WEBVTT - More Conversations about Rappers (RIP Drakeo)

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<v Speaker 1>Pete Dog was heading in shore Man just out here

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<v Speaker 1>in the safe haven. You know, is anybody still alive

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<v Speaker 1>in California? Are you guys even in California? Don't liberal

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<v Speaker 1>me to death? Man? Come on with all that liberal jargon.

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<v Speaker 1>What little jargon. Every time I go on social media,

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<v Speaker 1>one of my friends posted about how their favorite rapper this,

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<v Speaker 1>you know that's happen. That's because like rapping today is

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<v Speaker 1>like just being a human being, and everybody's a rapper,

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<v Speaker 1>everybody's an actress, everybody something. So what I'm saying that

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<v Speaker 1>it always seems like that. But I guess a couple

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<v Speaker 1>of years ago it was from Florida dudes that were

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<v Speaker 1>getting knocked off out here too. I forgot about that

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<v Speaker 1>still right now. Yeah, and they're making whole rap songs

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<v Speaker 1>talk about them. Who I smoke? Little Lonnie and Niggas

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<v Speaker 1>was singing it. I was like, bro, what the fuck?

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<v Speaker 1>But it's it's funny because that is because I'm in

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<v Speaker 1>a narrative. The narrative is definitely becoming like, oh man, um,

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<v Speaker 1>it's tough being a rapper. And we talked about this,

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<v Speaker 1>you know, when Dolf got kill al right, p doff. Yeah,

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<v Speaker 1>I didn't really get to dig deep into the concept

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<v Speaker 1>of what's really going on, you know what I mean,

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<v Speaker 1>And it's not in hip hop. It's what's going on

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<v Speaker 1>with human beings that come from our background period. It's

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<v Speaker 1>getting worse and worse, and people are in such a

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<v Speaker 1>weird space of not being able to to generate a

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<v Speaker 1>truly livable wage or economics for themselves. You know what

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<v Speaker 1>I'm saying, That reputation is being over value like social currency,

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<v Speaker 1>just like they had the metaverse. Social currency is starting

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<v Speaker 1>to play a huge part in our community. It was

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<v Speaker 1>already a big deal, right reputation, but now it's like

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<v Speaker 1>they want the same reputation online, asked a regular nerdy kid,

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<v Speaker 1>who was, you know, only committed to the metaverse. So

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<v Speaker 1>they're doing metaverse banging and real banging. Mm hmm, so um,

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<v Speaker 1>I think again. I don't want to get caught up

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<v Speaker 1>in any time a human being los their life, you know,

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<v Speaker 1>it's a sad occasion for that person's mother, father, children,

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<v Speaker 1>what I'm saying for for certain people. But that don't

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<v Speaker 1>mean that people don't put themselves in a position to

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<v Speaker 1>be at war where from in the city. I don't

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<v Speaker 1>know what about him so and that's this. This has

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<v Speaker 1>been disputed. Like I didn't know him, I knew his movement,

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<v Speaker 1>and I was a fan of his movement probably since

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<v Speaker 1>two thousand and fifteen, sixteen. Um, I've noticed he's always

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<v Speaker 1>pushed thirty second in Naomi. That was the Naomi is

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<v Speaker 1>on the east Side. It's like thirties thirty thirty blood

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<v Speaker 1>thirty problems. I think they're Bloodstone game thirty. It's like

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<v Speaker 1>a thirties game. But then other people say he has

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<v Speaker 1>some kind of affiliation who grew up in the hundreds.

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<v Speaker 1>But I've heard so many different things. But I noticed

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<v Speaker 1>he always flashed asign thirty second of Naomi. So I'm

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<v Speaker 1>gonna stay with that one. But if I understand correctly, Um,

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<v Speaker 1>he was in like placement homes. I know, stupid Young

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<v Speaker 1>made him in a placement him in a placement home.

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<v Speaker 1>Young situation is unique because like he was a really

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<v Speaker 1>talented dude, like um, he reminded me of a younger

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<v Speaker 1>e forty, complete with his own cultural lingo. And I'm

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<v Speaker 1>saying complete with his own style. Everything about him was

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<v Speaker 1>like culture, like concentrate. You could water some of that

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<v Speaker 1>ship down, and a lot of rappers did water his

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<v Speaker 1>style down and and used it. I'm saying it served

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<v Speaker 1>it to the people as fresh juice. But there was

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<v Speaker 1>so much Draco and a lot of new dude style.

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<v Speaker 1>To me, the most too influential dudes of this whole

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<v Speaker 1>last decade movement is one take J and Draco like

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<v Speaker 1>so many guys wrapped like one take J. So many

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<v Speaker 1>guys wrapped like Draco, yash so um Draco situation is

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<v Speaker 1>a little unique because again it's it is like um dogs,

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<v Speaker 1>where we saw so many things happening right where we

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<v Speaker 1>you know, he's fighting a murder over some situation that

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<v Speaker 1>happened with somethingbody else and come home, you know what

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<v Speaker 1>I mean. He's still kind of on that energy and

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<v Speaker 1>he on twilve. I mean he's still going hard and

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<v Speaker 1>going hard, and you know, eventually it just catches up.

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<v Speaker 1>You know, everything catches up. So you're either gonna end up,

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<v Speaker 1>you know, hurt. You know you're gonna end up in prison,

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<v Speaker 1>I mean for hurting somebody else. Yeah, give us a

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<v Speaker 1>little comparing contrasts for I don't say and mine as

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<v Speaker 1>to some of the nuances. One of the nuances, I mean,

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<v Speaker 1>there's there's more than nuanced, but like comparing contrasts to

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<v Speaker 1>the other recent passing like a slim four hundred. So again,

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<v Speaker 1>no seilings, g L. This is our fifty second episode.

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<v Speaker 1>That's kind of like a one year episode. There's our

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<v Speaker 1>one year episode, right, Pete in the spot. I got

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<v Speaker 1>my manager producer at the podcast friend big Brother still

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<v Speaker 1>in the spot. He ain't gonna be doing too much

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<v Speaker 1>talking because he don't know about hip hop like this

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<v Speaker 1>no more. I'm here, I'm gonna see I'm gonna teach

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<v Speaker 1>you something. Christ for the new generation. So um it

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<v Speaker 1>was it was like his situation is a bit different

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<v Speaker 1>than slam slam situation. The street says a bit more

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<v Speaker 1>like like like like personal mm hmm, I mean where

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<v Speaker 1>if you look at that situation, it was really fucked up.

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<v Speaker 1>I mean like yeah, it's no, it's no, it's no

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<v Speaker 1>um concrete details. In the streets. There's only ideals, and

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<v Speaker 1>one ideal is sticking. And I believe that idea is true,

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<v Speaker 1>but I'm not confident enough in it to tell and

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<v Speaker 1>say this is what happened. But it'll come out. It

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<v Speaker 1>always does. Draco situation is a lot like Doll situation,

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<v Speaker 1>where he was in a in a in a in

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<v Speaker 1>a public feud, right that started off with a rapper

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<v Speaker 1>but ended up against the streets. So initially it was

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<v Speaker 1>r J initially, but that was a while ago, and

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<v Speaker 1>r J kind of had a you know broker the

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<v Speaker 1>peace you know, extended the olive branch, were piste off

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<v Speaker 1>people in the streets. But I remember that happened, did

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<v Speaker 1>it a line um? Outside of that, he had consistent

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<v Speaker 1>conflicts with other rappers, but nothing I think that was serious,

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<v Speaker 1>crazy crazy series, not as definitely a series as of

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<v Speaker 1>stuff Doll had going on with the rappers or what

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<v Speaker 1>happened was he had a few going on with people

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<v Speaker 1>in the streets. And this is the exact opposite. Like

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<v Speaker 1>my homie asked me, did hip hop fail Draco like

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<v Speaker 1>it failed off? And I'm like, well, it's different because

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<v Speaker 1>people who he began feuding with, right, the rappers is

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<v Speaker 1>a certain situation. But then when you start talking about

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<v Speaker 1>other gangs, other people from cities, all kind of ship, yo,

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<v Speaker 1>it's different because it ain't really no conversation at that point.

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<v Speaker 1>You got a bunch of people who really don't have

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<v Speaker 1>a ton of opportunities and they ain't looking at nothing

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<v Speaker 1>but proving a point so it's tough. But I don't

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<v Speaker 1>even want to really trip off that because rest in

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<v Speaker 1>peace to Draco. You know, I mean one of the

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<v Speaker 1>Cody Sneakers to do it from the land on this

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<v Speaker 1>underground tip. But I want to focus on the rap fans.

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<v Speaker 1>That's something I think hip hop right is getting a

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<v Speaker 1>beat down. Rappers are getting a beat down, but in

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<v Speaker 1>the reality, it's the fans who are fueling it all

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<v Speaker 1>and nobody's talking about it. And I mean, dating back

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<v Speaker 1>to when that whole Warren Shiraq was happening, the fans

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<v Speaker 1>are pushing it. It's like we all see the plane crashing, right,

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<v Speaker 1>we all see the plane coming all the way down right,

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<v Speaker 1>We're watching it right, and we see it's going to

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<v Speaker 1>the earth right, and we're just talking about it, you know,

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<v Speaker 1>we are now and we're telling other people until the

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<v Speaker 1>plane crash. And once the plane crash, then the people

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<v Speaker 1>who follow the culture are in the outrage. Well you

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<v Speaker 1>know what the problem me us bro is the Internet

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<v Speaker 1>has allowed fandom and amenity to just go to a

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<v Speaker 1>whole another level. Because when I was coming up, if

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<v Speaker 1>we saw the only way we saw our favorite rapper

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<v Speaker 1>Bro was on a music video or if we went

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<v Speaker 1>to one of those concerts and even then, you know,

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<v Speaker 1>music videos just wasn't pop popping like that. You know

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<v Speaker 1>what I mean, You understand what I'm saying. So it's

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<v Speaker 1>almost like the average fan that day doesn't look like

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<v Speaker 1>the rapper, like he's a real person. It's almost like

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<v Speaker 1>their carriage of just at first, and they're looking at

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<v Speaker 1>their life and their lifestyle and everything. So it's like

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<v Speaker 1>then watching the movie. Bro, do you think that that's

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<v Speaker 1>different now than then, because like when you have more

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<v Speaker 1>interactive access you see and more exposure, it would let

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<v Speaker 1>that you would be less sensationalized that if you have

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<v Speaker 1>limited access and limited exposure, well, it's almost an overexposure now.

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<v Speaker 1>And I said this, man, when um, I said this,

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<v Speaker 1>when people first start doing lives, you know, when they

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<v Speaker 1>first started giving people the ability to go live online,

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<v Speaker 1>I said, man, somebody's gonna kill somebody on the internet

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<v Speaker 1>one day. I remember you saying that, but I said

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<v Speaker 1>that back then. I said, somebody's gonna wind up killing

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<v Speaker 1>somebody because fandom is just at all time and they

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<v Speaker 1>don't look at us as um as real people. They

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<v Speaker 1>don't think. But but I'm also let me let me,

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<v Speaker 1>cut you, big, bro, because it's important. Right back when

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<v Speaker 1>I was younger, it was only so many rappers. Now

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<v Speaker 1>what's happening is the streaming era. Me and my homie

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<v Speaker 1>was talking about it. But the streaming era has created

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<v Speaker 1>like this whole middle class of rappers, middle class right

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<v Speaker 1>where it's hundreds of rappers, thousands of rappers, but there's

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<v Speaker 1>so many successful rappers right that you never heard of.

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<v Speaker 1>You could be from l A and never hear of

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<v Speaker 1>rappers or making a hundred two hundred thousand dollars a year.

