1 00:00:03,240 --> 00:00:05,680 Speaker 1: What's up? It's where up? At Angela Gye. I'm here 2 00:00:05,680 --> 00:00:08,000 Speaker 1: at Jasmine from the Jasmine brand dot Com is here 3 00:00:08,360 --> 00:00:11,600 Speaker 1: and T. K. Kirkland is here. Yes, and we have 4 00:00:11,760 --> 00:00:16,599 Speaker 1: such a special guest, Will Packers here. Family. Family. Yeah, 5 00:00:16,640 --> 00:00:19,320 Speaker 1: I feel like I'm home. I got all my folks here, 6 00:00:19,360 --> 00:00:22,759 Speaker 1: all my peeps. You came in with a million people? Yeah, 7 00:00:22,800 --> 00:00:25,240 Speaker 1: well cold you think it's just the rappers, stop playing 8 00:00:25,720 --> 00:00:28,360 Speaker 1: twenty twenty three. We that's how producers roll. You think 9 00:00:29,280 --> 00:00:34,479 Speaker 1: grows like that. He came in with some Okay, it 10 00:00:34,560 --> 00:00:38,720 Speaker 1: was some very capable, amazing, competent women and they just 11 00:00:38,760 --> 00:00:41,240 Speaker 1: happened to be attractive part in TK he's sixty two. 12 00:00:41,560 --> 00:00:45,000 Speaker 1: What does that mean? First of all, that means he 13 00:00:45,120 --> 00:00:49,400 Speaker 1: is who he is right exactly what he's saying that. 14 00:00:53,159 --> 00:00:55,959 Speaker 1: I like that. But we are here today, even though 15 00:00:56,000 --> 00:00:57,920 Speaker 1: you have so much going on, I want to make 16 00:00:57,960 --> 00:01:00,520 Speaker 1: sure we start with praise this. Yeah, because this is 17 00:01:00,520 --> 00:01:03,920 Speaker 1: available now. It just came out just drop starring Chloe Bailey. Back, 18 00:01:04,400 --> 00:01:12,400 Speaker 1: come on, Chloe Bailey. Yeah. Yeah, because he was really funny, good, 19 00:01:12,720 --> 00:01:14,759 Speaker 1: really fun I mean you expect you to be funny, 20 00:01:14,800 --> 00:01:16,600 Speaker 1: but so so, First of all, this is a little 21 00:01:16,640 --> 00:01:18,760 Speaker 1: bit of a different because praise this right, so it 22 00:01:18,840 --> 00:01:20,520 Speaker 1: is about praise teams in the church and music is 23 00:01:20,560 --> 00:01:22,280 Speaker 1: banging all that stuff. But I think a lot of 24 00:01:22,319 --> 00:01:23,959 Speaker 1: people thought it is gonna be like just a church 25 00:01:24,040 --> 00:01:25,920 Speaker 1: church movie, you know what I mean. This is a 26 00:01:25,920 --> 00:01:27,520 Speaker 1: movie for people that ain't been the church in a while. 27 00:01:27,920 --> 00:01:30,639 Speaker 1: This for people who might lost don't know one Bible 28 00:01:30,760 --> 00:01:34,520 Speaker 1: verse character is on the praise team, but might be 29 00:01:34,560 --> 00:01:38,920 Speaker 1: selling weed on the side. He is, you know, Chloe, 30 00:01:38,959 --> 00:01:40,840 Speaker 1: is somebody that has lost a way, don't want a 31 00:01:40,840 --> 00:01:43,800 Speaker 1: relationship with God, don't have one, has lost a connection 32 00:01:43,840 --> 00:01:47,160 Speaker 1: to fake spirituality. It is definitely the type of movie 33 00:01:47,160 --> 00:01:49,960 Speaker 1: that I wanted to make just to show that you 34 00:01:50,000 --> 00:01:52,960 Speaker 1: don't have to to have a relationship with a higher 35 00:01:52,960 --> 00:01:55,920 Speaker 1: power to have a connection with your spirituality. You don't 36 00:01:55,960 --> 00:01:57,000 Speaker 1: have to do that through a church or to a 37 00:01:57,000 --> 00:01:59,440 Speaker 1: pastor to a person. Each person can do that. I 38 00:01:59,480 --> 00:02:01,040 Speaker 1: feel like right now we can all, you know, have 39 00:02:01,080 --> 00:02:03,320 Speaker 1: some of that. And then the music is like I said, 40 00:02:05,240 --> 00:02:08,720 Speaker 1: everybody in here ken saying okay, now, what is your 41 00:02:08,760 --> 00:02:11,120 Speaker 1: relationship to church? I grew up in a church, right, 42 00:02:11,200 --> 00:02:13,600 Speaker 1: absolutely very proud, like I grew up a me church. 43 00:02:13,639 --> 00:02:15,600 Speaker 1: Bethay and me, Saint Pete, come on, let's go. My 44 00:02:15,720 --> 00:02:17,280 Speaker 1: mama had me in there. It was one of those 45 00:02:17,280 --> 00:02:18,840 Speaker 1: where it was like, I don't care what you do Saturday, 46 00:02:18,840 --> 00:02:21,040 Speaker 1: You're gonna be a church on Sunday. So I definitely 47 00:02:21,120 --> 00:02:23,480 Speaker 1: was raised in the church. As I've gotten older, it 48 00:02:23,560 --> 00:02:27,639 Speaker 1: has become about my spirituality and about my faith. But 49 00:02:27,760 --> 00:02:29,960 Speaker 1: I have been so successful and so blessed. I give 50 00:02:30,000 --> 00:02:33,200 Speaker 1: gratitude every day. But I also realized that I'm not 51 00:02:33,240 --> 00:02:36,239 Speaker 1: somebody that thinks that it was just all me, like everything, 52 00:02:36,280 --> 00:02:38,600 Speaker 1: that I haven't have a competition because I'm so amazing. 53 00:02:38,680 --> 00:02:41,280 Speaker 1: That's not the case. It is definitely because I have, 54 00:02:41,880 --> 00:02:43,639 Speaker 1: you know, a higher power that's looking over me. I 55 00:02:43,720 --> 00:02:46,000 Speaker 1: have amazing people around me, and I have faith not 56 00:02:46,120 --> 00:02:48,920 Speaker 1: just in myself, but in something that's greater than me. 57 00:02:49,120 --> 00:02:52,080 Speaker 1: The faith audience comes out a lot. Do you guys 58 00:02:52,080 --> 00:02:54,480 Speaker 1: have them in mind specifically, Like, we know they come out, 59 00:02:54,520 --> 00:02:56,480 Speaker 1: we know they're going to support this film. What did 60 00:02:56,480 --> 00:02:58,560 Speaker 1: you want it to? Kind of? I definitely wanted to 61 00:02:58,560 --> 00:03:00,679 Speaker 1: go bigger. It's none against my church folks, because I 62 00:03:00,680 --> 00:03:02,200 Speaker 1: wanted to piss in my church folks off a little, 63 00:03:02,480 --> 00:03:04,600 Speaker 1: you know what I'm saying? A little because you know, 64 00:03:04,680 --> 00:03:07,520 Speaker 1: sometimes people will find any reason. Yeah, no, it is. 65 00:03:07,560 --> 00:03:09,960 Speaker 1: It's neither straight down the middle set up in the church. 