1 00:00:00,720 --> 00:00:04,120 Speaker 1: I am all in again. 2 00:00:06,600 --> 00:00:10,600 Speaker 2: Oh, let's just doom. 3 00:00:17,280 --> 00:00:22,320 Speaker 1: I am all in again with Scott Patterson and iHeartRadio Podcast. 4 00:00:22,440 --> 00:00:24,920 Speaker 1: Hey everybody, Scott Patterson, I am all in Podcast, one 5 00:00:24,920 --> 00:00:30,600 Speaker 1: of the live productions iHeart Radio Media. iHeart Podcasts, Season two, 6 00:00:30,640 --> 00:00:31,360 Speaker 1: Episode eighteen. 7 00:00:31,480 --> 00:00:36,040 Speaker 3: Back in the Saddle again with one of my dearest 8 00:00:36,080 --> 00:00:39,839 Speaker 3: friends and one of the most I mean, how can 9 00:00:39,920 --> 00:00:44,720 Speaker 3: I describe James Pettitt other than he is a superstar 10 00:00:44,960 --> 00:00:48,680 Speaker 3: among superstars in the Galaxy of Stars. This is the guy, 11 00:00:49,479 --> 00:00:54,560 Speaker 3: this is the man. We've known each other problem twenty 12 00:00:54,560 --> 00:00:55,400 Speaker 3: five years. 13 00:00:55,160 --> 00:00:57,800 Speaker 2: Now, Yes, because of the year two thousand. 14 00:00:58,080 --> 00:01:00,440 Speaker 3: I mean, you'd been at Warner Brothers for a couple 15 00:01:00,520 --> 00:01:03,920 Speaker 3: of years and I just joined the family with Gilmour 16 00:01:03,920 --> 00:01:07,040 Speaker 3: in two thousand and I met James right away. We 17 00:01:07,160 --> 00:01:10,600 Speaker 3: traveled together, we promoted together. The man is a master. 18 00:01:11,800 --> 00:01:13,959 Speaker 3: And let me tell you a little bit about James Okay, 19 00:01:14,240 --> 00:01:17,400 Speaker 3: a consecutive director of Marketing and client Relations at Warner 20 00:01:17,400 --> 00:01:22,479 Speaker 3: Brothers Discovery Distribution. In March, he celebrated his twenty seventh 21 00:01:22,560 --> 00:01:25,520 Speaker 3: year at Warner Brothers. He worked on Gilmore Girls from 22 00:01:25,560 --> 00:01:26,399 Speaker 3: the very beginning and. 23 00:01:26,520 --> 00:01:27,920 Speaker 1: Still does to this day. 24 00:01:28,120 --> 00:01:31,480 Speaker 3: And let me tell you something about James behind the 25 00:01:31,520 --> 00:01:33,000 Speaker 3: scenes and what this guy does. 26 00:01:33,240 --> 00:01:34,920 Speaker 1: It would take me all day. 27 00:01:35,319 --> 00:01:37,640 Speaker 3: He was on the podcast back in twenty twenty one 28 00:01:37,680 --> 00:01:41,440 Speaker 3: for a recap season two episode four Gilmore Girls, and 29 00:01:41,520 --> 00:01:42,039 Speaker 3: he is. 30 00:01:42,000 --> 00:01:46,080 Speaker 1: Back with us. James, welcome, Thank you good Scottie p 31 00:01:46,640 --> 00:01:47,920 Speaker 1: So good to see you. 32 00:01:47,920 --> 00:01:50,440 Speaker 2: Good to hear your voice. Your voice is so good. 33 00:01:50,680 --> 00:01:51,640 Speaker 2: You've really matured. 34 00:01:52,240 --> 00:01:52,600 Speaker 1: Thank you. 35 00:01:52,880 --> 00:01:55,160 Speaker 3: I've been working on it and I have some voice 36 00:01:55,200 --> 00:01:58,600 Speaker 3: tapes with me now and I work several hours a 37 00:01:58,680 --> 00:02:02,240 Speaker 3: night on perfecting my kind of like radio voice. 38 00:02:03,120 --> 00:02:06,640 Speaker 2: Your your podcast radio voice is most excellent. Or I 39 00:02:06,640 --> 00:02:09,399 Speaker 2: have a bit of a cold, either one, or you've 40 00:02:09,400 --> 00:02:10,640 Speaker 2: smoked a pack of cigarettes. 41 00:02:10,800 --> 00:02:15,320 Speaker 3: I don't know, no, not that. 42 00:02:15,639 --> 00:02:20,240 Speaker 2: Oh no, I just saw you in an Instagram post 43 00:02:20,320 --> 00:02:23,160 Speaker 2: where you were at the gym getting back into shape, 44 00:02:23,600 --> 00:02:26,680 Speaker 2: getting very impressed, you know, when you're on the road. 45 00:02:26,680 --> 00:02:31,960 Speaker 3: I was in Raleigh Galaxy Con Raleigh, uh since last Wednesday. 46 00:02:32,200 --> 00:02:36,639 Speaker 3: Got back late late, you know, in the am Sunday morning, 47 00:02:37,480 --> 00:02:40,840 Speaker 3: and you know, it's it's thrilling to meet all the fans. 48 00:02:40,880 --> 00:02:42,560 Speaker 1: It's it's it's really great. 49 00:02:42,600 --> 00:02:45,280 Speaker 3: But you can't, you know, you get off your workout 50 00:02:45,320 --> 00:02:46,320 Speaker 3: routine and all that stuff. 51 00:02:46,320 --> 00:02:48,720 Speaker 1: So I had to run back into the gym. 52 00:02:48,480 --> 00:02:50,640 Speaker 2: And yeah, rebuild, rebuild. 53 00:02:50,720 --> 00:02:51,640 Speaker 1: What I told down. 54 00:02:52,040 --> 00:02:54,560 Speaker 2: I'm glad that you have a rebuilding and taking photos 55 00:02:54,600 --> 00:02:59,760 Speaker 2: and then yourself getting those likes. 56 00:03:01,919 --> 00:03:04,640 Speaker 3: That sounds silly, but the clothes are going to stay on, 57 00:03:04,680 --> 00:03:04,960 Speaker 3: all right. 58 00:03:04,960 --> 00:03:06,920 Speaker 1: I'm not going on that far. I'm just not you know, 59 00:03:07,600 --> 00:03:09,680 Speaker 1: I'm not gonna. I don't. I'm not the guy in 60 00:03:09,720 --> 00:03:15,480 Speaker 1: the gym that lifts the shirt and I'm gonna get 61 00:03:15,520 --> 00:03:17,280 Speaker 1: to that point and then I'm gonna start. 62 00:03:17,440 --> 00:03:20,760 Speaker 3: I'm not gonna do it. Okay, Okay, I don't want 63 00:03:20,760 --> 00:03:23,600 Speaker 3: to be that guy. There's too many people doing that. 64 00:03:23,760 --> 00:03:25,919 Speaker 2: No, just just a little flex was good enough. 65 00:03:28,200 --> 00:03:31,840 Speaker 3: Here's a little synopsis anyway, gosh, I don't even credit. 66 00:03:32,960 --> 00:03:33,919 Speaker 1: Writer director. 67 00:03:34,520 --> 00:03:37,560 Speaker 3: This is directed by Kevin Dowling and written by Linda 68 00:03:38,280 --> 00:03:43,160 Speaker 3: Louis cell Music and it aired April twenty third, two 69 00:03:43,200 --> 00:03:43,880 Speaker 3: thousand and two. 70 00:03:44,600 --> 00:03:46,880 Speaker 1: Boy that was a long time ago. Synopsis. 71 00:03:46,960 --> 00:03:49,800 Speaker 3: Roy needs a mentor for a group of business project 72 00:03:49,880 --> 00:03:50,840 Speaker 3: at school, so she. 73 00:03:50,840 --> 00:03:54,600 Speaker 1: Has to retired grandfather Richard to help out. At first, 74 00:03:54,640 --> 00:03:57,400 Speaker 1: he's hesitant, but eventually gets a little too involved in 75 00:03:57,440 --> 00:03:58,680 Speaker 1: the endeavor. 76 00:03:59,680 --> 00:04:03,960 Speaker 3: He'll so begins to realize that retired life might not 77 00:04:04,360 --> 00:04:07,840 Speaker 3: be for him. Okay, So now we're at Rory's economics 78 00:04:07,840 --> 00:04:11,760 Speaker 3: project at the beginning along with the group has to 79 00:04:11,800 --> 00:04:14,240 Speaker 3: pitch a consumer product to present to the fair for 80 00:04:14,320 --> 00:04:19,359 Speaker 3: her econ class. Group needs parent business advisor, so she 81 00:04:19,400 --> 00:04:24,120 Speaker 3: has Laurela I, and Laurel I suggested Richard. Richard says no, 82 00:04:24,440 --> 00:04:27,840 Speaker 3: he wants to fix his car and gets sprayed with grease. 83 00:04:28,720 --> 00:04:31,160 Speaker 3: And then Emily you know. 84 00:04:31,360 --> 00:04:33,400 Speaker 1: Gets up his butt a little bit and says, dude, 85 00:04:33,480 --> 00:04:36,520 Speaker 1: you know he help your granddaughter, what's your pat wake up? 86 00:04:36,600 --> 00:04:38,600 Speaker 3: She smacks him around a little bit in the driveway, 87 00:04:39,320 --> 00:04:43,920 Speaker 3: and Paris pitches this stylish first aid kit made specifically 88 00:04:43,960 --> 00:04:48,839 Speaker 3: for the modern teenager. All right, so James Emily practically 89 00:04:48,920 --> 00:04:52,000 Speaker 3: forces Richard into agree to be Roy's advisors. Why do 90 00:04:52,040 --> 00:04:53,880 Speaker 3: you think he was so hesitant first? 