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<v Speaker 1>Like I'm talking to mc tin and MATC didn't know

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<v Speaker 1>who Draco he was, Like who? And I'm like he

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<v Speaker 1>didn't know who he was what I'm saying, And Draco

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<v Speaker 1>was doing pretty well for himself. He probably easily was,

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<v Speaker 1>you know, uh two hundred to a quarter to three

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<v Speaker 1>hundred dollar artists you know a year, like he was

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<v Speaker 1>getting some money. But streaming has created a place that's

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<v Speaker 1>really dope, and it sence that it can create a

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<v Speaker 1>career for you, you know. But also I think it's

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<v Speaker 1>not great because rappers don't have to really push themselves

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<v Speaker 1>to be the greatest they can. Like when I talked

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<v Speaker 1>to a lot of producers, they're not pushing to have

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<v Speaker 1>the best record in the country like Dre Cat warren Cue,

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<v Speaker 1>you know, all the producers quick they were pushing that

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<v Speaker 1>had the greatest records in the game. Because truly, that's

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<v Speaker 1>really how you made a living, that's how you ate.

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<v Speaker 1>But now you just get a base, you know, an

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<v Speaker 1>audience of people that identify with your movement, right, and

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<v Speaker 1>it really don't matter how good or bad your music

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<v Speaker 1>is long as they feel like we're part of this movement.

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<v Speaker 1>And so everybody is getting paid or something that still

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<v Speaker 1>don't talk about right with his movements, your woment. So

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<v Speaker 1>people are paying for the movement. So the fans are

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<v Speaker 1>this is like an out what I'm saying that this

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<v Speaker 1>isn't out from their regular life. They're a part. People

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<v Speaker 1>feel like they're part of a gang. Like what's funny

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<v Speaker 1>is I was looking at the comments. You know they

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<v Speaker 1>had to fight where you can see the fight unfolding

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<v Speaker 1>between you know, the dudes and Draco's team, and the

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<v Speaker 1>fight is unfolded and I'm watching the fight. You know,

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<v Speaker 1>the other guys are deep and it's more like real

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<v Speaker 1>vet street vets, like you could tell these are people

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<v Speaker 1>who really are familiar, not to mention, they have the

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<v Speaker 1>numbers advantage, so they're trying to fight them. They're all

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<v Speaker 1>trying to fight them. The guys that's with Draco, they're

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<v Speaker 1>trying their best to fight them, but in real life

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<v Speaker 1>they were so outnumbered and kind of like outdug. So

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<v Speaker 1>they're fighting going backwards, getting dropped, person get dropped. They rushed.

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<v Speaker 1>They fighting them back. So everybody's backing up their whole team,

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<v Speaker 1>but they start to back up in two different directions.

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<v Speaker 1>One guy, so the guys that's with Draco is backing up,

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<v Speaker 1>you know straight. The other guys are backing up kind

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<v Speaker 1>of in a h an angle. They're backing up towards

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<v Speaker 1>the gate, but they're both fighting. Nobody turned around and ran.

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<v Speaker 1>They were like holding their ground, but you know the

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<v Speaker 1>other guys were advancing consistently. And I watched people in

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<v Speaker 1>the comments like, oh, they left Draco. They left him,

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<v Speaker 1>and I'm like, no, they didn't see That's what I mean. Man.

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<v Speaker 1>It's almost like these people think they're playing Grand Theft

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<v Speaker 1>Auto or some ship. It's like this is real ship.

0:13:20.480 --> 0:13:23.120
<v Speaker 1>And it's funny because Draco has a really dope song

0:13:23.200 --> 0:13:25.640
<v Speaker 1>called Grand theft auto that you said that, but that's

0:13:25.679 --> 0:13:29.960
<v Speaker 1>what they really think. They really are. It's a joke

0:13:30.040 --> 0:13:32.840
<v Speaker 1>to them because it's not in their real life. But

0:13:32.880 --> 0:13:37.960
<v Speaker 1>what irritates me is when something finally happens bad right,

0:13:38.520 --> 0:13:40.199
<v Speaker 1>or they're like, oh, we need to change the car,

0:13:40.480 --> 0:13:43.520
<v Speaker 1>Oh look it, what's going on? Blah blah blah. It's like, Bro,

0:13:43.679 --> 0:13:48.480
<v Speaker 1>the plane been diving. The plane has been diving for

0:13:48.520 --> 0:13:51.559
<v Speaker 1>a while, and they finally hit the ground. You know

0:13:51.559 --> 0:13:53.960
<v Speaker 1>what I mean? You never you know, it's not enough

0:13:54.040 --> 0:13:56.920
<v Speaker 1>of the fans telling people, hey, pulled the plane up.

0:13:57.400 --> 0:14:01.200
<v Speaker 1>Hey stop. I'm about to say that probably gonna seem

0:14:01.280 --> 0:14:05.040
<v Speaker 1>pretty controversy or though, man, but I sell them look

0:14:05.040 --> 0:14:07.520
<v Speaker 1>at the comments. But when I do, you don't have

0:14:07.600 --> 0:14:10.120
<v Speaker 1>the most intellectual base of people that just sit online

0:14:10.160 --> 0:14:17.080
<v Speaker 1>and consume some of this stuff that controversial. No, but

0:14:17.080 --> 0:14:19.920
<v Speaker 1>but but let me finish though, Bro, I'm not saying

0:14:19.920 --> 0:14:22.360
<v Speaker 1>that just every person that looks online as an idiot.

0:14:22.400 --> 0:14:24.760
<v Speaker 1>But if you've got somebody that's spending their whole day

0:14:24.800 --> 0:14:27.920
<v Speaker 1>on this ship following somebody's exploits, man, and they ain't

0:14:27.960 --> 0:14:29.720
<v Speaker 1>got no job or no other ship to do. They

0:14:29.800 --> 0:14:32.120
<v Speaker 1>just sitting there watching this ship something's wrong with that, bro.

0:14:32.560 --> 0:14:35.680
<v Speaker 1>But but think about it, like they can go to

0:14:35.760 --> 0:14:38.200
<v Speaker 1>work for eight hours a day. It could be a

0:14:38.280 --> 0:14:42.000
<v Speaker 1>motherfucker that work at Walmen, right, and that's the thing.

0:14:42.080 --> 0:14:45.720
<v Speaker 1>But they're part of Draco's movement, right, the stinct team

0:14:45.760 --> 0:14:47.680
<v Speaker 1>in their mind. They and they. It was crazy, is

0:14:48.120 --> 0:14:52.560
<v Speaker 1>these fans are getting these tattools, they hashtagging in their bio,

0:14:53.000 --> 0:14:56.560
<v Speaker 1>they're putting their profile names, like it's like those clowns

0:14:56.960 --> 0:15:07.760
<v Speaker 1>we talked about the other day, which clowns. Then I'm

0:15:07.800 --> 0:15:13.280
<v Speaker 1>not calling them like a bunch of clowns like the closessional. Yeah,

0:15:13.360 --> 0:15:17.240
<v Speaker 1>so yeah, everybody's cultivating a following, right, So it's people.

0:15:18.080 --> 0:15:20.680
<v Speaker 1>It's people who don't even know these guys and be like, yeah,

0:15:20.680 --> 0:15:23.240
<v Speaker 1>you know, we're like their their hashtag sting team in

0:15:23.280 --> 0:15:28.200
<v Speaker 1>their bio, like and they're like in the metaverse virtually,

0:15:28.320 --> 0:15:31.640
<v Speaker 1>they're part of the movement. They're supporting it. They got

0:15:31.680 --> 0:15:35.400
<v Speaker 1>the shirts, they got the beanies, they go to the concerts,

0:15:35.440 --> 0:15:38.440
<v Speaker 1>and they're part of this movement. So they really feel

0:15:38.560 --> 0:15:42.000
<v Speaker 1>like they have a main stay in the conversation. So

0:15:42.040 --> 0:15:44.840
<v Speaker 1>I'm reading people in the comments like y'all he left him.

0:15:45.200 --> 0:15:48.080
<v Speaker 1>They left him and I'm like, no, dog like, they

0:15:48.120 --> 0:15:52.240
<v Speaker 1>just were outdone. Nobody they listened. They could have turned

0:15:52.240 --> 0:15:57.120
<v Speaker 1>around and ran. They were trying to, but they were

0:15:57.120 --> 0:15:59.880
<v Speaker 1>outduged and they were outnumbered. And you know what I'm saying,

0:15:59.880 --> 0:16:02.520
<v Speaker 1>this how I go down? This This is normal for me.

0:16:02.640 --> 0:16:05.880
<v Speaker 1>This ain't like crazy. This is a normal episode that

0:16:05.920 --> 0:16:10.280
<v Speaker 1>happens like that. Well I had speaking speaking of fights,

0:16:11.080 --> 0:16:13.080
<v Speaker 1>it was a couple of fights up there rolling loud.

0:16:13.920 --> 0:16:15.960
<v Speaker 1>Yeah I heard, but I actually got to see the

0:16:16.040 --> 0:16:18.840
<v Speaker 1>video footage of that one fight. Yeah, but that ship

0:16:18.880 --> 0:16:21.840
<v Speaker 1>you can't see no faces. Yeah, but somebody whoever was

0:16:21.880 --> 0:16:23.560
<v Speaker 1>there was getting the ship kicked out of them. Well

0:16:23.680 --> 0:16:26.400
<v Speaker 1>feel they asked and put on them. I don't know

0:16:26.440 --> 0:16:28.000
<v Speaker 1>who it was because I couldn't see none that. I

0:16:28.000 --> 0:16:30.480
<v Speaker 1>couldn't tell you who it was. They just put some

0:16:30.760 --> 0:16:32.320
<v Speaker 1>But that's the thing with the internet. They could put

0:16:32.320 --> 0:16:34.160
<v Speaker 1>some ship out at some random people fighting and say

0:16:34.160 --> 0:16:39.520
<v Speaker 1>it was anybody. I mean, I have no issues, what have?

0:16:39.880 --> 0:16:43.560
<v Speaker 1>What have? What a good fist to cover? And to me,

0:16:43.640 --> 0:16:45.680
<v Speaker 1>like people was asking me my opinion on it, right,

0:16:45.720 --> 0:16:47.640
<v Speaker 1>certain homies from O the town was calling me is

0:16:47.680 --> 0:16:50.400
<v Speaker 1>asking my opinion, and this is my opinion on a

0:16:50.400 --> 0:16:52.680
<v Speaker 1>lot of the dudes coming up that I was watching, right,

0:16:52.720 --> 0:16:55.520
<v Speaker 1>So one is they don't really have an O G

0:16:55.760 --> 0:16:59.040
<v Speaker 1>around them to give them wisdoms. I mean, they don't

0:16:59.080 --> 0:17:01.440
<v Speaker 1>have a ton of like I kept my O G

0:17:01.600 --> 0:17:05.040
<v Speaker 1>homies on speed down or around me. So even if

0:17:05.080 --> 0:17:06.960
<v Speaker 1>I wasn't around pluck a Moon at the time, I

0:17:07.000 --> 0:17:09.959
<v Speaker 1>had Kiki local around me. I had wisdom around me

0:17:10.400 --> 0:17:16.919
<v Speaker 1>to counter my young ignorance. I'm saying, my young wild ways. Um,

0:17:16.960 --> 0:17:19.960
<v Speaker 1>they don't have that, right. That's one too. A lot

0:17:20.000 --> 0:17:23.240
<v Speaker 1>of the dudes coming up saying that they streak one

0:17:23.320 --> 0:17:26.119
<v Speaker 1>thing about gangs in l A. You know the culture

0:17:26.119 --> 0:17:28.480
<v Speaker 1>in l A. And this is everywhere. Honestly, I ain't

0:17:28.520 --> 0:17:30.600
<v Speaker 1>gonna even just say gangs in l A, but I'm

0:17:30.640 --> 0:17:35.320
<v Speaker 1>familiar with this. Here is it's all of these. It's

0:17:35.359 --> 0:17:38.440
<v Speaker 1>it's like a land and a map of nation. They're

0:17:38.480 --> 0:17:41.760
<v Speaker 1>all different nations, they all have different beliefs, creates. Some

0:17:41.880 --> 0:17:46.560
<v Speaker 1>things are uniform, but most things are individualized depending on

0:17:46.680 --> 0:17:49.400
<v Speaker 1>which nation you at. Like right, you in my hood,

0:17:49.440 --> 0:17:51.600
<v Speaker 1>you in my nation? Right a hundred of seventeen street

0:17:51.640 --> 0:17:54.080
<v Speaker 1>washed crypt It's a different creed than when you cross

0:17:54.160 --> 0:17:57.520
<v Speaker 1>Imperial and you and p J. Watts. It's a completely

0:17:57.560 --> 0:18:01.679
<v Speaker 1>different thing. Sure, in theory, were of both crips, and

0:18:01.720 --> 0:18:04.080
<v Speaker 1>that's what the fans get. They understand they're both crips.

