1 00:00:09,880 --> 00:00:12,040 Speaker 1: Excuse me. It's been brought to my attention to a 2 00:00:12,080 --> 00:00:16,440 Speaker 1: few bad apples out there. I'm smoking Manahuana cool Elvis 3 00:00:16,520 --> 00:00:30,960 Speaker 1: Duran in the Morning Show, Mary Juanna's mad? What then? Okay, 4 00:00:31,080 --> 00:00:37,159 Speaker 1: I don't know if I'm ready for this day Land Diamonds. 5 00:00:38,200 --> 00:00:42,599 Speaker 1: Maybe day alright, alright, I'm now We're not up here 6 00:00:42,600 --> 00:00:46,960 Speaker 1: smoking plot that was called the sound effect. Anyway, Welcome 7 00:00:47,000 --> 00:00:50,800 Speaker 1: to the day. It is Thursday four twenty. It is 8 00:00:50,840 --> 00:00:55,640 Speaker 1: a twentieth Hi, Danielle, Hi there, Bethany hig scary high Froggy, 9 00:00:55,800 --> 00:01:01,480 Speaker 1: Good morning, Hello day, helly, hold they're rich, Hey there there, 10 00:01:01,520 --> 00:01:04,280 Speaker 1: hold there, how are you doing? Rich morning guys? How 11 00:01:04,360 --> 00:01:06,399 Speaker 1: are you? We're good? Our first caller of the day. 12 00:01:06,440 --> 00:01:08,920 Speaker 1: What are you up to? Oh? I'm on my way 13 00:01:08,920 --> 00:01:11,440 Speaker 1: to work. I'm gonna see the sunrise first and listen 14 00:01:11,480 --> 00:01:13,200 Speaker 1: to you guys before I go in for a long 15 00:01:13,280 --> 00:01:16,480 Speaker 1: twelve hours shift. I love that letting two of the 16 00:01:16,640 --> 00:01:20,160 Speaker 1: universe's most powerful forces hit you in the face, first 17 00:01:20,160 --> 00:01:25,880 Speaker 1: of all the sun and second of all our show. Yes, okay, well, look, 18 00:01:26,000 --> 00:01:28,360 Speaker 1: I hope you have a fantastic day to day. Where 19 00:01:28,400 --> 00:01:30,800 Speaker 1: are you driving right now? Where are you? I am 20 00:01:30,840 --> 00:01:34,800 Speaker 1: in Delaware? Yeah. You know what I think right about 21 00:01:34,880 --> 00:01:37,039 Speaker 1: now is when the sun is gonna is gonna start 22 00:01:37,080 --> 00:01:39,320 Speaker 1: to peak up. I mean this is as sunrise time 23 00:01:39,319 --> 00:01:43,120 Speaker 1: for the Upper East Coast. Well, look, I hope you 24 00:01:43,200 --> 00:01:46,039 Speaker 1: enjoy the sunshine. It's a very romantic morning. And we're 25 00:01:46,040 --> 00:01:47,960 Speaker 1: gonna send you an Elvis Durand shirt since you are 26 00:01:48,000 --> 00:01:50,360 Speaker 1: the first caller of the day. Rich. Oh, thank you 27 00:01:50,440 --> 00:01:53,000 Speaker 1: so much, guys. I love you guys. All Um. Is 28 00:01:53,040 --> 00:01:55,440 Speaker 1: it possible to get all you guys to sign it? Yeah, 29 00:01:55,600 --> 00:01:59,520 Speaker 1: I don't, it'll ruin it, but I'll happily sign it 30 00:01:59,560 --> 00:02:01,320 Speaker 1: for you. Will do anything you want. You're the first 31 00:02:01,320 --> 00:02:03,160 Speaker 1: caller of the day. It's your day, Rich, you call 32 00:02:03,200 --> 00:02:06,480 Speaker 1: the I love you guys. We'll hold on one second, buddy, 33 00:02:06,480 --> 00:02:09,520 Speaker 1: hold on, yeah, getting ready for the sunrise, sunrise, sunset. 34 00:02:09,639 --> 00:02:12,079 Speaker 1: It's something, something that's so much bigger than all of 35 00:02:12,200 --> 00:02:17,880 Speaker 1: us holding hands. Do we have any purel? No? My 36 00:02:17,960 --> 00:02:22,240 Speaker 1: hands are sweating today. Why. I don't know why. I've 37 00:02:22,280 --> 00:02:23,920 Speaker 1: just noticed that. A second ago I picked up the 38 00:02:23,919 --> 00:02:26,079 Speaker 1: mouse here in the studio and it kind of slipped 39 00:02:26,080 --> 00:02:27,560 Speaker 1: out of my hand. I'm like, why are my palm 40 00:02:27,639 --> 00:02:29,480 Speaker 1: wol I know it's kind of funny. Where you are 41 00:02:29,480 --> 00:02:31,040 Speaker 1: in Miami, when you pick up a mouse, it's actually 42 00:02:31,040 --> 00:02:32,920 Speaker 1: connected to a computer. Here in New York, when we 43 00:02:32,919 --> 00:02:34,960 Speaker 1: pick up a mouse, it's actually a rat. Yeah. And 44 00:02:35,000 --> 00:02:37,440 Speaker 1: sometimes it's connected to a slice of pizza. Yeah. Sometimes, 45 00:02:37,520 --> 00:02:39,560 Speaker 1: or you're a ankle. Yeah. Let's go around the room. 46 00:02:39,639 --> 00:02:41,799 Speaker 1: Let's get started with you, Danielle. What's on your mind 47 00:02:41,800 --> 00:02:44,639 Speaker 1: before the show gets right. No, you've been trying very 48 00:02:44,680 --> 00:02:47,600 Speaker 1: hard to make your overnight oats. I haven't started yet. 49 00:02:47,639 --> 00:02:51,520 Speaker 1: So we made you an overnight oat. So my husband said, 50 00:02:51,760 --> 00:02:54,639 Speaker 1: Sheldon said, you know what, give him mine tomorrow so 51 00:02:54,680 --> 00:02:56,600 Speaker 1: that you know he can at least try it. And 52 00:02:56,680 --> 00:02:58,400 Speaker 1: I'm like, yeah, you're right, because he has the ingredients 53 00:02:58,400 --> 00:03:01,440 Speaker 1: a little goal bad before he tries it. Oh my gosh, wait, 54 00:03:01,720 --> 00:03:05,920 Speaker 1: your husband, Sheldon gave me his overnight for him. This song, Sheldon, 55 00:03:06,040 --> 00:03:07,519 Speaker 1: thank you. And there's so much to be learned in 56 00:03:07,600 --> 00:03:11,239 Speaker 1: the universe by sacrifice. And I appreciate that. What flavors. 57 00:03:11,600 --> 00:03:15,560 Speaker 1: There's there's raspberry, No, there's blueberries in there's a blackberries 58 00:03:15,600 --> 00:03:17,920 Speaker 1: and it's a berry mix. Oh's and some banana I 59 00:03:17,919 --> 00:03:21,040 Speaker 1: think full of antioxy. Yes, well perfect, Thank you so much. 60 00:03:21,639 --> 00:03:23,320 Speaker 1: I'll eat mine when you eat yours, we'll join each 61 00:03:23,360 --> 00:03:25,880 Speaker 1: other for breakfast. Thank you for my overnight oaks, Sheldon, 62 00:03:25,960 --> 00:03:28,720 Speaker 1: and you who made them for me. Daniel, Hey, what's 63 00:03:28,760 --> 00:03:31,960 Speaker 1: up with you? Froggy? You know, sometimes you just have 64 00:03:32,280 --> 00:03:35,240 Speaker 1: to be nice. I learned a very important lesson last night. 65 00:03:35,240 --> 00:03:37,800 Speaker 1: We ordered some delivery last night and it was supposed 66 00:03:37,800 --> 00:03:39,760 Speaker 1: to be there in thirty minutes. An hour and twenty 67 00:03:39,760 --> 00:03:42,320 Speaker 1: minutes later it showed up, and I was very upset 68 00:03:42,320 --> 00:03:43,920 Speaker 1: that I was going to get upset with the driver. 69 00:03:44,040 --> 00:03:45,880 Speaker 1: But it's not the driver's fault. And I realized that 70 00:03:46,240 --> 00:03:48,720 Speaker 1: I was so kind and so nice to the driver, 71 00:03:49,360 --> 00:03:51,400 Speaker 1: and I got the solution that I wanted. So I 72 00:03:51,480 --> 00:03:54,640 Speaker 1: realized that being nice gets you a whole lot further 73 00:03:54,880 --> 00:03:57,400 Speaker 1: than just yelling at the wrong person. So today, when 74 00:03:57,400 --> 00:03:59,840 Speaker 1: you're out there and something's not going your way, to 75 00:04:00,240 --> 00:04:04,280 Speaker 1: me nice. It will fix things. I'll try it makes 76 00:04:04,320 --> 00:04:06,640 Speaker 1: things better. Trust me, I learned a lesson. Okay, yeah, 77 00:04:06,640 --> 00:04:08,600 Speaker 1: I guess the path of nice is better than the 78 00:04:08,680 --> 00:04:12,360 Speaker 1: half of evil. Yeah, Bethany, how are you today? I'm 79 00:04:12,360 --> 00:04:14,960 Speaker 1: fabulous today? So I know I'm not the only one 80 00:04:15,000 --> 00:04:17,440 Speaker 1: who loves to wear the color black. It's like my 81 00:04:17,520 --> 00:04:19,000 Speaker 1: favorite color. I know a lot of you in the 82 00:04:19,040 --> 00:04:20,400 Speaker 1: room today are wearing black. I know a lot of 83 00:04:20,400 --> 00:04:22,800 Speaker 1: people listening are wearing black today. But I had to 84 00:04:22,839 --> 00:04:27,080 Speaker 1: find different outfit selections today that are not black. It 85 00:04:27,080 --> 00:04:29,080 Speaker 1: took me an hour and a half to go through 86 00:04:29,080 --> 00:04:32,040 Speaker 1: my entire wardrobe and find anything that had color in it. 87 00:04:32,120 --> 00:04:34,000 Speaker 1: What does it say about you? Because I love black, 88 00:04:34,440 --> 00:04:36,360 Speaker 1: I don't love color very much like I don't love 89 00:04:36,400 --> 00:04:40,359 Speaker 1: to I don't love to wear colors. I'm wearing baby 90 00:04:40,360 --> 00:04:42,840 Speaker 1: blue today and I feel super weird about it. But 91 00:04:43,480 --> 00:04:45,240 Speaker 1: black is fine. There's nothing wrong with wearing a lot 92 00:04:45,240 --> 00:04:46,520 Speaker 1: of black, no, I know. But I'm supposed to be 93 00:04:46,520 --> 00:04:48,159 Speaker 1: wearing colors today. So I just like, if you're like 94 00:04:48,240 --> 00:04:50,040 Speaker 1: me and you love to wear black today, you just 95 00:04:50,080 --> 00:04:53,680 Speaker 1: own it. You love it. It's a great color. Put 96 00:04:53,680 --> 00:04:56,279 Speaker 1: all black on now, you make me feel off good. 97 00:04:56,320 --> 00:04:58,680 Speaker 1: But Mines is love on my black. So does that 98 00:04:58,720 --> 00:05:01,800 Speaker 1: counter affect this? Yeah? So you're even Let's get into 99 00:05:01,800 --> 00:05:04,640 Speaker 1: your horoscopes. You start first, Daniel, all right. So Jessica Lang, 100 00:05:04,680 --> 00:05:08,800 Speaker 1: who we absolutely adore, is celebrating her birthday today, Capricorn, 101 00:05:08,920 --> 00:05:11,200 Speaker 1: keep your eyes and ears open. There is a lot 102 00:05:11,240 --> 00:05:13,400 Speaker 1: to learn from what's going on around you. Good news 103 00:05:13,480 --> 00:05:16,040 Speaker 1: is coming your way. Your day is a nine Aquarius. 104 00:05:16,040 --> 00:05:18,560 Speaker 1: A change in attitude will help you see the things differently. 105 00:05:18,680 --> 00:05:21,440 Speaker 1: Take this adjustment, see the positivity that surrounds you. Your 106 00:05:21,520 --> 00:05:23,840 Speaker 1: days of seven Pisces, you seem stress trying to get 107 00:05:23,880 --> 00:05:26,040 Speaker 1: a task done. Don't try to do it all by yourself. 108 00:05:26,080 --> 00:05:28,279 Speaker 1: It's okay. Ask for help. Your days in eight aries, 109 00:05:28,320 --> 00:05:30,520 Speaker 1: it's time to start dropping your bad habits. You'll see 110 00:05:30,520 --> 00:05:32,480 Speaker 1: how much better you are without them. Your days and 111 00:05:32,560 --> 00:05:35,599 Speaker 1: nine Taurus ideas are slowly forming for you. Don't be 112 00:05:35,640 --> 00:05:38,679 Speaker 1: afraid to entertain all the possibilities. Your days in eight Gemini. 113 00:05:38,760 --> 00:05:41,000 Speaker 1: There's a positive vibe in the air. Don't take yourself 114 00:05:41,000 --> 00:05:43,479 Speaker 1: so seriously all the time. Allow yourself to have fun. 115 00:05:43,560 --> 00:05:45,720 Speaker 1: Your day is in eight Cancer. Your social circle is 116 00:05:45,760 --> 00:05:48,280 Speaker 1: starting to feel cramped. Venture out on your own. Make 117 00:05:48,360 --> 00:05:50,960 Speaker 1: some memories for yourself. Your days and nine Leo. You 118 00:05:51,040 --> 00:05:53,359 Speaker 1: can't decide which path to take. Think through the pros 119 00:05:53,400 --> 00:05:55,919 Speaker 1: and cons of every path before making a firm decision. 120 00:05:56,000 --> 00:05:58,120 Speaker 1: Your day is a seven Virgo. A fresh perspective on 121 00:05:58,160 --> 00:06:01,000 Speaker 1: your daily routine has you trying things you never would before. 122 00:06:01,160 --> 00:06:02,880 Speaker 1: Now all you have to do is stick to them. 123 00:06:02,920 --> 00:06:05,719 Speaker 1: Your days of ten Libra, don't always you don't always 124 00:06:05,720 --> 00:06:07,880 Speaker 1: have to be a social butterfly. Take some alone time 125 00:06:07,880 --> 00:06:10,640 Speaker 1: for yourself. Your days of seven Scorpi'll explore your feelings 126 00:06:10,640 --> 00:06:13,159 Speaker 1: with people you trust. Move on from the minor details 127 00:06:13,160 --> 00:06:15,400 Speaker 1: to find solutions to your problems. Your day is a 128 00:06:15,480 --> 00:06:19,520 Speaker 1: seven and Sagittarius reorganize everything in order to destress your life. 129 00:06:19,560 --> 00:06:22,200 Speaker 1: Focus on your health and happiness first. Your days and 130 00:06:22,279 --> 00:06:24,400 Speaker 1: eight and those are your Thursday morning horoscopes. All right. 131 00:06:24,440 --> 00:06:26,800 Speaker 1: A conversation with Sean Mendez coming up in about an 132 00:06:26,839 --> 00:06:28,720 Speaker 1: hour and a half. Awesome. Got some music from him 133 00:06:28,760 --> 00:06:30,880 Speaker 1: to play. Also, boz Lerman is going to be on 134 00:06:30,920 --> 00:06:33,839 Speaker 1: with us later this morning. I love loving the second 135 00:06:34,320 --> 00:06:38,880 Speaker 1: half of the first season of The Get Down on Netflix. 136 00:06:38,920 --> 00:06:41,520 Speaker 1: It's my favorite show. It's so colorful and fun. We'll 137 00:06:41,520 --> 00:06:43,839 Speaker 1: talk to him and Frog. You have about some food 138 00:06:43,839 --> 00:06:46,480 Speaker 1: news today? You have some I can totally deliver you, 139 00:06:46,720 --> 00:06:48,919 Speaker 1: all right? All right, food news with Froggy. Wow, what 140 00:06:49,000 --> 00:06:51,120 Speaker 1: a day. Let's get going. What do you have going 141 00:06:51,160 --> 00:06:53,560 Speaker 1: on in your headlines? All right? The Navy and Marines 142 00:06:53,640 --> 00:06:57,560 Speaker 1: have officially banned the distribution of nude photos without consent, 143 00:06:57,720 --> 00:07:00,599 Speaker 1: and the Navy says that that revenge porn will result 144 00:07:00,640 --> 00:07:03,680 Speaker 1: in discipline or prosecution. This, of course, comes on the 145 00:07:03,720 --> 00:07:07,599 Speaker 1: heels of the Marines United photo scandal. We're hearing more 146 00:07:07,640 --> 00:07:12,240 Speaker 1: details about Aaron Hernandez prison suicide. Local media reports Hernandez 147 00:07:12,320 --> 00:07:15,320 Speaker 1: cut his finger and wrote John three sixteen on blood 148 00:07:15,360 --> 00:07:17,800 Speaker 1: on his forehead. The twenty seven year old also had 149 00:07:17,800 --> 00:07:20,800 Speaker 1: his Bible open to that verse. There are also reports 150 00:07:20,840 --> 00:07:23,400 Speaker 1: that he may have smoked K two beforehand, which is 151 00:07:23,400 --> 00:07:26,720 Speaker 1: synthetic marijuana. Hernandez, of course, was serving life in prison 152 00:07:26,760 --> 00:07:29,640 Speaker 1: for the twenty thirteen murder of Odin Lloyd. Last week, 153 00:07:29,680 --> 00:07:32,160 Speaker 1: he was acquitted of fatally shooting two men outside of 154 00:07:32,160 --> 00:07:36,440 Speaker 1: Boston nightclub in twenty twelve. This is your hourly reminder 155 00:07:36,480 --> 00:07:41,440 Speaker 1: to take a deep breath and a surprising new survey 156 00:07:41,520 --> 00:07:45,200 Speaker 1: has found that twenty five percent of people have fantasized 157 00:07:45,200 --> 00:07:50,200 Speaker 1: about their smartphone voice assistant. All that's like crazy theory 158 00:07:50,400 --> 00:07:54,440 Speaker 1: or your Amazon Echo. They've had impure thoughts. The survey 159 00:07:54,480 --> 00:07:57,080 Speaker 1: also found that thirty seven percent of users admit that 160 00:07:57,160 --> 00:08:00,200 Speaker 1: they love their voice assistant so much they wish that 161 00:08:00,240 --> 00:08:03,200 Speaker 1: they were a real person. Oh no, quite the contrary me. 162 00:08:03,240 --> 00:08:05,960 Speaker 1: I called him an a hole all the time. Shut 163 00:08:06,000 --> 00:08:09,040 Speaker 1: up a Hall And those are your headlines, Thank you, Bethan. 164 00:08:09,120 --> 00:08:12,680 Speaker 1: You guys ready for your Thuray, You ready for your 165 00:08:12,680 --> 00:08:22,160 Speaker 1: Thursday Durand. In the Morning Show, Julia was beginning a 166 00:08:22,160 --> 00:08:24,200 Speaker 1: new life with her new man, but when his ex 167 00:08:24,280 --> 00:08:29,160 Speaker 1: discovers they're engaged, she decides to sabotage their relationship. Unforgettable 168 00:08:29,160 --> 00:08:31,200 Speaker 1: as a psychological thriller that will keep you on the 169 00:08:31,240 --> 00:08:34,920 Speaker 1: edge of your seat, starring Katherine Heigel and Rosario Dawson, 170 00:08:35,080 --> 00:08:41,559 Speaker 1: Rated r in theaters April twenty first, Phone Tap Play Elvis, 171 00:08:41,600 --> 00:08:45,040 Speaker 1: Elvis Durand The Elvis Durand Phone Tap, All right, Danielle, 172 00:08:45,040 --> 00:08:46,880 Speaker 1: what's it all about? All right? And Nette emailed us 173 00:08:46,920 --> 00:08:49,160 Speaker 1: and wanted us to phone tap her husband, Ralph. He 174 00:08:49,240 --> 00:08:52,880 Speaker 1: owns Colombo's Market, and she wants us to call him 175 00:08:52,960 --> 00:08:55,520 Speaker 1: and complain about the food. And he takes a lot 176 00:08:55,520 --> 00:08:57,880 Speaker 1: of pride in his Ralfie Voice special, So we're gonna 177 00:08:57,880 --> 00:09:03,440 Speaker 1: tell him it sticks. Here we go. This is Ralph speaking. 178 00:09:03,440 --> 00:09:05,800 Speaker 1: I help, Yeah, Hi, Ralph, this is Michelle. I was 179 00:09:05,840 --> 00:09:07,560 Speaker 1: in there the other day and I ordered your Ralfie 180 00:09:07,559 --> 00:09:11,600 Speaker 1: Boy Special and the pursute tastes like crap because it 181 00:09:11,840 --> 00:09:15,679 Speaker 1: tasted like you got it out of the garbage dump. Serious, Yeah, 182 00:09:15,760 --> 00:09:18,440 Speaker 1: I'm serious. Weird, I'm gonna call you and lie to you. No, 183 00:09:18,760 --> 00:09:20,680 Speaker 1: I just never had a complaint about my bursutte that 184 00:09:20,720 --> 00:09:23,240 Speaker 1: costs me eleven ninety five a pound, So it's hard 185 00:09:23,280 --> 00:09:26,000 Speaker 1: to believe that bhutte the palma would taste like like 186 00:09:26,000 --> 00:09:28,160 Speaker 1: you're saying it does. I don't care what it costs. 187 00:09:28,160 --> 00:09:29,880 Speaker 1: You would cost me a stomach ache. I have to 188 00:09:29,920 --> 00:09:31,840 Speaker 1: tell you, I haven't had one complaint about a raffie boy. 189 00:09:31,880 --> 00:09:33,520 Speaker 1: If you come in, I'm making anything you want on 190 00:09:33,559 --> 00:09:36,240 Speaker 1: the house. Well, if you ate, would you try it again? 191 00:09:36,920 --> 00:09:40,480 Speaker 1: Excuse me? If you ate, would you try it again? Well, 192 00:09:40,520 --> 00:09:42,000 Speaker 1: first of all, I would never cost some place and 193 00:09:42,040 --> 00:09:45,160 Speaker 1: to them that they made. Well, I'm sorry, but I'm 194 00:09:45,200 --> 00:09:46,920 Speaker 1: being honest with you. I just got to call you up. 195 00:09:46,960 --> 00:09:50,160 Speaker 1: And I never had such crap food before. Well, I 196 00:09:50,200 --> 00:09:52,160 Speaker 1: have to I apologize, but I have to tell you 197 00:09:52,240 --> 00:09:54,719 Speaker 1: I've never had one complaint about that sandwich. Well, I 198 00:09:55,080 --> 00:09:57,000 Speaker 1: had to take two days off work because my stomach 199 00:09:57,000 --> 00:09:59,920 Speaker 1: herts so bad, you know, and it's it's a big 200 00:10:00,000 --> 00:10:02,200 Speaker 1: piece of brasoot. Other people are eating it. Nobody's called 201 00:10:02,200 --> 00:10:04,360 Speaker 1: me to say that they've gotten sick. You're working in 202 00:10:04,400 --> 00:10:06,440 Speaker 1: such a dump anyway, Maybe you don't take care of 203 00:10:06,480 --> 00:10:08,800 Speaker 1: the food and the place in his Sorry. Now now 204 00:10:08,840 --> 00:10:10,760 Speaker 1: I have to Now I have to take offense because 205 00:10:10,800 --> 00:10:12,840 Speaker 1: I feed a lot of people here every day, and 206 00:10:12,920 --> 00:10:15,560 Speaker 1: nobody calls me and says that my food except for 207 00:10:15,640 --> 00:10:19,120 Speaker 1: you. You You definitely got a bad a bad pursuit. Well, 208 00:10:19,200 --> 00:10:21,280 Speaker 1: Michelle had been eating all week. I'm not sicker. I'm 209 00:10:21,320 --> 00:10:24,080 Speaker 1: never eating in your piece of place again. You know 210 00:10:24,160 --> 00:10:25,880 Speaker 1: you want to call this a piece of place, But 211 00:10:25,920 --> 00:10:27,800 Speaker 1: I'm telling you, nobody's called me to tell me anything. 212 00:10:27,880 --> 00:10:30,120 Speaker 1: Don't get smart with me, RADI. I feel like you're 213 00:10:30,160 --> 00:10:32,199 Speaker 1: getting smart with me. No, I'm just telling you how 214 00:10:32,200 --> 00:10:36,560 Speaker 1: it is. I'm just being honest. Now you pissed me off. 215 00:10:37,120 --> 00:10:39,520 Speaker 1: Please right now, you pissed me off. I want to 216 00:10:39,520 --> 00:10:41,000 Speaker 1: make this right for you. If you want to make 217 00:10:41,000 --> 00:10:43,280 Speaker 1: it right, fine, Otherwise, don't come here and eat no more. 218 00:10:43,559 --> 00:10:50,160 Speaker 1: I ain't good Colombo's Market Ralph speaking, Yeah, Ralph, what 219 00:10:50,280 --> 00:10:51,839 Speaker 1: the hell? You can't talk to me like a man. 220 00:10:51,920 --> 00:10:53,520 Speaker 1: You got to talk to you like a man. You're 221 00:10:53,600 --> 00:10:56,040 Speaker 1: yelling at make you're yelling at me, and I'm telling 222 00:10:56,040 --> 00:10:58,720 Speaker 1: you that my food is good. I don't get nobody sick. 223 00:10:58,920 --> 00:11:00,640 Speaker 1: So I don't know where you what you ate with 224 00:11:00,800 --> 00:11:03,600 Speaker 1: your brisute sandwich or what else you did? You know, 225 00:11:03,679 --> 00:11:05,200 Speaker 1: And I'm not trying to be nasty. I was trying 226 00:11:05,200 --> 00:11:07,000 Speaker 1: to be nice to you. You call my business a piece, 227 00:11:07,720 --> 00:11:09,680 Speaker 1: and that's not right. I wouldn't do that no matter 228 00:11:09,760 --> 00:11:11,400 Speaker 1: what you did to me. I don't have a woman 229 00:11:11,440 --> 00:11:13,200 Speaker 1: that comes in every day and eat that sandwich. And 230 00:11:13,200 --> 00:11:14,880 Speaker 1: when she comes in today, I'm gonna ask her how 231 00:11:14,880 --> 00:11:17,240 Speaker 1: it was yesterday. Maybe she's got a like a death 232 00:11:17,280 --> 00:11:20,400 Speaker 1: wish or something. Maybe you do, okay, because if I 233 00:11:20,679 --> 00:11:22,920 Speaker 1: and if I had a complaint about someplace, I would 234 00:11:22,920 --> 00:11:25,479 Speaker 1: go there and I would allow that person the opportunity 235 00:11:25,760 --> 00:11:27,679 Speaker 1: to make it right for me. If I go there, 236 00:11:27,720 --> 00:11:29,560 Speaker 1: I want to smack me in the face. I wish 237 00:11:29,559 --> 00:11:31,160 Speaker 1: you would come here and smacked me in the face. 238 00:11:31,480 --> 00:11:33,480 Speaker 1: I really wish you would. Oh please, what were you 239 00:11:33,480 --> 00:11:35,200 Speaker 1: going to hit me back? No, I'm gonna stand there 240 00:11:35,200 --> 00:11:37,439 Speaker 1: with my hands behind my back and watch watch all 241 00:11:37,480 --> 00:11:39,600 Speaker 1: the other people watch you make a fool of yourself. 242 00:11:39,960 --> 00:11:42,880 Speaker 1: I get it. I got a sparkling inspection from the 243 00:11:42,880 --> 00:11:45,480 Speaker 1: health department. They check all my food. Everything I have 244 00:11:45,600 --> 00:11:48,360 Speaker 1: here is good. Maybe you pay them off. Maybe maybe 245 00:11:49,120 --> 00:11:51,319 Speaker 1: you know, I don't have time for your miss Brisut's 246 00:11:51,320 --> 00:11:54,160 Speaker 1: weight thirty five pounds. You didn't eat thirty five pounds 247 00:11:54,200 --> 00:11:56,720 Speaker 1: of brisute, So somebody else ate that bresute and didn't 248 00:11:56,720 --> 00:12:01,079 Speaker 1: get sick and them. Oh, I know, the first MutS 249 00:12:01,200 --> 00:12:04,240 Speaker 1: wasn't crap because I make it every day by hand. 250 00:12:04,600 --> 00:12:06,480 Speaker 1: Your hands are so great that they make good munch. 251 00:12:06,760 --> 00:12:08,640 Speaker 1: You don't want, sweetie, don't call me back anymore, because 252 00:12:08,640 --> 00:12:10,560 Speaker 1: we're gonna just keep hanging up on you. Hey what 253 00:12:11,040 --> 00:12:16,200 Speaker 1: you're goofy? All right, I'm goofy and you're Cinderella. Yeah? Yeah, 254 00:12:16,559 --> 00:12:18,440 Speaker 1: who have the goofy looking person that works in the 255 00:12:18,440 --> 00:12:20,679 Speaker 1: store with you? That lady, you really got a lot 256 00:12:20,679 --> 00:12:22,400 Speaker 1: of balls staying that on the phone. I really wish 257 00:12:22,400 --> 00:12:23,839 Speaker 1: you'd come in and say it in person. Well, what 258 00:12:23,880 --> 00:12:25,360 Speaker 1: are you gonna do? You're gonna hit a girl. I 259 00:12:25,440 --> 00:12:27,160 Speaker 1: just want to see who this joke is. That's looking 260 00:12:27,200 --> 00:12:30,080 Speaker 1: like the jerk is talking. That's you? All right, listen, 261 00:12:30,120 --> 00:12:32,559 Speaker 1: have a nice day. Okay. I just tasted the bujute 262 00:12:32,600 --> 00:12:35,240 Speaker 1: to make sure that I didn't get sick. Ah ha ho, 263 00:12:35,480 --> 00:12:38,080 Speaker 1: Now you're being a smart as oh I did. I 264 00:12:38,120 --> 00:12:40,080 Speaker 1: came up here. I tasted the bus and the Mutchard 265 00:12:40,080 --> 00:12:42,640 Speaker 1: out and they're both fine. Uh huh, well they taste fine. 266 00:12:42,679 --> 00:12:44,840 Speaker 1: But wait till you're in the bathroom later on. Why 267 00:12:44,840 --> 00:12:46,520 Speaker 1: don't you come here? You can watch me go. You 268 00:12:46,559 --> 00:12:50,120 Speaker 1: make chicken palm? What you make chicken palm? Yeah, because 269 00:12:50,360 --> 00:12:52,319 Speaker 1: Elvis Duran in the Morning Show would really love some 270 00:12:52,480 --> 00:12:55,080 Speaker 1: chicken palm, and that you will have somebody do this 271 00:12:55,920 --> 00:12:59,600 Speaker 1: kill you. I gotta take freaking viagraphy, I mean zanex 272 00:12:59,640 --> 00:13:03,840 Speaker 1: for this. Now I'm gonna kill my wife. Yeah, you've 273 00:13:03,880 --> 00:13:08,200 Speaker 1: just been phone taf Oh Jesus Christ, I'm shaking like 274 00:13:08,280 --> 00:13:11,840 Speaker 1: a leafful bit. She phone tapped me. This is Danielle Monaro. 