1 00:00:02,840 --> 00:00:08,760 Speaker 1: What would you talk about on your on your podcast firm? 2 00:00:08,760 --> 00:00:17,079 Speaker 1: Elvis represents morning shows, so transparent, scary, What are you 3 00:00:17,120 --> 00:00:19,720 Speaker 1: talking about? Oh I saw that too. Yeah, we had 4 00:00:19,720 --> 00:00:22,720 Speaker 1: someone from corporate in here who was observing. I'm doing 5 00:00:22,800 --> 00:00:25,200 Speaker 1: quotation walks right now, you know, just seeing who does 6 00:00:25,239 --> 00:00:28,960 Speaker 1: water around here? Making notes whatever? Scary started doing jobs 7 00:00:29,000 --> 00:00:31,680 Speaker 1: that don't exist in radio, just to make He was 8 00:00:31,720 --> 00:00:35,440 Speaker 1: cooking eggs about you are looking trying. You were trying 9 00:00:35,479 --> 00:00:37,960 Speaker 1: to look busier than you actually are. No, I was 10 00:00:38,000 --> 00:00:41,760 Speaker 1: acting that normal self. This was how you were in commercial. 11 00:00:42,760 --> 00:00:45,320 Speaker 1: Your normal self means you're eating food at this You 12 00:00:45,360 --> 00:00:47,640 Speaker 1: actually put down food to talk to her? What are 13 00:00:47,640 --> 00:00:50,400 Speaker 1: you okay? No, all of listen. All I was doing 14 00:00:50,880 --> 00:00:53,280 Speaker 1: was my job. I have a certain job when Elvis 15 00:00:53,360 --> 00:00:55,600 Speaker 1: is not in the room, So I made sure that 16 00:00:55,680 --> 00:00:58,080 Speaker 1: I had the checklist of things that I needed to 17 00:00:58,120 --> 00:01:00,840 Speaker 1: be doing, and I was focusing on those tasks. But 18 00:01:00,880 --> 00:01:03,520 Speaker 1: you were like fake listening to stuff. Yeah, there wasn't 19 00:01:03,520 --> 00:01:05,040 Speaker 1: even anything on, and you were like all up on 20 00:01:05,080 --> 00:01:07,280 Speaker 1: your headphones like you were a producer, Like, yeah, what 21 00:01:07,280 --> 00:01:09,720 Speaker 1: what's happened? You actually said, did did you see this? 22 00:01:09,760 --> 00:01:11,880 Speaker 1: Did did you see this? Did you see me? It 23 00:01:11,959 --> 00:01:13,440 Speaker 1: was like, daddy, look at me. I look, I can 24 00:01:13,480 --> 00:01:15,160 Speaker 1: do a handstand. You were touching the buttons on the 25 00:01:15,200 --> 00:01:17,319 Speaker 1: back that you've never touched before. You're saying that I 26 00:01:17,400 --> 00:01:20,360 Speaker 1: was showing off. That's what they're saying. We're saying you 27 00:01:20,400 --> 00:01:23,080 Speaker 1: were creating a fake work environment. I don't know if 28 00:01:23,080 --> 00:01:26,319 Speaker 1: it's showing off or just straight up lying. But you said, 29 00:01:27,120 --> 00:01:28,959 Speaker 1: right now, I'm working on ways to save the company money. 30 00:01:29,000 --> 00:01:31,880 Speaker 1: You were not. I will say I saw your point 31 00:01:32,200 --> 00:01:34,640 Speaker 1: because I kind of knew these people were well there there. 32 00:01:34,720 --> 00:01:36,760 Speaker 1: It's it's like when you were a kid in school 33 00:01:37,160 --> 00:01:40,520 Speaker 1: and the teacher would have the principles somebody watching from 34 00:01:40,560 --> 00:01:42,640 Speaker 1: the back of the room and kind of have greater performance. 