0:18:04.440 --> 0:18:06.959
<v Speaker 1>But what they don't understand is that is no bond.

0:18:07.119 --> 0:18:11.000
<v Speaker 1>That bond has been broken, you know, since you know,

0:18:11.160 --> 0:18:13.399
<v Speaker 1>the sixties and the eight trade started clashing, or the

0:18:13.400 --> 0:18:16.000
<v Speaker 1>East Coast is and the Hoovers started clashing. So you

0:18:16.080 --> 0:18:19.280
<v Speaker 1>start talking about something that's been broken for roughly, you

0:18:19.320 --> 0:18:24.400
<v Speaker 1>know what, forty years. So the fans kind of start

0:18:24.480 --> 0:18:27.520
<v Speaker 1>to voice their opinion and ignorance, and I get it,

0:18:27.600 --> 0:18:30.439
<v Speaker 1>you know what I mean. That's part of being a

0:18:30.480 --> 0:18:32.280
<v Speaker 1>part of this metaverse, you know what I'm saying, being

0:18:32.280 --> 0:18:34.960
<v Speaker 1>a part of social media where and that's why the

0:18:35.000 --> 0:18:38.280
<v Speaker 1>internet is so dangerous though, too, bro, that's will make

0:18:38.320 --> 0:18:40.760
<v Speaker 1>it great and dangerous. Well, you know because like you

0:18:40.800 --> 0:18:42.600
<v Speaker 1>know what I seriously thought when you put two pack

0:18:42.720 --> 0:18:45.160
<v Speaker 1>mus die out up. I wasn't worried about nobody from

0:18:45.160 --> 0:18:46.879
<v Speaker 1>the industry. I was worried about one of these fans

0:18:46.920 --> 0:18:49.679
<v Speaker 1>because this motherfucker's to take that ship so serious. You

0:18:49.680 --> 0:18:53.840
<v Speaker 1>know who said the same thing that iced tea. That's

0:18:53.840 --> 0:18:55.479
<v Speaker 1>what I was worried about. I was worried about. I

0:18:55.520 --> 0:18:58.600
<v Speaker 1>wasn't worried about no, because rappers have since. Ain't nobody

0:18:58.640 --> 0:19:00.480
<v Speaker 1>go go to jail behind those fun a song? You

0:19:00.480 --> 0:19:01.760
<v Speaker 1>know what I mean, Let's keep it real, get the

0:19:01.760 --> 0:19:04.480
<v Speaker 1>funk out of here. Ain't nobody going to jail. But

0:19:04.960 --> 0:19:07.120
<v Speaker 1>you understand what I'm saying. For the most part, Dog,

0:19:07.240 --> 0:19:09.600
<v Speaker 1>It's like you may get into a fight with somebody,

0:19:09.680 --> 0:19:11.920
<v Speaker 1>but I don't think nobody could come and just lose

0:19:11.960 --> 0:19:13.960
<v Speaker 1>all they got going in their life because you seeing

0:19:14.040 --> 0:19:16.399
<v Speaker 1>something upset, They're gonna lose their life. They ain't gonna

0:19:16.400 --> 0:19:18.600
<v Speaker 1>take minds. So but I get what you're saying. So,

0:19:18.760 --> 0:19:22.520
<v Speaker 1>but listen, it was weird with the fans. And and

0:19:22.560 --> 0:19:24.919
<v Speaker 1>this is what I realized when I was making that

0:19:25.000 --> 0:19:28.040
<v Speaker 1>song right. And I realized that, and you know me

0:19:28.160 --> 0:19:31.399
<v Speaker 1>still like we have a ton of marketing conversations about records.

0:19:31.400 --> 0:19:33.640
<v Speaker 1>We're about to put out a record next year that's

0:19:33.680 --> 0:19:36.760
<v Speaker 1>gonna push your heart rate up, you know, time to

0:19:36.760 --> 0:19:39.040
<v Speaker 1>put you don't already prepare me for. I already know

0:19:39.040 --> 0:19:43.199
<v Speaker 1>what I'm gonna do, right, But what I realized was

0:19:43.320 --> 0:19:46.560
<v Speaker 1>coming into making that song right and from a marketing perspective,

0:19:46.680 --> 0:19:51.639
<v Speaker 1>was like when I grew up. POC was ours. He

0:19:51.800 --> 0:19:56.360
<v Speaker 1>belonged to us, the culture, Like, I'm a real pop fan.

0:19:56.760 --> 0:19:59.440
<v Speaker 1>All these people ain't. Really, I'm a real pop fan.

0:19:59.560 --> 0:20:03.120
<v Speaker 1>Like I had his first CD, his last CD. I

0:20:03.200 --> 0:20:06.600
<v Speaker 1>literally grew up listening to his music. His music raised

0:20:06.600 --> 0:20:09.159
<v Speaker 1>me to be the man that I am by conscious

0:20:09.200 --> 0:20:11.919
<v Speaker 1>as part of things even still in me. There's so

0:20:12.000 --> 0:20:15.399
<v Speaker 1>many different concepts. But what I realized was and it

0:20:15.520 --> 0:20:20.840
<v Speaker 1>was important pop had became such a mainstream figure. That's

0:20:20.880 --> 0:20:24.359
<v Speaker 1>the catch. Hip hop is all about the upside down.

0:20:24.680 --> 0:20:29.320
<v Speaker 1>If you saw um Stranger Things. Stranger Things is about

0:20:29.880 --> 0:20:35.280
<v Speaker 1>these kids in the eighties and a scientist or the

0:20:35.359 --> 0:20:38.880
<v Speaker 1>government accidentally open up or they were trying to open

0:20:38.960 --> 0:20:41.600
<v Speaker 1>up another dimension that was parallel to the one that

0:20:41.680 --> 0:20:44.040
<v Speaker 1>we was there. Yeah, my wife was really into that show.

0:20:44.280 --> 0:20:47.639
<v Speaker 1>That's my ship, right, So hip hop is the upside down.

0:20:48.160 --> 0:20:51.920
<v Speaker 1>Hip hop the upside down is Compton is Watts regular.

0:20:52.520 --> 0:20:56.760
<v Speaker 1>You know, it's more, it's more Lakewoods, right, the city

0:20:56.760 --> 0:21:01.560
<v Speaker 1>of Lakewoods. Then there is competence across America. Yeah, for sure.

0:21:01.760 --> 0:21:03.439
<v Speaker 1>I was actually gonna bring up a point of like

0:21:04.560 --> 0:21:09.679
<v Speaker 1>you talked about kind of the streaming sector of the

0:21:09.680 --> 0:21:13.640
<v Speaker 1>industry now and how it's expanded the volume of content creators.

0:21:13.720 --> 0:21:18.399
<v Speaker 1>So there's now it's basically a preamble so to speak

0:21:18.480 --> 0:21:22.840
<v Speaker 1>to what crypto bitcoin is trying to do. With the

0:21:22.920 --> 0:21:26.720
<v Speaker 1>quote unquote democratization of the tech sector. You see that

0:21:26.760 --> 0:21:29.359
<v Speaker 1>happen in music where you can where you don't have

0:21:29.440 --> 0:21:32.959
<v Speaker 1>to be the top one percent of performers or at

0:21:33.000 --> 0:21:35.520
<v Speaker 1>least the most one percent marketle performers to get onto

0:21:35.560 --> 0:21:37.480
<v Speaker 1>one of four or five labels that's going to give

0:21:37.480 --> 0:21:40.320
<v Speaker 1>you all the money you can exists in the space

0:21:40.359 --> 0:21:43.440
<v Speaker 1>in between. But also when you see the same time frame,

0:21:43.560 --> 0:21:47.800
<v Speaker 1>is that like the geography of at least a lot

0:21:47.880 --> 0:21:52.760
<v Speaker 1>of the communities like Black America that would define the

0:21:52.760 --> 0:21:56.159
<v Speaker 1>culture of hip hop has changed. Also like it's not

0:21:56.240 --> 0:21:59.560
<v Speaker 1>so concentrated in inner cities, like that's been democratized. Until

0:21:59.600 --> 0:22:01.800
<v Speaker 1>you see a at the end of the Empire semi suburb,

0:22:01.880 --> 0:22:05.760
<v Speaker 1>studo suburbs to Bay l A, Phoenix, Miami. And that's

0:22:05.800 --> 0:22:10.560
<v Speaker 1>what I'm saying, though, that's not hip hop. It's becoming

0:22:10.720 --> 0:22:15.720
<v Speaker 1>rap is going mainstream. There's a lot of us and

0:22:16.400 --> 0:22:21.040
<v Speaker 1>pleasant it's nothing wrong with rap going mainstream. There's nothing

0:22:21.080 --> 0:22:25.240
<v Speaker 1>wrong with rap going mainstream. And you know, I see

0:22:25.240 --> 0:22:29.040
<v Speaker 1>a lot of really successful mainstream rappers. Hip hop is

0:22:29.040 --> 0:22:31.520
<v Speaker 1>still very much what it is. It's very much a

0:22:31.520 --> 0:22:35.560
<v Speaker 1>preview into a parallel universe that is not seen all

0:22:35.560 --> 0:22:39.000
<v Speaker 1>over mainstream, even if it's a popular opinion of very

0:22:39.080 --> 0:22:44.200
<v Speaker 1>few from these same streets. So I think the fans again, right,

0:22:44.280 --> 0:22:47.600
<v Speaker 1>they become part of these communities in theory, right, Like

0:22:47.640 --> 0:22:50.600
<v Speaker 1>if you talk to like if you ask most fans

0:22:50.680 --> 0:22:53.440
<v Speaker 1>of Chicago, you know hip hop or the drill scene, right,

0:22:54.440 --> 0:22:57.960
<v Speaker 1>what's the uh the little apartment complex that they always

0:22:57.960 --> 0:23:03.119
<v Speaker 1>talk about they have, like this super popular apartment complex

0:23:03.160 --> 0:23:06.200
<v Speaker 1>that Dirt in Him is from, and Van is from

0:23:06.200 --> 0:23:11.640
<v Speaker 1>from Chicago Midway. I don't know what part of I've

0:23:11.680 --> 0:23:13.840
<v Speaker 1>never been there, you know, I'm saying, I've never been there.

0:23:13.920 --> 0:23:16.200
<v Speaker 1>I've never even heard of it until that came out.

