1 00:00:00,640 --> 00:00:07,600 Speaker 1: I'm a real people, real celebrity, Real joined the Breakfast Morning. 2 00:00:07,600 --> 00:00:10,680 Speaker 1: Everybody is DJ M, v Angela Ye, Charlemagne the Guy. 3 00:00:10,680 --> 00:00:13,320 Speaker 1: We are the Breakfast Club Special guests in the building. 4 00:00:13,720 --> 00:00:18,000 Speaker 1: Miss Esterday after Afterding got money. She got some money. 5 00:00:18,040 --> 00:00:22,560 Speaker 1: No no, no no, she got real goal. I don't 6 00:00:22,600 --> 00:00:30,280 Speaker 1: have real goal. Celebrity net worth is twenty four millions. 7 00:00:31,120 --> 00:00:36,080 Speaker 1: Celebrity go on those things. Hit some songs that you 8 00:00:36,120 --> 00:00:38,320 Speaker 1: produce that people might know you from. Rit produced and 9 00:00:38,400 --> 00:00:49,120 Speaker 1: route oh a lot of I think here, Okay, express yourself. 10 00:00:49,479 --> 00:00:53,120 Speaker 1: I did my first number one something was Rude Boy 11 00:00:52,560 --> 00:00:56,560 Speaker 1: Boy Rihanna, and then after that was What's my Name? Rihanna, 12 00:00:56,960 --> 00:00:59,880 Speaker 1: and then it was es and M and then fire 13 00:01:00,040 --> 00:01:05,319 Speaker 1: works and then fire works like Katie Perry okay, and 14 00:01:05,400 --> 00:01:08,199 Speaker 1: then super basically NIKKEI turn me on with David Gred 15 00:01:08,240 --> 00:01:14,040 Speaker 1: and Nikki. He did put Postion Postion Beyonce. Well, I 16 00:01:14,080 --> 00:01:15,760 Speaker 1: didn't get a hit out of Beyonce. I want to 17 00:01:15,800 --> 00:01:19,200 Speaker 1: that's my dream. You didn't countdown? Then down that's my song? 18 00:01:20,160 --> 00:01:23,679 Speaker 1: Yeah and yeah and then um, where have you been? 19 00:01:24,280 --> 00:01:26,920 Speaker 1: So somethings like that, and I got the new Nikki song. Um, 20 00:01:27,200 --> 00:01:29,160 Speaker 1: the night is still young and then I got the 21 00:01:29,160 --> 00:01:32,039 Speaker 1: new song with her and David Guetta. Um, hey, mama, 22 00:01:32,520 --> 00:01:34,280 Speaker 1: so you might be worth more than twenty four millions. 23 00:01:34,280 --> 00:01:38,840 Speaker 1: I'm open million. You want to be an artist, you 24 00:01:38,840 --> 00:01:41,520 Speaker 1: could be behind the scene. But Ja've been low as 25 00:01:41,600 --> 00:01:45,600 Speaker 1: my song too though. Now let's keep it around. I 26 00:01:45,600 --> 00:01:46,960 Speaker 1: can walk the street to do. I don't think you 27 00:01:47,040 --> 00:01:52,360 Speaker 1: can't walk the streets. I think you call y'all. No, no, no, no, wrong. 28 00:01:52,600 --> 00:01:56,280 Speaker 1: Now they're like, oh I see you. No, I don't. 29 00:01:56,320 --> 00:01:58,640 Speaker 1: I like to do everything. I'm a busy body for real. 30 00:01:58,720 --> 00:02:01,680 Speaker 1: I'm a real busy body. So I'm kind of like 31 00:02:02,000 --> 00:02:04,960 Speaker 1: all over the place. So now I'm acting so yes. 32 00:02:05,280 --> 00:02:08,120 Speaker 1: But the thing is, none of my artists or a 33 00:02:08,240 --> 00:02:10,600 Speaker 1: songwriter ever got me here you know what I'm saying, 34 00:02:10,680 --> 00:02:13,000 Speaker 1: or got me where I'm at, Like my faces all 35 00:02:13,000 --> 00:02:15,240 Speaker 1: over the place. And that's because of movies. And that's 36 00:02:15,320 --> 00:02:19,959 Speaker 1: you know, pitch perfect, pitch perfect. I know you love me? 37 00:02:20,000 --> 00:02:23,400 Speaker 1: And she is that type casting is that it's kind 38 00:02:23,400 --> 00:02:27,880 Speaker 1: of close, like I think they type cash you right, 39 00:02:27,960 --> 00:02:29,919 Speaker 1: you know what I'm saying, Like I kind of come 40 00:02:29,919 --> 00:02:35,760 Speaker 1: off Butcherie. You know I did not think that clothes, 41 00:02:35,800 --> 00:02:40,320 Speaker 1: I dude, clothes nothing I bought her from the dude's store. Okay, 42 00:02:43,639 --> 00:02:49,040 Speaker 1: I'm that. I tell my friend Mali unsex. He liked that. 43 00:02:49,280 --> 00:02:52,960 Speaker 1: So anyways, use the new game is unisex. Yeah, can 44 00:02:53,000 --> 00:02:55,280 Speaker 1: look out young THU dresses. He's not gay. He wears 45 00:02:55,280 --> 00:02:59,440 Speaker 1: skirts and stuff like that. Yeah, leg no you don't. Yes, 46 00:02:59,560 --> 00:03:05,040 Speaker 1: he do a lot of guys where jaggings? Now jaggings? 