WEBVTT - Weirdhouse Cinema: Eliminators

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<v Speaker 1>Welcome to Stuff to Blow Your Mind production of I

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<v Speaker 1>Heart Radio. Hey, welcome to Weird House Cinema. This is

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<v Speaker 1>Rob Lamb and this is Joe McCormick. And today we're

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<v Speaker 1>getting the team back together. Or I guess we're not

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<v Speaker 1>getting the team back together because they were never together before.

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<v Speaker 1>So we're getting the team together in the first place,

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<v Speaker 1>because Rob, is this our first example of a a

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<v Speaker 1>turbo team or dream team style movie of the of

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<v Speaker 1>the genre where you have a specialist of several different

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<v Speaker 1>kinds and they combine forces to go on a mission together.

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<v Speaker 1>It might be it's a It's one of these genres

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<v Speaker 1>that I think is easy to take for granted because

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<v Speaker 1>it's such a core aspect of the Marvel cinematic universe,

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<v Speaker 1>from the Avengers to Guardians of the Galaxy. It's also

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<v Speaker 1>a key part of our sort of role playing Dungeons

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<v Speaker 1>and Dragons sense of adventure. You have a diverse group

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<v Speaker 1>that's brought together. Everybody has their own skill set. Uh,

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<v Speaker 1>they come from different backgrounds, different species even, and you

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<v Speaker 1>know a lot of that's probably based on the sort

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<v Speaker 1>of blueprint provided by the Fellowship of the Ring. Ah. Yes,

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<v Speaker 1>so you have a warrior king and a wizard and

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<v Speaker 1>an elf archer and uh, well, I don't know. I

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<v Speaker 1>guess a lot of what the various parties in The

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<v Speaker 1>Fellowship do is is basically fight in one way or another.

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<v Speaker 1>But that's also true of some of these dream team

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<v Speaker 1>turbo team type movies. There are people who just fight

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<v Speaker 1>with different Uh I don't know, weapons or specialties. You'll

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<v Speaker 1>have like an explosives expert or somebody who has a sword.

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<v Speaker 1>Oh yeah, good heist movie, right well, or even more

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<v Speaker 1>to the point, a terrible heist movie will will inevitably

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<v Speaker 1>have this, uh this as part of the plot. You

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<v Speaker 1>gotta bring it, you gotta have your safe cracking dude,

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<v Speaker 1>you gotta have your heavy weapons dude for some reason,

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<v Speaker 1>and so forth. It's a proven formula. Why question it.

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<v Speaker 1>So what is the specific movie we're looking at to

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<v Speaker 1>a It is a nineteen eighty six film called Eliminators. Yeah,

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<v Speaker 1>we're going back to six with this one, a banner

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<v Speaker 1>year for genre films, and we're also going back to

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<v Speaker 1>the filmographies of Peter Manougian and producer Charles band. I

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<v Speaker 1>could be wrong, but I think Manougian is the first

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<v Speaker 1>director we've come back to for a second film on

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<v Speaker 1>Weirdout Cinema, though certainly we've covered multiple films produced by

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<v Speaker 1>such names as Charles Band, Roger Corman, et cetera. And

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<v Speaker 1>of course we've come back to different films featuring some

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<v Speaker 1>of the same actors. Oh yeah, Arena. Manugian did Arena

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<v Speaker 1>the the space alien boxing movie. I don't know what

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<v Speaker 1>you've yet monster m m A where it had like

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<v Speaker 1>a human fighter getting into punching matches with giant squid

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<v Speaker 1>and stuff. Uh, that was a fun one, and I'm

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<v Speaker 1>gonna I'm gonna go right ahead and say there is

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<v Speaker 1>no contest whatsoever. Arena was a better movie than Eliminators,

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<v Speaker 1>though you can see the connective stissue. You can see

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<v Speaker 1>some of this, some some more themes. You know, they're

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<v Speaker 1>both films feature cyborgs, and both films feature star trek actors. Uh,

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<v Speaker 1>so they have a lot in common. Now, for those

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<v Speaker 1>of you out there who are on the edge of

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<v Speaker 1>your seats wondering, I know, I know, I know, But

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<v Speaker 1>will there be boats in this movie? You can rest assured. Uh.

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<v Speaker 1>And and if you don't believe me, you can consult

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<v Speaker 1>one of the nine stills from the film included on

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<v Speaker 1>the back cover of the VHS box. Uh, there is

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<v Speaker 1>photographic guarantee there will be gratuitous watercraft in this movie.

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<v Speaker 1>That's right, Yeah, there there are a lot of boats

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<v Speaker 1>in this film. Oh so many boats. About fifteen minutes

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<v Speaker 1>in I started getting the feeling that this is going

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<v Speaker 1>to be one of those movies where the title actually

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<v Speaker 1>doesn't feature in the movie at all. And what do

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<v Speaker 1>you know, my fears were well founded. In fact, the

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<v Speaker 1>team of eliminators in this movie are never called eliminators

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<v Speaker 1>by anyone. They never refer to themselves as eliminators. None

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<v Speaker 1>of what they're doing could really all that easily be

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<v Speaker 1>described as eliminating. I guess they're sort of on a

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<v Speaker 1>mission against a guy. Maybe they're trying to eliminate his

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<v Speaker 1>evil doings. But overall, I would just say that the

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<v Speaker 1>title of this movie is a more or less random word,

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<v Speaker 1>and if you were to go by primary themes, a

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<v Speaker 1>more appropriate title for this film would have been either Mann,

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<v Speaker 1>droid or boats. Yes. Um, Now, if if you want

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<v Speaker 1>an elevator, pitch that that sells you on the elimination

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<v Speaker 1>aspect of this picture. Uh, really, the back of the

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<v Speaker 1>VHS box does it? Because this is what it says

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<v Speaker 1>in a hidden fortress concealed by impenetrable jungle dwells, dr

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<v Speaker 1>Abbott Reeves a brilliant but devious scientist who has the

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<v Speaker 1>power to create and the will to destroy. He must

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<v Speaker 1>be eliminated. There you go. And who is going to

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<v Speaker 1>do this eliminating? Well, it's obviously going to take a

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<v Speaker 1>team off eliminateurs, I guess so. Oh. And the the

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<v Speaker 1>poster or the front cover of the VHS tells you

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<v Speaker 1>exactly who's doing the eliminating, because it says there's a

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<v Speaker 1>period between all these words man, droid, mercenary, scientist, ninja,

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<v Speaker 1>each one a specialist. Together they are eliminators. Yes, I

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<v Speaker 1>have I have a framed copy of this poster. By

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<v Speaker 1>the way, it is a beautiful poster. And I remember

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<v Speaker 1>seeing the VHS box art and I remember thinking it

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<v Speaker 1>looked amazing like this. This encapsulates everything I wanted to see,

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<v Speaker 1>uh in the the eighties and nineties, you know, But

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<v Speaker 1>somehow I didn't which And I have no idea how

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<v Speaker 1>I avoided actually watching this movie renting in at some point.

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<v Speaker 1>Maybe maybe there was something about it. It seems slightly

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<v Speaker 1>too grown up for me as a child, like Oh

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<v Speaker 1>that looks cool, but I don't know, I dare not

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<v Speaker 1>though ultimately it's a pretty pretty harmless film for the

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<v Speaker 1>most part. Yeah, it is rated p g Uh would

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<v Speaker 1>you say that it has mature themes but not adult

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<v Speaker 1>themes or the other way around? Actually, I guess i'd

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<v Speaker 1>say it has neither. Well, I mean, there's a Erica

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<v Speaker 1>who steals a smooch um. There are a lot of

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<v Speaker 1>badly behaving characters. Yeah, has Also there's a lot of boats.

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<v Speaker 1>I don't know, ready to b for boat, I guess.

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<v Speaker 1>But yeah, but this poster is brilliant because mainly, yeah,

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<v Speaker 1>there's some people in the background with some guns and

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<v Speaker 1>some knives. There's a tiny floating robot that you can

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<v Speaker 1>barely see, but mainly the man droid center stage. It's

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<v Speaker 1>this brilliant, just glistening uh, you know, clearly half human

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<v Speaker 1>half machine. And then also he's like a tank centaur,

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<v Speaker 1>like his lower half appears to just be like tank treads.

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<v Speaker 1>It's it's beautiful, beautiful to behold. I also like imagining

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<v Speaker 1>the design conversation that went into the back cover of

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<v Speaker 1>the VHS, because it's like, Okay, which of these stills

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<v Speaker 1>from the movie should we include over the synopsis and

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<v Speaker 1>the answer is all what all nine? All nine go

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<v Speaker 1>on their grid of nine? Well, they did choose to

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<v Speaker 1>go with the one they spent the most money on,

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<v Speaker 1>I guess in terms of effects and costuming. Now, if

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<v Speaker 1>if we were to give of a I guess a

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<v Speaker 1>more specific elevator pitch, I would say it goes as follows.

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<v Speaker 1>A roboticist, a robot, a cyborg, a martial artist, and

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<v Speaker 1>a low life river rat must join forces to take

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<v Speaker 1>on a time traveling mad scientists intent on conquering ancient

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<v Speaker 1>Rome with a suit of power armor and a death

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<v Speaker 1>ray with the help of a couple of tough guys

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<v Speaker 1>in a boat. Oh yeah, did we even mention that

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<v Speaker 1>this involves time travel yet? And it is? Uh? Oh boy,

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<v Speaker 1>this is quite a time travel if you want to.

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<v Speaker 1>If you want a time travel movie that makes transfers

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<v Speaker 1>to feel like primer, then The Eliminators is here for you.

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<v Speaker 1>The time travel is almost kind of an afterthought in it.

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<v Speaker 1>Like usually with the time travel movie, what your main

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<v Speaker 1>characters are doing is time travel, but instead the time

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<v Speaker 1>travel is just sort of a uh an intro and

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<v Speaker 1>an outro. Here, it's the beginning premise and then the

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<v Speaker 1>very code of the film. But the real travel that

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<v Speaker 1>goes on in this movie, at least the hero's point

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<v Speaker 1>of view is mostly is mostly by boat. It's basically

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<v Speaker 1>a higher speed Heart of Darkness with time travel. Well,

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<v Speaker 1>on that note, let's go ahead and have have the trailer.

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<v Speaker 1>Let's just go ahead and listen to the entire trailer

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<v Speaker 1>because the audio is pretty tremendous in this in a

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<v Speaker 1>hidden fortress concealed by impenetrable jungle dwells, dr Abbott Reeves

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<v Speaker 1>a brilliant but devious scientist with a power to create

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<v Speaker 1>help the mandroid from the cage Dakota any malfunctions. I

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<v Speaker 1>had some trouble with this. It feels like a delay

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<v Speaker 1>in the neurosenece trigger and the will to destroy memory.

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<v Speaker 1>Then just mentally it's half human. He must be eliminated.

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<v Speaker 1>Colonel Norah Hunter has the brains to mastermind the operation.

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<v Speaker 1>We need a full time mechanic. My friend Fontana the

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<v Speaker 1>river ran so there's in a movie one when he

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<v Speaker 1>finds himself in a tight spot, someone else has to

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<v Speaker 1>pick up the pieces. Fucci the Ninja. He has the

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<v Speaker 1>martial skills to destroy his enemies the mandroid, more machine

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<v Speaker 1>than man. His special powers will determine whether or not

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<v Speaker 1>they survived. We got robots, we got cave Man, we

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<v Speaker 1>got Kung Fu. What is this anyway? Some kind of

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<v Speaker 1>damn comic book. It is the most perilous journey any

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<v Speaker 1>one of them has undertaken, and once they reached their destination,

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<v Speaker 1>they face the most awesome power on earth. You don't understand.

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<v Speaker 1>Soon I shall rule the world. M It will take

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<v Speaker 1>all their combined skills to defeat him. Each one is

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<v Speaker 1>the ultimate specialist in his field. Together they are the eliminators.

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<v Speaker 1>I haven't checked out this trailer yet, but I got

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<v Speaker 1>to imagine it's pretty enticing because this is, like many

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<v Speaker 1>of the movies we talked about on the show, clearly

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<v Speaker 1>a marketing first, kind of kind of creative project. I

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<v Speaker 1>had the poster for this movie before I ever saw

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<v Speaker 1>the movie. In fact, that the poster was a gift

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<v Speaker 1>from a friend, but I understand why he gave it

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<v Speaker 1>to me. It is a it It encapsulates so much feeling.

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<v Speaker 1>It's got the feeling of these movies from that there.

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<v Speaker 1>It's not like a coherent genre, but it's like a

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<v Speaker 1>vibe of eighties movies. That includes other ones we've talked

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<v Speaker 1>about like metal Storm, The Destruction of Jared Sin. This

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<v Speaker 1>this isn't that kind of bucket and has those kind

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<v Speaker 1>of feelings coursing through its arteries. Well you know, it

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<v Speaker 1>is produced by by Charles Band. It is an Empire

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<v Speaker 1>International picture. And speaking of I'm now remembering, of course,

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<v Speaker 1>Charles Band was our first director that we came back

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<v Speaker 1>to for second helping. Uh because he did he did

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<v Speaker 1>both Transfers to and metal Storm, The Destruction of Jared Sin.

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<v Speaker 1>So my apologies to Sir Charles Band on that one.

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<v Speaker 1>But uh yeah, let's this is This is an Empire

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<v Speaker 1>International picture. It is a born out of Charles Band's Empire,

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<v Speaker 1>as was the director Peter manougi in Um. We talked

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<v Speaker 1>about Peter manouge In previously on the Arena episode uh

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<v Speaker 1>Born nine. He directed a segment in their second feature,

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<v Speaker 1>Empire International second feature, the anthology film The Dungeon Master.

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<v Speaker 1>That was his first directional credit, following work as an

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<v Speaker 1>assistant actor on a string of Band directed films, as

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<v Speaker 1>well as Galaxy of Terror, and he was a production

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<v Speaker 1>manager on several other films, including Humanoids from the Deep

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<v Speaker 1>and a lovely little thriller that they filmed on on

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<v Speaker 1>Tybee Island in Georgia, The Slayer. Are you joking with Lovely?

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<v Speaker 1>This one always looked gross. Um, it's mostly lovely. Like

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<v Speaker 1>it's it's a better film than you then you would

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<v Speaker 1>think that The Slayer, Um, the monster that is prominently

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<v Speaker 1>featured on some of the material barely shows up like

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<v Speaker 1>shows up right at the end. It's is mostly an

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<v Speaker 1>attempt to to do a kind of like psychological horror picture.

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<v Speaker 1>And I don't know if you have any connection to

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<v Speaker 1>Tybee Island, have you ever been there? Then maybe maybe

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<v Speaker 1>that that helps grease the wheels a little bit. Manougian

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<v Speaker 1>directed a string of Empire International pictures, uh including uh Arena,

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<v Speaker 1>which we already have covered on the show the eliminating

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<v Speaker 1>or eliminators rather not be eliminators that we're talking about here,

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<v Speaker 1>and then he would transfer into the full moon era

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<v Speaker 1>of the Charles Band Empire as well with Seed People.

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<v Speaker 1>Uh so, uh yeah, definitely definitely a Charles Band guy

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<v Speaker 1>at this Manugian and the same can can definitely be

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<v Speaker 1>said for the writers on this film. Danny Bilson born

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<v Speaker 1>nineteen fifty six and Paul DeMeo, who lived nineteen fifty

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<v Speaker 1>three through two thousand and eighteen. Uh. These two got

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<v Speaker 1>their start very mention the Charles band camp with such

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<v Speaker 1>pictures as Transfers. Um. Also they did eighty nine Arena

0:13:29.440 --> 0:13:31.920
<v Speaker 1>and the They later got into video game writing and

0:13:32.120 --> 0:13:36.480
<v Speaker 1>recently um they wrote the screenplay for twenties to five Bloods,

0:13:36.800 --> 0:13:40.440
<v Speaker 1>directed by Spike Lee, which was released after Demo's death.

