1 00:00:00,160 --> 00:00:06,680 Speaker 1: Hey, everybody, very excited today. I liked your build. That 2 00:00:06,760 --> 00:00:09,680 Speaker 1: made me feel like really on my way somewhere. Yeah, 3 00:00:09,680 --> 00:00:14,600 Speaker 1: a little crescendo, some orchestration, so yeah, try and make this, 4 00:00:14,920 --> 00:00:20,800 Speaker 1: you know. I was like, wait, what's that distant sound? Wow, 5 00:00:21,040 --> 00:00:23,600 Speaker 1: the party's here. That's me. That's what people always say 6 00:00:23,640 --> 00:00:27,320 Speaker 1: when I show up the parties here. What's so funny? 7 00:00:27,520 --> 00:00:31,800 Speaker 1: I don't know, because that's so true. I don't know. Well, 8 00:00:31,840 --> 00:00:35,200 Speaker 1: welcome back to the show, everybody. Yeah, thanks for tuning 9 00:00:35,200 --> 00:00:40,800 Speaker 1: in my own Sorry, wow, that's all a different show. 10 00:00:41,200 --> 00:00:43,760 Speaker 1: What do we did like that? Though? You know, I 11 00:00:43,760 --> 00:00:47,680 Speaker 1: think we'd have a different, different response, I think so. Yeah, 12 00:00:47,840 --> 00:00:52,440 Speaker 1: thanks everyone turning reblcables all Miles. I can't tell him. 13 00:00:52,520 --> 00:00:56,520 Speaker 1: Is this like a drunk elvis or? I don't know either, 14 00:00:56,640 --> 00:01:00,000 Speaker 1: but I feel like exploring this. It's an original character. 15 00:01:00,080 --> 00:01:06,160 Speaker 1: It's nobody. Yeah, yeah, fascinating. Is out of my character study? Yeah? Yeah, 16 00:01:07,319 --> 00:01:10,840 Speaker 1: send your feedback. We'd love to hear it. What's the 17 00:01:10,880 --> 00:01:15,480 Speaker 1: backstory of this guy? Oh, we're so excited to have 18 00:01:15,560 --> 00:01:19,520 Speaker 1: you here for today's episode. And I promise that I 19 00:01:19,560 --> 00:01:21,520 Speaker 1: didn't just sit down to the recording booth today as 20 00:01:21,560 --> 00:01:25,240 Speaker 1: an excuse to talk about everything everywhere, all at once. 21 00:01:25,400 --> 00:01:26,920 Speaker 1: I was going to say, can we just change this 22 00:01:26,920 --> 00:01:29,679 Speaker 1: whole podcast. It's the only thing I want to talk about. 23 00:01:30,160 --> 00:01:32,560 Speaker 1: If you haven't seen this movie, if you haven't heard 24 00:01:32,600 --> 00:01:35,800 Speaker 1: of this movie, whatever, don't watch any trailers, don't read 25 00:01:35,840 --> 00:01:38,080 Speaker 1: anything about it. Just go go see it right now. 26 00:01:38,840 --> 00:01:42,680 Speaker 1: It's unbelievable. It is the coolest movie I've ever seen. 27 00:01:43,720 --> 00:01:46,160 Speaker 1: Pretty sure that's true statement. I'm trying to think of 28 00:01:46,160 --> 00:01:48,040 Speaker 1: a cooler movie, and there's a lot of cool movies. 29 00:01:48,080 --> 00:01:53,760 Speaker 1: I've seen a cool movie, but this one was truly original, 30 00:01:54,600 --> 00:01:59,360 Speaker 1: so innovative and awesome and funny and weird. I really, 31 00:02:00,040 --> 00:02:01,680 Speaker 1: really yeah. I just don't even want to talk about 32 00:02:01,720 --> 00:02:04,000 Speaker 1: it that much. You just got to see it. It's 33 00:02:04,080 --> 00:02:06,960 Speaker 1: just unlike anything else. I'm sitting here in the middle 34 00:02:06,960 --> 00:02:09,760 Speaker 1: of the movie and I never do this. I mean, 35 00:02:10,080 --> 00:02:11,760 Speaker 1: you asked me what my favorite movie is, and I'm like, 36 00:02:11,880 --> 00:02:15,000 Speaker 1: I hate that question. It's hard to answer, like what context, 37 00:02:15,040 --> 00:02:17,240 Speaker 1: blah blah blah. But I'm sitting here in the middle 38 00:02:17,280 --> 00:02:20,440 Speaker 1: of this movie thinking to myself, is this my favorite movie? 39 00:02:20,760 --> 00:02:25,280 Speaker 1: Like it's wild and I'm still not you know, gonna 40 00:02:25,440 --> 00:02:27,640 Speaker 1: set that in stone yet or anything. But man, just 41 00:02:27,720 --> 00:02:29,959 Speaker 1: go see it. That's all. That's all there is to say, 42 00:02:30,000 --> 00:02:33,840 Speaker 1: everything everywhere, all at once. Starring Michelle Yo. It's incredibly 43 00:02:33,880 --> 00:02:38,160 Speaker 1: exciting film. It's like watching Spider Verse sort of Spider 44 00:02:38,240 --> 00:02:39,600 Speaker 1: Verse kind of did that, and it was just so 45 00:02:39,639 --> 00:02:42,240 Speaker 1: original and interesting and doing so many different things. And 46 00:02:42,280 --> 00:02:43,799 Speaker 1: I was like, Oh, there's a lot of cool ideas 47 00:02:43,840 --> 00:02:46,760 Speaker 1: in this movie. Anyway. Yeah, we could talk about that 48 00:02:46,760 --> 00:02:51,120 Speaker 1: film all day, Yes, but we won't talk. Call us 49 00:02:51,280 --> 00:02:55,200 Speaker 1: after you've seen it and we'll we'll talk handlessly. Um, 50 00:02:55,240 --> 00:02:58,000 Speaker 1: but we're here for a totally different story today. This 51 00:02:58,080 --> 00:03:01,200 Speaker 1: one came up kind of out of nowhere because we 52 00:03:01,200 --> 00:03:05,000 Speaker 1: were going into research a totally different story, found this 53 00:03:05,080 --> 00:03:08,760 Speaker 1: little intro to it and I was like, this is 54 00:03:08,880 --> 00:03:13,400 Speaker 1: this is an episode that I can't summarize this story 55 00:03:13,480 --> 00:03:16,400 Speaker 1: in uh in act one of of of the an 56 00:03:16,400 --> 00:03:19,040 Speaker 1: Bonnie story. We have to we just have to tell 57 00:03:19,080 --> 00:03:21,480 Speaker 1: this story on its own. So this is the story 58 00:03:21,639 --> 00:03:26,440 Speaker 1: of William Cormick, his wife, and their maid Mary Brennan. 59 00:03:26,720 --> 00:03:29,800 Speaker 1: Now two of these people are the parents of the 60 00:03:29,840 --> 00:03:33,880 Speaker 1: notorious pirate and Bonnie, a woman who sailed to the 61 00:03:33,880 --> 00:03:39,000 Speaker 1: Caribbean with as much, if not more swashbuckling fury than 62 00:03:39,120 --> 00:03:42,640 Speaker 1: any of her contemporaries. She's an awesome pirate. We're gonna 63 00:03:42,720 --> 00:03:45,640 Speaker 1: learn all about her later, but so excited to her, 64 00:03:46,200 --> 00:03:50,080 Speaker 1: very excited. But we just had to talk about how 65 00:03:50,200 --> 00:03:53,000 Speaker 1: and came into this world. And this story in and 66 00:03:53,040 --> 00:03:57,720 Speaker 1: of itself just had us wide eyed, jaws dropped face 67 00:03:57,840 --> 00:04:03,200 Speaker 1: palms like this could leave the nonsense going on formanent 68 00:04:03,360 --> 00:04:08,360 Speaker 1: palm on my face. So I say, let's jump in 69 00:04:08,400 --> 00:04:12,760 Speaker 1: and hear the story of and Bonnie's parents. Let's do this, 70 00:04:13,280 --> 00:04:17,279 Speaker 1: Hayley French, come listen. Well, Eli and Diana got some 71 00:04:17,320 --> 00:04:20,880 Speaker 1: stories to tell. There's no match making, a romantic tips. 72 00:04:21,120 --> 00:04:24,599 Speaker 1: It's just about pridiculous relationships, a lover. It might be 73 00:04:24,720 --> 00:04:27,840 Speaker 1: any type of person at all. And abstract concept are 74 00:04:27,880 --> 00:04:30,600 Speaker 1: a concrete wall. But if there's a story where the 75 00:04:30,680 --> 00:04:37,760 Speaker 1: second glance ridiculous roles a production, if I heart radio? Okay. 76 00:04:37,839 --> 00:04:41,560 Speaker 1: So most of this story comes from a novel which 77 00:04:41,600 --> 00:04:46,120 Speaker 1: is titled A General History of the Robberies and Murders 78 00:04:46,160 --> 00:04:49,360 Speaker 1: of the most Notorious Pirates from their rise and settlement 79 00:04:49,480 --> 00:04:52,080 Speaker 1: in the Island of Providence to the present time. With 80 00:04:52,160 --> 00:04:55,440 Speaker 1: the remarkable actions and adventures of the two female pirates, 81 00:04:55,640 --> 00:04:59,200 Speaker 1: Mary Reid and and Bonnie, contained in the following chapters, 82 00:04:59,360 --> 00:05:02,200 Speaker 1: to which is added a short abstract of the Statute 83 00:05:02,240 --> 00:05:06,680 Speaker 1: and Civil Law in relation to Piracy by Captain Charles Johnson. 84 00:05:07,279 --> 00:05:09,840 Speaker 1: Oh my god, I love the general history of the 85 00:05:09,920 --> 00:05:12,320 Speaker 1: robberies and murders are the most notorious pirates when they 86 00:05:12,400 --> 00:05:14,280 Speaker 1: rise in settlement in the island of the Providence to 87 00:05:14,480 --> 00:05:16,840 Speaker 1: the present time, with the remarkable actions and adventures of 88 00:05:16,839 --> 00:05:19,320 Speaker 1: the two female pirates Mary read and an Bonnie contained 89 00:05:19,320 --> 00:05:21,640 Speaker 1: in the following chapters, to which is added a short 90 00:05:21,640 --> 00:05:24,080 Speaker 1: abstract with the Statute in Civil law Law in relation 91 00:05:24,160 --> 00:05:27,680 Speaker 1: to piracy. That is a great one. That is a 92 00:05:27,760 --> 00:05:30,039 Speaker 1: joke you've got to commit to. And I respect that 93 00:05:30,080 --> 00:05:33,159 Speaker 1: you went through the whole thing a second time. And uh, 94 00:05:33,200 --> 00:05:35,520 Speaker 1: we just lost half our audience, but you know what 95 00:05:36,440 --> 00:05:39,719 Speaker 1: that the other half also really admired that committed to 96 00:05:39,720 --> 00:05:44,440 Speaker 1: the bit. So this book was written by Captain Charles Johnson, 97 00:05:44,560 --> 00:05:48,200 Speaker 1: but some historians claim that Captain Johnson is actually a 98 00:05:48,200 --> 00:05:51,440 Speaker 1: pen name for Daniel Dafoe, who was the author of 99 00:05:51,640 --> 00:05:55,440 Speaker 1: Robinson Crusoe. Others totally dispute that, saying that it was 100 00:05:55,440 --> 00:05:58,960 Speaker 1: this publisher named Nathaniel missed um. I don't know about you, 101 00:05:59,040 --> 00:06:02,279 Speaker 1: but to me, Captain Johnson, Uh sounds more like a 102 00:06:02,320 --> 00:06:06,880 Speaker 1: porn actor's name, right, who started something like? Like? Asked? 103 00:06:06,920 --> 00:06:12,640 Speaker 1: Pirates of the car Lesbian Oh, a tale of plundered 104 00:06:12,680 --> 00:06:20,599 Speaker 1: booty and rum guzzling semen, rum guzzling. You know, pirate porn? 105 00:06:21,120 --> 00:06:24,360 Speaker 1: This is interesting you. What would your pirate born be called? 106 00:06:25,640 --> 00:06:32,040 Speaker 1: M M? I guess, uh, pervy with scurvy, pervy with scurvy. 