91 00:04:54,360 --> 00:04:57,559 Speaker 2: I don't know. But this episode is fantastic actually, because 92 00:04:57,560 --> 00:05:01,160 Speaker 2: it really showcases so many care I mean, it goes 93 00:05:01,240 --> 00:05:07,360 Speaker 2: from Emily's relationship to Rory's too. I mean there's a 94 00:05:07,680 --> 00:05:10,880 Speaker 2: ending that is to die for, like a sucker punch 95 00:05:10,920 --> 00:05:14,320 Speaker 2: with Dean. So this episode is a good shot. So, 96 00:05:14,839 --> 00:05:18,560 Speaker 2: but it does start out I don't know why he's hesitant, 97 00:05:18,720 --> 00:05:21,000 Speaker 2: but I do know that it starts out with you 98 00:05:22,040 --> 00:05:26,440 Speaker 2: with your new Luke's Omelet Special, and you have like 99 00:05:26,480 --> 00:05:29,080 Speaker 2: this board that I'm sure you did not draw at all, 100 00:05:29,120 --> 00:05:36,760 Speaker 2: because I've seen your handwriting in real life, supposed to me, 101 00:05:37,640 --> 00:05:40,640 Speaker 2: because it was a very nice looking board with lots 102 00:05:40,640 --> 00:05:46,560 Speaker 2: of color, and the penmanship was very nicely done on 103 00:05:46,560 --> 00:05:49,920 Speaker 2: this board, you know, and it had your new Omelet special, 104 00:05:50,400 --> 00:05:53,480 Speaker 2: and and of course Lorla comes in to push your 105 00:05:53,520 --> 00:05:58,640 Speaker 2: buttons to like order the omelet because it's the newest thing, 106 00:05:58,920 --> 00:06:03,800 Speaker 2: and then totally changes her order, yeah, because she doesn't 107 00:06:03,800 --> 00:06:06,840 Speaker 2: want bacon bits in it, but she wants to side 108 00:06:06,839 --> 00:06:10,680 Speaker 2: of bacon. And then I mean, you two are just 109 00:06:10,760 --> 00:06:15,000 Speaker 2: so endearing and brilliant in this, you know what. 110 00:06:15,279 --> 00:06:18,880 Speaker 1: I damn geez, we got to make more episodes. Man. 111 00:06:18,920 --> 00:06:22,320 Speaker 1: I miss working with her. I know her timing is 112 00:06:22,360 --> 00:06:23,000 Speaker 1: so good. 113 00:06:24,040 --> 00:06:25,440 Speaker 2: Buttons are so fun to. 114 00:06:25,400 --> 00:06:29,640 Speaker 1: Push right right right. The relationship to characters. 115 00:06:29,279 --> 00:06:32,840 Speaker 2: Right, yeah, it was so great and so fast and 116 00:06:32,960 --> 00:06:35,400 Speaker 2: so great, and it just moved. I mean that was 117 00:06:35,480 --> 00:06:38,120 Speaker 2: like the beginning scene, yeah, and it went right from 118 00:06:38,160 --> 00:06:41,600 Speaker 2: there until like just right where you were saying, like 119 00:06:42,080 --> 00:06:45,720 Speaker 2: Rory goes to Richard for business advice well after being 120 00:06:45,839 --> 00:06:49,200 Speaker 2: hesitant about it and more. Lie is actually the key 121 00:06:49,240 --> 00:06:53,520 Speaker 2: component that convinces Rory to go to her grandpa to 122 00:06:53,920 --> 00:06:56,839 Speaker 2: ask for that help on the project. 123 00:06:57,040 --> 00:06:58,960 Speaker 3: Right, I'm have to pull the reins a little bit 124 00:06:59,000 --> 00:06:59,719 Speaker 3: on this stage. 125 00:06:59,720 --> 00:07:02,839 Speaker 1: Code. All right, you're getting way of the story here. 126 00:07:02,839 --> 00:07:03,520 Speaker 2: Oh I am. 127 00:07:03,600 --> 00:07:04,480 Speaker 1: Let's pull up here. 128 00:07:04,560 --> 00:07:06,680 Speaker 3: Let's okay, tell me, let's take a knee, have a 129 00:07:06,680 --> 00:07:08,560 Speaker 3: little water towel. 130 00:07:08,320 --> 00:07:13,160 Speaker 2: Down a little bit, man, Okay, I'll just dab my forehead, okay, 131 00:07:14,240 --> 00:07:20,600 Speaker 2: and drink some more of Scottie Peas big my coffee cousin. 132 00:07:20,640 --> 00:07:21,680 Speaker 2: It's so good. 133 00:07:21,840 --> 00:07:24,480 Speaker 3: I knew that Paris was going to have a great idea. 134 00:07:24,920 --> 00:07:27,280 Speaker 2: Oh that girl is brilliant and it was. 135 00:07:27,240 --> 00:07:29,800 Speaker 3: A great idea. James, let me ask you this, and 136 00:07:29,840 --> 00:07:32,520 Speaker 3: this is a deeply personal question. You don't have to 137 00:07:32,600 --> 00:07:37,000 Speaker 3: answer it, okay, all right? What design would you want 138 00:07:37,360 --> 00:07:38,240 Speaker 3: your first aid. 139 00:07:38,200 --> 00:07:40,640 Speaker 2: Kit to have in two thousand and two? 140 00:07:41,520 --> 00:07:43,840 Speaker 1: No, right now, gone now. 141 00:07:44,240 --> 00:07:46,480 Speaker 2: In two thousand and two, I wanted it to be Madonna, 142 00:07:47,080 --> 00:07:55,120 Speaker 2: But I mean right now, huh, oh my gosh, I'm 143 00:07:55,160 --> 00:07:59,520 Speaker 2: really loving Gilmore Girls would be a fun one, obviously. 144 00:08:00,280 --> 00:08:02,920 Speaker 1: Let's you know what that's right? You nailed it there. 145 00:08:02,920 --> 00:08:07,640 Speaker 2: It is like, can we just do that flashy young 146 00:08:07,640 --> 00:08:09,440 Speaker 2: more girl first Aid kit? 147 00:08:09,720 --> 00:08:11,640 Speaker 3: Would they give you a break on the licensing? Do 148 00:08:11,680 --> 00:08:14,400 Speaker 3: you get like an employee discount? 149 00:08:14,840 --> 00:08:15,000 Speaker 1: Oh? 150 00:08:15,040 --> 00:08:15,600 Speaker 2: Yes, I would? 151 00:08:17,040 --> 00:08:17,360 Speaker 1: Wow? 152 00:08:17,480 --> 00:08:21,960 Speaker 3: Really, yes, bro, I know this is the way to go. 153 00:08:22,080 --> 00:08:22,720 Speaker 1: Let's do it. 154 00:08:23,080 --> 00:08:27,000 Speaker 2: Let's do it. Let's let's make these I mean Paris's idea. 155 00:08:27,080 --> 00:08:28,080 Speaker 2: We do have to give her credit. 156 00:08:28,520 --> 00:08:32,120 Speaker 1: Yeah, but yeah, okay, great, yeah, of course on on 157 00:08:32,320 --> 00:08:36,120 Speaker 1: the actual product, we'll give Paris credit. We might call 158 00:08:36,200 --> 00:08:38,880 Speaker 1: it something like, uh, I don't know. 159 00:08:41,000 --> 00:08:45,400 Speaker 2: Paris's first aid she and Bright first Aid Kit or 160 00:08:45,480 --> 00:08:46,080 Speaker 2: whatever it is. 161 00:08:46,200 --> 00:08:47,720 Speaker 1: Yeah, we're a couple of chains. 162 00:08:47,760 --> 00:08:49,439 Speaker 2: Did they even mention what was in it? I don't 163 00:08:49,480 --> 00:08:50,080 Speaker 2: remember that. 164 00:08:50,000 --> 00:08:52,920 Speaker 3: Part bandage and gauze and. 165 00:08:52,960 --> 00:08:57,240 Speaker 2: But the place for remember it, said CD Holder. Yeah, 166 00:08:57,240 --> 00:08:59,160 Speaker 2: that's why I went to Madonna in my head. 167 00:08:59,400 --> 00:09:04,280 Speaker 3: Yeah, all kinds of things, you know, pill little places 168 00:09:04,280 --> 00:09:07,720 Speaker 3: for pills, you know, for all their kiluds and things 169 00:09:07,800 --> 00:09:08,160 Speaker 3: like that. 170 00:09:08,240 --> 00:09:09,640 Speaker 2: Oh that's what the kids were doing. 171 00:09:11,080 --> 00:09:15,679 Speaker 1: No, well, I mean, so, so we got Paris and 172 00:09:15,760 --> 00:09:17,240 Speaker 1: Richard working very well together. 