47 00:03:05,080 --> 00:03:07,880 Speaker 1: I hope no guy where? Yes, they do, they all do. Now. 48 00:03:08,560 --> 00:03:10,920 Speaker 1: I will continue you like a little. I like, I will. 49 00:03:11,040 --> 00:03:14,800 Speaker 1: I don't like a little. I haven't had vagina. I haven't. 50 00:03:14,840 --> 00:03:17,919 Speaker 1: I didn't even China yet. I don't mind thinking about it. 51 00:03:18,200 --> 00:03:20,000 Speaker 1: You know, maybe one day man and my boy do 52 00:03:20,120 --> 00:03:23,600 Speaker 1: some vagina and then I'll leave. But my new song 53 00:03:23,680 --> 00:03:27,920 Speaker 1: has it's like I like vagina. It's called Keeper and 54 00:03:28,000 --> 00:03:29,680 Speaker 1: He's And it's so funny because when I wrote it, 55 00:03:29,800 --> 00:03:31,440 Speaker 1: everybody like I was supposed to sell it, and I 56 00:03:31,480 --> 00:03:33,600 Speaker 1: was like, I'm not selling this. It's mine, right, and 57 00:03:33,639 --> 00:03:35,880 Speaker 1: it's like, but it's about a girl. I was like, 58 00:03:35,920 --> 00:03:38,760 Speaker 1: So I'm like, how many lesbians do you know? A 59 00:03:38,760 --> 00:03:40,600 Speaker 1: lot of them? So I could sing whatever I want 60 00:03:40,600 --> 00:03:43,800 Speaker 1: to say. So where you're from? Oklahoma? Okay? Okay? I 61 00:03:43,840 --> 00:03:50,120 Speaker 1: don't know why I thought you was from the UK Noma. 62 00:03:50,280 --> 00:03:52,839 Speaker 1: I thought Virginia with the fingerwaves, like I know, I love. 63 00:03:52,960 --> 00:03:56,560 Speaker 1: It's not always like that. No, this is one new thing, right, 64 00:03:57,560 --> 00:04:00,280 Speaker 1: I didn't know bringing them back? Okay, yeah, come onybody 65 00:04:00,360 --> 00:04:04,240 Speaker 1: jump over missing. But it's so crazy because I had 66 00:04:04,560 --> 00:04:07,680 Speaker 1: I had figures in the nineties, just like everybody else. 67 00:04:08,000 --> 00:04:09,640 Speaker 1: But it's like when you have short hair, you gotta 68 00:04:09,640 --> 00:04:11,520 Speaker 1: figure out are you gonna lace it with? We've what 69 00:04:11,600 --> 00:04:14,880 Speaker 1: you mean the nineties? You like twenty five thirty three? Oh? 70 00:04:14,920 --> 00:04:17,400 Speaker 1: I thought you was like, ok No, they lied one 71 00:04:17,440 --> 00:04:19,200 Speaker 1: time on week media and I liked it. I let 72 00:04:19,240 --> 00:04:27,040 Speaker 1: it go. That's how because everybody was so scared at 73 00:04:27,040 --> 00:04:29,200 Speaker 1: the age. It was like talking about Beyonce, like is 74 00:04:29,279 --> 00:04:31,960 Speaker 1: she older than I was like, just stick with twenty six, 75 00:04:32,279 --> 00:04:34,640 Speaker 1: say it's work with that. Age is a blessing man, 76 00:04:34,800 --> 00:04:37,799 Speaker 1: it is. I mean, what y'all see like the riots, 77 00:04:38,040 --> 00:04:41,200 Speaker 1: It wasn't a riot, but y'all see, oh Monday last night, 78 00:04:41,240 --> 00:04:43,440 Speaker 1: I like to call it non peaceful protest, which one 79 00:04:43,480 --> 00:04:45,960 Speaker 1: is the ones in New York. It was so scary 80 00:04:46,000 --> 00:04:48,679 Speaker 1: yea and twenty people got arrested. We came from the movies. 81 00:04:49,440 --> 00:04:51,240 Speaker 1: It was so scared. Oh you mean the protest in 82 00:04:51,320 --> 00:04:53,599 Speaker 1: New York. Yeah, yeah, yeah, yeah yeah. Now because I 83 00:04:53,720 --> 00:04:55,320 Speaker 1: was on my way to the screening and all the 84 00:04:55,360 --> 00:04:56,960 Speaker 1: trees were close down and blacked off. It was a 85 00:04:56,960 --> 00:04:58,880 Speaker 1: lot of chapping because of the protest. The police make 86 00:04:58,920 --> 00:05:01,919 Speaker 1: it looks so scary You're like, oh my god. It 87 00:05:02,080 --> 00:05:04,640 Speaker 1: was like so many police people like running. I was like, 88 00:05:05,240 --> 00:05:08,880 Speaker 1: if we get out of here right, yes, now, you're 89 00:05:08,880 --> 00:05:14,080 Speaker 1: a well known ghostwriter for really popular people ghost exactly. 90 00:05:14,160 --> 00:05:17,159 Speaker 1: But I tell you what, I getting mad when you 91 00:05:17,200 --> 00:05:20,279 Speaker 1: talk about the hits you rule no because they the 92 00:05:20,360 --> 00:05:23,320 Speaker 1: thing is okay. So when they say Nicki Minaj as 93 00:05:23,360 --> 00:05:25,960 Speaker 1: the road nigga, I ain't never wrote a rap in life, 94 00:05:26,200 --> 00:05:28,320 Speaker 1: but Nicki Minaj I don't. I just sat in the 95 00:05:28,400 --> 00:05:30,480 Speaker 1: room with her and like and she's like, what I 96 00:05:30,520 --> 00:05:34,400 Speaker 1: don't know, you know, I don't know you James and stuff. 