1 00:00:00,360 --> 00:00:05,600 Speaker 1: I listen to the black Coo Tips podcast because Rod 2 00:00:05,760 --> 00:00:09,560 Speaker 1: and Karen. Hey, welcome to another episode of the Blackout 3 00:00:09,560 --> 00:00:12,600 Speaker 1: Tests podcast. I'm your host, Rod, Join is always East 4 00:00:13,160 --> 00:00:17,840 Speaker 1: and we're live on Saturday. Reduce feedback. You can find 5 00:00:18,000 --> 00:00:21,440 Speaker 1: this show everywhere you find podcasts. Search the Blackout Tips 6 00:00:21,480 --> 00:00:24,360 Speaker 1: will come up. Leave us firestar reviews on iTunes. Nobody 7 00:00:24,400 --> 00:00:27,040 Speaker 1: did it this week, but leave us fostar reviews on 8 00:00:27,080 --> 00:00:30,120 Speaker 1: Apple Podcasts and we'll read them on the air because 9 00:00:30,160 --> 00:00:32,760 Speaker 1: we like them as long as they're nice. The official 10 00:00:32,800 --> 00:00:37,560 Speaker 1: weapon of the show is and an unofficial sport. That's right, 11 00:00:37,680 --> 00:00:42,040 Speaker 1: And today it's time for some motherfucking feedback. Okay, we 12 00:00:42,240 --> 00:00:45,920 Speaker 1: are gonna read the things you said, and we're gonna 13 00:00:45,960 --> 00:00:48,720 Speaker 1: respond to the things you said, and then you're not 14 00:00:48,840 --> 00:00:51,040 Speaker 1: gonna like our responses, and you're gonna be like, I'll 15 00:00:51,040 --> 00:00:53,760 Speaker 1: never write into this piece of shit again, and then 16 00:00:53,760 --> 00:00:56,120 Speaker 1: I'm gonna be mad and I'm gonna be passive aggressive, 17 00:00:56,120 --> 00:00:58,840 Speaker 1: and I'm gonna remember it for weeks and then just 18 00:00:58,880 --> 00:01:01,080 Speaker 1: I'm gonna dislike it and I'll never get over it, 19 00:01:01,360 --> 00:01:04,039 Speaker 1: and then you'll be like, actually, ill still secretly listen, 20 00:01:04,080 --> 00:01:05,720 Speaker 1: even though I said I was never gonna listen to 21 00:01:05,760 --> 00:01:08,120 Speaker 1: you niggas no more, and then years later we'll do 22 00:01:08,160 --> 00:01:10,400 Speaker 1: it all over again. That's what this show is all about. 23 00:01:10,400 --> 00:01:13,920 Speaker 1: That's what it's dedicated to. But first, let's talk about 24 00:01:13,920 --> 00:01:17,640 Speaker 1: the real MVPs. Okay, the people that come through for 25 00:01:17,720 --> 00:01:21,640 Speaker 1: us every month, the people that put something on it. 26 00:01:21,720 --> 00:01:24,720 Speaker 1: As they say, I'm talking about the people that donate 27 00:01:24,760 --> 00:01:27,920 Speaker 1: to the show. Okay. There's people that take the time out, 28 00:01:27,959 --> 00:01:30,120 Speaker 1: they go to the blackout tips, they look on the 29 00:01:30,160 --> 00:01:33,080 Speaker 1: right hand side, and they tied to the church. Okay, 30 00:01:33,600 --> 00:01:36,560 Speaker 1: because they gonna be some good Christian folk and we 31 00:01:36,720 --> 00:01:37,679 Speaker 1: like to give them a shutout. 32 00:01:39,280 --> 00:01:43,000 Speaker 2: This episode is brought to you by Shopify. Forget the 33 00:01:43,040 --> 00:01:46,360 Speaker 2: frustration of picking commerce platforms. When you switch your business 34 00:01:46,360 --> 00:01:50,400 Speaker 2: to Shopify, the global commerce platform that supercharges you're selling 35 00:01:50,680 --> 00:01:55,000 Speaker 2: wherever you sell. With Shopify, you'll harness the same intuitive features, 36 00:01:55,040 --> 00:01:59,040 Speaker 2: trusted apps, and powerful analytics used by the world's leading brands. 37 00:01:59,240 --> 00:02:01,600 Speaker 2: Sign up today for your one dollar per month trial 38 00:02:01,640 --> 00:02:05,600 Speaker 2: period at shopify dot com slash tech all lowercase that's 39 00:02:05,640 --> 00:02:07,560 Speaker 2: shopify dot com slash tech. 40 00:02:17,480 --> 00:02:19,040 Speaker 3: Listen to Charlotton. 41 00:02:21,000 --> 00:02:23,160 Speaker 1: You welcome to good folks of time to the final 42 00:02:24,760 --> 00:02:27,320 Speaker 1: the day's a new day. That's right, it's a new 43 00:02:27,480 --> 00:02:31,720 Speaker 1: day for my saints and sinners. Let's talk about Californi 44 00:02:31,840 --> 00:02:37,280 Speaker 1: g with this recurrent donation. Christphin Hawaii giving us that money. Uh, 45 00:02:37,320 --> 00:02:41,000 Speaker 1: Corey the Tickler, Thank you, Cory Brian and f Tabitha M. 46 00:02:41,040 --> 00:02:45,480 Speaker 1: April g Alexis H Wanga from Down Under, Marlon B. 47 00:02:46,120 --> 00:02:52,079 Speaker 1: Tanya as Dotstree, j Jane M. Shirley wong Esquad please 48 00:02:52,120 --> 00:02:58,200 Speaker 1: say the esquid, Tiffany B. J Full, Alfonso M. Palmeadowstone, Magic, 49 00:02:58,280 --> 00:03:02,200 Speaker 1: Lindsay B. And lastly, mister Span from the Spam of 50 00:03:02,320 --> 00:03:05,200 Speaker 1: Report podcasts. Thank you so much. Everybody took the time 51 00:03:05,240 --> 00:03:08,040 Speaker 1: out to put some little change in our pocket. Okay, 52 00:03:08,080 --> 00:03:11,799 Speaker 1: we're gonna enjoy this down at the match ha ha. 53 00:03:16,360 --> 00:03:19,040 Speaker 1: No five star reviews, So let's just get into the comments. 54 00:03:19,560 --> 00:03:22,800 Speaker 1: Episode twenty five to forty four SAT Alligator Sniper Unit 55 00:03:23,320 --> 00:03:25,840 Speaker 1: was our feedback show. We got a couple comments on 56 00:03:25,840 --> 00:03:29,920 Speaker 1: our website from Apia. Apia says, I again agree completely 57 00:03:29,960 --> 00:03:33,480 Speaker 1: about stereotypical foods. That you food is also representation. Having 58 00:03:33,480 --> 00:03:36,600 Speaker 1: the typical black food more visible makes them part of 59 00:03:36,600 --> 00:03:39,480 Speaker 1: American culture. As for the people in other countries, why 60 00:03:39,520 --> 00:03:44,680 Speaker 1: should American culture be only white like white cowboys. I 61 00:03:44,680 --> 00:03:47,280 Speaker 1: know black cowboys existed, but they did not in older 62 00:03:47,320 --> 00:03:52,320 Speaker 1: movies Hamburgers. The term Hamburger originally derives from Hamburg, the 63 00:03:52,360 --> 00:03:55,760 Speaker 1: second largest city in Germany. And Disney. Okay, they have 64 00:03:55,920 --> 00:03:58,920 Speaker 1: non white characters now, but maybe for the last five years. 65 00:03:59,480 --> 00:04:01,800 Speaker 1: Would you and uh and then also said would you 66 00:04:01,880 --> 00:04:05,360 Speaker 1: consider an upload a voicemail MP A voice MP three 67 00:04:05,360 --> 00:04:08,880 Speaker 1: memo option for your voicemail? I don't really know what 68 00:04:08,880 --> 00:04:13,400 Speaker 1: that means. But no, I don't know because I like 69 00:04:13,480 --> 00:04:15,840 Speaker 1: the two minute limit, and I'm gonna be honest. I 70 00:04:15,880 --> 00:04:18,279 Speaker 1: love our fans, but some of these niggas a limit 71 00:04:18,640 --> 00:04:21,719 Speaker 1: and MP three feel like y'all determine the limit. And 72 00:04:21,760 --> 00:04:23,599 Speaker 1: then some of these is gonna be seven minutes and ship, 73 00:04:23,720 --> 00:04:26,400 Speaker 1: I know, I like a short sweet and the lady 74 00:04:26,480 --> 00:04:27,960 Speaker 1: just goes, get the fuck off the phone. If it's 75 00:04:27,960 --> 00:04:31,080 Speaker 1: taking too long, she hangs up. She is not play. 76 00:04:31,360 --> 00:04:33,360 Speaker 1: And then you have to make a decision that am 77 00:04:33,360 --> 00:04:39,320 Speaker 1: I gonna call again again? And is it that the important? 78 00:04:40,560 --> 00:04:42,400 Speaker 1: We need all those checks. 79 00:04:43,000 --> 00:04:45,920 Speaker 3: That lady is that count down his own the phone. 80 00:04:46,000 --> 00:04:49,440 Speaker 1: Yeah, we need all we need all that to keep 81 00:04:49,520 --> 00:04:53,200 Speaker 1: y'all in like your time starts now. The poem was, 82 00:04:53,240 --> 00:04:56,840 Speaker 1: which house are you slithering Hufflepuff, raven Claw or a 83 00:04:56,880 --> 00:05:00,680 Speaker 1: griffindor I'm a hufflepuff. You took the test, you took test? No, 84 00:05:00,880 --> 00:05:03,120 Speaker 1: I just know you don't know. You don't know. I 85 00:05:03,160 --> 00:05:06,400 Speaker 1: took the test, the official or Harry Potty tests, and 86 00:05:06,440 --> 00:05:09,719 Speaker 1: I got the official results. Okay, And it sounds like 87 00:05:09,800 --> 00:05:13,640 Speaker 1: everybody is in my crew. Twenty two percent said Slytherin, 88 00:05:13,839 --> 00:05:17,720 Speaker 1: twenty two percent said Hufflepuff, eleven percent said Griffin Door. 89 00:05:17,800 --> 00:05:20,360 Speaker 1: And my crew the number one crew, the biggest crew 90 00:05:20,400 --> 00:05:25,160 Speaker 1: of all the black outers listeners. Raven Claw, Yep, that's right, 91 00:05:25,279 --> 00:05:29,040 Speaker 1: raven Claw in the building. Fuck them little Hufflepuffs and 92 00:05:29,080 --> 00:05:33,040 Speaker 1: them other niggas. Okay, what we raven Claw, We run shit, 93 00:05:33,200 --> 00:05:35,719 Speaker 1: That's what we do. We get shit done, while the 94 00:05:35,720 --> 00:05:37,839 Speaker 1: rest of them walking around like the cock of the walk. 95 00:05:38,360 --> 00:05:40,200 Speaker 1: You know what I'm saying. Were the ones that get 96 00:05:40,200 --> 00:05:44,320 Speaker 1: out here and take care of business. Uh. And for 97 00:05:44,600 --> 00:05:48,960 Speaker 1: other people on the that got money, you know, the 98 00:05:49,080 --> 00:05:51,240 Speaker 1: people with the money. They was Gryffin Door because it's 99 00:05:51,240 --> 00:05:54,800 Speaker 1: a lot of legacy admissions into that school. Hufflepuff was 100 00:05:54,839 --> 00:05:57,760 Speaker 1: twenty one percent, Gryffin Door was thirty three percent. Raven 101 00:05:57,760 --> 00:06:01,640 Speaker 1: Claw twenty seven percent came in second. Slytherin was nineteen percent. 