173 00:09:17,760 --> 00:09:20,880 Speaker 2: Oh yeah, you think that those two are alike Paris 174 00:09:20,880 --> 00:09:24,319 Speaker 2: and Richard very much. So. Yeah, they're both grumpy as 175 00:09:24,400 --> 00:09:27,400 Speaker 2: all get out, and they stand up for what they 176 00:09:27,440 --> 00:09:31,760 Speaker 2: believe very strongly. Together. They were really fun to watch 177 00:09:31,760 --> 00:09:33,640 Speaker 2: in this episode. I was hoping for more. 178 00:09:33,679 --> 00:09:34,840 Speaker 1: Actually, mm hmm. 179 00:09:35,360 --> 00:09:38,000 Speaker 2: Do you know that it was pivotal this episode for 180 00:09:38,240 --> 00:09:41,440 Speaker 2: Richards starting his own business after this, there was a 181 00:09:41,480 --> 00:09:44,240 Speaker 2: lot coming, right, Yeah, there's more coming. 182 00:09:44,760 --> 00:09:48,560 Speaker 3: There's a lot of drama coming. Yeah, yeah at all. 183 00:09:48,760 --> 00:09:50,200 Speaker 3: You know, now that I've seen it once. 184 00:09:50,120 --> 00:09:52,760 Speaker 1: I was like, oh, yeah, here we go. Oh we're 185 00:09:52,760 --> 00:09:53,640 Speaker 1: getting on this train. 186 00:09:54,040 --> 00:09:56,559 Speaker 2: Let's get into the children annual business. 187 00:09:56,800 --> 00:09:59,520 Speaker 3: Jason's weird apartment with the kitchen, the kitchens right in 188 00:09:59,520 --> 00:10:02,680 Speaker 3: the living room, it's weird anyway. Oh yeah, and now 189 00:10:02,679 --> 00:10:06,040 Speaker 3: we have Michelle's mother coming to visit. He's excited she's 190 00:10:06,040 --> 00:10:09,760 Speaker 3: come to town. At the end, they have perfect relationships. She's 191 00:10:09,800 --> 00:10:13,959 Speaker 3: exactly like him, She's like two x him, right, And 192 00:10:14,360 --> 00:10:17,640 Speaker 3: you've never seen him grinning or laughing so much in 193 00:10:17,679 --> 00:10:19,520 Speaker 3: an Episode's so all he did was grinn and laugh 194 00:10:20,000 --> 00:10:22,880 Speaker 3: Never never seen the guy do it. And then he 195 00:10:22,920 --> 00:10:25,280 Speaker 3: gets angry at loral I for mentioning I mean, like 196 00:10:25,480 --> 00:10:30,400 Speaker 3: really just like pitches a hissy right in the kitchen 197 00:10:31,520 --> 00:10:35,959 Speaker 3: because she mentioned to his mother that he doesn't eat carbs. 198 00:10:36,480 --> 00:10:40,240 Speaker 2: I know, yeah, Okay, I didn't know two thousand and 199 00:10:40,280 --> 00:10:42,880 Speaker 2: two was so that was a big storyline. I thought 200 00:10:42,880 --> 00:10:47,600 Speaker 2: that was more recent, but that was he went ballistic 201 00:10:47,640 --> 00:10:48,080 Speaker 2: with her. 202 00:10:48,400 --> 00:10:50,720 Speaker 1: Yeah, and now you know his mother. Now that his 203 00:10:50,760 --> 00:10:53,200 Speaker 1: mother has no she won't stop asking questions about his 204 00:10:53,240 --> 00:10:57,439 Speaker 1: life and it's driving him crazy. So she just Now 205 00:10:57,520 --> 00:11:00,360 Speaker 1: if an employee, if somebody talk. 206 00:11:00,280 --> 00:11:02,640 Speaker 2: To you that way at work, what would you do, James, 207 00:11:03,200 --> 00:11:05,480 Speaker 2: Oh my gosh, we'd have to have a talk, like 208 00:11:05,800 --> 00:11:12,200 Speaker 2: just just a little private talk, like you know, just 209 00:11:12,280 --> 00:11:18,000 Speaker 2: to set level, set everything. But I see why he 210 00:11:18,160 --> 00:11:20,600 Speaker 2: was the way. I mean, it really gave a look 211 00:11:20,600 --> 00:11:24,040 Speaker 2: into his upbringing, like and why the way he is, 212 00:11:24,080 --> 00:11:27,880 Speaker 2: Like he is flamboyant. His mother was super sam Boy flamboy. 213 00:11:28,040 --> 00:11:32,680 Speaker 2: Her name is Giselle, right, Jesu, jesus, can you do 214 00:11:32,679 --> 00:11:43,560 Speaker 2: a French accent? I'm not tried very nice, So I 215 00:11:43,600 --> 00:11:48,079 Speaker 2: do know, what does that even mean? 216 00:11:48,160 --> 00:11:51,319 Speaker 1: I have no idea. I don't have any idea. 217 00:11:51,320 --> 00:11:57,280 Speaker 2: I hope you're not. It's off French people right now, you. 218 00:11:57,200 --> 00:11:58,520 Speaker 1: Know what, It's inevitable. 219 00:11:59,640 --> 00:12:01,800 Speaker 3: It's like I go through my day, I'm always pissing 220 00:12:01,800 --> 00:12:02,920 Speaker 3: off a French person. 221 00:12:04,720 --> 00:12:08,480 Speaker 2: That The person that played Gizel was She was from 222 00:12:08,600 --> 00:12:10,439 Speaker 2: the Fresh Prince of bel Air, which. 223 00:12:10,240 --> 00:12:13,360 Speaker 3: Is so I recognize her, yes, okay, yeah. 224 00:12:13,200 --> 00:12:15,000 Speaker 2: Also another Warner Brothers. 225 00:12:14,679 --> 00:12:17,640 Speaker 3: TV series, No Long Well okay. 226 00:12:17,760 --> 00:12:19,800 Speaker 2: And I know that that was her first and only 227 00:12:19,840 --> 00:12:24,760 Speaker 2: appearance on Gilmore Girls out of all the seasons also, right, 228 00:12:25,440 --> 00:12:28,400 Speaker 2: but it was hilarious the way that they acted together 229 00:12:28,600 --> 00:12:31,080 Speaker 2: and how he just turned it on for his mama. 230 00:12:31,240 --> 00:12:34,000 Speaker 2: Do you ever turn it on when your mom was alive? 231 00:12:34,040 --> 00:12:35,719 Speaker 2: Did you have draft to turn it on for her 232 00:12:35,920 --> 00:12:36,120 Speaker 2: like that? 233 00:12:36,760 --> 00:12:37,080 Speaker 1: Mmmm? 234 00:12:39,000 --> 00:12:39,040 Speaker 3: No. 235 00:12:39,320 --> 00:12:42,720 Speaker 1: She was her own sort of entertainment system. You know. 236 00:12:42,800 --> 00:12:44,199 Speaker 1: We were very chill with each other. 237 00:12:44,320 --> 00:12:46,440 Speaker 3: The last time, you know, she came out to La 238 00:12:46,720 --> 00:12:48,840 Speaker 3: in like ninety four for a premiere. 239 00:12:48,840 --> 00:12:51,160 Speaker 1: I did a little big League movie and there's. 240 00:12:51,240 --> 00:12:52,040 Speaker 2: Yeah, that was good. 241 00:12:52,120 --> 00:12:54,960 Speaker 3: Cineramadon and she, you know, she was We were going 242 00:12:55,040 --> 00:13:00,560 Speaker 3: to circle talking to god Andy Seineman, and I think 243 00:13:00,640 --> 00:13:03,040 Speaker 3: Rob Reiner was there because he's part of Castle Rock, 244 00:13:03,200 --> 00:13:07,360 Speaker 3: and and I think it was Billy Crystal was there. 245 00:13:07,960 --> 00:13:12,400 Speaker 3: So my mom's talking to Billy Crystal and she had 246 00:13:12,520 --> 00:13:15,760 Speaker 3: just pretty much gotten off the flight, right right. She 247 00:13:15,920 --> 00:13:19,000 Speaker 3: was tired, and she had a couple of pops you know, 248 00:13:19,240 --> 00:13:23,520 Speaker 3: and and she was talking to Billy Crystal and she goes, 249 00:13:23,559 --> 00:13:24,679 Speaker 3: you know, I loved. 250 00:13:24,400 --> 00:13:31,080 Speaker 1: You and Sleepless and Seattle, I just loved you and 251 00:13:31,160 --> 00:13:32,120 Speaker 1: I like Albert or. 252 00:13:35,520 --> 00:13:38,600 Speaker 3: She goes, oh no, because then she said no, because 253 00:13:38,600 --> 00:13:41,839 Speaker 3: you're all so short, and she goes, I know all 254 00:13:41,880 --> 00:13:44,160 Speaker 3: the actors are very short, except for my son. 255 00:13:44,240 --> 00:13:47,800 Speaker 1: Of course. You know who was you know, Billy Crystal. 