0:23:16.880 --> 0:23:23.040
<v Speaker 1>Oh Block, Ok. Again, you gotta realize the people who

0:23:23.080 --> 0:23:27.280
<v Speaker 1>are real fans of Little Dirt, who are fans of

0:23:27.359 --> 0:23:30.760
<v Speaker 1>the whole movement that is that drill scene, like they

0:23:30.920 --> 0:23:36.440
<v Speaker 1>feel like they are residents of Old Block. Like I

0:23:36.720 --> 0:23:41.160
<v Speaker 1>remember when Uh the Rainbow Rat was kind of making

0:23:41.200 --> 0:23:43.840
<v Speaker 1>his rounds with the police, acting like he was actually

0:23:44.000 --> 0:23:47.040
<v Speaker 1>existing in spaces where we was at even though he's not.

0:23:47.880 --> 0:23:50.840
<v Speaker 1>The Rainbow Rat went to this place, and people kept

0:23:50.840 --> 0:23:53.240
<v Speaker 1>telling them like, oh, you're gonna get killed. Like most

0:23:53.280 --> 0:23:55.560
<v Speaker 1>of these fans had never been to where they were

0:23:55.600 --> 0:23:58.520
<v Speaker 1>talking about, but they only know the stories or the

0:23:58.560 --> 0:24:02.439
<v Speaker 1>pieces of content right that their favorite rappers putting up

0:24:02.440 --> 0:24:05.560
<v Speaker 1>of Old Block, and they really felt like if he

0:24:05.640 --> 0:24:08.120
<v Speaker 1>went there, if the Rainbow Rat went there, he would

0:24:08.119 --> 0:24:11.400
<v Speaker 1>get exterminated. And it's not tree like, it's way more

0:24:11.560 --> 0:24:14.800
<v Speaker 1>nuances to that. Like you've been going to jungles and

0:24:14.840 --> 0:24:16.800
<v Speaker 1>people may not see you. You can go to the

0:24:16.840 --> 0:24:22.520
<v Speaker 1>PJS and people these places are huge, especially to poor people.

0:24:22.600 --> 0:24:25.320
<v Speaker 1>Right when you're from poverty, you you kind of exist

0:24:25.359 --> 0:24:30.080
<v Speaker 1>in a smaller space. So the fans was I remember

0:24:30.119 --> 0:24:32.119
<v Speaker 1>the fans like, oh, you know, if somebody try to

0:24:32.160 --> 0:24:35.160
<v Speaker 1>go to Old Block, they're gonna get killed. I remember

0:24:35.200 --> 0:24:38.760
<v Speaker 1>when Von you know, rest his soul, when he got killed,

0:24:39.000 --> 0:24:40.800
<v Speaker 1>and the fans like, oh, this person is not going

0:24:40.840 --> 0:24:42.639
<v Speaker 1>to live. They're gonna kill him in two days. And

0:24:42.680 --> 0:24:47.159
<v Speaker 1>I'm like, they don't. The fans don't really understand how

0:24:47.200 --> 0:24:51.359
<v Speaker 1>this thing worked that we call crime or gangster rap

0:24:51.600 --> 0:24:55.000
<v Speaker 1>or even gangster ship period. We know what it deals.

0:24:55.080 --> 0:24:58.760
<v Speaker 1>Bro I'm gonna tell you imagine nation of It. I'm

0:24:58.760 --> 0:25:04.119
<v Speaker 1>gonna tell you, bro, everybody's um the imagery and music

0:25:04.240 --> 0:25:06.960
<v Speaker 1>just got real crazy y at some point though, you

0:25:07.000 --> 0:25:08.600
<v Speaker 1>know what I mean. It's like the imagery now you

0:25:08.640 --> 0:25:11.440
<v Speaker 1>can almost shoot I remember when I was in the game,

0:25:11.480 --> 0:25:12.800
<v Speaker 1>like when I was doing there as an art on

0:25:12.840 --> 0:25:14.760
<v Speaker 1>an artist level, you know, to shoot a video on

0:25:14.800 --> 0:25:17.040
<v Speaker 1>the lower you were spending forty fifty dollars. That was

0:25:17.080 --> 0:25:19.919
<v Speaker 1>a low budget video. My first music video budget was

0:25:19.920 --> 0:25:22.280
<v Speaker 1>twenty five thousand, and we thought that was it was cheap.

0:25:22.359 --> 0:25:23.800
<v Speaker 1>We was just like, oh man, it's gonna be the

0:25:23.800 --> 0:25:25.760
<v Speaker 1>Whackers video whever. Now you do some ship with twenty

0:25:25.800 --> 0:25:29.440
<v Speaker 1>five thousand. You shoot tim movies, you know, like motherfucking

0:25:30.000 --> 0:25:34.040
<v Speaker 1>Biggie uh hypnotized. You know. But but with that being said,

0:25:34.160 --> 0:25:37.240
<v Speaker 1>you know, and you were right when you said you

0:25:37.280 --> 0:25:39.640
<v Speaker 1>have more lakewoods. Right. You got a lot of suburban

0:25:39.760 --> 0:25:41.680
<v Speaker 1>kids across the country. They get caught up in the

0:25:41.800 --> 0:25:44.240
<v Speaker 1>imagery is exciting to them. They got their little boring

0:25:44.440 --> 0:25:47.560
<v Speaker 1>life is snow on outside, their dad is drunk all

0:25:47.560 --> 0:25:50.160
<v Speaker 1>the time, and their mom is depressed. So they're sitting

0:25:50.160 --> 0:25:52.480
<v Speaker 1>there watching these videos and they become a namber with

0:25:52.560 --> 0:25:54.520
<v Speaker 1>them and it becomes a part of their psyche almost

0:25:54.560 --> 0:25:56.600
<v Speaker 1>of the where they feel like I'm from old block,

0:25:56.720 --> 0:25:59.120
<v Speaker 1>I represent you know what I mean, I'm down with them,

0:25:59.200 --> 0:26:03.320
<v Speaker 1>which is h what's the what's the slim Jesus? Yeah.

0:26:03.359 --> 0:26:07.800
<v Speaker 1>But but but this is what's funny to me. And

0:26:07.840 --> 0:26:09.439
<v Speaker 1>this is why I get mad at a lot of

0:26:09.920 --> 0:26:12.280
<v Speaker 1>people from our culture that talks for us in those

0:26:12.320 --> 0:26:17.879
<v Speaker 1>spaces and they try to condemn the music. Okay, obviously

0:26:17.920 --> 0:26:21.919
<v Speaker 1>we know suburban America is the is the major. You know,

0:26:22.280 --> 0:26:25.040
<v Speaker 1>they consume more of this content that we call gangster

0:26:25.040 --> 0:26:28.000
<v Speaker 1>wrapped than anybody else, right, because I hear them them

0:26:28.040 --> 0:26:30.080
<v Speaker 1>all the time telling me, oh, well, you know this

0:26:30.240 --> 0:26:33.520
<v Speaker 1>music is you know, you you're glamorizing violence and you're

0:26:33.520 --> 0:26:36.800
<v Speaker 1>spreading it. It's becoming popular and everybody's doing it. Well,

0:26:37.119 --> 0:26:41.600
<v Speaker 1>it ain't no motherfucker's ship happening in Lakewood. They ain't

0:26:41.600 --> 0:26:44.119
<v Speaker 1>formed a whole bunch of games in Lakewood. The white

0:26:44.119 --> 0:26:46.840
<v Speaker 1>boys and you know, and the suburban areas started their

0:26:46.880 --> 0:26:50.280
<v Speaker 1>suburban crips and they out here putting in work. It's

0:26:50.280 --> 0:26:55.080
<v Speaker 1>not influencing them. Again, I think a lot of times,

0:26:55.080 --> 0:26:59.359
<v Speaker 1>like I said, there's so many hypocritical takes and silly

0:26:59.359 --> 0:27:04.240
<v Speaker 1>shiit a don't make sense. So again, the fans could listen.

0:27:04.640 --> 0:27:06.800
<v Speaker 1>The fans could be in the comments talking about they're

0:27:06.840 --> 0:27:09.600
<v Speaker 1>smoking on this Nika pack or this pack or this

0:27:10.280 --> 0:27:14.600
<v Speaker 1>except they're not really ever gonna smoke on any packs. Literally,

0:27:14.720 --> 0:27:17.560
<v Speaker 1>this is their escape. They get to be a part

0:27:17.600 --> 0:27:21.639
<v Speaker 1>of the culture right that that would be hard to

0:27:21.680 --> 0:27:25.199
<v Speaker 1>be a part of. Can we play the new slotle Jesus?

0:27:25.840 --> 0:27:28.240
<v Speaker 1>I love Slim Jesus, so you could definitely play yes,

0:27:28.320 --> 0:27:34.359
<v Speaker 1>I said I love Slim Jesus. Yea, what you have

0:27:34.480 --> 0:27:41.800
<v Speaker 1>to do like that? And you can see my face

0:27:41.920 --> 0:27:46.240
<v Speaker 1>through the glass of the charograph of the lower left

0:27:46.520 --> 0:27:48.840
<v Speaker 1>the back end, and you'll still broke watching how the

0:27:48.920 --> 0:27:52.080
<v Speaker 1>sex ban Sam just maintin off a crack band. You

0:27:52.119 --> 0:27:54.600
<v Speaker 1>get the picture home, can't get the rest in another

0:27:55.359 --> 0:27:58.359
<v Speaker 1>risks look important. I wouldn't get content that we should

0:27:58.520 --> 0:28:02.399
<v Speaker 1>for it. You should have got it for you. I'm thinking, okay,

0:28:02.480 --> 0:28:04.920
<v Speaker 1>they getting the court. All my old bitches lost know

0:28:05.000 --> 0:28:07.040
<v Speaker 1>what time it is. You can't even hear my life

0:28:07.040 --> 0:28:09.119
<v Speaker 1>if i'd sliding in. So he tried to say you

0:28:09.160 --> 0:28:11.760
<v Speaker 1>love me, ain't because I'm love now baby and I

0:28:11.800 --> 0:28:15.720
<v Speaker 1>ain't my ship. The straight burning out got the drink

0:28:15.800 --> 0:28:17.520
<v Speaker 1>in the four and went on me. It's house o

0:28:17.680 --> 0:28:20.280
<v Speaker 1>bo with the out the heads turned around, triple less

0:28:20.359 --> 0:28:22.720
<v Speaker 1>is all legal? Puddle on the ground. Yeah, I'm dripping

0:28:22.760 --> 0:28:25.080
<v Speaker 1>in this bitch. Somebody grab a mop pull folk in

0:28:25.160 --> 0:28:27.720
<v Speaker 1>a finger watching ship trop try to tell me to quit.

0:28:27.880 --> 0:28:29.840
<v Speaker 1>Let my bitch in my pop and up losing these

0:28:29.840 --> 0:28:37.760
<v Speaker 1>the mirrors. I can bought a shop. Okay, man, you

0:28:38.120 --> 0:28:42.720
<v Speaker 1>know what's cold? This little motherfucker crip. Oh he could wrap.

0:28:43.080 --> 0:28:46.480
<v Speaker 1>He is familiar with the m the art of m

0:28:46.520 --> 0:28:50.160
<v Speaker 1>saying to some degree. I like Slim Jesus when I

0:28:50.200 --> 0:28:52.959
<v Speaker 1>first saw him, and what I liked about him is

0:28:53.320 --> 0:28:56.880
<v Speaker 1>when he came out and did his interviews, he explained, like, yo,

0:28:57.000 --> 0:29:00.640
<v Speaker 1>I am not any of these things. I just like

0:29:00.800 --> 0:29:03.440
<v Speaker 1>the music and I'm rapping like it. But you know

0:29:03.520 --> 0:29:06.160
<v Speaker 1>what's so cold, He's honest, and these other motherfucker's need

0:29:06.200 --> 0:29:07.880
<v Speaker 1>to get honest. Let him know. There ain't no different

0:29:07.960 --> 0:29:10.120
<v Speaker 1>Slim Jesus. Slim Jesus is more real than a lot

0:29:10.120 --> 0:29:13.680
<v Speaker 1>of these rappers because these niggas not doing it. They

0:29:12.760 --> 0:29:16.360
<v Speaker 1>talk about he's not real, but he's just he's more honest.

