1 00:00:01,720 --> 00:00:04,840 Speaker 1: Welcome to Naked Sports, the podcast where we live at 2 00:00:04,840 --> 00:00:09,760 Speaker 1: the intersection of sports, politics, and culture. Our purpose reveal 3 00:00:09,840 --> 00:00:11,680 Speaker 1: the common threads that bind them all. 4 00:00:12,240 --> 00:00:15,640 Speaker 2: So what's happening in women's basketball right now is what 5 00:00:15,680 --> 00:00:17,079 Speaker 2: we've been trying to get. 6 00:00:16,920 --> 00:00:19,040 Speaker 3: To for almost thirty years. 7 00:00:19,079 --> 00:00:22,240 Speaker 1: From the stadiums where athletes break barriers and set records. 8 00:00:22,640 --> 00:00:26,000 Speaker 1: Caitlinquar broke the all time single game assists record. 9 00:00:26,200 --> 00:00:28,080 Speaker 3: This is crazy for rookies to be doing. 10 00:00:28,440 --> 00:00:32,000 Speaker 1: Our discussions will uncover the vital connections between these realms 11 00:00:32,320 --> 00:00:35,479 Speaker 1: and the community we create. In each episode, we'll sit 12 00:00:35,560 --> 00:00:39,919 Speaker 1: down with athletes, political analysts, and culture critics because at 13 00:00:39,920 --> 00:00:42,640 Speaker 1: the core of it all, how we see one issue 14 00:00:43,080 --> 00:00:47,120 Speaker 1: shines the light on all others. Welcome to Naked Sports. 15 00:00:47,640 --> 00:00:53,159 Speaker 1: I'm your host, Carrie Champion. Hey, family, Welcome to another 16 00:00:53,280 --> 00:00:57,840 Speaker 1: edition of Naked Sports Today. I am doing a replay intentionally, 17 00:00:58,440 --> 00:01:01,760 Speaker 1: I am doing a replay of an interview that I 18 00:01:01,880 --> 00:01:06,320 Speaker 1: did with Malcolm Jamal Warner in January of twenty twenty two. 19 00:01:07,000 --> 00:01:10,160 Speaker 1: Let me set the scene, because we were still at 20 00:01:10,160 --> 00:01:13,399 Speaker 1: the very tail end of COVID. People were just now 21 00:01:13,400 --> 00:01:15,759 Speaker 1: starting to get back to work. Some people still were 22 00:01:15,800 --> 00:01:19,440 Speaker 1: working from home, and things were just different. There were 23 00:01:19,480 --> 00:01:22,240 Speaker 1: still a lot of uncertainty, but we were starting to 24 00:01:22,319 --> 00:01:24,880 Speaker 1: transition from being in the house to being back outside. 25 00:01:25,520 --> 00:01:27,360 Speaker 1: And let me tell you, I think I might want 26 00:01:27,400 --> 00:01:30,200 Speaker 1: to go back in the house. That's just me. But 27 00:01:30,280 --> 00:01:32,840 Speaker 1: when I interviewed him, he had a new show and 28 00:01:32,880 --> 00:01:36,840 Speaker 1: he was promoting that new show. But I had to 29 00:01:36,880 --> 00:01:39,520 Speaker 1: talk to him about a lot of things, his legacy, 30 00:01:39,600 --> 00:01:44,240 Speaker 1: his life, his career, his family, and now that he 31 00:01:44,319 --> 00:01:48,680 Speaker 1: is no longer with us, the stories that he shared 32 00:01:48,720 --> 00:01:52,240 Speaker 1: with me seemed so much more powerful, especially the stories 33 00:01:52,800 --> 00:01:55,040 Speaker 1: about his daughter, who was then at the time, I 34 00:01:55,080 --> 00:01:57,440 Speaker 1: believe five years old. And for those who have been 35 00:01:57,520 --> 00:02:00,840 Speaker 1: keeping up with the news, Malcolm Jamal Warner when he 36 00:02:00,960 --> 00:02:04,680 Speaker 1: was on vacation with his family in Costa Rica, we 37 00:02:04,720 --> 00:02:07,760 Speaker 1: didn't really know anything about what happened because the family 38 00:02:07,840 --> 00:02:10,160 Speaker 1: is letting the details out bit by bit. But we 39 00:02:10,320 --> 00:02:13,079 Speaker 1: do know now that he was swimming with his eight 40 00:02:13,160 --> 00:02:17,799 Speaker 1: year old daughter who was rescued, and sadly, when they 41 00:02:17,880 --> 00:02:22,280 Speaker 1: tried to rescue Malcolm, he had already passed away. They 42 00:02:22,320 --> 00:02:25,400 Speaker 1: tried to resuscitate him, from my understanding, for forty five minutes. 43 00:02:25,440 --> 00:02:28,040 Speaker 1: There were lifeguards there, volunteer lifeguards. They are trying to 44 00:02:28,080 --> 00:02:31,320 Speaker 1: help him, at least resuscitate him in some former fashion, 45 00:02:31,440 --> 00:02:34,680 Speaker 1: and they tried their best to no end. Now I 46 00:02:34,720 --> 00:02:37,480 Speaker 1: don't know the particulars in terms of what his daughter saw, 47 00:02:37,520 --> 00:02:39,959 Speaker 1: but I have to imagine if they were swimming together, 48 00:02:40,120 --> 00:02:44,680 Speaker 1: she too witnessed what happened, and I can't even imagine 49 00:02:45,040 --> 00:02:48,480 Speaker 1: the trauma that that will lay out in her life 50 00:02:48,520 --> 00:02:50,720 Speaker 1: because of that, and if in fact she'll ever be 51 00:02:50,760 --> 00:02:52,800 Speaker 1: able to get over it. My prayer is that this 52 00:02:53,040 --> 00:02:57,120 Speaker 1: entire family, his friends, his fans for that matter, are 53 00:02:57,200 --> 00:03:01,080 Speaker 1: able to have some sort of resolve. I'm sending healing energy. 54 00:03:02,280 --> 00:03:03,920 Speaker 1: And the reason why I'm having a hard time with 55 00:03:03,960 --> 00:03:07,360 Speaker 1: my words is because for me, which I did discuss 56 00:03:07,480 --> 00:03:10,960 Speaker 1: in this podcast back in twenty twenty two, Malcolm Jamal 57 00:03:11,000 --> 00:03:13,440 Speaker 1: Warner was everyone's boyfriend. I had a crush on him. 58 00:03:13,480 --> 00:03:14,480 Speaker 1: I was a kid. I was like, well, if I 59 00:03:14,480 --> 00:03:16,160 Speaker 1: had a boyfriend, I would want him to be like that. 60 00:03:16,639 --> 00:03:19,040 Speaker 1: He was the perfect kid on The Cosby Show, and 61 00:03:19,120 --> 00:03:21,320 Speaker 1: for that matter, the Cosby Show meant so much to me. 62 00:03:23,040 --> 00:03:26,160 Speaker 1: I say this to anyone, especially the younger generation, go 63 00:03:26,240 --> 00:03:29,520 Speaker 1: back and watch the Cosby Show. It's okay to watch 64 00:03:29,560 --> 00:03:32,760 Speaker 1: The Cosby Show. Even though people tried to cancel Bill Cosby, 65 00:03:34,240 --> 00:03:37,200 Speaker 1: he still put something on television. He still gave us 66 00:03:37,200 --> 00:03:41,480 Speaker 1: something creatively that allowed us to realize and dream. He 67 00:03:41,560 --> 00:03:45,200 Speaker 1: highlighted HBCUs, He made sure we knew about them. He 68 00:03:45,320 --> 00:03:49,080 Speaker 1: promoted going to school, most importantly going to an HBCU. 69 00:03:49,640 --> 00:03:51,800 Speaker 1: He was a real advocate for the black family, and 70 00:03:51,840 --> 00:03:54,840 Speaker 1: that's what The Cosby Show represented. Outside of who he 71 00:03:55,040 --> 00:04:01,000 Speaker 1: was off the screen, he on television forward facing encouraged 72 00:04:01,160 --> 00:04:05,320 Speaker 1: us to be more as a culture. And I respect that. 73 00:04:05,920 --> 00:04:07,880 Speaker 1: I know that many of you have canceled him because 74 00:04:07,880 --> 00:04:10,120 Speaker 1: of the allegations, and I know he went to jail 75 00:04:10,160 --> 00:04:11,920 Speaker 1: and has since been released, etc. 76 00:04:12,240 --> 00:04:12,440 Speaker 3: Etc. 77 00:04:13,560 --> 00:04:17,159 Speaker 1: But in today's times, and I think even recently thinking 78 00:04:17,200 --> 00:04:19,680 Speaker 1: of Diddy, there is a part of us that has 79 00:04:19,760 --> 00:04:21,800 Speaker 1: to separate the art from the artist. That doesn't mean 80 00:04:21,800 --> 00:04:26,520 Speaker 1: that we excuse their behavior, but that also means I 81 00:04:26,520 --> 00:04:29,560 Speaker 1: can appreciate their art because it did something for me, 82 00:04:30,279 --> 00:04:33,839 Speaker 1: narrated my childhood in terms of Ditty's music and what 83 00:04:33,920 --> 00:04:36,200 Speaker 1: he gave back to the culture, and even Diddy as 84 00:04:36,240 --> 00:04:40,839 Speaker 1: a human working with him in certain instances an amazing person. 