WEBVTT - Episode 177 w/ Paul Wall

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<v Speaker 1>And it's drinks, motherfucking podcast Mason. He's a legendary queen's

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<v Speaker 1>rapper and he's agree is your boy in o R.

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<v Speaker 1>He's a Miami hippop pioneer. Up is d j e FN.

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<v Speaker 1>Together they drink it up with some of the biggest

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<v Speaker 1>players in the most professional unprofessional podcast and your number

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<v Speaker 1>one sorts for drunk drink every day is New Year's

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<v Speaker 1>Less time for drink Champs, drink up for the would

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<v Speaker 1>it good? Be hoping he would it should be? This

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<v Speaker 1>is your boy in O R? What up is d

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<v Speaker 1>J e F And this is drink Champs? Yap Yapa

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<v Speaker 1>makes up. When it comes to Mr Texas, Mr Houston,

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<v Speaker 1>it's the sideways, the people's chance. The brother has been

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<v Speaker 1>out here stopping doing what he gotta do, not on

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<v Speaker 1>the other culture, but he even married into the coature.

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<v Speaker 1>God damnit, he's done what he gotta do, been been

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<v Speaker 1>been been out here from switching house from him, his

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<v Speaker 1>his tastes for a millionaire and to nowadays is still

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<v Speaker 1>out here, still doing what the hell they gotta do.

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<v Speaker 1>If you had to get ice out in your mouth,

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<v Speaker 1>you had to go see him. Your mother flippers in

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<v Speaker 1>case you don't know to flip. I'm talking about my

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<v Speaker 1>motherfuck game now, Paul, I want to. I want to

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<v Speaker 1>start from the beginning, because, um, other than bumbye, this

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<v Speaker 1>is our second in Houston rapper correct believe. Yeah, yeah,

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<v Speaker 1>we had Scarface, but I got him sick at fucking

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<v Speaker 1>my food show. I had to because I was filling

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<v Speaker 1>my food show. And then he's supposed to do drink

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<v Speaker 1>Chaps that night, and I brung him to a restaurant.

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<v Speaker 1>You know, it's funny as hell because he kept going

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<v Speaker 1>to think annoys like that, so you know, scar Face

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<v Speaker 1>is funny. So I thinking scar Face is making fun

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<v Speaker 1>of me and Ship the whole time. This motherfucker's really

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<v Speaker 1>get second. But anyway, I want to so, um, I

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<v Speaker 1>want to take it from the beginning because obviously all

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<v Speaker 1>of y'all are from this like the switcher House movement, right,

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<v Speaker 1>So in the beginning, because um, I heard you used

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<v Speaker 1>to write uh pepsie letters and things like that. But

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<v Speaker 1>in the beginning, how did you get started? How how

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<v Speaker 1>did you find your love for the music? Me and

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<v Speaker 1>Comedion that we grew up together on the same street.

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<v Speaker 1>I know in my whole life. We both was introduced

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<v Speaker 1>to hip hop around the same age and around the

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<v Speaker 1>same time, through the same era, especially if Texas artists

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<v Speaker 1>didn't inspired us, you know, because at that time there

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<v Speaker 1>wasn't if we look on the TV or turn on

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<v Speaker 1>the radio, there wasn't a lot of people from where

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<v Speaker 1>we're from that we're professional in music. Yeah, even then,

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<v Speaker 1>it was like, I when you're living in Houston and

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<v Speaker 1>you see like you turn on the other you turn

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<v Speaker 1>on TV, whatever you see kind of like how people

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<v Speaker 1>treat rapple out. Sometimes we always kind of felt like

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<v Speaker 1>we got the short ended this. We're being kind of

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<v Speaker 1>Houston like maybe being there, we're so centrally located at

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<v Speaker 1>the South, at the bottom of the Midwest. You know,

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<v Speaker 1>we're in the South, but we're far west on the South,

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<v Speaker 1>so we're kind of removed from kind of what goes

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<v Speaker 1>on sometimes in Florida, Georgia. Yeah, so it's like, you know,

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<v Speaker 1>although we have a lot of similarities, it was like, man,

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<v Speaker 1>you know, we stich a part of the South. Like

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<v Speaker 1>sad he said that he considered he considered that the

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<v Speaker 1>South like the Texas because of different time zone, right, right,

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<v Speaker 1>do you do you agree with that statement or just

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<v Speaker 1>I mean personally I never looked at the time zone

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<v Speaker 1>is being a reason for where being in the south,

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<v Speaker 1>because there's plenty of people in the central time zone.

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<v Speaker 1>Is you know, Chicago's the central time zone and it

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<v Speaker 1>ain't your solveth but you know, it's just it's just

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<v Speaker 1>more the Southwest. But even then, you know, California is

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<v Speaker 1>the Southwest. Texas teams so big, it feels west coast.

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<v Speaker 1>And the one thing that gets lost to is it

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<v Speaker 1>inside of Texas, we all got our own culture. So

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<v Speaker 1>Houston and Dallas is a lot different. And if you

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<v Speaker 1>add in San Antonio and Austin, all four of them,

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<v Speaker 1>places are four distinct different cultures within Texas. Some of

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<v Speaker 1>the stuff we do share, you know, some of the

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<v Speaker 1>same similar only for top well, but imagine growing up

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<v Speaker 1>in Austin where once a year is the biggest music

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<v Speaker 1>festival ever, and then the rest of the year, it's

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<v Speaker 1>like what's going on? There is events they go on

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<v Speaker 1>there like throughout the year. Like there's some called Texas Relays,

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<v Speaker 1>which is like a big slab of in a big

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<v Speaker 1>car event where we're all we're all go there to

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<v Speaker 1>to Austin for the Texas Relays for that and there's

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<v Speaker 1>other events to you know, throughout the year and the

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<v Speaker 1>Austin got a dope same period musically, not just you

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<v Speaker 1>know all over musical for sure, specifically in hip hop,

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<v Speaker 1>but you know, just it's a different culture, it's a

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<v Speaker 1>different being there. It's a capital being it it's a

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<v Speaker 1>college town being that they have the you know, it's

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<v Speaker 1>considered a lie. They call it the live music capital

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<v Speaker 1>of the world. So the rappers coming out of there,

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<v Speaker 1>you can tell they're influenced by that. Then you go

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<v Speaker 1>to San Antonio. San Antonio is a huge military uh

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<v Speaker 1>town basically, so it has his own culture separate from

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<v Speaker 1>the military. But the fact that there's all these military

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<v Speaker 1>bases all on in San Antonio around San Antonio all

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<v Speaker 1>the way to ford Hood, which is clean. But you

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<v Speaker 1>have people to come from around the world and grow

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<v Speaker 1>up in San Antonio, but they kind of like from

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<v Speaker 1>New York, but they're living in San Antonio because their

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<v Speaker 1>parents stay in santon Antonio, California. Man, it's a you Also,

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<v Speaker 1>San Antonio is you know, the first like major major

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<v Speaker 1>city when you come up the from the border, from

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<v Speaker 1>the Mexican border right there. So there's you know, Brown's

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<v Speaker 1>vill McCallen all that, Corpus Christie and in San Antonio,

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<v Speaker 1>which is the big city is where you know they

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<v Speaker 1>got we got a basketball team there, Spirs, We got

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<v Speaker 1>the you know, the the Oilers used to do their

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<v Speaker 1>pre games preseason out there. The Texans, I don't know

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<v Speaker 1>if they don't think they do them, but the Oilers

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<v Speaker 1>used to. They got you know, in Corpus Christie right there,

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<v Speaker 1>which is right there with Selina's from Rest in Peace Selena.

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<v Speaker 1>But they got the you know, uh in around Rock

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<v Speaker 1>all around there. They got the different minor league teams

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<v Speaker 1>for the Astros. So it's like it's it's different than

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<v Speaker 1>like major, big city type of operations stuff they're going,

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<v Speaker 1>but it's still big city things are going. So yeah,

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<v Speaker 1>So if you're a producer or your artists coming up

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<v Speaker 1>in San Antonio, you got more of a I would

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<v Speaker 1>say a global influence growing up there because there's people

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<v Speaker 1>that I mean, it's like that everywhere though, even Miami's

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<v Speaker 1>people from all over the world right here. But you know,

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<v Speaker 1>it's just when you when you're in school and everybody

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<v Speaker 1>in your class their parents are from somewhere outside of Texas.

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<v Speaker 1>It's like it just gives you a different perspective when

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<v Speaker 1>you are growing up as a rapper producer. So they

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<v Speaker 1>got a dope hip hop scene is you know, it's

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<v Speaker 1>differently so each one of then we got other other

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<v Speaker 1>cities like al Paso, which is right there on. You know,

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<v Speaker 1>that's the piece of what happened. Man for show thoughts

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<v Speaker 1>out to all the prayer Man Rising piece. But two

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<v Speaker 1>thousand and five you were signed to Atlantic Records, right

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<v Speaker 1>and the they boot on that was the people's chance,

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<v Speaker 1>right didn't follow by getting money and state troopers. How

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<v Speaker 1>can you compare being on a major uh too because

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<v Speaker 1>you went back to the Independent. Now what do you

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<v Speaker 1>like more than how do you compare? I mean the

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<v Speaker 1>differences I would say is when you're independent, you gotta

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<v Speaker 1>fund everything, uh and it's a lot more. The Independent

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<v Speaker 1>is grindwork. Its relationships did either you or people in

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<v Speaker 1>your inner circle have built on through years, you know

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<v Speaker 1>what I'm saying. So that that's what the independent grind

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<v Speaker 1>is all about. It is, you know, doing the footwork,

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<v Speaker 1>doing legwork, just going out there, really touching, interacting with

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<v Speaker 1>your fans, really giving the people what they want consistently.

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<v Speaker 1>And when you go to a major label. You know,

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<v Speaker 1>some people can continue that grind inside the major system,

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<v Speaker 1>but it's a different It's like college sports versus major

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<v Speaker 1>league sports. You know what I'm say. It's similar, but

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<v Speaker 1>it's different. I mean the major. When you're on a

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<v Speaker 1>major labe, when you got all their resources, money, you

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<v Speaker 1>ain't got a called no whether they're calling for you.

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<v Speaker 1>So it's you know, it's I would say being also

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<v Speaker 1>that I sell grills through and when I was on

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<v Speaker 1>a major label, I still had independent, multiple independent albums

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<v Speaker 1>I was getting collecting money off of that was selling more.

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<v Speaker 1>Now that I'm on a major and I'm selling grills

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<v Speaker 1>and I got a teacher online, so I got other

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<v Speaker 1>multiple businesses that are all benefiting from the eposure. Yeah,

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<v Speaker 1>so I for sure it would say I would like

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<v Speaker 1>the major better, buddy, if I'm just an art independent. Yeah, yeah, yeah.

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<v Speaker 1>You gotta be built well, you know, definitely. You know,

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<v Speaker 1>it's it's a if you if you have a great

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<v Speaker 1>business mind and you you can take the bluss when tears,

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<v Speaker 1>and you can hustle and not give up and tap out,

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<v Speaker 1>then that independent is for show the way to go

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<v Speaker 1>because you still the staff. Yeah. Yeah, yeah, that's what

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<v Speaker 1>that's what getting lost to is it when you're independent.

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<v Speaker 1>It's like some of it works where my manager, who's

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<v Speaker 1>my manager is he's been my managers, the only manager

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<v Speaker 1>I've ever had, and he's my home where I grew

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<v Speaker 1>up with. And he didn't go to school to for management.

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<v Speaker 1>He was doing something else when I was like, hey, man,

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<v Speaker 1>needs you to come on the road because I need help,

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<v Speaker 1>you know. And the reason why I went with that

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<v Speaker 1>route instead of going with somebody who has a you know,

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<v Speaker 1>diploma degree. Yeah, I wanted to go with somebody that

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<v Speaker 1>I personally can trust where they have what I feel like,

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<v Speaker 1>they have my best interests at hard They come from

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<v Speaker 1>where I come from, so they share some of the

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<v Speaker 1>same perspective. They want the same things for me, where

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<v Speaker 1>when some of them managers they just there for their money.

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<v Speaker 1>They don't care for you and your wife stay married.

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<v Speaker 1>They don't care if your whole hood turn on you

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<v Speaker 1>and don't care about you and call yoursel out. They

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<v Speaker 1>don't care about that. They were like, well, yeah, letn't

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<v Speaker 1>call you said out. Were getting you these checks. But

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<v Speaker 1>them things mean something to me, you know, Like it

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<v Speaker 1>means something to me to be able to go back

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<v Speaker 1>to why I grew up and for people to be

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<v Speaker 1>proud of me to be from there as opposed to

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<v Speaker 1>go back to why I grew up in them to

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<v Speaker 1>be like here seilout man, we're gonna You know that

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<v Speaker 1>that means more than meeting whatever the check might be,

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<v Speaker 1>because you can't buy that type of love or respect.

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<v Speaker 1>And also just you know, the music. For me, this

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<v Speaker 1>is like this is a love of passion for me.

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<v Speaker 1>So it's my dream job. The only other job I

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<v Speaker 1>would want it would be to be a DJ. That's

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<v Speaker 1>why I started out as DJ, because to me, that

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<v Speaker 1>was something I've seen a career path and being a

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<v Speaker 1>DJ where I didn't see a career path being a

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<v Speaker 1>rapper because it just ain't that many rappers from our neighborhood.

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<v Speaker 1>And then eventually when you start seeing people and come

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<v Speaker 1>in there doing it for fun, and you know, we

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<v Speaker 1>were going to school together, we and whatever grade you know,

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<v Speaker 1>the second, third, fourth grade or whatever. Whenever you know

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<v Speaker 1>we we're being on a on a munch table, we're

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<v Speaker 1>on a school bus, whatever. And a lot of times

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<v Speaker 1>it came from seeing other people doing it and me

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<v Speaker 1>thinking it was trash man. I could put some words

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<v Speaker 1>together and then someone maybe call me out what you got?

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<v Speaker 1>You see what you got, and I'm like, all right,

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<v Speaker 1>let me tell you what I got. And then you know,

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<v Speaker 1>then the reaction of people, oh, damn, you're really good.

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<v Speaker 1>It's like ship maybe I am kind of god it

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<v Speaker 1>let me try to do this. But it was never

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<v Speaker 1>you know, even up until because me and Comedia were

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<v Speaker 1>wrapping for a long time before we saw any success

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<v Speaker 1>and then when we got when we came into the Switchhouse.

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<v Speaker 1>Even before that, I was doing I was DJM for

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<v Speaker 1>the Switchhouse. I was carming Michael watch Crates, I was

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<v Speaker 1>passing out flyers. Me and my boy T Ferris was

0:11:21.120 --> 0:11:24.880
<v Speaker 1>in the in the office pressing up the CDs before

0:11:24.920 --> 0:11:26.760
<v Speaker 1>they the same CDs that you buy out the store.

0:11:26.800 --> 0:11:29.000
<v Speaker 1>We were pressing them up. So I was doing more

0:11:29.280 --> 0:11:31.640
<v Speaker 1>background work as opposed to just being in front of

0:11:31.640 --> 0:11:34.120
<v Speaker 1>the microphone. And I'm on the you know, on the mixtape.

0:11:34.160 --> 0:11:36.960
<v Speaker 1>So I really worked my way into the Switch House.

0:11:37.040 --> 0:11:40.199
<v Speaker 1>So even becoming an artist in the Switch Out that

0:11:40.240 --> 0:11:46.480
<v Speaker 1>was like back then in our neighborhood was like every

0:11:48.200 --> 0:11:51.400
<v Speaker 1>yeah yeah. Some of that to me was the street

0:11:51.440 --> 0:11:54.200
<v Speaker 1>team was working for Dead Jam or working for a

0:11:54.240 --> 0:11:56.960
<v Speaker 1>No Limit and then Cash Money, and then that's how

0:11:57.000 --> 0:11:58.840
<v Speaker 1>I got on with Switchhouse. And then at that time

0:11:58.840 --> 0:12:01.800
<v Speaker 1>too we switch House. Everybody wanted to wrap and switch out,

0:12:01.840 --> 0:12:03.960
<v Speaker 1>like in Houston on the North Side. So it was

0:12:04.000 --> 0:12:07.160
<v Speaker 1>like ship, how cannot be? And I've seen how Michael

0:12:07.160 --> 0:12:09.480
<v Speaker 1>Watts when people start blowing his phone up to get

0:12:09.480 --> 0:12:11.959
<v Speaker 1>on the tape, you know, eventually like, don't answer. I

0:12:11.960 --> 0:12:13.960
<v Speaker 1>ain't answering that ship. But he fussed with me. So

0:12:14.000 --> 0:12:15.600
<v Speaker 1>I'm like, now I don't want him to if I

0:12:15.600 --> 0:12:17.200
<v Speaker 1>ask him, I don't want to turn that off. And

0:12:17.360 --> 0:12:19.480
<v Speaker 1>I can't get on the taping on. I can't get

0:12:19.520 --> 0:12:20.920
<v Speaker 1>you know, He's gonna be like, I don't come around.

0:12:20.920 --> 0:12:22.600
<v Speaker 1>And so I said, okay, I just you know, work

0:12:22.679 --> 0:12:24.480
<v Speaker 1>my way in doing other work, doing other work. And

0:12:24.480 --> 0:12:27.080
<v Speaker 1>I actually got on with switch House with Michael White

0:12:27.080 --> 0:12:28.880
<v Speaker 1>because at one time I've seen him I'm doing I'm

0:12:28.880 --> 0:12:31.080
<v Speaker 1>putting up I'm putting up posters for a deaf gym

0:12:31.200 --> 0:12:33.120
<v Speaker 1>artist somebody. I see him at one of the record

0:12:33.120 --> 0:12:35.320
<v Speaker 1>stores and I asked myself, watch man, how come ya

0:12:35.360 --> 0:12:37.880
<v Speaker 1>don't never wrap on the cash money? Many fresh beatau

0:12:37.880 --> 0:12:40.439
<v Speaker 1>I should love cash money and many fresh beat hard

0:12:40.480 --> 0:12:43.000
<v Speaker 1>and they would never whatever freestyle and he was like, well,

0:12:43.200 --> 0:12:45.400
<v Speaker 1>the artists choose the beats, and they just didn't choose

0:12:45.400 --> 0:12:47.280
<v Speaker 1>the beat. And I'm like, man, they tell him they tripping,

0:12:47.280 --> 0:12:49.280
<v Speaker 1>they need to wrap on this beat that beat, and

0:12:49.280 --> 0:12:51.280
<v Speaker 1>he just caught them out. Was like, well, what would

0:12:51.280 --> 0:12:53.600
<v Speaker 1>you do when I just freestyle something? And he was like,

0:12:53.600 --> 0:12:54.920
<v Speaker 1>come on, let's go. And then we took me to

0:12:54.920 --> 0:12:58.000
<v Speaker 1>the studio and watch. Um he died off a lean

0:12:58.280 --> 0:13:03.000
<v Speaker 1>or now you're talking about j screw But even then, um,

0:13:03.320 --> 0:13:06.720
<v Speaker 1>I mean, it's like a debatable subject. I mean, he

0:13:06.800 --> 0:13:09.800
<v Speaker 1>did have coding in his blood, but I don't think

0:13:09.880 --> 0:13:11.439
<v Speaker 1>that's what killed him. He had a lot of he

0:13:11.480 --> 0:13:13.480
<v Speaker 1>had other stuff and you know, the lifestyle be will

0:13:13.559 --> 0:13:16.640
<v Speaker 1>kill you, I think more than Lane now. I mean,

0:13:16.720 --> 0:13:18.439
<v Speaker 1>you know, it's very touch of subject. And then and

0:13:18.720 --> 0:13:20.319
<v Speaker 1>also try to I like some of it. I try.

0:13:20.400 --> 0:13:22.800
<v Speaker 1>I try to be respectful or not only him or

0:13:23.400 --> 0:13:25.960
<v Speaker 1>whoever else. But at the same time, it's a lot

0:13:26.000 --> 0:13:29.760
<v Speaker 1>of miseducation that people talk about there, like you know,

0:13:30.240 --> 0:13:35.480
<v Speaker 1>fake facts about lean Like I mean me personally, I'm

0:13:35.559 --> 0:13:39.800
<v Speaker 1>never seeing ever anyone in the history of drink ever

0:13:39.960 --> 0:13:42.880
<v Speaker 1>die from coding. Now, is it possible you could die

0:13:42.920 --> 0:13:45.640
<v Speaker 1>from that. Man, I might be drinked out and then

0:13:45.679 --> 0:13:48.000
<v Speaker 1>getting a car accident, but the lane would kill me.

0:13:48.400 --> 0:13:52.560
<v Speaker 1>You know, if if I said drank and I mean

0:13:52.640 --> 0:13:54.920
<v Speaker 1>fry foods every day, I'm not drinking the water. Only

0:13:54.920 --> 0:13:57.680
<v Speaker 1>water I'm drinking is the ice in my cup. I'm

0:13:57.679 --> 0:14:00.640
<v Speaker 1>not exercising it all. I'm staying up, I'm not getting

0:14:00.640 --> 0:14:03.040
<v Speaker 1>proper sleep. Everything else I'm eating and putting in my body.

0:14:03.040 --> 0:14:04.880
<v Speaker 1>And not only fried food. But there's some type of

0:14:04.880 --> 0:14:08.520
<v Speaker 1>track is sugary, right, and then and then you mix

0:14:08.600 --> 0:14:13.040
<v Speaker 1>it with some is that like a big part of it? Uh?

0:14:13.080 --> 0:14:15.760
<v Speaker 1>You know, I have seen long term people who see

0:14:15.880 --> 0:14:18.440
<v Speaker 1>drink long term they teeth might get sucked up. But

0:14:18.720 --> 0:14:20.640
<v Speaker 1>you know, a lot of it is just it ain't

0:14:20.680 --> 0:14:23.040
<v Speaker 1>like meth where if you smoke meth, your teeth gonna

0:14:23.040 --> 0:14:26.000
<v Speaker 1>get sucked up. With drink. If you sit drink and

0:14:26.040 --> 0:14:28.280
<v Speaker 1>you don't brush your teeth ever, and you still drink

0:14:28.280 --> 0:14:30.440
<v Speaker 1>every day, every every day, then you might get cavities.

0:14:30.480 --> 0:14:32.720
<v Speaker 1>But that's this ain't could be said for the soda.

0:14:33.000 --> 0:14:35.000
<v Speaker 1>And most people that I've heard talking about it, they

0:14:35.040 --> 0:14:37.600
<v Speaker 1>say it's the soda that funs your teeth for not

0:14:37.680 --> 0:14:39.760
<v Speaker 1>to drink. There's sugar in the drink, but the sugar

0:14:39.800 --> 0:14:42.440
<v Speaker 1>in the soda is what's really what it is. Now.

0:14:42.720 --> 0:14:45.400
<v Speaker 1>The thing that I think, um most people, I think

0:14:45.960 --> 0:14:50.320
<v Speaker 1>the most valuable information about any type of recreational drug

0:14:50.360 --> 0:14:53.240
<v Speaker 1>consumption is that, you know, it's kind of table, like

0:14:53.240 --> 0:15:00.400
<v Speaker 1>the way he said it, recreational drunk, do you know

0:15:00.480 --> 0:15:02.480
<v Speaker 1>some of them taboo to talk about. But at the

0:15:02.520 --> 0:15:05.080
<v Speaker 1>same time, the fact that we're keeping it private is

0:15:05.600 --> 0:15:08.280
<v Speaker 1>what's causing people to die. Like some of this like

0:15:08.360 --> 0:15:11.680
<v Speaker 1>you know, if you're taking norcoles or oxycoton or anything

0:15:11.720 --> 0:15:14.800
<v Speaker 1>like that, or any opioid, yeah, and you're drinking alcohol

0:15:15.160 --> 0:15:18.240
<v Speaker 1>that she could be deadly. If you're taking the opioids

0:15:18.280 --> 0:15:21.520
<v Speaker 1>and the xanax and other things, the combination that ship

0:15:21.640 --> 0:15:24.160
<v Speaker 1>for shows deadly. So it's like you know it ain't

0:15:24.200 --> 0:15:29.680
<v Speaker 1>because you know, yeah, you know it was ill almost

0:15:29.760 --> 0:15:32.960
<v Speaker 1>that when they said that they found pimps that that

0:15:33.120 --> 0:15:37.080
<v Speaker 1>he couldn't he couldn't breathe like so like like like um,

0:15:37.120 --> 0:15:38.760
<v Speaker 1>like I think he rolled over or something like that,

0:15:38.800 --> 0:15:41.320
<v Speaker 1>I forget, and like he couldn't breathe, so that they

0:15:41.320 --> 0:15:44.640
<v Speaker 1>didn't say it's lean they said that like sleep Yeah,

0:15:44.640 --> 0:15:46.840
<v Speaker 1>he had for show. He had rest in Peace man

0:15:46.880 --> 0:15:51.200
<v Speaker 1>to he uh, he he had sleep apnel and the

0:15:51.240 --> 0:15:53.600
<v Speaker 1>doctor told him, you know he's watching ours. She'll say

0:15:53.640 --> 0:15:55.120
<v Speaker 1>this when she come on there. You got ask if

0:15:55.160 --> 0:15:57.920
<v Speaker 1>she'll tell you when the doctor say you got sleep apnel,

0:15:58.000 --> 0:15:59.880
<v Speaker 1>you have to have the masks. If you sleep without

0:15:59.880 --> 0:16:04.120
<v Speaker 1>the man. Yeah, he told him, if you sleep without it,

0:16:04.160 --> 0:16:06.680
<v Speaker 1>you're gonna die. He slept without it. He died. Did

0:16:06.680 --> 0:16:08.800
<v Speaker 1>he have drinking He did have drinking his system. I

0:16:08.800 --> 0:16:10.760
<v Speaker 1>think they said he had cocaine and system to it,

0:16:11.440 --> 0:16:13.280
<v Speaker 1>you know, but you ain't never hear knowing saying, oh

0:16:13.320 --> 0:16:15.600
<v Speaker 1>he died from cocaine over those. But they had cocaine

0:16:15.600 --> 0:16:17.160
<v Speaker 1>in the system. They said, oh, you die from drink

0:16:17.200 --> 0:16:19.480
<v Speaker 1>over those. The doctor didn't say he died from drink

0:16:19.520 --> 0:16:22.920
<v Speaker 1>over those. Doctor said he died from heart respiratory failure

0:16:23.000 --> 0:16:26.440
<v Speaker 1>or something which came from the sleep avenue. But lean

0:16:26.720 --> 0:16:28.800
<v Speaker 1>is a dangerous because I see so many people like

0:16:29.320 --> 0:16:32.280
<v Speaker 1>so addicted to it, Like I know people who don't

0:16:32.000 --> 0:16:34.160
<v Speaker 1>you wake up and that's what they do. Some of

0:16:34.240 --> 0:16:37.480
<v Speaker 1>it is I mean me, I think the lifestyle is

0:16:37.520 --> 0:16:41.040
<v Speaker 1>the most dangerous where the lane is so expensive, so

0:16:41.600 --> 0:16:43.960
<v Speaker 1>people will get caught up in sipping lane and then

0:16:44.440 --> 0:16:46.560
<v Speaker 1>they sucking their money off. Now, it ain't like to

0:16:46.600 --> 0:16:48.720
<v Speaker 1>the point where people is breaking in their mama houses,

0:16:48.920 --> 0:16:52.480
<v Speaker 1>pawning TVs to go buy a drink, but they will,

0:16:52.880 --> 0:16:55.240
<v Speaker 1>you know. I see people off a lot of money

0:16:55.240 --> 0:16:58.440
<v Speaker 1>on the drink. And and to me, it was dangerous

0:16:58.440 --> 0:17:01.120
<v Speaker 1>about it. The absolute most is the fake drink. When

0:17:01.120 --> 0:17:03.760
<v Speaker 1>they be playing talking about it, he was breaking down

0:17:03.800 --> 0:17:06.719
<v Speaker 1>all the fake stuff. Yeah, that ship is the most

0:17:06.840 --> 0:17:09.960
<v Speaker 1>most most dangerous because man, you don't know what you're sipping.