256 00:13:47,840 --> 00:13:50,480 Speaker 1: You should have seen him. He just like and he 257 00:13:50,720 --> 00:13:54,199 Speaker 1: just turned away. Oh I love that he smiled a 258 00:13:54,200 --> 00:13:54,679 Speaker 1: little bit. 259 00:13:56,120 --> 00:13:59,480 Speaker 2: But that's that's what Crystal probably loved her no more. 260 00:13:59,520 --> 00:14:02,680 Speaker 1: Actually, I mean she's she was the greatest. She was 261 00:14:02,720 --> 00:14:14,600 Speaker 1: the greatest. Have you ever been in a situation where 262 00:14:14,600 --> 00:14:18,880 Speaker 1: you've accidentally said something to someone's parents, you know, got 263 00:14:18,920 --> 00:14:20,600 Speaker 1: them in trouble or got you in trouble? 264 00:14:21,640 --> 00:14:26,120 Speaker 2: Oh yes, all the way. Yes, my whole teen's like 265 00:14:26,680 --> 00:14:31,600 Speaker 2: I was. I have a weird thing about myself as 266 00:14:31,640 --> 00:14:34,280 Speaker 2: a teenager where I couldn't keep the secret very well. 267 00:14:34,880 --> 00:14:40,600 Speaker 2: And so if we in high school, I was the eldest, 268 00:14:40,760 --> 00:14:45,400 Speaker 2: so I drove first, and so all the kids on 269 00:14:45,440 --> 00:14:48,000 Speaker 2: my block would pile into my car. And then we 270 00:14:48,080 --> 00:14:50,720 Speaker 2: used to have this thing. And I'm from Las Vegas, 271 00:14:50,800 --> 00:14:52,720 Speaker 2: so it was a lot of desert, and so we 272 00:14:52,720 --> 00:14:55,840 Speaker 2: would drive Sahara is a road. We drive to the 273 00:14:55,840 --> 00:14:58,920 Speaker 2: top of Sahara. It's also a hotel that is on 274 00:14:58,960 --> 00:15:01,360 Speaker 2: the road Sahara, and we drive to the top of 275 00:15:01,400 --> 00:15:04,800 Speaker 2: the hair and we'd light tires on fire and like 276 00:15:05,560 --> 00:15:08,760 Speaker 2: you know, little bonfires with other kids around and stuff. 277 00:15:08,800 --> 00:15:11,320 Speaker 2: And of course there was a little bit of I 278 00:15:11,360 --> 00:15:17,400 Speaker 2: guess other kids had zemas and such, and I would 279 00:15:17,440 --> 00:15:19,600 Speaker 2: like slip and I was having so much fun with 280 00:15:19,720 --> 00:15:22,640 Speaker 2: my friend's parents at their dinner and I would go, 281 00:15:22,840 --> 00:15:25,760 Speaker 2: oh yeah, Amy and I drove up to tap A 282 00:15:25,840 --> 00:15:29,680 Speaker 2: Sahara and we were like they were having these tires 283 00:15:29,720 --> 00:15:33,520 Speaker 2: on fire and like She's like sitting across from the table. No, no, don't, 284 00:15:33,600 --> 00:15:35,720 Speaker 2: don't talk anymore about that. They didn't even know I 285 00:15:35,880 --> 00:15:41,640 Speaker 2: left the block. So yes, but I just I have 286 00:15:41,720 --> 00:15:45,640 Speaker 2: a comfortable I feel comfortable with parents and kids or 287 00:15:46,400 --> 00:15:50,400 Speaker 2: just like spill. I guess it was a secret. 288 00:15:51,440 --> 00:15:53,760 Speaker 1: I guess she was in study group that night. 289 00:15:55,120 --> 00:15:57,920 Speaker 2: Thought kind of like Rory and Lane. At the end 290 00:15:57,960 --> 00:16:01,440 Speaker 2: of this episode, Wow, let's. 291 00:16:02,720 --> 00:16:05,800 Speaker 1: Let's dig into Rory and Deane. Okay, let's do this. 292 00:16:06,720 --> 00:16:10,720 Speaker 3: This was a major narrative running throughout this episode, Boy 293 00:16:10,800 --> 00:16:11,160 Speaker 3: that kid. 294 00:16:11,280 --> 00:16:12,240 Speaker 1: Have you ever been that guy? 295 00:16:13,000 --> 00:16:13,240 Speaker 2: Dean? 296 00:16:13,680 --> 00:16:15,360 Speaker 1: Yeah? Have you ever been that guy where it's just 297 00:16:15,520 --> 00:16:18,440 Speaker 1: like you just keep calling and like she doesn't like me, 298 00:16:18,640 --> 00:16:20,040 Speaker 1: and no, what's happening? 299 00:16:20,680 --> 00:16:20,920 Speaker 2: Huh? 300 00:16:21,280 --> 00:16:22,160 Speaker 1: You ever been that guy? 301 00:16:22,560 --> 00:16:25,320 Speaker 2: I get the message pretty quickly. I feel like I 302 00:16:25,400 --> 00:16:28,800 Speaker 2: could read people, and he is not reading her because 303 00:16:28,920 --> 00:16:33,320 Speaker 2: she is no longer interested. It is pretty obvious from 304 00:16:33,360 --> 00:16:36,240 Speaker 2: the beginning. I know he leaves her like fourteen messages 305 00:16:36,320 --> 00:16:41,360 Speaker 2: and like one day, Yeah, and did you sill have 306 00:16:41,440 --> 00:16:43,720 Speaker 2: an answering machine like that? M? 307 00:16:45,240 --> 00:16:46,360 Speaker 1: And yeah, we all did. 308 00:16:46,640 --> 00:16:48,840 Speaker 2: Did you save the message? I used to save messages 309 00:16:48,920 --> 00:16:52,520 Speaker 2: if I really liked him, I did too, Like before 310 00:16:52,560 --> 00:16:56,080 Speaker 2: my grandma passed, I'd go, I'm saving that message forever, right, 311 00:16:56,560 --> 00:16:58,200 Speaker 2: and then you have to throw away the machine. 312 00:16:59,000 --> 00:17:04,240 Speaker 1: Well you know, it's obvious that Rory's pulling away, Yeah, 313 00:17:04,600 --> 00:17:08,760 Speaker 1: because it's Jess. Because of Jess, he and he senses 314 00:17:08,800 --> 00:17:11,520 Speaker 1: that what did he do? Okay, what are you doing 315 00:17:11,520 --> 00:17:13,640 Speaker 1: in a situation like that? You take a step back. 316 00:17:14,400 --> 00:17:16,840 Speaker 2: Yeah, Laura, I gave really great advice to him. She 317 00:17:17,000 --> 00:17:20,560 Speaker 2: was a real friend to Dean, like a real friend. 318 00:17:21,680 --> 00:17:27,000 Speaker 2: He is gosh, I guess a little desperate looking in this. 319 00:17:27,359 --> 00:17:30,280 Speaker 2: So that is like a little bit of a you know, 320 00:17:30,359 --> 00:17:34,240 Speaker 2: a letdown and probably a turn off to Rory too. 321 00:17:35,240 --> 00:17:40,520 Speaker 2: But after talking with Laura, I like he like listens, 322 00:17:40,800 --> 00:17:43,600 Speaker 2: gets the message and that doesn't bugger so much. 323 00:17:44,880 --> 00:17:48,440 Speaker 1: Like so we think, yeah, the only move Dean could 324 00:17:48,520 --> 00:17:51,280 Speaker 1: make would be to hold up, to leave her alone, 325 00:17:51,359 --> 00:17:53,239 Speaker 1: hold up in a library and start reading all those 326 00:17:53,280 --> 00:17:57,080 Speaker 1: books exactly, oh my gosh, and then a month later 327 00:17:57,240 --> 00:17:58,879 Speaker 1: send clever little messages or. 328 00:17:58,880 --> 00:18:02,680 Speaker 2: Something, yes, and maybe start writing in the margins like 329 00:18:02,880 --> 00:18:03,440 Speaker 2: Jess does. 330 00:18:07,480 --> 00:18:11,359 Speaker 1: Like that writes really well in the margins. 331 00:18:14,160 --> 00:18:17,000 Speaker 2: Have you ever written in a margin. I've never written 332 00:18:17,040 --> 00:18:17,520 Speaker 2: in a margin. 333 00:18:17,600 --> 00:18:20,040 Speaker 1: Oh? Sure, I underline and write in the margin. Yeh. 334 00:18:20,119 --> 00:18:23,520 Speaker 2: I used to highlight or like crazy, but I destroy books. 335 00:18:23,920 --> 00:18:26,960 Speaker 2: Oh I like that because then if I read it, 336 00:18:27,240 --> 00:18:28,000 Speaker 2: when I go back and. 337 00:18:28,040 --> 00:18:30,960 Speaker 1: Reread them, that's what I read. The Oh the first 338 00:18:31,000 --> 00:18:33,480 Speaker 1: thing I read is when I go back. Yeah, read 339 00:18:33,520 --> 00:18:33,879 Speaker 1: this stuff. 340 00:18:34,080 --> 00:18:36,000 Speaker 2: And if you loan me in the book, I would 341 00:18:36,080 --> 00:18:40,399 Speaker 2: read your stuff even with more accuracy, like just like, 342 00:18:40,520 --> 00:18:42,800 Speaker 2: why does Scott have this highlighted? Why did you write 343 00:18:42,880 --> 00:18:43,560 Speaker 2: this in the margin. 