85 00:04:41,400 --> 00:04:44,960 Speaker 1: So I say all that to say during this episode 86 00:04:45,600 --> 00:04:49,080 Speaker 1: of Naked this replay, you'll hear Malcolm Jamal Warner talk 87 00:04:49,120 --> 00:04:52,680 Speaker 1: about Bill Cosby in a very affectionate way, And to me, 88 00:04:52,880 --> 00:04:54,880 Speaker 1: I thought it was special because that's what that man 89 00:04:54,920 --> 00:04:58,040 Speaker 1: meant to him, and he had come to peace with 90 00:04:58,080 --> 00:05:00,520 Speaker 1: what the allegations were and who that man was for him, 91 00:05:00,880 --> 00:05:02,039 Speaker 1: and they were two different people. 92 00:05:02,760 --> 00:05:05,520 Speaker 3: You know, I watched the show now and I think 93 00:05:05,640 --> 00:05:11,800 Speaker 3: about people who can't watch the show because they can't 94 00:05:11,839 --> 00:05:16,440 Speaker 3: watch the show and not think about everything else. And 95 00:05:17,240 --> 00:05:22,279 Speaker 3: you know, obviously that's not my experience, but that's got 96 00:05:22,279 --> 00:05:26,320 Speaker 3: to suck for those people. And then it just it 97 00:05:26,360 --> 00:05:30,680 Speaker 3: also sucks because you know, it's such a wonderful show 98 00:05:30,720 --> 00:05:31,159 Speaker 3: it showed. 99 00:05:31,279 --> 00:05:34,960 Speaker 1: So sit back, relax and enjoyed this replay of Naked 100 00:05:35,000 --> 00:05:38,920 Speaker 1: Sports with Malcolm Jamal Warner. But truly listen to this 101 00:05:39,040 --> 00:05:42,279 Speaker 1: man because he meant so much to a generation of 102 00:05:42,279 --> 00:05:44,000 Speaker 1: people who were just trying to figure out what the 103 00:05:44,040 --> 00:05:46,560 Speaker 1: future would be and what black men stood for and 104 00:05:46,600 --> 00:05:51,040 Speaker 1: what black life could look like for us. No one 105 00:05:51,480 --> 00:05:53,240 Speaker 1: that I have ever met has anything bad to say 106 00:05:53,279 --> 00:05:56,080 Speaker 1: about this man. He's genuinely a good soul. So I'm 107 00:05:56,080 --> 00:06:00,479 Speaker 1: sitting again, love, healing and peace, to his family, celebrate 108 00:06:00,520 --> 00:06:03,400 Speaker 1: his life and honor his legacy. We appreciate y'all for listening. 109 00:06:06,080 --> 00:06:13,760 Speaker 1: Our guests today, Our guests today. Malcolm Jamal Warner. Now, 110 00:06:13,800 --> 00:06:15,640 Speaker 1: if you were like me, and I did mention this 111 00:06:15,680 --> 00:06:19,200 Speaker 1: to him, if you're like me, I had a hardcore 112 00:06:19,279 --> 00:06:22,280 Speaker 1: crush on THEO when he was on The Cosby Show. 113 00:06:22,960 --> 00:06:25,440 Speaker 1: He was everybody's boyfriend. He's fifty one years old now, 114 00:06:25,480 --> 00:06:27,440 Speaker 1: but he still looked like THEO from The Cosby Show. 115 00:06:28,120 --> 00:06:32,119 Speaker 1: And here's the even better news about Malcolm Jamal Warner. 116 00:06:32,920 --> 00:06:37,719 Speaker 1: He is truly solid. You often hear that child stars 117 00:06:37,720 --> 00:06:41,080 Speaker 1: have all these issues and they never come around and 118 00:06:41,120 --> 00:06:44,360 Speaker 1: they can't settle themselves. And you've seen the horror stories 119 00:06:44,360 --> 00:06:47,560 Speaker 1: of child stars, right. He literally grew up on TV 120 00:06:47,720 --> 00:06:51,520 Speaker 1: and he credits his parents, his mother, people around him 121 00:06:51,839 --> 00:06:55,800 Speaker 1: with that sensibility that helped him understand that you need 122 00:06:55,839 --> 00:06:57,279 Speaker 1: to be on a straight and narrow you could see 123 00:06:57,279 --> 00:06:59,480 Speaker 1: how it could go the other way in this crazy 124 00:06:59,480 --> 00:07:03,320 Speaker 1: talent called Hollywood. He has a show now called The Resident. 125 00:07:03,320 --> 00:07:05,080 Speaker 1: I don't know if you guys watch it. He loves 126 00:07:05,120 --> 00:07:07,080 Speaker 1: it because he gets to play a jerk and he's like, 127 00:07:07,120 --> 00:07:09,520 Speaker 1: this is my favorite part I'm a doctor that's a 128 00:07:09,600 --> 00:07:12,560 Speaker 1: jerk because he's naturally a good guy. It sounds that way. 129 00:07:12,600 --> 00:07:14,560 Speaker 1: I don't know him well, but it seems that way, 130 00:07:15,160 --> 00:07:18,480 Speaker 1: and so this is fun for him. Now, let me 131 00:07:18,520 --> 00:07:20,880 Speaker 1: not bury the lead. Let me just be honest with you, guys. 132 00:07:21,480 --> 00:07:23,600 Speaker 1: There's a generation of people right now that I am 133 00:07:23,640 --> 00:07:27,120 Speaker 1: friendly with that probably didn't understand the significance of the 134 00:07:27,160 --> 00:07:30,160 Speaker 1: Cosby Show. Right you young gins, maybe in your twenties, 135 00:07:30,240 --> 00:07:33,720 Speaker 1: didn't understand the significance of the Cosby Show. And I'm 136 00:07:33,760 --> 00:07:36,640 Speaker 1: gonna be really serious for a moment for black people, 137 00:07:37,000 --> 00:07:39,120 Speaker 1: it was life changing for a little girl like me. 138 00:07:39,680 --> 00:07:43,040 Speaker 1: It was life changing to see Felicia Rashad, who was 139 00:07:43,440 --> 00:07:48,840 Speaker 1: an attorney on the show, right Theo's mom, Claire Huxtable 140 00:07:49,440 --> 00:07:54,000 Speaker 1: giving you character names. To watch her in all her elegance, 141 00:07:55,040 --> 00:07:56,880 Speaker 1: and I remember there was an episode two where she 142 00:07:56,920 --> 00:07:58,040 Speaker 1: was speaking fluent Spanish. 143 00:07:58,080 --> 00:07:59,640 Speaker 3: I was like, huh uh done. 144 00:08:00,160 --> 00:08:04,840 Speaker 1: Look at this beautiful black woman, elegant, smart, loving, a mother, 145 00:08:05,280 --> 00:08:10,640 Speaker 1: a wife. It was foreign to me. It really was 146 00:08:10,800 --> 00:08:12,520 Speaker 1: not that my mother wasn't all of those things, but 147 00:08:12,560 --> 00:08:15,200 Speaker 1: this woman carried a certain genes aquad that everyone could 148 00:08:15,280 --> 00:08:18,120 Speaker 1: just see and it leaped off the camera and then 149 00:08:18,160 --> 00:08:21,000 Speaker 1: her husband was this amazing doctor and they lived in 150 00:08:21,000 --> 00:08:23,240 Speaker 1: this big house and their kids were great and amazing, 151 00:08:23,680 --> 00:08:27,040 Speaker 1: and in my mind, I was like, oh the American dream. 152 00:08:28,520 --> 00:08:33,520 Speaker 1: That show for me described the American dream for black folks. 153 00:08:33,559 --> 00:08:36,880 Speaker 1: Did y'all feel that way? So you have to understand 154 00:08:37,679 --> 00:08:40,960 Speaker 1: that when Bill Cosby went to jail and all the 155 00:08:41,000 --> 00:08:45,959 Speaker 1: stories come out about how he was raping women, he 156 00:08:46,000 --> 00:08:51,040 Speaker 1: would be holding them hostage, and these are all things 157 00:08:51,080 --> 00:08:58,640 Speaker 1: that he was found guilty of, he became sadly a 158 00:08:58,720 --> 00:09:03,200 Speaker 1: pariah and it then changed the significance of the Cosby 159 00:09:03,240 --> 00:09:06,480 Speaker 1: Show for another generation, but not for me. And I 160 00:09:06,559 --> 00:09:10,440 Speaker 1: have to tell you that because that image of seeing 161 00:09:10,480 --> 00:09:14,880 Speaker 1: black excellence was first really for me personified on the 162 00:09:14,920 --> 00:09:17,400 Speaker 1: Cosby Show. I know people feel a way about Bill 163 00:09:17,480 --> 00:09:19,120 Speaker 1: and think away about Bill Hell. I'm not going to 164 00:09:19,160 --> 00:09:21,520 Speaker 1: spare and tell you that I don't, but I do 165 00:09:21,559 --> 00:09:25,160 Speaker 1: want you to understand. On this episode we get into it. 166 00:09:26,400 --> 00:09:26,880 Speaker 3: I don't go. 167 00:09:26,880 --> 00:09:29,959 Speaker 1: Too deep, but I ask them about Bill Cosby and 168 00:09:30,000 --> 00:09:33,199 Speaker 1: his relationship, and you have to understand that there is 169 00:09:33,360 --> 00:09:36,319 Speaker 1: nuance here and you can put things in different buckets 170 00:09:36,760 --> 00:09:39,880 Speaker 1: and they can be mutually exclusive and two things can 171 00:09:39,920 --> 00:09:43,240 Speaker 1: be true at once. I hope that makes sense. We 172 00:09:43,320 --> 00:09:47,400 Speaker 1: start off talking to Malcolm Jamal Warner about his career, 173 00:09:48,320 --> 00:09:51,839 Speaker 1: about being a child star and how he was able 174 00:09:51,880 --> 00:09:56,800 Speaker 1: to survive. Welcome back from the holidays, and welcome to 175 00:09:56,920 --> 00:10:02,600 Speaker 1: this edition of Naked. Here's Malcolm Jamal Warner on start. 