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Speaker 1: Blue Leg Cap Podcast special guests in here, my guy

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Speaker 1: bron sooner almost You know, the Viobs be outside every

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Speaker 1: day all the way from New York Cali. You already

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Speaker 1: know the Bronx is in the building. We everywhere. Yeah,

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Speaker 1: that's crazy. You never been on my show though, No,

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Speaker 1: never man, Yeah, no, you've never been on my ship.

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Speaker 1: We did that above all shit. We hung out in

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Speaker 1: New York. We did a corner store bronch old keV

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Speaker 1: make a wish h eleven eleven. You know what's great

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Speaker 1: about that? That's the name of my nightclub. Well crazy,

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Speaker 1: see how it worked? Damn it. You got a new

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Speaker 1: album coming, that's a fact. We dropped February. Yeah, February tenth.

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Speaker 1: Ain't gonna love you for me? Twenty twenty three Viobs

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Speaker 1: new energy, new music. So we're just giving them a

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Speaker 1: new type of vibe. What's the name it's gonna be called?

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Speaker 1: It's my time because I feel like right now it's

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Speaker 1: definitely my time, like after everything I worked for me

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Speaker 1: and the team like we like twenty three, twenty twenty three,

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Speaker 1: that's for greatness. I ain't gonna lie. Yeah, you had

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Speaker 1: a busy twenty twenty two too, obviously you guys put

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Speaker 1: the group project out. Yeah, with you on point like op,

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Speaker 1: Dusty Ross, Well, that's a fag you were You were

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Speaker 1: the only guy not from Brooklyn on that huh Almost definitely, Yeah,

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Speaker 1: And I feel like probably the only person that ever

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Speaker 1: did a table booking people in New York like that

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Speaker 1: for me, especially like speaking from the bunks Britain, bridging

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Speaker 1: the gap right. Yeah, So I feel I was probably

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Speaker 1: the only person to do that in a minute, make

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Speaker 1: a table bookling people, and I feel like it's you

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Speaker 1: not in New York to one for me. Have you

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Speaker 1: been able to chop it up with Dusty since he

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Speaker 1: been locked up? I mean I still see my love ownership,

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Speaker 1: but for me, I ain't really get to speak to him.

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Speaker 1: But when the time is well, I definitely don't speak

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Speaker 1: to him. I mean I think he knew he was

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Speaker 1: going in, so yeah, he gonna be out for a

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Speaker 1: long time. He gonna be real smoothly, gonna turn the

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Speaker 1: shit up again. I never stopped, yall. Do you feel like, finally,

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Speaker 1: in the last year and a half or two, people

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Speaker 1: have because you kind of burst it on the scene

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Speaker 1: as somebody who was really funny online. Do you feel like,

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Speaker 1: now people are starting to see you as like the

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Speaker 1: rapper first, are you getting to respect? You think, because

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Speaker 1: you know, when you come in as like an entertainer, Yeah,

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Speaker 1: you got to kind of earn the respect of the

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Speaker 1: hip hop community a little bit harder. Fine, I feel

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Speaker 1: like now people understand because it's a new lane. Right

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Speaker 1: at first, it wasn't trending because like when you hear

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Speaker 1: music and you hear like while it came from I

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Speaker 1: was doing skits out first, but I was still focused

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Speaker 1: on music on the side. So I feel like that time,

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Speaker 1: entertainment wasn't really lit in the music business because people

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Speaker 1: that was doing drill music and things like that had

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Speaker 1: a different type of side of them. For me, you

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Speaker 1: never get to see the fun side of them, so

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Speaker 1: it was more serious. And that's why I feel like,

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Speaker 1: now you got YouTubers and all these new people. Now

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Speaker 1: it's a new lane for rappers to doc like that.

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Speaker 1: And since I was being the first rapper to do it,

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Speaker 1: it's like I opened the doors for a lot of

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Speaker 1: new artists to be themselves. Yeah, when we think of

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Speaker 1: drill music, we think of like very serious, like you know,

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Speaker 1: aggressive subject matter, and then you got someone like yourself,

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Speaker 1: who's just hilarious. Fact he's not afraid to be like

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Speaker 1: himself because a lot of rappers are afraid to be themselves. Man,

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Speaker 1: they're like, you know, they got to put on this

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Speaker 1: facade or this character when they're on camera. And I

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Speaker 1: feel like you've always kind of been unapologetically yourself. Yeah,

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Speaker 1: I feel like now it's just people Like with music,

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Speaker 1: it's just like maybe the fans tool for me, Like

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Speaker 1: they don't want to like show the fans that side

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Speaker 1: because they feel like the fans not gonna like it.

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Speaker 1: So it's always like a prob thing, like they don't

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Speaker 1: want to lose people for me, like say a nigga,

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Speaker 1: Like you're always serious, it's so open, so how they

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Speaker 1: don't want like right, I think that's the ship that

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Speaker 1: fans like more. But they feel like you're more relatable.

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Speaker 1: And but in life though, it's like everybody will always

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Speaker 1: be like they don't know until you take a risk.

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Speaker 1: Sometime people take that risk. Yeah, I mean I was

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Speaker 1: willing to take that risk, like to do everything like

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Speaker 1: whether it was funny and it was crazy, and they

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Speaker 1: doubted the tools. They never thought I would be able

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Speaker 1: to do it. So now for like Tom is definitely

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Speaker 1: right for me to make music about it and and

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Speaker 1: still be funny with it too. That's I think that's

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Speaker 1: still man who was on the album. Any features, We

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Speaker 1: definitely got a lot of features on it. We got

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Speaker 1: over six features, probably for me. I got Asian Doll,

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Speaker 1: Oh My God, Shai K, Dougie, b C. Blue, I

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Speaker 1: got the forty one kids. It's a lot of features

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Speaker 1: on there. And especially like New York orientated because I

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Speaker 1: feel like as New York, We're always going to stand

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Speaker 1: out for me. A lot of stations for me because

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Speaker 1: a lot of states doing any thing. But when you

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Speaker 1: talk about New York, the drill scene is so impeccable

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Speaker 1: because you got the people from different sides that's doing drill.

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Speaker 1: Like on b you got Lisa Keys, everybody that's doing drill,

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Speaker 1: Kanye West. So I feel like me going back to

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Speaker 1: New York and circling to do songs with these people

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Speaker 1: and sure that we still Yeah, how crazy is it

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Speaker 1: to hear like Alicia Keys singing over a drill beat?

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Speaker 1: Ship's kind of crazy? Right? Growing your Yeah by the day,

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Speaker 1: Like the more is new artist is, the more is new,

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Speaker 1: soiund for the drill genre. It's always gonna grow, It's

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Speaker 1: gonna last too. Would you consider fave Yo to kind

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Speaker 1: of be like the like one of the godfathers of

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Speaker 1: this New York drill ship because I feel like he

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Speaker 1: was kind of one of the first guys, even before Pop.

