1 00:00:00,480 --> 00:00:05,399 Speaker 1: Wake that ass up in the morning. The Breakfast Club, yeps. 2 00:00:05,080 --> 00:00:06,880 Speaker 2: The world's more thank this morning to show the Breakfast Club. 3 00:00:06,960 --> 00:00:09,600 Speaker 3: Charlamagne, the god you know, just hilarious is on Mattornity 4 00:00:09,600 --> 00:00:13,640 Speaker 3: to leave envy is actually yeah, your attorney leave any moment. 5 00:00:13,680 --> 00:00:16,800 Speaker 3: So Laura Lenro says guest hosting, and we got a man. 6 00:00:17,079 --> 00:00:19,239 Speaker 3: I feel like legends is an understatement. I feel like 7 00:00:19,560 --> 00:00:23,799 Speaker 3: icons is an understatement. Many fresh and juvenile twenty five 8 00:00:24,040 --> 00:00:25,480 Speaker 3: years of back that ass up. 9 00:00:25,600 --> 00:00:30,120 Speaker 4: God, Yes, sir Lord birth Yeah, man, bro, I mean 10 00:00:30,200 --> 00:00:32,440 Speaker 4: the way you even represented you know, a lot of 11 00:00:32,479 --> 00:00:34,800 Speaker 4: this started with you know, you giving it acronyms and 12 00:00:34,840 --> 00:00:36,239 Speaker 4: all of that, and you have given it. 13 00:00:36,200 --> 00:00:38,040 Speaker 1: This praise as well. The Negro spiritual. 14 00:00:38,120 --> 00:00:43,599 Speaker 4: Yes, yes, brop is a Negro spiriture to this day. 15 00:00:43,640 --> 00:00:45,519 Speaker 3: Did y'all still think y'all would have people back in 16 00:00:45,560 --> 00:00:46,920 Speaker 3: that ass up twenty five years later? 17 00:00:47,240 --> 00:00:48,640 Speaker 5: Hell no, no, I did. 18 00:00:49,159 --> 00:00:51,320 Speaker 6: You might see yeah, you. 19 00:00:51,240 --> 00:00:53,720 Speaker 7: Know, but you know, man, man at the club, dude me, 20 00:00:53,840 --> 00:00:55,920 Speaker 7: you know, personally, as an MC, I didn't. 21 00:00:55,920 --> 00:00:57,440 Speaker 5: I didn't. I didn't see it. I was trying to 22 00:00:57,520 --> 00:01:00,200 Speaker 5: enjoy myself with with you the moment I had. 23 00:01:00,240 --> 00:01:02,440 Speaker 6: You know, yeah, I saw it. 24 00:01:02,480 --> 00:01:04,319 Speaker 4: Like, you know, from the very beginning of you know, 25 00:01:04,400 --> 00:01:06,880 Speaker 4: we did that song three times over, and we was 26 00:01:07,040 --> 00:01:10,319 Speaker 4: making it because you know, every time he did a rap, 27 00:01:10,640 --> 00:01:12,360 Speaker 4: you know, I felt like it was beating. 28 00:01:12,160 --> 00:01:12,640 Speaker 1: Up my beat. 29 00:01:12,720 --> 00:01:15,800 Speaker 6: So I did something to compliment what he was doing. 30 00:01:16,160 --> 00:01:18,600 Speaker 4: So when I did it again, he did a better rap, 31 00:01:18,600 --> 00:01:20,839 Speaker 4: and I was just like, shit, you know what I'm saying. 32 00:01:20,880 --> 00:01:22,840 Speaker 6: So by the third time, we felt like, okay, this 33 00:01:23,040 --> 00:01:24,119 Speaker 6: is it. 34 00:01:24,200 --> 00:01:28,440 Speaker 4: The version we got now with the yeah yeah, you 35 00:01:28,440 --> 00:01:30,640 Speaker 4: know what I'm saying. Because every time we did it, 36 00:01:30,640 --> 00:01:33,200 Speaker 4: it elevated, you know, and it got better and better. 37 00:01:33,680 --> 00:01:36,320 Speaker 4: And when we finally was like this the one, I 38 00:01:36,360 --> 00:01:37,800 Speaker 4: was like, oh, yeah, this is gonna be the one. 39 00:01:37,800 --> 00:01:39,600 Speaker 5: Line to y'all. He was trying to be he was 40 00:01:39,600 --> 00:01:40,240 Speaker 5: trying to kill it. 41 00:01:40,520 --> 00:01:41,680 Speaker 1: I was trying to beat him up. 42 00:01:41,800 --> 00:01:43,520 Speaker 5: We got was about to turning. 43 00:01:43,640 --> 00:01:45,119 Speaker 7: I'm like, look, broy, y'all gotta let me go one 44 00:01:45,120 --> 00:01:48,240 Speaker 7: more time, one more time, bro. So I changed it 45 00:01:48,280 --> 00:01:49,880 Speaker 7: because at first I was doing a lot of rap, 46 00:01:49,880 --> 00:01:51,520 Speaker 7: and I changed it to the one word thing to 47 00:01:51,560 --> 00:01:54,000 Speaker 7: the yeah, and it flipped it that way. Then man, 48 00:01:54,040 --> 00:01:55,240 Speaker 7: it was like, all right, we got one now. 49 00:01:55,840 --> 00:01:57,840 Speaker 2: So with the other versions, were you being too lyrical 50 00:01:57,880 --> 00:01:58,120 Speaker 2: on it. 51 00:01:58,280 --> 00:02:01,400 Speaker 5: I was was it wasn't wasn't it wasn't right? 52 00:02:01,560 --> 00:02:03,120 Speaker 8: Y'all still have the other two versions? 53 00:02:03,280 --> 00:02:05,240 Speaker 2: No, you got rid of. 54 00:02:05,320 --> 00:02:06,240 Speaker 6: Yeah, I got rid of it. 55 00:02:06,280 --> 00:02:08,400 Speaker 4: That was you know, that was the. 56 00:02:11,680 --> 00:02:12,680 Speaker 6: We need these tracks. 57 00:02:13,960 --> 00:02:15,720 Speaker 3: I was gonna ask y'all, do y'all remember the day 58 00:02:15,760 --> 00:02:17,920 Speaker 3: y'all made it? But y'all made it multiple times? 59 00:02:18,200 --> 00:02:20,560 Speaker 7: I remember, though I can remember. I can't remember the 60 00:02:20,560 --> 00:02:22,800 Speaker 7: exact date, but I remember where we was. We was 61 00:02:22,840 --> 00:02:25,639 Speaker 7: in Nashville because high End back that was the last 62 00:02:25,639 --> 00:02:26,120 Speaker 7: two songs. 63 00:02:26,160 --> 00:02:28,760 Speaker 4: I was kind of like beating on the desk, was trapping, 64 00:02:28,800 --> 00:02:30,880 Speaker 4: you know what I'm saying. And I was like, oh, ship. 65 00:02:30,639 --> 00:02:31,280 Speaker 6: We got. 66 00:02:34,120 --> 00:02:35,200 Speaker 1: When did Wayne get on it? 67 00:02:35,800 --> 00:02:36,960 Speaker 6: Oh? After we'd done it? 68 00:02:37,000 --> 00:02:37,760 Speaker 1: He was. 69 00:02:37,919 --> 00:02:40,200 Speaker 5: Wayne was hanging around the studio he got. 70 00:02:40,080 --> 00:02:42,520 Speaker 4: Making sure he got on that. He was just like, Oh, 71 00:02:42,520 --> 00:02:44,600 Speaker 4: there's no way this going down without me getting on 72 00:02:44,639 --> 00:02:47,240 Speaker 4: this song. And I mean I think he saw it 73 00:02:47,280 --> 00:02:51,799 Speaker 4: as well, because for him to hang around nobody else there. 74 00:02:51,840 --> 00:02:54,000 Speaker 4: He's just hanging around in the back and then when 75 00:02:54,000 --> 00:02:56,519 Speaker 4: it was complete, just pop up like a leper corn 76 00:02:56,560 --> 00:03:00,240 Speaker 4: and some ship like check this, check this out back? 77 00:03:02,560 --> 00:03:04,640 Speaker 9: So are we gonna like? Because I know at Essence 78 00:03:04,680 --> 00:03:07,200 Speaker 9: Festival like that was like the whole thing there. But 79 00:03:07,480 --> 00:03:09,120 Speaker 9: because this is the twenty five years you guys are 80 00:03:09,120 --> 00:03:10,600 Speaker 9: out here now, are we going to get the full 81 00:03:10,760 --> 00:03:12,360 Speaker 9: You said that everybody was getting back together? 82 00:03:12,440 --> 00:03:13,600 Speaker 8: Is that a thing? Is that happening? 83 00:03:13,919 --> 00:03:16,520 Speaker 7: Well, as far as I'm concerned, it's still happening. You know, 84 00:03:16,520 --> 00:03:18,400 Speaker 7: as far as I'm concerned, it's still happening. But we 85 00:03:18,520 --> 00:03:21,880 Speaker 7: always know what you know, oppositely what happened on the internet. 86 00:03:21,960 --> 00:03:24,800 Speaker 7: So I'm trying to resolve that, so that gotta happen. 