51,400 Speaker 1: I don't get that much time? Ye know what I 772 00:40:51,440 --> 00:40:54,120 Speaker 1: think about Sometimes it's like literally like whenever there's a 773 00:40:54,160 --> 00:40:59,040 Speaker 1: small character, I'm like, yeah they booked that. I think 774 00:40:59,040 --> 00:41:01,560 Speaker 1: of the audition, like being on set and I'm like, 775 00:41:01,600 --> 00:41:04,719 Speaker 1: I wonder how nervous that actor, like a small roll 776 00:41:04,760 --> 00:41:07,719 Speaker 1: and anything. I always like I'm here, Yeah, I can 777 00:41:07,840 --> 00:41:10,120 Speaker 1: see that actor kind of being like like I don't know, 778 00:41:10,160 --> 00:41:13,839 Speaker 1: I just see the work. Yeah, totally in a way, 779 00:41:13,920 --> 00:41:16,479 Speaker 1: and also like um, I wonder what take of that 780 00:41:16,480 --> 00:41:20,319 Speaker 1: that was, Like how they got there? Yeah, I mean, 781 00:41:20,360 --> 00:41:23,000 Speaker 1: like god, it's a curse to be working in the 782 00:41:23,040 --> 00:41:28,680 Speaker 1: ind I can't enjoy things anymore. But I mean it 783 00:41:28,840 --> 00:41:32,440 Speaker 1: is like it's not this, it's not an aversion or anything. 784 00:41:32,480 --> 00:41:35,080 Speaker 1: It's just a fatigue. Probably for me, it's like I 785 00:41:35,120 --> 00:41:39,160 Speaker 1: go home literally. And what Chris and Sarah said was 786 00:41:39,160 --> 00:41:42,439 Speaker 1: that they put on a housewives and housewives we heard 787 00:41:42,440 --> 00:41:45,400 Speaker 1: there's and it was a lot of housewives which we 788 00:41:45,440 --> 00:41:47,800 Speaker 1: don't watch. And I have to be honest, Sorry, I 789 00:41:47,800 --> 00:41:52,600 Speaker 1: don't mean to interrupt your that I have this feeling 790 00:41:52,600 --> 00:41:54,640 Speaker 1: where I I don't really watch so I have seen 791 00:41:54,680 --> 00:41:55,960 Speaker 1: him here and there. If you say the names, I 792 00:41:55,960 --> 00:41:59,040 Speaker 1: know Bethany, I know who during days, but I don't 793 00:41:59,080 --> 00:42:06,719 Speaker 1: like no, no, you know, we don't want don't know. 794 00:42:06,840 --> 00:42:09,480 Speaker 1: And it's I'm not asking, I guess for you guys 795 00:42:09,520 --> 00:42:11,520 Speaker 1: to convince me, because IOUs it's like I don't need 796 00:42:11,520 --> 00:42:14,440 Speaker 1: to be convinced. But um why, I just feel I'm 797 00:42:14,480 --> 00:42:17,160 Speaker 1: just trying to like No, no, you are asking us 798 00:42:17,160 --> 00:42:19,120 Speaker 1: why we like it. No, I guess a little bit 799 00:42:19,280 --> 00:42:21,359 Speaker 1: why you like it? Slash, How does it not come 800 00:42:21,360 --> 00:42:24,239 Speaker 1: off as feeling like exploitative of women who are maybe 801 00:42:24,239 --> 00:42:29,239 Speaker 1: a little I'm happy you asked that I was very 802 00:42:29,320 --> 00:42:33,279 Speaker 1: anti the housewives, like and even the Kardashians. I was like, 803 00:42:33,560 --> 00:42:35,480 Speaker 1: I sort of get why people like it, but the 804 00:42:35,520 --> 00:42:38,720 Speaker 1: Housewives felt to me like, oh, you're just like taking 805 00:42:38,719 --> 00:42:41,560 Speaker 1: women who are like bored and potentially sad and maybe 806 00:42:41,560 --> 00:42:44,080 Speaker 1: even have like alcohol issues, and you're hinting them against 807 00:42:44,400 --> 00:42:47,200 Speaker 1: each other. It's reductive, flat out without having seen it, 808 00:42:47,239 --> 00:42:50,600 Speaker 1: like our friends Suity like fucking loved it. But then 809 00:42:50,719 --> 00:42:54,760 Speaker 1: I watched it and I was like, actually, that's those 810 00:42:54,880 --> 00:42:57,480 Speaker 1: are not often the narratives like if they have an 811 00:42:57,520 --> 00:43:01,359 Speaker 1: issue with alcohol, it's the friends all like concern might 812 00:43:01,360 --> 00:43:04,719 Speaker 1: have an issue with alcohol, And like, is it from 813 00:43:04,719 --> 00:43:10,239 Speaker 1: I convincing you at all? I'm genuinely just curious. Yeah, 814 00:43:10,239 --> 00:43:12,959 Speaker 1: I'm curious. I I thought I thought of house Lives 815 00:43:12,960 --> 00:43:14,920 Speaker 1: in those terms as well before I started watching. And 816 00:43:14,960 --> 00:43:16,800 Speaker 1: then and I'm still not fully like mired and it 817 00:43:16,960 --> 00:43:19,080 Speaker 1: like they're like you might be or christ and Sarah 818 00:43:19,160 --> 00:43:22,480 Speaker 1: might be. But I thought, Wow, this is such a 819 00:43:22,600 --> 00:43:26,040 Speaker 1: dumb show, dumb thing, and why am I interested in? 820 00:43:26,040 --> 00:43:27,840 Speaker 1: These women are humor less? But then you watch it 821 00:43:27,880 --> 00:43:31,279 Speaker 1: and like in the like you see like these little 822 00:43:31,280 --> 00:43:33,800 Speaker 1: slice of life things and then they're just you're just like, oh, 823 00:43:33,840 --> 00:43:37,600 Speaker 1: like they have these nuanced thoughts too, and they're sharing 824 00:43:37,600 --> 00:43:40,960 Speaker 1: them and they're like going about their lives like I'm 825 00:43:40,960 --> 00:43:44,560 Speaker 1: not sure like where their money is going to come 826 00:43:44,600 --> 00:43:46,360 Speaker 1: from now. It's like it's like these are like I 827 00:43:46,440 --> 00:43:49,520 Speaker 1: like its psychologically psychologic because sometimes it's like to see 828 00:43:49,560 --> 00:43:52,520 Speaker 1: these women who are experiencing this like heightened life, the 829 00:43:52,600 --> 00:43:55,480 Speaker 1: way they react to each other and like interact with 830 00:43:55,480 --> 00:43:57,960 Speaker 1: each other, I'm like, that's so interesting that you would 831 00:43:58,239 --> 00:44:00,239 Speaker 1: call her that, And it's like, you know, I mean 832 00:44:00,280 --> 00:44:04,279 Speaker 1: our activist with and I think they are such characters 833 00:44:04,360 --> 00:44:06,200 Speaker 1: and they look for that that it's like I just 834 00:44:06,239 --> 00:44:09,000 Speaker 1: haven't seen anyone like Sonia Morgan ever in my life, 835 00:44:09,160 --> 00:44:11,080 Speaker 1: and so I am fascinating and do think it's funny. 836 00:44:11,560 --> 00:44:13,400 Speaker 1: And then it's it is a question that am I 837 00:44:13,480 --> 00:44:15,480 Speaker 1: laughing at her or with her? And I think actually 838 00:44:15,520 --> 00:44:17,080 Speaker 1: Chris brought this up the other day or sorry I 839 00:44:17,080 --> 00:44:21,120 Speaker 1: brought this up in the room. It's like it's it's both, 840 00:44:21,160 --> 00:44:24,000 Speaker 1: it switches off between both. And my thing is it's 841 00:44:24,000 --> 00:44:28,040 Speaker 1: a blueprint for conflict or or intimacy in which in 842 00:44:28,120 --> 00:44:31,840 Speaker 1: terms of like you're seeing people be friends in ways 843 00:44:31,920 --> 00:44:33,560 Speaker 1: in all these different ways, and you're like, I'm not 844 00:44:33,600 --> 00:44:35,360 Speaker 1: going to be I'm not going to be a friend 845 00:44:35,560 --> 00:44:38,600 Speaker 1: like derindas to Sonja, or I am going to be 846 00:44:38,600 --> 00:44:41,080 Speaker 1: a friend like Bethany is to Remoan. It's like, you 847 00:44:41,120 --> 00:44:43,719 Speaker 1: see these little examples. Just by example, you're like, oh, 848 00:44:44,000 --> 00:44:46,000 Speaker 1: I I like what's going on here. I don't like 849 00:44:46,040 --> 00:44:47,040 Speaker 1: what's going on in here, And I can pick and 850 00:44:47,080 --> 00:44:48,600 Speaker 1: choose for myself. And then the saying goes for the 851 00:44:48,719 --> 00:44:50,839 Speaker 1: for when people get into fights, I'm like, oh, they're 852 00:44:50,880 --> 00:44:52,680 Speaker 1: dealing with this horribly or they're actually going with this 853 00:44:52,840 --> 00:44:54,960 Speaker 1: very well. And it's sort of like it gives you 854 00:44:54,960 --> 00:44:57,759 Speaker 1: a full tapestry of like I found something positive about 855 00:44:57,800 --> 00:45:00,359 Speaker 1: it just now. Sometimes when I watch it, I'm more like, 856 00:45:00,400 --> 00:45:02,920 Speaker 1: I'm like, I'm gonna tell this person that I'm that 857 00:45:03,200 --> 00:45:05,719 Speaker 1: I'm thinking something because I just saw it. Like it 858 00:45:06,880 --> 00:45:09,600 Speaker 1: puts me in the space to be not like it 859 00:45:09,640 --> 00:45:12,560 Speaker 1: doesn't drive conflict in me, but it's like, when I 860 00:45:12,600 --> 00:45:14,560 Speaker 1: see this person later, I'm gonna just flat out tell 861 00:45:14,600 --> 00:45:17,719 Speaker 1: them and see if they respond respond. And honestly, I 862 00:45:17,719 --> 00:45:20,960 Speaker 1: think from watching that show it has encouraged me to 863 00:45:20,960 --> 00:45:23,600 Speaker 1: say what I think and feel a little to honest 864 00:45:23,600 --> 00:45:28,200 Speaker 1: in your relationship. Honestly, yes, that's good and that's positive 865 00:45:28,239 --> 00:45:30,920 Speaker 1: for me. Do you feel you guys are honest in 866 00:45:30,960 --> 00:45:35,400 Speaker 1: all your relationships? I mean, yeah, no, I don't like confrontation, 867 00:45:36,120 --> 00:45:38,000 Speaker 1: but I mean I feel like I'm but I do 868 00:45:38,080 --> 00:45:39,839 Speaker 1: feel like because I always just think when I watch 869 00:45:39,840 --> 00:45:42,239 Speaker 1: a sitcom, I'd always be like, just tell them what 870 00:45:42,320 --> 00:45:44,880 Speaker 1: you did, you know, like Joe, we tell Chandler you 871 00:45:44,960 --> 00:45:47,440 Speaker 1: drank it all, you know. I'd always feel like, just 872 00:45:47,440 --> 00:45:49,160 Speaker 1: be honest and then you can get it, you know 873 00:45:49,200 --> 00:45:50,880 Speaker 1: what I mean. Like, so that always used to be 874 00:45:50,880 --> 00:45:53,319 Speaker 1: a bump for me with like I Love Lucy, I'd 875 00:45:53,320 --> 00:45:55,120 Speaker 1: be like, just tell you want the firm. You know, 876 00:45:55,320 --> 00:45:57,160 Speaker 1: we can cut this off. You can get you know, 877 00:45:57,480 --> 00:45:59,920 Speaker 1: which I know is not you have se for coming 878 00:46:00,280 --> 00:46:03,040 Speaker 1: conflicts for all of these things. For I love the friends, 879 00:46:03,440 --> 00:46:13,480 Speaker 1: you want for down friends, yeah, him, but boiled boil 880 00:46:13,520 --> 00:46:15,960 Speaker 1: it down for ab fab like because I truly this 881 00:46:16,040 --> 00:46:22,320 Speaker 1: is bad me, bad media diet yea, I truly. Besides, 882 00:46:22,320 --> 00:46:23,920 Speaker 1: like Jennifer Saunders, I'm like, I don't really know what 883 00:46:23,960 --> 00:46:26,839 Speaker 1: else the shows around. So I think it's actually based 884 00:46:26,880 --> 00:46:30,799 Speaker 1: on a real publicist in the UK, and it was 885 00:46:30,840 --> 00:46:33,080 Speaker 1: originally a sketch because I also then once I found 886 00:46:33,080 --> 00:46:35,880 Speaker 1: out about them. I started watching French and Saunders sketches, 887 00:46:36,040 --> 00:46:39,040 Speaker 1: which I had to get on VHS because it's like, 888 00:46:39,080 --> 00:46:41,440 Speaker 1: you know, I don't know this, this is you know, 889 00:46:42,760 --> 00:46:47,080 Speaker 1: it's bad. It wasn't you know, um and Don French 890 00:46:47,080 --> 00:46:50,000 Speaker 1: and Jennifer Saunders were a comedy team and it did 891 00:46:50,040 --> 00:46:52,840 Speaker 1: really funny. That stuff was easy to because it was sketch. 