176 00:10:02,600 --> 00:10:06,800 Speaker 2: I mean, Charon and Kerry chap and Karrie Shelly. 177 00:10:06,880 --> 00:10:10,240 Speaker 3: When I was, you know, when I was growing up 178 00:10:10,280 --> 00:10:13,440 Speaker 3: and during that whole time, there was so much of 179 00:10:13,480 --> 00:10:17,240 Speaker 3: that attention that I, uh, you know, I just took 180 00:10:17,240 --> 00:10:20,240 Speaker 3: for granted like it's it's automatic. And it was one 181 00:10:20,240 --> 00:10:22,559 Speaker 3: of the things that that gave me a very grounded 182 00:10:22,679 --> 00:10:27,720 Speaker 3: perspective on the whole celebrity thing because I understood, well, 183 00:10:29,040 --> 00:10:33,439 Speaker 3: anyone who has a TV show out, a hit movie 184 00:10:33,960 --> 00:10:38,920 Speaker 3: or hot song, they're going to get this same reaction 185 00:10:39,160 --> 00:10:41,040 Speaker 3: or they do get the same reaction from women. So 186 00:10:41,840 --> 00:10:43,800 Speaker 3: you know, I always kind of I always kept in 187 00:10:43,880 --> 00:10:47,240 Speaker 3: perspective because I got okay, that goes along with the territory. 188 00:10:49,200 --> 00:10:53,600 Speaker 3: Whereas now though I still holde that that's true, but 189 00:10:55,040 --> 00:10:59,120 Speaker 3: you know, it's not a you know, because now I'm 190 00:10:59,160 --> 00:11:02,760 Speaker 3: dealing with you, I'm I'm an adult. A lot of 191 00:11:02,760 --> 00:11:06,600 Speaker 3: that fan base, you know, are adults as well, So 192 00:11:06,880 --> 00:11:11,480 Speaker 3: it doesn't my reception of it now, I don't take 193 00:11:11,520 --> 00:11:16,200 Speaker 3: it as oh, just you know, uh, it's just a 194 00:11:16,200 --> 00:11:19,679 Speaker 3: teenage fan thing. Like now, I feel like people who 195 00:11:20,840 --> 00:11:24,120 Speaker 3: who watch my work and enjoy what I do and 196 00:11:24,200 --> 00:11:29,920 Speaker 3: have grown with me. It feels more substantive, if that 197 00:11:29,960 --> 00:11:33,200 Speaker 3: makes sense. You know. The reality is I have been 198 00:11:33,320 --> 00:11:37,720 Speaker 3: on television, uh, since I was eleven years old, you know, 199 00:11:38,640 --> 00:11:42,920 Speaker 3: you know, I'm very conscious of the whole the whole thing, 200 00:11:43,520 --> 00:11:48,360 Speaker 3: you know, and and and especially during that time, when 201 00:11:49,080 --> 00:11:53,520 Speaker 3: you know, it's it was the norm for a kid 202 00:11:53,920 --> 00:11:57,880 Speaker 3: in this business who is highly recognizable to just be 203 00:11:58,200 --> 00:12:01,040 Speaker 3: off the chain and the and with that you have 204 00:12:01,080 --> 00:12:05,600 Speaker 3: to go back to the parents. So I was very Look, 205 00:12:05,600 --> 00:12:08,320 Speaker 3: there's a lot of work I've done myself, but I 206 00:12:08,400 --> 00:12:13,000 Speaker 3: was very fortunate to have really wonderful parents and a 207 00:12:13,120 --> 00:12:17,600 Speaker 3: mother who had no space to get caught up in 208 00:12:17,720 --> 00:12:22,920 Speaker 3: the trappings of Hollywood or trappings of success, because her 209 00:12:24,600 --> 00:12:27,240 Speaker 3: you know, her main thing was, well, when this show 210 00:12:27,320 --> 00:12:29,680 Speaker 3: was over, because this show can be over next year, 211 00:12:30,400 --> 00:12:32,080 Speaker 3: what are you going to do? What are you going 212 00:12:32,160 --> 00:12:35,559 Speaker 3: to do? I put one hundred percent of the responsible 213 00:12:35,600 --> 00:12:38,920 Speaker 3: of the parental responsibility on the parent because a lot 214 00:12:38,960 --> 00:12:41,719 Speaker 3: of times the parent will live vicariously through the kid. 215 00:12:42,679 --> 00:12:46,080 Speaker 3: So if the parent has gotten caught up and has 216 00:12:46,160 --> 00:12:49,600 Speaker 3: gone Hollywood, then there's no one there to give guidance 217 00:12:49,600 --> 00:12:55,280 Speaker 3: and direction to the kid. And I'd say in you know, 218 00:12:56,240 --> 00:13:00,600 Speaker 3: I do not know of a case where the parents 219 00:13:01,800 --> 00:13:05,040 Speaker 3: did their one hundred percent parenting and the kids still 220 00:13:05,080 --> 00:13:07,520 Speaker 3: came out wayward. 221 00:13:08,679 --> 00:13:12,360 Speaker 1: Kudos to those who helped raise Malcolm because the village 222 00:13:12,360 --> 00:13:15,439 Speaker 1: that has kept him in the right frame of mind 223 00:13:15,559 --> 00:13:19,319 Speaker 1: and obviously gainfully employed in a very fickle town called Hollywood, 224 00:13:19,360 --> 00:13:22,000 Speaker 1: has done an amazing job. You know, child stars, we've 225 00:13:22,040 --> 00:13:26,000 Speaker 1: seen the stories, right, they don't last song, they overdose, 226 00:13:26,240 --> 00:13:30,840 Speaker 1: they turn into people that can't get jobs because they've 227 00:13:30,880 --> 00:13:33,600 Speaker 1: never really been anything else but a child star, so 228 00:13:33,600 --> 00:13:35,240 Speaker 1: they don't have a skill set, I mean all of 229 00:13:35,280 --> 00:13:39,200 Speaker 1: the things. And Malcolm, it's not that person. And I 230 00:13:39,280 --> 00:13:42,080 Speaker 1: asked him about what he learned about being a child star, 231 00:13:42,200 --> 00:13:43,640 Speaker 1: and he said, you know, he learned a lot from 232 00:13:43,640 --> 00:13:47,440 Speaker 1: Bill Cosby into the two words that people don't like 233 00:13:47,480 --> 00:13:49,400 Speaker 1: to say that you can't mention in public. There are 234 00:13:49,400 --> 00:13:52,360 Speaker 1: some people who have been quote unquote canceled and there is, 235 00:13:52,400 --> 00:13:55,240 Speaker 1: as I mentioned earlier, a generation of people who only 236 00:13:55,280 --> 00:13:59,760 Speaker 1: know Cosby has the subject of a highly, highly publicized 237 00:14:01,280 --> 00:14:04,800 Speaker 1: rape accusations. You're right, I'm having a hard time even 238 00:14:04,840 --> 00:14:07,520 Speaker 1: getting it out. I'm trying to be careful with my words. 