66 00:03:10,000 --> 00:03:12,760 Speaker 1: Like the pastor in this movie is trade played amazingly 67 00:03:12,800 --> 00:03:16,400 Speaker 1: by my guy, you know, Mac Wows. He got neck tattoos. 68 00:03:16,480 --> 00:03:18,160 Speaker 1: You know what I'm saying. He was the guy that 69 00:03:18,280 --> 00:03:20,040 Speaker 1: used to steal cars and now he's a pastor. But 70 00:03:20,080 --> 00:03:22,160 Speaker 1: I feel like that's real people. I feel like that's 71 00:03:22,200 --> 00:03:24,280 Speaker 1: a lot of us now. So like you know, when 72 00:03:24,320 --> 00:03:26,200 Speaker 1: you have church folks, it's like, yo, we just gotta 73 00:03:26,240 --> 00:03:28,000 Speaker 1: make sure that we're very rigid and we do things 74 00:03:28,040 --> 00:03:30,359 Speaker 1: this way in a certain way. You're missing an audience 75 00:03:30,760 --> 00:03:32,040 Speaker 1: that are he is already in the church. How do 76 00:03:32,120 --> 00:03:33,799 Speaker 1: we get to people that's not in the church. Yeah, 77 00:03:33,840 --> 00:03:36,280 Speaker 1: so yeah, I was definitely trying to how mad people 78 00:03:36,280 --> 00:03:38,840 Speaker 1: were at Hunk for Jesus. That was funny. You know, 79 00:03:38,880 --> 00:03:41,440 Speaker 1: I watched that movie, but people were tight. Yeah. I 80 00:03:41,440 --> 00:03:44,280 Speaker 1: mean that was definitely a very specific sender up of 81 00:03:44,320 --> 00:03:47,240 Speaker 1: the mega church culture. Yeah, and you know, like certain 82 00:03:47,240 --> 00:03:49,600 Speaker 1: people in the mega church, some people would say this 83 00:03:49,680 --> 00:03:52,520 Speaker 1: is different. Um, this is but I'm gonna piss some 84 00:03:52,560 --> 00:03:54,440 Speaker 1: people off. I'm not gonna lie, but you know what 85 00:03:54,480 --> 00:03:56,520 Speaker 1: it's dropping the day, right, It's good Friday for those 86 00:03:56,560 --> 00:03:59,000 Speaker 1: that celebrate TKA because I know you knew it was 87 00:03:59,040 --> 00:04:07,040 Speaker 1: good Friday, because I know you got your outfit. You're 88 00:04:07,080 --> 00:04:11,800 Speaker 1: going to church on Sunday in my living room. God 89 00:04:11,880 --> 00:04:15,200 Speaker 1: loves you too. That is just fine with that. Well, 90 00:04:15,320 --> 00:04:17,159 Speaker 1: I mean, you know, we say, come one, come on, 91 00:04:18,680 --> 00:04:21,520 Speaker 1: that's fa scripture. Oh I see, that's what you got 92 00:04:21,800 --> 00:04:23,760 Speaker 1: trying to see. Yeah, though I walked through the value 93 00:04:23,760 --> 00:04:25,560 Speaker 1: of the shallow of death, I shall feel no evil 94 00:04:25,680 --> 00:04:29,479 Speaker 1: for that Rod. That staff are with me. Come on, 95 00:04:29,680 --> 00:04:34,960 Speaker 1: jazzmine see see, I'm gonna give me Rod. Amen. That's see, 96 00:04:35,000 --> 00:04:39,560 Speaker 1: that's not a verse. Jesus take it for this food. 97 00:04:39,640 --> 00:04:41,760 Speaker 1: I don't think that's a scripture. And that's not a verse. 98 00:04:42,400 --> 00:04:45,680 Speaker 1: Okay me, Angela, At least I was close. At least 99 00:04:45,720 --> 00:04:48,880 Speaker 1: I try. Amen, Jazz, you shamed us all. I didn't 100 00:04:48,880 --> 00:04:51,120 Speaker 1: know you was a little secret churchy over there. Yeah. 101 00:04:51,320 --> 00:04:53,720 Speaker 1: But actually what I love Austin was the Seequavo in 102 00:04:53,800 --> 00:04:56,520 Speaker 1: this Yeah he took it serious. Yeah, and we could 103 00:04:56,520 --> 00:04:59,480 Speaker 1: tell he did. I mean, you know, here's here's what 104 00:04:59,520 --> 00:05:02,280 Speaker 1: I'll say. I have worked, you know, with some amazing actors, folks, 105 00:05:02,279 --> 00:05:05,640 Speaker 1: that have been doing this for years. This one younger 106 00:05:05,680 --> 00:05:07,839 Speaker 1: actors who had not been out there a lot, Quevo 107 00:05:07,920 --> 00:05:09,640 Speaker 1: being one of them. He came to me, sat down 108 00:05:09,680 --> 00:05:11,640 Speaker 1: and said, you know, uncle, I'm ready, like, give me 109 00:05:11,680 --> 00:05:13,880 Speaker 1: a shot. I want to take it very seriously, and 110 00:05:13,960 --> 00:05:16,320 Speaker 1: he asked some moments that I think are gonna surprise people. 111 00:05:16,320 --> 00:05:18,600 Speaker 1: He did not fumble the ball at all. Yeah, he did. 112 00:05:19,320 --> 00:05:21,000 Speaker 1: So he approached you and said he wanted to do 113 00:05:21,040 --> 00:05:22,960 Speaker 1: a movie or you had him in mind for this role. 114 00:05:23,200 --> 00:05:25,240 Speaker 1: We have been talking, you know, I know Quevo, you know, 115 00:05:25,279 --> 00:05:28,000 Speaker 1: out of Atlanta for years, and he's been talking to 116 00:05:28,000 --> 00:05:30,080 Speaker 1: me for a while about this ambition of his and 117 00:05:30,120 --> 00:05:31,480 Speaker 1: what he wants to do. And he would just say, 118 00:05:31,480 --> 00:05:34,240 Speaker 1: I'm ready what you got for me, I'm ready, And 119 00:05:34,320 --> 00:05:36,000 Speaker 1: you know, people say that to me all the time. 120 00:05:36,400 --> 00:05:37,880 Speaker 1: And then when I put you know, I put the 121 00:05:37,880 --> 00:05:39,960 Speaker 1: big lights on them, they're not really ready. He was ready, 122 00:05:40,000 --> 00:05:41,919 Speaker 1: showed up on time to his lines, and was willing 123 00:05:41,960 --> 00:05:44,440 Speaker 1: to learn. And so he and are directed Tina Gordon, 124 00:05:44,440 --> 