892 00:46:52,880 --> 00:46:55,000 Speaker 1: It was easy to you know, relate to. It was 893 00:46:55,160 --> 00:46:58,040 Speaker 1: very accessible no matter what, whereas ab fab was like weird, 894 00:46:58,840 --> 00:47:04,120 Speaker 1: like um rich posh English Colin Park references and you 895 00:47:04,160 --> 00:47:06,520 Speaker 1: were like, you know, it was very hard to access 896 00:47:06,520 --> 00:47:10,319 Speaker 1: as you know a thirteen year old kid. But um, 897 00:47:10,360 --> 00:47:14,000 Speaker 1: but yeah, So it's it's this woman who's like single mom, 898 00:47:14,480 --> 00:47:16,759 Speaker 1: doesn't want to be a mom, loves to drink, has 899 00:47:16,760 --> 00:47:18,400 Speaker 1: a best friend. It's kind of it's kind of like 900 00:47:18,440 --> 00:47:20,200 Speaker 1: Broad City. It's like two women who were best friends 901 00:47:20,200 --> 00:47:22,160 Speaker 1: and like get into trouble all the time and should 902 00:47:22,160 --> 00:47:26,600 Speaker 1: not be parents and you know your mothers. Yeah, just 903 00:47:26,600 --> 00:47:29,239 Speaker 1: just Jennifer Saunders is the mother to Saffie, who's like 904 00:47:29,280 --> 00:47:33,520 Speaker 1: a very type a buttoned up daughter, um the daughters 905 00:47:33,560 --> 00:47:36,319 Speaker 1: like them, who's always looking down on her and her 906 00:47:36,360 --> 00:47:38,520 Speaker 1: best friend Patsy, who get drunk and do drugs and 907 00:47:38,520 --> 00:47:42,360 Speaker 1: go crazy and little life success. They do tons of drugs, 908 00:47:42,520 --> 00:47:46,160 Speaker 1: they do cocaine, they go yeah, um, they're constantly drunk. 909 00:47:46,280 --> 00:47:49,279 Speaker 1: I think Patsy smokes and falls asleep wasted and burns 910 00:47:49,320 --> 00:47:52,040 Speaker 1: down the house in one episode, you know yeah yeah, 911 00:47:52,400 --> 00:47:55,640 Speaker 1: um did that answer the questions? I don't know. That's 912 00:47:55,640 --> 00:47:57,480 Speaker 1: the that's the dynamic of the show is two best 913 00:47:57,520 --> 00:47:59,560 Speaker 1: friends who are get into a lot of trouble to 914 00:47:59,560 --> 00:48:02,640 Speaker 1: a lot of trouble. And I also think it's a 915 00:48:02,719 --> 00:48:06,400 Speaker 1: thing of like big, broad characters, which I think we 916 00:48:06,480 --> 00:48:09,440 Speaker 1: all kind of saw like growing up, like for example, 917 00:48:09,440 --> 00:48:12,759 Speaker 1: Austin Powers. Yeah, I fucking lived for Austin. Yeah. I 918 00:48:12,760 --> 00:48:15,040 Speaker 1: loved how broad it was, how all the characters were 919 00:48:15,080 --> 00:48:18,319 Speaker 1: like stupid and big and even Ron Burgundy. I love 920 00:48:18,400 --> 00:48:21,799 Speaker 1: that ship. And now I feel like, DoD they do 921 00:48:21,840 --> 00:48:28,759 Speaker 1: that anymore? No they Miranda things. Yeah yeah, but that 922 00:48:28,800 --> 00:48:32,520 Speaker 1: would didn't break through like a mainstream Yeah, nice show. 923 00:48:32,880 --> 00:48:35,000 Speaker 1: So I feel like now even the stuff that I 924 00:48:35,040 --> 00:48:37,839 Speaker 1: respond to, like I love like Summer Heights High. I mean, 925 00:48:39,600 --> 00:48:41,480 Speaker 1: but I was like, I don't think that's what you're 926 00:48:41,520 --> 00:48:44,120 Speaker 1: looking for. But Summer Hights High was Summer Hight sigh, 927 00:48:44,239 --> 00:48:47,360 Speaker 1: and most recently Pan fifteen summerhightid for me now, and 928 00:48:47,400 --> 00:48:50,839 Speaker 1: I'm like, these are the things that are h there 929 00:48:50,880 --> 00:48:56,080 Speaker 1: there because the performances are so anthropological and subtle and good. 930 00:48:56,400 --> 00:48:59,160 Speaker 1: It's so real, even though the steaks are crazy heightened 931 00:48:59,200 --> 00:49:03,360 Speaker 1: and it's insanely broad for two adult women to play children, 932 00:49:03,440 --> 00:49:06,920 Speaker 1: or for Mr g or for Jamay to be like 933 00:49:06,960 --> 00:49:09,640 Speaker 1: a a thirty five year old man who's playing like 934 00:49:09,640 --> 00:49:12,239 Speaker 1: a girl who's dating a seven year old boy. Those 935 00:49:12,239 --> 00:49:15,040 Speaker 1: seems he's like breaking up with her like seventh grade boyfriends. 936 00:49:15,120 --> 00:49:17,560 Speaker 1: I'm like, because you for what, you forget, you forget. 937 00:49:17,920 --> 00:49:22,359 Speaker 1: They disappear into those characters, even even an angry boys. Um, 938 00:49:22,840 --> 00:49:28,279 Speaker 1: just him playing that, just the fucking Japanese lady. I 939 00:49:28,440 --> 00:49:34,080 Speaker 1: didn't forcing her son to be even I never thought 940 00:49:34,560 --> 00:49:39,200 Speaker 1: I never had a problem with him doing anything, honest 941 00:49:39,880 --> 00:49:42,800 Speaker 1: and that is of course my place to say honestly, 942 00:49:42,880 --> 00:49:46,200 Speaker 1: and like, this is just me, like did not fully 943 00:49:46,280 --> 00:49:50,160 Speaker 1: hate him playing an Asian? I was like, this is funny. Also, 944 00:49:50,239 --> 00:49:54,840 Speaker 1: your favorite sketch character ever is of course MS. I 945 00:49:54,840 --> 00:49:57,560 Speaker 1: don't know about that, but I've defended her on a 946 00:49:57,560 --> 00:50:01,720 Speaker 1: couple okay, but I don't know and it was whatever, 947 00:50:01,719 --> 00:50:04,480 Speaker 1: we don't think you did, but I brought that. I 948 00:50:04,560 --> 00:50:07,200 Speaker 1: missed that like because it really doesn't happen that much, 949 00:50:07,320 --> 00:50:11,279 Speaker 1: and I come back, I think it will. I think 950 00:50:11,400 --> 00:50:14,239 Speaker 1: right now we're in this moment of important, you know 951 00:50:14,280 --> 00:50:18,160 Speaker 1: what I mean. It's like everything on TV if it's 952 00:50:18,200 --> 00:50:21,680 Speaker 1: not like, uh, sort of you know. This is why 953 00:50:21,680 --> 00:50:24,200 Speaker 1: I loved Unbreakable Kimmi Schmidt. I loved the big characters, 954 00:50:24,200 --> 00:50:26,400 Speaker 1: and I love jokeoke joke joke jokes. Actually like that. 955 00:50:26,400 --> 00:50:29,120 Speaker 1: It feels like you get that and it's like out there, 956 00:50:29,480 --> 00:50:30,919 Speaker 1: And this is why I love the other two. Actually 957 00:50:31,000 --> 00:50:33,120 Speaker 1: is it feels like a combination of these two things. 958 00:50:33,120 --> 00:50:38,040 Speaker 1: It's like heavy jokes in the script meets interesting characters 959 00:50:38,040 --> 00:50:40,960 Speaker 1: with the point of view we haven't seen, um, but 960 00:50:41,000 --> 00:50:43,279 Speaker 1: in the supporting characters are big and fun like that. 961 00:50:44,080 --> 00:50:47,040 Speaker 1: But it feels like a combination between that sort of 962 00:50:47,040 --> 00:50:51,600 Speaker 1: Tina Face type sensibility of there's jokes everywhere and also 963 00:50:51,920 --> 00:50:55,600 Speaker 1: this sort of girl's insecure type thing where it's like 964 00:50:55,760 --> 00:50:58,160 Speaker 1: it's a comedy because someone smiles every now and then, 965 00:50:58,960 --> 00:51:00,960 Speaker 1: right right, just something Chris said the other day which 966 00:51:00,960 --> 00:51:04,680 Speaker 1: I thought was funny. Um, but it's a fusion of that. 967 00:51:04,719 --> 00:51:07,880 Speaker 1: I think that is looking for in television, which I 968 00:51:07,920 --> 00:51:10,719 Speaker 1: think also has right, but yes, the other two for 969 00:51:10,760 --> 00:51:14,239 Speaker 1: sure is hard comedy but also has that seriousness and 970 00:51:14,280 --> 00:51:17,640 Speaker 1: groundedness and heart heart and also and like I don't 971 00:51:17,640 --> 00:51:20,959 Speaker 1: know if you two would ever just like cop to this, 972 00:51:21,120 --> 00:51:23,839 Speaker 1: but like I feel like Pentofteen exists probably because Broad 973 00:51:23,840 --> 00:51:27,080 Speaker 1: City exists. I would say, like broad City changed, it 974 00:51:27,200 --> 00:51:29,640 Speaker 1: changed so much, and like thank god it did in 975 00:51:29,719 --> 00:51:32,520 Speaker 1: like panofteen, Like I'm just like yeah, like I'm like 976 00:51:32,680 --> 00:51:34,839 Speaker 1: I don't know. I'm not saying like it needed one 977 00:51:34,920 --> 00:51:36,880 Speaker 1: thing in order to exist or be this thing, but 978 00:51:36,880 --> 00:51:39,080 Speaker 1: it's like it evolved out of this model, this mental 979 00:51:39,080 --> 00:51:41,879 Speaker 1: model for people to be like, oh well this succeeded 980 00:51:42,280 --> 00:51:45,560 Speaker 1: in some iteration before and so let's do it and 981 00:51:45,600 --> 00:51:48,320 Speaker 1: thank god and now it's like and Pentofteen is honestly 982 00:51:48,320 --> 00:51:51,640 Speaker 1: this show that like is totally not concerned with prestige. 983 00:51:51,880 --> 00:51:53,520 Speaker 1: Same goes for broad City, of course, but it's like, 984 00:51:53,560 --> 00:51:56,080 Speaker 1: it's not it's just about the jokes in the situations 985 00:51:56,120 --> 00:51:59,000 Speaker 1: and the characters in their relationships. Like that is what 986 00:51:59,520 --> 00:52:01,839 Speaker 1: is that? Fair? Tot? Thanks, I mean cool, I mean 987 00:52:01,880 --> 00:52:04,240 Speaker 1: I think we all stand on the shoulders of giants. 988 00:52:06,640 --> 00:52:08,560 Speaker 1: But you know, there's there's stuff that I think we 989 00:52:08,600 --> 00:52:11,200 Speaker 1: watched that make us feel like that's you know, like 990 00:52:11,360 --> 00:52:14,640 Speaker 1: it was it for Strangers with candy, you know, like 991 00:52:14,640 --> 00:52:17,439 Speaker 1: would we even be able to make something that, yeah, 992 00:52:17,640 --> 00:52:20,560 Speaker 1: like that was that hard comedy? I don't know. I 993 00:52:20,560 --> 00:52:22,319 Speaker 1: think I think that's true. I think, you know, there 994 00:52:22,400 --> 00:52:25,719 Speaker 1: is like this zeitgeist evolution that things have treated into 995 00:52:25,719 --> 00:52:27,640 Speaker 1: each other. But I think more than anything, what I 996 00:52:27,680 --> 00:52:30,440 Speaker 1: respond to when I watched Pen fifteen is something that 997 00:52:30,480 --> 00:52:34,360 Speaker 1: I think it's almost subconscious. And it was true of 998 00:52:34,440 --> 00:52:36,239 Speaker 1: Broad City season one, which was what you guys were 999 00:52:36,239 --> 00:52:38,279 Speaker 1: talking about before, which is it was a lot of 1000 00:52:38,360 --> 00:52:41,560 Speaker 1: kids without a teacher in the classroom making things up. 1001 00:52:41,840 --> 00:52:46,080 Speaker 1: And um, I think season one certainly of Broad City, 1002 00:52:46,080 --> 00:52:48,359 Speaker 1: and I don't know about Pen fifteen, but we had 1003 00:52:48,600 --> 00:52:50,640 Speaker 1: probably the least amount of notes we ever had because 1004 00:52:50,640 --> 00:52:53,200 Speaker 1: it was like, well maybe worrying to think, you know, 1005 00:52:53,280 --> 00:52:55,239 Speaker 1: no one really knew and so there wasn't a lot 1006 00:52:55,239 --> 00:52:56,799 Speaker 1: of cooks in the kitchen, and there wasn't a lot 1007 00:52:56,840 --> 00:53:00,360 Speaker 1: of like um meddling, you know what I'm there was 1008 00:53:00,440 --> 00:53:03,120 Speaker 1: just like, go try this thing, and when it works, 1009 00:53:03,360 --> 00:53:05,160 Speaker 1: then there are more eyeballs on it and there's more 1010 00:53:05,160 --> 00:53:07,520 Speaker 1: consideration and it becomes a different thing. But pen fIF 1011 00:53:07,560 --> 00:53:09,799 Speaker 1: team does feel to me like they're doing something that 1012 00:53:10,239 --> 00:53:13,480 Speaker 1: tickles them and it's very very distinct and specific and 1013 00:53:13,520 --> 00:53:15,920 Speaker 1: the point of view is like their own. And I 1014 00:53:15,960 --> 00:53:17,680 Speaker 1: don't know, you can feel that there's no adults, you know, 1015 00:53:17,760 --> 00:53:20,600 Speaker 1: it just feels like it just feels so fun. That's great. 