275 00:13:12,120 --> 00:13:14,199 Speaker 1: Are you married? Yes? I am. He's not gonna be 276 00:13:14,240 --> 00:13:19,960 Speaker 1: Look today, have an idea for a phone tab. Go 277 00:13:20,000 --> 00:13:22,240 Speaker 1: to Ellis Duran dot com. Click on the phone tab 278 00:13:22,280 --> 00:13:25,560 Speaker 1: tab tell us what you want to do is prerecorded 279 00:13:25,640 --> 00:13:29,679 Speaker 1: with permission granted by all of hers. Elvis Duran phone 280 00:13:29,679 --> 00:13:33,680 Speaker 1: tab on Elvis Duran in the Morning Show, Elvi Duran 281 00:13:33,840 --> 00:13:36,679 Speaker 1: in the Morning Show. Let's get going. We've got a 282 00:13:36,760 --> 00:13:39,360 Speaker 1: day ahead of us. In a conversation with bos Lerman 283 00:13:39,440 --> 00:13:42,080 Speaker 1: on the way, I don't know if you've rejoined this 284 00:13:42,200 --> 00:13:45,400 Speaker 1: first season of The Get Down on Netflix. It just 285 00:13:45,840 --> 00:13:47,760 Speaker 1: ramped back up at the beginning, the beginning of the month. 286 00:13:47,840 --> 00:13:51,679 Speaker 1: It's so amazing him and I love him. Bos Lerman, 287 00:13:51,720 --> 00:13:54,000 Speaker 1: You're right, Daniel, He's just an amazing force. He's an 288 00:13:54,040 --> 00:13:57,640 Speaker 1: amazing Yeah. He just love him. Well, she was here 289 00:13:57,679 --> 00:13:59,760 Speaker 1: every day. I know. Yeah, Hey, I gotta tell you, 290 00:13:59,880 --> 00:14:01,599 Speaker 1: I knew it would be big. I didn't know it 291 00:14:01,640 --> 00:14:04,560 Speaker 1: would be as big as it was. Our conversation with 292 00:14:04,600 --> 00:14:07,800 Speaker 1: Bill Ny the Science Guy yesterday, Yeah, brought in so 293 00:14:07,880 --> 00:14:11,840 Speaker 1: much positive response. People loved our conversation with Bill Ny 294 00:14:11,960 --> 00:14:15,959 Speaker 1: the Science Guy yesterday. He is so intelligent and has 295 00:14:16,000 --> 00:14:18,959 Speaker 1: an opinion on everything. And you ask him a question, 296 00:14:19,000 --> 00:14:21,400 Speaker 1: he has the answer. I mean, I don't know. His 297 00:14:21,560 --> 00:14:24,560 Speaker 1: brain is unbelievable. I feel like his brain is always 298 00:14:24,760 --> 00:14:27,760 Speaker 1: going constantly, doesn't stop. I will tell you though we 299 00:14:27,800 --> 00:14:29,800 Speaker 1: had him on for an extended interview, I didn't want 300 00:14:29,880 --> 00:14:31,320 Speaker 1: him to leave, so, I mean we were going on 301 00:14:31,400 --> 00:14:33,760 Speaker 1: and on about things that we just don't understand. Well, 302 00:14:33,800 --> 00:14:37,040 Speaker 1: everyone understand, but he makes it sound interesting anyway. But 303 00:14:37,120 --> 00:14:40,280 Speaker 1: by the time he left, I was pooped. He wore 304 00:14:40,360 --> 00:14:43,120 Speaker 1: me out. Yeah, I mean he's so smart, he wore 305 00:14:43,160 --> 00:14:46,000 Speaker 1: me out. Is it possible? Totally? Yeah? Well I'm that 306 00:14:46,080 --> 00:14:48,200 Speaker 1: way with you sometimes, Bethany, you're so you do you 307 00:14:48,240 --> 00:14:51,160 Speaker 1: wear me out? You wear me out because you're so brilliant. Yeah, 308 00:14:51,200 --> 00:14:53,680 Speaker 1: that's why I wear you out. So anyway, But Bill 309 00:14:53,760 --> 00:14:55,360 Speaker 1: Ny the Science Guy, if you can go back and 310 00:14:55,400 --> 00:14:57,760 Speaker 1: listen to it, is it on demand? Yeah, go back 311 00:14:57,760 --> 00:15:00,000 Speaker 1: and listen to that Bill Ni conversation. I mean it'll 312 00:15:01,040 --> 00:15:03,880 Speaker 1: The guy's brilliant, he really is. But I do wonder, 313 00:15:03,880 --> 00:15:05,840 Speaker 1: and I think it was Bethany that brought this up. 314 00:15:06,280 --> 00:15:09,400 Speaker 1: Can he give answers to questions in such a way 315 00:15:09,440 --> 00:15:13,440 Speaker 1: where they really it really isn't honest the truth? Yeah? 316 00:15:13,440 --> 00:15:15,240 Speaker 1: He could just tell us, and it's so so it 317 00:15:15,320 --> 00:15:18,120 Speaker 1: sounds so smart. We believe whatever he said. I would 318 00:15:18,120 --> 00:15:21,880 Speaker 1: just say, oh, yeah, asking anything, he'll tell you the answer. 319 00:15:22,160 --> 00:15:24,360 Speaker 1: He's not real. Yeah. I love that. And it's like 320 00:15:24,400 --> 00:15:29,120 Speaker 1: when a person curses with an accent. Still sounds damn good. Yeah, 321 00:15:29,200 --> 00:15:31,720 Speaker 1: great tea. How are you today? I'm doing just fine. Elvis, 322 00:15:31,800 --> 00:15:33,720 Speaker 1: did you learn anything from Bill and I The Science Guy? 323 00:15:33,800 --> 00:15:36,120 Speaker 1: Yesterday or was it just way over your head? No? Well, 324 00:15:36,160 --> 00:15:37,840 Speaker 1: when I answer to my first question about why is 325 00:15:37,840 --> 00:15:40,080 Speaker 1: the sky blue? I really lost it because he gave 326 00:15:40,120 --> 00:15:42,960 Speaker 1: me a scientific answer and I had no idea. He 327 00:15:43,000 --> 00:15:44,440 Speaker 1: was a little bit over my head. But he was 328 00:15:44,520 --> 00:15:47,200 Speaker 1: so much fun, Like I wasn't expecting that from him. 329 00:15:47,320 --> 00:15:50,040 Speaker 1: He was so cool, and you know, he was great. 330 00:15:50,160 --> 00:15:52,640 Speaker 1: I had friends that don't really ask me about many 331 00:15:52,640 --> 00:15:55,240 Speaker 1: celebrities that come here. People heard yesterday show and they 332 00:15:55,240 --> 00:15:57,080 Speaker 1: were like, what was Bill? And I the science guy. 333 00:15:57,560 --> 00:16:01,200 Speaker 1: I couldn't believe it. He's like a little superstar. I 334 00:16:01,240 --> 00:16:03,640 Speaker 1: mean he's a big superstar. Yeah. Yeah, yeah. He was great. 335 00:16:03,720 --> 00:16:05,400 Speaker 1: So Bill I the science guy. The reason he was 336 00:16:05,480 --> 00:16:08,200 Speaker 1: here was to talk about his thirteen episodes of his 337 00:16:08,320 --> 00:16:12,400 Speaker 1: running show on Netflix. It launches the thirteen episodes tomorrow 338 00:16:12,840 --> 00:16:17,640 Speaker 1: late tonight and early tomorrow. Oh man, Gregory, I just 339 00:16:17,640 --> 00:16:19,560 Speaker 1: thought of this. You should have asked him about his 340 00:16:19,640 --> 00:16:24,320 Speaker 1: opinion on whether or not Man landed on the moon. Well, 341 00:16:24,360 --> 00:16:27,560 Speaker 1: I think I overheard him touching upon it, and I, 342 00:16:27,720 --> 00:16:30,160 Speaker 1: because he's a guest, I laid off. I didn't want to. 343 00:16:31,240 --> 00:16:32,800 Speaker 1: I don't know. I think he would have welcomed He 344 00:16:32,800 --> 00:16:35,120 Speaker 1: would have welcomed that conversation. Well, he seemed like he 345 00:16:35,200 --> 00:16:37,560 Speaker 1: was very much like you know those people that are 346 00:16:37,600 --> 00:16:40,760 Speaker 1: conspiracy theorists, theorists like myself that he was like, oh, 347 00:16:40,800 --> 00:16:42,680 Speaker 1: poo pooing on ut. I didn't want to tell him 348 00:16:42,720 --> 00:16:47,520 Speaker 1: that he's so wrong that, you know, he's a guest 349 00:16:47,560 --> 00:16:49,120 Speaker 1: in my house. I don't want to, you know. I 350 00:16:49,160 --> 00:16:51,320 Speaker 1: wonder what it's like if you're having a conversation with 351 00:16:51,360 --> 00:16:53,200 Speaker 1: Bill and I the science guy, and you say something 352 00:16:53,240 --> 00:16:55,480 Speaker 1: and he realizes he's been wrong about something. I wonder 353 00:16:55,480 --> 00:16:57,760 Speaker 1: if it just blows his mind. I think he's ever 354 00:16:57,840 --> 00:17:01,800 Speaker 1: been wrong about but he was wrong twice yesterday and 355 00:17:01,960 --> 00:17:04,119 Speaker 1: also when he said that the world is not flat, 356 00:17:04,160 --> 00:17:05,840 Speaker 1: and I was like, I wanted to yell at him, 357 00:17:05,880 --> 00:17:09,719 Speaker 1: but again it was you're being a good host, all right, Well, 358 00:17:09,760 --> 00:17:11,880 Speaker 1: thank you, thank you for doing that. Let's get into 359 00:17:11,880 --> 00:17:14,640 Speaker 1: our first Danielle Report of the day. What's going on now? 360 00:17:14,760 --> 00:17:18,360 Speaker 1: Congratulations miss Julia Roberts. She has been named People Magazine's 361 00:17:18,359 --> 00:17:21,359 Speaker 1: the Most Beautiful Woman in the World for the fifth time. 362 00:17:21,560 --> 00:17:23,720 Speaker 1: She was twenty six the first time she got the title. 363 00:17:24,160 --> 00:17:26,520 Speaker 1: This time, she is forty six. She also won in 364 00:17:26,560 --> 00:17:28,400 Speaker 1: two thousand and two thousand and five, two thousand and ten, 365 00:17:28,640 --> 00:17:30,800 Speaker 1: So congratulations to her. So awesome to see her on 366 00:17:30,800 --> 00:17:34,359 Speaker 1: the cover again. Serena Williams and her fiance are expecting 367 00:17:34,440 --> 00:17:37,880 Speaker 1: a baby. She's about twenty months along, which means when 368 00:17:37,880 --> 00:17:40,720 Speaker 1: she won the Australian Open back in January, she was 369 00:17:40,760 --> 00:17:44,680 Speaker 1: already two months pregnant. Crazy right really for her? Yeah, 370 00:17:44,720 --> 00:17:47,199 Speaker 1: she keeps on going. I love it. This is just 371 00:17:47,280 --> 00:17:50,639 Speaker 1: an fyi. What's so funny? Nothing you'll see in a minute. Okay, 372 00:17:50,800 --> 00:17:53,639 Speaker 1: just an fyi. It is not Prince's estate that is 373 00:17:53,640 --> 00:17:55,679 Speaker 1: putting out that new EP I told you about that. 374 00:17:55,720 --> 00:17:58,880 Speaker 1: I was reported years ago. It's called Deliverance. It comes 375 00:17:58,880 --> 00:18:01,840 Speaker 1: out tomorrow. His The state's actually trying to stop it 376 00:18:01,880 --> 00:18:04,040 Speaker 1: because the producer who's trying to make money and put 377 00:18:04,080 --> 00:18:07,200 Speaker 1: it out, it's violating as signed agreement that says the 378 00:18:07,280 --> 00:18:10,200 Speaker 1: songs belong to Prince family. They don't want it out 379 00:18:10,240 --> 00:18:12,440 Speaker 1: there because the Prince probably didn't want it out there either. 380 00:18:12,520 --> 00:18:14,679 Speaker 1: So it's an ongoing thing right now. We'll see what 381 00:18:14,680 --> 00:18:16,879 Speaker 1: happens tomorrow. Look into this. I heard it was just 382 00:18:17,240 --> 00:18:20,760 Speaker 1: a guy, an engineer on the soundboard. He took a 383 00:18:20,800 --> 00:18:23,359 Speaker 1: copy of the Prince song, and he's releasing him on 384 00:18:23,400 --> 00:18:26,000 Speaker 1: his own. Not cool. Will Smith and talks to play 385 00:18:26,040 --> 00:18:29,600 Speaker 1: the genie in Disney's live action remake of Aladdin. That 386 00:18:29,640 --> 00:18:32,680 Speaker 1: would be so cool. By the way, A Texas came in. 387 00:18:32,720 --> 00:18:35,800 Speaker 1: They're telling you, Greg, the world is not flat again 388 00:18:36,800 --> 00:18:39,240 Speaker 1: Tomatoes tomatoes, But I'm telling you that it is flat. 389 00:18:39,240 --> 00:18:41,240 Speaker 1: Back to your day, all right, So, Chance the Rapper 390 00:18:41,280 --> 00:18:43,000 Speaker 1: I was talking about this the other day too. Celebrating 391 00:18:43,080 --> 00:18:45,480 Speaker 1: his twenty fourth birthday, he was helping to raise money 392 00:18:45,480 --> 00:18:47,560 Speaker 1: for charity. He had his birthday party. He raised one 393 00:18:47,640 --> 00:18:50,800 Speaker 1: hundred thousand dollars for his charity, Social Works, because he 394 00:18:51,040 --> 00:18:53,720 Speaker 1: charged to get into his party, and Social Works aims 395 00:18:53,720 --> 00:18:56,760 Speaker 1: to empower kids through the arts, education, and civil engineering. 396 00:18:57,280 --> 00:18:59,320 Speaker 1: So I mean, he's just doing all sorts of great 397 00:18:59,359 --> 00:19:03,320 Speaker 1: viol when's he coming up here? We get where Rapper? 398 00:19:04,560 --> 00:19:08,600 Speaker 1: Tell you what this guy? You know? Every time you 399 00:19:08,640 --> 00:19:10,840 Speaker 1: do a story about Chance the Rapper, Danielle, I'm more 400 00:19:10,880 --> 00:19:13,400 Speaker 1: and more amazed at how fantastic of a human being 401 00:19:13,760 --> 00:19:16,600 Speaker 1: is amazing. We should be more like him, We really should, you, Nate, 402 00:19:16,600 --> 00:19:19,479 Speaker 1: you should be more like Chance the Rapper. Back to you, Danielle, 403 00:19:19,480 --> 00:19:22,280 Speaker 1: all right, tonight on television you've got scandal. I'm gonna 404 00:19:22,320 --> 00:19:24,600 Speaker 1: throw your bone beat Bobby Flays on tonight. There you go. 405 00:19:25,480 --> 00:19:28,560 Speaker 1: Let's see the premiere of soundtrack Songs that Define History 406 00:19:28,560 --> 00:19:30,680 Speaker 1: over on CNN tonight. That looks like a really good show. 407 00:19:31,200 --> 00:19:33,600 Speaker 1: Next hour, we gotta talk it. Ed Sheer and the 408 00:19:33,720 --> 00:19:40,080 Speaker 1: tattoo that is not spelt correctly spelt isn't spelt a 409 00:19:40,119 --> 00:19:43,080 Speaker 1: fish spell? I think it's a grain. Hey it is. 410 00:19:43,440 --> 00:19:47,840 Speaker 1: I'm thinking he's smelt. What is smelt? That smelt is 411 00:19:47,840 --> 00:19:51,720 Speaker 1: a fish? Smelt? Isn't smelt when you put like liquid 412 00:19:51,840 --> 00:19:58,119 Speaker 1: ironers nolt, smelting, But isn't smelt a fish? It smelt? 413 00:19:58,200 --> 00:20:04,119 Speaker 1: Is a fish smelting? Gusting spelling. I smelt something. No, 414 00:20:04,240 --> 00:20:07,080 Speaker 1: it's not smelt. It smelled. It's not spelt, it's spelled. 415 00:20:07,560 --> 00:20:10,159 Speaker 1: But anyway, welcome to the people's court. We've got an 416 00:20:10,160 --> 00:20:13,840 Speaker 1: issue here in the courtroom. Wait till you hear what's 417 00:20:13,880 --> 00:20:16,359 Speaker 1: going on between Great Tea and Scary. By the way, 418 00:20:16,359 --> 00:20:18,119 Speaker 1: a lot of listeners, especially if you're a new listener 419 00:20:18,160 --> 00:20:20,240 Speaker 1: to our show, you believe that Scary and Great are 420 00:20:20,280 --> 00:20:24,760 Speaker 1: the same person voices. They both have that same tumbra 421 00:20:24,880 --> 00:20:27,119 Speaker 1: of voice. Yeah, but they are not the same person. 422 00:20:28,600 --> 00:20:31,280 Speaker 1: They do have husky voices. I don't want to be Scary, 423 00:20:31,320 --> 00:20:33,440 Speaker 1: and I don't think Scary wants to be me. Yes, Danielle, 424 00:20:33,480 --> 00:20:35,080 Speaker 1: I want to go back to one second. According to 425 00:20:35,240 --> 00:20:38,840 Speaker 1: grammar blog spelled or spelt, it depends on where you 426 00:20:38,920 --> 00:20:44,320 Speaker 1: come from. Okay, all right, well wherever you're from, tell 427 00:20:44,400 --> 00:20:46,720 Speaker 1: them they're saying it wrong. No, back to where we were. 428 00:20:48,359 --> 00:20:54,840 Speaker 1: So greg T found out that Scary discovered a new 429 00:20:54,880 --> 00:20:58,160 Speaker 1: way to maneuver around traffic to get into the Holland 430 00:20:58,160 --> 00:21:00,720 Speaker 1: Tunnel faster, to get to downtown and to get to work. 431 00:21:01,400 --> 00:21:05,760 Speaker 1: He got so upset and exhibited road range today and 432 00:21:05,800 --> 00:21:11,240 Speaker 1: tried to cut Scary off and ram him into a barrier. Goodness, 433 00:21:11,280 --> 00:21:16,600 Speaker 1: you're using your car as a weapon, Elvis, I went, 434 00:21:17,280 --> 00:21:20,199 Speaker 1: I'm really being patient. Well, let's go back to the 435 00:21:20,200 --> 00:21:23,840 Speaker 1: beginning of this story. So, to get into the Holland Tunnel, 436 00:21:24,040 --> 00:21:25,920 Speaker 1: did you take that road that comes off to the right, 437 00:21:26,040 --> 00:21:28,720 Speaker 1: can I? Yes, I too. I took the main road 438 00:21:28,800 --> 00:21:31,080 Speaker 1: with five lanes going in and then the only the 439 00:21:31,119 --> 00:21:34,159 Speaker 1: two center ones go into the tunnel. Okay, okay, I 440 00:21:34,200 --> 00:21:36,800 Speaker 1: took that. Now, please address me as your honor, Your 441 00:21:36,840 --> 00:21:42,399 Speaker 1: honor Judge Crotch, Yes, okay, So traffickers moving, moving relatively slow, 442 00:21:42,760 --> 00:21:45,280 Speaker 1: and I found a way to get into the left 443 00:21:45,359 --> 00:21:47,480 Speaker 1: lane and then back to the center to the right, 444 00:21:47,560 --> 00:21:49,879 Speaker 1: and I found a way to get into the tunnel. 445 00:21:49,920 --> 00:21:53,280 Speaker 1: So where the merge happens? Where it Karen turns two 446 00:21:53,359 --> 00:21:57,760 Speaker 1: lanes into one. Apparently a guy in a white Mercedes 447 00:21:58,080 --> 00:22:01,640 Speaker 1: was behind me. He's so angry. He found a way 448 00:22:01,640 --> 00:22:04,520 Speaker 1: to get in front of me and then cut me off. 449 00:22:04,680 --> 00:22:07,399 Speaker 1: He tried to ram me into the barrier. Do you 450 00:22:07,440 --> 00:22:10,160 Speaker 1: see this man in the courtroom today? I see this 451 00:22:10,200 --> 00:22:15,199 Speaker 1: man right now and I identify him as Greg Tea. 452 00:22:16,040 --> 00:22:18,320 Speaker 1: Your co worker tried to cut you off in traffic 453 00:22:18,359 --> 00:22:20,440 Speaker 1: because he got jealous. You found a better way, jelas 454 00:22:20,440 --> 00:22:23,320 Speaker 1: see is where this is going? Okay, So okay, so 455 00:22:23,520 --> 00:22:25,680 Speaker 1: great Tea. Why are you trying to cut off a 456 00:22:25,680 --> 00:22:29,920 Speaker 1: co worker in traffic? Rush hour traffic, Elvis Duran, I 457 00:22:29,960 --> 00:22:34,440 Speaker 1: need to I'm sorry, Judge, Judge Crotch, Yes, your honor, 458 00:22:34,480 --> 00:22:38,520 Speaker 1: I need to give you my drawing, my example. Okay, 459 00:22:38,520 --> 00:22:41,040 Speaker 1: that's exhibit A. I'd like to give you exhibit A 460 00:22:41,160 --> 00:22:45,439 Speaker 1: of what happened yesterday. Yeah, please approach the bitch man 461 00:22:45,600 --> 00:22:49,119 Speaker 1: where is Rusty? Okay, here we go, your honor. Okay. 462 00:22:49,119 --> 00:22:52,800 Speaker 1: So so okay, the green line shows the way Scary 463 00:22:52,960 --> 00:22:55,080 Speaker 1: drove a y the way before on the radio. No 464 00:22:55,080 --> 00:22:57,360 Speaker 1: one can see this. I know. I didn't know how 465 00:22:57,359 --> 00:22:59,320 Speaker 1: to explain to you that he's lying to you. Let's 466 00:22:59,359 --> 00:23:01,239 Speaker 1: just get on, get to the bottom. Okay. So what 467 00:23:01,280 --> 00:23:03,840 Speaker 1: happened was this Elvis were I was. I was in 468 00:23:03,920 --> 00:23:06,720 Speaker 1: traffic first, and I was heading on into the Holland 469 00:23:06,720 --> 00:23:09,800 Speaker 1: Tunnel to go home, and Scary came behind me. I 470 00:23:09,800 --> 00:23:12,120 Speaker 1: could see him in my rear view mirror, and he 471 00:23:12,560 --> 00:23:15,960 Speaker 1: weaved in and out of traffic like a douchebag in 472 00:23:16,040 --> 00:23:19,520 Speaker 1: a blue beamer, cutting people off. Okay, not only did 473 00:23:19,520 --> 00:23:21,760 Speaker 1: he not just cut people off in the lane that 474 00:23:21,840 --> 00:23:26,040 Speaker 1: turns into the tunnel, he went into the passing lane 475 00:23:26,040 --> 00:23:28,880 Speaker 1: that goes straight and then tried to cut everybody off. 476 00:23:28,880 --> 00:23:34,720 Speaker 1: And that's right, Okay, that is exactly what happened. And 477 00:23:34,760 --> 00:23:40,720 Speaker 1: then total wow. Now I will admit when I'm wrong. 478 00:23:40,840 --> 00:23:43,520 Speaker 1: So here's what happened when Scary did that and cut 479 00:23:43,520 --> 00:23:46,320 Speaker 1: three lanes of traffic off and then tried to force 480 00:23:46,440 --> 00:23:49,679 Speaker 1: his BMW into the Holland Tunnel. The mathin holl Tunnel 481 00:23:49,960 --> 00:23:52,560 Speaker 1: is where. Okay, I did get angry and I tried 482 00:23:52,560 --> 00:23:55,960 Speaker 1: to then maneuver my car to smash him into the 483 00:23:56,119 --> 00:23:59,200 Speaker 1: concrete back. Yes, no, no, no, no, no no way. It 484 00:23:59,280 --> 00:24:01,200 Speaker 1: was second way to Secon. You did this. I'm gonna 485 00:24:01,200 --> 00:24:05,160 Speaker 1: teach everybody lesson right here on we're about We're about 486 00:24:05,160 --> 00:24:07,160 Speaker 1: to be taught a lesson. Okay, yes, go ahead. Don't 487 00:24:07,480 --> 00:24:10,479 Speaker 1: act like a complete douche when you're driving a car 488 00:24:10,680 --> 00:24:12,720 Speaker 1: because you don't know the people that are behind you, 489 00:24:12,760 --> 00:24:15,680 Speaker 1: that are crazy people like myself that I could act 490 00:24:15,720 --> 00:24:18,040 Speaker 1: out in anger and I could do your honor. He 491 00:24:18,160 --> 00:24:21,000 Speaker 1: was trying to retaliate on round that had nothing to 492 00:24:21,040 --> 00:24:24,199 Speaker 1: do with him. My emotions and traffic could not affect 493 00:24:24,280 --> 00:24:28,199 Speaker 1: him neither here nor there, to retaliate against me for 494 00:24:28,240 --> 00:24:31,959 Speaker 1: no reason. Okay. My question for mister Jones for scary, Yes, 495 00:24:32,000 --> 00:24:35,200 Speaker 1: go ahead, yes, scary. Did you, in fact, though, cut 496 00:24:35,240 --> 00:24:39,879 Speaker 1: across multiple lanes multiple and go aground other people instead 497 00:24:39,880 --> 00:24:41,960 Speaker 1: of just waiting your turn to get in the course 498 00:24:41,960 --> 00:24:45,480 Speaker 1: of four blocks? Froggy? And that's okay? Well, okay, I 499 00:24:45,800 --> 00:24:48,399 Speaker 1: must I must say I know exactly where this happened. 500 00:24:48,400 --> 00:24:51,880 Speaker 1: I know exactly what you did. You both did something stupid. 501 00:24:52,440 --> 00:24:54,760 Speaker 1: You both did, but you both did, vined. He has 502 00:24:54,800 --> 00:24:57,120 Speaker 1: nothing to do with why he should try and ram 503 00:24:57,160 --> 00:25:01,080 Speaker 1: me and agree you shouldn't ram anyone into a barrier. 504 00:25:01,240 --> 00:25:03,199 Speaker 1: I didn't. I didn't. When both our noses of the 505 00:25:03,240 --> 00:25:05,720 Speaker 1: cars were about to smash, I pulled my car away 506 00:25:06,080 --> 00:25:08,560 Speaker 1: that we wouldn't damage it to the But why did 507 00:25:08,600 --> 00:25:10,639 Speaker 1: you do it to begin with? Because he got me 508 00:25:10,720 --> 00:25:14,040 Speaker 1: so mad that what he was doing. Understand do you 509 00:25:14,119 --> 00:25:17,359 Speaker 1: understand that when you're driving a car, you could hurt 510 00:25:17,480 --> 00:25:20,480 Speaker 1: someone and you you could hurt yourself. You shouldn't. You 511 00:25:20,480 --> 00:25:24,240 Speaker 1: shouldn't be trying to prove things with a car. Okay, 512 00:25:24,280 --> 00:25:27,280 Speaker 1: but then what do you do or don't do anything? 513 00:25:27,400 --> 00:25:29,400 Speaker 1: But there was no police stopping it. He doesn't matter. 514 00:25:29,720 --> 00:25:31,399 Speaker 1: It doesn't matter. I tell you what. Here's what happens 515 00:25:31,440 --> 00:25:34,919 Speaker 1: in traffic. If someone is a douchebag, like Scary was 516 00:25:35,000 --> 00:25:38,000 Speaker 1: clearly a douche he really was. Let it go. There's 517 00:25:38,160 --> 00:25:40,280 Speaker 1: nothing you can do about it. You're not on the 518 00:25:40,359 --> 00:25:43,239 Speaker 1: road to teach people lessons. You have never gotten mad 519 00:25:43,280 --> 00:25:45,600 Speaker 1: while driving the car. I get mad all the time, 520 00:25:45,640 --> 00:25:49,080 Speaker 1: But teaching people lessons in your car is stupid. If 521 00:25:49,119 --> 00:25:51,640 Speaker 1: people get shot or run over, and it's and it's 522 00:25:51,760 --> 00:25:55,480 Speaker 1: just as big a douchebag maneuver as the original douchebager. 523 00:25:56,080 --> 00:25:57,919 Speaker 1: I didn't know it was Greg at that time. You 524 00:25:57,960 --> 00:26:01,480 Speaker 1: didn't have to know later later that afternoon, maybe five 525 00:26:01,520 --> 00:26:04,240 Speaker 1: minutes later, halfway through the tunnel, he's in my right 526 00:26:04,320 --> 00:26:08,200 Speaker 1: lane and comes running alongside of me, honking his horn, 527 00:26:08,359 --> 00:26:10,760 Speaker 1: slamming the horn, and he's like, and he starts giving 528 00:26:10,800 --> 00:26:12,000 Speaker 1: me the thing. Did I say one last thing? That 529 00:26:12,080 --> 00:26:14,119 Speaker 1: was one last thing? Then we have to get to sentencing. 530 00:26:14,440 --> 00:26:16,240 Speaker 1: A person in the room just made a very good 531 00:26:16,280 --> 00:26:19,119 Speaker 1: point that he didn't recognize it was me because of 532 00:26:19,119 --> 00:26:20,639 Speaker 1: the way he was. I mean, he was driving like 533 00:26:20,680 --> 00:26:22,760 Speaker 1: such a lunatic that he didn't even realize that he 534 00:26:22,800 --> 00:26:25,040 Speaker 1: cut me. Oh, we know that Scary doesn't always pay attention. 535 00:26:25,040 --> 00:26:28,119 Speaker 1: He does go through life with blinders on. And that's okay, 536 00:26:28,160 --> 00:26:32,400 Speaker 1: and so do you. Obviously, let's go talk to Tracy. Hi, Tracy, Hey, 537 00:26:32,440 --> 00:26:34,439 Speaker 1: good morning. How are you doing well? What can we 538 00:26:34,480 --> 00:26:36,919 Speaker 1: do for you? Well? I just want to put my 539 00:26:37,000 --> 00:26:39,920 Speaker 1: two cents in as a member of the extended jury, 540 00:26:40,320 --> 00:26:42,720 Speaker 1: I'd like to vote for great Tea on this because 541 00:26:43,040 --> 00:26:48,400 Speaker 1: we all know that BMW drivers are jerks. Yeah, Now 542 00:26:48,440 --> 00:26:51,400 Speaker 1: that's not a fair statement. That's not that's not true. 543 00:26:51,440 --> 00:26:54,680 Speaker 1: Not all BMW drivers are jerks. It so happens this one, 544 00:26:54,880 --> 00:26:58,920 Speaker 1: this one is a doucebeg Yes, in this case, yes, 545 00:26:59,200 --> 00:27:01,679 Speaker 1: but not all of the tea drives are Mercedes. What 546 00:27:01,720 --> 00:27:04,200 Speaker 1: do you have to say? I love Mercedes. That's classy, 547 00:27:04,280 --> 00:27:08,359 Speaker 1: that's classic. I think we've all heard the reports about 548 00:27:08,440 --> 00:27:12,560 Speaker 1: the drivers in the different cars that are voted most 549 00:27:12,600 --> 00:27:16,800 Speaker 1: likely to be jerks, and BMW drivers are consistently high. Right, well, 550 00:27:16,840 --> 00:27:20,160 Speaker 1: thank you very much, Trys pre owned minned. Okay, thank you, 551 00:27:20,359 --> 00:27:22,159 Speaker 1: thank you, Tracy, thank you. Have a good day. A 552 00:27:22,240 --> 00:27:24,640 Speaker 1: right Tracy weighing in with the fact that all BMW's 553 00:27:24,680 --> 00:27:27,240 Speaker 1: are guilty of everything, you know, the difference of BMW 554 00:27:27,320 --> 00:27:30,600 Speaker 1: and a porcupine. What on a porcupine the pricks are 555 00:27:30,600 --> 00:27:35,080 Speaker 1: on the outside. Now, that's nuts. I I happen to 556 00:27:35,119 --> 00:27:38,119 Speaker 1: love BMWs. They're fantastic cars, and that that blanket statement 557 00:27:38,200 --> 00:27:40,080 Speaker 1: is not great. I'm sure we have many partners that 558 00:27:40,200 --> 00:27:43,360 Speaker 1: pay us money to pay to play their BMW commercials 559 00:27:43,400 --> 00:27:49,000 Speaker 1: on our firm, but that's beside the point. Okay, it's 560 00:27:49,000 --> 00:27:51,359 Speaker 1: time for sentence team, because this is long and boring. 