35 00:01:43,000 --> 00:01:45,120 Speaker 1: I knew something was up, so the teacher would do 36 00:01:45,120 --> 00:01:48,760 Speaker 1: with extra great job. Yes, wait a second, she's never 37 00:01:48,840 --> 00:01:52,520 Speaker 1: this engaged. And that's what we're saying here. No, no, no, 38 00:01:52,640 --> 00:01:55,280 Speaker 1: So you're saying you're trying to compare what happened just now. 39 00:01:56,960 --> 00:01:58,760 Speaker 1: Have you ever seen at this time, a like five 40 00:01:58,760 --> 00:02:01,160 Speaker 1: minutes left in the show him that No. Never, it's 41 00:02:01,200 --> 00:02:05,840 Speaker 1: called fronting. Yeah, Usually you were backing it up. Normally 42 00:02:05,840 --> 00:02:13,000 Speaker 1: you're on Instagram like, oh hey, like that we all 43 00:02:13,040 --> 00:02:15,560 Speaker 1: are we're all on guard just a little more when 44 00:02:15,720 --> 00:02:18,640 Speaker 1: people are observing us. Well, I try, I don't know, 45 00:02:19,000 --> 00:02:21,600 Speaker 1: I try and look a little busier, yell, and I 46 00:02:21,639 --> 00:02:24,360 Speaker 1: literally did exactly the same thing. Yeah you did texting. 47 00:02:24,440 --> 00:02:25,919 Speaker 1: She was kicking me, and I almost wanted to text 48 00:02:25,919 --> 00:02:29,080 Speaker 1: you and say, hey, this is corporate start looking, Bessie. Yeah, 49 00:02:29,120 --> 00:02:31,320 Speaker 1: well we were. I mean, I did my report. I 50 00:02:31,360 --> 00:02:33,520 Speaker 1: did what you asked me to do. We did go 51 00:02:33,560 --> 00:02:35,280 Speaker 1: in the other room and record a lot of spots 52 00:02:36,240 --> 00:02:38,120 Speaker 1: prove that we make a lot of money. You should 53 00:02:38,120 --> 00:02:39,560 Speaker 1: have announced it there, like when you left room. I 54 00:02:39,560 --> 00:02:41,400 Speaker 1: guess I got to record these commercials so we keep 55 00:02:41,440 --> 00:02:43,920 Speaker 1: the company making money. Oh, we had a pile of 56 00:02:43,919 --> 00:02:47,720 Speaker 1: people observing us doing yeah. Yeah, So okay, if you 57 00:02:47,760 --> 00:02:50,560 Speaker 1: want to call people out on their ship, all right, 58 00:02:50,680 --> 00:02:53,320 Speaker 1: Elvis does the same thing when our consultant is in town. 59 00:02:53,520 --> 00:02:58,160 Speaker 1: When our consultant comes here, are you really calling him out? Right? Now? 60 00:02:58,200 --> 00:03:00,600 Speaker 1: You're going to call him out? I say, are different 61 00:03:00,600 --> 00:03:03,760 Speaker 1: than that. I've worked by the way, I've worked with 62 00:03:03,800 --> 00:03:06,160 Speaker 1: other show hosts. When somebody's in the room, they try 63 00:03:06,200 --> 00:03:08,359 Speaker 1: and look extra busy. If you're listening to our show 64 00:03:08,400 --> 00:03:10,880 Speaker 1: and we start talking about highbrow things. The consultants are 65 00:03:10,880 --> 00:03:14,520 Speaker 1: listening right, because you know when when the consultant comes in, 66 00:03:14,560 --> 00:03:18,200 Speaker 1: he looks in from the other glass with Scotty Liam Malcolm. 67 00:03:18,320 --> 00:03:23,040 Speaker 1: I don't know if the listeners don't know books when 68 00:03:23,520 --> 00:03:25,400 Speaker 1: when Dennis is sitting in the next room in the 69 00:03:25,480 --> 00:03:28,120 Speaker 1: dark with his hands class, his arms class, looking in, 70 00:03:28,840 --> 00:03:32,320 Speaker 1: I just noticed Elvis is super focused, super engaged. It's 71 00:03:32,400 --> 00:03:36,400 Speaker 1: like we're kind of all in that moment, aren't we know? 72 00:03:36,560 --> 00:03:39,800 Speaker 1: I sent Dennis dirty means I feel