1016 00:53:20,800 --> 00:53:22,399 Speaker 1: And that's the thing too, is like when you see 1017 00:53:22,440 --> 00:53:24,719 Speaker 1: the work because you because you do that work, you 1018 00:53:24,719 --> 00:53:27,280 Speaker 1: can also kind of see when something's been watered down, 1019 00:53:28,160 --> 00:53:31,960 Speaker 1: I mean, and that sucks. And I think now being 1020 00:53:32,000 --> 00:53:35,360 Speaker 1: aware of that, I go easier on like the creators 1021 00:53:35,360 --> 00:53:36,920 Speaker 1: of that thing because I'm like, well, that wasn't there 1022 00:53:36,920 --> 00:53:39,359 Speaker 1: for you know. That's the thing. I feel like edges 1023 00:53:39,400 --> 00:53:41,640 Speaker 1: can be rounded off so much because especially the more 1024 00:53:41,680 --> 00:53:43,360 Speaker 1: money that's invested in something that more people are like, 1025 00:53:43,440 --> 00:53:45,520 Speaker 1: let's make sure it works and it's good. And I 1026 00:53:45,560 --> 00:53:48,560 Speaker 1: think intention is always right. You know. We always look 1027 00:53:48,560 --> 00:53:50,160 Speaker 1: for the note behind the note when we hear a note, 1028 00:53:50,200 --> 00:53:52,600 Speaker 1: but when it has that much money, people become risk 1029 00:53:52,600 --> 00:53:56,000 Speaker 1: averse and they have to protect their thing to extent 1030 00:53:56,120 --> 00:53:58,360 Speaker 1: and that means that unfortunately, I think a lot of 1031 00:53:58,400 --> 00:54:01,440 Speaker 1: the best stuff is risky. Yeah, and so it's like 1032 00:54:02,280 --> 00:54:04,520 Speaker 1: you can either invest very little or a lot or whatever, 1033 00:54:04,560 --> 00:54:06,799 Speaker 1: but no matter what it is, just make it a risk. 1034 00:54:07,280 --> 00:54:10,680 Speaker 1: I think it's more interesting, absolutely fail I think in 1035 00:54:10,719 --> 00:54:13,120 Speaker 1: some ways, the fact that there's so many more platforms 1036 00:54:13,120 --> 00:54:16,160 Speaker 1: and there's so many more offerings you can still be risky. Yeah, right, 1037 00:54:16,400 --> 00:54:18,040 Speaker 1: And we've talked about this with christ and Sarah. It's 1038 00:54:18,040 --> 00:54:20,600 Speaker 1: also harder to break through because there's you know, there's 1039 00:54:20,640 --> 00:54:23,560 Speaker 1: so much going on, and also Trump's on the news constant. 1040 00:54:24,239 --> 00:54:29,480 Speaker 1: There's nothing pieces about television anymore. But um yeah, Trump. 1041 00:54:29,560 --> 00:54:32,760 Speaker 1: The fact that Trump is everywhere might lead us towards 1042 00:54:32,800 --> 00:54:34,720 Speaker 1: what we were saying, like that kind of like idea 1043 00:54:34,760 --> 00:54:39,120 Speaker 1: of just not more broad because broad isn't necessarily better, 1044 00:54:39,200 --> 00:54:42,600 Speaker 1: but like bigger, sillier comedy or like just like things 1045 00:54:42,640 --> 00:54:46,160 Speaker 1: that exist because they want to exist in a way, 1046 00:54:46,200 --> 00:54:48,759 Speaker 1: and not like things that are trying to be trying 1047 00:54:48,800 --> 00:54:50,880 Speaker 1: to say something. Yeah, I think that, like the I 1048 00:54:50,920 --> 00:54:54,680 Speaker 1: think particually there could be a rise of morom coms. Yeah, 1049 00:54:54,719 --> 00:54:57,920 Speaker 1: it's like fantasy. I think we're looking for an escape. Truly. 1050 00:54:57,960 --> 00:55:01,520 Speaker 1: We notting Hill was on and we like I didn't 1051 00:55:01,520 --> 00:55:03,920 Speaker 1: stop watching it. That's not like we hadn't seen it, 1052 00:55:03,920 --> 00:55:06,080 Speaker 1: but it's like, you just want that right now. I 1053 00:55:07,280 --> 00:55:09,520 Speaker 1: want people to make mistakes, fumble through and then do 1054 00:55:09,560 --> 00:55:14,799 Speaker 1: the right thing. You know, I missed them. I loved 1055 00:55:14,880 --> 00:55:17,320 Speaker 1: isn't it romantic? It was fun, it was great, and 1056 00:55:17,560 --> 00:55:21,160 Speaker 1: it was so fun, really fun watching when Harry met 1057 00:55:21,200 --> 00:55:23,879 Speaker 1: sal and it was like, this is so nice, right, 1058 00:55:24,360 --> 00:55:26,279 Speaker 1: you are the third person who's told me that in 1059 00:55:26,320 --> 00:55:28,160 Speaker 1: the last two weeks, when Harry met Sally is having 1060 00:55:28,160 --> 00:55:30,400 Speaker 1: like a moment. I'm just like reading a bunch of 1061 00:55:30,440 --> 00:55:33,360 Speaker 1: Nora from stuff. I'm just reading the old books and 1062 00:55:33,360 --> 00:55:37,080 Speaker 1: I'm like one of the giants, one of the giants 1063 00:55:36,640 --> 00:55:40,320 Speaker 1: that we Scott. How good was Meg Ryan's? I mean still, 1064 00:55:41,040 --> 00:55:43,200 Speaker 1: but you see, I'm also like, are there people like 1065 00:55:43,239 --> 00:55:45,520 Speaker 1: Meg Ryan? Yes, I'm sure there are, but I'm like, wow, 1066 00:55:45,840 --> 00:55:47,680 Speaker 1: she was just so good and did so We watched 1067 00:55:47,719 --> 00:55:50,680 Speaker 1: Baby Boom recently, and that's another one that you're like, oh, 1068 00:55:51,120 --> 00:55:54,520 Speaker 1: of course, yan Ke yankey hats, gloves and shoes. You 1069 00:55:54,560 --> 00:55:56,960 Speaker 1: know that she's thinking. But when you watch her and 1070 00:55:56,960 --> 00:55:58,520 Speaker 1: something like that, you're like, she did so much with 1071 00:55:58,520 --> 00:56:01,200 Speaker 1: with in a scene where there's no, oh my god, 1072 00:56:01,280 --> 00:56:03,760 Speaker 1: how funny and good. And that's another thing about noticing 1073 00:56:03,800 --> 00:56:05,319 Speaker 1: the work is you can also notice when the work 1074 00:56:05,400 --> 00:56:07,640 Speaker 1: is really fucking good. Yeah, it's really easily to someone 1075 00:56:07,680 --> 00:56:10,600 Speaker 1: like Meg Ryan, just like that is someone you could 1076 00:56:10,600 --> 00:56:14,240 Speaker 1: take for granted because she makes it look so easy, 1077 00:56:14,360 --> 00:56:16,400 Speaker 1: like Meg Ryan and her prime Like and when Harry 1078 00:56:16,440 --> 00:56:19,000 Speaker 1: met Sally, you don't just you can't just learn how 1079 00:56:19,040 --> 00:56:22,040 Speaker 1: to be that charming. You know, that's a movie star. Yea, 1080 00:56:22,719 --> 00:56:26,040 Speaker 1: literally wasn't. She like, did not have any acting training, 1081 00:56:26,840 --> 00:56:28,399 Speaker 1: came out of journalism school and was like, I guess 1082 00:56:28,400 --> 00:56:30,239 Speaker 1: I'll try. I didn't know that. Yeah, She's like, I'll 1083 00:56:30,280 --> 00:56:34,160 Speaker 1: audition for commercials. Is how I make money? Commercial And 1084 00:56:34,200 --> 00:56:36,440 Speaker 1: then like people were like, who's that. Let's make her 1085 00:56:36,480 --> 00:56:39,200 Speaker 1: a start damn And she had it from the beginning. 1086 00:56:39,719 --> 00:56:42,440 Speaker 1: Have you ever seen French Kiss? Okay, no, this is 1087 00:56:42,440 --> 00:56:43,879 Speaker 1: one that I have to see. I heard, I heard 1088 00:56:43,920 --> 00:56:46,360 Speaker 1: nothing but amazing. French Kiss is so good? Okay, what 1089 00:56:46,480 --> 00:56:48,399 Speaker 1: is it? What is so And when some people think 1090 00:56:48,400 --> 00:56:51,640 Speaker 1: it's broad because um, Kevin Klein is in it and 1091 00:56:51,680 --> 00:56:56,480 Speaker 1: he's playing French, but I'm like, that's great. Here's the premise. 1092 00:56:56,640 --> 00:57:00,760 Speaker 1: She's afraid of flying. She her fiance goes to Paris, 1093 00:57:01,280 --> 00:57:03,759 Speaker 1: m meets a woman and breaks it off. So she 1094 00:57:03,920 --> 00:57:06,719 Speaker 1: gets on a plane with someone who is this like 1095 00:57:06,800 --> 00:57:14,440 Speaker 1: French um cad tramp smuggler and because of a little 1096 00:57:14,480 --> 00:57:17,120 Speaker 1: mix up with their bags and intentional mix up and 1097 00:57:17,600 --> 00:57:21,400 Speaker 1: they become kind of like a duo as she tries 1098 00:57:21,440 --> 00:57:23,880 Speaker 1: to get back her fiance and he helps sort of 1099 00:57:23,960 --> 00:57:28,919 Speaker 1: navigate it is so let me get you can't you can't. 1100 00:57:29,640 --> 00:57:33,800 Speaker 1: I love that, Like I miss Meg, Ryan, Julia Robert, 1101 00:57:33,840 --> 00:57:36,240 Speaker 1: Sandra Bullock in those types of movies. Not that they 1102 00:57:36,280 --> 00:57:39,480 Speaker 1: shouldn't do whatever they want, but like, yeah, I do, 1103 00:57:39,600 --> 00:57:44,840 Speaker 1: Like I need that scene of someone telling someone what 1104 00:57:44,880 --> 00:57:48,480 Speaker 1: they mean to the high stakes environment with people watching, 1105 00:57:48,960 --> 00:57:51,720 Speaker 1: Like that scene at the end of the Proposal when 1106 00:57:51,800 --> 00:57:54,800 Speaker 1: Ryan Reynolds comes in and there's actually a really bad 1107 00:57:54,840 --> 00:57:57,439 Speaker 1: continuity error, and that's so much I see every single time. 1108 00:57:57,440 --> 00:58:05,040 Speaker 1: Like her hair, her hair is fully style. Person is 1109 00:58:05,040 --> 00:58:07,439 Speaker 1: so upset right now if it's at the end, maybe 1110 00:58:07,440 --> 00:58:11,800 Speaker 1: it is a reshoot. She's like, what are you doing here? 1111 00:58:11,880 --> 00:58:13,240 Speaker 1: It cuts to him and then it cuts back to 1112 00:58:13,240 --> 00:58:15,080 Speaker 1: her and she's like, got a full spray to him, 1113 00:58:16,600 --> 00:58:19,760 Speaker 1: you know. Fun so different, This is like a drop, 1114 00:58:19,800 --> 00:58:21,440 Speaker 1: but I'm going to do it. We did some reshoots 1115 00:58:21,440 --> 00:58:24,080 Speaker 1: for Rough Night, and we did a screening and m 1116 00:58:25,400 --> 00:58:27,200 Speaker 1: one of our characters had cut her all of her 1117 00:58:27,240 --> 00:58:28,680 Speaker 1: hair off, so she was wearing a wig for a 1118 00:58:28,720 --> 00:58:30,440 Speaker 1: couple of the shots. But it was such a good 1119 00:58:30,520 --> 00:58:33,200 Speaker 1: and expensive wig you could not tell unless you're RuPaul. 1120 00:58:33,280 --> 00:58:36,000 Speaker 1: And he was at the screening screen and he was like, um, 1121 00:58:36,080 --> 00:58:38,240 Speaker 1: the one scene, Jillian's in a wig, and we were like, yeah, 1122 00:58:38,360 --> 00:58:46,000 Speaker 1: He's like, it's good. He complimented it. He did say 1123 00:58:46,040 --> 00:58:47,320 Speaker 1: it was good. He said, no one else will notice 1124 00:58:47,360 --> 00:58:49,520 Speaker 1: but me, But I just want to make sure it's 1125 00:58:49,520 --> 00:58:54,880 Speaker 1: like I was pretty sure. Angel. They're eating pizza, deciding 1126 00:58:54,920 --> 00:58:58,200 Speaker 1: want to do pretty soon after the day, and yeah, 1127 00:58:58,200 --> 00:59:02,880 Speaker 1: there's just one little line we needed to bridge at 1128 00:59:02,880 --> 00:59:04,680 Speaker 1: the wedding. At the end, I think she might be yes. 1129 00:59:04,720 --> 00:59:07,960 Speaker 1: And that's the very end it does. I've noticed that 1130 00:59:08,000 --> 00:59:10,000 Speaker 1: wigs happen a lot in those ending scenes, like I 1131 00:59:10,080 --> 00:59:12,360 Speaker 1: legally blond, Like at the end of the movie where 1132 00:59:12,400 --> 00:59:15,400 Speaker 1: this one is in this like egregious wig, do you 1133 00:59:15,480 --> 00:59:19,520 Speaker 1: know what I'm talking about? At the graduation and it 1134 00:59:19,680 --> 00:59:22,440 Speaker 1: does this in the front, it's this insane middle that's 1135 00:59:22,480 --> 00:59:26,240 Speaker 1: a different color. She's just had and it's just like 1136 00:59:26,400 --> 00:59:28,760 Speaker 1: the way she's lit. She looks so different and it's 1137 00:59:28,880 --> 00:59:35,320 Speaker 1: just so funny. But it is like egregious. Yeah, I think, God, 1138 00:59:35,360 --> 00:59:43,720 Speaker 1: I just love that movie. I really do. Very sweet. No, 1139 00:59:45,280 --> 00:59:47,600 Speaker 1: but like Elliott came on and I was just like, God, 1140 00:59:47,680 --> 00:59:49,640 Speaker 1: what a good fucking I just like, bring it up 1141 00:59:49,640 --> 00:59:56,440 Speaker 1: when there's any peripheral connections. And also that is the cast. 1142 00:59:56,560 --> 00:59:59,720 Speaker 1: I mean, what a dream? Can I drop? Can I 1143 00:59:59,840 --> 01:00:04,320 Speaker 1: drop up? Now? Yes? Um Alana Angel on this Earth 1144 01:00:04,960 --> 01:00:08,160 Speaker 1: was just talking to Zoe at this Christmas party away 1145 01:00:08,160 --> 01:00:11,600 Speaker 1: is at and she goes, Bowen, you should meet Zoe. 1146 01:00:11,760 --> 01:00:14,480 Speaker 1: You met Zoe, I met I met Zoe. When when 1147 01:00:14,480 --> 01:00:17,440 Speaker 1: when Momoah hosted, of course it was it was literally 1148 01:00:17,440 --> 01:00:24,000 Speaker 1: the whole game was Momoa fucking Lisa Leny what in 1149 01:00:24,000 --> 01:00:25,920 Speaker 1: the dressing room? And then I had to run with 1150 01:00:26,000 --> 01:00:29,760 Speaker 1: monologue changes and I was like, hey, Jason, so so 1151 01:00:29,800 --> 01:00:32,040 Speaker 1: it's between these two jokes, like we gotta make one cut, 1152 01:00:32,120 --> 01:00:34,320 Speaker 1: So between these two what do you like? I've told 1153 01:00:34,320 --> 01:00:37,360 Speaker 1: you this right, And Lisa was like, it's got to 1154 01:00:37,400 --> 01:00:39,880 Speaker 1: be this one you make you make the Hawaiian god 1155 01:00:39,960 --> 01:00:42,640 Speaker 1: joke and then and then I was like yeah, yeah, no, 1156 01:00:42,760 --> 01:00:44,640 Speaker 1: you know, Hahwaiian got and then Lenny's like, what's what's 1157 01:00:44,640 --> 01:00:48,440 Speaker 1: going on? Oh yeah that one there? They were always 1158 01:00:49,920 --> 01:00:55,920 Speaker 1: funny where she really gets it truly, he really understands, 1159 01:00:56,200 --> 01:00:58,320 Speaker 1: like people will think this is funny in a way 1160 01:00:58,360 --> 01:01:00,920 Speaker 1: that I should have as much gone. And she is 1161 01:01:00,960 --> 01:01:03,040 Speaker 1: the director. She watched an early cut and there were 1162 01:01:03,080 --> 01:01:04,680 Speaker 1: some things that were that didn't make it, and she 1163 01:01:04,800 --> 01:01:06,520 Speaker 1: was like, this joke in this joke you need to 1164 01:01:06,520 --> 01:01:08,320 Speaker 1: put in. And we were like, I'll tell you what, 1165 01:01:08,320 --> 01:01:10,120 Speaker 1: We'll try to test it. And we did and we 1166 01:01:10,160 --> 01:01:12,400 Speaker 1: did testing and they were they both were huge and 1167 01:01:12,400 --> 01:01:14,600 Speaker 1: we were like you were you were so right. Really 1168 01:01:14,640 --> 01:01:17,360 Speaker 1: has a she's smart, she's smart, she's funny. I love 1169 01:01:17,400 --> 01:01:21,880 Speaker 1: her her angels. She used to call them my angels. 