561 00:27:52,480 --> 00:27:54,399 Speaker 1: But the only thing lesson learned is don't mess with 562 00:27:54,480 --> 00:27:57,040 Speaker 1: people on the road. The lesson learner is if people 563 00:27:57,080 --> 00:27:59,320 Speaker 1: do mess with you on the road, let it go. Yeah, 564 00:27:59,760 --> 00:28:02,600 Speaker 1: breath and let it go. Let it go. The these 565 00:28:02,920 --> 00:28:06,320 Speaker 1: big cars are not to be used as weapons for 566 00:28:07,200 --> 00:28:11,080 Speaker 1: your lack of penis size. Okay, period, you're right. Period. 567 00:28:11,520 --> 00:28:14,159 Speaker 1: I'm going to admit that you're right. He was a douchebag. 568 00:28:14,320 --> 00:28:16,680 Speaker 1: You were a douchebag. But what do you do when 569 00:28:16,720 --> 00:28:19,239 Speaker 1: someone does that to you. Nothing. You let it go. 570 00:28:19,359 --> 00:28:21,440 Speaker 1: As long as as long as they don't harm you, 571 00:28:21,440 --> 00:28:23,159 Speaker 1: you let it go. And if they do harm you 572 00:28:23,200 --> 00:28:25,960 Speaker 1: call the authorities. I wish I could have, ladies. You're 573 00:28:26,000 --> 00:28:28,280 Speaker 1: being so quiet here. I don't want to get in 574 00:28:28,400 --> 00:28:30,320 Speaker 1: the middle of that, because I want you to get 575 00:28:30,320 --> 00:28:32,440 Speaker 1: in the middle of this because I think that I 576 00:28:32,480 --> 00:28:34,920 Speaker 1: think that they're both not telling the truth. I think 577 00:28:34,920 --> 00:28:37,720 Speaker 1: that they're both making their side. But dound good, Bethany, 578 00:28:37,800 --> 00:28:39,920 Speaker 1: you know what it is one side, other side, and 579 00:28:39,920 --> 00:28:42,440 Speaker 1: then there's the truth. That's what's going on. To make 580 00:28:42,480 --> 00:28:44,040 Speaker 1: an assumption, what do you think the truth? I think 581 00:28:44,080 --> 00:28:46,280 Speaker 1: they're both douchebags. I mean, I think I think that 582 00:28:46,360 --> 00:28:48,360 Speaker 1: you have a lot of anger issues, Tea are you 583 00:28:48,600 --> 00:28:53,040 Speaker 1: And I think that you a huge car is could 584 00:28:53,120 --> 00:28:55,480 Speaker 1: be I mean, it's a it's a dangerous weapon that 585 00:28:55,520 --> 00:28:57,280 Speaker 1: you have there, That's my point. And you have to 586 00:28:57,320 --> 00:29:00,040 Speaker 1: be very, very very careful about what you know the 587 00:29:00,160 --> 00:29:02,440 Speaker 1: other people around you, not just yourself, And I think 588 00:29:02,440 --> 00:29:07,600 Speaker 1: that's scary is being very very I don't know, slippery 589 00:29:07,640 --> 00:29:10,640 Speaker 1: about exactly what he did. Like, I still haven't heard 590 00:29:10,680 --> 00:29:13,600 Speaker 1: exactly what happened. I wish there was a traffic camera. 591 00:29:13,640 --> 00:29:16,200 Speaker 1: We can even roll okay back, but okay, we got 592 00:29:16,200 --> 00:29:18,600 Speaker 1: to move on. But what you're not hearing, you're not 593 00:29:18,840 --> 00:29:22,120 Speaker 1: hearing something and you're never gonna hear it because because okay, 594 00:29:22,120 --> 00:29:24,400 Speaker 1: I want you to hear this. Okay, it doesn't matter 595 00:29:24,440 --> 00:29:29,200 Speaker 1: if Satan pulls his fiery chariot into your lane and 596 00:29:29,280 --> 00:29:31,440 Speaker 1: knocks you out of the lane. You've got to let 597 00:29:31,480 --> 00:29:34,480 Speaker 1: it go. You can't retaliate by trying to push your 598 00:29:34,520 --> 00:29:37,360 Speaker 1: car up against another car. You've got to let it go. 599 00:29:37,480 --> 00:29:39,520 Speaker 1: It doesn't matter if you know them or not. You 600 00:29:39,600 --> 00:29:41,640 Speaker 1: gotta let it go. I mean, I guess you're right. 601 00:29:41,720 --> 00:29:46,040 Speaker 1: I guess you're right. No, I am right you've got 602 00:29:46,040 --> 00:29:48,400 Speaker 1: to let it go. You don't use your car to retaliate. 603 00:29:49,440 --> 00:29:53,080 Speaker 1: That is stupid, okay and scary. Stop being so slippery 604 00:29:53,080 --> 00:29:55,520 Speaker 1: when you drive. That was that was the perfect descriptor. 605 00:29:55,800 --> 00:29:58,200 Speaker 1: And if I was a crazy person, I mean you are. 606 00:30:00,800 --> 00:30:03,240 Speaker 1: Let's go talk to John John a police officer. Yes, John, 607 00:30:03,280 --> 00:30:06,080 Speaker 1: are you hearing any of this? Yes? I want to 608 00:30:06,120 --> 00:30:08,200 Speaker 1: arrest them both? Please? Can you throw him in the 609 00:30:08,520 --> 00:30:12,120 Speaker 1: throw him in the clink. There's the thing. Does ever 610 00:30:12,200 --> 00:30:15,800 Speaker 1: in the lane first, who's ever occupying that lane have 611 00:30:15,920 --> 00:30:19,360 Speaker 1: a right to that lane? So just because somebody bolts out, 612 00:30:19,560 --> 00:30:22,000 Speaker 1: goes across three or four lanes of traffic and trying 613 00:30:22,000 --> 00:30:25,960 Speaker 1: to cut off everybody who is a jerk, uh, does 614 00:30:26,040 --> 00:30:27,680 Speaker 1: not give him the right Just because they have a 615 00:30:27,720 --> 00:30:30,040 Speaker 1: turned signal on or is trying to butt in to 616 00:30:30,120 --> 00:30:33,440 Speaker 1: get into that lane, whoever is occupying that lane has 617 00:30:33,480 --> 00:30:36,400 Speaker 1: the right to that lane. I was occupying that lane, okay, okay, 618 00:30:36,440 --> 00:30:38,680 Speaker 1: But then does he have the right to ram his 619 00:30:38,760 --> 00:30:43,360 Speaker 1: car into theirs just out of retaliation on purpose? No? No, 620 00:30:43,480 --> 00:30:49,480 Speaker 1: But because he admitted it, that would dumbin himself pretty 621 00:30:49,560 --> 00:30:54,640 Speaker 1: enough at this situation, and say dumb ass hadn't admitted 622 00:30:54,680 --> 00:30:58,200 Speaker 1: it yet, right, you would, you would say that Scary 623 00:30:58,320 --> 00:31:01,440 Speaker 1: was at fault and that Tea was not exactly because 624 00:31:01,920 --> 00:31:05,680 Speaker 1: Great already had that lane. That's right, Thank you, sure, 625 00:31:05,720 --> 00:31:07,560 Speaker 1: I appreciate it. Have a safety out there, thanks for 626 00:31:07,640 --> 00:31:09,920 Speaker 1: keeping us safe. Man's brilliant. So what he's telling you 627 00:31:09,960 --> 00:31:11,840 Speaker 1: is to shut your mouth. Yeah, shut up. I did 628 00:31:11,920 --> 00:31:13,560 Speaker 1: not try to ram my car and to Scarce, Yes, 629 00:31:13,640 --> 00:31:17,480 Speaker 1: you did. He admitted it already. Hello, Mike, how are you, Hey, 630 00:31:17,520 --> 00:31:19,720 Speaker 1: how are we doing? Yeah, we're doing. Okay, what advice 631 00:31:19,800 --> 00:31:21,960 Speaker 1: as an attorney do you have for Great Tea after 632 00:31:22,000 --> 00:31:23,880 Speaker 1: he tried to ram his car into Scary because he 633 00:31:23,880 --> 00:31:27,240 Speaker 1: was mad at him. Well being that he already admitted 634 00:31:27,320 --> 00:31:35,760 Speaker 1: to it and he had intent, that's considered alaughter. Okay, Mike, 635 00:31:35,800 --> 00:31:38,440 Speaker 1: are you saying you would like to represent Scary Joes? 636 00:31:42,760 --> 00:31:45,880 Speaker 1: I know this is the biggest Chicken Cooper vidiots I've 637 00:31:45,880 --> 00:31:49,040 Speaker 1: ever seen, the best. Thank you, Thank you, Mike. Thanks 638 00:31:49,040 --> 00:31:52,200 Speaker 1: for listening to it. It was self defense. I was no, 639 00:31:52,280 --> 00:31:54,680 Speaker 1: one's a self defense. No no no, no, you don't listen, 640 00:31:54,720 --> 00:31:57,800 Speaker 1: and Scary stopped driving like an a hole. Both of you, 641 00:31:58,840 --> 00:32:02,400 Speaker 1: both of you. Okay, here's my sentence. You're both walking home. 642 00:32:03,560 --> 00:32:16,560 Speaker 1: You are douchebag? What in our next case? People who 643 00:32:16,600 --> 00:32:20,440 Speaker 1: forget to put an R in a word? Thank you 644 00:32:20,520 --> 00:32:25,000 Speaker 1: very much, Thank you Gary. All Right, we've learned a 645 00:32:25,040 --> 00:32:26,400 Speaker 1: lot in that break, but I don't think else to 646 00:32:26,480 --> 00:32:28,240 Speaker 1: prove that they're two different people because they were talking 647 00:32:28,240 --> 00:32:31,400 Speaker 1: over each other. Yeah, there is that. Yeah, we did 648 00:32:31,520 --> 00:32:36,479 Speaker 1: prove that in a court of lot. I've been sleeping 649 00:32:36,480 --> 00:32:44,000 Speaker 1: with my hand down my pants a lot, misterant. In 650 00:32:44,080 --> 00:32:46,920 Speaker 1: the Morning Show, Julia was beginning a new life with 651 00:32:46,960 --> 00:32:49,800 Speaker 1: her new man, but when his ex discovers there engaged, 652 00:32:49,800 --> 00:32:54,200 Speaker 1: she decides to sabotage their relationship. Unforgettable as a psychological 653 00:32:54,240 --> 00:32:56,160 Speaker 1: thriller that will keep you on the edge of your seat, 654 00:32:56,400 --> 00:33:00,360 Speaker 1: starring Catherine Heigel and Rosario Dawson, rated r in theaters 655 00:33:00,360 --> 00:33:08,600 Speaker 1: April twenty first. So we have Shawn Mendez on the phone, 656 00:33:08,640 --> 00:33:10,960 Speaker 1: like forty five minutes. He's calling with a new song 657 00:33:11,040 --> 00:33:13,240 Speaker 1: or something. Today. All right, we'll talk music with Shawn 658 00:33:13,240 --> 00:33:16,000 Speaker 1: Mendez again. I say he's on the phone because I 659 00:33:16,040 --> 00:33:18,200 Speaker 1: know the Shawn Mendez Nation will show up and they'll 660 00:33:18,520 --> 00:33:20,600 Speaker 1: be on the front doorstep of our radio station, dying 661 00:33:20,600 --> 00:33:22,080 Speaker 1: to meet him. I would love for him to be 662 00:33:22,080 --> 00:33:23,440 Speaker 1: here to say hi, but he'll be on the phone. 663 00:33:23,520 --> 00:33:26,320 Speaker 1: And it's raining today here, so it is tinkling. Yeah, 664 00:33:26,360 --> 00:33:28,360 Speaker 1: it's tinkling. But it's gonna be nice here in New 665 00:33:28,400 --> 00:33:30,600 Speaker 1: York this afternoon. So I went to my friend Steve 666 00:33:30,600 --> 00:33:34,040 Speaker 1: Wallace's birthday lunch yesterday. We all gathered in Central Park 667 00:33:34,080 --> 00:33:36,520 Speaker 1: like we do every year on his birthday. We meet 668 00:33:36,520 --> 00:33:38,680 Speaker 1: at the Central Park boat House and have a cocktail. 669 00:33:38,880 --> 00:33:40,760 Speaker 1: I was there a couple of months ago. It's amazing. 670 00:33:40,920 --> 00:33:43,240 Speaker 1: It wasn't a great food. Is so good. I never 671 00:33:43,280 --> 00:33:47,520 Speaker 1: eating I've only had the olives in my cocktails. That 672 00:33:47,600 --> 00:33:50,719 Speaker 1: was amazing. You know, I've never heard anyone say that 673 00:33:50,800 --> 00:33:54,000 Speaker 1: I had an amazing key. It was really good. It's 674 00:33:54,000 --> 00:33:56,520 Speaker 1: a great place. It is a great place to gather 675 00:33:56,560 --> 00:33:59,120 Speaker 1: in Central Park. Of course, it's just wonderful. Yeah. Then 676 00:33:59,160 --> 00:34:01,320 Speaker 1: we had a we had lunch elsewhere or whatever. We 677 00:34:01,360 --> 00:34:02,680 Speaker 1: had a We had a great day. It was a 678 00:34:02,800 --> 00:34:05,240 Speaker 1: fun day to be out. Kind of chilly. I'm ready 679 00:34:05,240 --> 00:34:10,120 Speaker 1: for ninety degree weather. Bring it on. What's the eighty two? 680 00:34:10,200 --> 00:34:11,799 Speaker 1: Is good? But I don't know. I need to roast 681 00:34:11,800 --> 00:34:13,719 Speaker 1: a little bit froggy. What's it going to be in 682 00:34:13,840 --> 00:34:20,240 Speaker 1: Miami today? Eighty four and sunny, but humidity or high humidity. 683 00:34:20,280 --> 00:34:23,319 Speaker 1: Actually we're having a very very nice, low humidity spring. 684 00:34:23,520 --> 00:34:25,680 Speaker 1: These are my days. I love it. Hey, Froggy, are 685 00:34:25,680 --> 00:34:28,080 Speaker 1: you almost ready for food news? I know you're doing 686 00:34:28,120 --> 00:34:30,360 Speaker 1: that later to this morning. I am very ready for 687 00:34:30,400 --> 00:34:32,560 Speaker 1: food news. Are you doing the story about Oreo's latest 688 00:34:32,680 --> 00:34:37,160 Speaker 1: limited edition flavor? Don't take my story or do you 689 00:34:37,160 --> 00:34:41,000 Speaker 1: have that one? Now? I know how Danielle Field exactly. Okay, 690 00:34:41,320 --> 00:34:43,680 Speaker 1: do not go over the latest Oreo limited edition flavor. 691 00:34:44,000 --> 00:34:46,880 Speaker 1: Speaking of food, I was talking yesterday about how my favorite, 692 00:34:47,000 --> 00:34:48,399 Speaker 1: one of my favorite things in the world to eat 693 00:34:48,520 --> 00:34:51,480 Speaker 1: is corn. Yeah, and that it's just fabulous. But they're 694 00:34:51,480 --> 00:34:53,759 Speaker 1: saying it is the worst vegetable to eat, and I said, well, 695 00:34:53,760 --> 00:34:56,760 Speaker 1: it's also considered a starch, and then a listener reminded 696 00:34:56,800 --> 00:34:59,600 Speaker 1: me it's also considered a grain. Is that true? It's 697 00:34:59,640 --> 00:35:02,880 Speaker 1: corn corn? That makes sense because whiskey is made out 698 00:35:02,920 --> 00:35:06,919 Speaker 1: of grains and bourbon is made out of corn. Okay, right, 699 00:35:07,239 --> 00:35:09,040 Speaker 1: but love I love corn. I don't care what it is. 700 00:35:09,440 --> 00:35:11,719 Speaker 1: I don't care if it's bloody meat. I love it. 701 00:35:11,680 --> 00:35:15,279 Speaker 1: It's fantastic, points delicious it is. But anyway, I will 702 00:35:15,280 --> 00:35:21,200 Speaker 1: continue to eat it. I will continue to sully my body. Uh. Oh, 703 00:35:21,440 --> 00:35:24,040 Speaker 1: what are you drinking out of? What is that? What 704 00:35:24,080 --> 00:35:27,560 Speaker 1: kind of water bottle? Is that? It is a large, pink, 705 00:35:28,120 --> 00:35:32,560 Speaker 1: cylindrical water bottle. Do you mind? Would you mind hoisting 706 00:35:32,560 --> 00:35:36,440 Speaker 1: it to your lips and taking a sip? Yes? And 707 00:35:36,480 --> 00:35:39,200 Speaker 1: I'll tell you why, Bethany, your water bottle looks like 708 00:35:39,239 --> 00:35:45,440 Speaker 1: a big penis. Penis. See, I don't see that at all. 709 00:35:45,960 --> 00:35:49,480 Speaker 1: I don't either until Scary pointed it out, and you 710 00:35:49,840 --> 00:35:53,200 Speaker 1: already pointed it out. Yes. Oh is this what you 711 00:35:53,200 --> 00:35:55,640 Speaker 1: guys were talking about on the podcast? Yes? And now 712 00:35:55,680 --> 00:35:58,959 Speaker 1: I don't. I don't. I'm looking. I'm auditioning new water 713 00:35:59,000 --> 00:36:02,400 Speaker 1: bottles because I no longer can use this water bottle 714 00:36:02,440 --> 00:36:05,560 Speaker 1: in good conscience because it looks like a penis. It's pink. 715 00:36:06,080 --> 00:36:09,960 Speaker 1: It's about ten inches twelve or thirteen inches tall. Yeah, wow, 716 00:36:10,000 --> 00:36:13,080 Speaker 1: it has it's an exaggerated size. It has. It has 717 00:36:13,239 --> 00:36:15,640 Speaker 1: ribs on it for where you put your fingers so 718 00:36:15,680 --> 00:36:18,080 Speaker 1: that you can hold it when you drink it, and 719 00:36:18,080 --> 00:36:21,279 Speaker 1: those are there for your pleasure. I would never have 720 00:36:21,320 --> 00:36:24,480 Speaker 1: thought that. I mean a million and I got a 721 00:36:24,560 --> 00:36:26,440 Speaker 1: dirty mine, you know that. But I would never have 722 00:36:26,480 --> 00:36:28,560 Speaker 1: thought that. I was not trying to be a perf. 723 00:36:28,680 --> 00:36:30,760 Speaker 1: I called it like I see like I saw it. 724 00:36:30,760 --> 00:36:33,839 Speaker 1: It looks like like that, and most people's minds will 725 00:36:33,880 --> 00:36:36,040 Speaker 1: go to that. Okay, I know that Kathleen's gonna put 726 00:36:36,040 --> 00:36:37,799 Speaker 1: a picture up on Insta right now. I just want 727 00:36:37,840 --> 00:36:41,280 Speaker 1: you to just judge for yourself. It does look penile. 728 00:36:41,719 --> 00:36:45,120 Speaker 1: It's I think that's because it's pink. I think if 729 00:36:45,120 --> 00:36:47,480 Speaker 1: it was like blue, no one would have thought. I 730 00:36:47,480 --> 00:36:49,040 Speaker 1: think you're right, it looks like a pink one. I 731 00:36:49,040 --> 00:36:51,160 Speaker 1: mean they come in all shapes and colors and very 732 00:36:51,160 --> 00:36:54,080 Speaker 1: healthy sizes. Yes it is. It must have been mom's 733 00:36:54,120 --> 00:36:59,840 Speaker 1: home cooking. What the funny thing is, I would have 734 00:37:00,080 --> 00:37:02,759 Speaker 1: ever thought to think that looking at it, But now 735 00:37:02,800 --> 00:37:06,360 Speaker 1: that you said it, that's all I can see. No offense. 736 00:37:06,680 --> 00:37:09,600 Speaker 1: I mean, surely that come in different colors. It's like rainbow. 737 00:37:09,640 --> 00:37:11,640 Speaker 1: And the funny thing is, I've had this water bottle 738 00:37:11,719 --> 00:37:15,880 Speaker 1: for years and years and years, and it's been sullied 739 00:37:15,960 --> 00:37:19,160 Speaker 1: now because okay, well, don't throw it away. Well I'm gonna, 740 00:37:19,239 --> 00:37:21,560 Speaker 1: I mean I should I donate it. Does someone want 741 00:37:21,560 --> 00:37:23,560 Speaker 1: a water bottle that's been used a million dollars? No? 742 00:37:23,920 --> 00:37:26,480 Speaker 1: What am I supposed to do just retire it, but 743 00:37:26,560 --> 00:37:29,080 Speaker 1: it does. It's the same thing I get when I 744 00:37:29,120 --> 00:37:31,799 Speaker 1: see someone eating a banana. Yeah, it's not just the 745 00:37:31,840 --> 00:37:33,080 Speaker 1: eating of the banana, but if you eat it a 746 00:37:33,160 --> 00:37:36,120 Speaker 1: certain way, it just looks like you know something's up. Yeah, 747 00:37:36,200 --> 00:37:38,640 Speaker 1: if you eat it with eye contact? Yeah, well yeah. 748 00:37:38,680 --> 00:37:40,879 Speaker 1: Can you eat a banana while staring someone in the eye? 749 00:37:42,120 --> 00:37:45,320 Speaker 1: Do you have a banana? I'm all out sorry, no, no, 750 00:37:46,719 --> 00:37:49,520 Speaker 1: I ate my banana on the way in hes so 751 00:37:49,560 --> 00:37:51,200 Speaker 1: no one could look me in the eye. That's quite 752 00:37:51,200 --> 00:37:54,160 Speaker 1: a talent. That's a nice look in banana. Thank you, 753 00:37:54,280 --> 00:37:57,320 Speaker 1: that's perfect. Okay, may I may I eat your banana? 754 00:37:57,320 --> 00:37:59,759 Speaker 1: Scottiebe Okay, Now I'm gonna who do I look in 755 00:37:59,800 --> 00:38:00,880 Speaker 1: the eye? Who wants to me to look at me 756 00:38:00,920 --> 00:38:05,520 Speaker 1: in the eye? Danielle, I just took a body to 757 00:38:05,520 --> 00:38:08,239 Speaker 1: bana while looking in the eye. Do it with like 758 00:38:08,280 --> 00:38:12,400 Speaker 1: a sultry face? You did it with like a funny 759 00:38:12,440 --> 00:38:14,719 Speaker 1: cute face? Do you look it with it? I can 760 00:38:14,880 --> 00:38:25,279 Speaker 1: do it. You can do it. I'm comfortable. You can't 761 00:38:25,280 --> 00:38:29,200 Speaker 1: take it seriously, I'm not looking at look at me 762 00:38:29,239 --> 00:38:36,040 Speaker 1: while say her name and then bite it. Don't look 763 00:38:36,080 --> 00:38:41,040 Speaker 1: at me in the eyes, only half banana left. You're ruining, Bethany, 764 00:38:41,239 --> 00:38:43,759 Speaker 1: find the strength from within to look at me what 765 00:38:43,800 --> 00:38:45,520 Speaker 1: looked me in the eye while banana and call out 766 00:38:45,520 --> 00:38:48,760 Speaker 1: your name. It is just what happened to beill O'Reilly? 767 00:38:48,800 --> 00:38:51,920 Speaker 1: By the way, is this what you call four play? 768 00:38:52,080 --> 00:38:54,520 Speaker 1: I don't know. We had to let Billaradi go. He 769 00:38:54,560 --> 00:38:56,279 Speaker 1: was forcing women to look at the eye while he 770 00:38:56,360 --> 00:38:59,359 Speaker 1: called out their name. And he hate a banana. It's 771 00:38:59,480 --> 00:39:08,440 Speaker 1: very calm, okay, Bethany. Banana que isn't quite ripe and 772 00:39:08,880 --> 00:39:11,919 Speaker 1: looks good, looks like here, finish it. Let me see, 773 00:39:12,520 --> 00:39:16,320 Speaker 1: call up my name and then eat the banana. Danielle's 774 00:39:16,320 --> 00:39:26,680 Speaker 1: not eat whatever you want, banana, Elvis. What scary? See 775 00:39:26,719 --> 00:39:29,239 Speaker 1: the problem is when you're eating the banana, Elvis, you're 776 00:39:29,280 --> 00:39:32,279 Speaker 1: giving too much lip and not enough tea. Yeah, you're 777 00:39:32,320 --> 00:39:36,800 Speaker 1: pursing your lips. You can't do that, Okay, do it 778 00:39:36,840 --> 00:39:39,440 Speaker 1: for scary Now. Bethany has the banana. She's now hoisting 779 00:39:39,480 --> 00:39:45,719 Speaker 1: it to her lips. Here she goes, she's crossing her eyes. 780 00:39:46,360 --> 00:39:50,040 Speaker 1: That turns someone on, but not in this room, all right, 781 00:39:50,600 --> 00:39:52,840 Speaker 1: So yeah, eating a banana or drinking out of a 782 00:39:53,200 --> 00:39:56,600 Speaker 1: phallic water bottle. There are dirty minded people like us 783 00:39:56,719 --> 00:39:59,080 Speaker 1: on this planet Earth. Oh, by the way, today is 784 00:39:59,120 --> 00:40:02,080 Speaker 1: for twenty for those of you who celebrate four twenty, 785 00:40:02,320 --> 00:40:04,360 Speaker 1: Wake and bake. Welcome to the day. If you're observing 786 00:40:04,400 --> 00:40:06,360 Speaker 1: the holiday. Do you have any four twenty news on 787 00:40:06,400 --> 00:40:10,040 Speaker 1: the way? I can look some up. I had some 788 00:40:10,160 --> 00:40:15,600 Speaker 1: marijuana news earlier. I'll find it for you. What scary? Well, 789 00:40:15,600 --> 00:40:18,080 Speaker 1: and we do a four twenty flush the format lead, No, 790 00:40:18,360 --> 00:40:25,520 Speaker 1: don't need to do that, A pot themed flushed the format? No, brokay, 791 00:40:26,040 --> 00:40:29,040 Speaker 1: I'm really getting into the eating the banana. Hey, if 792 00:40:29,040 --> 00:40:30,400 Speaker 1: you want to call us, I'd love to hear from me. 793 00:40:30,440 --> 00:40:32,239 Speaker 1: One eight hundred and two four two or one hundred. 794 00:40:32,320 --> 00:40:36,719 Speaker 1: Let me just pick up a phone here. Hello, Yes, yes, 795 00:40:36,920 --> 00:40:40,560 Speaker 1: and welcome to the show. I just wanted to call 796 00:40:40,640 --> 00:40:43,560 Speaker 1: and tell you guys, it's hilarious. I was just caught 797 00:40:43,680 --> 00:40:46,480 Speaker 1: laughing in my car, and then car next to me 798 00:40:46,560 --> 00:40:48,920 Speaker 1: started cracking up because I was crying. They're looking at 799 00:40:48,920 --> 00:40:51,920 Speaker 1: you because they think you're out of your mind. I 800 00:40:53,239 --> 00:40:54,719 Speaker 1: know we're all a little out of our mind. That's 801 00:40:54,719 --> 00:40:58,320 Speaker 1: why we're all together. Here. What's your name, Well, Shedanna, 802 00:40:58,680 --> 00:41:00,319 Speaker 1: here's the fun thing, wouldn't you love to be able 803 00:41:00,320 --> 00:41:02,040 Speaker 1: to explain to the people in the car next to 804 00:41:02,080 --> 00:41:04,320 Speaker 1: you why you're laughing. The radio show I'm listening to, 805 00:41:04,440 --> 00:41:06,439 Speaker 1: they're trying to stare at each other in the eye 806 00:41:06,480 --> 00:41:08,759 Speaker 1: while eating a banana and they can't do it. And 807 00:41:11,480 --> 00:41:16,080 Speaker 1: I don't know. It's sad. I think we're sad sad people. Well, 808 00:41:16,239 --> 00:41:18,200 Speaker 1: I try the banana trick on your friends today and 809 00:41:18,200 --> 00:41:19,879 Speaker 1: see if you can see if you can do it. Okay, 810 00:41:21,239 --> 00:41:22,960 Speaker 1: will all right? Thank you for listening to us. I 811 00:41:23,000 --> 00:41:27,200 Speaker 1: appreciate it. Thank you. Love that. Can you imagine if 812 00:41:27,239 --> 00:41:29,960 Speaker 1: like someone was in charge of putting together their company's 813 00:41:30,200 --> 00:41:33,279 Speaker 1: like team building, and they decided that this was the 814 00:41:33,320 --> 00:41:36,000 Speaker 1: good idea. This would be the last day of their employment. 815 00:41:36,239 --> 00:41:41,040 Speaker 1: Banana banana gazing. Yeah. Sean Mendez is on in thirty 816 00:41:41,080 --> 00:41:42,960 Speaker 1: minutes to talk about music. I'm not quite sure what 817 00:41:43,080 --> 00:41:46,640 Speaker 1: he's calling about. What song. There's a song? Have we 818 00:41:46,680 --> 00:41:49,399 Speaker 1: played it yet? Well? No, this is a I've heard 819 00:41:49,440 --> 00:41:51,160 Speaker 1: this song. We've all heard this song, this one here, 820 00:41:52,200 --> 00:41:57,400 Speaker 1: this one right here. There's nothing holding me back this 821 00:41:57,600 --> 00:42:03,040 Speaker 1: song we're gonna play. I want to follow where she goes. 822 00:42:04,880 --> 00:42:11,080 Speaker 1: I think of that, and she knows I wanna all right, 823 00:42:11,120 --> 00:42:12,960 Speaker 1: Seawan Mendez. We'll play the whole song for you and 824 00:42:13,080 --> 00:42:15,080 Speaker 1: talk to him coming up in about thirty minutes. All right, 825 00:42:15,120 --> 00:42:17,560 Speaker 1: into the headlines, Bethany, put down that banana and tell 826 00:42:17,640 --> 00:42:20,040 Speaker 1: us what's going on in this world of ours? Alrighty, well, 827 00:42:20,160 --> 00:42:23,439 Speaker 1: let's start with Fox News. As we mentioned, Fox News 828 00:42:23,480 --> 00:42:27,600 Speaker 1: has dropped Bill O'Reilly amid sexual harassment allegations, So Tucker Carlson, 829 00:42:27,680 --> 00:42:31,000 Speaker 1: we'll be taking over the time slot. Dozens of advertisers 830 00:42:31,080 --> 00:42:34,040 Speaker 1: pulled their money from O'Riley show due to the allegations. 831 00:42:34,080 --> 00:42:36,880 Speaker 1: Do you think we'll lose advertisers after the banana conversation? Yes, 832 00:42:36,960 --> 00:42:39,319 Speaker 1: I think we're gaining advertising. That just depends on who 833 00:42:39,360 --> 00:42:43,520 Speaker 1: the advertising Kata, Yeah, exactly. Yeah, we'll take completely love that. 834 00:42:44,840 --> 00:42:48,360 Speaker 1: We are hearing more details about Aaron Hernandez's prison suicide. 835 00:42:48,440 --> 00:42:51,360 Speaker 1: Such a sad story. Local media reports Hernandez cut his 836 00:42:51,440 --> 00:42:54,280 Speaker 1: finger and wrote John three sixteen in blood on his forehead. 