0:13:40.720 --> 0:13:44.960
<v Speaker 1>Oh wow, that's really upward dark. Yeah yeah, so interesting

0:13:45.000 --> 0:13:47.680
<v Speaker 1>assent there. Uh. You know, you may start out doing

0:13:48.120 --> 0:13:51.439
<v Speaker 1>monsters and uh and cyborgs, but who knows, who knows

0:13:51.520 --> 0:13:54.280
<v Speaker 1>where your career will take you. So familiar cast of

0:13:54.679 --> 0:13:57.679
<v Speaker 1>of behind the scenes characters there. Let's get into the

0:13:57.760 --> 0:14:00.360
<v Speaker 1>actors on this baby, because this is it's a pretty

0:14:00.440 --> 0:14:03.439
<v Speaker 1>pretty fun group that they put together. Well, Rob, I

0:14:03.559 --> 0:14:05.199
<v Speaker 1>know this is not the order you had it in,

0:14:05.280 --> 0:14:07.559
<v Speaker 1>but I feel like there's we have an obligation to

0:14:07.640 --> 0:14:13.040
<v Speaker 1>begin with our man droid. Yes, before before I even

0:14:13.080 --> 0:14:14.800
<v Speaker 1>talk about who plays the man and right, I also

0:14:14.880 --> 0:14:17.240
<v Speaker 1>have to point out something that they kept bugging me

0:14:17.280 --> 0:14:18.840
<v Speaker 1>a little bit while watching it, as they call him

0:14:18.880 --> 0:14:23.600
<v Speaker 1>a mandroid, but android already means mandroid, Like that's the

0:14:23.720 --> 0:14:28.560
<v Speaker 1>man of man Uh, so it's kind of pointless to

0:14:28.680 --> 0:14:30.680
<v Speaker 1>change it to mandroid or if you were to change

0:14:30.720 --> 0:14:33.480
<v Speaker 1>it even more and make it human roid, I don't know. Well,

0:14:33.520 --> 0:14:36.680
<v Speaker 1>I mean, I think it's very confusing because so android

0:14:36.800 --> 0:14:38.600
<v Speaker 1>means in the form of a man. But I think

0:14:38.720 --> 0:14:42.440
<v Speaker 1>then I think because android was used in like science

0:14:42.480 --> 0:14:44.800
<v Speaker 1>fiction to refer to robots that are in the form

0:14:44.880 --> 0:14:47.560
<v Speaker 1>of a man, then it just got shortened to like

0:14:47.720 --> 0:14:51.400
<v Speaker 1>droids in Star Wars, and then people just started thinking

0:14:51.520 --> 0:14:54.800
<v Speaker 1>droid mint robot. But really it means like it's a

0:14:54.920 --> 0:14:57.880
<v Speaker 1>shortening of the word meaning form of a man. So

0:14:58.040 --> 0:15:00.320
<v Speaker 1>then you have to add man back on to it

0:15:00.880 --> 0:15:03.320
<v Speaker 1>in order to say, oh, but this this droid is

0:15:03.520 --> 0:15:07.720
<v Speaker 1>like a man. It's part man's that's a It's a

0:15:07.840 --> 0:15:11.680
<v Speaker 1>beautiful circular etymology. At any rate, our our man droid

0:15:11.760 --> 0:15:15.440
<v Speaker 1>in this picture is played well, I mean, he's mostly human.

0:15:15.760 --> 0:15:20.120
<v Speaker 1>The human part is played by Patrick Reynolds Born And

0:15:20.280 --> 0:15:22.640
<v Speaker 1>you know, you'd be forgiven for not being all that

0:15:22.800 --> 0:15:25.320
<v Speaker 1>up on the acting career of Patrick Reynolds. This is

0:15:25.360 --> 0:15:28.320
<v Speaker 1>probably his most prominent role, though he pops up in

0:15:28.520 --> 0:15:31.720
<v Speaker 1>mostly small roles and some uncredited roles on various films

0:15:31.760 --> 0:15:35.600
<v Speaker 1>and TV shows. Prior to this, including Robert Altman's Nashville

0:15:36.040 --> 0:15:40.480
<v Speaker 1>Hair Airplane, Pumping Iron, and Zanna Do Wait, who is

0:15:40.520 --> 0:15:43.840
<v Speaker 1>he in Pumping Iron? I think he's just himself uncredited.

0:15:44.240 --> 0:15:46.960
<v Speaker 1>I haven't seen Pumping Iron, but maybe he's standing in

0:15:47.000 --> 0:15:49.240
<v Speaker 1>the background in a gym or something like. That's the

0:15:49.280 --> 0:15:52.800
<v Speaker 1>sort of caliber of roles he often had, I think earlier,

0:15:53.600 --> 0:15:55.200
<v Speaker 1>or you know, for much of his career. He's just

0:15:55.280 --> 0:15:57.400
<v Speaker 1>kind of he's just kind of hanging out. I mean,

0:15:57.680 --> 0:15:59.880
<v Speaker 1>is he is he pumping? Is he like in the

0:16:00.320 --> 0:16:03.320
<v Speaker 1>the gym with Arnold Schwarzenegger feeling the pump? I mean,

0:16:03.400 --> 0:16:06.640
<v Speaker 1>maybe he's He doesn't seem like super beefy in this film,

0:16:06.680 --> 0:16:08.920
<v Speaker 1>but he seems pretty cut, like he seems like like

0:16:09.040 --> 0:16:13.600
<v Speaker 1>maybe he he frequented the gym's. So the interesting thing

0:16:13.680 --> 0:16:15.840
<v Speaker 1>here though about Patrick Reynolds is that he is the

0:16:15.920 --> 0:16:19.440
<v Speaker 1>grandson of R. J. Reynolds, who lived eighteen fifty through

0:16:19.520 --> 0:16:23.720
<v Speaker 1>nineteen nineteen, the founder of the R. J. Reynolds Tobacco Company. Now,

0:16:23.800 --> 0:16:26.560
<v Speaker 1>Patrick Reynolds was himself a smoker for many years, but

0:16:26.600 --> 0:16:29.360
<v Speaker 1>he quit in ninety five, and he became a prominent

0:16:29.440 --> 0:16:32.320
<v Speaker 1>anti smoking activists around the same time and founded the

0:16:32.360 --> 0:16:36.280
<v Speaker 1>Foundation for a Smoke Free America. Uh so it really

0:16:36.360 --> 0:16:40.000
<v Speaker 1>ultimately most notable as an anti smoking activist who was

0:16:40.040 --> 0:16:43.200
<v Speaker 1>also once a mandroid. Yeah, when I google him, he

0:16:43.280 --> 0:16:45.600
<v Speaker 1>comes up as an anti smoking guy, and then it's

0:16:45.600 --> 0:16:47.880
<v Speaker 1>got a little section of his Wikipedia page where it's

0:16:47.880 --> 0:16:49.880
<v Speaker 1>like he was also in some movies where he played

0:16:49.920 --> 0:16:54.560
<v Speaker 1>like a robot. Well, this is it, and you know

0:16:54.680 --> 0:16:58.040
<v Speaker 1>it's uh, it's it's been pretty influential. There's a movie

0:16:58.120 --> 0:17:00.120
<v Speaker 1>that I did see when it came out in an

0:17:00.200 --> 0:17:04.480
<v Speaker 1>eleven from Steven Kostanski. It's kind of a sci fi

0:17:04.760 --> 0:17:07.360
<v Speaker 1>sort of a comedy, kind of like a dry comedy.

0:17:07.880 --> 0:17:11.160
<v Speaker 1>It's called Manborg h And it has a character that's very,

0:17:11.480 --> 0:17:15.160
<v Speaker 1>you know, very clearly inspired by Mandroid. Well, throughout this movie,

0:17:15.200 --> 0:17:17.920
<v Speaker 1>I kept mixing up the words man, droid and man borg,

0:17:18.080 --> 0:17:20.320
<v Speaker 1>probably because of the existence of that movie, which I

0:17:20.359 --> 0:17:23.840
<v Speaker 1>don't think I've ever seen. But yeah, he's he's a borg,

0:17:24.040 --> 0:17:27.240
<v Speaker 1>he's a man, he's a droid, he's annoyed, he's all

0:17:27.280 --> 0:17:29.280
<v Speaker 1>of the above. All Right, who do you want next,

0:17:29.400 --> 0:17:32.240
<v Speaker 1>Joe Pick pick a member of our adventuring crew. Well,

0:17:32.320 --> 0:17:33.800
<v Speaker 1>I feel like after that we got to pick our

0:17:33.840 --> 0:17:36.440
<v Speaker 1>other main hero which has got to be Denise Crosby

0:17:36.600 --> 0:17:42.280
<v Speaker 1>playing Colonel Norah Hunter. Right. Yes, Denise Crosby born ninety seven,

0:17:42.720 --> 0:17:45.840
<v Speaker 1>best known to Trek fans as Tasha Yare on the

0:17:45.920 --> 0:17:48.800
<v Speaker 1>first season of Star Trek the Next Generation. I think

0:17:48.840 --> 0:17:52.640
<v Speaker 1>she gets killed by a like sentient puddle of mud. Yeah,

0:17:52.760 --> 0:17:55.840
<v Speaker 1>some sort of black ooze. Right. Uh so she she

0:17:55.960 --> 0:17:58.440
<v Speaker 1>ends up dying, but then she ends up coming back

0:17:58.560 --> 0:18:01.680
<v Speaker 1>playing a character named Celia I think or Sella. I

0:18:01.720 --> 0:18:04.880
<v Speaker 1>don't remember this character, but this is um This would

0:18:04.880 --> 0:18:10.160
<v Speaker 1>be Tasha Yar's half Romulan daughter, possibly from an alternate timeline.

0:18:10.160 --> 0:18:13.160
<v Speaker 1>I'm not not certain on that she also plays the mother,

0:18:13.320 --> 0:18:17.880
<v Speaker 1>though in the original movie version of Pet Cemetery she does. Yes,

0:18:18.440 --> 0:18:20.920
<v Speaker 1>I also have to This is an admission I have

0:18:21.000 --> 0:18:24.240
<v Speaker 1>to make. I've been working much of my life under

0:18:24.280 --> 0:18:27.600
<v Speaker 1>the assumption that she was rock legend David Crosby's daughter,

0:18:28.200 --> 0:18:31.120
<v Speaker 1>but she is not. She's not related to David Crosby

0:18:31.240 --> 0:18:34.440
<v Speaker 1>at all. Her father was Dennis Crosby, son of Croon

0:18:34.560 --> 0:18:38.560
<v Speaker 1>or Bing Crosby. So, uh you know, so somehow I

0:18:38.680 --> 0:18:41.959
<v Speaker 1>kind of switched that around. I'm like, okay, famous music family. Uh,

0:18:42.080 --> 0:18:44.399
<v Speaker 1>let's let's switch it over to David Crosby instead, and

0:18:44.480 --> 0:18:45.919
<v Speaker 1>like to the point where I would look at her

0:18:45.920 --> 0:18:47.879
<v Speaker 1>and I would be like, yeah, you can see the resemblance.

0:18:47.880 --> 0:18:49.920
<v Speaker 1>You can see the David Crosby a little bit. Just

0:18:50.040 --> 0:18:54.120
<v Speaker 1>imagine her doing a duet with the son of Steven Stills. Yeah.

0:18:55.040 --> 0:18:59.200
<v Speaker 1>But hey, already famous families are coming together to make eliminators.

0:18:59.320 --> 0:19:03.200
<v Speaker 1>I like it. Um. Now it's worth pointing out that

0:19:03.920 --> 0:19:05.680
<v Speaker 1>Denise Crosby here has been in a lot of TV,

0:19:06.320 --> 0:19:10.000
<v Speaker 1>including the likes of Madmen, Red Shoe Diaries, The X Files.

0:19:10.040 --> 0:19:13.439
<v Speaker 1>Do you remember her on X Files? Huh? I did

0:19:13.520 --> 0:19:16.440
<v Speaker 1>watch X Files. I don't remember what she was on their. Well,

0:19:16.640 --> 0:19:20.840
<v Speaker 1>she showed up, she was on she was on The Magicians,

0:19:21.160 --> 0:19:24.000
<v Speaker 1>and she's still active today. Um. In this she plays

0:19:24.000 --> 0:19:28.240
<v Speaker 1>a very serious and attractive cyborg scientist. Um. And you know,

0:19:28.320 --> 0:19:30.040
<v Speaker 1>it's kind of a I feel like it's also kind

0:19:30.080 --> 0:19:33.880
<v Speaker 1>of a genre deluded version of Kathleen Turner's Joan Wilder

0:19:34.080 --> 0:19:36.919
<v Speaker 1>character in Romancing the Stone. But you know, she does

0:19:36.920 --> 0:19:38.680
<v Speaker 1>a good job with what she's given here. Well. I

0:19:38.800 --> 0:19:42.000
<v Speaker 1>like about her character that she has random expertise in

0:19:42.200 --> 0:19:46.760
<v Speaker 1>like everything. So she is she's a colonel, but she's

0:19:46.800 --> 0:19:50.879
<v Speaker 1>also a scientist and a roboticist who invince robots that

0:19:50.960 --> 0:19:53.680
<v Speaker 1>go to other planets. But then at other points in

0:19:53.720 --> 0:19:55.959
<v Speaker 1>the movie we also find out that she's an expert

0:19:56.040 --> 0:20:00.199
<v Speaker 1>in boat repair, Roman history because she like can can

0:20:00.320 --> 0:20:04.239
<v Speaker 1>read site read Latin and oh and when and then uh,

0:20:04.680 --> 0:20:06.680
<v Speaker 1>well spoiler, we're gonna have to talk about this later.

0:20:06.920 --> 0:20:09.840
<v Speaker 1>There there happened to be some Neanderthals who time travel

0:20:09.960 --> 0:20:12.480
<v Speaker 1>in this movie, and when she sees them, she's just like,

0:20:12.600 --> 0:20:15.760
<v Speaker 1>they look like Neanderthals, And I'm like, how would anyone

0:20:15.840 --> 0:20:18.719
<v Speaker 1>today know that? But this is a scientist syndrome from

0:20:18.760 --> 0:20:20.480
<v Speaker 1>one of these eighties action movies. You just have a

0:20:20.560 --> 0:20:24.240
<v Speaker 1>scientist and they don't just have expertise in their subject

0:20:24.280 --> 0:20:27.639
<v Speaker 1>area because they're a scientist. They're just general purpose smart

0:20:27.800 --> 0:20:30.720
<v Speaker 1>person and they know everything. Well. It's very Dungeons and

0:20:30.800 --> 0:20:33.280
<v Speaker 1>Dragons in that respect, right, it's just do an intelligence

0:20:33.359 --> 0:20:37.480
<v Speaker 1>check and then she nails it, natural love it, or

0:20:37.560 --> 0:20:40.720
<v Speaker 1>maybe it's just indicative of I don't know, whatever educational

0:20:40.760 --> 0:20:43.880
<v Speaker 1>path she was on and gave more well rounded education.

0:20:44.000 --> 0:20:46.440
<v Speaker 1>You know, you don't just get your subject area, you

0:20:46.600 --> 0:20:48.560
<v Speaker 1>also get a little bit of everything. You get. You

0:20:48.600 --> 0:20:51.240
<v Speaker 1>get the humanities you you can site read Latin. You

0:20:51.359 --> 0:21:03.600
<v Speaker 1>know what a neandertal looks like. For some reason, All right,

0:21:03.640 --> 0:21:05.399
<v Speaker 1>who do you want next? You want our rogue or

0:21:05.440 --> 0:21:08.200
<v Speaker 1>do you want our warrior class? Oh? God, well, which

0:21:08.280 --> 0:21:10.120
<v Speaker 1>is which? No? I know which is which? At least

0:21:10.160 --> 0:21:12.040
<v Speaker 1>from a moral point of view, we gotta go rogue

0:21:12.200 --> 0:21:15.320
<v Speaker 1>because I think we're going in recruiting order, right, So

0:21:15.480 --> 0:21:18.400
<v Speaker 1>we start with man droid, and then we go to scientists.