1170 01:01:22,040 --> 01:01:25,200 Speaker 1: They are angels. I love them, we both. I mean, honestly, 1171 01:01:25,280 --> 01:01:29,760 Speaker 1: could not have been luckier to have those women other 1172 01:01:29,880 --> 01:01:33,040 Speaker 1: they're still in a text chain. They're like they're really Yeah, 1173 01:01:33,240 --> 01:01:35,400 Speaker 1: I think I believe you can ask her. Kate carried 1174 01:01:35,440 --> 01:01:37,720 Speaker 1: around a picture of all of them. Yes, I think 1175 01:01:37,760 --> 01:01:39,840 Speaker 1: she has. I think she maybe in her wallet still does, 1176 01:01:39,880 --> 01:01:44,640 Speaker 1: who knows. It was really paraphernally in her office, like 1177 01:01:45,080 --> 01:01:47,280 Speaker 1: you so bought the bond between them. I was like, 1178 01:01:47,320 --> 01:01:53,480 Speaker 1: I could just watch them to a whole more. To 1179 01:01:53,520 --> 01:02:00,000 Speaker 1: Me More is an icon and hot me Actually also 1180 01:02:00,000 --> 01:02:02,880 Speaker 1: at Sundance and Demi Moore was coming in and I 1181 01:02:02,920 --> 01:02:05,320 Speaker 1: was so good for Demi Moore to common and let 1182 01:02:05,320 --> 01:02:08,240 Speaker 1: me tell you what happened. So I'm interviewing to Me 1183 01:02:08,400 --> 01:02:13,920 Speaker 1: More along with Jessica Williams um ed helms and Karen 1184 01:02:14,040 --> 01:02:19,520 Speaker 1: Sony was on Miracle. Oh my gosh. Yeah, he's so great. 1185 01:02:19,800 --> 01:02:23,160 Speaker 1: And they're all uh in this movie together, which is 1186 01:02:23,640 --> 01:02:26,960 Speaker 1: called Corporate Animals. It's coming out soon. It was at 1187 01:02:27,000 --> 01:02:30,640 Speaker 1: Sundance and it's basically about like this uh, you know, 1188 01:02:31,320 --> 01:02:34,120 Speaker 1: corporate bunch of people that work together, and Demi Moore 1189 01:02:34,160 --> 01:02:35,400 Speaker 1: is like the head of this company and they go 1190 01:02:35,400 --> 01:02:39,560 Speaker 1: on like a corporate retreat and they end up they're 1191 01:02:39,680 --> 01:02:44,080 Speaker 1: like a guy dies and it becomes like a cannibalism situation. 1192 01:02:44,480 --> 01:02:46,920 Speaker 1: It's a very heightened comedy. So they're all wearing these 1193 01:02:46,960 --> 01:02:50,000 Speaker 1: Like Demi Moore comes in, She's wearing all these fun clothes. 1194 01:02:50,000 --> 01:02:54,520 Speaker 1: She's like here to promote her comments. So I'm like 1195 01:02:54,600 --> 01:02:57,479 Speaker 1: doing my bit with her. I'm hosting for Vulture and 1196 01:02:57,640 --> 01:03:00,680 Speaker 1: I'm i say to her, you know you're the most 1197 01:03:00,840 --> 01:03:05,960 Speaker 1: iconic crier in cinema history because you famously slayed and 1198 01:03:06,040 --> 01:03:09,440 Speaker 1: Charlie's Angels full throttle when you said I was never good. 1199 01:03:09,880 --> 01:03:12,720 Speaker 1: I was great and shot the thing and shot the 1200 01:03:12,800 --> 01:03:17,840 Speaker 1: single tear, and also said in Ghosts, you beautifully iconically 1201 01:03:17,840 --> 01:03:21,800 Speaker 1: cried just from the center of your eye, no face crack, 1202 01:03:21,920 --> 01:03:25,640 Speaker 1: just one gorgeous tear. Ditto and then and then no, 1203 01:03:25,760 --> 01:03:28,080 Speaker 1: that wasn't that, But it was that. No, it wasn't 1204 01:03:28,120 --> 01:03:33,080 Speaker 1: it was it was It wasn't. It was not you. 1205 01:03:33,080 --> 01:03:35,480 Speaker 1: You're thinking of the end with the different part she 1206 01:03:35,600 --> 01:03:40,080 Speaker 1: cries in the end, not with the don't do that, 1207 01:03:40,320 --> 01:03:44,480 Speaker 1: Oh my god. Anyway, So basically I tell her this, 1208 01:03:45,440 --> 01:03:49,400 Speaker 1: that woman took off her sunglasses, her tinted prescription classes 1209 01:03:49,680 --> 01:03:58,360 Speaker 1: and she cried right, no, oh my god. She was underrated. 1210 01:03:58,560 --> 01:04:00,320 Speaker 1: Under She came to the set and it was like, 1211 01:04:00,360 --> 01:04:03,080 Speaker 1: I'll do whatever. I'll do whatever. We're like, okay, you're 1212 01:04:03,080 --> 01:04:06,920 Speaker 1: gonna be eating Zoe out. She's like, great, can you 1213 01:04:06,920 --> 01:04:09,640 Speaker 1: dig a little trench so I can get She gets 1214 01:04:09,800 --> 01:04:13,600 Speaker 1: she had a dig a freaking trench. She could get 1215 01:04:13,840 --> 01:04:17,800 Speaker 1: down in there. Is Hi came in fully was like Okay, 1216 01:04:17,840 --> 01:04:20,280 Speaker 1: I'm just she's dick guy coming with a full on 1217 01:04:20,400 --> 01:04:23,480 Speaker 1: spray tan dark. It was they are so that it 1218 01:04:23,560 --> 01:04:26,160 Speaker 1: was windy as hell. I was so I was stressed 1219 01:04:26,160 --> 01:04:29,880 Speaker 1: out in Miami. It was not a hand movie in 1220 01:04:29,880 --> 01:04:33,200 Speaker 1: New York. You know, when you want Miami, you're shoot 1221 01:04:33,240 --> 01:04:40,240 Speaker 1: in New York. And then there was a little there 1222 01:04:40,280 --> 01:04:42,480 Speaker 1: was a lot of drama in terms of production. Anyways, 1223 01:04:42,480 --> 01:04:44,600 Speaker 1: we're gonna skip it. We're gonna skip it. We skip 1224 01:04:44,600 --> 01:04:46,800 Speaker 1: the drama, skip the drama. Shot that in the Hamptons. 1225 01:04:46,800 --> 01:04:49,520 Speaker 1: It's windy, it's cold, it's not really summer anymore. And 1226 01:04:49,600 --> 01:04:52,680 Speaker 1: they came and they didn't didn't complain at all. He 1227 01:04:52,760 --> 01:04:54,840 Speaker 1: had to get on a planet, truly, it wasn't overnight. 1228 01:04:55,080 --> 01:04:57,680 Speaker 1: Got right in a plane from minor family right like 1229 01:04:57,760 --> 01:05:01,280 Speaker 1: five am, flew right back. I mean, these these everybody 1230 01:05:01,640 --> 01:05:04,760 Speaker 1: never complained and talk about their job. PRIs. I'll tell 1231 01:05:04,800 --> 01:05:07,400 Speaker 1: you what Scarlett was like, how long we had a 1232 01:05:07,400 --> 01:05:08,880 Speaker 1: scene where she had to read a letter and cry. 1233 01:05:09,280 --> 01:05:10,960 Speaker 1: She was like when because there was no one else, 1234 01:05:10,960 --> 01:05:12,840 Speaker 1: there was just you know, she was just reading. She 1235 01:05:12,880 --> 01:05:14,200 Speaker 1: was like, how long do you need? And we were 1236 01:05:14,240 --> 01:05:16,600 Speaker 1: like a thirty seconds to a minute, just you know 1237 01:05:16,920 --> 01:05:19,560 Speaker 1: she was like, okay, truly read it. They were more specific. 1238 01:05:19,680 --> 01:05:24,480 Speaker 1: They were like forty seven seconds read it, looked up 1239 01:05:24,600 --> 01:05:26,440 Speaker 1: cry with her two cameras. I wiped it out and 1240 01:05:26,440 --> 01:05:31,479 Speaker 1: we were like that's it. Two cameras. I needed more takes, 1241 01:05:31,480 --> 01:05:33,120 Speaker 1: but we didn't have time, and so she made sure 1242 01:05:33,280 --> 01:05:38,200 Speaker 1: we got in one take. I mean. Also she's like, 1243 01:05:38,520 --> 01:05:41,720 Speaker 1: she's I love like I have for years. I have 1244 01:05:41,800 --> 01:05:46,680 Speaker 1: since Ghost World so good. I mean also that she 1245 01:05:46,800 --> 01:05:49,680 Speaker 1: had that one year where it was Lost in Translation 1246 01:05:49,760 --> 01:05:51,960 Speaker 1: and Girl with a Pearl Earring, and I remember this 1247 01:05:52,040 --> 01:05:53,880 Speaker 1: was like when I was first starting to really kind 1248 01:05:53,880 --> 01:05:56,760 Speaker 1: of like try to watch, like, you know, adult movies, 1249 01:05:57,360 --> 01:05:59,360 Speaker 1: and I was like, I'm going to see both of those. 1250 01:05:59,440 --> 01:06:01,600 Speaker 1: Didn't get either one of them, whist in translation, all 1251 01:06:01,640 --> 01:06:05,040 Speaker 1: the things, And I almost watched it on a plane 1252 01:06:05,080 --> 01:06:07,320 Speaker 1: actually the other day, and because like, maybe that's a 1253 01:06:07,320 --> 01:06:09,720 Speaker 1: good one to sort of visit. I picked text in 1254 01:06:09,720 --> 01:06:11,880 Speaker 1: the city of the movie that just the mood I 1255 01:06:11,920 --> 01:06:15,760 Speaker 1: was in the plane dictates, the plane will dictate, We'll 1256 01:06:15,800 --> 01:06:17,200 Speaker 1: just do what you want. I often am like I 1257 01:06:17,240 --> 01:06:19,280 Speaker 1: should be watching this because I haven't, and I should now, 1258 01:06:19,480 --> 01:06:21,640 Speaker 1: but I'm like I'm in this mood when you're on 1259 01:06:21,680 --> 01:06:23,960 Speaker 1: the plane, the plane dictates exactly. And I'm like, that's 1260 01:06:24,000 --> 01:06:29,520 Speaker 1: that's actually a rule of culture when we're ump up, 1261 01:06:29,720 --> 01:06:33,000 Speaker 1: when we're on a plane, the plane dictates it. And honestly, 1262 01:06:33,040 --> 01:06:35,120 Speaker 1: the plane dictated. The other day that I watched the 1263 01:06:35,160 --> 01:06:39,400 Speaker 1: Whitney documentary, Oh, I haven't seen it, devastating the sex 1264 01:06:39,400 --> 01:06:40,640 Speaker 1: and miss into the movie because I had to light 1265 01:06:40,760 --> 01:06:43,400 Speaker 1: it up after that, of course, and then Tully, it's 1266 01:06:43,440 --> 01:06:51,520 Speaker 1: a long flight. This, yeah, Tully's good. Edit down that pause, 1267 01:06:51,800 --> 01:06:54,240 Speaker 1: the latent pause. You know why? You know what just 1268 01:06:54,320 --> 01:06:57,320 Speaker 1: happened When you said Tully, I thought, I'm like the 1269 01:06:57,360 --> 01:06:59,680 Speaker 1: one where Tom Hanks lands the plane in the water, 1270 01:07:01,840 --> 01:07:03,320 Speaker 1: which I did not see. I was like, I didn't 1271 01:07:03,320 --> 01:07:05,600 Speaker 1: see it, but tell me I did, Like, I think, 1272 01:07:05,840 --> 01:07:11,040 Speaker 1: I think that Charlie's is great. Charlie, she is so great. 1273 01:07:11,120 --> 01:07:17,120 Speaker 1: Do you like young adults? Can I tell you minutes 1274 01:07:18,000 --> 01:07:21,320 Speaker 1: Young adult? Basically the cold open until the sequence and 1275 01:07:21,440 --> 01:07:23,760 Speaker 1: when she puts in the tape into the car and 1276 01:07:23,800 --> 01:07:30,960 Speaker 1: starts driving. I was so gagged, a little Matt, I'm there. 1277 01:07:31,320 --> 01:07:34,000 Speaker 1: I was so gagged by that first twenty minutes that 1278 01:07:34,080 --> 01:07:37,080 Speaker 1: I had to stop the movie and pace around my 1279 01:07:37,120 --> 01:07:42,920 Speaker 1: house by myself because I was like, this so brilliant. 