1 00:00:01,840 --> 00:00:04,519 Speaker 1: And that's what you really missed with Jenna. 2 00:00:04,600 --> 00:00:07,440 Speaker 2: And Kevin an iHeartRadio. 3 00:00:06,680 --> 00:00:11,000 Speaker 1: Podcast, Welcome to you, and That's what you Really miss 4 00:00:11,119 --> 00:00:13,520 Speaker 1: Podcast Recap Edition. 5 00:00:13,800 --> 00:00:17,720 Speaker 3: I'm Jenna, I'm Kevin, and today we are talking about Comeback, 6 00:00:18,800 --> 00:00:23,560 Speaker 3: which my goodness. I always thought there was the in this, 7 00:00:23,880 --> 00:00:25,640 Speaker 3: but I guess that's just the TV show, isn't it. 8 00:00:27,040 --> 00:00:28,240 Speaker 1: That's what I was thinking of. 9 00:00:28,680 --> 00:00:30,560 Speaker 3: In my memory this entire time. This episode has been 10 00:00:30,600 --> 00:00:32,559 Speaker 3: called the Comeback, just come. 11 00:00:32,360 --> 00:00:34,720 Speaker 1: Back, Like, how do I know this show? Oh wait, 12 00:00:34,800 --> 00:00:35,400 Speaker 1: it's a show. 13 00:00:35,680 --> 00:00:38,920 Speaker 3: It's a very very different episode than the Lisa kudrou show. 14 00:00:40,880 --> 00:00:46,519 Speaker 3: Well this episode what here's the thing, this is what 15 00:00:46,560 --> 00:00:48,879 Speaker 3: I was thinking about. Either Kevin's going to come in 16 00:00:48,920 --> 00:00:52,120 Speaker 3: and he's going to say he loves this episode, or 17 00:00:52,200 --> 00:00:54,400 Speaker 3: he's going to say, what a weird episode? And you 18 00:00:54,520 --> 00:00:57,920 Speaker 3: texted me, what a weird episode? And here's the thing 19 00:00:58,200 --> 00:01:00,280 Speaker 3: I was thinking about it, and I was the thing 20 00:01:01,320 --> 00:01:03,760 Speaker 3: these are This is one of those episodes that actually 21 00:01:03,960 --> 00:01:07,880 Speaker 3: does just zero in on the shit at high school. 22 00:01:07,920 --> 00:01:10,720 Speaker 3: That felt like it was really high stakes, but it wasn't. Yeah, 23 00:01:10,760 --> 00:01:11,360 Speaker 3: it's true. 24 00:01:11,800 --> 00:01:14,920 Speaker 1: It was very like I need to comeback. I need 25 00:01:15,000 --> 00:01:18,039 Speaker 1: you know, there's lots of like intrapersonal dating. There's just 26 00:01:18,240 --> 00:01:21,920 Speaker 1: lots of It's a teen show, teens, teenage angst. 27 00:01:22,400 --> 00:01:28,760 Speaker 3: Yes, so minus the weird to sort of trying to 28 00:01:29,360 --> 00:01:34,679 Speaker 3: off herself so strong. It felt so strange, but okay, 29 00:01:35,160 --> 00:01:35,960 Speaker 3: let's get into it. 30 00:01:36,000 --> 00:01:36,920 Speaker 2: So come back. 31 00:01:37,000 --> 00:01:41,120 Speaker 3: Originally aired February fifteenth, twenty eleven. We were coming off 32 00:01:41,640 --> 00:01:43,720 Speaker 3: a hot streak after the Super Bowl, and we had 33 00:01:43,720 --> 00:01:46,560 Speaker 3: another episode two days after that, so we were really 34 00:01:47,360 --> 00:01:50,520 Speaker 3: in the thick of it, weren't we after Valentine's Day? 35 00:01:50,640 --> 00:01:56,640 Speaker 1: Yeah, we were hot and heavy in the news. The 36 00:01:56,680 --> 00:01:59,640 Speaker 1: song was black and Yellow Black, Ye. 37 00:02:03,320 --> 00:02:05,520 Speaker 2: Was Kalifa. The number one movie was Just Go with It. 38 00:02:05,600 --> 00:02:12,079 Speaker 3: Jenniferannis and Adam Sandler correct good ol rom com. 39 00:02:09,680 --> 00:02:13,920 Speaker 1: Com and on Fever twentieth. David Klotts won the Best 40 00:02:13,919 --> 00:02:18,840 Speaker 1: Sound Editing Short Form Music and Television at the fifty 41 00:02:18,880 --> 00:02:22,239 Speaker 1: eighth annual MPSC Golden Reel Awards, which is the Motion 42 00:02:22,360 --> 00:02:25,880 Speaker 1: Picture for Sound Editors. If you didn't know, for his 43 00:02:26,000 --> 00:02:27,480 Speaker 1: work on the Power of Madonna. 44 00:02:28,120 --> 00:02:31,079 Speaker 3: Fair there's a lot of music and things happening in 45 00:02:31,120 --> 00:02:31,720 Speaker 3: Power Madonna. 46 00:02:31,760 --> 00:02:37,480 Speaker 1: Congrats, congrats, twelve years I deserved exactly well, Well, it's 47 00:02:37,480 --> 00:02:42,600 Speaker 1: funny because they they behind the scenes. They are doing 48 00:02:42,680 --> 00:02:46,520 Speaker 1: so much sound editing and color editing and just mixing 49 00:02:46,720 --> 00:02:50,160 Speaker 1: and all the crazy things we never saw, like we 50 00:02:50,400 --> 00:02:53,359 Speaker 1: barely ever met these people and saw them except for 51 00:02:53,720 --> 00:02:56,920 Speaker 1: at you know, the parties and things, which it was 52 00:02:57,040 --> 00:03:00,280 Speaker 1: like we lived like different worlds, but we're part of 53 00:03:00,360 --> 00:03:00,960 Speaker 1: the same show. 54 00:03:01,840 --> 00:03:04,000 Speaker 3: We I mean in the beginning, and we've talked about 55 00:03:04,000 --> 00:03:05,960 Speaker 3: this with Brian, how he would bring us into the 56 00:03:06,080 --> 00:03:09,400 Speaker 3: editing bays to actually watch them of the episodes. But 57 00:03:09,520 --> 00:03:11,040 Speaker 3: it wasn't like we'd go in there and get to 58 00:03:11,080 --> 00:03:14,360 Speaker 3: meet everybody. You'd bring us into these rooms and because 59 00:03:14,360 --> 00:03:18,280 Speaker 3: they're editing, everything is super dark. Everyone's sitting in pitch black, 60 00:03:18,840 --> 00:03:21,120 Speaker 3: and he would just like bring us to one particular room, 61 00:03:21,160 --> 00:03:23,840 Speaker 3: so we didn't really ever know who was who. 62 00:03:24,160 --> 00:03:27,280 Speaker 1: I know, it was weird. It was really weird. Team 63 00:03:27,280 --> 00:03:31,920 Speaker 1: effort though, yeah, exactly, it takes a village. Okay, so 64 00:03:32,520 --> 00:03:35,720 Speaker 1: some of the songs in this episode, well sorry I 65 00:03:35,760 --> 00:03:39,480 Speaker 1: skipped over. Brad Beeker joins us again for another episode 66 00:03:39,520 --> 00:03:44,240 Speaker 1: which is extraordinary quite a bit. Yes and yes it's 67 00:03:44,240 --> 00:03:46,720 Speaker 1: written by the Glorious Three. 68 00:03:47,160 --> 00:03:47,840 Speaker 3: Tell me about the. 69 00:03:47,840 --> 00:03:50,240 Speaker 1: Songs in this episode, Kevin, because it's a Hodgepodge. 70 00:03:50,880 --> 00:03:55,480 Speaker 3: We have Baby by Justin Bieber twice Somebody to Love 71 00:03:55,560 --> 00:03:58,640 Speaker 3: by Justin Bieber, Take me here, leave me from rent, 72 00:03:58,800 --> 00:04:01,640 Speaker 3: this little light of mine, I know a boy's like 73 00:04:01,920 --> 00:04:06,600 Speaker 3: and sing by my chemical romance, which we will address. 74 00:04:07,640 --> 00:04:16,080 Speaker 3: I need to address this number. So in this episode, 75 00:04:17,480 --> 00:04:19,960 Speaker 3: coming off the heels of Sue being the biggest loser 76 00:04:20,000 --> 00:04:23,919 Speaker 3: of the year and losing her bid at Nationals for 77 00:04:24,040 --> 00:04:25,720 Speaker 3: the Cheerios, she doesn't know what to do with her 78 00:04:25,800 --> 00:04:28,080 Speaker 3: time and joins the glee club for a week to 79 00:04:28,080 --> 00:04:31,679 Speaker 3: get inspired again. Sam then creates the Justin Bieber experience 80 00:04:31,720 --> 00:04:34,799 Speaker 3: with the New Direction Boys to keep Quinn, but finds 81 00:04:34,800 --> 00:04:38,520 Speaker 3: out the truth about her and Finn and Rachel is 82 00:04:38,560 --> 00:04:40,880 Speaker 3: trying to plan her comeback by teaming up with Brittany. 