0:17:10.320 --> 0:17:14.000
<v Speaker 1>So what are they doing when the man, they need

0:17:14.040 --> 0:17:16.879
<v Speaker 1>to stop doing whatever they're doing. Man, they need to stop.

0:17:16.960 --> 0:17:20.080
<v Speaker 1>But this I don't know. I don't know if they're

0:17:20.080 --> 0:17:22.679
<v Speaker 1>whipping it up in their garage like you know, or

0:17:22.720 --> 0:17:25.840
<v Speaker 1>if it's something they just they don't brow this ship. Man,

0:17:26.000 --> 0:17:28.680
<v Speaker 1>I don't know what they're doing. But it ain't drunk,

0:17:29.160 --> 0:17:32.080
<v Speaker 1>you know, it's maybe whatever they don't I don't know

0:17:32.560 --> 0:17:35.480
<v Speaker 1>that ship. To me is what's the dangerouship though, is

0:17:35.480 --> 0:17:37.480
<v Speaker 1>when they said the fake drink because you don't know

0:17:37.520 --> 0:17:39.119
<v Speaker 1>what you're sipping. It's just like when they when you

0:17:39.160 --> 0:17:41.800
<v Speaker 1>got pressed up pills. You know that when pressed up

0:17:41.800 --> 0:17:45.040
<v Speaker 1>pills are dangerous man. You know, one little grain of

0:17:45.160 --> 0:17:47.360
<v Speaker 1>fitting all more than you're supposed to have would kill

0:17:47.400 --> 0:17:49.760
<v Speaker 1>you. You You know what. The activist still floating around don't know.

0:17:51.880 --> 0:17:55.640
<v Speaker 1>You can google this. They stop making activists in two thousands,

0:17:56.600 --> 0:18:00.640
<v Speaker 1>like Levin. So someone has activists right now it's fake.

0:18:00.880 --> 0:18:03.800
<v Speaker 1>Oh they it's real. But then if my mama had

0:18:03.800 --> 0:18:06.200
<v Speaker 1>activis right now, I'll tell a quick plane that ain't real.

0:18:08.320 --> 0:18:11.800
<v Speaker 1>Is it possible? I mean this the this the scam

0:18:12.720 --> 0:18:15.119
<v Speaker 1>I got my I got all this fake drink. I

0:18:15.240 --> 0:18:18.159
<v Speaker 1>come to you and I say, hey, I got a

0:18:18.200 --> 0:18:21.920
<v Speaker 1>homeboy in Kentucky, his grandma on the pharmacy. They ain't

0:18:21.960 --> 0:18:24.040
<v Speaker 1>sell this ship. They ain't never get rid of it,

0:18:24.240 --> 0:18:27.640
<v Speaker 1>and we got a stoppile of it. It's the real ship. Man.

0:18:27.920 --> 0:18:30.160
<v Speaker 1>I can get it to you whatever. I don't know.

0:18:30.600 --> 0:18:32.720
<v Speaker 1>I'm I'm going off what you're saying. You know, you're

0:18:32.720 --> 0:18:35.840
<v Speaker 1>completely scamming me or somebody scam you, so you really

0:18:35.880 --> 0:18:39.240
<v Speaker 1>believe it, and then it's that's the thing is that man,

0:18:39.280 --> 0:18:41.480
<v Speaker 1>I can tell you, you know, that's that's what they say.

0:18:41.480 --> 0:18:44.159
<v Speaker 1>It's came from the Midwest somewhere or somewhere like that,

0:18:44.240 --> 0:18:47.760
<v Speaker 1>where if something came from a pharmacy in Iowa. How

0:18:47.760 --> 0:18:51.120
<v Speaker 1>can I verify that I'm in Houston. You know, if

0:18:51.160 --> 0:18:57.320
<v Speaker 1>it's come from anywhere, can I was the first? I

0:18:57.320 --> 0:19:02.320
<v Speaker 1>don't know who the first ever come back here. We

0:19:02.320 --> 0:19:08.240
<v Speaker 1>need to make that who is that? You know? Yeah,

0:19:08.520 --> 0:19:10.000
<v Speaker 1>I take the rest of the ship out of here.

0:19:12.520 --> 0:19:16.159
<v Speaker 1>It works. It works. The other thing they'll do is

0:19:16.280 --> 0:19:19.600
<v Speaker 1>they'll say, oh, I know somebody who used to work

0:19:19.880 --> 0:19:22.720
<v Speaker 1>at Activists, so they know how to make it. They

0:19:22.760 --> 0:19:25.360
<v Speaker 1>got they can get the chemicals online and they can

0:19:25.359 --> 0:19:26.919
<v Speaker 1>make it. They know how to make it. It's the

0:19:26.960 --> 0:19:29.480
<v Speaker 1>same thing. Man, that ain't the same thing, and they

0:19:29.480 --> 0:19:31.320
<v Speaker 1>ain't work used to work at Activists. They send the

0:19:31.359 --> 0:19:33.359
<v Speaker 1>fake drinking. They just need a story to sell it.

0:19:33.640 --> 0:19:41.399
<v Speaker 1>Another thing they'll say is, oh, well, okay, the the okay,

0:19:41.400 --> 0:19:43.840
<v Speaker 1>we got the pharmacies in the Middlewest. We got to

0:19:44.000 --> 0:19:47.719
<v Speaker 1>somebody used to work at Activists. Then they'll it'll be

0:19:47.760 --> 0:19:49.840
<v Speaker 1>just things like that, or I know somebody who can

0:19:50.000 --> 0:19:51.639
<v Speaker 1>create it, or I used to have it, or my

0:19:51.680 --> 0:19:53.800
<v Speaker 1>homeboy just got out of jail. This smoke kicking in,

0:19:54.040 --> 0:19:57.040
<v Speaker 1>so I just got a jail, or my my homeboy

0:19:57.080 --> 0:19:59.040
<v Speaker 1>just got out of jail. He had these points at

0:19:59.080 --> 0:20:01.720
<v Speaker 1>his Mama House and he want to sell them, you know,

0:20:01.800 --> 0:20:04.200
<v Speaker 1>but it'll be what you got a hunted points because

0:20:04.240 --> 0:20:06.040
<v Speaker 1>you've been selling them the same points for months now.

0:20:06.600 --> 0:20:10.199
<v Speaker 1>Ship like damn. But you know they the scams on

0:20:10.240 --> 0:20:13.560
<v Speaker 1>the fake drink on how it's real is just man,

0:20:13.560 --> 0:20:18.240
<v Speaker 1>It's it's ridiculous though. But you know we pick up papers,

0:20:18.760 --> 0:20:24.960
<v Speaker 1>pick up to Smoke Channel, pick up to two Miami

0:20:23.400 --> 0:20:28.159
<v Speaker 1>and uh, you know, pick up to people with cherry

0:20:28.200 --> 0:20:30.240
<v Speaker 1>and like I said, Sean papers and all that. But

0:20:30.280 --> 0:20:34.399
<v Speaker 1>all right, so switch house now, but go before that

0:20:34.680 --> 0:20:36.639
<v Speaker 1>because I want to go back to when when Screw

0:20:37.200 --> 0:20:39.280
<v Speaker 1>and then started making the taste that was all based

0:20:39.320 --> 0:20:41.600
<v Speaker 1>off of lean culture as well, right, I mean it

0:20:41.680 --> 0:20:43.040
<v Speaker 1>was a part of it for sure, you know what

0:20:43.080 --> 0:20:45.000
<v Speaker 1>I'm saying. But it was like it's like when you

0:20:45.000 --> 0:20:47.000
<v Speaker 1>make a club song, it's not you know, the alcohol

0:20:47.040 --> 0:20:48.600
<v Speaker 1>have something to do with the alcohol, go with it.

0:20:48.640 --> 0:20:50.879
<v Speaker 1>But you can make a club party song and you

0:20:50.920 --> 0:20:55.280
<v Speaker 1>don't even drink to slow down music. Wasn't because for

0:20:55.320 --> 0:20:57.800
<v Speaker 1>sure that was part of me. You know, you know

0:20:58.040 --> 0:21:00.280
<v Speaker 1>I think if you were sober funny, I mean, what

0:21:00.400 --> 0:21:02.720
<v Speaker 1>is going up? Well, I mean I grew up and

0:21:02.760 --> 0:21:05.320
<v Speaker 1>I didn't smoke or drink growing up until I was older,

0:21:05.359 --> 0:21:07.840
<v Speaker 1>so I grew up appreciating it. To me, it was

0:21:07.880 --> 0:21:10.280
<v Speaker 1>the greatest music on earth. So you know, you can

0:21:10.320 --> 0:21:12.520
<v Speaker 1>still appreciate it, you know. I think without there, but

0:21:12.560 --> 0:21:14.200
<v Speaker 1>I think in the moment of creating it and all that.

0:21:14.320 --> 0:21:16.520
<v Speaker 1>And I created it too before. I you know, I

0:21:16.600 --> 0:21:19.399
<v Speaker 1>was slowing music down DJ and like that, before I

0:21:19.440 --> 0:21:21.679
<v Speaker 1>was really like leaning, what do you actually do to

0:21:21.720 --> 0:21:26.919
<v Speaker 1>slow it down? It's different now now it's like now

0:21:26.960 --> 0:21:34.480
<v Speaker 1>it's a plug that was just a Houston thing or

0:21:34.520 --> 0:21:37.399
<v Speaker 1>like because you know, back in those days. It's funny

0:21:37.440 --> 0:21:40.800
<v Speaker 1>because I'm there was a DJ in Florida who would

0:21:40.800 --> 0:21:43.719
<v Speaker 1>make mixtape too slow down, but he wouldn't they wouldn't

0:21:43.760 --> 0:21:47.840
<v Speaker 1>chop him up. And I think Flori a lot of

0:21:47.920 --> 0:21:50.160
<v Speaker 1>them maybe, but it was it was like a pretty

0:21:50.160 --> 0:21:52.480
<v Speaker 1>because when I think, here we speed it up. Yeah, yeah, yeah,

0:21:55.200 --> 0:21:58.280
<v Speaker 1>I remember I came down here in like nine, uh

0:21:58.600 --> 0:22:01.200
<v Speaker 1>for something that was going on and with my Jamaican partner,

0:22:01.280 --> 0:22:04.480
<v Speaker 1>and it was like, oh, you know, it was going down.

0:22:04.560 --> 0:22:08.320
<v Speaker 1>It was all up tempo, you know, and then we

0:22:08.400 --> 0:22:10.760
<v Speaker 1>passed by one person. I hear somebody jamming screwed and

0:22:10.760 --> 0:22:12.480
<v Speaker 1>I'm like, oh, ship, they must be from Texas. And

0:22:12.520 --> 0:22:15.400
<v Speaker 1>then that's how I found out, like, now, no, we

0:22:15.400 --> 0:22:18.000
<v Speaker 1>were that, But since we sped it up out here,

0:22:18.000 --> 0:22:20.280
<v Speaker 1>it was like, how the fund do you listen to this?

0:22:20.520 --> 0:22:25.159
<v Speaker 1>Because everybody's doing cocaine? So think about it. I mean,

0:22:25.240 --> 0:22:27.040
<v Speaker 1>I just made it up, but I think about it.

0:22:27.080 --> 0:22:33.480
<v Speaker 1>Kind of makes sense we're sped up out here. That

0:22:34.600 --> 0:22:36.639
<v Speaker 1>sounds a little better some of them in Texas. I

0:22:37.000 --> 0:22:38.840
<v Speaker 1>you know, I thought about some of them Texas. We

0:22:38.960 --> 0:22:40.920
<v Speaker 1>spread out, you know, so we got you know, you

0:22:41.000 --> 0:22:42.960
<v Speaker 1>gotta have a car to get from point A to

0:22:43.040 --> 0:22:45.480
<v Speaker 1>point B or whatever. You gotta have a car, whereas

0:22:45.640 --> 0:22:47.040
<v Speaker 1>you know, it's like that in a lot of CITs

0:22:47.080 --> 0:22:49.119
<v Speaker 1>as well, but you know it's also not like that

0:22:49.160 --> 0:22:50.359
<v Speaker 1>in a lot of seats, so we spread it. You

0:22:50.400 --> 0:22:52.400
<v Speaker 1>gotta have a car. A lot of people take better

0:22:52.440 --> 0:22:54.360
<v Speaker 1>care of the car than the house. So we're gonna

0:22:54.520 --> 0:22:56.600
<v Speaker 1>make sure we have mute. You know, there's based in

0:22:56.640 --> 0:22:59.720
<v Speaker 1>the trunk. So didn't that leads to there being based

0:23:00.080 --> 0:23:02.159
<v Speaker 1>in the music because when you're artists too, you're like,

0:23:02.800 --> 0:23:04.400
<v Speaker 1>they ain't playing my ship if they got on base

0:23:04.440 --> 0:23:05.480
<v Speaker 1>in this. And let me make sure you got a

0:23:05.520 --> 0:23:07.200
<v Speaker 1>lot of base in it, then as hot as fun,

0:23:07.520 --> 0:23:09.840
<v Speaker 1>so you know she's slow like that. Then the swing

0:23:09.840 --> 0:23:12.320
<v Speaker 1>and all of that. The driving slowly really traditionally, like

0:23:12.359 --> 0:23:15.600
<v Speaker 1>in the car car wise, came from the streets being

0:23:15.600 --> 0:23:18.280
<v Speaker 1>sucked up. They're being potholes. Whatever. Man, if I'm in

0:23:18.320 --> 0:23:20.520
<v Speaker 1>this car, ain't my rooms up, I'm gonna drive slow.

0:23:20.560 --> 0:23:22.920
<v Speaker 1>I'm gonna swing around them. And then it became like

0:23:23.000 --> 0:23:26.920
<v Speaker 1>a tradition or fokes on your ms when the wheel

0:23:27.000 --> 0:23:29.960
<v Speaker 1>yourself that that's for nigga's not to come close to

0:23:30.040 --> 0:23:34.520
<v Speaker 1>your car. I mean, this is the style for the

0:23:34.720 --> 0:23:37.399
<v Speaker 1>Over the years, they've gotten wider. You know, they originally

0:23:37.400 --> 0:23:39.600
<v Speaker 1>when they originally came out in the eighty four, they

0:23:39.720 --> 0:23:42.280
<v Speaker 1>was they didn't stick out past the fender. But just

0:23:42.480 --> 0:23:45.040
<v Speaker 1>you know when they as time went on, they got

0:23:45.440 --> 0:23:48.360
<v Speaker 1>the technology got better, the rims got improved from going

0:23:48.359 --> 0:23:50.919
<v Speaker 1>from alumium still, so you know, they don't get then

0:23:51.000 --> 0:23:52.800
<v Speaker 1>up as much. They don't fall apart like they used

0:23:52.840 --> 0:23:54.840
<v Speaker 1>to it. So you know, it's like it just didn't

0:23:54.880 --> 0:23:59.440
<v Speaker 1>got upgraded updated with the times. But because we'll drive

0:23:59.640 --> 0:24:02.040
<v Speaker 1>right next to each other and be looking like we're

0:24:02.040 --> 0:24:05.840
<v Speaker 1>about the crap, you know, take it, definitely take a season.

0:24:06.000 --> 0:24:08.240
<v Speaker 1>Veteran driver, you gotta kind of hold you nuts when

0:24:08.240 --> 0:24:10.520
<v Speaker 1>you're driving. You know some of that would have been

0:24:10.560 --> 0:24:12.399
<v Speaker 1>at the same time. You gotta kind of be you

0:24:12.440 --> 0:24:14.080
<v Speaker 1>gotta be focused. You can't be on your phone all

0:24:14.080 --> 0:24:18.080
<v Speaker 1>that kind of ship. You gotta you gottau But so

0:24:18.280 --> 0:24:20.760
<v Speaker 1>that's the you know that that candy they dripped that

0:24:20.920 --> 0:24:24.480
<v Speaker 1>wet yourself house inside of the House of Colors, Shout

0:24:24.480 --> 0:24:27.600
<v Speaker 1>out the House of Colors. You know, that's that's something man.

0:24:27.720 --> 0:24:30.719
<v Speaker 1>You know, car lovers around the world. That's funny because uh,

0:24:30.760 --> 0:24:32.600
<v Speaker 1>a lot of people, a lot of the car cultures

0:24:32.600 --> 0:24:36.440
<v Speaker 1>outside of Houston don't funk with the poking rims. They're like, like, man,

0:24:36.480 --> 0:24:39.560
<v Speaker 1>they don't funk with the yeah, car clean, but the

0:24:39.680 --> 0:24:42.680
<v Speaker 1>rims look like trash, so they really don't. Man. Especially,

0:24:42.880 --> 0:24:45.639
<v Speaker 1>it's funny, like all my brothers in California, they'll be

0:24:45.680 --> 0:24:47.960
<v Speaker 1>going at it with all my holies to Texas, where

0:24:47.960 --> 0:24:50.720
<v Speaker 1>it'd be like ship because the cars be a little

0:24:50.760 --> 0:24:53.919
<v Speaker 1>bit different. But car car lovers everywhere, you know, they

0:24:53.960 --> 0:24:55.600
<v Speaker 1>got a love for that candy paint. Man, when you

0:24:55.640 --> 0:24:57.800
<v Speaker 1>got that that paint is so well to look like

0:24:57.880 --> 0:25:00.520
<v Speaker 1>a jolly rancher. The painting look like it looked like

0:25:00.560 --> 0:25:02.840
<v Speaker 1>you just sprayed it with a with a water holes.

0:25:03.160 --> 0:25:04.960
<v Speaker 1>You know what I'm saying that, Man, it's just it's

0:25:04.960 --> 0:25:07.280
<v Speaker 1>just something about that, especially when it's clean. You got

0:25:07.280 --> 0:25:10.840
<v Speaker 1>candy paying this dirty man, I'm the definition of riding dirty. Man.

0:25:11.960 --> 0:25:13.879
<v Speaker 1>I should be so dirty. But man, when when that

0:25:13.880 --> 0:25:16.280
<v Speaker 1>should be cleaned up and you're looking good? Man, ain't

0:25:16.359 --> 0:25:19.080
<v Speaker 1>nothing like a wet candy car. Man, Ain't nothing like

0:25:19.119 --> 0:25:21.080
<v Speaker 1>a slab on candy man. For so, now, how did

0:25:21.080 --> 0:25:25.159
<v Speaker 1>you get into grills? Because most rappers, no one is

0:25:25.200 --> 0:25:27.200
<v Speaker 1>thinking like that, Like how did you? How did your mind?

0:25:27.520 --> 0:25:33.439
<v Speaker 1>Even like every business I got into, it was I

0:25:33.480 --> 0:25:35.280
<v Speaker 1>want that. How can I get a cheaper? I can

0:25:35.280 --> 0:25:37.080
<v Speaker 1>get a cheaper if I sell it. Then if I'm

0:25:37.119 --> 0:25:39.199
<v Speaker 1>just a customer, so how can I sell it? And

0:25:39.240 --> 0:25:40.960
<v Speaker 1>then let me, you know, let me learn the game

0:25:41.240 --> 0:25:44.000
<v Speaker 1>whatever anything any business I have or have ever had,

0:25:44.040 --> 0:25:46.840
<v Speaker 1>so with that, it was always wanted one. I wanted

0:25:46.840 --> 0:25:50.040
<v Speaker 1>to grill. But you know in the South, it was

0:25:50.080 --> 0:25:52.240
<v Speaker 1>always permanent grills. You know, you would go to a

0:25:52.320 --> 0:25:54.639
<v Speaker 1>Dinnis to do the grills and then you know you

0:25:54.640 --> 0:25:56.840
<v Speaker 1>couldn't get no removable grills, nothing like that. That's what

0:25:56.960 --> 0:26:00.320
<v Speaker 1>we would always see and ship everywhere period. And then

0:26:00.359 --> 0:26:03.040
<v Speaker 1>all of a sudden we see Wu Tang on the

0:26:03.160 --> 0:26:06.440
<v Speaker 1>videos taking the grills out. We're like, man, what's going on?

0:26:06.600 --> 0:26:08.840
<v Speaker 1>They did they do that? I won't want new grill.

0:26:08.880 --> 0:26:13.119
<v Speaker 1>We ain't have nothing like that, Yeah, perfectly. So then uh,

0:26:13.160 --> 0:26:16.560
<v Speaker 1>you know, my boy crime came from Brooklyn. He came

0:26:16.680 --> 0:26:20.560
<v Speaker 1>with the removable style grills to Houston. He's still selling

0:26:20.560 --> 0:26:23.399
<v Speaker 1>grills to He like a traveling grills salesman. He go

0:26:23.440 --> 0:26:25.520
<v Speaker 1>all around the country, out around the world selling grills.

0:26:25.560 --> 0:26:28.960
<v Speaker 1>But he came to Houston to our neighborhood selling New

0:26:29.040 --> 0:26:32.600
<v Speaker 1>York style grills, you know, removable grills, and it was

0:26:32.680 --> 0:26:35.040
<v Speaker 1>cheaper than the other grills. We're like, man, what's going on.

0:26:35.080 --> 0:26:38.080
<v Speaker 1>He's some flea market grills. He's some like beauty shop

0:26:38.119 --> 0:26:40.080
<v Speaker 1>grill win shot grills. What's going because you know you

0:26:40.080 --> 0:26:41.840
<v Speaker 1>can get the one little tooth to come on? Come on,

0:26:42.359 --> 0:26:44.119
<v Speaker 1>we ain't talking like we're talking about like the custom

0:26:44.160 --> 0:26:46.600
<v Speaker 1>removable all of that. We're like, man, hold on. Everything

0:26:46.640 --> 0:26:48.880
<v Speaker 1>he had was just some next level of different ship.

0:26:49.280 --> 0:26:50.920
<v Speaker 1>And I would always see him was at that time too,

0:26:50.960 --> 0:26:54.680
<v Speaker 1>I'm passing out flyers promoting that clubs. And then I bam,

0:26:54.760 --> 0:26:56.840
<v Speaker 1>see his flyer on the car, so I bump into him.

0:26:56.880 --> 0:26:59.000
<v Speaker 1>He see me. He like, oh, you're the one who've

0:26:59.000 --> 0:27:00.879
<v Speaker 1>been passing out these flyer And I'm like, man, you

0:27:00.920 --> 0:27:03.040
<v Speaker 1>do one who selling grills and you're like I just

0:27:03.080 --> 0:27:04.679
<v Speaker 1>straight up total. He wanted me to work for him

0:27:04.720 --> 0:27:06.919
<v Speaker 1>doing promotions. I'm like, bed, I want to work for you,

0:27:06.960 --> 0:27:09.639
<v Speaker 1>but ship, I need that wholesale price. You know. I

0:27:09.720 --> 0:27:12.040
<v Speaker 1>ain't gonna start my own store without you. Nothing like

0:27:12.040 --> 0:27:14.040
<v Speaker 1>that I needed for my own personal use. So he

0:27:14.160 --> 0:27:16.720
<v Speaker 1>hired me to promote, had me promoting for me, actually

0:27:16.800 --> 0:27:19.399
<v Speaker 1>had me running the store selling grills, and that's how

0:27:19.440 --> 0:27:21.119
<v Speaker 1>I got my first set of grills. Was you know

0:27:21.119 --> 0:27:23.840
<v Speaker 1>how to make grills yourself? Oh yeah, oh yeah, but

0:27:24.359 --> 0:27:28.639
<v Speaker 1>you you know finish from yeah, from taking your mold

0:27:28.680 --> 0:27:32.480
<v Speaker 1>to casting the gold. I ain't now now I ain't.