239 00:14:07,559 --> 00:14:10,440 Speaker 1: But the reality is is that Bill Cosby has been 240 00:14:10,440 --> 00:14:16,120 Speaker 1: accused by famous and non famous women of basically giving 241 00:14:16,160 --> 00:14:20,760 Speaker 1: them drugs, drugging them and then raping them. Sexual battery, 242 00:14:21,280 --> 00:14:25,800 Speaker 1: sexual misconduct. All of these things have been talked about 243 00:14:25,840 --> 00:14:28,960 Speaker 1: for years, but quietly no one's really done anything about it. 244 00:14:29,320 --> 00:14:31,960 Speaker 1: But right around that Me Too movement, they were calling 245 00:14:32,040 --> 00:14:35,000 Speaker 1: up receipts and he was one of the people that 246 00:14:35,000 --> 00:14:38,160 Speaker 1: they went after, and as you well know, he went 247 00:14:38,200 --> 00:14:41,520 Speaker 1: to jail. He was in jail, however, got out on 248 00:14:41,560 --> 00:14:44,560 Speaker 1: a technicality because he was charged with the crime that 249 00:14:44,560 --> 00:14:47,040 Speaker 1: he shouldn't have been charged with. Right. I'm paraphrasing, and 250 00:14:47,080 --> 00:14:49,080 Speaker 1: I don't know all the particulars, but I do know 251 00:14:49,280 --> 00:14:54,240 Speaker 1: that Bill Cosby, for many of you all, has become 252 00:14:54,280 --> 00:14:56,440 Speaker 1: a name that you can't say in public or even 253 00:14:56,480 --> 00:14:58,200 Speaker 1: say that you like the Cosby Show. When I was 254 00:14:58,200 --> 00:15:00,160 Speaker 1: growing up, the Cosme Show reruns would be ond all 255 00:15:00,240 --> 00:15:04,080 Speaker 1: day long, right, and it was a thing of I 256 00:15:04,120 --> 00:15:06,080 Speaker 1: mean to me, it was an honor. 257 00:15:06,320 --> 00:15:08,400 Speaker 3: Did you guys watch a Cosby show? Oh, you were 258 00:15:08,400 --> 00:15:09,440 Speaker 3: a part of the Cosby Show. 259 00:15:09,560 --> 00:15:12,480 Speaker 1: Bill Cosby's a great man, Felicia Shad's a great woman, 260 00:15:13,240 --> 00:15:19,200 Speaker 1: all of the things. And now it's tight. So I 261 00:15:19,240 --> 00:15:23,360 Speaker 1: asked Malcolm, as I dance around this with y'all, I asked, Malcolm, 262 00:15:24,320 --> 00:15:26,800 Speaker 1: how does it feel not to be able to talk 263 00:15:26,840 --> 00:15:30,880 Speaker 1: to someone you consider a mentor and someone who was 264 00:15:31,400 --> 00:15:33,120 Speaker 1: pivotal in changing your life? 265 00:15:33,720 --> 00:15:38,080 Speaker 3: Bunny, I've never said this publicly before. It fucking sucks. 266 00:15:39,760 --> 00:15:45,080 Speaker 3: Like it sucks like I watch my daughter's four, and uh, 267 00:15:45,720 --> 00:15:48,240 Speaker 3: you know, she's discovered the Cosby Show or she she 268 00:15:48,400 --> 00:15:51,440 Speaker 3: calls it Rudy's Family, and she knows this me. She's like, 269 00:15:51,440 --> 00:15:54,200 Speaker 3: that's Papa, Like she knows this me. But she has 270 00:15:54,240 --> 00:15:56,840 Speaker 3: no interest in THEO. She wants to fast forward through 271 00:15:56,840 --> 00:16:01,120 Speaker 3: my scenes so she can see Rudy or Olivia. And 272 00:16:01,480 --> 00:16:04,760 Speaker 3: it's so so one. It's very surreal watching the show 273 00:16:04,800 --> 00:16:09,640 Speaker 3: with my daughter and being able to, now that I'm 274 00:16:09,880 --> 00:16:13,000 Speaker 3: so far removed from the show, be able to enjoy 275 00:16:13,040 --> 00:16:16,640 Speaker 3: it as a viewer and not judging or you know, 276 00:16:16,920 --> 00:16:19,200 Speaker 3: critiquing my work. I can just be a viewer and 277 00:16:19,480 --> 00:16:23,560 Speaker 3: you know, watch the show from that perspective, and so 278 00:16:23,640 --> 00:16:27,040 Speaker 3: that's surreal in itself, watching with my daughter. But you know, 279 00:16:27,560 --> 00:16:31,520 Speaker 3: I watched the show now and I think about people 280 00:16:32,280 --> 00:16:36,280 Speaker 3: who can't watch the show because they can't watch the 281 00:16:36,320 --> 00:16:41,520 Speaker 3: show and not think about everything else. And you know, 282 00:16:41,560 --> 00:16:46,840 Speaker 3: obviously that's not my experience, but that's got to suck 283 00:16:47,120 --> 00:16:51,280 Speaker 3: for those people. And then it just it also sucks 284 00:16:51,360 --> 00:16:55,240 Speaker 3: because you know, it's such a wonderful show. It's such 285 00:16:55,280 --> 00:16:58,520 Speaker 3: a you know, I don't have to you know, I 286 00:16:58,560 --> 00:17:01,000 Speaker 3: don't have to know anything about the show. We all 287 00:17:01,040 --> 00:17:06,520 Speaker 3: know what the show is. So it sucks that, you know, 288 00:17:07,119 --> 00:17:11,680 Speaker 3: for a lot of people experiencing the show doesn't have 289 00:17:11,720 --> 00:17:14,800 Speaker 3: the same experience. You know, I may, you know, if 290 00:17:14,800 --> 00:17:16,879 Speaker 3: I'm talking to you know, whether it's whether it's an 291 00:17:16,920 --> 00:17:20,160 Speaker 3: interview or I'm having a conversation with someone, and there 292 00:17:20,400 --> 00:17:23,840 Speaker 3: might be a you know, a story that comes up, 293 00:17:24,080 --> 00:17:26,439 Speaker 3: like even you know, just you know, simply you know, 294 00:17:26,480 --> 00:17:29,080 Speaker 3: mister Cosby talking about it's a marathon, not a sprint, 295 00:17:29,200 --> 00:17:32,439 Speaker 3: like those gyms, and often when I have those you know, 296 00:17:32,560 --> 00:17:36,560 Speaker 3: when when I have those gyms or are wecall those 297 00:17:36,600 --> 00:17:40,639 Speaker 3: gyms in conversation, you know, I always credit the source, 298 00:17:40,920 --> 00:17:43,080 Speaker 3: you know, from which I got it. So there was 299 00:17:43,119 --> 00:17:48,439 Speaker 3: a time where in conversations I would probably avoid, you know, 300 00:17:49,000 --> 00:17:51,320 Speaker 3: either giving the gym or you know, saying where I 301 00:17:51,320 --> 00:17:55,960 Speaker 3: got it from. Whereas now I don't really, you know, 302 00:17:56,119 --> 00:17:59,639 Speaker 3: I don't care to avoid it because it takes too 303 00:17:59,720 --> 00:18:03,680 Speaker 3: much of my energy to tiptoe around something because I'm 304 00:18:03,720 --> 00:18:07,560 Speaker 3: not quite sure how this person is going to receive it. 305 00:18:07,960 --> 00:18:10,080 Speaker 3: Like at this point, I don't I don't care, like 306 00:18:10,119 --> 00:18:12,640 Speaker 3: I don't care what you you know, what your opinion is, 307 00:18:13,240 --> 00:18:18,399 Speaker 3: because it doesn't matter, just like my opinion at the 308 00:18:18,520 --> 00:18:22,720 Speaker 3: end of the day doesn't matter, you know. So at 309 00:18:22,720 --> 00:18:24,840 Speaker 3: this point it's just something. You know, it is what 310 00:18:24,920 --> 00:18:27,520 Speaker 3: it is, and you know I don't I don't try 311 00:18:27,520 --> 00:18:29,800 Speaker 3: away from it. I don't try to sweep it under 312 00:18:30,200 --> 00:18:33,639 Speaker 3: the rug. I don't throw under the bus. I don't 313 00:18:33,680 --> 00:18:37,439 Speaker 3: defend you know. It is what it is, and we 314 00:18:37,560 --> 00:18:41,880 Speaker 3: all know what it is. Yeah, and if you want 315 00:18:41,920 --> 00:18:46,960 Speaker 3: to have authentic conversations, you know, then yeah you have 316 00:18:47,119 --> 00:18:50,320 Speaker 3: you have you can't tiptoe around it. And then and 317 00:18:50,359 --> 00:18:52,560 Speaker 3: then it also it kind of you know, for me, 318 00:18:52,640 --> 00:18:54,840 Speaker 3: it kind of gets straight to the point like, you know, 319 00:18:55,400 --> 00:18:57,360 Speaker 3: let's talk about this topic so we can see where 320 00:18:57,359 --> 00:19:01,199 Speaker 3: each other is and we can we can move from. 321 00:19:00,080 --> 00:19:03,080 Speaker 1: The well that had to be tough, right and it 322 00:19:03,160 --> 00:19:07,399 Speaker 1: still has to be tough. When the Cosby allegations became 323 00:19:07,400 --> 00:19:10,720 Speaker 1: public and it was well known to the world that 324 00:19:10,800 --> 00:19:13,800 Speaker 1: Bill Cosby was fighting for his life essentially and going 325 00:19:13,840 --> 00:19:20,160 Speaker 1: to jail ultimately now released, Malcolm has said it over 326 00:19:20,160 --> 00:19:23,679 Speaker 1: and over again. He was like, it's hard not to 327 00:19:24,000 --> 00:19:26,479 Speaker 1: say that the legacy of Bill Cosby and the Cosby 328 00:19:26,480 --> 00:19:30,120 Speaker 1: Show has not been tarnished. That was one of his responses. However, 329 00:19:31,280 --> 00:19:35,479 Speaker 1: Rudy on the show said something really smart. Keisha Knight Pullam, 330 00:19:35,520 --> 00:19:39,120 Speaker 1: when interviewed and talked about Bill Cosby, she said, I'm 331 00:19:39,160 --> 00:19:41,200 Speaker 1: going to tell you why it's not tarnished, and I'm 332 00:19:41,200 --> 00:19:44,960 Speaker 1: paraphrasing what Bill Cosby did for HBCUs because they were 333 00:19:45,320 --> 00:19:48,400 Speaker 1: always highlighted on The Cosby Show, and what he did 334 00:19:48,400 --> 00:19:52,879 Speaker 1: for the culture and what images he presented, true or false. 