344 00:18:43,720 --> 00:18:46,399 Speaker 1: I don't loan anything out. I don't loan books because 345 00:18:46,400 --> 00:18:47,240 Speaker 1: you never see again. 346 00:18:47,400 --> 00:18:48,199 Speaker 2: I see how you are. 347 00:18:48,520 --> 00:18:52,159 Speaker 1: You never seen it again. I've got people and I 348 00:18:52,240 --> 00:18:55,360 Speaker 1: still haven't. They never get it back. I'm not making 349 00:18:55,400 --> 00:18:55,840 Speaker 1: that mistake. 350 00:18:55,840 --> 00:18:58,000 Speaker 2: They're probably in someone's front yard in one of those 351 00:18:58,040 --> 00:19:03,760 Speaker 2: little boxes that you like do book sharing. If I 352 00:19:03,840 --> 00:19:05,280 Speaker 2: find it, I'm going to bring it back to you. 353 00:19:07,359 --> 00:19:10,080 Speaker 1: So you've never pulled a Dean and left like twenty messages? 354 00:19:10,520 --> 00:19:12,919 Speaker 2: No, I tell you I read people and get the message. 355 00:19:12,920 --> 00:19:18,240 Speaker 2: How about you? You no why because you get the 356 00:19:18,320 --> 00:19:19,480 Speaker 2: message and you read people. 357 00:19:21,200 --> 00:19:23,160 Speaker 1: I don't know. I've just always been really busy. 358 00:19:24,680 --> 00:19:27,160 Speaker 2: You're kind of a matter of fat kind of person too, 359 00:19:27,480 --> 00:19:30,520 Speaker 2: Like what does that mean? It means if someone's not 360 00:19:30,600 --> 00:19:33,040 Speaker 2: showing your interest, you're not going to show it back. 361 00:19:33,160 --> 00:19:33,800 Speaker 2: Oh I leave? 362 00:19:34,119 --> 00:19:38,760 Speaker 3: Yeah no, No, it's like whoa, Yeah, I don't get 363 00:19:38,840 --> 00:19:43,640 Speaker 3: all insecure. I just like think they're stupid. I lose 364 00:19:43,680 --> 00:19:44,760 Speaker 3: respect for him when I leave. 365 00:19:45,840 --> 00:19:48,840 Speaker 2: Okay, so now I see what you feel about Dean 366 00:19:48,920 --> 00:19:58,800 Speaker 2: in this episode. Yes, you are correct. The relationship is fading. 367 00:19:59,240 --> 00:20:02,080 Speaker 1: Yeah, yeah, he's been a little lone hitch. 368 00:20:04,080 --> 00:20:05,840 Speaker 3: She just wants it to go back to normal, which 369 00:20:06,040 --> 00:20:08,560 Speaker 3: never will, which means she just wants to meet him 370 00:20:08,600 --> 00:20:10,960 Speaker 3: again and not know who he is. 371 00:20:11,760 --> 00:20:14,720 Speaker 1: And he was so filled with mystery and cool. 372 00:20:15,320 --> 00:20:19,840 Speaker 2: Yes, like Jess says, now, right, and that's exactly what 373 00:20:19,960 --> 00:20:23,399 Speaker 2: her mom had in the beginning, right, like why she 374 00:20:23,480 --> 00:20:26,520 Speaker 2: got pregnant, Why Laurla got pregnant, same kind of thing. 375 00:20:26,640 --> 00:20:29,400 Speaker 2: Guy on the motorcycle jumping out the window. 376 00:20:29,440 --> 00:20:35,000 Speaker 3: See you later, Dean Deane, He ain't no James Dean, 377 00:20:36,280 --> 00:20:39,879 Speaker 3: all right, Chilton business fair, all right. So the Headmaster 378 00:20:40,080 --> 00:20:46,719 Speaker 3: Charlton names the winner. Oh thus this stupid locker alarm 379 00:20:46,800 --> 00:20:49,160 Speaker 3: that doesn't even work, and Richard. 380 00:20:49,119 --> 00:20:51,399 Speaker 2: Is livid as he should be. 381 00:20:52,080 --> 00:20:54,320 Speaker 1: Right you think, how did he handle that? 382 00:20:55,840 --> 00:20:59,000 Speaker 2: He handled it like any normal person would who had 383 00:20:59,040 --> 00:21:03,200 Speaker 2: a better idea? Right, he went right to him, And 384 00:21:03,359 --> 00:21:05,560 Speaker 2: I guess it's the decision of one We found out 385 00:21:05,640 --> 00:21:09,439 Speaker 2: it wasn't a committee. There was one person's like idea. 386 00:21:10,000 --> 00:21:14,720 Speaker 3: Do you sense a personal vendetta against Richard by Headmaster Charleston. 387 00:21:14,760 --> 00:21:19,040 Speaker 3: Do you think there's something personal there? Because remember remember 388 00:21:19,160 --> 00:21:24,400 Speaker 3: when they when when Headmster Charleston approached Richard and said. 389 00:21:24,400 --> 00:21:27,320 Speaker 1: Ah, here you retired. We were so shocked that you retired, 390 00:21:27,320 --> 00:21:29,240 Speaker 1: and good to see you. It's been so long, you're 391 00:21:29,280 --> 00:21:31,040 Speaker 1: not at the club anymore. You're not at the country 392 00:21:31,040 --> 00:21:33,560 Speaker 1: club anymore. It's as well, I've been busy the dead. 393 00:21:33,640 --> 00:21:37,800 Speaker 3: And then when Charleston ends the conversation, it says, you know, 394 00:21:37,960 --> 00:21:41,720 Speaker 3: I'll let's you know, I'll call Maggie, we'll set up 395 00:21:41,720 --> 00:21:42,080 Speaker 3: at dinner. 396 00:21:42,160 --> 00:21:44,640 Speaker 1: We'd love to see you. And then he walks away. 397 00:21:44,840 --> 00:21:49,639 Speaker 1: Richard turns his head and says, you do that to himself, So. 398 00:21:49,880 --> 00:21:54,840 Speaker 2: It sort of, yes, he speaks of some well, it's 399 00:21:54,880 --> 00:21:56,720 Speaker 2: because he's not in the working world anything. 400 00:21:57,480 --> 00:21:59,720 Speaker 3: But I know what I read from that was that 401 00:21:59,800 --> 00:22:02,240 Speaker 3: there's some history between these two when it ain't good. 402 00:22:02,800 --> 00:22:04,119 Speaker 1: So I'm kind of wondering what it is. 403 00:22:04,560 --> 00:22:06,920 Speaker 2: Let's make it up. I think it's money. 404 00:22:07,200 --> 00:22:09,160 Speaker 3: I think Richard has a lot of money, and there's 405 00:22:09,200 --> 00:22:12,720 Speaker 3: just there's your spinoff. Yep, Richard and Head and mister 406 00:22:12,800 --> 00:22:15,440 Speaker 3: Charleston and then me and Sean Gunn. 407 00:22:16,280 --> 00:22:17,360 Speaker 2: Yes, definitely. 408 00:22:19,640 --> 00:22:23,440 Speaker 3: By the way, Raleigh Galaxy Con, Yeah, tell me, two 409 00:22:23,520 --> 00:22:26,400 Speaker 3: thousand people showed up to our panel was standing room only. 410 00:22:27,040 --> 00:22:28,960 Speaker 2: Oh, holy heck, that's great. 411 00:22:29,080 --> 00:22:31,920 Speaker 3: We're like, we're like the you know, we're like the 412 00:22:32,040 --> 00:22:34,160 Speaker 3: Martin and Lewis of the Concertcuit. 413 00:22:34,280 --> 00:22:36,720 Speaker 2: I bet you're like a really great talker, and he 414 00:22:36,960 --> 00:22:40,080 Speaker 2: just says crazy stuff like I want to be in 415 00:22:40,160 --> 00:22:40,720 Speaker 2: your next one. 416 00:22:41,200 --> 00:22:45,920 Speaker 3: He's hysterically funny, he's really smart. We play off each 417 00:22:45,920 --> 00:22:49,560 Speaker 3: other really well. We enjoy each other's company and that 418 00:22:49,680 --> 00:22:50,639 Speaker 3: and that's really all it is. 419 00:22:51,280 --> 00:22:53,879 Speaker 1: That's all it. Yeah, yeah, you too are fun together 420 00:22:54,480 --> 00:22:58,879 Speaker 1: and and I think we both make pretty insightful comments 421 00:22:58,920 --> 00:23:02,120 Speaker 1: about the show and the questions that are being asked 422 00:23:02,160 --> 00:23:04,240 Speaker 1: of us. But it was we just have these raucous 423 00:23:05,520 --> 00:23:09,160 Speaker 1: panels at these at these contint they're so much fun. 424 00:23:10,320 --> 00:23:11,360 Speaker 2: How do you guys kick it off? 425 00:23:11,800 --> 00:23:14,240 Speaker 3: Just a moderator goes out there and says you're ready, 426 00:23:14,400 --> 00:23:16,560 Speaker 3: and we bring them out and they bring us out. 427 00:23:17,040 --> 00:23:20,720 Speaker 2: They show clips of you guys first, they play the. 428 00:23:20,760 --> 00:23:23,200 Speaker 1: Music or whatever. And it's not a lot of clubs, 429 00:23:23,240 --> 00:23:24,160 Speaker 1: but man, that's fun. 430 00:23:24,440 --> 00:23:26,440 Speaker 2: Okay, when's your next one? And where are you going? 