0:27:32.600 --> 0:27:36.480
<v Speaker 1>I ain't. I can't front if you if I say you,

0:27:36.560 --> 0:27:42.360
<v Speaker 1>if I get your grill like your grills, you ain't

0:27:42.400 --> 0:27:50.840
<v Speaker 1>give me the verse. I like to take your mold,

0:27:50.920 --> 0:27:54.120
<v Speaker 1>let me take your over trying to set before Hey,

0:27:54.160 --> 0:27:57.679
<v Speaker 1>Sue said the man you know so yeah, yeah, but

0:27:58.240 --> 0:28:01.159
<v Speaker 1>man from there was boy corn. He had me up

0:28:01.160 --> 0:28:03.600
<v Speaker 1>onund of him and then eventually he just he brought

0:28:03.600 --> 0:28:06.879
<v Speaker 1>me to Johnny where we was just salesman. Johnny made

0:28:07.200 --> 0:28:10.720
<v Speaker 1>everything from scratch. At that point, Johnny was, you know,

0:28:11.440 --> 0:28:14.400
<v Speaker 1>on his rise to start him, you know, being a

0:28:14.400 --> 0:28:16.640
<v Speaker 1>grill maker and hen like, man, you know what, it's

0:28:16.680 --> 0:28:18.840
<v Speaker 1>about time for me to get a story. That's right

0:28:18.920 --> 0:28:20.600
<v Speaker 1>around the time when we linked up, and then we

0:28:20.680 --> 0:28:22.600
<v Speaker 1>just kind of took it to another level. And then

0:28:22.680 --> 0:28:27.160
<v Speaker 1>him being a Vietnamese immigrant, it'd be tough sometimes. Man.

0:28:27.359 --> 0:28:29.520
<v Speaker 1>The story this is, this is like one time I

0:28:29.600 --> 0:28:31.000
<v Speaker 1>hung out with t V. Johnny is one of the

0:28:31.080 --> 0:28:34.560
<v Speaker 1>motherfucker most you know, he got the Ellis Access. Yeah.

0:28:36.080 --> 0:28:37.879
<v Speaker 1>So I had just said, l A. I was with

0:28:37.960 --> 0:28:40.400
<v Speaker 1>sip TV and I think we just hooting the video

0:28:40.480 --> 0:28:44.640
<v Speaker 1>for these people mastercraft. So TV Johnny comes, Johnny Dade

0:28:44.640 --> 0:28:47.040
<v Speaker 1>comes to h I think he was filming in the

0:28:47.120 --> 0:28:50.000
<v Speaker 1>Roxy in l A on the sunset. So I'm like, yo,

0:28:50.080 --> 0:28:52.760
<v Speaker 1>I'm mad happy. I went to Watts, I went to Carpton,

0:28:52.960 --> 0:28:55.120
<v Speaker 1>I went to Inglewood. I went to all these hoods

0:28:55.520 --> 0:28:59.080
<v Speaker 1>and um l A. So the whole time, I'm saying, man,

0:28:59.120 --> 0:29:01.440
<v Speaker 1>I just went to all the hoods in l a TV.

0:29:01.560 --> 0:29:04.600
<v Speaker 1>Johnny looked at me and said, man, there's no hood.

0:29:06.320 --> 0:29:14.800
<v Speaker 1>They eat my dog. Yeah, yeah, Ship. I'm trying to

0:29:14.840 --> 0:29:17.760
<v Speaker 1>identify what the fun is being hood and eating his

0:29:17.840 --> 0:29:21.200
<v Speaker 1>dog somebody. Because I said, you can't just tell me

0:29:21.240 --> 0:29:24.160
<v Speaker 1>something like yeah, just move on. I need to know

0:29:24.160 --> 0:29:26.680
<v Speaker 1>why you just said that. He said, Man, I had

0:29:26.680 --> 0:29:30.400
<v Speaker 1>my pet one day. I said, said, yeah, my dog.

0:29:30.640 --> 0:29:32.719
<v Speaker 1>I went to the store. I leave on my side

0:29:33.560 --> 0:29:36.560
<v Speaker 1>take him And I said what? And then later on

0:29:36.680 --> 0:29:38.120
<v Speaker 1>and he said, they gave me and play the fool

0:29:38.160 --> 0:29:43.200
<v Speaker 1>I eat my dog with them. I said, that's the

0:29:43.600 --> 0:29:47.360
<v Speaker 1>story I heard. Never forget it. I'll never forget it.

0:29:47.440 --> 0:29:49.240
<v Speaker 1>We went to Ever. We went to We didn serially.

0:29:49.840 --> 0:29:52.200
<v Speaker 1>We was in the village and he was like, oh,

0:29:52.240 --> 0:29:54.920
<v Speaker 1>I should remind me that we say this is from

0:29:54.960 --> 0:29:57.880
<v Speaker 1>He's like, hey, this is ship. Yeah. He's like, man,

0:29:57.920 --> 0:30:01.080
<v Speaker 1>it's just like being on you. Well, Tago got the

0:30:01.200 --> 0:30:07.120
<v Speaker 1>room and went to the actual. Man. It was so dope, bro,

0:30:07.280 --> 0:30:10.400
<v Speaker 1>just like you know, first of all, going over there,

0:30:10.560 --> 0:30:14.040
<v Speaker 1>going to Africa, it's something that's like, Man, that's the

0:30:14.080 --> 0:30:19.480
<v Speaker 1>mothers going to Africa tomorrow to enjoy. Brother, they enjoy.

0:30:19.520 --> 0:30:21.640
<v Speaker 1>You're gonna man, You're gonna love it. Man, every everything

0:30:21.720 --> 0:30:24.560
<v Speaker 1>period there was like just just being there. It was

0:30:24.640 --> 0:30:27.480
<v Speaker 1>just a whole experience, breathing in the air. I'm taking

0:30:27.480 --> 0:30:30.520
<v Speaker 1>it all and you know, I'm man, see this is

0:30:30.520 --> 0:30:39.440
<v Speaker 1>where the people got one hands from, Like the I

0:30:39.480 --> 0:30:41.640
<v Speaker 1>don't know what I keep saying that, you don't know

0:30:41.640 --> 0:30:43.480
<v Speaker 1>what I keep coming out with. It was crazy. Man.

0:30:43.520 --> 0:30:47.320
<v Speaker 1>When the Raquel, when she came to us to do it,

0:30:47.880 --> 0:30:49.880
<v Speaker 1>my boy Te Ferris was like, man, I don't know

0:30:49.920 --> 0:30:51.760
<v Speaker 1>if we want Paula to go to Africa, you're gonna

0:30:51.760 --> 0:30:53.760
<v Speaker 1>come back with the Daishiki even had no grill, He's

0:30:53.760 --> 0:30:56.160
<v Speaker 1>gonna take Ain't gonna be on the same, gonna be

0:30:56.160 --> 0:30:58.800
<v Speaker 1>a different because everybody always you know, think about Dave

0:30:58.880 --> 0:31:00.960
<v Speaker 1>Chappelle when he went to Good then he turned down

0:31:01.040 --> 0:31:03.160
<v Speaker 1>fifty million, so that's what he said, You like, man

0:31:03.280 --> 0:31:05.320
<v Speaker 1>on with that fifty million, come we need to sign

0:31:05.320 --> 0:31:08.080
<v Speaker 1>the check, you know. But I was just like, now,

0:31:08.560 --> 0:31:10.600
<v Speaker 1>whatever it is, you know, even if it do transform

0:31:10.680 --> 0:31:12.920
<v Speaker 1>me personally, and also being at the time when I

0:31:12.960 --> 0:31:14.800
<v Speaker 1>just had I just had my son, So it's like

0:31:15.280 --> 0:31:17.920
<v Speaker 1>you put it just puts the whole world in perspective,

0:31:18.000 --> 0:31:21.520
<v Speaker 1>you know, just especially growing up in Houston, leaving Houston

0:31:21.560 --> 0:31:23.400
<v Speaker 1>to go to other cities and then going to other

0:31:23.480 --> 0:31:27.360
<v Speaker 1>continents and other a little completely different worlds. You know,

0:31:27.400 --> 0:31:29.840
<v Speaker 1>it's it's it's an amazing thing that I this is

0:31:29.840 --> 0:31:32.920
<v Speaker 1>my dream job. Man. I appreciate every second and all

0:31:32.920 --> 0:31:36.360
<v Speaker 1>of that. Then to really be educated on the diamonds

0:31:36.400 --> 0:31:38.560
<v Speaker 1>and all that things I ain't know about it, So

0:31:38.560 --> 0:31:40.400
<v Speaker 1>to put us on what did you learn out there? Okay,

0:31:40.440 --> 0:31:43.400
<v Speaker 1>First of all, the ships corrupt as fun, just like

0:31:43.400 --> 0:31:46.680
<v Speaker 1>it is everywhere worldwide, you know, ship and man, people

0:31:46.720 --> 0:31:49.600
<v Speaker 1>being exploited. All the stories you hear about Africa being

0:31:49.600 --> 0:31:52.520
<v Speaker 1>exported for their resources, that should be real talk like

0:31:52.600 --> 0:31:56.000
<v Speaker 1>people don't be understanding that this this is a world

0:31:56.040 --> 0:32:00.680
<v Speaker 1>where every human came from and now it seems like

0:32:00.720 --> 0:32:03.440
<v Speaker 1>every other country and continent has exploited it in a

0:32:03.520 --> 0:32:08.640
<v Speaker 1>long way or continue to so. Man with the diamonds specifically, okay,

0:32:08.680 --> 0:32:11.480
<v Speaker 1>they had a civil war in the nineties where it

0:32:11.560 --> 0:32:14.760
<v Speaker 1>was you know, it was it was crazy and like

0:32:14.840 --> 0:32:16.680
<v Speaker 1>a lot of they of course they got the movie

0:32:16.720 --> 0:32:19.880
<v Speaker 1>with Leonardo DiCaprio, Blood Diamond. He kind of talks about

0:32:19.920 --> 0:32:22.239
<v Speaker 1>explaining some of it, but you know, it would be

0:32:22.280 --> 0:32:25.760
<v Speaker 1>basically rebels who would take over the diamond mines and

0:32:25.800 --> 0:32:28.600
<v Speaker 1>then trade the diamonds for drugs or trade them for

0:32:28.680 --> 0:32:30.840
<v Speaker 1>guns or things like that. And there was some crazy

0:32:30.840 --> 0:32:34.640
<v Speaker 1>ship child soldiers out there, you know, like thirteen fourteen,

0:32:34.680 --> 0:32:37.400
<v Speaker 1>fifteen years old soldiers, and you know they would come

0:32:37.400 --> 0:32:41.239
<v Speaker 1>in and you know, completely destroy a village and can

0:32:41.360 --> 0:32:44.480
<v Speaker 1>out the kids. Then put the cocaine in the coffee

0:32:44.480 --> 0:32:48.360
<v Speaker 1>of the kids and and drug them and brainwashed them

0:32:48.360 --> 0:32:52.840
<v Speaker 1>into thinking somebody else did it as different. Oh, completely sure.

0:32:53.040 --> 0:32:55.240
<v Speaker 1>First of all, you know, things I didn't understand what

0:32:55.360 --> 0:32:58.600
<v Speaker 1>the Kimberley process where if you buy a dim If

0:32:58.640 --> 0:33:01.680
<v Speaker 1>I'm a jeweler and I go buy my diamonds wholesale,

0:33:02.520 --> 0:33:05.640
<v Speaker 1>it needs to be registered through the Kimberly process. Now

0:33:05.680 --> 0:33:08.880
<v Speaker 1>what that means is when the diamond is mind in

0:33:08.920 --> 0:33:10.959
<v Speaker 1>the mind. And they got different minds. They got like

0:33:11.360 --> 0:33:14.719
<v Speaker 1>flint stones looking minds, just like a big gass pit,

0:33:14.840 --> 0:33:16.920
<v Speaker 1>and they got these big gas machines, and then they

0:33:16.960 --> 0:33:21.560
<v Speaker 1>got the watermines where they're out there sitting in the mud. Yeah,

0:33:22.160 --> 0:33:24.920
<v Speaker 1>so there's there might be more, you know, our caves

0:33:24.960 --> 0:33:26.560
<v Speaker 1>and us, but what we saw, that's what I saw.

0:33:26.640 --> 0:33:30.840
<v Speaker 1>So they are and when they mind basically everything from

0:33:30.840 --> 0:33:34.200
<v Speaker 1>who own the on the mind who's actually mining. There's

0:33:34.240 --> 0:33:36.920
<v Speaker 1>it's like labor laws, Like a lot of this ship

0:33:37.080 --> 0:33:39.960
<v Speaker 1>is corrupt, so they'll pay. Man, they would get like

0:33:40.000 --> 0:33:42.680
<v Speaker 1>a dollar a day. Some ship thirty ninety cents a

0:33:42.760 --> 0:33:46.640
<v Speaker 1>day and a bowl of rice. That was their pay

0:33:46.680 --> 0:33:48.880
<v Speaker 1>for being out there in the mud sitting through the diamonds.

0:33:48.920 --> 0:33:50.959
<v Speaker 1>They ain't write the ninety cents a day. And you know,

0:33:51.280 --> 0:33:53.360
<v Speaker 1>so things like they where you know, there's there's not

0:33:53.480 --> 0:33:55.360
<v Speaker 1>like labor laws on that type of ship. You know,

0:33:55.400 --> 0:33:58.320
<v Speaker 1>it's it's crazy, man, to see that it's like this.

0:33:58.480 --> 0:34:03.080
<v Speaker 1>And then the crazy perspective is just just living in

0:34:03.120 --> 0:34:07.480
<v Speaker 1>this civilization, Western civilization where you're taught that you know,

0:34:07.880 --> 0:34:10.480
<v Speaker 1>the diamond is you know, that's a symbol of success,

0:34:10.520 --> 0:34:13.799
<v Speaker 1>that's a symbol of achievement, of pride to show off.

0:34:13.920 --> 0:34:16.319
<v Speaker 1>But then to see when you try trace back where

0:34:16.320 --> 0:34:18.680
<v Speaker 1>it came from all the way and not all diamonds

0:34:18.719 --> 0:34:21.640
<v Speaker 1>are mind like that, through child labor and things like that,

0:34:21.760 --> 0:34:23.640
<v Speaker 1>but the ones that are, it's like it just it

0:34:23.680 --> 0:34:25.440
<v Speaker 1>just makes you think about all, like, man, what is

0:34:25.480 --> 0:34:27.040
<v Speaker 1>it really worth it? You know, who was getting paid

0:34:27.080 --> 0:34:28.799
<v Speaker 1>off of this? And then you see you know. So

0:34:29.200 --> 0:34:31.360
<v Speaker 1>that's why for me going out there, it was important

0:34:31.400 --> 0:34:33.239
<v Speaker 1>that Johnny came with me because I'm like, bro, we

0:34:33.280 --> 0:34:35.719
<v Speaker 1>gotta come out there because there's certain things on the

0:34:35.760 --> 0:34:38.040
<v Speaker 1>business and that I don't know. I don't you know

0:34:38.320 --> 0:34:40.080
<v Speaker 1>the people that you know, he the businessman when it

0:34:40.160 --> 0:34:42.760
<v Speaker 1>comes to negotiating all that type of ship. I'm the

0:34:42.800 --> 0:34:45.000
<v Speaker 1>marketing person where I'm the face of the company, you know,

0:34:45.040 --> 0:34:46.759
<v Speaker 1>So he do what he do. I do it. Don't

0:34:46.840 --> 0:34:50.759
<v Speaker 1>change anything you did based on how you off Top

0:34:50.840 --> 0:34:52.440
<v Speaker 1>before that, we you know, we didn't even know of

0:34:52.480 --> 0:34:54.719
<v Speaker 1>the Kimberly process, so all of that, you know. And

0:34:54.680 --> 0:34:58.480
<v Speaker 1>then of course Johnny being from Vietnam where it's the country,

0:34:58.520 --> 0:35:00.279
<v Speaker 1>the life that it was the same, it was a

0:35:00.280 --> 0:35:02.920
<v Speaker 1>lot similar to what we saw, it touched him as well.

0:35:02.960 --> 0:35:05.680
<v Speaker 1>So for sure, off Top we switched our diamond hostel

0:35:05.840 --> 0:35:07.560
<v Speaker 1>up and make sure they were going through the Chimerley

0:35:07.560 --> 0:35:09.480
<v Speaker 1>process the ones before. Now let me say this and

0:35:09.520 --> 0:35:12.200
<v Speaker 1>what the Chimley process. Let me finish it. When you

0:35:12.280 --> 0:35:14.279
<v Speaker 1>mind it, you know, when you mind the diamond, you

0:35:14.360 --> 0:35:16.239
<v Speaker 1>have to you find the diamond. You gotta you know,

0:35:16.239 --> 0:35:17.960
<v Speaker 1>if I own the diamond, mind, I gotta get it.

0:35:18.040 --> 0:35:21.640
<v Speaker 1>Each diamond registered. Then when it's sold whoever it's sold too,

0:35:21.680 --> 0:35:25.000
<v Speaker 1>there's like a it's got a number registered to it

0:35:25.200 --> 0:35:27.399
<v Speaker 1>so it can be tracked where exactly it came from.

0:35:27.680 --> 0:35:29.680
<v Speaker 1>Now it's you know, with anything on the black market,

0:35:29.719 --> 0:35:31.799
<v Speaker 1>you can you're diamond when I when we were when

0:35:31.800 --> 0:35:33.320
<v Speaker 1>we out there at people in the hotel, like you

0:35:33.360 --> 0:35:36.600
<v Speaker 1>need some diamonds, And I'm like, man, ain't just like

0:35:36.680 --> 0:35:39.960
<v Speaker 1>damn that? Like, man, that be well, I'm just tripping

0:35:40.200 --> 0:35:42.160
<v Speaker 1>to myself thinking like, man, what type of person like

0:35:44.600 --> 0:35:46.839
<v Speaker 1>the flood on the diamonds. I'm glad we weren't out

0:35:46.840 --> 0:35:48.520
<v Speaker 1>there to get the plug on the diamonds, were out

0:35:48.520 --> 0:35:52.480
<v Speaker 1>there to try to understand or you know, it's I

0:35:52.520 --> 0:35:54.960
<v Speaker 1>think it would be kind of like I mean, I

0:35:55.000 --> 0:35:56.799
<v Speaker 1>can't say like we can change the world and we

0:35:56.800 --> 0:35:59.440
<v Speaker 1>can change it, but we personally have to make a change,

0:35:59.520 --> 0:36:08.160
<v Speaker 1>you know. I think that's what you doing. Yeah, that's

0:36:07.600 --> 0:36:15.160
<v Speaker 1>where after that. Oh yeah, the holy experience out there, bro,

0:36:15.239 --> 0:36:18.959
<v Speaker 1>it was everything you know of Uh, you know, we

0:36:19.120 --> 0:36:21.759
<v Speaker 1>got the U n escorting us. You met all the

0:36:21.840 --> 0:36:24.839
<v Speaker 1>mutilated kids also thinking we met some of them. There's

0:36:24.880 --> 0:36:26.920
<v Speaker 1>like a village to it, like it's it's some of

0:36:26.960 --> 0:36:29.400
<v Speaker 1>it's it's just you know, you see kind of like

0:36:29.680 --> 0:36:32.280
<v Speaker 1>growing up here, man, you know, we first you taught

0:36:32.280 --> 0:36:34.960
<v Speaker 1>that everything is perfect, and then you realize it's all

0:36:35.040 --> 0:36:37.480
<v Speaker 1>lives and bullshit. And then later on you realize the

0:36:37.480 --> 0:36:39.200
<v Speaker 1>whole world is like that. You know, that's kind of

0:36:39.239 --> 0:36:41.279
<v Speaker 1>how it was for me. Like I grew up thinking it, oh,

0:36:41.400 --> 0:36:44.279
<v Speaker 1>America is great, and like, damn, this is funked up

0:36:44.320 --> 0:36:46.080
<v Speaker 1>how it happened or how it still is. And then

0:36:46.120 --> 0:36:48.200
<v Speaker 1>you go out to other places in the world, you like,

0:36:48.280 --> 0:36:51.160
<v Speaker 1>damn the world. It really the world really fucked up.

0:36:51.160 --> 0:36:53.759
<v Speaker 1>How we treat each other man's crazy. Man, So let's

0:36:53.840 --> 0:36:56.560
<v Speaker 1>take it back, right, you and Johnny, you link up.

0:36:56.600 --> 0:37:00.359
<v Speaker 1>He got crime, links you up with Johnny, right, all right,

0:37:01.080 --> 0:37:04.080
<v Speaker 1>And Johnny's already doing it. He's already. He's already Johnny

0:37:04.200 --> 0:37:06.840
<v Speaker 1>was at that time. This is Johnny's basic story. He

0:37:06.920 --> 0:37:11.840
<v Speaker 1>came from Vietnam. Johnny actually has a crazy story within

0:37:11.960 --> 0:37:15.160
<v Speaker 1>his personal family. His uncle was a general in the

0:37:15.320 --> 0:37:19.080
<v Speaker 1>army in Vietnam. The commune side or the side is

0:37:19.120 --> 0:37:23.600
<v Speaker 1>down with America. His uncle escaped from Vietnam. He was

0:37:23.640 --> 0:37:27.040
<v Speaker 1>in jail. He escaped as a prisoner a war. It

0:37:27.080 --> 0:37:29.840
<v Speaker 1>took him eighteen times. On his eighteenth time, he finally

0:37:29.960 --> 0:37:32.800
<v Speaker 1>escaped and made it to America, got a political stylum

0:37:32.880 --> 0:37:35.759
<v Speaker 1>everything here, and then one by one his family would

0:37:35.800 --> 0:37:37.799
<v Speaker 1>come over. Johnny made it here when he was young,

0:37:38.560 --> 0:37:40.960
<v Speaker 1>I think just out of high school. Um, like he

0:37:41.040 --> 0:37:43.200
<v Speaker 1>might have just graduated like some time around like that,

0:37:43.600 --> 0:37:46.720
<v Speaker 1>and he went to school. He started off doing jewelry repair.

0:37:47.400 --> 0:37:49.680
<v Speaker 1>He was man. His first six months here. I think

0:37:49.719 --> 0:37:52.200
<v Speaker 1>he said he made five dollars his first six months,

0:37:52.280 --> 0:37:54.520
<v Speaker 1>and he was like, man, this is the greatest in

0:37:54.560 --> 0:37:58.480
<v Speaker 1>the world. It was like, you know, as a as

0:37:58.520 --> 0:38:01.440
<v Speaker 1>a community, like has going back to Vietnam, saying a

0:38:01.480 --> 0:38:03.279
<v Speaker 1>few times I tried to reach out when we did,

0:38:03.480 --> 0:38:05.040
<v Speaker 1>I also went to Vietnam. We did a film out

0:38:05.040 --> 0:38:06.080
<v Speaker 1>that I was trying to reach out to them to

0:38:06.080 --> 0:38:09.400
<v Speaker 1>be in the film. You should have win, Yeah, I

0:38:09.440 --> 0:38:11.040
<v Speaker 1>mean I just wanted to get like an interview from

0:38:11.160 --> 0:38:13.920
<v Speaker 1>him about going. Yeah, it's already done, but I mean

0:38:13.920 --> 0:38:17.600
<v Speaker 1>I want to go back. Man, maybe loved it. So

0:38:18.280 --> 0:38:21.280
<v Speaker 1>what's it called coming home Vietnam? Thanks a lot, buddy,

0:38:21.400 --> 0:38:25.120
<v Speaker 1>coming Yeah, that's what we got checked out. Back in

0:38:25.160 --> 0:38:27.160
<v Speaker 1>the days they used to have to say, who is

0:38:27.200 --> 0:38:30.560
<v Speaker 1>Mike Jones right now. It was where is Mike Jones at?

0:38:30.560 --> 0:38:33.520
<v Speaker 1>Where is that nick guy? Man? Yeah? Man, your guests

0:38:33.640 --> 0:38:35.719
<v Speaker 1>might be as good as mine. Maybe the number still works,

0:38:35.760 --> 0:38:40.680
<v Speaker 1>call it the number? What happened? They don't? I think

0:38:40.680 --> 0:38:43.120
<v Speaker 1>he actually, I think the phone company actually like tried

0:38:43.160 --> 0:38:45.799
<v Speaker 1>to sue him because of that number, because they like, man,

0:38:47.160 --> 0:38:49.000
<v Speaker 1>he don't have it no more so whoever has like

0:38:49.000 --> 0:38:50.680
<v Speaker 1>they can't use it as a number. You know what

0:38:50.680 --> 0:38:53.279
<v Speaker 1>I'm saying, because they whoever it is like right now

0:38:53.400 --> 0:39:00.799
<v Speaker 1>is people texting college. It's dumb. Shout out Mike Jones away. Yeah, man,

0:39:00.840 --> 0:39:03.600
<v Speaker 1>we wish you the best man ship. You know, what's

0:39:03.760 --> 0:39:07.720
<v Speaker 1>what's up? Man? What it is? Got slimmed up bun

0:39:08.239 --> 0:39:12.440
<v Speaker 1>y'all got you, you got you got z, We got

0:39:12.520 --> 0:39:17.080
<v Speaker 1>my boy and trade the truth. We got Agan Stallion.

0:39:17.120 --> 0:39:21.400
<v Speaker 1>Shout out Magan Stadion. Lizzo, uh Lizzo from Houston to

0:39:21.520 --> 0:39:26.040
<v Speaker 1>Travis Scott, Sauce twins, Travis Scott, none of your niggers

0:39:26.400 --> 0:39:31.800
<v Speaker 1>niggas from Yeah, that's what's ill about it. You know

0:39:32.200 --> 0:39:34.520
<v Speaker 1>he definitely from move yeah yeah, and he gets the

0:39:34.560 --> 0:39:38.839
<v Speaker 1>biggest tribute though. Yeah. I think about that too, because

0:39:39.080 --> 0:39:41.800
<v Speaker 1>you know we've Throughout the years, there's been other artists

0:39:41.840 --> 0:39:43.920
<v Speaker 1>that have come out of Houston that didn't come with

0:39:44.000 --> 0:39:46.959
<v Speaker 1>the traditional age town sound, you know what I'm saying,

0:39:47.000 --> 0:39:48.920
<v Speaker 1>But he for sure took it to another level. But

0:39:49.040 --> 0:39:51.879
<v Speaker 1>I think, you know what his style he has more

0:39:51.920 --> 0:39:54.719
<v Speaker 1>of like you know, I think he's a kind of affected.