107 00:06:33,400 --> 00:06:40,600 Speaker 1: I don't know hervy with scurvy. If you're going to 108 00:06:40,720 --> 00:06:44,040 Speaker 1: do a legit pirate born, you gotta have some toothless 109 00:06:44,080 --> 00:06:48,440 Speaker 1: action in there. Don't you think the authenticity is really 110 00:06:48,440 --> 00:06:51,120 Speaker 1: what I came to this porn I'm looking for in 111 00:06:51,120 --> 00:06:56,920 Speaker 1: my pornography. I wanted to feel real well. At any rate, 112 00:06:57,560 --> 00:07:01,200 Speaker 1: nobody really knows who this Captain Charles Johnson was, but 113 00:07:01,720 --> 00:07:04,279 Speaker 1: the way he writes all of his knowledge about sailor's 114 00:07:04,279 --> 00:07:07,120 Speaker 1: speech and sailor's life and all the culture out on 115 00:07:07,200 --> 00:07:10,480 Speaker 1: sea and everything, it's believed that he was either an 116 00:07:10,480 --> 00:07:13,800 Speaker 1: actual sea captain or at least a professional writer who 117 00:07:14,000 --> 00:07:17,680 Speaker 1: studied life at sea extensively. And this book is considered 118 00:07:17,800 --> 00:07:20,480 Speaker 1: the prime source for a lot of biographies of well 119 00:07:20,520 --> 00:07:25,280 Speaker 1: known pirates. It's got black Bart, Roberts, Captain Kidd, of 120 00:07:25,320 --> 00:07:28,000 Speaker 1: course Mary read And and and Bonnie, as well as Calico 121 00:07:28,120 --> 00:07:33,480 Speaker 1: Jack and of course everyone's new best pirate friends Captain 122 00:07:33,640 --> 00:07:39,200 Speaker 1: Edward Blackbeard, Teach and Steed Bonnet the Gentleman Pirates stad 123 00:07:39,800 --> 00:07:42,920 Speaker 1: all right, which yeah, okay, I know we have to 124 00:07:42,960 --> 00:07:44,920 Speaker 1: throw I'm not sure we've talked about this. We have 125 00:07:45,120 --> 00:07:49,040 Speaker 1: devoured Our Flag means Death and freaking I mean just 126 00:07:49,680 --> 00:07:51,960 Speaker 1: love it. I fell in love with every single character. 127 00:07:52,080 --> 00:07:55,200 Speaker 1: It's so good. If you haven't checked it out yet, 128 00:07:55,240 --> 00:07:57,480 Speaker 1: it's on HBO. And I know sometimes we were just 129 00:07:57,560 --> 00:07:59,800 Speaker 1: like we love to sidebar about what shows you want 130 00:07:59,800 --> 00:08:02,400 Speaker 1: to and it's so annoying when you say, like you 131 00:08:02,440 --> 00:08:04,920 Speaker 1: gotta watch this TV show because we all have fifty 132 00:08:05,000 --> 00:08:08,920 Speaker 1: thousand shows on our list. But it's loose, very loosely 133 00:08:09,000 --> 00:08:12,920 Speaker 1: based on these real characters black Beard and Steve Bonnet 134 00:08:13,360 --> 00:08:18,280 Speaker 1: um and it's just a very funny, touching, wonderful show. 135 00:08:18,640 --> 00:08:23,560 Speaker 1: You've got to watch it. Hashtag renew Our Flag means 136 00:08:23,600 --> 00:08:28,360 Speaker 1: stuff real. So this book came out in seventeen in London. 137 00:08:28,440 --> 00:08:31,920 Speaker 1: By seventy six it was so popular that four editions 138 00:08:31,960 --> 00:08:35,679 Speaker 1: had come out, each with additional information in chapters, and 139 00:08:35,720 --> 00:08:39,599 Speaker 1: there is no doubt whatsoever that the author definitely embellished 140 00:08:40,160 --> 00:08:44,400 Speaker 1: a lot of things. You know, he's trying to sell, 141 00:08:45,040 --> 00:08:49,920 Speaker 1: sell the book. So the British public was thirsty for exotic, 142 00:08:49,960 --> 00:08:53,800 Speaker 1: adventurous stories, and Captain Johnson gave it to them. Yeah, 143 00:08:53,960 --> 00:08:57,160 Speaker 1: people want like, I mean kind of like, I don't 144 00:08:57,200 --> 00:09:00,760 Speaker 1: know when was the pirate craze contemporary? It was, and 145 00:09:00,840 --> 00:09:02,439 Speaker 1: it's still going on a little, but I don't want 146 00:09:02,440 --> 00:09:06,160 Speaker 1: to stay like around them. Did the movies right, the 147 00:09:06,160 --> 00:09:08,320 Speaker 1: Black Flag and it was about two thousands, Yeah, those 148 00:09:08,320 --> 00:09:11,079 Speaker 1: were it was hot. Pirate culture. It comes in waves, 149 00:09:11,080 --> 00:09:13,600 Speaker 1: and this was a wave. People were super into pirate 150 00:09:13,640 --> 00:09:16,679 Speaker 1: ship then. And yeah, I guess he had a bit 151 00:09:16,679 --> 00:09:19,440 Speaker 1: of a creative imagination. This is where kind of the 152 00:09:19,480 --> 00:09:24,000 Speaker 1: stereotypes and tropes of pirates originated. The missing eyes and legs, 153 00:09:24,120 --> 00:09:28,959 Speaker 1: the buried treasure, colorful clothing like all that stuff. Although 154 00:09:29,000 --> 00:09:31,320 Speaker 1: I will say with the colorful clothing, we learned when 155 00:09:31,320 --> 00:09:34,280 Speaker 1: we did Robert Culifford and John Swan that they did, 156 00:09:34,280 --> 00:09:37,560 Speaker 1: in fact steal plenty of fabric and well known that 157 00:09:37,600 --> 00:09:40,800 Speaker 1: they would often stitch together wild outfits and look insane 158 00:09:41,240 --> 00:09:43,040 Speaker 1: to everyone else, and it was like part of the 159 00:09:43,040 --> 00:09:45,599 Speaker 1: way to stand out. Yeah, because at the time, I 160 00:09:45,600 --> 00:09:48,960 Speaker 1: remember we talked about that episode like your class was 161 00:09:49,080 --> 00:09:51,240 Speaker 1: very tied to how you dressed, and if you were poor, 162 00:09:51,320 --> 00:09:54,960 Speaker 1: you were meant to wear drab, dull clothes. And the 163 00:09:55,000 --> 00:09:57,440 Speaker 1: pirates were like, screw that, We're going to address like 164 00:09:57,679 --> 00:10:00,360 Speaker 1: crazy colors and patterns and like whatever we happened to 165 00:10:00,400 --> 00:10:04,520 Speaker 1: steal exactly. It was like a real sign of success 166 00:10:04,920 --> 00:10:07,760 Speaker 1: for a pirate. I'd argue based on what I read 167 00:10:07,760 --> 00:10:10,240 Speaker 1: that Johnny Depp even toned it down a little bit 168 00:10:10,400 --> 00:10:13,160 Speaker 1: definitely for Captain Jack Sparrow, because I think I think 169 00:10:13,160 --> 00:10:16,280 Speaker 1: they were even more gaudy than that generally. Yeah, we're 170 00:10:16,400 --> 00:10:19,600 Speaker 1: striped patterns, I mean, because the fashion of the rich 171 00:10:19,760 --> 00:10:23,319 Speaker 1: was so wild to time, Like what you were sealing 172 00:10:23,440 --> 00:10:26,240 Speaker 1: was insane, and they were just cobbling together like a 173 00:10:26,240 --> 00:10:29,839 Speaker 1: bunch of I war a pounds tooth coat over a 174 00:10:29,920 --> 00:10:36,680 Speaker 1: polka dot shirt and so yeah, writers like Robert Louis 175 00:10:36,720 --> 00:10:39,640 Speaker 1: Stevenson and Jay and Barry have said that this book 176 00:10:39,679 --> 00:10:42,839 Speaker 1: was a pretty major influence on their pirate characters. So 177 00:10:42,880 --> 00:10:46,720 Speaker 1: the stereotypes just kept on rolling. Over the ages. But 178 00:10:46,880 --> 00:10:49,640 Speaker 1: a lot of his work is based on journals, interviews, 179 00:10:49,679 --> 00:10:51,959 Speaker 1: and court records. So there's a lot of truth mixed 180 00:10:51,960 --> 00:10:55,360 Speaker 1: into this book for sure, despite it being considered pretty embellius, 181 00:10:55,440 --> 00:10:58,280 Speaker 1: right right, right, Yeah, the bones, the bones are there, 182 00:10:58,320 --> 00:11:00,160 Speaker 1: and maybe he fancied it up a little bit, like 183 00:11:00,200 --> 00:11:04,120 Speaker 1: you said, to sell copies, right. And of course some 184 00:11:04,200 --> 00:11:06,959 Speaker 1: of these details just can't be proven with any other 185 00:11:06,960 --> 00:11:10,680 Speaker 1: surviving documentation, and that includes the story of a Bonnie's 186 00:11:10,679 --> 00:11:13,120 Speaker 1: parents that we're about to tell here, So do take 187 00:11:13,160 --> 00:11:15,960 Speaker 1: it with a grain of sea salt. But um, but 188 00:11:16,000 --> 00:11:19,680 Speaker 1: it is told in pretty impressive detail here in Johnson's book, 189 00:11:20,200 --> 00:11:23,360 Speaker 1: and almost every other article that I found about a 190 00:11:23,559 --> 00:11:27,320 Speaker 1: Bonnie summarizes it in like two sentences. It's like, this 191 00:11:27,360 --> 00:11:30,320 Speaker 1: was her dad, and they moved to South Carolina and 192 00:11:30,320 --> 00:11:32,840 Speaker 1: then she became a pirate. And I'm like, y'all skipped 193 00:11:32,840 --> 00:11:38,880 Speaker 1: over an incredible story, So it needs to be told. 194 00:11:39,520 --> 00:11:42,840 Speaker 1: You know, we we don't generally think of pirates parents, 195 00:11:43,600 --> 00:11:47,480 Speaker 1: but everybody's got him, right, So let's learn about an 196 00:11:47,520 --> 00:11:52,280 Speaker 1: Bonnie's So, according to Johnson, and Bonnie's father was named 197 00:11:52,320 --> 00:11:55,040 Speaker 1: William Cormick, and he was a pretty well to do 198 00:11:55,160 --> 00:11:58,360 Speaker 1: lawyer in late sixteen hundreds in a town near the 199 00:11:58,360 --> 00:12:02,040 Speaker 1: city of Cork, Ireland, or Corky as I've heard it 200 00:12:02,080 --> 00:12:10,400 Speaker 1: pronounced in pronunciation videos. So his wife goes unnamed in 201 00:12:10,440 --> 00:12:13,000 Speaker 1: the book. So Mrs Cormick, I guess, I don't know. 202 00:12:13,040 --> 00:12:15,880 Speaker 1: I feel like we should throw her name just so 203 00:12:15,920 --> 00:12:17,880 Speaker 1: we can keep track of her a little better instead 204 00:12:17,880 --> 00:12:20,120 Speaker 1: of just being like Mrs Cormick the whole time. So 205 00:12:20,160 --> 00:12:25,200 Speaker 1: what's what's Mrs Cormick's name? Ship? Not it can't be 206 00:12:25,280 --> 00:12:30,439 Speaker 1: Merry or we already have those characters coming up. How 207 00:12:30,440 --> 00:12:35,160 Speaker 1: about Molly Molly? That seems like a common Irish name, Molly. 208 00:12:35,520 --> 00:12:37,679 Speaker 1: Since it's definitely a made up name, maybe it should 209 00:12:37,720 --> 00:12:43,440 Speaker 1: be like totally like Nicki Minaje cormick ers like Cormick, 210 00:12:44,840 --> 00:12:47,760 Speaker 1: not that, but you know what I mean? Yeah, how 211 00:12:47,760 --> 00:12:56,200 Speaker 1: about like Apple Apple Apple Cormick. I mean, you know, 212 00:12:56,240 --> 00:12:58,720 Speaker 1: Gwynedd's kids going to grow up sometime and she's going 213 00:12:58,760 --> 00:13:03,040 Speaker 1: to have to be Mrs Apple somebody. That's all I'm saying. 214 00:13:03,800 --> 00:13:06,199 Speaker 1: All right, So William and his wife, whose name for 215 00:13:06,240 --> 00:13:09,840 Speaker 1: the purposes of our telling you the story is Apple? Um. 216 00:13:09,880 --> 00:13:12,280 Speaker 1: I guess at some point around the turn of the century, 217 00:13:12,320 --> 00:13:17,520 Speaker 1: like maybe or so Apple Cormick got really sick and 218 00:13:17,600 --> 00:13:19,760 Speaker 1: nobody could figure out exactly what was wrong with her. 219 00:13:19,880 --> 00:13:23,120 Speaker 1: So her doctor advised that she moves somewhere else for 220 00:13:23,320 --> 00:13:27,800 Speaker 1: quote a change of air. And Johnson says that, quote 221 00:13:27,840 --> 00:13:30,679 Speaker 1: the place she chose was a few miles distant from 222 00:13:30,720 --> 00:13:34,640 Speaker 1: her dwelling where the husband's mother lived. So she's going 223 00:13:34,679 --> 00:13:36,520 Speaker 1: to stay with her mother in law to recover, right, 224 00:13:37,480 --> 00:13:40,679 Speaker 1: But like it's only a few miles away. How is 225 00:13:40,720 --> 00:13:45,600 Speaker 1: the air any different there? Right? Is it just more trees? Maybe? 226 00:13:45,760 --> 00:13:47,560 Speaker 1: Maybe the doctor was like, I think you just need 227 00:13:47,600 --> 00:13:49,480 Speaker 1: to get away from your husband for a few weeks. 