like I'm a 73 00:03:39,960 --> 00:03:44,480 Speaker 1: four race car just performing it peak performance. But if 74 00:03:47,840 --> 00:03:49,600 Speaker 1: if he knows you're kicking it up, then he also 75 00:03:49,640 --> 00:03:53,720 Speaker 1: knows when he's not there. You got experience, then't even 76 00:03:54,840 --> 00:03:58,440 Speaker 1: from the beginning said okay, so we were talking about 77 00:03:58,440 --> 00:04:01,839 Speaker 1: how people from corporate were here. So Scary was trying 78 00:04:01,880 --> 00:04:03,880 Speaker 1: to look at extra busy and look extra important. He's 79 00:04:03,880 --> 00:04:06,680 Speaker 1: pressing all sorts of buttons that he normally doesn't press 80 00:04:07,240 --> 00:04:13,160 Speaker 1: doing He's like, this launches the space. He's trying to 81 00:04:14,280 --> 00:04:17,359 Speaker 1: freaking out over people. Well, they're apparently efficiency experts, so 82 00:04:17,400 --> 00:04:21,600 Speaker 1: we're trying to look efficient. Whatever. Um So then Scary 83 00:04:21,920 --> 00:04:24,640 Speaker 1: threw you under the bus by saying that when Lydia. 84 00:04:24,680 --> 00:04:27,160 Speaker 1: Malcolm is here. You look extra busy. No, I don't know. 85 00:04:27,360 --> 00:04:33,400 Speaker 1: Different you didn't turn your mic on before you sat 86 00:04:33,400 --> 00:04:36,200 Speaker 1: down over here. No, I don't know. I said, I 87 00:04:37,000 --> 00:04:39,200 Speaker 1: every very clear. I have nothing to prove to anyone 88 00:04:39,240 --> 00:04:44,920 Speaker 1: in this world. Nothing say not is scary because he says, yeah, 89 00:04:45,560 --> 00:04:49,760 Speaker 1: it's so funny. Am I right? Absolutely? To be honest, 90 00:04:49,800 --> 00:04:54,640 Speaker 1: you started, did you threw one second? I don't think 91 00:04:54,800 --> 00:04:59,000 Speaker 1: Mike's not on. Your mic is on, but you're not 92 00:04:59,000 --> 00:05:01,960 Speaker 1: saying anything worth I say, even the mic is tuning out. 93 00:05:02,120 --> 00:05:03,760 Speaker 1: By the way, can the efficiency experts come in now 94 00:05:03,839 --> 00:05:06,440 Speaker 1: to like you and not knowing how to work? What 95 00:05:06,480 --> 00:05:10,000 Speaker 1: do you need? Consultants and people are export I can't hear. 96 00:05:10,160 --> 00:05:12,720 Speaker 1: We tend to be on our best behavior. We tend 97 00:05:12,720 --> 00:05:16,120 Speaker 1: to go for mile we go. We aren't we like 98 00:05:16,160 --> 00:05:19,240 Speaker 1: a Formula one race car. That's that's this Mike sounds 99 00:05:19,240 --> 00:05:28,640 Speaker 1: like shit. It's maybe maybe it's because you're saying ship. Look. 100 00:05:28,680 --> 00:05:30,400 Speaker 1: I don't mean to sound cranky or anything, but no, 101 00:05:30,760 --> 00:05:32,599 Speaker 1: those first of all those people here today, we're not 102 00:05:32,680 --> 00:05:36,960 Speaker 1: efficiency experts. And secondly, we have nothing to prove to anyone. 