87 00:03:24,840 --> 00:03:26,200 Speaker 7: You know, we got to sit down and have a 88 00:03:26,200 --> 00:03:27,400 Speaker 7: conversation about that first. 89 00:03:27,520 --> 00:03:29,239 Speaker 9: What does that look like between y'all when you say 90 00:03:29,240 --> 00:03:31,920 Speaker 9: resolve and have the conversation because y'all are brothers, y'all. 91 00:03:31,960 --> 00:03:34,359 Speaker 7: Imagine you being a big brother in your little brother's fight, 92 00:03:34,600 --> 00:03:38,200 Speaker 7: fussing and you and you you wish you could stop it, 93 00:03:38,240 --> 00:03:40,360 Speaker 7: and you know it's pretty much nothing you can do 94 00:03:40,440 --> 00:03:42,800 Speaker 7: about it. But I got a relationship with all of them, 95 00:03:42,880 --> 00:03:45,120 Speaker 7: you know, So it's it's it's one of them things 96 00:03:45,120 --> 00:03:46,800 Speaker 7: that I'm trying to fix. I'm gonn continue to try 97 00:03:46,840 --> 00:03:50,040 Speaker 7: to fix until until that day happens. 98 00:03:50,040 --> 00:03:50,800 Speaker 5: I'm not giving up. 99 00:03:51,240 --> 00:03:53,000 Speaker 3: I feel like once things get to the Internet, it 100 00:03:53,000 --> 00:03:55,360 Speaker 3: makes it more irreparable. 101 00:03:54,760 --> 00:03:57,640 Speaker 5: Than it probably does, and they complicate that at. 102 00:03:57,520 --> 00:03:58,320 Speaker 6: A certain age. 103 00:03:58,400 --> 00:04:01,800 Speaker 4: Honestly, you know, especially if you just being introduced back 104 00:04:01,840 --> 00:04:04,480 Speaker 4: to the world, stay off the internet, you know what 105 00:04:04,520 --> 00:04:07,360 Speaker 4: I'm saying, until you actually get your feet playing it. 106 00:04:07,640 --> 00:04:10,280 Speaker 4: You know what I'm saying, Stay off the internet because 107 00:04:10,560 --> 00:04:15,240 Speaker 4: social media, especially for me, is a tool to sell something. 108 00:04:15,280 --> 00:04:17,839 Speaker 4: It ain't where I air out my business, you feel 109 00:04:17,839 --> 00:04:21,000 Speaker 4: what I'm saying. So it's like Julie said, we're gonna 110 00:04:21,040 --> 00:04:24,039 Speaker 4: keep on campaigning to fix it, you know, because the 111 00:04:24,080 --> 00:04:26,000 Speaker 4: fans have spoken, this is what they want. This is 112 00:04:26,000 --> 00:04:27,839 Speaker 4: a lot of people that grow up on this and 113 00:04:27,880 --> 00:04:29,839 Speaker 4: it's even more crazy when you don't even. 114 00:04:29,720 --> 00:04:31,800 Speaker 6: Know what you're all get about. You know what I'm saying, 115 00:04:31,800 --> 00:04:35,080 Speaker 6: It's like what we fussing about, Like, hey, so it's weird, 116 00:04:35,120 --> 00:04:36,479 Speaker 6: but yeah, we're gonna keep on going. 117 00:04:36,560 --> 00:04:39,960 Speaker 4: Men, Me and Juve y'all already see we ain't turning 118 00:04:40,000 --> 00:04:41,200 Speaker 4: down college out there. 119 00:04:43,960 --> 00:04:46,920 Speaker 3: When was the moment y'all realized back that ass up 120 00:04:47,480 --> 00:04:51,920 Speaker 3: was a cultural anthem? Like because that happens over time. 121 00:04:52,040 --> 00:04:54,000 Speaker 3: So when did y'all realize, like, boy, this ain't never 122 00:04:54,080 --> 00:04:54,599 Speaker 3: going nowhere. 123 00:04:54,640 --> 00:04:57,800 Speaker 7: I mean I would say I would say probably at 124 00:04:57,800 --> 00:05:00,560 Speaker 7: the ten year mark. You know, when when I start 125 00:05:00,640 --> 00:05:03,160 Speaker 7: realizing that, wow, I'm never gonna get a chance to 126 00:05:03,200 --> 00:05:05,200 Speaker 7: take a break. People gonna keep on trying to book 127 00:05:05,240 --> 00:05:09,320 Speaker 7: me for shows or missfass weddness and stuff like that. 128 00:05:10,160 --> 00:05:13,239 Speaker 7: And yeah, ten years in, I mean when the question 129 00:05:13,320 --> 00:05:15,640 Speaker 7: he asked was kind of like asking me how long. Yeah, 130 00:05:15,720 --> 00:05:18,120 Speaker 7: like make ten years in when I said, I'm like, damn, 131 00:05:18,160 --> 00:05:20,359 Speaker 7: this song ain't never dying so well. 132 00:05:20,200 --> 00:05:23,200 Speaker 4: I looked at it as from a DJ perspective, you know, 133 00:05:23,400 --> 00:05:26,359 Speaker 4: it was the song that pretty much, as a DJ, 134 00:05:26,440 --> 00:05:28,200 Speaker 4: this your go to, Like this is the one that 135 00:05:28,320 --> 00:05:29,120 Speaker 4: saved you, you. 136 00:05:29,080 --> 00:05:29,839 Speaker 1: Know what I'm saying. 137 00:05:30,040 --> 00:05:32,440 Speaker 4: But it's like, if everything else going bad, play back 138 00:05:32,480 --> 00:05:33,760 Speaker 4: that ass up, you know what I'm saying. 139 00:05:33,880 --> 00:05:34,720 Speaker 1: You can recuperate. 140 00:05:34,760 --> 00:05:36,680 Speaker 4: And when when it's a song like that, you know 141 00:05:36,720 --> 00:05:39,159 Speaker 4: it's gonna be around for forever, like you know, and 142 00:05:39,200 --> 00:05:42,520 Speaker 4: it was always it became the song that closed the 143 00:05:42,520 --> 00:05:45,159 Speaker 4: club up, closed like down South, it would be that 144 00:05:45,279 --> 00:05:47,599 Speaker 4: last song that they played. You know what I'm saying. 145 00:05:47,680 --> 00:05:49,279 Speaker 4: I'm like, oh, yeah, this one's gonna be here. 146 00:05:49,160 --> 00:05:49,719 Speaker 1: For a while. 147 00:05:50,160 --> 00:05:53,880 Speaker 2: I've never heard of a song getting a proclamation. 148 00:05:55,839 --> 00:05:57,039 Speaker 1: Issue issue. 149 00:05:57,080 --> 00:05:59,080 Speaker 2: The proclamation declared JUNI eleventh is. 150 00:05:59,040 --> 00:06:04,400 Speaker 9: Back that ass up day, all that day. 151 00:06:04,520 --> 00:06:06,400 Speaker 7: I don't know how they do it, I mean, but 152 00:06:06,600 --> 00:06:09,000 Speaker 7: I think next year we're gonna celebrate it to the 153 00:06:09,040 --> 00:06:11,680 Speaker 7: fullest and we'll see. 154 00:06:11,120 --> 00:06:12,640 Speaker 1: You will see you got something playing. 155 00:06:12,760 --> 00:06:13,680 Speaker 5: Yeah, I got something plan. 156 00:06:13,760 --> 00:06:16,560 Speaker 7: I plan on doing something in that same park, Shakespeare 157 00:06:16,560 --> 00:06:18,680 Speaker 7: Park where we shot the video, where we shot slow motion, 158 00:06:18,760 --> 00:06:21,960 Speaker 7: and back that the ass up, bringing it back home 159 00:06:22,000 --> 00:06:22,559 Speaker 7: to my area. 160 00:06:22,560 --> 00:06:23,720 Speaker 5: That's my that's my neighborhood. 161 00:06:23,720 --> 00:06:25,880 Speaker 2: What does Shakespeare Park me to the city. 162 00:06:26,200 --> 00:06:28,320 Speaker 7: It mean a lot to me, you know, a hell 163 00:06:28,320 --> 00:06:30,880 Speaker 7: of a lot to the Magnolia Project because that's our park, 164 00:06:30,960 --> 00:06:32,760 Speaker 7: right you know a lot of all the projects in 165 00:06:32,760 --> 00:06:35,400 Speaker 7: the city have a park that's right close to it. 166 00:06:35,480 --> 00:06:37,360 Speaker 7: And I went to school right there. That's my school 167 00:06:37,360 --> 00:06:39,919 Speaker 7: in front of it, Cartig Wilson. They mean everything to me. 168 00:06:40,040 --> 00:06:42,920 Speaker 2: Bro I mean you, I mean you you icon anyway. 