102 00:06:02,880 --> 00:06:05,880 Speaker 1: So Slytherin was the lowest. And I forgot to put 103 00:06:05,880 --> 00:06:07,920 Speaker 1: a quote of the show that day, So guess what. 104 00:06:08,720 --> 00:06:16,680 Speaker 1: On to the next episode do rag Weekly, we had 105 00:06:16,800 --> 00:06:21,320 Speaker 1: Zach Rice on the show, a coworker friend. We got 106 00:06:21,360 --> 00:06:26,480 Speaker 1: some comments about my name Vero e K means Vero 107 00:06:26,720 --> 00:06:31,440 Speaker 1: and what in Spanish? Oh okay, I can't figure out 108 00:06:31,440 --> 00:06:33,560 Speaker 1: how to change it. Sorry, this is just an alias 109 00:06:33,640 --> 00:06:37,320 Speaker 1: for Veronica. P Hey Veronica. So my question is what's 110 00:06:37,400 --> 00:06:40,080 Speaker 1: up with Zach's Los Angeles hate? Just kidding, I might 111 00:06:40,120 --> 00:06:42,120 Speaker 1: get the dislike if folks have a limited view of 112 00:06:42,120 --> 00:06:44,800 Speaker 1: the city. Congrats on this fun interview. Nice to put 113 00:06:44,800 --> 00:06:47,000 Speaker 1: a voice in the story to that young and confused 114 00:06:47,040 --> 00:06:50,200 Speaker 1: by punctuation story. I have a bit of that tendency too, 115 00:06:50,279 --> 00:06:55,599 Speaker 1: with the youth excuse, with the youth excuse. Cool COO 116 00:06:55,640 --> 00:07:00,839 Speaker 1: to you too, Apia says. Zach said he is a 117 00:07:00,839 --> 00:07:05,159 Speaker 1: writer because he has no other skills. I know this. 118 00:07:05,520 --> 00:07:07,480 Speaker 1: I know this should sound humble, but I think it's 119 00:07:07,560 --> 00:07:09,440 Speaker 1: rather normal to feel this way as a young person. 120 00:07:09,720 --> 00:07:12,240 Speaker 1: You try stuff out, you learn, you get better. I'm 121 00:07:12,280 --> 00:07:14,560 Speaker 1: great and stuff now. I never would have guessed I 122 00:07:14,600 --> 00:07:16,920 Speaker 1: would be, And I think you can discover strengths as 123 00:07:16,960 --> 00:07:20,560 Speaker 1: long as you live. Yeah, he also probably just fucking 124 00:07:20,600 --> 00:07:23,680 Speaker 1: with us the little junkie joke. I'm sure he has 125 00:07:23,880 --> 00:07:28,840 Speaker 1: other things he can do. Last LW one hundred says 126 00:07:28,880 --> 00:07:31,880 Speaker 1: this was a great episode. I love riding Karen's interview style, 127 00:07:31,960 --> 00:07:34,840 Speaker 1: Karen's fire jokes, and the group the lights for Tangents. 128 00:07:35,240 --> 00:07:37,560 Speaker 1: When y'all have a late night variety talk show, I 129 00:07:37,560 --> 00:07:41,640 Speaker 1: will be ready. And the poe was, have you ever 130 00:07:41,720 --> 00:07:46,720 Speaker 1: done ketamine m seven percent of the audience? Yes? Ninety 131 00:07:46,720 --> 00:07:50,080 Speaker 1: three No, shout out to that seven percent. Y'all live 132 00:07:50,120 --> 00:07:54,280 Speaker 1: in life what I'm saying. And then let's check what 133 00:07:54,320 --> 00:07:56,080 Speaker 1: this said on the You know, because the people on 134 00:07:56,080 --> 00:08:00,440 Speaker 1: Spotify got money, so let's see if they only two 135 00:08:00,520 --> 00:08:03,320 Speaker 1: percent of them did the keteminea ninety eight percent? No, 136 00:08:03,440 --> 00:08:06,280 Speaker 1: So I guess the people with money too scared. They're like, 137 00:08:06,600 --> 00:08:08,200 Speaker 1: I can spend my money on other fans. Yeah, I'm 138 00:08:08,200 --> 00:08:15,040 Speaker 1: gonna spend my money on on cocaine. The comment was 139 00:08:15,080 --> 00:08:17,640 Speaker 1: to Zach too strong and we got people that replied, 140 00:08:18,240 --> 00:08:20,840 Speaker 1: I perked up a little bit when Zach started mentioning 141 00:08:20,840 --> 00:08:23,720 Speaker 1: in Chicago Chicago every born and raised. But yeah, he's 142 00:08:23,760 --> 00:08:28,200 Speaker 1: right about white Chicago. Keenan says, I love the idea 143 00:08:28,240 --> 00:08:30,280 Speaker 1: that the city as a shithold because you're not cool 144 00:08:30,360 --> 00:08:33,240 Speaker 1: enough to know where to go. Makes sense. Oh take 145 00:08:33,240 --> 00:08:36,800 Speaker 1: it personal, Why don't you? Aaron says in Zach, we 146 00:08:36,960 --> 00:08:42,360 Speaker 1: trust Aaron. Aaron E ri And says to Zach's are 147 00:08:42,400 --> 00:08:44,439 Speaker 1: better than one. That's true. We had a lot of sacks, 148 00:08:44,480 --> 00:08:48,199 Speaker 1: as Renee says, I've never been more interested in ketamine 149 00:08:48,280 --> 00:08:51,240 Speaker 1: than ever. I need that Hollywood Health Insurance. Come on, now, 150 00:08:52,760 --> 00:08:55,760 Speaker 1: they came through for them, didn't they. All right, let's 151 00:08:55,840 --> 00:09:00,040 Speaker 1: check on the next episode, which was We Ain't Got It. 152 00:09:01,840 --> 00:09:03,720 Speaker 1: A lot of people say that's their new favorite segment 153 00:09:06,120 --> 00:09:09,199 Speaker 1: five Stars or the show art. Bernicia in a satin 154 00:09:09,280 --> 00:09:12,040 Speaker 1: cap and gold Bengo Airling ear rings. I need this 155 00:09:12,120 --> 00:09:14,560 Speaker 1: on the shirt, says Ramsey D. Jenkins. And she's talking 156 00:09:14,600 --> 00:09:17,840 Speaker 1: about the show art for the crowd cast, which I 157 00:09:17,960 --> 00:09:21,840 Speaker 1: just used some random picture of that was hilarious. Barney, 158 00:09:22,040 --> 00:09:26,480 Speaker 1: I got off of the internet. Appia says, I switched 159 00:09:26,480 --> 00:09:29,000 Speaker 1: from tampons to a period cup maybe five years ago, 160 00:09:29,280 --> 00:09:31,320 Speaker 1: and I will not go back. The upside, I have 161 00:09:31,400 --> 00:09:33,079 Speaker 1: two of them, clean them and never have to spend 162 00:09:33,120 --> 00:09:36,280 Speaker 1: money or time or thoughts on tampons again extra bonus, 163 00:09:36,320 --> 00:09:38,200 Speaker 1: there's no waste. In the beginning, it was a little 164 00:09:38,200 --> 00:09:40,560 Speaker 1: bit of work to get used to. Now I'm a pro. 165 00:09:40,600 --> 00:09:43,800 Speaker 1: I can highly recommend them. People might have to switch 166 00:09:43,840 --> 00:09:46,520 Speaker 1: to it if this tampon shortest thing comes through right. 167 00:09:46,679 --> 00:09:49,080 Speaker 3: I know, you know some people enjoy that, some people 168 00:09:49,320 --> 00:09:52,000 Speaker 3: enjoy Diva cup. I've heard, you know good things about that. 169 00:09:52,080 --> 00:09:54,440 Speaker 3: I've heard good things about period pennies. So a lot 170 00:09:54,440 --> 00:09:55,959 Speaker 3: of people are gonna start investing in the money in 171 00:09:56,000 --> 00:09:57,800 Speaker 3: these other avenues. And you know what's gonna happen. A 172 00:09:57,840 --> 00:09:59,680 Speaker 3: lot of times when people do this and realize how 173 00:09:59,720 --> 00:10:02,200 Speaker 3: much more under their saving, some people are not coming back. 174 00:10:02,679 --> 00:10:05,400 Speaker 1: Yep book on Shoeba says clearly Ry has read all 175 00:10:05,400 --> 00:10:08,600 Speaker 1: a period power, where are you at? Might be seriously though, 176 00:10:08,720 --> 00:10:11,200 Speaker 1: thank you for saying that men and men straight too. 177 00:10:11,480 --> 00:10:14,040 Speaker 1: I'm a staunch period equity advocate, and I talk to kids, 178 00:10:14,120 --> 00:10:16,040 Speaker 1: teens and parents about the importance of de gender and 179 00:10:16,040 --> 00:10:20,280 Speaker 1: discussions about menstruation. Love this episode. Uh, you know, I'll try. 180 00:10:20,280 --> 00:10:21,720 Speaker 1: I'll try a little bit, you know what I'm saying, 181 00:10:22,480 --> 00:10:25,080 Speaker 1: if I can remember. You know, it's never out of 182 00:10:25,120 --> 00:10:29,760 Speaker 1: some negativity if we forget. But I think these discussions 183 00:10:29,760 --> 00:10:32,440 Speaker 1: we're all learning and trying to do better and be 184 00:10:32,520 --> 00:10:35,880 Speaker 1: more inclusive, and it can be difficult, but you know, hopefully, 185 00:10:37,640 --> 00:10:38,800 Speaker 1: hopefully we're doing a good job. 186 00:10:39,280 --> 00:10:42,640 Speaker 3: Yes, And it's also one of those things where everything 187 00:10:42,720 --> 00:10:47,600 Speaker 3: is gendered and a lot of it is unlearning words 188 00:10:47,640 --> 00:10:51,240 Speaker 3: and habits that you have, even if you know better, 189 00:10:51,280 --> 00:10:53,359 Speaker 3: it's still an unlearning process. 