103 00:05:37,040 --> 00:05:39,360 Speaker 1: I don't care what they think about us. We're doing 104 00:05:39,400 --> 00:05:41,560 Speaker 1: fine on our own. You wasted a lot of time 105 00:05:41,560 --> 00:05:46,080 Speaker 1: then they weren't efficiency experts. A little time back pressing, 106 00:05:46,080 --> 00:05:48,000 Speaker 1: buttons that you know if if you want to look 107 00:05:48,040 --> 00:05:50,240 Speaker 1: busy and you want to you want to get someone's 108 00:05:50,240 --> 00:05:56,200 Speaker 1: attention in a positive way, what about me? But the 109 00:05:56,240 --> 00:05:59,000 Speaker 1: ones that can get your ship can How many times 110 00:05:59,000 --> 00:06:02,680 Speaker 1: obviously are you talking about something? You need a piece 111 00:06:02,680 --> 00:06:04,680 Speaker 1: of sound? It's obvious. Oh my god, that movie Jaws. 112 00:06:05,160 --> 00:06:06,960 Speaker 1: You want the jaw steme you turn around Scaries on 113 00:06:07,000 --> 00:06:12,960 Speaker 1: his night listening to Howard. Here's what I'm gonna do. 114 00:06:13,040 --> 00:06:19,920 Speaker 1: I'm gonna start becoming an efficiency expert. Look here's the reason. Look, 115 00:06:20,000 --> 00:06:21,760 Speaker 1: you know me. I'd like to scream and scary. You 116 00:06:21,839 --> 00:06:23,719 Speaker 1: know I love you and we're all playing around. But 117 00:06:24,880 --> 00:06:28,200 Speaker 1: if our show became efficient, it wouldn't be our show. 118 00:06:28,760 --> 00:06:34,880 Speaker 1: This show is. It's the terraces of inefficiency. Fancy, but 119 00:06:34,880 --> 00:06:37,039 Speaker 1: that's what we are. We come in here and we 120 00:06:37,160 --> 00:06:41,640 Speaker 1: use an efficiency to our advantage of us better than others. 121 00:06:41,640 --> 00:06:45,840 Speaker 1: People should have our assholes discussed. Really, I didn't need 122 00:06:45,880 --> 00:06:49,960 Speaker 1: the whole part. Scary brushed cobwebs off one of the monitors. 123 00:06:49,960 --> 00:06:51,839 Speaker 1: He doesn't normally use to show that he's using it. 124 00:06:52,760 --> 00:06:57,560 Speaker 1: There's like smoke coming off the keyboard timing this thing. 125 00:06:57,600 --> 00:07:02,640 Speaker 1: I don't think the song comes on and then well, no, Scary, 126 00:07:02,800 --> 00:07:04,679 Speaker 1: if you want to impress in you and start start 127 00:07:04,680 --> 00:07:08,360 Speaker 1: with us in the room. Don't you think, though, that 128 00:07:08,400 --> 00:07:10,760 Speaker 1: it's so easy to tell when someone's trying to kiss 129 00:07:10,760 --> 00:07:12,520 Speaker 1: your ass and brown nose, and then once you see it, 130 00:07:12,520 --> 00:07:13,840 Speaker 1: you're like, oh, I like you less right now. I'm 131 00:07:13,880 --> 00:07:15,920 Speaker 1: not saying that about Elvis is far too smart not 132 00:07:15,920 --> 00:07:17,800 Speaker 1: to see that coming. He's a radio professional Hall of 133 00:07:17,800 --> 00:07:22,480 Speaker 1: Famer and the New York Times bestseller Brody is efficient 134 00:07:24,120 --> 00:07:27,840 Speaker 1: example we've seen this. Nate used the example of when 135 00:07:27,840 --> 00:07:29,880 Speaker 1: it's teacher has a principle in the back of the 136 00:07:29,960 --> 00:07:34,480 Speaker 1: room taking notes with I remember these teachers being extremely 137 00:07:34,720 --> 00:07:37,880 Speaker 1: on their best behavior, extremely engaging to the class. And 138 00:07:37,920 --> 00:07:40,800 Speaker 1: I'm like, that's because the principles in the watch that 139 00:07:40,840 --> 00:07:48,000 Speaker 1: microphone is bad microphone. I saw Scary turn it on, though, Well, 140 00:07:48,040 --> 00:07:50,880 Speaker 1: I mean it was kind of funny. The the woman 141 00:07:50,920 --> 00:07:53,960 Speaker 1: who was in here, she seemed very nice. I said, well, 142 00:07:54,160 --> 00:07:56,120 Speaker 1: if you want to watch the show that she was 143 00:07:56,160 --> 00:07:58,640 Speaker 1: here to check out our computer systems. Right, the I 144 00:07:58,800 --> 00:08:01,360 Speaker 1: t stuff that's if you want to come watch how 145 00:08:01,440 --> 00:08:03,280 Speaker 1: we use it, you have to come earlier. You came. 146 00:08:03,360 --> 00:08:05,000 Speaker 1: You came late in the show where we don't really 147 00:08:05,040 --> 00:08:07,040 Speaker 1: do anything. And then when I said that, everyone in the 148 00:08:07,000 --> 00:08:08,960 Speaker 1: the room it don't tell her we don't do anything. 