169 00:06:42,920 --> 00:06:45,560 Speaker 3: But when you bring things back to your community like that, yeah, 170 00:06:45,920 --> 00:06:49,200 Speaker 3: to memoralize the community forever in videos, oh man. 171 00:06:49,200 --> 00:06:51,599 Speaker 7: Oh yeah man. And that's the that's the cool part 172 00:06:51,640 --> 00:06:53,760 Speaker 7: about it. You see, you see the outcome if you 173 00:06:53,800 --> 00:06:55,719 Speaker 7: look at both both of those videos, and you see 174 00:06:55,720 --> 00:06:56,760 Speaker 7: how many people come out. 175 00:06:57,040 --> 00:06:57,760 Speaker 5: That's all the time. 176 00:06:58,040 --> 00:07:00,240 Speaker 7: It was like that, even when man in Fresh came 177 00:07:00,320 --> 00:07:02,960 Speaker 7: to DJ block Parties in the project and it was 178 00:07:03,000 --> 00:07:04,800 Speaker 7: like that when I threw block Parties in the project. 179 00:07:04,880 --> 00:07:06,640 Speaker 7: And it's still like that even when I go back 180 00:07:06,640 --> 00:07:08,640 Speaker 7: with this event, it's gonna be crazy. 181 00:07:09,640 --> 00:07:12,000 Speaker 9: So four hundred degrees is still your favorite song? Over 182 00:07:12,000 --> 00:07:13,240 Speaker 9: the back that ass up to perform? 183 00:07:13,320 --> 00:07:13,880 Speaker 1: Yeah it is. 184 00:07:14,280 --> 00:07:15,480 Speaker 5: I love back that ass up. 185 00:07:15,520 --> 00:07:18,320 Speaker 7: But many Fresher tell you that's more his song because 186 00:07:18,320 --> 00:07:20,280 Speaker 7: he put all the hot parts on. I always tell 187 00:07:20,320 --> 00:07:22,640 Speaker 7: people that. Look, if many Fresh is on the song, 188 00:07:22,880 --> 00:07:25,000 Speaker 7: wait till it breaks. Listen to what it breaks. 189 00:07:25,000 --> 00:07:25,160 Speaker 3: Song. 190 00:07:25,280 --> 00:07:27,640 Speaker 1: Listen to as soon as you come. 191 00:07:27,560 --> 00:07:29,400 Speaker 5: In on the song. The crowd go to doing this, 192 00:07:29,520 --> 00:07:33,720 Speaker 5: but they'd be like, you know, but they waiting on him. 193 00:07:33,760 --> 00:07:37,000 Speaker 5: You know, that's his song. To me, four hundred when 194 00:07:37,000 --> 00:07:39,240 Speaker 5: I come out, I'm clowning. That's my that's my thing. 195 00:07:39,320 --> 00:07:40,760 Speaker 2: That's a Negro spiritual too though. 196 00:07:40,760 --> 00:07:48,880 Speaker 3: Hello, yeah, you shouldn't talk TV charges of thought that 197 00:07:49,600 --> 00:07:51,239 Speaker 3: like that. That's one of the ones. 198 00:07:51,280 --> 00:07:53,880 Speaker 9: Now, why did it take so long for the video? 199 00:07:53,920 --> 00:07:55,360 Speaker 9: Like why did you never do a vision video? 200 00:07:55,440 --> 00:07:55,760 Speaker 8: Or original. 201 00:07:55,880 --> 00:07:59,120 Speaker 7: That's a universal cash money question because it's a lot 202 00:07:59,120 --> 00:08:01,040 Speaker 7: of songs on it that I felt like that for 203 00:08:01,200 --> 00:08:02,000 Speaker 7: I wasn't. 204 00:08:01,880 --> 00:08:04,920 Speaker 4: Ready to go on to the next album really, you 205 00:08:04,960 --> 00:08:07,600 Speaker 4: know me and him. But it was more of you know, 206 00:08:07,880 --> 00:08:09,720 Speaker 4: like he said, the Powers of b was like, hey, 207 00:08:09,720 --> 00:08:11,080 Speaker 4: it's time to do another album. 208 00:08:11,880 --> 00:08:13,800 Speaker 1: Five million records listen. 209 00:08:14,000 --> 00:08:18,400 Speaker 4: We was like, put more singles out. 210 00:08:18,720 --> 00:08:20,560 Speaker 6: It was it was a bunch of singles on there. 211 00:08:20,600 --> 00:08:25,080 Speaker 5: You know, run for it. Uh, I'm on fire, you 212 00:08:25,120 --> 00:08:25,680 Speaker 5: know what I'm saying. 213 00:08:25,720 --> 00:08:27,560 Speaker 7: It was it's it's a bunch of them on there. 214 00:08:27,560 --> 00:08:30,160 Speaker 7: Bro that we that we kind of like overlooked. 215 00:08:30,320 --> 00:08:32,160 Speaker 2: Y'all had another one, man, I think it might have 216 00:08:32,160 --> 00:08:32,439 Speaker 2: been on. 217 00:08:34,320 --> 00:08:35,160 Speaker 1: I Got the Fire. 218 00:08:35,360 --> 00:08:35,720 Speaker 6: I got that. 219 00:08:38,480 --> 00:08:39,760 Speaker 2: Well, that should have been huge to. 220 00:08:40,240 --> 00:08:43,240 Speaker 5: But that one did pretty good, that one, that one 221 00:08:43,240 --> 00:08:46,640 Speaker 5: out as a single. It's pretty good platinum. 222 00:08:46,760 --> 00:08:47,800 Speaker 8: Okay, that's what. 223 00:08:50,120 --> 00:08:52,280 Speaker 7: We're standing on the project with the fire and all that. 224 00:08:52,480 --> 00:08:54,960 Speaker 7: When when I'm in the big with the different phones 225 00:08:55,000 --> 00:08:58,280 Speaker 7: and stuff. Yeah, you missed that one though. 226 00:08:59,040 --> 00:08:59,640 Speaker 1: Maybe that's another one. 227 00:08:59,679 --> 00:09:02,720 Speaker 3: I'm thinking But about that girl, I need you know, 228 00:09:02,800 --> 00:09:03,080 Speaker 3: the woman. 229 00:09:03,120 --> 00:09:06,280 Speaker 2: He's like, slim got a big flame throw Which one 230 00:09:06,360 --> 00:09:06,640 Speaker 2: is that? 231 00:09:06,640 --> 00:09:12,679 Speaker 3: Man said Slim got a playing throw hitting them from 232 00:09:12,679 --> 00:09:14,839 Speaker 3: coach to coat. 233 00:09:15,920 --> 00:09:20,559 Speaker 5: You're talking about Wiggler and Fresh on that. The walls 234 00:09:20,880 --> 00:09:22,560 Speaker 5: got to go to clinic. 235 00:09:22,640 --> 00:09:23,920 Speaker 1: That's all hard, that's all hard. 236 00:09:24,400 --> 00:09:28,240 Speaker 7: But what's on is that it was on the hot No, 237 00:09:28,320 --> 00:09:30,120 Speaker 7: that's on that's on my second album. 238 00:09:30,160 --> 00:09:31,720 Speaker 2: I cannot think of the name of that ring coming. 239 00:09:31,920 --> 00:09:35,760 Speaker 5: I ain't terrified for nothing. I'm young, crazy and discussing. 240 00:09:36,200 --> 00:09:39,360 Speaker 4: That's that he no more than me because folks always say, like, 241 00:09:39,400 --> 00:09:42,360 Speaker 4: I'm like, bro, I did an elbow a single, so 242 00:09:42,440 --> 00:09:43,160 Speaker 4: I don't even know. 243 00:09:45,320 --> 00:09:49,120 Speaker 5: I say, we raised up looking at trees and brick walls. 244 00:09:49,640 --> 00:09:49,800 Speaker 1: Prob. 245 00:09:50,679 --> 00:09:52,600 Speaker 6: I know the song you're talking to, that one. 246 00:09:52,760 --> 00:09:54,480 Speaker 5: That's the song y'all hit on the album. 247 00:09:54,480 --> 00:09:57,480 Speaker 7: Because if you don't listen to that commercial with you 248 00:09:57,520 --> 00:09:59,040 Speaker 7: and Ziggy, you missed the song. 249 00:09:59,679 --> 00:10:01,280 Speaker 5: We have to listen to that, y'all don't have. 250 00:10:01,240 --> 00:10:03,880 Speaker 4: It at So it's not it's after a skit, yeah, 251 00:10:03,920 --> 00:10:04,880 Speaker 4: it's after it's combined. 