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Speaker 1: I feel like he kind of was the guy who,

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Speaker 1: like nationally, was making noise. I mean, correct me if

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Speaker 1: I'm wrong. Yeah, I'll give him his flowers. Your he

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Speaker 1: definitely put on for a lot of people, for me,

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Speaker 1: especially in New York, because you did a lot of

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Speaker 1: features your so definite give me flowers for that. Explain

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Speaker 1: to me. Uh well, first of all, kudos to you

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Speaker 1: k Flock and Dougie Beef for being man enough to

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Speaker 1: kind of put issues aside before things get out of

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Speaker 1: hand and get you know, I thought that was a

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Speaker 1: dope thing to see because a lot of artists, we

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Speaker 1: don't see people squashing beef. We see somebody on. You know,

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Speaker 1: especially in New York. People are losing their lives left

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Speaker 1: and right. Man, So I thought that was amazing Considering

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Speaker 1: you guys are off from the Bronx, and I feel

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Speaker 1: like the Bronx in the drill scene, it's not as

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Speaker 1: you know, big as guys from Brooklyn. I mean, you

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Speaker 1: guys are kind of like, you know, waving that flag

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Speaker 1: and to be as a united front. I think that's important.

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Speaker 1: What was behind you guys, you know, burying the hatchet

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Speaker 1: and squashing the beef. I feel like sometimes like miscommunication

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Speaker 1: most of the time. Most of the time like miscommunication,

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Speaker 1: like I met people in person, like for me, like

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Speaker 1: when I met Doug ee B, we talked in person

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Speaker 1: for me. So it's like those type of vials you

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Speaker 1: gotta see because a lot of times it would be

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Speaker 1: the internet. You got the Internet and between people that

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Speaker 1: always could stop a situation like even with like you

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Speaker 1: go back to like like fifties who probably is probably

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Speaker 1: madgit going on with the blows all types of shit.

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Speaker 1: But then you meet people shuit down. It's differently from me.

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Speaker 1: So I feel like you gotta sit down some people

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Speaker 1: and see the bigger picture. So you guys just kind

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Speaker 1: of sat down and were like, Hey, what are we doing?

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Speaker 1: Like nah? Yeah, Like for me, even even with my

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Speaker 1: man's bolguy he said collaborable competition. Like that's a quote

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Speaker 1: that I'm always going feel like that's gonna stand out

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Speaker 1: to me because it's like at the end of the day,

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Speaker 1: when you compete with people, is never gonna last. Because

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Speaker 1: you collab with them, you can make saying yeah, let's

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Speaker 1: get some more money. There's more money in collabing than

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Speaker 1: there is in beefing. Yeah, And that's why I feel

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Speaker 1: like I could be the artist to do that too,

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Speaker 1: because it's like, I don't have a beef with anybody. Like,

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Speaker 1: I don't make dis tracks. I don't make the type

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Speaker 1: of music where people feel like I gotta choose a side.

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Speaker 1: So when I bring all these people together, it's gonna

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Speaker 1: make sense. Yo. Whatever, We got to stop the interview

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Speaker 1: real quick to tell you about our family over at

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Speaker 1: my Bookie. That's right. Lots going on in basketball right now,

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Speaker 1: lots going on in the NFL playoffs are about to start,

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Speaker 1: super Bowls coming up, so much to gamble on. Let's

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Speaker 1: win some money. Go to my Bookie right now. If

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Speaker 1: you sign up for a new account my Bookie dot ag,

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Speaker 1: you can gamble from wherever you're at. Yes, go to

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Speaker 1: my Bookie and use the promo code Bootleg when you

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Speaker 1: sign up for that new account, and they will match

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Speaker 1: your first deposit up to one thousand dollars. That's free

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Speaker 1: money in your pocket that you can gamble with. So

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Speaker 1: if you put a thousand bucks in your account, they're

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Speaker 1: gonna give you another thousand dollars to gamble with. So

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Speaker 1: go to my bookie dot ag right now, sign up

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Speaker 1: with that new account one more time. They will match

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Speaker 1: your first deposit up to one thousand dollars. All right. So,

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Speaker 1: like maybe you want to put two hundred bucks on

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Speaker 1: the Cowboys or some bullshit to win the Super Bowl.

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Speaker 1: You're gonna lose that money because fuck the Cowboys. But

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Speaker 1: let's say you do want to put some money on

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Speaker 1: the Cowboys. You sign up, you put two hundred dollars,

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Speaker 1: they give you another two hundred on top of that

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Speaker 1: free money to gamble with. Is called the double deposit bonus,

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Speaker 1: and you can only get it by using the promo

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Speaker 1: code Bootleg. So go to my Bookie right now, sign

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Speaker 1: up for an account. Let's get back to the interview. Yeah,

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Speaker 1: I do think that like you do stand out in

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Speaker 1: that way amongst your peers who make drill music as

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Speaker 1: to where a lot of your music subject matter isn't

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Speaker 1: necessarily uh derived in killing motherfuckers, you know what. And

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Speaker 1: it's like for me, granted, like my music is still

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Speaker 1: gonna make people adrenaline. Course, of course, you got so

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Speaker 1: much energy you can still you can still go crazy

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Speaker 1: to my music, but not necessarily to the point where

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Speaker 1: you gotta let me go out the window for that.

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Speaker 1: You can just still get crazy. Do you feel like,

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Speaker 1: in general, some of the guys in the drill scene

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Speaker 1: are kind of maturing because you know, there has been

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Speaker 1: people who have lost their lives, not anybody associated with you,

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Speaker 1: per se, but I just mean in terms of, like,

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Speaker 1: you know, now that you got guys like the uh

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Speaker 1: the new mayor of New York talking about banning drill

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Speaker 1: music and certain radio stations saying we won't play certain

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Speaker 1: drill music. Do you feel like collectively the scene is

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Speaker 1: starting to kind of realize, like there's more money if

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Speaker 1: we don't hurt each other and if we kind of

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Speaker 1: just I just feel like niggas wiping themselves out. Niggas

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Speaker 1: niggas because people who got understand like when you worry

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Speaker 1: about little ship, you're not gonna last out here, you

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Speaker 1: So I feel like it's the people that's that's that's

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Speaker 1: open touch now is the people that still here. You

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Speaker 1: know its gonna be new uties. So I feel like

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Speaker 1: the drill scene is not getting clear. It's just people

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Speaker 1: not lasting. So it's not that much people rapping out that,

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Speaker 1: you know what I mean. So I'm just wanted a

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Speaker 1: few to be still doing this because I feel like

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Speaker 1: I stay in my lane. I don't got to feed

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Speaker 1: into the negativity. So it's like and it's laying. You

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Speaker 1: gotta just know how to last. Have you had a

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Speaker 1: big homie in the rap game in New York just

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Speaker 1: put his arm around you and give you some game.

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Speaker 1: But you know I got good management, I got a

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Speaker 1: good family. You do have great manag I guy both.

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Speaker 1: I mean, like any any o g rappers like a

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Speaker 1: Fat Joe or like just watching growing up? No no, no,

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Speaker 1: like somebody who you who co signed, reached out you

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Speaker 1: know what, you know what it is When you do

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Speaker 1: it independently, you learn more. So it's like me being

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Speaker 1: an independent all this and just even know with some

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Speaker 1: different labels, it's like it's all the s is that's

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Speaker 1: doing ship, but they never get the experience to be

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Speaker 1: hands on. So when you hands on ship, you get

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Speaker 1: to see. So I'm learning everything. So a lot of

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Speaker 1: these artists don't know. So I'll get to talk to

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Speaker 1: them and see what I could do. You know, like,

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Speaker 1: I mean you obviously you're I was gonna say, like

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Speaker 1: you are very uh in terms of your your ceiling.