0:39:55.280 --> 0:39:57.720
<v Speaker 1>It's you know, I have a bias being from Houston,

0:39:57.760 --> 0:39:59.759
<v Speaker 1>so I'm gonna look at him like, oh yeah, you know,

0:40:00.320 --> 0:40:02.839
<v Speaker 1>he god, you know, but because he's yeah, yeah, because

0:40:02.840 --> 0:40:05.239
<v Speaker 1>he's successful. So I'm rooting for him. I want to

0:40:05.280 --> 0:40:08.640
<v Speaker 1>see all these for sure, but you know, just seeing

0:40:09.080 --> 0:40:10.920
<v Speaker 1>just you know, just how you do his thing with

0:40:11.000 --> 0:40:13.879
<v Speaker 1>the production and the rapp and then for him to man,

0:40:14.600 --> 0:40:21.040
<v Speaker 1>man he on Saturday Night that Kardashian sex bring you

0:40:21.200 --> 0:40:24.640
<v Speaker 1>right to the top with shout out to the kardash

0:40:25.120 --> 0:40:27.479
<v Speaker 1>We've seen him on Saturday Night Live. Oh DJ screw

0:40:27.560 --> 0:40:29.960
<v Speaker 1>in the background, them type of things. It's like, man,

0:40:30.080 --> 0:40:32.440
<v Speaker 1>you know, and that kind of just goes to show. Like,

0:40:32.520 --> 0:40:34.759
<v Speaker 1>you know, even from Houston or whatever wherever you're from.

0:40:34.840 --> 0:40:39.480
<v Speaker 1>You know, if we got a wide variety of flavors,

0:40:39.640 --> 0:40:41.160
<v Speaker 1>you know what I'm saying, we do have our best

0:40:41.239 --> 0:40:44.160
<v Speaker 1>selling flavors but we got a wide variety of flavors

0:40:46.080 --> 0:40:52.520
<v Speaker 1>shout out yeah yeah, And I wanted the people to

0:40:52.600 --> 0:40:55.759
<v Speaker 1>know that. Paul Walter said he's not drinking today, So

0:40:56.040 --> 0:41:04.520
<v Speaker 1>I Am not drinking up. It's going in and expect that.

0:41:05.120 --> 0:41:07.040
<v Speaker 1>So because you know, some people come out here and

0:41:07.280 --> 0:41:09.520
<v Speaker 1>they don't don't drink it like they drinking some time,

0:41:09.800 --> 0:41:17.400
<v Speaker 1>and you know, I don't like that. You know, I

0:41:17.480 --> 0:41:19.200
<v Speaker 1>want to join my guests. Now we have guests that

0:41:19.239 --> 0:41:21.320
<v Speaker 1>don't don't come on or don't smoke or drink. But

0:41:21.719 --> 0:41:23.880
<v Speaker 1>it spa corse like Joe. But we had Joe button

0:41:23.920 --> 0:41:27.920
<v Speaker 1>on I'm saying his name right nine because they was

0:41:28.000 --> 0:41:30.920
<v Speaker 1>both they both felt like they were acn um well

0:41:31.000 --> 0:41:34.400
<v Speaker 1>not Acon voice and um Joe. They felt like they

0:41:34.480 --> 0:41:36.960
<v Speaker 1>were addicts at one point and that's the reason why

0:41:37.040 --> 0:41:41.400
<v Speaker 1>they don't indulge anymore any time I want, right, so

0:41:41.480 --> 0:41:43.680
<v Speaker 1>you don't still with or do you? Or do you huh?

0:41:43.840 --> 0:41:48.879
<v Speaker 1>Or do I mean? You know? It's when you get

0:41:48.960 --> 0:41:51.279
<v Speaker 1>older and then being a parent and then being a

0:41:51.360 --> 0:41:54.040
<v Speaker 1>role model and actually seeing kids and then also having

0:41:54.160 --> 0:41:58.920
<v Speaker 1>conversations with other artists and CEOs from Houston, from the

0:41:59.040 --> 0:42:02.640
<v Speaker 1>eras that raised me and having them type of talks

0:42:02.680 --> 0:42:05.640
<v Speaker 1>with them and get you a different perspective on the influence,

0:42:05.960 --> 0:42:07.640
<v Speaker 1>where if I talk about it in a rapp or

0:42:07.640 --> 0:42:09.360
<v Speaker 1>even if I make a whole song about it and

0:42:09.440 --> 0:42:13.160
<v Speaker 1>I'm wearing a activist shirt or something, you yeah, but

0:42:13.239 --> 0:42:15.560
<v Speaker 1>shall still got it. But even then I don't. It's

0:42:15.600 --> 0:42:18.160
<v Speaker 1>at the jury store. Some of it is, Like, man,

0:42:18.880 --> 0:42:21.840
<v Speaker 1>how much of it is it just representing the culture

0:42:22.000 --> 0:42:23.759
<v Speaker 1>or how much when is it turned from that to

0:42:24.040 --> 0:42:28.239
<v Speaker 1>promoting the culture and promoting the misinformation of things? And

0:42:28.360 --> 0:42:30.880
<v Speaker 1>then you know, it's like, man, we got parents on

0:42:30.960 --> 0:42:34.600
<v Speaker 1>there trying to band boycott us. These kids that get

0:42:34.640 --> 0:42:36.480
<v Speaker 1>on the internet and day like this, they look like

0:42:38.400 --> 0:42:41.440
<v Speaker 1>and they can't stay up Like that's like, yeah, some

0:42:41.600 --> 0:42:44.120
<v Speaker 1>of it is, but I mean, you know, I think

0:42:44.200 --> 0:42:46.080
<v Speaker 1>most of them not sitting drank though I think most

0:42:46.120 --> 0:42:48.560
<v Speaker 1>of them is taking someone's and popping pills and others.

0:42:51.040 --> 0:42:54.480
<v Speaker 1>But you know, and that's the it Definitely at some

0:42:54.640 --> 0:42:57.200
<v Speaker 1>point it went because it's it's so funny man, being

0:42:57.560 --> 0:43:00.800
<v Speaker 1>in you know, have grown up music. Leaving my musical

0:43:00.880 --> 0:43:02.760
<v Speaker 1>career or when I signed to a major or whatever,

0:43:02.960 --> 0:43:06.080
<v Speaker 1>you're going around the country recience drink. We asked you know,

0:43:06.160 --> 0:43:08.360
<v Speaker 1>what's drinking or whatever. And then I just you know,

0:43:08.800 --> 0:43:11.600
<v Speaker 1>certain places I'll go. I remember being in places and

0:43:11.640 --> 0:43:13.600
<v Speaker 1>there was some very high powered people in the room

0:43:13.960 --> 0:43:16.520
<v Speaker 1>and we sit and drank. They're looking at us like

0:43:16.680 --> 0:43:20.040
<v Speaker 1>we're complete crackheads, and I'm like, damn, they're looking at

0:43:20.040 --> 0:43:25.319
<v Speaker 1>it like we crackheads. But they was snorm cocaine, like yeah,

0:43:25.440 --> 0:43:28.399
<v Speaker 1>and we just like damn. It's just funny to see,

0:43:28.719 --> 0:43:32.279
<v Speaker 1>like how drink has just globally become accepted now, you know,

0:43:32.440 --> 0:43:35.040
<v Speaker 1>like it's rapping. Like I was looking on Instagram's rappers

0:43:35.080 --> 0:43:37.920
<v Speaker 1>in Africa talking about sit and drink and I'm like, damn, man,

0:43:37.960 --> 0:43:40.080
<v Speaker 1>it's going down. And it's the other things like I

0:43:40.120 --> 0:43:42.279
<v Speaker 1>got a homeboy from Poland. I went to Poland. He's like,

0:43:42.440 --> 0:43:44.160
<v Speaker 1>I got a present for you. What's up. It's some

0:43:44.280 --> 0:43:49.360
<v Speaker 1>Poland drink. I'm like, damn, what's going down? And for

0:43:49.480 --> 0:43:51.759
<v Speaker 1>so anytime we go to Mexico, we always you know,

0:43:52.239 --> 0:43:58.320
<v Speaker 1>and my farmer see you know, but you know, it

0:43:58.360 --> 0:44:00.680
<v Speaker 1>ain't and they make it different all around the world,

0:44:00.719 --> 0:44:02.279
<v Speaker 1>you know what I'm saying, But it is it is

0:44:02.320 --> 0:44:04.680
<v Speaker 1>cough serve all around the world. You know, you had

0:44:04.760 --> 0:44:08.040
<v Speaker 1>one song to represent your your whole career like like

0:44:08.239 --> 0:44:11.120
<v Speaker 1>like everything just once on to represent Paul or what

0:44:11.160 --> 0:44:14.279
<v Speaker 1>would that song be? Uh? Man, that's a good one

0:44:14.360 --> 0:44:18.279
<v Speaker 1>man ship, dude. It's definitely been a journey of career, man,

0:44:18.360 --> 0:44:20.440
<v Speaker 1>my whole my This is my dream job. So I

0:44:20.520 --> 0:44:23.240
<v Speaker 1>look at this as my career like ship, every aspect

0:44:23.280 --> 0:44:25.759
<v Speaker 1>of whatever, even if it parlay and the other businesses.

0:44:26.320 --> 0:44:29.040
<v Speaker 1>This is my dream job, dream career. I'm gonna do

0:44:29.160 --> 0:44:32.320
<v Speaker 1>this as long as I'm able and capable, man, you know,

0:44:32.480 --> 0:44:34.719
<v Speaker 1>So I don't know, I think, you know. For so

0:44:35.600 --> 0:44:37.680
<v Speaker 1>I would maybe say drive slow because you know it's

0:44:38.400 --> 0:44:41.600
<v Speaker 1>not not friends would say maybe drive slow would be?

0:44:42.680 --> 0:44:46.360
<v Speaker 1>And what what artists from the town inspired you? And

0:44:46.400 --> 0:44:48.520
<v Speaker 1>then from outside of the time. For sure, Lott Kiki

0:44:48.640 --> 0:44:51.560
<v Speaker 1>was my biggest inspiration. He um. You know I grew

0:44:51.680 --> 0:44:54.680
<v Speaker 1>up on the era the screwed up Click everybody screwed

0:44:54.760 --> 0:44:59.719
<v Speaker 1>up Drake talk about no no, no, you know these

0:44:59.760 --> 0:45:06.640
<v Speaker 1>little look crazy you know what I mean and everything?

0:45:07.560 --> 0:45:11.600
<v Speaker 1>You know what I mean. Yeah, I'm sorry, I'm sorry.

0:45:11.640 --> 0:45:16.399
<v Speaker 1>So yeah. Look, he's basically the originator of a lot

0:45:16.640 --> 0:45:21.400
<v Speaker 1>of the Houston culture, especially when it comes to rapping

0:45:21.520 --> 0:45:24.800
<v Speaker 1>about the culture, putting on you know, having him, you know,

0:45:24.840 --> 0:45:27.400
<v Speaker 1>I'm sure he'd be a incredible guest because he can

0:45:27.480 --> 0:45:29.840
<v Speaker 1>give you know, all kind of background history. You know,

0:45:29.960 --> 0:45:31.920
<v Speaker 1>it was it was him. It was him fat patting

0:45:31.960 --> 0:45:35.440
<v Speaker 1>DJ screw started off and then you know, there was

0:45:35.520 --> 0:45:38.920
<v Speaker 1>definitely it was people involved, like you run see what

0:45:39.040 --> 0:45:41.880
<v Speaker 1>to do for sure, those people involved, like in the

0:45:41.960 --> 0:45:44.360
<v Speaker 1>streets like Corey Blunt, who was like a key figure

0:45:44.440 --> 0:45:46.960
<v Speaker 1>where he you know, the cars he was, you know,

0:45:47.080 --> 0:45:48.640
<v Speaker 1>one of the people in the streets making the money.

0:45:48.719 --> 0:45:50.440
<v Speaker 1>So he had his cars right, so it was like

0:45:50.480 --> 0:45:53.440
<v Speaker 1>an inspiration for everyone. You know, the way we do

0:45:53.520 --> 0:45:56.560
<v Speaker 1>our cars now was all of you know, he inspired

0:45:56.600 --> 0:45:59.040
<v Speaker 1>me for show the most. He was my favorite rapper

0:45:59.080 --> 0:46:01.600
<v Speaker 1>still is he the greatest rapper to me still is

0:46:02.040 --> 0:46:04.160
<v Speaker 1>you know, his wordplay, the things he would say, also

0:46:04.360 --> 0:46:06.920
<v Speaker 1>just representing put it on for the for the Houston culture,

0:46:06.960 --> 0:46:09.120
<v Speaker 1>being that he was somebody out looked to. He was

0:46:09.200 --> 0:46:11.520
<v Speaker 1>from where I'm from, from the city I'm from. He

0:46:11.640 --> 0:46:14.279
<v Speaker 1>represented where I'm from, where I looked at him as

0:46:14.360 --> 0:46:18.440
<v Speaker 1>being somebody you know, up high, who who's professional, who

0:46:18.480 --> 0:46:20.359
<v Speaker 1>made it, whose elite? You know what I'm saying. Where

0:46:20.440 --> 0:46:23.240
<v Speaker 1>ship he from where I'm from? Ship that's that's exactly

0:46:23.280 --> 0:46:25.000
<v Speaker 1>who I would want to be. You know, definitely he's

0:46:25.040 --> 0:46:30.000
<v Speaker 1>my favorite, But he didn't answer from side who was

0:46:30.080 --> 0:46:33.160
<v Speaker 1>murder from outside the town inspired, I would say maybe

0:46:33.480 --> 0:46:38.759
<v Speaker 1>b G Um Maybe yeah, how boys? For sure BG

0:46:39.000 --> 0:46:41.160
<v Speaker 1>was my favore. B G and juvenile there was my favorite,

0:46:41.320 --> 0:46:44.960
<v Speaker 1>uh b G for sure. I think because I had

0:46:45.000 --> 0:46:47.600
<v Speaker 1>the best collection, the biggest collection of his music. For

0:46:47.719 --> 0:46:50.960
<v Speaker 1>sure that that was. Even though I maybe didn't pattern

0:46:51.080 --> 0:46:55.240
<v Speaker 1>my rap style off of him, um, he definitely inspired

0:46:55.280 --> 0:46:57.040
<v Speaker 1>me a lot. Just a lot of that too, came

0:46:57.120 --> 0:47:01.399
<v Speaker 1>from the locality of where he You know, any any

0:47:01.520 --> 0:47:05.160
<v Speaker 1>local rapper, they're my favorite rapper Man Snoop Dogg. They

0:47:05.200 --> 0:47:07.640
<v Speaker 1>don't get more local than that. He long Beach Light,

0:47:08.280 --> 0:47:12.200
<v Speaker 1>but he's global, you know, you know any local global, Yeah,

0:47:13.600 --> 0:47:16.319
<v Speaker 1>I understand, But you know, all the local rappers are

0:47:16.320 --> 0:47:18.120
<v Speaker 1>always are my favorite. You know, when you when you

0:47:18.320 --> 0:47:21.960
<v Speaker 1>ascend with your career, they want you to be more

0:47:22.280 --> 0:47:25.760
<v Speaker 1>mainstream so more people can funk with it. But sometimes

0:47:25.840 --> 0:47:28.160
<v Speaker 1>you lose your local news. But the local rappers are

0:47:28.160 --> 0:47:30.440
<v Speaker 1>always the dopest to me, many my favorite. Now you

0:47:30.520 --> 0:47:32.640
<v Speaker 1>got like the eminem past. Like what I mean by

0:47:32.719 --> 0:47:35.239
<v Speaker 1>that is like you know how most people they will

0:47:35.239 --> 0:47:37.319
<v Speaker 1>be like, oh, logic is dope, But then they'll say,

0:47:37.400 --> 0:47:39.480
<v Speaker 1>logic is dope for a white white boy, you know

0:47:39.520 --> 0:47:41.840
<v Speaker 1>what I'm saying. And then they'll say, uh, you know

0:47:42.120 --> 0:47:44.799
<v Speaker 1>MC searches dope before a white guy. I don't hear

0:47:44.800 --> 0:47:46.600
<v Speaker 1>people say that about you, like I hear people say

0:47:46.640 --> 0:47:49.479
<v Speaker 1>Paul Walls, and I hear people say Eminem is dumpe,

0:47:49.920 --> 0:47:52.400
<v Speaker 1>like like, how does how does that resonate with you?

0:47:52.760 --> 0:47:56.080
<v Speaker 1>I mean, I'm I'm very grateful to people appreciate me

0:47:56.280 --> 0:47:59.400
<v Speaker 1>in any capacity, and they say, are dope for somebody

0:47:59.480 --> 0:48:01.279
<v Speaker 1>to wear a hat? You know? Even that, you know,

0:48:01.360 --> 0:48:04.360
<v Speaker 1>it's like at least they think I'm dope because you know,

0:48:04.440 --> 0:48:07.160
<v Speaker 1>I got bullied, I got picked on. So I'm I'm

0:48:07.200 --> 0:48:15.759
<v Speaker 1>glad I got friends. Now I got my real friends.

0:48:15.760 --> 0:48:18.120
<v Speaker 1>Shout out to my real ones, man, Hey, what's up here?

0:48:18.160 --> 0:48:20.319
<v Speaker 1>Shout out to my boy Perier out there? Google, what's up? Google?

0:48:20.360 --> 0:48:22.560
<v Speaker 1>Ty Fair, all my real ones out there. But you

0:48:22.640 --> 0:48:25.359
<v Speaker 1>know it's funny because we'll think about it, like, well,

0:48:25.440 --> 0:48:27.719
<v Speaker 1>like me and my boys will laugh about that, like

0:48:27.760 --> 0:48:30.160
<v Speaker 1>when they had like the top ten greatest white rappers

0:48:30.200 --> 0:48:32.720
<v Speaker 1>ever and I ain't on the list, Top twenty, top fifty,

0:48:33.000 --> 0:48:34.719
<v Speaker 1>and we'll be like, damn, I know I'm better than

0:48:34.800 --> 0:48:36.879
<v Speaker 1>some of them. But you know, it's like, okay, I said,

0:48:36.880 --> 0:48:38.839
<v Speaker 1>I don't know how we traded you A long time ago.

0:48:41.120 --> 0:48:45.839
<v Speaker 1>I forgot I got traded you for I think Grave

0:48:45.920 --> 0:48:53.880
<v Speaker 1>Brady my man. Yeah, but they hey, but man, you know,

0:48:54.239 --> 0:48:57.480
<v Speaker 1>I don't know. Some of it is like dogs sterling,

0:48:57.800 --> 0:49:00.719
<v Speaker 1>just ting. I don't know. I don't know how I

0:49:00.760 --> 0:49:04.360
<v Speaker 1>should feel being you know, like I never cared. I

0:49:04.440 --> 0:49:06.759
<v Speaker 1>never wanted to be a white rapper. I never wanted that.

0:49:06.880 --> 0:49:09.479
<v Speaker 1>And then growing up in Texas, a lot of times

0:49:09.520 --> 0:49:12.080
<v Speaker 1>people thought I was, especially with a low hit because

0:49:12.239 --> 0:49:15.480
<v Speaker 1>they like, oh he Hispanic, or he mixed, or Frenchman

0:49:15.480 --> 0:49:21.200
<v Speaker 1>from Louisiana. They is one of the three Frenchman. Yeah yeah,

0:49:21.320 --> 0:49:26.320
<v Speaker 1>but they called him Frenchman. That's what I want to be,

0:49:26.360 --> 0:49:30.480
<v Speaker 1>a Frenchman. I want to be a Frenchman. Mixtape Frenchman.

0:49:30.640 --> 0:49:32.640
<v Speaker 1>I think I think some of that too, being on

0:49:32.719 --> 0:49:36.400
<v Speaker 1>the Switchhouse mixtapes. My voice is slowed. It's pre Internet,

0:49:36.480 --> 0:49:38.680
<v Speaker 1>so you can't google what somebody looked like, so you

0:49:38.719 --> 0:49:40.919
<v Speaker 1>didn't know how what I look like. You hear my music,

0:49:41.000 --> 0:49:43.560
<v Speaker 1>it's already slowed down, so it's already got effects on it,

0:49:43.680 --> 0:49:45.960
<v Speaker 1>so you really didn't know what I will what you know,

0:49:46.040 --> 0:49:48.439
<v Speaker 1>what I looked like. And then I think sometimes people

0:49:48.600 --> 0:49:51.320
<v Speaker 1>make excuses up like that just because to give me

0:49:51.360 --> 0:49:54.239
<v Speaker 1>a pass, like or not here he got to be missing. No, no, no,

0:49:55.000 --> 0:49:57.560
<v Speaker 1>because it's funny. Man. One time I was in Florida,

0:49:57.560 --> 0:50:01.399
<v Speaker 1>had the show and start six nine uh Roy Jones

0:50:01.480 --> 0:50:04.680
<v Speaker 1>Junior Club in Pensacola. Uh And it was like one

0:50:04.719 --> 0:50:07.440
<v Speaker 1>of my first shows, me and come in there, and

0:50:07.560 --> 0:50:09.600
<v Speaker 1>I was at the bar before I'm about to go on.

0:50:10.320 --> 0:50:11.880
<v Speaker 1>It was a sold out show. It was you know,

0:50:12.120 --> 0:50:14.239
<v Speaker 1>it was because we was rocking it back then, just

0:50:14.360 --> 0:50:16.920
<v Speaker 1>even on the mixtape. Sold out show and I'm just

0:50:17.040 --> 0:50:19.200
<v Speaker 1>at the bar getting to drink. Somebody next to me

0:50:19.680 --> 0:50:22.239
<v Speaker 1>say his homeboy, hey man, when I went Paul Walk

0:50:22.280 --> 0:50:23.960
<v Speaker 1>going on, Man, how long we gotta wait till Paul

0:50:24.000 --> 0:50:25.880
<v Speaker 1>Walk going on? I turned to him and said, oh,

0:50:25.960 --> 0:50:28.680
<v Speaker 1>what's up, bro, I'm going like fifteen twenty minutes. He

0:50:28.880 --> 0:50:30.560
<v Speaker 1>looked me up up and down my head like he's

0:50:30.560 --> 0:50:33.080
<v Speaker 1>about to steal off on me. I'm like, oh, you know,

0:50:33.120 --> 0:50:35.279
<v Speaker 1>I'm like whatever, you know, all right, that's what's up?

0:50:35.320 --> 0:50:37.160
<v Speaker 1>And then I left. I'm like whatever. Then after the

0:50:37.200 --> 0:50:39.279
<v Speaker 1>so he came up to me. He was like, damn,

0:50:39.280 --> 0:50:41.239
<v Speaker 1>I didn't know that was you. I mean, I he

0:50:41.360 --> 0:50:42.640
<v Speaker 1>just straight up to him. He's like, man, I don't

0:50:42.640 --> 0:50:47.680
<v Speaker 1>mean no offense, but I hate white people. Man. He

0:50:47.800 --> 0:50:51.399
<v Speaker 1>told me. He was like, I hate the white people.

0:50:51.480 --> 0:50:53.560
<v Speaker 1>He said, so, he said, but really you're my favorite

0:50:53.640 --> 0:50:55.640
<v Speaker 1>rather so when you told me that at the bar,

0:50:55.719 --> 0:50:57.879
<v Speaker 1>I'm like, who then is that? And I'm like, he said,

0:50:59.640 --> 0:51:02.040
<v Speaker 1>then I come on stage, so he told me. He

0:51:02.360 --> 0:51:04.759
<v Speaker 1>told me, I mean, I'm torn between two words like

0:51:05.840 --> 0:51:08.200
<v Speaker 1>I like you because you're my favorite rapper. I hate

0:51:08.200 --> 0:51:10.719
<v Speaker 1>you because you're white. And you know, I'll just that

0:51:10.920 --> 0:51:15.360
<v Speaker 1>just man. It was so whoever that was man, you

0:51:15.440 --> 0:51:17.920
<v Speaker 1>still out there. Man, ain't much love to you. I

0:51:18.000 --> 0:51:24.000
<v Speaker 1>get a discount on the grill. That's some, but you

0:51:24.040 --> 0:51:26.000
<v Speaker 1>know some of it too, man. I just personally, I

0:51:26.000 --> 0:51:29.480
<v Speaker 1>don't like think back. I think because sometimes I see

0:51:29.520 --> 0:51:32.239
<v Speaker 1>white rappers and they'll come to me like man, a

0:51:32.320 --> 0:51:35.480
<v Speaker 1>lot of times, man, you know all man, all the time,

0:51:35.520 --> 0:51:38.439
<v Speaker 1>white rappers come to me for advice on different things.

0:51:38.520 --> 0:51:41.799
<v Speaker 1>You know, uh rappers are always coming, you know, they

0:51:41.840 --> 0:51:43.319
<v Speaker 1>come me to say, how do I be a white rapper?

0:51:43.320 --> 0:51:45.800
<v Speaker 1>I don't want imagine did they say that in so

0:51:45.920 --> 0:51:49.040
<v Speaker 1>many words? You know, it'd be I get asked some

0:51:49.760 --> 0:51:52.480
<v Speaker 1>some questions, it will be I think, how could you

0:51:52.640 --> 0:51:55.200
<v Speaker 1>ask somebody that? Or how could you even think that? Like,

0:51:55.640 --> 0:51:57.759
<v Speaker 1>you know, my advice to anybody you want somebody like

0:51:57.880 --> 0:52:00.200
<v Speaker 1>you just be really yourself because if they don't like you.

0:52:00.320 --> 0:52:04.680
<v Speaker 1>For me and faith, yeah, but so so I mean,

0:52:04.920 --> 0:52:08.320
<v Speaker 1>but it's funny sometimes. But at the same time, I

0:52:08.560 --> 0:52:11.280
<v Speaker 1>don't know, because growing up I had friends of all races.

0:52:11.560 --> 0:52:13.640
<v Speaker 1>For sure, most of my friends were black, but I

0:52:13.680 --> 0:52:15.959
<v Speaker 1>had Asian friends too, had a lot of Messican friends

0:52:16.120 --> 0:52:19.160
<v Speaker 1>or Hispanic. I had friends who were other Dominican other

0:52:19.239 --> 0:52:22.320
<v Speaker 1>things too, were not just mixing but Guatemala, uh you know. So,

0:52:23.000 --> 0:52:25.120
<v Speaker 1>but for sure, most of my friends were for sure black.