83 00:04:41,400 --> 00:04:44,800 Speaker 3: Put it all backfires and as this pointed out in 84 00:04:44,800 --> 00:04:45,960 Speaker 3: the episode, what is she trying. 85 00:04:45,800 --> 00:04:49,120 Speaker 2: To come back from? Nothing? Really? 86 00:04:49,600 --> 00:04:52,120 Speaker 1: So there's some fun fun things about this episode. So 87 00:04:52,200 --> 00:04:56,839 Speaker 1: this is the second episode ever to feature more than 88 00:04:57,040 --> 00:05:01,800 Speaker 1: one song done byas PA Civic artists. So yeah, that 89 00:05:01,920 --> 00:05:04,320 Speaker 1: wasn't a tribute episode. Sorry, that wasn't a tribute episode. 90 00:05:04,520 --> 00:05:07,320 Speaker 1: Had fort you had two Bruno Mars songs and this 91 00:05:07,400 --> 00:05:12,440 Speaker 1: is an unofficial tribute to Justin Bieber with two songs, well, 92 00:05:12,560 --> 00:05:17,200 Speaker 1: one song twice, one song twice and yeah, uh this 93 00:05:17,240 --> 00:05:19,960 Speaker 1: is the first time we hear a song from Laurence 94 00:05:20,120 --> 00:05:24,520 Speaker 1: ICs from Ashley Pink who will uh? Who will join 95 00:05:24,600 --> 00:05:28,840 Speaker 1: us for quite a while, And we don't see Chris 96 00:05:28,880 --> 00:05:30,000 Speaker 1: Colfer in this episode. 97 00:05:30,400 --> 00:05:31,120 Speaker 2: How weird. 98 00:05:31,440 --> 00:05:34,080 Speaker 1: It's so strange. I didn't even realize that, and then 99 00:05:34,080 --> 00:05:35,920 Speaker 1: I was like, oh my god, we were missing k 100 00:05:36,440 --> 00:05:37,279 Speaker 1: Chris for a while. 101 00:05:37,800 --> 00:05:41,640 Speaker 3: Yeah, I missed Curtin's episode. I know where is Kurt 102 00:05:42,200 --> 00:05:47,599 Speaker 3: doesn't feel right, get him back please. Okay, So the 103 00:05:47,600 --> 00:05:50,240 Speaker 3: first thing that's happening in this in this episode is 104 00:05:50,279 --> 00:05:54,880 Speaker 3: that Sue. Sue has a lot of journey. She's feeling 105 00:05:54,920 --> 00:05:59,200 Speaker 3: really down after not calling qualifying for nationals for Cheerios, 106 00:05:59,560 --> 00:06:04,000 Speaker 3: and she doesn't know what to do, so she decides, 107 00:06:04,040 --> 00:06:11,200 Speaker 3: at Emma's recommendation, to join the Glee Club. Yeah, after 108 00:06:11,240 --> 00:06:13,160 Speaker 3: she leaves like a fake suicide. 109 00:06:12,680 --> 00:06:17,040 Speaker 1: Note Okay, she does, but she stops her and then 110 00:06:17,160 --> 00:06:19,800 Speaker 1: Will and Emma are terrified and they go and find 111 00:06:19,839 --> 00:06:24,080 Speaker 1: her and she's literally in bed with like vitamin bottles 112 00:06:24,080 --> 00:06:27,360 Speaker 1: surrounding her, and she stopped her own heart because it's 113 00:06:27,360 --> 00:06:28,440 Speaker 1: her CIA trade. 114 00:06:31,200 --> 00:06:35,240 Speaker 4: So random, Jenna, there's that bit where she's like Sue 115 00:06:35,320 --> 00:06:38,640 Speaker 4: slamming kids up against lockers and things. 116 00:06:38,960 --> 00:06:41,000 Speaker 2: Yeah, did you get shoved hard? 117 00:06:41,279 --> 00:06:43,480 Speaker 1: I did? I actually shoved myself. 118 00:06:44,160 --> 00:06:45,760 Speaker 2: Oh an actress. 119 00:06:47,200 --> 00:06:53,000 Speaker 1: That's acting. It's called acting, and I did that physical acting. 120 00:06:53,120 --> 00:06:54,560 Speaker 2: Did you enjoy it? 121 00:06:55,160 --> 00:06:57,720 Speaker 1: Yeah? I mean those lockers they sound worse than they 122 00:06:57,720 --> 00:06:58,440 Speaker 1: are because they're. 123 00:06:58,279 --> 00:07:02,120 Speaker 3: All you eat, Like you can just throw yourself up 124 00:07:02,120 --> 00:07:03,520 Speaker 3: there and like, oh, this is impactful. 125 00:07:03,839 --> 00:07:07,160 Speaker 1: But I was so excited to be thrown by Sue Sylvester. 126 00:07:07,839 --> 00:07:10,440 Speaker 1: I honestly was, and we were all there like in 127 00:07:10,480 --> 00:07:14,120 Speaker 1: the hallway. But you didn't get thrown. I don't know 128 00:07:14,160 --> 00:07:16,320 Speaker 1: that that would have caused. That would have included a 129 00:07:16,320 --> 00:07:17,720 Speaker 1: stun double, which costs money. 130 00:07:17,960 --> 00:07:18,280 Speaker 2: I know. 131 00:07:20,000 --> 00:07:23,880 Speaker 1: So I did get thrown. A lot of people got thrown. 132 00:07:24,920 --> 00:07:30,120 Speaker 1: And so Emma convinces Sue, or doesn't have to convince her, 133 00:07:30,160 --> 00:07:33,960 Speaker 1: but she recommends that Sue joined the glee club. 134 00:07:34,040 --> 00:07:35,640 Speaker 2: And next thing we know, Sue sitting in the glee 135 00:07:35,640 --> 00:07:37,480 Speaker 2: club with us. She's sitting in the choir room. 136 00:07:37,960 --> 00:07:40,320 Speaker 1: This was part of her whole plan. This is part 137 00:07:40,320 --> 00:07:43,720 Speaker 1: of Sue's whole plan that she was going to come 138 00:07:43,800 --> 00:07:48,640 Speaker 1: after Will and the Glee club, and the Glee club 139 00:07:48,720 --> 00:07:51,360 Speaker 1: is like, wait, what the hell why she joining? 140 00:07:52,560 --> 00:07:55,360 Speaker 3: But irl, we're like, yes, please, can we keep chaying 141 00:07:55,360 --> 00:07:58,440 Speaker 3: here all the time exactly because we didn't get to 142 00:07:58,440 --> 00:08:01,320 Speaker 3: work with her that much. It's true where she was 143 00:08:01,520 --> 00:08:03,720 Speaker 3: making fun of cord and it was hilarious. 144 00:08:03,960 --> 00:08:09,160 Speaker 1: I mean, sweet Cordy doing all these really cute numbers 145 00:08:09,440 --> 00:08:12,960 Speaker 1: just melts my heart, just melts my heart. 146 00:08:13,240 --> 00:08:15,120 Speaker 3: Jenna, you and I were talking about before we started. 147 00:08:15,680 --> 00:08:17,840 Speaker 3: We hopped onto record about like what we remember from 148 00:08:17,840 --> 00:08:21,440 Speaker 3: this episode, and there's really like two things. 149 00:08:21,640 --> 00:08:22,040 Speaker 2: Remember. 150 00:08:22,360 --> 00:08:26,120 Speaker 3: I particularly remember the Justin Bieber experience, and you remember 151 00:08:26,400 --> 00:08:31,640 Speaker 3: Rachel sweaters. Correct, I mean correct, That's pretty much it. 152 00:08:32,320 --> 00:08:33,160 Speaker 2: That's pretty much it. 153 00:08:33,600 --> 00:08:37,960 Speaker 1: I have to admit that I forgot that Jane did 154 00:08:38,000 --> 00:08:40,160 Speaker 1: sing with us because we did it on tour so 155 00:08:40,280 --> 00:08:43,880 Speaker 1: much after. In my mind sing is in Denham and 156 00:08:43,920 --> 00:08:46,520 Speaker 1: we are doing it at the top of our or 157 00:08:46,520 --> 00:08:49,360 Speaker 1: not Denham, but you know, in different outfits than we 158 00:08:49,480 --> 00:08:53,000 Speaker 1: do in this number, which we'll talk about. But that 159 00:08:53,200 --> 00:08:56,720 Speaker 1: and Jane was not in it, so it slipped my mind. 160 00:08:56,800 --> 00:08:57,640 Speaker 1: I will be honest. 161 00:08:57,920 --> 00:09:00,640 Speaker 3: I was waiting for it because we've talked about number 162 00:09:00,640 --> 00:09:04,400 Speaker 3: of times. And the one song we never talk about 163 00:09:04,559 --> 00:09:05,480 Speaker 3: is sing. 164 00:09:05,559 --> 00:09:08,600 Speaker 1: Because I just question why we did that song on 165 00:09:08,640 --> 00:09:14,160 Speaker 1: Twitter or why we did it in the episode. Well, 166 00:09:14,200 --> 00:09:15,800 Speaker 1: it had to be a number. There had to be 167 00:09:15,800 --> 00:09:21,000 Speaker 1: an anthem like number, correct for to contend Rachel's storyline. 