97 00:05:34,440 --> 00:05:38,360 Speaker 1: I'm like, this is intimidate takes that very But the 98 00:05:38,360 --> 00:05:40,640 Speaker 1: thing is she should I write hooks? You know what 99 00:05:40,640 --> 00:05:43,320 Speaker 1: I'm saying. Like with Rihanna, I write hook songs. Rihanna 100 00:05:43,400 --> 00:05:46,039 Speaker 1: don't care. She's like, yes, you know. Clive David said 101 00:05:46,040 --> 00:05:47,840 Speaker 1: he never let when he using them write a song. 102 00:05:48,080 --> 00:05:51,200 Speaker 1: He saidcause you're not a songwriter. Nicki Minaj is a writer. 103 00:05:51,360 --> 00:05:54,159 Speaker 1: She get write. We did Super Base together, so she 104 00:05:54,360 --> 00:05:57,320 Speaker 1: does write all her stuff. I write hooks for people, 105 00:05:57,520 --> 00:05:59,400 Speaker 1: which would give me the co write, and then I 106 00:05:59,440 --> 00:06:01,600 Speaker 1: write songs. What you give me the whole song? You know? 107 00:06:02,640 --> 00:06:06,760 Speaker 1: Can you stay still? No, because I'm nervous. I want 108 00:06:06,800 --> 00:06:08,279 Speaker 1: you to go in and out of the night. Yeah, 109 00:06:09,120 --> 00:06:14,000 Speaker 1: she's really writing that. It is good and I love 110 00:06:14,040 --> 00:06:19,400 Speaker 1: these chairs. I know it's really writing. I know it's 111 00:06:19,440 --> 00:06:26,440 Speaker 1: like it's cool with that puddle coming from just playing 112 00:06:26,480 --> 00:06:34,599 Speaker 1: in my head. But they don't let anybody have writing 113 00:06:34,600 --> 00:06:38,200 Speaker 1: credits to or producer credit. If you look at her, 114 00:06:38,200 --> 00:06:40,240 Speaker 1: I'm married and got writing credits. So that's a lie, 115 00:06:40,880 --> 00:06:43,839 Speaker 1: you know, Beyonce. It's very you know, particular about what 116 00:06:43,920 --> 00:06:46,839 Speaker 1: she want to say. You cannot go and talk about, 117 00:06:47,120 --> 00:06:49,320 Speaker 1: you know, breaking up with a boyfriend. She was like, 118 00:06:49,400 --> 00:06:51,880 Speaker 1: I'm not on that. It's a nice song, thank you, 119 00:06:52,160 --> 00:06:54,600 Speaker 1: I'm married. I'm married. And then whatever you speak come 120 00:06:54,640 --> 00:06:56,839 Speaker 1: into this. You don't want to be singing about heartbreaking 121 00:06:56,839 --> 00:06:59,599 Speaker 1: and I'll say you're like, oh shoot, it just really happened. 122 00:06:59,640 --> 00:07:01,920 Speaker 1: So I get why she married don't talk about it either, 123 00:07:02,120 --> 00:07:04,120 Speaker 1: so I get it. How do you write for Bee though? 124 00:07:04,200 --> 00:07:05,600 Speaker 1: Like I mean, could you say you write whole song 125 00:07:05,640 --> 00:07:08,760 Speaker 1: for running? You write whole songs with Beyonce? Well, one 126 00:07:08,839 --> 00:07:11,680 Speaker 1: song start over. I wrote the whole song, and she 127 00:07:11,840 --> 00:07:14,400 Speaker 1: chased some stuff and then countdown I wrote. We wrote 128 00:07:14,440 --> 00:07:16,800 Speaker 1: that with a whole lot of people, and then the 129 00:07:16,920 --> 00:07:20,040 Speaker 1: last time I went in, it's last time. We just 130 00:07:20,080 --> 00:07:22,400 Speaker 1: did a lot of scratches and then she goes and 131 00:07:22,920 --> 00:07:24,600 Speaker 1: see if she liked it. But I haven't gotten that 132 00:07:24,720 --> 00:07:28,840 Speaker 1: on Beyonce in a while. I'm like, dang's up, Like 133 00:07:29,280 --> 00:07:31,040 Speaker 1: you don't like my stuff? Do you have to start 134 00:07:31,040 --> 00:07:32,960 Speaker 1: writing when you're doing movies? Like when you were filming 135 00:07:32,960 --> 00:07:35,560 Speaker 1: pitch Perfect too? Was it just working on the film? 136 00:07:35,960 --> 00:07:38,600 Speaker 1: I made myself do that though, like last movie. I 137 00:07:38,640 --> 00:07:41,800 Speaker 1: did where have you been When? On Pitch Perfect But 138 00:07:41,840 --> 00:07:44,560 Speaker 1: I was so unfocused and they was like, Esther, we 139 00:07:44,600 --> 00:07:46,440 Speaker 1: need you to say, And I would wake up sleepy 140 00:07:46,440 --> 00:07:48,720 Speaker 1: because I'm trying to stay at the studio and I 141 00:07:48,800 --> 00:07:50,560 Speaker 1: just felt like because I didn't. When I went to 142 00:07:50,600 --> 00:07:53,239 Speaker 1: do pitch Perfect one, it was so nervous. I thought 143 00:07:53,280 --> 