0:52:25.160 --> 0:52:27.480
<v Speaker 1>I had some white friends, but the white boys in

0:52:27.520 --> 0:52:29.319
<v Speaker 1>my neighborhood were the ones that would beat me up,

0:52:29.360 --> 0:52:32.840
<v Speaker 1>bullying me. So it was ship. It was, you know,

0:52:33.480 --> 0:52:35.960
<v Speaker 1>that's just how it was for me that coming in there,

0:52:36.080 --> 0:52:37.480
<v Speaker 1>like I grew up coming in my whole life. So

0:52:38.239 --> 0:52:42.000
<v Speaker 1>me and they were friends, you know, since the kindergarten.

0:52:42.080 --> 0:52:44.320
<v Speaker 1>Damn there you know what I'm saying. So you know,

0:52:44.480 --> 0:52:46.680
<v Speaker 1>not only him, but all our friends from that area.

0:52:46.760 --> 0:52:49.719
<v Speaker 1>We all you know, came up together. We are very

0:52:49.800 --> 0:52:51.839
<v Speaker 1>similar and everything we do, you know what I'm saying.

0:52:51.880 --> 0:52:54.719
<v Speaker 1>But and we all had friends of all races. But

0:52:55.360 --> 0:53:00.160
<v Speaker 1>being white sometimes it's like, you know, when they don't

0:53:00.200 --> 0:53:02.279
<v Speaker 1>have me on the list, it'd be funny like ship

0:53:02.640 --> 0:53:04.600
<v Speaker 1>then at the same time, but like, well, that's I

0:53:04.680 --> 0:53:07.160
<v Speaker 1>don't want to be seen as a white rapper or

0:53:07.320 --> 0:53:09.520
<v Speaker 1>none of that. I just want people to see me

0:53:09.640 --> 0:53:13.120
<v Speaker 1>for being dope or whatever. But definitely you know, being white,

0:53:13.320 --> 0:53:15.640
<v Speaker 1>being dope for a white rapper or being dope. Are

0:53:15.680 --> 0:53:18.120
<v Speaker 1>you dope for such and such? You dope for a girl?

0:53:18.320 --> 0:53:24.000
<v Speaker 1>You don't do that? Yeah, so I wouldate to Yeah,

0:53:24.040 --> 0:53:26.480
<v Speaker 1>it's uh, you know, I mean, it's good to be

0:53:26.960 --> 0:53:30.480
<v Speaker 1>appreciated to be considered dope, but it's also you could

0:53:30.520 --> 0:53:36.040
<v Speaker 1>be dope, not just for one aspect. Ever had a beef.

0:53:36.080 --> 0:53:38.160
<v Speaker 1>I'm looking at you and I'm thinking, like, you know,

0:53:38.239 --> 0:53:41.080
<v Speaker 1>you're you're always been positive, so I'm thinking like, like,

0:53:41.320 --> 0:53:43.319
<v Speaker 1>I know you don't commit that, but y'all y'all beef

0:53:43.360 --> 0:53:45.200
<v Speaker 1>for a little while. But like it was more it

0:53:45.280 --> 0:53:47.680
<v Speaker 1>was a lyrical it was more like just personal, but

0:53:47.760 --> 0:53:49.400
<v Speaker 1>with him it was real. It was personal because we

0:53:49.480 --> 0:53:51.600
<v Speaker 1>were best friends and then we took separate paths and

0:53:52.120 --> 0:53:54.120
<v Speaker 1>you know, but it's very great. Shout out to pen

0:53:54.200 --> 0:53:56.680
<v Speaker 1>c Man. Pence has had a huge He's a huge

0:53:56.719 --> 0:53:59.799
<v Speaker 1>reason why we reconcile. He talked to us individually. I'll

0:54:00.800 --> 0:54:04.840
<v Speaker 1>also shot to Eforty, the two biggest people it was.

0:54:05.080 --> 0:54:07.640
<v Speaker 1>You know, I mean some of it is like not

0:54:07.760 --> 0:54:10.640
<v Speaker 1>worth talking about because you know, bringing up all ship,

0:54:10.760 --> 0:54:12.880
<v Speaker 1>but you know, it's just we had different views on

0:54:13.000 --> 0:54:15.359
<v Speaker 1>certain things or you know, sometimes money might have been

0:54:15.440 --> 0:54:18.040
<v Speaker 1>involved or whatever. We just it was meant for us

0:54:18.080 --> 0:54:20.160
<v Speaker 1>to take separate paths. So when it was meant for

0:54:20.239 --> 0:54:22.840
<v Speaker 1>that to happen, that happened. And thank you know, thankfully

0:54:22.880 --> 0:54:24.880
<v Speaker 1>we kept it off Wax so that you know what

0:54:24.920 --> 0:54:26.560
<v Speaker 1>I'm saying. You know, some of them this is you

0:54:26.640 --> 0:54:29.120
<v Speaker 1>go back even when you're cool. You're like, damn said

0:54:29.160 --> 0:54:32.480
<v Speaker 1>that about me? God, you know, so uh, you know,

0:54:32.600 --> 0:54:35.240
<v Speaker 1>it's like, man, you know, we thank god, we thankfully,

0:54:35.239 --> 0:54:37.840
<v Speaker 1>thankfully we kept it off Wax. But Eforty was the

0:54:37.920 --> 0:54:40.839
<v Speaker 1>first one to say, man, y'all tripping you know, how

0:54:40.880 --> 0:54:42.960
<v Speaker 1>much money y'all can make and by the time you

0:54:43.040 --> 0:54:45.600
<v Speaker 1>realize that that opportunity is gonna be gone, nobody's gonna

0:54:45.600 --> 0:54:47.160
<v Speaker 1>care no more, or they're gonna be on to the

0:54:47.239 --> 0:54:49.360
<v Speaker 1>next or something like the forties. Always tell us man,

0:54:49.800 --> 0:54:52.400
<v Speaker 1>because Eforty fused with both of us, he gave us

0:54:52.440 --> 0:54:55.160
<v Speaker 1>both advice. We was cool anyway, we was friends, but

0:54:55.239 --> 0:54:57.160
<v Speaker 1>he was like a effort for sure. It was a

0:54:57.239 --> 0:55:00.960
<v Speaker 1>big mentor in the game. But specific league, Man, you

0:55:01.120 --> 0:55:03.520
<v Speaker 1>and Commed are tripping. Then pm C said it too,

0:55:03.600 --> 0:55:08.759
<v Speaker 1>it's like legends. And then pm C like he came

0:55:08.800 --> 0:55:11.440
<v Speaker 1>to he spoke individually to both of us, Man, what's

0:55:11.480 --> 0:55:14.400
<v Speaker 1>up with you? Commed there, man, what's the problem. Okay,

0:55:14.960 --> 0:55:19.040
<v Speaker 1>you're tripping? He tripping to funk that y'all making y'all tripping?

0:55:19.120 --> 0:55:21.439
<v Speaker 1>His money out there, y'all can be making all this money.

0:55:21.640 --> 0:55:24.080
<v Speaker 1>Y'all ain't got to get along, e man. Before they

0:55:24.120 --> 0:55:25.799
<v Speaker 1>I don't know if they talked before they talked to us,

0:55:25.880 --> 0:55:28.040
<v Speaker 1>but they both told us the same. You know, it

0:55:28.160 --> 0:55:31.239
<v Speaker 1>was like man. And then when he put us in

0:55:31.280 --> 0:55:34.239
<v Speaker 1>the song Knocking Doors Down, he shot us out. Then

0:55:35.040 --> 0:55:37.520
<v Speaker 1>even before that, you know, the public will come, what's

0:55:37.600 --> 0:55:38.920
<v Speaker 1>up with your COMMUNI it, what's up with you? Commit?

0:55:38.960 --> 0:55:41.320
<v Speaker 1>What's up with you? Comman? It's cool whatever. Then eventually

0:55:41.440 --> 0:55:44.480
<v Speaker 1>sometimes people will the public will die down, like we

0:55:44.600 --> 0:55:46.680
<v Speaker 1>always to touch yourselfject if don't ask him about that,

0:55:46.760 --> 0:55:48.560
<v Speaker 1>even when it ain't touch yourself, you no more. And

0:55:48.600 --> 0:55:50.359
<v Speaker 1>still they'd be like, oh, I don't respect, I don't

0:55:50.400 --> 0:55:52.320
<v Speaker 1>want to ask you about this or that. You know.

0:55:52.440 --> 0:55:55.359
<v Speaker 1>But then you know, pm C put us in the verse.

0:55:55.760 --> 0:56:03.200
<v Speaker 1>Everybody he said commit still eight talking oh money speak

0:56:03.280 --> 0:56:05.839
<v Speaker 1>out that boys keep walking. He basically caught out all

0:56:05.880 --> 0:56:08.560
<v Speaker 1>the Houston rappers saying, y'all tripping with each other were

0:56:08.600 --> 0:56:11.080
<v Speaker 1>beef and we need to come together. But he say uh.

0:56:11.480 --> 0:56:16.880
<v Speaker 1>When he said that, then every all the public say damn, man,

0:56:16.960 --> 0:56:19.680
<v Speaker 1>what you're gonna do? Damn and everybody like it's like

0:56:19.760 --> 0:56:21.920
<v Speaker 1>it made it cool to come talk to us about it.

0:56:22.160 --> 0:56:23.759
<v Speaker 1>And then it was and it really forced us to

0:56:23.840 --> 0:56:28.440
<v Speaker 1>come together. And especially when PIMPS passed away, it was like, hey,

0:56:28.520 --> 0:56:30.160
<v Speaker 1>we gotta do this for pim C. Man. You know

0:56:30.680 --> 0:56:32.600
<v Speaker 1>you know it's it's for pim C. You know for

0:56:32.719 --> 0:56:34.920
<v Speaker 1>sure that he had It was a huge reason why

0:56:35.000 --> 0:56:37.640
<v Speaker 1>we came back together. Squad stuff B and we used

0:56:37.640 --> 0:56:42.560
<v Speaker 1>to pimp let us um and jail. You wasn't You

0:56:42.680 --> 0:56:46.840
<v Speaker 1>wasn't yet I was. That was kind of like it

0:56:46.960 --> 0:56:49.279
<v Speaker 1>was like during my attension, you know what I'm saying.

0:56:49.280 --> 0:56:51.200
<v Speaker 1>And then there's different levels. There's you know, you could

0:56:51.239 --> 0:56:52.400
<v Speaker 1>be a one hit one, that you could be an

0:56:52.440 --> 0:56:55.560
<v Speaker 1>underground mixtape, you know. Person Once you get on the

0:56:55.640 --> 0:56:58.200
<v Speaker 1>radio is different. Once you're on TV and the magazines

0:56:58.360 --> 0:57:01.840
<v Speaker 1>is real different. And it's an era before the Internet,

0:57:01.920 --> 0:57:06.080
<v Speaker 1>before smartphones and ship. So you know, you didn't you

0:57:06.120 --> 0:57:09.920
<v Speaker 1>couldn't find out about other artists unless it was put

0:57:10.000 --> 0:57:12.279
<v Speaker 1>in front of your face, you know, unless you go

0:57:12.400 --> 0:57:14.879
<v Speaker 1>to that CD and go to a record store. You know, ship.

0:57:14.960 --> 0:57:17.440
<v Speaker 1>The only way you hear it is if if they

0:57:17.520 --> 0:57:19.920
<v Speaker 1>played on the radio, which is somebody else controlling, or

0:57:19.960 --> 0:57:22.680
<v Speaker 1>they played on TV, which is somebody else controlling, or

0:57:23.360 --> 0:57:26.040
<v Speaker 1>there's it ship. You know, you it's tough to hear

0:57:26.040 --> 0:57:28.760
<v Speaker 1>about you guys. Address and just said let me just

0:57:29.680 --> 0:57:33.400
<v Speaker 1>addresses man, big bro who to dude. She're a big

0:57:33.480 --> 0:57:35.800
<v Speaker 1>fan of course. And at that time too, you know,

0:57:35.880 --> 0:57:38.080
<v Speaker 1>I was, I was already making a name for myself

0:57:38.120 --> 0:57:40.400
<v Speaker 1>with Switchhouse, and then some of it too is you

0:57:40.520 --> 0:57:43.000
<v Speaker 1>know when you say somebody, Hey, free pm C. You'

0:57:43.000 --> 0:57:45.040
<v Speaker 1>say it on a rap. You know you ain't trying

0:57:45.040 --> 0:57:47.280
<v Speaker 1>to be like false claiming saying that you know. Some

0:57:47.440 --> 0:57:49.560
<v Speaker 1>of it yeah, you know, and some of it is

0:57:49.880 --> 0:57:52.520
<v Speaker 1>people who they reached like a motherfucker. So it's like,

0:57:53.080 --> 0:57:56.160
<v Speaker 1>if I don't know him, it's better to say, man,

0:57:56.160 --> 0:57:58.320
<v Speaker 1>I ain't never met PIMC, but free him. I love him.

0:57:58.600 --> 0:58:00.959
<v Speaker 1>But if you act like, oh, that's my PENC, free PC,

0:58:01.120 --> 0:58:02.440
<v Speaker 1>but you ain't never met him, it's like, what are

0:58:02.440 --> 0:58:04.680
<v Speaker 1>you faking like a motherfucker? So you know some of

0:58:04.720 --> 0:58:07.800
<v Speaker 1>that too, is you know, is how can I represent

0:58:07.920 --> 0:58:10.360
<v Speaker 1>hold it down for him out here while he locked up,

0:58:10.440 --> 0:58:13.160
<v Speaker 1>and communicate with him so that I can't represent, you know,

0:58:13.320 --> 0:58:15.080
<v Speaker 1>not like I'm speaking for him and spokes for something

0:58:15.120 --> 0:58:17.200
<v Speaker 1>like that, but just at least to communicate let him

0:58:17.240 --> 0:58:18.960
<v Speaker 1>know that we're holding it down for yet. If you

0:58:19.040 --> 0:58:22.120
<v Speaker 1>need something from any of whatever, we ship whatever here

0:58:22.480 --> 0:58:24.080
<v Speaker 1>and it's you know, it's funny, you know. The type

0:58:24.080 --> 0:58:25.640
<v Speaker 1>of advice he would give me would be like with

0:58:25.760 --> 0:58:27.760
<v Speaker 1>messing with girls on the road, a man, she strap

0:58:27.880 --> 0:58:30.880
<v Speaker 1>up them host dirty, you know, she like they don't

0:58:30.960 --> 0:58:32.520
<v Speaker 1>leave your money out in your pockets they're gonna go

0:58:32.520 --> 0:58:34.720
<v Speaker 1>through your pockets when you were taking a shower, watch out,

0:58:34.760 --> 0:58:37.000
<v Speaker 1>you know, ship like that, Like but that's real talk.

0:58:37.160 --> 0:58:39.680
<v Speaker 1>Like you know, I ain't got you know, I ain't

0:58:39.680 --> 0:58:41.280
<v Speaker 1>had to lose the role legs to learn that lesson.

0:58:41.320 --> 0:58:43.600
<v Speaker 1>You know what I'm saying, Ship, you tell you for

0:58:44.600 --> 0:58:46.920
<v Speaker 1>I'm not a smoker. What are you smoking? Without smoking?

0:58:52.160 --> 0:58:54.680
<v Speaker 1>I smoke backwards and these these papers not they're not

0:58:54.800 --> 0:58:57.480
<v Speaker 1>lighting up these you gotta show. That's why I said, Man,

0:58:57.520 --> 0:58:59.320
<v Speaker 1>I feel like a new ship like you just lighting

0:58:59.360 --> 0:59:07.600
<v Speaker 1>in the smoke just hit you. He's killing Now what

0:59:07.760 --> 0:59:12.040
<v Speaker 1>the fund comion there invested that? Now? They is the man?

0:59:13.920 --> 0:59:17.040
<v Speaker 1>I don't know, but put your boy down man on it.

0:59:18.440 --> 0:59:23.880
<v Speaker 1>We need to told me he invested in lift. Somebody

0:59:24.080 --> 0:59:27.400
<v Speaker 1>told me, yeah he Somebody told me he's with a

0:59:27.520 --> 0:59:31.040
<v Speaker 1>hedge fund or something. That's you know. Anytime I talked

0:59:31.040 --> 0:59:32.760
<v Speaker 1>to him, abody he telling me he's doing he's doing

0:59:32.880 --> 0:59:39.240
<v Speaker 1>something involving a hedge fun. Yeah, they take your money,

0:59:39.280 --> 0:59:41.560
<v Speaker 1>they invest in a bunch of ship. Yeah, what are

0:59:41.600 --> 0:59:44.800
<v Speaker 1>you doing? I don't know. I'm going to get in

0:59:44.920 --> 0:59:48.280
<v Speaker 1>on it, but I don't know what he's doing. But

0:59:48.440 --> 0:59:51.000
<v Speaker 1>it's working for him because and he always tell me, man,

0:59:51.000 --> 0:59:53.720
<v Speaker 1>I ain't retired, but what am I gonna do for

0:59:53.800 --> 0:59:55.880
<v Speaker 1>other than for the love? So he'll still do verses

0:59:55.920 --> 0:59:57.480
<v Speaker 1>like he did the verse for me on Swinging in

0:59:57.480 --> 0:59:59.920
<v Speaker 1>the Rain remix. Anytime I ever asked him to do

1:00:00.160 --> 1:00:01.800
<v Speaker 1>verse for me, you always did it. And you know,

1:00:02.080 --> 1:00:05.760
<v Speaker 1>but for sure, you know, I'm sorry I pay. A

1:00:05.800 --> 1:00:08.080
<v Speaker 1>lot of it is you just gotta let it go.

1:00:08.320 --> 1:00:09.880
<v Speaker 1>If we bring it up and talk about it, we're

1:00:09.880 --> 1:00:12.920
<v Speaker 1>gonna fight, We're gonna argue. We've got different opinions, perspective,

1:00:13.040 --> 1:00:15.400
<v Speaker 1>we might both be right on whatever we're saying. But

1:00:15.880 --> 1:00:18.520
<v Speaker 1>a lot of it is, hey, we went through what

1:00:18.680 --> 1:00:20.840
<v Speaker 1>we went through this the past. God let us on.

1:00:21.320 --> 1:00:23.040
<v Speaker 1>Now we're here. What we're gonna do about it. We're

1:00:23.040 --> 1:00:25.440
<v Speaker 1>gonna go forward with this, be positive about this. So

1:00:25.520 --> 1:00:27.760
<v Speaker 1>we're gonna you know, And then some of it, too,

1:00:27.960 --> 1:00:32.080
<v Speaker 1>is taking the responsibility of publicly beefing with someone else

1:00:32.440 --> 1:00:34.960
<v Speaker 1>from your city like that, like you know it. It

1:00:35.760 --> 1:00:38.040
<v Speaker 1>just sends more of a message that this is how

1:00:38.160 --> 1:00:40.480
<v Speaker 1>to make it. Like people think, oh, if I troll you,

1:00:40.600 --> 1:00:42.840
<v Speaker 1>you will respond, because if I compliment you, you're not

1:00:42.880 --> 1:00:45.000
<v Speaker 1>gonna respond. And whatever they can do to get a

1:00:45.080 --> 1:00:48.760
<v Speaker 1>response is cool because no one's they're getting overlooked. So

1:00:48.840 --> 1:00:51.000
<v Speaker 1>it's whatever they can do to get some type of attention.

1:00:51.080 --> 1:00:53.600
<v Speaker 1>So I don't know, you know, I think a lot

1:00:53.640 --> 1:00:56.160
<v Speaker 1>of it is just letting it go and you know,

1:00:56.280 --> 1:00:58.600
<v Speaker 1>appreciating the fact that God took us, like I said,

1:00:58.680 --> 1:01:00.400
<v Speaker 1>brought us through things to make us who we are.

1:01:00.960 --> 1:01:03.600
<v Speaker 1>And you know, I apologize for my own he apologift

1:01:03.680 --> 1:01:06.160
<v Speaker 1>here or whatever, even if we ain't wrong. Man, look

1:01:06.240 --> 1:01:08.440
<v Speaker 1>we we saw. Man, Let's make it work and then

1:01:08.480 --> 1:01:10.800
<v Speaker 1>should go from there. Where was you at when you

1:01:10.840 --> 1:01:13.440
<v Speaker 1>found out Bush with Bills? Because I know he had

1:01:13.440 --> 1:01:16.240
<v Speaker 1>to be a legend to you as well. Man, I

1:01:16.320 --> 1:01:18.280
<v Speaker 1>got crazy a couple of crazy stories about Bush with

1:01:18.400 --> 1:01:20.720
<v Speaker 1>Bill just in dealing with him. Man, I got a man.

1:01:22.840 --> 1:01:28.640
<v Speaker 1>Yeah he was, Man. I remember I met him. I

1:01:28.720 --> 1:01:30.760
<v Speaker 1>was like twelve years old. This is like the first

1:01:30.800 --> 1:01:32.560
<v Speaker 1>time I ever flew on the plane. It was in

1:01:32.640 --> 1:01:35.360
<v Speaker 1>the airport around like one o'clock, I don't know, two

1:01:35.400 --> 1:01:38.080
<v Speaker 1>o'clock noon. I don't even remember this because I met

1:01:38.160 --> 1:01:40.080
<v Speaker 1>Bush Foo Bill and it was the first time I

1:01:40.160 --> 1:01:42.680
<v Speaker 1>ever flew you know. So I'm a kid, so I'm like,

1:01:42.720 --> 1:01:46.040
<v Speaker 1>I remember a lot of that you know, and so anyway,

1:01:46.200 --> 1:01:49.960
<v Speaker 1>I mean in Houston Airport, Hobby Airport, Um, some of

1:01:50.040 --> 1:01:51.840
<v Speaker 1>these too. I know from fact checking with my mom.

1:01:51.920 --> 1:01:53.840
<v Speaker 1>Hey mom, who was that? Oh that was Hobby. Yeah,

1:01:53.840 --> 1:01:55.920
<v Speaker 1>I remember the extrememember. She knew Bush will be there too.

1:01:56.120 --> 1:01:58.680
<v Speaker 1>So anyway we we. I see him in a uh

1:01:59.600 --> 1:02:02.840
<v Speaker 1>I'm I'm a kid, my mama doing something. My twel

1:02:02.880 --> 1:02:04.880
<v Speaker 1>years old, so I'm, you know, almost a teenager. I

1:02:04.960 --> 1:02:07.800
<v Speaker 1>see him sitting there with a bunch of luggage around him,

1:02:08.760 --> 1:02:11.000
<v Speaker 1>in like a lounge area of a restaurant, just like

1:02:11.440 --> 1:02:14.760
<v Speaker 1>you know, a restaurant whatever, just sitting there with a

1:02:14.800 --> 1:02:18.400
<v Speaker 1>bunch of luggage and knocked out off top. I recognized him,

1:02:18.400 --> 1:02:20.480
<v Speaker 1>but he's by himself. I'm like this bushell bill, Why

1:02:20.520 --> 1:02:23.040
<v Speaker 1>ain't got a security rapple out mab with him? Everybody like,

1:02:23.080 --> 1:02:25.720
<v Speaker 1>why are you by myself? I'm like them, Should I

1:02:25.720 --> 1:02:28.040
<v Speaker 1>go talk to him? Count talk to him? Man? What's up?

1:02:28.360 --> 1:02:30.080
<v Speaker 1>So I just said I'm gonna go talk to me

1:02:30.120 --> 1:02:32.280
<v Speaker 1>and knocked out, passed out in a chair and I

1:02:32.400 --> 1:02:36.000
<v Speaker 1>just go to him, shaking tam. You know, I looked

1:02:36.040 --> 1:02:37.760
<v Speaker 1>back and I you know, I had I had an

1:02:37.760 --> 1:02:40.040
<v Speaker 1>opportunity to telling me the story too before he passed away,

1:02:40.120 --> 1:02:44.520
<v Speaker 1>you know. And but uh, you know, looking back, I realized, man,

1:02:44.680 --> 1:02:47.840
<v Speaker 1>you know, now I'm a kid. I ain't know. People

1:02:47.880 --> 1:02:50.080
<v Speaker 1>need their space, you know. I'm like, damn, I was mad,

1:02:50.200 --> 1:02:52.600
<v Speaker 1>just respectful, like coming up to waking on about to sleep,

1:02:52.960 --> 1:02:56.600
<v Speaker 1>talking to him, but why and he like, or what's up?

1:02:56.680 --> 1:02:58.800
<v Speaker 1>He wake up? Get up? Like what's going on? And

1:02:58.880 --> 1:03:02.240
<v Speaker 1>I'm like, and I'm what's up? Man? You Bill You're like, yeah, man, man,

1:03:02.280 --> 1:03:04.120
<v Speaker 1>that's what's something. Nice to meet you man. And I'm

1:03:04.160 --> 1:03:06.560
<v Speaker 1>just asking them like a kid questions. You ain't even

1:03:06.560 --> 1:03:14.440
<v Speaker 1>asked for Instagram before. But I think I might have

1:03:14.560 --> 1:03:16.959
<v Speaker 1>did get his autograph, and if I did, I still

1:03:17.080 --> 1:03:19.440
<v Speaker 1>have it because I have. I got Big Boys autographed

1:03:19.480 --> 1:03:21.120
<v Speaker 1>to one time. I see, I got a story out

1:03:21.160 --> 1:03:25.280
<v Speaker 1>to them. Okay, but yeah, but I met uh, I'm

1:03:25.320 --> 1:03:29.200
<v Speaker 1>a man man. Yeah. But anyway, I'm a big fan

1:03:29.280 --> 1:03:31.440
<v Speaker 1>of hip hop, especially back then. If someone would come

1:03:31.440 --> 1:03:33.040
<v Speaker 1>to concert, it could be somebody I've never heard of,

1:03:33.400 --> 1:03:36.080
<v Speaker 1>and I'll go I'm too young, just to see what

1:03:36.160 --> 1:03:38.680
<v Speaker 1>they're looking like walking into the club or whatever, or

1:03:38.960 --> 1:03:40.640
<v Speaker 1>see if I can meet him. You know, I never

1:03:40.680 --> 1:03:42.480
<v Speaker 1>heard them just because it was hip hop. To me,

1:03:42.560 --> 1:03:45.600
<v Speaker 1>it was dope. But anyway, uh, butcher Bill. I started

1:03:45.640 --> 1:03:47.760
<v Speaker 1>talking to him and I'm like, you know whatever, having

1:03:47.840 --> 1:03:50.960
<v Speaker 1>a kid conversation. Eventually I realized, like, I'm kind of

1:03:51.040 --> 1:03:54.200
<v Speaker 1>tripping right now, man, and I'm thinking eventually people are

1:03:54.200 --> 1:03:55.720
<v Speaker 1>gonna come back and they're gonna be like, what the

1:03:55.880 --> 1:03:57.560
<v Speaker 1>are you doing? Talk? You know, you gotta go. So

1:03:57.680 --> 1:04:00.120
<v Speaker 1>I was like, damn, all right, bush Man, I'm ill

1:04:00.200 --> 1:04:01.640
<v Speaker 1>let you and I left, you know, And I was

1:04:01.720 --> 1:04:04.760
<v Speaker 1>there and okay then when I work, you know, and

1:04:04.840 --> 1:04:08.120
<v Speaker 1>it was just a great positive interaction. But I thought

1:04:08.160 --> 1:04:11.400
<v Speaker 1>that's how all rappers were. They want to talk to

1:04:11.480 --> 1:04:13.240
<v Speaker 1>you whatever they'll work up about. They I'll just sleep

1:04:13.280 --> 1:04:15.280
<v Speaker 1>to talk to you. So then I'll go to the

1:04:17.800 --> 1:04:19.680
<v Speaker 1>later on in life when I'm working for Death Jam.