149 00:08:09,080 --> 00:08:10,400 Speaker 1: I mean, And I was trying to figure out why 150 00:08:10,400 --> 00:08:12,960 Speaker 1: you guys are freaking out because you think they're efficiency experts. 151 00:08:13,000 --> 00:08:15,880 Speaker 1: I didn't think that you said that. I said it. 152 00:08:16,880 --> 00:08:19,360 Speaker 1: I'm trying to make a here. She did have a clipboard, 153 00:08:19,840 --> 00:08:22,560 Speaker 1: put a good scare, and all he did, he told 154 00:08:22,560 --> 00:08:24,480 Speaker 1: all of us that's what they were. Don't listen to him. 155 00:08:24,720 --> 00:08:27,920 Speaker 1: They were here to look at our antiquated computer. That's 156 00:08:27,920 --> 00:08:29,920 Speaker 1: gonna text Danielle and I to do something because he 157 00:08:29,920 --> 00:08:32,280 Speaker 1: said we were doing nothing follow her on Instagram just 158 00:08:32,320 --> 00:08:34,640 Speaker 1: to make her feel better about herself. And I were 159 00:08:34,679 --> 00:08:36,640 Speaker 1: doing we're kicking each other out of the dab and 160 00:08:37,120 --> 00:08:41,280 Speaker 1: I was like autographing books, telling dirty it's Broni's telling 161 00:08:41,280 --> 00:08:45,280 Speaker 1: dirty jokes. I'm like, that's because I know when my 162 00:08:45,320 --> 00:08:48,600 Speaker 1: bread is buttered. You beautiful son of a bit. Are 163 00:08:48,600 --> 00:08:54,439 Speaker 1: you talking that helps the New York Times best selling anyway? 164 00:08:54,480 --> 00:08:56,679 Speaker 1: So what else you I'm talking about? How about you 165 00:08:56,720 --> 00:09:00,000 Speaker 1: being a New York Times bestseller? What's the next book 166 00:09:00,000 --> 00:09:01,720 Speaker 1: gonna be about? I don't I don't know. I mean 167 00:09:01,720 --> 00:09:04,520 Speaker 1: I do, I'm already writing. It doesn't matter. My life 168 00:09:04,559 --> 00:09:07,360 Speaker 1: is a New York Times bestseller? How's your book coming along, Brody? 169 00:09:07,880 --> 00:09:11,120 Speaker 1: I have a literary agent, and I'm working on the proposal. 170 00:09:11,160 --> 00:09:13,920 Speaker 1: You have to put together a proposal, and so I'm gathering, 171 00:09:14,240 --> 00:09:17,600 Speaker 1: uh screenshots of tweets putting stories together. Yeah, I've I've 172 00:09:17,600 --> 00:09:19,880 Speaker 1: started writing the proposal. I love that. Have you written 173 00:09:19,880 --> 00:09:22,680 Speaker 1: the book in my head? I have yet? I think 174 00:09:22,679 --> 00:09:24,679 Speaker 1: that's so cool. Okay, everyone should write a book. But 175 00:09:24,720 --> 00:09:27,000 Speaker 1: I didn't want to get engaged until you got engaged, 176 00:09:27,040 --> 00:09:29,040 Speaker 1: like you know the rule. So I wanted your book 177 00:09:29,040 --> 00:09:34,040 Speaker 1: to end before I start doing anything. It's gonna take 178 00:09:34,080 --> 00:09:35,280 Speaker 1: you a long time to write a book, you know. 179 00:09:35,320 --> 00:09:37,040 Speaker 1: I know you should have started that already. Well, I 180 00:09:37,120 --> 00:09:41,960 Speaker 1: got the proposal in January, because damn it, I know 181 00:09:42,160 --> 00:09:45,240 Speaker 1: you better hurt get yours alright, alright, that's awesome, all right, 182 00:09:45,280 --> 00:09:47,160 Speaker 1: I got my second book in my head too. You go. 183 00:09:47,600 --> 00:09:50,959 Speaker 1: What's the first one called? Uh? Free dessert? Even is 184 00:09:51,000 --> 00:09:54,480 Speaker 1: not even? I thought about you this weekend I think 185 00:09:54,520 --> 00:09:55,719 Speaker 1: I told you guys this, But we went out to 186 00:09:55,760 --> 00:09:57,959 Speaker 1: eat and the guy brought over pizza and it was 187 00:09:58,000 --> 00:10:00,080 Speaker 1: a hot piping pizza. He dumped the entire pizza by 188 00:10:00,120 --> 00:10:02,920 Speaker 1: accident onto the girl I was with. She burned her wrists, 189 00:10:03,200 --> 00:10:05,400 Speaker 1: she got all over her clothes, and then the manager 190 00:10:05,480 --> 00:10:06,839 Speaker 1: came over and said, I'm going to take care of 191 00:10:06,960 --> 00:10:08,760 Speaker 1: most of your meal. And we were kind of like 192 00:10:08,880 --> 00:10:17,760 Speaker 1: most of the meal rying, I know, deal with the 193 00:10:17,840 --> 00:10:21,680 Speaker 1: red sauce. Yeah, Dina with the permanent scars on her wrist. 194 00:10:21,720 --> 00:10:25,520 Speaker 1: What did so? Did he end up buying the entire meal? Well, 195 00:10:25,559 --> 00:10:27,560 Speaker 1: he bought everything except for two drinks. I'm not sure 196 00:10:27,600 --> 00:10:29,240 Speaker 1: why he didn't pick up the last two drinks, but 197 00:10:29,280 --> 00:10:30,720 Speaker 1: that was it. I was like, what about her dry queen? 198 00:10:31,080 --> 00:10:34,800 Speaker 1: That funny how two drinks and he didn't pay for 199 00:10:34,840 --> 00:10:36,520 Speaker 1: two drinks? And you guys will never go back again. 200 00:10:36,559 --> 00:10:38,400 Speaker 1: I probably will never go back again. Why don't you 201 00:10:38,400 --> 00:10:40,319 Speaker 1: talk about him in the air. You should use their name. Oh, 202 00:10:40,440 --> 00:10:41,480 Speaker 1: I mean, if you want me to, I have to 203 00:10:41,480 --> 00:10:43,000 Speaker 1: look up the name of the place. I have to 204 00:10:43,040 --> 00:10:46,320 Speaker 1: find the name of the place first. Okay. I had 205 00:10:46,360 --> 00:10:49,599 Speaker 1: a similar experience where I went to Abachi restaurant. I 206 00:10:50,040 --> 00:10:52,800 Speaker 1: ate all my habbachi and my family were still eating. 207 00:10:53,000 --> 00:10:55,960 Speaker 1: Then a mouse came out from the habachi grills, ran 208 00:10:56,000 --> 00:10:58,559 Speaker 1: across the grill, and then the guy's like, well, you 209 00:10:58,800 --> 00:11:01,680 Speaker 1: ate most of it, so I can only take away half. 210 00:11:01,840 --> 00:11:05,000 Speaker 1: I go. I probably just date rat poop. Should should 211 00:11:05,040 --> 00:11:07,120 Speaker 1: have called me. First of all, that rat didn't burn 212 00:11:07,200 --> 00:11:12,040 Speaker 1: itself on and they made you pay. They paid. I 213 00:11:12,120 --> 00:11:15,480 Speaker 1: paid for half of it. No, no, paid for the 214 00:11:15,520 --> 00:11:17,040 Speaker 1: half of the You're gonna pay for the half of 215 00:11:17,080 --> 00:11:21,920 Speaker 1: the racket that Manhattan with a rat runs