228 00:13:49,559 --> 00:13:51,960 Speaker 1: You'll feel a lot better. Honey, he's a real stress 229 00:13:52,000 --> 00:13:57,000 Speaker 1: in your life. You need to need tout. She's close 230 00:13:57,040 --> 00:14:01,000 Speaker 1: with her in laws at least that's nice. Yeah, So 231 00:14:01,120 --> 00:14:04,040 Speaker 1: Williams stayed back at home to continue his work, and 232 00:14:04,080 --> 00:14:06,840 Speaker 1: of course they had a serving maid named Mary Brennan, 233 00:14:07,320 --> 00:14:10,120 Speaker 1: who Apple had asked to stay back and watched the 234 00:14:10,160 --> 00:14:13,200 Speaker 1: house and attend her husband, you know, because she wouldn't 235 00:14:13,240 --> 00:14:14,960 Speaker 1: be there to do it. So somebody's going to make 236 00:14:14,960 --> 00:14:19,680 Speaker 1: this guy sandwich and stuff. So Johnson describes her as quote, 237 00:14:19,800 --> 00:14:22,720 Speaker 1: the man cannot care for himself at fast, straight up 238 00:14:22,760 --> 00:14:28,240 Speaker 1: like bread ingredients. I don't know what am I supposed 239 00:14:28,240 --> 00:14:33,880 Speaker 1: to do. Johnson describes Mary Brennan as quote a handsome 240 00:14:33,960 --> 00:14:36,560 Speaker 1: young woman who was being courted by a man in 241 00:14:36,680 --> 00:14:40,440 Speaker 1: town who was the local tanner. The tanner whenever the 242 00:14:40,520 --> 00:14:43,480 Speaker 1: family was out of the house, he would lay down 243 00:14:43,520 --> 00:14:46,600 Speaker 1: his hides and sneak on over to hang out with 244 00:14:46,640 --> 00:14:48,480 Speaker 1: Mary Brennan. They had just had a little secret thing 245 00:14:48,520 --> 00:14:53,080 Speaker 1: going on, you know, young love amongst the serving class 246 00:14:53,800 --> 00:14:57,320 Speaker 1: happens all the time. And this kid shows up and 247 00:14:57,360 --> 00:15:01,880 Speaker 1: I don't know, uh speculation station here, I'm gonna say 248 00:15:02,040 --> 00:15:04,640 Speaker 1: they just they just did it in every room with 249 00:15:04,720 --> 00:15:08,560 Speaker 1: the house, right. I mean, these are two again to 250 00:15:08,720 --> 00:15:12,920 Speaker 1: serving class people living it up in some rich dude's house. 251 00:15:13,680 --> 00:15:16,280 Speaker 1: When he's away, they're going to come in. They'll probably 252 00:15:16,320 --> 00:15:19,760 Speaker 1: like role play, like pretend to be Mr and Mrs 253 00:15:19,840 --> 00:15:22,880 Speaker 1: Cormick like, but like they'll gender swap it. Like she'll 254 00:15:23,000 --> 00:15:27,800 Speaker 1: she'll she'll get William's pipe, you know, and he'll come 255 00:15:27,840 --> 00:15:31,520 Speaker 1: in in a silk gown and be like, oh, oh, 256 00:15:32,000 --> 00:15:35,080 Speaker 1: I'm fainting, it's all I'm so wealthy. I just don't 257 00:15:35,120 --> 00:15:39,120 Speaker 1: know what to do. Don't worry, honey, You'll catch you. 258 00:15:40,080 --> 00:15:44,520 Speaker 1: Let me the man you're so strong, come over here 259 00:15:44,640 --> 00:15:50,600 Speaker 1: and leave you over my knee, Medaari, air's in the air. 260 00:15:51,120 --> 00:15:54,320 Speaker 1: I wonder what I'll do with that? Is this what 261 00:15:54,440 --> 00:15:58,840 Speaker 1: rich people do all day? We wonder? I love doubt, Nabby, 262 00:15:58,880 --> 00:16:01,720 Speaker 1: and I'm just trying to picture anything like that happening. 263 00:16:02,560 --> 00:16:07,480 Speaker 1: It would not well. One day. Johnson writes that the 264 00:16:07,520 --> 00:16:12,080 Speaker 1: Tanner quote not having the fear of God before his eyes, 265 00:16:12,960 --> 00:16:18,359 Speaker 1: waited until Mary wasn't looking, and he swiped three silver spoons, 266 00:16:18,840 --> 00:16:23,400 Speaker 1: slipped them into his pocket. He and Mary finished their date, 267 00:16:23,680 --> 00:16:26,520 Speaker 1: and before William came home from work, the Tanner slipped 268 00:16:26,560 --> 00:16:31,320 Speaker 1: away until their next rendezvous. Well, here's the thing about maids. 269 00:16:31,440 --> 00:16:34,080 Speaker 1: Back then, you know, they're in charge of the house, 270 00:16:34,160 --> 00:16:37,600 Speaker 1: so they pretty much know every nook and cranny of 271 00:16:37,760 --> 00:16:41,040 Speaker 1: the house. Yes, you know every trinket, they know every corner. 272 00:16:41,120 --> 00:16:43,760 Speaker 1: I mean, they know the books, she's dust and everything. Yeah, 273 00:16:43,760 --> 00:16:48,320 Speaker 1: she polishes those spoons like three times a week. Ship. 274 00:16:49,360 --> 00:16:51,520 Speaker 1: And also it's not like I mean, we've got a 275 00:16:51,600 --> 00:16:54,920 Speaker 1: drawer full of random utensils we've picked up over the years, 276 00:16:55,480 --> 00:16:58,840 Speaker 1: and nine forks could go missing and i'd be like, 277 00:16:59,560 --> 00:17:04,120 Speaker 1: we still have thirty six works. I don't know, but 278 00:17:04,280 --> 00:17:06,720 Speaker 1: they had like a set right, there was like an 279 00:17:06,720 --> 00:17:10,560 Speaker 1: equal number of each utensil and it's silver, and it's silver, 280 00:17:10,720 --> 00:17:14,080 Speaker 1: it's worth something. That's why I got stolen to count 281 00:17:14,080 --> 00:17:17,800 Speaker 1: that ship. So she was counting it and yeah, like 282 00:17:17,840 --> 00:17:20,480 Speaker 1: the very next day, her spiky sense went off and 283 00:17:20,560 --> 00:17:22,440 Speaker 1: she's like, hang on, now, I gotta check this. She 284 00:17:22,600 --> 00:17:25,080 Speaker 1: like sat up bolt up right in a cold sweat, 285 00:17:25,160 --> 00:17:27,480 Speaker 1: and it's like, I gotta check the spoon. And she 286 00:17:27,560 --> 00:17:30,080 Speaker 1: went and counted him and she's like, oh, ship, there's 287 00:17:30,160 --> 00:17:34,800 Speaker 1: three spoons missing. So she starts doing a little detective work. Okay, 288 00:17:34,920 --> 00:17:38,359 Speaker 1: she really applied her whole brain to this problem and 289 00:17:38,400 --> 00:17:42,679 Speaker 1: put together all her suspects, a very long list of 290 00:17:42,760 --> 00:17:46,080 Speaker 1: exactly one dude, the Tanner, because he's literally the only 291 00:17:46,080 --> 00:17:48,080 Speaker 1: other person who would come into the house. So she's like, 292 00:17:48,119 --> 00:17:53,119 Speaker 1: it's definitely Hippen obviously, can't be anyone else. So Tanny 293 00:17:53,160 --> 00:17:58,320 Speaker 1: boy here shows up the next day and she corners 294 00:17:58,359 --> 00:18:02,240 Speaker 1: him because Mary liked her job, right, and also when 295 00:18:02,280 --> 00:18:06,040 Speaker 1: a maid was suspected of having stolen something like, there's 296 00:18:06,080 --> 00:18:09,000 Speaker 1: real jail time there. It's not cute and then you 297 00:18:09,280 --> 00:18:11,920 Speaker 1: probably never get a job again if I have down't 298 00:18:11,960 --> 00:18:16,720 Speaker 1: Nabby taught me anything. Yeah, it's a stain you cannot 299 00:18:16,880 --> 00:18:20,520 Speaker 1: scrub out. So she corners him. She's like, why did 300 00:18:20,560 --> 00:18:23,600 Speaker 1: you steal the spoons? Give me the spoons, and the Tanner, 301 00:18:24,320 --> 00:18:29,240 Speaker 1: being a complete idiot, denies it. Again he's the only 302 00:18:29,280 --> 00:18:33,400 Speaker 1: other person who's been in the house. So Mary gets piste. 303 00:18:33,720 --> 00:18:36,240 Speaker 1: She's like, there's literally no one else who could have 304 00:18:36,280 --> 00:18:38,440 Speaker 1: taken them. If you don't fess up, I'm going to 305 00:18:38,520 --> 00:18:41,320 Speaker 1: call the constable. They're gonna come down here, drag you 306 00:18:41,359 --> 00:18:43,560 Speaker 1: before the justice of the peace if we have to. 307 00:18:44,359 --> 00:18:48,520 Speaker 1: And Johnson writes, quote these menaces frightened him out of 308 00:18:48,600 --> 00:18:51,960 Speaker 1: his wits well, knowing that he could not stand a search. 309 00:18:52,920 --> 00:18:56,040 Speaker 1: So the Tanner says, he's thinking on his feet, is 310 00:18:56,040 --> 00:18:57,720 Speaker 1: going real quick. He says, whoa wa wait wait wait, 311 00:18:58,640 --> 00:19:00,600 Speaker 1: let me help you look for them. And it all right, 312 00:19:00,960 --> 00:19:03,240 Speaker 1: we'll just search around the house. They've got to be 313 00:19:03,320 --> 00:19:07,880 Speaker 1: here somewhere. So Mary rolls her eyes at this kid 314 00:19:07,920 --> 00:19:11,960 Speaker 1: in his terrible accent, and she starts digging around for 315 00:19:11,960 --> 00:19:14,760 Speaker 1: the spoons. Fine, we'll take a look. I'll look here. 316 00:19:14,840 --> 00:19:17,600 Speaker 1: You look there, the tanner says, here, I'm gonna go 317 00:19:17,800 --> 00:19:21,159 Speaker 1: check in your bedroom while you look around the kitchen, okay, 318 00:19:21,280 --> 00:19:24,640 Speaker 1: and he slips into the bedroom. This this tanner thinks 319 00:19:24,680 --> 00:19:28,680 Speaker 1: he's like Moriarty over here, coming up with some ingenious, 320 00:19:28,680 --> 00:19:32,639 Speaker 1: some really mastermind plan to get himself out of trouble. 321 00:19:33,119 --> 00:19:37,000 Speaker 1: And he decides, I know what, why does he sound 322 00:19:37,000 --> 00:19:39,680 Speaker 1: like that? Oh yeah, he's definitely not cockney. We'll decide 323 00:19:39,760 --> 00:19:43,680 Speaker 1: what you made him sound like? A lepricn He decides, 324 00:19:44,520 --> 00:19:47,480 Speaker 1: I'll hide the spoons in her bid. Then she'll find 325 00:19:47,520 --> 00:19:50,600 Speaker 1: them tonight and tomorrow I'll tell her I did it 326 00:19:50,640 --> 00:19:53,920 Speaker 1: as a fun prank to freak her out. Girls love 327 00:19:54,000 --> 00:19:58,840 Speaker 1: that shake. Yeah, girls love being pranked to the point 328 00:19:58,840 --> 00:20:01,040 Speaker 1: where they're freaking out about losing there. There could be 329 00:20:01,080 --> 00:20:04,840 Speaker 1: a felony conviction here. Hilarious. That's how I get all 330 00:20:04,880 --> 00:20:08,080 Speaker 1: my girls. So that's what he does. He tucks the 331 00:20:08,119 --> 00:20:12,680 Speaker 1: spoons under her sheets. He slips out the back door. Well, Mary, 332 00:20:12,800 --> 00:20:17,680 Speaker 1: unlike her boyfriend, has like working Cerebrum and Sarah Bellum, 333 00:20:17,720 --> 00:20:21,560 Speaker 1: you know, all working together up in there, and she 334 00:20:21,720 --> 00:20:24,560 Speaker 1: notices that he left out of nowhere. While in the 335 00:20:24,560 --> 00:20:27,400 Speaker 1: middle of their search for spoons that she knows, damn 336 00:20:27,400 --> 00:20:31,040 Speaker 1: well he's got. So she very logically assumes that he 337 00:20:31,080 --> 00:20:35,240 Speaker 1: has run off with the spoons. So she goes straight 338 00:20:35,280 --> 00:20:40,160 Speaker 1: to the constable and tells them everything, and they're like, right, 339 00:20:40,240 --> 00:20:42,520 Speaker 1: we'll take care of it. And the Tanner hears that 340 00:20:42,560 --> 00:20:44,840 Speaker 1: the cops are after him, so he goes into hiding 341 00:20:44,840 --> 00:20:49,840 Speaker 1: for a few days. But he's also like baffled by this. 342 00:20:50,480 --> 00:20:53,439 Speaker 1: I mean, he's like, I know, she must have found 343 00:20:53,480 --> 00:20:57,040 Speaker 1: the spoons and then decided to turn them against me, 344 00:20:57,119 --> 00:21:01,760 Speaker 1: just to be mean, how rude, and like he never 345 00:21:01,840 --> 00:21:04,560 Speaker 1: thought like that maybe she never found the spoons and 346 