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Speaker 1: I feel like it's like superstartup because of your personality.

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Speaker 1: Would you ever consider acting doing movies ship like that? Nah,

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Speaker 1: most definitely. I ain't gonna lie. Like when the time

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Speaker 1: is right, whinning it makes sense, I'm definitely gonna do that,

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Speaker 1: Like I'm just waiting for the opportunity. Hell yeah, that'd

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Speaker 1: be crazy. Would you do it on a TV show

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Speaker 1: or some shit? I have an on TV show for

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Speaker 1: me be seting o girls backs, like I have my

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Speaker 1: own shit, yo yo. What is the one skit you've

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Speaker 1: done that you got the most backlash about or negative

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Speaker 1: feedback when people are like, what the fuck are you doing?

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Speaker 1: Because you've had some wild skits? Probably the new shit

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Speaker 1: the horse challenge, Like I feel like, oh, they got

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Speaker 1: the buleg coming over, bu Leg slide that thing back

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Speaker 1: of there you go, it's right on now years So

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Speaker 1: now I feel like the horse challenge because you got

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Speaker 1: some people that I haven't seen it, So what is it?

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Speaker 1: It's called the horse challenge where I'm sitting on girls

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Speaker 1: backs because I don't got a permit or license. So

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Speaker 1: when I sit on the girl back, it's transportation. Wait wait,

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Speaker 1: so and she like, she like travels for travels, so

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Speaker 1: she's like your horse. She's my horse for me. So

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Speaker 1: now it's the horse back challenge. But I feel like

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Speaker 1: that's that's something that people got to understand from me,

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Speaker 1: because you know, you got to that's that's my kind

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Speaker 1: of humor. That's about to go vital, maybe for the

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Speaker 1: wrong reason, but I'm with it. Yeah for me. That's

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Speaker 1: why it's like for me, it's however you look at it,

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Speaker 1: but how much you weigh like a buck buck fifty

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Speaker 1: buck fifty five? Now probably like one seventy one sixty eight.

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Speaker 1: I ain't gonna lie probably right now. I don't know.

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Speaker 1: I definitely got to rue the horseback challenge. Yeah, I'm

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Speaker 1: getting on any girl back and she let mean, I

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Speaker 1: love that. A lot of girls got strewn backs. I mean, yeah,

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Speaker 1: are you? Are you single at this point in time?

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Speaker 1: Ron are you? I'm not gonna say I single. I'm

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Speaker 1: having fun. You're having fun. I'm having fun. That's important.

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Speaker 1: I'm young, you are young. I have fun. I settle

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Speaker 1: How much music are you currently sitting on outside of

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Speaker 1: the album. We know the album's coming. How many songs

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Speaker 1: is that? And then I'm sure you got hard drives

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Speaker 1: for shit? Every time I go to the studio, do

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Speaker 1: it soon, So you got a lot of music. Literally

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Speaker 1: every time in my life that I went to the studio,

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Speaker 1: I did a song, like if the studios booked for

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Speaker 1: like me, Yeah, I did a song. So I feel

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Speaker 1: like that's like a thousand over a thousands. So what's

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Speaker 1: your writing process? Do you punch in or do you

283
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Speaker 1: write down a freestyle? So you're doing like you do

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Speaker 1: line by line? Yes, well most the majority of the time,

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Speaker 1: I just come up with the hook. Okay, I come

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Speaker 1: up with the hook. I try to make it catch

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Speaker 1: you like. Sometimes it depends on the beat too, you know,

288
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Speaker 1: like sometimes it can be a hit or miss because

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Speaker 1: music is not gonna always be one hundred percent. So

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Speaker 1: like I feel like with beats, if they beat massed,

291
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Speaker 1: my personality is gonna be a hit, so it's gonna

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Speaker 1: be natural. I go on the booth, I make a

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00:14:08,200 --> 00:14:12,839
Speaker 1: hook that ship that as voted as natural. Brould of

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Speaker 1: got Yeah, I feel like you do have a you

295
00:14:16,280 --> 00:14:20,120
Speaker 1: do have a a proclivity for hooks for sure. I

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Speaker 1: feel like to fans for me, yeah, even with Graba,

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Speaker 1: what they're gonna say, Even with the remix, I feel

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Speaker 1: like that remix got so much viewsual to throws the

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Speaker 1: original one right for me, Like shout out to the

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Speaker 1: Skilly band, shouts for me. Everybody that did they think

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Speaker 1: on the remix, But I had the best remix. I

302
00:14:38,480 --> 00:14:41,000
Speaker 1: ain't go lie like you don't make the catchy as soon.

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Speaker 1: You know what's crazy is the first time I ever

304
00:14:43,160 --> 00:14:45,040
Speaker 1: see someone smoke a split in my life is when

305
00:14:45,080 --> 00:14:47,360
Speaker 1: I saw you do it well, because that's some real

306
00:14:47,520 --> 00:14:50,320
Speaker 1: East Coast shape, is no backwards. I saw you like

307
00:14:50,880 --> 00:14:54,080
Speaker 1: rolling a cigarette. It was weird with like the leaf

308
00:14:54,200 --> 00:14:58,920
Speaker 1: chopped up in it. What the fuck these broncass? Yeah,

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00:14:59,040 --> 00:15:01,200
Speaker 1: that's the movie I go a lot. That's how I

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00:15:01,280 --> 00:15:03,680
Speaker 1: feel like. You got to smoke out here because you

311
00:15:03,720 --> 00:15:05,320
Speaker 1: can control your blood like I feel like with a

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00:15:05,400 --> 00:15:08,640
Speaker 1: backwood you can't even control. Do you have a paper right,

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Speaker 1: and then you put the weed in it and then

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00:15:10,360 --> 00:15:12,800
Speaker 1: you chop up the grabble leaf. I mean it should

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00:15:12,840 --> 00:15:15,200
Speaker 1: come up already like chopped up. Okay, okay, So the

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00:15:16,040 --> 00:15:17,240
Speaker 1: so you go to the store and there's just a

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00:15:17,320 --> 00:15:19,920
Speaker 1: chopped grabble leaf you buy and then you sprinkle that

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00:15:20,040 --> 00:15:23,600
Speaker 1: in roll it up. Yeah, that should go crazy. So

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00:15:23,680 --> 00:15:26,720
Speaker 1: it's like fifty percent cigarette fifty percent blunt. That's that's

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Speaker 1: like a different rollers Like I'm full of bunks. I

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Speaker 1: smoked weed. Yeah, okay, but I'll put the glob in

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Speaker 1: the right place. Nice look at you. That's the ratio. Yeah,

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00:15:44,680 --> 00:15:48,360
Speaker 1: a lot of you know, I smove good weed. You're like, hey,

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Speaker 1: what ups? Blue leg cav here to stop the interview

325
00:15:50,600 --> 00:15:53,680
Speaker 1: and tell you about blute you. Yes, do you have

326
00:15:53,760 --> 00:15:57,200
Speaker 1: a dick? Does your husband have a dick? Maybe? Does

327
00:15:57,240 --> 00:15:59,600
Speaker 1: your boyfriend got a dick? Does your wife have a dick?

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00:15:59,640 --> 00:16:04,440
Speaker 1: Who knows? Um, it could be harder. I'll tell you that. Yeah.