00:07:55,520 Speaker 1: that I was making a mistake because I was supposed 144 00:07:55,520 --> 00:07:58,080 Speaker 1: to be with Rihanna and Ireland doing Talk to Talk, 145 00:07:58,280 --> 00:07:59,960 Speaker 1: like doing that album, and I thought that I was 146 00:08:00,240 --> 00:08:02,840 Speaker 1: like cheating on my career. Like if this didn't go 147 00:08:02,920 --> 00:08:06,160 Speaker 1: to DVD, I'm gonna look stupid. I'm saying, like you 148 00:08:06,560 --> 00:08:08,080 Speaker 1: like they didn't know that movie is gonna be as 149 00:08:08,080 --> 00:08:11,280 Speaker 1: big as it wise really still didn't. I'm like, I 150 00:08:11,320 --> 00:08:13,640 Speaker 1: hope that, like we break a lot of barriers. It's time. 151 00:08:13,960 --> 00:08:16,360 Speaker 1: But this time I went to the set and I 152 00:08:16,440 --> 00:08:19,360 Speaker 1: was like, no music, no music, no music, because I 153 00:08:19,400 --> 00:08:21,560 Speaker 1: wanted to be an actress. You know, I didn't want 154 00:08:21,600 --> 00:08:23,240 Speaker 1: to be an actress when I first did It's perfect. 155 00:08:23,240 --> 00:08:25,320 Speaker 1: I wanted to do a voiceover and then they gave 156 00:08:25,360 --> 00:08:27,480 Speaker 1: me that and I was like, okay, it's cool. You 157 00:08:27,560 --> 00:08:29,880 Speaker 1: did vitalful ice age, right, Yeah, yeah, I got to 158 00:08:29,920 --> 00:08:31,720 Speaker 1: be like a siren. But I feel like I got 159 00:08:31,720 --> 00:08:35,320 Speaker 1: a voiceover voice yeah you do. It just won't grow, 160 00:08:36,360 --> 00:08:38,480 Speaker 1: I know. I know. The songwriting got to be more 161 00:08:38,559 --> 00:08:40,800 Speaker 1: lucrative though, so like why even waste your time on 162 00:08:40,920 --> 00:08:42,640 Speaker 1: set when you could be getting that money and the 163 00:08:43,559 --> 00:08:46,480 Speaker 1: song writer that's what all great song right, No, Because 164 00:08:46,480 --> 00:08:49,000 Speaker 1: the thing is it's first of all, it's lonely. It's lonely. 165 00:08:49,040 --> 00:08:52,000 Speaker 1: You go in the room, you see it is no 166 00:08:52,040 --> 00:08:53,960 Speaker 1: matter what the money is, what you give you got 167 00:08:53,960 --> 00:08:59,839 Speaker 1: a boom more than that. No, it's it's it's like 168 00:09:00,200 --> 00:09:02,679 Speaker 1: you know, I think music writing music is like a 169 00:09:02,760 --> 00:09:06,360 Speaker 1: saying asylum. It's like padded rooms that you singing to yourself. 170 00:09:06,600 --> 00:09:08,760 Speaker 1: Nobody can't hear, but you think you're dope. You're like 171 00:09:08,840 --> 00:09:11,600 Speaker 1: this is a crazy area. And then on a film set, 172 00:09:11,800 --> 00:09:13,760 Speaker 1: you just you can. I would like come in here 173 00:09:13,800 --> 00:09:16,120 Speaker 1: every day. That's thricee And like I talk to Charlotte, 174 00:09:16,280 --> 00:09:18,800 Speaker 1: I can talk. I can talk to Angel. That's fun. 175 00:09:19,080 --> 00:09:21,560 Speaker 1: But I go to studio when I go to study, 176 00:09:21,600 --> 00:09:23,640 Speaker 1: just like now I feel you. But what about when 177 00:09:23,640 --> 00:09:25,440 Speaker 1: you get that royalty check? Though that But it's not 178 00:09:25,480 --> 00:09:27,960 Speaker 1: all about the money. And that to my mama, like 179 00:09:28,080 --> 00:09:31,439 Speaker 1: the money is something that makes me mad because everybody 180 00:09:31,520 --> 00:09:41,000 Speaker 1: you want, you gotta make definitely keep them. They make me. 181 00:09:41,120 --> 00:09:43,160 Speaker 1: But it's like that's when people are like, why won't 182 00:09:43,240 --> 00:09:45,720 Speaker 1: she give me? Like me having these clothes on my 183 00:09:45,760 --> 00:09:47,679 Speaker 1: family would be like, what we just asked you for this? 184 00:09:48,120 --> 00:09:50,160 Speaker 1: Why can't we get that you got to six hundred 185 00:09:50,160 --> 00:09:52,480 Speaker 1: dollars shoes on you got four diamond areas on the side. 186 00:09:54,640 --> 00:09:59,720 Speaker 1: You know what, No, it's like, don't talk. You know, 187 00:10:00,160 --> 00:10:03,640 Speaker 1: it's it's the thing of feeling over and title. You know, 188 00:10:03,800 --> 00:10:06,000 Speaker 1: you feel like you're guilty because you got it in 189 00:10:06,040 --> 00:10:07,760 Speaker 1: the family don't got it, and you try to give 190 00:10:07,800 --> 00:10:10,120 Speaker 1: them some and that ain't none of You gotta take 191 00:10:10,120 --> 00:10:12,319 Speaker 1: your whole skin off and give it to him. You know. 192 00:10:12,360 --> 00:10:14,679 Speaker 1: It's almost like you gotta give them where you have 193 00:10:14,800 --> 00:10:17,760 Speaker 1: nothing left so they can't ask again. So the money 194 00:10:17,800 --> 00:10:21,280 Speaker 1: becomes the problem, you know, in the success is what 195 00:10:21,360 --> 00:10:23,199 Speaker 1: you want. So when I go and get to do 196 00:10:23,360 --> 00:10:25,959 Speaker 1: movies a songwriter and I just kept off a tour Nikki, 197 00:10:26,880 --> 00:10:29,360 Speaker 1: that was I mean, I cried when she said yeah, 198 00:10:29,360 --> 00:10:31,720 Speaker 1: I could come in because I opened up for her 199 00:10:31,760 --> 00:10:34,280 Speaker 1: and trade songs. And most of the artists I've worked 200 00:10:34,280 --> 00:10:37,040 Speaker 1: with would never do that. It would never learn and 201 00:10:37,120 --> 00:10:38,600 Speaker 1: it must be a good feeling, Like to go to 202 00:10:38,640 --> 00:10:42,079 Speaker 1: the club and they playing your song I wrote that song, 203 00:10:42,480 --> 00:10:44,520 Speaker 1: Can I get in here? Please? Well, hell, I don't 204 00:10:44,559 --> 00:10:46,280 Speaker 1: go to the club. But I used to go to 205 00:10:46,320 --> 00:10:48,199 Speaker 1: the club and it would make me depressed because if 206 00:10:48,200 --> 00:10:50,320 Speaker 1: I didn't hear my song, I feel like I need 207 00:10:50,360 --> 00:10:52,400 Speaker 1: to go back to the studio work, and I haven't 208 00:10:52,440 --> 00:10:54,480 Speaker 1: heard some songs in a while because I stopped writing. 209 00:10:54,640 --> 00:10:57,480 Speaker 1: So I'm like, I don't want to be in here right, 210 00:10:57,840 --> 00:11:00,000 Speaker 1: I'm jealous. It's very intriguing. And you you say you don't 211 00:11:00,080 --> 00:11:01,280 Speaker 1: go to the club. A lot of people feel like 212 00:11:01,280 --> 00:11:02,680 Speaker 1: they have to be in the club to see what's 213 00:11:02,679 --> 00:11:05,160 Speaker 1: going on to keep people. I'm moving to. I look 214 00:11:05,160 --> 00:11:10,240 Speaker 1: at people's instagram. Now. I like movies because I have 215 00:11:10,320 --> 00:11:12,360 Speaker 1: to tell a story, so I don't need music and 216 00:11:12,559 --> 00:11:15,600 Speaker 1: music listening to music over and over again, I'm just 217 00:11:15,679 --> 00:11:19,240 Speaker 1: constantly dictating it and like, what is that? That's terrible? 218 00:11:19,360 --> 00:11:21,520 Speaker 1: Why do you do that? It's it's a headache and 219 00:11:21,559 --> 00:11:23,240 Speaker 1: Pitts perfect. It is probably a perfect movie for you 220 00:11:23,240 --> 00:11:25,520 Speaker 1: because you get to sing, you get to dance, you 221 00:11:25,559 --> 00:11:27,840 Speaker 1: get to act. And it looked like y'all probably have fun, 222 00:11:27,880 --> 00:11:30,880 Speaker 1: feeling we have a lot of fun because it's again 223 00:11:31,040 --> 00:11:33,040 Speaker 1: it's like you're not just talking to the actresses. You're 224 00:11:33,040 --> 00:11:34,880 Speaker 1: talking to the crafty, you talk to the light guy. 225 00:11:35,160 --> 00:11:37,880 Speaker 1: You find friends everywhere, and we're in a middle baton rouge, 226 00:11:37,920 --> 00:11:39,960 Speaker 1: so it ain't nowhere else to go. So we're just 227 00:11:40,000 --> 00:11:42,400 Speaker 1: having a good time, though it's just more of a family. 228 00:11:42,400 --> 00:11:43,840 Speaker 1: When it was time for me to God just cried. 229 00:11:43,880 --> 00:11:45,880 Speaker 1: I was just like, you know, can I get on 230 00:11:46,000 --> 00:11:48,960 Speaker 1: another movie? Or can I can I get you know 231 00:11:49,000 --> 00:11:56,200 Speaker 1: what the hell? Cried crier. No, I'm an aries, you know, 232 00:11:56,280 --> 00:11:58,000 Speaker 1: but that probably Pi and Mess when I'll be crying. 233 00:11:58,480 --> 00:12:02,200 Speaker 1: You know, house you still very first dream house. They 234 00:12:02,200 --> 00:12:03,920 Speaker 1: said you bought your first dream house recently. No, I 235 00:12:03,920 --> 00:12:09,040 Speaker 1: got three houses. Pleased. I made my first dream house. 