1280 01:07:43,120 --> 01:07:47,080 Speaker 1: At the moment, it's so well absurd everything picture and 1281 01:07:47,120 --> 01:07:49,360 Speaker 1: the printer not working. I was like, this is me, 1282 01:07:50,320 --> 01:07:53,160 Speaker 1: it is I mean that movie towards the end, the end, 1283 01:07:53,520 --> 01:07:56,240 Speaker 1: losing me just a little sorry, Jason Raymard love you, 1284 01:07:57,800 --> 01:08:00,440 Speaker 1: but I just felt that that that movie is, that 1285 01:08:00,520 --> 01:08:03,000 Speaker 1: was that nice little chunk of culture for I agree 1286 01:08:03,160 --> 01:08:05,080 Speaker 1: at the end, losing me a little bit too. I 1287 01:08:05,080 --> 01:08:07,320 Speaker 1: wish she doesn't sleep with Patton Oswald. I felt it 1288 01:08:07,360 --> 01:08:10,000 Speaker 1: felt like, but then again, it's like I don't mind that, 1289 01:08:10,160 --> 01:08:11,560 Speaker 1: you know what It's like. It's kind of like the 1290 01:08:11,560 --> 01:08:13,720 Speaker 1: way I felt about the end of Girls, where it 1291 01:08:13,800 --> 01:08:15,880 Speaker 1: was like, wow, Marnie isn't going to grow at all. 1292 01:08:16,200 --> 01:08:19,479 Speaker 1: It's like, no, some people they just don't grow. And 1293 01:08:19,520 --> 01:08:22,240 Speaker 1: I thought that was true. That felt right to me. 1294 01:08:22,680 --> 01:08:24,840 Speaker 1: It wasn't actually the sleeping with Patton's sister that was 1295 01:08:24,840 --> 01:08:26,920 Speaker 1: the problem for me. It was the next morning being 1296 01:08:27,120 --> 01:08:31,240 Speaker 1: bitched to his sister said. I was like, I was like, 1297 01:08:31,280 --> 01:08:35,400 Speaker 1: you've learned a little you could, yeah, maybe, but the 1298 01:08:35,800 --> 01:08:40,680 Speaker 1: takeaways that maybe they're just they you know, She's like, 1299 01:08:41,000 --> 01:08:45,680 Speaker 1: I just want the tenous redemption, you know, we're we're 1300 01:08:45,720 --> 01:08:55,200 Speaker 1: gagging for redemption, but I'm wait. But also that movie 1301 01:08:55,520 --> 01:08:57,840 Speaker 1: and Tully too, made me want to go back and 1302 01:08:57,920 --> 01:09:01,200 Speaker 1: re examine Diablo and all her work because I remember 1303 01:09:01,200 --> 01:09:04,680 Speaker 1: when Juno came out. I think Juno was presented to 1304 01:09:04,760 --> 01:09:07,760 Speaker 1: me as a movie that you should hate. No, as 1305 01:09:07,760 --> 01:09:11,040 Speaker 1: a movie that I was supposed I love. I love No. 1306 01:09:11,240 --> 01:09:13,080 Speaker 1: I think I would love Juno now, But at the 1307 01:09:13,120 --> 01:09:15,479 Speaker 1: time they were like, this movie is produced by Judd Apatow, 1308 01:09:15,760 --> 01:09:18,600 Speaker 1: and I was really looking for this to be like 1309 01:09:18,600 --> 01:09:21,840 Speaker 1: like a fourty year old virgin and wasn't ready for 1310 01:09:22,000 --> 01:09:24,200 Speaker 1: like the drama. I remember I went with all my 1311 01:09:24,320 --> 01:09:28,840 Speaker 1: like guy like friends in high school, Um, Kenny, Kevin, 1312 01:09:28,960 --> 01:09:31,880 Speaker 1: Carl and Nick, the three of them, and we all 1313 01:09:31,880 --> 01:09:34,599 Speaker 1: went together, and I remember just like sitting there and 1314 01:09:35,120 --> 01:09:37,840 Speaker 1: feeling self conscious because I had been like riding riding 1315 01:09:37,880 --> 01:09:42,640 Speaker 1: far to see this movie, and they were like, you 1316 01:09:42,680 --> 01:09:45,400 Speaker 1: know what I mean, I don't get what's the Hamburger phone? 1317 01:09:46,920 --> 01:09:49,960 Speaker 1: And I was like, oh no, like this has maybe 1318 01:09:50,040 --> 01:09:52,799 Speaker 1: for me later, but then I like really like hated 1319 01:09:52,840 --> 01:09:55,040 Speaker 1: it and I need to go back and see it now. 1320 01:09:56,040 --> 01:09:59,799 Speaker 1: But the women in the film like Ellen, Jennifer Garner 1321 01:10:00,040 --> 01:10:04,160 Speaker 1: and even Alison Jann So for freaking Jennifer makes that 1322 01:10:04,240 --> 01:10:07,559 Speaker 1: whole movie. Jennifer Garner is her levels of empathy in 1323 01:10:07,600 --> 01:10:10,160 Speaker 1: that movie and jealousy and just all of it is 1324 01:10:10,240 --> 01:10:12,760 Speaker 1: so well. It might be her best work except for 1325 01:10:12,840 --> 01:10:17,000 Speaker 1: Think Going on thirty. I like her most playing a child. 1326 01:10:17,040 --> 01:10:19,600 Speaker 1: I like that. I like that. I think that's like 1327 01:10:19,600 --> 01:10:22,400 Speaker 1: a good scene at the end of thirteen going on 1328 01:10:22,439 --> 01:10:26,240 Speaker 1: thirty where she's like my best friend, Yeah, that is 1329 01:10:26,280 --> 01:10:31,599 Speaker 1: so good. And we need like rom como, I think 1330 01:10:31,640 --> 01:10:36,080 Speaker 1: we do. Why don't you guys right and direct? Okay, yes, great, 1331 01:10:36,600 --> 01:10:38,559 Speaker 1: you know what what's the rom com? You want to say? 1332 01:10:39,160 --> 01:10:41,400 Speaker 1: What would what's the rom coming? So we actually do 1333 01:10:41,520 --> 01:10:44,880 Speaker 1: have a rom com on the on the on the background, 1334 01:10:45,080 --> 01:10:47,640 Speaker 1: the deep deep like as in we've tried one conversation 1335 01:10:47,680 --> 01:10:51,840 Speaker 1: about it on the one with Carrie Oh yes, okay. 1336 01:10:51,880 --> 01:10:55,360 Speaker 1: So it's essentially a version of because we're working on 1337 01:10:55,400 --> 01:10:58,439 Speaker 1: a show that's a rom com show, show international rom 1338 01:10:58,439 --> 01:11:01,880 Speaker 1: com show where we oh, great, yes, the couples around 1339 01:11:01,880 --> 01:11:06,479 Speaker 1: the world anyway, a loosely connected Oh okay, that's that's 1340 01:11:06,479 --> 01:11:13,760 Speaker 1: a yeah, that's all we can love angler Okay, it's 1341 01:11:13,760 --> 01:11:16,000 Speaker 1: like my best friend's wedding, which is my favorite. But 1342 01:11:16,120 --> 01:11:19,880 Speaker 1: it's a girl and her best friend and she's gay, 1343 01:11:19,960 --> 01:11:22,320 Speaker 1: and she's her it's her ex girlfriend essentially, and her 1344 01:11:22,360 --> 01:11:26,040 Speaker 1: ex girlfriend is marrying a guy and she's like, I 1345 01:11:26,640 --> 01:11:30,960 Speaker 1: pretty sure we should be together. And so there's like 1346 01:11:31,000 --> 01:11:32,680 Speaker 1: a moment where like it seems like maybe it's going 1347 01:11:32,720 --> 01:11:35,360 Speaker 1: to happen in the movies, exploring maybe the couple of 1348 01:11:35,360 --> 01:11:38,320 Speaker 1: months before the wedding, like was that really a relationship? 1349 01:11:38,400 --> 01:11:41,000 Speaker 1: Was it not? Was it just one way? Was I am? 1350 01:11:41,000 --> 01:11:43,600 Speaker 1: I like gasling myself and trying to be like, is 1351 01:11:43,600 --> 01:11:47,439 Speaker 1: this about orientation or about what is this about? This 1352 01:11:47,520 --> 01:11:50,800 Speaker 1: is so good and pitch on that? Did I pitch it? Okay? 1353 01:11:51,120 --> 01:11:55,640 Speaker 1: It loved it. It's about he normativity and also unrequited 1354 01:11:56,040 --> 01:11:59,720 Speaker 1: situations that everyone can relate to them. And I think 1355 01:11:59,760 --> 01:12:02,400 Speaker 1: also like through what we're saying before, we're a specific 1356 01:12:02,400 --> 01:12:06,160 Speaker 1: Poe and Lens. We need, we need, we need, we need. 1357 01:12:06,479 --> 01:12:10,479 Speaker 1: I'm doing this, tell them what I'm doing? What you're doing? 1358 01:12:10,760 --> 01:12:12,360 Speaker 1: This is my favorite thing to do? Now? Is it? 1359 01:12:12,400 --> 01:12:15,640 Speaker 1: I like doing? He were working, hang loose, sucking, I 1360 01:12:15,680 --> 01:12:17,920 Speaker 1: got you, We did our We did our l A 1361 01:12:18,120 --> 01:12:20,080 Speaker 1: lyric up here in show Last Night and Matt. I 1362 01:12:20,120 --> 01:12:21,519 Speaker 1: told Ech that we were going to come out and 1363 01:12:21,640 --> 01:12:23,800 Speaker 1: pump our fists, but with the hang loose I was 1364 01:12:23,840 --> 01:12:33,679 Speaker 1: live show. Can we shout out Geneviev like the real Genevieve? Though, 1365 01:12:33,720 --> 01:12:36,240 Speaker 1: if you're not following on Instagram, you're not following the 1366 01:12:36,240 --> 01:12:39,400 Speaker 1: funniest since and I had a conversation where we both 1367 01:12:39,400 --> 01:12:45,360 Speaker 1: agreed best social media presence actually, yes, unrivaled. Wow, very talented, 1368 01:12:46,120 --> 01:12:49,120 Speaker 1: she's very fun. That character where she's ordering food, yes, 1369 01:12:50,560 --> 01:12:56,040 Speaker 1: thank you the Alamo Drafthouse. Oh my gosh, it's a 1370 01:12:56,160 --> 01:12:58,760 Speaker 1: It's a veritable gold mine. That's a girl who watched 1371 01:12:58,760 --> 01:13:00,519 Speaker 1: Summer I Tie at fourteen or something. Yeah, I got 1372 01:13:00,600 --> 01:13:02,599 Speaker 1: I remember giving her a thumb drive of Summer High 1373 01:13:02,680 --> 01:13:04,600 Speaker 1: High when she was like truly in middle school and 1374 01:13:04,640 --> 01:13:07,200 Speaker 1: being like a bitch get ready before it got to HBO, 1375 01:13:07,360 --> 01:13:11,639 Speaker 1: probably before my friend was living in England and they 1376 01:13:11,680 --> 01:13:13,479 Speaker 1: had it, and she brought it on like a flash drive, 1377 01:13:14,600 --> 01:13:17,240 Speaker 1: a lot of English. That's a good gift. That is 1378 01:13:17,280 --> 01:13:20,519 Speaker 1: a good kid. That's so crazy. Genevieve can actually say 1379 01:13:20,560 --> 01:13:23,800 Speaker 1: that Summer High Tight is culture for her. Yes, how 1380 01:13:23,840 --> 01:13:28,400 Speaker 1: old does she? She just turned twenty to this is 1381 01:13:28,439 --> 01:13:29,840 Speaker 1: the place you put it in right now. I was 1382 01:13:29,960 --> 01:13:32,040 Speaker 1: because I remember I think I remember I watched Summer 1383 01:13:32,080 --> 01:13:34,800 Speaker 1: High Tie, like around freshman year high school. Yeah, I 1384 01:13:34,840 --> 01:13:36,200 Speaker 1: was in this room with her and then I was 1385 01:13:36,200 --> 01:13:38,120 Speaker 1: like it was like a god, was like the coolest 1386 01:13:38,240 --> 01:13:41,400 Speaker 1: fucking chat and she's probably like like and this is 1387 01:13:41,479 --> 01:13:43,200 Speaker 1: I mean this as a full complement. She's like a 1388 01:13:43,200 --> 01:13:46,240 Speaker 1: fully formed, like person like women who's like like just 1389 01:13:46,439 --> 01:13:48,960 Speaker 1: nearing thirty. And then I found out that she's like 1390 01:13:49,479 --> 01:13:51,599 Speaker 1: a full year younger than me, and I was like, fuck, 1391 01:13:54,240 --> 01:13:56,240 Speaker 1: wait a minute, hold on, we just have to quickly 1392 01:13:56,240 --> 01:13:59,240 Speaker 1: shout out Luchi is first on screen turn on brought 1393 01:14:00,920 --> 01:14:07,720 Speaker 1: real that was so good. Income and I just are 1394 01:14:07,800 --> 01:14:11,080 Speaker 1: sped and they are happy to see. They're very excited 1395 01:14:11,160 --> 01:14:14,800 Speaker 1: to get to me, like as if that was like 1396 01:14:14,960 --> 01:14:18,000 Speaker 1: you made so many when you got you made such 1397 01:14:18,080 --> 01:14:24,720 Speaker 1: good choices and my pedophiles here script not scripted, well, pedophile, No, 1398 01:14:24,840 --> 01:14:26,719 Speaker 1: it wasn't in the script. It was it was worked 1399 01:14:26,720 --> 01:14:29,000 Speaker 1: on on the set. Let's say that it's but then 1400 01:14:29,040 --> 01:14:31,640 Speaker 1: you guys got a real petticab. The petticap was it 1401 01:14:31,680 --> 01:14:37,519 Speaker 1: was there, but you yeah, my piles to people who 1402 01:14:37,560 --> 01:14:42,120 Speaker 1: love Petty so good, thank you it was. It was 1403 01:14:42,160 --> 01:14:44,400 Speaker 1: really fun and I love doing it. What was the condition? 1404 01:14:44,520 --> 01:14:49,639 Speaker 1: Just the last thing? Mellotorous duntada, melotorous prudenda smelly pussy 1405 01:14:49,680 --> 01:14:51,720 Speaker 1: Don is a character's name. If you guys aren't caught 1406 01:14:51,800 --> 01:14:54,160 Speaker 1: up yet es Yes, a friend of Abby's from college. 