00:05:47,599 Speaker 1: who I've worked with before, who's amazing. She was winning 125 00:05:47,640 --> 00:05:49,880 Speaker 1: their work with them. He did the extra like you know, 126 00:05:50,200 --> 00:05:53,039 Speaker 1: state extra to do, like additional rehearsal and practice with 127 00:05:53,080 --> 00:05:55,120 Speaker 1: the acting coach, the whole nine. Nice, all right, So 128 00:05:55,160 --> 00:05:56,480 Speaker 1: I want to make sure everybody sees that. But I 129 00:05:56,520 --> 00:05:58,880 Speaker 1: also want to talk about Queen's Court for a second. Okay, 130 00:05:59,040 --> 00:06:02,279 Speaker 1: that's another show that you have. I got this Showokups 131 00:06:02,320 --> 00:06:05,200 Speaker 1: that happened in real life? Yeah, real hookups. I'm batting 132 00:06:05,279 --> 00:06:08,239 Speaker 1: two for three. I had three queens, right, Evans, Otto, 133 00:06:08,800 --> 00:06:13,040 Speaker 1: Tamar Braxton, Nia, and two of the three got engaged. Yes, 134 00:06:13,279 --> 00:06:15,279 Speaker 1: my work is done. Where is the mic? I can drive? 135 00:06:15,400 --> 00:06:18,320 Speaker 1: I did it. I did. I'm just saying, did you 136 00:06:18,400 --> 00:06:21,159 Speaker 1: see that for did you? Did you think when you 137 00:06:21,240 --> 00:06:24,240 Speaker 1: all were working on this that somebody probably gonna get engaged? 138 00:06:25,040 --> 00:06:27,920 Speaker 1: You never know, I promise you never know. You just 139 00:06:28,080 --> 00:06:31,680 Speaker 1: can't tell what's going to happen because it's real, you 140 00:06:31,720 --> 00:06:34,840 Speaker 1: know what I'm saying. This is not manufactured. Like nobody 141 00:06:34,839 --> 00:06:37,039 Speaker 1: could have hooked up on that show. So I don't know. 142 00:06:37,160 --> 00:06:39,520 Speaker 1: That's the real that's the honderstand. I was not sure, 143 00:06:39,800 --> 00:06:41,520 Speaker 1: but I knew the ladies were very open minded and 144 00:06:41,680 --> 00:06:43,680 Speaker 1: opened to it. But I just did not know for 145 00:06:43,720 --> 00:06:46,560 Speaker 1: sure if anybody was gonna actually like find love and 146 00:06:46,560 --> 00:06:48,240 Speaker 1: get engaged on that show. I was very happy that 147 00:06:48,279 --> 00:06:49,960 Speaker 1: they did have a question. What made you want to 148 00:06:49,960 --> 00:06:53,120 Speaker 1: get into that until like just just like nonscripted or 149 00:06:53,160 --> 00:06:56,080 Speaker 1: that show just like TV TV stuff, Like, Man, I 150 00:06:56,120 --> 00:06:58,440 Speaker 1: love telling stories. You can't be honest with you. I like, 151 00:06:58,839 --> 00:07:02,040 Speaker 1: I take my position as a storyteller very seriously. I 152 00:07:02,080 --> 00:07:03,480 Speaker 1: think it's a privilege. And I want to tell all 153 00:07:03,480 --> 00:07:07,480 Speaker 1: types of stories. Okay, so whether it is a straight 154 00:07:07,480 --> 00:07:09,840 Speaker 1: out of Compton, or a girl's trip, or a praise 155 00:07:09,920 --> 00:07:11,760 Speaker 1: this or a queen's court. You know, I got a 156 00:07:11,760 --> 00:07:13,480 Speaker 1: show called Ready to Love. I got a show called 157 00:07:13,520 --> 00:07:15,320 Speaker 1: Put a Ring on It. Those are all non scripted show. 158 00:07:15,440 --> 00:07:17,240 Speaker 1: I want to tell stories, and I want to tell 159 00:07:17,280 --> 00:07:21,400 Speaker 1: stories that like have our perspective, you know, because Hollywood 160 00:07:21,400 --> 00:07:23,800 Speaker 1: hasn't had black and brown people, you know, front and 161 00:07:23,880 --> 00:07:26,520 Speaker 1: center for a very long time, not in a in 162 00:07:26,560 --> 00:07:30,480 Speaker 1: a really well rounded, diverse type of way. We're us 163 00:07:30,520 --> 00:07:32,760 Speaker 1: either one way or another. What are three questions you 164 00:07:32,800 --> 00:07:35,200 Speaker 1: would say are really important to ask if you're dating, 165 00:07:35,240 --> 00:07:38,600 Speaker 1: but you're dating with the intention to get married. For 166 00:07:38,840 --> 00:07:42,520 Speaker 1: a who for a woman to ask and she's saying, 167 00:07:42,560 --> 00:07:44,520 Speaker 1: I want to get married, that's my intention. I don't 168 00:07:44,560 --> 00:07:46,640 Speaker 1: want to date. I'm not fffing around, what would you 169 00:07:46,680 --> 00:07:48,800 Speaker 1: say our three questions that are important to ask? Well? 170 00:07:48,800 --> 00:07:50,960 Speaker 1: Because she scared me right there. That so that's she 171 00:07:51,080 --> 00:07:53,560 Speaker 1: knocked off seventy percent of dues because she was so like, 172 00:07:53,840 --> 00:07:56,120 Speaker 1: by the way, there's nothing wrong with that, But I 173 00:07:56,240 --> 00:07:58,480 Speaker 1: was trying to I'm just trying to, you know, go 174 00:07:58,560 --> 00:08:00,600 Speaker 1: to dinner and you hit me with that. I'm trying 175 00:08:00,640 --> 00:08:02,720 Speaker 1: to get married. What are you trying to do? Nothing? 