252 00:10:05,040 --> 00:10:07,360 Speaker 5: If you don't listen to the you don't hear the song. 253 00:10:07,400 --> 00:10:09,760 Speaker 9: When y'all sat down to like put these projects together 254 00:10:10,080 --> 00:10:13,120 Speaker 9: like for that time in that time, were y'all thinking 255 00:10:13,320 --> 00:10:15,800 Speaker 9: like because I know sometimes like you'll hear like all 256 00:10:15,920 --> 00:10:17,760 Speaker 9: like Rockefeller stories that are like, oh, well, we were 257 00:10:17,760 --> 00:10:19,400 Speaker 9: thinking we want to tell stories in the videos because 258 00:10:19,400 --> 00:10:21,640 Speaker 9: we knew movies were next. Like were you guys thinking 259 00:10:21,840 --> 00:10:23,480 Speaker 9: that long hout? Or were you just like, we want 260 00:10:23,520 --> 00:10:25,920 Speaker 9: to make good music because now you guys are soundtracks 261 00:10:25,960 --> 00:10:29,600 Speaker 9: to commercials to all different people's celebrations of life, Like 262 00:10:29,960 --> 00:10:31,640 Speaker 9: was it that big of an idea for you guys 263 00:10:31,679 --> 00:10:32,080 Speaker 9: at the time? 264 00:10:32,160 --> 00:10:33,959 Speaker 4: It was true to fum like you know, when we 265 00:10:34,000 --> 00:10:36,120 Speaker 4: was making these records, it was it was where we 266 00:10:36,160 --> 00:10:38,320 Speaker 4: was living, you know. And I think that's why they 267 00:10:38,720 --> 00:10:41,679 Speaker 4: resonated with people so well, like because it wasn't no 268 00:10:41,720 --> 00:10:44,000 Speaker 4: gimmicks to them, you know right now would be like 269 00:10:44,040 --> 00:10:46,600 Speaker 4: somebody going, oh that's a gimmick, and you saying this 270 00:10:46,720 --> 00:10:49,160 Speaker 4: A doing this to us. It was just like, nah, 271 00:10:49,160 --> 00:10:51,280 Speaker 4: this is how I feel to day, and I'm gonna 272 00:10:51,320 --> 00:10:53,880 Speaker 4: write it from a real perspective, you know. 273 00:10:54,040 --> 00:10:55,319 Speaker 5: Well then and then with me. 274 00:10:55,360 --> 00:10:58,200 Speaker 7: With some of my songs, I didn't make all my 275 00:10:58,280 --> 00:11:01,000 Speaker 7: songs about me, Like how was me being third person 276 00:11:01,120 --> 00:11:03,120 Speaker 7: like that person in your ear as you that big 277 00:11:03,160 --> 00:11:06,560 Speaker 7: body being like cycking you up, motivating you. So I 278 00:11:06,600 --> 00:11:09,920 Speaker 7: think with that I made songs that people could you know, 279 00:11:10,040 --> 00:11:12,240 Speaker 7: you will find something in the song that really really 280 00:11:12,280 --> 00:11:14,160 Speaker 7: relates to your life, you know. So I try to 281 00:11:14,160 --> 00:11:16,840 Speaker 7: make songs that's not about me all the time, even 282 00:11:16,880 --> 00:11:18,400 Speaker 7: back of ass it ain't about me. 283 00:11:18,480 --> 00:11:19,880 Speaker 5: It's about the women, you know. 284 00:11:20,000 --> 00:11:22,640 Speaker 7: So I think when when you make songs like that, 285 00:11:22,679 --> 00:11:25,959 Speaker 7: people tend to it tend to sticks to people a 286 00:11:26,000 --> 00:11:29,440 Speaker 7: little longer. So, you know, I'm just grateful that we 287 00:11:29,559 --> 00:11:31,720 Speaker 7: got opportunities to make the kind of music we made. 288 00:11:31,880 --> 00:11:33,760 Speaker 6: I mean, when he did, you know she get it 289 00:11:33,760 --> 00:11:34,440 Speaker 6: from my mama. 290 00:11:34,520 --> 00:11:36,480 Speaker 4: You know, it was just like God, damn Julie, Like 291 00:11:36,520 --> 00:11:38,800 Speaker 4: that's that's that's touching, Like you know what I'm say, 292 00:11:40,880 --> 00:11:44,880 Speaker 4: like truth, you know what I'm saying. 293 00:11:46,600 --> 00:11:47,480 Speaker 1: Regular conversation. 294 00:11:47,559 --> 00:11:51,080 Speaker 3: I say that now, Like if somebody tell my daughter 295 00:11:51,120 --> 00:11:52,520 Speaker 3: you're pretty, my wife will be like you get. 296 00:11:52,440 --> 00:11:52,840 Speaker 1: Her my mom. 297 00:11:53,040 --> 00:11:54,800 Speaker 6: Yeah. 298 00:11:55,000 --> 00:11:56,720 Speaker 4: And I think a lot of it might have been 299 00:11:56,800 --> 00:11:59,240 Speaker 4: baller shop talk or whatever, but Julie was great at 300 00:11:59,240 --> 00:12:01,800 Speaker 4: picking up dude, this is what the streets is saying 301 00:12:01,880 --> 00:12:03,400 Speaker 4: right now, and I'm gonna put it in a song. 302 00:12:03,640 --> 00:12:05,560 Speaker 7: A lot of stuff used to really come from me 303 00:12:05,720 --> 00:12:07,559 Speaker 7: just being in the project, a lot of hearing with 304 00:12:07,679 --> 00:12:11,120 Speaker 7: everybody you know, hearing hearing stuff a lot. 305 00:12:11,880 --> 00:12:15,280 Speaker 3: I was gonna ask, man, do you have a favorite 306 00:12:15,280 --> 00:12:16,720 Speaker 3: album or beat that you produced? 307 00:12:16,880 --> 00:12:19,679 Speaker 2: No, no, you said, you said, you just be making albums. 308 00:12:20,080 --> 00:12:20,680 Speaker 6: Yeah, I don't. 309 00:12:20,720 --> 00:12:23,480 Speaker 4: I don't have a favorite you know, album all beat 310 00:12:23,559 --> 00:12:26,960 Speaker 4: that I've done yet because I really feel like I'm 311 00:12:27,000 --> 00:12:29,480 Speaker 4: not finished, you know what I'm saying. A lot of 312 00:12:29,480 --> 00:12:32,600 Speaker 4: people will say, oh, that was it. The crazy thing is, 313 00:12:33,120 --> 00:12:35,960 Speaker 4: to me, my masterpiece might be something that only I like, 314 00:12:36,920 --> 00:12:39,880 Speaker 4: you know, and to me, it doesn't have to. 315 00:12:39,760 --> 00:12:40,720 Speaker 1: Go to everybody. 316 00:12:41,120 --> 00:12:43,360 Speaker 4: It could just be like, this is my body of 317 00:12:43,400 --> 00:12:45,680 Speaker 4: work that I love, and I'll sit here and just 318 00:12:45,760 --> 00:12:48,160 Speaker 4: jam it my damn stuff. But yeah, I don't. I 319 00:12:48,160 --> 00:12:50,760 Speaker 4: don't feel like I'm done yet. Like, so, yeah, I 320 00:12:50,760 --> 00:12:52,360 Speaker 4: don't have one yet. What about you? 321 00:12:52,600 --> 00:12:54,760 Speaker 7: It ain't over till it's over, man, you know, I'm 322 00:12:54,920 --> 00:12:58,040 Speaker 7: I'm I feel like I got my second win right now, 323 00:12:58,160 --> 00:13:02,760 Speaker 7: you know. So I'm backing the studio, creating, and I 324 00:13:02,800 --> 00:13:06,600 Speaker 7: feel like I made a lot of music, But I 325 00:13:06,600 --> 00:13:08,520 Speaker 7: don't know. I feel the same way with him, like 326 00:13:08,559 --> 00:13:10,600 Speaker 7: I've made some great songs, but I still think I 327 00:13:10,679 --> 00:13:12,280 Speaker 7: have a little more to get out, and until I 328 00:13:12,320 --> 00:13:15,280 Speaker 7: do that, I really I don't want to label anything 329 00:13:15,320 --> 00:13:16,360 Speaker 7: and master piece shit. 330 00:13:16,840 --> 00:13:17,560 Speaker 5: The fans do it. 331 00:13:17,679 --> 00:13:18,520 Speaker 2: That's interesting record. 332 00:13:18,559 --> 00:13:20,480 Speaker 3: Even when I look at Wayne, it feel like Wayne 333 00:13:20,679 --> 00:13:22,400 Speaker 3: just starting to get his just due. 334 00:13:22,640 --> 00:13:26,200 Speaker 2: As a lyricist. People have all time conversations. 335 00:13:26,360 --> 00:13:28,320 Speaker 1: Yeah, I feel like I got. 336 00:13:28,320 --> 00:13:31,040 Speaker 7: One conversation when you bring Wayne up the goat. I 337 00:13:31,080 --> 00:13:33,600 Speaker 7: think Wayne the greatest rap of all time. I've been 338 00:13:33,640 --> 00:13:35,960 Speaker 7: with him, that's my dude. I saw the whole process 339 00:13:36,000 --> 00:13:38,800 Speaker 7: of him. I saw the times where he couldn't curse 340 00:13:38,840 --> 00:13:41,080 Speaker 7: and we were stopping him from saying certain things like 341 00:13:41,120 --> 00:13:44,240 Speaker 7: but you can't say that. Yeah sound good, but you 342 00:13:44,360 --> 00:13:45,800 Speaker 7: just can't say that. People don't want to hear that 343 00:13:45,840 --> 00:13:48,160 Speaker 7: from you right now, you know. And just seeing the 344 00:13:48,160 --> 00:13:51,000 Speaker 7: whole development of Wayne and where he at right now, 345 00:13:51,040 --> 00:13:52,560 Speaker 7: I just feel like he's the greatest of all time. 346 00:13:52,720 --> 00:13:55,000 Speaker 2: But then I feel like you should be in them 347 00:13:55,080 --> 00:13:55,720 Speaker 2: all time. 348 00:13:58,720 --> 00:14:01,240 Speaker 7: Incredible that you always, bro, You always watching me. I 349 00:14:01,400 --> 00:14:03,400 Speaker 7: lave you for that. You always throw my name. 350 00:14:06,280 --> 00:14:08,960 Speaker 6: It's like, you know, that's that's like a barber shop fight. 