329
00:16:04,480 --> 00:16:06,360
Speaker 1: Blue cho will get your dick real hard to kick

330
00:16:06,400 --> 00:16:09,120
Speaker 1: off that new year. You know what I'm saying. If

331
00:16:09,160 --> 00:16:14,320
Speaker 1: you want your dick harder than advanced trigonometry senior year

332
00:16:14,440 --> 00:16:17,280
Speaker 1: high school, then go to blue choo dot com right now,

333
00:16:17,920 --> 00:16:21,280
Speaker 1: use the promo code Bootleg and get one month's supply

334
00:16:21,880 --> 00:16:26,000
Speaker 1: for free. That's right free. All you gotta do is

335
00:16:26,040 --> 00:16:29,200
Speaker 1: pay five dollars in shipping. They're gonna deliver the blue

336
00:16:29,280 --> 00:16:33,240
Speaker 1: chee right to your fucking door in discrete packaging, all right,

337
00:16:33,440 --> 00:16:39,160
Speaker 1: same active ingredient as viagrincialis in a chewable form, very

338
00:16:39,280 --> 00:16:42,840
Speaker 1: discrete packaging, mail to your house. You don't have to

339
00:16:42,920 --> 00:16:45,760
Speaker 1: go to a doctor's appointment in person with anybody. You

340
00:16:45,800 --> 00:16:50,200
Speaker 1: don't have to worry about embarrassing conversations with strangers about

341
00:16:50,240 --> 00:16:53,520
Speaker 1: your fucking dick. Bro, nobody wants to talk about their

342
00:16:53,600 --> 00:16:57,040
Speaker 1: dick with a stranger. I take that back. I take

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00:16:57,120 --> 00:17:00,280
Speaker 1: that back. Lots of people like to talk about their

344
00:17:00,320 --> 00:17:04,240
Speaker 1: dicks with strangers. If you're not that kind of guy

345
00:17:04,680 --> 00:17:08,800
Speaker 1: or girl or them, all you gotta do is go

346
00:17:08,920 --> 00:17:12,840
Speaker 1: to Blue Cheo right now and use the promo code Bootleg,

347
00:17:13,320 --> 00:17:14,920
Speaker 1: and you're gonna get it sent straight to your door.

348
00:17:15,200 --> 00:17:18,160
Speaker 1: That's right. They also got the new mint chewable that's

349
00:17:18,240 --> 00:17:21,719
Speaker 1: the same active ingredients as levitra. So there's a lot

350
00:17:21,800 --> 00:17:23,760
Speaker 1: of options to get your dick right in the new year.

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00:17:23,800 --> 00:17:27,640
Speaker 1: It's twenty twenty three. Yeah, your dick shouldn't be flaccid

352
00:17:27,840 --> 00:17:32,000
Speaker 1: after a nice, long, stressful night. No, your dick should

353
00:17:32,040 --> 00:17:34,119
Speaker 1: be ready. You don't want to be a you know,

354
00:17:34,280 --> 00:17:37,840
Speaker 1: a victim of too much stress, too much anxiety, and

355
00:17:37,880 --> 00:17:40,159
Speaker 1: then you look down and you can't stay hard. You

356
00:17:40,280 --> 00:17:43,600
Speaker 1: imagine how fucking embarrassing that is. You get yourself a nice, lovely,

357
00:17:43,720 --> 00:17:46,760
Speaker 1: fucking young lady, you bring her to the place you're nervous.

358
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Speaker 1: She's a little maybe she's a little out of your

359
00:17:48,960 --> 00:17:52,320
Speaker 1: fucking league, and you start thinking too much and that

360
00:17:52,440 --> 00:17:55,639
Speaker 1: dick's not gonna perform. It's not it's not gonna perform

361
00:17:55,680 --> 00:17:57,639
Speaker 1: how you'd like it to. But you know how it

362
00:17:57,720 --> 00:18:01,520
Speaker 1: will perform. If you're on that fucking blue You're gonna

363
00:18:01,560 --> 00:18:05,320
Speaker 1: put in a fucking luka donkic sixty one point fucking

364
00:18:05,400 --> 00:18:08,000
Speaker 1: performance on that pussy. All right, So go to blue

365
00:18:08,080 --> 00:18:10,800
Speaker 1: Cheo dot com right now, use that promo code Bootleg.

366
00:18:11,000 --> 00:18:13,879
Speaker 1: Let's get back to the interview. I mean, this is

367
00:18:13,920 --> 00:18:17,399
Speaker 1: what's kind of crazy about New York now, because the

368
00:18:17,480 --> 00:18:20,720
Speaker 1: first time I met you was like the day after

369
00:18:21,040 --> 00:18:24,159
Speaker 1: it became legal. It was like the day right Cyrus,

370
00:18:24,240 --> 00:18:25,760
Speaker 1: when were we out there, like the day it happened.

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Speaker 1: So I didn't get to really see, like I just

372
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Speaker 1: went back and that ship is the wild wild West.

373
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Speaker 1: Like you go to the fucking the bodega and there's

374
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Speaker 1: fucking a jar of weed behind the fucking counter and

375
00:18:40,480 --> 00:18:43,400
Speaker 1: they're selling eighths at at like every random corner store

376
00:18:43,440 --> 00:18:46,200
Speaker 1: in New York City. If there's fucking tables full of

377
00:18:46,280 --> 00:18:49,440
Speaker 1: that shit at the park, Like we're in the middle

378
00:18:49,440 --> 00:18:57,360
Speaker 1: of an interview, bro Yost, it's a girl, now, send

379
00:18:57,400 --> 00:19:02,600
Speaker 1: your boy out. It's a good the pussy pulled up.

380
00:19:04,520 --> 00:19:07,400
Speaker 1: The Cali puss has slid. Yeah, but what was saying.

381
00:19:07,760 --> 00:19:10,640
Speaker 1: I'm saying that the weed is everywhere in New York. Yeah,

382
00:19:10,720 --> 00:19:14,919
Speaker 1: niggas getting weed anywhere, but it's every even mushrooms is everywhere.

383
00:19:15,080 --> 00:19:16,879
Speaker 1: Why can you hear about mushrooms? Though? What? What's up?

384
00:19:17,119 --> 00:19:20,199
Speaker 1: The shrooms is every up? Like that's like accessible now?

385
00:19:20,720 --> 00:19:25,479
Speaker 1: Yeah in New York City is legal? Smoos is legal? Bro,

386
00:19:25,680 --> 00:19:27,080
Speaker 1: I don't know. I just know they were selling them.

387
00:19:27,200 --> 00:19:30,000
Speaker 1: Why I keep I feel like everybody's taking shrooms and

388
00:19:30,160 --> 00:19:34,000
Speaker 1: this ship like it's so trending right now, like somebody

389
00:19:34,200 --> 00:19:36,640
Speaker 1: like I feel like I get asked, have you tried

390
00:19:36,640 --> 00:19:39,320
Speaker 1: any No? Why not? Because I just smoke weed and

391
00:19:39,359 --> 00:19:41,080
Speaker 1: I trink a little bit of like if I'm live,

392
00:19:41,160 --> 00:19:47,119
Speaker 1: like so you won't do like heroin, We can't shoot

393
00:19:47,240 --> 00:19:53,760
Speaker 1: up after this do some real seventies white but it's crazy.