236 00:12:09,040 --> 00:12:11,240 Speaker 1: So my first house was like in La and it 237 00:12:11,360 --> 00:12:19,160 Speaker 1: was a condo, its beautiful stunt up. Then in my 238 00:12:19,160 --> 00:12:22,680 Speaker 1: second house about the Georgia. And then in La I 239 00:12:22,720 --> 00:12:25,000 Speaker 1: went to this area and I took got this house 240 00:12:25,040 --> 00:12:27,679 Speaker 1: and I cut it it out. It was ugly. It's ugly, 241 00:12:27,960 --> 00:12:29,800 Speaker 1: so I cut it out. And now it's my dream 242 00:12:29,840 --> 00:12:32,200 Speaker 1: house because I made it my own. And it's like, 243 00:12:32,240 --> 00:12:34,920 Speaker 1: but it feels a little bit too if it's lazy 244 00:12:34,960 --> 00:12:37,360 Speaker 1: over there. I feel like I don't necessarily want to 245 00:12:37,360 --> 00:12:39,040 Speaker 1: live there. I feel like it's a house that I 246 00:12:39,040 --> 00:12:41,480 Speaker 1: should live in when I'm fifty. You can't just sit down. 247 00:12:41,640 --> 00:12:47,599 Speaker 1: Huh know who's your boot? Oh? Is he is he 248 00:12:47,679 --> 00:12:51,120 Speaker 1: in the business? What did he do? He is? Together? 249 00:12:52,760 --> 00:12:54,400 Speaker 1: Is as rich as you. I don't know a lot 250 00:12:54,400 --> 00:13:00,880 Speaker 1: of No. No, I'm sure my dog need math skills. 251 00:13:01,480 --> 00:13:04,760 Speaker 1: That's your man, yes, okay, skills getting some let me 252 00:13:04,760 --> 00:13:06,720 Speaker 1: see what he's network. He've been getting some money for 253 00:13:06,760 --> 00:13:09,760 Speaker 1: a lot. Yeah, he's been getting some money. I know 254 00:13:09,800 --> 00:13:14,440 Speaker 1: that was your man, very well writer. Yes, that's I 255 00:13:14,480 --> 00:13:17,760 Speaker 1: think that's why. That's why he got the whole head 256 00:13:17,800 --> 00:13:22,360 Speaker 1: thing because he's from VA. Know that was Joe math 257 00:13:22,400 --> 00:13:27,400 Speaker 1: skills and tell math skills get her pregnant. Yeah, but 258 00:13:27,520 --> 00:13:31,160 Speaker 1: I'm like, yeah, he's so sarcastic one Twitter. So I 259 00:13:31,200 --> 00:13:33,720 Speaker 1: told him, like to calm down, man. Now he's a 260 00:13:33,720 --> 00:13:36,960 Speaker 1: good due Okay, Now does he help you right because 261 00:13:37,000 --> 00:13:39,520 Speaker 1: he's a very well known writer. Oh, we don't play 262 00:13:39,520 --> 00:13:44,840 Speaker 1: those games. You don't want no confusion. How did you like, 263 00:13:44,840 --> 00:13:47,480 Speaker 1: how did the night is still young? With Nikki? I'm 264 00:13:47,520 --> 00:13:50,440 Speaker 1: sorry he does he get writing? Granting on that? Okay? 265 00:13:50,600 --> 00:13:52,480 Speaker 1: How did you guys end up together? Though? Like y'all 266 00:13:52,600 --> 00:13:54,720 Speaker 1: was working to get in the house and then I 267 00:13:54,800 --> 00:13:57,040 Speaker 1: ran across him. I was like, because I don't like 268 00:13:57,040 --> 00:13:59,240 Speaker 1: people to me, I don't. I try not to well 269 00:13:59,400 --> 00:14:03,280 Speaker 1: at the time a songwriter too, And I was like, oh, 270 00:14:03,320 --> 00:14:04,880 Speaker 1: because like, do you like me or you trying to 271 00:14:04,880 --> 00:14:11,240 Speaker 1: get a you know. I know it's so weird because 272 00:14:11,280 --> 00:14:13,480 Speaker 1: that's how even with my friends, I'd be like, what 273 00:14:13,679 --> 00:14:15,760 Speaker 1: you want and they was like, everybody don't want them 274 00:14:15,800 --> 00:14:17,520 Speaker 1: from me. I was like, yes they do, not, just 275 00:14:17,600 --> 00:14:20,480 Speaker 1: just all about what you want, you know. So you know, 276 00:14:20,520 --> 00:14:22,200 Speaker 1: we went to a moment that I had to really 277 00:14:22,440 --> 00:14:25,240 Speaker 1: trust and then he showed it proved itself over and 278 00:14:25,320 --> 00:14:26,520 Speaker 1: over again. He's like, I don't know how many time 279 00:14:26,520 --> 00:14:28,120 Speaker 1: I go to get to prove to you that I 280 00:14:28,120 --> 00:14:30,760 Speaker 1: don't care about what you do. I'm like, well, hey, finally, guy, 281 00:14:30,800 --> 00:14:33,080 Speaker 1: we've been again for two years. Nice. I don't know, 282 00:14:33,520 --> 00:14:36,080 Speaker 1: shotting them then you might want we can break up 283 00:14:35,760 --> 00:14:39,600 Speaker 1: the exactly, but listen, that's happened. You just write all 284 00:14:39,680 --> 00:14:41,600 Speaker 1: about write a song about it. My whole album is 285 00:14:41,600 --> 00:14:44,800 Speaker 1: about him. Yeah, so you have boy, he got some 286 00:14:44,880 --> 00:14:50,640 Speaker 1: masthew got some good round maud. I'll be telling this 287 00:14:51,360 --> 00:14:55,240 Speaker 1: so so you happy on that? No? No, oh shoot, okay, no, 288 00:14:55,360 --> 00:14:57,960 Speaker 1: it's not that. It's the emotion that he brought through. 