168 00:09:21,160 --> 00:09:22,719 Speaker 2: Yeah, of getting us to. 169 00:09:22,720 --> 00:09:26,079 Speaker 1: The point where we're going to perform the very first original, 170 00:09:26,240 --> 00:09:28,319 Speaker 1: real original songs from Glee. 171 00:09:28,480 --> 00:09:31,360 Speaker 3: It felt like one of those things that you know 172 00:09:31,600 --> 00:09:35,720 Speaker 3: people call different artists like industry plants. It felt like 173 00:09:35,840 --> 00:09:38,480 Speaker 3: this song like someone from the record label called up 174 00:09:38,600 --> 00:09:40,600 Speaker 3: was like, hey, can you get this in here? This 175 00:09:40,679 --> 00:09:42,640 Speaker 3: is the new single, can you like put this on 176 00:09:42,679 --> 00:09:45,400 Speaker 3: the show. That's what it felt like to me. 177 00:09:46,320 --> 00:09:48,960 Speaker 1: Do you know how sing did in like in the 178 00:09:49,800 --> 00:09:51,960 Speaker 1: like on the charts at all? Like did it chart? So? 179 00:09:52,240 --> 00:09:56,160 Speaker 3: Sing by My Chemical Romance its peak position on Billboard 180 00:09:56,559 --> 00:10:01,840 Speaker 3: was number fifty eight. So what I'm saying is that 181 00:10:02,080 --> 00:10:05,880 Speaker 3: wouldn't normally be a song that we would do. And 182 00:10:05,880 --> 00:10:08,800 Speaker 3: and Ryan picked a lot of the music, if not 183 00:10:08,880 --> 00:10:11,480 Speaker 3: all of the music, and I'm. 184 00:10:11,320 --> 00:10:16,160 Speaker 2: Just wondering how he came across that Song's all I know. 185 00:10:16,720 --> 00:10:23,480 Speaker 2: Because record companies did start sending music to them, so 186 00:10:24,600 --> 00:10:26,960 Speaker 2: I feel like it was possible. It also like it 187 00:10:27,000 --> 00:10:29,960 Speaker 2: worked with the episode, but it was just like sort 188 00:10:30,000 --> 00:10:32,800 Speaker 2: of felt a bit random. 189 00:10:32,880 --> 00:10:36,520 Speaker 1: Yeah, right, like that Ryan brader Ian, weren't like we 190 00:10:36,600 --> 00:10:40,199 Speaker 1: have to do this number. Yeah, I will say my 191 00:10:40,280 --> 00:10:43,760 Speaker 1: Chemical Romance is the one of the form of band 192 00:10:43,800 --> 00:10:46,720 Speaker 1: members is my husband's barber. 193 00:10:47,559 --> 00:10:54,880 Speaker 3: Now wait what yeah, which band membert Mike Petcone? I 194 00:10:54,920 --> 00:11:00,319 Speaker 3: love my Chemical Romance? Are you kidding me? In my 195 00:11:00,360 --> 00:11:01,120 Speaker 3: Chemical Romance? 196 00:11:01,360 --> 00:11:05,280 Speaker 1: Very funny. Sing's not one of my favorites from them. 197 00:11:05,400 --> 00:11:07,000 Speaker 1: But did you know the songs that you love my 198 00:11:07,080 --> 00:11:07,840 Speaker 1: Chemical Romance? 199 00:11:07,840 --> 00:11:09,120 Speaker 2: Then I don't. 200 00:11:09,120 --> 00:11:12,560 Speaker 3: I don't remember, but it was new. Sing didn't debut 201 00:11:12,760 --> 00:11:18,520 Speaker 3: on Billboard until February twenty six, twenty eleven. Our version 202 00:11:18,559 --> 00:11:22,400 Speaker 3: of Sing came out the week before that, So your 203 00:11:22,400 --> 00:11:26,679 Speaker 3: point was right. So my point being, they put this in. 204 00:11:26,679 --> 00:11:30,040 Speaker 1: Before it was released to get it out there and 205 00:11:30,200 --> 00:11:36,000 Speaker 1: loved before they released it. Yeah. Interesting, I wonder if 206 00:11:36,040 --> 00:11:38,440 Speaker 1: that happens with any other numbers. 207 00:11:38,960 --> 00:11:42,120 Speaker 3: Oh, it definitely does. I mean it happened with some nights. 208 00:11:42,400 --> 00:11:54,080 Speaker 1: Oh interesting. I didn't know that either. Yeah, okay, So 209 00:11:54,080 --> 00:11:57,760 Speaker 1: Sue join Sigli Club, she does sing with us, and 210 00:11:59,000 --> 00:12:03,719 Speaker 1: we will find out that she's just lost herself, right, 211 00:12:03,760 --> 00:12:07,440 Speaker 1: She's looking for something to do and use her time 212 00:12:07,480 --> 00:12:12,920 Speaker 1: and creative juices, and she will become the oral intensity 213 00:12:15,320 --> 00:12:21,640 Speaker 1: oral intensity coach spoiler alert. And we find out in 214 00:12:21,679 --> 00:12:26,559 Speaker 1: this kind of segment that Will received a letter about 215 00:12:26,559 --> 00:12:32,800 Speaker 1: regionals and we are facing oral intensity at regionals and 216 00:12:32,880 --> 00:12:40,040 Speaker 1: the theme is anthem and so that's going to be 217 00:12:41,080 --> 00:12:48,600 Speaker 1: another hill for Will to climb. And Sue also is bored, 218 00:12:48,679 --> 00:12:54,840 Speaker 1: so she decides that she's going to ask quote unquote 219 00:12:55,000 --> 00:12:59,600 Speaker 1: ask Mercedes and Rachel for advice about being a diva. 220 00:13:00,480 --> 00:13:06,200 Speaker 1: And meanwhile she plants a seed to each of them 221 00:13:06,200 --> 00:13:10,000 Speaker 1: that they've been talking about each other and what would 222 00:13:10,040 --> 00:13:13,040 Speaker 1: they do. Then they confront each other and naturally there's 223 00:13:13,040 --> 00:13:15,520 Speaker 1: a divaf in the choir room. They sing Take Me 224 00:13:15,760 --> 00:13:21,559 Speaker 1: or Leave Me, which is from the large hit musical 225 00:13:21,760 --> 00:13:25,359 Speaker 1: Rent that formed my high school experience. 226 00:13:26,240 --> 00:13:27,920 Speaker 2: Were you mad that you didn't get to sing this song? 227 00:13:28,600 --> 00:13:31,839 Speaker 1: To be honest, No, because this is this was great 228 00:13:31,880 --> 00:13:34,600 Speaker 1: and that's their thing, and I totally get it. 229 00:13:35,920 --> 00:13:38,680 Speaker 2: I love this number well, I love. 230 00:13:38,559 --> 00:13:40,440 Speaker 1: Rent number one, so I was like happy to see 231 00:13:40,480 --> 00:13:42,800 Speaker 1: Rent made it, but also I yeah, this number was 232 00:13:42,840 --> 00:13:43,920 Speaker 1: really great and really fun. 233 00:13:44,200 --> 00:13:47,080 Speaker 3: It was also nice to watch this, like see Jane's 234 00:13:47,120 --> 00:13:51,040 Speaker 3: reaction or Sue's reaction to Mercedes and Leah sort of 235 00:13:51,200 --> 00:13:54,120 Speaker 3: fighting it out vocally and then they're like, oh, we're 236 00:13:54,160 --> 00:14:00,960 Speaker 3: both really good. And Sue does not understand that. No, 237 00:14:02,000 --> 00:14:05,840 Speaker 3: it just goes doesn't go to plan. No, suit, it's 238 00:14:05,880 --> 00:14:08,479 Speaker 3: not getting her weight, and it's satisfying. 239 00:14:08,800 --> 00:14:11,360 Speaker 1: And then and then we have this very lighthearted moment 240 00:14:11,360 --> 00:14:16,600 Speaker 1: where we get to see Jane Lynch. Yeah, and Will. 241 00:14:17,679 --> 00:14:24,080 Speaker 1: Will takes two to the pediatric cancer center where he 242 00:14:24,240 --> 00:14:26,040 Speaker 1: likes to visit patients and sing with them, and he 243 00:14:26,080 --> 00:14:30,000 Speaker 1: brings Toyseculele and they sang this little light of Mine 244 00:14:30,040 --> 00:14:35,120 Speaker 1: with these wonderful, darling children that I would have cried before, 245 00:14:35,160 --> 00:14:38,240 Speaker 1: and I probably cried when I watched this episode, but 246 00:14:38,480 --> 00:14:42,320 Speaker 1: as a mom now there's no stopping me. 247 00:14:43,240 --> 00:14:43,960 Speaker 2: Did you lose it? 248 00:14:44,240 --> 00:14:45,000 Speaker 1: Yeah, of course. 249 00:14:45,280 --> 00:14:45,520 Speaker 2: Yeah. 250 00:14:45,640 --> 00:14:48,840 Speaker 1: It's very moving and those kids were just so adorable. 