335 00:19:53,119 --> 00:19:57,920 Speaker 1: Images he presented were always the gold standard. They were 336 00:19:58,080 --> 00:20:02,239 Speaker 1: always of black excellence in front of the camera, and 337 00:20:02,320 --> 00:20:08,040 Speaker 1: so for that, we do understand that there was something 338 00:20:08,080 --> 00:20:13,119 Speaker 1: special there. However, we are where we are today, and 339 00:20:13,240 --> 00:20:15,920 Speaker 1: men can't be heroes. That's the way that I feel 340 00:20:15,920 --> 00:20:19,520 Speaker 1: about it. Men can't always be heroes men or women 341 00:20:19,520 --> 00:20:22,840 Speaker 1: in that sense. We're normal humans. We make mistakes, we 342 00:20:22,920 --> 00:20:25,960 Speaker 1: do things wrong, we commit egregious crimes, we have evil hearts. 343 00:20:25,960 --> 00:20:29,520 Speaker 1: The list goes on, and it's sad that someone who 344 00:20:29,600 --> 00:20:35,240 Speaker 1: was so well revered is now essentially an isolation, shunned 345 00:20:35,240 --> 00:20:41,399 Speaker 1: from society. And I quite frankly understand why, and I 346 00:20:41,480 --> 00:20:46,159 Speaker 1: understand why Malcolm still holds him in a different space. 347 00:20:46,640 --> 00:20:50,240 Speaker 1: But he also knows that there was wrong that was done, 348 00:20:50,320 --> 00:20:52,000 Speaker 1: and that's why I was trying to tell you. The 349 00:20:52,080 --> 00:20:57,359 Speaker 1: two are not necessarily mutually exclusive, but they can be. 350 00:20:59,080 --> 00:21:00,479 Speaker 1: Moving on to the pain endemic. 351 00:21:01,320 --> 00:21:05,399 Speaker 3: So we shoot the resident in Atlanta, uh and UH 352 00:21:05,720 --> 00:21:09,520 Speaker 3: normally over high. So we'll shoot from July to April, 353 00:21:10,000 --> 00:21:12,520 Speaker 3: and then normally from you know, the end of April 354 00:21:12,560 --> 00:21:15,040 Speaker 3: to you know, beginning of July. We'll go back to 355 00:21:15,160 --> 00:21:20,200 Speaker 3: LA and be home. So when the pandemic happened, our 356 00:21:20,280 --> 00:21:26,600 Speaker 3: daughter was two, you know, turning three, and with the 357 00:21:26,640 --> 00:21:29,520 Speaker 3: whole you know, the whole mass situation, the whole unknown, 358 00:21:30,119 --> 00:21:32,080 Speaker 3: we decided we were not going to go back to 359 00:21:32,119 --> 00:21:35,639 Speaker 3: Los Angeles because it just didn't Neither one of us 360 00:21:35,680 --> 00:21:37,280 Speaker 3: could imagine trying to be on a four and a 361 00:21:37,280 --> 00:21:39,480 Speaker 3: half hour flight with a toddler who's not going to 362 00:21:39,560 --> 00:21:42,760 Speaker 3: keep a mask on and wants to touch everything and 363 00:21:42,800 --> 00:21:45,240 Speaker 3: put everything in their mouth. So we, you know, we 364 00:21:45,240 --> 00:21:48,119 Speaker 3: said we're just gonna bite the bullet and stay in Atlanta. 365 00:21:49,280 --> 00:21:52,240 Speaker 3: And you know, our you know, our friends, our family, 366 00:21:52,280 --> 00:21:56,639 Speaker 3: our life is in La So being in Atlanta and 367 00:21:56,800 --> 00:21:59,960 Speaker 3: you know, during this uh, you know, the whole show 368 00:22:00,200 --> 00:22:08,560 Speaker 3: down in quarantine situation, it gave the three of us, know, 369 00:22:08,720 --> 00:22:13,480 Speaker 3: just wonderful time to be together and be a family. 370 00:22:13,600 --> 00:22:16,480 Speaker 3: And you know, my daughters used to me going to 371 00:22:16,520 --> 00:22:18,480 Speaker 3: work and being home all day, I mean you being 372 00:22:18,480 --> 00:22:21,639 Speaker 3: at work all day. So for her, she was in 373 00:22:21,920 --> 00:22:27,560 Speaker 3: sheer heaven because she had Mama and Papa all day 374 00:22:28,119 --> 00:22:31,479 Speaker 3: every day. So when she woke up at seven point thirty, 375 00:22:31,720 --> 00:22:35,160 Speaker 3: bleary eye, saying, Papa, play with me, Play with me, Papa, 376 00:22:35,200 --> 00:22:37,679 Speaker 3: and literally because we did it, we weren't using it 377 00:22:37,720 --> 00:22:42,360 Speaker 3: and Nanny right, So literally from seven thirty in the 378 00:22:42,400 --> 00:22:45,760 Speaker 3: morning where she woke up till eight thirty, at nine 379 00:22:45,800 --> 00:22:52,800 Speaker 3: o'clock at night, may, oh my god, we went and 380 00:22:52,880 --> 00:22:55,359 Speaker 3: got an above the ground pool because we couldn't go 381 00:22:55,400 --> 00:22:58,600 Speaker 3: to the splash pad anymore. So we made it work 382 00:22:58,680 --> 00:23:02,040 Speaker 3: and it was It was a beautiful time just for 383 00:23:02,200 --> 00:23:05,359 Speaker 3: us to to bond and be able to and you know, 384 00:23:05,440 --> 00:23:08,439 Speaker 3: I'm even when I'm working, I'm I'm a very present 385 00:23:08,800 --> 00:23:13,720 Speaker 3: husband and father, but too, you know, be able to 386 00:23:15,040 --> 00:23:17,760 Speaker 3: be that twenty four to seven and not have to, 387 00:23:18,200 --> 00:23:20,040 Speaker 3: you know, go off to work and be at work 388 00:23:20,080 --> 00:23:24,800 Speaker 3: all day was beautiful. And then I also realized how 389 00:23:24,880 --> 00:23:30,280 Speaker 3: much going to work was an escape for I had. 390 00:23:30,760 --> 00:23:35,040 Speaker 3: But with that, I had nowhere to go, and you know, 391 00:23:35,080 --> 00:23:36,560 Speaker 3: and I had I had a record I was trying 392 00:23:36,560 --> 00:23:39,440 Speaker 3: to finish. It's gonna be my quarantine, you know project. 393 00:23:40,600 --> 00:23:44,040 Speaker 3: But you know, I'm I'm always faced with this. You know. 394 00:23:44,119 --> 00:23:47,320 Speaker 3: My daughter's like, Papa, don't play bass, play with me, 395 00:23:48,880 --> 00:23:50,399 Speaker 3: you know, And I'm like, Okay, you know what, this 396 00:23:50,480 --> 00:23:53,880 Speaker 3: bass will always be here. She's not going to always 397 00:23:53,920 --> 00:23:58,320 Speaker 3: before asking me to play with her. So, you know, 398 00:23:58,480 --> 00:24:01,119 Speaker 3: it's it's been great for our family. 399 00:24:02,640 --> 00:24:05,400 Speaker 1: We got to pay some bills Malcolm Jamal Warner more 400 00:24:05,440 --> 00:24:07,840 Speaker 1: from him on the other side of the break be 401 00:24:07,880 --> 00:24:08,320 Speaker 1: back in a. 402 00:24:08,240 --> 00:24:11,600 Speaker 2: Moment every champion and Cary champion is to be a champion, 403 00:24:11,760 --> 00:24:15,080 Speaker 2: a champion, and Cary Chappion and carry chap Beata champion 404 00:24:15,119 --> 00:24:18,760 Speaker 2: and carry Chappi and carried chaffyfraid is entertainment. 405 00:24:18,800 --> 00:24:19,720 Speaker 3: Getting naked word. 406 00:24:21,440 --> 00:24:24,280 Speaker 2: Every champion and carry Chappy is to be a champion, 407 00:24:24,440 --> 00:24:27,800 Speaker 2: a champion, and Carrid Champion, the girl a champion and 408 00:24:27,960 --> 00:24:31,440 Speaker 2: carried champion and Carrie Chappy afraid is entertainment. 409 00:24:31,440 --> 00:24:32,240 Speaker 3: Getting naked wart. 410 00:24:32,880 --> 00:24:35,960 Speaker 1: Hey, everybody, welcome back to naked Malcolm is still here, 411 00:24:36,400 --> 00:24:41,240 Speaker 1: sharing and blessing. I hope you enjoy so Over the pandemic, 412 00:24:41,680 --> 00:24:44,680 Speaker 1: I asked, Malcolm, you know, obviously how are you doing? 