190 00:10:53,640 --> 00:10:57,120 Speaker 1: Also because we're used a lot of times. It's happening 191 00:10:57,160 --> 00:10:59,640 Speaker 1: because people's heart is definitely in the right place, by 192 00:10:59,679 --> 00:11:03,840 Speaker 1: which I I mean women are a marginalized community and 193 00:11:03,880 --> 00:11:05,800 Speaker 1: a lot of their issues are swept under the ground, 194 00:11:06,360 --> 00:11:09,959 Speaker 1: and so people are like, I'm advocating for women when 195 00:11:09,960 --> 00:11:12,280 Speaker 1: I talk about periods, when I talk about birth control, 196 00:11:12,360 --> 00:11:17,360 Speaker 1: when I talk about reproductive health, and so in their minds, 197 00:11:17,679 --> 00:11:20,360 Speaker 1: it's gonna And it's been this way most of our 198 00:11:20,400 --> 00:11:23,720 Speaker 1: lives until recently that we've had a little bit more 199 00:11:23,760 --> 00:11:28,319 Speaker 1: awareness around these issues. Generally in the mainstream, they have 200 00:11:28,440 --> 00:11:32,079 Speaker 1: been used to advocating for women with this language so 201 00:11:32,600 --> 00:11:35,520 Speaker 1: it's kind of hard for people to just turn it off, 202 00:11:35,600 --> 00:11:38,319 Speaker 1: like you know, oh, I mean, I'm talking about people 203 00:11:38,320 --> 00:11:41,199 Speaker 1: with vaginas and stuff. And then also there's a layer 204 00:11:41,320 --> 00:11:44,680 Speaker 1: of people that get offended by it or just they're 205 00:11:44,720 --> 00:11:46,360 Speaker 1: introduced to a new term, so they want to make 206 00:11:46,440 --> 00:11:49,920 Speaker 1: like a joke out of it. Like it's a lot 207 00:11:49,920 --> 00:11:51,839 Speaker 1: of stuff to overcome. At the end of the day, 208 00:11:51,880 --> 00:11:54,520 Speaker 1: I think it'll get there, and it seems to be 209 00:11:54,559 --> 00:11:57,280 Speaker 1: getting there slowly, but surely that people are gonna start 210 00:11:57,360 --> 00:12:00,920 Speaker 1: changing language and you know, some stuff. It's almost like 211 00:12:00,960 --> 00:12:03,360 Speaker 1: you try it on and it might work, it might 212 00:12:03,440 --> 00:12:07,920 Speaker 1: not work, you know, agreed. Let's see Eve says there 213 00:12:07,960 --> 00:12:10,520 Speaker 1: isn't enough money in the world to get me to 214 00:12:10,600 --> 00:12:12,920 Speaker 1: allow someone to release one hundred ropches in my house. 215 00:12:13,640 --> 00:12:15,319 Speaker 1: Once they get in, it's hard to get them out, 216 00:12:15,480 --> 00:12:18,360 Speaker 1: especially when they start laying eggs. Two k isn't enough, 217 00:12:18,600 --> 00:12:20,360 Speaker 1: such as as it costs more than that to fill 218 00:12:20,400 --> 00:12:24,640 Speaker 1: your tank up. Come on, the poem was, do you 219 00:12:24,760 --> 00:12:27,240 Speaker 1: believe doctor Umar when he said he wasn't getting that 220 00:12:27,280 --> 00:12:31,959 Speaker 1: white girl's digits? Karen says no. The chat room says, 221 00:12:32,200 --> 00:12:36,839 Speaker 1: I mean the voter say no. Ninety five percent of 222 00:12:36,920 --> 00:12:40,600 Speaker 1: people say no. One person did say yes, they believe 223 00:12:40,679 --> 00:12:43,319 Speaker 1: doctor Umar, and I say to them, hey, I hope 224 00:12:43,360 --> 00:12:47,480 Speaker 1: you get that money for that school. Okay, I hope 225 00:12:47,520 --> 00:12:50,480 Speaker 1: you'll hope the school come true for you. Meanwhile, on Spotify, 226 00:12:50,520 --> 00:12:53,199 Speaker 1: where they have money, it was even worse. Ten percent 227 00:12:53,240 --> 00:12:57,200 Speaker 1: believe them ninety percent. Don't don't be blowing y'all money 228 00:12:57,200 --> 00:13:02,079 Speaker 1: on that school. Oh my goodness. David. So the quota 229 00:13:02,080 --> 00:13:04,960 Speaker 1: of the show was broke, broke, I broke. We ain't 230 00:13:04,960 --> 00:13:09,360 Speaker 1: got it. Uh. David says, we got no clothes, ain't 231 00:13:09,360 --> 00:13:13,360 Speaker 1: got no calls, can't get no hold. We broke. Erniet says, 232 00:13:13,559 --> 00:13:15,920 Speaker 1: you ain't getting naughter from us, not even a dollar 233 00:13:15,960 --> 00:13:21,280 Speaker 1: for us. You ain't getting nina from us. Boc says, 234 00:13:21,400 --> 00:13:27,000 Speaker 1: I got the only pair of jeans on. Shannon says, man, 235 00:13:27,200 --> 00:13:30,840 Speaker 1: I ain't got it, man. Carley says, Well over on Spotify, 236 00:13:30,880 --> 00:13:37,000 Speaker 1: we say hide the money, y'all, this is just kidding, 237 00:13:37,080 --> 00:13:39,920 Speaker 1: just kidding. We know she's not just kidding. 238 00:13:40,200 --> 00:13:42,760 Speaker 3: Okay that that didn't know you're not just kidding. 239 00:13:43,600 --> 00:13:46,920 Speaker 1: We know that we know the truth. Okay, y'all. Y'all 240 00:13:46,920 --> 00:13:48,199 Speaker 1: over there the. 241 00:13:48,200 --> 00:13:51,000 Speaker 2: Money, y'all, poor people around. 242 00:13:53,520 --> 00:13:59,160 Speaker 1: Brocrast Tyrell says, ain't got no money. I ain't got 243 00:13:59,200 --> 00:14:02,559 Speaker 1: no clothes, ain't got no calls, can't get no hoes. 244 00:14:03,280 --> 00:14:06,559 Speaker 1: Raphael says things are hard, so people send me money 245 00:14:06,880 --> 00:14:09,040 Speaker 1: so I can ensure that never happens again. To the 246 00:14:09,080 --> 00:14:12,000 Speaker 1: great doctor Umar, just imagine what he'll do in a 247 00:14:12,040 --> 00:14:15,080 Speaker 1: heat wave. I volunteer to say the doctor with y'all 248 00:14:15,200 --> 00:14:20,400 Speaker 1: hands money. Ken Treill says digging a new sevent great show. 249 00:14:20,440 --> 00:14:24,280 Speaker 1: Thank you. Kentrell and Nelson says, Kanye would like, would 250 00:14:24,280 --> 00:14:29,320 Speaker 1: you like to step forward explain these new shoes? Brother Kanye? 251 00:14:30,120 --> 00:14:32,280 Speaker 1: She like, that's one of the greatest in lows all time. 252 00:14:33,040 --> 00:14:39,080 Speaker 1: Is the best. Oh Man, A bunch of niggers broke brouh. 253 00:14:39,280 --> 00:14:44,680 Speaker 1: Kanye was well. He read college for filth man h Ney. 254 00:14:44,760 --> 00:14:48,720 Speaker 1: We had our episode with Roywood Jr. From Malcolm Little 255 00:14:48,760 --> 00:14:53,240 Speaker 1: Debuty Malcolm checks. We got some comments on this one. 256 00:14:53,920 --> 00:14:56,440 Speaker 1: Uh Steven says Rod. I'm pretty sure I listened to 257 00:14:56,480 --> 00:14:58,600 Speaker 1: the review you were talking about and I couldn't finish it. 258 00:14:59,160 --> 00:15:01,760 Speaker 1: I don't mind hearing the about how music made someone feel. 259 00:15:01,760 --> 00:15:04,080 Speaker 1: It's art, that's what it's supposed to do, but they 260 00:15:04,120 --> 00:15:07,120 Speaker 1: seem more focused on diagnosing the artists and their expectations 261 00:15:07,120 --> 00:15:09,800 Speaker 1: for them than anything else. Well, got to consider the 262 00:15:09,840 --> 00:15:11,800 Speaker 1: source with this one. I mostly enjoy that work, but 263 00:15:11,840 --> 00:15:14,680 Speaker 1: they are not music critics. Twitter PhDs and music reviews 264 00:15:14,720 --> 00:15:19,120 Speaker 1: don't mix. Yeah, yeah, And I think it's the fauxmo 265 00:15:19,240 --> 00:15:25,280 Speaker 1: because like people have to, like people feel like I 266 00:15:25,360 --> 00:15:28,720 Speaker 1: have to cover this thing because everyone's gonna. 267 00:15:28,520 --> 00:15:30,800 Speaker 3: Listen to it even if it's not they jam and it. 268 00:15:30,800 --> 00:15:33,240 Speaker 1: Is content, so like it makes sense to review it 269 00:15:33,280 --> 00:15:36,520 Speaker 1: to some extent because it's like, hey, there's people that's 270 00:15:36,560 --> 00:15:38,080 Speaker 1: only gonna listen to it because of the title or 271 00:15:38,120 --> 00:15:42,200 Speaker 1: this interview or the title this podcast. But uh yeah, man, 272 00:15:42,240 --> 00:15:44,280 Speaker 1: I just I'm not a fan. I think it just 273 00:15:44,320 --> 00:15:46,760 Speaker 1: took me a while to realize what it was. Now 274 00:15:46,760 --> 00:15:49,840 Speaker 1: that I know that I can put a name to it, 275 00:15:50,200 --> 00:15:52,800 Speaker 1: and I won't be checking in for stuff like that 276 00:15:52,800 --> 00:15:56,760 Speaker 1: in the future because you know, it's so personal that 277 00:15:56,800 --> 00:16:00,320 Speaker 1: it's almost useless to me. Like I'm not I don't 278 00:16:00,480 --> 00:16:02,600 Speaker 1: consume it to get to know you in that type 279 00:16:02,600 --> 00:16:05,600 Speaker 1: of way. And that's fine, you know, because there's other 280 00:16:05,640 --> 00:16:07,680 Speaker 1: things I do consume to get to know people, like 281 00:16:08,200 --> 00:16:09,880 Speaker 1: if you have a podcast and like I want to 282 00:16:09,880 --> 00:16:12,240 Speaker 1: talk about my high school life or how I relate 283 00:16:12,280 --> 00:16:15,400 Speaker 1: to this topic, that to me seems more Germane. But 284 00:16:15,560 --> 00:16:17,960 Speaker 1: when I feel like I have a certain mentality about 285 00:16:18,000 --> 00:16:21,360 Speaker 1: reviewing content, that's like, just tell me what you thought 286 00:16:21,360 --> 00:16:26,400 Speaker 1: about the contents as content, not what you thought about 287 00:16:26,440 --> 00:16:29,680 Speaker 1: the content, and then how you felt about tenth grade. 