0:21:18.560 --> 0:21:21.760
<v Speaker 1>That's Dennise Crosby, Colonel Nora Hunter, and then we go

0:21:21.920 --> 0:21:23.960
<v Speaker 1>to rogue. But in this case it's a it's a

0:21:24.040 --> 0:21:27.159
<v Speaker 1>special breed of rogue. It's a water rogue, that's right.

0:21:27.280 --> 0:21:32.920
<v Speaker 1>The character Harry Fontana, played by Andrew Prine born six

0:21:33.440 --> 0:21:36.760
<v Speaker 1>Prian is an American actor who was it seemed to

0:21:36.800 --> 0:21:41.200
<v Speaker 1>have been active from nineteen so pretty long career. There

0:21:41.680 --> 0:21:44.159
<v Speaker 1>a lot of work TV work in the sixties, a

0:21:44.200 --> 0:21:47.399
<v Speaker 1>lot of Westerns naturally, and in nineteen seventy one he

0:21:47.520 --> 0:21:51.000
<v Speaker 1>started in as the title character in Simon King of

0:21:51.040 --> 0:21:55.000
<v Speaker 1>the Witches, a movie about hippies and warlocks that was

0:21:55.359 --> 0:21:59.840
<v Speaker 1>kind of deceptively promoted at the time as a satanic shocker.

0:22:00.160 --> 0:22:02.720
<v Speaker 1>In the wake of the Manson murders. Yeah, I've never

0:22:02.800 --> 0:22:05.040
<v Speaker 1>seen that one. Yeah, it's it's said to be a

0:22:05.160 --> 0:22:08.399
<v Speaker 1>far tamer film than the marketing would have had people believe.

0:22:08.520 --> 0:22:11.520
<v Speaker 1>But it's still weird, still has a following, and I'm

0:22:11.600 --> 0:22:13.639
<v Speaker 1>to believe it's one of the reasons that Rob Zombie

0:22:14.040 --> 0:22:17.240
<v Speaker 1>cast him in The Lords of Salem in twelve. You know,

0:22:17.320 --> 0:22:19.680
<v Speaker 1>he brought in a lotta movie, Yeah, a lot of

0:22:19.880 --> 0:22:21.680
<v Speaker 1>brought a lot of people in from which movies and

0:22:21.880 --> 0:22:24.920
<v Speaker 1>uh uh put together quite a cast. Now, the rest

0:22:24.960 --> 0:22:27.240
<v Speaker 1>of Primes filmography is kind of all over the place.

0:22:27.320 --> 0:22:30.800
<v Speaker 1>He he pops up in Gettysburg in nineteen sixty two,

0:22:30.880 --> 0:22:34.800
<v Speaker 1>is the miracle worker. You know, both mainstream, largely well

0:22:34.880 --> 0:22:37.879
<v Speaker 1>regarded films of their time. But he was also in

0:22:38.000 --> 0:22:40.640
<v Speaker 1>Charles B. Pierce's nineteen seventy six slash of the Town

0:22:40.680 --> 0:22:43.639
<v Speaker 1>That Dreaded Sundown, as well as the nineteen seventy three

0:22:43.720 --> 0:22:46.320
<v Speaker 1>Spanish horror film Hannah, Queen of the Vampires a k.

0:22:46.760 --> 0:22:49.160
<v Speaker 1>Crypt of the Living Dead. Now, The Town That Dreaded

0:22:49.200 --> 0:22:52.000
<v Speaker 1>Sundown in case that went by anybody out there, That

0:22:52.119 --> 0:22:54.560
<v Speaker 1>was by the same writer and director as the Boggy

0:22:54.680 --> 0:22:57.440
<v Speaker 1>Creek movies, one of which we've covered on the show

0:22:57.520 --> 0:23:00.359
<v Speaker 1>before I've seen it. I'm not a fan of the

0:23:00.400 --> 0:23:02.800
<v Speaker 1>Town That Drifted Sundown. I think it's kind of a bummer.

0:23:03.240 --> 0:23:08.120
<v Speaker 1>M well. He. He also appeared in Alan Rudolph's film

0:23:08.240 --> 0:23:12.320
<v Speaker 1>Terror Circus, a k A. Nightmare Circus. I haven't seen that,

0:23:12.520 --> 0:23:15.800
<v Speaker 1>but um, Alan Rudolph can be a very interesting filmmaker,

0:23:15.880 --> 0:23:18.000
<v Speaker 1>so maybe I should give it a shot. Mm hmm.

0:23:18.640 --> 0:23:20.600
<v Speaker 1>Now Prime continued to be in what can only be

0:23:20.680 --> 0:23:23.840
<v Speaker 1>described as all sorts of TV uh. He pops up

0:23:23.880 --> 0:23:28.000
<v Speaker 1>in six Ft Under Weird Science, the TV series Baywatch Nights,

0:23:28.520 --> 0:23:32.200
<v Speaker 1>Doud Star Trek, Deep Space nine, the Next Generation Mattlock Murder.

0:23:32.280 --> 0:23:35.800
<v Speaker 1>She wrote Freddie's Nightmares, plus much much more. In this film,

0:23:35.920 --> 0:23:39.879
<v Speaker 1>he plays low life river rat Harry Fontana, a character

0:23:40.240 --> 0:23:42.200
<v Speaker 1>who seems to me to be very much in the

0:23:42.760 --> 0:23:46.920
<v Speaker 1>in the post Romancing the Stone trope of a cantankerous rogue,

0:23:47.320 --> 0:23:51.240
<v Speaker 1>much like Michael Douglas's character Colton in that film which

0:23:51.280 --> 0:23:54.480
<v Speaker 1>came out earlier, and it seems like we see this

0:23:54.560 --> 0:23:56.879
<v Speaker 1>in a number of films post Romancing with Stone. Romancing

0:23:56.920 --> 0:23:58.880
<v Speaker 1>with Stone was supposed to be a bomb and ended

0:23:58.920 --> 0:24:01.320
<v Speaker 1>up being a huge hit, so you know, everybody was

0:24:01.359 --> 0:24:02.639
<v Speaker 1>going to get in on that a little bit and

0:24:02.720 --> 0:24:05.639
<v Speaker 1>get some sort of a sweaty uh you know, kind

0:24:05.680 --> 0:24:09.119
<v Speaker 1>of greasy um rogue character to pilot a boat and

0:24:09.240 --> 0:24:11.160
<v Speaker 1>have a woman fall in love with him. I think

0:24:11.200 --> 0:24:13.200
<v Speaker 1>you see it here. You also seem to see some

0:24:13.400 --> 0:24:16.320
<v Speaker 1>version of it and Cannibal Women in the Avocata Jungle

0:24:16.359 --> 0:24:19.639
<v Speaker 1>of Death, starring Bill Maherr as the sort of rogue

0:24:19.680 --> 0:24:22.480
<v Speaker 1>e boat captain. It would seem to me that a

0:24:22.560 --> 0:24:25.200
<v Speaker 1>lot of this has got to draw from the Indiana

0:24:25.320 --> 0:24:29.000
<v Speaker 1>Jones tradition, but just not quite managing to nail the

0:24:29.080 --> 0:24:32.720
<v Speaker 1>lovable nous of Indiana Jones. Right. Yeah, if you can't

0:24:32.760 --> 0:24:35.920
<v Speaker 1>get the chemistry quite right for your Indiana Jones character,

0:24:35.960 --> 0:24:38.359
<v Speaker 1>you end up with that with the Michael Douglas character.

0:24:38.640 --> 0:24:40.359
<v Speaker 1>And if you're and then if you're aiming for that,

0:24:40.480 --> 0:24:42.639
<v Speaker 1>you can't quite It's kind of like a game of telephone,

0:24:43.080 --> 0:24:44.960
<v Speaker 1>where by the end of it, what do you have?

0:24:45.359 --> 0:24:51.560
<v Speaker 1>You have? You have Andrew Prin playing this um It's likable,

0:24:51.720 --> 0:24:55.240
<v Speaker 1>but not nearly as charismatic character, but but still a

0:24:55.320 --> 0:24:57.080
<v Speaker 1>lot of fun. Like this is a performance that has

0:24:57.080 --> 0:25:00.920
<v Speaker 1>a lot of roguish energy and it's I I constantly

0:25:01.000 --> 0:25:03.879
<v Speaker 1>enjoyed watching to see what Prian was going to do

0:25:03.960 --> 0:25:06.760
<v Speaker 1>with his face next, Like what kind of weird um

0:25:07.320 --> 0:25:08.800
<v Speaker 1>uh cell he was going to give on things? He

0:25:08.840 --> 0:25:11.240
<v Speaker 1>also had kind of ah for some reason, I was

0:25:11.320 --> 0:25:13.959
<v Speaker 1>thinking he had kind of John Karradine vibe to. It's

0:25:14.000 --> 0:25:17.840
<v Speaker 1>something about his sort of lankiness. Oh yeah, okay, I

0:25:18.000 --> 0:25:21.920
<v Speaker 1>was thinking a much less creepy James Woods. Yes, yeah,

0:25:22.040 --> 0:25:24.720
<v Speaker 1>I think that's that's spot on as well. All right.

0:25:24.800 --> 0:25:28.879
<v Speaker 1>That leads us to the final member of this party,

0:25:29.200 --> 0:25:31.800
<v Speaker 1>not counting the robot that flies around. We'll discuss that

0:25:31.800 --> 0:25:35.200
<v Speaker 1>in a bit, But we have the character Cougie, played

0:25:35.280 --> 0:25:38.440
<v Speaker 1>by Conan Lee, who also served as fight choreographer on

0:25:38.480 --> 0:25:41.080
<v Speaker 1>the picture. He was born in nineteen fifty nine Chinese

0:25:41.080 --> 0:25:44.560
<v Speaker 1>American action movie actor and stuntman. Um He was born

0:25:44.840 --> 0:25:47.720
<v Speaker 1>born in China, but uh you know, grew up in

0:25:47.760 --> 0:25:51.159
<v Speaker 1>New York if I'm remembering correctly. The same year as

0:25:51.200 --> 0:25:53.240
<v Speaker 1>this picture, eight six, he appeared as a Change Sing

0:25:53.560 --> 0:25:56.560
<v Speaker 1>gang member in Big Trouble and Little China Chang Sing.

0:25:56.600 --> 0:25:58.639
<v Speaker 1>Those are those are the good guys, right, They're the

0:25:58.680 --> 0:26:03.000
<v Speaker 1>guys who Victor Wong recruits. Yes, Now, Conin Lee also

0:26:03.080 --> 0:26:07.000
<v Speaker 1>had roles in jim Kata uh Ninja in The Dragon's

0:26:07.080 --> 0:26:09.800
<v Speaker 1>Den that would. In that one he appeared alongside hiro

0:26:09.920 --> 0:26:12.760
<v Speaker 1>Yoki Sonata would not to of course, become a major

0:26:13.040 --> 0:26:16.040
<v Speaker 1>not only Japanese film star, ban international film star. He's

0:26:16.040 --> 0:26:19.399
<v Speaker 1>also done some voice work and some directing and writing. Um.

0:26:19.840 --> 0:26:22.920
<v Speaker 1>He also appears in the Fred Ollen Ray movie from

0:26:23.000 --> 0:26:28.439
<v Speaker 1>nine six Armed Response that starred David Carradine Lee Van Cliff, Mako,

0:26:29.040 --> 0:26:32.159
<v Speaker 1>Ross Hagen, Dick Miller, and Michael Berryman. So quite a

0:26:32.280 --> 0:26:35.880
<v Speaker 1>cast there, that's a that's a full on captain's platterer. Yes,

0:26:36.160 --> 0:26:39.200
<v Speaker 1>you're getting the sampler, all deep pride alright. A couple

0:26:39.240 --> 0:26:41.080
<v Speaker 1>of bit players of note that will this will become

0:26:41.119 --> 0:26:43.560
<v Speaker 1>more important important in a bit. But we have the

0:26:43.760 --> 0:26:48.280
<v Speaker 1>the actor Peter Schrum playing Ray, who is the primary

0:26:48.320 --> 0:26:52.720
<v Speaker 1>henchman in this picture. Essentially, Um, what would what would

0:26:52.760 --> 0:26:56.320
<v Speaker 1>you say? Uh? Because he's the Darth Vader of this movie.

0:26:56.359 --> 0:26:59.040
<v Speaker 1>I'm not sure. Not the Darth Vader he would be. Um,

0:26:59.680 --> 0:27:03.360
<v Speaker 1>he's the m hmm, what would you say? He's sort

0:27:03.359 --> 0:27:06.719
<v Speaker 1>of the Clarence Bodicker of this movie. I mean, except

0:27:06.840 --> 0:27:10.560
<v Speaker 1>he's like this, this large beefy guy with the big

0:27:10.640 --> 0:27:14.520
<v Speaker 1>red Beard who wears a vest and he he's kind

0:27:14.560 --> 0:27:18.359
<v Speaker 1>of bumbling but murderous at the same time. And uh,

0:27:18.480 --> 0:27:22.000
<v Speaker 1>and the main the main bad guy does force lightning

0:27:22.119 --> 0:27:28.679
<v Speaker 1>to his crotch. Yes, he played Santa Claus in Transfers. Uh.

0:27:28.960 --> 0:27:30.600
<v Speaker 1>I don't think it was the real Santa Claus, just

0:27:30.720 --> 0:27:34.720
<v Speaker 1>a Santa Claus. And he also played Lloyd in Terminator too.

0:27:34.760 --> 0:27:37.560
<v Speaker 1>Now if you don't remember Lloyd, Lloyd is the character

0:27:37.600 --> 0:27:40.159
<v Speaker 1>who pulls a shotgun on the eight hundred, and the

0:27:40.320 --> 0:27:43.800
<v Speaker 1>eight hundred steals a shotgun, right so, Arnold Schwarzenegger spends

0:27:43.880 --> 0:27:48.000
<v Speaker 1>the rest of Terminator to wearing Peter Shrum's sunglasses and

0:27:48.200 --> 0:27:50.879
<v Speaker 1>carrying his shotgun who wore at best? I don't know,

0:27:51.000 --> 0:27:53.960
<v Speaker 1>Some say Lloyd I don't know, but but but who

0:27:54.000 --> 0:27:56.440
<v Speaker 1>who does he work for? In this movie? Ray the

0:27:56.520 --> 0:28:01.159
<v Speaker 1>Henchman works for the big bad of eliminates abbott Reeves

0:28:01.320 --> 0:28:05.120
<v Speaker 1>played by really Detrice. Oh yes, how can I skip?

0:28:05.240 --> 0:28:07.960
<v Speaker 1>Roy to Trice? Um? Yeah, Roy to Trice is great

0:28:08.000 --> 0:28:12.520
<v Speaker 1>in this Uh. He lived through twenty seventeen. Quite a

0:28:12.600 --> 0:28:16.880
<v Speaker 1>legendary voice. Game of Thrones audio book fans will recognize

0:28:16.960 --> 0:28:19.760
<v Speaker 1>him as their beloved narrator and the I think he

0:28:19.880 --> 0:28:22.399
<v Speaker 1>had like a Guinness Book of World Records record for

0:28:22.480 --> 0:28:26.480
<v Speaker 1>like the number of characters voiced distinctive voices in a

0:28:26.640 --> 0:28:30.560
<v Speaker 1>given audiobook performance. Oh that's interesting. Yeah, I have listened

0:28:30.600 --> 0:28:32.639
<v Speaker 1>to some of those audio books, by the way, and

0:28:32.720 --> 0:28:36.080
<v Speaker 1>he does a good job, though occasionally. I don't know

0:28:36.119 --> 0:28:38.600
<v Speaker 1>if this has been corrected in subsequent editions or anything,

0:28:38.680 --> 0:28:41.160
<v Speaker 1>but in the ones I listened to, some errors got through.

0:28:41.640 --> 0:28:43.440
<v Speaker 1>I remember there was at least there were at least

0:28:43.440 --> 0:28:45.760
<v Speaker 1>a couple of points where he referred to Geoffrey as

0:28:45.840 --> 0:28:51.600
<v Speaker 1>Jeffrey and it was just in there. Now. His George R.