1407 01:14:54,160 --> 01:15:01,040 Speaker 1: Catch up, catch up guy. She went to shed. Okay, great, Um, 1408 01:15:01,200 --> 01:15:03,200 Speaker 1: I think it's time. It's time for I don't think so. 1409 01:15:03,360 --> 01:15:06,439 Speaker 1: Oh my gosh, I don't know if you have to. 1410 01:15:07,600 --> 01:15:10,120 Speaker 1: You did, you did one of the best trollballs of 1411 01:15:10,160 --> 01:15:14,200 Speaker 1: all time. Get out of here. Also, this is my 1412 01:15:14,240 --> 01:15:17,519 Speaker 1: favorite thing about what happened immediately before that. So you 1413 01:15:17,520 --> 01:15:20,200 Speaker 1: guys were and I think the first or second and 1414 01:15:20,320 --> 01:15:24,000 Speaker 1: Joel Kim Booster famously always has poppers on him at 1415 01:15:24,040 --> 01:15:28,240 Speaker 1: all times at this moment, so I was scared actually, 1416 01:15:28,720 --> 01:15:30,439 Speaker 1: and this is what I'm saying, because I looked back 1417 01:15:30,479 --> 01:15:32,800 Speaker 1: at Joel like, puts the poppers under my nose, which 1418 01:15:32,800 --> 01:15:34,840 Speaker 1: you're if you're ever around Joel Kim Booster, you have 1419 01:15:34,880 --> 01:15:37,160 Speaker 1: to cover your noses because he will put poppers in 1420 01:15:37,240 --> 01:15:40,080 Speaker 1: your nostrils and he loves to make your butt hole. 1421 01:15:40,320 --> 01:15:46,160 Speaker 1: That is, he's got the dense industrial stuff. He truly 1422 01:15:46,160 --> 01:15:47,880 Speaker 1: has a lot of at all times. And he goes, all, right, 1423 01:15:47,880 --> 01:15:51,080 Speaker 1: before we go, we're gonna do poppers, and I was like, okay, 1424 01:15:51,439 --> 01:15:53,920 Speaker 1: I'm down. So we did them and I looked back 1425 01:15:54,000 --> 01:15:56,679 Speaker 1: and Paul, you were just in a state of shock. 1426 01:15:57,280 --> 01:16:01,240 Speaker 1: And then Sabrina Jelice comes and I think took the 1427 01:16:01,400 --> 01:16:04,320 Speaker 1: largest hit of poppers I've ever seen two and then 1428 01:16:04,400 --> 01:16:06,080 Speaker 1: did her I don't think so, honey, and like I 1429 01:16:06,080 --> 01:16:10,879 Speaker 1: could see her eyes were just black. She was like, honestly, 1430 01:16:12,080 --> 01:16:16,360 Speaker 1: Sabrina is the next level. Absolutely love her. And then 1431 01:16:16,680 --> 01:16:20,400 Speaker 1: what immediately followed that the troll ball that you picked 1432 01:16:20,479 --> 01:16:23,040 Speaker 1: up with Maria carry thank you, And there was not 1433 01:16:23,160 --> 01:16:27,280 Speaker 1: a moment hesitation. Do you have a left ear? Well? 1434 01:16:27,720 --> 01:16:33,479 Speaker 1: Does she does? She? She? Oh my god. And you 1435 01:16:33,520 --> 01:16:34,960 Speaker 1: know when you do troll ball, then you leave and 1436 01:16:34,960 --> 01:16:37,800 Speaker 1: you're like, here's four more, here's four more things. I said. 1437 01:16:39,439 --> 01:16:41,599 Speaker 1: It's what I do now is I don't prepare any 1438 01:16:41,640 --> 01:16:43,599 Speaker 1: of them at all, So just what comes out comes out. 1439 01:16:43,640 --> 01:16:48,120 Speaker 1: That's good. We also have to do hundreds, I know, 1440 01:16:48,600 --> 01:16:50,720 Speaker 1: I know, like we were literally today we're like, oh 1441 01:16:50,760 --> 01:16:51,960 Speaker 1: my god, which ones are we going to do? And 1442 01:16:52,000 --> 01:16:55,920 Speaker 1: I think I have good ones? But that's great, great, now, um, 1443 01:16:56,280 --> 01:16:59,200 Speaker 1: whatever do you want? Okay, you're not prepared? Well, why 1444 01:16:59,240 --> 01:17:03,400 Speaker 1: you do? We We don't trouble on the pard we did. 1445 01:17:03,520 --> 01:17:09,600 Speaker 1: We just a trouble with Oh, she famously does not 1446 01:17:09,840 --> 01:17:15,600 Speaker 1: prepare star star. Okay, you have the option, but I 1447 01:17:15,800 --> 01:17:17,479 Speaker 1: want to hear what I want to hear. What's up there? Okay, 1448 01:17:17,520 --> 01:17:18,960 Speaker 1: but man, you want to go first. I do want 1449 01:17:18,960 --> 01:17:20,760 Speaker 1: to go first. This is Matt Rodgers. I don't think 1450 01:17:20,800 --> 01:17:22,840 Speaker 1: so many as time starts now, I don't think so 1451 01:17:22,880 --> 01:17:25,320 Speaker 1: honey that I'm obsessed with the trailer for US, but 1452 01:17:25,400 --> 01:17:28,800 Speaker 1: I'm not going to see US because I'm too fucking afraid. 1453 01:17:29,120 --> 01:17:31,280 Speaker 1: I don't think so honey. The movie US You are 1454 01:17:31,479 --> 01:17:34,920 Speaker 1: fun far too scary, If every little literal thing I'm 1455 01:17:34,960 --> 01:17:37,320 Speaker 1: reading is true, I do not like scary movies. It 1456 01:17:37,400 --> 01:17:40,479 Speaker 1: physically hurts me to watch them. However, I don't think 1457 01:17:40,479 --> 01:17:42,240 Speaker 1: so honey that in order to be part of the 1458 01:17:42,240 --> 01:17:45,839 Speaker 1: cultural conversation, I will have had to see US. Today. 1459 01:17:46,160 --> 01:17:47,680 Speaker 1: We were in the back of the lift, and I 1460 01:17:47,720 --> 01:17:50,519 Speaker 1: don't think so honey. The commercial for US, when Lupete 1461 01:17:50,560 --> 01:17:54,639 Speaker 1: and Yango, I was like, that is the most scary 1462 01:17:54,640 --> 01:17:56,439 Speaker 1: thing I've ever heard in my life. I am absolutely 1463 01:17:56,479 --> 01:17:58,240 Speaker 1: not seeing it. I don't think so honey that I've 1464 01:17:58,240 --> 01:18:02,080 Speaker 1: watched The Australia approximately four thousand times. I am obsessed 1465 01:18:02,120 --> 01:18:04,200 Speaker 1: with it. I do think, so honey, what they do 1466 01:18:04,280 --> 01:18:07,120 Speaker 1: with that song I got five on them. Whatever they 1467 01:18:07,160 --> 01:18:09,840 Speaker 1: do like with the orchestra funk that I want to 1468 01:18:09,880 --> 01:18:12,040 Speaker 1: see that? Will I see that? I don't think, so honey. 1469 01:18:12,240 --> 01:18:15,120 Speaker 1: I am far too afraid Jordan Peele. I don't think 1470 01:18:15,120 --> 01:18:16,559 Speaker 1: so honey that you were so good at what you 1471 01:18:16,600 --> 01:18:19,760 Speaker 1: do because even in terms of trailer construction, give that 1472 01:18:19,800 --> 01:18:22,760 Speaker 1: trailer an oscar. It terrifies me, intrigues me, and I'm 1473 01:18:22,800 --> 01:18:29,559 Speaker 1: sucking pissed. That's one minute. Listen. Do you guys do 1474 01:18:29,600 --> 01:18:32,000 Speaker 1: scary movies? I don't. I mean I did get Out 1475 01:18:32,080 --> 01:18:34,320 Speaker 1: because I don't really. We'll see if it's like Beyond, 1476 01:18:34,520 --> 01:18:36,240 Speaker 1: like we'll see you get it. I will see Hereditary, 1477 01:18:36,320 --> 01:18:39,519 Speaker 1: but generally hate. Actually did see Hereditary, Okay, did you 1478 01:18:39,800 --> 01:18:42,360 Speaker 1: go together? Because Chris said that like you are they 1479 01:18:42,400 --> 01:18:48,200 Speaker 1: took We did like it, and I don't usually like 1480 01:18:48,200 --> 01:18:50,000 Speaker 1: those movies. I didn't find that to be scary, for 1481 01:18:50,120 --> 01:18:52,000 Speaker 1: it was just the alligator that was the only thing. 1482 01:18:52,120 --> 01:18:53,559 Speaker 1: I mean, the end is like the end was like 1483 01:18:54,040 --> 01:18:55,519 Speaker 1: just too bizarre to be scary to me. I was 1484 01:18:55,560 --> 01:18:59,439 Speaker 1: like it was like it was like I heard it 1485 01:18:59,479 --> 01:19:04,559 Speaker 1: wasn't worry and like like Happa is nodding his ass off. 1486 01:19:06,680 --> 01:19:08,600 Speaker 1: I can't do he just made an emotion to his 1487 01:19:08,640 --> 01:19:12,120 Speaker 1: intestines being out. But if you get I feel like 1488 01:19:12,120 --> 01:19:14,880 Speaker 1: if people I feel hereditary is probably the scariest miss 1489 01:19:14,920 --> 01:19:17,600 Speaker 1: shocking movie I've ever seen. That movie is just for 1490 01:19:17,680 --> 01:19:20,719 Speaker 1: the one, the one moment alone when you're talking about 1491 01:19:22,320 --> 01:19:26,080 Speaker 1: and I'm just like that wrecked me. Yeah, still think 1492 01:19:26,080 --> 01:19:27,720 Speaker 1: about it all the time. I do too, And I'm like, 1493 01:19:27,760 --> 01:19:31,040 Speaker 1: I can't believe. Do you have siblings? I do? No, 1494 01:19:31,240 --> 01:19:33,880 Speaker 1: see that's I just thought about my mom and I 1495 01:19:33,920 --> 01:19:36,960 Speaker 1: was like, oh, I know, I know, I know. It's 1496 01:19:37,120 --> 01:19:40,680 Speaker 1: it's it's you know, hurtful it is for me as 1497 01:19:40,720 --> 01:19:42,920 Speaker 1: a gay man to know that Tony Colette is giving 1498 01:19:42,920 --> 01:19:46,200 Speaker 1: a tour to force and I can't see it does 1499 01:19:46,320 --> 01:19:50,559 Speaker 1: to me. I cannot You're missing on some that's my trauma. 1500 01:19:50,600 --> 01:19:53,880 Speaker 1: You're missing on some quality and dad stuff too. Oh 1501 01:19:54,200 --> 01:19:56,559 Speaker 1: yeah that's right, yeah really not how stick it in 1502 01:19:56,600 --> 01:20:01,479 Speaker 1: and breaking this is not can in and break it off? 1503 01:20:02,280 --> 01:20:04,679 Speaker 1: Break it off? All right? Well, I'm just saying like 1504 01:20:05,040 --> 01:20:07,120 Speaker 1: it took me literally nine months to see Get Out 1505 01:20:07,160 --> 01:20:09,200 Speaker 1: because then when the oscars rolled around, and like I 1506 01:20:09,240 --> 01:20:11,439 Speaker 1: was like, I had my SAG screeners and I was like, 1507 01:20:11,760 --> 01:20:13,920 Speaker 1: I gotta see it because also like I want to 1508 01:20:13,920 --> 01:20:15,920 Speaker 1: be able to talk about it. And then I fucking 1509 01:20:15,920 --> 01:20:17,680 Speaker 1: loved it. But I did that thing where it's like 1510 01:20:18,280 --> 01:20:20,960 Speaker 1: I would like scroll ahead and scroll back and scroll 1511 01:20:21,000 --> 01:20:24,400 Speaker 1: ahead and scroll back. I'm a psycho. She she wickies 1512 01:20:24,439 --> 01:20:27,200 Speaker 1: things while we're watching. And I'm talking about a lot 1513 01:20:27,240 --> 01:20:30,640 Speaker 1: of times television. Yeah, yeah, I can't. I can't. I 1514 01:20:30,640 --> 01:20:32,799 Speaker 1: gotta wick you. And I'm like, how can you do this? Literally? 1515 01:20:32,840 --> 01:20:35,280 Speaker 1: And you know the ending of Finding Never? You know? 1516 01:20:35,439 --> 01:20:38,960 Speaker 1: In the lift. Today, I googled US spoilers. I googled 1517 01:20:39,160 --> 01:20:44,800 Speaker 1: movie spoilers leaving Yes, now is the time for Bowen? 1518 01:20:45,240 --> 01:20:47,200 Speaker 1: I don't think so, honey, and his time starts. I 1519 01:20:47,200 --> 01:20:50,680 Speaker 1: don't think so, honey. Pre exposure prophylactic prep, baby, I 1520 01:20:50,680 --> 01:20:52,800 Speaker 1: don't think so many that it's killing my sex drive. 1521 01:20:53,040 --> 01:20:54,960 Speaker 1: And also I don't think so, wait, what is this 1522 01:20:55,000 --> 01:20:58,880 Speaker 1: a prophylactic for me getting fucked? Because I'm not getting 1523 01:20:59,120 --> 01:21:02,800 Speaker 1: it in honey, And look, why this is this is 1524 01:21:02,840 --> 01:21:05,040 Speaker 1: this is like the dumb irony of all this is 1525 01:21:05,040 --> 01:21:07,599 Speaker 1: that you're going to fucking out me or you? You 1526 01:21:07,760 --> 01:21:09,640 Speaker 1: did you prep shameing earlier? I can't tell if that 1527 01:21:09,680 --> 01:21:12,880 Speaker 1: was prep shaming. No, I tried to encourage your sexual actor. 1528 01:21:13,000 --> 01:21:17,160 Speaker 1: Well anyway, it's not happening in any case. Well it's 1529 01:21:17,439 --> 01:21:19,760 Speaker 1: I just I hate that I have to now take 1530 01:21:19,800 --> 01:21:24,080 Speaker 1: this blue pill every every day and feel feels very 1531 01:21:24,120 --> 01:21:27,640 Speaker 1: confused about like, well, I guess I should put this 1532 01:21:27,720 --> 01:21:30,719 Speaker 1: to good use, but oh wait, I have no access 1533 01:21:30,800 --> 01:21:34,120 Speaker 1: to putting this to good use. Very sexually confusing. I'm 1534 01:21:34,120 --> 01:21:36,120 Speaker 1: sure I have PREP queens out there who feel the 1535 01:21:36,160 --> 01:21:39,280 Speaker 1: same way. Please do you have me only to talk 1536 01:21:39,320 --> 01:21:42,400 Speaker 1: about it, only to commisserate in our preps, nothing else. 1537 01:21:42,479 --> 01:21:44,040 Speaker 1: I don't want to have sex with you, because, as 1538 01:21:44,080 --> 01:21:46,000 Speaker 1: I said before, PREP is killing my sex stripe. But 1539 01:21:46,000 --> 01:21:47,840 Speaker 1: I'm only taking it just to have the piece of 1540 01:21:48,000 --> 01:21:53,040 Speaker 1: And that's one minute. Here's the deal. What we have 1541 01:21:53,120 --> 01:21:56,320 Speaker 1: to get you laid tonight? No going to a house party. 