351 00:14:09,040 --> 00:14:11,240 Speaker 4: You know, when somebody's telling me, you know, they're like, oh, 352 00:14:11,280 --> 00:14:12,679 Speaker 4: broah blah blah blah, and I'm. 353 00:14:12,480 --> 00:14:14,520 Speaker 6: Like, but j it, bro, you know what I'm saying. 354 00:14:14,640 --> 00:14:16,680 Speaker 9: Why do you think that they don't throw you in 355 00:14:16,679 --> 00:14:18,439 Speaker 9: those conversations? Is it because people are too busy having 356 00:14:18,440 --> 00:14:19,440 Speaker 9: a good time to your music. 357 00:14:19,560 --> 00:14:21,920 Speaker 7: I think it's partially because I don't really care. Like 358 00:14:22,000 --> 00:14:24,520 Speaker 7: even when they asks me, I, they always ask me 359 00:14:24,520 --> 00:14:26,600 Speaker 7: who you think the greatest rapper is, I'm like, I 360 00:14:26,640 --> 00:14:29,640 Speaker 7: don't care. I wish people stop saying that. Let's say 361 00:14:29,640 --> 00:14:32,640 Speaker 7: who make the best song? Who forget who the greatest 362 00:14:32,720 --> 00:14:35,000 Speaker 7: rap is? Because I know some rappers that's real good. 363 00:14:35,280 --> 00:14:38,080 Speaker 5: Let's check. Let's go to the numbers. Pull up any one. 364 00:14:37,920 --> 00:14:40,440 Speaker 7: Of your greatest rappers, your best rapper, whoever you like 365 00:14:40,720 --> 00:14:43,240 Speaker 7: a lot, and we'll put four hundred degrees against their 366 00:14:43,280 --> 00:14:46,040 Speaker 7: best album. Let's check the sales. No double CDs. Don't 367 00:14:46,080 --> 00:14:48,960 Speaker 7: pull a double CD trick on me either. That's some 368 00:14:49,040 --> 00:14:52,400 Speaker 7: bullshit right there. Oh he sold to me. He had 369 00:14:52,440 --> 00:14:55,360 Speaker 7: two CDs in his packaging. Fam So if I sell 370 00:14:55,480 --> 00:14:57,560 Speaker 7: five minion, he sold the same amount as me. Now 371 00:14:57,680 --> 00:15:00,440 Speaker 7: let's go from there and then let the people let 372 00:15:00,480 --> 00:15:01,360 Speaker 7: the numbers decide. 373 00:15:01,560 --> 00:15:04,320 Speaker 2: So you think she'd just be about songs, not boss. 374 00:15:04,440 --> 00:15:06,840 Speaker 7: Not boss, click man, some of these cast can rap 375 00:15:06,880 --> 00:15:09,120 Speaker 7: as off, can't make a song to say the like, 376 00:15:09,880 --> 00:15:12,080 Speaker 7: I know a lot of great rappers who cannot make 377 00:15:12,120 --> 00:15:13,560 Speaker 7: a hit, a lot. 378 00:15:13,400 --> 00:15:15,880 Speaker 4: Of it from a little small city in New Orleans, 379 00:15:15,960 --> 00:15:18,760 Speaker 4: you know what I'm saying. And it's weird, like like 380 00:15:18,920 --> 00:15:22,280 Speaker 4: what you're saying. I don't know why we get overpassed 381 00:15:22,280 --> 00:15:24,240 Speaker 4: so much or whatever with all of the numbers and 382 00:15:24,320 --> 00:15:26,600 Speaker 4: all of the stuff that we've done or whatever. 383 00:15:27,000 --> 00:15:28,400 Speaker 6: But it's to the point now. 384 00:15:28,680 --> 00:15:30,720 Speaker 4: Yeah, I used to be modest about it now, but 385 00:15:30,760 --> 00:15:32,000 Speaker 4: I'd be like, fuck that ship. 386 00:15:32,040 --> 00:15:37,920 Speaker 1: I'm bad as a motherfucker about it. No more like 387 00:15:38,000 --> 00:15:40,160 Speaker 1: check the numbers, man, just check the numbers. 388 00:15:40,320 --> 00:15:43,120 Speaker 3: I mean, y'all you talk about people that changed hip hop, 389 00:15:43,160 --> 00:15:45,080 Speaker 3: that changed of culture. 390 00:15:45,560 --> 00:15:46,880 Speaker 1: Cash money, y'all did that. 391 00:15:46,960 --> 00:15:49,240 Speaker 3: You did that with your production manned Julie wayde BG 392 00:15:49,360 --> 00:15:51,640 Speaker 3: y'all did that with the raps hurt Like you can't 393 00:15:51,680 --> 00:15:54,480 Speaker 3: discredit that, Like I don't know if that celebrated. 394 00:15:54,040 --> 00:15:54,760 Speaker 1: The way it should be. 395 00:15:54,880 --> 00:15:57,120 Speaker 4: Yeah, I'm with you, right, you know what I'm saying. 396 00:15:57,200 --> 00:15:59,600 Speaker 4: And I used to be like I said, cool about 397 00:15:59,600 --> 00:16:01,880 Speaker 4: it or what of her? But now it's like I'm like, 398 00:16:02,000 --> 00:16:04,240 Speaker 4: you know, what, fuck it? You know, when I'm like, 399 00:16:04,280 --> 00:16:06,920 Speaker 4: I mean disrespect, I am a bad motherfucker put me 400 00:16:06,960 --> 00:16:09,360 Speaker 4: in them numbers. If you don't, then you know what 401 00:16:09,400 --> 00:16:12,520 Speaker 4: I'm saying, I ain't rocking with you. I'm like, give 402 00:16:12,600 --> 00:16:16,720 Speaker 4: me my dude, like and to still be relevant still, 403 00:16:16,920 --> 00:16:20,040 Speaker 4: you know, be here. And it's even what we want 404 00:16:20,080 --> 00:16:23,360 Speaker 4: to challenge anybody young to do, like, you know, show 405 00:16:23,400 --> 00:16:24,920 Speaker 4: me where you're gonna be around. 406 00:16:24,680 --> 00:16:26,800 Speaker 6: Ten more years. Show me where you're gonna do something. 407 00:16:26,920 --> 00:16:28,800 Speaker 4: They gonna drop it at a wedding reception and they 408 00:16:28,840 --> 00:16:31,440 Speaker 4: still remember it, and they gonna say, like, oh, that's 409 00:16:31,440 --> 00:16:33,320 Speaker 4: the jam. 410 00:16:32,480 --> 00:16:33,320 Speaker 5: Not just that. 411 00:16:33,360 --> 00:16:35,840 Speaker 7: Show me when somebody remixed one of your songs, but 412 00:16:36,000 --> 00:16:37,760 Speaker 7: your song is that good when one of these cats 413 00:16:37,800 --> 00:16:40,680 Speaker 7: ten years later have that much respect for your song 414 00:16:40,720 --> 00:16:42,800 Speaker 7: and love you that much to way they want to 415 00:16:42,800 --> 00:16:43,840 Speaker 7: remake one of your songs. 416 00:16:44,920 --> 00:16:47,960 Speaker 9: You guys are being used as like seeing in cultural references. 417 00:16:48,000 --> 00:16:48,880 Speaker 9: Did you guys see that moment? 418 00:16:49,600 --> 00:16:50,440 Speaker 5: Yeah, we saw her. 419 00:16:50,520 --> 00:16:51,680 Speaker 1: Yeah saw that. 420 00:16:51,800 --> 00:16:55,920 Speaker 7: It's matter of fact, he's one of my hosts in 421 00:16:56,000 --> 00:16:58,120 Speaker 7: my show when I get to South Carolina. 422 00:16:57,680 --> 00:16:59,920 Speaker 1: Because he's gonna host. 423 00:17:00,600 --> 00:17:02,120 Speaker 5: So y'all go get your tickets if you want. 424 00:17:03,920 --> 00:17:04,679 Speaker 8: You don't want to see. 425 00:17:09,119 --> 00:17:10,360 Speaker 2: I recently saw you say that. 426 00:17:11,040 --> 00:17:15,000 Speaker 3: Megan the Stallion Whin's best for When's for best dance performance? 