0:28:51.760 --> 0:28:55.360
<v Speaker 1>Martin connections seemed to go back to Beauty and the Beast,

0:28:55.440 --> 0:28:57.520
<v Speaker 1>the TV series This is the one with Ron Pearlman

0:28:58.480 --> 0:29:02.040
<v Speaker 1>in it on that played the character Jacob father Wells,

0:29:02.120 --> 0:29:04.080
<v Speaker 1>and I think at one point he even wrote an

0:29:04.080 --> 0:29:06.600
<v Speaker 1>episode of the show, so he must have he must

0:29:06.600 --> 0:29:09.960
<v Speaker 1>have gotten gotten along quite well with George R. Martin.

0:29:10.440 --> 0:29:14.680
<v Speaker 1>His last role was playing the Pyromancer character on the

0:29:14.760 --> 0:29:19.080
<v Speaker 1>Game of Thrones TV series, small part, but memorable now.

0:29:19.200 --> 0:29:21.160
<v Speaker 1>He was also in a wide array of projects throughout

0:29:21.160 --> 0:29:24.120
<v Speaker 1>his long career. This is always a fun When he

0:29:24.240 --> 0:29:28.440
<v Speaker 1>dubbed Harvey Kitel's voice and Saturn three, which is came

0:29:28.440 --> 0:29:31.800
<v Speaker 1>out it's very much and I think Kirk Douglas is

0:29:31.880 --> 0:29:35.800
<v Speaker 1>in that one. And Uh, basically it's an evil scientist character.

0:29:36.320 --> 0:29:39.440
<v Speaker 1>And Uh. The story has has always been that the

0:29:39.560 --> 0:29:42.040
<v Speaker 1>director decided he didn't like Harvey Kyitel's voice like he

0:29:42.120 --> 0:29:44.800
<v Speaker 1>sounded to you know, New York Uh in the picture

0:29:44.880 --> 0:29:47.480
<v Speaker 1>to be a mad scientist. And depending on who's telling

0:29:47.520 --> 0:29:49.960
<v Speaker 1>the story, either they just decided to dub him over

0:29:50.160 --> 0:29:51.760
<v Speaker 1>or they wanted Kytail to come back in and do

0:29:51.840 --> 0:29:54.280
<v Speaker 1>his own dubbing, but he wasn't available. I'm not sure

0:29:54.320 --> 0:29:56.600
<v Speaker 1>how it went down, but we end up with uh,

0:29:56.800 --> 0:30:00.840
<v Speaker 1>with Roy's voice and Harvey's appearance. He was also noted

0:30:00.920 --> 0:30:06.000
<v Speaker 1>notably uh in Amadeus. He played Leopold Mozart. In that Oh,

0:30:06.120 --> 0:30:11.400
<v Speaker 1>Mozart's dad, imperious and threatening even after his death. Yeah,

0:30:12.080 --> 0:30:14.680
<v Speaker 1>at any rate, it makes for a great British goateede villain,

0:30:14.760 --> 0:30:18.120
<v Speaker 1>which he certainly is to a t in this picture. Ohhh,

0:30:18.320 --> 0:30:21.240
<v Speaker 1>but lest we forget my favorite character in the film,

0:30:21.440 --> 0:30:25.400
<v Speaker 1>we cannot we cannot leave out by You Betty, Yes,

0:30:25.720 --> 0:30:29.120
<v Speaker 1>um by You Betty is a character that like when

0:30:29.200 --> 0:30:32.400
<v Speaker 1>she first shows up, it's just well, we'll get to it.

0:30:32.520 --> 0:30:34.600
<v Speaker 1>She's she's tremendous. You just don't expect this to be

0:30:35.080 --> 0:30:36.840
<v Speaker 1>a major character in the film, and then she comes

0:30:36.880 --> 0:30:40.080
<v Speaker 1>back and you're delighted to have more. Uh. Played by

0:30:40.400 --> 0:30:44.920
<v Speaker 1>Peggy Mannix for nine A spirited performance from a long

0:30:45.000 --> 0:30:48.280
<v Speaker 1>time TV bit player. She also has done a lot

0:30:48.320 --> 0:30:50.440
<v Speaker 1>of theater work and I think has been very much

0:30:50.480 --> 0:30:54.680
<v Speaker 1>involved in like storytelling, uh sort of ventures. Um. I

0:30:54.760 --> 0:30:58.160
<v Speaker 1>think this might be her most notable acting role, though.

0:30:58.200 --> 0:30:59.880
<v Speaker 1>I mean she's popped up as a bit player in

0:31:00.080 --> 0:31:01.640
<v Speaker 1>number of things, Like I think she she shows up

0:31:01.640 --> 0:31:04.160
<v Speaker 1>on Seinfeld at some point. By you, Betty's the heart

0:31:04.240 --> 0:31:09.360
<v Speaker 1>and soul of this movie. Just just a ray of sunlight. Um.

0:31:09.800 --> 0:31:12.160
<v Speaker 1>Another thing I caught though when I didn't notice it

0:31:12.240 --> 0:31:15.480
<v Speaker 1>until the final credits were rolling when the movie was over,

0:31:15.600 --> 0:31:18.640
<v Speaker 1>but Rachel actually called it out. She pointed, she said, hey,

0:31:18.760 --> 0:31:23.200
<v Speaker 1>look John Carl Biekler, and sure enough, special effects, makeup

0:31:23.240 --> 0:31:26.320
<v Speaker 1>and eliminators by John Carl Biekler. I think he also

0:31:26.440 --> 0:31:30.280
<v Speaker 1>did some effects for Arena, unless I'm remembering that wrong.

0:31:30.840 --> 0:31:33.080
<v Speaker 1>And this is a guy who did a whole bunch

0:31:33.160 --> 0:31:36.800
<v Speaker 1>of special effects for movies of this type throughout the eighties,

0:31:36.880 --> 0:31:39.920
<v Speaker 1>but he also directed some movies of his own, including

0:31:39.920 --> 0:31:44.160
<v Speaker 1>The Original Troll and Friday Thirteenth Part seven, the one

0:31:44.240 --> 0:31:47.880
<v Speaker 1>with the Psychic Powers. Good catch, Good catches there. Rachel

0:31:48.600 --> 0:31:52.000
<v Speaker 1>um I do generally mentioned the music on this The

0:31:52.080 --> 0:31:54.080
<v Speaker 1>music is nothing really to write home about in this picture.

0:31:54.120 --> 0:31:57.480
<v Speaker 1>It's fine. It's it's you know, heroic and everything. But

0:31:57.560 --> 0:31:59.840
<v Speaker 1>it comes to us from Bob Summers, who also did

0:32:00.000 --> 0:32:04.680
<v Speaker 1>scores for The Boogins, Uh, the Annihilators, and worked in

0:32:04.720 --> 0:32:07.400
<v Speaker 1>the music department on scores for such films as Sideways,

0:32:07.800 --> 0:32:12.240
<v Speaker 1>Night of the Comet and Metal Storm, Destruction of jared'son Yeah,

0:32:12.480 --> 0:32:15.239
<v Speaker 1>the one in Only, which is similar scores, I think,

0:32:15.280 --> 0:32:18.160
<v Speaker 1>you know, very heroic, but also kind of generic. I'm

0:32:18.160 --> 0:32:20.120
<v Speaker 1>not gonna lie. I thought the music and this one

0:32:20.280 --> 0:32:24.960
<v Speaker 1>was was pretty weak. There's a lot of uh, kind

0:32:25.000 --> 0:32:29.920
<v Speaker 1>of kind of plinking one note MIDI versions of of

0:32:30.120 --> 0:32:33.080
<v Speaker 1>like I don't know, the two thousand one of Space

0:32:33.160 --> 0:32:36.920
<v Speaker 1>Odyssey theme and and stuff like that. Yeah, so sometimes

0:32:36.960 --> 0:32:40.240
<v Speaker 1>I may say, hey, this score deserves a special edition

0:32:40.400 --> 0:32:43.240
<v Speaker 1>vinyl release. This this score does not deserved a special

0:32:43.400 --> 0:32:46.920
<v Speaker 1>edition vinyl release. Special edition MIDDI. Maybe maybe one of

0:32:46.960 --> 0:32:50.160
<v Speaker 1>those junior size cassettes, but not the full size cassette. Okay,

0:32:50.240 --> 0:32:52.680
<v Speaker 1>you want to get into the plot, let's do it. First.

0:32:52.720 --> 0:32:55.160
<v Speaker 1>Thing I noticed in this movie shows you the title

0:32:55.320 --> 0:32:57.560
<v Speaker 1>right right at the top. I don't know if this

0:32:57.680 --> 0:32:59.600
<v Speaker 1>is the version I was looking at or what, but

0:32:59.760 --> 0:33:02.560
<v Speaker 1>why is the title so dim? It's like they were

0:33:02.560 --> 0:33:06.240
<v Speaker 1>showing the movie an energy saver mode? Yeah, I I

0:33:06.400 --> 0:33:09.000
<v Speaker 1>had the same experience during the early stage of this

0:33:09.200 --> 0:33:12.280
<v Speaker 1>this movie. I was actually wondering, is this is this

0:33:12.440 --> 0:33:16.840
<v Speaker 1>an an energy saver mode? Did I buy a bad television? Yeah?

0:33:17.440 --> 0:33:22.000
<v Speaker 1>What's going with my TV? Yeah? It's it's very grimy

0:33:22.120 --> 0:33:24.640
<v Speaker 1>and uh and dark at the beginning. Luckily, it's not

0:33:24.680 --> 0:33:26.680
<v Speaker 1>going to take us too long to be in a

0:33:26.760 --> 0:33:29.480
<v Speaker 1>boat about in broad daylight, where we'll spend most of

0:33:29.520 --> 0:33:31.640
<v Speaker 1>the picture. But yeah, they're early stages of this are

0:33:31.640 --> 0:33:34.200
<v Speaker 1>a little grimy. So while the credits roll, we get

0:33:34.240 --> 0:33:37.480
<v Speaker 1>some background imagery and some scenes going on. We see

0:33:37.520 --> 0:33:40.320
<v Speaker 1>a terminator face just this straight up roop off the

0:33:40.400 --> 0:33:44.080
<v Speaker 1>terminator with the red eye, uh, surrounded by fire. And

0:33:44.160 --> 0:33:46.200
<v Speaker 1>then we see a fighter pilot like in one of

0:33:46.240 --> 0:33:48.080
<v Speaker 1>those little uh oh, I don't know what do you

0:33:48.160 --> 0:33:52.160
<v Speaker 1>call it? The bubble top? Uh? Pilots seat uh and

0:33:52.280 --> 0:33:55.040
<v Speaker 1>he's screaming, may day, may day, I'm going down. And

0:33:55.120 --> 0:33:58.680
<v Speaker 1>then we see some ancient Roman soldiers and there there's

0:33:58.720 --> 0:34:01.120
<v Speaker 1>spears and we're in the little leather skirts and they're

0:34:01.160 --> 0:34:05.040
<v Speaker 1>fighting a battle against some enemy equipped with lasers. Yeah,

0:34:05.120 --> 0:34:07.520
<v Speaker 1>so it's already just confusing, as I'll get out what

0:34:07.720 --> 0:34:10.200
<v Speaker 1>what is happening? Right? What could this all mean? Well,

0:34:10.239 --> 0:34:13.799
<v Speaker 1>we're about to find out. So the credits montage dissolves

0:34:13.960 --> 0:34:17.839
<v Speaker 1>into some kind of darkened laboratory with electricity arking all

0:34:17.920 --> 0:34:20.680
<v Speaker 1>over the place. This is the zap room, and we

0:34:20.800 --> 0:34:24.120
<v Speaker 1>meet to scientists. We've got We've got Dr Takata played

0:34:24.120 --> 0:34:29.640
<v Speaker 1>by Tadashi Horino, who is a kind hearted elder scientist

0:34:29.719 --> 0:34:33.000
<v Speaker 1>who's apparently elated at the success of whatever experiment they

0:34:33.080 --> 0:34:35.680
<v Speaker 1>just pulled off. And then on the other hand, you've

0:34:35.719 --> 0:34:40.719
<v Speaker 1>got Roy Detrice playing Dr Abbott Reeves, a sadistic, mad

0:34:40.880 --> 0:34:45.200
<v Speaker 1>scientist with Rutger Hower hair. Also half of his face

0:34:45.360 --> 0:34:48.279
<v Speaker 1>is kind of melted, and just from moment one he

0:34:48.440 --> 0:34:52.080
<v Speaker 1>is like a gentleman to evil. You know, I think

0:34:52.239 --> 0:34:56.680
<v Speaker 1>nothing illustrates how rushed this movie feels more than having

0:34:56.760 --> 0:35:00.960
<v Speaker 1>a mad scientist character named Abbott. Reeves like, well, that's

0:35:01.000 --> 0:35:02.439
<v Speaker 1>the best you could come up with. There's so many,

0:35:02.800 --> 0:35:06.680
<v Speaker 1>you know, sardonic names you could devise, but you go

0:35:06.840 --> 0:35:09.000
<v Speaker 1>with with Reeves, which of course brings to bhind like

0:35:09.120 --> 0:35:12.320
<v Speaker 1>Steve Reeves and Superman and so forth. It just doesn't

0:35:12.360 --> 0:35:15.680
<v Speaker 1>sound evil enough. I agree. But but but Roy to

0:35:15.760 --> 0:35:20.120
<v Speaker 1>Trees is going for that evil flavor with Gusto. Rachel

0:35:20.160 --> 0:35:21.560
<v Speaker 1>and I were talking about it and we figured out

0:35:21.600 --> 0:35:25.160
<v Speaker 1>that he's he's playing this role basically half as Donald

0:35:25.280 --> 0:35:28.879
<v Speaker 1>Pleasants and half as Rutger Hower. Okay, that's a that's

0:35:28.880 --> 0:35:30.680
<v Speaker 1>a good mix if one can achieve it. But on

0:35:30.760 --> 0:35:33.719
<v Speaker 1>the other hand, you've got Dr Takata, who is he's

0:35:33.760 --> 0:35:35.759
<v Speaker 1>like a good guy, but for some reason, he has

0:35:36.239 --> 0:35:39.240
<v Speaker 1>just taken a job at the Institute for Twisted Cruelty

0:35:39.320 --> 0:35:42.200
<v Speaker 1>Studies under Dr satan Here and I don't know why.

0:35:43.239 --> 0:35:45.400
<v Speaker 1>But putting that aside for the moment, so what happens

0:35:45.400 --> 0:35:47.640
<v Speaker 1>in the scene, Well, Takada is like the experiment worked,

0:35:48.120 --> 0:35:51.920
<v Speaker 1>and Reeves says, only if he brought proof. So Takata

0:35:52.000 --> 0:35:54.640
<v Speaker 1>is trying to celebrate, but Reeves is just trying to

0:35:54.800 --> 0:35:56.759
<v Speaker 1>He's just ordering him around. He's like helped the men

0:35:56.920 --> 0:36:00.160
<v Speaker 1>Droid from the cage at once, So they open up

0:36:00.239 --> 0:36:03.240
<v Speaker 1>some kind of chamber and out pops our man droid.

0:36:03.360 --> 0:36:06.759
<v Speaker 1>For the film, how to describe what this guy looks like?

0:36:07.040 --> 0:36:10.560
<v Speaker 1>He's he's half of his head is like, uh, is

0:36:10.600 --> 0:36:14.399
<v Speaker 1>a terminator head? Yeah, you have half a terminator head,

0:36:15.200 --> 0:36:17.719
<v Speaker 1>red eye glaring. The rest of his body is kind

0:36:17.719 --> 0:36:22.040
<v Speaker 1>of you know, hodgepodge of of armor, like sort of

0:36:22.160 --> 0:36:24.440
<v Speaker 1>power armory looking stuff that I guess is supposed to

0:36:24.600 --> 0:36:27.680
<v Speaker 1>imply that he's he's actually robot underneath all that stuff.