288 00:16:29,720 --> 00:16:34,080 Speaker 1: I don't care about that part. But also, you know, 289 00:16:34,160 --> 00:16:35,880 Speaker 1: some people seem to like that stuff, so. 290 00:16:36,640 --> 00:16:38,400 Speaker 3: Yeah, it's an audience out there, and so they are 291 00:16:38,440 --> 00:16:41,160 Speaker 3: actually serving an audience. I'm just I happen not to 292 00:16:41,160 --> 00:16:42,280 Speaker 3: be the targeted market. 293 00:16:42,600 --> 00:16:46,800 Speaker 1: Yeah, Cause, like the thing is, you are putting yourself 294 00:16:46,840 --> 00:16:48,560 Speaker 1: up for consumption. That's what we're all doing. We put 295 00:16:48,560 --> 00:16:50,720 Speaker 1: stuff on the internet and when we make a living 296 00:16:50,760 --> 00:16:53,360 Speaker 1: off of it or we make money. So some people 297 00:16:53,360 --> 00:16:56,280 Speaker 1: are like, I did come here to consume exactly what 298 00:16:56,320 --> 00:16:59,600 Speaker 1: you would think about it. So that makes sense. Speaking 299 00:16:59,600 --> 00:17:01,600 Speaker 1: of Twitter, I think the change of reviews is based 300 00:17:01,600 --> 00:17:03,480 Speaker 1: more on the rise of social media and streaming than 301 00:17:03,560 --> 00:17:07,000 Speaker 1: how a generation thinks that is a great point of 302 00:17:07,200 --> 00:17:12,520 Speaker 1: someone else made it to and that makes a lot 303 00:17:12,560 --> 00:17:15,200 Speaker 1: of sense. The only thing about that that I would 304 00:17:15,280 --> 00:17:19,360 Speaker 1: kind of qualify is it still would break down into 305 00:17:19,400 --> 00:17:23,480 Speaker 1: generations because my generation was the last generation that didn't 306 00:17:23,520 --> 00:17:29,160 Speaker 1: have the Internet for our childhood, right, So it still 307 00:17:29,200 --> 00:17:32,040 Speaker 1: would end up being a generational breakout in this one 308 00:17:32,080 --> 00:17:38,080 Speaker 1: specific instance, because if you're even just five years younger 309 00:17:38,080 --> 00:17:41,400 Speaker 1: than me, you've had the Internet and social media most 310 00:17:41,440 --> 00:17:44,320 Speaker 1: of your life, if not your whole life, whereas I 311 00:17:44,359 --> 00:17:49,440 Speaker 1: would have had it not until my college years, really correct, 312 00:17:49,720 --> 00:17:52,320 Speaker 1: So you know what I mean. So I have like 313 00:17:52,359 --> 00:17:56,440 Speaker 1: twenty years of this not being a thing, and then 314 00:17:56,480 --> 00:17:58,560 Speaker 1: when you think of it now, a lot of these 315 00:17:58,600 --> 00:18:02,159 Speaker 1: people by the time they were, you know, in their 316 00:18:02,480 --> 00:18:04,520 Speaker 1: college years and stuff, it was time to turn the 317 00:18:04,520 --> 00:18:06,600 Speaker 1: phone point at your face and tell everybody how you feel. 318 00:18:07,840 --> 00:18:08,040 Speaker 4: Yeah. 319 00:18:08,200 --> 00:18:10,359 Speaker 3: But yeah, because we was in college, people were just 320 00:18:10,440 --> 00:18:12,600 Speaker 3: getting cell phones, some people for the first time. 321 00:18:12,840 --> 00:18:15,800 Speaker 1: So that's completely different. So that might make sense, Like 322 00:18:15,840 --> 00:18:18,679 Speaker 1: I think that makes sense where it's not a generational value, 323 00:18:18,680 --> 00:18:21,840 Speaker 1: but it does still you know, it's gonna end up 324 00:18:21,880 --> 00:18:24,600 Speaker 1: looking generational because of the time. You can listen to 325 00:18:24,600 --> 00:18:26,679 Speaker 1: new music now with little to no money or effort. 326 00:18:26,680 --> 00:18:28,600 Speaker 1: There's no risk of buying something you don't like and 327 00:18:28,640 --> 00:18:30,920 Speaker 1: no reward and reading a review unless you look looking 328 00:18:30,920 --> 00:18:33,680 Speaker 1: for validation on how art made you feel. That's where 329 00:18:33,680 --> 00:18:36,119 Speaker 1: social media kicks in folks can get opinions from people 330 00:18:36,359 --> 00:18:38,800 Speaker 1: that they know in their bubble and find that validation. 331 00:18:39,000 --> 00:18:42,120 Speaker 1: Oh yeah, yeah, yeah, yeah yeah. Oh man, we ain't 332 00:18:42,119 --> 00:18:44,480 Speaker 1: camera talking about this in the car yesterday? Did Drake 333 00:18:44,560 --> 00:18:49,080 Speaker 1: dropped a surprise album? And the thing I find interesting 334 00:18:49,240 --> 00:18:53,199 Speaker 1: is one. So there's a couple of things with Drake. One, 335 00:18:53,680 --> 00:18:56,399 Speaker 1: Drake's not a deep music artist. He doesn't have like 336 00:18:56,480 --> 00:18:59,359 Speaker 1: lyrical depth in that type of way. And I'm not 337 00:18:59,440 --> 00:19:02,600 Speaker 1: saying as a not I'm just saying he doesn't. That's 338 00:19:02,600 --> 00:19:04,960 Speaker 1: not his goal. So it's not like something I'm knocking 339 00:19:05,000 --> 00:19:08,040 Speaker 1: him like he tries, but no. He puts out music. 340 00:19:08,720 --> 00:19:11,280 Speaker 1: Most of its like very surface level in the fact 341 00:19:11,280 --> 00:19:14,000 Speaker 1: that you can understand what he's talking about right away, 342 00:19:15,680 --> 00:19:19,280 Speaker 1: and so there's no need to be like I need 343 00:19:19,320 --> 00:19:22,200 Speaker 1: to consume Drake seven times before I get what he's 344 00:19:22,200 --> 00:19:27,360 Speaker 1: talking about. That being said, Justin was on our show 345 00:19:27,440 --> 00:19:29,440 Speaker 1: the other day for pregame and he was talking about 346 00:19:29,480 --> 00:19:31,879 Speaker 1: to Drake, like, Drake need to drop something too, and 347 00:19:31,920 --> 00:19:34,000 Speaker 1: I said, oh, I think, I said, Drake about to 348 00:19:34,040 --> 00:19:37,720 Speaker 1: drop an album and he was like, yeah, but will 349 00:19:37,760 --> 00:19:40,120 Speaker 1: it be better than his last album? And I said, 350 00:19:40,240 --> 00:19:44,199 Speaker 1: why would it be right, and I was like, you know, 351 00:19:44,200 --> 00:19:46,040 Speaker 1: because I didn't like the last and I said, okay, 352 00:19:46,080 --> 00:19:49,440 Speaker 1: but when have you liked the Drake album? Correct? Because 353 00:19:49,600 --> 00:19:53,280 Speaker 1: for most people my age and my generation, Drake's not 354 00:19:53,400 --> 00:19:56,680 Speaker 1: our guy in that way, and so he's not dropping 355 00:19:56,760 --> 00:20:00,040 Speaker 1: albums for us. And I'm not saying we're far I 356 00:20:00,160 --> 00:20:02,240 Speaker 1: removed from the people that are his fans, but we're 357 00:20:02,280 --> 00:20:06,840 Speaker 1: removed enough where we're He's never been the guy for us. 358 00:20:06,520 --> 00:20:08,960 Speaker 3: But for some people, he's been the man, and so 359 00:20:10,119 --> 00:20:13,800 Speaker 3: they like Drake is my shit. 360 00:20:14,720 --> 00:20:19,399 Speaker 1: So since he hasn't been our guy, we don't like. 361 00:20:19,840 --> 00:20:22,960 Speaker 1: If we haven't liked his last four albums, I don't 362 00:20:22,960 --> 00:20:26,280 Speaker 1: know why we would like his this new album, is 363 00:20:26,280 --> 00:20:28,280 Speaker 1: what I'm saying. Right, if you have been a fan 364 00:20:28,320 --> 00:20:30,040 Speaker 1: of his in the past, then I can see maybe 365 00:20:30,040 --> 00:20:32,960 Speaker 1: you feeling like, oh man, this next album, looking forward 366 00:20:33,000 --> 00:20:36,240 Speaker 1: to it. But so that was my point, and it 367 00:20:36,320 --> 00:20:38,399 Speaker 1: kind of played out on social media because everyone my 368 00:20:38,520 --> 00:20:41,760 Speaker 1: age hates this album and thinks it's terrible. And I'm 369 00:20:41,800 --> 00:20:45,040 Speaker 1: not even disagreeing with them. That's fine, you know, but 370 00:20:45,200 --> 00:20:47,440 Speaker 1: it is people that have hated the last five Drake 371 00:20:47,480 --> 00:20:49,760 Speaker 1: albums and said the same thing about Drake so what 372 00:20:49,800 --> 00:20:52,160 Speaker 1: it is it is a cultural touchstone where everyone needs 373 00:20:52,160 --> 00:20:54,240 Speaker 1: to leave a comment. And it's kind of like the 374 00:20:54,320 --> 00:20:56,639 Speaker 1: same thing with Kendrick. There are few coach. They are 375 00:20:56,680 --> 00:21:00,600 Speaker 1: getting fewer and fewer cultural touchstones left and music and 376 00:21:00,960 --> 00:21:03,440 Speaker 1: art and all this stuff. And so when something does 377 00:21:03,520 --> 00:21:07,000 Speaker 1: become one like where everyone feels the need to comment, 378 00:21:07,560 --> 00:21:09,920 Speaker 1: that is the real life of the album. The real 379 00:21:09,960 --> 00:21:12,360 Speaker 1: life of the Drake album is everyone feeling like they 380 00:21:12,359 --> 00:21:15,679 Speaker 1: need to say something. And I didn't think about that. 381 00:21:15,760 --> 00:21:18,560 Speaker 1: But the same thing is with Ken Drake, all these reviews. 