837 00:42:54,600 --> 00:42:56,919 Speaker 1: The twenty seven year old also had his Bible open 838 00:42:57,000 --> 00:42:59,279 Speaker 1: to that verse. There are also reports he may have 839 00:42:59,320 --> 00:43:02,800 Speaker 1: smoked Kate too beforehand. Of course, you know her. Hernandez 840 00:43:02,880 --> 00:43:05,239 Speaker 1: was serving life in prison for the twenty thirteen murder 841 00:43:05,320 --> 00:43:09,400 Speaker 1: of Odin Lloyd. The Navy and Marines have officially banned 842 00:43:09,520 --> 00:43:12,279 Speaker 1: a revenge porn, and the Navy says that revenge porn 843 00:43:12,360 --> 00:43:16,000 Speaker 1: will result in discipline or prosecution. This, of course, comes 844 00:43:16,040 --> 00:43:19,360 Speaker 1: on the heels of that marine photo scandal. This is 845 00:43:19,400 --> 00:43:25,279 Speaker 1: your hourly reminder to take a deep breath, to take 846 00:43:25,320 --> 00:43:29,520 Speaker 1: a deep banana. Oh, first thing in the marnin. And 847 00:43:29,920 --> 00:43:32,400 Speaker 1: we all have something about our body that we're insecure about. 848 00:43:32,440 --> 00:43:34,359 Speaker 1: And a lot of people are insecure about their weight 849 00:43:34,680 --> 00:43:37,680 Speaker 1: or like a feature on their face. But there are 850 00:43:37,719 --> 00:43:40,760 Speaker 1: some atypical parts of bodies that people are insecure about 851 00:43:40,920 --> 00:43:43,880 Speaker 1: as well, Like what like it was posted on Reddit. 852 00:43:43,960 --> 00:43:48,680 Speaker 1: People are insecure about their wrinkled kneecaps, their dry knuckles, 853 00:43:49,400 --> 00:43:53,600 Speaker 1: and their fingernails. I can't see that. Yeah, so don't 854 00:43:53,600 --> 00:43:56,040 Speaker 1: worry about it. We all have our thing. Let it go. 855 00:43:56,280 --> 00:44:02,000 Speaker 1: Let it go, babe, you're good. Hey, it's lens sanity. Insanity, 856 00:44:02,120 --> 00:44:06,600 Speaker 1: is that you? Yes, that's men. Welcome to the show Lisanity. 857 00:44:06,719 --> 00:44:10,560 Speaker 1: So about the banana, go right ahead? Oh okay, I 858 00:44:10,800 --> 00:44:15,320 Speaker 1: am a woman union carpenter and I cannot eat a 859 00:44:15,400 --> 00:44:17,719 Speaker 1: banana that way in front of all those guys. So 860 00:44:17,880 --> 00:44:20,400 Speaker 1: what I do is I take it and I break 861 00:44:20,440 --> 00:44:22,440 Speaker 1: it off right in front of them. They kind of 862 00:44:22,480 --> 00:44:25,840 Speaker 1: look at me like out, and then then I eat it. 863 00:44:26,120 --> 00:44:29,319 Speaker 1: It's a show power. Yeah, you show them, You show 864 00:44:29,360 --> 00:44:30,839 Speaker 1: them you can do to that banana, and they'll never 865 00:44:30,920 --> 00:44:33,160 Speaker 1: mess with you again. I like that. You should, you 866 00:44:33,200 --> 00:44:34,839 Speaker 1: should take you you should. You know what you could 867 00:44:34,880 --> 00:44:36,560 Speaker 1: do in front of those other carpenter guys. Put your 868 00:44:36,600 --> 00:44:39,040 Speaker 1: banana on the table and beat it with your hammer. Yeah, 869 00:44:39,200 --> 00:44:42,840 Speaker 1: and see how they respond to that. Yes, take a 870 00:44:43,360 --> 00:44:47,120 Speaker 1: knife and cut it from tip to tipp. Take the 871 00:44:47,160 --> 00:44:51,600 Speaker 1: scissors out right. I'll do that tomorrow, all right, good luck, 872 00:44:51,680 --> 00:44:57,560 Speaker 1: take a blow torch. Shout, caramelize that banana. We've got 873 00:44:57,600 --> 00:45:04,520 Speaker 1: a phone tap from me. Scary coming out, you big, 874 00:45:04,800 --> 00:45:09,719 Speaker 1: big luscious man. Meet you in the morning show. Okay. So, 875 00:45:10,000 --> 00:45:13,760 Speaker 1: what's thin and crispy and sounds as good as it tastes. 876 00:45:14,120 --> 00:45:17,600 Speaker 1: The newest chip from Ritz Rits Crispin Thins. They're amazing. 877 00:45:17,880 --> 00:45:21,080 Speaker 1: If you like potato chips, you'll love these. They're oven bakes, 878 00:45:21,160 --> 00:45:23,959 Speaker 1: not fried, perfect for hanging out with your friends. Rits 879 00:45:24,040 --> 00:45:34,080 Speaker 1: Crispin Thins. You have got to try them. Hey, he 880 00:45:34,200 --> 00:45:37,440 Speaker 1: may be a douchebag on the road, but Scary does 881 00:45:37,560 --> 00:45:42,200 Speaker 1: give us fantastic phone taps. His character Rod Phillips from 882 00:45:42,239 --> 00:45:46,200 Speaker 1: the Rod Phillips Music Collection. Always a crowd pleaser. He's 883 00:45:46,239 --> 00:45:49,040 Speaker 1: your favorite Scary give good taps he does, he taps it, 884 00:45:49,560 --> 00:45:51,600 Speaker 1: so we're gonna We're gonna give you that in just 885 00:45:51,719 --> 00:45:54,880 Speaker 1: a second. Also life after the phone Tap. Sean Mendes, 886 00:45:54,920 --> 00:45:56,759 Speaker 1: We'll be calling in. His new single from the second 887 00:45:56,800 --> 00:45:59,759 Speaker 1: studio album Illuminate is called There's Nothing Holding Me Back. 888 00:46:00,080 --> 00:46:02,399 Speaker 1: Really great, up tempo, kind of fun. Shawn Mendez, Let's 889 00:46:02,440 --> 00:46:05,320 Speaker 1: catch up with him on the way. Also this reminder. 890 00:46:05,640 --> 00:46:08,200 Speaker 1: You know the iHeartRadio Music Festival is on the way, 891 00:46:08,960 --> 00:46:12,400 Speaker 1: and you wonder, like, how do we decide which superstars 892 00:46:12,480 --> 00:46:14,879 Speaker 1: do we put on those on those stages? And I'd 893 00:46:14,880 --> 00:46:16,440 Speaker 1: tell you how we do it. We do it because 894 00:46:16,480 --> 00:46:19,640 Speaker 1: of the iHeartRadio App and our connection with you. It's 895 00:46:19,680 --> 00:46:21,560 Speaker 1: more than just a portal on your phone to listen 896 00:46:21,600 --> 00:46:23,840 Speaker 1: to music or listen to your radio stations. The I 897 00:46:23,960 --> 00:46:28,320 Speaker 1: Heart Radio App. We designed it so we could constantly 898 00:46:28,400 --> 00:46:29,920 Speaker 1: be in your head and figure out what it is 899 00:46:29,960 --> 00:46:32,120 Speaker 1: you're liking, what you're not liking, And every time you're 900 00:46:32,120 --> 00:46:34,120 Speaker 1: listening to a song, interact with it. You can push 901 00:46:34,160 --> 00:46:36,319 Speaker 1: the thumbs up. It tells us you liked that artist, 902 00:46:36,400 --> 00:46:38,880 Speaker 1: you like that song. Your iHeartRadio app will get to 903 00:46:38,920 --> 00:46:41,480 Speaker 1: know you better, will play the music you like when 904 00:46:41,520 --> 00:46:43,440 Speaker 1: you want it to come up with a playlist for you. 905 00:46:43,800 --> 00:46:46,040 Speaker 1: But also we see those likes. That's how we determine 906 00:46:46,080 --> 00:46:48,879 Speaker 1: who's going to be on stage at the pool party 907 00:46:48,880 --> 00:46:51,200 Speaker 1: every year, at the Heart Radio Music Festival, or at 908 00:46:51,239 --> 00:46:53,560 Speaker 1: the awards. You know, sometimes we choose the awards because 909 00:46:53,600 --> 00:46:55,960 Speaker 1: of those thumbs up. Then yeah, yeah, you can create 910 00:46:56,040 --> 00:46:58,839 Speaker 1: your own little world in the iHeartRadio app. You can 911 00:46:59,040 --> 00:47:01,399 Speaker 1: make playlists you love. You can have you know, listen 912 00:47:01,440 --> 00:47:04,080 Speaker 1: to playlists that already exist, you can curate them. You 913 00:47:04,120 --> 00:47:05,799 Speaker 1: can listen to the morning shows you love. You can 914 00:47:05,840 --> 00:47:08,520 Speaker 1: listen to you know, the podcast you love. That's everything. 915 00:47:08,719 --> 00:47:11,680 Speaker 1: I have fallen in love with the app because it's 916 00:47:11,840 --> 00:47:13,800 Speaker 1: it's just an essential part of my day. And the 917 00:47:13,960 --> 00:47:16,560 Speaker 1: workout playlist on there. It's got like five j Low 918 00:47:16,640 --> 00:47:18,440 Speaker 1: songs like you you could create your own and then 919 00:47:18,480 --> 00:47:21,160 Speaker 1: I go out and that's like my running playlist. It's awesome. 920 00:47:21,440 --> 00:47:23,759 Speaker 1: Is it kind of funny how you can find and 921 00:47:24,239 --> 00:47:26,719 Speaker 1: we'll call it an app. You can find anything that 922 00:47:27,239 --> 00:47:30,160 Speaker 1: even though it's a it is technically a thing, it's 923 00:47:30,200 --> 00:47:34,520 Speaker 1: a very smart thing. It really becomes it's it's alive. 924 00:47:34,640 --> 00:47:37,400 Speaker 1: It's like a living it's a living friend in a 925 00:47:37,480 --> 00:47:39,960 Speaker 1: way where I mean it's an extension of you basically 926 00:47:40,080 --> 00:47:42,120 Speaker 1: is what it is. I always find that Google is 927 00:47:42,160 --> 00:47:44,320 Speaker 1: an extension of me. We form attachments. I did the 928 00:47:44,360 --> 00:47:46,359 Speaker 1: story this morning. Some people wish that they could date 929 00:47:46,400 --> 00:47:50,359 Speaker 1: their their you know, Siri exactly we bond with these things. Well, 930 00:47:50,440 --> 00:47:54,719 Speaker 1: iHeartRadio your app. It really can merge into whatever mood 931 00:47:54,760 --> 00:47:56,439 Speaker 1: you're in, whatever you want to do in the course 932 00:47:56,480 --> 00:47:58,640 Speaker 1: of your day. It can be your partner. And just 933 00:47:58,880 --> 00:48:02,040 Speaker 1: as we are your friends. As you drive to work 934 00:48:02,120 --> 00:48:04,279 Speaker 1: or school every day, you know, it's really your friend 935 00:48:04,320 --> 00:48:06,680 Speaker 1: around the clock. And if you start looking at it 936 00:48:06,800 --> 00:48:09,640 Speaker 1: that way, you'll notice what I'm saying is so true. Yeah, 937 00:48:09,800 --> 00:48:11,839 Speaker 1: it's more than just an app. So the iHeart Radio 938 00:48:11,880 --> 00:48:14,000 Speaker 1: app makes you download it through different levels to enjoy 939 00:48:14,040 --> 00:48:16,560 Speaker 1: it and and keep your music in your playlist. This 940 00:48:16,680 --> 00:48:19,200 Speaker 1: and that discovery, discover it for yourself. You can actually 941 00:48:19,239 --> 00:48:20,839 Speaker 1: just go for a walk in this thing and spend 942 00:48:20,880 --> 00:48:22,560 Speaker 1: hours in It's a lot of stuff for kids on 943 00:48:22,640 --> 00:48:25,480 Speaker 1: there too, Like there's stations for kids that are already 944 00:48:25,520 --> 00:48:27,360 Speaker 1: on there and stuff, so check it out because they 945 00:48:27,440 --> 00:48:29,439 Speaker 1: enjoy it as well. And of course every Christmas season 946 00:48:29,480 --> 00:48:34,640 Speaker 1: I listened to that Horny Santo with a horny Santa. 947 00:48:35,080 --> 00:48:38,920 Speaker 1: Always fun so makes so you may already have your 948 00:48:38,920 --> 00:48:41,400 Speaker 1: iHeart Radio app doing great things for you, but you know, 949 00:48:41,719 --> 00:48:44,880 Speaker 1: look at it again for the first time, like rediscover 950 00:48:44,960 --> 00:48:46,799 Speaker 1: what's going on there? And there you have it. Let's 951 00:48:46,840 --> 00:48:52,880 Speaker 1: get into your phone tap, Elvis Duran phone tap? All right, scary, 952 00:48:53,360 --> 00:48:56,160 Speaker 1: what's your phone tap all about? Today? So Anita is 953 00:48:56,200 --> 00:48:59,040 Speaker 1: a way at school and emailed us about phone tapping 954 00:48:59,080 --> 00:49:01,759 Speaker 1: her parents, who, by the way, run a business out 955 00:49:01,800 --> 00:49:04,880 Speaker 1: of their house. Well, they keep getting these solicitations on 956 00:49:04,960 --> 00:49:07,520 Speaker 1: their business line every single day, so I figured I 957 00:49:07,600 --> 00:49:11,040 Speaker 1: would phone tap them both with a new music collection 958 00:49:11,719 --> 00:49:14,799 Speaker 1: from Rod Phillips. Right, these are always fun. These take 959 00:49:14,800 --> 00:49:17,040 Speaker 1: a long time to do too. Yes, all right, let's 960 00:49:17,120 --> 00:49:19,439 Speaker 1: see what Rod Phillips has in store for us today. 961 00:49:19,480 --> 00:49:22,760 Speaker 1: Here we go. Hello, Oh, yes, is this Elena Diaz. 962 00:49:24,760 --> 00:49:29,040 Speaker 1: Elena Diaz, This is Rod Phillips, and I'm gonna fill 963 00:49:29,160 --> 00:49:32,440 Speaker 1: up your music collection with a mound of sound, throngs 964 00:49:32,480 --> 00:49:39,120 Speaker 1: of songs, a blitz of the hits, introducing Kitties Ditties. 965 00:49:39,600 --> 00:49:41,960 Speaker 1: You can't crash a car into a bridge and watch 966 00:49:42,040 --> 00:49:45,360 Speaker 1: it burn. That's too violent for the ears of today's children. 967 00:49:50,840 --> 00:49:52,920 Speaker 1: These are songs you can be proud to play in 968 00:49:53,000 --> 00:49:55,680 Speaker 1: front of your children. Yes, but still, I don't even 969 00:49:55,719 --> 00:49:57,879 Speaker 1: know why you're calling me. You don't have to wash 970 00:49:58,239 --> 00:50:01,359 Speaker 1: he is musicians and mouth out with soap because we've 971 00:50:01,400 --> 00:50:05,520 Speaker 1: already done it for you. Hey, n I'm not. Let's 972 00:50:06,120 --> 00:50:09,040 Speaker 1: leave brush my teeth and then and go in tech 973 00:50:09,200 --> 00:50:11,160 Speaker 1: and the real song. She brushes her teeth with a 974 00:50:11,200 --> 00:50:14,880 Speaker 1: bottle of jack. But here she goes and tacks. You 975 00:50:14,960 --> 00:50:23,520 Speaker 1: see what she did there my phones today, I don't 976 00:50:23,600 --> 00:50:27,040 Speaker 1: feel like he's only the perfect blend of hand picks 977 00:50:27,120 --> 00:50:30,200 Speaker 1: Vanilla cul de sac kids from Suburbia, USA. Put them 978 00:50:30,239 --> 00:50:32,719 Speaker 1: in a recording studio and have them re record the 979 00:50:32,840 --> 00:50:37,080 Speaker 1: hits we call We call it kitties Ditties. Listen to 980 00:50:37,160 --> 00:50:39,480 Speaker 1: what they did to this Bruno Mars song where he's 981 00:50:39,520 --> 00:50:42,479 Speaker 1: supposed to be having sex as a really nice girl. 982 00:50:42,600 --> 00:50:46,239 Speaker 1: Send a really nice text. They're sending texts. The kids 983 00:50:46,239 --> 00:50:51,440 Speaker 1: will never know. You are interrupting my business lying For 984 00:50:51,600 --> 00:50:54,360 Speaker 1: just eleven dollars and ninety nine cents, you can have 985 00:50:54,600 --> 00:51:00,759 Speaker 1: kitties ditties. I don't care a day. Everyone's heard a 986 00:51:00,800 --> 00:51:06,280 Speaker 1: fifth harmony, but with kitties ditties you get fifth grade harmony. 987 00:51:08,440 --> 00:51:14,640 Speaker 1: Very what is it? Ye? This is rod Phillips with 988 00:51:14,840 --> 00:51:17,279 Speaker 1: kitty's ditties. It's very ridiculous. Try to tell me this 989 00:51:17,360 --> 00:51:22,520 Speaker 1: kitty did crown? What are they stilling? It's kitty's ditties. 990 00:51:23,520 --> 00:51:29,719 Speaker 1: This is diddies. What is this crab for kids? Why 991 00:51:29,719 --> 00:51:30,880 Speaker 1: does that have to do with me? Why are you 992 00:51:30,960 --> 00:51:33,600 Speaker 1: calling for me for this crap? Because it's just eleven 993 00:51:33,719 --> 00:51:35,919 Speaker 1: ninety nine today. If you have some kids in your life, 994 00:51:36,000 --> 00:51:39,399 Speaker 1: they'll really appreciate this. You couldn't say me eleven ninety 995 00:51:39,480 --> 00:51:42,000 Speaker 1: nine to listen to it, Get it off, get go away. 996 00:51:42,320 --> 00:51:45,120 Speaker 1: Today's artists are insensitive to the youth of America and 997 00:51:45,200 --> 00:51:48,680 Speaker 1: they're virgin ears. I've insensitive to your products. I do 998 00:51:48,840 --> 00:51:50,440 Speaker 1: not like it. Can I get you a copy of 999 00:51:50,520 --> 00:51:52,160 Speaker 1: this sir? No, no, no, no no no. I don't 1000 00:51:52,200 --> 00:51:55,360 Speaker 1: think you understand. My business depends on this phone that 1001 00:51:55,480 --> 00:51:58,560 Speaker 1: we're tying up right now, okay, and you're wasting our time. Okay, 1002 00:51:58,640 --> 00:52:01,440 Speaker 1: my wife's been nice, I'm nice guy. Get this off 1003 00:52:01,520 --> 00:52:10,920 Speaker 1: my phone now? Hello? Do you know call me back? 1004 00:52:11,040 --> 00:52:13,000 Speaker 1: Or do you even guarantees that I will quest charge you? 1005 00:52:13,520 --> 00:52:18,040 Speaker 1: Do you understand me? The Chain Smokers had a summer 1006 00:52:18,120 --> 00:52:21,120 Speaker 1: smash with this song, but the Kiddies did He's kids 1007 00:52:21,200 --> 00:52:27,640 Speaker 1: did this? How did they're starting against them over rather 1008 00:52:27,719 --> 00:52:30,759 Speaker 1: than being in it having sex? I don't think you understand, okay, 1009 00:52:30,760 --> 00:52:32,480 Speaker 1: And I want to speak to whoever your superior is 1010 00:52:32,520 --> 00:52:37,320 Speaker 1: so this does not happen again. Where is your superior? 1011 00:52:37,680 --> 00:52:39,840 Speaker 1: Who can I speak to right now? He's in the office. 1012 00:52:39,960 --> 00:52:42,680 Speaker 1: Back and boulder, Oh, back and boulder. Listen. I don't 1013 00:52:42,680 --> 00:52:44,839 Speaker 1: think you know who the dealing with right now? Okay, 1014 00:52:45,120 --> 00:52:48,160 Speaker 1: this needs to stop. Tell me now, how the you 1015 00:52:48,280 --> 00:52:52,719 Speaker 1: got my wife's name? Anita gave it to me? Your 1016 00:52:52,840 --> 00:52:58,839 Speaker 1: daughter in college, Elena, you and your husband have both 1017 00:52:58,880 --> 00:53:03,200 Speaker 1: been phone tapped? Who is this? This is Scary Jones 1018 00:53:03,239 --> 00:53:07,920 Speaker 1: with Elvis Durand in the Morning show. You gotta be 1019 00:53:08,080 --> 00:53:16,319 Speaker 1: kidding me. I would love my own copy of Kiddies Diddies. Wow, 1020 00:53:16,400 --> 00:53:18,759 Speaker 1: all right, thank you, Scary You're welcome. Ellen. There you go, 1021 00:53:18,960 --> 00:53:22,040 Speaker 1: irritating the living hell out of people one at a time. 1022 00:53:22,080 --> 00:53:25,160 Speaker 1: That's what's phone tap rule is all about. Leave him irritated. 1023 00:53:25,360 --> 00:53:26,719 Speaker 1: If you have an idea for from phone tap let 1024 00:53:26,800 --> 00:53:28,520 Speaker 1: us know, go to Elvis Duran dot com and click 1025 00:53:28,560 --> 00:53:30,960 Speaker 1: on the phone tap link. All right, Sean Mendez, We're 1026 00:53:30,960 --> 00:53:33,960 Speaker 1: gonna talk to him coming up a table was prerecorded. 1027 00:53:34,080 --> 00:53:38,359 Speaker 1: We permission granted by all participates Selvis Duran phone tap. 1028 00:53:38,400 --> 00:53:43,960 Speaker 1: We're mony Elvis Duran in the Morning Show. Oh my gosh, 1029 00:53:44,000 --> 00:53:50,640 Speaker 1: I'm so happy. Yeah, two zero one hundred, Elvis Duran 1030 00:53:50,760 --> 00:53:53,959 Speaker 1: in the Morning Show. Hi, Shan Mendez, how are you? Hello? Hello? 1031 00:53:54,280 --> 00:53:56,319 Speaker 1: Good Hello, Hello. Where are you calling us from? Where 1032 00:53:56,320 --> 00:53:59,319 Speaker 1: are you? I'm in kind of the middle of nowhere 1033 00:53:59,360 --> 00:54:03,040 Speaker 1: in the UK? Now, wow, are there sheep grazing around 1034 00:54:03,080 --> 00:54:05,759 Speaker 1: where you are? There was when on the drive here 1035 00:54:05,800 --> 00:54:07,640 Speaker 1: there were and it was really weird. That's the thing, 1036 00:54:07,800 --> 00:54:10,480 Speaker 1: you know, there's always a sheep grazing somewhere in the UK. 1037 00:54:12,040 --> 00:54:13,920 Speaker 1: I'm trying to sort this out because you know, Charlie 1038 00:54:14,000 --> 00:54:16,880 Speaker 1: Pooth has been scheduled to be on our show tomorrow 1039 00:54:17,280 --> 00:54:20,000 Speaker 1: for several weeks. Now, then we heard, well wait you 1040 00:54:20,040 --> 00:54:22,480 Speaker 1: got to get Sean Mennez on the day before. Is 1041 00:54:22,520 --> 00:54:24,880 Speaker 1: there some kind of weird competition between you two to 1042 00:54:24,960 --> 00:54:26,719 Speaker 1: see who can get on our show the fastest. What 1043 00:54:26,840 --> 00:54:28,560 Speaker 1: is it with you guys? Yeah, no, anything he does 1044 00:54:28,640 --> 00:54:32,040 Speaker 1: I have to do before him. Well, I heard he 1045 00:54:32,160 --> 00:54:35,120 Speaker 1: was going to donate a thousand dollars to the show tomorrow. 1046 00:54:36,920 --> 00:54:39,200 Speaker 1: I got do that beforehand. Heard he was going to 1047 00:54:39,239 --> 00:54:43,320 Speaker 1: buy us a new Mercedes, each of you new Mercedies, 1048 00:54:43,320 --> 00:54:47,879 Speaker 1: a new iPhone. Thank you? All right, So, Sean, we're 1049 00:54:47,920 --> 00:54:50,319 Speaker 1: listening to others. Nothing holding me back. What a great song, 1050 00:54:50,480 --> 00:54:52,880 Speaker 1: you know, I mean, thank you, thank you? Someone another one. 1051 00:54:52,880 --> 00:54:54,480 Speaker 1: I wish I could find one of your songs that 1052 00:54:54,520 --> 00:54:56,200 Speaker 1: I could go like, cut Sean, I don't know about 1053 00:54:56,239 --> 00:54:59,360 Speaker 1: this one. It's not really hitting home. But can't think me, 1054 00:54:59,400 --> 00:55:01,840 Speaker 1: don't think me. Thank you, thank you very much. I 1055 00:55:01,920 --> 00:55:06,160 Speaker 1: hear you've been been watching Binge, watching Grey's Anatomy. Oh yeah, no, 1056 00:55:06,320 --> 00:55:09,640 Speaker 1: I'm super into it. It's really it's really bad. So 1057 00:55:09,719 --> 00:55:12,080 Speaker 1: it's really not helping with that. Is that some brand 1058 00:55:12,160 --> 00:55:16,279 Speaker 1: new show? No, it's actually I was. I was. I 1059 00:55:16,400 --> 00:55:18,520 Speaker 1: was so upset because I was falling in love with 1060 00:55:18,640 --> 00:55:21,000 Speaker 1: one of the actresses on the show. She's one of 1061 00:55:21,040 --> 00:55:22,920 Speaker 1: the interns, and I'm like, oh, no, this girl can 1062 00:55:23,040 --> 00:55:25,200 Speaker 1: we can't be much older than me because I totally 1063 00:55:25,280 --> 00:55:34,319 Speaker 1: forgot that this show is very old. And that hold 1064 00:55:34,320 --> 00:55:37,000 Speaker 1: one second. You know straight ate our producer he loves 1065 00:55:37,080 --> 00:55:39,400 Speaker 1: older women. I think the last time he had a 1066 00:55:39,480 --> 00:55:41,959 Speaker 1: fantasy and privacy of his own bedroom, he was looking 1067 00:55:41,960 --> 00:55:45,120 Speaker 1: at pictures of Betty White. I was, Oh, that's very old. 1068 00:55:46,200 --> 00:55:48,319 Speaker 1: I know. But can't you see even though you're sean, 1069 00:55:48,360 --> 00:55:50,480 Speaker 1: you're very busy and dating right now. It's just not 1070 00:55:50,760 --> 00:55:53,480 Speaker 1: number one priority. I'm assuming, But can't you see the 1071 00:55:53,680 --> 00:55:57,359 Speaker 1: advantages to dating an older woman? Can't you totally? I mean, 1072 00:55:57,520 --> 00:56:00,399 Speaker 1: I mean older is not like Betty White, like that's 1073 00:56:00,480 --> 00:56:05,560 Speaker 1: really old. I wouldn't. I wouldn't be that. You know what. 1074 00:56:05,800 --> 00:56:10,520 Speaker 1: There's nothing wrong with experience, okay, yeah, one hundred years 1075 00:56:10,560 --> 00:56:14,080 Speaker 1: of experience. Yeah, all right, well let's talk about the music. 1076 00:56:14,200 --> 00:56:17,360 Speaker 1: Let's talk about the music. Bueze, Are you performing? I 1077 00:56:17,400 --> 00:56:22,040 Speaker 1: mean you are? Shut up? Your guys are you're out 1078 00:56:22,080 --> 00:56:24,759 Speaker 1: on the road right now? Are you? What do you do? 1079 00:56:25,680 --> 00:56:28,160 Speaker 1: I'm doing rehearsals right now. So today, I gotten a 1080 00:56:28,239 --> 00:56:30,640 Speaker 1: couple of days ago, and we go to Glasgow in 1081 00:56:30,800 --> 00:56:33,520 Speaker 1: like four or five days. Yeah, oh cool. So no, Sean. 1082 00:56:33,560 --> 00:56:36,480 Speaker 1: When you're traveling around the world with these fantastic, fantastic 1083 00:56:36,640 --> 00:56:40,000 Speaker 1: cities with so much rich, deep history, do you ever 1084 00:56:40,239 --> 00:56:43,840 Speaker 1: have time to go look around and be a tourist 1085 00:56:44,000 --> 00:56:47,040 Speaker 1: or is it all on the stage and work for you? Um, 1086 00:56:47,480 --> 00:56:49,920 Speaker 1: To be honest, it usually is like all on the 1087 00:56:49,960 --> 00:56:52,040 Speaker 1: stage and work. But I planned this tour so that 1088 00:56:52,120 --> 00:56:53,920 Speaker 1: we have a lot of off days, Like for each 1089 00:56:53,960 --> 00:56:55,319 Speaker 1: city we go to, we have, you know, a day 1090 00:56:55,360 --> 00:56:57,160 Speaker 1: off the next day, because I really wanted to make 1091 00:56:57,200 --> 00:56:58,680 Speaker 1: sure that I did that this time around, because I 1092 00:56:58,680 --> 00:57:00,840 Speaker 1: didn't get too last time. So I'm going to do that. 1093 00:57:01,840 --> 00:57:04,200 Speaker 1: Have you experienced anything so far that really left a 1094 00:57:04,239 --> 00:57:11,440 Speaker 1: deep footprint with you in sight seeing in in Europe? Um, 1095 00:57:12,239 --> 00:57:14,680 Speaker 1: I don't know. I mean, I think Amsterdam was. It 1096 00:57:14,760 --> 00:57:16,600 Speaker 1: was a very beautiful city. It was like it was weird. 1097 00:57:16,640 --> 00:57:18,280 Speaker 1: It just felt like you were in a different world. 1098 00:57:18,400 --> 00:57:21,120 Speaker 1: And I was just in Japan, um and it felt 1099 00:57:21,200 --> 00:57:23,560 Speaker 1: super super weird there. The people are very different there. 