251 00:14:49,040 --> 00:14:52,960 Speaker 1: And god, that's what like, that's the thing about Glee. 252 00:14:53,120 --> 00:14:56,440 Speaker 1: It's like all these crazy, you know, low stake, high 253 00:14:56,480 --> 00:14:59,720 Speaker 1: school drama shit, and then they'll punch you in the 254 00:14:59,720 --> 00:15:05,640 Speaker 1: face with this moment. Yeah, and then just seeing like 255 00:15:05,760 --> 00:15:07,760 Speaker 1: Jane with a kid on her on her lap, you're like, oh, 256 00:15:07,760 --> 00:15:12,960 Speaker 1: that's Jane. Yeah, that's the way Jane versus Sylvester. But again, 257 00:15:13,000 --> 00:15:15,400 Speaker 1: it gives it gives you Sylvester life and heart that 258 00:15:15,480 --> 00:15:17,840 Speaker 1: like you kind of need every fifty to fifteen to 259 00:15:17,880 --> 00:15:23,160 Speaker 1: twenty episodes to be reminded. And then yeah, and then 260 00:15:23,200 --> 00:15:25,520 Speaker 1: we perform sing. So do you want to talk about 261 00:15:25,520 --> 00:15:26,080 Speaker 1: sing right now? 262 00:15:26,480 --> 00:15:27,720 Speaker 3: Let's talk about sing at the end? 263 00:15:29,000 --> 00:15:31,280 Speaker 1: Okay, all right, yeah, right. 264 00:15:31,480 --> 00:15:36,640 Speaker 3: This other thing is so Sam is sort of convinced 265 00:15:36,640 --> 00:15:40,880 Speaker 3: that Quinn didn't cheat on him with Finn because Quinn 266 00:15:41,200 --> 00:15:44,600 Speaker 3: and Finn have conspired to create a story that Quinn 267 00:15:44,640 --> 00:15:48,880 Speaker 3: actually saved Finn's life because he was choking and that's 268 00:15:48,920 --> 00:15:53,720 Speaker 3: how they shared the mono, and he believes it, but 269 00:15:53,840 --> 00:15:56,680 Speaker 3: he's like, I need to up my game to get 270 00:15:56,680 --> 00:15:59,920 Speaker 3: her more into me. And who gets girls going crazy 271 00:16:00,040 --> 00:16:03,960 Speaker 3: more than Justin Bieber. So after workshopping the one man 272 00:16:04,080 --> 00:16:09,800 Speaker 3: Justin Bieber experience at a little girl's birthday party, he 273 00:16:09,840 --> 00:16:13,120 Speaker 3: brings it into the choir room and performs baby, which 274 00:16:13,720 --> 00:16:18,720 Speaker 3: was adorable in real life, and all the girls lose it. 275 00:16:18,840 --> 00:16:23,600 Speaker 1: And David said to me, Tea looks really happy in 276 00:16:23,640 --> 00:16:24,200 Speaker 1: the summer. 277 00:16:25,360 --> 00:16:28,880 Speaker 3: Yeah, everyone, have I remember I got caught like in 278 00:16:28,960 --> 00:16:31,880 Speaker 3: two reaction shots really enjoying it, but like the guys 279 00:16:31,920 --> 00:16:34,320 Speaker 3: aren't supposed to be enjoying it that much. But I 280 00:16:34,360 --> 00:16:37,960 Speaker 3: was like, oh, Kevin slipt out, It's so cute, It's 281 00:16:38,040 --> 00:16:42,160 Speaker 3: so cute watching little Cordy dance is Its just like 282 00:16:42,400 --> 00:16:50,120 Speaker 3: the most adorable thing in the world. So then Aartie, Mike, 283 00:16:50,280 --> 00:16:54,880 Speaker 3: and Puck question corner Sam in the locker room and 284 00:16:54,920 --> 00:16:57,920 Speaker 3: are like, hey, we want in can you expand the 285 00:16:57,960 --> 00:17:01,240 Speaker 3: one man to a full band? And Finn makes fun 286 00:17:01,280 --> 00:17:06,960 Speaker 3: of it, and Finn's like, I told you, bro, she 287 00:17:07,080 --> 00:17:10,200 Speaker 3: saved my life. We didn't kiss, and then he has 288 00:17:10,280 --> 00:17:13,159 Speaker 3: this little smirk on his face with a cory smirk. 289 00:17:13,440 --> 00:17:15,200 Speaker 2: Yeah. I was like, oh, you. 290 00:17:16,040 --> 00:17:23,560 Speaker 1: Trifling, trifling Triflin. How tell me about this this justin 291 00:17:23,600 --> 00:17:27,360 Speaker 1: Bieber experience and you guys doing justin Bieber? What were 292 00:17:27,359 --> 00:17:30,240 Speaker 1: the rehearsals? Like, did you guys have fun doing this? 293 00:17:31,880 --> 00:17:32,159 Speaker 2: You know? 294 00:17:32,920 --> 00:17:39,960 Speaker 3: The stakes were low because there's only one real dancer 295 00:17:40,280 --> 00:17:43,800 Speaker 3: out of the four and a full dance number, you know. 296 00:17:45,840 --> 00:17:48,600 Speaker 1: And one dancer who would actually get up and dance. 297 00:17:49,640 --> 00:17:52,760 Speaker 3: Yeah, And so it was just about how can we 298 00:17:52,800 --> 00:17:56,600 Speaker 3: make this look not completely terrible editing. 299 00:17:56,880 --> 00:17:59,040 Speaker 1: A lot of lighting, a lot of a lot of lighting. 300 00:17:59,400 --> 00:18:01,160 Speaker 1: What was the thing that they were blow? 301 00:18:01,280 --> 00:18:01,639 Speaker 2: What was? 302 00:18:01,760 --> 00:18:03,200 Speaker 1: What did you use flower? 303 00:18:03,520 --> 00:18:03,720 Speaker 5: It was? 304 00:18:04,160 --> 00:18:07,760 Speaker 3: I think it was chalk? 305 00:18:07,960 --> 00:18:08,439 Speaker 2: Was a flower? 306 00:18:08,440 --> 00:18:10,520 Speaker 1: I don't really, Well, you probably couldn't use flower, because 307 00:18:10,520 --> 00:18:12,920 Speaker 1: you remember Paris Barklay said flower. 308 00:18:13,040 --> 00:18:15,439 Speaker 2: Things go on fire, So probably I believe it was 309 00:18:15,520 --> 00:18:17,720 Speaker 2: chalk because then it was stuck to everything. 310 00:18:18,040 --> 00:18:20,040 Speaker 1: I thought that was really cool. Did they do that 311 00:18:20,119 --> 00:18:21,960 Speaker 1: in the actual Somebody to Love videos? 312 00:18:22,119 --> 00:18:25,199 Speaker 3: Yeah, a lot of that stuff is directly inspired by 313 00:18:25,200 --> 00:18:26,119 Speaker 3: the actual music video. 314 00:18:26,160 --> 00:18:27,960 Speaker 2: I didn't. I hadn't heard this song. 315 00:18:27,800 --> 00:18:31,840 Speaker 3: Before it before it recorded it really yeah, and we did, 316 00:18:31,840 --> 00:18:33,600 Speaker 3: like there was a remix with Usher and so I 317 00:18:33,800 --> 00:18:35,440 Speaker 3: was like sort of Usher. 318 00:18:35,359 --> 00:18:39,120 Speaker 2: In this and Cord was justin. 319 00:18:41,160 --> 00:18:43,479 Speaker 3: And I, I mean, I had a great time performing 320 00:18:43,520 --> 00:18:46,120 Speaker 3: it because, you know, brought me back to my boy Bandais. 321 00:18:46,400 --> 00:18:47,120 Speaker 2: It was I. 322 00:18:47,080 --> 00:18:49,480 Speaker 1: Literally said that to I was like, this is Kevin 323 00:18:49,520 --> 00:18:51,159 Speaker 1: and his true true boy. 324 00:18:51,720 --> 00:18:53,600 Speaker 3: This was easy for me. I was like, I can 325 00:18:53,680 --> 00:18:57,520 Speaker 3: do this with my eyes closed. I got this. I 326 00:18:57,640 --> 00:19:02,920 Speaker 3: let my shoulders fully move to one percent. Oh yeah, 327 00:19:03,000 --> 00:19:06,000 Speaker 3: I had a great time. I forced Austin to watch it. 328 00:19:06,000 --> 00:19:07,520 Speaker 3: He was walking by and I was watching this episode, 329 00:19:07,640 --> 00:19:08,520 Speaker 3: like you need to watch this. 330 00:19:08,920 --> 00:19:09,840 Speaker 2: That's so chuting. 331 00:19:10,280 --> 00:19:12,120 Speaker 1: You guys do kill it and we love it, and. 332 00:19:12,240 --> 00:19:15,680 Speaker 3: You talk about I love watching the girl's reaction to this. 333 00:19:16,520 --> 00:19:18,200 Speaker 3: Everyone's freaking out in slow motion. 334 00:19:19,440 --> 00:19:22,520 Speaker 1: It's really fun to shoot that because it's just reactions. 