0:36:27.920 --> 0:36:30.399
<v Speaker 1>I think. So his left arm is like a mega

0:36:30.440 --> 0:36:32.880
<v Speaker 1>man arm. It's like a gun for an arm. The

0:36:32.960 --> 0:36:35.239
<v Speaker 1>man droid he comes up to Reeves, He hands over

0:36:35.360 --> 0:36:40.160
<v Speaker 1>a plastic prop shield and roy jitrices Alton, Yes, first

0:36:40.320 --> 0:36:45.960
<v Speaker 1>centuries centurion shield no less magnificent uh and and let

0:36:46.520 --> 0:36:48.880
<v Speaker 1>I would have thought, Okay, how would he know this?

0:36:49.080 --> 0:36:51.960
<v Speaker 1>Why does this mad scientists know things about ancient Rome?

0:36:52.080 --> 0:36:54.600
<v Speaker 1>And he's able to identify artifacts. But I think this

0:36:54.719 --> 0:36:58.560
<v Speaker 1>actually doesn't make sense because he's apparently obsessed with ancient Rome. Yeah,

0:36:58.600 --> 0:37:00.520
<v Speaker 1>we find out much later in film that he is

0:37:00.560 --> 0:37:03.560
<v Speaker 1>a connoisseur of these items. I don't know why he

0:37:03.760 --> 0:37:06.080
<v Speaker 1>is he just is you know, he's kind of a

0:37:06.480 --> 0:37:09.560
<v Speaker 1>you know, a megalomaniac clearly, and he he likes the

0:37:10.360 --> 0:37:13.960
<v Speaker 1>he likes the shine of of the Roman Imperial period,

0:37:14.200 --> 0:37:17.120
<v Speaker 1>and uh, you know that's why he at some point decides,

0:37:17.480 --> 0:37:19.560
<v Speaker 1>I want to use time travel technology to go back

0:37:19.600 --> 0:37:24.040
<v Speaker 1>in time and conquer ancient Rome and become their ruler. Yeah,

0:37:24.320 --> 0:37:27.160
<v Speaker 1>what's the big deal, I'm just a Caligula enthusiast. Yeah.

0:37:27.719 --> 0:37:29.680
<v Speaker 1>Oh but yeah, I guess we're kind of burying the

0:37:29.760 --> 0:37:32.200
<v Speaker 1>lead now. So the weird thing is, did you also

0:37:32.280 --> 0:37:34.120
<v Speaker 1>get the feeling that the movie is maybe trying to

0:37:34.160 --> 0:37:37.400
<v Speaker 1>be a little bit coy about what the deal with

0:37:37.520 --> 0:37:40.719
<v Speaker 1>the experiment was, like building up to a reveal later on,

0:37:41.000 --> 0:37:43.799
<v Speaker 1>But it doesn't work because like, obviously it was time

0:37:43.880 --> 0:37:46.000
<v Speaker 1>travel and they sent the man droid back to like

0:37:46.080 --> 0:37:50.239
<v Speaker 1>shoot Roman soldiers and steal one of their shields. Yeah, yeah,

0:37:50.360 --> 0:37:52.440
<v Speaker 1>it feels like that might have been the case. Like

0:37:52.480 --> 0:37:55.360
<v Speaker 1>they're trying to leave you guessing, but we we all know,

0:37:55.600 --> 0:37:58.680
<v Speaker 1>we all know it's time travel. Wow, what was the experiment?

0:37:58.760 --> 0:38:01.080
<v Speaker 1>How did he get this shield? Why are their cavemen

0:38:01.200 --> 0:38:04.279
<v Speaker 1>running around scenes of Roman soldiers? I mean, it's it's

0:38:04.320 --> 0:38:06.279
<v Speaker 1>time travel. What else could it be? You're running a

0:38:06.320 --> 0:38:10.200
<v Speaker 1>Westworld park. I mean, that's the only other possible explanation. Meanwhile,

0:38:10.320 --> 0:38:13.520
<v Speaker 1>Dr Takada, he's over here showing his sensitive side because

0:38:13.840 --> 0:38:18.000
<v Speaker 1>Roy Detrees is doing his megalomaniac thing. But Takadah, he's like,

0:38:18.160 --> 0:38:20.640
<v Speaker 1>he wants to know how the mandroid feels. And the

0:38:20.719 --> 0:38:23.919
<v Speaker 1>mandroid says he can barely remember, except he he knows

0:38:24.000 --> 0:38:26.600
<v Speaker 1>on his journey he saw flashes of memories. He says,

0:38:26.840 --> 0:38:29.640
<v Speaker 1>I was in my plane going down again. So our

0:38:29.719 --> 0:38:32.800
<v Speaker 1>man droid is haunted by horrible memories of a plane

0:38:32.880 --> 0:38:36.920
<v Speaker 1>crash that are rippling through his borg brain. And uh,

0:38:37.040 --> 0:38:39.319
<v Speaker 1>and then Roy Detrees does something I was just trying

0:38:39.360 --> 0:38:42.160
<v Speaker 1>to figure out. He like plugs himself into a tube

0:38:42.280 --> 0:38:44.520
<v Speaker 1>of some kind. Is he supposed to be on some

0:38:44.640 --> 0:38:47.239
<v Speaker 1>kind of dialysis or is he is he like part

0:38:47.360 --> 0:38:50.879
<v Speaker 1>robot at this point and plugging himself into recharge. Well,

0:38:51.080 --> 0:38:54.520
<v Speaker 1>he also has a like he has all these wounds

0:38:54.600 --> 0:38:58.319
<v Speaker 1>on his face too, right, Like he's he's using mad

0:38:58.400 --> 0:39:02.000
<v Speaker 1>science to read who from something. But I don't think

0:39:02.000 --> 0:39:05.120
<v Speaker 1>we're ever quite I told what it was, right, He's

0:39:05.160 --> 0:39:07.120
<v Speaker 1>just he gets a little better each time we see him.

0:39:07.360 --> 0:39:11.000
<v Speaker 1>Takada wants to send the man droid off to heal

0:39:11.160 --> 0:39:13.279
<v Speaker 1>and be repaired. You know, he tells him, you've done well,

0:39:13.360 --> 0:39:16.440
<v Speaker 1>my friend, because he is a kindly scientist. But then

0:39:16.560 --> 0:39:19.800
<v Speaker 1>immediately Reeves is like, no, destroy it, make it suffer,

0:39:20.800 --> 0:39:24.040
<v Speaker 1>and to uh, Takata is like, but you know his

0:39:24.280 --> 0:39:26.839
<v Speaker 1>his brain is half human. It's he's alive. You can't

0:39:26.840 --> 0:39:29.480
<v Speaker 1>do that. But Reeves says, since when have we ever

0:39:29.560 --> 0:39:32.920
<v Speaker 1>been concerned with compassion? What compassion was ever shown to me?

0:39:33.600 --> 0:39:35.720
<v Speaker 1>And then you get a good like burned face reveal

0:39:35.760 --> 0:39:38.800
<v Speaker 1>he's kind of dabbing at his his burns. Now the

0:39:38.880 --> 0:39:42.120
<v Speaker 1>whole thing with the mandroid having these visions of being

0:39:42.200 --> 0:39:44.960
<v Speaker 1>in a like a World War two plane crash. Uh,

0:39:45.200 --> 0:39:48.440
<v Speaker 1>that means they bone jacked him, right, Like these guys

0:39:48.480 --> 0:39:52.040
<v Speaker 1>are bone jackers. Yes, yes, they got the meat, but

0:39:52.239 --> 0:39:54.600
<v Speaker 1>the meat was damaged. Thus, then I guess the meat

0:39:54.640 --> 0:39:56.960
<v Speaker 1>was damaged. That's why you make a man board, right,

0:39:57.400 --> 0:40:00.400
<v Speaker 1>a man droid? You or did they just aside, no,

0:40:00.560 --> 0:40:02.200
<v Speaker 1>we need a we only need to use part of

0:40:02.280 --> 0:40:04.520
<v Speaker 1>the meat and create the mandroid. We need a man

0:40:04.600 --> 0:40:09.080
<v Speaker 1>droid for our various time travel uh uh? Thefts well,

0:40:09.120 --> 0:40:12.080
<v Speaker 1>apparently they don't need him that long because Reeves roy

0:40:12.160 --> 0:40:15.640
<v Speaker 1>Detres is like, no, destroy him. So Takada is like, okay,

0:40:15.680 --> 0:40:17.799
<v Speaker 1>well I'm I'm gonna have to set the Mandroid free

0:40:17.880 --> 0:40:19.839
<v Speaker 1>so he you know, he conspires with them. He says,

0:40:19.880 --> 0:40:22.799
<v Speaker 1>we will escape this place tonight, and the Mandroid says,

0:40:22.840 --> 0:40:26.759
<v Speaker 1>I'll need my mobile unit. And the mobile unit I

0:40:27.000 --> 0:40:30.120
<v Speaker 1>love the mobile unit. How to describe the mobile unit?

0:40:30.320 --> 0:40:32.759
<v Speaker 1>Rob When I say mobile unit, what words come to

0:40:32.840 --> 0:40:36.719
<v Speaker 1>your mind? Oh? Um, well, now it is clearly going

0:40:36.760 --> 0:40:40.239
<v Speaker 1>to be um like a tank centaur situation. You know

0:40:40.400 --> 0:40:43.200
<v Speaker 1>it is this um. I don't know what the words

0:40:43.239 --> 0:40:45.680
<v Speaker 1>would have have brought to mind previously, but I knew

0:40:45.680 --> 0:40:48.239
<v Speaker 1>where we were going because I've seen the poster. The

0:40:48.320 --> 0:40:51.719
<v Speaker 1>mobile unit is one of these effects that really, this

0:40:51.880 --> 0:40:55.400
<v Speaker 1>is fabulously done. This looks amazing, It looks great. At

0:40:55.440 --> 0:40:58.839
<v Speaker 1>the same time, the rest of the picture is cheap

0:40:58.960 --> 0:41:02.000
<v Speaker 1>enough to where like, this effect looks a little hokey,

0:41:02.280 --> 0:41:06.000
<v Speaker 1>even though the effect itself, I think looks looks extremely solid,

0:41:06.600 --> 0:41:10.760
<v Speaker 1>It looks very good, but it also looks really unintentionally funny.

0:41:11.440 --> 0:41:13.400
<v Speaker 1>And the reason I would put it there is they

0:41:13.480 --> 0:41:16.719
<v Speaker 1>came up with a really quite good special effect, but

0:41:16.840 --> 0:41:19.719
<v Speaker 1>they filmed it in such a way and edited it

0:41:19.880 --> 0:41:22.280
<v Speaker 1>in such a way that like you see it moving

0:41:22.480 --> 0:41:24.759
<v Speaker 1>in awkward ways, like he so it's a guy on

0:41:24.880 --> 0:41:28.000
<v Speaker 1>tank treads like he's a tank centaur. He takes his

0:41:28.160 --> 0:41:30.759
<v Speaker 1>legs off and plugs his torso into this tank thing.

0:41:31.160 --> 0:41:33.440
<v Speaker 1>But then when you actually see him moving around on it,

0:41:33.520 --> 0:41:35.560
<v Speaker 1>it looks like it would be more efficient for him

0:41:35.600 --> 0:41:38.399
<v Speaker 1>to just use his legs because he's really like gets

0:41:38.480 --> 0:41:41.120
<v Speaker 1>stuck rolling around on stuff and then tries to do

0:41:41.239 --> 0:41:44.799
<v Speaker 1>a three point turn and it's really funny. Yeah, yeah,

0:41:44.920 --> 0:41:47.359
<v Speaker 1>it's I mean, it's kind of like when a child

0:41:47.520 --> 0:41:49.000
<v Speaker 1>is like, no, I want to take my scooter and

0:41:49.200 --> 0:41:51.160
<v Speaker 1>the parents like, oh god, this is gonna take even

0:41:51.239 --> 0:41:53.640
<v Speaker 1>longer it would. It would be easier if you walked.

0:41:54.360 --> 0:41:56.200
<v Speaker 1>But but yeah, it also comes back to the basic

0:41:56.280 --> 0:41:58.799
<v Speaker 1>premise we've discussed before, like, no matter how good your

0:41:59.080 --> 0:42:02.920
<v Speaker 1>monster costume is, or in this case, your your your

0:42:03.000 --> 0:42:07.239
<v Speaker 1>half tank cyborgs centaur costume happens to be if you

0:42:07.320 --> 0:42:10.640
<v Speaker 1>just shoot it in broad daylight, you're not doing it

0:42:10.719 --> 0:42:13.719
<v Speaker 1>any favors, agreed. But anyway, they get caught while they're

0:42:13.760 --> 0:42:18.719
<v Speaker 1>trying to escape, and unfortunately the kindly. Doctor Takata is

0:42:18.800 --> 0:42:22.000
<v Speaker 1>killed in their escape attempt, but before he dies, he

0:42:22.120 --> 0:42:24.640
<v Speaker 1>tells the Mandroid that he must go and find a

0:42:24.719 --> 0:42:28.319
<v Speaker 1>scientist named Colonel Hunter, and if he finds Colonel Hunter,

0:42:28.480 --> 0:42:30.839
<v Speaker 1>he can he can have all the answers. So then

0:42:30.880 --> 0:42:33.440
<v Speaker 1>there's a big escape sequence where he's rolling around on

0:42:33.560 --> 0:42:35.480
<v Speaker 1>his tracks and he's trying to get out of the

0:42:35.560 --> 0:42:38.919
<v Speaker 1>compound and then we meet here. We get our first

0:42:39.040 --> 0:42:42.000
<v Speaker 1>meeting with Ray the Hinchman, who when when Rachel and

0:42:42.040 --> 0:42:44.080
<v Speaker 1>I first saw him, we were like, oh, it's Cringe

0:42:44.120 --> 0:42:46.880
<v Speaker 1>Shaw from Barky Creek because he's got he's got a

0:42:46.920 --> 0:42:49.880
<v Speaker 1>big red beard. Uh. And he's dressed kind of like

0:42:50.000 --> 0:42:52.480
<v Speaker 1>a like a bayou guy but not quite in like

0:42:52.680 --> 0:42:56.040
<v Speaker 1>just the shirtless with overalls like Cringe Shaw. But he's

0:42:56.080 --> 0:42:59.439
<v Speaker 1>halfway there and he uh, and he's on sniper duty.

0:42:59.520 --> 0:43:02.040
<v Speaker 1>He's trying to like shoot the man Droid with this

0:43:02.160 --> 0:43:05.600
<v Speaker 1>big weird gun that has these three red scopes on it. Yeah,

0:43:05.680 --> 0:43:07.520
<v Speaker 1>like that the gun looks like it's some sort of

0:43:07.560 --> 0:43:10.279
<v Speaker 1>futuristic device, you know, it's it's a it's very much

0:43:10.400 --> 0:43:12.759
<v Speaker 1>like a sci fi sniper rifle. But there's nothing else

0:43:12.800 --> 0:43:16.759
<v Speaker 1>about Ray that that suggests science fiction, Like, he's just

0:43:17.400 --> 0:43:19.719
<v Speaker 1>this bearded dude. Uh, you know, might be just a

0:43:19.800 --> 0:43:23.240
<v Speaker 1>trucker that was making a shipment to the Mad Science

0:43:23.320 --> 0:43:26.239
<v Speaker 1>Lab and was hired on the spot Ray looks like

0:43:26.280 --> 0:43:28.480
<v Speaker 1>a guy who would own a food truck called wild

0:43:28.560 --> 0:43:32.920
<v Speaker 1>Bubba's Boot and Balls. Yeah, yeah, very much though, and

0:43:33.160 --> 0:43:34.920
<v Speaker 1>and you know, looking at him, you know that he

0:43:34.960 --> 0:43:46.240
<v Speaker 1>owns a boat. Well. Anyway, the mandroid escapes, he parks

0:43:46.360 --> 0:43:48.920
<v Speaker 1>his mobile units somewhere in the jungle, puts his leg

0:43:49.120 --> 0:43:52.120
<v Speaker 1>units on, which is great. This is a great sequence.