1100 00:57:23,640 --> 00:57:26,400 Speaker 1: I will say, well, you know, but as a songwriter, 1101 00:57:27,240 --> 00:57:30,040 Speaker 1: do you do you ever like get home and you 1102 00:57:30,120 --> 00:57:33,200 Speaker 1: know and let your trip sink in and does it 1103 00:57:33,320 --> 00:57:35,760 Speaker 1: ever affect the way you write? I mean, having a 1104 00:57:35,880 --> 00:57:40,240 Speaker 1: world yeah, definitely. And sometimes it's nice to just, like, 1105 00:57:40,760 --> 00:57:42,080 Speaker 1: you know, when you don't know what to write about, 1106 00:57:42,120 --> 00:57:43,640 Speaker 1: to just look out the window and be like, Okay, 1107 00:57:43,680 --> 00:57:45,520 Speaker 1: well I'm looking at this like dimly lit street in 1108 00:57:45,520 --> 00:57:48,080 Speaker 1: the middle of a town and you know, England, and 1109 00:57:48,160 --> 00:57:50,280 Speaker 1: I have now no idea where I am, and there 1110 00:57:50,320 --> 00:57:52,160 Speaker 1: you go. That's a story right there. And so my 1111 00:57:52,280 --> 00:57:54,040 Speaker 1: life is kind of something to write about, which is 1112 00:57:54,080 --> 00:57:56,800 Speaker 1: really cool. You know what. I heard that, Um, somebody 1113 00:57:56,960 --> 00:57:59,000 Speaker 1: texted you that you have been a fan of for 1114 00:57:59,080 --> 00:58:01,280 Speaker 1: a very long time and wanted to sing with you, 1115 00:58:01,400 --> 00:58:06,040 Speaker 1: and you sang with them, John r Yeah, yeah, yeah, 1116 00:58:06,560 --> 00:58:09,200 Speaker 1: oh John Mayer. Yeah. But you it's weird for me 1117 00:58:09,280 --> 00:58:12,400 Speaker 1: to think that you, who's Shawn Mendez, still gets excited 1118 00:58:12,440 --> 00:58:14,560 Speaker 1: about someone that you're a fan of texting you up 1119 00:58:14,560 --> 00:58:17,760 Speaker 1: and saying, hey, can we do something together? Oh my god. 1120 00:58:17,760 --> 00:58:20,080 Speaker 1: Well you have to understand, like, it's only been three 1121 00:58:20,160 --> 00:58:22,880 Speaker 1: years and I've been listening to John for like six now, 1122 00:58:23,040 --> 00:58:26,080 Speaker 1: and you know, he was the reason I started writing songs, 1123 00:58:26,120 --> 00:58:28,640 Speaker 1: and so for that to happen was just insane. I 1124 00:58:28,760 --> 00:58:30,960 Speaker 1: mean I texted him, I texted him like this in 1125 00:58:31,000 --> 00:58:33,200 Speaker 1: this new song. A couple of days before he released 1126 00:58:33,200 --> 00:58:34,800 Speaker 1: it to see what he thought, and he said he 1127 00:58:34,840 --> 00:58:36,560 Speaker 1: loved it, and I was like, okay, cool, we're good 1128 00:58:36,600 --> 00:58:39,520 Speaker 1: to release it. So I kinda, you know, really look 1129 00:58:39,600 --> 00:58:42,320 Speaker 1: up to his opinion. Well, so, um, look, I'm gonna 1130 00:58:42,360 --> 00:58:44,280 Speaker 1: play the song. I gotta play. There's nothing holding me back. 1131 00:58:44,320 --> 00:58:46,120 Speaker 1: People need to hear it to get him going from 1132 00:58:46,320 --> 00:58:49,040 Speaker 1: it's a great song. It's uplifting, thank you, but yeah 1133 00:58:49,080 --> 00:58:50,800 Speaker 1: it is. Yeah, you know, just to let you know, 1134 00:58:51,200 --> 00:58:54,120 Speaker 1: you know, whatever you do in life, to be dedicated 1135 00:58:54,200 --> 00:58:57,120 Speaker 1: to it will make it work for you. Seawan Mendez, 1136 00:58:57,360 --> 00:59:00,200 Speaker 1: as he is in rehearsals, you're also writing, you're I mean, 1137 00:59:00,480 --> 00:59:03,040 Speaker 1: it's how many hours per day do you devote to 1138 00:59:03,160 --> 00:59:08,400 Speaker 1: your music versus just downtime. I would say like probably 1139 00:59:08,440 --> 00:59:09,960 Speaker 1: like three cards of the day, I mean, and then 1140 00:59:10,480 --> 00:59:12,360 Speaker 1: in mornings, and I mean the rest is just sleeping, 1141 00:59:12,920 --> 00:59:17,640 Speaker 1: righting and sleeping sleeping. Yeah, I mean, I mean, but 1142 00:59:17,760 --> 00:59:19,920 Speaker 1: people look at it as like you're working twenty four seven, 1143 00:59:19,960 --> 00:59:22,360 Speaker 1: but it's well you have to understand, is that that's 1144 00:59:22,400 --> 00:59:23,800 Speaker 1: what we love to do. You know, like if we're 1145 00:59:23,840 --> 00:59:26,600 Speaker 1: not we're sing with our band, we're writing songs, you know, 1146 00:59:26,840 --> 00:59:28,560 Speaker 1: in the green room, and that's what we want to do. 1147 00:59:28,720 --> 00:59:31,080 Speaker 1: I'd rather be doing that than whatever else there is 1148 00:59:31,120 --> 00:59:32,480 Speaker 1: to do, which I don't know. And that's why the 1149 00:59:32,600 --> 00:59:34,880 Speaker 1: music is so perfect. Every every time, you always hit 1150 00:59:34,920 --> 00:59:38,560 Speaker 1: it out of the park. Well. Look, final question, a 1151 00:59:38,720 --> 00:59:42,280 Speaker 1: very deep deep question. Any new tattoos, Any new tattoo, 1152 00:59:42,320 --> 00:59:45,200 Speaker 1: any new tattoos? There is none, but I'm I've made 1153 00:59:45,240 --> 00:59:46,720 Speaker 1: a promise to myself that I'm going to get one 1154 00:59:46,760 --> 00:59:49,440 Speaker 1: on this tour. I don't know of what something to 1155 00:59:49,560 --> 00:59:51,880 Speaker 1: do with touring, but it has to be just as 1156 00:59:51,920 --> 00:59:55,000 Speaker 1: significant otherwise the media is gonna hate me. A tattoo 1157 00:59:55,080 --> 01:00:00,600 Speaker 1: of a bus. Yeah, how romantic. I'd like a really 1158 01:00:00,680 --> 01:00:04,400 Speaker 1: sexy best right, you don't have any tattoos? All right, 1159 01:00:04,440 --> 01:00:07,280 Speaker 1: So Charlie, Charlie Pooth is on the show tomorrow. We're 1160 01:00:07,320 --> 01:00:10,200 Speaker 1: gonna record this, okay, and I'm gonna play it back 1161 01:00:10,240 --> 01:00:14,400 Speaker 1: for him. Do you have a message for Charlie Pooth? Go? Uh, Charlie, 1162 01:00:14,520 --> 01:00:16,280 Speaker 1: keep going to the gym. He actually sent me a 1163 01:00:16,360 --> 01:00:22,000 Speaker 1: picture of himself the other day. That sounds really bad. Okay, 1164 01:00:22,080 --> 01:00:24,440 Speaker 1: all right, I'm with you, like now, like a regular photo. 1165 01:00:24,520 --> 01:00:27,200 Speaker 1: But I mean I remember when we were touring, like 1166 01:00:27,480 --> 01:00:29,680 Speaker 1: on the Jingle Ball tour. He started working out and 1167 01:00:29,760 --> 01:00:31,560 Speaker 1: he's gotten so much bigger. You're gonna be bone away 1168 01:00:31,560 --> 01:00:33,240 Speaker 1: when you see Hmorrow actually, or if he's coming in. 1169 01:00:33,280 --> 01:00:36,439 Speaker 1: I don't know if he's calling or not. Keep working out, Charlie, 1170 01:00:36,520 --> 01:00:38,680 Speaker 1: he's calling in. His muscles are so big we can't 1171 01:00:38,720 --> 01:00:40,920 Speaker 1: fit him to the doorway. Yeah. Yeah, get him to 1172 01:00:40,960 --> 01:00:44,320 Speaker 1: send you a photo. Okay, So what is your message? 1173 01:00:44,400 --> 01:00:46,240 Speaker 1: You're talking directly to him. What do you want to 1174 01:00:46,240 --> 01:00:49,080 Speaker 1: say to Charlie? Charlie, I'm pumped to see you and 1175 01:00:49,080 --> 01:00:50,720 Speaker 1: I've seen a couple of months, and if you stop 1176 01:00:50,840 --> 01:00:54,840 Speaker 1: working out, I'll kill you. Okay, there you go. What 1177 01:00:54,960 --> 01:00:57,360 Speaker 1: a lovely thing to say to someone. Sean, you know, 1178 01:00:57,400 --> 01:00:58,800 Speaker 1: we love you. Come see us when you're back in 1179 01:00:58,800 --> 01:01:01,160 Speaker 1: New York. Okay, thank you so much, guys, take care 1180 01:01:01,280 --> 01:01:05,800 Speaker 1: all right? YouTube you saw Mendez. There's nothing holding me 1181 01:01:06,000 --> 01:01:20,880 Speaker 1: back what I made, damn me back. There's nothing holding 1182 01:01:20,920 --> 01:01:24,520 Speaker 1: me back, Shawn Mendez. Another song from Sean. That's fantastic, 1183 01:01:24,680 --> 01:01:28,280 Speaker 1: great song, really is? I really like it when Sean 1184 01:01:28,480 --> 01:01:33,560 Speaker 1: uses that like of his voice because he has like that. Yeah, yeah, yeah, 1185 01:01:33,920 --> 01:01:38,880 Speaker 1: he does really well. What what is it you want name? 1186 01:01:39,280 --> 01:01:41,760 Speaker 1: I thought we could talk more about the picture that 1187 01:01:41,880 --> 01:01:46,080 Speaker 1: Charlie Pooth sent to So, Charlie Pooth and Shawn Mendez 1188 01:01:46,160 --> 01:01:47,640 Speaker 1: last year when they were on the jingle Ball Tour, 1189 01:01:48,000 --> 01:01:50,920 Speaker 1: they were working out together, and they were they were 1190 01:01:51,560 --> 01:01:53,560 Speaker 1: It's just funny here to hear two guys like talking 1191 01:01:53,600 --> 01:01:55,600 Speaker 1: about how they admire each other's bodies and things. Yeah, 1192 01:01:55,840 --> 01:01:58,600 Speaker 1: when you're working out, you know, yeah, you're workout, buddy, 1193 01:01:58,600 --> 01:02:02,400 Speaker 1: I get it. Yeah. But so Charlie, according to Sean, 1194 01:02:02,480 --> 01:02:05,240 Speaker 1: sent him a shirtless selfie. So we need to get 1195 01:02:05,280 --> 01:02:08,560 Speaker 1: that one from Charlie from uh wait, Charlie sent Sean 1196 01:02:08,840 --> 01:02:11,840 Speaker 1: the topless selfie. We need to get that from Charlie tomorrow, Yes, 1197 01:02:12,200 --> 01:02:14,240 Speaker 1: or from Sean. Can Sean send it to us? Which 1198 01:02:14,240 --> 01:02:19,080 Speaker 1: sounds like, you know, pictures going back here, there's a 1199 01:02:19,120 --> 01:02:22,120 Speaker 1: lot of shirtless selfies going on. Danielle, Yes, would you 1200 01:02:22,160 --> 01:02:24,680 Speaker 1: send me a shirtless selfie? You've got it. Wait, wait 1201 01:02:24,720 --> 01:02:27,080 Speaker 1: about a month or two and I'll definitely send you one. 1202 01:02:27,440 --> 01:02:29,040 Speaker 1: Can I send him the one I have? You know 1203 01:02:29,320 --> 01:02:30,920 Speaker 1: that one's just for you. You know who does this 1204 01:02:31,040 --> 01:02:33,240 Speaker 1: on our show is straight Nate. He's always sending out 1205 01:02:33,320 --> 01:02:38,919 Speaker 1: shirtless selfies. Yeah, I've been working out. I want to say, 1206 01:02:39,400 --> 01:02:41,840 Speaker 1: you just lifted your shirt a little for some reason. 1207 01:02:41,840 --> 01:02:43,080 Speaker 1: I don't know what it was. And I was like, 1208 01:02:43,160 --> 01:02:48,240 Speaker 1: oh wait a second, I'm getting your shirt unveiling in Mexico. 1209 01:02:48,400 --> 01:02:51,560 Speaker 1: Oh gee, I gotta get to lift your shirt. No 1210 01:02:51,600 --> 01:02:53,960 Speaker 1: one's take look at that's pretty good. There you go. 1211 01:02:54,120 --> 01:02:58,160 Speaker 1: You some definition? You have that, Charlie Poothie Mexico. Let's 1212 01:02:58,160 --> 01:03:02,880 Speaker 1: see who you did? Listen to scary you get some definition, bro? 1213 01:03:03,680 --> 01:03:05,520 Speaker 1: All right, let's get him to the Daniel Report. Daniel, 1214 01:03:05,560 --> 01:03:07,280 Speaker 1: what are you going? All right? So one of I 1215 01:03:07,360 --> 01:03:10,200 Speaker 1: know my favorite songs and Nate's favorite songs on the 1216 01:03:10,320 --> 01:03:13,120 Speaker 1: edge shear an album is Galway Girl, right, So anyway, 1217 01:03:13,480 --> 01:03:16,240 Speaker 1: he wanted to get a tattoo. He just filmed the 1218 01:03:16,320 --> 01:03:18,400 Speaker 1: video for it, and his actress friend is in the 1219 01:03:18,520 --> 01:03:22,560 Speaker 1: video playing the girl. And she went and tattooed him. 1220 01:03:23,280 --> 01:03:25,560 Speaker 1: She wrote, like a really cool tattoo. She made it 1221 01:03:25,800 --> 01:03:29,600 Speaker 1: up herself. He had it tattooed on his arm and 1222 01:03:29,680 --> 01:03:32,560 Speaker 1: guess what. Instead of Gallway Girl, it says Galway Grill. 1223 01:03:33,040 --> 01:03:34,880 Speaker 1: And she did it on purpose as a joke, and 1224 01:03:34,960 --> 01:03:36,600 Speaker 1: now he's had to live with the word grill on 1225 01:03:36,720 --> 01:03:39,080 Speaker 1: his arm. He didn't look at it first. I guess not. 1226 01:03:39,560 --> 01:03:43,840 Speaker 1: I don't understand. He just talked to this yesterday, so 1227 01:03:44,280 --> 01:03:46,360 Speaker 1: I don't know. Whatever. The song is amazing, though you 1228 01:03:46,440 --> 01:03:48,520 Speaker 1: have the album, you know what I'm talking about. Paramour 1229 01:03:48,560 --> 01:03:50,520 Speaker 1: has a new album coming out May twelfth, so excited 1230 01:03:50,520 --> 01:03:52,960 Speaker 1: about this. It's called After Laughter, and there's a new 1231 01:03:53,080 --> 01:03:56,240 Speaker 1: video for their single hard Times. Britney spears. Is she 1232 01:03:56,280 --> 01:03:59,240 Speaker 1: about to propose to her boyfriend Sam. They have been 1233 01:03:59,320 --> 01:04:02,120 Speaker 1: dating for about five months, and the rumor is that 1234 01:04:02,280 --> 01:04:04,240 Speaker 1: she really isn't going to wait around for him. She 1235 01:04:04,400 --> 01:04:06,720 Speaker 1: wants to move things forward and she wants to ask 1236 01:04:06,840 --> 01:04:09,360 Speaker 1: him to marry her. So we'll see if that happens. 1237 01:04:10,120 --> 01:04:12,560 Speaker 1: Julia Roberts has been named People Magazine's the Most Beautiful 1238 01:04:12,600 --> 01:04:14,520 Speaker 1: Woman in the World. It's the fifth time she is 1239 01:04:14,560 --> 01:04:17,360 Speaker 1: gracing the cover. She was twenty six the first time 1240 01:04:17,400 --> 01:04:19,320 Speaker 1: she got the title, and now she is the age 1241 01:04:19,440 --> 01:04:22,040 Speaker 1: nable day or forty six. She also won in two 1242 01:04:22,080 --> 01:04:23,840 Speaker 1: thousand and two thousand and five, two thousand and ten, 1243 01:04:23,920 --> 01:04:27,920 Speaker 1: so congratulations to her. Very exciting stuff. Tonight on television, 1244 01:04:27,960 --> 01:04:31,280 Speaker 1: there's a show on Lifetime at nine o'clock Eastern Time 1245 01:04:31,320 --> 01:04:36,360 Speaker 1: called Married at First I'm sorry, Married at First Sight 1246 01:04:36,400 --> 01:04:38,480 Speaker 1: I'm meeting the oats and it's bothering him at get 1247 01:04:38,520 --> 01:04:41,480 Speaker 1: married at first sight? Get married at first Sight. So basically, 1248 01:04:41,760 --> 01:04:44,960 Speaker 1: these people do not meet until they walk down the aisle. 1249 01:04:45,000 --> 01:04:48,240 Speaker 1: They see they have not seen each other. They walk 1250 01:04:48,320 --> 01:04:51,080 Speaker 1: down the aisle, they get married, and then the whole 1251 01:04:51,160 --> 01:04:54,800 Speaker 1: show is like the wedding, the honeymoon, you know, the 1252 01:04:54,920 --> 01:04:56,760 Speaker 1: nesting stage, and then in the end they have to 1253 01:04:56,840 --> 01:04:58,800 Speaker 1: decide do we want to stay together or do we 1254 01:04:58,880 --> 01:05:02,600 Speaker 1: want to get a divorce. That's the show that is crazy. 1255 01:05:03,000 --> 01:05:05,680 Speaker 1: So that's on tonight on Lifetimes. Makes you check it out? 1256 01:05:05,760 --> 01:05:09,000 Speaker 1: Married at First Sight? Would you do that? No, well 1257 01:05:09,040 --> 01:05:11,120 Speaker 1: they will. I'm gonna watch it. I gonna see what's 1258 01:05:11,120 --> 01:05:16,680 Speaker 1: going on. Thank you, Danielle call us two zero one hundred. 1259 01:05:16,800 --> 01:05:21,960 Speaker 1: I love you guys. Duran in the Morning show, Are 1260 01:05:22,080 --> 01:05:25,400 Speaker 1: you single? That's okay? Are you dating on Match? If 1261 01:05:25,480 --> 01:05:27,720 Speaker 1: you're single and not dating on Match, then you're really 1262 01:05:27,800 --> 01:05:30,960 Speaker 1: missing out. Search and connect for free today only at 1263 01:05:31,080 --> 01:05:35,080 Speaker 1: match dot com slash elvis. That's m ATC dot com 1264 01:05:35,240 --> 01:05:47,320 Speaker 1: slash elvis. Who excuse me, it's been brought to my 1265 01:05:47,400 --> 01:05:49,960 Speaker 1: attention that a few bad apples out there to smoking 1266 01:05:50,040 --> 01:05:55,320 Speaker 1: metahuana cool Elvis Duran in the morning show marri Juanna 1267 01:05:55,400 --> 01:05:59,720 Speaker 1: is bad. It is four twenty for those who need 1268 01:05:59,760 --> 01:06:05,360 Speaker 1: to know, it's four twenty. Now you have it. Hey, 1269 01:06:05,400 --> 01:06:09,360 Speaker 1: you know what comes out tomorrow? And I feel like 1270 01:06:09,440 --> 01:06:13,280 Speaker 1: this is the Christmas even away. I'm so excited about 1271 01:06:13,480 --> 01:06:19,360 Speaker 1: opening up a brand new Samsung GS eight. It's the eight, right, Yeah, 1272 01:06:19,400 --> 01:06:23,760 Speaker 1: the Samsung Galaxy S eight. I was reading something about 1273 01:06:23,760 --> 01:06:26,240 Speaker 1: it online the other day about how incredible this phone is. 1274 01:06:26,840 --> 01:06:29,480 Speaker 1: It has the Infinity display, it doesn't but it doesn't 1275 01:06:29,480 --> 01:06:30,880 Speaker 1: it doesn't have a home button on it. I'm like, 1276 01:06:31,240 --> 01:06:33,280 Speaker 1: how do you get home? What am I gonna do? 1277 01:06:35,720 --> 01:06:38,440 Speaker 1: I don't know. This is why I'm excited. Take me home. 1278 01:06:39,480 --> 01:06:41,680 Speaker 1: It's been a long time since I've been so excited 1279 01:06:41,720 --> 01:06:45,240 Speaker 1: about new gear. Yeah, and I want to. I want to. 1280 01:06:45,280 --> 01:06:47,120 Speaker 1: I'm gonna play with it. So they're sending me one 1281 01:06:47,160 --> 01:06:50,800 Speaker 1: to unbox on the show tomorrow, Lucky Dog. You can 1282 01:06:50,840 --> 01:06:53,400 Speaker 1: smell it, the smell of new technology, I know. But 1283 01:06:53,720 --> 01:06:56,920 Speaker 1: they're saying it really is going to revolutionize the way 1284 01:06:57,080 --> 01:07:00,480 Speaker 1: we use our mobile device. Wow. So okay, hey, bring it, 1285 01:07:01,200 --> 01:07:03,360 Speaker 1: bring it. Let me see it. Nice, let me see 1286 01:07:03,400 --> 01:07:07,280 Speaker 1: this beautiful work of art. So the Samsung Galaxy S eight, 1287 01:07:07,360 --> 01:07:10,080 Speaker 1: the g S eight. It sounds like a jet plane, 1288 01:07:10,200 --> 01:07:12,000 Speaker 1: it does. Are they going to deliver it today or 1289 01:07:12,040 --> 01:07:14,600 Speaker 1: tomorrow morning? What's going to be here by tomorrow? If 1290 01:07:14,600 --> 01:07:16,320 Speaker 1: they deliver it today, I'm totally taking But you're not 1291 01:07:17,840 --> 01:07:20,320 Speaker 1: because you leave early back off, and I leave later 1292 01:07:20,400 --> 01:07:22,520 Speaker 1: than you, and they shall lie and say never came never. 1293 01:07:22,640 --> 01:07:25,680 Speaker 1: It's weird that I'm gonna make sure they I'm going 1294 01:07:25,760 --> 01:07:27,920 Speaker 1: to see the signature of the person who signs for it, right, 1295 01:07:28,360 --> 01:07:30,200 Speaker 1: it does? It sounds like a jet plane. How'd you 1296 01:07:30,240 --> 01:07:33,720 Speaker 1: get here? We flew out on our GS Hey, yeah, 1297 01:07:33,840 --> 01:07:38,240 Speaker 1: we had We drank from christall hung out with Charlie 1298 01:07:38,280 --> 01:07:41,880 Speaker 1: Pooth in the back and they were working out yours. 1299 01:07:42,200 --> 01:07:45,520 Speaker 1: I'm g sa. It sounds like a plane, isn't It's 1300 01:07:45,520 --> 01:07:48,480 Speaker 1: a plane that Enrique I Glasiers has the gas just 1301 01:07:48,520 --> 01:07:52,120 Speaker 1: like a GS four, but a G way better for him. 1302 01:07:52,360 --> 01:07:55,760 Speaker 1: See it really is. It's all glass is I've been 1303 01:07:55,920 --> 01:07:57,800 Speaker 1: reading all the tech blogs about it. All glass, no 1304 01:07:57,920 --> 01:07:59,840 Speaker 1: home button. It's like an infinity display that goes on 1305 01:08:00,000 --> 01:08:02,680 Speaker 1: forever and never. But literally, how you get home? Well, 1306 01:08:02,680 --> 01:08:04,200 Speaker 1: how do you fit in your pocket? If it goes 1307 01:08:04,240 --> 01:08:06,960 Speaker 1: on and on and on Infinity knows it knows what 1308 01:08:07,120 --> 01:08:09,920 Speaker 1: you need when you need it. No, that's kind of creepy. 1309 01:08:10,280 --> 01:08:13,000 Speaker 1: It does. It's better than a man. Then it knows 1310 01:08:13,080 --> 01:08:15,040 Speaker 1: what you need when you need it. I didn't say that. 1311 01:08:15,200 --> 01:08:16,559 Speaker 1: I want to get one of these in my life. 1312 01:08:16,640 --> 01:08:18,560 Speaker 1: What's Straightena? Straighten eight has this weird look in his 1313 01:08:19,000 --> 01:08:20,960 Speaker 1: I just got something. I don't know if they intended 1314 01:08:21,000 --> 01:08:24,320 Speaker 1: to do this what I'm a nerd. So the sign 1315 01:08:24,400 --> 01:08:28,720 Speaker 1: for Infinity is this eight? Yeah, it's the eight sideways, 1316 01:08:29,000 --> 01:08:32,760 Speaker 1: but it's it's an eight, so it's the GS Infinity. Yeah, 1317 01:08:32,880 --> 01:08:36,240 Speaker 1: all right, I just got that. All right. It's here tomorrow. Yeah, 1318 01:08:36,240 --> 01:08:39,040 Speaker 1: I think on its four twenty. It's here tomorrow. Les 1319 01:08:39,080 --> 01:08:41,479 Speaker 1: Bethany gets our hands on it today. Yeah, right, hands 1320 01:08:41,479 --> 01:08:44,880 Speaker 1: off the merchandise. Can't promise? Yes, No, I want you 1321 01:08:44,920 --> 01:08:46,800 Speaker 1: to promise. You're gonna keep your hands off mine. I don't. 1322 01:08:47,160 --> 01:08:51,320 Speaker 1: I don't soil your things. You don't soil mind. How 1323 01:08:51,360 --> 01:08:53,960 Speaker 1: about this? If you love it so much, you should 1324 01:08:54,000 --> 01:08:57,360 Speaker 1: get it's all one? No, I think that's all right. 1325 01:08:57,360 --> 01:09:00,679 Speaker 1: We gotta move on. But the Samsung GS eight here tomorrow. 1326 01:09:01,200 --> 01:09:03,960 Speaker 1: I'm excited about playing with it and the new phone. 1327 01:09:08,000 --> 01:09:10,000 Speaker 1: Oh in turn, Patrick, can you come here for just 1328 01:09:10,120 --> 01:09:12,960 Speaker 1: a second. I don't know if this is a good idea, 1329 01:09:13,040 --> 01:09:15,320 Speaker 1: but I look, if you're out there in the dating world, 1330 01:09:16,560 --> 01:09:21,000 Speaker 1: Hi Patrick, Hi everybody. All right, So if you're out 1331 01:09:21,040 --> 01:09:23,960 Speaker 1: there in the dating world, you gotta understand it's you're 1332 01:09:24,000 --> 01:09:26,960 Speaker 1: gonna have EBB and flow. You're gonna have some rocky roads, 1333 01:09:26,960 --> 01:09:30,360 Speaker 1: You're gonna have some smooth smooth sailing. It's not always great, 1334 01:09:30,400 --> 01:09:32,720 Speaker 1: but it's always an adventure. You must agree. Oh yeah, 1335 01:09:32,800 --> 01:09:37,439 Speaker 1: for sure. Okay, So, uh, where do you want to 1336 01:09:37,479 --> 01:09:41,360 Speaker 1: start with Patrick's dating life? Okay, I guess we'll start. 1337 01:09:41,479 --> 01:09:44,519 Speaker 1: So I've been trying to find people. So I started. 1338 01:09:44,720 --> 01:09:49,240 Speaker 1: I started some online dating, okay, And my first night 1339 01:09:50,120 --> 01:09:52,880 Speaker 1: I'm on there and some guy offers me twenty bucks 1340 01:09:53,439 --> 01:09:56,200 Speaker 1: if I would let him smell my socks. Oh god, 1341 01:09:57,000 --> 01:10:01,120 Speaker 1: how'd that go for you? Very poorly? Oh no, no, 1342 01:10:01,240 --> 01:10:03,800 Speaker 1: so you eat anybody? You didn't meet up with him 1343 01:10:03,800 --> 01:10:06,800 Speaker 1: at all? Oh no, no, no, no, I thought, no, Well, 1344 01:10:07,240 --> 01:10:08,960 Speaker 1: how do you how do you start that conversation with 1345 01:10:09,040 --> 01:10:10,760 Speaker 1: the guy? How do you meet up with them? Well? No, 1346 01:10:10,880 --> 01:10:13,080 Speaker 1: just say look, no, thank you, I'll move. But you 1347 01:10:13,200 --> 01:10:15,320 Speaker 1: did meet someone and you went out on a date. Yes, 1348 01:10:15,479 --> 01:10:18,720 Speaker 1: tell about now here here this date here you hear 1349 01:10:18,760 --> 01:10:22,120 Speaker 1: you go right ahead? Pack Okay. So, um, this guy 1350 01:10:22,240 --> 01:10:23,880 Speaker 1: asked me out on a date. I said, all right, 1351 01:10:24,280 --> 01:10:27,519 Speaker 1: So we decided to go to the movies. Um, and 1352 01:10:27,720 --> 01:10:29,759 Speaker 1: he said, well, why don't we go see Power Rangers? 1353 01:10:30,439 --> 01:10:34,479 Speaker 1: And I thought, okay, power Rangers romantic? Okay, yeah yeah? 1354 01:10:34,960 --> 01:10:38,080 Speaker 1: Um so then uh, we go see Power Rangers and 1355 01:10:38,200 --> 01:10:40,640 Speaker 1: he said to me, um, well can you buy your 1356 01:10:40,680 --> 01:10:44,200 Speaker 1: own ticket? I can't pay. I said, all right, okay, 1357 01:10:44,800 --> 01:10:47,559 Speaker 1: like I get it, we're both students. And he said 1358 01:10:47,600 --> 01:10:49,439 Speaker 1: to me, yeah, no, I've seen all the other movies. 1359 01:10:49,479 --> 01:10:51,200 Speaker 1: So like we're going to see Power Rangers and like 1360 01:10:51,320 --> 01:10:54,000 Speaker 1: you have to pay? All right? Okay, so he so, okay, 1361 01:10:54,400 --> 01:10:56,920 Speaker 1: so you went to a movie that he wanted to 1362 01:10:57,080 --> 01:10:59,160 Speaker 1: because he admitted that that was the only one. And 1363 01:10:59,240 --> 01:11:01,920 Speaker 1: then he also, so you're also gonna pay. So this 1364 01:11:02,040 --> 01:11:04,639 Speaker 1: is all about him? Yes, okay, everything is about him. Okay. 1365 01:11:04,800 --> 01:11:08,400 Speaker 1: Did he offer to pay you to sniff your socks? No? 1366 01:11:08,520 --> 01:11:11,000 Speaker 1: I wish I would have taken it though, Okay. So okay, okay, 1367 01:11:11,200 --> 01:11:12,600 Speaker 1: I'm gonna be honest with you, and I want to 1368 01:11:12,640 --> 01:11:14,599 Speaker 1: hear more about this. Conversation that you had with him 1369 01:11:14,600 --> 01:11:16,800 Speaker 1: and how the night went. But all right, so Power 1370 01:11:16,920 --> 01:11:19,680 Speaker 1: Rangers very unusual, unique movie to take someone on a 1371 01:11:19,720 --> 01:11:22,639 Speaker 1: first day too. Okay, I think it's kind of creative 1372 01:11:22,680 --> 01:11:26,959 Speaker 1: and kind of interesting. Secondly, your students, dating is expensive, 1373 01:11:27,000 --> 01:11:28,519 Speaker 1: and I want to get into this later. A lot 1374 01:11:28,560 --> 01:11:30,439 Speaker 1: of people are not even out in the dating world 1375 01:11:30,640 --> 01:11:33,240 Speaker 1: simply because they can't afford to date. But anyway, so 1376 01:11:33,320 --> 01:11:34,960 Speaker 1: he made you pay for your ticket. So how did 1377 01:11:35,000 --> 01:11:38,280 Speaker 1: the conversation. I'm not really hating this date so far. Yeah, no, no, no, 1378 01:11:38,400 --> 01:11:39,880 Speaker 1: it's not the worst. So how did the conversation? Oh, 1379 01:11:39,920 --> 01:11:43,559 Speaker 1: there's worse at the conversation. So we're sitting in the theater. 1380 01:11:43,880 --> 01:11:46,200 Speaker 1: It's right after the previews, and you know that moment 1381 01:11:46,320 --> 01:11:49,519 Speaker 1: when when the surround sound guy comes on and he 1382 01:11:49,720 --> 01:11:53,040 Speaker 1: like whispers the all around you voice thing, I'm over here, 1383 01:11:53,080 --> 01:11:55,720 Speaker 1: I'm over there. Yeah. Well, right before that starts, the 1384 01:11:55,840 --> 01:11:58,720 Speaker 1: guy turns to me and he said, um, so this 1385 01:11:58,840 --> 01:12:01,320 Speaker 1: is my favorite part, favorite part about the movie. And 1386 01:12:01,400 --> 01:12:06,240 Speaker 1: then he whispers the all around you to me in 1387 01:12:06,360 --> 01:12:09,880 Speaker 1: the same time as a surround sound voice and in 1388 01:12:10,160 --> 01:12:13,640 Speaker 1: sync with the surround sound voice, totally in sync. Now 1389 01:12:13,680 --> 01:12:15,320 Speaker 1: you guys, were were you sober? Because that would have 1390 01:12:15,360 --> 01:12:17,200 Speaker 1: freaked me out, totally sober. That would have freaked me, 1391 01:12:17,520 --> 01:12:19,400 Speaker 1: And I thought, I have to sit through a full movie. 