431 00:23:26,560 --> 00:23:30,040 Speaker 2: And how do we get to see that? Get one together? 432 00:23:30,520 --> 00:23:32,280 Speaker 1: September's big. September is big. 433 00:23:32,440 --> 00:23:35,320 Speaker 3: Yeah, I think we're going to be together at September 434 00:23:35,400 --> 00:23:39,879 Speaker 3: five through seven, Smoky Mountain Fan Fast and Kingsport, Tennessee 435 00:23:40,080 --> 00:23:45,240 Speaker 3: September five or seven, anyway, and then and then I'm 436 00:23:45,280 --> 00:23:47,640 Speaker 3: in New Milford, Connecticut the next weekend, and then I'm 437 00:23:47,680 --> 00:23:51,320 Speaker 3: in Brighton, Michigan the next weekend. It's September's crazy. 438 00:23:51,119 --> 00:23:55,760 Speaker 2: You're busy. Yeah, oh, speaking of like fun events, you know. 439 00:23:55,960 --> 00:23:59,679 Speaker 2: In the episode, also, Suki gets so excited that her 440 00:23:59,720 --> 00:24:02,600 Speaker 2: wedding imitations were coming. Did you see that part? Do 441 00:24:02,640 --> 00:24:03,359 Speaker 2: you remember her? 442 00:24:03,400 --> 00:24:04,560 Speaker 1: I love everything Sukie does. 443 00:24:04,640 --> 00:24:06,200 Speaker 2: I love the entire Oh my gosh. 444 00:24:06,240 --> 00:24:08,720 Speaker 1: I mean I could just rewind it and watch it again. 445 00:24:08,800 --> 00:24:11,399 Speaker 2: I did that too, Yeah, because I rewatched it just 446 00:24:11,480 --> 00:24:14,879 Speaker 2: to get ready for this, And I had to rewind 447 00:24:14,920 --> 00:24:17,960 Speaker 2: that like twice because I just laughed so hard because 448 00:24:18,119 --> 00:24:20,359 Speaker 2: I feel like some of it is just improv a 449 00:24:20,440 --> 00:24:21,600 Speaker 2: little bit. No. 450 00:24:22,200 --> 00:24:25,679 Speaker 3: Oh none, none, none, James James. 451 00:24:25,760 --> 00:24:28,520 Speaker 1: But I know, I know, But I know you've met 452 00:24:28,600 --> 00:24:32,280 Speaker 1: Amy Sherman Palladino. I know, but you know how precise 453 00:24:32,400 --> 00:24:35,080 Speaker 1: she is. Oh, it's exacting. 454 00:24:36,200 --> 00:24:38,120 Speaker 2: You are true, you are that is the truth. 455 00:24:38,160 --> 00:24:39,159 Speaker 1: Oh, there's no improv. 456 00:24:39,560 --> 00:24:42,520 Speaker 2: It was fantastic, I mean, and she got stressed because 457 00:24:42,520 --> 00:24:45,160 Speaker 2: there was a typo on it. It was Susie Saint 458 00:24:45,240 --> 00:24:48,240 Speaker 2: James instead of Sukie. 459 00:24:48,960 --> 00:24:49,400 Speaker 1: Susie. 460 00:24:49,600 --> 00:24:50,360 Speaker 2: Who's Susie. 461 00:24:51,400 --> 00:24:53,720 Speaker 1: I had a mouthful of cookies. When she said that, 462 00:24:53,840 --> 00:24:56,600 Speaker 1: I spit him out, and I like literally spit him 463 00:24:56,600 --> 00:24:58,359 Speaker 1: out my son, like, Dad, what did you just do? 464 00:24:58,840 --> 00:25:01,159 Speaker 2: Oh my gosh? And then lore Life sets up the 465 00:25:01,200 --> 00:25:05,200 Speaker 2: whole customer service like rep and like that is one 466 00:25:05,240 --> 00:25:08,920 Speaker 2: of the things that I am friendly to lots and 467 00:25:09,000 --> 00:25:12,400 Speaker 2: lots of people, like I just love people. But sometimes 468 00:25:12,440 --> 00:25:15,760 Speaker 2: if I have bad customer service, like if the person 469 00:25:15,880 --> 00:25:18,160 Speaker 2: on the other end gets on me, then I pull 470 00:25:18,200 --> 00:25:24,400 Speaker 2: a suki like she went listic, and I won't go ballistic, 471 00:25:24,560 --> 00:25:26,960 Speaker 2: but people go, wow, you see mad. 472 00:25:28,720 --> 00:25:32,000 Speaker 1: Oh yeah, that's a big motor you got there, buddy. 473 00:25:32,160 --> 00:25:34,000 Speaker 1: There's no question about it in my mind. 474 00:25:34,320 --> 00:25:37,120 Speaker 2: You know, Yeah, I thought that was a cute moment. 475 00:25:37,600 --> 00:25:40,960 Speaker 1: Did you think Richard's reaction was childish? I mean the 476 00:25:41,040 --> 00:25:43,320 Speaker 1: way you just went off on Charleston? 477 00:25:44,080 --> 00:25:46,960 Speaker 2: Yes and no, of course, yeah, a little bit, But 478 00:25:47,440 --> 00:25:51,200 Speaker 2: I mean it was they had passionate about their project. 479 00:26:00,640 --> 00:26:03,399 Speaker 1: Okay, here's here's the burning question that I have. 480 00:26:03,880 --> 00:26:06,760 Speaker 3: Okay, why was in Paris up there yelling with them? 481 00:26:07,320 --> 00:26:11,639 Speaker 3: She's a complete nut job. Yes, that's her opportunity to 482 00:26:11,720 --> 00:26:13,639 Speaker 3: go up there and just sort of act out all 483 00:26:13,680 --> 00:26:14,200 Speaker 3: over the place. 484 00:26:14,480 --> 00:26:17,359 Speaker 1: Why didn't Why didn't she gang up on with Richard. 485 00:26:17,640 --> 00:26:21,160 Speaker 2: I don't know. Like Lorelei said, he grows another six 486 00:26:21,280 --> 00:26:24,800 Speaker 2: feet tall when he's like like making a point and 487 00:26:25,000 --> 00:26:28,520 Speaker 2: like angry or whatever. And I felt like that's what 488 00:26:28,640 --> 00:26:31,040 Speaker 2: he did. And Paris saw it and him and he 489 00:26:31,119 --> 00:26:32,800 Speaker 2: handed and he handled it. 490 00:26:33,280 --> 00:26:33,640 Speaker 1: Uh huh. 491 00:26:34,240 --> 00:26:38,360 Speaker 2: But that stupid locker thing, Yeah, that's work. 492 00:26:38,680 --> 00:26:39,760 Speaker 1: Look, Friday night dinner. 493 00:26:40,440 --> 00:26:41,760 Speaker 2: I love Friday and night dinners. 494 00:26:42,400 --> 00:26:42,560 Speaker 1: You know. 495 00:26:42,680 --> 00:26:45,120 Speaker 3: He finally comes out of the study, right, yes, all 496 00:26:45,560 --> 00:26:48,840 Speaker 3: in a jump. He's been thinking. No, he's been thinking 497 00:26:48,880 --> 00:26:53,600 Speaker 3: all afternoon, right, and he's feeling good. He sits down. 498 00:26:53,680 --> 00:26:57,320 Speaker 3: They have this dinner and you know, it's like he 499 00:26:57,400 --> 00:26:59,359 Speaker 3: wants to consult, he wants to teach, he wants to 500 00:26:59,640 --> 00:27:04,400 Speaker 3: take on partner setting up. You know, here comes Jason Styles. 501 00:27:04,920 --> 00:27:09,640 Speaker 3: Here we go, you know, uh, all right, But after 502 00:27:09,720 --> 00:27:13,639 Speaker 3: dinner in the car ride at home, Laurel Rory tells 503 00:27:13,880 --> 00:27:17,480 Speaker 3: Laurla she actually misses Dean, the old Dean, Yes, not 504 00:27:17,880 --> 00:27:21,760 Speaker 3: the pathetic you know this one whiny wailing Yeah, it 505 00:27:21,840 --> 00:27:22,720 Speaker 3: secure Dean, but. 506 00:27:22,840 --> 00:27:27,399 Speaker 2: The old guy. I think riyals them. She has a 507 00:27:27,520 --> 00:27:30,280 Speaker 2: soft spot form, But Laurela has a softer spot form. 508 00:27:30,359 --> 00:27:32,760 Speaker 1: In this episode, what's a nice kid. 509 00:27:33,400 --> 00:27:36,240 Speaker 2: He is nice. And that hair, Geez, Louise, that. 510 00:27:36,320 --> 00:27:40,000 Speaker 1: Hair, Now that's the guy with good hair that ain't 511 00:27:40,119 --> 00:27:42,240 Speaker 1: trying so hard to have good hair. You know what 512 00:27:42,320 --> 00:27:42,600 Speaker 1: I mean? 513 00:27:42,760 --> 00:27:45,960 Speaker 2: It just is even to this day. You know, the 514 00:27:46,080 --> 00:27:48,879 Speaker 2: hair is good. Who are you talking about with like, 515 00:27:49,200 --> 00:27:51,120 Speaker 2: maybe not great? Are you talking about meat? 516 00:27:51,400 --> 00:27:53,000 Speaker 1: Are you kidding me? You get the best hair? I mean, 517 00:27:53,359 --> 00:27:57,720 Speaker 1: your hair is the best. I of course, I mean 518 00:27:57,960 --> 00:27:58,919 Speaker 1: I'm not talking about me. 519 00:28:00,680 --> 00:28:02,600 Speaker 2: For sure, No, but you know what I mean, I 520 00:28:02,680 --> 00:28:03,320 Speaker 2: do know what you mean? 521 00:28:03,920 --> 00:28:07,359 Speaker 3: Really great here and then yeah, that that was quite 522 00:28:07,400 --> 00:28:08,320 Speaker 3: a closing scene. 