00:21:05,000 --> 00:21:07,720 Speaker 1: that that was why this. She still thought, what would 347 00:21:07,720 --> 00:21:10,359 Speaker 1: be the point of sending him after something he didn't have. Well, 348 00:21:10,600 --> 00:21:14,080 Speaker 1: he's thinking that he put the spoons in her bed. 349 00:21:14,160 --> 00:21:16,399 Speaker 1: There's no way she could not. It's been a few days. 350 00:21:16,640 --> 00:21:18,760 Speaker 1: There's no way she wouldn't have found the spoons by now. 351 00:21:18,800 --> 00:21:21,719 Speaker 1: She must have found them, and now she's just like 352 00:21:21,800 --> 00:21:23,680 Speaker 1: trying to get back at me or something. I don't 353 00:21:23,680 --> 00:21:27,119 Speaker 1: really know. He's just nervous because he's like, this, should 354 00:21:27,200 --> 00:21:28,640 Speaker 1: she should have found the spoons? And I'm like, oh, 355 00:21:28,680 --> 00:21:30,720 Speaker 1: never mind, I guess I didn't. I guess I just 356 00:21:30,800 --> 00:21:34,239 Speaker 1: misplaced them in my bed, in my own bed. At 357 00:21:34,240 --> 00:21:38,760 Speaker 1: at any rate, during all this running around, he's hiding 358 00:21:38,800 --> 00:21:41,679 Speaker 1: from the cops. She's she's still doesn't know where the 359 00:21:41,680 --> 00:21:48,879 Speaker 1: spoons are. Mrs Cormick Apple has made quite a remarkable recovery, 360 00:21:48,960 --> 00:21:51,440 Speaker 1: and she decided it's time for me to return home. 361 00:21:52,040 --> 00:21:54,800 Speaker 1: So she and the mother in law hopped into a 362 00:21:54,840 --> 00:21:58,199 Speaker 1: carriage and returned back home to their village, excited to 363 00:21:58,240 --> 00:22:02,080 Speaker 1: greet her husband there may aid and presumably play with 364 00:22:02,080 --> 00:22:06,040 Speaker 1: her three favorite spoons. She's like, can't wait to count 365 00:22:06,080 --> 00:22:10,560 Speaker 1: my sober and we will find out exactly what happened next. 366 00:22:11,000 --> 00:22:25,639 Speaker 1: Right after this welcome back to the show, what so Sexy? 367 00:22:27,640 --> 00:22:30,360 Speaker 1: Trying not to be too weird. I guess I made 368 00:22:30,400 --> 00:22:33,760 Speaker 1: it weird. Oh it's super weird. I loved it. Okay. 369 00:22:33,880 --> 00:22:37,640 Speaker 1: So Mrs Cormick Apple Cormick as we've named her, is 370 00:22:37,720 --> 00:22:40,040 Speaker 1: back at home and she brought her mother in law 371 00:22:40,119 --> 00:22:43,000 Speaker 1: with her, and the first thing that she hears when 372 00:22:43,040 --> 00:22:44,679 Speaker 1: she walks in the door is the maid runs up 373 00:22:44,680 --> 00:22:46,119 Speaker 1: to her and it's like, oh my god, I'm so 374 00:22:46,160 --> 00:22:48,040 Speaker 1: sorry about there's three spoons missing. And I know it 375 00:22:48,080 --> 00:22:49,919 Speaker 1: was this kid who took them when I confronted him, 376 00:22:49,960 --> 00:22:51,680 Speaker 1: but he ran off, but don't worry. The constables they're 377 00:22:51,720 --> 00:22:55,600 Speaker 1: looking for him. And Mrs Cormick is like, oh my god, 378 00:22:55,600 --> 00:22:58,760 Speaker 1: slow down. I just got home, like recovering from an illness. 379 00:22:59,720 --> 00:23:02,520 Speaker 1: But you know, you did the right thing, because if 380 00:23:02,520 --> 00:23:05,400 Speaker 1: there's one thing rich people hate, it's when their spoons 381 00:23:05,440 --> 00:23:09,840 Speaker 1: go missing. Nothing riles me up like that. Well, the 382 00:23:09,880 --> 00:23:14,160 Speaker 1: Tanner heard that Mrs Applecormick was home, and he thought, well, 383 00:23:14,200 --> 00:23:16,600 Speaker 1: this is my chance to clear this whole thing up. 384 00:23:16,640 --> 00:23:19,560 Speaker 1: This is just a big misunderstanding because he's also he's 385 00:23:19,560 --> 00:23:22,000 Speaker 1: in hiding, like he can't even go operate his business 386 00:23:22,119 --> 00:23:24,280 Speaker 1: until this is cleared up. At this point, this is 387 00:23:24,320 --> 00:23:28,280 Speaker 1: like a big incident of three spoons. So yeah, he 388 00:23:28,359 --> 00:23:30,879 Speaker 1: shows up the house and he tells Mrs c the 389 00:23:30,960 --> 00:23:35,000 Speaker 1: whole story, or at least his version of it, and 390 00:23:35,040 --> 00:23:37,080 Speaker 1: he told her, you know, I took the spoons as 391 00:23:37,080 --> 00:23:40,760 Speaker 1: a joke, trying to freak out the hilarious and he 392 00:23:40,920 --> 00:23:43,200 Speaker 1: hid them in her bed, and he just couldn't believe 393 00:23:43,200 --> 00:23:45,360 Speaker 1: that she hadn't found them yet because it had been days, 394 00:23:45,400 --> 00:23:47,560 Speaker 1: you know, like you were saying, anyone who got into 395 00:23:47,600 --> 00:23:50,320 Speaker 1: that bed would have felt the spoons under them, you know, 396 00:23:50,480 --> 00:23:53,680 Speaker 1: so they were unmissable. Right, It's not like a princess 397 00:23:53,680 --> 00:23:56,240 Speaker 1: in the peace situation. This is like three silver spoons 398 00:23:56,320 --> 00:24:01,480 Speaker 1: under your sheet, not comfortable lay upon. So he will say, 399 00:24:01,480 --> 00:24:04,320 Speaker 1: I have slept on some random objects you know, never 400 00:24:04,760 --> 00:24:10,160 Speaker 1: never noticed. It depends out tired. You are exactly made 401 00:24:10,240 --> 00:24:15,400 Speaker 1: pretty tired. I wonder if she was ever like, oh, 402 00:24:15,480 --> 00:24:18,520 Speaker 1: I slept once on an encyclopedia for ten months, I 403 00:24:18,760 --> 00:24:22,679 Speaker 1: never knew it, slept on a pile of legos. So 404 00:24:22,840 --> 00:24:25,720 Speaker 1: Mrs C. I thought this story sounded bonkers, which it does. 405 00:24:26,400 --> 00:24:29,199 Speaker 1: She's like, what a mess. So she's like, I'll go 406 00:24:29,320 --> 00:24:31,879 Speaker 1: check the maid's bed and just to see if you 407 00:24:31,920 --> 00:24:34,760 Speaker 1: know what you're saying is true. And sure enough, there's 408 00:24:34,800 --> 00:24:38,479 Speaker 1: three spoons in the maids bed, still sitting there, and 409 00:24:38,520 --> 00:24:41,960 Speaker 1: she tells the kid, Okay, no harm done, just go home, 410 00:24:42,800 --> 00:24:45,960 Speaker 1: mind your business, get out of my house, and he 411 00:24:46,119 --> 00:24:50,199 Speaker 1: finishes shooting himself with relief, and he scurries back to 412 00:24:50,240 --> 00:24:53,360 Speaker 1: his shop in the village to resume his tanning life. 413 00:24:54,720 --> 00:24:57,200 Speaker 1: Now Mrs C is trying to put this whole thing together. 414 00:24:57,280 --> 00:25:01,040 Speaker 1: She's like, okay, so how did Mary not know that 415 00:25:01,080 --> 00:25:03,920 Speaker 1: these spoons were in her pit. I mean, has she 416 00:25:04,040 --> 00:25:07,520 Speaker 1: not been sleeping there? She would never steal from us. 417 00:25:07,560 --> 00:25:10,800 Speaker 1: She's always been a good mate. She's always been cordial 418 00:25:10,920 --> 00:25:14,720 Speaker 1: with me, and she's very friendly with my husband, and 419 00:25:14,800 --> 00:25:23,240 Speaker 1: he's always been exceptionally kind to her. And oh, suddenly 420 00:25:23,960 --> 00:25:28,600 Speaker 1: she starts having these flashbags to just how friendly William 421 00:25:28,640 --> 00:25:33,119 Speaker 1: always was with Mary. And she starts thinking, wait a minute, 422 00:25:33,840 --> 00:25:38,040 Speaker 1: I just got home after being away sick for four months, 423 00:25:38,320 --> 00:25:42,080 Speaker 1: and William happened to arrange to be out of town today. Okay, 424 00:25:42,880 --> 00:25:45,719 Speaker 1: And again, it didn't take a Sherlock Holmes here to 425 00:25:45,760 --> 00:25:49,000 Speaker 1: figure out why Mary hadn't found the spoons in her bed, 426 00:25:49,720 --> 00:25:54,639 Speaker 1: because she hadn't been sleeping in her bed. Mrs C 427 00:25:55,200 --> 00:25:57,760 Speaker 1: doing the real sleuth in here, right, Yeah, she's definitely 428 00:25:57,800 --> 00:26:03,080 Speaker 1: putting two into like what other bed could she possibly spoon? 429 00:26:03,560 --> 00:26:09,960 Speaker 1: It's actually not a very complicated board. It's like it's 430 00:26:09,960 --> 00:26:12,000 Speaker 1: our bed and it's your bed. That's it. There's no 431 00:26:12,040 --> 00:26:16,600 Speaker 1: other beds. Johnson writes that quote as women seldom forgive 432 00:26:16,640 --> 00:26:20,200 Speaker 1: injuries of this kind. She thought of discharging her revenge 433 00:26:20,280 --> 00:26:25,160 Speaker 1: upon the maid women. You know, women be crazy. I mean, 434 00:26:25,200 --> 00:26:30,199 Speaker 1: he's not totally wrong. I always hated the song The 435 00:26:30,240 --> 00:26:33,200 Speaker 1: Boy is Mine because I only ever heard it on 436 00:26:33,240 --> 00:26:35,080 Speaker 1: the radio, and I was always like, why are Monica 437 00:26:35,119 --> 00:26:37,760 Speaker 1: and Brandy fighting each other? They should be fighting with 438 00:26:37,760 --> 00:26:40,480 Speaker 1: the man who has been lying to them both clearly. 439 00:26:41,800 --> 00:26:43,879 Speaker 1: And then I saw the video and in the video 440 00:26:44,000 --> 00:26:46,680 Speaker 1: at the very end they can they confront him together. 441 00:26:47,200 --> 00:26:49,000 Speaker 1: Was like, oh, well, now I like the song better. 442 00:26:49,960 --> 00:26:51,879 Speaker 1: The director of the video fixed it. The director the 443 00:26:51,960 --> 00:26:53,320 Speaker 1: video fixed it. I was like, I wish it was 444 00:26:53,320 --> 00:26:55,680 Speaker 1: a little line, you know where they like black mcnock, 445 00:26:55,800 --> 00:27:00,399 Speaker 1: you know, or something. He's like huhh right. So anyway, 446 00:27:00,440 --> 00:27:03,639 Speaker 1: she's pissed and she starts hatching a plan to screw 447 00:27:03,760 --> 00:27:07,280 Speaker 1: Mary and catch her husband in the act. And first 448 00:27:07,520 --> 00:27:10,160 Speaker 1: she puts the spoons right back where she found them 449 00:27:10,160 --> 00:27:14,800 Speaker 1: in Mary's bed, and she goes to the maid and says, hey, 450 00:27:14,840 --> 00:27:16,760 Speaker 1: my mother in law is going to be sleeping in 451 00:27:16,800 --> 00:27:19,400 Speaker 1: my bed tonight, so I'm going to sleep in yours, 452 00:27:19,400 --> 00:27:21,720 Speaker 1: So if do we favor, go change the sheets and 453 00:27:21,760 --> 00:27:24,800 Speaker 1: then find somewhere else to sleep. I know you're good 454 00:27:24,800 --> 00:27:34,240 Speaker 1: at that. Oh no, you're good on that. And she's 455 00:27:34,280 --> 00:27:37,840 Speaker 1: like huh, She's like nothing, nothing, You're so good at everything. 456 00:27:37,880 --> 00:27:42,240 Speaker 1: That's what I said, Oh, thank you, and Mary obeyed. 457 00:27:42,280 --> 00:27:44,560 Speaker 1: She went and stripped the sheets off her bed and 458 00:27:44,600 --> 00:27:48,160 Speaker 1: what should clattered to the floor but the three silver spoons. 