across the 216 00:11:21,960 --> 00:11:25,880 Speaker 1: grill on a pad of butter. I've seen you stole 217 00:11:25,960 --> 00:11:31,959 Speaker 1: this from I stole this whole bit the muppet a 218 00:11:32,160 --> 00:11:37,040 Speaker 1: tin roof. Oh my god. Here's the thing. Don't be 219 00:11:37,120 --> 00:11:39,120 Speaker 1: an asshole because you never know if the person you're 220 00:11:39,120 --> 00:11:41,959 Speaker 1: being an asshole, who has access to a microphone or 221 00:11:42,240 --> 00:11:45,520 Speaker 1: a book exactly is the Barry Mantel people called again, 222 00:11:46,240 --> 00:11:48,839 Speaker 1: What did they say? You don't understand why you're you're 223 00:11:48,840 --> 00:11:50,600 Speaker 1: saying that when you met Barry Mantel, he was an asshole. 224 00:11:50,640 --> 00:11:52,959 Speaker 1: We still have no record of you ever interviewed viewing him, 225 00:11:52,960 --> 00:11:54,640 Speaker 1: and I didn't interview him. I met him at a 226 00:11:55,000 --> 00:11:57,920 Speaker 1: at a fundraiser and he was a jerk. Yeah, he 227 00:11:58,040 --> 00:11:59,480 Speaker 1: was a jerk when I met him. I've heard that 228 00:11:59,520 --> 00:12:01,800 Speaker 1: about by Manilow from multiple people, and it makes me like, 229 00:12:02,040 --> 00:12:04,520 Speaker 1: why am I surprised? I mean, but you can be 230 00:12:04,559 --> 00:12:07,160 Speaker 1: a jerk to someone, but it so happens. Maybe they 231 00:12:07,280 --> 00:12:10,079 Speaker 1: have a book coming. Remember the time he came He 232 00:12:10,280 --> 00:12:13,520 Speaker 1: came here and he was performing downstairs. Left because I 233 00:12:13,559 --> 00:12:16,959 Speaker 1: didn't like him. He was performing in the R studio downstairs, 234 00:12:17,000 --> 00:12:19,959 Speaker 1: the lounge whatever we call it now, and he got 235 00:12:20,080 --> 00:12:22,520 Speaker 1: upset because they didn't roll out the red carpet and 236 00:12:22,559 --> 00:12:25,080 Speaker 1: when he walked in, people didn't make a big fanfare 237 00:12:25,080 --> 00:12:27,800 Speaker 1: about him being there. I remember one of the jocks 238 00:12:27,840 --> 00:12:29,719 Speaker 1: at the other radio station saying, you're never gonna believe that. 239 00:12:30,040 --> 00:12:31,760 Speaker 1: You know what, now that you're saying this, they're going 240 00:12:31,840 --> 00:12:35,000 Speaker 1: to call you. Well, you know the thing about the book. 241 00:12:35,040 --> 00:12:37,120 Speaker 1: The book is out, it has been published, people have 242 00:12:37,280 --> 00:12:38,800 Speaker 1: purchased it. What do they expect you to do? I 243 00:12:38,840 --> 00:12:41,360 Speaker 1: don't know, a new one attraction, don't. I don't know 244 00:12:41,440 --> 00:12:43,959 Speaker 1: what they're saying, but I mean, I'm talking about Barry 245 00:12:44,000 --> 00:12:46,400 Speaker 1: Manto being a jerk in every interview I do right 246 00:12:46,640 --> 00:12:47,920 Speaker 1: and the more they bring it up, the more we're 247 00:12:47,920 --> 00:12:53,280 Speaker 1: going to address it. So they just called, yet, you're 248 00:12:53,280 --> 00:12:56,040 Speaker 1: allowed to have an opinion of an observation or something 249 00:12:56,080 --> 00:12:58,120 Speaker 1: you've been part of. What about Madonna? Have you heard 250 00:12:58,120 --> 00:13:01,800 Speaker 1: from Madonna's people? No? No, But Madonna's fans are mad 251 00:13:01,840 --> 00:13:05,360 Speaker 1: at me because I said I said in the book 252 00:13:05,480 --> 00:13:09,280 Speaker 1: that it was a difficult interview with Madonna, and it was. 253 00:13:09,679 --> 00:13:12,480 Speaker 1: All four of them were difficult interviews. But the headline 254 00:13:12,480 --> 00:13:15,280 Speaker 1: in the newspaper was Elvis Durand says Madonna is difficult. 