382 00:21:18,960 --> 00:21:21,280 Speaker 1: It's like because it's not like they would have reviewed 383 00:21:22,280 --> 00:21:25,480 Speaker 1: if some other artists came out. Like it's like, how 384 00:21:25,600 --> 00:21:27,960 Speaker 1: nobody my age listens to the artists that are young 385 00:21:28,000 --> 00:21:31,600 Speaker 1: and upcoming coming up. They don't listen to them. I 386 00:21:31,640 --> 00:21:34,960 Speaker 1: listen to them, niggas, they don't, and they don't drop 387 00:21:35,000 --> 00:21:37,240 Speaker 1: think pieces or anything about them because they just don't 388 00:21:37,280 --> 00:21:40,960 Speaker 1: consume them. But it also is why you, to me, 389 00:21:41,040 --> 00:21:43,680 Speaker 1: you have to take their commentary with a grain of 390 00:21:43,720 --> 00:21:47,280 Speaker 1: salt because you're forty four. Of course you don't like 391 00:21:47,400 --> 00:21:50,400 Speaker 1: misogyny anymore. You know what I'm saying, Like a court, 392 00:21:50,520 --> 00:21:53,000 Speaker 1: like you're forty four, Why the time to like that 393 00:21:53,040 --> 00:21:55,920 Speaker 1: shit was when we were younger. Right now you're older 394 00:21:55,960 --> 00:21:59,520 Speaker 1: and so you've aged out, you've seen the real impact 395 00:21:59,520 --> 00:22:03,760 Speaker 1: of black on black violence, quote unquote, black on black crime. Yes, 396 00:22:03,880 --> 00:22:06,840 Speaker 1: so I've been through some shit. So now you're lecturing 397 00:22:06,880 --> 00:22:09,760 Speaker 1: the kids that talk about killing each other. But we 398 00:22:09,760 --> 00:22:12,120 Speaker 1: we listened to killing each other. We had the East 399 00:22:12,160 --> 00:22:14,560 Speaker 1: Coast West Coast beef on our time. All these rappers 400 00:22:14,640 --> 00:22:17,440 Speaker 1: is dying. It's still happening, and we're the ones who 401 00:22:17,440 --> 00:22:19,840 Speaker 1: are tired of it. But the kids are just going 402 00:22:19,840 --> 00:22:24,359 Speaker 1: through it like we was going through it. Agreed anyway. Uh, 403 00:22:24,680 --> 00:22:27,720 Speaker 1: but you're right, it's about validation other people in your bubble. 404 00:22:27,760 --> 00:22:29,600 Speaker 1: So we all make a joke about how terrible the 405 00:22:29,600 --> 00:22:32,520 Speaker 1: album is, and you know, it's funny, and that's really 406 00:22:32,560 --> 00:22:35,560 Speaker 1: what we're participating in. I don't know how true it is, 407 00:22:35,640 --> 00:22:39,280 Speaker 1: but us making jokes about how terrible it is is 408 00:22:39,280 --> 00:22:40,440 Speaker 1: how we relate to each other. 409 00:22:40,680 --> 00:22:42,880 Speaker 3: Yeah, like you said, it's the feel of missing out. 410 00:22:42,920 --> 00:22:45,399 Speaker 3: It's the Internet and things like that. But like I said, 411 00:22:47,000 --> 00:22:49,520 Speaker 3: I can tell I'm just an eyeball because I'm like, 412 00:22:50,400 --> 00:22:51,400 Speaker 3: I'm not listening to the album. 413 00:22:51,440 --> 00:22:53,720 Speaker 1: I'm like, well, you listened to it yesterday in the 414 00:22:53,720 --> 00:22:55,400 Speaker 1: car with me. Yeah, because you played it right. 415 00:22:55,440 --> 00:22:58,560 Speaker 3: But I'm not going to go out on my own funny, 416 00:22:58,640 --> 00:23:00,080 Speaker 3: on my own the court and just be like I 417 00:23:00,119 --> 00:23:01,760 Speaker 3: got to listen to this new Drake like that. 418 00:23:01,920 --> 00:23:03,240 Speaker 1: Yeah. What I was trying to say is like it's 419 00:23:03,320 --> 00:23:07,040 Speaker 1: kind of hard to somebody like Drake is hard to avoid. Agreed, 420 00:23:07,480 --> 00:23:11,000 Speaker 1: Like it's gonna be on videos and tiktoks, and it's 421 00:23:11,000 --> 00:23:13,200 Speaker 1: gonna you're gonna end up seeing and hearing some of 422 00:23:13,240 --> 00:23:15,359 Speaker 1: the music whether you want to or not. He's that big. 423 00:23:15,560 --> 00:23:19,399 Speaker 1: Same thing with Kendrick, same thing with Beyonce, is what 424 00:23:19,440 --> 00:23:21,639 Speaker 1: it is. If you want to be part connected to people, 425 00:23:21,880 --> 00:23:25,399 Speaker 1: you're gonna have to be connected to these moments. Agreed. Agreed. 426 00:23:25,480 --> 00:23:28,120 Speaker 3: But it's one of those things where, like I said, 427 00:23:28,600 --> 00:23:32,239 Speaker 3: I'm not going to talk about how bad it is 428 00:23:32,280 --> 00:23:35,280 Speaker 3: because I'm like, I don't really consume his stuff. 429 00:23:35,600 --> 00:23:38,360 Speaker 1: Yeah you wouldn't, Yeah, but you would, Yeah, I don't 430 00:23:38,359 --> 00:23:41,480 Speaker 1: think you would. You don't really talk about how bad 431 00:23:41,520 --> 00:23:46,159 Speaker 1: anybody's anything is. So I would imagine that leading to 432 00:23:46,280 --> 00:23:48,439 Speaker 1: a change in how reviews are done. I wouldn't know. 433 00:23:48,480 --> 00:23:51,960 Speaker 1: I haven't read one in years. All Right, let me 434 00:23:51,960 --> 00:23:53,920 Speaker 1: wrap this up before I end up with a Twitter 435 00:23:53,960 --> 00:23:57,280 Speaker 1: degree on my own. Kapa Donna says Rod's frustration with 436 00:23:57,359 --> 00:23:59,920 Speaker 1: modern music and movie reviews the Venn diagram between super 437 00:24:00,040 --> 00:24:02,679 Speaker 1: woke reviews and gamer Gate screeching. I didn't come for 438 00:24:02,760 --> 00:24:04,600 Speaker 1: your political die tries. I just want to know if 439 00:24:04,640 --> 00:24:07,480 Speaker 1: the obi wan was good or not right. Ultimately, a 440 00:24:07,480 --> 00:24:09,679 Speaker 1: lot of these reviews are personal grice about things that 441 00:24:09,720 --> 00:24:12,560 Speaker 1: are tangential or unrelated to the medium itself. Half these 442 00:24:12,560 --> 00:24:14,520 Speaker 1: people need to log off and get right with God 443 00:24:14,560 --> 00:24:17,800 Speaker 1: a you work on their own shit out. Yeah, even 444 00:24:17,840 --> 00:24:20,200 Speaker 1: he says, I have totally stopped taking reviews seriously, even 445 00:24:20,240 --> 00:24:22,879 Speaker 1: restaurant reviews. If people don't get that water glasses re 446 00:24:22,920 --> 00:24:25,240 Speaker 1: filled immediately, they give restaurants one star. You had this 447 00:24:25,320 --> 00:24:28,600 Speaker 1: weird trend where so called influencers give bad reviews because 448 00:24:28,600 --> 00:24:31,840 Speaker 1: the restaurants didn't camp them. Reviews on anything these days 449 00:24:31,880 --> 00:24:36,960 Speaker 1: don't hold much salt to me anymore. Yeah, Yeah, I 450 00:24:37,000 --> 00:24:41,400 Speaker 1: don't know, Yeah, I don't know what happened. It's got 451 00:24:41,440 --> 00:24:43,080 Speaker 1: to be the Internet thing. I think that's just a 452 00:24:43,119 --> 00:24:43,760 Speaker 1: great point. 453 00:24:43,880 --> 00:24:49,399 Speaker 3: It's cloud it's you get rewarded for being negative, you know, 454 00:24:49,920 --> 00:24:53,080 Speaker 3: And it's almost like the like that customer is always 455 00:24:53,160 --> 00:24:55,280 Speaker 3: right has turned around and bit a lot of people 456 00:24:55,320 --> 00:24:59,600 Speaker 3: in the ass. And it's one of those things where 457 00:25:00,080 --> 00:25:04,120 Speaker 3: and even now for a lot of people, Uh, they've done. 458 00:25:04,520 --> 00:25:06,520 Speaker 3: I want to say it was NPR is something that 459 00:25:07,440 --> 00:25:08,640 Speaker 3: one DA where they talking about they do now. 460 00:25:08,600 --> 00:25:10,480 Speaker 1: Reviews and they was not how people trust the reviews. 461 00:25:10,520 --> 00:25:12,680 Speaker 3: There was like people have potency not to trust them 462 00:25:12,680 --> 00:25:16,479 Speaker 3: anymore or as much for that reason, because it was like, well, 463 00:25:16,520 --> 00:25:18,440 Speaker 3: I don't know if you tell the truth and I've 464 00:25:18,440 --> 00:25:19,720 Speaker 3: read reviews, well I read through it. 465 00:25:19,720 --> 00:25:21,320 Speaker 1: I was like, Oh, you're the dumb ass. 466 00:25:21,080 --> 00:25:24,520 Speaker 3: Like they did nothing wrong, Like like you're the problem. 467 00:25:24,600 --> 00:25:26,399 Speaker 3: You gave them a one star, but you didn't read 468 00:25:26,400 --> 00:25:28,159 Speaker 3: the instructions and didn't know what you were getting or 469 00:25:28,200 --> 00:25:29,040 Speaker 3: whatever the case may be. 470 00:25:29,080 --> 00:25:30,840 Speaker 1: This has nothing to do with them. It's more about you. 471 00:25:31,480 --> 00:25:34,679 Speaker 1: Herold just says, I count for the Propey's Chicken Chronicle update, 472 00:25:34,840 --> 00:25:38,840 Speaker 1: very disappointed. I think she's talking about the Chicken Sandwich 473 00:25:39,119 --> 00:25:43,320 Speaker 1: Consortium videos a Worldwidge used to do. Uh do you 474 00:25:43,359 --> 00:25:47,080 Speaker 1: find the extremely personal reviews of media to be annoying? Yes? 475 00:25:47,160 --> 00:25:47,399 Speaker 1: Or no? 476 00:25:48,280 --> 00:25:48,440 Speaker 3: Uh? 477 00:25:48,520 --> 00:25:51,040 Speaker 1: And keep in mind I wasn't sure. I wasn't the 478 00:25:51,119 --> 00:25:55,159 Speaker 1: majority on this because I these to me represent the 479 00:25:55,240 --> 00:25:58,840 Speaker 1: majority of what reviews are her coming. And I know 480 00:25:58,880 --> 00:26:00,600 Speaker 1: people that have tried to be like, well, there used 481 00:26:00,600 --> 00:26:03,000 Speaker 1: to be like something like this back in the day, 482 00:26:03,119 --> 00:26:06,639 Speaker 1: and Cisco and Ebert and people have written personal reviews before. 