459 00:27:48,320 --> 00:27:51,639 Speaker 1: And she's like, these spoons are haunting my days. She's 460 00:27:51,680 --> 00:27:54,280 Speaker 1: totally confused why these spoons in her bed, but she 461 00:27:54,320 --> 00:27:57,639 Speaker 1: knows it doesn't look good because she's been talking about 462 00:27:57,640 --> 00:28:02,080 Speaker 1: the Stanner. So she decides to slip them into her 463 00:28:02,119 --> 00:28:07,040 Speaker 1: trunk so that she can later place them somewhere conspicuous 464 00:28:07,040 --> 00:28:10,560 Speaker 1: in the house and then conveniently happened upon them and 465 00:28:10,640 --> 00:28:14,080 Speaker 1: be the hero of the hour. Well, what do you know? 466 00:28:14,320 --> 00:28:17,600 Speaker 1: Here they are? How do they find their way into 467 00:28:17,600 --> 00:28:23,240 Speaker 1: the library? So, just as planned, the mother in law 468 00:28:23,320 --> 00:28:26,679 Speaker 1: takes the master bedroom and Mrs c goes down to 469 00:28:26,720 --> 00:28:31,480 Speaker 1: sleep in Mary's bed. She lay there late just jealousy, 470 00:28:31,680 --> 00:28:34,920 Speaker 1: keeping her wide awake the whole time. She wasn't quite 471 00:28:34,920 --> 00:28:36,840 Speaker 1: sure what was going to come with this little scheme, 472 00:28:37,160 --> 00:28:40,400 Speaker 1: but she knew something was up, and sure enough, late 473 00:28:40,440 --> 00:28:44,800 Speaker 1: that night, William came home snuck into the house and 474 00:28:44,840 --> 00:28:46,840 Speaker 1: he goes up to the master bedroom and he looks 475 00:28:46,880 --> 00:28:49,560 Speaker 1: inside and he sees a woman sleeping in the bed, 476 00:28:49,600 --> 00:28:54,840 Speaker 1: and he thinks my wife is home. Well, what's one 477 00:28:54,880 --> 00:28:58,480 Speaker 1: more night with Mary, Hell's wife. He's asleep, so let 478 00:28:58,480 --> 00:29:00,280 Speaker 1: me just go down to the servants quarter. Is real 479 00:29:00,400 --> 00:29:04,440 Speaker 1: quick and had myself one last little fling. So he 480 00:29:04,520 --> 00:29:07,800 Speaker 1: goes down to Mary's bedroom and he creaked open the 481 00:29:07,800 --> 00:29:11,680 Speaker 1: door and he saw a woman in the bed. Of 482 00:29:11,720 --> 00:29:16,160 Speaker 1: course he thinks, well, Mary's in there, sleeping, wife's upstairs, 483 00:29:16,520 --> 00:29:24,800 Speaker 1: the perfect crime. Everything's coming up, William. So but of 484 00:29:24,840 --> 00:29:27,680 Speaker 1: course Mrs C is lying awake in that bed in 485 00:29:27,720 --> 00:29:29,680 Speaker 1: the dark, and at first she was scared that when 486 00:29:29,680 --> 00:29:32,760 Speaker 1: the door opened it was thieves. But then right where 487 00:29:32,800 --> 00:29:35,960 Speaker 1: the thief would go to the servant where all the 488 00:29:36,080 --> 00:29:41,400 Speaker 1: riches are. But then William whispered, Mary, are you awake? 489 00:29:42,880 --> 00:29:46,800 Speaker 1: And Mrs C immediately knew that voice that was her husband, 490 00:29:46,960 --> 00:29:52,880 Speaker 1: that rat bastard. So it's time for everybody's favorite game show, 491 00:29:53,480 --> 00:30:00,720 Speaker 1: What this lady do? Okay, Diana, your today is contestant 492 00:30:00,840 --> 00:30:04,520 Speaker 1: on what did this lady do? So this woman is 493 00:30:04,560 --> 00:30:06,760 Speaker 1: faking sleep in the bed of the woman that she 494 00:30:06,880 --> 00:30:09,280 Speaker 1: thinks is sleeping with her husband. She's had this whole 495 00:30:09,280 --> 00:30:10,880 Speaker 1: plan to catch him in the act, and now it's 496 00:30:10,920 --> 00:30:13,440 Speaker 1: all coming to fruition. As the husband is in the 497 00:30:13,520 --> 00:30:17,720 Speaker 1: room and he's called out the maid's name. So what 498 00:30:17,800 --> 00:30:22,360 Speaker 1: did this lady do? Did she a leap from the bed, 499 00:30:22,720 --> 00:30:24,920 Speaker 1: call him out on coming into the servants quarters in 500 00:30:24,920 --> 00:30:26,760 Speaker 1: the middle of the night instead of his own bedroom, 501 00:30:26,920 --> 00:30:32,520 Speaker 1: and accuse him of infidelity, be disguise her voice as 502 00:30:32,560 --> 00:30:36,160 Speaker 1: the maids invite him into bed, and then reached down 503 00:30:36,240 --> 00:30:39,040 Speaker 1: his pants and squeeze the life out of his balls 504 00:30:39,120 --> 00:30:44,760 Speaker 1: as she revealed herself to him. I'm pretty compelling, or see, 505 00:30:45,400 --> 00:30:48,720 Speaker 1: continue to pretend to be asleep, let him get into 506 00:30:48,720 --> 00:30:51,160 Speaker 1: the bed and have sex with her in the dark, 507 00:30:51,320 --> 00:30:53,440 Speaker 1: thinking the whole time that she was in fact Mary 508 00:30:53,520 --> 00:30:58,160 Speaker 1: the maid, and never give herself away. What did this 509 00:30:58,280 --> 00:31:02,400 Speaker 1: lady do? Oh? My god? How well? I know what 510 00:31:02,440 --> 00:31:06,760 Speaker 1: I would do is probably be I guess, um, let's see. 511 00:31:06,880 --> 00:31:08,840 Speaker 1: But I feel like, what's really going to get her 512 00:31:08,840 --> 00:31:11,200 Speaker 1: where she? I mean, C is insane. I mean, that's 513 00:31:11,240 --> 00:31:13,760 Speaker 1: not gonna solve any of her problems. So I feel 514 00:31:13,760 --> 00:31:18,920 Speaker 1: like she probably I think I'm gonna go with a. Oh, 515 00:31:19,400 --> 00:31:23,880 Speaker 1: I'm so sorry, But of course it was c most 516 00:31:24,680 --> 00:31:30,240 Speaker 1: ridiculous choice you can imagine. Yeah, Unfortunately C is the 517 00:31:30,320 --> 00:31:35,440 Speaker 1: correct answer. Johnson writes that quote, the husband came to 518 00:31:35,520 --> 00:31:41,520 Speaker 1: bed and that night played the vigorous lover. That Shakespearean 519 00:31:42,320 --> 00:31:48,120 Speaker 1: played the vigorous lover. Sorry, honey, I'm just playing the 520 00:31:48,200 --> 00:31:53,120 Speaker 1: vigorous lover. Don't mind me, mind me. And the wife 521 00:31:53,320 --> 00:31:57,480 Speaker 1: just lays there knowing this isn't even meant for her. 522 00:31:57,600 --> 00:32:03,040 Speaker 1: All this vigorous lovemaking end quote was very passive and 523 00:32:03,160 --> 00:32:06,960 Speaker 1: bore it like a Christian, you know, like a good 524 00:32:07,040 --> 00:32:11,920 Speaker 1: Christian woman. She just shot up and took it. That's terrible. Wow, 525 00:32:12,160 --> 00:32:16,280 Speaker 1: that's really something coming from Captain Johnson, star of Asked Pirates. 526 00:32:19,520 --> 00:32:21,680 Speaker 1: That is insane. I love that She's like, I'm going 527 00:32:21,720 --> 00:32:23,200 Speaker 1: to catch him in the act. And then when she 528 00:32:23,320 --> 00:32:25,480 Speaker 1: was literally in the act with him, she's like, I 529 00:32:25,520 --> 00:32:27,880 Speaker 1: guess I'll just lay here and not get any of 530 00:32:27,920 --> 00:32:32,600 Speaker 1: my goals anyway. So before the sun came up, she 531 00:32:32,720 --> 00:32:35,760 Speaker 1: snuck out of the bed and did the one thing 532 00:32:36,160 --> 00:32:39,520 Speaker 1: that she knew would punish this man more than anything 533 00:32:39,560 --> 00:32:45,160 Speaker 1: else in the world. She told his mother, that is good. 534 00:32:45,320 --> 00:32:47,200 Speaker 1: That is good. And of course she wasn't done with 535 00:32:47,240 --> 00:32:51,240 Speaker 1: Mary either. Super pissed at Mary, probably like, wow, he 536 00:32:51,400 --> 00:32:54,840 Speaker 1: sure plays a vigorous lover with you. She had some 537 00:32:54,920 --> 00:32:57,840 Speaker 1: of that energy upstairs in my room. And she called 538 00:32:57,880 --> 00:33:01,000 Speaker 1: the constable and said that the maid stole all her spoons, 539 00:33:01,040 --> 00:33:03,320 Speaker 1: and if he came and started your stuff, he would 540 00:33:03,320 --> 00:33:08,600 Speaker 1: find them. Man, these spoons, it's like right, like, it's 541 00:33:08,640 --> 00:33:11,000 Speaker 1: just like the spoons just keep getting moved around stage, 542 00:33:11,040 --> 00:33:13,600 Speaker 1: people coming in out of towards, keep opening different doors. 543 00:33:14,400 --> 00:33:16,240 Speaker 1: He's like, oh good, here's my spoons, and they pick 544 00:33:16,280 --> 00:33:18,160 Speaker 1: him up and move him somewhere else. Somebody else comes 545 00:33:18,160 --> 00:33:22,360 Speaker 1: in the room. Where did those spoons go? Meanwhile, William 546 00:33:22,560 --> 00:33:26,160 Speaker 1: woke up, noticed the bed was empty, and just assumed 547 00:33:26,160 --> 00:33:28,080 Speaker 1: that Mary, you know, had to get up go to work. 548 00:33:28,520 --> 00:33:30,920 Speaker 1: You know, she stayed up late at night to work 549 00:33:30,960 --> 00:33:32,480 Speaker 1: on him, and then she had to get up early 550 00:33:32,480 --> 00:33:34,920 Speaker 1: to work on his house. Life of a maid, I guess. 551 00:33:35,800 --> 00:33:39,400 Speaker 1: So he also snuck out and left the house. He 552 00:33:39,480 --> 00:33:43,640 Speaker 1: wandered around the grounds until around noon, and then casually 553 00:33:43,800 --> 00:33:47,880 Speaker 1: strolled into his house like, honey, I'm home. Which I 554 00:33:47,920 --> 00:33:53,200 Speaker 1: love that he's like skulking around his own house waiting. Yeah, 555 00:33:53,400 --> 00:33:56,400 Speaker 1: so we will get to the consequences of that right 556 00:33:56,440 --> 00:34:05,040 Speaker 1: after this. Welcome back to the show. Everyone. So William 557 00:34:05,120 --> 00:34:09,399 Speaker 1: comes home, or rather just comes inside, opens the door 558 00:34:09,440 --> 00:34:12,560 Speaker 1: and it's like, oh, it's so good to be back 559 00:34:12,600 --> 00:34:16,720 Speaker 1: in town, this parting. What a night. Oh my dear wife, 560 00:34:16,840 --> 00:34:20,440 Speaker 1: you're back, so glad to see you. And mother's here too, 561 00:34:20,920 --> 00:34:24,680 Speaker 1: Oh wonderful. Hey, um, why are you both looking at 562 00:34:24,680 --> 00:34:30,080 Speaker 1: me like that? They're tapping their feet, staring at him, 563 00:34:30,200 --> 00:34:35,239 Speaker 1: arms crossed, and eventually Mrs C looks at him and said, so, 564 00:34:35,560 --> 00:34:39,279 Speaker 1: our maid is stealing from us three silver spoons. Can 565 00:34:39,320 --> 00:34:43,560 Speaker 1: you believe it? The constables already on his way, and William, 566 00:34:43,800 --> 00:34:46,359 Speaker 1: of course, it's basically like, oh, we have a maid. 567 00:34:47,520 --> 00:34:54,520 Speaker 1: Why that's crazy? Stolen spoons? Well, I don't know. Are 568 00:34:54,520 --> 00:34:56,680 Speaker 1: you sure? It's probably nothing? You know what, Let's just 569 00:34:56,719 --> 00:34:59,879 Speaker 1: forget the whole thing. I mean, who cares about spoons anyway? Right, 570 00:35:01,120 --> 00:35:04,239 Speaker 1: And this is the last straw. Mrs C freaks out, 571 00:35:04,400 --> 00:35:07,320 Speaker 1: starts accusing him of everything. She's like, you've been sleeping 572 00:35:07,360 --> 00:35:09,960 Speaker 1: with her. I know it. I was in the bed 573 00:35:10,080 --> 00:35:12,120 Speaker 1: last night, you were sleeping with me. You thought it 574 00:35:12,160 --> 00:35:14,160 Speaker 1: was her? Well, you're dumb. How can you not tell 575 00:35:14,200 --> 00:35:17,680 Speaker 1: the difference between us? A that's so ridiculous. And he 576 00:35:17,719 --> 00:35:19,839 Speaker 1: looks to his mom like, hey, mom, little help here. 577 00:35:19,920 --> 00:35:22,759 Speaker 1: My wife's being real crazy and the mom who don't 578 00:35:22,800 --> 00:35:25,120 Speaker 1: forget Mrs c has