255 00:13:16,280 --> 00:13:18,079 Speaker 1: Dot dot dot would like to interview her and and 256 00:13:18,120 --> 00:13:19,720 Speaker 1: I want to interview with her again. And so people 257 00:13:19,840 --> 00:13:23,199 Speaker 1: just this hag on Instagram came after her Twitter. I'm 258 00:13:23,240 --> 00:13:25,480 Speaker 1: like fun her, and so I just blocked her. What 259 00:13:25,840 --> 00:13:30,520 Speaker 1: the person said was hilarious. She said, interviewing Madonna's way 260 00:13:30,520 --> 00:13:32,120 Speaker 1: above your pay grade. I mean, you don't even know 261 00:13:32,160 --> 00:13:34,000 Speaker 1: what I make for a living. First of all, what 262 00:13:34,080 --> 00:13:35,559 Speaker 1: do you what do you say? You don't say that 263 00:13:35,640 --> 00:13:38,400 Speaker 1: to someone? How stupid are you? Twe you like that 264 00:13:38,520 --> 00:13:40,960 Speaker 1: is above her pay grade? Yeah, above her pay grade? 265 00:13:41,320 --> 00:13:44,480 Speaker 1: But yesterday pay great, little hag? Is it funny? How mature? 266 00:13:44,559 --> 00:13:46,600 Speaker 1: We turned over? Like one comment I'm like, yeah, well 267 00:13:46,640 --> 00:13:48,719 Speaker 1: you're ugly and your mom probably doesn't like you. I know, 268 00:13:49,280 --> 00:13:53,120 Speaker 1: you know what your sister's fat. I don't know. That 269 00:13:53,240 --> 00:13:56,960 Speaker 1: just made me mad. Don't commit me with something stupid anyway. 270 00:13:57,000 --> 00:13:58,800 Speaker 1: Don't bring a knife to a gunfight, because we will 271 00:13:59,080 --> 00:14:02,120 Speaker 1: end this. I'm being very negative in this beautiful podcast. 272 00:14:02,200 --> 00:14:04,360 Speaker 1: That's because there's nobody here watching. If the consultant was here. 273 00:14:06,679 --> 00:14:08,280 Speaker 1: Keep in mind, I walked in late and the first 274 00:14:08,280 --> 00:14:09,920 Speaker 1: thing I hear is scary storing you under the bus. 275 00:14:10,120 --> 00:14:15,920 Speaker 1: It wasn't though you didn't. And then everyone specifically said, 276 00:14:15,960 --> 00:14:18,800 Speaker 1: really sorry about to throw us under the bus. Elvis 277 00:14:18,880 --> 00:14:23,280 Speaker 1: does it? We all do it when everybody's on their guard. 278 00:14:23,320 --> 00:14:29,760 Speaker 1: Everybody's on guard, everybody's heightened the weirdness we weren't. That's 279 00:14:29,800 --> 00:14:34,000 Speaker 1: how I proved my worth alright, more efficient when I'm shopping, 280 00:14:35,280 --> 00:14:38,160 Speaker 1: I think the music is about to start playing it. 281 00:14:39,240 --> 00:14:42,080 Speaker 1: We have like three minutes left to be honest, but 282 00:14:42,160 --> 00:14:43,920 Speaker 1: I will tell you that I love you all. I 283 00:14:44,000 --> 00:14:47,880 Speaker 1: can't imagine working with anyone else any I want no 284 00:14:48,280 --> 00:14:53,800 Speaker 1: one more efficient than you. The lack of efficiency, I 285 00:14:53,840 --> 00:14:58,200 Speaker 1: think that's what makes this show really work well. The 286 00:14:58,320 --> 00:14:59,800 Speaker 1: fifteen minute Morning show