523 00:28:09,080 --> 00:28:11,480 Speaker 1: Oh yeah, I mean wow. 524 00:28:12,240 --> 00:28:15,960 Speaker 2: On the steps there right at laura Ies home. Oh 525 00:28:16,640 --> 00:28:19,800 Speaker 2: and then and the last words he says, I believe 526 00:28:19,880 --> 00:28:23,920 Speaker 2: are she likes Jess, doesn't she? 527 00:28:24,359 --> 00:28:24,560 Speaker 3: Yeah? 528 00:28:24,680 --> 00:28:28,000 Speaker 2: And then da black next episode and he just walks 529 00:28:28,040 --> 00:28:31,760 Speaker 2: off next week on the WB with that great hair. 530 00:28:32,440 --> 00:28:35,040 Speaker 1: Oh yeah, I mean just really wasn't in the episode, 531 00:28:35,080 --> 00:28:35,879 Speaker 1: but he kind of was. 532 00:28:36,560 --> 00:28:39,520 Speaker 2: He was, Yeah, he wasn't in the episode. I don't 533 00:28:39,560 --> 00:28:41,480 Speaker 2: think he made one appearance in wonder. 534 00:28:41,560 --> 00:28:43,440 Speaker 1: He probably didn't get paid for that episode, even though 535 00:28:43,480 --> 00:28:44,200 Speaker 1: it's kind of now. 536 00:28:44,320 --> 00:28:48,080 Speaker 2: Layne made an appearance in the episode. Mm hmmm, and 537 00:28:48,840 --> 00:28:53,560 Speaker 2: her stuff is also funy, funny, funny, funny. This comic 538 00:28:53,680 --> 00:28:56,680 Speaker 2: relief that they intertwined within the whole episode is just 539 00:28:56,800 --> 00:28:59,920 Speaker 2: so fun. With her taking that career aptitude test where 540 00:29:00,360 --> 00:29:03,520 Speaker 2: she finds out after taking the test four times that 541 00:29:03,640 --> 00:29:08,080 Speaker 2: she's most suited for sales job and that is totally 542 00:29:08,200 --> 00:29:11,360 Speaker 2: not her wish. Right now, I want to talk a little. 543 00:29:11,160 --> 00:29:16,840 Speaker 1: Bit about you. Oh if me, yeah, okay, if you 544 00:29:16,880 --> 00:29:22,160 Speaker 1: could pitch a Gilmore Girls spin off, Oh, who'd start it? 545 00:29:23,440 --> 00:29:29,560 Speaker 2: You and of course Laura I would be the leads. 546 00:29:30,280 --> 00:29:32,200 Speaker 2: I'd want Emily back for one. 547 00:29:33,840 --> 00:29:34,000 Speaker 1: Two. 548 00:29:36,400 --> 00:29:40,040 Speaker 2: I need to know like what Rory's like. I don't 549 00:29:40,120 --> 00:29:43,120 Speaker 2: know what Rory's role is, like, like who she's with, 550 00:29:43,400 --> 00:29:47,440 Speaker 2: and like her kids old enough to be the age 551 00:29:47,480 --> 00:29:51,560 Speaker 2: she was in high school? Like is that did you 552 00:29:51,960 --> 00:29:55,240 Speaker 2: have kids? Other kids? I know you have a daughter, 553 00:29:55,440 --> 00:29:59,440 Speaker 2: but I mean, did you have other kids like with Laura? 554 00:29:59,560 --> 00:30:02,960 Speaker 2: I I don't know about right, I don't, but I 555 00:30:03,360 --> 00:30:05,840 Speaker 2: want I want the story to continue. That town just 556 00:30:05,920 --> 00:30:10,560 Speaker 2: the town starts hollow alone and like all the ongoings 557 00:30:10,600 --> 00:30:13,920 Speaker 2: of what's going on there is just just yeah, like 558 00:30:14,040 --> 00:30:16,040 Speaker 2: a plethora of things to talk about now. 559 00:30:16,080 --> 00:30:19,360 Speaker 3: It falls under the category of, like, you know, global healthcare. 560 00:30:20,480 --> 00:30:24,360 Speaker 3: That's moral imperative. That's how people sit. You know, it's 561 00:30:24,480 --> 00:30:25,760 Speaker 3: a healings. 562 00:30:26,120 --> 00:30:26,840 Speaker 1: It helps people. 563 00:30:27,240 --> 00:30:30,920 Speaker 2: Yeah, the best part of a lot of people's day. 564 00:30:30,920 --> 00:30:31,400 Speaker 2: I'll tell you that. 565 00:30:31,800 --> 00:30:33,800 Speaker 1: I honest, I want to talk about December. 566 00:30:34,440 --> 00:30:37,440 Speaker 2: Oh oh, it's going to be a December to remember. 567 00:30:37,880 --> 00:30:40,760 Speaker 1: You and I are always cooking up some fun Gilmour plans. 568 00:30:40,760 --> 00:30:42,320 Speaker 1: Aren't we work? You? 569 00:30:42,680 --> 00:30:49,640 Speaker 2: Me and the Amy Sugarman will Yes, well, no, you 570 00:30:49,760 --> 00:30:52,760 Speaker 2: have to put the yes. You will be seeing me? 571 00:30:53,280 --> 00:30:54,760 Speaker 1: Am I going to be seeing you? Got in December? 572 00:30:55,040 --> 00:30:55,240 Speaker 2: Yes? 573 00:30:55,680 --> 00:30:56,600 Speaker 1: What can we talk about? 574 00:30:57,000 --> 00:31:02,560 Speaker 2: Well, Warner Brothers will be hosts again for the twenty 575 00:31:02,560 --> 00:31:07,160 Speaker 2: fifth anniversary of Gilmore Girls Holidays Made Here, which is 576 00:31:07,880 --> 00:31:11,520 Speaker 2: the Warner Brothers Studio Tour. And what we do is 577 00:31:11,600 --> 00:31:15,200 Speaker 2: we take the entire back lot that was used like 578 00:31:15,960 --> 00:31:18,920 Speaker 2: the Music Man La La Land, you know, all those 579 00:31:19,000 --> 00:31:22,719 Speaker 2: fun movies, but it was mainly used from two thousand 580 00:31:22,800 --> 00:31:26,160 Speaker 2: to two thousand and eight for Gilmore Girls as Stars 581 00:31:26,200 --> 00:31:31,800 Speaker 2: Hollow and we re decorate it. We reset every store 582 00:31:31,880 --> 00:31:35,920 Speaker 2: that we can. We are in the process because you 583 00:31:36,000 --> 00:31:37,600 Speaker 2: know we had to tear down Miss Patties. 584 00:31:37,680 --> 00:31:39,080 Speaker 1: Did you know that I didn't know? 585 00:31:39,240 --> 00:31:42,160 Speaker 2: Oh no, yes, we had to tear down Miss Patties 586 00:31:42,200 --> 00:31:45,760 Speaker 2: a few years ago because we had to slightly move 587 00:31:45,840 --> 00:31:49,200 Speaker 2: the Friends Fountain. Friends is a Warner Brothers TV series two, 588 00:31:49,840 --> 00:31:54,120 Speaker 2: and so Miss Patty's was a building with no air conditioning. 589 00:31:54,560 --> 00:31:58,680 Speaker 2: It had you know you guys, like sweat like crazy. 590 00:31:58,840 --> 00:32:01,360 Speaker 1: Where we did our town home Mede Yeah, and. 591 00:32:01,560 --> 00:32:05,680 Speaker 2: In Jackets in the summer. Honestly, in California, it's almost 592 00:32:05,720 --> 00:32:11,040 Speaker 2: always summer. So anyhow, we're do you know, did you 593 00:32:11,080 --> 00:32:14,080 Speaker 2: ever see Minecraft? Do you know what that is? I do? 594 00:32:14,520 --> 00:32:16,440 Speaker 1: Yeah, I didn't see the movie, but I do know. 595 00:32:17,000 --> 00:32:20,400 Speaker 2: Little blocks and stuff. We are making a Miss Patties 596 00:32:20,520 --> 00:32:24,120 Speaker 2: out of like like blocks so we can rebuild it 597 00:32:24,320 --> 00:32:25,920 Speaker 2: just for this and then take it down and then 598 00:32:26,000 --> 00:32:28,200 Speaker 2: use it again the next year. Beautiful kind of thing. 