176 00:08:02,800 --> 00:08:04,160 Speaker 1: You have to say that, but in your head, you 177 00:08:04,200 --> 00:08:06,320 Speaker 1: know that's your intention. I think you definitely have to 178 00:08:06,400 --> 00:08:08,680 Speaker 1: be intentional and let your intentions know. But I don't 179 00:08:08,680 --> 00:08:11,360 Speaker 1: know that you have to lead with that because men 180 00:08:11,400 --> 00:08:13,440 Speaker 1: are not as secure as women. I will tell you 181 00:08:13,480 --> 00:08:16,400 Speaker 1: that right now. We are insecure creatures. And so when 182 00:08:16,440 --> 00:08:18,920 Speaker 1: you are that forward and up front, I start to 183 00:08:19,000 --> 00:08:22,000 Speaker 1: second guess myself and I'm like, oh, I think I'm ready, 184 00:08:22,000 --> 00:08:23,680 Speaker 1: but I don't know the way this sister came in 185 00:08:23,760 --> 00:08:26,320 Speaker 1: so strong. Maybe I need to slow down a little 186 00:08:26,360 --> 00:08:28,640 Speaker 1: bit because it's so much more comfortable to be with 187 00:08:28,680 --> 00:08:30,480 Speaker 1: somebody who is like, you know what, I'm having fun. 188 00:08:30,600 --> 00:08:33,280 Speaker 1: Let's see what happens, right, because that's easier for men. Now. 189 00:08:33,280 --> 00:08:34,839 Speaker 1: I'm not saying you let them off the hook. I 190 00:08:34,880 --> 00:08:41,080 Speaker 1: don't know. You gotta do that like conversation one right howeverever, however, 191 00:08:42,240 --> 00:08:44,440 Speaker 1: absolutely and you know what that is? Like where where 192 00:08:44,480 --> 00:08:46,760 Speaker 1: are you? Right? Like let a guy tell you? Because 193 00:08:46,760 --> 00:08:48,800 Speaker 1: here's the thing I always tell women guys they know 194 00:08:48,840 --> 00:08:51,880 Speaker 1: when they know, and when they know they are serious 195 00:08:51,880 --> 00:08:59,480 Speaker 1: about it. I promise you I don't want to get 196 00:08:59,679 --> 00:09:03,160 Speaker 1: because I tell me my stand up. A man knows 197 00:09:03,200 --> 00:09:06,040 Speaker 1: who he is. Yes, see, if you know who you are, 198 00:09:06,160 --> 00:09:08,800 Speaker 1: you won't put another woman in the bad situation. But 199 00:09:08,920 --> 00:09:12,000 Speaker 1: most men are hypocrites. They'll still know who they are, 200 00:09:12,720 --> 00:09:16,560 Speaker 1: still bring a woman into pain, still cause confusion, and 201 00:09:16,600 --> 00:09:18,840 Speaker 1: that's being a hypocrite to me. But a man chooses 202 00:09:18,840 --> 00:09:22,800 Speaker 1: his wife and a woman chooses her boyfriend. How about that? 203 00:09:22,960 --> 00:09:25,480 Speaker 1: I believe that. I told you believe that. But also 204 00:09:25,559 --> 00:09:28,640 Speaker 1: I would say that women do allow men to get 205 00:09:28,640 --> 00:09:31,360 Speaker 1: away with that also, right, me talk about being hypocritical 206 00:09:31,400 --> 00:09:33,360 Speaker 1: and saying, Okay, I say I want this, but I 207 00:09:33,400 --> 00:09:35,760 Speaker 1: don't want that, like you got it. Don't listen to 208 00:09:35,800 --> 00:09:37,680 Speaker 1: what I say, Listen to what I show you. Right, Okay, 209 00:09:37,720 --> 00:09:39,960 Speaker 1: that's the thing, and that's where I got to pay attention. 210 00:09:40,000 --> 00:09:43,680 Speaker 1: A lot of women get off because what he does 211 00:09:44,040 --> 00:09:47,480 Speaker 1: is way more important than what he says that make 212 00:09:47,520 --> 00:09:49,199 Speaker 1: it seem like he want to be in a relationship 213 00:09:49,200 --> 00:09:51,800 Speaker 1: but he doesn't say. He says he doesn't want to, 214 00:09:52,040 --> 00:09:54,800 Speaker 1: but he acts like he wants to. Well, you gotta 215 00:09:54,800 --> 00:09:57,319 Speaker 1: believe him too, okay, because because you just say, pay 216 00:09:57,360 --> 00:09:59,280 Speaker 1: attention to what he does. I do and I mean 217 00:09:59,320 --> 00:10:01,839 Speaker 1: that right, but it should line up if he's serious 218 00:10:01,880 --> 00:10:05,360 Speaker 1: about taking the next step with you. Yes, So I 219 00:10:05,400 --> 00:10:07,360 Speaker 1: feel like in turn, like you asked, what questions are 220 00:10:07,360 --> 00:10:09,360 Speaker 1: you asking? And I think it's about where where's your 221 00:10:09,360 --> 00:10:11,640 Speaker 1: head right now? Tell me about your lad? You know 222 00:10:11,679 --> 00:10:13,000 Speaker 1: you can tell a lot about a man about his 223 00:10:13,040 --> 00:10:16,120 Speaker 1: last relationship. What was your last major relationship? Did he 224 00:10:16,160 --> 00:10:17,800 Speaker 1: just get out of it? Was it ten years ago? 225 00:10:17,960 --> 00:10:20,600 Speaker 1: You know what I'm saying? Like, and by the way, 226 00:10:20,720 --> 00:10:22,840 Speaker 1: where are you if you Dana God has got kids? 227 00:10:22,840 --> 00:10:24,280 Speaker 1: Where are you with the baby? Mom? And I don't 228 00:10:24,320 --> 00:10:26,280 Speaker 1: mean like women be like what's up with hush? She crazy? 229 00:10:26,320 --> 00:10:30,640 Speaker 1: What's up? And then every guy yep, crazy done? Don't 230 00:10:30,679 --> 00:10:33,199 Speaker 1: ask that all is the kid? You day somebody? And 231 00:10:33,280 --> 00:10:36,920 Speaker 1: the kid is five years old or younger. They're still 232 00:10:36,960 --> 00:10:39,559 Speaker 1: figuring it out. They're still figuring out, they're comparing and 233 00:10:39,600 --> 00:10:42,240 Speaker 1: they're still figuring out how is this going to work? Right? 234 00:10:42,440 --> 00:10:45,080 Speaker 1: Somebody who's kid is at six seven, eight nine. They've 235 00:10:45,120 --> 00:10:47,200 Speaker 1: been through all, They've been through new relationships, they've been 236 00:10:47,240 --> 00:10:49,440 Speaker 1: through the who's picking up who? And the money and 237 00:10:49,480 --> 00:10:52,400 Speaker 1: all of that. I mean, it's perfect, but usually they've 238 00:10:52,480 --> 00:10:53,920 Speaker 1: kind of figured out a little bit of a cadus 239 00:10:54,320 --> 00:10:57,680 Speaker 1: before or five years. I'm telling you that still figuring 240 00:10:57,720 --> 00:11:02,360 Speaker 1: it out. Is there any room or at King's Court? Absolutely? 