289 00:14:58,040 --> 00:14:59,640 Speaker 1: You know what I'm saying, because you're gonna go up 290 00:14:59,680 --> 00:15:01,960 Speaker 1: and down with it. And one of us like, if 291 00:15:02,000 --> 00:15:03,920 Speaker 1: you don't want to if you don't want to act right, 292 00:15:03,920 --> 00:15:06,560 Speaker 1: if you don't be right, if let's just say it. 293 00:15:06,720 --> 00:15:08,920 Speaker 1: And that was the time he was like going through it. Yeah, 294 00:15:08,960 --> 00:15:10,800 Speaker 1: it wasn't And we go through a really quick like 295 00:15:10,840 --> 00:15:12,840 Speaker 1: an hour, and then we talk it through and they 296 00:15:12,880 --> 00:15:15,360 Speaker 1: were like, oh okay, y'all have a friendly competition, like 297 00:15:15,400 --> 00:15:17,680 Speaker 1: I'm a better songwriter than you. Broll. He's DJ now 298 00:15:18,320 --> 00:15:20,120 Speaker 1: doesn't go in the round with jazzy jaff where he 299 00:15:20,200 --> 00:15:22,200 Speaker 1: used to. He used to now DJ. We just we 300 00:15:22,200 --> 00:15:23,880 Speaker 1: did the Nikki tour together. Yeah, he was on turn. 301 00:15:24,040 --> 00:15:26,440 Speaker 1: Yeah did you set that up? Boy? Well, I needed 302 00:15:26,440 --> 00:15:33,280 Speaker 1: a DJ. I love it. It's so crazy because I'm 303 00:15:33,320 --> 00:15:35,200 Speaker 1: so nervous to go out, but he rocked the crowd 304 00:15:35,280 --> 00:15:37,160 Speaker 1: so good. I was like, oh my god, thank you 305 00:15:37,200 --> 00:15:39,400 Speaker 1: so much because I'm so nervous. You killed two brothers 306 00:15:39,480 --> 00:15:41,120 Speaker 1: one stone though. Your man got a gig and you 307 00:15:41,160 --> 00:15:43,520 Speaker 1: get to keep an eye on yeah. Yeah, and then 308 00:15:43,560 --> 00:15:46,000 Speaker 1: y'all only need one room so you save money. Man, 309 00:15:46,840 --> 00:15:48,880 Speaker 1: I feel like we're speeding a little bit. You're from Oklahoma. 310 00:15:48,880 --> 00:15:51,160 Speaker 1: How does the girl from Oklahoma? There ain't nothing Olahoma 311 00:15:51,160 --> 00:15:54,760 Speaker 1: before it's still in the thunder. Yeah, So how do 312 00:15:54,800 --> 00:15:58,000 Speaker 1: you younger from Oklahoma get to the level of SD well, 313 00:15:58,040 --> 00:16:01,120 Speaker 1: I will left Oklahoma and I went to Atlanta. I 314 00:16:01,240 --> 00:16:04,800 Speaker 1: drove myself to Atlanta eighteen hours. My mom took us 315 00:16:04,800 --> 00:16:08,600 Speaker 1: to Nebraska. So I lived in Nebraska my high school years, 316 00:16:09,080 --> 00:16:12,880 Speaker 1: so like from sixteen to nineteen, and then I left 317 00:16:12,960 --> 00:16:15,680 Speaker 1: and went to Atlanta and I just went around to 318 00:16:15,800 --> 00:16:18,720 Speaker 1: every studio and just like let him know I was here. 319 00:16:18,960 --> 00:16:21,320 Speaker 1: And I worked with Tricky. Tricky signed me Tricky Stewart 320 00:16:22,520 --> 00:16:25,920 Speaker 1: Ye didn't work with Jazzy Faye for like two years. 321 00:16:26,320 --> 00:16:28,760 Speaker 1: And then one time I met Polo and he said, 322 00:16:28,800 --> 00:16:30,760 Speaker 1: you know, you could come down here, and I was 323 00:16:30,800 --> 00:16:33,160 Speaker 1: like okay, And then he called and he said can 324 00:16:33,200 --> 00:16:35,160 Speaker 1: you come down here? And I was like yeah. He said, 325 00:16:35,160 --> 00:16:37,600 Speaker 1: your priorities is messed up. He said, I just told 326 00:16:37,680 --> 00:16:40,000 Speaker 1: you you could come down here and work because he's 327 00:16:40,080 --> 00:16:44,600 Speaker 1: like at the time like super so big, so well 328 00:16:45,120 --> 00:16:47,560 Speaker 1: as big as he was when I met him, and 329 00:16:47,600 --> 00:16:51,360 Speaker 1: then he like, I love him so um. When I 330 00:16:51,400 --> 00:16:54,000 Speaker 1: went to work with him, Jimmy ive said, who is 331 00:16:54,040 --> 00:16:55,720 Speaker 1: this girl? Bring it to LA. This is only two 332 00:16:55,760 --> 00:16:57,320 Speaker 1: weeks of working with him, and they kept me in 333 00:16:57,440 --> 00:16:59,960 Speaker 1: La the whole time. Jimmy IV like, I got you 334 00:17:00,120 --> 00:17:02,520 Speaker 1: stay here, You're making a sound really easy, So you signed. 