335 00:19:22,560 --> 00:19:25,680 Speaker 1: It's exhausting, but I tell you, it's really fun, and 336 00:19:26,359 --> 00:19:30,000 Speaker 1: especially when we really do enjoy the number that we're watching, like, yeah, 337 00:19:30,040 --> 00:19:34,080 Speaker 1: it's silly and ridiculous. And Mark's wig. 338 00:19:33,920 --> 00:19:36,040 Speaker 3: Was just insane comedy. 339 00:19:36,480 --> 00:19:39,600 Speaker 1: It's just easy, easy, easy acting for the day, you know, 340 00:19:40,520 --> 00:19:42,480 Speaker 1: and you guys were doing were really fun and so 341 00:19:42,560 --> 00:19:43,520 Speaker 1: it was really fun to watch. 342 00:19:43,760 --> 00:19:46,760 Speaker 3: Speaking of Mark's wig, the whole thing going on with 343 00:19:46,800 --> 00:19:54,480 Speaker 3: put trying to impress Laurence Iz's it's like incrementally, you know, 344 00:19:54,600 --> 00:19:58,879 Speaker 3: getting there. But then she's like, look, yes, that was 345 00:19:58,920 --> 00:20:02,040 Speaker 3: adorable and irresistible, but like cool it. I need you 346 00:20:02,119 --> 00:20:04,160 Speaker 3: to help me because I want to do a musical number. 347 00:20:04,880 --> 00:20:08,240 Speaker 3: And she's like, I need your advice. 348 00:20:08,320 --> 00:20:08,919 Speaker 2: How do I do this? 349 00:20:08,960 --> 00:20:10,680 Speaker 3: He's like, oh, just imagine everyone naked. 350 00:20:11,520 --> 00:20:13,800 Speaker 1: Which I remember this. 351 00:20:14,760 --> 00:20:18,880 Speaker 3: Yes, this was funny. I was very thankful I didn't 352 00:20:18,880 --> 00:20:21,960 Speaker 3: have to take my shirt off because everyone else was jacked, 353 00:20:22,520 --> 00:20:23,639 Speaker 3: like everyone is ripped. 354 00:20:23,720 --> 00:20:26,840 Speaker 2: I'm like, no, I'm not, thank you for letting me 355 00:20:26,840 --> 00:20:27,480 Speaker 2: wear a tank top. 356 00:20:27,920 --> 00:20:30,720 Speaker 1: It's really funny though. Everybody's outfits were really funny. 357 00:20:31,320 --> 00:20:31,639 Speaker 5: I was. 358 00:20:31,760 --> 00:20:34,919 Speaker 1: I can't remember if I was excited to not have 359 00:20:35,040 --> 00:20:36,600 Speaker 1: to do it or if I was upset that I 360 00:20:36,640 --> 00:20:39,520 Speaker 1: couldn't be a part of it. I think it was 361 00:20:39,560 --> 00:20:45,080 Speaker 1: the former, yeah, because then I'm like, oh, great, but 362 00:20:45,160 --> 00:20:46,720 Speaker 1: I had to do a whole musical number, so. 363 00:20:47,520 --> 00:20:50,040 Speaker 3: Right, but your musical number was hilarious. 364 00:20:50,280 --> 00:20:52,160 Speaker 1: Oh it was crazy. It was one of those numbers 365 00:20:52,200 --> 00:20:54,879 Speaker 1: that like Zach's like, okay, come here and do this, 366 00:20:55,119 --> 00:20:57,600 Speaker 1: do that, go there, do this, okay, and then just 367 00:20:57,600 --> 00:20:59,640 Speaker 1: be stupid. You're like, okay, great, Yeah. 368 00:20:59,440 --> 00:21:02,560 Speaker 3: That's how this episode felt, I think, even for somebody 369 00:21:02,600 --> 00:21:06,040 Speaker 3: to love. He was like, okay, Like we never got 370 00:21:06,040 --> 00:21:08,480 Speaker 3: in the right spotlights on that stage. It was all 371 00:21:08,560 --> 00:21:10,119 Speaker 3: a bit of a mess. It's like this is what 372 00:21:10,160 --> 00:21:12,480 Speaker 3: it's gonna be. Likely he was speaker, so. 373 00:21:13,000 --> 00:21:15,840 Speaker 1: Yeah, no, he makes it look all great and we 374 00:21:15,920 --> 00:21:20,600 Speaker 1: love the the Justin Bieber experience. Additionally, though, what's going 375 00:21:20,600 --> 00:21:25,240 Speaker 1: on with Sam is that Santana now is telling Sam 376 00:21:25,320 --> 00:21:30,440 Speaker 1: that Finn actually did cheat on Quinn, and she reveals 377 00:21:30,720 --> 00:21:35,000 Speaker 1: that he's just choosing to believe what Quinn tells him 378 00:21:35,000 --> 00:21:37,159 Speaker 1: because he wants to be with her, but we do 379 00:21:37,280 --> 00:21:40,520 Speaker 1: know the truth. And then she makes a proposal that 380 00:21:40,800 --> 00:21:43,480 Speaker 1: they can be together. So of course then you're like, okay, 381 00:21:43,480 --> 00:21:46,600 Speaker 1: so that's a better trade, right, Like, I still get 382 00:21:46,760 --> 00:21:50,280 Speaker 1: to be with somebody hot, but it's not somebody who 383 00:21:50,760 --> 00:21:56,320 Speaker 1: hurt me. So Santana gives. 384 00:21:56,040 --> 00:21:58,240 Speaker 2: Some froggy lips and I want them. 385 00:21:58,119 --> 00:22:02,000 Speaker 1: Now, I just can't even. She gives him full of 386 00:22:02,080 --> 00:22:04,880 Speaker 1: visitation rights to the set of rambunctious twins in livent 387 00:22:04,920 --> 00:22:06,920 Speaker 1: a Roop craves. This is the beginning of these crazy 388 00:22:06,960 --> 00:22:09,800 Speaker 1: monologues that they give her because they're just so funny 389 00:22:10,520 --> 00:22:13,639 Speaker 1: and she could do it no problem, and not just 390 00:22:13,680 --> 00:22:16,800 Speaker 1: because you can unlock your humongous jaw and swallow them 391 00:22:16,800 --> 00:22:18,800 Speaker 1: a whole like a python, but because you have some 392 00:22:18,840 --> 00:22:25,280 Speaker 1: bods at the school. And so Sam breaks up with 393 00:22:25,400 --> 00:22:28,159 Speaker 1: Quinn and gets what Santana. 394 00:22:27,800 --> 00:22:30,280 Speaker 2: It was so sweet. Anyways, Sam looks so hurt. 395 00:22:30,600 --> 00:22:34,200 Speaker 1: He did really hurt. I mean, I liked Quinn and Sam, 396 00:22:34,240 --> 00:22:35,920 Speaker 1: so I was kind of sad about it. 397 00:22:36,320 --> 00:22:40,040 Speaker 2: Yeah, but Quinn and Finn, oh oh, show. 398 00:22:40,400 --> 00:22:43,080 Speaker 1: Oh sure, no, they did wrong, they did wrong. 399 00:22:43,240 --> 00:22:45,480 Speaker 3: No, no, these people will never learn the other. 400 00:22:45,320 --> 00:22:48,399 Speaker 1: Thing that's going on is that Rachel is now fully 401 00:22:48,440 --> 00:22:51,159 Speaker 1: focused on her career because she's single and she really 402 00:22:51,200 --> 00:22:55,320 Speaker 1: wants to make a comeback, and so she enlists Brittany 403 00:22:55,400 --> 00:23:00,639 Speaker 1: to wear leg warmers and start wearing clothes like Rachel 404 00:23:00,640 --> 00:23:04,119 Speaker 1: would wear to make them cool. And instead Brittany wears 405 00:23:04,160 --> 00:23:06,280 Speaker 1: the leg warmers, but she wears them on her arm, 406 00:23:06,920 --> 00:23:11,639 Speaker 1: and it's very like Regina Georgement. Yeah, mean girl's moment, 407 00:23:11,800 --> 00:23:14,640 Speaker 1: Like she's wearing flip flops and a what is it? 408 00:23:14,760 --> 00:23:19,080 Speaker 1: What does she say she wore flip flops? And A oh, 409 00:23:19,160 --> 00:23:21,280 Speaker 1: I can't remember the line. Now it'll come back to 410 00:23:21,320 --> 00:23:25,440 Speaker 1: me anyway. It's the Regina George moment and army pants 411 00:23:25,480 --> 00:23:28,240 Speaker 1: and flip flops. Thank you to our producer. Army pants 412 00:23:28,240 --> 00:23:31,280 Speaker 1: and flip flops. So I want army pants and flip flops. 413 00:23:32,840 --> 00:23:35,040 Speaker 1: And so Rachel's mad because she's like, give me my 414 00:23:35,080 --> 00:23:39,119 Speaker 1: money back. She actually paid her, and Brittany says that 415 00:23:39,200 --> 00:23:45,280 Speaker 1: she used the money to hire a publicisy, and then 416 00:23:45,359 --> 00:23:48,360 Speaker 1: Rachel's like, okay, here's another idea. Then instead of everybody 417 00:23:48,400 --> 00:23:52,200 Speaker 1: now who's wearing like arm warmers, leg warmer, arm warmers. 