427 00:17:15,040 --> 00:17:15,919 Speaker 1: The back that ass up? 428 00:17:16,400 --> 00:17:18,359 Speaker 5: How they did that? I said it. 429 00:17:18,760 --> 00:17:21,359 Speaker 7: I was given credit right because she represents the whole 430 00:17:21,359 --> 00:17:23,679 Speaker 7: hot hot boy, hot girl thing, right, so I was 431 00:17:23,720 --> 00:17:25,920 Speaker 7: giving credit. I didn't know how it was going to 432 00:17:26,000 --> 00:17:27,719 Speaker 7: be written, right, I didn't even know it was going 433 00:17:27,800 --> 00:17:29,399 Speaker 7: back part was gonna be written. But I was just 434 00:17:29,440 --> 00:17:32,840 Speaker 7: giving credit because the question was asked, who do I 435 00:17:32,880 --> 00:17:33,840 Speaker 7: think represents? 436 00:17:34,119 --> 00:17:34,640 Speaker 5: Right now? 437 00:17:35,520 --> 00:17:38,040 Speaker 7: Back that ass up the most and dances dances the 438 00:17:38,040 --> 00:17:40,560 Speaker 7: most to back. So that's the only person I'm really seeing. 439 00:17:40,760 --> 00:17:42,560 Speaker 7: It's like a lot of other people out there, but 440 00:17:42,720 --> 00:17:45,040 Speaker 7: that's the only person I'm really seeing. That's why I 441 00:17:45,040 --> 00:17:46,520 Speaker 7: said that. And then you know, I got to keep 442 00:17:46,520 --> 00:17:46,960 Speaker 7: it southern. 443 00:17:48,200 --> 00:17:48,800 Speaker 1: What you said? 444 00:17:49,920 --> 00:17:51,520 Speaker 9: Yeah, so you saw when she was getting on the 445 00:17:51,560 --> 00:17:55,480 Speaker 9: slack forking when she performed with Kamala. Yeah, how y'all 446 00:17:55,480 --> 00:17:57,040 Speaker 9: feel about that? Because I feel like with back that 447 00:17:57,119 --> 00:17:59,560 Speaker 9: ass up and you don't even feel like you're and 448 00:17:59,640 --> 00:18:01,720 Speaker 9: you just you having such a good to whatever we 449 00:18:01,840 --> 00:18:02,840 Speaker 9: frow mind. 450 00:18:03,480 --> 00:18:07,080 Speaker 7: I was just about to tell my mom I was. 451 00:18:11,280 --> 00:18:12,000 Speaker 1: Just speak on me. 452 00:18:12,119 --> 00:18:13,440 Speaker 5: I don't speak on other people. 453 00:18:13,880 --> 00:18:15,920 Speaker 7: I just I just don't do it like you know. 454 00:18:15,960 --> 00:18:19,000 Speaker 7: That's that's where negatives come from. I got products and 455 00:18:19,080 --> 00:18:20,600 Speaker 7: things like that that I want to sell and I 456 00:18:20,640 --> 00:18:23,400 Speaker 7: want everybody to support me. So I'm definitely never going 457 00:18:23,440 --> 00:18:25,760 Speaker 7: to say nothing negative about nobody. I just don't do 458 00:18:25,840 --> 00:18:27,760 Speaker 7: it on no platform. 459 00:18:28,040 --> 00:18:28,760 Speaker 1: When you all clear. 460 00:18:28,960 --> 00:18:30,960 Speaker 5: Now, when I'm to myself, yeah, you might hear some 461 00:18:31,000 --> 00:18:33,280 Speaker 5: ship catch me off. 462 00:18:35,480 --> 00:18:38,200 Speaker 7: I got I got koyak if I'm off that yact. 463 00:18:38,240 --> 00:18:39,800 Speaker 7: That's what I'm really you know what I'm saying. 464 00:18:41,200 --> 00:18:43,560 Speaker 3: Is when y'all got to clear the record, how do 465 00:18:43,640 --> 00:18:45,760 Speaker 3: y'all make that decision? Like for example, when A the 466 00:18:45,760 --> 00:18:48,240 Speaker 3: Elementary use the song when you get the call and 467 00:18:48,240 --> 00:18:49,640 Speaker 3: they're like, look, they want to use it for back 468 00:18:49,680 --> 00:18:50,240 Speaker 3: that ass. 469 00:18:50,119 --> 00:18:53,160 Speaker 1: Up, y'all you yeah, believe it or not. 470 00:18:53,200 --> 00:18:55,359 Speaker 4: It's some ship that I've shot down, Like you know 471 00:18:55,359 --> 00:18:58,000 Speaker 4: what I'm saying. I'm just like, nah, you butchering that, 472 00:18:58,160 --> 00:19:01,400 Speaker 4: like you know what I'm saying. And we even kind 473 00:19:01,400 --> 00:19:04,560 Speaker 4: of both have said it all money ain't. 474 00:19:04,320 --> 00:19:06,119 Speaker 6: Good money, you know what I'm saying. 475 00:19:06,480 --> 00:19:09,320 Speaker 4: And we even want to give like this this new 476 00:19:09,400 --> 00:19:11,320 Speaker 4: generation a shot at it, but we don't want you 477 00:19:11,400 --> 00:19:13,159 Speaker 4: to kill it, like you know what I'm saying. And 478 00:19:13,200 --> 00:19:14,919 Speaker 4: we always wanted to be represented. 479 00:19:15,119 --> 00:19:16,760 Speaker 8: Well, how do you monitor that though? 480 00:19:18,080 --> 00:19:21,640 Speaker 4: Anybody clear something for me? You know what I'm saying, 481 00:19:21,680 --> 00:19:23,639 Speaker 4: I got to say yes or no to if it 482 00:19:23,680 --> 00:19:25,639 Speaker 4: gets you know, however it works. 483 00:19:25,760 --> 00:19:28,280 Speaker 8: I guess my question is like, what's like? 484 00:19:28,400 --> 00:19:28,480 Speaker 4: What? 485 00:19:28,720 --> 00:19:31,240 Speaker 8: So what's like? Comes in? It's like, notice this trash. 486 00:19:31,320 --> 00:19:33,040 Speaker 8: This isn't going to do justice to what we want. 487 00:19:33,080 --> 00:19:35,640 Speaker 4: The production is awful too, something, you know, Like it's 488 00:19:35,640 --> 00:19:37,560 Speaker 4: a lot of times where something I'm like, God. 489 00:19:37,400 --> 00:19:41,080 Speaker 6: Damn, dude, you you just took the part you and. 490 00:19:41,000 --> 00:19:42,879 Speaker 4: You toe it up like you know what I'm saying, 491 00:19:43,320 --> 00:19:46,840 Speaker 4: and I get it, Like I'm not a hater or whatever. 492 00:19:46,880 --> 00:19:47,160 Speaker 6: I don't. 493 00:19:47,280 --> 00:19:50,719 Speaker 4: I don't know what's just being for real. I don't 494 00:19:50,760 --> 00:19:54,240 Speaker 4: know what music is right now. I really don't you 495 00:19:54,280 --> 00:19:56,399 Speaker 4: know what I'm saying. If me and my son is 496 00:19:56,480 --> 00:19:58,960 Speaker 4: riding right now, he playing some new ship, I'll be 497 00:19:59,040 --> 00:20:09,240 Speaker 4: like you fucking a you please, I still play old 498 00:20:09,240 --> 00:20:12,359 Speaker 4: school ship, like you know what I'm saying, And and 499 00:20:12,440 --> 00:20:14,600 Speaker 4: he'll even say, Dad, it's one of your beats, and 500 00:20:14,640 --> 00:20:16,679 Speaker 4: I'm just like that one slipped through the crack. But 501 00:20:16,720 --> 00:20:19,439 Speaker 4: then I'll find out it's some ship that somebody didn't 502 00:20:19,440 --> 00:20:22,560 Speaker 4: clear and I'm all I'm calling you know, golds them 503 00:20:22,640 --> 00:20:25,960 Speaker 4: them they didn't clear the soul, you. 504 00:20:25,960 --> 00:20:28,199 Speaker 6: Know what I'm saying. So it's people that do that 505 00:20:28,280 --> 00:20:30,360 Speaker 6: kind of ship like you know what I'm saying. 506 00:20:30,480 --> 00:20:32,840 Speaker 7: There's some's some it's some cats out that that then 507 00:20:32,920 --> 00:20:36,920 Speaker 7: butchered up my songs. But they were so unsuccessful with 508 00:20:36,960 --> 00:20:39,159 Speaker 7: what they were doing. It wasn't even work. Was my 509 00:20:39,240 --> 00:20:41,800 Speaker 7: time going after I'm like, damn, I'm gonna chase that dollar. 510 00:20:43,480 --> 00:20:44,080 Speaker 1: What happened Quinn? 511 00:20:44,080 --> 00:20:45,760 Speaker 2: It reached out to yall and said this is gonna 512 00:20:45,800 --> 00:20:46,240 Speaker 2: be the scene. 513 00:20:46,760 --> 00:20:48,680 Speaker 4: Yeah, like a lot of stuff, you know what I'm saying, 514 00:20:48,760 --> 00:20:51,320 Speaker 4: especially when it's something like that. You know, that's a 515 00:20:51,320 --> 00:20:53,600 Speaker 4: great that's a good show, you know what I'm saying. 