241 00:11:02,760 --> 00:11:05,120 Speaker 1: For sure? Would you watch that show? Yeah? I watch 242 00:11:05,160 --> 00:11:07,760 Speaker 1: that before I watch The Queen's Court? Really yeah? Yeah, 243 00:11:08,000 --> 00:11:09,680 Speaker 1: you ready to see the guys. I'll tell you. I 244 00:11:09,720 --> 00:11:13,000 Speaker 1: got calls from some really interesting people, um men and 245 00:11:13,120 --> 00:11:15,840 Speaker 1: women saying, Yo, if you do a season two, I 246 00:11:15,880 --> 00:11:18,200 Speaker 1: want to be on that joint. Okay, yeah, So I 247 00:11:18,240 --> 00:11:21,040 Speaker 1: like the King's Court idea. What you think that kid? 248 00:11:21,120 --> 00:11:23,480 Speaker 1: You ain't doing it? You want want to be the King. 249 00:11:23,520 --> 00:11:26,439 Speaker 1: I'm bring in like thirty women that are all coming 250 00:11:26,480 --> 00:11:28,560 Speaker 1: out trying to date, because I'm gonna say, what's gonna happen? 251 00:11:28,600 --> 00:11:31,280 Speaker 1: I'm gonna really date all of them? Okay, what's gonna have? 252 00:11:31,320 --> 00:11:34,400 Speaker 1: It's gonna be all this confusion after wood, and why 253 00:11:34,559 --> 00:11:36,760 Speaker 1: the confusion if you honest with them? Well, I'm honest, 254 00:11:37,120 --> 00:11:41,280 Speaker 1: but they all want to love me love about you 255 00:11:41,480 --> 00:11:45,400 Speaker 1: because I'm just an honest guy. I'm moved differently than 256 00:11:45,440 --> 00:11:48,800 Speaker 1: most men. Say I bring flowers. I believe in uplifting 257 00:11:48,840 --> 00:11:51,760 Speaker 1: the woman. I believe in sapio sexual because most men 258 00:11:51,840 --> 00:11:53,840 Speaker 1: brag on sales, but I believe in getting into a 259 00:11:53,920 --> 00:11:56,320 Speaker 1: woman's intelligence. So I believe in teach women to stay 260 00:11:56,320 --> 00:11:59,800 Speaker 1: healthy for walks. Do you pray? Are you connected to 261 00:11:59,840 --> 00:12:02,400 Speaker 1: the earth? So to speak? And then what I do 262 00:12:02,440 --> 00:12:04,800 Speaker 1: if I really get serious of a woman, I want 263 00:12:04,800 --> 00:12:07,320 Speaker 1: to know what kind of man you dated before me, 264 00:12:07,760 --> 00:12:11,280 Speaker 1: because most men don't build the female up. So I 265 00:12:11,320 --> 00:12:14,760 Speaker 1: have to judge my mind. What kind of commitment am 266 00:12:14,760 --> 00:12:16,959 Speaker 1: I going to make to this young lady to get 267 00:12:17,000 --> 00:12:19,440 Speaker 1: her on the right path of success? Because success to 268 00:12:19,480 --> 00:12:21,640 Speaker 1: me is whether I'm which you or not. I'm gonna 269 00:12:21,640 --> 00:12:23,840 Speaker 1: give you so much game that we don't work out. 270 00:12:24,200 --> 00:12:26,480 Speaker 1: The next dude that you meet, you'll be able to 271 00:12:26,520 --> 00:12:29,959 Speaker 1: give him the game I tought you. So you're gonna 272 00:12:29,960 --> 00:12:31,439 Speaker 1: have a great life. I don't see a problem with 273 00:12:31,440 --> 00:12:35,160 Speaker 1: anything you just said. Okay, So now with all of that, though, 274 00:12:35,559 --> 00:12:38,520 Speaker 1: you have no intention of the women that you're building 275 00:12:38,559 --> 00:12:41,120 Speaker 1: up in that way of being in a serious relationship. Well, 276 00:12:41,160 --> 00:12:45,000 Speaker 1: I don't believe in marriage. Oh okay, okay, at people 277 00:12:45,040 --> 00:12:47,600 Speaker 1: are saying, I believe in taking care of you, like 278 00:12:47,640 --> 00:12:49,719 Speaker 1: I buy your house by your car. I shall up 279 00:12:49,760 --> 00:12:51,640 Speaker 1: that type of thing. Can I tell you somebody just 280 00:12:51,679 --> 00:12:54,520 Speaker 1: told me the other day that somebody is has a 281 00:12:54,559 --> 00:12:58,120 Speaker 1: marital contract. So it's not I'm framing it wrong. Not 282 00:12:58,120 --> 00:13:01,400 Speaker 1: a marital contract, but a contract relationship con I'll call 283 00:13:01,440 --> 00:13:05,000 Speaker 1: the constitution. Well, this is an actual contract. Yeah, but 284 00:13:05,080 --> 00:13:09,800 Speaker 1: I'm saying create a constitution. Right, you signed, they've signed signed. 285 00:13:09,800 --> 00:13:12,880 Speaker 1: It's understanding between each other, that is correct. That's what 286 00:13:12,960 --> 00:13:15,360 Speaker 1: I'm not married, not married, right, And I have heard 287 00:13:16,120 --> 00:13:18,199 Speaker 1: so for you and I, that's what we're on the 288 00:13:18,240 --> 00:13:20,439 Speaker 1: same page. But and if you and you can live 289 00:13:20,480 --> 00:13:23,880 Speaker 1: together under this kind of and if something happens you 290 00:13:23,920 --> 00:13:27,640 Speaker 1: agree on like how assets. But it's just not married, yes, 291 00:13:27,800 --> 00:13:30,240 Speaker 1: But what age range are they at it? You know? 292 00:13:30,400 --> 00:13:33,120 Speaker 1: The person I know is like in their thirties. Yes, 293 00:13:33,200 --> 00:13:34,679 Speaker 1: And I think for t K. Because he's always on 294 00:13:34,720 --> 00:13:37,240 Speaker 1: the road, I think most of the year traveling, that's 295 00:13:37,240 --> 00:13:40,120 Speaker 1: probably living with somebody you're not even really there. I'm 296 00:13:40,160 --> 00:13:42,280 Speaker 1: never there, right, so they would have to be on 297 00:13:42,320 --> 00:13:45,480 Speaker 1: the road. All right. Now, I know I'm on the road. 298 00:13:45,760 --> 00:13:47,240 Speaker 1: I know we don't have a lot of time. So look, 299 00:13:47,240 --> 00:13:50,040 Speaker 1: we had something special for you today. Now, is it 300 00:13:50,080 --> 00:13:52,199 Speaker 1: in the vein of praise? This? Because this is a 301 00:13:52,240 --> 00:13:55,000 Speaker 1: good old good crazies. So each one and I listened 302 00:13:55,000 --> 00:13:57,480 Speaker 1: to some of your other content that's out there, and 303 00:13:57,520 --> 00:13:59,400 Speaker 1: so when you give me something, is it going to 304 00:13:59,440 --> 00:14:02,840 Speaker 1: be Well, I've seen what you've given people before during 305 00:14:02,920 --> 00:14:05,839 Speaker 1: the day, so we have to keep it safe over Okay, 306 00:14:08,120 --> 00:14:11,800 Speaker 1: that's why I only do during the day show me 307 00:14:11,840 --> 00:14:13,160 Speaker 1: on the night show, and that be the end of 308 00:14:13,200 --> 00:14:17,280 Speaker 1: my career. No, sir, I know how you do. Now. 309 00:14:17,320 --> 00:14:20,760 Speaker 1: First taskm is gonna pitch her movie idea. Go ahead, yeah, 310 00:14:20,800 --> 00:14:24,680 Speaker 1: listen to this my movie idea. If it's really bad, 311 00:14:24,800 --> 00:14:27,520 Speaker 1: it's Angela's. But if it's really good, it's mine. So 312 00:14:27,640 --> 00:14:31,520 Speaker 1: my movie idea. It's a horror. Okay, And everyone I 313 00:14:31,600 --> 00:14:35,720 Speaker 1: thought she said horror, not horror. Okay, horror, it's a horror. 