418 00:23:52,400 --> 00:23:55,040 Speaker 1: Now you have to dress like me. And she's like, 419 00:23:55,080 --> 00:23:58,520 Speaker 1: what's that? And Rachel's like sexy schoolgirl, library and chic, 420 00:23:58,920 --> 00:24:03,119 Speaker 1: And this is where I think that's all res. You 421 00:24:03,160 --> 00:24:04,679 Speaker 1: better get a move on a cake. These kids are 422 00:24:04,680 --> 00:24:10,199 Speaker 1: as close as it's expre I'm sharp. Yeah, So Brittany 423 00:24:10,240 --> 00:24:12,719 Speaker 1: shows up in an animal sweater and plaid skirt, and 424 00:24:12,800 --> 00:24:16,159 Speaker 1: so everybody wears an animal sweater and a plaid skirt. 425 00:24:17,680 --> 00:24:20,800 Speaker 1: And then Tina and Quinn and Santana show up in 426 00:24:20,840 --> 00:24:23,000 Speaker 1: these outfits and I honestly was like, so happy to 427 00:24:23,000 --> 00:24:23,800 Speaker 1: wear regular clothes. 428 00:24:24,200 --> 00:24:27,960 Speaker 3: Yeah, they look so comfortable, looked great too. 429 00:24:28,119 --> 00:24:31,600 Speaker 1: Everybody looked really funny and great. And and then she's like, 430 00:24:31,920 --> 00:24:33,639 Speaker 1: but who wears a ranger on their sweat? 431 00:24:33,880 --> 00:24:36,400 Speaker 2: Yeah? These are carousel horses. 432 00:24:38,280 --> 00:24:39,119 Speaker 1: It's very funny. 433 00:24:39,480 --> 00:24:41,400 Speaker 3: You are very funny. I like your little thing with Mike. 434 00:24:42,320 --> 00:24:43,280 Speaker 1: What did I do? And Mike? 435 00:24:43,480 --> 00:24:45,520 Speaker 3: You were making out and you were playing angry birds. 436 00:24:45,840 --> 00:24:47,440 Speaker 3: You want to see my ab you want? 437 00:24:48,040 --> 00:24:48,360 Speaker 5: You want? 438 00:24:48,960 --> 00:24:49,719 Speaker 2: I love her. 439 00:24:49,760 --> 00:24:53,280 Speaker 3: Whole thing is trying to come back, and it's just 440 00:24:53,359 --> 00:24:55,520 Speaker 3: about what she's wearing. And it turns into Brittany very 441 00:24:55,560 --> 00:24:57,119 Speaker 3: quickly like, I'm sorry, but I have to go have 442 00:24:57,160 --> 00:24:57,960 Speaker 3: an interview with teen. 443 00:24:57,880 --> 00:25:03,159 Speaker 1: Vogue in Brittany becomes like a style icon and a. 444 00:25:03,160 --> 00:25:06,040 Speaker 3: Transcetter just for a moment, a brief moment. 445 00:25:06,400 --> 00:25:10,359 Speaker 1: Anyway, that whole debacle goes down, and I just I 446 00:25:10,440 --> 00:25:12,639 Speaker 1: remember just being so happy to wear those outfits, and 447 00:25:12,680 --> 00:25:16,840 Speaker 1: I always loved Rachel's wardrobe. So it's like, greats is 448 00:25:16,840 --> 00:25:17,520 Speaker 1: so cute. 449 00:25:17,760 --> 00:25:19,520 Speaker 3: Do you think Leah liked everyone dressing like her? 450 00:25:19,960 --> 00:25:28,120 Speaker 1: Yeah, for sure, definitely. This is funny though, and then 451 00:25:28,160 --> 00:25:32,119 Speaker 1: so and then along the lines of the comeback, Rachel 452 00:25:32,400 --> 00:25:34,919 Speaker 1: is the only one who speaks up because she thinks 453 00:25:35,040 --> 00:25:39,679 Speaker 1: that the anthem theme for Regionals, she doesn't think that 454 00:25:39,720 --> 00:25:45,800 Speaker 1: sing is unique enough to set us apart, to set 455 00:25:45,880 --> 00:25:50,600 Speaker 1: us apart from the rest of the competition, and so 456 00:25:50,640 --> 00:25:53,560 Speaker 1: she suggests that we write some original music. They put 457 00:25:53,600 --> 00:25:55,959 Speaker 1: it to a vote. Obviously, we all vote for Chemical Romance, 458 00:25:56,000 --> 00:25:58,320 Speaker 1: and Rachel's out. But then Rachel and Finn have this 459 00:25:58,400 --> 00:26:03,440 Speaker 1: really nice scene where like, hey, I that's the Rachel 460 00:26:03,440 --> 00:26:04,919 Speaker 1: that I miss and that's the Rachel that I know 461 00:26:05,000 --> 00:26:07,960 Speaker 1: in love, and it's she maybe having a comeback, And 462 00:26:08,000 --> 00:26:11,640 Speaker 1: so Rachel gets her satisfaction there, but he thinks that 463 00:26:11,720 --> 00:26:14,040 Speaker 1: she should write the music and she's the only one 464 00:26:14,040 --> 00:26:16,040 Speaker 1: who's going to do it, which is true, like none 465 00:26:16,080 --> 00:26:17,040 Speaker 1: of us are going to do that. 466 00:26:17,119 --> 00:26:18,600 Speaker 3: No, it makes a lot of sense, and I like 467 00:26:18,680 --> 00:26:20,840 Speaker 3: that fantas. She's like, no, no, no, I'm not going 468 00:26:20,920 --> 00:26:21,280 Speaker 3: to do it. 469 00:26:21,440 --> 00:26:22,160 Speaker 2: You gotta do it. 470 00:26:22,320 --> 00:26:25,280 Speaker 1: No us And we have to talk about sing. 471 00:26:25,320 --> 00:26:28,679 Speaker 3: But what we came here to do was to therapize sing. 472 00:26:28,920 --> 00:26:32,760 Speaker 1: Well, okay, fun fact, Kevin, our producer, said sing was 473 00:26:32,800 --> 00:26:35,560 Speaker 1: off the album Danger Days, which was released in November 474 00:26:35,600 --> 00:26:36,320 Speaker 1: of twenty ten. 475 00:26:37,359 --> 00:26:42,359 Speaker 3: True, it wasn't a single until the February time we 476 00:26:42,359 --> 00:26:43,040 Speaker 3: were putting it out. 477 00:26:43,119 --> 00:26:47,800 Speaker 1: Yes, and it hit the charts, Yes after that. 478 00:26:48,320 --> 00:26:49,680 Speaker 2: Yes after correct. 479 00:26:50,600 --> 00:26:53,240 Speaker 1: I don't know why we were wearing those outfits. 480 00:26:53,640 --> 00:26:56,200 Speaker 3: I feel like it came out of nowhere in the episode, 481 00:26:56,359 --> 00:27:02,359 Speaker 3: how we were dressed and that song, And I wonder 482 00:27:02,400 --> 00:27:04,680 Speaker 3: if people watching it also felt like that, because it 483 00:27:04,720 --> 00:27:05,880 Speaker 3: felt like that to us a bit. 484 00:27:06,320 --> 00:27:11,480 Speaker 1: I feel like that you probably and look Sue Sylvester's 485 00:27:11,480 --> 00:27:14,560 Speaker 1: plaid tracks, You was the winner of that number. 486 00:27:14,760 --> 00:27:16,520 Speaker 2: Oh, obviously clearly. 487 00:27:16,880 --> 00:27:19,840 Speaker 3: I will say though, however, having those gigantic hats and 488 00:27:19,880 --> 00:27:22,960 Speaker 3: things so hard This was particularly one of those numbers 489 00:27:23,080 --> 00:27:26,480 Speaker 3: that we did not know the words, especially as it 490 00:27:26,520 --> 00:27:28,639 Speaker 3: gets towards the end and we just starts listing things. 491 00:27:29,119 --> 00:27:32,000 Speaker 3: If you go back and watch slowly, we knew about 492 00:27:32,000 --> 00:27:35,600 Speaker 3: two lines total, and we are just our mouths are 493 00:27:35,640 --> 00:27:40,480 Speaker 3: sort of open moving. Yeah. And there's one shot of 494 00:27:40,520 --> 00:27:42,120 Speaker 3: me where I'm like, that's the one line I knew. 495 00:27:42,680 --> 00:27:44,960 Speaker 3: Oh good, and like there's a part where it gets 496 00:27:45,000 --> 00:27:47,000 Speaker 3: to you, Jenna, and like you clearly did not know 497 00:27:47,080 --> 00:27:50,000 Speaker 3: the last two words of the line, but it happened 498 00:27:50,040 --> 00:27:50,560 Speaker 3: to everyone. 499 00:27:51,080 --> 00:27:51,359 Speaker 2: Yeah. 500 00:27:51,400 --> 00:27:54,840 Speaker 3: And I remember, particularly like sitting there being like, I'm 501 00:27:54,840 --> 00:27:57,919 Speaker 3: gonna have to really use this hat in my arms 502 00:27:58,280 --> 00:28:01,480 Speaker 3: and we're throwing our arms around because we we showed up. 503 00:28:02,080 --> 00:28:04,480 Speaker 1: We were dancing, we were singing and dancing this conviction 504 00:28:04,560 --> 00:28:05,679 Speaker 1: even though we didn't know the words. 