394
00:19:54,359 --> 00:19:57,120
Speaker 1: Smoke some mac lot. These vibors probably be doing ship

395
00:19:57,640 --> 00:20:02,600
Speaker 1: like theseus smoked so much. These rappers definitely be coked

396
00:20:02,600 --> 00:20:05,560
Speaker 1: out of their fucking brain. Now, I don't know about heroin.

397
00:20:05,640 --> 00:20:07,720
Speaker 1: I don't know anybody who's doing heroin. Heroin. I never

398
00:20:07,800 --> 00:20:09,720
Speaker 1: met a person that did that. Most rappers do a

399
00:20:09,800 --> 00:20:13,400
Speaker 1: lot of cocaine. Yeah, I just allowed whatever keep them

400
00:20:13,480 --> 00:20:17,000
Speaker 1: going for me. No, I don't condone that. You You

401
00:20:17,080 --> 00:20:20,240
Speaker 1: can't condone that ship. Stay away, Stay away from the drugs,

402
00:20:20,280 --> 00:20:23,840
Speaker 1: because listen, they're killing our young fans. They're killing all

403
00:20:23,840 --> 00:20:26,960
Speaker 1: young people. Stop it. Random question, Ron, have you ever

404
00:20:27,520 --> 00:20:30,480
Speaker 1: have you ever paid for sex? I mean, if you

405
00:20:30,560 --> 00:20:34,760
Speaker 1: want to talk about like necessarily like uber's fool like,

406
00:20:35,040 --> 00:20:37,600
Speaker 1: that's what I say. Have you ever been you not

407
00:20:38,040 --> 00:20:41,119
Speaker 1: just directly, you've never went to a rubbin tug? You

408
00:20:41,200 --> 00:20:44,800
Speaker 1: talk about a spot like, you never got a massage.

409
00:20:44,840 --> 00:20:48,639
Speaker 1: You never got rubbed down though I did, right, but

410
00:20:48,760 --> 00:20:54,359
Speaker 1: there was free you Funny, how you do you know

411
00:20:54,440 --> 00:20:56,760
Speaker 1: you're with it? So so you might have paid for

412
00:20:56,840 --> 00:21:00,160
Speaker 1: a massage. I'll pay for the massage. Of course. There's

413
00:21:00,160 --> 00:21:03,920
Speaker 1: a happy ending, happy ending, of course. Yeah. Nice. How

414
00:21:03,920 --> 00:21:06,080
Speaker 1: old was the lady was she like an old Asian lady?

415
00:21:06,280 --> 00:21:09,800
Speaker 1: How old she was like thirty? She was probably thirty seven,

416
00:21:11,119 --> 00:21:13,000
Speaker 1: but that was it. That was when I was like nineteen,

417
00:21:13,720 --> 00:21:18,040
Speaker 1: I was like ninety. Yeah. How much music are you

418
00:21:18,160 --> 00:21:20,119
Speaker 1: releasing this year? Just? I mean we got the new

419
00:21:20,160 --> 00:21:23,120
Speaker 1: project February tenth. Ye that that tape? Have twelve soon?

420
00:21:25,040 --> 00:21:27,440
Speaker 1: Are you? Are you like spinning the block pretty soon?

421
00:21:28,040 --> 00:21:29,359
Speaker 1: Or you gonna let it live for a while? What

422
00:21:29,400 --> 00:21:32,800
Speaker 1: are you doing? I mean, like I'm gonna let that

423
00:21:32,840 --> 00:21:36,040
Speaker 1: ship membery because they all hits like I did songs

424
00:21:36,080 --> 00:21:44,159
Speaker 1: with Mad People, right, folore, So I about that. I

425
00:21:44,240 --> 00:21:46,600
Speaker 1: still got unbeleas shit down, probably go and just put out,

426
00:21:47,200 --> 00:21:49,240
Speaker 1: but for the most part, like I'm just going to

427
00:21:49,320 --> 00:21:54,359
Speaker 1: go crazy in general, like old lanes like YouTube music, right, TikTok?

428
00:21:56,720 --> 00:21:59,240
Speaker 1: Who do you got as the greatest? I mean, you're

429
00:21:59,280 --> 00:22:03,000
Speaker 1: from a very legendary burrow. It's literally where hip hop started.

430
00:22:03,119 --> 00:22:06,359
Speaker 1: The birthplace of hip hop is the Bronx. Who's in

431
00:22:06,440 --> 00:22:09,840
Speaker 1: your top five Bronx mcs of all time? You can't

432
00:22:09,840 --> 00:22:13,720
Speaker 1: say yourself. You can't say yourself. I can't even think

433
00:22:13,760 --> 00:22:16,560
Speaker 1: of rappers from the booms that's who Big Pun, Fat

434
00:22:16,920 --> 00:22:19,600
Speaker 1: Joe I could say Fat Joe big pun who I'm

435
00:22:19,600 --> 00:22:24,720
Speaker 1: gonna say, like, yo, Max who who from the books?

436
00:22:25,000 --> 00:22:27,119
Speaker 1: Wrapping back then? I don't know what ever, because I

437
00:22:27,240 --> 00:22:30,960
Speaker 1: was listening to fifty like like like, I don't be

438
00:22:31,080 --> 00:22:32,800
Speaker 1: I'm gonna keep it a buck. I'm from the books.

439
00:22:33,000 --> 00:22:35,040
Speaker 1: But when I was growing up, I'm listening to fifty,

440
00:22:35,920 --> 00:22:41,480
Speaker 1: I'm listening to fucking fabulous jay Z Brooklyn and Queens

441
00:22:41,520 --> 00:22:44,160
Speaker 1: Brooklyn Queens like you for me? Of course, Fat Joe

442
00:22:45,280 --> 00:22:48,159
Speaker 1: shout out to Joey Crack who Joey Crack. They call

443
00:22:48,240 --> 00:22:51,359
Speaker 1: him Joey crack Crack. That's what they calling him, right,

444
00:22:51,400 --> 00:22:54,400
Speaker 1: But you know, I mean don Carter Gina Man, I mean, listen,

445
00:22:54,480 --> 00:22:57,200
Speaker 1: Fat Joe instrumental. That's why did the we challenge to you.

446
00:22:57,760 --> 00:23:01,040
Speaker 1: I made a challenge to his instrumental. He I know

447
00:23:01,119 --> 00:23:04,640
Speaker 1: you see that. Have you met yet? You guys both

448
00:23:04,760 --> 00:23:10,119
Speaker 1: an empire. I don't know. I don't know everybody. I

449
00:23:10,160 --> 00:23:12,800
Speaker 1: don't know if I see them. Probably, Yo, he came

450
00:23:12,840 --> 00:23:15,520
Speaker 1: to my hood, though, he came to my hood. I

451
00:23:15,600 --> 00:23:17,119
Speaker 1: came to your hood. Yeah, you came. You came to

452
00:23:17,160 --> 00:23:19,320
Speaker 1: my hood. Got a chop cheese. I ain't gonna live

453
00:23:19,359 --> 00:23:20,680
Speaker 1: but he came to my hood. He did like a

454
00:23:20,840 --> 00:23:22,600
Speaker 1: I think he was. He was like, yo, your imagine

455
00:23:22,600 --> 00:23:27,119
Speaker 1: what we came to. What he did though, he did

456
00:23:27,280 --> 00:23:29,840
Speaker 1: saying I forgot gang took a pic of him though. Wow,

457
00:23:29,960 --> 00:23:32,360
Speaker 1: that was before I know when we were hanging out

458
00:23:32,440 --> 00:23:34,280
Speaker 1: in your area. We were just like hanging out in

459
00:23:34,320 --> 00:23:37,800
Speaker 1: some random courtyard for like houses in the two hours

460
00:23:37,840 --> 00:23:40,520
Speaker 1: and I was like, my boys from the Bronx and

461
00:23:40,640 --> 00:23:43,800
Speaker 1: I dropped on my location. He's like, bro, you are

462
00:23:43,920 --> 00:23:49,240
Speaker 1: in the middle of the ship over there. He was in.