1542 01:21:56,640 --> 01:22:01,160 Speaker 1: I have to see my parents in twelve hours. About 1543 01:22:01,160 --> 01:22:03,040 Speaker 1: how long it takes to have sex? Yeah, no, you 1544 01:22:03,080 --> 01:22:06,400 Speaker 1: can't have sex within with one of six hours your parents? 1545 01:22:07,200 --> 01:22:11,320 Speaker 1: Can't you can't do that. That's my own. I'm gonna 1546 01:22:11,320 --> 01:22:14,759 Speaker 1: wing man you hard tonight. You don't have to do that. Yeah, 1547 01:22:15,000 --> 01:22:17,519 Speaker 1: you're gonna you're, you're gonna be. I encourage you to 1548 01:22:17,520 --> 01:22:20,360 Speaker 1: look out for yourself. What am I going to be? 1549 01:22:20,840 --> 01:22:22,280 Speaker 1: What do you mean? You said you're going to be? 1550 01:22:23,040 --> 01:22:24,760 Speaker 1: I said you're. I said you're gonna be like, you're 1551 01:22:24,800 --> 01:22:27,120 Speaker 1: gonna be like on your own little prowl. And it 1552 01:22:27,160 --> 01:22:29,559 Speaker 1: doesn't happen. It doesn't have to do anything with honey. Anything. 1553 01:22:29,840 --> 01:22:31,240 Speaker 1: When I go to the club, it's not about the 1554 01:22:31,240 --> 01:22:34,519 Speaker 1: prow It's about dancing, it's about the lights, it's about 1555 01:22:34,520 --> 01:22:40,479 Speaker 1: the environment, about the music. Okay, No, it's not right. Okay, 1556 01:22:40,560 --> 01:22:46,200 Speaker 1: So who's going first? I feel like, Okay, she's got, 1557 01:22:46,360 --> 01:22:48,960 Speaker 1: she's got, she's gotta reading. This is just gonna just 1558 01:22:49,040 --> 01:22:51,320 Speaker 1: gotta reading. This is Lucianiellis. I don't think so. One 1559 01:22:51,320 --> 01:22:54,040 Speaker 1: of her time starts now. I don't think so. Honey, 1560 01:22:54,200 --> 01:22:59,080 Speaker 1: gender reveal party. You want to have a baby shower, 1561 01:22:59,200 --> 01:23:02,760 Speaker 1: go fuck off. Happy for you, that's fine. You want 1562 01:23:02,760 --> 01:23:07,000 Speaker 1: gifts for your baby, Hell yes, bitch, put that Missouri 1563 01:23:07,080 --> 01:23:09,519 Speaker 1: stroller on your registry. I'll buy you that ship. I'm rich. 1564 01:23:11,120 --> 01:23:13,920 Speaker 1: Gathering your friends and family to reveal the gender of 1565 01:23:13,960 --> 01:23:19,880 Speaker 1: your child is fucking archaic. Okay, this obsession with binary 1566 01:23:20,200 --> 01:23:24,320 Speaker 1: is stupid ass. Okay, you're not revealing gender, you're revealing anatomy. 1567 01:23:24,320 --> 01:23:26,040 Speaker 1: And if you don't know the difference, you shouldn't be 1568 01:23:26,040 --> 01:23:29,720 Speaker 1: bringing a child into this world, honey. Okay, and you're 1569 01:23:29,760 --> 01:23:33,519 Speaker 1: gonna release a hundred pink balloons into the sky. Think 1570 01:23:33,560 --> 01:23:37,000 Speaker 1: about the turtles they have to choke on your hot 1571 01:23:37,040 --> 01:23:40,280 Speaker 1: pink g litter because you needed to reinforce heteronormative stereotypes. 1572 01:23:40,640 --> 01:23:42,559 Speaker 1: I don't think you I'm getting you that me Missouri 1573 01:23:42,640 --> 01:23:48,160 Speaker 1: stroller anymore, because I don't think so honey. One minute, 1574 01:23:48,240 --> 01:23:51,760 Speaker 1: there we go. Honestly, I have said before I don't 1575 01:23:51,760 --> 01:23:56,599 Speaker 1: think so honey balloons for this very reason. It's environmentally bad, 1576 01:23:57,600 --> 01:23:59,880 Speaker 1: and the ones that say that they're environmentally friendly are lying, 1577 01:24:00,080 --> 01:24:03,400 Speaker 1: absolute liars. It's not true. Oh my god, that's that's big. 1578 01:24:04,040 --> 01:24:07,080 Speaker 1: That's that's big rubber. And also I don't think so 1579 01:24:07,120 --> 01:24:09,640 Speaker 1: honey gender reveal parties. I totally agree, because guess what, 1580 01:24:10,080 --> 01:24:14,400 Speaker 1: not always correct either, Oh I'm sure. And also then 1581 01:24:14,439 --> 01:24:17,240 Speaker 1: you like a freak and a fool when you've painted 1582 01:24:17,280 --> 01:24:21,719 Speaker 1: your whole house blue also who said that blue was well, actually, 1583 01:24:21,800 --> 01:24:23,759 Speaker 1: do you know that blue used to be the girl's 1584 01:24:23,800 --> 01:24:30,200 Speaker 1: color because the Virgin Mary Okay, the Virgin Mary was 1585 01:24:30,240 --> 01:24:33,639 Speaker 1: like blue that was girls. But honestly they had something 1586 01:24:33,680 --> 01:24:35,559 Speaker 1: to do with Hitler being like, pink is for girls. 1587 01:24:35,600 --> 01:24:42,320 Speaker 1: I don't know exactly potentially spread I think that might 1588 01:24:42,400 --> 01:24:45,120 Speaker 1: be anyways. I also like it's such bullshit because you 1589 01:24:45,120 --> 01:24:49,160 Speaker 1: always seem like Dad's being like yea when it's girls color, 1590 01:24:49,240 --> 01:24:51,519 Speaker 1: and it's like reinforcing for all the children that are 1591 01:24:51,560 --> 01:24:55,439 Speaker 1: there that guys are like wanting boys. It's just also gross. 1592 01:24:55,720 --> 01:24:59,000 Speaker 1: It's like so and almost it's so gross. I hate it, 1593 01:24:59,120 --> 01:25:02,280 Speaker 1: and like TV, I don't want to hear that you'd 1594 01:25:02,400 --> 01:25:06,519 Speaker 1: rather have one or the other because that will like 1595 01:25:07,080 --> 01:25:08,920 Speaker 1: once you put that out there, like everyone hears it, 1596 01:25:08,960 --> 01:25:11,160 Speaker 1: and if you have the other one, it's like everyone's 1597 01:25:11,160 --> 01:25:13,400 Speaker 1: a secret. Yeah yeah, it's like I wanted a girl, 1598 01:25:13,400 --> 01:25:16,680 Speaker 1: but it's okay. I'm like yeah, it's just yeah, that's 1599 01:25:16,680 --> 01:25:19,519 Speaker 1: like what And it feels like, honestly, it's being pushed 1600 01:25:19,560 --> 01:25:22,400 Speaker 1: by mom's I'm sorry to like this, but I'm like 1601 01:25:22,800 --> 01:25:26,559 Speaker 1: it's a party to like be like, here's the I 1602 01:25:26,560 --> 01:25:28,880 Speaker 1: don't know I'm getting now. I am becoming like, well 1603 01:25:29,000 --> 01:25:31,320 Speaker 1: not if you like, don't carry it whatever. I'm just like, 1604 01:25:31,840 --> 01:25:33,720 Speaker 1: it just feels like it's like a party to be like, 1605 01:25:33,800 --> 01:25:36,080 Speaker 1: I can use my body to have a child, which 1606 01:25:36,120 --> 01:25:38,000 Speaker 1: is a beautiful, great thing, but like to be like 1607 01:25:38,240 --> 01:25:40,400 Speaker 1: and the result of it is the thing that's important. 1608 01:25:40,479 --> 01:25:42,880 Speaker 1: That the gender of it is what's important. I'm like, 1609 01:25:43,120 --> 01:25:45,320 Speaker 1: just have a baby party. It's like a new life. 1610 01:25:45,320 --> 01:25:48,280 Speaker 1: It's a new life party. So you know, not necessarily 1611 01:25:48,280 --> 01:25:52,160 Speaker 1: it's gender. That's exactly right. The gender. Gender is dragged. 1612 01:25:53,160 --> 01:26:02,719 Speaker 1: Gender gender is dragon. That was a rich one. It okay, 1613 01:26:03,120 --> 01:26:06,559 Speaker 1: oh my all of downs? Do you have a little dear? 1614 01:26:07,360 --> 01:26:10,000 Speaker 1: Am I going to do it? Yeah? He's okay, So 1615 01:26:10,040 --> 01:26:13,439 Speaker 1: it's been discussed. Okay, okay, because I was, well, okay, 1616 01:26:13,720 --> 01:26:16,360 Speaker 1: just happened. It just happened, truly thirty seconds before I 1617 01:26:16,400 --> 01:26:20,120 Speaker 1: walked into Oh my god, I can't. I don't think 1618 01:26:20,160 --> 01:26:23,599 Speaker 1: so many as time starts now, I don't think so honey. 1619 01:26:23,960 --> 01:26:28,000 Speaker 1: I don't think so honey to make me come on 1620 01:26:28,040 --> 01:26:30,360 Speaker 1: a podcast and write a minute of brand new material 1621 01:26:30,439 --> 01:26:32,160 Speaker 1: when all I want to do is shoot this ship. 1622 01:26:34,800 --> 01:26:41,479 Speaker 1: I'm too busy riding film and television, and yeah, he's yes, Yes, honey, 1623 01:26:42,280 --> 01:26:43,920 Speaker 1: I wrote too. I don't think so, honey. And then 1624 01:26:43,960 --> 01:26:49,320 Speaker 1: I was told they've been done before, honey, stressful Honey 1625 01:26:50,280 --> 01:26:53,439 Speaker 1: is the best podcast in America. Yes, and you are 1626 01:26:53,479 --> 01:26:57,120 Speaker 1: the best host, charming and funny. You are enough. We 1627 01:26:57,200 --> 01:26:59,280 Speaker 1: don't need this. We don't need a gimmick, honey. If 1628 01:26:59,320 --> 01:27:01,960 Speaker 1: I want to do home work. I got back to school, honey. 1629 01:27:02,560 --> 01:27:06,960 Speaker 1: But I'm not going to go back to school, honey, 1630 01:27:06,160 --> 01:27:10,799 Speaker 1: don't know seconds, Okay, don't you worry. Oh god, I'm 1631 01:27:10,800 --> 01:27:12,160 Speaker 1: not gonna go back to school, honey. And it was 1632 01:27:12,160 --> 01:27:13,479 Speaker 1: going to be that I don't have a full minute 1633 01:27:13,479 --> 01:27:18,400 Speaker 1: because I don't think so, Honey, I don't think so. 1634 01:27:18,439 --> 01:27:20,360 Speaker 1: It was more than I thought it was going to be. 1635 01:27:20,600 --> 01:27:25,320 Speaker 1: That was incredible. It made me sweat and said, you know, 1636 01:27:25,400 --> 01:27:27,439 Speaker 1: I love you guys, and I love the pod. You know. 1637 01:27:27,680 --> 01:27:29,640 Speaker 1: But I did write too. And then Jenny was like, 1638 01:27:29,680 --> 01:27:31,280 Speaker 1: I think that one's been done, and we didn't tell 1639 01:27:31,280 --> 01:27:34,000 Speaker 1: you that it had been done. They had been dog 1640 01:27:34,040 --> 01:27:37,559 Speaker 1: people do People Green? Well, the other one hadn't been done, 1641 01:27:37,560 --> 01:27:40,040 Speaker 1: but it just I was doing it as a secondary, 1642 01:27:40,080 --> 01:27:45,639 Speaker 1: which was restaurants with bad bread. I'm like, oh, I don't. 1643 01:27:47,040 --> 01:27:48,760 Speaker 1: But then I just truly said that. I was like, 1644 01:27:48,760 --> 01:27:49,920 Speaker 1: I don't think so money, I don't think so many 1645 01:27:49,960 --> 01:27:52,360 Speaker 1: And I was like that's I might do it. I 1646 01:27:52,439 --> 01:27:54,639 Speaker 1: get it. But you know I love you right everything 1647 01:27:54,680 --> 01:27:59,160 Speaker 1: school and listen. Okay, just here's the deal. Okay, here's 1648 01:27:59,200 --> 01:28:03,679 Speaker 1: the deal. Okay. I emailed these two after the show, 1649 01:28:03,720 --> 01:28:07,040 Speaker 1: and I was like, I genuinely was very excited. I 1650 01:28:07,080 --> 01:28:12,040 Speaker 1: don't think I've ever been so excited to have people on. Yeah, 1651 01:28:12,600 --> 01:28:15,280 Speaker 1: you guys came out and did it. We were so honored. 