505 00:28:05,840 --> 00:28:08,520 Speaker 3: Oh yeah, everyone was singing so hard and we're not 506 00:28:08,600 --> 00:28:12,359 Speaker 3: singing the correct things. Fully, I mean, we did it, 507 00:28:12,400 --> 00:28:15,399 Speaker 3: and none of us like felt any It's nothing against 508 00:28:15,400 --> 00:28:19,680 Speaker 3: the song. It like wasn't one of our like favorite songs. 509 00:28:19,720 --> 00:28:21,400 Speaker 3: And then we did it on tour, which also felt 510 00:28:21,440 --> 00:28:25,399 Speaker 3: weird because like we did it on tour and it 511 00:28:25,440 --> 00:28:27,680 Speaker 3: was also during the show. It felt like a lull 512 00:28:28,520 --> 00:28:32,040 Speaker 3: for the audience too. It's like nobody really knew what 513 00:28:32,080 --> 00:28:32,680 Speaker 3: we were doing. 514 00:28:33,840 --> 00:28:37,120 Speaker 1: It was really in the show. It's okay, yeah, oh man, 515 00:28:37,359 --> 00:28:41,479 Speaker 1: those plaid outfits. I don't know what the intention was 516 00:28:41,600 --> 00:28:44,040 Speaker 1: behind the outfits, but those hats, I just remember me 517 00:28:44,200 --> 00:28:47,080 Speaker 1: so damn hot, and then like thick socks and like 518 00:28:47,240 --> 00:28:50,640 Speaker 1: thick heels mountain boots, and I was like, I don't 519 00:28:50,800 --> 00:28:54,520 Speaker 1: know about this one. This is this feels strange in 520 00:28:54,520 --> 00:28:57,440 Speaker 1: my mind. I have these like denim outfits we were wearing, 521 00:28:57,480 --> 00:28:59,520 Speaker 1: and it's not what we were on tour either. I 522 00:28:59,520 --> 00:29:01,600 Speaker 1: don't know what number I'm thinking of. 523 00:29:01,720 --> 00:29:04,920 Speaker 3: There's another number coming up with where we wore down 524 00:29:04,960 --> 00:29:08,640 Speaker 3: them out they got I believe. So yeah, we did 525 00:29:08,680 --> 00:29:13,880 Speaker 3: it for god one of us white shirts. Oh yeah, no, 526 00:29:14,080 --> 00:29:15,720 Speaker 3: it's the one that's coming up. And I'm gonna be like, 527 00:29:15,920 --> 00:29:18,680 Speaker 3: let's refer back to this. Yes, well, I do want 528 00:29:18,680 --> 00:29:20,760 Speaker 3: to refer back to when I said after we did 529 00:29:21,120 --> 00:29:23,000 Speaker 3: dog Days, how that was filmed. I think this is 530 00:29:23,040 --> 00:29:26,360 Speaker 3: the next number that was filmed in style of inspired 531 00:29:26,400 --> 00:29:29,680 Speaker 3: by Dog Days. I thought Beaker did a great job. 532 00:29:29,720 --> 00:29:34,560 Speaker 3: I also there was at the shot of Rachel and 533 00:29:34,600 --> 00:29:36,400 Speaker 3: Mercedes going at it in the hallway and he was 534 00:29:36,440 --> 00:29:38,960 Speaker 3: circling and then it ends with Suit in the middle 535 00:29:38,960 --> 00:29:41,760 Speaker 3: of them and pushed into them. I thought was beautiful work, 536 00:29:41,840 --> 00:29:43,320 Speaker 3: and also they were hilarious together. 537 00:29:43,600 --> 00:29:45,800 Speaker 1: And then like the signature beaker shot is like right 538 00:29:45,840 --> 00:29:49,640 Speaker 1: into the camera. So one Finn chokes on the gumball 539 00:29:49,760 --> 00:29:52,480 Speaker 1: and Quinn pulls it out of his mouth. Yes, that 540 00:29:52,560 --> 00:29:55,080 Speaker 1: shot too. I was like, that's a beaker move. Biger 541 00:29:55,120 --> 00:29:58,320 Speaker 1: has these really cool camera moves because he's he knows, 542 00:29:58,640 --> 00:29:59,480 Speaker 1: he knows what's up. 543 00:29:59,800 --> 00:30:08,680 Speaker 5: Yeah, yeah, Hey guys, it's Joe Anserina hear from Bachelor 544 00:30:08,680 --> 00:30:12,280 Speaker 5: Happy Hour. We have a really exciting episode dropping on Wednesday. 545 00:30:12,360 --> 00:30:15,320 Speaker 5: We will be the one and only podcast talking to 546 00:30:15,400 --> 00:30:17,440 Speaker 5: the new Golden Bachelor, Gary. 547 00:30:18,040 --> 00:30:19,880 Speaker 6: I know you've seen the teasers for it, and you've 548 00:30:19,920 --> 00:30:22,800 Speaker 6: probably heard about the show for ages, but now it's 549 00:30:22,840 --> 00:30:25,480 Speaker 6: happening and the Golden Bachelor has been revealed. 550 00:30:25,720 --> 00:30:28,160 Speaker 5: We are talking to Gary about how he's getting ready 551 00:30:28,200 --> 00:30:30,520 Speaker 5: for his journey, what his friends and family think about 552 00:30:30,520 --> 00:30:33,440 Speaker 5: all this, and what he is most excited and nervous 553 00:30:33,480 --> 00:30:37,040 Speaker 5: about in taking on the role of the first Golden Bachelor. 554 00:30:37,480 --> 00:30:41,160 Speaker 6: Plus he is revealing exactly what kind of woman he's 555 00:30:41,200 --> 00:30:44,720 Speaker 6: hoping to meet, only to us in an exclusive interview 556 00:30:44,760 --> 00:30:45,959 Speaker 6: with Bachelor Happy Hours. 557 00:30:46,240 --> 00:30:48,760 Speaker 5: I mean, after talking to him, I personally I think 558 00:30:48,800 --> 00:30:50,360 Speaker 5: he's gonna fall in love with multiple women. 559 00:30:50,600 --> 00:30:51,080 Speaker 2: You think so? 560 00:30:51,360 --> 00:30:52,320 Speaker 5: Oh yeah, for sure. 561 00:30:52,520 --> 00:30:54,760 Speaker 6: I think Gary is such a star. I feel like 562 00:30:54,800 --> 00:30:56,720 Speaker 6: the women are going to be head over heels for him, 563 00:30:56,800 --> 00:30:58,360 Speaker 6: and the audience is going to love him as well. 564 00:30:58,480 --> 00:30:59,240 Speaker 1: I think it's a star. 565 00:30:59,320 --> 00:31:01,560 Speaker 5: I think he's a it's a man. But I just 566 00:31:01,640 --> 00:31:03,640 Speaker 5: don't think he knows what he's getting into. He's about 567 00:31:03,680 --> 00:31:06,360 Speaker 5: the date a multitude of women. 568 00:31:06,560 --> 00:31:08,600 Speaker 6: I mean, I think the experience will be amazing for 569 00:31:08,720 --> 00:31:11,760 Speaker 6: him and just as amazing for us to follow along. 570 00:31:11,880 --> 00:31:15,080 Speaker 5: Oh I agree, So Bachelor Nation, make sure to tune 571 00:31:15,080 --> 00:31:18,200 Speaker 5: in to Bachelor Happy Hour on Wednesday, just like Gary. 572 00:31:18,320 --> 00:31:20,080 Speaker 5: We promise it will be worth the. 573 00:31:20,080 --> 00:31:21,920 Speaker 6: Way, and don't forget to subscribe. 574 00:31:25,160 --> 00:31:27,360 Speaker 1: Should we do some tarty takes, let's do it? 575 00:31:27,480 --> 00:31:29,920 Speaker 2: Okay, cringe moments, Jenna. 576 00:31:30,160 --> 00:31:33,800 Speaker 1: I don't know that we joke about the suicide thing. 577 00:31:34,200 --> 00:31:35,880 Speaker 2: That was what I was gonna say. 578 00:31:36,320 --> 00:31:37,760 Speaker 1: I just I think that's a no. 579 00:31:37,760 --> 00:31:40,160 Speaker 2: No. I felt a little cash. 580 00:31:39,680 --> 00:31:44,600 Speaker 1: Yeah hard no for me, not a joke. A little cash, 581 00:31:44,880 --> 00:31:48,680 Speaker 1: little cash? What about the best dance move, I said. 582 00:31:48,600 --> 00:31:51,600 Speaker 2: Cord and Baby. Yes, of course, the entire numbers. 