0:29:16.360 --> 0:29:24.040
<v Speaker 1>He's way more they come from this. He is authentic.

0:29:24.160 --> 0:29:27.720
<v Speaker 1>He never front he said, he just you know, I

0:29:28.240 --> 0:29:30.200
<v Speaker 1>laugh every time I hear I chuckled, just like I

0:29:30.360 --> 0:29:32.760
<v Speaker 1>laughed for this motherfucker. When I hear these niggas out

0:29:32.760 --> 0:29:36.520
<v Speaker 1>here tell about what they do, and I'm like, man, nigga, please, No,

0:29:37.080 --> 0:29:39.960
<v Speaker 1>he's not authentic and he's not real, but he's honest

0:29:40.000 --> 0:29:42.760
<v Speaker 1>and he's let you know that this is Hollywood. Well, honestly,

0:29:42.760 --> 0:29:45.760
<v Speaker 1>it was authentic. No, no, it's not auth at all.

0:29:46.000 --> 0:29:47.880
<v Speaker 1>It's all a matter of fact. We need Slim Jesus

0:29:47.920 --> 0:29:49.440
<v Speaker 1>if you out there, we need you on this show

0:29:49.480 --> 0:29:51.840
<v Speaker 1>that we're putting Slim Jesus on the gamest Rap Chronicles.

0:29:51.840 --> 0:29:54.280
<v Speaker 1>Though he represents like Slim Jesus. Man, I'm a fan

0:29:54.320 --> 0:29:57.360
<v Speaker 1>of Slim Jesus. He's awesome. He makes some cooler songs,

0:29:58.040 --> 0:30:00.600
<v Speaker 1>and I like the fact that he's honest out he's

0:30:00.600 --> 0:30:05.640
<v Speaker 1>not a thumb. Let me ask you, are you really

0:30:05.640 --> 0:30:08.719
<v Speaker 1>from where you from? How many? What percentage of these

0:30:08.800 --> 0:30:11.360
<v Speaker 1>rappers out here do you think aren't from where they

0:30:11.360 --> 0:30:15.680
<v Speaker 1>say they're from. Okay, so that's a nuanced conversation, right,

0:30:15.720 --> 0:30:22.840
<v Speaker 1>So when I say where I'm from it's because I'm

0:30:22.840 --> 0:30:26.560
<v Speaker 1>really from there, culturally rooted there. When I say I'm

0:30:26.600 --> 0:30:30.440
<v Speaker 1>from seven Street Watch Cript hundred and seventeen Street Watch Cript,

0:30:30.840 --> 0:30:35.120
<v Speaker 1>I am culturally rooted there. My family know my older homies,

0:30:35.240 --> 0:30:38.280
<v Speaker 1>whether they agree or not, they know each other. My

0:30:38.320 --> 0:30:41.520
<v Speaker 1>older homies know my father, they know my mother, they

0:30:41.560 --> 0:30:44.560
<v Speaker 1>know my step mom, they know my older brothers, they

0:30:44.600 --> 0:30:48.280
<v Speaker 1>know my sister, they know me. So when I say

0:30:48.320 --> 0:30:51.600
<v Speaker 1>I'm from there, it's not like some niggas, you know,

0:30:51.720 --> 0:30:53.560
<v Speaker 1>eight niggas jumped on me and kicked me in his

0:30:53.640 --> 0:30:57.000
<v Speaker 1>face and ship. Now I'm like I'm one of the ms. No. Literally,

0:30:57.400 --> 0:30:59.960
<v Speaker 1>me and my hommies are friends. We grew up at

0:31:00.000 --> 0:31:03.160
<v Speaker 1>as friends. So like when I say I'm from there,

0:31:03.160 --> 0:31:05.880
<v Speaker 1>because that's what it really means. I'm from this, not

0:31:06.560 --> 0:31:08.880
<v Speaker 1>again I got courted on. Something is beating me up

0:31:09.240 --> 0:31:13.080
<v Speaker 1>like that happens, you just fight. But I am from

0:31:13.080 --> 0:31:16.400
<v Speaker 1>where I'm from. So when you're saying how many people

0:31:16.400 --> 0:31:20.720
<v Speaker 1>are from where they from, it gets tricky because no,

0:31:20.760 --> 0:31:25.320
<v Speaker 1>it ain't no mother's studio gangsters. Well again, studio again.

0:31:25.360 --> 0:31:30.240
<v Speaker 1>That's my point, Like, let me say this, let me

0:31:30.320 --> 0:31:31.960
<v Speaker 1>let me say this so I can help the fans

0:31:31.960 --> 0:31:34.480
<v Speaker 1>get this because the fans don't understand this. So you

0:31:34.560 --> 0:31:37.240
<v Speaker 1>ask somebody like Glasses, Right, I'm a real gang member

0:31:37.280 --> 0:31:40.280
<v Speaker 1>from where I'm from, and I'm culturally from where I'm from.

0:31:40.320 --> 0:31:43.320
<v Speaker 1>Another rapper could culturally be from where they from but

0:31:43.400 --> 0:31:46.200
<v Speaker 1>never been a gang member, right. They could be from

0:31:46.240 --> 0:31:50.240
<v Speaker 1>that area and they grew up not gangbanging, right, But

0:31:50.600 --> 0:31:53.720
<v Speaker 1>you know, as success came, they could say, now I'm

0:31:53.720 --> 0:31:56.200
<v Speaker 1>a gangbanger even though they never went through any of

0:31:56.240 --> 0:32:00.160
<v Speaker 1>the situations for being a representative of said community. Then

0:32:00.160 --> 0:32:04.000
<v Speaker 1>you've got other people who didn't grow up in those communities, right,

0:32:04.040 --> 0:32:08.040
<v Speaker 1>but may have got initiated and they from those gangs.

0:32:08.680 --> 0:32:12.240
<v Speaker 1>So it's just tricky, like it's it really matters. But

0:32:14.200 --> 0:32:17.520
<v Speaker 1>what you can tell is and where you can really tell.

0:32:17.880 --> 0:32:19.840
<v Speaker 1>And I think a lot of issues. Like I said,

0:32:19.920 --> 0:32:22.840
<v Speaker 1>that first point I was making was they don't have

0:32:23.560 --> 0:32:29.000
<v Speaker 1>around them. Part two is they don't understand diplomacy. See,

0:32:29.000 --> 0:32:31.160
<v Speaker 1>it's it's all of a side. It's a bunch of

0:32:31.200 --> 0:32:34.360
<v Speaker 1>people talking tough, looking tough, but it's gonna cost you

0:32:34.360 --> 0:32:37.400
<v Speaker 1>your life when you understand diplomacy. It's the way you

0:32:37.480 --> 0:32:40.640
<v Speaker 1>deal with things when you're dealing with other nations. I

0:32:40.720 --> 0:32:42.640
<v Speaker 1>know how to deal with other nations. I know how

0:32:42.640 --> 0:32:46.440
<v Speaker 1>to deal with niggas from hoods around me, niggas from

0:32:46.480 --> 0:32:50.600
<v Speaker 1>hoods as far west as the sixties, as far east

0:32:50.720 --> 0:32:53.440
<v Speaker 1>as the four hundred block Riverside crips, you know, I

0:32:53.440 --> 0:32:56.200
<v Speaker 1>mean East Coast riverside niggas. I know how to deal

0:32:56.280 --> 0:33:02.160
<v Speaker 1>with niggas from you know u g crips weigh in Flatbush, Brooklyn.

0:33:02.720 --> 0:33:06.880
<v Speaker 1>I am refined in the art of diplomacy. Like if

0:33:06.920 --> 0:33:09.200
<v Speaker 1>I have an issue with a nigga, I would know

0:33:09.240 --> 0:33:11.680
<v Speaker 1>how to go about it and make sure I got

0:33:11.720 --> 0:33:14.240
<v Speaker 1>my faith with that nigga. And and my name is

0:33:14.280 --> 0:33:18.720
<v Speaker 1>gonna carry that type of respect to where that's a possibility.

0:33:18.760 --> 0:33:21.840
<v Speaker 1>But I also understand it's certain niggas you may can't

0:33:21.840 --> 0:33:25.000
<v Speaker 1>get ahead of fade with. It's certain gangs right that

0:33:25.160 --> 0:33:29.440
<v Speaker 1>may not give you that. But that's again like I

0:33:29.480 --> 0:33:32.440
<v Speaker 1>started rapping late, Like I was a gang banger, just

0:33:32.520 --> 0:33:35.479
<v Speaker 1>for years. A gang bang in high school, you know,

0:33:35.760 --> 0:33:38.280
<v Speaker 1>going to school, which is different as you at school

0:33:38.360 --> 0:33:40.320
<v Speaker 1>a couple of fights or maybe you shoot a little bit,

0:33:40.600 --> 0:33:43.840
<v Speaker 1>but when you gang bang for a living, I used

0:33:43.840 --> 0:33:46.760
<v Speaker 1>to gang bang for a living. I graduated high school

0:33:46.760 --> 0:33:50.760
<v Speaker 1>at seventeen. Every day for a living, I was a

0:33:50.800 --> 0:33:54.719
<v Speaker 1>seven street watch crypt nick, a sean selling gun total

0:33:55.400 --> 0:34:00.360
<v Speaker 1>hands throwing every street washing. So people knew me from

0:34:00.360 --> 0:34:04.960
<v Speaker 1>the low riding street racing. This why I'm from. So

0:34:05.080 --> 0:34:08.520
<v Speaker 1>my diplomacy is a lot more unique than the average rappers.

0:34:08.560 --> 0:34:11.120
<v Speaker 1>There's a rappers who got in the game. They was

0:34:11.239 --> 0:34:14.680
<v Speaker 1>eighteen and been successful since a teen. So they're trying

0:34:14.680 --> 0:34:18.240
<v Speaker 1>to gang bang now in the midst of success. Feel

0:34:18.280 --> 0:34:20.640
<v Speaker 1>me trying to build a reputation. But you see, you

0:34:20.719 --> 0:34:24.160
<v Speaker 1>gotta understand something, and uh, this is in no way

0:34:24.200 --> 0:34:26.200
<v Speaker 1>of this. I'm actually a fan of Tiger. Tiger is

0:34:26.239 --> 0:34:29.279
<v Speaker 1>a cool dude. But like I remember, at one time

0:34:29.360 --> 0:34:33.360
<v Speaker 1>Tiger was claiming um a blood thing. He was claiming

0:34:33.400 --> 0:34:36.760
<v Speaker 1>campanella and then he got beat up by then my guests.

0:34:36.760 --> 0:34:38.680
<v Speaker 1>Then he went over there and start claiming um mover

0:34:39.600 --> 0:34:42.759
<v Speaker 1>so again right, so but why do you do that

0:34:42.760 --> 0:34:45.160
<v Speaker 1>that though? Bro? That's like where do you like just

0:34:45.200 --> 0:34:50.440
<v Speaker 1>transformed like that again? Right? It's just weird because Okay,

0:34:50.719 --> 0:34:53.960
<v Speaker 1>that story has more nuances, right, So it's it's it's

0:34:54.600 --> 0:34:56.719
<v Speaker 1>a level of truth to it, right, But then it's

0:34:56.800 --> 0:35:00.759
<v Speaker 1>more right and it ain't just the rappers faults, so

0:35:00.800 --> 0:35:02.799
<v Speaker 1>I wanted to get on record even I'm glad you

0:35:02.840 --> 0:35:06.120
<v Speaker 1>said that, because it's not the rappers fault necessary. The

0:35:06.200 --> 0:35:09.680
<v Speaker 1>rappers do have a steak and responsibility for some of

0:35:09.719 --> 0:35:13.640
<v Speaker 1>his cornball that ship, But it's also the communities fount

0:35:14.239 --> 0:35:18.200
<v Speaker 1>niggas are embracing niggas. Niggas see niggas, see some of

0:35:18.239 --> 0:35:21.759
<v Speaker 1>these artists as ways to change their future, you know,

0:35:21.840 --> 0:35:24.720
<v Speaker 1>the economic status, to make money, to make a living.