413 00:24:44,880 --> 00:24:46,880 Speaker 1: But what did you do when he talked about working 414 00:24:46,920 --> 00:24:49,240 Speaker 1: on his music and his poetry and his spoken word 415 00:24:49,280 --> 00:24:52,040 Speaker 1: and what it meant to him and how important it was. Now, 416 00:24:52,320 --> 00:24:54,000 Speaker 1: I don't know about you, but I was today years 417 00:24:54,040 --> 00:24:56,920 Speaker 1: old when I realized that he has several albums like 418 00:24:57,000 --> 00:25:01,920 Speaker 1: he is truly a poet h And he said, especially 419 00:25:02,760 --> 00:25:06,000 Speaker 1: during the pandemic, he was able to talk about what 420 00:25:06,119 --> 00:25:09,680 Speaker 1: a lot of us were feeling using his poetry, especially 421 00:25:09,720 --> 00:25:12,080 Speaker 1: for the culture, how painful it was. And then I 422 00:25:12,160 --> 00:25:14,040 Speaker 1: asked him, I said, so, what do you enjoy the most, 423 00:25:14,160 --> 00:25:17,000 Speaker 1: and he says to me, Actually, I am a poet 424 00:25:17,160 --> 00:25:18,680 Speaker 1: who happened to be an actor. 425 00:25:19,240 --> 00:25:21,159 Speaker 3: I'm a poet, I'm a bass player, I'm a poet. 426 00:25:22,440 --> 00:25:25,560 Speaker 3: I I have a jazz funk spoken word band called 427 00:25:25,640 --> 00:25:29,480 Speaker 3: Miles Long. We got three CDs out. I wanted to 428 00:25:29,560 --> 00:25:33,240 Speaker 3: gram me in twenty fifteen with Leyla Hathaway and Robert Glasper. 429 00:25:33,960 --> 00:25:39,240 Speaker 3: Poetry has always been just a huge part of my expression. 430 00:25:39,760 --> 00:25:43,080 Speaker 3: My dad went to Lincoln with Gil, Scott Herron and 431 00:25:43,240 --> 00:25:47,520 Speaker 3: Brian Jackson, so I literally came out the womb listening 432 00:25:47,600 --> 00:25:50,920 Speaker 3: to Gil and listening to last poets. My father went 433 00:25:51,040 --> 00:25:56,960 Speaker 3: to Lincoln because Langston went to Lincoln. So just from 434 00:25:57,760 --> 00:26:02,840 Speaker 3: my early childhood, poetry was always a part of my expression. 435 00:26:03,560 --> 00:26:09,080 Speaker 3: And when spoken words started to become, you know, start 436 00:26:09,160 --> 00:26:12,520 Speaker 3: to take shape again in the early nineties, I was 437 00:26:12,680 --> 00:26:16,560 Speaker 3: very active in the underground spoken word movement in Los Angeles, 438 00:26:17,280 --> 00:26:19,879 Speaker 3: and you know, you know, I know there are there 439 00:26:19,960 --> 00:26:22,560 Speaker 3: are a lot of you know, celebrities who could kind 440 00:26:22,600 --> 00:26:25,480 Speaker 3: of do poetry and are into poetry, but I you know, 441 00:26:25,680 --> 00:26:30,560 Speaker 3: I always make the disclaimer that I am a poet. 442 00:26:31,040 --> 00:26:33,639 Speaker 3: I'm not a celebrity who does poetry. You know, I 443 00:26:33,840 --> 00:26:37,159 Speaker 3: spent uh, you know, in early nineties, you know, and 444 00:26:37,240 --> 00:26:40,000 Speaker 3: it was before before spoken worre became cool, Like it 445 00:26:40,119 --> 00:26:43,320 Speaker 3: was just you know, just just before that. I say, 446 00:26:43,400 --> 00:26:45,760 Speaker 3: we helped make it cool. But you know, I mean 447 00:26:45,960 --> 00:26:51,800 Speaker 3: I spent countless nights in poetry spots, always writing, you know, 448 00:26:51,960 --> 00:26:55,560 Speaker 3: always workshopping my poetry. Whenever I, you know, would be 449 00:26:55,680 --> 00:26:59,040 Speaker 3: in a different town, I find the I find the 450 00:26:59,080 --> 00:27:02,320 Speaker 3: poetry venues and make sure I go there to work out. 451 00:27:02,960 --> 00:27:05,480 Speaker 3: You know, poetry has just always been so it wasn't 452 00:27:05,600 --> 00:27:08,240 Speaker 3: like you know, this fat that caught on and you 453 00:27:08,320 --> 00:27:11,720 Speaker 3: know I started doing it. It was you know, it's 454 00:27:11,760 --> 00:27:14,320 Speaker 3: always been a huge part, I keep saying, a huge 455 00:27:14,359 --> 00:27:16,560 Speaker 3: part of my expression because it allows me to express 456 00:27:16,600 --> 00:27:20,040 Speaker 3: myself in ways that I can't as an actor or 457 00:27:20,080 --> 00:27:23,080 Speaker 3: as a director. I don't think not even I mean, 458 00:27:23,080 --> 00:27:26,560 Speaker 3: I know every celebrity who does poetry, you know, has 459 00:27:26,680 --> 00:27:30,639 Speaker 3: not gone through, uh, you know, through that kind of 460 00:27:31,280 --> 00:27:35,040 Speaker 3: grind that poets go through. You know. It's not just 461 00:27:35,800 --> 00:27:38,760 Speaker 3: uh you know, it's not just booking a feature and 462 00:27:38,880 --> 00:27:40,840 Speaker 3: not that, not that there are a lot of celebrities 463 00:27:40,840 --> 00:27:44,159 Speaker 3: who can actually do a feature set. But I just 464 00:27:44,240 --> 00:27:48,480 Speaker 3: don't I don't know of a lot of celebrity why 465 00:27:48,520 --> 00:27:52,199 Speaker 3: I'm why, I'm a wh I'm a blanking right now, 466 00:27:52,520 --> 00:27:57,200 Speaker 3: am Amar Hardwick. So Amar, I I knew A Mari 467 00:27:57,440 --> 00:28:00,880 Speaker 3: as a poet before I knew he was an actor. Yeah, 468 00:28:00,920 --> 00:28:02,720 Speaker 3: because I'd see him in La and we'd be at 469 00:28:02,840 --> 00:28:04,960 Speaker 3: we'd be at these venues, and I always knew Amari 470 00:28:05,119 --> 00:28:09,080 Speaker 3: as like this really dope poet, like this dude is fire. 471 00:28:10,240 --> 00:28:14,360 Speaker 3: And then I happened to back when there were still DVD's. 472 00:28:14,880 --> 00:28:20,080 Speaker 3: I remember seeing some straight to DVD movie with Cuba 473 00:28:20,119 --> 00:28:23,400 Speaker 3: Bidding Junior, and I saw picture of Omar. I was like, oh, 474 00:28:23,520 --> 00:28:26,320 Speaker 3: Mari's in this so I you know, I rented it 475 00:28:26,720 --> 00:28:31,960 Speaker 3: put in and I was like, oh, Omari is an actor. 476 00:28:33,760 --> 00:28:36,800 Speaker 3: I was like, oh, He's not just a dope poet, 477 00:28:36,840 --> 00:28:42,240 Speaker 3: He's an actor. So so not that there aren't other 478 00:28:42,960 --> 00:28:45,920 Speaker 3: you know, celebrities who have you know, put in the 479 00:28:46,000 --> 00:28:49,080 Speaker 3: work whatever, but Omari is the only other person I 480 00:28:49,200 --> 00:28:51,320 Speaker 3: know who has who who who goes in? 481 00:28:53,280 --> 00:28:53,360 Speaker 2: Uh. 482 00:28:53,640 --> 00:28:56,040 Speaker 3: I know for a while what what Harris also he 483 00:28:56,080 --> 00:28:58,840 Speaker 3: would be you know, uh he was known for you know, 484 00:28:58,960 --> 00:29:01,280 Speaker 3: going out and workshopping his stuff as well. 485 00:29:02,160 --> 00:29:05,200 Speaker 1: It's interesting because you know, we are quote unquote still 486 00:29:05,320 --> 00:29:07,800 Speaker 1: in a pandemic, right, We still are in the panorama, 487 00:29:08,640 --> 00:29:12,720 Speaker 1: as the folks call it, but we are as normal 488 00:29:12,760 --> 00:29:14,600 Speaker 1: as we can be. This is a part of our lives. 489 00:29:14,800 --> 00:29:17,680 Speaker 1: And Malcolm has been flourishing prior to you and still 490 00:29:17,800 --> 00:29:21,880 Speaker 1: in terms of working, he's on a show called The Resident. 