516 00:20:53,640 --> 00:20:56,080 Speaker 4: So when it's something like that, I'm like, yeah, like 517 00:20:57,200 --> 00:21:00,000 Speaker 4: I forget who it was. I know Michelle Obama had 518 00:21:00,119 --> 00:21:03,600 Speaker 4: her podcast and it was one of I forget what 519 00:21:03,680 --> 00:21:05,480 Speaker 4: the song was. It was old girl, but she she 520 00:21:05,600 --> 00:21:07,720 Speaker 4: did back that ass up and it was used in 521 00:21:07,760 --> 00:21:10,639 Speaker 4: the beginning of you know what I'm saying. It was like, 522 00:21:10,640 --> 00:21:13,199 Speaker 4: it's Michelle Obama. I was gonna say, you know what 523 00:21:13,240 --> 00:21:17,160 Speaker 4: I'm saying, And all of that actually still helps elevate it, 524 00:21:17,240 --> 00:21:21,280 Speaker 4: and especially when it's icons of our generation and people 525 00:21:21,320 --> 00:21:24,840 Speaker 4: that really matter that recognize these songs, so we're like, yeah, 526 00:21:24,840 --> 00:21:26,840 Speaker 4: we want them placed in the right important place. 527 00:21:27,440 --> 00:21:29,440 Speaker 1: Julie, you had a phenomenal tiny desk too. 528 00:21:29,520 --> 00:21:31,760 Speaker 5: Man, thank your brother and all my brother together. 529 00:21:31,840 --> 00:21:37,880 Speaker 3: Though it almost didn't happen though, Yeah, because you didn't 530 00:21:37,920 --> 00:21:43,399 Speaker 3: know what it was, like one of the most funny 531 00:21:43,480 --> 00:21:44,000 Speaker 3: ship ever. 532 00:21:44,119 --> 00:21:44,239 Speaker 1: Bro. 533 00:21:44,920 --> 00:21:46,800 Speaker 7: We always laugh about it, me and me and the 534 00:21:46,840 --> 00:21:48,879 Speaker 7: guys from times. We laugh all the time about this 535 00:21:48,960 --> 00:21:50,320 Speaker 7: it because I really didn't know. 536 00:21:50,400 --> 00:21:52,400 Speaker 5: You can't. You can't knock a brother for not knowing. 537 00:21:52,359 --> 00:21:54,200 Speaker 3: When they hit you with you like you want you 538 00:21:54,200 --> 00:21:57,840 Speaker 3: to do it, tiny, Just like we. 539 00:21:57,720 --> 00:21:59,480 Speaker 7: Were sitting in there, my guys was telling me you 540 00:21:59,480 --> 00:22:01,919 Speaker 7: should do it tiny Dess and my daughter also, I'm like, 541 00:22:01,920 --> 00:22:03,639 Speaker 7: what the fuck is what the is the tiny I 542 00:22:03,640 --> 00:22:06,280 Speaker 7: don't even know what the fuck y'all talking about, Like, Dad, 543 00:22:06,359 --> 00:22:09,080 Speaker 7: you really should do it. Then his idea was, now 544 00:22:09,119 --> 00:22:11,480 Speaker 7: you should post that just like that, and they're gonna 545 00:22:11,520 --> 00:22:11,919 Speaker 7: come at you. 546 00:22:12,520 --> 00:22:14,359 Speaker 5: So you know, we kind of like asked for it 547 00:22:14,400 --> 00:22:15,399 Speaker 5: to go like that. 548 00:22:15,440 --> 00:22:17,680 Speaker 7: But then when he started coming at me, I'm like, wait, 549 00:22:17,680 --> 00:22:21,440 Speaker 7: hold up, bro, we gotta have a solution. So he said, 550 00:22:21,680 --> 00:22:25,359 Speaker 7: all right, the next ten thousand retweets, we'll do a 551 00:22:25,400 --> 00:22:27,879 Speaker 7: show and we'll do a short tiny That's then I 552 00:22:27,920 --> 00:22:30,520 Speaker 7: find out they don't pay for flights and shit together. 553 00:22:30,920 --> 00:22:35,120 Speaker 7: I'm like, oh damn, so I gottah so I had 554 00:22:35,320 --> 00:22:38,359 Speaker 7: so now I'm like, well fuck it, then we're gonna 555 00:22:38,359 --> 00:22:38,960 Speaker 7: We're gonna do it. 556 00:22:39,000 --> 00:22:40,600 Speaker 5: So I paid for everybody to get up there. 557 00:22:40,640 --> 00:22:42,480 Speaker 7: I call man, I'm like, man, they look, really, I 558 00:22:42,480 --> 00:22:44,160 Speaker 7: think I'm really gonna need you to do this because 559 00:22:44,160 --> 00:22:46,560 Speaker 7: I'm gonna do tiny dess and sing back the ass 560 00:22:46,640 --> 00:22:49,720 Speaker 7: up live without him there, sing any really you on 561 00:22:49,880 --> 00:22:51,960 Speaker 7: all the hits, So I'm gonna sing any of these 562 00:22:52,000 --> 00:22:53,000 Speaker 7: songs right in present. 563 00:22:53,359 --> 00:22:54,120 Speaker 5: So it worked out. 564 00:22:54,160 --> 00:22:56,960 Speaker 7: Man, My dude came down, and then I told Trombone 565 00:22:57,000 --> 00:22:59,800 Speaker 7: Shorty about it, and Trombone said, man, look, I'll come 566 00:22:59,840 --> 00:23:02,680 Speaker 7: down and play with you too. I ran the same 567 00:23:02,680 --> 00:23:04,880 Speaker 7: ship by John Baptista and he was the same way, 568 00:23:04,960 --> 00:23:06,840 Speaker 7: say like, I fly down and do it, which it 569 00:23:06,840 --> 00:23:08,800 Speaker 7: would just make it an all New Orleans set, and 570 00:23:08,840 --> 00:23:11,800 Speaker 7: we bought some some some members of the Field Harmonic 571 00:23:11,880 --> 00:23:14,199 Speaker 7: down too from our city. So it was just a 572 00:23:14,240 --> 00:23:16,520 Speaker 7: great look New Orleans said it was it was a 573 00:23:16,520 --> 00:23:16,880 Speaker 7: good look. 574 00:23:16,920 --> 00:23:17,959 Speaker 1: That's what made this so amazing. 575 00:23:18,000 --> 00:23:20,480 Speaker 3: The instrumentation, Yeah, that says a lot about you, band, 576 00:23:20,520 --> 00:23:22,960 Speaker 3: because clearly you were influenced by like what they. 577 00:23:22,840 --> 00:23:26,800 Speaker 4: Call them in New Orleans, the second Yeah. Yeah, yeah, yeah. 578 00:23:27,040 --> 00:23:28,879 Speaker 4: I mean on every corner you got a band. 579 00:23:29,040 --> 00:23:29,199 Speaker 5: You know. 580 00:23:29,320 --> 00:23:32,160 Speaker 4: In my high school, a lot of the bands that's 581 00:23:32,200 --> 00:23:35,720 Speaker 4: that's you know, important people like even Kermit Ruffin or whatever. 582 00:23:37,000 --> 00:23:38,399 Speaker 6: All of them went to the same all of us 583 00:23:38,440 --> 00:23:39,399 Speaker 6: went to the same school. 584 00:23:39,800 --> 00:23:42,439 Speaker 4: So instead of really having a band, we had like 585 00:23:42,520 --> 00:23:45,520 Speaker 4: second line bands. We didn't have marching bands, so and 586 00:23:45,800 --> 00:23:48,320 Speaker 4: we didn't even have band teachers, you know, so we 587 00:23:48,480 --> 00:23:51,480 Speaker 4: kind of learned by ear and just what feels good. 588 00:23:51,960 --> 00:23:54,800 Speaker 4: And I'm glad that's the way I kind of do 589 00:23:54,920 --> 00:23:57,080 Speaker 4: music because I think if I actually really would have 590 00:23:57,119 --> 00:23:59,359 Speaker 4: had training, it would have sounded a whole lot different. 591 00:23:59,760 --> 00:24:01,120 Speaker 6: And and I think even. 592 00:24:01,280 --> 00:24:04,320 Speaker 4: With the way I do it, it goes across so 593 00:24:04,440 --> 00:24:06,880 Speaker 4: much better because to me is a feeling. It ain't 594 00:24:06,920 --> 00:24:08,960 Speaker 4: so much of oh, you don't know how to read music, 595 00:24:09,200 --> 00:24:12,480 Speaker 4: you don't, you know, and even to watch like Trombone 596 00:24:12,520 --> 00:24:15,439 Speaker 4: Shorty those dudes do, but but they play with feeling, 597 00:24:15,840 --> 00:24:17,280 Speaker 4: he do they play with feeling? 