0:35:25.200 --> 0:35:27.400
<v Speaker 1>That's what all this ship is about. So if you

0:35:27.440 --> 0:35:30.520
<v Speaker 1>can so like, let's say a tiger, right, so I

0:35:30.560 --> 0:35:33.560
<v Speaker 1>don't know what happened with him and per se. Let's

0:35:33.560 --> 0:35:36.280
<v Speaker 1>say the camper Nellis and say, I don't know what happened.

0:35:36.280 --> 0:35:38.799
<v Speaker 1>I remember that time you're talking about he you know,

0:35:39.040 --> 0:35:41.879
<v Speaker 1>that was his line. He's pushing Parru and then as

0:35:41.920 --> 0:35:45.239
<v Speaker 1>he decided, he was embraced by Trail and all the

0:35:45.280 --> 0:35:48.439
<v Speaker 1>five Deuces. It started to rock with them, but they

0:35:48.520 --> 0:35:53.800
<v Speaker 1>embraced him. They said, you know, I don't know the

0:35:53.840 --> 0:35:56.319
<v Speaker 1>nuance of the conversation, but I would imagine because the

0:35:56.400 --> 0:35:59.360
<v Speaker 1>niggasy was around, I know, some of them niggas on

0:35:59.360 --> 0:36:02.160
<v Speaker 1>the street level. So they had to embrace him because

0:36:02.160 --> 0:36:03.560
<v Speaker 1>he couldn't go to them and say, hey, can I

0:36:03.640 --> 0:36:05.880
<v Speaker 1>be damned. They're not the kind of niggas you go

0:36:05.960 --> 0:36:08.719
<v Speaker 1>to and say hey can I be damn? Let me

0:36:08.760 --> 0:36:11.880
<v Speaker 1>get this side note. I'm not trying to validate on

0:36:11.920 --> 0:36:15.880
<v Speaker 1>where that dude it's from. No ship like that tiger

0:36:15.960 --> 0:36:20.360
<v Speaker 1>handle you all six ft five thing about to do.

0:36:20.920 --> 0:36:23.279
<v Speaker 1>I ain't worried about tiger, Tiger a little home better

0:36:23.320 --> 0:36:30.600
<v Speaker 1>just take this um not your ass up question the

0:36:30.680 --> 0:36:35.000
<v Speaker 1>laws of physicist all against ain't any Tiger's favor, bro Gee,

0:36:35.920 --> 0:36:39.040
<v Speaker 1>shout out the tyger. He was on cash money right

0:36:39.080 --> 0:36:43.560
<v Speaker 1>with all them or young money and you know all

0:36:43.600 --> 0:36:47.680
<v Speaker 1>those guys and you know all the Compton guys. What

0:36:47.800 --> 0:36:53.160
<v Speaker 1>is there was some sort of like marketing co op.

0:36:53.200 --> 0:36:56.799
<v Speaker 1>I swear to guy between anything Pyro and anything young

0:36:56.880 --> 0:37:00.399
<v Speaker 1>money for like several years. Like what walls up with it? Man?

0:37:01.600 --> 0:37:04.319
<v Speaker 1>Because because I mean, anybody did a record near them,

0:37:04.360 --> 0:37:08.200
<v Speaker 1>was was a priate. So so again it's one of

0:37:08.239 --> 0:37:12.280
<v Speaker 1>those things where in that situation is unique right because

0:37:13.800 --> 0:37:19.160
<v Speaker 1>it was a mutually respectable thing. Right where quick question,

0:37:20.040 --> 0:37:26.840
<v Speaker 1>what do you think that something as big and visible

0:37:27.200 --> 0:37:32.239
<v Speaker 1>and like you know, they had enough force behind it

0:37:32.320 --> 0:37:34.640
<v Speaker 1>to really move mountains within the culture for a period

0:37:34.640 --> 0:37:36.640
<v Speaker 1>of time where you see a bunch of guys that

0:37:36.680 --> 0:37:38.120
<v Speaker 1>they're all from out of town and none of those

0:37:38.120 --> 0:37:40.560
<v Speaker 1>guys gang bang. They wrapped this gang whatever for whatever

0:37:40.600 --> 0:37:43.040
<v Speaker 1>the reason they from there. Well, I like the music.

0:37:43.080 --> 0:37:45.560
<v Speaker 1>I from there either, I'm repped two Like is there

0:37:45.640 --> 0:37:47.800
<v Speaker 1>some sort of a triple down in that? What? That?

0:37:47.960 --> 0:37:51.400
<v Speaker 1>But that's what we're talking about. The fans, right, the

0:37:51.440 --> 0:37:54.600
<v Speaker 1>fans are doing that. Even some of the rappers are fans.

0:37:54.840 --> 0:37:58.480
<v Speaker 1>That's the problem. The rappers are fans of the culture,

0:37:58.840 --> 0:38:03.640
<v Speaker 1>and the culture are fans of the rappers. Yeah, it's

0:38:03.680 --> 0:38:09.200
<v Speaker 1>a belief that these gangs are exploiting, you know, celebrity finally,

0:38:09.320 --> 0:38:14.359
<v Speaker 1>celebrity sploring games exactly, and and that's a big thing.

0:38:14.480 --> 0:38:18.839
<v Speaker 1>Where again, you're still dealing with poor people who are

0:38:18.920 --> 0:38:23.560
<v Speaker 1>trying to pursue some level of livable wage or economic opportunity.

0:38:23.800 --> 0:38:27.040
<v Speaker 1>It would be like Joe Pesci fake joining the Gambinos

0:38:27.080 --> 0:38:29.960
<v Speaker 1>to better market his acting career in the nineties, exactly

0:38:30.360 --> 0:38:35.680
<v Speaker 1>like imagine if imagine if joining the family, Joe Pesci

0:38:35.880 --> 0:38:39.880
<v Speaker 1>joined the Gambino family and they announced it. He became

0:38:40.000 --> 0:38:45.840
<v Speaker 1>like a part of their brand. It sounds stupid to say,

0:38:45.880 --> 0:38:49.200
<v Speaker 1>but it doesn't. It doesn't, it doesn't, but it does,

0:38:49.320 --> 0:38:51.440
<v Speaker 1>Like you know what I'm saying, It does sound stupid

0:38:51.480 --> 0:38:57.239
<v Speaker 1>because those are financially successful organizations. Yeah, to kind of

0:38:57.239 --> 0:38:59.120
<v Speaker 1>go out of their way to be invisible a little

0:38:59.160 --> 0:39:04.319
<v Speaker 1>bit more. No, they're financially successful. Yeah, fu the invisibility

0:39:04.360 --> 0:39:06.120
<v Speaker 1>that you can be invisible long as you've got paper.

0:39:07.239 --> 0:39:12.279
<v Speaker 1>You know what I'm saying. Again, you gotta understand, right,

0:39:12.719 --> 0:39:16.080
<v Speaker 1>popularity equates to wealth, because that's all you've been taught

0:39:16.080 --> 0:39:18.680
<v Speaker 1>your whole life. The more of my reputation is out there,

0:39:18.680 --> 0:39:21.680
<v Speaker 1>the more people know about my name, it brings value

0:39:21.680 --> 0:39:24.600
<v Speaker 1>to my existence. So that's why they're fighting from this

0:39:24.719 --> 0:39:30.200
<v Speaker 1>level of like basic kind of primitive operations. So the

0:39:30.520 --> 0:39:34.600
<v Speaker 1>mob is not a poor organization. Gangs are a poor organization.

0:39:35.239 --> 0:39:37.320
<v Speaker 1>It may be one or two homies against some money

0:39:37.400 --> 0:39:39.960
<v Speaker 1>or you from where I'm from, where it's orchestrated for

0:39:40.160 --> 0:39:42.839
<v Speaker 1>y'all all to get some money. Maybe you ain't as

0:39:42.840 --> 0:39:45.399
<v Speaker 1>suple to top the top man, but you're gonna make

0:39:45.440 --> 0:39:49.279
<v Speaker 1>more than a quality living then from where we're from.

0:39:49.280 --> 0:39:53.479
<v Speaker 1>But again, if let's say, if I'm for five dudce Hoover.

0:39:53.640 --> 0:39:56.319
<v Speaker 1>This is one of the this cute new neighborhood, right,

0:39:56.320 --> 0:39:58.560
<v Speaker 1>it's trailed in the the neighborhood. It's one of the poorest

0:39:58.560 --> 0:40:02.040
<v Speaker 1>parts of the West Side p It's a poor community, right,

0:40:02.640 --> 0:40:06.960
<v Speaker 1>very few opportunities, no careers around there, nothing barely a

0:40:07.000 --> 0:40:10.600
<v Speaker 1>grocery store. You feel me. It is a different world,

0:40:10.680 --> 0:40:12.960
<v Speaker 1>you know, it could be like Africa, third World like

0:40:13.000 --> 0:40:17.160
<v Speaker 1>Wat's what I'm saying that it's different. And you meet

0:40:17.200 --> 0:40:22.759
<v Speaker 1>a celebrity who was a millionaire, right, and you're watching him.

0:40:22.800 --> 0:40:25.719
<v Speaker 1>He's a very talented artist. Let's say Tiger. He's a

0:40:25.840 --> 0:40:29.799
<v Speaker 1>very talented artist. I mean, Tiger is extremely talented that

0:40:29.840 --> 0:40:32.240
<v Speaker 1>he don't really get credit for, but he's extremely talented.

0:40:32.640 --> 0:40:38.560
<v Speaker 1>He's a cold, ice cold motherfucking with writing records. So

0:40:39.440 --> 0:40:42.120
<v Speaker 1>you know him, and yeah, he sees you. He sees

0:40:42.200 --> 0:40:45.640
<v Speaker 1>that you are respected. Remember, hip hop is very much

0:40:45.680 --> 0:40:49.200
<v Speaker 1>a street R form, only a street R form. It's

0:40:49.200 --> 0:40:52.000
<v Speaker 1>a street R form before is everything else it's from

0:40:52.000 --> 0:40:55.319
<v Speaker 1>and for the streets, it's a representation to that. So

0:40:55.360 --> 0:40:58.480
<v Speaker 1>it's important if you're making hip hop to have some

0:40:58.600 --> 0:41:01.479
<v Speaker 1>level of credit when it comes to the streets because

0:41:01.520 --> 0:41:05.120
<v Speaker 1>that's part of the market and so these guys say, hey, man,

0:41:05.160 --> 0:41:07.280
<v Speaker 1>we love what you're doing, and you see they ship.

0:41:07.560 --> 0:41:10.200
<v Speaker 1>You know that some of the most they organization is

0:41:10.200 --> 0:41:13.640
<v Speaker 1>one of the most respected and well known things in

0:41:13.680 --> 0:41:17.200
<v Speaker 1>the in the world. Hoover Is is everybody's whovers in

0:41:17.239 --> 0:41:21.280
<v Speaker 1>every state down there, and they want to embrace your movement.

0:41:21.880 --> 0:41:25.160
<v Speaker 1>It lends you. It lends you a level of respect,

0:41:25.440 --> 0:41:28.440
<v Speaker 1>right because you could befriends somebody and lends you credit

0:41:28.480 --> 0:41:32.120
<v Speaker 1>and credence, right And then for you, it creates opportunities

0:41:32.160 --> 0:41:36.080
<v Speaker 1>to have certain homies as bodyguards. It creates somebody who

0:41:36.080 --> 0:41:39.360
<v Speaker 1>could you know, you could become learning the business and management.