1:04:20.280 --> 1:04:23.640
<v Speaker 1>It was an artist that I'm promoting the hardest funk

1:04:23.680 --> 1:04:27.440
<v Speaker 1>for bringing his records to the DJ's, putting his posters up,

1:04:27.480 --> 1:04:30.720
<v Speaker 1>passing his flies out. He come to town. I try

1:04:30.760 --> 1:04:32.720
<v Speaker 1>to highlight him, thinking he's gonna be bush with cool

1:04:32.760 --> 1:04:35.200
<v Speaker 1>ast fun, thinking he knows what I'm doing for him.

1:04:35.760 --> 1:04:38.840
<v Speaker 1>He was rude as fun like man. It was a

1:04:38.960 --> 1:04:43.600
<v Speaker 1>complete opposite interaction. Is what was Bush With? And it

1:04:43.720 --> 1:04:46.000
<v Speaker 1>was like, damn, you don't know. I'm working my ass

1:04:46.000 --> 1:04:49.600
<v Speaker 1>out for you. You won't he ain't even rapping. I

1:04:49.680 --> 1:04:51.800
<v Speaker 1>don't even remember what. I'm sure if I go back

1:04:51.840 --> 1:04:53.680
<v Speaker 1>to whatever year it was, I can think back the

1:04:54.040 --> 1:04:55.960
<v Speaker 1>and ex off the list. It wasn't him wonting him

1:04:55.960 --> 1:04:58.080
<v Speaker 1>on him. Okay, it was him, but whoever it is,

1:04:58.120 --> 1:05:00.720
<v Speaker 1>he ain't rapping no more. But then that that led

1:05:00.800 --> 1:05:02.800
<v Speaker 1>me to be the people's champ because I'm like, I

1:05:02.880 --> 1:05:05.160
<v Speaker 1>want to be like bush With. I want my interaction

1:05:05.200 --> 1:05:07.440
<v Speaker 1>to be positive. When someone walk away from seeing me,

1:05:07.560 --> 1:05:10.440
<v Speaker 1>they like, damn, they got smile on, They're facing, They're like, man,

1:05:10.480 --> 1:05:13.040
<v Speaker 1>I'm I'm at Paul. That's real. Then he cool as fuck.

1:05:13.360 --> 1:05:15.680
<v Speaker 1>I don't want it to be man, fuck him. I

1:05:15.720 --> 1:05:17.680
<v Speaker 1>ain't never listen to his music again. I should have

1:05:17.720 --> 1:05:20.000
<v Speaker 1>stole off on him. Damn, man, I'm gonna go at

1:05:20.040 --> 1:05:22.320
<v Speaker 1>him on a song like That's how people be like you, man,

1:05:22.360 --> 1:05:23.960
<v Speaker 1>you shoot on people like that. So I'm like, man,

1:05:24.000 --> 1:05:26.280
<v Speaker 1>I want to be more like bush With. Now let

1:05:26.320 --> 1:05:28.640
<v Speaker 1>me tell you when I'm made a big boy. It

1:05:28.760 --> 1:05:31.200
<v Speaker 1>was like a few years later, maybe like I might

1:05:31.240 --> 1:05:33.080
<v Speaker 1>have been still a kid I was still a kid.

1:05:33.760 --> 1:05:36.120
<v Speaker 1>I might have been like I might have been like

1:05:36.200 --> 1:05:39.160
<v Speaker 1>sixteen seventeen. So it was around the same time as

1:05:39.200 --> 1:05:41.439
<v Speaker 1>I was working for De jim Me and come in there.

1:05:41.880 --> 1:05:45.000
<v Speaker 1>It was like, well, we was just old enough to drive,

1:05:45.080 --> 1:05:47.840
<v Speaker 1>but we ain't had a car. So they had a

1:05:47.960 --> 1:05:54.520
<v Speaker 1>concert come through Houston and it was outcast I believe

1:05:54.600 --> 1:05:59.080
<v Speaker 1>it was Air Cobato and it was The Roots and

1:05:59.480 --> 1:06:04.080
<v Speaker 1>Cypress I believe, yeah, it was. It was Ship. It

1:06:04.240 --> 1:06:06.320
<v Speaker 1>was crazy, but it was at the time when all

1:06:06.360 --> 1:06:08.520
<v Speaker 1>of them were new artists too, so it was like

1:06:08.640 --> 1:06:10.480
<v Speaker 1>quest Love opened up that I mean on that question,

1:06:10.520 --> 1:06:12.360
<v Speaker 1>Love or the Roots. I met quest Love there too.

1:06:12.600 --> 1:06:14.600
<v Speaker 1>He was cool as too. He's just standing at the

1:06:15.120 --> 1:06:17.000
<v Speaker 1>you know, one of the Witch Boost and I'm going

1:06:17.080 --> 1:06:19.120
<v Speaker 1>up to him like, oh ship that you want to say,

1:06:20.400 --> 1:06:23.120
<v Speaker 1>then that's crazy that I'm going back. Me and community, Okay,

1:06:23.360 --> 1:06:25.720
<v Speaker 1>Me and comedy was at the show. We're sitting at

1:06:25.760 --> 1:06:31.880
<v Speaker 1>the the Okay. It's the center of Mitchell Woodlands Pavilion

1:06:32.160 --> 1:06:34.480
<v Speaker 1>where it's outdoor pavilion. They got a lot of these

1:06:34.560 --> 1:06:36.480
<v Speaker 1>all on the country, not the same name, but they

1:06:36.560 --> 1:06:39.680
<v Speaker 1>got these type of venues where they got like front

1:06:39.800 --> 1:06:43.120
<v Speaker 1>row seating and then they got like lawn seating in

1:06:43.160 --> 1:06:46.160
<v Speaker 1>the back grass. Okay, so it'd be like it'd be

1:06:46.240 --> 1:06:49.959
<v Speaker 1>like a chair seating, and then it was a walk

1:06:50.000 --> 1:06:52.680
<v Speaker 1>away and then it was like a six foot up

1:06:52.960 --> 1:06:56.160
<v Speaker 1>chaired seating. So me and then behind that was all

1:06:56.240 --> 1:06:58.520
<v Speaker 1>the grass. Okay. So me and Coming that's sit in

1:06:58.560 --> 1:07:02.400
<v Speaker 1>the front row or the back chairs. So where the

1:07:02.440 --> 1:07:04.280
<v Speaker 1>walkaway is in front of us, we're bouty like six

1:07:04.320 --> 1:07:06.160
<v Speaker 1>ft up, eight feet up, but we're at the edge

1:07:06.200 --> 1:07:09.960
<v Speaker 1>front row. So people walking so outcast before and they

1:07:10.000 --> 1:07:13.320
<v Speaker 1>get off stage and they walked, they walked through h

1:07:13.440 --> 1:07:15.520
<v Speaker 1>I see a big boy of walking and I'm like,

1:07:15.760 --> 1:07:17.640
<v Speaker 1>he's walking with two security guards. I'm like, oh, ship,

1:07:17.680 --> 1:07:19.640
<v Speaker 1>come in there. They'll go, big boy, damn, what's man?

1:07:19.680 --> 1:07:21.080
<v Speaker 1>We gotta stop and we gotta like what are we

1:07:21.160 --> 1:07:23.680
<v Speaker 1>gonna do? We way up here where like we gonna

1:07:24.160 --> 1:07:27.520
<v Speaker 1>racing time. And also me and Coming are very different

1:07:27.680 --> 1:07:31.360
<v Speaker 1>in these perspectives. Comed There has more of a Houston

1:07:31.440 --> 1:07:34.880
<v Speaker 1>mind frame when it comes to celebrities and especially rappers.

1:07:35.400 --> 1:07:37.520
<v Speaker 1>And this is the mind frame. I ain't gonna be

1:07:37.600 --> 1:07:39.919
<v Speaker 1>on his dick. I like them, but I'm not gonna

1:07:39.960 --> 1:07:43.640
<v Speaker 1>ride his nuts. So that's like Ship the Houston mind

1:07:43.680 --> 1:07:45.760
<v Speaker 1>frame would be a sold out show. Everybody mean mugging you.

1:07:45.840 --> 1:07:47.600
<v Speaker 1>But they love you, but they just mean they don't

1:07:47.640 --> 1:07:49.600
<v Speaker 1>want you to know they love you because they want

1:07:49.640 --> 1:07:52.120
<v Speaker 1>to be embarrassed. So you know, they whatever, they don't

1:07:52.120 --> 1:07:53.840
<v Speaker 1>want you to thinking they're on their nut. So I'm

1:07:53.880 --> 1:07:56.120
<v Speaker 1>more of a man. I love that person. Let me

1:07:56.200 --> 1:07:58.080
<v Speaker 1>go tell them I love them, you know. Come in

1:07:58.200 --> 1:07:59.560
<v Speaker 1>is like, yeah, I love them too, but I ain't

1:07:59.560 --> 1:08:02.120
<v Speaker 1>gonna be on. So we're sitting there and don't we

1:08:02.280 --> 1:08:04.760
<v Speaker 1>like just sit on the front row. But I'm like, man,

1:08:04.800 --> 1:08:06.439
<v Speaker 1>come in a big boy or whatever, you know whatever.

1:08:06.960 --> 1:08:09.440
<v Speaker 1>Man I said, fucking I gotta go. I gotta say

1:08:09.480 --> 1:08:11.920
<v Speaker 1>what's up. I just hop down, jump over the thing,

1:08:12.360 --> 1:08:14.240
<v Speaker 1>just like I'm running from the cops. Jump over the fence.

1:08:14.360 --> 1:08:16.599
<v Speaker 1>I hoped down, jump down by the six eight feet

1:08:16.760 --> 1:08:19.679
<v Speaker 1>I land takes me down. Him and his bodyguards was like, WHOA,

1:08:19.880 --> 1:08:22.360
<v Speaker 1>what's going on? What's going on? I'm still like somewhat

1:08:22.360 --> 1:08:24.559
<v Speaker 1>of a kid. You can tell. I was like fifteen sixteen,

1:08:24.640 --> 1:08:27.439
<v Speaker 1>so I might have looked adult tish, you know, I

1:08:27.520 --> 1:08:29.519
<v Speaker 1>might have had like a little baby whisker mustache. But

1:08:29.640 --> 1:08:32.160
<v Speaker 1>they can still tell them young, like I ain't gonna

1:08:32.200 --> 1:08:34.120
<v Speaker 1>come up like fight him or nothing like that. But

1:08:34.360 --> 1:08:36.760
<v Speaker 1>and they're like, what's going on, Like, man, big boy, MA,

1:08:36.800 --> 1:08:38.320
<v Speaker 1>I'm a fan. I'm just a fan, my fan, I'm

1:08:38.320 --> 1:08:40.360
<v Speaker 1>a fan. Well, you know, can can you take can

1:08:40.360 --> 1:08:42.000
<v Speaker 1>you sign something? He signed something for me? I still

1:08:42.080 --> 1:08:45.439
<v Speaker 1>got that autograph to this day too. Uh, I said

1:08:45.479 --> 1:08:47.439
<v Speaker 1>I would collect things like that. Like that's what I'm saying.

1:08:47.439 --> 1:08:49.439
<v Speaker 1>I can't remember specifically now that you know, I for

1:08:49.479 --> 1:08:51.200
<v Speaker 1>sure I got to go back and tell bush With.

1:08:51.439 --> 1:08:53.680
<v Speaker 1>I mean, I go, I gotta go see uh if

1:08:53.720 --> 1:08:55.679
<v Speaker 1>I got that bush With autograph, I think I still

1:08:55.760 --> 1:08:57.479
<v Speaker 1>doing it because I think it was on like a napkin.

1:08:58.200 --> 1:09:00.040
<v Speaker 1>But in anyway, I know a big boy signed in

1:09:00.080 --> 1:09:03.360
<v Speaker 1>the actual ticket I still got there. But anyway, that

1:09:03.520 --> 1:09:05.799
<v Speaker 1>was my big Boys story. But going back to Bushwick,

1:09:06.280 --> 1:09:09.880
<v Speaker 1>when I saw Bushwick, I mean later on, and I

1:09:09.960 --> 1:09:11.599
<v Speaker 1>see him all the time, like I would see him

1:09:11.600 --> 1:09:13.920
<v Speaker 1>at shows. We were you know, sometimes we performed together

1:09:14.160 --> 1:09:16.080
<v Speaker 1>and we'd be kicking the backstage, chommling it up. He

1:09:16.200 --> 1:09:18.200
<v Speaker 1>also has a son always I connected with for a

1:09:18.280 --> 1:09:20.680
<v Speaker 1>while me and was was always real cool. We still

1:09:20.720 --> 1:09:22.720
<v Speaker 1>you know still all but like over the years, you

1:09:22.720 --> 1:09:24.400
<v Speaker 1>know what I'm saying. So I got to know him

1:09:24.800 --> 1:09:26.880
<v Speaker 1>and his son, you know whatever through the years. But

1:09:27.040 --> 1:09:28.920
<v Speaker 1>more recently when it came out that you know, he

1:09:29.040 --> 1:09:32.439
<v Speaker 1>had stage for pancreatic cancer, that was kind of like where,

1:09:33.200 --> 1:09:35.040
<v Speaker 1>you know, they kind of did like a kind of

1:09:35.400 --> 1:09:37.519
<v Speaker 1>call to action, you know, you fun with Bush with

1:09:37.840 --> 1:09:39.800
<v Speaker 1>kind of let him know because clock kind of kicking,

1:09:39.800 --> 1:09:41.120
<v Speaker 1>you know what I'm saying. So it was like one

1:09:41.120 --> 1:09:42.920
<v Speaker 1>of the things where you know, I was, you know,

1:09:43.040 --> 1:09:44.960
<v Speaker 1>for sure restopped just to tell him, man, how much

1:09:45.000 --> 1:09:46.680
<v Speaker 1>you know, I appreciate him, you know whatever. I love

1:09:46.760 --> 1:09:48.720
<v Speaker 1>for him, and we always you know, we had a

1:09:49.160 --> 1:09:50.559
<v Speaker 1>you know, we had a you know, I always had

1:09:50.560 --> 1:09:53.040
<v Speaker 1>a great connection over the years. But then he told me,

1:09:53.160 --> 1:09:54.679
<v Speaker 1>was like, hey, I'm working on the album. It's gonna

1:09:54.720 --> 1:09:58.000
<v Speaker 1>be basically my my last solo album, you know, you

1:09:58.080 --> 1:10:00.200
<v Speaker 1>know whatever. You know, you don't really want want to

1:10:00.200 --> 1:10:01.439
<v Speaker 1>say it like that at the time, but it's kind

1:10:01.439 --> 1:10:02.760
<v Speaker 1>of like how he was saying, like, you know, I'm

1:10:03.040 --> 1:10:06.200
<v Speaker 1>doing another solo album is basically gonna be you know,

1:10:06.479 --> 1:10:08.120
<v Speaker 1>is it? You know you're down to get on it.

1:10:08.479 --> 1:10:11.320
<v Speaker 1>Of course I'm gonna get on I'm a professional rapper.

1:10:11.520 --> 1:10:15.040
<v Speaker 1>And its icon legend, somebody I look up to inspire

1:10:15.120 --> 1:10:18.760
<v Speaker 1>me from my very first interaction with a rapper of him,

1:10:19.040 --> 1:10:21.200
<v Speaker 1>me wanting to be like him, to be a people's champ.

1:10:21.280 --> 1:10:23.760
<v Speaker 1>So of course I don't get on there. So you know,

1:10:23.840 --> 1:10:25.320
<v Speaker 1>I went to the studio with him, got to kick

1:10:25.520 --> 1:10:27.439
<v Speaker 1>you know, chopping up with him, and really you know,

1:10:27.760 --> 1:10:29.120
<v Speaker 1>you know, I did my verse. It was cool that,

1:10:29.360 --> 1:10:31.920
<v Speaker 1>you know, I actually did two songs. But you know,

1:10:32.720 --> 1:10:34.760
<v Speaker 1>I'm kind of quick in the studio, so I did

1:10:34.800 --> 1:10:37.400
<v Speaker 1>my thing. That's cool. But after that, we just chopping

1:10:37.439 --> 1:10:39.720
<v Speaker 1>it up for hours upon hours, you know, And like

1:10:39.800 --> 1:10:41.840
<v Speaker 1>I said, you know, he's somebody I've known throughout the years,

1:10:41.920 --> 1:10:44.559
<v Speaker 1>but are it would be we backstage at the concert,

1:10:44.640 --> 1:10:45.960
<v Speaker 1>so we still it might be chopping it up for

1:10:45.960 --> 1:10:48.080
<v Speaker 1>a couple of hours, you know, getting ready to go on.

1:10:48.280 --> 1:10:50.559
<v Speaker 1>But it's a group satting kind of you know as

1:10:50.600 --> 1:10:53.320
<v Speaker 1>a party atmosphere. So this's like real intimate want to

1:10:53.400 --> 1:10:54.880
<v Speaker 1>you know, just me and him, you know, his son,

1:10:55.000 --> 1:10:56.920
<v Speaker 1>a couple of other people, to engineer, a couple of people.

1:10:56.960 --> 1:10:59.000
<v Speaker 1>You know, he just in there just chopping it up,

1:10:59.040 --> 1:11:01.120
<v Speaker 1>talking about all kind of it is. And I got

1:11:01.200 --> 1:11:04.599
<v Speaker 1>to tell him, you know, before I went to the studio,

1:11:04.640 --> 1:11:07.200
<v Speaker 1>I told my mama, said, Mama, gets on going the studio.

1:11:07.680 --> 1:11:10.800
<v Speaker 1>Bush Bill, No, man, for real? You member when you

1:11:10.840 --> 1:11:14.240
<v Speaker 1>met him in the airport. I'm like, hey, that's my man.

1:11:14.280 --> 1:11:15.560
<v Speaker 1>When I'm trying to figure out to get like a

1:11:15.600 --> 1:11:17.240
<v Speaker 1>real win. Was that you remember? That was? She kind

1:11:17.280 --> 1:11:19.040
<v Speaker 1>of tell me when it was, that's when we did this,

1:11:19.080 --> 1:11:20.680
<v Speaker 1>and that that's the first time he flew. I kind

1:11:20.680 --> 1:11:22.400
<v Speaker 1>of you know, so it kind of you know, we

1:11:22.479 --> 1:11:25.200
<v Speaker 1>remember that kind of thing. So when I I told

1:11:25.240 --> 1:11:26.960
<v Speaker 1>b I said, Bushell, I'm gonna tell your story. Man,

1:11:27.040 --> 1:11:31.439
<v Speaker 1>I tell him a story. Shout out to Bushoo, Man,

1:11:31.840 --> 1:11:34.360
<v Speaker 1>I tell him a story. He say, I said, bush,

1:11:34.560 --> 1:11:36.160
<v Speaker 1>I met you when I was twelve. He say, all

1:11:36.200 --> 1:11:38.679
<v Speaker 1>the way there, I tell my whole story. Say, oh, yeah,

1:11:38.760 --> 1:11:41.360
<v Speaker 1>that was the Resurrection tour or whatever tour. Yeah, it

1:11:41.439 --> 1:11:44.120
<v Speaker 1>was a hippy airport in the summer. Yeah I remember that.

1:11:44.479 --> 1:11:47.400
<v Speaker 1>You said, uh, were you wearing summer clothes? And I'm like,

1:11:48.840 --> 1:11:51.280
<v Speaker 1>remember that? But he said, yeah, I remember. So I

1:11:51.320 --> 1:11:52.760
<v Speaker 1>don't know what that was you, but I remember meeting

1:11:52.760 --> 1:11:55.800
<v Speaker 1>the youth in the airport in the We're in summer clothes,

1:11:56.000 --> 1:11:58.439
<v Speaker 1>you know. Was that you I'm like, man, you remember that.

1:11:58.560 --> 1:12:00.640
<v Speaker 1>That's crazy? But no, I don't know he really did

1:12:00.760 --> 1:12:02.280
<v Speaker 1>remember that, or he was just kind of putting on.

1:12:02.720 --> 1:12:06.400
<v Speaker 1>But still, you know, I definitely, you know, I'm glad

1:12:06.439 --> 1:12:08.120
<v Speaker 1>I got to share that with him, to let him

1:12:08.160 --> 1:12:11.679
<v Speaker 1>know how much you know, he said, hold on, let's

1:12:12.760 --> 1:12:14.800
<v Speaker 1>let's all give let's all give him a moment the size,

1:12:21.160 --> 1:12:25.639
<v Speaker 1>what's the piece push with bills? Definitely that most people

1:12:26.360 --> 1:12:28.439
<v Speaker 1>that most people I see what grills when they smoke

1:12:28.560 --> 1:12:31.120
<v Speaker 1>or they eat, they take the grills off. You don't.

1:12:31.200 --> 1:12:33.160
<v Speaker 1>You don't take the grill off when you smoke or eat.

1:12:33.280 --> 1:12:35.400
<v Speaker 1>I mean when you when you're on the jo I

1:12:35.439 --> 1:12:37.080
<v Speaker 1>get to cheat. I can cheat, you know what I'm saying.

1:12:37.120 --> 1:12:40.800
<v Speaker 1>I got the jewry stoy. So so why why don't

1:12:40.800 --> 1:12:42.720
<v Speaker 1>people do that? What is it messing up or something? Well?

1:12:42.720 --> 1:12:44.920
<v Speaker 1>Think about it. You got you know, your chain right there,

1:12:45.360 --> 1:12:47.040
<v Speaker 1>and you you got to eat. Let's get you know,

1:12:47.080 --> 1:12:50.559
<v Speaker 1>we're getting designing. You ain't gonna dipping in with design exactly.

1:12:50.560 --> 1:12:52.320
<v Speaker 1>And you gotta let me get a coffee, dipping in

1:12:52.360 --> 1:12:54.519
<v Speaker 1>the coffee. Let me get a milkshake, dipping in the milkshade.

1:12:54.560 --> 1:12:57.200
<v Speaker 1>Let me eat a hamburger. Or whatever, let me whatever,

1:12:57.200 --> 1:13:00.400
<v Speaker 1>you know. So it's like you think about you don't

1:13:00.600 --> 1:13:03.439
<v Speaker 1>you wouldn't do that with that. It's grills, it's your teeth.

1:13:03.479 --> 1:13:07.120
<v Speaker 1>But it's still precious metal and jewels, so you know,

1:13:07.240 --> 1:13:10.360
<v Speaker 1>you gotta some of it comes with, especially the smoking.

1:13:10.760 --> 1:13:13.400
<v Speaker 1>It will tarnish the metal, making, you know, change the

1:13:13.439 --> 1:13:15.120
<v Speaker 1>color a little bit. Well, when you buff it out,

1:13:15.160 --> 1:13:18.400
<v Speaker 1>it's brand new, back to new. Uh and in different

1:13:18.520 --> 1:13:21.400
<v Speaker 1>qualities of the gold will get dirty, quicker, same munch

1:13:21.439 --> 1:13:24.799
<v Speaker 1>of diamonds, you know. So when you gotta hire Caret gold,

1:13:25.240 --> 1:13:27.720
<v Speaker 1>you can smoke. It's not a big deal. But you know,

1:13:27.880 --> 1:13:31.840
<v Speaker 1>just it's just properly grill care um Me, I don't

1:13:31.920 --> 1:13:34.120
<v Speaker 1>you know, you know whatever, I don't really tend to

1:13:34.160 --> 1:13:36.599
<v Speaker 1>take my grill out too much. You know. I'm actually

1:13:36.640 --> 1:13:38.479
<v Speaker 1>about to get some I'm about to go permanent on

1:13:38.560 --> 1:13:43.120
<v Speaker 1>there and get some get something new. Obviously those the

1:13:43.160 --> 1:13:46.800
<v Speaker 1>ones that don't come out. Yeah. So, um so, is

1:13:46.840 --> 1:13:50.120
<v Speaker 1>there a difference between regular gold and dental gold, Well,

1:13:50.160 --> 1:13:52.479
<v Speaker 1>the dental gold, I think when they say that they

1:13:52.560 --> 1:13:55.479
<v Speaker 1>mean like the higher quality of the carrotter gold. So

1:13:56.400 --> 1:14:00.479
<v Speaker 1>typically there's like ten care Ago, four teen Carego eighteen

1:14:00.520 --> 1:14:04.680
<v Speaker 1>care ago. Now there's twenty two care ago, sometimes four

1:14:04.800 --> 1:14:06.880
<v Speaker 1>care ago. Bruno Mars made a song about it. So,

1:14:07.280 --> 1:14:10.320
<v Speaker 1>but when you go to buy jewelry, it's typically tin

1:14:10.439 --> 1:14:13.160
<v Speaker 1>carrot spoorteen care or eighteen care, eighteen care being a

1:14:13.360 --> 1:14:16.679
<v Speaker 1>higher care of being the best. But also it's boys

1:14:16.720 --> 1:14:19.320
<v Speaker 1>whipping that gold up. Man. Boys are whipped that gold

1:14:19.400 --> 1:14:23.320
<v Speaker 1>up with silver some other things. You tested, it'll be

1:14:23.560 --> 1:14:28.120
<v Speaker 1>six carried goal or whatever, and they'll dip it to

1:14:28.320 --> 1:14:31.000
<v Speaker 1>look like eighteen caret or dip it. I actually got

1:14:31.040 --> 1:14:33.360
<v Speaker 1>a song called what they tell will called eighteen care

1:14:33.479 --> 1:14:35.880
<v Speaker 1>go no deal because boys will get tin cared and

1:14:35.960 --> 1:14:39.599
<v Speaker 1>then dip it to look like eighteen carret or fourteen

1:14:39.680 --> 1:14:46.519
<v Speaker 1>care ago. And yeah, but yeah, it's uh but I

1:14:46.600 --> 1:14:48.160
<v Speaker 1>think I think, you know, I don't know. I could

1:14:48.200 --> 1:14:50.080
<v Speaker 1>be wrong, but I think when with the dental goal,

1:14:50.120 --> 1:14:52.880
<v Speaker 1>what they mean is a two care or order higher

1:14:53.160 --> 1:14:55.680
<v Speaker 1>higher care, but which is usually I think eighteen care.