491 00:29:22,000 --> 00:29:26,000 Speaker 1: He plays a doctor who is not necessarily well liked 492 00:29:26,080 --> 00:29:28,760 Speaker 1: because he is really arrogant and he knows what he's 493 00:29:28,800 --> 00:29:30,640 Speaker 1: doing and he's the best in his profession. And he 494 00:29:30,880 --> 00:29:34,640 Speaker 1: is this guy who really, you know, kind of get 495 00:29:34,720 --> 00:29:37,040 Speaker 1: some people's nerves, if you will, right rubs them the 496 00:29:37,080 --> 00:29:39,640 Speaker 1: wrong way. But I find it interesting, especially when I 497 00:29:39,680 --> 00:29:42,360 Speaker 1: speak to actors who love these types of roles, not 498 00:29:42,480 --> 00:29:45,440 Speaker 1: necessarily a villain, but a departure from whom they are 499 00:29:45,560 --> 00:29:49,160 Speaker 1: in real life. And he talks about why he loves 500 00:29:49,240 --> 00:29:51,160 Speaker 1: being on this show. And the reason why I think 501 00:29:51,160 --> 00:29:54,600 Speaker 1: it's important that we highlight Malcolm working is because then 502 00:29:54,640 --> 00:29:57,640 Speaker 1: I've said this from the beginning. Child stars do not 503 00:29:57,800 --> 00:30:00,560 Speaker 1: have careers that last long, especially in into the camera. 504 00:30:01,400 --> 00:30:03,400 Speaker 1: I can count on my hand how many people that 505 00:30:03,480 --> 00:30:08,000 Speaker 1: I am familiar with right that are doing this successfully 506 00:30:08,080 --> 00:30:10,600 Speaker 1: and at a high level. And Malcolm is one of 507 00:30:10,640 --> 00:30:12,320 Speaker 1: a few, and I'm sure there are others. But when 508 00:30:12,360 --> 00:30:13,560 Speaker 1: I tell you, it is hard to do in a 509 00:30:13,600 --> 00:30:15,840 Speaker 1: town that is so fickle, and they don't like you 510 00:30:15,920 --> 00:30:18,000 Speaker 1: when you get north of a certain age, or they 511 00:30:18,040 --> 00:30:20,560 Speaker 1: don't like you if you're not the it person. He 512 00:30:20,760 --> 00:30:23,080 Speaker 1: really talks about who you are as an actor, your 513 00:30:23,120 --> 00:30:25,840 Speaker 1: skill set, and why people like working with you. So 514 00:30:27,480 --> 00:30:31,040 Speaker 1: hats off, kudos because you are thriving. Take a list 515 00:30:31,080 --> 00:30:33,040 Speaker 1: in your alln So I guess, I guess. 516 00:30:32,920 --> 00:30:36,560 Speaker 3: For some viewers who have not seen the show. The 517 00:30:36,800 --> 00:30:41,960 Speaker 3: Resident is a medical drama. I play doctor aj Austen, 518 00:30:42,120 --> 00:30:45,320 Speaker 3: one of the top thoracic surgeons in the country. And 519 00:30:46,480 --> 00:30:52,160 Speaker 3: what I love about playing this character is he's a dick. 520 00:30:53,440 --> 00:31:00,360 Speaker 3: He's brash. He is very arrogant because he's one of 521 00:31:00,440 --> 00:31:03,880 Speaker 3: the best at what he does. But he's not arrogant 522 00:31:04,440 --> 00:31:10,920 Speaker 3: out of overcompensating. He's just he's arrogant because he knows 523 00:31:11,000 --> 00:31:14,920 Speaker 3: that he is the best at what he does. When 524 00:31:15,040 --> 00:31:19,320 Speaker 3: he speaks, he does not care for He's always gonna 525 00:31:19,320 --> 00:31:21,240 Speaker 3: speak the truth, so he does not care how the 526 00:31:21,360 --> 00:31:25,960 Speaker 3: truth lands on one. It's the truth and you deal 527 00:31:26,040 --> 00:31:29,040 Speaker 3: with it. He's a guy who just does not care 528 00:31:29,680 --> 00:31:33,960 Speaker 3: what people think of him, which has been wonderful for 529 00:31:34,120 --> 00:31:39,480 Speaker 3: me to play because I often say that playing AJ 530 00:31:39,920 --> 00:31:43,280 Speaker 3: allows me to be who I don't allow myself to 531 00:31:43,360 --> 00:31:46,080 Speaker 3: be in real life. And it's been great. It's been great. 532 00:31:46,120 --> 00:31:48,120 Speaker 3: It's been it's been a really good journey. And when 533 00:31:48,120 --> 00:31:50,600 Speaker 3: I started the show I was only supposed to do. 534 00:31:51,440 --> 00:31:53,280 Speaker 3: I was only on for the last three episodes of 535 00:31:53,320 --> 00:31:58,120 Speaker 3: season one and it's season five and I'm still there. 536 00:31:59,040 --> 00:32:02,760 Speaker 1: Congratulations to Malcolm Jamal Warner Forever theo huxible to me, 537 00:32:02,840 --> 00:32:04,720 Speaker 1: I am sorry. I know you hate that because I 538 00:32:04,720 --> 00:32:06,880 Speaker 1: don't want somebody saying, here you forever the sports girl. 539 00:32:06,960 --> 00:32:10,360 Speaker 1: I have other interest of the things to do. But 540 00:32:11,280 --> 00:32:13,040 Speaker 1: what I love about the Cosby Show, and I'm going 541 00:32:13,080 --> 00:32:14,600 Speaker 1: to go back to that because i really want to 542 00:32:14,640 --> 00:32:17,400 Speaker 1: be clear, even though I'm not necessarily clear. If I'm 543 00:32:17,400 --> 00:32:23,200 Speaker 1: being honest, I know that that show was woefully important 544 00:32:23,240 --> 00:32:27,400 Speaker 1: to me growing up. It was what late eighties, early nineties, 545 00:32:27,840 --> 00:32:31,960 Speaker 1: and to see the images of powerful black excellence week 546 00:32:32,000 --> 00:32:35,520 Speaker 1: in and week out, I believe put me on a 547 00:32:35,560 --> 00:32:38,720 Speaker 1: different trajectory and help me dream even bigger. And you 548 00:32:38,840 --> 00:32:44,040 Speaker 1: know I love a dream. Felicia Rashad Bill Cosby, Lisa Bonet, 549 00:32:44,520 --> 00:32:48,520 Speaker 1: Malcolm Jamal Warner. They were part of my home. They 550 00:32:48,600 --> 00:32:51,720 Speaker 1: defined how I looked at black success, a different world 551 00:32:52,080 --> 00:32:56,320 Speaker 1: based on HBCU's Cosby's invention. We really have been living 552 00:32:56,440 --> 00:33:01,480 Speaker 1: our lives through them for so long, and here we 553 00:33:01,560 --> 00:33:04,320 Speaker 1: are today where there is a generation of folks who 554 00:33:05,120 --> 00:33:08,040 Speaker 1: only know Bill Cosby as a man who spent time 555 00:33:08,120 --> 00:33:12,000 Speaker 1: in jail and has been accused of raping and sexually 556 00:33:12,040 --> 00:33:16,120 Speaker 1: assaulting women and women and women over the years. It's unfortunate. 557 00:33:16,960 --> 00:33:20,200 Speaker 1: Two things are unfortunate, because I do believe most of 558 00:33:20,240 --> 00:33:22,680 Speaker 1: the women it's unfortunate that that happened to them, and 559 00:33:22,760 --> 00:33:26,080 Speaker 1: I am sorry. What I also have a problem with, though, 560 00:33:26,320 --> 00:33:32,120 Speaker 1: is throwing Bill Cosby away entirely, canceling him entirely because 561 00:33:34,400 --> 00:33:36,680 Speaker 1: bad people can do good things, or vice versa. Good 562 00:33:36,680 --> 00:33:39,560 Speaker 1: people can do bad things. And you see, I'm struggling 563 00:33:39,640 --> 00:33:42,800 Speaker 1: with this, as as was Malcolm when he talked about it. 564 00:33:43,160 --> 00:33:45,400 Speaker 1: And now his relationship with Bill is far different from 565 00:33:45,440 --> 00:33:48,160 Speaker 1: what I know from watching someone on television. He will 566 00:33:48,160 --> 00:33:49,800 Speaker 1: say that man changed my life. He will say that 567 00:33:49,880 --> 00:33:52,320 Speaker 1: man gave me some of the best advice of my life. 568 00:33:52,400 --> 00:33:56,200 Speaker 1: He is a mentor someone that I hold in high regard. 569 00:33:56,920 --> 00:33:59,120 Speaker 1: I am aware of what is happening in the world, 570 00:33:59,200 --> 00:34:02,800 Speaker 1: and I am sad about what happened to those women, 571 00:34:04,000 --> 00:34:06,160 Speaker 1: But I do know that what this man did for 572 00:34:06,280 --> 00:34:09,680 Speaker 1: a period of time changed the trajectory for so many 573 00:34:09,840 --> 00:34:13,160 Speaker 1: of us in the culture. I can't emphasize enough. With 574 00:34:13,239 --> 00:34:16,719 Speaker 1: that show Met there was one episode and I talked 575 00:34:16,760 --> 00:34:18,960 Speaker 1: about it, with the one episode about the Gordon Gartrail. 