0:43:52.239 --> 0:43:54.279
<v Speaker 1>Like it said again, they just really thought out this

0:43:54.400 --> 0:43:57.480
<v Speaker 1>mobile unit thing. Yes, uh, and then he he walks

0:43:57.520 --> 0:44:00.040
<v Speaker 1>out of the jungle and then next thing, we're just

0:44:00.200 --> 0:44:03.360
<v Speaker 1>immediately into some place that looks like a modern art museum.

0:44:03.480 --> 0:44:05.759
<v Speaker 1>This is where we meet Denise Crosby and she's there

0:44:05.800 --> 0:44:09.280
<v Speaker 1>doing science again. This is Colonel Hunter, Colonel Nora Hunter,

0:44:09.960 --> 0:44:13.400
<v Speaker 1>and she's doing tests on a robot prototype that she

0:44:13.480 --> 0:44:19.440
<v Speaker 1>has developed called Spot. Yeah, and Spot is um not

0:44:19.600 --> 0:44:21.600
<v Speaker 1>as great an effect. I mean, he's just a little robot.

0:44:21.640 --> 0:44:23.560
<v Speaker 1>It's it's neat, it's not you know, it's not the

0:44:23.600 --> 0:44:26.800
<v Speaker 1>worst robot effect I've seen. But he looks a little hokey,

0:44:26.960 --> 0:44:29.560
<v Speaker 1>and later on in the picture, especially when he's flying around,

0:44:29.680 --> 0:44:33.520
<v Speaker 1>it really just looks real bad. So SPOT is an acronym.

0:44:33.600 --> 0:44:38.880
<v Speaker 1>It stands for Search, Patrol and Operational Tactician. And I

0:44:39.040 --> 0:44:41.480
<v Speaker 1>think what they're going for is because they've got a Mandroid,

0:44:41.520 --> 0:44:44.760
<v Speaker 1>they've got like a gritty uh you know, a gritty

0:44:45.040 --> 0:44:48.560
<v Speaker 1>assassin bot that shoots torpedoes and lasers and stuff, they

0:44:48.600 --> 0:44:51.319
<v Speaker 1>wanted to also have a cute robot in the vein

0:44:51.400 --> 0:44:54.480
<v Speaker 1>of like short Circuit or R two D two right

0:44:55.760 --> 0:44:58.680
<v Speaker 1>that this guy's not cute. I mean this is it's

0:44:58.800 --> 0:45:02.360
<v Speaker 1>very forced, much like the name of the creature, and

0:45:02.480 --> 0:45:06.560
<v Speaker 1>it's it's just their little um reconnaissance robot. But she's

0:45:06.600 --> 0:45:09.400
<v Speaker 1>doing tests with Spot and then meanwhile man droid and

0:45:09.520 --> 0:45:14.440
<v Speaker 1>filtrates the perimeter. Apparently he's in disguise. I'm saying that

0:45:14.560 --> 0:45:17.839
<v Speaker 1>with scare quotes here, because his disguise is he's still

0:45:17.920 --> 0:45:21.719
<v Speaker 1>a Mandroid, but he's wearing like an alligator skin fedora

0:45:21.920 --> 0:45:26.440
<v Speaker 1>and a rain poncho. Yes, yeah, he looks very very

0:45:26.560 --> 0:45:29.120
<v Speaker 1>suss as the kids say, kind of Phantom of the

0:45:29.200 --> 0:45:33.360
<v Speaker 1>Opera asked rather hilarious. Actually, in fact, it's even funnier

0:45:34.000 --> 0:45:36.480
<v Speaker 1>when he takes the stuff off to reveal him. So

0:45:36.600 --> 0:45:39.359
<v Speaker 1>he you know, he meets Denise Crosby and he's like hello,

0:45:39.960 --> 0:45:42.040
<v Speaker 1>and she's like who are you? And he uh. This

0:45:42.200 --> 0:45:43.840
<v Speaker 1>is after he is, by the way, knocked out some

0:45:43.960 --> 0:45:47.680
<v Speaker 1>security guards by spurring green gas in their face. But

0:45:47.800 --> 0:45:49.960
<v Speaker 1>then he comes up and she's like, oh, who are you?

0:45:50.080 --> 0:45:53.200
<v Speaker 1>What's going on? And then he removes his fedora and

0:45:53.320 --> 0:45:56.480
<v Speaker 1>his poncho to clearly, this is supposed to be like

0:45:56.560 --> 0:45:59.520
<v Speaker 1>a gasp borg reveal, but we've already seen him, so

0:45:59.600 --> 0:46:02.560
<v Speaker 1>we know what he looks like. She's acting very surprised.

0:46:02.640 --> 0:46:05.920
<v Speaker 1>But are we supposed to believe that people don't notice

0:46:06.040 --> 0:46:08.680
<v Speaker 1>that half of his face is a terminator as long

0:46:08.760 --> 0:46:12.359
<v Speaker 1>as he's wearing the hat. Like later in the movie

0:46:12.440 --> 0:46:15.279
<v Speaker 1>he hides the terminator half under bandages, but he's not

0:46:15.400 --> 0:46:18.160
<v Speaker 1>doing that here. He's just this is a half terminator,

0:46:18.239 --> 0:46:20.320
<v Speaker 1>but he's wearing a hat. Well, I guess we're just

0:46:20.360 --> 0:46:22.400
<v Speaker 1>supposed to imagine that his head was it just the

0:46:22.520 --> 0:46:24.440
<v Speaker 1>right angle throughout all of this so we could see

0:46:24.440 --> 0:46:27.040
<v Speaker 1>the terminator stuff that she could not. Well, So he

0:46:27.160 --> 0:46:30.479
<v Speaker 1>explains the backstory that we've already seen. He talks about

0:46:30.600 --> 0:46:33.560
<v Speaker 1>his you know what happened before he was borned he

0:46:34.160 --> 0:46:36.759
<v Speaker 1>he remembers crashing a plane and he says his body

0:46:36.880 --> 0:46:39.360
<v Speaker 1>was taken up river. And then he says, when I

0:46:39.440 --> 0:46:41.920
<v Speaker 1>woke up, I saw this, I think, referring to his

0:46:42.040 --> 0:46:46.120
<v Speaker 1>droid body and uh and she and she starts looking

0:46:46.160 --> 0:46:48.719
<v Speaker 1>at the technology that he has been outfitted with, and

0:46:48.840 --> 0:46:52.240
<v Speaker 1>she says, your arms, your leg units, it's my work,

0:46:52.440 --> 0:46:54.920
<v Speaker 1>all of it. So we find out that the man

0:46:55.040 --> 0:46:58.560
<v Speaker 1>droid is actually based on technology that was originally intended

0:46:58.640 --> 0:47:03.120
<v Speaker 1>for peaceful uses in space exploration. And uh so, so

0:47:03.360 --> 0:47:06.399
<v Speaker 1>Dr Reeves is not only an evil, mad scientist, he's

0:47:06.440 --> 0:47:09.920
<v Speaker 1>also a thief who has been stealing the intellectual property

0:47:09.960 --> 0:47:13.759
<v Speaker 1>of Denise Crosby to make unholy Man droids in the jungle. Yeah,

0:47:13.800 --> 0:47:16.719
<v Speaker 1>I mean, once he goes back in time to uh

0:47:17.040 --> 0:47:21.200
<v Speaker 1>what is it for first century? Uh CE or or

0:47:21.320 --> 0:47:24.000
<v Speaker 1>b C. I'm not I remember him. Like, once he

0:47:24.080 --> 0:47:27.640
<v Speaker 1>goes back, clearly he has all the copyrights, all the trademarks.

0:47:27.880 --> 0:47:29.680
<v Speaker 1>Oh well, that's a good point. I didn't think about that.

0:47:29.960 --> 0:47:31.960
<v Speaker 1>I mean, he's probably just bringing stuff back with him

0:47:32.000 --> 0:47:34.440
<v Speaker 1>just to just like he's bringing super soakers and he's

0:47:34.480 --> 0:47:37.920
<v Speaker 1>just like Nope, I invented it, clearly. But here we

0:47:38.040 --> 0:47:42.320
<v Speaker 1>also find out the doctor Reeves is like borging himself

0:47:42.480 --> 0:47:45.919
<v Speaker 1>as well, because Denise Crosby says, but Reeves died five

0:47:46.040 --> 0:47:49.240
<v Speaker 1>years ago, and the man Droids says, no, he prolonged

0:47:49.360 --> 0:47:53.480
<v Speaker 1>his life through grafting and transplants. All right, So that

0:47:53.560 --> 0:47:56.680
<v Speaker 1>explains what's going on and what what we continue to

0:47:56.760 --> 0:48:00.680
<v Speaker 1>see going on with Dr Reeves. But then I liked

0:48:00.719 --> 0:48:02.919
<v Speaker 1>how so she's like, well, what's going on with your head?

0:48:03.000 --> 0:48:06.000
<v Speaker 1>So he just sits down and she starts she opens

0:48:06.080 --> 0:48:08.880
<v Speaker 1>up his head and starts working on it, like soldering

0:48:09.000 --> 0:48:11.200
<v Speaker 1>his brain chips while he's sitting there awake, and he's

0:48:11.239 --> 0:48:16.480
<v Speaker 1>like ah, and he he hallucinates some Roman centurions and uh.

0:48:16.680 --> 0:48:19.520
<v Speaker 1>And then they eventually agree that they've got a team up.

0:48:19.560 --> 0:48:21.960
<v Speaker 1>They've got to form a turbo team to go on

0:48:22.040 --> 0:48:24.879
<v Speaker 1>a mission to the jungle to stop Abbott Reeves from

0:48:25.040 --> 0:48:27.520
<v Speaker 1>doing whatever he's doing. So this is the first hint

0:48:27.560 --> 0:48:29.719
<v Speaker 1>of the team. The Turbo team begins. He begins with

0:48:29.840 --> 0:48:33.560
<v Speaker 1>two team partially assembled. But before we get to the jungle,

0:48:33.640 --> 0:48:35.919
<v Speaker 1>I thought, when there was a really funny scene where

0:48:36.400 --> 0:48:39.920
<v Speaker 1>they're driving in a car in whatever city, Dennis Crosby

0:48:40.040 --> 0:48:43.280
<v Speaker 1>was working in UH and there is a car jacking

0:48:43.320 --> 0:48:45.320
<v Speaker 1>attempt where a guy like busts out the window and

0:48:45.400 --> 0:48:49.640
<v Speaker 1>tries to steal her robot spot Um. And before before

0:48:49.680 --> 0:48:52.000
<v Speaker 1>he busts out the window, he's like, hey, you need

0:48:52.080 --> 0:48:56.520
<v Speaker 1>some body work, and the of course mandroid is very

0:48:56.560 --> 0:48:58.400
<v Speaker 1>confused by this. He's like, are you talking to me?

0:48:58.600 --> 0:49:00.399
<v Speaker 1>And she's like no, he's talking about at the car.

0:49:00.840 --> 0:49:03.600
<v Speaker 1>Then the guy breaks the window tries to grab her robot,

0:49:04.280 --> 0:49:06.080
<v Speaker 1>and then the man droid gets out of the car

0:49:06.280 --> 0:49:10.400
<v Speaker 1>and like shoots torpedoes at these random carjackers, and he

0:49:10.560 --> 0:49:15.000
<v Speaker 1>delivers the first of this movie's several absolute clunker comebacks.

0:49:15.840 --> 0:49:21.160
<v Speaker 1>You're the one who will need body work? Well, he had,

0:49:21.280 --> 0:49:24.520
<v Speaker 1>he has damaged processor at this point that's been established.

0:49:24.520 --> 0:49:26.879
<v Speaker 1>He can't be expected to really come up with any

0:49:26.960 --> 0:49:30.120
<v Speaker 1>singers on the spot. His Zinger circuits are badly in

0:49:30.239 --> 0:49:33.120
<v Speaker 1>need of repair. Area. Well, so, anyway, I think they

0:49:33.200 --> 0:49:36.200
<v Speaker 1>go down to Mexico where they're supposed to be finding

0:49:36.239 --> 0:49:38.719
<v Speaker 1>a way to UH to take a boat up the

0:49:38.840 --> 0:49:41.000
<v Speaker 1>river to find Abbott Reeves. So they're gonna need a

0:49:41.080 --> 0:49:43.160
<v Speaker 1>boat and a guide. And this is where we get

0:49:43.200 --> 0:49:47.360
<v Speaker 1>to our Cantina scene, a tremendous scene, a real milestone

0:49:47.360 --> 0:49:50.160
<v Speaker 1>in the movie. Um, how do you even begin here?

0:49:50.200 --> 0:49:52.120
<v Speaker 1>I mean, so this is where we meet our I

0:49:52.200 --> 0:49:54.399
<v Speaker 1>was gonna say bounty hunter, but he's not a bounty hunter.

0:49:54.560 --> 0:49:57.960
<v Speaker 1>Our our mercenary, our guide, our river rat, one of

0:49:58.000 --> 0:50:01.480
<v Speaker 1>our new turbo team members. This guy is Harry Fontana.

0:50:01.640 --> 0:50:05.680
<v Speaker 1>This is uh, what's his name, Andrew Prine. Yes, he's

0:50:05.760 --> 0:50:09.080
<v Speaker 1>a slimeball river rat with long hair and a five

0:50:09.080 --> 0:50:12.440
<v Speaker 1>o'clock shadow. And it's a real kind of Tim Thomerson

0:50:12.600 --> 0:50:15.000
<v Speaker 1>sort of role. Yeah. In fact, it's funny that you

0:50:15.040 --> 0:50:17.960
<v Speaker 1>say that. It's my understanding that Tim Thomerson was was

0:50:18.000 --> 0:50:20.200
<v Speaker 1>originally offered the role, like he was originally who they

0:50:20.280 --> 0:50:23.359
<v Speaker 1>wanted in this role, but for some reason that didn't

0:50:23.360 --> 0:50:27.040
<v Speaker 1>work out inter inter um prime. And you know, I

0:50:27.120 --> 0:50:30.040
<v Speaker 1>have to say, I think Thomerson would have been too

0:50:30.120 --> 0:50:33.680
<v Speaker 1>likable in the role. I think I think Thomerson has

0:50:33.800 --> 0:50:36.600
<v Speaker 1>is just his charisma is a little a little more

0:50:36.719 --> 0:50:41.000
<v Speaker 1>wholesome somehow, And I like that we have a more

0:50:41.280 --> 0:50:44.239
<v Speaker 1>proper river rat on our hands here. But also, but

0:50:44.360 --> 0:50:46.000
<v Speaker 1>he's not the only thing in the scene. The scene

0:50:46.000 --> 0:50:50.440
<v Speaker 1>also has this weird bar tender who had What was

0:50:50.520 --> 0:50:53.160
<v Speaker 1>going on with that guy's accent? It was so he

0:50:53.719 --> 0:50:55.880
<v Speaker 1>you would expect him to have, I guess a Mexican accent.