599 00:32:28,400 --> 00:32:33,080 Speaker 2: So I my goal is to like be a dancer 600 00:32:33,200 --> 00:32:39,840 Speaker 2: and Miss Patties this year of our instructors. 601 00:32:43,720 --> 00:32:46,880 Speaker 1: But big plans, right, big plans. 602 00:32:46,640 --> 00:32:48,640 Speaker 2: Yeah, so big plans. We don't know the start date 603 00:32:48,720 --> 00:32:51,520 Speaker 2: yet quite yet, but we do know it'll be more 604 00:32:51,720 --> 00:32:56,920 Speaker 2: than the two week run that we usually have. Yeah, 605 00:32:57,000 --> 00:32:58,800 Speaker 2: so we want to extend it, like we want to 606 00:32:58,880 --> 00:33:03,160 Speaker 2: start and liked early to mid December and go all 607 00:33:03,280 --> 00:33:06,000 Speaker 2: the way through and then do a Christmas tree lighting 608 00:33:06,120 --> 00:33:10,480 Speaker 2: every night, like something super eventful and fun and like, 609 00:33:11,040 --> 00:33:13,080 Speaker 2: oh I smell snow, do you? 610 00:33:14,080 --> 00:33:15,440 Speaker 1: Oh? It's gonna be so much fun. 611 00:33:16,240 --> 00:33:20,240 Speaker 3: Yeah, as if you could improve on how you presented 612 00:33:20,280 --> 00:33:23,040 Speaker 3: this last year, which was just off the chain. 613 00:33:23,520 --> 00:33:25,520 Speaker 2: Yeah, well we have to do better because it's the 614 00:33:25,560 --> 00:33:26,719 Speaker 2: twenty fifth anniversary. 615 00:33:27,400 --> 00:33:30,560 Speaker 1: Sure, but I mean, but how how could it be 616 00:33:30,720 --> 00:33:31,840 Speaker 1: better than last year? 617 00:33:32,360 --> 00:33:32,400 Speaker 3: You? 618 00:33:36,720 --> 00:33:44,040 Speaker 2: You? You and Lily you? Maybe you do more than two. 619 00:33:44,800 --> 00:33:47,920 Speaker 2: One live visit, maybe you do two, Maybe you come 620 00:33:47,960 --> 00:33:48,719 Speaker 2: to town twice. 621 00:33:48,960 --> 00:33:51,120 Speaker 3: I'm going to commit to doing at least five? 622 00:33:52,320 --> 00:33:53,640 Speaker 2: What? Yeah? Why not? 623 00:33:54,880 --> 00:33:55,120 Speaker 1: God? 624 00:33:55,240 --> 00:33:59,360 Speaker 2: This fuck this stars hollow? You're going to be the mayor? 625 00:34:00,640 --> 00:34:05,200 Speaker 2: Why not? I love this? Five? Five? 626 00:34:07,120 --> 00:34:07,720 Speaker 1: How about ten? 627 00:34:08,160 --> 00:34:09,040 Speaker 2: You can't do ten? 628 00:34:09,360 --> 00:34:09,680 Speaker 1: Why not? 629 00:34:10,080 --> 00:34:12,359 Speaker 2: You have a family? Are you going to bring them tall? Ten? 630 00:34:12,719 --> 00:34:13,480 Speaker 1: I don't see why not? 631 00:34:13,800 --> 00:34:17,640 Speaker 2: Okay, I'm ready to get down ten. Let's commit to 632 00:34:17,800 --> 00:34:18,920 Speaker 2: five because I. 633 00:34:19,040 --> 00:34:21,239 Speaker 3: Want to do five and then we'll see how it goes. 634 00:34:21,400 --> 00:34:23,359 Speaker 2: I don't know if you can do five podcasts though, 635 00:34:23,440 --> 00:34:23,719 Speaker 2: can you? 636 00:34:24,400 --> 00:34:25,560 Speaker 1: That's a sugarman question. 637 00:34:26,480 --> 00:34:30,360 Speaker 2: Yes, let's let's let's pose the question to the boss 638 00:34:30,640 --> 00:34:33,120 Speaker 2: and from there we will learn more. 639 00:34:33,560 --> 00:34:37,160 Speaker 1: But at least two. I want to congratulate you on 640 00:34:37,400 --> 00:34:42,560 Speaker 1: twenty seven years at Warner Brothers. Just going on, James, 641 00:34:43,040 --> 00:34:45,359 Speaker 1: thank you. If not for you, none of this would 642 00:34:45,360 --> 00:34:47,520 Speaker 1: be happening. You are the man. 643 00:34:47,960 --> 00:34:51,359 Speaker 2: I do love you in the show and we are 644 00:34:51,520 --> 00:34:54,760 Speaker 2: so grateful for all the support. 645 00:34:55,160 --> 00:34:59,319 Speaker 1: I can't even begin to tell you how appreciatd we are. 646 00:35:00,800 --> 00:35:03,319 Speaker 1: I mean, everybody, to a man to a woman, they 647 00:35:03,360 --> 00:35:07,640 Speaker 1: all know the greatness of of King James, and thank you. 648 00:35:08,200 --> 00:35:08,919 Speaker 1: You are the best. 649 00:35:09,200 --> 00:35:12,000 Speaker 2: I do it for you and the fans, and it's 650 00:35:12,160 --> 00:35:15,279 Speaker 2: just it's just a great piece of work that just 651 00:35:15,400 --> 00:35:17,319 Speaker 2: always needs to be celebrated. Well. 652 00:35:17,440 --> 00:35:23,160 Speaker 1: I hope that you get a bigger storage facility because 653 00:35:23,920 --> 00:35:26,960 Speaker 1: the amount of project products that we are sending you 654 00:35:27,160 --> 00:35:28,800 Speaker 1: and can continue to send you. 655 00:35:29,239 --> 00:35:34,920 Speaker 2: I heard, I heard tea. I mean I have a 656 00:35:35,000 --> 00:35:37,440 Speaker 2: tea tasters inside don't drink tea, so I have one 657 00:35:37,640 --> 00:35:40,560 Speaker 2: like starting on many teas that you've invented. 658 00:35:41,000 --> 00:35:45,360 Speaker 1: Yes, we're ah, that's right, you heard it here first 659 00:35:45,400 --> 00:35:46,480 Speaker 1: lice and gentlemen. 660 00:35:46,400 --> 00:35:47,399 Speaker 2: He's inventing tea. 661 00:35:47,719 --> 00:35:50,680 Speaker 1: Where teas are coming anyway, All the best. Much love 662 00:35:50,760 --> 00:35:53,839 Speaker 1: to you, Pal, much love to you too, and thank 663 00:35:53,840 --> 00:35:55,200 Speaker 1: you for your time. We know how busy you are. 664 00:35:55,239 --> 00:35:57,640 Speaker 3: You're basically running a studio right now, so it's like 665 00:35:58,360 --> 00:35:59,080 Speaker 3: you got a lot to do. 666 00:35:59,200 --> 00:36:01,680 Speaker 1: And we do appreciate the time you took out today 667 00:36:01,719 --> 00:36:02,000 Speaker 1: for us. 668 00:36:02,600 --> 00:36:06,640 Speaker 2: I always appreciate this, and thank you for for in 669 00:36:06,760 --> 00:36:10,120 Speaker 2: my heart. Thank you for having me here and letting 670 00:36:10,160 --> 00:36:13,080 Speaker 2: me talk about an episode that was so fantastic. I 671 00:36:13,200 --> 00:36:18,080 Speaker 2: appreciate the invite, and hello to all the fans out there. 672 00:36:18,520 --> 00:36:21,799 Speaker 3: And will you commit to five more episodes coming back 673 00:36:21,840 --> 00:36:24,359 Speaker 3: on five? We want to start with two. Oh yes, 674 00:36:24,560 --> 00:36:25,240 Speaker 3: you want to start. 675 00:36:25,080 --> 00:36:27,319 Speaker 2: With two and then maybe start too, and then we'll 676 00:36:27,360 --> 00:36:31,320 Speaker 2: make it five. But yeah, I'll do whatever. 677 00:36:31,160 --> 00:36:33,600 Speaker 3: You'd like, all right, I know huge meetings, you got 678 00:36:33,680 --> 00:36:34,160 Speaker 3: to get to them. 679 00:36:34,480 --> 00:36:38,520 Speaker 2: Yes, please, and thank you you got it, buddy, Love 680 00:36:38,560 --> 00:36:40,160 Speaker 2: you pal, all right, Love you bye. 681 00:36:41,120 --> 00:36:43,480 Speaker 1: And that ladies and gentlemen, was the great James Pettitt. 682 00:36:43,960 --> 00:36:46,480 Speaker 1: Thank you all best fans on the planet. Keep your 683 00:36:46,480 --> 00:36:48,960 Speaker 1: cards and letters coming, and as you know where you lead, 684 00:36:49,160 --> 00:37:21,120 Speaker 1: we will follow. Stay safe, everybody till forget. Follow us 685 00:37:21,200 --> 00:37:25,400 Speaker 1: on Instagram at I Am All In podcast and email 686 00:37:25,560 --> 00:37:29,200 Speaker 1: us at Gilmore at iHeartRadio dot com.