1652 01:28:15,320 --> 01:28:19,880 Speaker 1: No joke on Joel, we did miss you. I was, 1653 01:28:21,960 --> 01:28:26,759 Speaker 1: I was. It was so fun. That was fun. One, yeah, 1654 01:28:26,800 --> 01:28:28,920 Speaker 1: that was great. It was really fun. And also I 1655 01:28:28,960 --> 01:28:31,439 Speaker 1: feel bad because it was raining so much and I 1656 01:28:31,479 --> 01:28:35,160 Speaker 1: made everyone come downtown, but like it's fine. It was 1657 01:28:35,200 --> 01:28:38,040 Speaker 1: so fun. I feel like it's a great way also 1658 01:28:38,120 --> 01:28:40,120 Speaker 1: to see so many people you haven't seen in so long. 1659 01:28:40,920 --> 01:28:44,800 Speaker 1: It it's like a bizarre you have a grainhouse. I mean, 1660 01:28:44,920 --> 01:28:46,880 Speaker 1: people were into it. They were going nuts. It was 1661 01:28:46,920 --> 01:28:49,200 Speaker 1: really it was really fun. Also, the thing is about 1662 01:28:49,200 --> 01:28:52,160 Speaker 1: I'm so honny is like, truly, I don't think so 1663 01:28:52,240 --> 01:28:55,880 Speaker 1: honey is nothing. It's we thought no one would ever 1664 01:28:55,920 --> 01:28:57,960 Speaker 1: listen to this podcast. When we started, we were like, 1665 01:28:58,000 --> 01:28:59,600 Speaker 1: it's like an hour and a half of time. We 1666 01:28:59,600 --> 01:29:03,439 Speaker 1: scheduled each working a play and they were like, well, 1667 01:29:03,479 --> 01:29:06,160 Speaker 1: you should have a segment, and I was like okay, okay, 1668 01:29:06,320 --> 01:29:08,240 Speaker 1: and so we came up with I don't think so, honey, 1669 01:29:08,280 --> 01:29:10,040 Speaker 1: because it's something we said to each other all the 1670 01:29:10,080 --> 01:29:12,920 Speaker 1: time when we were like stupid, yes, and that was like, 1671 01:29:12,960 --> 01:29:16,439 Speaker 1: it'll be a minute of us just like ranting whatever. 1672 01:29:16,600 --> 01:29:19,800 Speaker 1: Like it's a minute rant like like that. It was 1673 01:29:19,840 --> 01:29:21,760 Speaker 1: a revolutionary. It was like it was like a meta 1674 01:29:21,800 --> 01:29:27,760 Speaker 1: commentary on segments and podcasts. Yeah, and rant for a minute. Fine, 1675 01:29:27,960 --> 01:29:30,000 Speaker 1: and then and then I think it's an outlet people 1676 01:29:30,320 --> 01:29:31,720 Speaker 1: want to do. They're like, I need to come on 1677 01:29:31,760 --> 01:29:33,400 Speaker 1: to do this. I want to I want to have 1678 01:29:33,400 --> 01:29:35,439 Speaker 1: a platform. I want to rant. I want to do it, 1679 01:29:36,240 --> 01:29:38,000 Speaker 1: but I want to impress you guys. You you know 1680 01:29:38,000 --> 01:29:40,000 Speaker 1: what I mean. So I really was working. I was 1681 01:29:40,040 --> 01:29:42,919 Speaker 1: really you know, it's impossible for you guys to anyway 1682 01:29:43,080 --> 01:29:46,360 Speaker 1: not live up to the sky and also to be 1683 01:29:46,439 --> 01:29:48,160 Speaker 1: honest with you, it's this is 's the way I 1684 01:29:48,160 --> 01:29:50,559 Speaker 1: feel about christ and Sarah to like just to like 1685 01:29:51,720 --> 01:29:54,559 Speaker 1: have whatever be doing comedy and then like, oh the 1686 01:29:54,600 --> 01:29:57,120 Speaker 1: people that like are doing comedy on like a high 1687 01:29:57,200 --> 01:29:58,800 Speaker 1: level and an aspiration away that I like are also 1688 01:29:59,000 --> 01:30:01,240 Speaker 1: nice and well we give you the time of day. 1689 01:30:01,280 --> 01:30:06,479 Speaker 1: Oh my god, I love you. Repect this makes me 1690 01:30:06,720 --> 01:30:11,200 Speaker 1: my heart saying and really quickly, I mean I will 1691 01:30:11,240 --> 01:30:13,120 Speaker 1: remember this day for the rest of my life. Well 1692 01:30:13,160 --> 01:30:16,639 Speaker 1: one one that won the broad City Origin and then 1693 01:30:16,840 --> 01:30:20,000 Speaker 1: truly shooting the Aquafina pilot and if you talk about this, 1694 01:30:20,040 --> 01:30:23,800 Speaker 1: I can't do it, but like just really quickly that day, 1695 01:30:24,160 --> 01:30:26,880 Speaker 1: I like, once I wrapped, I walked away to go 1696 01:30:26,960 --> 01:30:29,519 Speaker 1: meet my friend Emily for dinner and I cried the 1697 01:30:29,600 --> 01:30:32,720 Speaker 1: entire time, just pure just out of pure joy of 1698 01:30:32,840 --> 01:30:35,280 Speaker 1: just like, have I talked to you about this? I 1699 01:30:35,320 --> 01:30:37,080 Speaker 1: don't think so. Where it was just like I walked 1700 01:30:37,080 --> 01:30:40,120 Speaker 1: out of that set, it was like we shot in Chinatown, 1701 01:30:40,400 --> 01:30:44,559 Speaker 1: was all Asian background. All the names in the college 1702 01:30:44,560 --> 01:30:47,560 Speaker 1: sheep were Asian. We sit down, we're eating food, and 1703 01:30:47,600 --> 01:30:50,200 Speaker 1: then like Bead like starts talking to me about like, oh, well, 1704 01:30:50,200 --> 01:30:52,639 Speaker 1: like you know, is this your first scene where you're 1705 01:30:52,680 --> 01:30:54,559 Speaker 1: eating that you're eating something? And I'm like, yeah, I 1706 01:30:54,560 --> 01:30:56,439 Speaker 1: think so, and he was like, well, here's the thing. 1707 01:30:56,479 --> 01:30:58,320 Speaker 1: Don't eat too much, because then you're gonna just keep 1708 01:30:58,320 --> 01:31:00,519 Speaker 1: eating the ship in between takes and be so full. 1709 01:31:00,840 --> 01:31:02,519 Speaker 1: And then Nora was like, oh, yeah, don't do that, 1710 01:31:02,560 --> 01:31:04,280 Speaker 1: Like that's like pro tip, like don't do that. It 1711 01:31:04,320 --> 01:31:06,400 Speaker 1: was just this moment, and then over the course of 1712 01:31:06,840 --> 01:31:09,439 Speaker 1: the entire shoot, like it was like there was a 1713 01:31:09,479 --> 01:31:12,120 Speaker 1: plate with wood ears, which is just like Chinese fungus 1714 01:31:12,800 --> 01:31:15,040 Speaker 1: that like is just a staple in cooking and in 1715 01:31:15,120 --> 01:31:17,280 Speaker 1: Asian cooking, and then we all talked about that and 1716 01:31:17,320 --> 01:31:19,920 Speaker 1: no one had to explain what it was. And then 1717 01:31:19,960 --> 01:31:22,000 Speaker 1: that was like the general sense of it was that 1718 01:31:22,040 --> 01:31:24,479 Speaker 1: like no one had to explain anything to each other, 1719 01:31:25,040 --> 01:31:28,880 Speaker 1: and like I was like I've never experienced this, like 1720 01:31:29,000 --> 01:31:32,120 Speaker 1: walking onto set and like not having to like feel 1721 01:31:32,960 --> 01:31:35,320 Speaker 1: like I had to like keep up some layer of 1722 01:31:35,320 --> 01:31:38,280 Speaker 1: respectability just because it's like, well, I gotta like, I gotta, 1723 01:31:38,320 --> 01:31:40,080 Speaker 1: I gotta have my ship together. And it's not even 1724 01:31:40,080 --> 01:31:41,799 Speaker 1: about that, but it was just about like the comfort 1725 01:31:41,840 --> 01:31:45,000 Speaker 1: of just not having any of those walls up and 1726 01:31:45,120 --> 01:31:49,040 Speaker 1: just like and then working with you, and I'm so 1727 01:31:49,240 --> 01:31:54,000 Speaker 1: beautiful and an objective, you are so funny and so 1728 01:31:54,000 --> 01:31:56,760 Speaker 1: so much of the room is like obsessed with being 1729 01:31:56,800 --> 01:32:01,680 Speaker 1: like how much can we have? It's true stop and 1730 01:32:01,680 --> 01:32:03,400 Speaker 1: I went and I went in the other day and 1731 01:32:03,400 --> 01:32:05,920 Speaker 1: it was I got chills. Like the stories that they 1732 01:32:05,920 --> 01:32:08,320 Speaker 1: were talking, like the the arcs and ship not even 1733 01:32:08,320 --> 01:32:10,400 Speaker 1: stuff that has to do with me what that means. 1734 01:32:10,479 --> 01:32:13,080 Speaker 1: I was just like, this is going to be so cool. Yeah, 1735 01:32:13,320 --> 01:32:15,559 Speaker 1: I hope, I think it will be. Yeah. I think 1736 01:32:15,600 --> 01:32:17,960 Speaker 1: it's like we're really just I mean, it's not my show. 1737 01:32:18,000 --> 01:32:20,600 Speaker 1: I'm you know, helping a part of it, but I 1738 01:32:20,680 --> 01:32:23,160 Speaker 1: think we really just wanted to help people tell the 1739 01:32:23,240 --> 01:32:25,719 Speaker 1: stories that haven't been told, and it's like we're trying 1740 01:32:25,720 --> 01:32:28,360 Speaker 1: to make this like a very well she's like, you know, 1741 01:32:28,640 --> 01:32:31,920 Speaker 1: three quarters Chinese quarter Korean, like three quarter Chinese quarter 1742 01:32:32,040 --> 01:32:36,000 Speaker 1: Korean Queen's story about a family and about people who 1743 01:32:36,479 --> 01:32:39,559 Speaker 1: you know, are different levels of their like where they 1744 01:32:39,600 --> 01:32:43,479 Speaker 1: are in terms of their American nous. It's it's got 1745 01:32:43,560 --> 01:32:46,040 Speaker 1: a lot of Yeah, it's just I think I just 1746 01:32:46,720 --> 01:32:50,120 Speaker 1: I hope that people feel seen by it, because that's 1747 01:32:50,120 --> 01:32:52,360 Speaker 1: really it really is. I think the intention it's I 1748 01:32:52,400 --> 01:32:55,120 Speaker 1: think she's so funny and the writers are so funny 1749 01:32:55,120 --> 01:32:58,080 Speaker 1: and character as the showrunners truly like one of them 1750 01:32:58,479 --> 01:33:01,080 Speaker 1: an angel on Earth. She's the funniest person, and so 1751 01:33:01,320 --> 01:33:03,479 Speaker 1: I think it's a really awesome group of people, hoping 1752 01:33:03,600 --> 01:33:05,760 Speaker 1: that I think are making something really special. Are you 1753 01:33:05,800 --> 01:33:08,360 Speaker 1: directing several episodes? I am. I am doing four total 1754 01:33:08,400 --> 01:33:16,280 Speaker 1: of this. Um, but yeah, I can't wait coming in January? 1755 01:33:16,479 --> 01:33:21,519 Speaker 1: Rights right, so the two other really, I don't know. 1756 01:33:21,560 --> 01:33:27,400 Speaker 1: I don't know. I don't know idea out there anyway, 1757 01:33:27,680 --> 01:33:32,080 Speaker 1: But anyway, UM, a lot of fun. App what great, 1758 01:33:32,160 --> 01:33:35,960 Speaker 1: Let's do it four hour. Let's four four hours. Have 1759 01:33:36,080 --> 01:33:38,759 Speaker 1: us come back for a part two, honestly, and then 1760 01:33:38,600 --> 01:33:40,559 Speaker 1: then we can hear I don't think so. Honey, bad bread. 1761 01:33:40,680 --> 01:33:42,640 Speaker 1: I'll do it anytime. I'll do anything you want. How 1762 01:33:42,640 --> 01:33:47,240 Speaker 1: do you feel about the outback steakhouse bread? Um? Brown bread? Oh, 1763 01:33:47,400 --> 01:33:50,080 Speaker 1: I'm not a big brown bread person. I don't like it. Okay, yeah, 1764 01:33:50,080 --> 01:33:52,559 Speaker 1: I'm not a big brown bread I'm not against all 1765 01:33:52,600 --> 01:33:57,400 Speaker 1: brown bread, don't get me wrong. Bread in Ireland is incredible. Yeah, 1766 01:33:58,280 --> 01:34:00,839 Speaker 1: the couple, it depends on the kind you talking about. 1767 01:34:01,240 --> 01:34:05,719 Speaker 1: Raisin cinnamon raisin toast this morning? Yeah, cinnamon raisin toast 1768 01:34:05,920 --> 01:34:07,960 Speaker 1: is good. Is good. I don't know what I'll tell 1769 01:34:08,000 --> 01:34:10,799 Speaker 1: you why she literally smelled like it this morning. Weirdly, 1770 01:34:10,800 --> 01:34:13,920 Speaker 1: I was like, which I used to have at my 1771 01:34:13,920 --> 01:34:16,040 Speaker 1: grandmother's house and I haven't had since I was a 1772 01:34:16,040 --> 01:34:19,280 Speaker 1: true child. But that was good. Yeah, grat I made it. 1773 01:34:19,320 --> 01:34:21,519 Speaker 1: The other day in the morning, my friend up thing 1774 01:34:21,600 --> 01:34:25,160 Speaker 1: was like, do you want some cinnamon raisin toast? Really? Yeah? Yeah? 1775 01:34:25,439 --> 01:34:27,800 Speaker 1: So that's an atmosphere too. It is. It is old 1776 01:34:27,840 --> 01:34:37,240 Speaker 1: factory heaven, Factory heaven for being here. Every episode with 1777 01:34:40,960 --> 01:34:48,000 Speaker 1: can you look at me in and tell me that's happy? 1778 01:34:48,320 --> 01:34:52,280 Speaker 1: You got to meet me? Are you doing yes? Tell 1779 01:34:52,439 --> 01:35:02,040 Speaker 1: me that you're happy now? Could she tell all been raced? 1780 01:35:02,040 --> 01:35:17,479 Speaker 1: Are you happy now? Are you happy now? Forever Dog. 1781 01:35:18,240 --> 01:35:21,760 Speaker 1: This has been a Forever Dog production executive produced by 1782 01:35:21,760 --> 01:35:27,120 Speaker 1: Brett Boum, Joe Silio, and Alex Ramsey. For more original podcasts, 1783 01:35:27,240 --> 01:35:31,240 Speaker 1: please visit Forever Dog Podcasts dot com and subscribe to 1784 01:35:31,240 --> 01:35:35,200 Speaker 1: our shows on Apple Podcasts, Spotify, or wherever you get 1785 01:35:35,240 --> 01:35:38,400 Speaker 1: your podcasts. Keep up with the latest Forever Dog news 1786 01:35:38,479 --> 01:35:43,240 Speaker 1: by following us on Twitter and Instagram at Forever Dog Team, 1787 01:35:43,320 --> 01:35:45,480 Speaker 1: and liking our page on Facebook.