0:50:55.960 --> 0:50:58.319
<v Speaker 1>This is in Mexico, but he's sort of halfway has

0:50:58.400 --> 0:51:01.759
<v Speaker 1>a Scottish accent. The one thing that vaguely made me

0:51:01.840 --> 0:51:04.280
<v Speaker 1>think of is the the old black and white film

0:51:05.280 --> 0:51:08.320
<v Speaker 1>Wages of Fear, which I think we have memory serves,

0:51:08.440 --> 0:51:10.840
<v Speaker 1>revolves around like a bunch of ex pats. You know,

0:51:10.920 --> 0:51:14.239
<v Speaker 1>they're kind of stuck somewhere in South America. I think, um,

0:51:14.760 --> 0:51:16.439
<v Speaker 1>and uh, you know, they're trying to sort of scheme

0:51:16.480 --> 0:51:19.360
<v Speaker 1>their way out, like so maybe there's a certain certain

0:51:19.520 --> 0:51:22.520
<v Speaker 1>uh dash of that flavor added to this picture. I'm

0:51:22.560 --> 0:51:27.480
<v Speaker 1>not sure. But then, of course, into my favorite character,

0:51:27.680 --> 0:51:31.160
<v Speaker 1>by you Betty, who saunters into the bar surrounded by

0:51:31.200 --> 0:51:36.160
<v Speaker 1>a gang of obsequious, cowardly Frenchman and by you Betty

0:51:36.360 --> 0:51:39.480
<v Speaker 1>is apparently a rival river rat, so you've got Harry

0:51:39.520 --> 0:51:42.240
<v Speaker 1>Fontana your main river rat. And then by you Betty,

0:51:42.719 --> 0:51:45.480
<v Speaker 1>she is a different riverboat guide who is not happy

0:51:45.560 --> 0:51:48.680
<v Speaker 1>that Fontana is stealing her business. She accuses him of

0:51:48.920 --> 0:51:53.360
<v Speaker 1>undercutting I'm not sure exactly what she thinks the problem is.

0:51:53.440 --> 0:51:56.440
<v Speaker 1>But maybe it's that people, you know, people are paying

0:51:56.520 --> 0:51:58.839
<v Speaker 1>to ride in his boat instead of paying to ride

0:51:58.880 --> 0:52:01.840
<v Speaker 1>in her boat because he charges less money. Yeah, I

0:52:01.920 --> 0:52:04.719
<v Speaker 1>think that's that's the case. Anyway, she she has an

0:52:04.719 --> 0:52:07.200
<v Speaker 1>informed and bio Betty. I have to say, bio Betty

0:52:07.280 --> 0:52:10.200
<v Speaker 1>feels kind of like a like an Amy Sedaris character,

0:52:10.360 --> 0:52:13.279
<v Speaker 1>Like like this could be an Amy Sedaris character. That's

0:52:13.320 --> 0:52:15.640
<v Speaker 1>the best way I can describe it. By you. Betty

0:52:15.840 --> 0:52:19.240
<v Speaker 1>is a. Yeah, she's a She's a tough, violent Cajun

0:52:19.360 --> 0:52:25.239
<v Speaker 1>woman who enjoys threatening and punching people. And uh, there's

0:52:25.360 --> 0:52:26.920
<v Speaker 1>there are a number of things that make me think

0:52:27.000 --> 0:52:30.040
<v Speaker 1>that the makers of this movie believed that Louisiana is

0:52:30.160 --> 0:52:34.640
<v Speaker 1>located within, uh like the forested part of southern Mexico

0:52:35.239 --> 0:52:38.480
<v Speaker 1>because it has Cajun river guides. And then Ray the

0:52:38.560 --> 0:52:42.800
<v Speaker 1>Crnshaw henchman, he's plausibly a Louisiana guy too. He like

0:52:42.880 --> 0:52:45.680
<v Speaker 1>he's got a very crawled ad kind of energy. So

0:52:45.760 --> 0:52:47.680
<v Speaker 1>I don't know what's going on. But where we go

0:52:47.800 --> 0:52:49.919
<v Speaker 1>to next is is great, Like it feels like something

0:52:49.960 --> 0:52:52.960
<v Speaker 1>out of a Popeye cartoon. Because Denis probably is entered.

0:52:53.120 --> 0:52:56.120
<v Speaker 1>She needs to hire a riverboat guide, and so how

0:52:56.160 --> 0:52:57.759
<v Speaker 1>are you going to determine this? So are you gonna

0:52:57.760 --> 0:53:00.480
<v Speaker 1>look at the resumes? No? No, She just comes in

0:53:00.560 --> 0:53:03.520
<v Speaker 1>and says, hey, I need the toughest guide to this river.

0:53:04.200 --> 0:53:07.239
<v Speaker 1>And I guess Bayou Betty. You know she's she's she's

0:53:07.280 --> 0:53:09.440
<v Speaker 1>all about action. She she puts her money where her

0:53:09.480 --> 0:53:12.399
<v Speaker 1>mouth is. She hauls off and slugs her own French

0:53:12.480 --> 0:53:15.160
<v Speaker 1>henchman in the jaw and then just a big fight

0:53:15.239 --> 0:53:18.560
<v Speaker 1>immediately breaks out. Everybody in the cantina starts punching each other.

0:53:18.920 --> 0:53:21.920
<v Speaker 1>People are slamming glass bottles and smashing each other of

0:53:22.000 --> 0:53:25.640
<v Speaker 1>her tables. Why I don't know, but it's great. But

0:53:25.760 --> 0:53:28.480
<v Speaker 1>not Harry Fontana. Now he he ducks behind the bar,

0:53:29.080 --> 0:53:32.680
<v Speaker 1>helps himself to a little free alcohol, and waits till

0:53:33.440 --> 0:53:37.160
<v Speaker 1>everybody has kind of fought themselves into a stupor. Uh,

0:53:37.360 --> 0:53:40.200
<v Speaker 1>and then smashes a bottle on the back of Bio

0:53:40.320 --> 0:53:44.239
<v Speaker 1>Betty's head. Now he's the clear winner, he claims the business. Right,

0:53:44.520 --> 0:53:47.440
<v Speaker 1>he out skunked them all. He proved his worth worthiness

0:53:47.480 --> 0:53:50.840
<v Speaker 1>by being a coward and a thief. Yes. Uh. And

0:53:50.920 --> 0:53:54.760
<v Speaker 1>then from here, for the next approximately thirty six hours,

0:53:54.920 --> 0:53:58.759
<v Speaker 1>this movie becomes the saga of boat. Yeah. Yeah, it's

0:53:58.840 --> 0:54:02.239
<v Speaker 1>just there's there's boats chasing each other, running for people

0:54:02.239 --> 0:54:05.759
<v Speaker 1>falling out of boats, people climbing into boats, stuff exploding

0:54:05.840 --> 0:54:09.120
<v Speaker 1>next to boats, boats exploding. Uh, just any variation on

0:54:09.200 --> 0:54:11.840
<v Speaker 1>the theme you might be looking for eliminators has it.

0:54:12.200 --> 0:54:14.200
<v Speaker 1>And then you think the boat chase is over, and

0:54:14.239 --> 0:54:16.720
<v Speaker 1>then the next scene is like the characters start talking

0:54:16.800 --> 0:54:20.440
<v Speaker 1>and then a new boat chase starts. But that's kind

0:54:20.440 --> 0:54:22.960
<v Speaker 1>of great because so after the cantina scene, I was like,

0:54:23.040 --> 0:54:25.040
<v Speaker 1>oh my god, I love by You Betty. I was

0:54:25.120 --> 0:54:27.359
<v Speaker 1>so afraid she would just vanish from the movie here

0:54:27.440 --> 0:54:29.239
<v Speaker 1>and that would be all the by You Betty we get.

0:54:29.400 --> 0:54:32.759
<v Speaker 1>But middle stretch of the movie is mostly like so

0:54:32.880 --> 0:54:35.719
<v Speaker 1>it's Harry Fontana, the river rat, trying to figure out

0:54:35.960 --> 0:54:38.759
<v Speaker 1>what it is that that that the band droid and

0:54:38.840 --> 0:54:40.880
<v Speaker 1>Denise Crosby or after you know, he's like do you

0:54:40.960 --> 0:54:43.080
<v Speaker 1>want gold? You want diamonds? What are you doing here?

0:54:43.640 --> 0:54:46.640
<v Speaker 1>And then meanwhile by You Betty is chasing them in

0:54:46.760 --> 0:54:50.520
<v Speaker 1>a fleet of boats with armed henchmen, all apparently so

0:54:50.719 --> 0:54:54.680
<v Speaker 1>she can have their fair Like she's hunting them down

0:54:54.880 --> 0:54:58.000
<v Speaker 1>with all these weapons so so that she can convince

0:54:58.120 --> 0:55:00.799
<v Speaker 1>them to ride into her boat instead of is yeah,

0:55:00.840 --> 0:55:03.560
<v Speaker 1>I mean she must be. She must be working up

0:55:03.600 --> 0:55:06.000
<v Speaker 1>to wanting to cut off the treasure, because that's ultimately

0:55:06.080 --> 0:55:08.640
<v Speaker 1>what Fontana is all about. Too. He's like, he thinks

0:55:08.719 --> 0:55:11.080
<v Speaker 1>this is about gold. This is about, you know, something

0:55:11.160 --> 0:55:14.560
<v Speaker 1>from some other jungle adventure movie, some sort of ancient

0:55:14.640 --> 0:55:17.239
<v Speaker 1>treasure situation, and he wants a cut of it. That's

0:55:17.600 --> 0:55:19.759
<v Speaker 1>that's where he's going to really excel. But of course

0:55:19.760 --> 0:55:21.960
<v Speaker 1>they're all wrong. This There is no gold. This is

0:55:22.040 --> 0:55:25.560
<v Speaker 1>a this is a mission of elimination. Uh not not

0:55:25.960 --> 0:55:28.480
<v Speaker 1>not treasure hunting. Right, but along the way we get

0:55:28.560 --> 0:55:31.799
<v Speaker 1>lots of boat stunts and boat chases. Oh and then

0:55:31.880 --> 0:55:34.840
<v Speaker 1>I thought was part of the scene is Harry Fontana

0:55:35.000 --> 0:55:39.719
<v Speaker 1>learning valuable lessons about overcoming sexist attitudes, because at one

0:55:39.800 --> 0:55:43.760
<v Speaker 1>point they're they're trying to fight off Bayou Betty's henchman,

0:55:44.360 --> 0:55:47.160
<v Speaker 1>and uh, somebody needs to drive the boat. And Denise

0:55:47.239 --> 0:55:49.320
<v Speaker 1>Crosby's like, I can drive the boat and he's like,

0:55:49.480 --> 0:55:52.480
<v Speaker 1>you can't drive it. You're a woman. So he um.

0:55:52.680 --> 0:55:56.280
<v Speaker 1>But then the man Droid like shames him into relenting.

0:55:56.400 --> 0:56:02.880
<v Speaker 1>The man Droid literally yells at him that's wrong. Uh.

0:56:03.000 --> 0:56:05.680
<v Speaker 1>And then the same pattern is repeated with fixing the

0:56:05.760 --> 0:56:08.480
<v Speaker 1>boat's engine. Uh he he doesn't know what he's doing.

0:56:08.560 --> 0:56:11.080
<v Speaker 1>But Denise Crossby comes in she can fix it, which

0:56:11.160 --> 0:56:14.160
<v Speaker 1>she does by grabbing out of his hand what looks

0:56:14.239 --> 0:56:16.400
<v Speaker 1>like a bottle of white wine. I think it's supposed

0:56:16.440 --> 0:56:19.120
<v Speaker 1>to be liquor, but it's like yellow colored, and then

0:56:19.200 --> 0:56:22.080
<v Speaker 1>she pours it into the engine somewhere Yeah and yeah,

0:56:22.160 --> 0:56:25.200
<v Speaker 1>somehow fixes it with what seems to be to the

0:56:25.360 --> 0:56:28.839
<v Speaker 1>alchemy or something. I don't know. She fixes it if

0:56:28.920 --> 0:56:31.120
<v Speaker 1>it starts again. Like nobody has ever said to me,

0:56:31.200 --> 0:56:33.040
<v Speaker 1>Are you haven't trouble getting your car to start? Have

0:56:33.200 --> 0:56:36.720
<v Speaker 1>you tried pouring just alcohol on the motor? That seems

0:56:36.760 --> 0:56:38.439
<v Speaker 1>to work? It works in this one film I saw.

0:56:38.719 --> 0:56:41.280
<v Speaker 1>There was one part where I didn't understand what was happening,

0:56:41.360 --> 0:56:45.080
<v Speaker 1>But like that they are driving and Fontana keeps wildly,

0:56:45.280 --> 0:56:48.200
<v Speaker 1>like causing the boat to veer back and forth instead

0:56:48.239 --> 0:56:50.719
<v Speaker 1>of driving it in a straight line, and they're like,

0:56:50.920 --> 0:56:52.920
<v Speaker 1>ease up, and then he goes, this is what you

0:56:53.080 --> 0:56:55.320
<v Speaker 1>hired me for. And I don't know what that means

0:56:55.440 --> 0:56:58.719
<v Speaker 1>or why any of it's happening, but anyway, there are

0:56:58.760 --> 0:57:01.600
<v Speaker 1>a bunch more boat chases is eventually, uh, the man

0:57:01.680 --> 0:57:04.400
<v Speaker 1>Droid has to intervene to get them to escape by

0:57:04.440 --> 0:57:08.720
<v Speaker 1>you Betty's goons by shooting a torpedo at Betty's boat.

0:57:09.120 --> 0:57:12.080
<v Speaker 1>And then of course Fontana is like, whoa wait a minute,

0:57:12.239 --> 0:57:14.279
<v Speaker 1>I saw you shoot a torpedo out of your arm.

0:57:14.719 --> 0:57:16.760
<v Speaker 1>And then he gets the man Droid reveal, like he

0:57:16.840 --> 0:57:20.800
<v Speaker 1>takes off his poncho and it's he's a man droid, um.

0:57:21.160 --> 0:57:23.280
<v Speaker 1>And then there are more boat chases, this time with

0:57:23.480 --> 0:57:27.280
<v Speaker 1>Ray you know, our Crnshaw guy. And basically for the

0:57:27.360 --> 0:57:29.360
<v Speaker 1>rest of the movie, they're just on the mission with

0:57:29.560 --> 0:57:33.919
<v Speaker 1>various little vignettes and boat things happening. Uh. So maybe

0:57:34.000 --> 0:57:36.480
<v Speaker 1>we could just go a little bit less seen by

0:57:36.520 --> 0:57:39.280
<v Speaker 1>seeing here and describe some of the standout vignettes from

0:57:39.360 --> 0:57:41.680
<v Speaker 1>the mission. I'd say one of the big ones, of course,

0:57:41.800 --> 0:57:45.000
<v Speaker 1>is meeting our final member of the turbo team, Kuji

0:57:45.160 --> 0:57:48.760
<v Speaker 1>the Ninja. Yes, who is um? Is he supposed to

0:57:48.760 --> 0:57:51.480
<v Speaker 1>be the son of the good scientists from earlier. Yes,

0:57:51.640 --> 0:57:55.000
<v Speaker 1>he's the son of Dr Takata, right, and so he's

0:57:55.160 --> 0:58:01.080
<v Speaker 1>he's he's on on location here, I guess for vengeance.

0:58:01.560 --> 0:58:04.160
<v Speaker 1>This is a vengeance mission for him, and do they do.

0:58:04.240 --> 0:58:08.040
<v Speaker 1>They explicitly say he's a ninja. Yeah, I don't remember it.

0:58:08.360 --> 0:58:11.600
<v Speaker 1>Kung fu is alluded to by Fontana, but I mean

0:58:11.640 --> 0:58:14.200
<v Speaker 1>it's it's clear that Couji is very good with weapons

0:58:14.320 --> 0:58:17.400
<v Speaker 1>and fighting. There's a big, big fight scene that takes place.