1392 01:12:19,479 --> 01:12:21,040 Speaker 1: Now I have to sit through a full movie with 1393 01:12:21,120 --> 01:12:23,080 Speaker 1: this guy who just whispered that in my ear. It 1394 01:12:23,200 --> 01:12:25,720 Speaker 1: was absurd. I've never had that be he whispered to 1395 01:12:25,840 --> 01:12:32,280 Speaker 1: good oh oh around you. All right, so you watched 1396 01:12:32,320 --> 01:12:35,320 Speaker 1: the movie? Yeah, and then after the movie, then what 1397 01:12:35,439 --> 01:12:39,120 Speaker 1: happens you know after the movie? Not too much? Yeah, 1398 01:12:39,200 --> 01:12:43,120 Speaker 1: I mean we went for ice cream once once again, 1399 01:12:43,280 --> 01:12:46,560 Speaker 1: we each paid for our own Okay, Okay, fine, I 1400 01:12:47,080 --> 01:12:49,040 Speaker 1: have no problem with that. You soundly disappointed that he 1401 01:12:49,080 --> 01:12:52,480 Speaker 1: didn't offer to pay, But I mean a little disappointed 1402 01:12:52,479 --> 01:12:54,200 Speaker 1: at least, like for something, because he was the one 1403 01:12:54,200 --> 01:12:57,600 Speaker 1: who initiated the conversation. Okay, say something, yes, please do 1404 01:12:58,040 --> 01:13:02,080 Speaker 1: it's in. This guy is not the worst for what 1405 01:13:02,280 --> 01:13:04,960 Speaker 1: he did, but he's terrible at the way he presented it. 1406 01:13:05,520 --> 01:13:07,840 Speaker 1: Like if he had said, you know what, I really 1407 01:13:07,960 --> 01:13:10,720 Speaker 1: want to see the Power Rangers movie. Great, but he 1408 01:13:10,840 --> 01:13:12,519 Speaker 1: said he wanted to see it because he'd already seen 1409 01:13:12,560 --> 01:13:15,920 Speaker 1: everything else. Strike one. It's all about him, right. He 1410 01:13:16,040 --> 01:13:19,639 Speaker 1: also could have been like, while you guys are texting, Hey, 1411 01:13:20,240 --> 01:13:22,760 Speaker 1: do you mind if we go Dutch? I'm broke. I'm 1412 01:13:22,800 --> 01:13:25,920 Speaker 1: guessing you're probably, But instead he waited until you were 1413 01:13:26,040 --> 01:13:27,800 Speaker 1: there and then was like, by the way, you're paying 1414 01:13:27,840 --> 01:13:30,400 Speaker 1: for yours. Strike two. Strike two. It's not what he did, 1415 01:13:30,479 --> 01:13:33,720 Speaker 1: it's how he did it. Okay, it's strike three, he whispered. Oh, 1416 01:13:36,960 --> 01:13:40,040 Speaker 1: and actually going out with a with another guy to 1417 01:13:40,160 --> 01:13:42,320 Speaker 1: see a Power Rangers movie. It sounds like like a date, 1418 01:13:42,479 --> 01:13:44,160 Speaker 1: not even a date, like two dudes going out like 1419 01:13:44,200 --> 01:13:50,759 Speaker 1: two straight guys. Yeah, what are you doing to anyway? 1420 01:13:50,800 --> 01:13:54,120 Speaker 1: All right? So, so the dating world is it's a 1421 01:13:54,320 --> 01:13:57,400 Speaker 1: frightening place. Sometimes it's a little comical, and you can 1422 01:13:57,560 --> 01:13:59,240 Speaker 1: talk about it and laugh about it on the radio. 1423 01:13:59,360 --> 01:14:04,080 Speaker 1: So okay, guys looking better and better. Yeah, Ever, since 1424 01:14:04,120 --> 01:14:07,080 Speaker 1: you said that, we received a text some guy said 1425 01:14:07,160 --> 01:14:08,960 Speaker 1: he was at the gym and another guy offered him 1426 01:14:08,960 --> 01:14:10,680 Speaker 1: a thousand dollars if he could let him go to 1427 01:14:10,760 --> 01:14:15,240 Speaker 1: the parking lot and suck his toes. I'm like, would 1428 01:14:15,240 --> 01:14:18,880 Speaker 1: you accept twenty dollars for for toe sucking? No? No, 1429 01:14:19,000 --> 01:14:21,600 Speaker 1: a thousand? I would mean I'm a thousand dollars, would you? 1430 01:14:22,040 --> 01:14:25,040 Speaker 1: You would? Some stranger in the gym that said I'll 1431 01:14:25,080 --> 01:14:28,400 Speaker 1: give you money. Is this him? Oh my god, a 1432 01:14:28,479 --> 01:14:31,400 Speaker 1: thousand dollars? Hold on, is this you? He offered you 1433 01:14:31,439 --> 01:14:35,680 Speaker 1: a thousand dollars to suck your toes? Yeah, okay, all right, 1434 01:14:36,080 --> 01:14:38,280 Speaker 1: well no, no, it's easy to sit and go wild. Man, 1435 01:14:38,320 --> 01:14:39,960 Speaker 1: there's a thousand dollars. There's a lot of money. But 1436 01:14:40,000 --> 01:14:44,720 Speaker 1: and would you spend your thousand dollars on? Your name 1437 01:14:44,840 --> 01:14:49,920 Speaker 1: is Fred? Right? Yeah? Okay? Question? Yeah? Is it? Is 1438 01:14:49,960 --> 01:14:51,880 Speaker 1: it easy for us to go, oh but come on, 1439 01:14:52,040 --> 01:14:54,559 Speaker 1: man takes a thousand dollars and let him suck your toes. 1440 01:14:55,200 --> 01:14:58,000 Speaker 1: But when you're in the situation, it's a lot different, 1441 01:14:58,120 --> 01:15:02,679 Speaker 1: isn't noth I mean it was, it was even more 1442 01:15:02,760 --> 01:15:06,679 Speaker 1: than that. Um it started a thousand dollars and over 1443 01:15:06,760 --> 01:15:11,479 Speaker 1: the months, Um if he came wanting to bring me 1444 01:15:11,600 --> 01:15:17,519 Speaker 1: to his house for his anniversary dinner. Yeah, it's just 1445 01:15:17,600 --> 01:15:19,400 Speaker 1: a it's just a weird scene. You didn't want to 1446 01:15:19,520 --> 01:15:21,200 Speaker 1: have any part of it, and I don't blame you. 1447 01:15:21,680 --> 01:15:24,000 Speaker 1: But my point is this, it's so easy for everyone 1448 01:15:24,000 --> 01:15:26,040 Speaker 1: in this room to go, man, a thousand dollars, let 1449 01:15:26,160 --> 01:15:27,760 Speaker 1: him talk your toes. And it's a thousand dollars and 1450 01:15:27,760 --> 01:15:29,800 Speaker 1: it never see him again. But no, but if it's 1451 01:15:29,960 --> 01:15:32,719 Speaker 1: you and it's happening to you, you're a little faster 1452 01:15:32,840 --> 01:15:34,800 Speaker 1: to go. I don't think so. And how is this 1453 01:15:34,920 --> 01:15:38,200 Speaker 1: conversation even initiated? Like when you bench pressing and he 1454 01:15:38,320 --> 01:15:42,040 Speaker 1: walked over to you. It was it in the locker room? No, no, 1455 01:15:42,160 --> 01:15:44,840 Speaker 1: it was in a It was just at you know, 1456 01:15:45,000 --> 01:15:47,680 Speaker 1: just lifting weights. And you know he started one day 1457 01:15:47,800 --> 01:15:50,559 Speaker 1: seeing he likes my shoes, and oh, it always starts. 1458 01:15:51,360 --> 01:15:55,280 Speaker 1: I like your shoes. That's the gateway conversation. Yeah, it 1459 01:15:55,400 --> 01:15:58,040 Speaker 1: just it just really really built on scenario. It was 1460 01:15:58,120 --> 01:16:04,400 Speaker 1: pretty uh, you know, and I'm the guy always talk 1461 01:16:04,439 --> 01:16:06,760 Speaker 1: to the guy, say hi and everything, and well, I 1462 01:16:06,840 --> 01:16:08,639 Speaker 1: hope he got the message Fred, and he just left 1463 01:16:08,680 --> 01:16:12,000 Speaker 1: you alone. I mean was he admiring you? Are you 1464 01:16:12,120 --> 01:16:21,120 Speaker 1: on the toe toe curl machine about six months? Wow? Yeah, 1465 01:16:21,280 --> 01:16:23,880 Speaker 1: don't let that discourage you can find another gym. But listen, 1466 01:16:24,000 --> 01:16:25,240 Speaker 1: best to luck to you, and I don't blame you. 1467 01:16:25,479 --> 01:16:28,519 Speaker 1: You did not accept the thousand dollars, correct, I certainly 1468 01:16:28,560 --> 01:16:30,680 Speaker 1: did not. Okay, just making sure I don't blame him. 1469 01:16:30,720 --> 01:16:33,200 Speaker 1: It is a lot of money, but hello, there's dignity 1470 01:16:33,240 --> 01:16:35,720 Speaker 1: at stake here. Yeah, and I suppose if it's at 1471 01:16:35,760 --> 01:16:37,719 Speaker 1: the gym, like you're gonna have to see him again 1472 01:16:37,880 --> 01:16:40,639 Speaker 1: and like it might get weird. It might get weird. 1473 01:16:40,680 --> 01:16:45,640 Speaker 1: It's already weird. Least was it at least attractive? He 1474 01:16:45,760 --> 01:16:48,840 Speaker 1: was about forty years older than me. Okay, well what 1475 01:16:48,920 --> 01:16:51,920 Speaker 1: does that matter? We'll wait, is Bethany you're good? Agree 1476 01:16:51,960 --> 01:16:54,200 Speaker 1: with me on this? If a hot guy walks over 1477 01:16:54,320 --> 01:16:57,320 Speaker 1: and says, can I suck your toes? You might for 1478 01:16:57,439 --> 01:17:00,439 Speaker 1: the thousand dollars say yes. If it's not someone you're 1479 01:17:00,439 --> 01:17:02,800 Speaker 1: so attracted to that m way, you know, we don't 1480 01:17:02,800 --> 01:17:07,120 Speaker 1: even know if Fred is into guys? Guy? Is he 1481 01:17:07,200 --> 01:17:09,000 Speaker 1: done into guy? But isn't that I'm sure you know 1482 01:17:09,080 --> 01:17:10,920 Speaker 1: a good looking guy when you say one. Okay, wait 1483 01:17:11,000 --> 01:17:14,519 Speaker 1: now now Fred, Now Fred a decent looking guy. But um, 1484 01:17:14,960 --> 01:17:17,479 Speaker 1: you know there's just all my friends bust my balls 1485 01:17:17,560 --> 01:17:19,840 Speaker 1: saying you know, how much would it cost you to 1486 01:17:20,000 --> 01:17:22,639 Speaker 1: let this happen? What's your price for busting your balls? 1487 01:17:22,680 --> 01:17:25,200 Speaker 1: How much is it? I mean I'd probably say fifty 1488 01:17:25,240 --> 01:17:32,960 Speaker 1: grand Fred didn't even pause a number in mind. Now, now, 1489 01:17:33,040 --> 01:17:36,000 Speaker 1: what if it was an attractive woman who came over 1490 01:17:36,080 --> 01:17:38,280 Speaker 1: and said, hey, for a thousand dollars. Let's go to 1491 01:17:38,320 --> 01:17:40,200 Speaker 1: the parking lot. I'm going to suck your toes. Would 1492 01:17:40,200 --> 01:17:42,400 Speaker 1: you consider it more or less? Or is it still 1493 01:17:42,520 --> 01:17:44,479 Speaker 1: just a no? I'm not going to anyone pay me 1494 01:17:44,560 --> 01:17:47,120 Speaker 1: anything to suck my toes. I drop it down to 1495 01:17:47,200 --> 01:17:51,120 Speaker 1: like thirty grand all right, you get the pretty woman discount, 1496 01:17:51,520 --> 01:17:53,720 Speaker 1: but you do have to be really careful even if 1497 01:17:53,720 --> 01:17:56,960 Speaker 1: they're attractive, because they may use their teeth. Well, I'm 1498 01:17:56,960 --> 01:17:59,639 Speaker 1: sorry because Ted Buddy, I mean, he was like charming 1499 01:17:59,800 --> 01:18:02,920 Speaker 1: and he was attractive, and he, you know, would get 1500 01:18:03,000 --> 01:18:05,200 Speaker 1: people to help him carry things to his car and 1501 01:18:05,240 --> 01:18:08,040 Speaker 1: then he'd kill them. And there is that. Yeah, I'm 1502 01:18:08,560 --> 01:18:10,640 Speaker 1: changing my stance on the toe sucking. Well, Fred, I 1503 01:18:10,800 --> 01:18:12,880 Speaker 1: must agree with you. I think you made the right decision. 1504 01:18:13,040 --> 01:18:15,000 Speaker 1: You don't sell out. If you want someone to suck 1505 01:18:15,080 --> 01:18:16,840 Speaker 1: your toes, it should be someone you don't even want 1506 01:18:16,840 --> 01:18:18,200 Speaker 1: to pay. It should be someone you want to be 1507 01:18:18,320 --> 01:18:20,920 Speaker 1: with to begin with. You know what I'm saying. All right, Fred, 1508 01:18:20,960 --> 01:18:22,599 Speaker 1: you and your toes have a very very nice day. 1509 01:18:25,840 --> 01:18:29,360 Speaker 1: I don't know, I'd like to see a picture. You're 1510 01:18:29,439 --> 01:18:32,240 Speaker 1: creepy anyway. So so, Patrick, you're still out there in 1511 01:18:32,240 --> 01:18:35,439 Speaker 1: the dating world. Still out there yeah, and it's gonna 1512 01:18:35,439 --> 01:18:38,320 Speaker 1: be up, so it's gonna be down, but that's the way. Yeah, No, 1513 01:18:38,479 --> 01:18:41,000 Speaker 1: I'm not giving up. You're gonna keep this going. Dating 1514 01:18:41,080 --> 01:18:42,960 Speaker 1: can be fun and it gives you things to talk about. 1515 01:18:43,000 --> 01:18:46,720 Speaker 1: As long as you're not hurting or in pain, you're good. 1516 01:18:47,720 --> 01:18:49,400 Speaker 1: All right, thank you for coming in. All right, thank 1517 01:18:49,439 --> 01:18:53,120 Speaker 1: you Patrick, Power Rangers. And the sound was all around 1518 01:18:53,960 --> 01:18:56,759 Speaker 1: the way. It was good. It was good. Don't lose hope, Patrick, 1519 01:18:56,880 --> 01:19:02,880 Speaker 1: because there are men who are all around. Oh god, PTSD. 1520 01:19:03,160 --> 01:19:05,240 Speaker 1: But you know, and as we get into headlines, and 1521 01:19:05,280 --> 01:19:07,000 Speaker 1: I do want to bring this up when you're out 1522 01:19:07,000 --> 01:19:08,880 Speaker 1: of the dating world sometimes when we haven't done sound. 1523 01:19:09,120 --> 01:19:11,559 Speaker 1: When you're out in the dating world, it's rough enough 1524 01:19:11,560 --> 01:19:13,400 Speaker 1: finding the right person, someone who's not gonna irritate the 1525 01:19:13,439 --> 01:19:14,800 Speaker 1: living hell out of you, someone you don't want to 1526 01:19:14,840 --> 01:19:17,160 Speaker 1: spend time with. At the same time, dating is expensive. 1527 01:19:17,320 --> 01:19:19,920 Speaker 1: I know people who are not dating because they can't 1528 01:19:19,920 --> 01:19:22,680 Speaker 1: afford it. Right now, I had a friend who went 1529 01:19:22,800 --> 01:19:24,960 Speaker 1: on a lot of dates just because she couldn't afford groceries. 1530 01:19:25,000 --> 01:19:26,960 Speaker 1: And it was a way to eat. It wasn't like 1531 01:19:27,040 --> 01:19:29,160 Speaker 1: it wasn't like a homeless situation, but like she was 1532 01:19:29,360 --> 01:19:31,120 Speaker 1: you know, pinching pennies, and she was like, this is 1533 01:19:31,160 --> 01:19:34,120 Speaker 1: a free meal. There you go. All right, I'll let's 1534 01:19:34,120 --> 01:19:36,240 Speaker 1: get into sound with Garrett. Hey, Garrett, Hey, goom, what 1535 01:19:36,240 --> 01:19:37,400 Speaker 1: do you got going on? All right, let's start with 1536 01:19:37,479 --> 01:19:40,280 Speaker 1: some new music. Paramore dropped a new song yesterday. It's 1537 01:19:40,280 --> 01:19:49,000 Speaker 1: called hard Times excellent. That is like seventies disco right there, 1538 01:19:49,200 --> 01:19:57,880 Speaker 1: hard Times, that's Paramore. I love hearing from them, all right. 1539 01:19:57,920 --> 01:20:00,240 Speaker 1: And Lana del Rey featuring The Weekend. This is called 1540 01:20:00,320 --> 01:20:02,519 Speaker 1: lust for Life. Listen to the hook of this song. 1541 01:20:07,000 --> 01:20:22,559 Speaker 1: Let's take control and close Lana del right in the Weekend. Yes, 1542 01:20:22,680 --> 01:20:24,559 Speaker 1: what's the name of the song again? Lust for Life? 1543 01:20:26,040 --> 01:20:28,760 Speaker 1: Some sexy us. What was the first hit we played 1544 01:20:28,760 --> 01:20:32,880 Speaker 1: by the Weekend? It was such a hot earned it. 1545 01:20:33,479 --> 01:20:36,880 Speaker 1: What a sexy song that was? Yeah? From the fifty Shades? Yeah, absolutely, 1546 01:20:36,960 --> 01:20:39,519 Speaker 1: all right. This is Bethany's favorite video today. It's up 1547 01:20:39,520 --> 01:20:42,639 Speaker 1: at elvistrand dot com. Buddy the Beagle playing the piano 1548 01:20:42,720 --> 01:20:52,120 Speaker 1: and singing, oh, standing at the piano. Do you see 1549 01:20:57,360 --> 01:21:05,120 Speaker 1: is the video up? Five minutes? Okay? How many how 1550 01:21:05,160 --> 01:21:06,720 Speaker 1: many takes was that? Do you think? I don't know? 1551 01:21:07,000 --> 01:21:09,320 Speaker 1: And his tail is wagging you so happy. All right, 1552 01:21:09,400 --> 01:21:12,080 Speaker 1: So a dad of five daughters was in the delivering 1553 01:21:12,200 --> 01:21:15,160 Speaker 1: room with his wife who's giving birth to their sixth child. 1554 01:21:15,320 --> 01:21:17,960 Speaker 1: Sixth child. Dad didn't know if he was having a 1555 01:21:18,040 --> 01:21:27,400 Speaker 1: boy or a girl. Listen to what happens. Yeah, picture, 1556 01:21:27,880 --> 01:21:35,200 Speaker 1: oh baby, he has five girls, and finally a little 1557 01:21:35,240 --> 01:21:37,559 Speaker 1: boy pops out and his six daughters like, what the hell? 1558 01:21:37,680 --> 01:21:47,280 Speaker 1: Five daughters? This is the first one after five girl? 1559 01:21:48,120 --> 01:21:54,080 Speaker 1: Oh my god, what a day? Yeah, thanks dad? All right, 1560 01:21:54,120 --> 01:21:57,600 Speaker 1: So yesterday Starbucks unleashed their unicorn frappuccino. I know some 1561 01:21:57,720 --> 01:22:00,040 Speaker 1: of us around here tried it right, scary did that 1562 01:22:00,200 --> 01:22:03,000 Speaker 1: was very good? But did we ever think about the 1563 01:22:03,040 --> 01:22:04,760 Speaker 1: baristas and what they had to go through yesterday and 1564 01:22:04,880 --> 01:22:07,600 Speaker 1: making those unicorn frappuccinos. Well, wait, Bethany, you were a 1565 01:22:07,680 --> 01:22:11,000 Speaker 1: barista at Starbucks. Frappuccinos aren't are a pain in the ass. 1566 01:22:11,280 --> 01:22:14,320 Speaker 1: Brodie and I've both worked there. Frappuccinos are a nightmare 1567 01:22:14,400 --> 01:22:17,120 Speaker 1: to make. They slow down the entire process because instead 1568 01:22:17,120 --> 01:22:18,599 Speaker 1: of just working at the bar, you have to stop, 1569 01:22:18,640 --> 01:22:20,640 Speaker 1: you have to blend stuff, and there's so many more 1570 01:22:20,760 --> 01:22:23,520 Speaker 1: ingredients and so if you have to make a frappuccino, 1571 01:22:23,560 --> 01:22:24,960 Speaker 1: it's a nightmare. If you have to make a lot 1572 01:22:25,040 --> 01:22:28,160 Speaker 1: of them, it sucks. So this barista took the snapchat 1573 01:22:28,280 --> 01:22:31,160 Speaker 1: yesterday and made some videos on his thoughts after a 1574 01:22:31,240 --> 01:22:33,800 Speaker 1: long day of making unicorn frappuccinos. Well, today it came 1575 01:22:33,840 --> 01:22:38,200 Speaker 1: out and I have to tell you, please, don't get it. 1576 01:22:39,200 --> 01:22:42,960 Speaker 1: I've never made so many frappuccinos in my entire life. 1577 01:22:43,520 --> 01:22:47,320 Speaker 1: My hands are completely sticky. I have unicorn crap all 1578 01:22:47,400 --> 01:22:50,200 Speaker 1: in my hair and on my nose. I have never 1579 01:22:50,360 --> 01:22:53,800 Speaker 1: been so stressed out in my entire life. It has 1580 01:22:53,840 --> 01:22:58,719 Speaker 1: been insane. If you love us as barista does, don't 1581 01:22:59,400 --> 01:23:07,800 Speaker 1: order it. Wow. He sounds very intense. Yes, all right, 1582 01:23:07,800 --> 01:23:09,479 Speaker 1: and there you go. There's your sound. You're a very 1583 01:23:09,520 --> 01:23:11,720 Speaker 1: good America. Oh by way, and there's something else I 1584 01:23:11,720 --> 01:23:13,120 Speaker 1: want to bring it. We're gonna bring that up later 1585 01:23:13,160 --> 01:23:18,800 Speaker 1: about a joke that was told on um Albert Late 1586 01:23:18,840 --> 01:23:22,360 Speaker 1: Show Late Show with Colbert last night. Dave Brody, I 1587 01:23:22,439 --> 01:23:23,920 Speaker 1: own Dave Brody wrote, but I don't know if you 1588 01:23:24,040 --> 01:23:25,800 Speaker 1: got credit for this. We'll get into that in a minute. 1589 01:23:25,880 --> 01:23:28,320 Speaker 1: Let's get into headlines with Bettany. We also have bos Lerman. 1590 01:23:28,400 --> 01:23:29,680 Speaker 1: Just a quick look at the headlines. What do you 1591 01:23:29,720 --> 01:23:32,160 Speaker 1: have going on. Yes, Fox News has dropped Bill O'Reilly 1592 01:23:32,200 --> 01:23:35,639 Speaker 1: amid sexual harassment allegations. Tucker Carlson will be taking over 1593 01:23:35,840 --> 01:23:38,639 Speaker 1: his time slot. If you stayed at a Holiday Inn 1594 01:23:39,560 --> 01:23:42,360 Speaker 1: owned hotel last year, watch your accounts. The chain that 1595 01:23:42,439 --> 01:23:45,599 Speaker 1: owns Holiday Inn and Crown Plaza says malware's still customers 1596 01:23:45,640 --> 01:23:49,560 Speaker 1: credit and debit card information at more than a thousand hotels. 1597 01:23:50,200 --> 01:23:53,880 Speaker 1: The NFL is releasing their regular season schedule tonight at eight. 1598 01:23:54,640 --> 01:23:56,920 Speaker 1: Here is your hourly reminder to take a deep breath. 1599 01:23:57,400 --> 01:23:59,720 Speaker 1: Very good, and it's for twenty. According to some number 1600 01:23:59,760 --> 01:24:02,879 Speaker 1: crimes that go puff, the most popular pot smoking snacks 1601 01:24:03,000 --> 01:24:07,040 Speaker 1: are Ben and Jerry's sour Patch kids and Swedish fish excellent. 1602 01:24:07,240 --> 01:24:10,599 Speaker 1: There you go. Thank you. Bos Lerman. Loving him, We're 1603 01:24:10,800 --> 01:24:13,400 Speaker 1: loving watching Netflix and the Get Down. We're going to 1604 01:24:13,439 --> 01:24:18,479 Speaker 1: talk to him about that and other thing's next. Elvis Hello, Hello, 1605 01:24:19,600 --> 01:24:24,400 Speaker 1: real name Elvis Beyonce Marshall. Mothers Durand. Is Elvis Durand 1606 01:24:24,600 --> 01:24:30,519 Speaker 1: in the Morning Show, Elvis Duran in the Morning Show. 1607 01:24:31,600 --> 01:24:33,439 Speaker 1: Last time bos Lerman was here, we had so much fun. 1608 01:24:33,560 --> 01:24:38,559 Speaker 1: What a fascinating guy. I am obsessed with him. Away Yeah, well, 1609 01:24:38,560 --> 01:24:40,040 Speaker 1: look should we bring him in and let him be 1610 01:24:40,080 --> 01:24:41,439 Speaker 1: a fly on the wall as we talk about why 1611 01:24:41,479 --> 01:24:43,680 Speaker 1: we're obsessed with him. Yes, is that creepy? No? I 1612 01:24:43,720 --> 01:24:45,600 Speaker 1: think that's great. The second part of season one of 1613 01:24:45,640 --> 01:24:48,799 Speaker 1: The Get Down, Yeah, already released this month on Netflix. 1614 01:24:48,880 --> 01:24:52,920 Speaker 1: I'm up to the second episode. It's just fascinating how 1615 01:24:52,960 --> 01:24:55,759 Speaker 1: it's evolved from the first half of this first season. 1616 01:24:55,840 --> 01:24:58,000 Speaker 1: This is weird. I'm getting get confused. Season one. It 1617 01:24:58,040 --> 01:24:59,680 Speaker 1: seems like it'd be called season two, but it's still 1618 01:24:59,680 --> 01:25:02,479 Speaker 1: season one, but it's part two. Yeah, let's make some 1619 01:25:02,520 --> 01:25:10,200 Speaker 1: sense of this. Please welcome bos Lerman and your zippers down. Yeah. 1620 01:25:10,600 --> 01:25:16,040 Speaker 1: I look at things like that. Yeah, it's habitual with me. Yeah, 1621 01:25:16,479 --> 01:25:18,240 Speaker 1: it's so great to have you back. We have things 1622 01:25:18,280 --> 01:25:20,760 Speaker 1: to talk about it. I always love being here, So 1623 01:25:20,960 --> 01:25:24,360 Speaker 1: bos I gotta tell you. Yeah, I cracked open. Uh 1624 01:25:24,960 --> 01:25:28,599 Speaker 1: second part of season one of The Get Down. I'm 1625 01:25:28,680 --> 01:25:31,559 Speaker 1: up to the second episode. I've done both of those. Yeah, 1626 01:25:32,280 --> 01:25:35,920 Speaker 1: I see similarities, but I see some differences between the 1627 01:25:36,040 --> 01:25:39,560 Speaker 1: first half of the season. And the animation is fantastic 1628 01:25:39,960 --> 01:25:41,559 Speaker 1: and there's no way to describe it. I mean, you've 1629 01:25:41,560 --> 01:25:43,559 Speaker 1: got to see it for yourself. It's just powerful stuff, 1630 01:25:43,600 --> 01:25:45,000 Speaker 1: you know. What I think the big thing is is 1631 01:25:45,080 --> 01:25:49,000 Speaker 1: the first part, uh was, there were kids, and we 1632 01:25:49,240 --> 01:25:51,680 Speaker 1: did it in a very naive, simple way. But the 1633 01:25:51,800 --> 01:25:54,559 Speaker 1: second part they although it's only a year later, they've 1634 01:25:54,600 --> 01:25:57,600 Speaker 1: all really grown up, so it's darker. They're young adults, 1635 01:25:57,760 --> 01:26:04,960 Speaker 1: realities coming into their world. There's tragedy, Yes, tragic things happens. No, no, no, no, 1636 01:26:05,080 --> 01:26:08,400 Speaker 1: don't tell me. I'm not up to tragedy yet. What's 1637 01:26:08,400 --> 01:26:16,080 Speaker 1: going to die? Tragedy will be a great musical number. Okay, 1638 01:26:16,240 --> 01:26:18,759 Speaker 1: let's break it down to the simplest of simple. Soone's 1639 01:26:18,760 --> 01:26:20,439 Speaker 1: turning us on for the very first time. They've never 1640 01:26:20,520 --> 01:26:22,160 Speaker 1: heard our show, they don't know who you are, they 1641 01:26:22,160 --> 01:26:24,040 Speaker 1: don't know what to get down is. And even if 1642 01:26:24,040 --> 01:26:25,679 Speaker 1: they've heard of it, they didn't even see the first 1643 01:26:25,720 --> 01:26:27,920 Speaker 1: part of the season. How do you sell it to them? 1644 01:26:28,160 --> 01:26:30,559 Speaker 1: What do you say that makes people go, I think 1645 01:26:30,600 --> 01:26:32,720 Speaker 1: I need to watch that? Yeah, I think. I mean 1646 01:26:32,840 --> 01:26:35,200 Speaker 1: in the first part, we spent a lot of energy 1647 01:26:35,240 --> 01:26:38,200 Speaker 1: setting up the world, and we were very very conscious 1648 01:26:38,520 --> 01:26:41,600 Speaker 1: of being so respectful to the forefathers, the people that 1649 01:26:41,840 --> 01:26:44,760 Speaker 1: had had these kids that had nothing, that were living 1650 01:26:44,800 --> 01:26:46,840 Speaker 1: in the wrongs in a time in New York when 1651 01:26:46,880 --> 01:26:48,920 Speaker 1: there was nothing. You know, they were taking away it 1652 01:26:48,960 --> 01:26:51,320 Speaker 1: sound familiar school programs for music that were you know. 1653 01:26:51,400 --> 01:26:54,080 Speaker 1: So what I do with two records? Can I invent something? Uh? 1654 01:26:54,320 --> 01:26:56,600 Speaker 1: No art classes? What have I paid my name on 1655 01:26:56,680 --> 01:26:58,280 Speaker 1: a train? You know, because Mama, when I see my 1656 01:26:58,360 --> 01:27:00,680 Speaker 1: name up there, I am someone. No idea that you 1657 01:27:00,760 --> 01:27:02,880 Speaker 1: get paid for it. You risk your life to do it. 1658 01:27:02,960 --> 01:27:05,720 Speaker 1: You know. That's why I came into the show The 1659 01:27:05,800 --> 01:27:07,800 Speaker 1: Forefathers of White Well. I think I think what you 1660 01:27:07,840 --> 01:27:10,040 Speaker 1: would call now hip hop, which isn't just a music, 1661 01:27:10,680 --> 01:27:14,400 Speaker 1: it's an attitude. It's the music, it's an art form, 1662 01:27:14,560 --> 01:27:18,839 Speaker 1: it's dance, and really hip hop is this incredible collage 1663 01:27:18,960 --> 01:27:21,000 Speaker 1: art form. What I loved about it. What I love 1664 01:27:21,000 --> 01:27:22,519 Speaker 1: about it, I think I make kind of hip hop 1665 01:27:23,000 --> 01:27:25,400 Speaker 1: cinema in a way, and then has no prejudice to 1666 01:27:25,479 --> 01:27:28,200 Speaker 1: where the different elements come from, and the different elements 1667 01:27:28,240 --> 01:27:30,360 Speaker 1: come together and something new is born. So I love 1668 01:27:30,479 --> 01:27:34,200 Speaker 1: that part of the philosophy. But now what I would 1669 01:27:34,240 --> 01:27:37,000 Speaker 1: say to someone is, actually people think a little bit 1670 01:27:37,040 --> 01:27:40,240 Speaker 1: it's the story of hip hop. I think it's more 1671 01:27:40,280 --> 01:27:43,960 Speaker 1: the story of New York City told true music. Because 1672 01:27:44,000 --> 01:27:46,719 Speaker 1: we have disco, we have hip hop, we have salsa, 1673 01:27:46,800 --> 01:27:49,439 Speaker 1: a little bit of punk. This period of nineteen seventy 1674 01:27:49,439 --> 01:27:52,200 Speaker 1: seven on is a period in which New York City, 1675 01:27:52,360 --> 01:27:55,960 Speaker 1: down on its knees, was completely reinventing itself, mainly through 1676 01:27:56,280 --> 01:27:58,599 Speaker 1: popular culture. It was a frightening place in the seventies. 