483 00:26:07,320 --> 00:26:10,440 Speaker 1: I've watched and read and consumed those reviews. They were 484 00:26:10,440 --> 00:26:16,080 Speaker 1: different than this. This is not the same. Like I 485 00:26:16,119 --> 00:26:18,280 Speaker 1: get what people are saying. I'm not saying there's never 486 00:26:18,400 --> 00:26:20,800 Speaker 1: been a time where someone's written a very personal review, 487 00:26:20,880 --> 00:26:23,920 Speaker 1: but this idea that like this is like the majority 488 00:26:23,920 --> 00:26:25,480 Speaker 1: of content. I think part of it is because the 489 00:26:25,520 --> 00:26:30,000 Speaker 1: gatekeeping is done because a lot of these institutions are done. 490 00:26:30,000 --> 00:26:33,080 Speaker 1: They couldn't make money, and if they did make money, 491 00:26:33,080 --> 00:26:35,240 Speaker 1: had to cut costs, and they cut editors, and they 492 00:26:35,280 --> 00:26:38,760 Speaker 1: cut the qualifications with what it takes to be a 493 00:26:38,840 --> 00:26:41,760 Speaker 1: journalist or edit or a review or whatever, and so 494 00:26:41,920 --> 00:26:44,120 Speaker 1: it's a lot less rigorous, which is kind of dope 495 00:26:44,119 --> 00:26:47,159 Speaker 1: because it's more inclusive, But then it also becomes a 496 00:26:47,200 --> 00:26:52,720 Speaker 1: lot less ordered when it comes to like what people 497 00:26:53,280 --> 00:26:56,560 Speaker 1: concerns are with a review. You know, for a lot 498 00:26:56,600 --> 00:26:58,560 Speaker 1: of people, it's like the concerns are what I want 499 00:26:58,640 --> 00:27:01,560 Speaker 1: them to be, not what you know, the goal of 500 00:27:01,560 --> 00:27:03,760 Speaker 1: the reviewer, other person in consuming the reviewer. 501 00:27:03,720 --> 00:27:05,600 Speaker 3: Right, It's like, all of a sudden, we don't have standards. 502 00:27:05,600 --> 00:27:06,919 Speaker 3: And I don't mean it in a bad way, but 503 00:27:06,960 --> 00:27:09,639 Speaker 3: we don't have a certain level of standards that you 504 00:27:09,720 --> 00:27:12,000 Speaker 3: must hit in order for the review to be posted. 505 00:27:12,320 --> 00:27:14,399 Speaker 1: Yeah. I mean, the big publication is still seem to 506 00:27:14,440 --> 00:27:16,760 Speaker 1: do a good job of it, to be honest, but 507 00:27:17,359 --> 00:27:19,520 Speaker 1: even with some of them, you know, like they've had 508 00:27:19,600 --> 00:27:21,240 Speaker 1: to hand it off the people that are built like 509 00:27:21,240 --> 00:27:25,080 Speaker 1: a following with a blog or Reddit or discord or something, 510 00:27:25,119 --> 00:27:27,000 Speaker 1: and a lot of those people's reviews and stuff is 511 00:27:27,040 --> 00:27:30,439 Speaker 1: just very very very about me and how I relate 512 00:27:30,480 --> 00:27:35,800 Speaker 1: to music and not necessarily just you know what is 513 00:27:35,800 --> 00:27:39,080 Speaker 1: contained in this album? Correct? Do you find extremely personal 514 00:27:39,080 --> 00:27:41,680 Speaker 1: reviewers in that? Eighty five percent said yes, they find 515 00:27:41,680 --> 00:27:44,520 Speaker 1: it to be a bit annoying. Fifteen percent said no, 516 00:27:44,800 --> 00:27:47,280 Speaker 1: they like them, you know, they don't find them annoying. 517 00:27:48,600 --> 00:27:51,399 Speaker 1: Like I said, I was surprised because I did not 518 00:27:52,760 --> 00:27:55,040 Speaker 1: know if that was a popular sentiment or not. You know, 519 00:27:55,200 --> 00:27:57,840 Speaker 1: and it's almost the exact same percentage on the Spotify 520 00:27:57,920 --> 00:28:02,399 Speaker 1: ball seventeen percent, no, eighty three but said yes, wells 521 00:28:02,440 --> 00:28:07,639 Speaker 1: Fargo using the Rooney rule was a comment. I'm Aaron says, 522 00:28:07,680 --> 00:28:09,639 Speaker 1: I need to get out of Wells Fargo. If y'all 523 00:28:09,640 --> 00:28:11,760 Speaker 1: got a good bank that you like, let me know. 524 00:28:12,880 --> 00:28:16,800 Speaker 1: Uh yeah, what's a good bank? Really think about it. 525 00:28:17,400 --> 00:28:20,119 Speaker 1: Jadamo says, yeah, I'm gonna have to start banking with 526 00:28:20,160 --> 00:28:22,680 Speaker 1: someone else. Doua. Kobe keeps sucking up. I mean, why 527 00:28:22,720 --> 00:28:26,679 Speaker 1: come Wells Fargo keeps sucking up? Karen made a mistake. 528 00:28:29,600 --> 00:28:31,959 Speaker 1: I can laugh, I know, just keep I was just 529 00:28:32,000 --> 00:28:35,919 Speaker 1: trying to help you out. I always think that's funny. 530 00:28:35,920 --> 00:28:37,800 Speaker 1: I go, like, Kobe, your first year, you name is shit, 531 00:28:37,840 --> 00:28:40,560 Speaker 1: it ain't even around. I need you have some meaning, 532 00:28:40,880 --> 00:28:44,880 Speaker 1: Yes I do. Raphael says, the rate in which Wells 533 00:28:44,920 --> 00:28:48,520 Speaker 1: Fargo always got shady stuff going on, they got to 534 00:28:48,600 --> 00:28:51,520 Speaker 1: be the ones responsible for creating the first Nigerian prince. 535 00:28:51,920 --> 00:28:54,000 Speaker 1: I wouldn't be surprised to it come out to come 536 00:28:54,040 --> 00:28:57,440 Speaker 1: to light tomorrow. Third eye, that makes sense, open your 537 00:28:57,440 --> 00:29:00,880 Speaker 1: third eye. Maybe a Nigerian prince run as fuck. I 538 00:29:00,920 --> 00:29:03,240 Speaker 1: don't know. You never know. I'm gonna give him some 539 00:29:03,280 --> 00:29:06,880 Speaker 1: money to find out though. And last episode was when 540 00:29:06,880 --> 00:29:11,520 Speaker 1: we had Brandon Collins from Drunk Black History who. The 541 00:29:11,520 --> 00:29:16,080 Speaker 1: episode was called Black Season five Congratulations. He finally came 542 00:29:16,120 --> 00:29:19,080 Speaker 1: out and said it's universal. It is who he's writing for. 543 00:29:19,360 --> 00:29:22,720 Speaker 1: That He asked his intern, I forget what it's called 544 00:29:22,720 --> 00:29:26,040 Speaker 1: this program that he's white writing. So shout out to 545 00:29:26,080 --> 00:29:28,360 Speaker 1: my man Brandon. Glad to see good things happen to 546 00:29:28,400 --> 00:29:31,800 Speaker 1: good people straight up yay, Like it's real, stand up dude, 547 00:29:32,040 --> 00:29:36,120 Speaker 1: and really respect that dude. And he's such a hard worker, 548 00:29:36,800 --> 00:29:39,120 Speaker 1: and you know, he's one of those people you just 549 00:29:39,160 --> 00:29:41,640 Speaker 1: never see people with a bad thing to say about him, 550 00:29:41,720 --> 00:29:44,080 Speaker 1: And I think it's because you know, he's a good dude. 551 00:29:44,760 --> 00:29:47,720 Speaker 1: Evie says, I barely laugh when y'all talked about Ninja Nigga. 552 00:29:48,360 --> 00:29:50,600 Speaker 1: That took me back to high school when there was 553 00:29:50,640 --> 00:29:52,680 Speaker 1: a strange white girl who would eat her ice cream 554 00:29:52,720 --> 00:29:55,200 Speaker 1: sound just with a fork and wore kitty cat ears 555 00:29:55,200 --> 00:29:58,480 Speaker 1: every day. She was quiet and didn't bother anyone. Well, 556 00:29:58,520 --> 00:30:01,360 Speaker 1: this black girl terrorized a bunch of students she thought 557 00:30:01,400 --> 00:30:03,360 Speaker 1: she could beat up. Set her sights on this girl. 558 00:30:03,440 --> 00:30:06,200 Speaker 1: She would snatch out the white girl's kitty earrings and 559 00:30:06,240 --> 00:30:08,720 Speaker 1: stomp kitty ears I'm sorry and stomp on them and 560 00:30:08,760 --> 00:30:10,920 Speaker 1: would intentionally bump into the girl and call her names. 561 00:30:11,080 --> 00:30:12,880 Speaker 1: Someone told the bully not the message that girl because 562 00:30:12,880 --> 00:30:15,000 Speaker 1: she knew karate. The bully saw this as a challenge. 563 00:30:15,240 --> 00:30:17,000 Speaker 1: So one day, the white girl was eating lunch with 564 00:30:17,080 --> 00:30:19,280 Speaker 1: her equally strange friends and the bully threw her lunch 565 00:30:19,280 --> 00:30:20,960 Speaker 1: on the ground and called the white girl some name. 566 00:30:21,240 --> 00:30:22,680 Speaker 1: And when I tell you, that white girl had a 567 00:30:22,680 --> 00:30:25,080 Speaker 1: whoke moment, she whooped this bully's ass like her name 568 00:30:25,120 --> 00:30:27,440 Speaker 1: was chun Lee. One of the few times I rooted 569 00:30:27,480 --> 00:30:29,080 Speaker 1: it for a white person in the fight, the black 570 00:30:29,120 --> 00:30:31,640 Speaker 1: girl was clown for the rest of the high school moiler. 571 00:30:31,680 --> 00:30:35,320 Speaker 1: The story leave the weird kids alone costly blown. They 572 00:30:35,360 --> 00:30:38,360 Speaker 1: made no karate. I have access to a gun. Come on, 573 00:30:38,640 --> 00:30:41,520 Speaker 1: leave everybody alone, you know what I'm saying, but especially 574 00:30:41,600 --> 00:30:45,200 Speaker 1: the weirdos. Do you think Brandon really went to ninja school? 