been living with for the last 579 00:35:25,120 --> 00:35:27,839 Speaker 1: four months. She's been caring for her while she was sick. 580 00:35:28,200 --> 00:35:34,200 Speaker 1: The mom is like, oh, I don't think so big trouble, 581 00:35:34,200 --> 00:35:36,319 Speaker 1: and she starts screaming at him too, for being a 582 00:35:36,360 --> 00:35:38,960 Speaker 1: big piece of ship, and the two of them, his 583 00:35:39,080 --> 00:35:42,160 Speaker 1: mom and his wife both leave the house in a huff. 584 00:35:42,200 --> 00:35:45,120 Speaker 1: They hop in a carriage and they sped off to 585 00:35:45,160 --> 00:35:48,080 Speaker 1: go back to the mother's estate. What a day for 586 00:35:48,200 --> 00:35:51,840 Speaker 1: William and his wife just piling on it, right, He 587 00:35:51,960 --> 00:35:54,520 Speaker 1: just fake got back into town from a big trip 588 00:35:55,080 --> 00:35:59,120 Speaker 1: and immediately gets yelled at he'd only had one trip 589 00:35:59,280 --> 00:36:04,480 Speaker 1: to redew ate himself. Well, Mary the maid was indeed 590 00:36:04,600 --> 00:36:07,040 Speaker 1: arrested because, of course the constable came and found the 591 00:36:07,040 --> 00:36:09,400 Speaker 1: spoons in her trunk where she was just waiting for 592 00:36:09,440 --> 00:36:12,440 Speaker 1: an opportune time, I guess, to find somewhere to slip on, right, 593 00:36:12,440 --> 00:36:14,200 Speaker 1: And what's she gonna say, Like, No, I was just 594 00:36:14,280 --> 00:36:16,799 Speaker 1: waiting to put those back somewhere. It's just that, like 595 00:36:16,840 --> 00:36:18,960 Speaker 1: this other guy had, I had stolen them, and then 596 00:36:18,960 --> 00:36:20,560 Speaker 1: like he put him back like a joke. And then 597 00:36:20,600 --> 00:36:22,279 Speaker 1: I found them later, and then I realized that it 598 00:36:22,280 --> 00:36:23,880 Speaker 1: would show that I was having an affair. So I 599 00:36:23,920 --> 00:36:25,680 Speaker 1: was like, oh, I mean, just like hide them for later, 600 00:36:25,840 --> 00:36:27,480 Speaker 1: just to like put him somewhere else and find them 601 00:36:27,480 --> 00:36:30,160 Speaker 1: so I could give him that. He's like, all right, Lassie, 602 00:36:30,200 --> 00:36:35,080 Speaker 1: tell it to the judge. Yeah. She sat in jail 603 00:36:35,200 --> 00:36:39,200 Speaker 1: for nearly six months before her trial, but when the 604 00:36:39,239 --> 00:36:43,080 Speaker 1: time came, Mrs C just could not testify against her. 605 00:36:43,560 --> 00:36:46,600 Speaker 1: Johnson writes, quote, she did not believe the made guilty 606 00:36:46,640 --> 00:36:50,719 Speaker 1: of any theft except that of love. So Mrs C 607 00:36:51,000 --> 00:36:53,560 Speaker 1: just didn't show up at court and Mary was released 608 00:36:53,560 --> 00:36:55,920 Speaker 1: for lack of evidence. And that's just so crazy that 609 00:36:55,960 --> 00:36:57,680 Speaker 1: she had to sit in jail for six months to 610 00:36:57,719 --> 00:37:01,480 Speaker 1: wait for her trial. To see it was like, I 611 00:37:01,520 --> 00:37:05,879 Speaker 1: think you've had enough, d You're going to get six 612 00:37:05,920 --> 00:37:09,239 Speaker 1: months in jail. How's that sound. I took my freaking time. 613 00:37:11,520 --> 00:37:15,439 Speaker 1: She didn't drop the charges. You'll note she was just like, 614 00:37:15,520 --> 00:37:18,560 Speaker 1: I guess I won't go, but I'll let her. I'll 615 00:37:18,640 --> 00:37:21,600 Speaker 1: let her rotten there think about what she did. But 616 00:37:21,719 --> 00:37:25,520 Speaker 1: while Mary was in prison, it was revealed that she 617 00:37:25,840 --> 00:37:29,440 Speaker 1: was pregnant, and she and William both knew that it 618 00:37:29,520 --> 00:37:33,320 Speaker 1: was his. Shortly after her release, she delivered a baby 619 00:37:33,320 --> 00:37:36,520 Speaker 1: girl and named her Anne, and she went to live 620 00:37:36,560 --> 00:37:41,360 Speaker 1: in town by herself, with William offering her secret financial support. Meanwhile, 621 00:37:41,560 --> 00:37:45,840 Speaker 1: William got word that his wife was pregnant as well. 622 00:37:45,880 --> 00:37:50,879 Speaker 1: Oh shit, But you know what, the timing doesn't really 623 00:37:50,920 --> 00:37:55,319 Speaker 1: line up because he hadn't slept with her since the 624 00:37:55,440 --> 00:37:58,000 Speaker 1: night that he thought she was married, at least seven 625 00:37:58,040 --> 00:38:02,880 Speaker 1: months before, but she wasn't that far along yet. Oh 626 00:38:03,920 --> 00:38:08,880 Speaker 1: apple was stepping out also, So of course he gets 627 00:38:08,920 --> 00:38:11,600 Speaker 1: super mad at her and he starts acting like he 628 00:38:11,680 --> 00:38:14,960 Speaker 1: knew all along that she was being unfaithful and he 629 00:38:15,080 --> 00:38:19,359 Speaker 1: finally had proof of it. Now okay, William, And a 630 00:38:19,360 --> 00:38:22,240 Speaker 1: few months later she gave birth to twins, a boy 631 00:38:22,400 --> 00:38:26,560 Speaker 1: and a girl. Now William's mother, the Mrs C's mother 632 00:38:26,600 --> 00:38:30,240 Speaker 1: in law, had fallen very ill and she was urging 633 00:38:30,280 --> 00:38:34,120 Speaker 1: William to reconcile with his wife, but he refused his 634 00:38:34,200 --> 00:38:37,440 Speaker 1: classic ship where he was acting like she was the 635 00:38:37,560 --> 00:38:41,319 Speaker 1: villain here, like he wasn't the victim. Yeah, like he 636 00:38:41,360 --> 00:38:44,560 Speaker 1: wasn't doing the exact same thing sleeping around and his 637 00:38:44,880 --> 00:38:47,480 Speaker 1: likely before her, I mean hers was probably a response 638 00:38:47,800 --> 00:38:50,239 Speaker 1: to the fact that she had left him. She had 639 00:38:50,280 --> 00:38:58,239 Speaker 1: to go rebound with hot Tanner, the Tanner. She's like, 640 00:38:58,239 --> 00:39:03,759 Speaker 1: who did Mary? Like, oh that Tanner? Okay, get over here. Yes, 641 00:39:08,000 --> 00:39:12,680 Speaker 1: that's good. So he's being a real jerk about his 642 00:39:12,760 --> 00:39:15,000 Speaker 1: wife and he won't reconcile with her because he says 643 00:39:15,040 --> 00:39:18,160 Speaker 1: she's the one who's doing everything wrong, she's sleeping around, 644 00:39:18,239 --> 00:39:21,919 Speaker 1: blah blah blah. Well, his mother saw what was going 645 00:39:21,960 --> 00:39:24,560 Speaker 1: on with this, and she decided to really stick it 646 00:39:24,600 --> 00:39:27,560 Speaker 1: to him one last time before she died. So she 647 00:39:27,640 --> 00:39:31,200 Speaker 1: wrote out a will, and she left everything she had 648 00:39:31,280 --> 00:39:34,440 Speaker 1: in a trust and designated it to be under the 649 00:39:34,600 --> 00:39:38,279 Speaker 1: use of Mrs c and her two twins to do 650 00:39:38,360 --> 00:39:43,279 Speaker 1: with as they pleased. Just bypassed her. I'm going to 651 00:39:43,280 --> 00:39:45,400 Speaker 1: support your wife and her I mean it was her 652 00:39:45,480 --> 00:39:47,960 Speaker 1: daughter in law, you know, like she cared about her. 653 00:39:48,160 --> 00:39:51,280 Speaker 1: Clearly they got pretty close. And just a few days 654 00:39:51,320 --> 00:39:55,239 Speaker 1: after she wrote that will, she passed away. And most 655 00:39:55,320 --> 00:39:58,760 Speaker 1: of William's money outside of his business came from his mother. 656 00:39:59,360 --> 00:40:01,719 Speaker 1: So this really screwed him. You know, this was an 657 00:40:01,719 --> 00:40:06,600 Speaker 1: inheritance he was waiting for. But as Johnson writes, quote, 658 00:40:07,280 --> 00:40:10,640 Speaker 1: his wife was kinder to him than he deserved for 659 00:40:10,800 --> 00:40:14,080 Speaker 1: she made him a yearly allowance out of what was left, 660 00:40:14,120 --> 00:40:18,240 Speaker 1: though they continued to live separate, and for five years, 661 00:40:18,719 --> 00:40:21,240 Speaker 1: Mrs c would send William a big chunk of cash 662 00:40:21,320 --> 00:40:24,120 Speaker 1: every year so that he could, you know, maintain his 663 00:40:25,040 --> 00:40:30,720 Speaker 1: uh fancy lifestyle. Wow, that's pretty impressive. I guess maybe 664 00:40:30,760 --> 00:40:33,920 Speaker 1: she was like, well, I also stepped out. I guess 665 00:40:34,920 --> 00:40:38,439 Speaker 1: she's like, you know, this is your family money. I'm 666 00:40:38,440 --> 00:40:41,080 Speaker 1: gonna take a lot of it, but I'll send you 667 00:40:41,120 --> 00:40:46,680 Speaker 1: some every year. The concession is. But during that time, 668 00:40:46,800 --> 00:40:50,319 Speaker 1: William grew really fond of Mary and the daughter they 669 00:40:50,360 --> 00:40:53,800 Speaker 1: had together, and he would visit her home occasionally. Keeping 670 00:40:53,880 --> 00:40:57,880 Speaker 1: his paternity a secret, he decided he really wanted Anne 671 00:40:57,920 --> 00:41:05,560 Speaker 1: to come live with him. So would this man do, eliar, 672 00:41:05,600 --> 00:41:13,400 Speaker 1: our contestant, Hi, shout out to my family, now, Eli, 673 00:41:14,160 --> 00:41:18,960 Speaker 1: would this man do? Did he a admit to his paternity, 674 00:41:19,160 --> 00:41:22,520 Speaker 1: divorce his wife Mary the maid, and raise the girl 675 00:41:22,600 --> 00:41:28,239 Speaker 1: as his own daughter? Okay, be adopt the girl from 676 00:41:28,239 --> 00:41:31,760 Speaker 1: Mary for a large sum of money, reconcile with his wife, 677 00:41:32,239 --> 00:41:34,880 Speaker 1: moved back in, and offer to be a father to 678 00:41:34,960 --> 00:41:37,400 Speaker 1: the twins in the hopes that she would be willing 679 00:41:37,480 --> 00:41:41,439 Speaker 1: to be a mother to Anne. Well, it's kind of nice, okay, okay, okay, 680 00:41:41,600 --> 00:41:45,040 Speaker 1: or see sneak Anne into his house and raise her 681 00:41:45,080 --> 00:41:47,919 Speaker 1: in boy's clothing because everyone knew Mary had given birth 682 00:41:47,960 --> 00:41:49,880 Speaker 1: to a girl, so he could pretend it was a 683 00:41:49,920 --> 00:41:52,440 Speaker 1: relative son that he was raising as a ward so 684 00:41:52,520 --> 00:41:54,719 Speaker 1: as not to raise suspicions as to why he had 685 00:41:54,719 --> 00:41:58,840 Speaker 1: his child in his house. I've seen this game before 686 00:42:00,280 --> 00:42:03,520 Speaker 1: and I kind of feel like it must be CEE 687 00:42:03,719 --> 00:42:08,520 Speaker 1: because of just how dumb that sounds. Well, Eli, you've 688 00:42:08,600 --> 00:42:13,160 Speaker 1: won the big problem it is c ding ding? What 689 00:42:13,200 --> 00:42:19,080 Speaker 1: do I win? Um? The chance to leave a chance? 690 00:42:20,480 --> 00:42:22,879 Speaker 1: It kind of game show is this? It's a few 691 00:42:22,920 --> 00:42:27,960 Speaker 1: doors to pick from God. The's like gremlin and one 692 00:42:28,000 --> 00:42:32,560 Speaker 1: of them can't only lie and the truth. Okay, what 693 00:42:32,560 --> 00:42:34,560 Speaker 1: would he tell me to do? That's a different game though. 