335 00:17:03,160 --> 00:17:05,199 Speaker 1: I slept at the studio. Though I slept at the 336 00:17:05,200 --> 00:17:09,640 Speaker 1: studio in the California. It was a dirty, nasty ass 337 00:17:09,680 --> 00:17:12,120 Speaker 1: shower next door to the studio, and I was so 338 00:17:12,160 --> 00:17:14,840 Speaker 1: scared to lead a studio. Polo can make you scared. 339 00:17:15,040 --> 00:17:17,720 Speaker 1: So I was so scared to leave the studio that 340 00:17:17,800 --> 00:17:20,359 Speaker 1: I would literally sleep in the studio and at the 341 00:17:20,359 --> 00:17:22,800 Speaker 1: time of the warehouse, so I sleep with a little heater, 342 00:17:23,119 --> 00:17:25,360 Speaker 1: and then he would come in and like ding wa 343 00:17:25,600 --> 00:17:28,120 Speaker 1: up and I would go in there and like monicat 344 00:17:28,160 --> 00:17:30,119 Speaker 1: him and be in there and he's like, look, sing 345 00:17:30,119 --> 00:17:32,080 Speaker 1: and I was singing something. He's I told you you dope, 346 00:17:32,440 --> 00:17:34,040 Speaker 1: And then all of a a sudden you go back the 347 00:17:34,080 --> 00:17:36,040 Speaker 1: hand that's going on here, like I'm puppet in it. 348 00:17:36,160 --> 00:17:38,879 Speaker 1: So Polo gave you your first break? Who definitely? What 349 00:17:38,960 --> 00:17:41,480 Speaker 1: was the first song? I'm not hit. What was the 350 00:17:41,520 --> 00:17:44,040 Speaker 1: first song? Oh, my first song was through Tricky Stewart. 351 00:17:44,080 --> 00:17:47,720 Speaker 1: That was Maya, this song called rotting yeah Lord, and 352 00:17:47,760 --> 00:17:53,240 Speaker 1: then uh don't remember that, yeah, one of those after 353 00:17:53,320 --> 00:17:56,760 Speaker 1: Maya fell off. Oh yeah, it was like you know, 354 00:17:57,560 --> 00:18:00,320 Speaker 1: to get back, yeah, and I'm I'm appreciative that no 355 00:18:00,400 --> 00:18:02,280 Speaker 1: matter what, because when people take your song, she's like, 356 00:18:02,600 --> 00:18:04,320 Speaker 1: thank you. Ye had it back then. I mean it 357 00:18:04,440 --> 00:18:06,880 Speaker 1: was maya. You like this my first song, so that's 358 00:18:06,880 --> 00:18:09,600 Speaker 1: still huge. Please sing it. So then, Jimmy Ivean did 359 00:18:09,680 --> 00:18:12,959 Speaker 1: sign you no? Well tocope? Yeah, because I didn't. When 360 00:18:12,960 --> 00:18:14,960 Speaker 1: I met him, I wasn't an artist. I wasn't trying 361 00:18:15,000 --> 00:18:16,880 Speaker 1: to be an artist like Mulla put dropping all out 362 00:18:17,200 --> 00:18:19,239 Speaker 1: on his own. He was like, oh you here's your 363 00:18:19,240 --> 00:18:22,199 Speaker 1: new single. No new single, you know. He's like, yes, 364 00:18:22,240 --> 00:18:26,800 Speaker 1: you did this a song. I'm like, OK. So anyway, 365 00:18:26,800 --> 00:18:29,000 Speaker 1: it was a lot of drama. They're passing us paper 366 00:18:29,040 --> 00:18:31,440 Speaker 1: talking about they're asking to wrap it up. Oh yeah, 367 00:18:31,480 --> 00:18:35,919 Speaker 1: you gotta go because your first time here. Yeah, I 368 00:18:35,960 --> 00:18:38,639 Speaker 1: told you he was gonna be nack people, angry person 369 00:18:38,800 --> 00:18:41,680 Speaker 1: you are. I'm a nice guy. He's a nice guy, 370 00:18:41,840 --> 00:18:44,760 Speaker 1: but you made so much money you could crush him. 371 00:18:45,280 --> 00:18:46,760 Speaker 1: And I'm not fooling with you because you got a 372 00:18:46,800 --> 00:18:51,320 Speaker 1: whole crew of girls with finger with looking at you crazy. 373 00:18:53,280 --> 00:18:55,560 Speaker 1: It's like, what's going on? Oh she will that's a 374 00:18:55,600 --> 00:19:00,800 Speaker 1: pit bull, right, I gotta come in here. I'm like, 375 00:19:01,000 --> 00:19:02,920 Speaker 1: I need to come in my sister d D. They'd 376 00:19:02,960 --> 00:19:05,040 Speaker 1: be like, YO, can you tell you not talk crazy 377 00:19:05,040 --> 00:19:08,680 Speaker 1: to people? I'm like, I kind of can't. She's here 378 00:19:08,760 --> 00:19:12,760 Speaker 1: for things like she'd be like, I'm like, ooh, plus 379 00:19:12,760 --> 00:19:16,719 Speaker 1: you talk my dogs, you like yessus that keep on 380 00:19:16,840 --> 00:19:19,440 Speaker 1: helping me? Now, all right, but the movie is that making. 381 00:19:19,880 --> 00:19:22,040 Speaker 1: It's perfect too, And I got a new single comment 382 00:19:22,160 --> 00:19:26,760 Speaker 1: with three songs keeper Keeper as the Danus the Breakfast 383 00:19:26,760 --> 00:19:28,040 Speaker 1: Club to mom, Hey, whoa