575 00:30:45,200 --> 00:30:47,720 Speaker 1: Brandon's friend really went to ninja school? Yes or no? Yes, 576 00:30:48,240 --> 00:30:50,800 Speaker 1: forty percent say yes, sixty percent say no. He's just 577 00:30:50,840 --> 00:30:54,160 Speaker 1: making it up. And meanwhile, the people with money say 578 00:30:55,000 --> 00:30:58,520 Speaker 1: sixty four percent say yes and thirty six percent say no. 579 00:30:58,920 --> 00:31:00,719 Speaker 1: And I'm tending to agree with done because they had 580 00:31:00,720 --> 00:31:02,720 Speaker 1: the money to up for ninja school for their kids. 581 00:31:03,160 --> 00:31:05,760 Speaker 1: So they know it exists, and a lot of broke 582 00:31:05,760 --> 00:31:06,360 Speaker 1: people don't know. 583 00:31:08,000 --> 00:31:11,520 Speaker 3: And about Ninja School, the Q and A was, thank 584 00:31:11,560 --> 00:31:16,160 Speaker 3: you for the five star reviews on Apple podcast, which 585 00:31:16,240 --> 00:31:20,080 Speaker 3: nobody love any y'all y'all stopped loving us. 586 00:31:20,320 --> 00:31:22,040 Speaker 1: I just said fuck you for the reviews. I don't 587 00:31:22,040 --> 00:31:25,920 Speaker 1: know anyway, David says, if you haven't love a five 588 00:31:25,920 --> 00:31:28,920 Speaker 1: star review, you are definitely an RB supporter. Oh no, 589 00:31:29,360 --> 00:31:31,640 Speaker 1: Keena says, ask Brandon how much I gotta pay to 590 00:31:31,720 --> 00:31:35,400 Speaker 1: help write Nigga Ninja. Carly says, just refresh my review 591 00:31:35,440 --> 00:31:38,200 Speaker 1: title insightful and funny. Damn Gene, are you happy now? 592 00:31:38,760 --> 00:31:40,720 Speaker 1: Thank you, car I didn't see the update yet, but 593 00:31:42,520 --> 00:31:44,520 Speaker 1: I'm over due for an update of my previous five 594 00:31:44,560 --> 00:31:46,640 Speaker 1: star review. I don't want care to shame me anymore. 595 00:31:46,920 --> 00:31:50,320 Speaker 1: Can I have the address for the Ninja st eight 596 00:31:50,560 --> 00:31:53,560 Speaker 1: or school? My kid already behaves like once, she may 597 00:31:53,600 --> 00:32:00,200 Speaker 1: as well enroll. Oh good luck to your kids. But yeah, yeah, 598 00:32:00,240 --> 00:32:03,840 Speaker 1: that's it for the uh, for the comments and all 599 00:32:03,880 --> 00:32:07,240 Speaker 1: that stuff. Let's check the spot. Oh, let's check the 600 00:32:07,280 --> 00:32:09,800 Speaker 1: phone line to see we got any voicemail? Seven O 601 00:32:09,920 --> 00:32:12,160 Speaker 1: four five five seven zero when A six this morning? 602 00:32:12,280 --> 00:32:15,240 Speaker 4: This is d calling from Dallas. I had to pause 603 00:32:15,400 --> 00:32:18,320 Speaker 4: this this recent episode that I no only have two 604 00:32:18,360 --> 00:32:21,400 Speaker 4: minutes and I'm cackling in my spirit now anyway, the 605 00:32:21,440 --> 00:32:27,680 Speaker 4: way Karen hollered with Junior talked about mega churches, I'm done, 606 00:32:28,240 --> 00:32:30,880 Speaker 4: give y'all all the stars. Give you all the stars 607 00:32:30,920 --> 00:32:34,120 Speaker 4: for just this few minutes for this episode. Love y'all, 608 00:32:34,160 --> 00:32:36,840 Speaker 4: and hopefully I'm gonna actually be able to stay in 609 00:32:36,880 --> 00:32:39,480 Speaker 4: the live chat one of these days. All right, y'all, 610 00:32:39,480 --> 00:32:40,840 Speaker 4: have a good week the rest of it. 611 00:32:41,400 --> 00:32:45,600 Speaker 1: Thank you, appreciate you. Yeah. Roy is always so funny 612 00:32:45,800 --> 00:32:48,520 Speaker 1: eat them all cracks us up and so generous for 613 00:32:48,600 --> 00:32:51,720 Speaker 1: this time. So thankful that brother could come through for us. 614 00:32:52,440 --> 00:32:55,560 Speaker 1: Next voicemail, Hi, your services. 615 00:32:55,600 --> 00:32:58,400 Speaker 4: I have a package for all three of your rooms. 616 00:32:58,480 --> 00:33:00,240 Speaker 4: I'm here at property if you'd like stuff. 617 00:33:01,280 --> 00:33:05,840 Speaker 1: Thank you. So, we got some packages fall through of 618 00:33:05,880 --> 00:33:09,480 Speaker 1: our room. To make sure we get those, you know what, 619 00:33:09,440 --> 00:33:11,760 Speaker 1: I make sure we get done. I don't know who 620 00:33:11,760 --> 00:33:13,640 Speaker 1: the hell that was or where we were supposed to 621 00:33:13,680 --> 00:33:14,160 Speaker 1: be staying. 622 00:33:14,200 --> 00:33:17,800 Speaker 3: They didn't get that message, baby, but so they don't 623 00:33:17,840 --> 00:33:18,640 Speaker 3: know they got packaged. 624 00:33:18,640 --> 00:33:22,400 Speaker 1: I'm gonna call her back where them packages at? Trying 625 00:33:22,440 --> 00:33:25,520 Speaker 1: to get to these packages real quick. Don't don't hang up, 626 00:33:26,720 --> 00:33:30,840 Speaker 1: all right. We did get some emails, and I'm gonna 627 00:33:30,880 --> 00:33:32,560 Speaker 1: read this one five star review because I don't know 628 00:33:32,600 --> 00:33:35,120 Speaker 1: if you read it last time. Okay, but I think 629 00:33:35,160 --> 00:33:36,959 Speaker 1: we may have because it says the tenth but we 630 00:33:37,000 --> 00:33:41,240 Speaker 1: recorded on eleven. Take all my fives. I love this podcast, 631 00:33:41,320 --> 00:33:44,320 Speaker 1: love Rod, Karen, justin so many other people. They've introduced 632 00:33:44,400 --> 00:33:47,000 Speaker 1: us to their fans over the years. I truly don't 633 00:33:47,000 --> 00:33:48,840 Speaker 1: think I would be the person I am today. Half 634 00:33:48,880 --> 00:33:51,160 Speaker 1: I hadn't started listening them years ago. Shout out to 635 00:33:51,200 --> 00:33:54,520 Speaker 1: the days of ball Alert. Wow. So I think I 636 00:33:54,600 --> 00:33:56,680 Speaker 1: read that one. But just in case, Just in case, 637 00:33:56,920 --> 00:34:00,640 Speaker 1: Episode twenty five forty seven, Dune Dragon says, Hey, Karen 638 00:34:00,640 --> 00:34:05,680 Speaker 1: and Rod Roywood Junior Roywood Junior roy Wood Junior. Good episode. 639 00:34:05,720 --> 00:34:08,759 Speaker 1: I'm only halfway through. My only critique is, how did 640 00:34:08,760 --> 00:34:11,240 Speaker 1: you let him go without playing fing with black people? 641 00:34:11,560 --> 00:34:13,799 Speaker 1: Next time he has if he has a limited time, 642 00:34:13,880 --> 00:34:16,480 Speaker 1: start the episode early and have him come in midway 643 00:34:16,520 --> 00:34:22,840 Speaker 1: and shut it down. Maybe we'll see what we can do. 644 00:34:23,000 --> 00:34:27,360 Speaker 1: I appreciate question. Now I'm scared if I miss an episode, 645 00:34:27,440 --> 00:34:29,759 Speaker 1: it'll be the one with Obama Oprah. Come on, keep 646 00:34:29,800 --> 00:34:36,240 Speaker 1: on keeping one, Alexander. Alex says, hey, Rod and Karen 647 00:34:37,000 --> 00:34:39,240 Speaker 1: jump to the recipe listen episode twenty five to forty 648 00:34:39,280 --> 00:34:43,319 Speaker 1: seven and relating hard on how your discussion how people 649 00:34:43,360 --> 00:34:46,719 Speaker 1: write reviews from an incredibly narrow perspective, especially keyed in 650 00:34:46,800 --> 00:34:48,640 Speaker 1: as you begin to wonder if it was a generational 651 00:34:48,640 --> 00:34:50,880 Speaker 1: effect behind it. I'm personally on the younger side of 652 00:34:50,880 --> 00:34:53,200 Speaker 1: the millennial generation, so I listened close to your thoughts 653 00:34:53,239 --> 00:34:55,240 Speaker 1: on the subject. I think you definitely have a point 654 00:34:55,400 --> 00:34:58,160 Speaker 1: about how we center our feelings, and I would add 655 00:34:58,200 --> 00:35:01,000 Speaker 1: that the advent of the internet has played a made Yeah, 656 00:35:01,040 --> 00:35:03,560 Speaker 1: I think y'all are all over it. You know what, 657 00:35:03,680 --> 00:35:07,200 Speaker 1: I should have figured that the people, the millennial aged 658 00:35:07,280 --> 00:35:10,640 Speaker 1: people wouldn't know better than I know, because I'm sure 659 00:35:10,719 --> 00:35:12,920 Speaker 1: y'all see it too. You know, maybe y'all even look 660 00:35:12,920 --> 00:35:15,919 Speaker 1: at our reviews like this shit is so unpersonal, Like, right, 661 00:35:16,239 --> 00:35:18,879 Speaker 1: what a terrible review? How do you did it make 662 00:35:18,920 --> 00:35:20,839 Speaker 1: your cry? Or not? You know, like I don't know. 663 00:35:21,680 --> 00:35:24,759 Speaker 1: More specifically, the Internet's created environment that thrives on conflict 664 00:35:24,840 --> 00:35:28,239 Speaker 1: and extremes. People know that they're getting going to get 665 00:35:28,280 --> 00:35:30,799 Speaker 1: more claices they hate on what everyone loves and they 666 00:35:30,840 --> 00:35:32,879 Speaker 1: somehow get bonus forts as they can make it about 667 00:35:32,920 --> 00:35:37,279 Speaker 1: themselves or create bars if it definitely doesn't bring out 668 00:35:37,320 --> 00:35:39,640 Speaker 1: the best in us. At least every once in a while, 669 00:35:39,320 --> 00:35:42,960 Speaker 1: people's hot takes get roasted as glorious. That is the best. 670 00:35:43,120 --> 00:35:45,799 Speaker 1: I never know when it's gonna happen, but it is 671 00:35:45,840 --> 00:35:49,799 Speaker 1: the best. Like when the Internet just decides that somebody's 672 00:35:50,080 --> 00:35:53,440 Speaker 1: projection is the one we're all gonna go. Not you, nigga, 673 00:35:53,480 --> 00:35:56,759 Speaker 1: this is terrible. What the fuck is wrong with your ass? Yeah? 674 00:35:56,800 --> 00:35:57,359 Speaker 3: You never know. 675 00:35:57,560 --> 00:36:00,600 Speaker 1: Yeah, sometimes people go, oh, I relate to this so hard. 676 00:36:00,680 --> 00:36:03,160 Speaker 1: You know. It's like if I'll go every now