576 00:34:19,160 --> 00:34:21,799 Speaker 1: Gordon Guard Trail, y'all remember that if you old enough, 577 00:34:21,840 --> 00:34:24,120 Speaker 1: you got to know about Gordon Gartrail. Here's the funny part. 578 00:34:24,160 --> 00:34:27,320 Speaker 1: The Gordon Guard Trail story is truly about how his 579 00:34:27,480 --> 00:34:29,920 Speaker 1: sister Denise wanted to make him a designer shirt for 580 00:34:30,360 --> 00:34:33,960 Speaker 1: a homecoming dance and he couldn't afford the Gordon Guard 581 00:34:33,960 --> 00:34:36,040 Speaker 1: Trail original but she was like, I'm gonna make it. 582 00:34:36,120 --> 00:34:39,719 Speaker 1: And it was the most awful, funny, exciting thing I 583 00:34:39,760 --> 00:34:42,600 Speaker 1: had ever seen. And I remember the episode like it 584 00:34:42,719 --> 00:34:46,160 Speaker 1: was yesterday. I will look when I worked at ESPN 585 00:34:46,239 --> 00:34:49,240 Speaker 1: with His and hers, we redid that episode a different world, 586 00:34:49,560 --> 00:34:53,320 Speaker 1: not necessarily that episode, but we redid a different world 587 00:34:53,840 --> 00:34:57,279 Speaker 1: based on our familiarity, the love that we had for 588 00:34:57,440 --> 00:35:03,000 Speaker 1: what those shows represented. Michael Smith dressed up for Halloween 589 00:35:03,080 --> 00:35:06,120 Speaker 1: one year with the Gordon Gartrail. It was amazing, And 590 00:35:06,280 --> 00:35:08,959 Speaker 1: again you have to realize it was just a moment. 591 00:35:09,040 --> 00:35:13,400 Speaker 1: It was a movement. And so I find myself with 592 00:35:13,520 --> 00:35:16,080 Speaker 1: these mixed emotions, but really standing more firm on the 593 00:35:16,160 --> 00:35:19,920 Speaker 1: side of protecting those who can protect themselves. But I 594 00:35:20,040 --> 00:35:23,279 Speaker 1: still never forget what that show meant to me and 595 00:35:23,440 --> 00:35:25,600 Speaker 1: why I still have such an affinity for those on 596 00:35:25,760 --> 00:35:30,160 Speaker 1: that show. And I'm saying it's okay to separate the two. 597 00:35:31,160 --> 00:35:35,600 Speaker 1: You're not saying one good thing doesn't mean bad things 598 00:35:35,640 --> 00:35:38,960 Speaker 1: didn't happen. I'm not saying because Bill Cosby put out 599 00:35:38,960 --> 00:35:40,839 Speaker 1: this amazing show and made sure that we knew about 600 00:35:40,960 --> 00:35:43,960 Speaker 1: HBCUs and black culture and black excellence, that he did 601 00:35:44,080 --> 00:35:49,000 Speaker 1: not harm these women. The two can't exist. Sadly, they 602 00:35:49,040 --> 00:35:52,800 Speaker 1: can coexist. But with that being said, I'd like to 603 00:35:52,880 --> 00:35:56,320 Speaker 1: talk about what I was able to birth from the 604 00:35:56,400 --> 00:35:59,279 Speaker 1: Cosby Show, and that was a level of excellence. And 605 00:35:59,400 --> 00:36:01,560 Speaker 1: I saw it week in and week out with our 606 00:36:01,600 --> 00:36:05,359 Speaker 1: guest today, malacoun Jamal Warner, and I said to him, 607 00:36:06,880 --> 00:36:09,319 Speaker 1: the poet that he is, who happens to act, would 608 00:36:09,320 --> 00:36:13,000 Speaker 1: he do be a favor? Would he allow us to 609 00:36:13,080 --> 00:36:17,239 Speaker 1: be blessed with one of his poems, and he knew 610 00:36:17,280 --> 00:36:20,560 Speaker 1: what we would be talking about. He knew what the 611 00:36:21,000 --> 00:36:25,440 Speaker 1: show is about, and he knew that people would have 612 00:36:25,480 --> 00:36:28,320 Speaker 1: mixed emotions about what he has to say about Bill Cosby. 613 00:36:28,400 --> 00:36:31,840 Speaker 1: But he had a beautiful reading which I'll leave you 614 00:36:31,960 --> 00:36:36,360 Speaker 1: all with, and it was specifically about the culture, and 615 00:36:36,480 --> 00:36:38,560 Speaker 1: it was beautiful because it is a. 616 00:36:40,320 --> 00:36:42,480 Speaker 3: Hello, how are you? 617 00:36:44,000 --> 00:36:47,920 Speaker 1: You can do it? You will do well, inspiring poem 618 00:36:48,000 --> 00:36:51,520 Speaker 1: and inspiring reading, and I appreciate it. I'll leave you 619 00:36:51,640 --> 00:36:57,000 Speaker 1: all with that. And sometimes you know, on Naked I'm 620 00:36:57,040 --> 00:37:01,120 Speaker 1: not able to succinctly how I feel because I do 621 00:37:01,239 --> 00:37:02,960 Speaker 1: have mixed emotions, and I don't ever want to be 622 00:37:03,040 --> 00:37:07,279 Speaker 1: on record condemning someone for the rest of their lives 623 00:37:07,320 --> 00:37:09,359 Speaker 1: without adding the nuance that needs to be there. 624 00:37:10,160 --> 00:37:11,440 Speaker 3: I hope I was able to do that for you 625 00:37:11,520 --> 00:37:11,960 Speaker 3: all today. 626 00:37:12,760 --> 00:37:13,480 Speaker 1: Enjoy the reading. 627 00:37:14,560 --> 00:37:17,080 Speaker 3: It's been far too much time to keep crying about 628 00:37:17,120 --> 00:37:20,160 Speaker 3: how hard it is to be black in America. Yet 629 00:37:20,400 --> 00:37:26,640 Speaker 3: here we are tear streaked and salt stained faces, Traces 630 00:37:26,719 --> 00:37:30,799 Speaker 3: of trauma and pain lace our DNA like our black 631 00:37:30,880 --> 00:37:33,560 Speaker 3: pride is cut and laced with self hate, and we 632 00:37:33,680 --> 00:37:37,120 Speaker 3: still think it's dope, just like the music for program 633 00:37:37,239 --> 00:37:41,320 Speaker 3: to Celebrate. Can you tell me the fate of a 634 00:37:41,440 --> 00:37:45,000 Speaker 3: people who consciously take de bait and embrace the very 635 00:37:45,120 --> 00:37:48,240 Speaker 3: traits placed upon them by their captors, who by design, 636 00:37:48,360 --> 00:37:50,839 Speaker 3: are inclined to keep them believe in their second rate. 637 00:37:52,440 --> 00:37:58,839 Speaker 3: I'll wait. We used to fight for freedom, but now 638 00:37:58,920 --> 00:38:01,560 Speaker 3: it's like we fight for the right to be dumb 639 00:38:01,680 --> 00:38:04,759 Speaker 3: for free word to ice life. Hear me. We are 640 00:38:04,840 --> 00:38:09,080 Speaker 3: being hustled. We are being played our culture on display 641 00:38:09,280 --> 00:38:11,880 Speaker 3: like the slave trade, for the world to devour like 642 00:38:11,960 --> 00:38:14,920 Speaker 3: a delicious delicacy, while we are left to feed on 643 00:38:15,080 --> 00:38:18,120 Speaker 3: hopelessness and grief and the belief that beef with people 644 00:38:18,160 --> 00:38:21,719 Speaker 3: who look just like us should render them obsolete. Hey, great, 645 00:38:21,840 --> 00:38:25,920 Speaker 3: kool aid tastes great until you realize this sweetened with 646 00:38:26,000 --> 00:38:31,680 Speaker 3: self destruction and low self esteem. The system has been 647 00:38:31,760 --> 00:38:35,040 Speaker 3: set up to shut us out. We are being robbed 648 00:38:35,160 --> 00:38:38,040 Speaker 3: because we are rich. How many thieves you know bother 649 00:38:38,200 --> 00:38:42,280 Speaker 3: to break into an empty house, but we are pushed 650 00:38:42,320 --> 00:38:49,480 Speaker 3: into prisons of hopelessness and fear. Look around, family, Look around, family, 651 00:38:50,320 --> 00:38:53,960 Speaker 3: Look around family. We got to get out of here. 652 00:38:55,239 --> 00:39:00,120 Speaker 1: So again, I hope that this beautiful brother rest in 653 00:39:00,200 --> 00:39:03,360 Speaker 1: heaven and heavenly peace. Thank you, Malcolm Jamal Warner for 654 00:39:03,440 --> 00:39:07,560 Speaker 1: what you gave us. Sending love to his family so 655 00:39:08,560 --> 00:39:11,320 Speaker 1: terrific what happened to him, But all we can do 656 00:39:11,480 --> 00:39:15,399 Speaker 1: now is honor him and lift his family up. Thank 657 00:39:15,440 --> 00:39:20,400 Speaker 1: you for listening to this edition of Naked Sports. Naked 658 00:39:20,480 --> 00:39:24,720 Speaker 1: Sports written and executive produced by me Carrie Champion, produced 659 00:39:24,760 --> 00:39:28,400 Speaker 1: by Jacques Thomas, sound design and mastered by Dwayne Crawford. 660 00:39:28,719 --> 00:39:30,880 Speaker 1: Naked Sports is a part of the Black Effect podcast 661 00:39:31,000 --> 00:39:32,200 Speaker 1: Network in iHeartMedia