463
00:23:49,880 --> 00:23:51,680
Speaker 1: I ain't gonna lot to you. It was cool though

464
00:23:51,720 --> 00:23:54,600
Speaker 1: he was. It was flying the drone around that I

465
00:23:54,720 --> 00:23:58,840
Speaker 1: made sure he was safe. Cardi B's up there too.

466
00:23:59,040 --> 00:24:01,200
Speaker 1: Best Bronx rappers, right, I mean she's been putting on

467
00:24:01,320 --> 00:24:05,320
Speaker 1: for sure, new wave ye Ice Spice, Ice Spices from

468
00:24:05,359 --> 00:24:07,680
Speaker 1: the Bronx. I'm not sure we could put her any

469
00:24:08,000 --> 00:24:11,119
Speaker 1: best rapper discussion. She's a rapper though she's doing her thing.

470
00:24:11,760 --> 00:24:16,240
Speaker 1: She's doing her thing. There's mad new people coming from

471
00:24:16,240 --> 00:24:21,760
Speaker 1: the Bones. Osama. Yeah you know what that is. He's

472
00:24:21,800 --> 00:24:25,159
Speaker 1: on fire. He's on fire. Now. I didn't even know

473
00:24:25,200 --> 00:24:27,720
Speaker 1: it's from the Bronx. I just know I'm thinking for

474
00:24:27,800 --> 00:24:30,320
Speaker 1: the bones. He's selling out. Hello, I don't think for

475
00:24:30,400 --> 00:24:33,120
Speaker 1: the bones. He's like he's like a kid too, right kid,

476
00:24:33,160 --> 00:24:36,399
Speaker 1: but he's not from the bones. Yeah, you guys are

477
00:24:36,480 --> 00:24:41,280
Speaker 1: killing it, man, huh o. Kress one of course, Caress

478
00:24:41,359 --> 00:24:44,480
Speaker 1: one at wait wait wait wait, wait, wait, wait wait run.

479
00:24:44,600 --> 00:24:48,879
Speaker 1: You don't know who cares? What song? Is that? The

480
00:24:49,080 --> 00:24:53,920
Speaker 1: sound of the police. You probably sabling Boogie Down production that.

481
00:24:54,080 --> 00:24:59,960
Speaker 1: Now we're not bumping over it like that, Bugget care.

482
00:25:00,080 --> 00:25:01,760
Speaker 1: This one is one of the greatest rappers of all time.

483
00:25:01,840 --> 00:25:04,000
Speaker 1: Now fight shout the cares one I was listening to.

484
00:25:04,640 --> 00:25:07,280
Speaker 1: Never in your fucking life listen to Kress one. That's

485
00:25:07,760 --> 00:25:14,119
Speaker 1: not one kress One song. Martha Stewart doesn't make music

486
00:25:14,280 --> 00:25:18,120
Speaker 1: ron she's a She cooks on TV and steals money.

487
00:25:19,119 --> 00:25:26,959
Speaker 1: She's on TV with Snoop. Name me a Karas one

488
00:25:27,040 --> 00:25:35,200
Speaker 1: song you've ever listened to? Your life? Yourself full of Ship?

489
00:25:37,000 --> 00:25:40,560
Speaker 1: You tell I know that I named the song for you.

490
00:25:41,600 --> 00:25:44,639
Speaker 1: I know that song? Like what other song? They mean?

491
00:25:44,760 --> 00:25:46,119
Speaker 1: Like it was in movies though, if it was the

492
00:25:46,240 --> 00:25:51,159
Speaker 1: South Bronx, the South South Bronx, that's the one that's

493
00:25:51,200 --> 00:25:53,639
Speaker 1: Boogie Down productions. It's Carras one. Hey, we got to

494
00:25:53,640 --> 00:25:55,240
Speaker 1: stop the interview real quick to tell you about our

495
00:25:55,280 --> 00:25:58,560
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496
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497
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498
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Speaker 1: All right, maybe you're hitting Vegas with your friends, your girlfriends, whatever.

499
00:26:07,440 --> 00:26:09,800
Speaker 1: Maybe it's a bachelor party, whatever's going on. You're going

500
00:26:09,840 --> 00:26:13,239
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501
00:26:13,320 --> 00:26:15,600
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502
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503
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504
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505
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506
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Speaker 1: It smells so good inside of Hard Dean that they

507
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Speaker 1: have their own Harden's signature scent candle. See I sniff that.

508
00:26:41,720 --> 00:26:44,040
Speaker 1: I just think of Las Vegas and picking up some

509
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Speaker 1: amazing weed. All right, to go follow them right now,

510
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511
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512
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513
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Speaker 1: out to our family in Vegas. I'm excited too, because

514
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Speaker 1: coming up we're going to be doing our very first

515
00:27:01,359 --> 00:27:07,080
Speaker 1: podcast from Harden in Vegas with Young Gravy. Oh yeah,

516
00:27:07,160 --> 00:27:09,600
Speaker 1: it's going down. All right, Let's get back to the interview. Yo.

517
00:27:11,320 --> 00:27:14,800
Speaker 1: You don't even know the nigga that made hip hop

518
00:27:15,520 --> 00:27:19,119
Speaker 1: the booms. You know how you had crates? Yeah, my

519
00:27:19,240 --> 00:27:22,760
Speaker 1: dad was holding He was holding the crates at that

520
00:27:22,880 --> 00:27:25,320
Speaker 1: time when hip hop was his freestyling. Back then, when

521
00:27:25,359 --> 00:27:28,479
Speaker 1: like hip hop was invented, your dad was there. Are

522
00:27:28,560 --> 00:27:31,119
Speaker 1: you telling me your dad invented hip hop? He was

523
00:27:31,400 --> 00:27:33,800
Speaker 1: in that generation he was, he was I'm influenced by

524
00:27:33,920 --> 00:27:35,920
Speaker 1: hip hop. So your dad was there with like cool

525
00:27:35,960 --> 00:27:39,119
Speaker 1: Hirk and all that shit. My dad was holding it back. YO.