0:41:40.520 --> 0:41:47.640
<v Speaker 1>My issue, I actually respect the mutual nous of that.

0:41:47.840 --> 0:41:49.600
<v Speaker 1>I know it sounds crazy and people are getting mad,

0:41:49.640 --> 0:41:51.840
<v Speaker 1>but I know the fans gonna be mad, But I

0:41:51.920 --> 0:41:53.520
<v Speaker 1>respect that because I know how hard it is to

0:41:53.560 --> 0:41:55.239
<v Speaker 1>comfort where we come from and make a way out

0:41:55.480 --> 0:41:58.160
<v Speaker 1>and make an opportunity to the body and kids Christmas

0:41:58.160 --> 0:42:00.960
<v Speaker 1>gifts to feed your kids and ship to not at

0:42:01.040 --> 0:42:03.560
<v Speaker 1>smoke shrum all day because you're losing your mind without

0:42:04.080 --> 0:42:07.880
<v Speaker 1>the opportunity to earn. What I don't respect is the

0:42:08.000 --> 0:42:12.239
<v Speaker 1>one sided things where you have people taking advantage of

0:42:12.239 --> 0:42:16.759
<v Speaker 1>a community and they have no intentions on doing right

0:42:16.800 --> 0:42:23.680
<v Speaker 1>by the people. Or it's another thing where I think

0:42:23.680 --> 0:42:25.400
<v Speaker 1>a lot of times, and this is where to all

0:42:25.440 --> 0:42:27.239
<v Speaker 1>my homies that's from the street, because I know y'all

0:42:27.280 --> 0:42:29.680
<v Speaker 1>Nick is listening to my podcast. If you got a

0:42:29.719 --> 0:42:34.880
<v Speaker 1>wrapper that you claiming and he's not actually making opportunities

0:42:34.920 --> 0:42:40.120
<v Speaker 1>for some of your homies, I need to make it

0:42:40.239 --> 0:42:44.120
<v Speaker 1>hard for that nigga. This ship that we have when

0:42:44.160 --> 0:42:46.759
<v Speaker 1>it comes to this street ship, the credit that being

0:42:46.800 --> 0:42:52.719
<v Speaker 1>one of us gives a hip hop artist's invaluable. It

0:42:52.880 --> 0:42:59.520
<v Speaker 1>turned the Rainbow Rat from some pariah making alternative music

0:42:59.600 --> 0:43:07.040
<v Speaker 1>and not really being successful into a global star. A

0:43:07.160 --> 0:43:10.719
<v Speaker 1>global star. You will never hear a story about a

0:43:10.840 --> 0:43:14.400
<v Speaker 1>rapper coming too a community and then creating a hundred

0:43:14.480 --> 0:43:18.799
<v Speaker 1>jobs to change their fortune. But you're here a community, right,

0:43:19.400 --> 0:43:21.880
<v Speaker 1>You'll hear the story about the community coming to a

0:43:21.960 --> 0:43:27.400
<v Speaker 1>rapper right and then lending their career. You know, um

0:43:29.000 --> 0:43:31.520
<v Speaker 1>respect people looking at them in a respect. Oh he

0:43:31.640 --> 0:43:34.000
<v Speaker 1>from over there. He one of those guys, and it

0:43:34.080 --> 0:43:38.440
<v Speaker 1>changes the fortunes of their career, like somebody like Whacker Flocker.

0:43:39.239 --> 0:43:45.359
<v Speaker 1>Like Whacker Flocker career is successful because of the jungles now,

0:43:45.400 --> 0:43:47.360
<v Speaker 1>I'm sure Flock could get mad at me sat this,

0:43:47.719 --> 0:43:50.640
<v Speaker 1>but Waker Flock is not Wacker Flocker without shooting hard

0:43:50.640 --> 0:43:54.840
<v Speaker 1>and the paint in the Jungles they made that nigga

0:43:55.560 --> 0:44:02.120
<v Speaker 1>a fucking global star. That's the power of the ship

0:44:02.600 --> 0:44:07.400
<v Speaker 1>that we survive. That's a lot of power. The Jungles

0:44:07.560 --> 0:44:12.800
<v Speaker 1>made Waka flocka a global fucking star. The reason people

0:44:12.840 --> 0:44:15.359
<v Speaker 1>believe he went hard in the paint is because he

0:44:15.440 --> 0:44:20.120
<v Speaker 1>was with one of the most famously dangerous places to

0:44:20.280 --> 0:44:25.960
<v Speaker 1>be and he was talking to t rogers. So again,

0:44:26.440 --> 0:44:30.520
<v Speaker 1>it's one of those things, man, where I'll say this,

0:44:31.640 --> 0:44:35.480
<v Speaker 1>our communities don't understand the value and that's what we

0:44:35.480 --> 0:44:37.920
<v Speaker 1>always talk about, Pete, the difference with the mafia and

0:44:37.960 --> 0:44:40.239
<v Speaker 1>the difference with street gangs. But it's also still you

0:44:40.360 --> 0:44:44.520
<v Speaker 1>operating off a level of poverty that's different. I mean

0:44:44.920 --> 0:44:48.000
<v Speaker 1>poverty and oppression. So yeah, the monsters, a couple of

0:44:48.000 --> 0:44:50.680
<v Speaker 1>Italian and Irish miles felt impressed, but it will never

0:44:50.760 --> 0:44:53.240
<v Speaker 1>be the equivalent of being one of us. They wasn't.

0:44:53.680 --> 0:44:56.440
<v Speaker 1>You know. Again, it's a different level. But I agree

0:44:56.520 --> 0:44:59.400
<v Speaker 1>with a lot of the homies from the communities don't

0:44:59.480 --> 0:45:06.360
<v Speaker 1>truly understand the value and being one of us. It

0:45:06.400 --> 0:45:11.000
<v Speaker 1>is invaluable. Being me has got me so much ship.

0:45:11.040 --> 0:45:14.040
<v Speaker 1>Being the authentic version that I am has got me.

0:45:14.480 --> 0:45:18.600
<v Speaker 1>It got me paid in the music business crazy before

0:45:18.640 --> 0:45:22.319
<v Speaker 1>I even understood records. Well, you know, based on what

0:45:22.360 --> 0:45:26.120
<v Speaker 1>you're saying, Jim Gee, Slim Jesus just as authentic as

0:45:26.160 --> 0:45:29.400
<v Speaker 1>anybody else. No, Slim Jesus is not authentic at all.

0:45:29.440 --> 0:45:32.920
<v Speaker 1>Slim Jesus, it's like calling an actor authentic. But he

0:45:33.120 --> 0:45:35.440
<v Speaker 1>is authentic. He's true to who he is. That's authenticity,

0:45:35.480 --> 0:45:40.440
<v Speaker 1>eels but here. But there's a break between. His authenticity

0:45:40.520 --> 0:45:44.400
<v Speaker 1>exists off of his records. But that's the difference. His

0:45:44.520 --> 0:45:47.879
<v Speaker 1>authenticity doesn't exist on his records. That's that's my point.

0:45:47.880 --> 0:45:49.960
<v Speaker 1>I say, I'm trying to bridge the gap between to

0:45:50.080 --> 0:45:52.360
<v Speaker 1>you guys. So that's what I'm saying. He's not authentic.

0:45:52.880 --> 0:45:56.960
<v Speaker 1>He's honest, he's authentic. His music is not authentic. I

0:45:56.960 --> 0:45:59.319
<v Speaker 1>don't even know if he's authentic cause we never get

0:45:59.360 --> 0:46:05.000
<v Speaker 1>to do you consider him against the rapper because he

0:46:05.040 --> 0:46:08.000
<v Speaker 1>talked that ship. He really learned to lingo. Okay, so

0:46:08.080 --> 0:46:10.360
<v Speaker 1>you're I see your trying again. You can listen to

0:46:10.440 --> 0:46:15.600
<v Speaker 1>rap ragors, But again, this is deeper than just about Slam.

0:46:15.640 --> 0:46:17.920
<v Speaker 1>He he's the boot product governed him and is to

0:46:17.960 --> 0:46:20.120
<v Speaker 1>talk to cause six nine is the body product of

0:46:20.200 --> 0:46:23.239
<v Speaker 1>all the bullshit. That's different because Slim Jesus is not

0:46:23.320 --> 0:46:26.560
<v Speaker 1>from the community. The Rainbow Rat is from the community.

0:46:26.840 --> 0:46:30.400
<v Speaker 1>He's not some kid that wandered off from the nicest

0:46:30.400 --> 0:46:33.720
<v Speaker 1>parts of Crown Heights and fucking New York and slipped

0:46:33.719 --> 0:46:37.080
<v Speaker 1>into the ghetto. He's a fucking ghetto, fucking piece of ship.

0:46:37.520 --> 0:46:40.280
<v Speaker 1>You know the rules in the ghetto, he walked around

0:46:40.280 --> 0:46:43.840
<v Speaker 1>the corner to them. So again is different. Slim Jesus

0:46:44.000 --> 0:46:46.239
<v Speaker 1>is really a white kid that's not from this level

0:46:46.280 --> 0:46:49.239
<v Speaker 1>of poverty. He he's different. He's a fan of the

0:46:49.360 --> 0:46:52.200
<v Speaker 1>music and the and the music made him create more music.

0:46:52.920 --> 0:46:56.600
<v Speaker 1>The Rainbow Rat literally is from poverty. Didn't really use

0:46:56.680 --> 0:46:59.200
<v Speaker 1>the power of the game like like Slam is not

0:46:59.560 --> 0:47:04.719
<v Speaker 1>orchestra rating hits. The Rainbow Rat orchestrated hits. He you

0:47:04.760 --> 0:47:06.759
<v Speaker 1>know what Slim Jesus might be in some little time

0:47:06.840 --> 0:47:08.840
<v Speaker 1>like Ravenna you know, you know how you want to

0:47:08.920 --> 0:47:11.920
<v Speaker 1>visit my pops up there. Slim Jesus the time he

0:47:12.040 --> 0:47:14.040
<v Speaker 1>from his like Ravanna and small like that. He probably

0:47:14.120 --> 0:47:15.799
<v Speaker 1>running it out there though. He probably get the nigga

0:47:15.840 --> 0:47:17.880
<v Speaker 1>tex stuff if he wants. I remember his streets. He

0:47:18.120 --> 0:47:20.359
<v Speaker 1>remember him rapping about the streets in this first song

0:47:20.960 --> 0:47:22.640
<v Speaker 1>you saw you had his homie, him and the bother

0:47:22.719 --> 0:47:24.759
<v Speaker 1>coint it's like the homie, y'all hear it? They got

0:47:24.760 --> 0:47:27.160
<v Speaker 1>the other song a little what the something? You always

0:47:27.160 --> 0:47:29.160
<v Speaker 1>find him a little crazy, Yes, records, the Downey song,

0:47:30.160 --> 0:47:33.960
<v Speaker 1>d down record, Welcome to the Day. He kind of

0:47:34.040 --> 0:47:38.000
<v Speaker 1>running a little apartment complex over there. Dog you find all.

0:47:38.000 --> 0:47:44.640
<v Speaker 1>He's a weird ass people. I find records. But no again,

0:47:44.680 --> 0:47:47.879
<v Speaker 1>back to the plaint Let's go back to that dog

0:47:47.920 --> 0:47:50.680
<v Speaker 1>because you did. What's the other nigga that you discovered? Man?