314 00:14:35,960 --> 00:14:38,720 Speaker 1: Where are you from? DC? That's what that is. That's 315 00:14:38,760 --> 00:14:42,480 Speaker 1: just the DC. She's just horror. That's no, it's not 316 00:14:43,040 --> 00:14:45,320 Speaker 1: Now you definitely went like neither one of y'all know 317 00:14:45,360 --> 00:14:48,720 Speaker 1: how to talk horror. That's what I'm saying. Go ahead, 318 00:14:48,720 --> 00:14:53,240 Speaker 1: go ahead, I'm saying. Okay. Anyway, so everyone that has 319 00:14:53,280 --> 00:14:57,840 Speaker 1: a BBL turns into a zombie. Okay, so they're walking 320 00:14:57,880 --> 00:15:02,000 Speaker 1: around it's what's the rest? It's like a BBL you got, 321 00:15:02,480 --> 00:15:06,720 Speaker 1: she gave it to me, blush out the rest, and 322 00:15:06,720 --> 00:15:09,320 Speaker 1: so it takes over their bodies, your body. We're trying 323 00:15:09,360 --> 00:15:13,000 Speaker 1: to find a cure because it's affecting a lot of 324 00:15:13,000 --> 00:15:14,920 Speaker 1: people because a lot of people have BBL okay, and 325 00:15:14,960 --> 00:15:18,840 Speaker 1: so everyone is like they got they got all? They fine, 326 00:15:18,880 --> 00:15:23,120 Speaker 1: they fine, they flat flat, yeah, flat flat. We're trying 327 00:15:23,120 --> 00:15:26,360 Speaker 1: to figure out a cure. And you know that's probably 328 00:15:26,400 --> 00:15:28,560 Speaker 1: what do they do with the bb Like do they 329 00:15:28,600 --> 00:15:33,080 Speaker 1: eat the guys that are non BBL people? Really that's 330 00:15:33,120 --> 00:15:36,040 Speaker 1: the problem. Okay, So that's where a minority, yes, and 331 00:15:36,080 --> 00:15:40,000 Speaker 1: so they we're trying to Yeah, okay, listen, that is 332 00:15:40,080 --> 00:15:43,000 Speaker 1: a you know what Friday night to be saying that. 333 00:15:43,120 --> 00:15:48,040 Speaker 1: Still it might be it's like a Red Box original, right, 334 00:15:48,080 --> 00:16:00,000 Speaker 1: there'll be watching to be movies. Mine is it's um 335 00:16:00,440 --> 00:16:04,560 Speaker 1: overnight radio personality. Oh boy, these are all horror movies. Okay, 336 00:16:04,640 --> 00:16:06,520 Speaker 1: oh this is horrid too. Yeah, she loves her. I'm 337 00:16:06,520 --> 00:16:08,760 Speaker 1: making this up as I go along. But anyway, Um, 338 00:16:08,800 --> 00:16:11,000 Speaker 1: so every day that the girl comes into work, she 339 00:16:11,040 --> 00:16:12,760 Speaker 1: does it overnight ship but you know, it's really empty 340 00:16:12,760 --> 00:16:14,800 Speaker 1: in there. There's not a lot of people working, and 341 00:16:14,880 --> 00:16:17,920 Speaker 1: so she's there right until the morning. People have to 342 00:16:17,920 --> 00:16:20,320 Speaker 1: come in, the cleaning people sometimes that's whatever it is. 343 00:16:20,640 --> 00:16:23,080 Speaker 1: But at nighttime things really changed and shifts. So it's 344 00:16:23,160 --> 00:16:24,680 Speaker 1: kind of going to turn into like a nightmare. And 345 00:16:24,880 --> 00:16:26,960 Speaker 1: she but she doesn't know if it's her imagination and 346 00:16:27,080 --> 00:16:29,200 Speaker 1: she's going crazy or if it's really happening. So she 347 00:16:29,240 --> 00:16:31,600 Speaker 1: thinks she's seeing like stuff in the hallway. Yes, she 348 00:16:31,640 --> 00:16:33,760 Speaker 1: doesn't know. Yeah, but why we supposed to write this. 349 00:16:33,800 --> 00:16:35,960 Speaker 1: You told me this idea before, right, I just didn't 350 00:16:36,000 --> 00:16:38,360 Speaker 1: flush it outright it you know, I just feels like 351 00:16:38,440 --> 00:16:40,800 Speaker 1: a short This feels like a short film. That's what 352 00:16:40,840 --> 00:16:46,440 Speaker 1: it is. Yeah, Well, night radio, you want to combine? 353 00:16:46,680 --> 00:16:49,480 Speaker 1: Are you up here? We go? Here? We go work 354 00:16:49,560 --> 00:16:52,880 Speaker 1: wins comp is the name. Okay, wimp was about three men. 355 00:16:53,360 --> 00:16:58,920 Speaker 1: Uh cryptocurrency guy. Okay, um, this sounds real. He's making 356 00:16:59,320 --> 00:17:03,480 Speaker 1: a hustler Mexican doing something in Mexico, and a gentleman 357 00:17:03,480 --> 00:17:06,720 Speaker 1: who didn't inside trading fraud. They all go to um 358 00:17:07,640 --> 00:17:10,720 Speaker 1: to the court on the same day, but the judges 359 00:17:10,760 --> 00:17:13,240 Speaker 1: in a good move and he gives them all work release. 360 00:17:13,960 --> 00:17:17,520 Speaker 1: During that weekend, the Mexican convinces them to go to 361 00:17:18,000 --> 00:17:20,080 Speaker 1: Mexico on a trip. They're gonna have a good time. 362 00:17:20,440 --> 00:17:22,159 Speaker 1: They all go down there, but when they get down there, 363 00:17:22,200 --> 00:17:25,040 Speaker 1: the Mexicans pulling a fraud. They have this big fight 364 00:17:25,080 --> 00:17:28,080 Speaker 1: in the club and they lose all their ID. They 365 00:17:28,119 --> 00:17:31,400 Speaker 1: can't get back into the United States because they don't 366 00:17:31,440 --> 00:17:36,520 Speaker 1: have no I D. Information, so they become an immigrant. 