and then, 677 00:36:03,320 --> 00:36:05,400 Speaker 1: I just watched Top Gun and the only thing it 678 00:36:05,440 --> 00:36:10,239 Speaker 1: made me feel was that, uh, I don't know, Like 679 00:36:10,480 --> 00:36:13,800 Speaker 1: it made me feel like that the time my father 680 00:36:13,880 --> 00:36:15,480 Speaker 1: dropped me off at a theater and had an to 681 00:36:15,560 --> 00:36:17,600 Speaker 1: fail on my mother. And that's why I'll never enjoy 682 00:36:17,960 --> 00:36:21,080 Speaker 1: Tom Cruise all his bullshit movies. And it's just like 683 00:36:21,239 --> 00:36:23,120 Speaker 1: that might be the one when someone's like, relate to 684 00:36:23,160 --> 00:36:26,160 Speaker 1: this so hard, or you know, sorry that happened to you, 685 00:36:26,160 --> 00:36:28,040 Speaker 1: blah blah, or it might be the one where I 686 00:36:28,120 --> 00:36:30,560 Speaker 1: was like, nigga's a fucking movie. Shut the fuck up. 687 00:36:30,960 --> 00:36:32,920 Speaker 1: You don't really know, You don't never know what the 688 00:36:33,040 --> 00:36:35,920 Speaker 1: tide gonna turn. People really be taking chances out here 689 00:36:36,000 --> 00:36:40,200 Speaker 1: just telling their business to people. Yeah they do. But yeah, 690 00:36:40,360 --> 00:36:44,360 Speaker 1: back back to this one thing I've been doing with 691 00:36:44,480 --> 00:36:46,239 Speaker 1: music I love is I'll go and read some of 692 00:36:46,280 --> 00:36:48,560 Speaker 1: the top comments on the YouTube video. Not sure if 693 00:36:48,600 --> 00:36:50,080 Speaker 1: it's the algorithm, but it tends to be people with 694 00:36:50,160 --> 00:36:52,440 Speaker 1: positive things to say, which is really what I'm looking for. 695 00:36:52,480 --> 00:36:54,440 Speaker 1: I guess that's not really the type of criticism that 696 00:36:54,440 --> 00:36:57,000 Speaker 1: you're looking for, but at least there's some positive community 697 00:36:57,000 --> 00:36:59,320 Speaker 1: that could be easily found anyway thanks to the podcast 698 00:36:59,360 --> 00:37:03,480 Speaker 1: Love you Guys Out. Yet it's not even like I 699 00:37:03,520 --> 00:37:06,760 Speaker 1: think the thing I have to realize I'm not necessarily 700 00:37:06,800 --> 00:37:13,399 Speaker 1: looking for criticism in the way of like is this 701 00:37:15,640 --> 00:37:18,319 Speaker 1: what does this mean to me? In that type of way, 702 00:37:18,400 --> 00:37:20,799 Speaker 1: I think I would read an article about that. I've 703 00:37:20,800 --> 00:37:23,960 Speaker 1: written something about that when Fife Dog died from Triocoll Quests, 704 00:37:23,960 --> 00:37:28,160 Speaker 1: I wrote about what fight meant to me, but also 705 00:37:28,320 --> 00:37:32,560 Speaker 1: what the love of trialcoll quests and that time period 706 00:37:32,600 --> 00:37:34,839 Speaker 1: in my life, what that meant to me, And it 707 00:37:34,880 --> 00:37:36,920 Speaker 1: was about me, and it was specifically it was. There 708 00:37:36,960 --> 00:37:38,960 Speaker 1: was no way for it to not be about me, right, 709 00:37:39,000 --> 00:37:42,600 Speaker 1: it's how I feel about this dude dying. I don't 710 00:37:42,760 --> 00:37:44,879 Speaker 1: I'm not a journalist. I didn't go to interviews people 711 00:37:44,920 --> 00:37:47,400 Speaker 1: and stuff, so like there's a room, there's room for that. 712 00:37:47,480 --> 00:37:49,520 Speaker 1: But what I wouldn't do is call that like a 713 00:37:49,560 --> 00:37:51,760 Speaker 1: review of his new album, Like if I was writing 714 00:37:51,800 --> 00:37:54,280 Speaker 1: a review of this latest album that they just dropped 715 00:37:54,280 --> 00:37:57,240 Speaker 1: this posthumous album for Fife Dog, I wouldn't have written 716 00:37:57,280 --> 00:38:00,120 Speaker 1: all that because to me, those two things are not 717 00:38:00,280 --> 00:38:03,520 Speaker 1: necessarily or later. To me, I'm like, oh, what's what's 718 00:38:03,600 --> 00:38:05,200 Speaker 1: up with this album? Even if I don't like it, 719 00:38:05,239 --> 00:38:08,200 Speaker 1: I'm gonna tell you, Like, well, the reason the this 720 00:38:08,360 --> 00:38:11,000 Speaker 1: track seemed to meander to me, and this seemed to 721 00:38:11,000 --> 00:38:13,440 Speaker 1: be off topic, and the production on this was uninspired 722 00:38:13,480 --> 00:38:16,000 Speaker 1: to me that it's still you know what I'm saying 723 00:38:16,040 --> 00:38:18,080 Speaker 1: to me, that's about an album and you can either 724 00:38:18,120 --> 00:38:19,880 Speaker 1: listen to it and relate to it or read that 725 00:38:20,000 --> 00:38:23,040 Speaker 1: and kind of get a feel. But I wouldn't be 726 00:38:23,160 --> 00:38:26,440 Speaker 1: like into seventh grade, I carried my walkman with me 727 00:38:26,480 --> 00:38:29,600 Speaker 1: everywhere else, and the sounds of trialcoll Card, It's like, 728 00:38:29,640 --> 00:38:32,000 Speaker 1: what am I trying to prove to you anyway, that's 729 00:38:32,000 --> 00:38:37,880 Speaker 1: my point. Uh oh, hi Roni Karen, Saturday next June 730 00:38:38,080 --> 00:38:41,319 Speaker 1: June twenty fifth. That's the next June twenty fifth. Oh wait, 731 00:38:41,320 --> 00:38:45,040 Speaker 1: hold on, I'll save this. Then let's say this. Sorry, 732 00:38:45,040 --> 00:38:47,440 Speaker 1: it was a shout out for somebody, and it sounds 733 00:38:47,480 --> 00:38:49,279 Speaker 1: like they need us to do a show up twenty 734 00:38:49,320 --> 00:38:53,160 Speaker 1: fifth so they can get the shout out. Rus. They 735 00:38:53,200 --> 00:38:55,680 Speaker 1: said that's in advance. I want to be sure. Yeah, damn, 736 00:38:56,920 --> 00:38:59,239 Speaker 1: hold on to that one, Russ says, Hi, Karen orright, 737 00:38:59,320 --> 00:39:01,319 Speaker 1: I have to shout out all the other fans of 738 00:39:01,360 --> 00:39:03,520 Speaker 1: the show often listen on the ride home for work 739 00:39:03,600 --> 00:39:06,320 Speaker 1: and the beats for the segments be banging in the whip. 740 00:39:06,600 --> 00:39:09,680 Speaker 1: Y'all are great. Thanks for everything, Russ. Yeah, we got 741 00:39:09,680 --> 00:39:13,160 Speaker 1: some good segments, songs. Okay, I'll put us up there 742 00:39:13,200 --> 00:39:17,480 Speaker 1: with anybody in the podcasting game. Ops. And as much 743 00:39:17,520 --> 00:39:20,959 Speaker 1: as we used to just like play music and use 744 00:39:21,120 --> 00:39:24,279 Speaker 1: like real other people's music and songs and shit and 745 00:39:24,320 --> 00:39:27,560 Speaker 1: sing over all that stuff, that's cool. Definitely had his time, 746 00:39:27,760 --> 00:39:32,160 Speaker 1: Definitely proud of those. Definitely fun but low key asking 747 00:39:32,160 --> 00:39:37,000 Speaker 1: our fans to like write stuff and send stuff like 748 00:39:37,280 --> 00:39:39,759 Speaker 1: we got a lot of good. We got a lot 749 00:39:39,800 --> 00:39:43,319 Speaker 1: of good stuff, and then you know, it's fun and 750 00:39:43,360 --> 00:39:46,400 Speaker 1: we're always accepting it submissions. You know, even if we 751 00:39:46,440 --> 00:39:48,160 Speaker 1: don't use it all the time, we'll definitely play it 752 00:39:48,160 --> 00:39:50,520 Speaker 1: at least once so the audience could hear it and 753 00:39:50,600 --> 00:39:53,520 Speaker 1: we can hear it together. But you know, I'm so 754 00:39:53,640 --> 00:39:58,360 Speaker 1: proud of like LGBTQ News and obviously all the stuff 755 00:39:58,360 --> 00:40:01,400 Speaker 1: Felt five is done. And I mean the fact that 756 00:40:01,440 --> 00:40:06,239 Speaker 1: Coronavirus Remix is a collaboration, right, even people that just 757 00:40:06,280 --> 00:40:08,760 Speaker 1: submitted beats, We've used some of the beats for stuff 758 00:40:08,800 --> 00:40:11,560 Speaker 1: like when we need to do like a promotion or something, 759 00:40:11,640 --> 00:40:13,440 Speaker 1: we'll be like, let's throw this beat underneath it. So 760 00:40:14,640 --> 00:40:17,200 Speaker 1: just very talented people are very happy and proud to 761 00:40:17,280 --> 00:40:21,880 Speaker 1: have these people as fans. Damn, that's it, y'all, lighting around, 762 00:40:22,000 --> 00:40:22,920 Speaker 1: We out this bitch. 763 00:40:22,960 --> 00:40:27,120 Speaker 3: Okayever, Okay, y'all wanted to be longer, leave us five 764 00:40:27,120 --> 00:40:27,880 Speaker 3: star reviews. 765 00:40:27,960 --> 00:40:31,240 Speaker 1: Yeah, niggas all right, y'all. Next week is a pretty 766 00:40:31,280 --> 00:40:35,359 Speaker 1: busy week. We got my dad coming in tomorrow at 767 00:40:35,400 --> 00:40:39,440 Speaker 1: ten am. Yay Father's Day, see him on the crowdcast. 768 00:40:39,440 --> 00:40:43,680 Speaker 1: He'll be live in the studio for Father's Day. We 769 00:40:43,800 --> 00:40:48,080 Speaker 1: got keV on stage coming on Tuesday. We got Tim 770 00:40:48,200 --> 00:40:51,800 Speaker 1: Barnes coming on Wednesday, so it's gonna be a pretty 771 00:40:51,800 --> 00:40:54,520 Speaker 1: busy week this week. So we got a pretty busy 772 00:40:54,560 --> 00:40:57,120 Speaker 1: week yep. So we're looking forward to all that stuff. 773 00:40:57,520 --> 00:40:59,920 Speaker 1: And yeah, we'll talk to y'all soon to tell the 774 00:41:00,239 --> 00:41:01,960 Speaker 1: I love you, I love you too. Wah