598 00:24:17,320 --> 00:24:21,520 Speaker 7: You know, yeah, they are the best, man I'm talking 599 00:24:21,520 --> 00:24:23,359 Speaker 7: about it ain't close with I mean them dudes can 600 00:24:23,400 --> 00:24:26,160 Speaker 7: play all the instruments, Manny being mine is though, because 601 00:24:26,160 --> 00:24:27,680 Speaker 7: Mandy play a lot of instruments. 602 00:24:27,359 --> 00:24:31,480 Speaker 5: His damn self, drums, keyboards, all that, a little bit 603 00:24:31,520 --> 00:24:32,000 Speaker 5: of everything. 604 00:24:33,320 --> 00:24:35,639 Speaker 1: Yeah, yeah, I know, y'all got to go. 605 00:24:35,800 --> 00:24:37,600 Speaker 3: Man, you said something earlier, you be about the gift 606 00:24:37,640 --> 00:24:39,159 Speaker 3: in the curse of the Internet is what are the 607 00:24:39,200 --> 00:24:40,280 Speaker 3: gifts in the curse for y'all? 608 00:24:40,400 --> 00:24:42,840 Speaker 7: Well, for me, my gift is I get an opportunity 609 00:24:42,880 --> 00:24:44,960 Speaker 7: to use my platform and do things like I did 610 00:24:44,960 --> 00:24:45,359 Speaker 7: the other day. 611 00:24:45,400 --> 00:24:48,240 Speaker 5: Will the Russell right, absolutely, man. 612 00:24:48,840 --> 00:24:51,480 Speaker 7: And the other gift is I get I get opportunity 613 00:24:51,480 --> 00:24:54,040 Speaker 7: to promote my product. So I got multiple products. I 614 00:24:54,080 --> 00:24:56,560 Speaker 7: got my tour, you know, I got the twenty five 615 00:24:56,640 --> 00:24:59,520 Speaker 7: years back that that's up tour on the road and 616 00:24:59,720 --> 00:25:02,640 Speaker 7: just everybody know what I meant to. That's the good part. 617 00:25:02,920 --> 00:25:05,800 Speaker 7: But the curse is when things that's going on, like 618 00:25:05,840 --> 00:25:08,280 Speaker 7: what's going on with my bros. You know, that's the 619 00:25:08,359 --> 00:25:10,720 Speaker 7: curse to me. I feel like when I don't like 620 00:25:10,800 --> 00:25:13,680 Speaker 7: negativity and I feel like it's bad. I really don't 621 00:25:13,720 --> 00:25:15,439 Speaker 7: like to see all this beef with each other too, 622 00:25:15,440 --> 00:25:16,920 Speaker 7: because at the end of the day, man, we all 623 00:25:16,920 --> 00:25:19,000 Speaker 7: trying to do the same thing, feed our family. So 624 00:25:19,040 --> 00:25:20,679 Speaker 7: I don't like to see that. Even though I know 625 00:25:20,800 --> 00:25:23,080 Speaker 7: hip hop came from battling. I like to see that, 626 00:25:23,119 --> 00:25:24,560 Speaker 7: but I don't just I don't like to see the beef. 627 00:25:26,000 --> 00:25:29,480 Speaker 4: I mean, it's probably he's super super close. I see 628 00:25:29,520 --> 00:25:33,000 Speaker 4: the Internet as a tool to just promote what I'm 629 00:25:33,040 --> 00:25:36,480 Speaker 4: doing and everything about what I'm doing, you know, And 630 00:25:36,560 --> 00:25:37,280 Speaker 4: the curse. 631 00:25:37,040 --> 00:25:39,920 Speaker 6: Of it is the negativity, you know, And I don't. 632 00:25:39,680 --> 00:25:43,959 Speaker 4: Think too many people know how to close out a 633 00:25:44,000 --> 00:25:47,040 Speaker 4: negative comment or or you know, somebody saying something. If 634 00:25:47,080 --> 00:25:49,679 Speaker 4: somebody followed you to talk about you, you already won. 635 00:25:50,280 --> 00:25:51,920 Speaker 1: You know what I'm saying, you the winner. 636 00:25:52,000 --> 00:25:55,359 Speaker 4: Like it's like, why even answer somebody who you really 637 00:25:55,359 --> 00:25:57,159 Speaker 4: seeked me out to tell me what you don't like 638 00:25:57,240 --> 00:25:57,639 Speaker 4: about me. 639 00:25:57,760 --> 00:25:59,160 Speaker 6: I'm like, you need a hug, you know. 640 00:26:00,200 --> 00:26:01,840 Speaker 1: You need Jesus, you need a hug. 641 00:26:02,160 --> 00:26:04,720 Speaker 4: So I think that is the negative spot, and he 642 00:26:04,840 --> 00:26:07,960 Speaker 4: hitting it dead on, Like I just think a lot 643 00:26:07,960 --> 00:26:11,439 Speaker 4: of people think now that that is the way, Like 644 00:26:11,480 --> 00:26:15,359 Speaker 4: that's that's the only way, you know, real ship. I 645 00:26:15,400 --> 00:26:18,720 Speaker 4: want real fans, real real people that mess with me. 646 00:26:18,760 --> 00:26:22,200 Speaker 4: I'd rather have a million real fans that mess with 647 00:26:22,200 --> 00:26:24,800 Speaker 4: me than have four million people that you know, these 648 00:26:24,800 --> 00:26:27,200 Speaker 4: are all just people that talk ship all the time 649 00:26:27,520 --> 00:26:28,440 Speaker 4: and don't really care. 650 00:26:28,720 --> 00:26:30,879 Speaker 7: I don't like me because you hate somebody that you 651 00:26:30,920 --> 00:26:32,800 Speaker 7: see is my enemy. Don't like me because of that? 652 00:26:33,240 --> 00:26:35,120 Speaker 5: You know what I mean? That's how I see it. 653 00:26:35,160 --> 00:26:37,240 Speaker 3: Is it a cursed man knowing that people say every 654 00:26:37,240 --> 00:26:38,320 Speaker 3: black stud looks like you? 655 00:26:38,680 --> 00:26:38,880 Speaker 5: Yeah? 656 00:26:39,240 --> 00:26:45,240 Speaker 6: It is. But guess what, I can't even laugh at that. 657 00:26:45,600 --> 00:26:49,119 Speaker 1: You heard me? You see how? 658 00:26:49,240 --> 00:26:59,720 Speaker 4: You see how I am. I don't even know how 659 00:26:59,800 --> 00:27:00,920 Speaker 4: can get cyber bully. 660 00:27:01,040 --> 00:27:01,720 Speaker 1: You know what I'm saying. 661 00:27:02,240 --> 00:27:03,080 Speaker 2: You don't know how to. 662 00:27:03,000 --> 00:27:03,960 Speaker 6: Turn that ship off. 663 00:27:04,400 --> 00:27:08,040 Speaker 4: You don't turn this ship off looking off, you know 664 00:27:08,080 --> 00:27:11,840 Speaker 4: what I'm saying, And and and real ship. What I 665 00:27:11,920 --> 00:27:14,560 Speaker 4: love about my parents or whatever I was taught a 666 00:27:14,560 --> 00:27:16,600 Speaker 4: long time ago, Like dude, you are. 667 00:27:16,560 --> 00:27:18,720 Speaker 6: Greatness, You are God's favorite. 668 00:27:18,760 --> 00:27:20,960 Speaker 4: You know what I'm saying. So it ain't really nothing 669 00:27:20,960 --> 00:27:23,440 Speaker 4: nobody could tell me. My confidence is through the roof, 670 00:27:23,840 --> 00:27:25,800 Speaker 4: like you know what I'm saying. And I feel like 671 00:27:26,320 --> 00:27:29,240 Speaker 4: anybody who say that, especially if you hide your. 672 00:27:29,119 --> 00:27:32,480 Speaker 6: Page or some ship you cowardly fuck in. 673 00:27:32,440 --> 00:27:35,280 Speaker 4: The internet as Wellster go to hang out there. 674 00:27:36,240 --> 00:27:41,400 Speaker 3: I was like, yeah, listen, man, the Icons, Living Juvenile 675 00:27:41,400 --> 00:27:44,199 Speaker 3: and Many Fresh, twenty fifth Annibroasria back that ass up. 676 00:27:44,240 --> 00:27:45,800 Speaker 3: Make sure you check them out on the back. That 677 00:27:45,880 --> 00:27:48,400 Speaker 3: ass up tall and it's always a pleasure see in y'all. 678 00:27:48,440 --> 00:27:50,959 Speaker 6: Brothers. Thank you, Broke, Thank you for champion for us too. 679 00:27:51,440 --> 00:27:53,160 Speaker 4: I mean, you go hard for us and I'm proud 680 00:27:53,200 --> 00:27:55,400 Speaker 4: of you everything. 681 00:27:56,200 --> 00:28:00,240 Speaker 5: Yeah, let him take you. 682 00:28:01,040 --> 00:28:01,640 Speaker 1: That's right. 683 00:28:01,880 --> 00:28:04,000 Speaker 2: The Juvenile Mandy Press at the Breakfast Club. 684 00:28:04,440 --> 00:28:06,520 Speaker 5: Wake that ass up early in the morning. 685 00:28:06,640 --> 00:28:11,840 Speaker 1: The Breakfast clubh