0:47:51.080 --> 0:47:52.560
<v Speaker 1>Just like, why are you looking at this? Return? And

0:47:52.600 --> 0:47:54.799
<v Speaker 1>he actually wound up blowing up. I put you on

0:47:54.840 --> 0:47:59.200
<v Speaker 1>soldier boy first, Yeah, soldier boy, I put you all

0:47:59.239 --> 0:48:02.239
<v Speaker 1>slim jeeze is what's the white Boyam mot was go

0:48:02.400 --> 0:48:04.640
<v Speaker 1>book him one time. He called the nigga's that we

0:48:04.760 --> 0:48:08.560
<v Speaker 1>put you up on? The boy from Texas. Yeah, Jesus,

0:48:08.560 --> 0:48:11.560
<v Speaker 1>the nigga the free stuff he got that, the marine green,

0:48:12.000 --> 0:48:16.680
<v Speaker 1>the green Marine green machine. You know who we're talking about. Pete.

0:48:16.680 --> 0:48:21.839
<v Speaker 1>He talking about He called himself the Pink Panther. Uh

0:48:21.960 --> 0:48:29.280
<v Speaker 1>he always rhyming and ship uh oh, he was on MTV.

0:48:29.360 --> 0:48:32.520
<v Speaker 1>Don't he wear the braids to the back because white boy?

0:48:33.200 --> 0:48:37.560
<v Speaker 1>Oh man, he's so dupe. I'm right now. Anyway. What's

0:48:37.560 --> 0:48:41.480
<v Speaker 1>crazy is when we first was watching his little videos

0:48:41.640 --> 0:48:45.239
<v Speaker 1>early on, we just liked that he had this confidence.

0:48:45.719 --> 0:48:49.040
<v Speaker 1>His confidence was through the roof. There are a lot

0:48:49.080 --> 0:48:51.359
<v Speaker 1>of white braids to the back of Texas. I noticed

0:48:51.400 --> 0:48:54.600
<v Speaker 1>when I was down there. I was like, and what

0:48:54.719 --> 0:48:56.880
<v Speaker 1>blew me away is did I ever tell you a

0:48:56.880 --> 0:48:58.719
<v Speaker 1>boy the time I walked and Chew cho shop and

0:48:58.760 --> 0:49:05.839
<v Speaker 1>seeing him, Uh yeah, man, what's that white boy name?

0:49:05.960 --> 0:49:12.399
<v Speaker 1>He had MTV tattooed on it. N it's Riffraff, riff Raff,

0:49:12.600 --> 0:49:18.160
<v Speaker 1>hold on raf reff Raft, nigga? Did I ever tell

0:49:18.200 --> 0:49:20.040
<v Speaker 1>you by the time because I walked into the barber

0:49:20.120 --> 0:49:22.920
<v Speaker 1>shop and see riff Raff at Chew Choose in the Swans,

0:49:24.200 --> 0:49:27.919
<v Speaker 1>you told me about that motherfucking riff Raft cause shout

0:49:27.920 --> 0:49:32.239
<v Speaker 1>out to the honey riff Raft this nigga it was

0:49:32.320 --> 0:49:36.799
<v Speaker 1>Freestyle getting his hair braided and asked up after that day,

0:49:36.840 --> 0:49:39.759
<v Speaker 1>couldn't nobody tell me nothing? About riff Raft. To this day,

0:49:39.880 --> 0:49:42.200
<v Speaker 1>niggas can't tell me nothing about riff Raft. Hold On,

0:49:42.640 --> 0:49:46.719
<v Speaker 1>let me show you something real quick. Hold on, he

0:49:47.040 --> 0:49:49.400
<v Speaker 1>got it was freestyle ever hold on, we're gonna we're

0:49:49.400 --> 0:49:51.400
<v Speaker 1>gonna get you all this this riff raff ship. Hold on,

0:49:57.400 --> 0:49:59.319
<v Speaker 1>let me see show you all this ship real quick.

0:50:03.160 --> 0:50:05.839
<v Speaker 1>RiPP rappers here. You said something to me earlier, man,

0:50:05.920 --> 0:50:10.399
<v Speaker 1>when you used to do to the bus. Yeah, yeah,

0:50:10.440 --> 0:50:13.080
<v Speaker 1>yeah yeah. I wanted to do me a favor, but

0:50:13.239 --> 0:50:14.800
<v Speaker 1>we thought beat on, man, can you do that for

0:50:14.920 --> 0:50:19.520
<v Speaker 1>us now? Man? Tripping, I've never to be tripping, especially

0:50:19.719 --> 0:50:21.960
<v Speaker 1>I never I normally wouldn't new books and swade. You

0:50:22.000 --> 0:50:27.840
<v Speaker 1>know I got on handshakes, hugs you on the outside.

0:50:27.880 --> 0:50:30.080
<v Speaker 1>You want to see me with pancakes and drawers. Take

0:50:30.120 --> 0:50:32.279
<v Speaker 1>your fat ass to sleep. On jumping out of the

0:50:32.480 --> 0:50:35.360
<v Speaker 1>candy code to Grim Reaper, g I'll put you to sleep.

0:50:35.600 --> 0:50:37.880
<v Speaker 1>I put your six ft deep when it's in the ground.

0:50:38.000 --> 0:50:40.680
<v Speaker 1>I played pine, I left my top down. I could

0:50:40.719 --> 0:50:43.440
<v Speaker 1>have played for Washington redskin six points for a touchdown.

0:50:43.680 --> 0:50:45.319
<v Speaker 1>I might give you a six point dime, and it's

0:50:45.320 --> 0:50:47.560
<v Speaker 1>to carry. This is a parent. I'm I got more

0:50:47.640 --> 0:50:50.360
<v Speaker 1>knowledge than both your parents. Combined. I graduated devil, I

0:50:50.560 --> 0:50:52.959
<v Speaker 1>didn't go to high school and nine nine everything will fine.

0:50:53.120 --> 0:50:55.719
<v Speaker 1>I ban Jenny Wine or now homeo. I'm talking about

0:50:55.719 --> 0:50:58.280
<v Speaker 1>it back in about trunk, that's C D. Dick. Players

0:50:58.320 --> 0:51:00.600
<v Speaker 1>want to check I eat checked mix. Hey won't get

0:51:00.640 --> 0:51:02.560
<v Speaker 1>in the mix. My bot. I got a fresh set

0:51:02.600 --> 0:51:05.480
<v Speaker 1>of kids and played for the Phoenix Suns. I graduated

0:51:06.800 --> 0:51:09.879
<v Speaker 1>and then motherfucker older than the motherfucking moon plus the sun.

0:51:10.280 --> 0:51:13.239
<v Speaker 1>He got older than the damn solar system. I come through.

0:51:13.440 --> 0:51:16.800
<v Speaker 1>Uh now, might pop trunk on your sister. He fried

0:51:16.880 --> 0:51:20.840
<v Speaker 1>gristle and bacon with eggs and toast. Everybody know my

0:51:20.960 --> 0:51:22.960
<v Speaker 1>motherfucker right there. He bowed the most. He bought the

0:51:23.000 --> 0:51:25.919
<v Speaker 1>coast to coast. He bowled across seven seas. You're talking

0:51:25.920 --> 0:51:28.560
<v Speaker 1>about other game? Will fun you on your damn need?

0:51:29.920 --> 0:51:32.800
<v Speaker 1>I pull up sitting sideways with Swade. We had a

0:51:32.880 --> 0:51:36.279
<v Speaker 1>Chinese buffet even on a Monday. It's a Tuesday. Make

0:51:36.320 --> 0:51:40.880
<v Speaker 1>it feel like it's damn ruby Tuesday. Don't even matter anyway.

0:51:40.960 --> 0:51:43.640
<v Speaker 1>I come through with diamond and sapphire, called my chest figure.

0:51:43.640 --> 0:51:46.239
<v Speaker 1>I was Kenda Ken GRIFFI Jr. I come through. I

0:51:46.480 --> 0:51:49.520
<v Speaker 1>played down South of Oklahoma soon. I couldn't play tail back,

0:51:49.800 --> 0:51:51.959
<v Speaker 1>half back or hats back them in the photo hats

0:51:52.000 --> 0:51:54.719
<v Speaker 1>back man. Motherfucker couldn't played for the Dallas Mathis. But

0:51:54.800 --> 0:51:56.960
<v Speaker 1>they found cracking my jacket. If I'm mayor one of

0:51:57.040 --> 0:52:00.279
<v Speaker 1>my socks. This motherfucker Damn Mark Q was of money.

0:52:00.280 --> 0:52:01.919
<v Speaker 1>You're gonna have to box one of these players because

0:52:01.920 --> 0:52:04.399
<v Speaker 1>they're gonna take your position. Diamonds gonna listen, Well we're

0:52:04.440 --> 0:52:07.640
<v Speaker 1>twisting when they signed on the back, Let's just let's

0:52:07.640 --> 0:52:15.520
<v Speaker 1>go sleep yo yo yo yo, real frown that's the thing.

0:52:16.280 --> 0:52:18.560
<v Speaker 1>And Reff Raff of Texas White Boy said, you know

0:52:18.680 --> 0:52:22.640
<v Speaker 1>they got super flavor. They really freeze out for real

0:52:22.680 --> 0:52:25.520
<v Speaker 1>in Texas, like Texas. Ever since the freestyle kings and

0:52:25.560 --> 0:52:28.240
<v Speaker 1>flipping that, I was like, this ship flip is another

0:52:28.320 --> 0:52:31.200
<v Speaker 1>one lift flip with freestyle. Your ass off here, But

0:52:31.560 --> 0:52:33.920
<v Speaker 1>y'all didn't got me off my goddamn point. Don't know,

0:52:34.200 --> 0:52:36.720
<v Speaker 1>but that's fandom. These the type of niggas that diggers

0:52:36.760 --> 0:52:41.120
<v Speaker 1>don't create it. Niggas like you, things like you that

0:52:42.120 --> 0:52:45.239
<v Speaker 1>give me the niggas exposure. Love the motherfucker's it's so

0:52:45.440 --> 0:52:47.760
<v Speaker 1>cold and d If she would have signed the motherfucker's

0:52:47.760 --> 0:52:49.960
<v Speaker 1>he probably made millions of dollars trying to tell you

0:52:51.480 --> 0:52:55.920
<v Speaker 1>now again, like I said, I really kind of I

0:52:56.040 --> 0:52:59.879
<v Speaker 1>think the fans kind of really need to to read

0:53:00.000 --> 0:53:03.080
<v Speaker 1>assess what they're doing, and they're not. I get it.

0:53:03.360 --> 0:53:06.960
<v Speaker 1>You're gonna live vicariously through somebody in the life that

0:53:07.040 --> 0:53:09.840
<v Speaker 1>you could never live, so I get it. But really,

0:53:09.960 --> 0:53:13.400
<v Speaker 1>I think the fans are not getting enough. You know,

0:53:13.480 --> 0:53:17.800
<v Speaker 1>they're not responsible enough. The rappers are are definitely lacking accountability,

0:53:17.880 --> 0:53:21.279
<v Speaker 1>they definitely ain't responsible enough, but the fans encouraging it,

0:53:21.520 --> 0:53:25.480
<v Speaker 1>like this ship ain't real, this ship real, ship real,

0:53:25.680 --> 0:53:27.759
<v Speaker 1>or maybe they don't give a funk that this ship real.

0:53:30.400 --> 0:53:33.960
<v Speaker 1>I mean, isn't the fans drive fanctress fans. All they

0:53:34.040 --> 0:53:38.719
<v Speaker 1>do is either give their money or give their you know,

0:53:40.280 --> 0:53:47.440
<v Speaker 1>media consumption for money. Maybe not. I don't know. It's

0:53:47.480 --> 0:53:50.520
<v Speaker 1>gonna be interreesting though. Definitely rest in peace to Draco

0:53:51.840 --> 0:53:52.239
<v Speaker 1>for sure,