694 00:42:35,360 --> 00:42:41,480 Speaker 1: It's a whole separate game show. After this game show, Yeah, 695 00:42:41,560 --> 00:42:46,200 Speaker 1: well no it was c William took his daughter, his 696 00:42:46,440 --> 00:42:50,920 Speaker 1: biological daughter Anne, back to his home and dressed her 697 00:42:50,920 --> 00:42:55,239 Speaker 1: in boy's clothing for years, telling everyone that it was 698 00:42:55,560 --> 00:42:58,680 Speaker 1: some cousins boy and this boy was going to be 699 00:42:58,680 --> 00:43:00,799 Speaker 1: a clerk for him one day, so he wanted him 700 00:43:00,800 --> 00:43:03,080 Speaker 1: to grow up around the house and learn the ins 701 00:43:03,120 --> 00:43:07,480 Speaker 1: and outs of Irish law. M Well, what do we 702 00:43:07,520 --> 00:43:11,320 Speaker 1: know about Mrs c We know that she's not an idiot. 703 00:43:12,520 --> 00:43:15,640 Speaker 1: She knows his family very well. She's been living with 704 00:43:15,719 --> 00:43:19,520 Speaker 1: his mother for quite a long time. And so she 705 00:43:19,640 --> 00:43:22,560 Speaker 1: hears about this boy one day and she's like, William, 706 00:43:22,640 --> 00:43:25,840 Speaker 1: I know all of your relatives, none of them have 707 00:43:26,000 --> 00:43:29,560 Speaker 1: recently had a baby boy, So what the hell is 708 00:43:29,600 --> 00:43:33,200 Speaker 1: going on over there? And William really underestimates her all 709 00:43:33,280 --> 00:43:36,120 Speaker 1: his moves. He's like, she'll never put two and two together, right. 710 00:43:36,880 --> 00:43:39,280 Speaker 1: So she sent a friend to go to the house 711 00:43:39,360 --> 00:43:44,319 Speaker 1: and talk to the kid directly, which immediately revealed that 712 00:43:44,520 --> 00:43:48,280 Speaker 1: a this kid was a girl, and be this kid's 713 00:43:48,320 --> 00:43:52,200 Speaker 1: mother was Mary Brennan, their former maid. And see that 714 00:43:52,239 --> 00:43:57,320 Speaker 1: William was still constantly communicating with Mary. So it's again 715 00:43:57,560 --> 00:44:02,440 Speaker 1: didn't take a very complicated sleuthing job, but she figured 716 00:44:02,440 --> 00:44:06,200 Speaker 1: it out real quick, real real quick, and that was 717 00:44:06,360 --> 00:44:10,640 Speaker 1: enough for Mrs Applecormick. She was quote unwilling that her 718 00:44:10,760 --> 00:44:15,240 Speaker 1: children's money should go towards the maintenance of bastards, and 719 00:44:15,400 --> 00:44:18,960 Speaker 1: she immediately cut off William's allowance, which I had to say, 720 00:44:19,080 --> 00:44:21,919 Speaker 1: that's not very fair. First of all, his own mother 721 00:44:22,080 --> 00:44:27,520 Speaker 1: was like maintaining her bastards with her money. So let's 722 00:44:27,520 --> 00:44:30,759 Speaker 1: be real girls, I'll like you had you were trying 723 00:44:30,800 --> 00:44:34,160 Speaker 1: to force some kids off didn't belong to you on somebody. 724 00:44:34,239 --> 00:44:37,040 Speaker 1: So anyway, William was like, I'm not taking that line down, 725 00:44:37,760 --> 00:44:40,839 Speaker 1: and he had one more trick up his sleeve. He 726 00:44:40,880 --> 00:44:44,439 Speaker 1: moved Mary into his house publicly and lived with her 727 00:44:44,520 --> 00:44:48,400 Speaker 1: as his mistress. Bat'll show her, I mean, like, how 728 00:44:48,520 --> 00:44:51,960 Speaker 1: was that supposed to have. I'll embarrass myself and that'll 729 00:44:51,960 --> 00:44:54,960 Speaker 1: really teach you something. Yeah, I'll make me and Mary 730 00:44:55,120 --> 00:44:58,440 Speaker 1: really uncomfortable. That sounds like a real way to stick 731 00:44:58,480 --> 00:45:01,400 Speaker 1: it to her. Of course, it did not stick it 732 00:45:01,440 --> 00:45:03,920 Speaker 1: to her. All it did was generate a huge scandal 733 00:45:04,040 --> 00:45:08,560 Speaker 1: around him with his neighbors and Mrs Cormick's family had 734 00:45:08,600 --> 00:45:11,239 Speaker 1: a lot of influence in the area as well, and 735 00:45:11,320 --> 00:45:14,640 Speaker 1: once they realized what was happening, they started talking mad 736 00:45:14,680 --> 00:45:18,680 Speaker 1: shit about him all over town, and little by little 737 00:45:18,960 --> 00:45:21,920 Speaker 1: his law firms started to lose business. It wasn't long 738 00:45:21,920 --> 00:45:26,560 Speaker 1: before he lost the practice altogether. And you know, it 739 00:45:26,680 --> 00:45:30,120 Speaker 1: was only one thing left to do. He took Mary 740 00:45:30,160 --> 00:45:33,640 Speaker 1: and Anne, sold just about everything owned, and together with 741 00:45:33,680 --> 00:45:36,480 Speaker 1: the family, went to Cork and hopped a ship for 742 00:45:36,520 --> 00:45:40,200 Speaker 1: the New World and they landed and what's now Charleston, 743 00:45:40,280 --> 00:45:42,959 Speaker 1: South Carolina, and he took up a law practice there, 744 00:45:43,280 --> 00:45:45,720 Speaker 1: which didn't work out too well for him. He eventually 745 00:45:45,760 --> 00:45:48,680 Speaker 1: ended up working as a merchant and that worked out 746 00:45:48,800 --> 00:45:51,400 Speaker 1: very well. Yeah, he made a ton of money as 747 00:45:51,400 --> 00:45:54,279 Speaker 1: a merchant, really made a name for himself. Uh, down 748 00:45:54,320 --> 00:45:56,480 Speaker 1: there in the in the sort of port towns and 749 00:45:56,480 --> 00:45:58,799 Speaker 1: in the Caribbean and all these places that were a 750 00:45:58,880 --> 00:46:02,000 Speaker 1: real hot spot at the time. Time enterprising gentleman can 751 00:46:02,040 --> 00:46:05,040 Speaker 1: make a lot of money in a pop pound. He 752 00:46:05,120 --> 00:46:08,440 Speaker 1: never did. Mary Mary, but publicly she was known as 753 00:46:08,520 --> 00:46:13,160 Speaker 1: his wife. Um. Sadly, when Anne was only about thirteen 754 00:46:13,239 --> 00:46:16,560 Speaker 1: years old, Mary died and Anne sort of had to 755 00:46:16,600 --> 00:46:20,280 Speaker 1: step up and become the housekeeper. But around this time 756 00:46:20,480 --> 00:46:23,960 Speaker 1: and started acting out, and she would get really violent. 757 00:46:24,120 --> 00:46:28,120 Speaker 1: She was a really rambunctious and difficult teenager. Um. It's 758 00:46:28,200 --> 00:46:31,719 Speaker 1: rumored that she even killed a serving maid with a 759 00:46:31,840 --> 00:46:35,640 Speaker 1: knife when she was a teenager. But even Captain Johnson, 760 00:46:36,280 --> 00:46:39,560 Speaker 1: you know that the King of Embellishments, says that that 761 00:46:39,680 --> 00:46:43,560 Speaker 1: story is quote ground bliss. But he does say that 762 00:46:43,600 --> 00:46:46,520 Speaker 1: at one point a young man tried to force himself 763 00:46:46,560 --> 00:46:49,880 Speaker 1: on her, but Mary quote beat him so that he 764 00:46:50,000 --> 00:46:54,560 Speaker 1: lay ill of it a considerable time. Yes, but she 765 00:46:54,719 --> 00:46:57,600 Speaker 1: lived with her father in a pretty good lifestyle. She 766 00:46:57,680 --> 00:46:59,719 Speaker 1: was well provided for, and she grew up in a 767 00:46:59,719 --> 00:47:04,520 Speaker 1: pretty nice situation. But William wanted a very specific match 768 00:47:04,600 --> 00:47:07,560 Speaker 1: in a husband for her, and she had fallen in 769 00:47:07,600 --> 00:47:11,359 Speaker 1: love with a young broke sailor named James Bonnie, and 770 00:47:11,480 --> 00:47:15,120 Speaker 1: she ended up marrying him without her father's consent, and 771 00:47:15,280 --> 00:47:18,400 Speaker 1: this made William furious and he kicked her out of 772 00:47:18,400 --> 00:47:22,600 Speaker 1: the house. So Ann and James Bonnie hopped a ship 773 00:47:23,000 --> 00:47:25,680 Speaker 1: and set sail for the island of New Providence, which 774 00:47:25,719 --> 00:47:28,960 Speaker 1: is now Nassau in the Bahamas, and they started looking 775 00:47:29,000 --> 00:47:33,239 Speaker 1: for work. And that is just the beginning of Ann 776 00:47:33,320 --> 00:47:36,880 Speaker 1: Bonnie's story. But but it it it sort of sets 777 00:47:36,920 --> 00:47:40,160 Speaker 1: the stage and let's you know about this crazy situation 778 00:47:40,200 --> 00:47:43,480 Speaker 1: that led to her birth. Um probably had some sort 779 00:47:43,480 --> 00:47:45,840 Speaker 1: of influence on why she became, you know, such a 780 00:47:45,880 --> 00:47:52,359 Speaker 1: notorious pirate, certainly had an interesting upbringing. Um who knows 781 00:47:52,400 --> 00:47:56,280 Speaker 1: why she got so violent, But everyone in this story 782 00:47:56,440 --> 00:48:01,720 Speaker 1: just chose the weirdests. It's so funny. He's like, well, 783 00:48:02,600 --> 00:48:04,920 Speaker 1: I guess I can't dress my kids, my girl like 784 00:48:04,960 --> 00:48:08,399 Speaker 1: a boy anymore. Everybody figured that one out. I can't 785 00:48:08,440 --> 00:48:12,360 Speaker 1: divorce my wife, so living with my mistress as a 786 00:48:12,440 --> 00:48:15,680 Speaker 1: mistress doesn't really work. I guess I'll just literally leave 787 00:48:15,760 --> 00:48:20,120 Speaker 1: the entire country. Sometimes that's your only I got to start. 788 00:48:21,200 --> 00:48:23,160 Speaker 1: Let me go to England or something. But no, that's 789 00:48:23,160 --> 00:48:25,520 Speaker 1: what the New world was for, right, want me shed 790 00:48:25,600 --> 00:48:29,080 Speaker 1: my whole identity and just try and start over with 791 00:48:29,160 --> 00:48:32,600 Speaker 1: an ocean between me and everybody who hates me. Right, 792 00:48:33,320 --> 00:48:35,880 Speaker 1: that's so true. He's like the entire all of Cork 793 00:48:36,800 --> 00:48:38,759 Speaker 1: or all of this town hates me. Let's just get 794 00:48:38,760 --> 00:48:41,759 Speaker 1: at you, right, Like you said. You know, an enterprising 795 00:48:41,760 --> 00:48:44,520 Speaker 1: young man can make quite a fortune as a merchant. 796 00:48:44,560 --> 00:48:47,240 Speaker 1: And I was going to say, especially after he lost 797 00:48:47,239 --> 00:48:49,399 Speaker 1: his business, he's probably like, all right, now I need 798 00:48:49,440 --> 00:48:53,640 Speaker 1: to like start over career wise too, So I really 799 00:48:53,640 --> 00:48:56,600 Speaker 1: need to go somewhere where I can make a niche 800 00:48:56,719 --> 00:48:58,680 Speaker 1: and I don't have to know somebody around and stuff. 