1677 01:27:58,720 --> 01:28:05,000 Speaker 1: So I've heard, come on, others, give us a story project, 1678 01:28:09,520 --> 01:28:13,280 Speaker 1: a windswept street, a young man well dressed, and Max 1679 01:28:13,400 --> 01:28:16,559 Speaker 1: the dog. It's a very old dog. Now. I emerged 1680 01:28:16,600 --> 01:28:19,519 Speaker 1: into the New York culture in the eighties, so I'm but, 1681 01:28:20,120 --> 01:28:22,880 Speaker 1: but that was not a great time for New York City. Look. Look, 1682 01:28:22,920 --> 01:28:25,240 Speaker 1: I mean the thing about this show, whether we do 1683 01:28:25,320 --> 01:28:30,400 Speaker 1: second season tomorrow, these young players, they're already out doing movies, 1684 01:28:30,439 --> 01:28:33,960 Speaker 1: but you could reform and do eighties nineties, and because 1685 01:28:34,080 --> 01:28:36,559 Speaker 1: every decade in New York to where we are now 1686 01:28:37,000 --> 01:28:39,479 Speaker 1: has its big story. But I mean, it was going 1687 01:28:39,560 --> 01:28:41,519 Speaker 1: to be the eighties because everyone thinks that hip hop 1688 01:28:41,600 --> 01:28:44,599 Speaker 1: was born in the eighties. As Grandmaster Flash says, everyone 1689 01:28:44,640 --> 01:28:46,360 Speaker 1: wants to know about the cake, but not the recipe. 1690 01:28:46,439 --> 01:28:48,960 Speaker 1: It was. Actually the recipe was cooked at the late 1691 01:28:49,040 --> 01:28:51,840 Speaker 1: seventies when disco welds king, So that's kind of how 1692 01:28:51,880 --> 01:28:54,200 Speaker 1: we started there. But the eighties. Woll gee, you're looking 1693 01:28:54,200 --> 01:28:58,840 Speaker 1: great for someone who brought the eighties. It was I 1694 01:28:58,920 --> 01:29:01,599 Speaker 1: mean eighties as a whole other story and equally exciting. 1695 01:29:01,640 --> 01:29:04,080 Speaker 1: I mean, eighties is really incredible. He wow. It is 1696 01:29:04,120 --> 01:29:08,840 Speaker 1: a fascinating look at history, art culture New York City. 1697 01:29:09,280 --> 01:29:12,960 Speaker 1: And these characters are truly they're coming to an interesting summer. 1698 01:29:13,120 --> 01:29:16,960 Speaker 1: And I'm just in the second episode of the first season, 1699 01:29:17,160 --> 01:29:21,240 Speaker 1: second half. You know you doing this. I don't know, 1700 01:29:21,280 --> 01:29:22,800 Speaker 1: you're not the first person who's pointed out. Maybe it's 1701 01:29:22,800 --> 01:29:27,080 Speaker 1: a bit commicated. It doesn't matter, but you know what, 1702 01:29:27,400 --> 01:29:30,000 Speaker 1: it's about to get intense. You're in the second right, right, 1703 01:29:30,080 --> 01:29:32,320 Speaker 1: So it's about to get okay, Okay, I'm ready for it. 1704 01:29:32,479 --> 01:29:36,200 Speaker 1: Disco is king. So one character, Mylene Cruz, she's heading. 1705 01:29:36,280 --> 01:29:38,560 Speaker 1: She thinks she's on the most powerful music form. But 1706 01:29:38,600 --> 01:29:41,519 Speaker 1: it's really the Titanic of culture. It's gonna just think 1707 01:29:42,040 --> 01:29:44,160 Speaker 1: in the following year and this thing in the Bronx 1708 01:29:44,200 --> 01:29:46,200 Speaker 1: that the kids keeps saying, you know, no one cares, 1709 01:29:46,280 --> 01:29:49,240 Speaker 1: no one will ever hear about this scratchy, scratchy thing 1710 01:29:49,280 --> 01:29:50,600 Speaker 1: you're doing. Of course we know it goes on and 1711 01:29:50,640 --> 01:29:52,840 Speaker 1: transforms the world. You know, that's the big idea. Yeah, 1712 01:29:52,840 --> 01:29:55,000 Speaker 1: it's really funny because the disco lovers are saying, what 1713 01:29:55,120 --> 01:29:58,360 Speaker 1: are you doing? You DJ's, you're playing other people's records 1714 01:29:58,880 --> 01:30:01,400 Speaker 1: and you're singing along to the There's no creativity in 1715 01:30:01,479 --> 01:30:03,840 Speaker 1: that if they actually thought that way back then they said, well, 1716 01:30:03,960 --> 01:30:06,240 Speaker 1: you're stealing other people's music and playing it and saying 1717 01:30:06,240 --> 01:30:07,880 Speaker 1: it's yours. What's up with that? And now it's just 1718 01:30:08,120 --> 01:30:10,000 Speaker 1: right we do right. A line of it says you 1719 01:30:10,040 --> 01:30:11,720 Speaker 1: have a hand a record contract, how it can make 1720 01:30:11,800 --> 01:30:14,519 Speaker 1: a record out of other people's records? You know? And 1721 01:30:15,680 --> 01:30:16,920 Speaker 1: and in fact that this all comes from you know, 1722 01:30:16,920 --> 01:30:20,240 Speaker 1: I worked obviously with Flash and Hook and all the founders, 1723 01:30:20,360 --> 01:30:22,360 Speaker 1: and NAS has been a big part of it all 1724 01:30:22,360 --> 01:30:25,719 Speaker 1: the way through and Great Riders, And this was true, 1725 01:30:25,920 --> 01:30:28,120 Speaker 1: This is really really true. No one for a second 1726 01:30:28,479 --> 01:30:31,040 Speaker 1: imagined that it would be anything bigger than what was 1727 01:30:31,080 --> 01:30:33,200 Speaker 1: going on in the Bronx. And because now what record 1728 01:30:33,280 --> 01:30:35,519 Speaker 1: isn't made out of other people's records? Of course it's 1729 01:30:35,600 --> 01:30:40,240 Speaker 1: unusual original who's not getting sued for using their samples? Yeah, yeah, 1730 01:30:40,720 --> 01:30:46,880 Speaker 1: you know another thing you should be. It's just I 1731 01:30:46,920 --> 01:30:48,320 Speaker 1: think the last time you were here, we were talking 1732 01:30:48,320 --> 01:30:51,680 Speaker 1: about you bos you see an apple on the table, yep, Like, 1733 01:30:51,800 --> 01:30:53,840 Speaker 1: what do you see? It's an apple? To us, I 1734 01:30:53,920 --> 01:30:56,280 Speaker 1: see it's a piece of fruit and maybe you could 1735 01:30:56,280 --> 01:30:57,960 Speaker 1: make a pie out of it, maybe you could just 1736 01:30:58,040 --> 01:30:59,840 Speaker 1: eat it like that. But I just have a feeling. 1737 01:31:00,000 --> 01:31:01,679 Speaker 1: You see an apple and you come up with different 1738 01:31:01,720 --> 01:31:03,840 Speaker 1: scenarios you could put that apple through. Well, it's an 1739 01:31:03,920 --> 01:31:07,360 Speaker 1: interesting choice the apple, because I always define, ah, look 1740 01:31:07,800 --> 01:31:09,960 Speaker 1: really odd. Isn't so much that there's an apple there? 1741 01:31:10,640 --> 01:31:14,400 Speaker 1: Art is some painter is gonna say, well, I've got 1742 01:31:14,520 --> 01:31:16,640 Speaker 1: to put a frame around that. And where would I 1743 01:31:16,720 --> 01:31:20,000 Speaker 1: put the frame? And I'm driven in the end by 1744 01:31:20,120 --> 01:31:24,479 Speaker 1: wanting to have people feel and think different orders. Sometimes think, 1745 01:31:24,479 --> 01:31:26,720 Speaker 1: then feel, and sometimes feel and think. But you see 1746 01:31:26,800 --> 01:31:28,639 Speaker 1: things in a way that a lot of us don't 1747 01:31:28,800 --> 01:31:30,760 Speaker 1: see them, and that's what makes an artist an artist. 1748 01:31:31,320 --> 01:31:33,600 Speaker 1: For instance, you drive down the street. I saw this 1749 01:31:33,680 --> 01:31:35,839 Speaker 1: meme the other day online and there was a shopping 1750 01:31:35,880 --> 01:31:38,920 Speaker 1: center and there's a Dick's Sporting Goods there, and there's 1751 01:31:38,920 --> 01:31:42,639 Speaker 1: a Staples office supply company right, and the signs above 1752 01:31:42,680 --> 01:31:46,080 Speaker 1: and below each other were dick Staples. Yes. The first 1753 01:31:46,080 --> 01:31:50,080 Speaker 1: thing I thought in that picture was that hurts my penis? Yes, 1754 01:31:50,800 --> 01:31:52,519 Speaker 1: but how many people drive into the street every day 1755 01:31:52,560 --> 01:31:54,720 Speaker 1: we'll see that frame together. It's a it's a work 1756 01:31:54,760 --> 01:31:57,840 Speaker 1: of art. It's just a sign on a shopping center. 1757 01:31:57,960 --> 01:32:00,719 Speaker 1: But in everyday life there are things that we miss 1758 01:32:01,120 --> 01:32:03,160 Speaker 1: that we should be looking at, and you can look 1759 01:32:03,160 --> 01:32:05,080 Speaker 1: at it in a different way, framing it a different way, 1760 01:32:05,280 --> 01:32:07,320 Speaker 1: and that's how art begins. The guy I think it 1761 01:32:07,439 --> 01:32:11,640 Speaker 1: was already getting at is is that everything around is stimulating, 1762 01:32:11,880 --> 01:32:16,760 Speaker 1: Like you know, Dick Staples is stimulating. Definitely to reverse it, right, 1763 01:32:18,200 --> 01:32:20,320 Speaker 1: But the thing about it is is that, yeah, the 1764 01:32:20,439 --> 01:32:23,479 Speaker 1: world is stimulating. And then I think, creatively you try 1765 01:32:23,520 --> 01:32:26,240 Speaker 1: and make sense of it. I bet you working with 1766 01:32:26,360 --> 01:32:28,160 Speaker 1: you can be stimulating. At the same time it can 1767 01:32:28,200 --> 01:32:31,160 Speaker 1: be exhausting. Do you exhaust the people that you work 1768 01:32:31,200 --> 01:32:33,040 Speaker 1: with with your creative mind? I think I exhausted the 1769 01:32:33,040 --> 01:32:36,240 Speaker 1: people I live with, But um I do you know, 1770 01:32:36,360 --> 01:32:38,640 Speaker 1: I don't know where they hide it from me. It 1771 01:32:38,800 --> 01:32:42,000 Speaker 1: definitely stimulating. I do create an environment where I hope, 1772 01:32:42,240 --> 01:32:45,160 Speaker 1: where we're all, where what we're making is above us, 1773 01:32:45,160 --> 01:32:47,840 Speaker 1: all myself included. And I think afterwards everyone goes in 1774 01:32:47,880 --> 01:32:49,720 Speaker 1: a kind of debriefing collapse. You know, they go like 1775 01:32:49,960 --> 01:32:51,840 Speaker 1: you know, it's on the method and program or something. 1776 01:32:52,200 --> 01:32:56,000 Speaker 1: But I think that the level of passion and commitment 1777 01:32:56,080 --> 01:32:58,320 Speaker 1: on the get down, the relentless giving to it, the 1778 01:32:58,760 --> 01:33:02,280 Speaker 1: whatever the difficulties. I mean that young cast never never 1779 01:33:02,360 --> 01:33:04,479 Speaker 1: did anything but give their best. There was never any 1780 01:33:04,520 --> 01:33:06,400 Speaker 1: sort of nine to five. You love this cast, you 1781 01:33:06,520 --> 01:33:08,880 Speaker 1: you always take it back to these We're so lucky 1782 01:33:09,040 --> 01:33:12,320 Speaker 1: were these actors. They are young actors here, there's so gifted. 1783 01:33:12,360 --> 01:33:14,439 Speaker 1: I mean, I worked with Leonardo when he was nineteen. 1784 01:33:14,760 --> 01:33:17,519 Speaker 1: That was a gifted young actor. You know, he might 1785 01:33:17,560 --> 01:33:19,600 Speaker 1: go somewhere. And I feel the same about some of 1786 01:33:19,680 --> 01:33:21,840 Speaker 1: our players here. I mean, they're really really gifted. Do 1787 01:33:21,920 --> 01:33:24,400 Speaker 1: you yell because you don't? No, no, no, no, I 1788 01:33:24,439 --> 01:33:26,840 Speaker 1: mean I know, I know you're right. People sort of 1789 01:33:27,120 --> 01:33:29,000 Speaker 1: just because of what I make, the expect me usually 1790 01:33:29,000 --> 01:33:31,080 Speaker 1: to weary that a top out or have a running car, 1791 01:33:31,520 --> 01:33:38,720 Speaker 1: And I said, actually I never yelled so when you're frustrated, 1792 01:33:39,880 --> 01:33:41,960 Speaker 1: because I think it's my job to take on everyone 1793 01:33:41,960 --> 01:33:44,680 Speaker 1: else's fear. So what I mainly do is go. You know, 1794 01:33:44,920 --> 01:33:46,960 Speaker 1: there are other yellers on there. Some people freak out. 1795 01:33:46,960 --> 01:33:52,519 Speaker 1: They do They're like, I see that's okay now, because 1796 01:33:52,880 --> 01:33:55,840 Speaker 1: really it's just fear. And if you remove the fear 1797 01:33:55,920 --> 01:33:58,000 Speaker 1: from a set and say, you know, it's called play acting. 1798 01:33:58,640 --> 01:34:01,640 Speaker 1: We are players and if they can't play, no one 1799 01:34:01,720 --> 01:34:04,040 Speaker 1: goes to the movies to see someone work. They got 1800 01:34:04,120 --> 01:34:07,040 Speaker 1: to see, you know, a play. You know, and actors 1801 01:34:07,240 --> 01:34:09,599 Speaker 1: play act So I've got to create an environment. It's 1802 01:34:09,680 --> 01:34:12,320 Speaker 1: my job to be fearful behind the eyeballs. Do you 1803 01:34:12,439 --> 01:34:15,120 Speaker 1: have has an actor ever challenged you? And if so, 1804 01:34:15,280 --> 01:34:17,479 Speaker 1: have they won? You know? Do they dare challenge you? 1805 01:34:17,520 --> 01:34:19,400 Speaker 1: Because I feel like you go out of my way 1806 01:34:19,840 --> 01:34:24,040 Speaker 1: to surround myself with people who challenge me all the time. Yeah. Yeah, 1807 01:34:24,200 --> 01:34:28,320 Speaker 1: And you're right, the debate or the argument is really robust. 1808 01:34:28,479 --> 01:34:31,960 Speaker 1: And if I lose, a don't know, I'm really happy. Um, 1809 01:34:32,520 --> 01:34:34,320 Speaker 1: but I'm also if I really have done my home. 1810 01:34:34,479 --> 01:34:37,160 Speaker 1: I'm an obsessive researcher and I live it. You know, 1811 01:34:37,280 --> 01:34:39,639 Speaker 1: my team, we live it. So being able to articulate 1812 01:34:39,680 --> 01:34:42,040 Speaker 1: and argue it is a good way of help building 1813 01:34:42,080 --> 01:34:44,720 Speaker 1: the story. So is that a fair answer? That's a 1814 01:34:44,800 --> 01:34:49,880 Speaker 1: very fair answer. You want to challenge me on, I'm 1815 01:34:49,920 --> 01:34:51,720 Speaker 1: just saying I'm gonna respond with love. I want to 1816 01:34:51,800 --> 01:34:54,040 Speaker 1: keep it calm, love back. Yeah, it's a love challenge 1817 01:34:54,280 --> 01:34:55,920 Speaker 1: if you're just turning us on. Boss Lerman is here. 1818 01:34:55,960 --> 01:34:57,639 Speaker 1: The second part of season one of the get Down 1819 01:34:57,720 --> 01:34:59,960 Speaker 1: are released and we're all bending it as fast as 1820 01:35:00,080 --> 01:35:05,360 Speaker 1: we can on Netflix. And a talent that she started 1821 01:35:05,400 --> 01:35:09,240 Speaker 1: on our show, basically Alessia Kara. Yeah this song. Yeah, 1822 01:35:09,439 --> 01:35:11,840 Speaker 1: she's She's a big fat of the shot. She covered 1823 01:35:12,040 --> 01:35:14,439 Speaker 1: one of the main ballads in it. Yeah, the ballad 1824 01:35:14,520 --> 01:35:16,200 Speaker 1: that my Lean is going to do. I guess at 1825 01:35:16,240 --> 01:35:20,439 Speaker 1: the end of the first season second half, you can 1826 01:35:20,520 --> 01:35:22,759 Speaker 1: do it. I think I just did. I'm not shouting 1827 01:35:22,920 --> 01:35:26,000 Speaker 1: right anyway. I heard the song. I'm going to play 1828 01:35:26,080 --> 01:35:28,640 Speaker 1: this for you. This is the other side. This is Alessiakara, 1829 01:35:29,240 --> 01:35:31,320 Speaker 1: a cover of what the character my Lean sings at 1830 01:35:31,360 --> 01:35:37,320 Speaker 1: the end of the second part of season one. So 1831 01:35:37,439 --> 01:35:41,920 Speaker 1: proud of you. You got it. This is totally or 1832 01:35:42,000 --> 01:35:45,880 Speaker 1: as we like to call it, totally here. It is 1833 01:35:48,720 --> 01:35:55,200 Speaker 1: staying up play and I'm patting my game cast stay 1834 01:36:00,040 --> 01:36:04,040 Speaker 1: my veins. I got the feeting like there must be 1835 01:36:04,400 --> 01:36:13,000 Speaker 1: something more. I've never been so short. All night and day, 1836 01:36:14,439 --> 01:36:21,679 Speaker 1: I dreamed mother place Sowell, farther away, beyond the crowd 1837 01:36:22,720 --> 01:36:32,360 Speaker 1: city lights. I wanna open up my eyes to aunty 1838 01:36:32,640 --> 01:36:41,800 Speaker 1: out of side Deep Street, I've been eighty and I 1839 01:36:42,000 --> 01:36:52,880 Speaker 1: need your handle so I'm not known. I hear all 1840 01:36:52,960 --> 01:36:57,600 Speaker 1: these voices though they tried to show me down. I 1841 01:36:57,760 --> 01:37:12,120 Speaker 1: can tune then how ODM to well fway beyond the 1842 01:37:12,360 --> 01:37:18,680 Speaker 1: crowd Sity Light out of the top this week and 1843 01:37:18,920 --> 01:37:25,960 Speaker 1: Shine Show, I'm backing my bag. I'm gonna leave it 1844 01:37:26,840 --> 01:37:34,479 Speaker 1: all behind. I wanna all been up my eyes and 1845 01:37:34,720 --> 01:37:46,200 Speaker 1: she aren't the other side he got came the fe 1846 01:37:52,080 --> 01:38:06,240 Speaker 1: making move shout a fine tops to get to song 1847 01:38:07,560 --> 01:38:14,240 Speaker 1: fi Fa Away beyond the crowd Seny thanks, out of 1848 01:38:14,439 --> 01:38:23,360 Speaker 1: the Darkness week and Shine soon well Away beyond the crowds, 1849 01:38:26,640 --> 01:38:34,280 Speaker 1: out of the dark Sweet Shine, I'm packing my bag, 1850 01:38:34,720 --> 01:38:47,320 Speaker 1: I'm gonna leave behind, I'm gonna d aren't the other 1851 01:38:47,520 --> 01:38:52,200 Speaker 1: side Alessia Carra. That is on the soundtrack The Other 1852 01:38:52,360 --> 01:38:55,640 Speaker 1: Side from of course the series to get Down. But 1853 01:38:56,240 --> 01:38:58,960 Speaker 1: Bob was telling us that the song that's from the 1854 01:38:59,080 --> 01:39:03,680 Speaker 1: actual episode that has my lean singing and yeah, and 1855 01:39:03,760 --> 01:39:05,719 Speaker 1: there's a rap in there from Yeah Yeah. So Zeke 1856 01:39:05,920 --> 01:39:09,000 Speaker 1: from Zeke speaks over. He's spoken why why Unlessie it's 1857 01:39:09,000 --> 01:39:10,519 Speaker 1: been so kind to do a sort of cover because 1858 01:39:10,880 --> 01:39:13,360 Speaker 1: it's very long, and it has this spoken word over 1859 01:39:13,400 --> 01:39:15,479 Speaker 1: the end of it, but it's also got a lot 1860 01:39:15,520 --> 01:39:17,439 Speaker 1: of love out there for it right at the moment. Yeah, 1861 01:39:17,520 --> 01:39:19,599 Speaker 1: And it's a bit like that piece I did years 1862 01:39:19,600 --> 01:39:22,719 Speaker 1: ago when I first started making music, which was sunscreened. 1863 01:39:22,720 --> 01:39:24,600 Speaker 1: It's a big spoken word pecause we still play that 1864 01:39:24,720 --> 01:39:28,479 Speaker 1: every year on our show here. It is enjoy the 1865 01:39:28,640 --> 01:39:32,320 Speaker 1: power and beauty of your youth. Oh never mind, you 1866 01:39:32,439 --> 01:39:35,000 Speaker 1: will not understand the power and beauty of your youth 1867 01:39:35,160 --> 01:39:39,120 Speaker 1: until they've faded. But trust me, in twenty years you 1868 01:39:39,240 --> 01:39:42,320 Speaker 1: look back at photos of yourself and we're calling away. 1869 01:39:42,479 --> 01:39:46,200 Speaker 1: You can't grasp now how much possibility lay before you 1870 01:39:46,600 --> 01:39:50,320 Speaker 1: and how fabulous you really looked. You are not as 1871 01:39:50,479 --> 01:39:54,000 Speaker 1: fat as you imagine. Yeah, I mean, I mean, that's 1872 01:39:54,040 --> 01:39:56,920 Speaker 1: another crazy story because that was before i'd even made 1873 01:39:57,000 --> 01:39:59,160 Speaker 1: Moulon Rouge and I started working in music. I worked 1874 01:39:59,160 --> 01:40:02,360 Speaker 1: with a young guy then who we were both younger then, 1875 01:40:02,520 --> 01:40:06,040 Speaker 1: and we made music and that piece was supposed to 1876 01:40:06,080 --> 01:40:11,040 Speaker 1: be This thing called the Worldwide Web had just been invented, 1877 01:40:11,160 --> 01:40:13,000 Speaker 1: and he came to me, oh, look, there's a speech 1878 01:40:13,040 --> 01:40:17,080 Speaker 1: on the Worldwide Web by Kirk Vonnegut for graduation. I said, well, 1879 01:40:17,080 --> 01:40:19,240 Speaker 1: why don't we record it? Found out it was a 1880 01:40:19,360 --> 01:40:22,400 Speaker 1: hoax that he had never written this, but it was 1881 01:40:22,479 --> 01:40:25,800 Speaker 1: still really valuable guidance, and I said, well, let's record 1882 01:40:25,840 --> 01:40:27,920 Speaker 1: it anyway. And we got a guy to pretend to 1883 01:40:27,960 --> 01:40:30,720 Speaker 1: be sort of Kirk Vonneguet sound warranting every day, you know, 1884 01:40:31,040 --> 01:40:33,840 Speaker 1: dance and all that. And you know, I had to 1885 01:40:33,920 --> 01:40:35,680 Speaker 1: play it on a radio show. There said no way, 1886 01:40:35,720 --> 01:40:38,160 Speaker 1: it's like eleven minutes long and can't do it. So 1887 01:40:38,240 --> 01:40:40,720 Speaker 1: I went on an arts show. I played it the 1888 01:40:40,920 --> 01:40:43,439 Speaker 1: moment I played at the entire stwhich board locked up. 1889 01:40:43,479 --> 01:40:45,439 Speaker 1: It was like two in the morning. They played it 1890 01:40:45,520 --> 01:40:48,040 Speaker 1: the next morning. This in Australia and it was number 1891 01:40:48,080 --> 01:40:49,880 Speaker 1: one on every station within a week. I go to 1892 01:40:49,960 --> 01:40:53,040 Speaker 1: the States on morning becomes a colectic, same thing. No 1893 01:40:53,120 --> 01:40:55,639 Speaker 1: one would play it. I played it same thing boom 1894 01:40:55,960 --> 01:40:58,920 Speaker 1: in England. It went to number one before it even 1895 01:40:59,080 --> 01:41:03,200 Speaker 1: was released. And only recently I'm jogging on the Jogga 1896 01:41:03,320 --> 01:41:05,920 Speaker 1: and MTV about three years ago. You know One Hit 1897 01:41:06,000 --> 01:41:08,960 Speaker 1: Wonders when we've gone back on what one hit wonder 1898 01:41:09,120 --> 01:41:11,599 Speaker 1: is an AUSI director and I'm going like, who could 1899 01:41:11,600 --> 01:41:17,400 Speaker 1: that be? Some spin comes? Oh yeah that one? Yeah, 1900 01:41:17,520 --> 01:41:19,880 Speaker 1: So that just gets played over and over again. Yeah, 1901 01:41:20,040 --> 01:41:22,639 Speaker 1: never goes away. I love that because of this spoken 1902 01:41:22,720 --> 01:41:25,200 Speaker 1: word is Look, there's such a thin line between spoken 1903 01:41:25,240 --> 01:41:29,920 Speaker 1: word and rap. Well that mean exactly girls, hero, but 1904 01:41:30,040 --> 01:41:32,200 Speaker 1: you know, if someone is ever afraid of the term rap, 1905 01:41:32,280 --> 01:41:34,640 Speaker 1: just call a spoken word and they're end. Yeah, you know, 1906 01:41:34,720 --> 01:41:37,000 Speaker 1: in the end, it's poetry. It's a form of poetry, right, 1907 01:41:37,280 --> 01:41:40,080 Speaker 1: and it's beautiful and powerful. And when Zeke speaks over 1908 01:41:40,200 --> 01:41:43,799 Speaker 1: this ballad version, it's really moving. I mean, he's gifted. 1909 01:41:44,080 --> 01:41:47,200 Speaker 1: There are so many fantastic characters, of course because of 1910 01:41:47,240 --> 01:41:51,320 Speaker 1: the fantastic writing and the actors. But Zeke Zeke to 1911 01:41:51,439 --> 01:41:54,640 Speaker 1: me is he's the lead. He's here's the narrator, isn't right? 1912 01:41:54,960 --> 01:41:57,200 Speaker 1: It's his story. I mean he's telling his story. In fact, 1913 01:41:57,320 --> 01:41:59,800 Speaker 1: in the new second part of the you'll know how 1914 01:41:59,800 --> 01:42:02,479 Speaker 1: to do that, right, But he starts by writing an 1915 01:42:02,600 --> 01:42:05,000 Speaker 1: essay because he's telling his story, right, And so yeah, 1916 01:42:05,080 --> 01:42:08,360 Speaker 1: he's got the internal dialogue and he and he is 1917 01:42:08,360 --> 01:42:11,479 Speaker 1: the guy you see on stage and it's nas who's 1918 01:42:11,479 --> 01:42:14,880 Speaker 1: actually doing that rapping in the ninety that's every Nasa right. 1919 01:42:14,880 --> 01:42:17,240 Speaker 1: It's a beautiful piece, right, And that's NASA's voice and 1920 01:42:17,320 --> 01:42:20,479 Speaker 1: then David Diggs, who's from Hamilton, plays the character. We 1921 01:42:20,520 --> 01:42:21,960 Speaker 1: have a lot of the cast of Hamilton in it. 1922 01:42:22,240 --> 01:42:25,519 Speaker 1: It's really Hamilton goes to the Bronx. Actually, it's so 1923 01:42:26,000 --> 01:42:28,639 Speaker 1: incredible to watch. It's a visual feast for the eyes. 1924 01:42:28,800 --> 01:42:31,160 Speaker 1: As they say, it tastes good, it smells good, it 1925 01:42:31,320 --> 01:42:34,840 Speaker 1: sounds good, it looks fantastic. Bars Luhrman. With the second 1926 01:42:34,920 --> 01:42:37,360 Speaker 1: part of season one, if they get down, yeah, go 1927 01:42:37,520 --> 01:42:40,240 Speaker 1: back and watch the first half. I mean watch it all. 1928 01:42:40,640 --> 01:42:43,320 Speaker 1: The soundtrack, by the way, comes out tomorrow, yes, and 1929 01:42:43,479 --> 01:42:46,200 Speaker 1: the Lesiaka track is on there, along with a lot 1930 01:42:46,280 --> 01:42:48,040 Speaker 1: of stuff, a lot of the car. There's so much music. 1931 01:42:48,120 --> 01:42:49,720 Speaker 1: We've got to give out an increment, you know how 1932 01:42:49,760 --> 01:42:52,760 Speaker 1: there's a second part of the first season right well, 1933 01:42:52,840 --> 01:42:55,760 Speaker 1: this is just the first album of the third box 1934 01:42:55,840 --> 01:42:58,679 Speaker 1: set that's going to be finished sometime in the future. 