0:58:17.680 --> 0:58:21.160
<v Speaker 1>Oh yeah, he's got an unlock. Yeah, now, Rob, what

0:58:21.360 --> 0:58:24.640
<v Speaker 1>did you make? There was one part where where I

0:58:24.880 --> 0:58:27.880
<v Speaker 1>was like, what is going on? But it was when

0:58:27.960 --> 0:58:31.680
<v Speaker 1>the Turbo team is captured by the caveman from the

0:58:31.760 --> 0:58:35.720
<v Speaker 1>Geico commercials uh and this is this is the part

0:58:35.760 --> 0:58:38.480
<v Speaker 1>where Ginese cross they get captured in Denise Crosby's like

0:58:38.520 --> 0:58:41.800
<v Speaker 1>they look like Neanderthals. Um, But of course we we

0:58:41.920 --> 0:58:44.240
<v Speaker 1>figure out that they are. They are here for some

0:58:44.360 --> 0:58:49.000
<v Speaker 1>reason because they have been brought here through time travel experiments. Yeah,

0:58:49.200 --> 0:58:51.560
<v Speaker 1>that's that's really all I had to go on, Like

0:58:51.680 --> 0:58:55.520
<v Speaker 1>he must have retrieved some Neanderthals and just like let

0:58:55.600 --> 0:58:58.040
<v Speaker 1>them go, or they escaped and on their living wild

0:58:58.360 --> 0:59:01.400
<v Speaker 1>or maybe he he is like, well, I'll just introduced

0:59:01.440 --> 0:59:03.640
<v Speaker 1>them into the area and they'll sort of serve as

0:59:03.680 --> 0:59:05.920
<v Speaker 1>a buffer between me and any you know, people that

0:59:06.400 --> 0:59:09.560
<v Speaker 1>show up to mess with my science. I don't know, um,

0:59:09.760 --> 0:59:12.400
<v Speaker 1>but they're there, and uh, and the makeup effects, though

0:59:12.480 --> 0:59:16.440
<v Speaker 1>I'm not sure how accurate they truly are regarding Neanderthals.

0:59:16.880 --> 0:59:20.560
<v Speaker 1>It's pretty good basic cave you know, it's pretty good

0:59:20.880 --> 0:59:23.800
<v Speaker 1>cave man makeup. They look pretty good. So they're they're

0:59:23.840 --> 0:59:28.640
<v Speaker 1>played more for comic relief, I think than a serious threat. Well, anyway,

0:59:28.920 --> 0:59:30.960
<v Speaker 1>a bunch of other stuff happens. We we find out

0:59:31.040 --> 0:59:33.800
<v Speaker 1>some things about Man Droid's past. He at one point,

0:59:33.880 --> 0:59:37.360
<v Speaker 1>Denise Crosby like dives into a crashed plane to retrieve

0:59:37.520 --> 0:59:40.240
<v Speaker 1>a family photo. I think this was the plane that

0:59:40.560 --> 0:59:44.160
<v Speaker 1>the man who Mandroid was before he was Droid. Id uh,

0:59:44.720 --> 0:59:46.320
<v Speaker 1>you know that this is the plane he flew and

0:59:46.440 --> 0:59:49.800
<v Speaker 1>his family photo is in there. And so some more

0:59:49.880 --> 0:59:52.120
<v Speaker 1>things happen, but eventually we get down to the final

0:59:52.200 --> 0:59:56.560
<v Speaker 1>confrontation with Abbott Reeves with roy De Trees, who is

0:59:56.680 --> 1:00:00.240
<v Speaker 1>now a full on cyborg himself and nearly invincible. You know.

1:00:00.320 --> 1:00:03.240
<v Speaker 1>They shoot stuff at him and he just easily deflects it.

1:00:03.400 --> 1:00:05.920
<v Speaker 1>It's it seems like he's unbeatable. How will they ever

1:00:06.000 --> 1:00:09.920
<v Speaker 1>defeat him? Yeah, yeah, he's he's fully powered. He's blasting everything.

1:00:10.040 --> 1:00:12.600
<v Speaker 1>He has a what is that? What does he referred

1:00:12.600 --> 1:00:16.000
<v Speaker 1>to a special weapon as it um is an ion

1:00:16.360 --> 1:00:21.400
<v Speaker 1>destroyer or an ion reverse or um. Oh there's the

1:00:21.760 --> 1:00:23.600
<v Speaker 1>thing where he says it will turn the atoms in

1:00:23.680 --> 1:00:26.680
<v Speaker 1>your body inside out. I like that, so of course

1:00:26.720 --> 1:00:29.080
<v Speaker 1>we see it, dude, nothing of the sort. He just

1:00:29.200 --> 1:00:32.880
<v Speaker 1>kind of this The cyborg gets blasted with it a

1:00:32.920 --> 1:00:34.640
<v Speaker 1>few times, and you know, it's just sort of typical

1:00:35.000 --> 1:00:37.200
<v Speaker 1>robot and gets hit with a laser gun sort of affair.

1:00:37.640 --> 1:00:41.480
<v Speaker 1>Uh So, I'm not really believing him all that much

1:00:41.560 --> 1:00:44.600
<v Speaker 1>on the claims regarding this weapon, right, But our our

1:00:44.680 --> 1:00:47.960
<v Speaker 1>heroes fight through his hinchman. But then of course Abbot

1:00:48.080 --> 1:00:50.800
<v Speaker 1>reeves in the end, escapes into his time machine and

1:00:50.880 --> 1:00:53.320
<v Speaker 1>we find out his plan is to travel back in

1:00:53.440 --> 1:00:57.160
<v Speaker 1>time to ancient Rome and crown himself the cyborgs Caesar.

1:00:57.800 --> 1:01:01.320
<v Speaker 1>So can our heroes save history from being borgified? Well,

1:01:01.360 --> 1:01:04.400
<v Speaker 1>at first it looks like no, because he already gets

1:01:04.440 --> 1:01:06.320
<v Speaker 1>into the time machine and he leaves, and they're like,

1:01:06.440 --> 1:01:10.439
<v Speaker 1>he's gone. We can't stop him. But oh wow, oh wow,

1:01:10.600 --> 1:01:14.640
<v Speaker 1>this ending, yeah of Fontana basically saves the day, right

1:01:14.640 --> 1:01:17.200
<v Speaker 1>because they're like, look, it's too late, he's already gone back.

1:01:17.240 --> 1:01:19.040
<v Speaker 1>And then they see the date there on the time

1:01:19.080 --> 1:01:22.120
<v Speaker 1>machine controls and Fontana just starts like hitting the machine,

1:01:22.960 --> 1:01:27.000
<v Speaker 1>essentially vandalizing the machine. And then something happens. Well you

1:01:27.080 --> 1:01:29.040
<v Speaker 1>can say what it is, Well, do we want to

1:01:29.120 --> 1:01:33.120
<v Speaker 1>spoil this terrific and yes we do. UM. So basically, uh,

1:01:33.760 --> 1:01:36.560
<v Speaker 1>instead of going back to uh you know, first century

1:01:36.840 --> 1:01:40.480
<v Speaker 1>uh C E or b C every get which instead

1:01:40.560 --> 1:01:45.120
<v Speaker 1>takes him way back, like like all pretty much all

1:01:45.160 --> 1:01:47.880
<v Speaker 1>the way back, uh you know, not not you know,

1:01:48.000 --> 1:01:53.240
<v Speaker 1>primordial ooze level, but to the silurian Um time period.

1:01:53.600 --> 1:01:56.200
<v Speaker 1>So send him all the way back to to a

1:01:56.240 --> 1:01:59.640
<v Speaker 1>time when there's nothing to conquer, nothing to to to overpower.

1:02:00.200 --> 1:02:03.040
<v Speaker 1>Um and uh, and we we get this wonderful scene

1:02:03.080 --> 1:02:05.920
<v Speaker 1>where he we see the time machine is crashed in

1:02:06.000 --> 1:02:09.320
<v Speaker 1>this primordial landscape. Uh. He gets out of it, and

1:02:09.400 --> 1:02:12.480
<v Speaker 1>then he's like no, because he quickly realizes that he

1:02:12.600 --> 1:02:15.480
<v Speaker 1>has gone far too back in time. There's no way back,

1:02:15.720 --> 1:02:17.960
<v Speaker 1>and now he's the king of nothing. It's a pretty

1:02:18.000 --> 1:02:20.440
<v Speaker 1>killer ending. I should have looked into this before we

1:02:20.480 --> 1:02:22.000
<v Speaker 1>started recording. I don't know if there would have been

1:02:22.040 --> 1:02:25.560
<v Speaker 1>breathable atmosphere at the time. Well, he's all sideboarded up

1:02:25.600 --> 1:02:27.480
<v Speaker 1>at this point, right, So Okay, so he can be

1:02:27.640 --> 1:02:30.240
<v Speaker 1>he'll he'll be fine in a CEO two atmosphere. Maybe,

1:02:30.440 --> 1:02:35.040
<v Speaker 1>I don't know, who are we to doubt the scene

1:02:35.080 --> 1:02:37.560
<v Speaker 1>that we we witness here. I mean there would be

1:02:37.680 --> 1:02:41.680
<v Speaker 1>some things to rule over, right, I mean mostly marine organisms. Yeah,

1:02:43.000 --> 1:02:45.480
<v Speaker 1>it's something. I mean, you know something about babe. By

1:02:45.600 --> 1:02:47.880
<v Speaker 1>day two he might have gotten over into like all right,

1:02:48.400 --> 1:02:50.680
<v Speaker 1>it's it's all right, Reeves, it's not too bad. We're

1:02:51.800 --> 1:02:56.680
<v Speaker 1>you know, the Caesar of slimes with the fish, the

1:02:56.800 --> 1:02:59.640
<v Speaker 1>Caesar of fish. Uh, so we have that going for

1:02:59.760 --> 1:03:02.440
<v Speaker 1>us least. That would have been a great scene. Actually

1:03:02.480 --> 1:03:04.400
<v Speaker 1>he goes to the water's edge and there are these

1:03:04.440 --> 1:03:07.600
<v Speaker 1>weird fish creatures and he's just like kneel before me.

1:03:09.560 --> 1:03:11.800
<v Speaker 1>That would have been good. So it's quite it's quite

1:03:11.800 --> 1:03:13.760
<v Speaker 1>an ending. And it's one of these where like our

1:03:13.840 --> 1:03:17.560
<v Speaker 1>heroes save the day essentially by vandalism and kind of

1:03:17.640 --> 1:03:21.400
<v Speaker 1>through the technicality, like basically the villain one, but they

1:03:22.160 --> 1:03:24.680
<v Speaker 1>found a loophole in his victory. So I would say

1:03:24.720 --> 1:03:28.200
<v Speaker 1>overall this was not a very good movie, but it

1:03:28.400 --> 1:03:32.160
<v Speaker 1>was a goobery good time. Yeah, it's uh, this one's

1:03:32.160 --> 1:03:34.880
<v Speaker 1>a lot of fun. It's real dumb. But in a

1:03:35.000 --> 1:03:39.560
<v Speaker 1>in a wonderfully watchable since so I highly recommend it

1:03:40.000 --> 1:03:43.280
<v Speaker 1>um now. We watched it as part of the the

1:03:43.440 --> 1:03:47.640
<v Speaker 1>excellent shout Factory Sci Fi Movie Marathon DVD set, which

1:03:47.640 --> 1:03:50.560
<v Speaker 1>also includes Arena and two films that I have not

1:03:50.720 --> 1:03:53.840
<v Speaker 1>seen America three thousand and the Time Guardian. I haven't

1:03:53.840 --> 1:03:56.840
<v Speaker 1>seen them either, so no comment. I think Carrie Fisher's

1:03:56.880 --> 1:03:59.640
<v Speaker 1>in one of them. I think she's in the Time Guardian,

1:03:59.680 --> 1:04:02.400
<v Speaker 1>but that's all I know about now. Shout Factory also

1:04:02.480 --> 1:04:06.000
<v Speaker 1>put out Eliminators on Blu Ray, and and eighty eight

1:04:06.080 --> 1:04:10.680
<v Speaker 1>Films did a combo Blu Ray DVD release in I'm

1:04:10.720 --> 1:04:13.520
<v Speaker 1>not sure if Eliminators is streaming anywhere at the moment

1:04:13.600 --> 1:04:15.560
<v Speaker 1>as of this recording, but I think it has popped

1:04:15.640 --> 1:04:17.960
<v Speaker 1>up on places like Prime in the past, so you know,

1:04:18.000 --> 1:04:20.680
<v Speaker 1>if you're if you're looking out on to be or

1:04:20.920 --> 1:04:23.160
<v Speaker 1>in places of that of that nature, you're bound to

1:04:23.160 --> 1:04:25.480
<v Speaker 1>see it pop up eventually. All Right, we're gonna go

1:04:25.480 --> 1:04:27.920
<v Speaker 1>and close it out, But of course we'd love to

1:04:28.000 --> 1:04:29.560
<v Speaker 1>hear from anyone out there if we have any uh

1:04:29.920 --> 1:04:33.200
<v Speaker 1>Eliminators fans out there. Uh, certainly if you saw this

1:04:33.320 --> 1:04:36.800
<v Speaker 1>movie back in the eighties, we'd love to hear from you. Uh.

1:04:37.160 --> 1:04:39.080
<v Speaker 1>If you want to check out other episodes of Weird House,

1:04:39.120 --> 1:04:41.640
<v Speaker 1>Cinema comes out every Friday and the Stuff to Blow

1:04:41.680 --> 1:04:44.560
<v Speaker 1>Your Mind podcast feed were primarily a science podcast, but

1:04:44.720 --> 1:04:47.440
<v Speaker 1>on Friday's we put aside all that serious stuff and

1:04:47.520 --> 1:04:51.280
<v Speaker 1>we just focus in on a weird motion picture. Huge

1:04:51.320 --> 1:04:54.960
<v Speaker 1>thanks as always to our excellent audio producer Seth Nicholas Johnson.

1:04:55.400 --> 1:04:56.920
<v Speaker 1>If you would like to get in touch with us

1:04:57.000 --> 1:04:59.440
<v Speaker 1>with feedback on this episode or any other to suggest

1:04:59.480 --> 1:05:01.720
<v Speaker 1>a topic for future just to say hello, you can

1:05:01.840 --> 1:05:05.120
<v Speaker 1>email us at contact at stuff to Blow your Mind

1:05:05.320 --> 1:05:08.040
<v Speaker 1>dot com. And one more thing I have to say.

1:05:08.080 --> 1:05:10.120
<v Speaker 1>Before I was really familiar with this film at all,

1:05:10.520 --> 1:05:13.200
<v Speaker 1>I heard a sample from it on the track sci

1:05:13.360 --> 1:05:16.720
<v Speaker 1>Fu is um off the Wax Factor album SSI Fu.

1:05:17.240 --> 1:05:18.920
<v Speaker 1>I know this is an artist that now goes by

1:05:18.960 --> 1:05:21.560
<v Speaker 1>the name of Pete Sasquax that's s A s q

1:05:22.040 --> 1:05:24.400
<v Speaker 1>W a X, and he's put out a ton of

1:05:24.440 --> 1:05:26.960
<v Speaker 1>great content over the years. Most of his work is

1:05:27.000 --> 1:05:28.800
<v Speaker 1>currently on band Camp, and I think you can still

1:05:28.880 --> 1:05:32.000
<v Speaker 1>access si Fu the album on Apple Music, but he

1:05:32.080 --> 1:05:33.840
<v Speaker 1>may be putting it out on band Camp in the

1:05:33.960 --> 1:05:37.000
<v Speaker 1>future as well. UH. For all of his links. Check

1:05:37.040 --> 1:05:39.960
<v Speaker 1>out his link tree on his Instagram page. He is

1:05:40.080 --> 1:05:43.800
<v Speaker 1>again Pete Sasquax. That's p E t E s A

1:05:44.080 --> 1:05:47.000
<v Speaker 1>s q w a x. I reached out to him

1:05:47.000 --> 1:05:48.800
<v Speaker 1>and he gave us to go ahead to play part

1:05:48.840 --> 1:05:51.360
<v Speaker 1>of sci Fu is um here. Uh. It has a

1:05:51.520 --> 1:05:55.439
<v Speaker 1>lot of great samples in it, including just a real

1:05:55.560 --> 1:06:03.760
<v Speaker 1>gym of a sample from eliminates anyway anyway, some kind

1:06:03.760 --> 1:06:07.120
<v Speaker 1>of costumes, comic books, comic books, comic books, comic books.

1:06:08.640 --> 1:06:12.280
<v Speaker 1>We got thrown by, we got jay Man, we got

1:06:12.400 --> 1:06:23.720
<v Speaker 1>to sign pau what Brad Ghetow we read then to

1:06:23.720 --> 1:06:31.640
<v Speaker 1>get up Brain lay the rain, yellowbow yarrow, every ever brake,

1:06:32.120 --> 1:06:35.160
<v Speaker 1>but never a brain in the yellow anyway,