367 00:17:36,640 --> 00:17:40,120 Speaker 1: They have to go through the immigration the Mexico, through 368 00:17:40,119 --> 00:17:42,560 Speaker 1: the woods, through the desert. I can't get back to 369 00:17:42,720 --> 00:17:45,280 Speaker 1: the United States. So they lose everything. But my man 370 00:17:45,359 --> 00:17:47,800 Speaker 1: realized after two days he still has a cell phone. 371 00:17:48,520 --> 00:17:50,639 Speaker 1: He calls this guy who's an uber driver because they 372 00:17:50,720 --> 00:17:53,440 Speaker 1: got to be back to the work. Was caught by Monday. 373 00:17:53,920 --> 00:17:56,320 Speaker 1: He calls his buddy, soa Ya'll come picked us up. 374 00:17:56,359 --> 00:17:59,359 Speaker 1: He sees the signal and this guy is dependable. So 375 00:17:59,520 --> 00:18:01,959 Speaker 1: the arge they're going through, they've seen all the different things. 376 00:18:01,960 --> 00:18:04,200 Speaker 1: They're going through the water. Long story short. All of 377 00:18:04,240 --> 00:18:07,320 Speaker 1: a suddenly they they thirst, they can't see nothing. They 378 00:18:07,400 --> 00:18:11,119 Speaker 1: see this barage because it's the over driver. He's coming 379 00:18:11,160 --> 00:18:13,400 Speaker 1: for them because he knows where his body is. He 380 00:18:13,440 --> 00:18:16,199 Speaker 1: goes around the turn. The smoke is high. Okay, when 381 00:18:16,240 --> 00:18:18,560 Speaker 1: the smoke cellos, the rendivals as cat say, when did 382 00:18:18,600 --> 00:18:21,200 Speaker 1: you guys? Call the over driver and he takes them 383 00:18:21,200 --> 00:18:24,480 Speaker 1: in the car and tries to get them back to UM. 384 00:18:24,520 --> 00:18:27,080 Speaker 1: They work with the site where they have to continue 385 00:18:27,119 --> 00:18:31,320 Speaker 1: on Monday. Okay, yeah, so that's great. I have questions 386 00:18:31,359 --> 00:18:38,120 Speaker 1: about t k's have a question time we have, but listen, Okay, 387 00:18:38,640 --> 00:18:41,200 Speaker 1: as we pass, it's fine, we work on it. Here's 388 00:18:41,240 --> 00:18:44,040 Speaker 1: what I say is you're gonna be pictures serious? You 389 00:18:44,119 --> 00:18:46,840 Speaker 1: hear it all? No, I think as movie pictures, y'all. 390 00:18:46,840 --> 00:18:50,679 Speaker 1: A great radio host. That's what I think. And and 391 00:18:50,720 --> 00:18:54,439 Speaker 1: I respect y'all. I don't want to encourage everybody to 392 00:18:54,440 --> 00:18:56,919 Speaker 1: watch praises. I thought Chloe Billy and she's been killing it, 393 00:18:56,960 --> 00:18:59,440 Speaker 1: by the way, because I see she's been with her acting. 394 00:18:59,560 --> 00:19:01,560 Speaker 1: She's high. I made she got an album out right 395 00:19:01,560 --> 00:19:07,399 Speaker 1: now too. Don't sleep on her, man. She works hard, 396 00:19:07,480 --> 00:19:11,840 Speaker 1: really super super super sweet. You know, just coming up 397 00:19:11,880 --> 00:19:14,600 Speaker 1: in like uh as young singers coming out of Beyonce 398 00:19:14,800 --> 00:19:17,480 Speaker 1: camp in the internet, you know, social media world. It's 399 00:19:17,560 --> 00:19:20,520 Speaker 1: tough on them, um and just all of them, not 400 00:19:20,560 --> 00:19:23,520 Speaker 1: just them, but you know that generation of artists. They 401 00:19:23,560 --> 00:19:26,240 Speaker 1: take it seriously. Man, they go hard. They're both amazing 402 00:19:26,280 --> 00:19:29,000 Speaker 1: young actresses. I think people are gonna be pleasantly surprised 403 00:19:29,040 --> 00:19:30,879 Speaker 1: what Chode brings to the table. I have a quick question, 404 00:19:31,000 --> 00:19:35,840 Speaker 1: how did you get into producing? You know what? I um? 405 00:19:35,840 --> 00:19:38,959 Speaker 1: When I was at school, I was in the Florida 406 00:19:39,000 --> 00:19:43,200 Speaker 1: and University Routler stand up. Appreciate that, yee and UM. 407 00:19:43,240 --> 00:19:45,560 Speaker 1: I made my first little movie when I was in college, Okay, 408 00:19:45,760 --> 00:19:48,520 Speaker 1: and I was I didn't necessarily think that I wanted 409 00:19:48,520 --> 00:19:49,919 Speaker 1: to be a filmmaker. I wanted to go to grad 410 00:19:50,000 --> 00:19:52,080 Speaker 1: school and get my NBA and be an entrepreneur. I 411 00:19:52,080 --> 00:19:54,359 Speaker 1: didn't know what kind of entrepreneur. We made a little, 412 00:19:54,359 --> 00:19:58,480 Speaker 1: tiny movie. Hollywood could care less, But at FAMU it 413 00:19:58,560 --> 00:20:01,080 Speaker 1: was a big deal. People like seeing themselves on the screen. 414 00:20:01,119 --> 00:20:02,800 Speaker 1: Look at what they did. They made a movie about 415 00:20:02,840 --> 00:20:04,840 Speaker 1: us in our world, and they came out and droves 416 00:20:04,920 --> 00:20:07,080 Speaker 1: to see it. And we actually made a little bit 417 00:20:07,080 --> 00:20:09,640 Speaker 1: of money. It's like broke college kids. And I said, 418 00:20:09,680 --> 00:20:11,359 Speaker 1: you know what, I don't need my NBA. I can 419 00:20:11,440 --> 00:20:14,679 Speaker 1: do this. So someone discussed someone saw that film, and 420 00:20:15,040 --> 00:20:19,560 Speaker 1: one saw it, and we then made another little independent movie, 421 00:20:19,600 --> 00:20:22,720 Speaker 1: and another one and another one, and ultimately Hollywood took 422 00:20:22,760 --> 00:20:25,399 Speaker 1: note because we were making these movies without them, and 423 00:20:25,440 --> 00:20:27,879 Speaker 1: we were making a little bit of coins without Hollywood. 424 00:20:29,640 --> 00:20:34,159 Speaker 1: Oscar Show come on with the black history fact that 425 00:20:34,480 --> 00:20:37,200 Speaker 1: a girl look up Oscar Show one of the great 426 00:20:37,200 --> 00:20:39,320 Speaker 1: pioneers a black se We didn't want to make sure 427 00:20:39,359 --> 00:20:41,719 Speaker 1: we congratulate you just because you have broken a lot 428 00:20:41,760 --> 00:20:44,359 Speaker 1: of barriers for people and said a lot of records. 