526
00:27:39,160 --> 00:27:41,000
Speaker 1: What yo, I go out my daughter? Look what my

527
00:27:41,119 --> 00:27:44,280
Speaker 1: daughter neck? My daughter neck? My dad was he knew

528
00:27:44,280 --> 00:27:48,240
Speaker 1: who heard, they knew other you you're fucking He lived

529
00:27:48,280 --> 00:27:50,160
Speaker 1: on that block. You were born for this. My dad

530
00:27:50,240 --> 00:27:51,960
Speaker 1: lived on that block when he was younger. I believe

531
00:27:52,280 --> 00:27:56,200
Speaker 1: I was born. I don't believe you've ever listened to

532
00:27:56,240 --> 00:27:59,000
Speaker 1: here my pops, but I believe this. My pop is

533
00:27:59,040 --> 00:28:03,840
Speaker 1: in a quid freestyle, quick freestyle. I'm already rapping. Wow,

534
00:28:04,600 --> 00:28:07,119
Speaker 1: I'm trying to show you. I'm trying to show you

535
00:28:07,840 --> 00:28:12,440
Speaker 1: all here. Do you ever listen to uh any of

536
00:28:12,480 --> 00:28:17,320
Speaker 1: the UK ship anything with us millions? Right? Well? Who

537
00:28:17,680 --> 00:28:20,440
Speaker 1: bust millions? Okay, me and him probably gonna do something

538
00:28:20,520 --> 00:28:23,520
Speaker 1: for him. I was talking to him on Facehu, I'm

539
00:28:23,560 --> 00:28:26,800
Speaker 1: such a fake, like I got some with Bunty. You

540
00:28:26,840 --> 00:28:30,520
Speaker 1: know Bunie. He's from the UK. The only guy that

541
00:28:30,560 --> 00:28:34,159
Speaker 1: I know that's I think I know Central C and

542
00:28:34,320 --> 00:28:40,040
Speaker 1: that's about it essentral because yeah, yeah, but I'm trying

543
00:28:40,080 --> 00:28:46,600
Speaker 1: to indulge in that Central. I'm about to go to UK.

544
00:28:48,320 --> 00:28:51,320
Speaker 1: I just thought my past. It's now you about to

545
00:28:51,360 --> 00:28:54,920
Speaker 1: go to Toronto. I'm about everywhere. Do y'all? Are you

546
00:28:55,280 --> 00:28:57,760
Speaker 1: allowed back at Rolling a Loud yet? I don't know.

547
00:28:58,240 --> 00:29:00,320
Speaker 1: Now that you guys squashed the thing, I feel like

548
00:29:00,360 --> 00:29:02,600
Speaker 1: you guys should each like y'all should come out together

549
00:29:02,680 --> 00:29:05,280
Speaker 1: at the next Rolling Loud. It's kind of fucked up

550
00:29:05,320 --> 00:29:07,960
Speaker 1: that in New York the cops like are a cock

551
00:29:08,080 --> 00:29:11,400
Speaker 1: blocking all the rappers. It ain't even Rolling Loud that's

552
00:29:11,440 --> 00:29:15,200
Speaker 1: doing it. It's the fucking cops, right is it Jersey

553
00:29:15,320 --> 00:29:18,280
Speaker 1: or is it the Nypdna, I go a loud. I

554
00:29:18,320 --> 00:29:21,080
Speaker 1: don't know what it is. Bro, I ain't do nothing.

555
00:29:21,960 --> 00:29:24,040
Speaker 1: You're a pretty positive guy. I ain't do nothing, but

556
00:29:24,120 --> 00:29:28,120
Speaker 1: I was established trouble. I don't condom violence. You feel me? Bo?

557
00:29:28,640 --> 00:29:34,440
Speaker 1: I made music for the kids. Don't do heroin? Nah? No,

558
00:29:34,560 --> 00:29:39,160
Speaker 1: of course you kidding. I go lout. Let me tell

559
00:29:39,160 --> 00:29:42,960
Speaker 1: you I sid once in life. That's like liquid heroin.

560
00:29:43,000 --> 00:29:45,200
Speaker 1: I've never done. That's why I heard so That's how

561
00:29:45,240 --> 00:29:48,160
Speaker 1: I say I sit the walk once because I took

562
00:29:48,200 --> 00:29:52,400
Speaker 1: the walk to Poland. You never took the walk to Poland?

563
00:29:53,720 --> 00:29:55,400
Speaker 1: Is that a little Yachty song? Yeah, you know what

564
00:29:55,400 --> 00:29:57,040
Speaker 1: I'm saying. He took the walk the polar I took

565
00:29:57,040 --> 00:29:58,840
Speaker 1: the walk to my block. I ain't. I ain't even

566
00:29:58,840 --> 00:30:01,680
Speaker 1: go to Poland. I feel like it's racist that you

567
00:30:01,680 --> 00:30:04,200
Speaker 1: would assume I've been to Poland. Now I'm just saying,

568
00:30:04,400 --> 00:30:09,160
Speaker 1: li Yachty did did you? I didn't know any anybody

569
00:30:09,240 --> 00:30:11,360
Speaker 1: you want to work with this year that you haven't

570
00:30:11,360 --> 00:30:13,720
Speaker 1: worked with yet. Man, I need a Justin Bieber feature

571
00:30:14,720 --> 00:30:18,800
Speaker 1: like that, like what's up? And I need a tell

572
00:30:19,480 --> 00:30:23,440
Speaker 1: let me get on her ribs like like that's it. Yeah,

573
00:30:23,760 --> 00:30:25,600
Speaker 1: have you tried to sign in I spices DMS. At

574
00:30:25,680 --> 00:30:30,280
Speaker 1: least maybe take her for a talk about that. You

575
00:30:30,320 --> 00:30:33,320
Speaker 1: should take her for a chop cheese chop cheese day. Yo,

576
00:30:33,440 --> 00:30:39,160
Speaker 1: I ain't gonna lie you take Tuesday. I Spice is

577
00:30:39,200 --> 00:30:43,520
Speaker 1: here right now. I can take sees day. Take I

578
00:30:43,560 --> 00:30:46,680
Speaker 1: got good not in l A l. They don't got

579
00:30:47,560 --> 00:30:52,880
Speaker 1: they got good tacos, tacos breakfast, l A go weed,

580
00:30:53,880 --> 00:30:56,200
Speaker 1: Like I'm going to LA for good weed. That's it.

581
00:30:56,520 --> 00:30:58,320
Speaker 1: I do feel like the weed in New York is

582
00:30:58,440 --> 00:31:01,640
Speaker 1: like hit or miss because it's so available now that

583
00:31:02,440 --> 00:31:05,720
Speaker 1: it's just everywhere. Sometimes you'll be getting ship thinking it's

584
00:31:05,720 --> 00:31:08,920
Speaker 1: some za and it's just like, Okay, I'm not saying you.

585
00:31:09,200 --> 00:31:11,080
Speaker 1: I mean you know, I know, but niggas don't be

586
00:31:11,160 --> 00:31:14,600
Speaker 1: smoking out here. Man. These niggas in New York. They

587
00:31:14,640 --> 00:31:17,040
Speaker 1: gotta they gotta come to us every and everyone just

588
00:31:17,120 --> 00:31:19,560
Speaker 1: got a pound of weed in New York now, just like, Yo,

589
00:31:19,640 --> 00:31:25,200
Speaker 1: you want to eight everybody, we like, we're I smoke.

590
00:31:25,640 --> 00:31:28,240
Speaker 1: I got all the bootleg fucking weed bags at the bodegas.

591
00:31:28,240 --> 00:31:30,120
Speaker 1: You could buy the fucking empty bag. Keep sucking with

592
00:31:30,160 --> 00:31:33,280
Speaker 1: the mic thing. Jesus christ. I don't know why I

593
00:31:33,400 --> 00:31:35,280
Speaker 1: was doing I don't know. It's because you keep doing this.

594
00:31:36,200 --> 00:31:38,040
Speaker 1: You keep picking you know you did that on purpose.