1:14:56.240 --> 1:14:58.200
<v Speaker 1>All the dentists I know to use the eighteen care ship.

1:14:58.320 --> 1:15:00.120
<v Speaker 1>We do the goals for all the dentists and is

1:15:00.160 --> 1:15:04.760
<v Speaker 1>eighteen carre. Uh. That's that's actually how Johnny start, how

1:15:04.840 --> 1:15:07.840
<v Speaker 1>he started with the grills, was he was already doing

1:15:07.920 --> 1:15:12.200
<v Speaker 1>drewelry repair, already doing a few custom things like for

1:15:12.640 --> 1:15:15.760
<v Speaker 1>Drewry stores, not for customers, but for Drewry stores. So

1:15:16.200 --> 1:15:18.479
<v Speaker 1>then it got to be the dentists would come to

1:15:18.840 --> 1:15:20.479
<v Speaker 1>a I'm making you know, I need you to make

1:15:20.560 --> 1:15:23.960
<v Speaker 1>these gold teeth for a customer who was getting them permanent.

1:15:24.280 --> 1:15:26.640
<v Speaker 1>And then Johnny like, damn, I could do that on

1:15:26.720 --> 1:15:28.519
<v Speaker 1>my own. What they can come to me? Why are

1:15:28.520 --> 1:15:29.880
<v Speaker 1>they going to you? It can come straight to me,

1:15:30.240 --> 1:15:33.040
<v Speaker 1>see it? And then basically what it was, what was

1:15:33.080 --> 1:15:35.880
<v Speaker 1>the was the first order because because obviously you was

1:15:35.920 --> 1:15:37.680
<v Speaker 1>a wrapper, so that this was your side house of

1:15:37.760 --> 1:15:39.599
<v Speaker 1>the grills, right it was when was the same time,

1:15:39.720 --> 1:15:41.720
<v Speaker 1>you know, and if I first started rapping with the

1:15:41.720 --> 1:15:43.640
<v Speaker 1>Switch House my first mixtape with the Swish I was

1:15:43.720 --> 1:15:45.800
<v Speaker 1>in nineteen nine and nine before that, I was rapping

1:15:45.840 --> 1:15:48.439
<v Speaker 1>with comed there doing talent shows or whatever, just trying

1:15:48.439 --> 1:15:51.160
<v Speaker 1>to make it. But you know, basically what no rap

1:15:51.240 --> 1:15:54.400
<v Speaker 1>career was, you know, we was just you know, it

1:15:54.560 --> 1:15:58.200
<v Speaker 1>was the first order with you and where you He

1:15:58.320 --> 1:15:59.760
<v Speaker 1>was like, you know what, I could make some money

1:15:59.760 --> 1:16:01.240
<v Speaker 1>off of this ship, Like you know what I'm saying,

1:16:01.280 --> 1:16:04.120
<v Speaker 1>Like I actually, well, this is what I'm doing. I

1:16:04.240 --> 1:16:08.160
<v Speaker 1>was working for Crime where I worked out of y Yeah,

1:16:08.360 --> 1:16:10.040
<v Speaker 1>I was working for him, and it was at a

1:16:10.120 --> 1:16:12.200
<v Speaker 1>store where we sold switch house tape. It was like

1:16:12.280 --> 1:16:15.200
<v Speaker 1>a hood store like you know, uh, you know, like

1:16:15.240 --> 1:16:16.880
<v Speaker 1>a bodega kind of, but we don't call it that.

1:16:17.040 --> 1:16:19.439
<v Speaker 1>It's just like just a store, corner store where that

1:16:19.640 --> 1:16:23.280
<v Speaker 1>we sold switch House mixed taste. We sold hood t

1:16:23.439 --> 1:16:25.280
<v Speaker 1>shirts that'll just had a name of your hood type

1:16:25.280 --> 1:16:27.360
<v Speaker 1>ship on their north side or whatever, this type of

1:16:27.439 --> 1:16:30.200
<v Speaker 1>sayings type of s on there. Then we've been there

1:16:30.320 --> 1:16:35.200
<v Speaker 1>selling grills, selling gold teeth. But after a while, you know,

1:16:35.520 --> 1:16:37.559
<v Speaker 1>Ship started picking up. It was like, Okay, I gotta,

1:16:37.760 --> 1:16:39.320
<v Speaker 1>I gotta move out of here. I gotta you know,

1:16:39.760 --> 1:16:41.519
<v Speaker 1>I could get money in other ways, but I would

1:16:41.680 --> 1:16:45.280
<v Speaker 1>really Originally I started out working for Crime doing the promotions.

1:16:45.360 --> 1:16:47.240
<v Speaker 1>That's the first time where I actually ran a shop,

1:16:47.520 --> 1:16:49.920
<v Speaker 1>ran a grill shot and then even then it was

1:16:49.960 --> 1:16:53.000
<v Speaker 1>still working for Crime. He paid me a salary and

1:16:53.040 --> 1:16:55.360
<v Speaker 1>I would sell grills and I was a salesman, but

1:16:55.720 --> 1:16:58.640
<v Speaker 1>he did everything. He took everything, and then eventually he

1:16:59.080 --> 1:17:01.400
<v Speaker 1>was like a look, I'm gonna do something for you man.

1:17:01.479 --> 1:17:03.320
<v Speaker 1>I may introduce you the Johnny Man it's you know,

1:17:03.439 --> 1:17:06.679
<v Speaker 1>and he's like all right. I was like bed ship, yeah, yeah,

1:17:06.680 --> 1:17:11.000
<v Speaker 1>and he basically gave him. Yeah. But crime had different

1:17:11.000 --> 1:17:12.760
<v Speaker 1>people to crime had somebody in New York that was

1:17:12.800 --> 1:17:15.800
<v Speaker 1>making on me as somebody and uh, you know, but

1:17:15.920 --> 1:17:18.360
<v Speaker 1>Johnny didn't majority because it was local in Houston. But

1:17:18.479 --> 1:17:20.920
<v Speaker 1>he had multiple year he got all kind of stuff

1:17:20.920 --> 1:17:22.879
<v Speaker 1>going on. But it wasn't It wasn't like a celebrity

1:17:22.920 --> 1:17:25.400
<v Speaker 1>who came to you and like and then he was like,

1:17:25.479 --> 1:17:26.960
<v Speaker 1>you know what this is, this is something I want

1:17:27.000 --> 1:17:29.200
<v Speaker 1>to invest my money in. Well, I think it was

1:17:29.280 --> 1:17:32.360
<v Speaker 1>just no, it was more like just the hustle because

1:17:32.560 --> 1:17:36.560
<v Speaker 1>Little John was the first celebrity I did. But before that,

1:17:36.680 --> 1:17:39.080
<v Speaker 1>it was just I was making money, man. I was

1:17:39.160 --> 1:17:41.240
<v Speaker 1>making a kind of money selling grills, and I would

1:17:42.080 --> 1:17:44.360
<v Speaker 1>The hustle is you pass out flies with your number

1:17:44.400 --> 1:17:47.519
<v Speaker 1>on it, with the prices on it, and people will

1:17:47.520 --> 1:17:49.920
<v Speaker 1>see it. You go to all the different cities or

1:17:50.000 --> 1:17:53.200
<v Speaker 1>towns that in the three or four mile RADI three

1:17:53.240 --> 1:17:54.960
<v Speaker 1>or four hour radius, you know what I'm saying. So

1:17:55.040 --> 1:17:57.920
<v Speaker 1>I would go to Dallas, Santonio, Austin the same places

1:17:57.960 --> 1:18:00.400
<v Speaker 1>I'm going to sell switchhouse tape because keep this in

1:18:00.479 --> 1:18:04.200
<v Speaker 1>mind too. I was selling Switching House mixtapes. Before I

1:18:04.360 --> 1:18:07.800
<v Speaker 1>was rapping on them. I was promoting and distributing. I

1:18:07.880 --> 1:18:10.439
<v Speaker 1>would press up this. I would press up the CDs

1:18:10.479 --> 1:18:12.640
<v Speaker 1>and the tapes, and I also would distribute them and

1:18:12.760 --> 1:18:15.240
<v Speaker 1>go to the stores, fulfill the orders, take them back

1:18:15.280 --> 1:18:18.160
<v Speaker 1>to watch ron clg Dash. That's what T Ferris was

1:18:18.240 --> 1:18:19.840
<v Speaker 1>doing too. We came in at the same time doing

1:18:19.920 --> 1:18:23.120
<v Speaker 1>that before I was wrapping the Switch House. So I

1:18:23.240 --> 1:18:27.200
<v Speaker 1>got to see in Ship the same grill hustle in Houston.

1:18:27.600 --> 1:18:29.240
<v Speaker 1>I can do this out of town, So I go

1:18:29.360 --> 1:18:31.600
<v Speaker 1>to Dallas all these places, put my number down with

1:18:31.680 --> 1:18:35.120
<v Speaker 1>flyers of the prices. They already were traveling to Houston

1:18:35.280 --> 1:18:38.160
<v Speaker 1>or places to get grills, go or to whatever whoever.

1:18:38.240 --> 1:18:40.040
<v Speaker 1>Their local hood didn't but it was it's like it

1:18:40.200 --> 1:18:42.439
<v Speaker 1>ain't a good selection of people to go to. It's

1:18:42.479 --> 1:18:45.280
<v Speaker 1>only like one or two or maybe three in Houston

1:18:45.560 --> 1:18:47.760
<v Speaker 1>at that time they were doing permanent grills. They were like,

1:18:47.840 --> 1:18:50.280
<v Speaker 1>hood didn't like doing that. So it's like, ship, where

1:18:50.320 --> 1:18:53.560
<v Speaker 1>can you go? So you know, doing that it was

1:18:53.640 --> 1:18:56.720
<v Speaker 1>just working. And I would go to Louisiana, same thing. Lafayette,

1:18:56.800 --> 1:19:00.360
<v Speaker 1>like Charles Appulus is on the baton ruge and then

1:19:01.120 --> 1:19:02.960
<v Speaker 1>even in every direction, you know what I'm saying. So

1:19:04.120 --> 1:19:06.240
<v Speaker 1>it just it got to be a real hustle for me.

1:19:06.479 --> 1:19:09.320
<v Speaker 1>But little John saw it was like he knew who

1:19:09.360 --> 1:19:10.840
<v Speaker 1>I was as I was at that time. I was

1:19:10.920 --> 1:19:13.920
<v Speaker 1>a d J. I was DJ, and I was an artist,

1:19:13.960 --> 1:19:16.320
<v Speaker 1>switch house, a freestyle artist. But I kind of a

1:19:16.400 --> 1:19:18.360
<v Speaker 1>lot of people, you know, I kind of got more

1:19:18.439 --> 1:19:21.960
<v Speaker 1>recognition as a DJ at that time. At that time,

1:19:23.680 --> 1:19:26.600
<v Speaker 1>DJ Paul, the other artists, I think a lot of

1:19:26.800 --> 1:19:29.639
<v Speaker 1>they more respecting me as a DJ because I wasn't

1:19:29.680 --> 1:19:31.680
<v Speaker 1>hound hounding them for versus and all let me act

1:19:31.720 --> 1:19:33.040
<v Speaker 1>like I'm friends with you and all that. It was

1:19:33.120 --> 1:19:36.000
<v Speaker 1>more like I'm a DJ, I play of music. They

1:19:36.080 --> 1:19:38.240
<v Speaker 1>respected me for that because I really will support people

1:19:38.280 --> 1:19:41.439
<v Speaker 1>I funk with. And whereas the fans sunk to me

1:19:41.560 --> 1:19:43.280
<v Speaker 1>as being a rapper, they didn't give a funk about

1:19:43.280 --> 1:19:45.240
<v Speaker 1>me DJ and the fans with me was being a rapper,

1:19:45.439 --> 1:19:47.920
<v Speaker 1>but the the other artists, they sucked me as being

1:19:48.000 --> 1:19:50.040
<v Speaker 1>a more DJ. So it was a lot of other

1:19:50.920 --> 1:19:52.439
<v Speaker 1>the artists I sunk with, I sunk with t I

1:19:52.600 --> 1:19:55.120
<v Speaker 1>real tough, real heavy, you know, even as I was

1:19:55.200 --> 1:19:57.640
<v Speaker 1>rapping with the switch house and you know, you know

1:19:57.720 --> 1:20:00.640
<v Speaker 1>when twenty Folks came out and you all around then,

1:20:00.880 --> 1:20:03.160
<v Speaker 1>But it was more as me being a DJ and

1:20:03.240 --> 1:20:06.519
<v Speaker 1>then as an artist thing came it was like, oh, ship,

1:20:06.760 --> 1:20:08.400
<v Speaker 1>you rapped. Two ain't know you wrapped. And then it

1:20:08.640 --> 1:20:12.599
<v Speaker 1>also let me just you know, it just it worked

1:20:12.640 --> 1:20:15.880
<v Speaker 1>for me because I saw how people You know, man,

1:20:16.200 --> 1:20:20.759
<v Speaker 1>everybody is a rapper or a DJ or a producer. Everybody,

1:20:21.240 --> 1:20:25.920
<v Speaker 1>so everybody who's seen any type of success, and there's

1:20:25.920 --> 1:20:29.240
<v Speaker 1>all types of different levels. You get everybody coming up

1:20:29.240 --> 1:20:30.519
<v Speaker 1>to you, Hey, I want to be where you at?

1:20:30.560 --> 1:20:31.640
<v Speaker 1>How can I be there? Can you? How can you

1:20:31.720 --> 1:20:33.040
<v Speaker 1>put me on? Put me on? Put me on, put

1:20:33.080 --> 1:20:35.720
<v Speaker 1>me on? So ship this man, I would just see

1:20:35.760 --> 1:20:38.000
<v Speaker 1>how you would get turned off shut out. As I'm

1:20:38.040 --> 1:20:39.479
<v Speaker 1>a rapper, they put me on, put me on, and

1:20:39.520 --> 1:20:41.960
<v Speaker 1>they on want the funk with you? But I'm a DJ.

1:20:42.160 --> 1:20:43.960
<v Speaker 1>Oh you Hey, I'm ana DJ. I can play of music.

1:20:44.040 --> 1:20:46.080
<v Speaker 1>Then they oh you can play my music, let me

1:20:46.320 --> 1:20:48.800
<v Speaker 1>with you. Ship. It just was like reverse psychology. And

1:20:48.880 --> 1:20:50.760
<v Speaker 1>then when they when they when they would find out

1:20:50.800 --> 1:20:52.840
<v Speaker 1>that I wrapped, it would be damn, you ain't even

1:20:52.880 --> 1:20:55.120
<v Speaker 1>tell me you wrap. But it would be like yeah,

1:20:55.120 --> 1:20:57.040
<v Speaker 1>because I ain't trying to put you out like that

1:20:57.120 --> 1:20:58.479
<v Speaker 1>where you ain't want to suck with me no more,

1:20:58.520 --> 1:21:00.800
<v Speaker 1>because you know, you see how that goes. It worked

1:21:00.840 --> 1:21:02.600
<v Speaker 1>for me, you know what I'm saying. I just I

1:21:02.720 --> 1:21:05.599
<v Speaker 1>let that. I let my other side hustles, you know, grow,

1:21:06.040 --> 1:21:08.160
<v Speaker 1>so they when I had an opportunity for me to

1:21:08.240 --> 1:21:10.240
<v Speaker 1>be an artist or a rapper, you know, I had

1:21:10.280 --> 1:21:13.760
<v Speaker 1>all kind of money wise monetarily, I had my money,

1:21:14.000 --> 1:21:16.800
<v Speaker 1>so I didn't rely on record sales. My network was

1:21:16.840 --> 1:21:19.840
<v Speaker 1>already strong because I was already distributing in other people music,

1:21:20.240 --> 1:21:23.519
<v Speaker 1>and I was a salesman selling grills and selling music,

1:21:23.600 --> 1:21:25.679
<v Speaker 1>so I knew what, you know, just sell my own music.

1:21:25.760 --> 1:21:27.639
<v Speaker 1>Being an artists with the kind of took I knew

1:21:27.720 --> 1:21:30.600
<v Speaker 1>being a salesman who distributed to Switchhouse tapes. Sometimes I

1:21:30.680 --> 1:21:33.200
<v Speaker 1>can tell which, you know with the fans, they work

1:21:33.240 --> 1:21:35.400
<v Speaker 1>with this artist or that artist, so they like when

1:21:35.439 --> 1:21:39.479
<v Speaker 1>you say this or that and then right right, so yeah,

1:21:39.479 --> 1:21:41.320
<v Speaker 1>I could adjust, like okay, they like when I do that.

1:21:42.280 --> 1:21:45.000
<v Speaker 1>Partners on the whole Jury Store, just the grill part,

1:21:45.400 --> 1:21:53.479
<v Speaker 1>all of it, all of it your jury store. We're

1:21:53.520 --> 1:21:55.840
<v Speaker 1>actually we were branching out. We're about to branch off.

1:21:56.040 --> 1:21:58.000
<v Speaker 1>We still got the Sharpstown store of course, got the

1:21:58.040 --> 1:22:01.000
<v Speaker 1>new and uh C too for rich in Houston, the

1:22:01.040 --> 1:22:03.519
<v Speaker 1>big one, the two story. He Johnny got his own.

1:22:03.560 --> 1:22:07.280
<v Speaker 1>He Johnny went from doing jury repair in his garage

1:22:07.800 --> 1:22:11.120
<v Speaker 1>to selling grills in the mall to having his own mall. Man.

1:22:11.200 --> 1:22:13.760
<v Speaker 1>So you know, man, you know it's it's definitely how

1:22:13.800 --> 1:22:16.080
<v Speaker 1>does the want to but somebody wanted to start getting

1:22:16.160 --> 1:22:18.479
<v Speaker 1>the jury business? How do you how do you even begint?

1:22:20.000 --> 1:22:23.000
<v Speaker 1>This is why I love Johnny bro He changed my

1:22:23.200 --> 1:22:26.639
<v Speaker 1>life as beat me being a hustler. I can sell anything,

1:22:26.680 --> 1:22:29.559
<v Speaker 1>I can hustle anything. So when you got that type

1:22:29.560 --> 1:22:31.759
<v Speaker 1>of skill, you know, how can you do that without

1:22:31.760 --> 1:22:34.560
<v Speaker 1>going to jail? How can you do that it with integrity,

1:22:34.920 --> 1:22:37.880
<v Speaker 1>to respect when you're not selling something this whack of

1:22:37.960 --> 1:22:39.720
<v Speaker 1>corny or how can you do that and make a

1:22:39.800 --> 1:22:41.680
<v Speaker 1>career out of me? How can you do that? You know?

1:22:41.840 --> 1:22:44.320
<v Speaker 1>Just all that. So for me it was a whole

1:22:44.400 --> 1:22:47.439
<v Speaker 1>lot of you know, I love grills, I want grills,

1:22:47.720 --> 1:22:49.680
<v Speaker 1>so I want to sell them. Then I can make

1:22:49.720 --> 1:22:51.519
<v Speaker 1>a lot of money off of this because a lot

1:22:51.600 --> 1:22:54.080
<v Speaker 1>of people at the time who was selling grills were

1:22:54.160 --> 1:22:57.559
<v Speaker 1>charging too much money. Or we're doing bad business where

1:22:57.960 --> 1:23:00.519
<v Speaker 1>they take your money and your grill mold, but you

1:23:00.560 --> 1:23:02.840
<v Speaker 1>wouldn't get your grill and you got a hound them

1:23:02.880 --> 1:23:05.639
<v Speaker 1>for their grill, you know. So I just saw myself

1:23:05.720 --> 1:23:08.559
<v Speaker 1>as men, if I can do a good business, I'm

1:23:08.560 --> 1:23:12.040
<v Speaker 1>gonna win, all right. And Johnny gave me that opportunity.

1:23:12.160 --> 1:23:15.960
<v Speaker 1>That that's what Johnny started off as he would give wholesale.

1:23:16.880 --> 1:23:18.880
<v Speaker 1>Did you did you? Did you fund him first? How

1:23:18.920 --> 1:23:20.479
<v Speaker 1>did he like? How did like like you know what

1:23:20.479 --> 1:23:22.400
<v Speaker 1>I'm saying, like, no, no, he's done it. It was

1:23:22.479 --> 1:23:26.200
<v Speaker 1>all Johnny. Okay. So me, I would when I'm working

1:23:26.240 --> 1:23:29.720
<v Speaker 1>for crime, doing grills, doing selling grill modes whatever, doing

1:23:29.720 --> 1:23:32.880
<v Speaker 1>anything I'm doing crime, I would be like the driver

1:23:33.080 --> 1:23:35.200
<v Speaker 1>drop off the mode. So I'm at Johnny's dropping off

1:23:35.240 --> 1:23:37.720
<v Speaker 1>the most picking up orders things like that. I'd be

1:23:37.840 --> 1:23:40.920
<v Speaker 1>in there. It was a small shop, and every time

1:23:41.000 --> 1:23:42.679
<v Speaker 1>I ever went in there, he would always be getting

1:23:42.680 --> 1:23:45.880
<v Speaker 1>into somebody. He got this thick Vetnamese accent and then't

1:23:45.880 --> 1:23:49.400
<v Speaker 1>be somebody who is from the hood of any race.

1:23:49.600 --> 1:23:51.479
<v Speaker 1>There was from some type of hood so they had

1:23:51.560 --> 1:23:54.240
<v Speaker 1>a hood accent, or there was from out of state.

1:23:54.400 --> 1:23:56.000
<v Speaker 1>So he didn't know what the fun they were saying

1:23:56.040 --> 1:23:58.519
<v Speaker 1>that what he was saying, and it would just be

1:23:59.120 --> 1:24:01.960
<v Speaker 1>a translation. No, no, he's saying, it's this, No, no, Johnny,

1:24:02.000 --> 1:24:05.920
<v Speaker 1>he wants this, no this, And then you know, after that,

1:24:06.120 --> 1:24:10.200
<v Speaker 1>eventually it got to be a while I'm in there

1:24:10.280 --> 1:24:13.559
<v Speaker 1>dropping off grill most ship people say you like outside,

1:24:13.560 --> 1:24:15.479
<v Speaker 1>I didn't know you. I'm a rapper too, and he's like,

1:24:15.520 --> 1:24:18.080
<v Speaker 1>you're a rapper and you sell grills whatever, and I'm like, yeah, well,

1:24:18.120 --> 1:24:20.720
<v Speaker 1>you know what whatever, And then it got to be

1:24:20.840 --> 1:24:23.559
<v Speaker 1>a ship. We can do this together, and we're way

1:24:23.640 --> 1:24:26.720
<v Speaker 1>stronger together. And Johnny always from the jump Johnny got

1:24:26.760 --> 1:24:28.200
<v Speaker 1>a part of my music too, just like I got

1:24:28.280 --> 1:24:30.000
<v Speaker 1>a part of the Jews. Johnny told me from the

1:24:30.080 --> 1:24:31.880
<v Speaker 1>jump Man, Hey, look the same way you love JR.

1:24:32.200 --> 1:24:34.599
<v Speaker 1>That's how I love music. I can't make no music.

1:24:34.800 --> 1:24:36.639
<v Speaker 1>I don't know how to make music, but I want

1:24:36.640 --> 1:24:39.760
<v Speaker 1>to be a part somehow, whether it's doing concerts, you know,

1:24:39.920 --> 1:24:41.840
<v Speaker 1>just investing something. I want to be I want to

1:24:41.880 --> 1:24:44.120
<v Speaker 1>be a part. So that's why we always had kind

1:24:44.160 --> 1:24:46.760
<v Speaker 1>of messed the way we have the juror is this

1:24:46.960 --> 1:24:48.920
<v Speaker 1>thing I do the marketing, I do things like that

1:24:49.000 --> 1:24:51.920
<v Speaker 1>in terms of the marketing and outreach. Uh. Big part

1:24:51.960 --> 1:24:54.040
<v Speaker 1>of what I do. Yeah, A big part of what

1:24:54.120 --> 1:24:56.759
<v Speaker 1>I do is customer service. When people and there's problems.

1:24:56.800 --> 1:24:58.759
<v Speaker 1>Of course, that's when people don't really call me unless

1:24:58.760 --> 1:25:00.720
<v Speaker 1>they got a problem and they the problem because we're

1:25:00.720 --> 1:25:02.439
<v Speaker 1>gonna spoop it over. That's all I think, too, is it?

1:25:02.920 --> 1:25:06.720
<v Speaker 1>You know, customer services number one to us. But the

1:25:06.840 --> 1:25:09.120
<v Speaker 1>business run itself. He running so I'm able to do

1:25:09.280 --> 1:25:11.400
<v Speaker 1>my music and collect the check at the same time,

1:25:11.520 --> 1:25:15.880
<v Speaker 1>cross promote and everything I do. But it just it

1:25:16.000 --> 1:25:18.720
<v Speaker 1>just was like, why why not we got a team up,

1:25:18.800 --> 1:25:22.120
<v Speaker 1>Let's do this together. And me, I'm a very loyal person,

1:25:22.200 --> 1:25:24.560
<v Speaker 1>so I'm not the type to let me do this

1:25:24.680 --> 1:25:26.400
<v Speaker 1>on my own without you to x you out so

1:25:26.479 --> 1:25:28.280
<v Speaker 1>that I can make a little bit more money. I'm

1:25:28.320 --> 1:25:31.559
<v Speaker 1>more of a let's build this up together. You got kids,

1:25:31.600 --> 1:25:33.960
<v Speaker 1>I got kids, will pass this on to our kids together.