429 00:20:44,400 --> 00:20:46,679 Speaker 1: I think, what is it, ten number one movies it is? 430 00:20:46,760 --> 00:20:52,640 Speaker 1: I mean, who counts such things exactly? Ten number one 431 00:20:52,720 --> 00:20:55,600 Speaker 1: billion dollars box office. That's not the point though. The 432 00:20:55,600 --> 00:20:58,200 Speaker 1: point is that the stories are good. And then they 433 00:20:58,280 --> 00:21:00,240 Speaker 1: made a billion dollars on the way to a t 434 00:21:02,600 --> 00:21:05,479 Speaker 1: I mean, honestly, like that is such a huge deal. So, 435 00:21:05,960 --> 00:21:08,280 Speaker 1: and you've always been and you always come and see 436 00:21:08,359 --> 00:21:11,560 Speaker 1: us only because of the support that I have. Seriously, 437 00:21:11,560 --> 00:21:12,960 Speaker 1: and you are a big part of the Angela you 438 00:21:13,040 --> 00:21:14,960 Speaker 1: always have on all your platforms. You allow me to 439 00:21:15,000 --> 00:21:17,080 Speaker 1: come on and talk about it. I appreciate you guys 440 00:21:17,119 --> 00:21:19,600 Speaker 1: as the extensive one of your movies. You which one? 441 00:21:19,640 --> 00:21:22,479 Speaker 1: What do we do? You? And straight out of Compton, 442 00:21:22,720 --> 00:21:26,639 Speaker 1: come on t Easy Doctor j and those guys. Yeah, 443 00:21:26,680 --> 00:21:29,480 Speaker 1: and when you're doing the clips towards the end, I'm 444 00:21:29,520 --> 00:21:32,280 Speaker 1: walking with Easy Doctor Dre and Ice. How about that. 445 00:21:32,320 --> 00:21:34,520 Speaker 1: We're all coming through. It was a great It was 446 00:21:34,520 --> 00:21:36,880 Speaker 1: a great journey. And me f Gary Grade, Yeah, all 447 00:21:36,920 --> 00:21:39,560 Speaker 1: of us are tight. So yeah, everything that was the 448 00:21:39,600 --> 00:21:43,760 Speaker 1: movie Gary was born to make to that. It was crazy. 449 00:21:43,800 --> 00:21:47,240 Speaker 1: I was shooting right along too in Atlanta. Yes, I 450 00:21:47,280 --> 00:21:51,480 Speaker 1: remember they were shooting Compton in LA and I'm on 451 00:21:51,640 --> 00:21:54,200 Speaker 1: set with Cube and we got these monitors where we're 452 00:21:54,200 --> 00:21:56,280 Speaker 1: watching the feed of what's happening in Atlanta. I went 453 00:21:56,320 --> 00:21:58,520 Speaker 1: up to Cute. I was like, Yo, we on set 454 00:21:58,600 --> 00:22:01,080 Speaker 1: of your movie. Right to come in here and act. 455 00:22:01,200 --> 00:22:02,800 Speaker 1: And then every time with Yo, cut you grabbed a 456 00:22:02,840 --> 00:22:07,640 Speaker 1: monitor to watch your sons debut, his acting debut, by 457 00:22:07,680 --> 00:22:10,640 Speaker 1: the way, playing you in the Definitive Bopati's Gonna tell 458 00:22:10,640 --> 00:22:12,400 Speaker 1: your Story. I was like, you, how you do it? Og? 459 00:22:12,560 --> 00:22:14,879 Speaker 1: He was like, I'm focused, man, Yes, yes, I shout 460 00:22:14,880 --> 00:22:17,000 Speaker 1: out to Ice cuming on now absolutely for giving me 461 00:22:17,359 --> 00:22:20,280 Speaker 1: break back in the day. So that's love. Well, you know, 462 00:22:20,359 --> 00:22:22,480 Speaker 1: but you know you're a legend man, yea doing it 463 00:22:22,760 --> 00:22:25,760 Speaker 1: a very long time. The name always rings out and 464 00:22:25,760 --> 00:22:27,560 Speaker 1: it will continue to ring out. Well, I love all 465 00:22:27,600 --> 00:22:29,840 Speaker 1: this longevity in the room. So again, thank you for 466 00:22:29,840 --> 00:22:31,560 Speaker 1: coming by, and thank you Mama, you the maestro, you 467 00:22:31,600 --> 00:22:33,840 Speaker 1: brought it all together. I appreciate you. All Right, Well, 468 00:22:34,119 --> 00:22:36,159 Speaker 1: there you have it. It's well Packer, and I know 469 00:22:36,200 --> 00:22:38,720 Speaker 1: you'll be back anytime. You know what I'm saying. Absolutely, 470 00:22:38,760 --> 00:22:40,520 Speaker 1: what's the next one? We're coming back. I'm working in 471 00:22:40,600 --> 00:22:44,560 Speaker 1: pitches when I come back. What the Bbl's gonna do? 472 00:22:45,040 --> 00:22:48,680 Speaker 1: We gotta figure out what else happens at and how 473 00:22:48,720 --> 00:22:50,440 Speaker 1: the hell it took him two days to fine out? 474 00:22:50,440 --> 00:22:53,440 Speaker 1: He had his cell phone, so anyway, we got holes, 475 00:22:53,480 --> 00:22:58,159 Speaker 1: we figured out. I've come out. One part of my 476 00:22:58,200 --> 00:23:02,360 Speaker 1: story is gonna be Will Packer passed on? Yeah, oh boy, 477 00:23:02,640 --> 00:23:06,439 Speaker 1: And that's the that's the headline I'm gonna There's always 478 00:23:06,440 --> 00:23:08,240 Speaker 1: a belief as long as you believe. As long as 479 00:23:08,359 --> 00:23:12,960 Speaker 1: you believe, you believe your dream. Ay dead girl, let's 480 00:23:13,000 --> 00:23:15,399 Speaker 1: check out praises. The soundtrack is out right now too. Yes, 481 00:23:15,600 --> 00:23:18,200 Speaker 1: it's dope for real. We mashed up Beyond a Drake, 482 00:23:18,320 --> 00:23:21,600 Speaker 1: Cardi Magan with gospel lyrics that where they do that 483 00:23:21,720 --> 00:23:25,560 Speaker 1: funny names of the groups of funny shout out Harmy 484 00:23:25,560 --> 00:23:28,320 Speaker 1: Majon Junior passing, Charles Jenkins, Big Tank. I gotta give 485 00:23:28,320 --> 00:23:30,359 Speaker 1: a shout to the music team of course, Teena Gooyad. 486 00:23:30,400 --> 00:23:32,320 Speaker 1: So anyway, that's good. I'm proud of y'all, gonna check 487 00:23:32,320 --> 00:23:36,760 Speaker 1: it out. Thank you, way up where y'all