1935 01:42:58,880 --> 01:43:02,720 Speaker 1: Exactly did you figure that out? Yes? We always love 1936 01:43:02,800 --> 01:43:06,120 Speaker 1: a visit with bos Lehman, Thank you, I love I 1937 01:43:06,200 --> 01:43:10,320 Speaker 1: really love me back, what's hot right now? And Elvis 1938 01:43:10,400 --> 01:43:13,400 Speaker 1: durand dot Com here's web Girl Kathleen And on our 1939 01:43:13,439 --> 01:43:15,920 Speaker 1: birthday we are selling exclusive Elvis Durrand in the Morning 1940 01:43:15,960 --> 01:43:18,600 Speaker 1: Show leggings anatoebag and all of the proceeds will be 1941 01:43:18,720 --> 01:43:20,680 Speaker 1: donated to charity. If you're in the market for a 1942 01:43:20,760 --> 01:43:22,760 Speaker 1: new bag or some really cool work at gear, head 1943 01:43:22,760 --> 01:43:24,559 Speaker 1: over to the homepage because we have all the details 1944 01:43:24,600 --> 01:43:26,640 Speaker 1: there about how to buy them. And the show that 1945 01:43:26,720 --> 01:43:29,439 Speaker 1: everybody is talking about on Netflix is a thirteen reasons 1946 01:43:29,479 --> 01:43:32,160 Speaker 1: why our very own yuritsa watch the whole thing in 1947 01:43:32,240 --> 01:43:34,439 Speaker 1: two days, and she is sharing her top five reasons 1948 01:43:34,479 --> 01:43:36,800 Speaker 1: why you need to watch this show asap. Get all 1949 01:43:36,840 --> 01:43:42,680 Speaker 1: this in more Elvis Durrand dot com, Elvis Durand dot com. Hey, 1950 01:43:42,720 --> 01:43:44,680 Speaker 1: what's up is that Sharon with Elvis Durand in the 1951 01:43:44,760 --> 01:43:48,439 Speaker 1: Morning Show? And Elvis thanks again to bos Lerman. I 1952 01:43:48,600 --> 01:43:51,200 Speaker 1: love our time with him. And if you've never seen 1953 01:43:51,280 --> 01:43:54,360 Speaker 1: anything that bos Lerman has touched, then you really haven't 1954 01:43:54,400 --> 01:43:58,400 Speaker 1: experienced something that's so colorful and so interesting and so 1955 01:43:58,720 --> 01:44:01,479 Speaker 1: just over the top in taining. I mean the great 1956 01:44:01,520 --> 01:44:07,160 Speaker 1: guys be Ula Rouget, Romeo and Juliet. His modern day 1957 01:44:07,240 --> 01:44:10,559 Speaker 1: versions of those stories fantastic. But to get down on Netflix, 1958 01:44:10,800 --> 01:44:13,080 Speaker 1: I saw the first half of this first season, you know, 1959 01:44:13,120 --> 01:44:14,800 Speaker 1: when it first came out, and I could not wait 1960 01:44:14,840 --> 01:44:16,639 Speaker 1: for the second half to come out. It's out now 1961 01:44:17,080 --> 01:44:20,599 Speaker 1: on Netflix, and it is so brilliantly written and it's 1962 01:44:20,880 --> 01:44:22,960 Speaker 1: it gives you a new way to watch a great 1963 01:44:23,040 --> 01:44:26,120 Speaker 1: story be told, and only a boss Lerma could pull 1964 01:44:26,160 --> 01:44:29,400 Speaker 1: it off. Isn't he fantastic? A unique personal style. I 1965 01:44:29,560 --> 01:44:31,840 Speaker 1: love his stuff so much, and he's just a nice guy. 1966 01:44:32,000 --> 01:44:34,920 Speaker 1: No matter how popular or famous, He's just a nice guy. 1967 01:44:35,160 --> 01:44:36,920 Speaker 1: Check it out to get down and I would suggest 1968 01:44:37,000 --> 01:44:38,880 Speaker 1: going back and watching the first part of the season 1969 01:44:39,040 --> 01:44:41,360 Speaker 1: before you enter into this part of the season. It 1970 01:44:41,439 --> 01:44:44,960 Speaker 1: really is a very very interesting tale. Now, speaking of Netflix, 1971 01:44:45,080 --> 01:44:47,720 Speaker 1: you know, I love me some Netflix. I adore them. 1972 01:44:47,720 --> 01:44:49,360 Speaker 1: As a matter of fact, we talk about them so much. 1973 01:44:49,400 --> 01:44:51,120 Speaker 1: There's no need for them to spend money on our show. 1974 01:44:51,479 --> 01:44:53,200 Speaker 1: But if they walk to they can't. Well, this is 1975 01:44:53,280 --> 01:44:55,080 Speaker 1: what I want if if you work at Netflix, just 1976 01:44:55,280 --> 01:44:58,720 Speaker 1: understand we are such fans of Netflix and how you 1977 01:45:00,120 --> 01:45:02,560 Speaker 1: you give us our entertainment and our content that we 1978 01:45:02,720 --> 01:45:05,439 Speaker 1: want to merge with you. We want for you to 1979 01:45:05,600 --> 01:45:09,400 Speaker 1: sponsor sponsor our show. So if you work for Netflix, 1980 01:45:09,479 --> 01:45:11,200 Speaker 1: you know someone who makes these decisions, we'd love to 1981 01:45:11,280 --> 01:45:14,160 Speaker 1: have you on because we would love to quadruple the 1982 01:45:14,240 --> 01:45:17,000 Speaker 1: things we say about how much we love next Netflix, 1983 01:45:17,880 --> 01:45:23,200 Speaker 1: except for a movie called The Midnight Meat Train. So 1984 01:45:23,479 --> 01:45:26,080 Speaker 1: I know Read Hastings is the CEO, and I know 1985 01:45:26,200 --> 01:45:28,640 Speaker 1: he's going to have a different He's gonna have a 1986 01:45:28,760 --> 01:45:31,599 Speaker 1: variety of movies for different people who are like different movies, 1987 01:45:31,640 --> 01:45:33,720 Speaker 1: and that's one of the beautiful things about Netflix. But 1988 01:45:33,840 --> 01:45:36,559 Speaker 1: let's talk about The Midnight Meat Train, shall we? Did 1989 01:45:36,600 --> 01:45:38,560 Speaker 1: you know it has Bradley Cooper in it, Danielle What? 1990 01:45:39,720 --> 01:45:42,120 Speaker 1: It's about a guy out there, I do believe, investigating 1991 01:45:42,240 --> 01:45:46,080 Speaker 1: the the They call him the Midnight Butcher or something 1992 01:45:46,160 --> 01:45:49,040 Speaker 1: like that. He's striking here in New York City. And 1993 01:45:49,200 --> 01:45:50,960 Speaker 1: of course there's a lot of blood, a lot of guts. 1994 01:45:51,000 --> 01:45:53,280 Speaker 1: And it's The Midnight Meat Train from I think two 1995 01:45:53,320 --> 01:45:55,200 Speaker 1: thousand and eight. Yes, it's one of those movies that 1996 01:45:55,280 --> 01:45:56,920 Speaker 1: just kind of came and went and we it was 1997 01:45:56,960 --> 01:46:00,280 Speaker 1: like what So Alex and his mom were on the couch, 1998 01:46:00,360 --> 01:46:02,559 Speaker 1: is flipping through Netflix selections and his mom goes, hey, 1999 01:46:02,640 --> 01:46:06,360 Speaker 1: what about this? He's like, whatever, Okay, So mom picked 2000 01:46:06,439 --> 01:46:08,760 Speaker 1: Midnight Meat Train. Yes, of course, because it sounds like 2001 01:46:08,840 --> 01:46:10,400 Speaker 1: a different kind of movie. I thought it was a 2002 01:46:10,479 --> 01:46:12,479 Speaker 1: porn and it sounds like a great bonding film for 2003 01:46:12,520 --> 01:46:15,240 Speaker 1: a mother and a son. Anyway, so they watched a 2004 01:46:15,280 --> 01:46:18,400 Speaker 1: Midnight Meat Train. Weren't really intrigued with it. It was great, 2005 01:46:18,439 --> 01:46:20,640 Speaker 1: but it does It wasn't great, it was awful. It 2006 01:46:20,800 --> 01:46:23,960 Speaker 1: gets seventy six percent on Rotten Tomatoes, which is a 2007 01:46:24,040 --> 01:46:27,720 Speaker 1: pretty high number. But anyway, I just I love the 2008 01:46:27,840 --> 01:46:29,760 Speaker 1: fact that you can go to a Netflix and you 2009 01:46:29,840 --> 01:46:33,640 Speaker 1: can find any and every anything for whatever mood you're in. 2010 01:46:34,280 --> 01:46:36,080 Speaker 1: But I gotta be honest, I happen to be a 2011 01:46:36,160 --> 01:46:38,880 Speaker 1: fan of the Midnight meat Trains of the world. I 2012 01:46:39,080 --> 01:46:42,840 Speaker 1: love the movies that you know go to They always 2013 01:46:42,960 --> 01:46:49,920 Speaker 1: like have to bunt or punt to cake with a 2014 01:46:49,920 --> 01:46:52,240 Speaker 1: cylinder of the middle of it. There's a lot of 2015 01:46:52,280 --> 01:46:54,800 Speaker 1: good people in this movie. Yeah, Vinnie Jones is in 2016 01:46:54,880 --> 01:47:00,479 Speaker 1: this movie. Brookshields Leslie Bibe, she plays Susan. I was 2017 01:47:00,560 --> 01:47:02,600 Speaker 1: just kind of text my husband wants Bradley Cooper to 2018 01:47:02,720 --> 01:47:06,160 Speaker 1: retire after watching that movie. No, he's a great actor. Okay, 2019 01:47:06,200 --> 01:47:08,320 Speaker 1: So Midnight Meat Train just didn't hit it out of 2020 01:47:08,320 --> 01:47:10,840 Speaker 1: the park. But there is an old film I want 2021 01:47:10,880 --> 01:47:13,080 Speaker 1: you all to watch. It's called Eating Raoul. Did you 2022 01:47:13,120 --> 01:47:15,639 Speaker 1: ever see Eating Rayoul? You're telling me about it? It's 2023 01:47:15,680 --> 01:47:17,800 Speaker 1: such a bad film, but you can tell when you 2024 01:47:17,880 --> 01:47:20,040 Speaker 1: watch it it was supposed to be bad. I don't 2025 01:47:20,080 --> 01:47:22,760 Speaker 1: think Midnight Meat Train was supposed to be bad. Eating 2026 01:47:22,880 --> 01:47:25,280 Speaker 1: Raoul is probably one of the worst films ever, and 2027 01:47:25,360 --> 01:47:28,720 Speaker 1: I've seen it ten times. The Midnight Meat Trains. Who 2028 01:47:29,240 --> 01:47:31,959 Speaker 1: wouldn't be great? They met each other? Anyway? Love Netflix. 2029 01:47:32,360 --> 01:47:36,440 Speaker 1: Hey I remember Zombievers? Yes, yeah, that was a good movie, Zombievers. 2030 01:47:37,160 --> 01:47:40,920 Speaker 1: This is zombies that were beavers, mbie. The movie punty 2031 01:47:41,000 --> 01:47:44,840 Speaker 1: Pool is where the okay, everybody wants to make some 2032 01:47:45,000 --> 01:47:48,519 Speaker 1: radio is Huh. It's about a virus that causes zombies 2033 01:47:48,640 --> 01:47:51,000 Speaker 1: that goes through radio and phone waves. So it's supposed 2034 01:47:51,000 --> 01:47:52,400 Speaker 1: to be a bad movie. Did they Did they know 2035 01:47:52,479 --> 01:47:54,160 Speaker 1: it was bad when they were making Oh? I think 2036 01:47:54,200 --> 01:47:58,439 Speaker 1: they meant it to be good anyway. So if you're 2037 01:47:58,439 --> 01:48:00,800 Speaker 1: like me and you're a fan of the just it's 2038 01:48:00,840 --> 01:48:04,120 Speaker 1: supposed to be a bad movie, there you go. Midnight 2039 01:48:04,200 --> 01:48:08,200 Speaker 1: Meat Train. I think that's the name of it. Um Oh, 2040 01:48:08,360 --> 01:48:10,439 Speaker 1: by the way, Shawn Mendez on this morning, we played 2041 01:48:10,439 --> 01:48:13,439 Speaker 1: his new song It's Not number one on iTunes. Yes, 2042 01:48:13,640 --> 01:48:18,320 Speaker 1: congratulations Shawn Mendez. Yeah, I got that going for us. Uh, 2043 01:48:18,560 --> 01:48:22,360 Speaker 1: what is this? I can't hear you, what's that name? 2044 01:48:24,400 --> 01:48:29,280 Speaker 1: Netflix biggest competition is sleep. He believes that the biggest 2045 01:48:29,280 --> 01:48:32,519 Speaker 1: competition for their content on Netflix is people who fall 2046 01:48:32,560 --> 01:48:36,000 Speaker 1: asleep or people who aren't bening like they should be, 2047 01:48:36,360 --> 01:48:38,200 Speaker 1: or think about it like it's the oh, I'll just 2048 01:48:38,280 --> 01:48:41,280 Speaker 1: watch one more episode when you should be sleeping. It's 2049 01:48:41,320 --> 01:48:44,720 Speaker 1: either it's either Netflix or it's sleeping exactly around the room. 2050 01:48:44,800 --> 01:48:46,360 Speaker 1: Let's quickly go around the room because I've got a 2051 01:48:46,479 --> 01:48:51,160 Speaker 1: grand new feature starring our producer Sam. I'm so excited 2052 01:48:51,160 --> 01:48:55,400 Speaker 1: about this too. It's called feel Goods. How is it 2053 01:48:55,520 --> 01:48:58,760 Speaker 1: possible that an app knows me better than I know me? 2054 01:48:59,160 --> 01:49:01,720 Speaker 1: I'm talking about the Heart Radio app. If you have 2055 01:49:01,840 --> 01:49:04,200 Speaker 1: a chance, not only download it, but pay for the 2056 01:49:04,360 --> 01:49:06,960 Speaker 1: upgrade for the all access because you get unlimited skips, 2057 01:49:07,240 --> 01:49:09,280 Speaker 1: and you know, you get to save and replay songs 2058 01:49:09,320 --> 01:49:12,519 Speaker 1: from the radio. But better than all that, you create 2059 01:49:12,600 --> 01:49:15,240 Speaker 1: your own playlist. So I created the Drake Channel and 2060 01:49:15,439 --> 01:49:17,720 Speaker 1: just do thumbing up and thrumbing down the songs. It 2061 01:49:17,880 --> 01:49:20,920 Speaker 1: got to know me and it now has the perfect playlist. 2062 01:49:21,000 --> 01:49:23,080 Speaker 1: So every time I put Drake Radio on now it's 2063 01:49:23,120 --> 01:49:24,840 Speaker 1: so smart, it's your perfect But I never do any 2064 01:49:24,880 --> 01:49:26,400 Speaker 1: skips anymore because it's like, oh my god, I love 2065 01:49:26,479 --> 01:49:28,000 Speaker 1: that song. Oh my god, I love that song, and 2066 01:49:28,040 --> 01:49:29,760 Speaker 1: it's so great. I mean, we give the opportunity with 2067 01:49:29,840 --> 01:49:31,680 Speaker 1: your iHeartRadio app to do the thumbs up on the 2068 01:49:31,760 --> 01:49:33,439 Speaker 1: songs and artists you like, and those are the ones 2069 01:49:33,479 --> 01:49:35,840 Speaker 1: we choose for the iHeartRadio Music Festival. So you really 2070 01:49:35,920 --> 01:49:41,040 Speaker 1: are casting our music weekend in Las Vegas. Yeah, and 2071 01:49:41,120 --> 01:49:43,200 Speaker 1: there you go. Hey, of course during our show, do 2072 01:49:43,240 --> 01:49:48,599 Speaker 1: you push the thumbs down? Hey? I hate your straight 2073 01:49:48,920 --> 01:49:51,120 Speaker 1: iHeartRadio the app. You can listen to it for free, 2074 01:49:51,280 --> 01:49:53,280 Speaker 1: or you can go up several levels so you can 2075 01:49:53,320 --> 01:49:55,760 Speaker 1: add music to your playlist. It's really cool. Check it 2076 01:49:55,840 --> 01:49:58,240 Speaker 1: out further. I know you already know about it, but 2077 01:49:58,320 --> 01:50:00,280 Speaker 1: get to know it better. What's up, Danielle. I know 2078 01:50:00,360 --> 01:50:02,040 Speaker 1: I'm not the only one that this happens too, but 2079 01:50:02,400 --> 01:50:04,920 Speaker 1: it is so painful when you burn the roof of 2080 01:50:05,000 --> 01:50:08,040 Speaker 1: your mouth right after you eat something really hot. How 2081 01:50:08,040 --> 01:50:11,280 Speaker 1: about burning your tongue and the roof of your mouth, 2082 01:50:11,360 --> 01:50:15,800 Speaker 1: which is what happened were eating pizza. I'm gonna show 2083 01:50:15,840 --> 01:50:19,320 Speaker 1: you you ready, look at this. Oh my god, god, 2084 01:50:20,280 --> 01:50:22,640 Speaker 1: oh my lord, need s on your tongue? Oh you can. 2085 01:50:22,680 --> 01:50:24,920 Speaker 1: I don't even think you can. Can you do that anyway? 2086 01:50:25,000 --> 01:50:26,720 Speaker 1: It hurts? How long will that take to heal? Thank you? 2087 01:50:26,920 --> 01:50:28,439 Speaker 1: It takes a long time. Now, how can I do 2088 01:50:28,600 --> 01:50:31,720 Speaker 1: for it? Nothing? You do nothing. Stop eating things that 2089 01:50:31,760 --> 01:50:33,640 Speaker 1: are on fire that could help. And I kept eating it. 2090 01:50:33,760 --> 01:50:37,720 Speaker 1: That's the problem. Problem. We'll eat it till we die. 2091 01:50:38,200 --> 01:50:39,840 Speaker 1: It was so good. I ate it till I died. 2092 01:50:40,200 --> 01:50:43,720 Speaker 1: What's up, Bethany? So uh? Web girl Kathleen's producer, Sam 2093 01:50:43,800 --> 01:50:46,479 Speaker 1: and I are in a bit of a triangular feud 2094 01:50:46,800 --> 01:50:50,120 Speaker 1: right now because we all have those friends. We have 2095 01:50:50,200 --> 01:50:52,320 Speaker 1: the friends who send you stuff that you should buy 2096 01:50:52,520 --> 01:50:54,599 Speaker 1: that they know you can't afford, but they're like, oh 2097 01:50:54,680 --> 01:50:56,600 Speaker 1: my god, you look so cute in this, And so 2098 01:50:56,760 --> 01:50:59,280 Speaker 1: then they send me pictures of things I can't afford, 2099 01:50:59,400 --> 01:51:01,160 Speaker 1: so that I said, and them pictures of things they can. 2100 01:51:01,320 --> 01:51:03,240 Speaker 1: Are you doing this? This is still inkling each other 2101 01:51:03,400 --> 01:51:05,160 Speaker 1: and forcing each other to spend money we don't have. 2102 01:51:05,560 --> 01:51:07,800 Speaker 1: Don't do this. And there's everyone has someone like that 2103 01:51:07,920 --> 01:51:10,040 Speaker 1: in their life where the person is such a shop 2104 01:51:10,439 --> 01:51:13,879 Speaker 1: shopping enabler. Why would you do that? And you're admitting 2105 01:51:13,960 --> 01:51:17,920 Speaker 1: to doing it? Okay, you know what if you're doing 2106 01:51:17,960 --> 01:51:20,720 Speaker 1: this with your friends stop here to challenge them to 2107 01:51:20,840 --> 01:51:25,960 Speaker 1: find bargains. This is called feel Goods, a brand new 2108 01:51:26,000 --> 01:51:30,360 Speaker 1: weekly charity segment from our buddy producer Sam. All right, 2109 01:51:30,439 --> 01:51:34,120 Speaker 1: where are you starting today? Hi, guys. So the idea 2110 01:51:34,160 --> 01:51:36,720 Speaker 1: of this segment is we are going to merge companies 2111 01:51:36,800 --> 01:51:40,520 Speaker 1: that give back to the community. They all donate proceeds 2112 01:51:40,600 --> 01:51:42,479 Speaker 1: to causes that need it and there are plenty of 2113 01:51:42,520 --> 01:51:44,840 Speaker 1: them in the world. So to kick it off, you 2114 01:51:44,960 --> 01:51:49,200 Speaker 1: guys remember these, yes, yes, Oh, the Elvis Durand Ulvius 2115 01:51:49,280 --> 01:51:52,680 Speaker 1: Durant fitness leggings. Yeah. The first time we had them, 2116 01:51:52,720 --> 01:51:55,120 Speaker 1: they sold out before the show was even done. So 2117 01:51:55,560 --> 01:51:59,479 Speaker 1: we are bringing them back to kick off. Yeah, and 2118 01:51:59,600 --> 01:52:02,040 Speaker 1: we even have a look at this. She even made 2119 01:52:02,120 --> 01:52:06,439 Speaker 1: to back very cool Elvis Durand's and unicorns. Oh my god, 2120 01:52:07,040 --> 01:52:09,439 Speaker 1: so cool. Can I order those right now? Yeah? You can. 2121 01:52:09,560 --> 01:52:12,240 Speaker 1: It's up on our page. Uh connects to you to 2122 01:52:12,280 --> 01:52:15,320 Speaker 1: lineagewear dot com and one hundred percent of all the 2123 01:52:15,360 --> 01:52:19,599 Speaker 1: Elvis Durand gear and fifteen percent of all the rest 2124 01:52:19,680 --> 01:52:21,519 Speaker 1: of the gear. As I throw it at the ladies 2125 01:52:21,560 --> 01:52:25,680 Speaker 1: on the table, which is toepacks, leggings, headband shirts, they're adorable. 2126 01:52:25,920 --> 01:52:30,000 Speaker 1: We'll be going to Wildlife Conservation Network in honor of 2127 01:52:30,120 --> 01:52:33,120 Speaker 1: Earth Day, which is Saturday. Oh god, so cool. Yeah, 2128 01:52:33,200 --> 01:52:35,320 Speaker 1: it's a great cause. They do great things. They have 2129 01:52:35,400 --> 01:52:38,599 Speaker 1: amazing stuff. I buy a lot of that stuff. Now 2130 01:52:38,640 --> 01:52:40,200 Speaker 1: where do I find it? Right now? You could just 2131 01:52:40,240 --> 01:52:42,519 Speaker 1: go to Elvis durand dot Com. It's right up there, 2132 01:52:42,560 --> 01:52:44,839 Speaker 1: and web girl Kathleen is blasting it on the newsletters 2133 01:52:44,960 --> 01:52:48,600 Speaker 1: Make Better. I'm gonna buy it all there you go, 2134 01:52:48,800 --> 01:52:51,640 Speaker 1: feel goods. We love you, Samantha. Check it out now, 2135 01:52:51,720 --> 01:52:58,600 Speaker 1: Elvis Durand dot Com. Dizzy is how you see the 2136 01:52:58,800 --> 01:53:03,200 Speaker 1: Morning This Duran In the Morning Show. Julia was beginning 2137 01:53:03,200 --> 01:53:05,040 Speaker 1: a new life with her new man, but when his 2138 01:53:05,160 --> 01:53:09,240 Speaker 1: ex discovers they're engaged, she decides to sabotage their relationship. 2139 01:53:09,640 --> 01:53:12,200 Speaker 1: Unforgettable as a psychological thriller that will keep you on 2140 01:53:12,240 --> 01:53:16,040 Speaker 1: the edge of your seat, starring Kapern Heigel and Rosario Dawson, 2141 01:53:16,200 --> 01:53:21,320 Speaker 1: Rated r in theaters April twenty first Elvis, Elvis Durand 2142 01:53:21,400 --> 01:53:24,760 Speaker 1: The Elvis Durand Phone Tap All Right, scary? What's your 2143 01:53:24,760 --> 01:53:27,680 Speaker 1: phone tap all about? Today? So Anita is away at 2144 01:53:27,800 --> 01:53:31,120 Speaker 1: school and emailed us about phone tapping her parents, who, 2145 01:53:31,400 --> 01:53:34,240 Speaker 1: by the way, run a business out of their house. Well, 2146 01:53:34,439 --> 01:53:37,080 Speaker 1: they keep getting these solicitations on their business line every 2147 01:53:37,160 --> 01:53:39,760 Speaker 1: single day, so I figured I would phone tap them 2148 01:53:40,000 --> 01:53:44,720 Speaker 1: both with a new music collection from Rod Phillips. All right, 2149 01:53:44,720 --> 01:53:46,360 Speaker 1: these are always fun. Please take a long time to 2150 01:53:46,439 --> 01:53:49,200 Speaker 1: do too. Okay, all right, let's see what Rod Phillips 2151 01:53:49,240 --> 01:53:52,640 Speaker 1: has in store for us today. Here we go. Hello, Oh, yes, 2152 01:53:52,760 --> 01:53:58,919 Speaker 1: is this Elena Diaz? Elena Diaz. This is Rod Phillips, 2153 01:53:59,200 --> 01:54:01,680 Speaker 1: and I'm gonna pull up your music collection with a 2154 01:54:01,760 --> 01:54:06,000 Speaker 1: mound of sound, throngs of songs, a blitz of the hits, 2155 01:54:06,520 --> 01:54:12,240 Speaker 1: introducing Kitties, Ditties. You can't crush a car into a 2156 01:54:12,360 --> 01:54:15,080 Speaker 1: bridge and watch it burned. That's too violent for the 2157 01:54:15,160 --> 01:54:22,960 Speaker 1: ears of today's children. These are songs you can be 2158 01:54:23,120 --> 01:54:26,240 Speaker 1: proud to play in front of your children. Yes, but still, 2159 01:54:26,280 --> 01:54:28,320 Speaker 1: I don't even know why you're calling me. You don't 2160 01:54:28,360 --> 01:54:31,400 Speaker 1: have to wash He's musicians in mouth out with soap, 2161 01:54:31,760 --> 01:54:36,120 Speaker 1: because we've already done it for you. Hey, n i'd 2162 01:54:36,400 --> 01:54:40,120 Speaker 1: let's leave brush my teeth and then go in pack 2163 01:54:40,280 --> 01:54:42,240 Speaker 1: and the real song. She brushes her teeth with a 2164 01:54:42,280 --> 01:54:45,960 Speaker 1: bottle of jack. But here she goes and packs. You 2165 01:54:46,040 --> 01:54:55,120 Speaker 1: see what she did there today, I don't feel like 2166 01:54:56,120 --> 01:54:58,520 Speaker 1: he use only the perfect blend of hand picks. Vanilla 2167 01:54:58,600 --> 01:55:01,280 Speaker 1: could sack kids from some be a USA, put them 2168 01:55:01,320 --> 01:55:03,800 Speaker 1: in a recording studio and have them re record the 2169 01:55:03,920 --> 01:55:08,120 Speaker 1: hits we call We call it Kitty's Ditties. Listen to 2170 01:55:08,240 --> 01:55:10,560 Speaker 1: what they did to this Bruno Mars song where he's 2171 01:55:10,560 --> 01:55:13,840 Speaker 1: supposed to be having such a really nice girl, send 2172 01:55:13,920 --> 01:55:17,480 Speaker 1: a really nice text. They're sending texts. The kids will 2173 01:55:17,520 --> 01:55:22,520 Speaker 1: never know. You are interrupting my business. Under fan. For 2174 01:55:22,680 --> 01:55:25,400 Speaker 1: just eleven dollars and ninety nine cents, you can have 2175 01:55:25,680 --> 01:55:32,560 Speaker 1: Kitties ditties. I don't care. There's everyone's heard a fifth harmony, 2176 01:55:33,280 --> 01:55:39,640 Speaker 1: but with Kitty's Ditties you get fifth grade harmony. Very 2177 01:55:43,480 --> 01:55:47,720 Speaker 1: kid by This is Rod Phillips with Kitty's Ditties, ridiculous. 2178 01:55:47,720 --> 01:55:58,480 Speaker 1: Try what it's Kitty's Ditties did? What your crap? It's 2179 01:55:58,640 --> 01:56:01,520 Speaker 1: music for kids. Why does that have to do with me? 2180 01:56:01,600 --> 01:56:03,880 Speaker 1: Why are you calling for me for this crap? Because 2181 01:56:03,960 --> 01:56:06,120 Speaker 1: it's just eleven ninety nine today. If you have some 2182 01:56:06,280 --> 01:56:09,400 Speaker 1: kids in your life, they'll really appreciate this. You couldn't 2183 01:56:09,440 --> 01:56:11,880 Speaker 1: say me eleven ninety nine to listen to it, Get 2184 01:56:11,920 --> 01:56:14,920 Speaker 1: it off, get it go away. Today's artists are insensitive 2185 01:56:15,000 --> 01:56:17,760 Speaker 1: to the use of America and they're virgin ears. I've 2186 01:56:17,880 --> 01:56:20,360 Speaker 1: expected it to your products. I do not like it. 2187 01:56:20,480 --> 01:56:22,560 Speaker 1: Can I get you a copy of this sir? No, no, no, no, 2188 01:56:22,600 --> 01:56:25,680 Speaker 1: no no. I don't think you understand. My business depends 2189 01:56:25,720 --> 01:56:28,240 Speaker 1: on this phone that we're tying up right now. Okay, 2190 01:56:28,320 --> 01:56:30,480 Speaker 1: and you're wasting our time. Okay, my wife's been nice. 2191 01:56:30,760 --> 01:56:39,760 Speaker 1: I'm not a nice guy. Get this off my phone now. Hello, 2192 01:56:40,760 --> 01:56:43,160 Speaker 1: Do not call me back, or you can guarantees that 2193 01:56:43,200 --> 01:56:47,440 Speaker 1: I will ques charge you. Do you understand me? The 2194 01:56:47,600 --> 01:56:50,600 Speaker 1: Chain Smokers had a summer smash with this song, but 2195 01:56:50,760 --> 01:56:54,240 Speaker 1: the kiddies did He's kids did this? How did the 2196 01:56:57,040 --> 01:56:59,360 Speaker 1: They're starting against them over rather than being in it 2197 01:56:59,440 --> 01:57:01,960 Speaker 1: having sex. I don't think you understand. Okay, And I 2198 01:57:02,000 --> 01:57:03,800 Speaker 1: want to speak to whoever your superior is so this 2199 01:57:03,880 --> 01:57:09,040 Speaker 1: does not happen again. Where is your superior? Who can 2200 01:57:09,080 --> 01:57:12,560 Speaker 1: I speak to right now? Back in Boulder? Oh, back 2201 01:57:12,640 --> 01:57:14,360 Speaker 1: in Boulder. Listen. I don't think you know who the 2202 01:57:14,800 --> 01:57:18,120 Speaker 1: dealing with right now? Okay, this needs to stop. Tell 2203 01:57:18,200 --> 01:57:20,240 Speaker 1: me now, how the fu you got my wife's name, 2204 01:57:20,440 --> 01:57:28,200 Speaker 1: Anita gave it to me. Your daughter in college, Elena, 2205 01:57:28,760 --> 01:57:32,360 Speaker 1: you and your husband have both been phone tapped. Who 2206 01:57:32,560 --> 01:57:35,040 Speaker 1: is this? This is Scary Jones with Elvis Durand in 2207 01:57:35,080 --> 01:57:42,840 Speaker 1: the Morning Show. You gotta be kidding me? Have an 2208 01:57:42,880 --> 01:57:45,360 Speaker 1: idea for a phone tab. Go to Elvis Duran dot com, 2209 01:57:45,440 --> 01:57:47,360 Speaker 1: click on the phone tab tab, tell us what you 2210 01:57:47,440 --> 01:57:50,440 Speaker 1: want to do. This phone table was prerecorded with permission 2211 01:57:50,480 --> 01:57:55,640 Speaker 1: granted by all party sties Elvis Durand Phone Tab Elvis 2212 01:57:55,720 --> 01:58:00,360 Speaker 1: Durand in the Morning Show, call us, you guys are 2213 01:58:00,360 --> 01:58:02,040 Speaker 1: all kind of keeps me your way throughout the day. 2214 01:58:02,240 --> 01:58:05,520 Speaker 1: You guys literally tea Alive twenty one hundred and two 2215 01:58:05,640 --> 01:58:08,200 Speaker 1: for two zero one hundred not really made my morning, 2216 01:58:08,320 --> 01:58:13,160 Speaker 1: So thank you, thank you for listening. Get you, Elvis 2217 01:58:13,240 --> 01:58:14,400 Speaker 1: Duran in the Morning Show.