801 00:48:59,120 --> 00:49:01,080 Speaker 1: That does make sense. He did do well for himself, 802 00:49:01,120 --> 00:49:03,680 Speaker 1: and now, okay, I will say that again, there's not 803 00:49:03,800 --> 00:49:07,399 Speaker 1: a lot of evidence outside of this book to back 804 00:49:07,520 --> 00:49:11,240 Speaker 1: up these stories. Um, there is a deed someone found 805 00:49:11,320 --> 00:49:15,839 Speaker 1: that was to a William Cormick for some land in 806 00:49:16,000 --> 00:49:19,840 Speaker 1: South Carolina from King George. Uh so they're like that 807 00:49:19,880 --> 00:49:23,040 Speaker 1: could be his, But there's nothing really else to tie 808 00:49:23,160 --> 00:49:26,520 Speaker 1: that to An Bonnie. So there's no telling if this 809 00:49:26,600 --> 00:49:28,480 Speaker 1: is the same guy or not, or if that guy 810 00:49:28,520 --> 00:49:31,680 Speaker 1: really was her father or any of these stories. Um, 811 00:49:32,000 --> 00:49:35,120 Speaker 1: but the only document we have says that it was. 812 00:49:35,280 --> 00:49:37,680 Speaker 1: So I love going with it. I think it's a 813 00:49:37,719 --> 00:49:40,880 Speaker 1: great story, and it's just hard to to leave that 814 00:49:40,920 --> 00:49:43,440 Speaker 1: one aside. Again, I'm looking at the An Bonnie story 815 00:49:43,719 --> 00:49:46,839 Speaker 1: and it opens with this tail, and I was like, this, 816 00:49:47,719 --> 00:49:50,520 Speaker 1: We've got to tell this. Hell are like you said, 817 00:49:50,560 --> 00:49:53,680 Speaker 1: what are any of these people doing? They're all making 818 00:49:53,719 --> 00:49:56,720 Speaker 1: the worst choices. That's one of the reasons I believe 819 00:49:56,760 --> 00:49:58,239 Speaker 1: it's so hard, because I'm like, you can't make this. 820 00:49:58,280 --> 00:50:01,160 Speaker 1: Shut up that this is This is very much a 821 00:50:01,280 --> 00:50:06,320 Speaker 1: display of true human idiocy. You know, if anyone was 822 00:50:06,360 --> 00:50:07,960 Speaker 1: trying to write that spoon story, they'd be like, oh, 823 00:50:08,160 --> 00:50:10,400 Speaker 1: this is boring, just spoons, I should change it to 824 00:50:10,400 --> 00:50:14,400 Speaker 1: a necklace or something. I feel like, I feel like 825 00:50:14,440 --> 00:50:17,359 Speaker 1: you're right. A writer would would be doing different things. Yeah, 826 00:50:17,440 --> 00:50:21,839 Speaker 1: if this was fiction, it would have been humans. But yeah, 827 00:50:21,840 --> 00:50:23,879 Speaker 1: that whole ship with the spoons is nuts, and then 828 00:50:23,920 --> 00:50:26,040 Speaker 1: she lays in bed and pretends to be the maid. 829 00:50:27,400 --> 00:50:30,520 Speaker 1: That's so weird while he's screwing her. That's so weird, 830 00:50:30,880 --> 00:50:37,480 Speaker 1: so weird. There's no heroes in this story. Everyone's sucks here, 831 00:50:39,840 --> 00:50:42,400 Speaker 1: at least of all the maid, I guess. But again, 832 00:50:42,480 --> 00:50:44,919 Speaker 1: she was kind of you know, she was sleeping with 833 00:50:45,360 --> 00:50:48,319 Speaker 1: with a married man, although we could talk about power 834 00:50:48,400 --> 00:50:50,879 Speaker 1: dynamics and say maybe she really didn't have as much 835 00:50:50,960 --> 00:50:55,239 Speaker 1: choice as she wanted. Definite they're definite and balance and 836 00:50:55,280 --> 00:50:59,040 Speaker 1: it would be especially hard without the wife there. I 837 00:50:59,120 --> 00:51:02,319 Speaker 1: think to be like, oh, I'm you know, I don't 838 00:51:02,320 --> 00:51:04,400 Speaker 1: want to lose my job. She's going to find out, like, 839 00:51:04,440 --> 00:51:08,000 Speaker 1: you don't have any excuses. So but she might have 840 00:51:08,040 --> 00:51:10,919 Speaker 1: been really into him, clu she was because they lived 841 00:51:10,920 --> 00:51:13,920 Speaker 1: together for the rest of her life, or again, the 842 00:51:13,960 --> 00:51:16,120 Speaker 1: reason she slept with him because it was like, this 843 00:51:16,200 --> 00:51:19,479 Speaker 1: is my best option for a comfortable life. That's true too. 844 00:51:19,680 --> 00:51:22,040 Speaker 1: Um so all right, well he's the father of this 845 00:51:22,120 --> 00:51:24,359 Speaker 1: kid that I've that I'm responsible for that I want 846 00:51:24,360 --> 00:51:26,839 Speaker 1: a good life for. So yeah, I guess I'll move 847 00:51:26,880 --> 00:51:28,279 Speaker 1: in with the rich guy and go to the New 848 00:51:28,320 --> 00:51:31,120 Speaker 1: world with him, and it's better than sitting here where 849 00:51:31,120 --> 00:51:34,120 Speaker 1: everybody hates me in town, you know, incredibly hard to 850 00:51:34,200 --> 00:51:38,200 Speaker 1: be an unmarried mother, particularly I think in Ireland. Sure, 851 00:51:38,480 --> 00:51:44,560 Speaker 1: I know they have a lot of Catholic energy around motherhood. 852 00:51:46,040 --> 00:51:49,759 Speaker 1: I don't um. What was that The Magdalene Sisters. Do 853 00:51:49,760 --> 00:51:51,720 Speaker 1: you ever see that movie? Oh? You know, I didn't 854 00:51:51,719 --> 00:51:54,960 Speaker 1: see it, but I'll never forget it because it just 855 00:51:55,800 --> 00:51:59,280 Speaker 1: made me so upset. But it was about Irish girls 856 00:51:59,280 --> 00:52:01,399 Speaker 1: having to go to a convent because they were seen 857 00:52:01,480 --> 00:52:04,960 Speaker 1: as being like loose or flirtatious or whatever. And one 858 00:52:04,960 --> 00:52:07,719 Speaker 1: of them was an unwed mother, um and one of 859 00:52:07,719 --> 00:52:10,920 Speaker 1: them got sexually assaulted by a family member, but of 860 00:52:10,920 --> 00:52:14,280 Speaker 1: course she got she got sent away. He nothing happened 861 00:52:14,280 --> 00:52:16,759 Speaker 1: to him, it was all her fault. And then the 862 00:52:16,760 --> 00:52:18,759 Speaker 1: other girl was just like kind of flirty. She never 863 00:52:18,800 --> 00:52:21,080 Speaker 1: did anything, but they were like, you're gonna do something 864 00:52:21,120 --> 00:52:22,680 Speaker 1: one day, so we may as well go ahead and 865 00:52:22,680 --> 00:52:26,120 Speaker 1: start torturing you out of your femininity. Like it's really 866 00:52:26,160 --> 00:52:29,640 Speaker 1: insane movie anyway, But that's I was thinking about that 867 00:52:29,680 --> 00:52:31,360 Speaker 1: with her. She must have Mary must have had a 868 00:52:31,480 --> 00:52:34,000 Speaker 1: very hard time, like Williams having a hard time with 869 00:52:34,640 --> 00:52:37,400 Speaker 1: Anne's family talking ship and he's losing business, Like, I 870 00:52:37,440 --> 00:52:39,720 Speaker 1: feel like people wouldn't look at Mary and they probably 871 00:52:39,719 --> 00:52:42,160 Speaker 1: called her names. I spit at her and she was 872 00:52:42,160 --> 00:52:45,920 Speaker 1: thinking about the future of Anne's future, being very stunted 873 00:52:46,000 --> 00:52:51,080 Speaker 1: by those choices too. It's always I'm guessing, but you know, yeah, 874 00:52:51,120 --> 00:52:53,879 Speaker 1: it's always the woman's fault, right when when a man, 875 00:52:54,000 --> 00:52:57,960 Speaker 1: when a merry band sleeps with the home wrecker, they say, like, 876 00:52:58,239 --> 00:53:03,000 Speaker 1: all right, who wrecked the home? Here? Really home to preserve? 877 00:53:04,640 --> 00:53:06,600 Speaker 1: It's a good point. I mean, it takes two. It 878 00:53:06,680 --> 00:53:08,960 Speaker 1: takes two to tango. Like, you can't put all the 879 00:53:09,000 --> 00:53:13,000 Speaker 1: blame on either party. Um, but it is unfairly placed 880 00:53:13,080 --> 00:53:16,359 Speaker 1: on lady, on the woman. And again in this situation 881 00:53:16,640 --> 00:53:19,360 Speaker 1: with the power dynamics, I think it'd be unfair to 882 00:53:20,160 --> 00:53:24,200 Speaker 1: really even weigh it anywhere towards her, because we can 883 00:53:24,239 --> 00:53:29,040 Speaker 1: only assume that it probably wasn't like her comment on 884 00:53:29,120 --> 00:53:32,440 Speaker 1: to him. It's probably like, hey, you're cute little maids. 885 00:53:32,960 --> 00:53:35,960 Speaker 1: Why don't you come over here and and uh, you know, 886 00:53:36,200 --> 00:53:39,480 Speaker 1: feather my duster or whatever. And she's like, oh, you're 887 00:53:39,520 --> 00:53:41,560 Speaker 1: not very good with your words, there are you? William. 888 00:53:41,640 --> 00:53:49,120 Speaker 1: He's like, now, are people really like job based sexual puns? Uh? 889 00:53:49,320 --> 00:53:51,840 Speaker 1: But yeah, I just thought this was such a goofy story, 890 00:53:52,800 --> 00:53:56,840 Speaker 1: a bunch of really wacky characters. It's such a farce. Um, 891 00:53:56,920 --> 00:53:59,600 Speaker 1: but but it does lead us into the story we 892 00:53:59,600 --> 00:54:02,800 Speaker 1: were in setting out to tell, which was and Bonnie 893 00:54:02,800 --> 00:54:06,279 Speaker 1: Mary read and Calico Jack so excited. That's one of 894 00:54:06,320 --> 00:54:08,520 Speaker 1: my like the earliest stories. I was like, we should 895 00:54:08,560 --> 00:54:10,799 Speaker 1: definitely do this right away, and then we haven't done 896 00:54:10,800 --> 00:54:13,040 Speaker 1: it yet something so excited again. You know, we got 897 00:54:13,040 --> 00:54:15,920 Speaker 1: a space out our pirate stories a little bit, but 898 00:54:16,600 --> 00:54:19,160 Speaker 1: I love it. I can't wait, so very excited to 899 00:54:19,160 --> 00:54:21,560 Speaker 1: come back with you for that later this week or 900 00:54:21,600 --> 00:54:24,040 Speaker 1: next week. Whenever this episode airs and that one airs. 901 00:54:24,360 --> 00:54:26,800 Speaker 1: You'll figure it out anyway the next the next episode. 902 00:54:29,040 --> 00:54:30,960 Speaker 1: So please let us know what you thought of This 903 00:54:31,080 --> 00:54:33,040 Speaker 1: is such a fun story and we would love to 904 00:54:33,040 --> 00:54:36,719 Speaker 1: hear from you. Um shoot us an email. Yeah, ridic 905 00:54:36,920 --> 00:54:40,480 Speaker 1: Romance at gmail dot com. Slide into the d M s. 906 00:54:40,719 --> 00:54:43,439 Speaker 1: I'm at Dynamite Boom on Twitter and Instagram and I'm 907 00:54:43,520 --> 00:54:46,160 Speaker 1: at oh great, it's Eli on the same although god, 908 00:54:46,200 --> 00:54:50,520 Speaker 1: I've been so off Instagram lately. So follow the show 909 00:54:50,760 --> 00:54:52,920 Speaker 1: at ridic Romance because that's really where you're going to 910 00:54:53,000 --> 00:54:55,600 Speaker 1: get the most of us. Uh, we're gonna have all 911 00:54:55,600 --> 00:54:57,920 Speaker 1: sorts of fun stuff. We'll have a post about each episode. 912 00:54:57,960 --> 00:55:01,960 Speaker 1: You can comment there with your thoughts. Super fun and hey, uh, 913 00:55:02,320 --> 00:55:04,800 Speaker 1: what have you done today? Have you gotten onto Apple 914 00:55:04,840 --> 00:55:08,319 Speaker 1: Podcasts and left us review because that's a great way 915 00:55:08,360 --> 00:55:11,360 Speaker 1: to spend fifteen minutes out of your day. Yeah, I 916 00:55:11,360 --> 00:55:13,560 Speaker 1: mean you just clicked a little five star button there 917 00:55:13,920 --> 00:55:15,839 Speaker 1: and then you just write out some good thoughts about 918 00:55:15,880 --> 00:55:18,680 Speaker 1: what you like about the show. Um, other people see it, 919 00:55:18,920 --> 00:55:21,160 Speaker 1: they think, well, that's a good show. It makes this 920 00:55:21,160 --> 00:55:23,120 Speaker 1: person feel good. Maybe I should try it out. And 921 00:55:23,120 --> 00:55:26,320 Speaker 1: then they listen to and we're all happy. Everyone feels 922 00:55:26,360 --> 00:55:30,600 Speaker 1: good at least an hour day, right, well twice a week. Yeah, 923 00:55:31,520 --> 00:55:33,960 Speaker 1: throw some joy into the world. We can't wait to 924 00:55:33,960 --> 00:55:36,239 Speaker 1: catch you on the next episode. Thanks for tuning in 925 00:55:36,320 --> 00:55:39,319 Speaker 1: as always. Yes, I love to have you here. Hey 926 00:55:39,400 --> 00:55:40,920 Speaker 1: for you to leave, I wish I could watch you 927 00:55:40,960 --> 00:55:46,120 Speaker 1: walk away? All right, Thanks al, we'll catch next time. Bye, 928 00:55:46,680 --> 00:55:50,520 Speaker 1: So long friends, it's time to go. Thanks so listening 929 00:55:50,600 --> 00:55:54,200 Speaker 1: to our show, tell your friends names, uncle's and dance 930 00:55:54,480 --> 00:55:57,120 Speaker 1: to listen to our show. Ridiculous, Well NaNs