583 00:31:51,480 --> 00:31:54,920 Speaker 1: Of the shoulder push move Gary's done. 584 00:31:55,200 --> 00:31:58,120 Speaker 3: There's also a moment where he's he's about to jump 585 00:31:58,120 --> 00:32:00,640 Speaker 3: on the piano, but clearly is there like a too early, 586 00:32:01,000 --> 00:32:03,960 Speaker 3: so he looks at it, he like pump fakes, and 587 00:32:04,000 --> 00:32:08,160 Speaker 3: then does it. 588 00:32:08,160 --> 00:32:08,960 Speaker 2: It's adorable. 589 00:32:09,320 --> 00:32:10,400 Speaker 1: Best song. 590 00:32:11,960 --> 00:32:14,240 Speaker 4: Selfishly, I want to say Somebody to Love. I mean, 591 00:32:14,240 --> 00:32:16,040 Speaker 4: I think that was That's a good one. 592 00:32:16,600 --> 00:32:18,480 Speaker 2: Take leave Me though it was also great. 593 00:32:18,880 --> 00:32:21,560 Speaker 1: Okay, I'll take take me meet you take Somebody to Love. 594 00:32:21,720 --> 00:32:22,280 Speaker 1: We'll call it. 595 00:32:22,240 --> 00:32:25,120 Speaker 3: Even selfishly, I'm mad that I didn't get to do 596 00:32:25,440 --> 00:32:27,920 Speaker 3: the ludicris verse on baby in the episode because I 597 00:32:27,960 --> 00:32:32,520 Speaker 3: recorded it. You did, yeah, which also sucks record because 598 00:32:32,720 --> 00:32:36,960 Speaker 3: I shouldn't get royalties on that song, okay to split 599 00:32:37,000 --> 00:32:39,840 Speaker 3: them with me, which sucks. 600 00:32:40,720 --> 00:32:45,760 Speaker 1: I mean, it's okay, I can't believe you recorded it. 601 00:32:46,480 --> 00:32:46,760 Speaker 2: Same. 602 00:32:47,200 --> 00:32:50,560 Speaker 3: Best performance by a prop the chalk or the baber hair, 603 00:32:51,160 --> 00:32:58,160 Speaker 3: the chock, the chalk, the chalk or the undies, Oh yeah, everybody, 604 00:32:58,440 --> 00:33:01,640 Speaker 3: the bodies, the body. I know bodies aren't a prop. 605 00:33:01,720 --> 00:33:04,959 Speaker 1: But there is an episode called Props where we're swinging 606 00:33:04,960 --> 00:33:08,400 Speaker 1: like props so you can't use it. Okay, great context, 607 00:33:10,680 --> 00:33:11,520 Speaker 1: best lines. 608 00:33:12,760 --> 00:33:15,680 Speaker 3: I like when Sue says I need that girl and 609 00:33:15,760 --> 00:33:18,760 Speaker 3: the cheer on my cheerios. I need to get that 610 00:33:18,800 --> 00:33:21,840 Speaker 3: girl on my cheerio about Sam. 611 00:33:21,640 --> 00:33:25,640 Speaker 1: Hollered when Mercedes says I got to get my cross trainers. 612 00:33:25,880 --> 00:33:27,880 Speaker 1: Know why because I'm going to be doing some runs. 613 00:33:28,000 --> 00:33:30,400 Speaker 3: That was tied for me that I loved that one. 614 00:33:32,120 --> 00:33:34,840 Speaker 3: And that was also glad because like it sounds like 615 00:33:34,880 --> 00:33:38,120 Speaker 3: an in line and he knows he's learned bit runs 616 00:33:38,120 --> 00:33:39,080 Speaker 3: are love it? 617 00:33:39,280 --> 00:33:45,440 Speaker 1: Yes, yes, it's very good performance. M VP cord chord 618 00:33:45,480 --> 00:33:47,680 Speaker 1: over street Man, chord over street wings. And then I 619 00:33:47,720 --> 00:33:51,920 Speaker 1: give I give an honorable mention Laurence. I sees Ashley 620 00:33:51,920 --> 00:33:54,080 Speaker 1: thing for her first sumbur in this episode. 621 00:33:54,480 --> 00:33:58,400 Speaker 3: Absolutely okay, Jenna, are you ready for ship we found 622 00:33:58,560 --> 00:34:03,440 Speaker 3: on TikTok Eddie ready so you know, regardless of how 623 00:34:03,440 --> 00:34:08,080 Speaker 3: you feel all the AI stuff. Some of my favorite 624 00:34:08,120 --> 00:34:11,200 Speaker 3: things on TikTok are the AI covers. Have you seen these? 625 00:34:11,480 --> 00:34:11,760 Speaker 1: No? 626 00:34:12,320 --> 00:34:17,759 Speaker 3: Alex Null posted one of Beyonce singing their song from 627 00:34:17,920 --> 00:34:21,800 Speaker 3: Shucked Where AI does it? They just have like Beyonce 628 00:34:22,320 --> 00:34:26,840 Speaker 3: using Alex's voice as a guide basically and they're incredible. Anyway, 629 00:34:27,200 --> 00:34:31,200 Speaker 3: this is Darren Chris and Chris Colefort singing hard Times 630 00:34:31,200 --> 00:34:31,840 Speaker 3: but paramore. 631 00:34:32,320 --> 00:34:33,400 Speaker 2: But it's AI. 632 00:34:34,080 --> 00:34:36,560 Speaker 3: So listen to it and it sounds like them. Wait 633 00:34:36,600 --> 00:34:38,760 Speaker 3: it's not them, though it sounds like Darren. 634 00:34:38,840 --> 00:34:43,439 Speaker 2: No, oh, it's Ai. You're gonna get TikTok and watch 635 00:34:43,440 --> 00:34:44,120 Speaker 2: the AI covers. 636 00:34:44,960 --> 00:34:47,120 Speaker 3: Oh, because I mean there's I've watched. 637 00:34:46,800 --> 00:34:47,160 Speaker 2: A lot of. 638 00:34:49,600 --> 00:34:52,759 Speaker 1: This is why we're sag is going on strike. This 639 00:34:52,840 --> 00:34:55,600 Speaker 1: is not acceptable. This is crazy. 640 00:34:56,640 --> 00:35:00,600 Speaker 3: It's so fun when it's just limited to this, like singers, 641 00:35:00,600 --> 00:35:01,879 Speaker 3: you like sing songs, but. 642 00:35:01,800 --> 00:35:03,239 Speaker 4: This is not what it's going to be limited to 643 00:35:03,320 --> 00:35:07,720 Speaker 4: in ten years, No, ten years about this is scary. 644 00:35:07,800 --> 00:35:10,600 Speaker 1: This is so scary. This is so scary. Yeah, okay, 645 00:35:10,920 --> 00:35:14,280 Speaker 1: well anyway, this is exciting and still really fun and cool. 646 00:35:14,360 --> 00:35:14,839 Speaker 2: It's great. 647 00:35:15,360 --> 00:35:17,839 Speaker 3: Glee Karaoke posted it on TikTok, so go over there 648 00:35:18,400 --> 00:35:22,520 Speaker 3: and look at it. It's pretty great. Especially sounds great. 649 00:35:22,880 --> 00:35:27,279 Speaker 3: I love how people are saying Kurt Humble night Shift. 650 00:35:30,480 --> 00:35:31,160 Speaker 1: Good stuff. 651 00:35:31,239 --> 00:35:34,359 Speaker 3: They need some Kurt Humble night Shift. Yeah, I would 652 00:35:34,440 --> 00:35:38,239 Speaker 3: like some more of these Glee AI covers. They're pretty great. 653 00:35:38,280 --> 00:35:43,680 Speaker 3: There's one of Corey really yes, so yeah, go to it. 654 00:35:43,640 --> 00:35:45,160 Speaker 2: And check it out. Listen to it. 655 00:35:45,239 --> 00:35:50,880 Speaker 1: Yeah, and thanks for joining us, you guys, that is come. 656 00:35:50,680 --> 00:35:53,640 Speaker 3: Back, Jenna, do you know what next week is? What's 657 00:35:53,760 --> 00:35:55,919 Speaker 3: next Week party? 658 00:35:56,160 --> 00:35:57,560 Speaker 1: Kevin's favorite of. 659 00:35:59,040 --> 00:36:01,920 Speaker 2: Yes, I've already watched it. I'm going to watch it again. 660 00:36:02,200 --> 00:36:04,600 Speaker 1: Oh my god, i haven't seen it in a very 661 00:36:04,600 --> 00:36:06,480 Speaker 1: long time, so I'm excited for this one. 662 00:36:06,680 --> 00:36:10,319 Speaker 3: I think you and I, Jenna, need to have a 663 00:36:10,360 --> 00:36:11,959 Speaker 3: cocktail while we do that. 664 00:36:11,880 --> 00:36:14,280 Speaker 1: One, obviously, Okay, we can watch it together. 665 00:36:14,400 --> 00:36:17,560 Speaker 3: Okay, great, Okay, get excited. Blame it on the alcohol. 666 00:36:17,719 --> 00:36:19,840 Speaker 3: Is next week. Thank you for joining us on and 667 00:36:19,880 --> 00:36:20,920 Speaker 3: That's what you Really missed. 668 00:36:21,200 --> 00:36:22,040 Speaker 1: See you next time. 669 00:36:22,840 --> 00:36:25,960 Speaker 3: Thanks for listening and follow us on Instagram at and 670 00:36:26,040 --> 00:36:28,279 Speaker 3: That's what you really miss pod. Make sure to write 671 00:36:28,360 --> 00:36:30,640 Speaker 3: us a review and leave us five stars. See you 672 00:36:30,640 --> 00:36:31,040 Speaker 3: next time.