595
00:31:38,360 --> 00:31:40,960
Speaker 1: You keep picking the mic up and twirling it around,

596
00:31:41,120 --> 00:31:47,040
Speaker 1: and it's look at it's just there. You keep spinning

597
00:31:47,080 --> 00:31:49,080
Speaker 1: it around there like I want to grab I'm about

598
00:31:49,120 --> 00:31:52,200
Speaker 1: to grab this ship like I'm gonna just have You

599
00:31:52,280 --> 00:31:55,720
Speaker 1: can still hear me, now, you know what it is?

600
00:31:56,360 --> 00:31:57,800
Speaker 1: Oh no, it's just there. I feel like I'm in

601
00:31:57,880 --> 00:31:59,960
Speaker 1: the studio like I'm about to rap. So when I wrap,

602
00:32:00,000 --> 00:32:02,240
Speaker 1: I always fix the mic like I'm about to for me,

603
00:32:02,320 --> 00:32:04,120
Speaker 1: because you know that they might be shorter than me. Yeah,

604
00:32:04,200 --> 00:32:06,440
Speaker 1: I always bring up so I just want to Hey,

605
00:32:06,480 --> 00:32:08,080
Speaker 1: we got to stop the interview to tell you about

606
00:32:08,080 --> 00:32:10,760
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610
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611
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Speaker 1: you're watching this before Black Friday, you might be watching

612
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Speaker 1: else is going on with their Black Friday sale. And

617
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Speaker 1: let me tell you, they got some new licenses. We

618
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Speaker 1: got to talk about boys, my particular favorites. One of

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Speaker 1: the greatest shows of all time. They got the beaves

620
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Speaker 1: and butt heeads, you know what I mean. And this

621
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622
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Speaker 1: the greatest movie to ever exist. And shout out to

623
00:32:57,960 --> 00:32:59,880
Speaker 1: all you rappers and people who be pouring your leaning

624
00:33:00,160 --> 00:33:05,640
Speaker 1: this bullshit some Mountain de Baja blast socks casino, great

625
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Speaker 1: fucking movie, you know what I mean. These are pretty

626
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627
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629
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Speaker 1: know what I mean. We get to put the Coke

630
00:33:25,400 --> 00:33:27,920
Speaker 1: hat on. This hat doesn't work for me, does It

631
00:33:28,240 --> 00:33:30,800
Speaker 1: doesn't work for me? Anyway? You could get you this

632
00:33:30,880 --> 00:33:33,760
Speaker 1: hat though, Hey, Cyrus, take a coke hat. There you

633
00:33:33,840 --> 00:33:37,000
Speaker 1: go go to odd socksofficial dot com, use the promo

634
00:33:37,080 --> 00:33:40,720
Speaker 1: code bootleg right Now, save twenty percent off, and go

635
00:33:40,880 --> 00:33:44,160
Speaker 1: purge their website for Black Friday. Get gifts for your family.

636
00:33:44,600 --> 00:33:47,080
Speaker 1: Your fucking family will love you if you buy them

637
00:33:47,080 --> 00:33:49,280
Speaker 1: the most comfortable socks in the world. It's that simple.

638
00:33:49,560 --> 00:33:52,120
Speaker 1: Or you could buy them some fucking bullshit socks. You

639
00:33:52,160 --> 00:33:54,840
Speaker 1: could go buy them some garbage ass fucking Ethhica or

640
00:33:54,920 --> 00:33:58,640
Speaker 1: some bullshit ass fucking Nike socks. Fuck them, get odd socks.

641
00:33:58,920 --> 00:34:01,680
Speaker 1: Let's get back to the interview. Well, listen, man, your

642
00:34:01,720 --> 00:34:06,640
Speaker 1: new album comes out February tenth. It's twelve records, six features,

643
00:34:06,760 --> 00:34:11,359
Speaker 1: ish right about six? Hopefully I spice response to your

644
00:34:11,440 --> 00:34:15,440
Speaker 1: DM soon enough so you can get in the ribs. Um,

645
00:34:16,719 --> 00:34:19,440
Speaker 1: it's just cooloy, you need to set up the kress

646
00:34:19,520 --> 00:34:26,400
Speaker 1: one feature. Oh Chaos? What yo? Keith Murray? That was random?

647
00:34:27,520 --> 00:34:36,399
Speaker 1: Are you just naming old rappers? You know Keith? Of course? Yeah?

648
00:34:36,440 --> 00:34:38,440
Speaker 1: What why are you naming Keith? A? Sit down and

649
00:34:38,520 --> 00:34:40,200
Speaker 1: tell me why? BO want you to tell me about

650
00:34:40,239 --> 00:34:43,320
Speaker 1: get Murray? What happened with Keith Murray? I hear you

651
00:34:43,400 --> 00:34:46,480
Speaker 1: going vibrate now? He is going viral like I've just

652
00:34:46,560 --> 00:34:50,120
Speaker 1: hear this nigger name gig like, do you know anything

653
00:34:50,120 --> 00:34:56,439
Speaker 1: about him? It's Keith Murray from the Bronx, the most

654
00:34:56,480 --> 00:35:00,080
Speaker 1: beautifulest thing in the world. I don't think it's in

655
00:35:00,120 --> 00:35:03,680
Speaker 1: the Bronx. Is he from the Bronx? He's not, might

656
00:35:03,760 --> 00:35:07,160
Speaker 1: say he's from the Bones. Yeah, we did it. We

657
00:35:07,280 --> 00:35:09,520
Speaker 1: did an interview in a landa right. It was like

658
00:35:09,640 --> 00:35:13,240
Speaker 1: Keith Maury from the Bones. I think who that long island?

659
00:35:13,280 --> 00:35:19,080
Speaker 1: Buddy folk? He gassed it. You know who is from

660
00:35:19,080 --> 00:35:22,600
Speaker 1: the Bronx. Jerry Springer he not. I know he's not.

661
00:35:23,000 --> 00:35:25,400
Speaker 1: I'm about to say, because yo yo, between me and you,

662
00:35:25,719 --> 00:35:30,000
Speaker 1: I keep seeing him, Yo bo, yo bo, I act

663
00:35:30,080 --> 00:35:32,040
Speaker 1: like you don't know. Remember I told you I keep

664
00:35:32,040 --> 00:35:34,319
Speaker 1: seeing Jason. I don't think you yo. I keep seeing

665
00:35:34,400 --> 00:35:37,640
Speaker 1: Jerry Springer like like you know everything like I thought

666
00:35:37,640 --> 00:35:39,640
Speaker 1: you bet, like you keep seeing him in your dreams. No. No,

667
00:35:40,360 --> 00:35:45,000
Speaker 1: he's like every mamma nigga sols the nigga do so,

668
00:35:45,080 --> 00:35:47,560
Speaker 1: he do game sows you do. Man is like a judge.

669
00:35:48,000 --> 00:35:50,640
Speaker 1: He is a judge on TV. You do every thing

670
00:35:50,800 --> 00:35:53,960
Speaker 1: like it's crazy. All right, Well, let's run sooner we

671
00:35:54,040 --> 00:35:56,080
Speaker 1: appreciate you pulling up man yo Bo. Thank you for

672
00:35:56,160 --> 00:35:58,600
Speaker 1: having me. You already get the new album. February tenth,

673
00:35:58,719 --> 00:35:59,319
Speaker 1: Facts Man