1:25:34.360 --> 1:25:37.240
<v Speaker 1>You know I'm more of a builder than I am

1:25:37.320 --> 1:25:39.559
<v Speaker 1>over let me go do it on my own. No man, stop,

1:25:39.720 --> 1:25:47.120
<v Speaker 1>even you got your girls, little girls like you get

1:25:47.160 --> 1:25:50.960
<v Speaker 1>those girls, Charlie Hey. But this is why, this is

1:25:50.960 --> 1:25:56.080
<v Speaker 1>why I love Journey because now but it might be

1:25:56.240 --> 1:26:02.479
<v Speaker 1>you're looking good, but this is why I love Johnny

1:26:02.520 --> 1:26:06.120
<v Speaker 1>because the same opportunity he gave me to go hustle

1:26:06.439 --> 1:26:10.439
<v Speaker 1>and make a living and make money off of this man.

1:26:10.479 --> 1:26:14.400
<v Speaker 1>He get that to We got thousands of wholesale clients

1:26:14.880 --> 1:26:17.519
<v Speaker 1>around the world, so that you know, instead of him

1:26:17.560 --> 1:26:21.040
<v Speaker 1>franchising off and having a Johnny Danger Company in every city,

1:26:21.640 --> 1:26:25.040
<v Speaker 1>there's like ten Johnny Dann company people who are getting

1:26:25.040 --> 1:26:29.200
<v Speaker 1>their wholesale from us, but they're their own business. So yeah,

1:26:29.280 --> 1:26:32.000
<v Speaker 1>I appreciate that he empowered you to be your own hustle,

1:26:32.320 --> 1:26:34.840
<v Speaker 1>to to build your own business for your kids. You

1:26:34.880 --> 1:26:37.120
<v Speaker 1>know what I'm saying that That's why I love Johnny

1:26:37.120 --> 1:26:39.479
<v Speaker 1>because he get an opportunity. I've seen him time and

1:26:39.600 --> 1:26:41.920
<v Speaker 1>time and time again, get that opportunity to what's the

1:26:41.960 --> 1:26:43.680
<v Speaker 1>first thing approachon to do if they want to get

1:26:43.680 --> 1:26:47.760
<v Speaker 1>into the well? I mean, because you had I would

1:26:47.760 --> 1:26:50.280
<v Speaker 1>say this, No matter what, it's very easy to get

1:26:50.400 --> 1:26:54.000
<v Speaker 1>tempted to run off of people money or charge them

1:26:54.040 --> 1:26:56.960
<v Speaker 1>more and get them. Uh, they paid ten thousand, but

1:26:57.160 --> 1:27:00.280
<v Speaker 1>let me act like they paid nine eight because I

1:27:00.360 --> 1:27:03.160
<v Speaker 1>need some new rooms or something, you know. So I

1:27:03.280 --> 1:27:07.720
<v Speaker 1>think good business and customer service is key a one

1:27:07.840 --> 1:27:09.920
<v Speaker 1>key to long term business. Now, if you want to

1:27:09.960 --> 1:27:12.519
<v Speaker 1>go out and hit licks come up real quick. That's

1:27:12.600 --> 1:27:16.200
<v Speaker 1>a completely different business structure. You know. My business advice

1:27:16.240 --> 1:27:18.640
<v Speaker 1>I can give you is for long term careers or

1:27:18.680 --> 1:27:20.240
<v Speaker 1>something you can pass on to your kids and make

1:27:20.280 --> 1:27:22.640
<v Speaker 1>millions of dollars off. Yeah, if you want to make

1:27:22.680 --> 1:27:24.360
<v Speaker 1>a couple of thousand real quick and go here licks

1:27:24.400 --> 1:27:26.519
<v Speaker 1>and burn people on their orders. But you want to

1:27:26.560 --> 1:27:28.800
<v Speaker 1>make some millions, yeah, you can't do that type of ship.

1:27:29.160 --> 1:27:31.800
<v Speaker 1>But that's what man. You know we're talking though. If

1:27:31.880 --> 1:27:35.160
<v Speaker 1>you want to sell jury, the best advice I would

1:27:35.160 --> 1:27:37.840
<v Speaker 1>get to you if you like, man, go talk to Johnny.

1:27:38.400 --> 1:27:41.559
<v Speaker 1>We gotta. We have a whole department. This a wholesale department.

1:27:42.000 --> 1:27:45.439
<v Speaker 1>This is just as big as the gold casting or

1:27:45.560 --> 1:27:49.000
<v Speaker 1>diamond setting, or shipping or any other department we have those.

1:27:49.080 --> 1:27:51.760
<v Speaker 1>That department is huge, man, And that's also why we're

1:27:51.760 --> 1:27:54.640
<v Speaker 1>able to sell four hundred grills a day. You know,

1:27:54.840 --> 1:27:56.640
<v Speaker 1>it's it's crazy to be to be able to do

1:27:56.720 --> 1:27:59.560
<v Speaker 1>this much. But it's not because they you know, we

1:27:59.640 --> 1:28:02.920
<v Speaker 1>got you. You know, we got in a movie called

1:28:03.160 --> 1:28:06.640
<v Speaker 1>um you hope they served Ben Hell? Oh yeah, my

1:28:06.760 --> 1:28:09.160
<v Speaker 1>boy Tuckle Max. So how the hell are you getting

1:28:09.439 --> 1:28:12.840
<v Speaker 1>a movie like that man. Uh it's a yeah, man,

1:28:12.920 --> 1:28:15.080
<v Speaker 1>it's a you know, I'm not that good at active,

1:28:15.200 --> 1:28:17.439
<v Speaker 1>but I think that might be where it started. They

1:28:17.520 --> 1:28:19.320
<v Speaker 1>put me in the in the movies that they not

1:28:19.439 --> 1:28:22.479
<v Speaker 1>the not the mainstream successes, but that was they didn't

1:28:22.479 --> 1:28:24.360
<v Speaker 1>make some money off of that. It's based off a book.

1:28:24.680 --> 1:28:27.120
<v Speaker 1>My boy. It's a real person named Tuckle Max. He

1:28:27.160 --> 1:28:29.000
<v Speaker 1>got a book. It was on the New York Times

1:28:29.040 --> 1:28:32.240
<v Speaker 1>best seller for like teen years something crazy, like I

1:28:32.240 --> 1:28:34.120
<v Speaker 1>think he might have broke a record or something. He was.

1:28:34.560 --> 1:28:36.960
<v Speaker 1>But the book is like a story he wrote which

1:28:37.040 --> 1:28:41.040
<v Speaker 1>is basically like adventures of getting sucked up and and

1:28:41.240 --> 1:28:44.320
<v Speaker 1>fucking girls and just reckly ship three girls in one

1:28:44.400 --> 1:28:46.800
<v Speaker 1>night and I ain't wear I got so drunk and

1:28:46.920 --> 1:28:48.639
<v Speaker 1>I threw a ball over the floor here and there.

1:28:49.040 --> 1:28:50.720
<v Speaker 1>Oh ay, one time I had to ship in. This

1:28:50.840 --> 1:28:53.160
<v Speaker 1>girl gave me head while I was shooting, like it's

1:28:53.200 --> 1:28:59.400
<v Speaker 1>like this, yeah, but it's all true stories and uh,

1:28:59.640 --> 1:29:01.080
<v Speaker 1>you know of him and I had asked me. I

1:29:01.160 --> 1:29:03.000
<v Speaker 1>was like, hey, bro, these all can't be your stories.

1:29:03.040 --> 1:29:05.080
<v Speaker 1>They gotta be like you and like four or your homeboys,

1:29:05.120 --> 1:29:07.280
<v Speaker 1>and you all put them together with he like, well,

1:29:07.479 --> 1:29:10.080
<v Speaker 1>it's just me. But anyway, I made him through some

1:29:10.160 --> 1:29:11.519
<v Speaker 1>of the else When the first time I went to

1:29:11.600 --> 1:29:14.080
<v Speaker 1>iraq Um with the U s O, I went with

1:29:14.400 --> 1:29:18.080
<v Speaker 1>my boy Jamie Kennedy and Stu Stone and Jamie Kennedy,

1:29:18.320 --> 1:29:20.400
<v Speaker 1>you know, the actor comedian. He had a book out

1:29:20.960 --> 1:29:25.400
<v Speaker 1>and uh, Tucker Max, Uh, he's the one who wrote it.

1:29:25.600 --> 1:29:27.320
<v Speaker 1>He like CO wrote it, you know what I'm saying.

1:29:27.360 --> 1:29:29.720
<v Speaker 1>So anyway, I was he was talking to him and

1:29:29.720 --> 1:29:31.559
<v Speaker 1>he's like, oh, Ship, hey, my boy, Tucker Max, say

1:29:31.600 --> 1:29:33.840
<v Speaker 1>what's up? Man? You know he could helped CO wrote

1:29:33.880 --> 1:29:35.719
<v Speaker 1>my book. And I'm like, oh, Ship, tell him myself.

1:29:35.720 --> 1:29:37.519
<v Speaker 1>I'm trying to write a book too. Anyway, he wrote

1:29:37.520 --> 1:29:40.000
<v Speaker 1>a bunch of he co he helped Tiffany Hadds right

1:29:40.160 --> 1:29:41.880
<v Speaker 1>with her book. You know, I don't you know, I

1:29:41.880 --> 1:29:43.840
<v Speaker 1>wouldn't in on their writing problem how they do it,

1:29:43.920 --> 1:29:45.720
<v Speaker 1>but a lot of times when they write books like that,

1:29:45.800 --> 1:29:47.360
<v Speaker 1>you like do an interview and then it to be

1:29:47.439 --> 1:29:49.240
<v Speaker 1>kind of transcribed kind of or whatever. I don't know,

1:29:49.360 --> 1:29:51.679
<v Speaker 1>but whatever. Anyway, but if you look on the book

1:29:51.760 --> 1:29:56.000
<v Speaker 1>The Last Black Unicorns, like Tivy hadas Tucker Max, I'm like, oh, Ship,

1:29:56.120 --> 1:29:58.160
<v Speaker 1>my boy, I've seen I've seen that. I was wired

1:29:58.200 --> 1:30:00.840
<v Speaker 1>up when I've seen that. But yeah, he that's how

1:30:00.920 --> 1:30:02.400
<v Speaker 1>I made him. And I'm like, damn. He's like, yeah,

1:30:02.400 --> 1:30:03.720
<v Speaker 1>I wrote a book is on the New York Time

1:30:03.760 --> 1:30:06.560
<v Speaker 1>best seller but you know he like co wrote like

1:30:06.720 --> 1:30:08.920
<v Speaker 1>a bunch of other books. So we got to be cool.

1:30:08.960 --> 1:30:10.320
<v Speaker 1>And he's like, hey, they're gonna and I talk. I

1:30:10.400 --> 1:30:12.599
<v Speaker 1>was like, hey, bro, if they I can't act for ship.

1:30:13.040 --> 1:30:14.840
<v Speaker 1>I ain't been him with like three or four movies,

1:30:14.960 --> 1:30:17.040
<v Speaker 1>but say, man, if you make the because he said

1:30:17.040 --> 1:30:18.640
<v Speaker 1>they're gonna make a movie out of the book, A

1:30:18.720 --> 1:30:20.360
<v Speaker 1>bro put me in the movie. Man, I try to

1:30:20.400 --> 1:30:21.960
<v Speaker 1>get in that movie just because I'm trying to get

1:30:22.000 --> 1:30:24.799
<v Speaker 1>a movie credit. So that's how that's how it basically happened.

1:30:24.800 --> 1:30:27.160
<v Speaker 1>He put me in the movie. He basically wrote me

1:30:27.200 --> 1:30:29.519
<v Speaker 1>in the movie, which was like a parody of myself,

1:30:29.640 --> 1:30:31.360
<v Speaker 1>kind of like my you know, my name in the

1:30:31.439 --> 1:30:36.800
<v Speaker 1>movie was Grillionaire. So but yeah, shout to my boy.

1:30:36.880 --> 1:30:39.439
<v Speaker 1>What's up now? Now you got a real you got

1:30:39.560 --> 1:30:42.160
<v Speaker 1>a real you married a real system. You ain't married

1:30:42.200 --> 1:30:45.400
<v Speaker 1>like a faith black girl, real real black you have?

1:30:46.120 --> 1:30:48.840
<v Speaker 1>What has been like like that? Because what does that

1:30:48.960 --> 1:30:51.640
<v Speaker 1>life have been? Because obviously we know you're white and

1:30:51.880 --> 1:30:55.160
<v Speaker 1>you married a black girl? Like, has that been pluses

1:30:55.240 --> 1:30:58.080
<v Speaker 1>for you? Have that? Have people critiqued you for it? Like?

1:30:58.720 --> 1:31:03.040
<v Speaker 1>You know, different people have different perspectives. You know, it's

1:31:03.280 --> 1:31:11.439
<v Speaker 1>she's my dream woman. Anything now but anything I can

1:31:11.479 --> 1:31:14.040
<v Speaker 1>ask for or could want and a partners, you know,

1:31:14.120 --> 1:31:16.200
<v Speaker 1>see that for me, So I don't want nothing else.

1:31:16.240 --> 1:31:22.439
<v Speaker 1>I would now. I never you know, I never been

1:31:22.520 --> 1:31:24.439
<v Speaker 1>married and nobody else or nothing else. So I like that.

1:31:24.560 --> 1:31:26.720
<v Speaker 1>So I never even you know, been this is she

1:31:26.920 --> 1:31:29.599
<v Speaker 1>really the first serious, serious relationship that I had ever

1:31:29.680 --> 1:31:31.519
<v Speaker 1>been in a long long term like that. Even we

1:31:31.600 --> 1:31:35.439
<v Speaker 1>got married on our two year anniversaries. So should I

1:31:35.520 --> 1:31:38.200
<v Speaker 1>don't know for me, you know, we get it different ways.

1:31:38.280 --> 1:31:40.560
<v Speaker 1>Of course. If you look at the comments on the

1:31:40.640 --> 1:31:42.759
<v Speaker 1>post or something, you'll see all kind of ships sometimes.

1:31:42.880 --> 1:31:45.760
<v Speaker 1>But I think, you know, if you're racist, then you're

1:31:45.760 --> 1:31:49.160
<v Speaker 1>gonna find some racist out of it or whatever. You know,

1:31:49.280 --> 1:31:51.519
<v Speaker 1>there's there's definitely people on both sides who got a

1:31:51.560 --> 1:31:53.719
<v Speaker 1>problem with it, you know what I'm saying or whatever,

1:31:53.840 --> 1:31:56.320
<v Speaker 1>But hey, man, I wish them the best. I hope

1:31:56.360 --> 1:31:58.599
<v Speaker 1>they'd be happy. You know, I'm I'm happy, I'm I'm

1:31:58.840 --> 1:32:01.200
<v Speaker 1>I'm proud to be married to. It is is what

1:32:01.320 --> 1:32:04.720
<v Speaker 1>I wanted as being and my parents with divorce, and

1:32:04.960 --> 1:32:06.760
<v Speaker 1>you know, this is what I wanted, Man, I want

1:32:06.800 --> 1:32:09.120
<v Speaker 1>to be married ship. I'm not trying to be like

1:32:09.320 --> 1:32:11.559
<v Speaker 1>rapper married where I'm married but I'm working on the side,

1:32:17.840 --> 1:32:21.559
<v Speaker 1>or or just just or just just entertainer married where

1:32:21.640 --> 1:32:24.720
<v Speaker 1>you don't tell nobody married, you know, just you know, hey,

1:32:24.840 --> 1:32:28.640
<v Speaker 1>I'm because it even you know, as a child growing up.

1:32:28.760 --> 1:32:31.320
<v Speaker 1>If I want to think about what the rappers, you know,

1:32:31.439 --> 1:32:33.559
<v Speaker 1>from being whatever age I was when I first heard

1:32:33.640 --> 1:32:36.479
<v Speaker 1>hip hop? What what? What a you know? Who's married?

1:32:36.520 --> 1:32:39.200
<v Speaker 1>Who talks about being married, who's proud to be married?

1:32:39.280 --> 1:32:40.640
<v Speaker 1>Or any of that? You don't hear none of that.

1:32:40.680 --> 1:32:44.280
<v Speaker 1>The only thing you see is scandal side bitches, baby

1:32:44.320 --> 1:32:48.080
<v Speaker 1>Mama's Dog and girls out love songs broken. You know, Hey,

1:32:48.160 --> 1:32:51.840
<v Speaker 1>that's difference the love spectrum of the interactive spect you

1:32:51.880 --> 1:32:54.559
<v Speaker 1>know whatever. It's big, but you don't hear too much

1:32:54.640 --> 1:32:57.240
<v Speaker 1>of y'all married and you know ship like that or

1:32:57.560 --> 1:32:59.680
<v Speaker 1>you know whatever, or just see people talking about it

1:32:59.760 --> 1:33:01.400
<v Speaker 1>or all you'd be like, they mightn't even know he's

1:33:01.400 --> 1:33:03.519
<v Speaker 1>married to. You find out somebody who got divorced, you know,

1:33:03.920 --> 1:33:06.920
<v Speaker 1>got divorce. I don't even know they're married, Ship, but

1:33:07.439 --> 1:33:09.680
<v Speaker 1>you know, so for me, it was like who do

1:33:09.760 --> 1:33:13.000
<v Speaker 1>I look to as a role model to be you know,

1:33:13.320 --> 1:33:15.880
<v Speaker 1>to be married and entertainment or be a rapper that's

1:33:15.920 --> 1:33:19.559
<v Speaker 1>married or inter racial. I never really looked at any

1:33:19.600 --> 1:33:22.640
<v Speaker 1>of it like any of that. But who do I

1:33:22.760 --> 1:33:25.840
<v Speaker 1>look to for just to be a marriage role model?

1:33:25.920 --> 1:33:28.760
<v Speaker 1>Especially in rap music? You know what I'm saying. Like Ship,

1:33:28.880 --> 1:33:30.679
<v Speaker 1>it wasn't a lot at the time. Now he's gotten

1:33:30.680 --> 1:33:32.280
<v Speaker 1>to be more, you know what I'm saying, So I

1:33:32.439 --> 1:33:35.240
<v Speaker 1>you know, it's a brotherhood all the other married rappers,

1:33:35.280 --> 1:33:36.880
<v Speaker 1>you know what I'm saying, and should be it's cool,

1:33:36.960 --> 1:33:39.200
<v Speaker 1>you know' parenting to now people more proud to talk

1:33:39.240 --> 1:33:42.680
<v Speaker 1>about being parents for sure. Man, It's something that it

1:33:42.800 --> 1:33:45.120
<v Speaker 1>goes a long way in us a lot of us,

1:33:45.800 --> 1:33:49.320
<v Speaker 1>you know, like growing up having bad experiences, or coming

1:33:49.360 --> 1:33:51.679
<v Speaker 1>from a broken home, or not having a father, having

1:33:51.720 --> 1:33:53.680
<v Speaker 1>a father addicted the drugs, like you know, all of

1:33:53.760 --> 1:33:55.640
<v Speaker 1>the things. Was like, Okay, who do I look to,

1:33:56.360 --> 1:33:58.240
<v Speaker 1>you know, as a role model and rap as well?

1:33:58.439 --> 1:34:00.240
<v Speaker 1>Like Ship? You know, it's something that to be proud

1:34:00.320 --> 1:34:01.920
<v Speaker 1>of being a father and all of these things to

1:34:02.000 --> 1:34:03.800
<v Speaker 1>be married, it's something to be proud of. To be

1:34:03.880 --> 1:34:06.479
<v Speaker 1>a father, something to be proud of. So it's I

1:34:06.600 --> 1:34:08.960
<v Speaker 1>try to do, you know. It's what I wanted. It's

1:34:09.040 --> 1:34:11.080
<v Speaker 1>my dream. I wanted to be married, had kids and

1:34:11.160 --> 1:34:15.160
<v Speaker 1>be happy with my dream like a motherfucker. Now you

1:34:15.200 --> 1:34:17.920
<v Speaker 1>went on tour with tchech mind Yeah, my boy like

1:34:18.560 --> 1:34:21.880
<v Speaker 1>and l Bill as well. Yeah, yeah, how was that

1:34:23.160 --> 1:34:31.560
<v Speaker 1>it was? We actually toured twice once. We toured in

1:34:31.680 --> 1:34:34.280
<v Speaker 1>like two thousand and three, but it was just like,

1:34:34.520 --> 1:34:36.639
<v Speaker 1>I think four or five shows. It wasn't a whole

1:34:36.680 --> 1:34:41.640
<v Speaker 1>lot fourth probably the labels. Yeah, yeah, well maybe like

1:34:41.760 --> 1:34:45.240
<v Speaker 1>at the beginning to being even then it was a

1:34:45.400 --> 1:34:49.040
<v Speaker 1>weird experience showing up to the first show. It was

1:34:49.120 --> 1:34:50.400
<v Speaker 1>I think it was in job. I don't know if

1:34:50.439 --> 1:34:53.720
<v Speaker 1>it was the first one of the first shows. Yeah, yeah,

1:34:53.760 --> 1:34:56.400
<v Speaker 1>he was. I remember we did a show in Joplin, Missouri,

1:34:56.840 --> 1:34:58.920
<v Speaker 1>and it was like we should be pull up and

1:34:59.600 --> 1:35:02.559
<v Speaker 1>there's people waiting there, but they got on black trench

1:35:02.640 --> 1:35:06.479
<v Speaker 1>coats as hot as they're gonna black trench coats. Yeah,

1:35:06.479 --> 1:35:10.360
<v Speaker 1>they got their face painted, and we like, man, what's

1:35:10.439 --> 1:35:13.000
<v Speaker 1>going on? It sat We wasn't something we wasn't used

1:35:13.040 --> 1:35:19.760
<v Speaker 1>to when we go into Yeah we like technicians. Yeah,

1:35:20.240 --> 1:35:22.479
<v Speaker 1>so it was something he wasn't We didn't know what

1:35:22.600 --> 1:35:25.280
<v Speaker 1>to expect, and it was it was a dope interaction

1:35:25.360 --> 1:35:28.200
<v Speaker 1>to see the combination of his fans and my fans,

1:35:28.600 --> 1:35:30.320
<v Speaker 1>you know, because you can see some people were there

1:35:30.360 --> 1:35:32.160
<v Speaker 1>for me, some people there for him, some of there

1:35:32.200 --> 1:35:34.599
<v Speaker 1>for both. But then for sure, it was a dope

1:35:34.640 --> 1:35:36.880
<v Speaker 1>experience that first time we did the first shows and

1:35:37.000 --> 1:35:39.360
<v Speaker 1>that was my first interaction with juggalos like that, and

1:35:39.439 --> 1:35:41.000
<v Speaker 1>it was dope, just saying, you know, I thought that

1:35:41.080 --> 1:35:43.720
<v Speaker 1>was so dope to have fans that, especially in hip

1:35:43.760 --> 1:35:47.560
<v Speaker 1>hop broke because being a fan, it's not cool. You

1:35:47.960 --> 1:35:49.960
<v Speaker 1>can't be no fan you're Dick Rider. They ain't no

1:35:50.160 --> 1:35:54.640
<v Speaker 1>fan as you're Dick Rider. Yes, I haven't been to

1:35:54.720 --> 1:35:59.920
<v Speaker 1>the crazy, but it was it was It's dope to

1:36:00.040 --> 1:36:02.120
<v Speaker 1>me to see people that are proud to be a

1:36:02.200 --> 1:36:04.320
<v Speaker 1>fan of you and they and if you don't like it,

1:36:04.720 --> 1:36:07.559
<v Speaker 1>they're ready to fight you. That's like what That's how

1:36:07.680 --> 1:36:11.040
<v Speaker 1>Zero is to me. His fan base. Zero has my

1:36:11.160 --> 1:36:14.080
<v Speaker 1>boy Zero from Houston. He got a fan base where

1:36:14.800 --> 1:36:17.880
<v Speaker 1>if his fans, if you talk bad about Zero, you say, man,

1:36:17.920 --> 1:36:20.320
<v Speaker 1>they're gonna fight you right there on the spot when

1:36:20.360 --> 1:36:23.719
<v Speaker 1>you're tripping. So you know this. They don't paint their faces,

1:36:23.840 --> 1:36:28.800
<v Speaker 1>but they yeah, and so you know, I was, you know,

1:36:28.880 --> 1:36:30.880
<v Speaker 1>happy to see that for show when our experience that,

1:36:31.280 --> 1:36:32.720
<v Speaker 1>and that was the first time. In the second time

1:36:32.760 --> 1:36:35.479
<v Speaker 1>we went on tour, it was like a sixty city show,

1:36:35.680 --> 1:36:40.479
<v Speaker 1>sixty day sisty city tour. It was crazy like sisty

1:36:40.560 --> 1:36:45.560
<v Speaker 1>shows back back to that. Yeah, but it taught me

1:36:45.600 --> 1:36:47.840
<v Speaker 1>a grind like that, Like damn okay, I see the

1:36:47.920 --> 1:36:54.000
<v Speaker 1>long time run every estate. He's killing man. He pulled

1:36:54.040 --> 1:36:56.320
<v Speaker 1>up in the may back when we went to when

1:36:56.320 --> 1:36:58.479
<v Speaker 1>we went to Kansas City, and we didn't always say

1:36:58.479 --> 1:37:01.040
<v Speaker 1>I want to bring you bout my compounds studio. You

1:37:01.120 --> 1:37:03.400
<v Speaker 1>pull up in the may back, you know what I'm saying.

1:37:03.400 --> 1:37:07.720
<v Speaker 1>They pull up to the multi acre compound and we

1:37:07.800 --> 1:37:12.040
<v Speaker 1>get buzzed in by security and you see the back

1:37:12.080 --> 1:37:16.320
<v Speaker 1>warehouse where they got there hundred or different yeah, different

1:37:16.439 --> 1:37:19.800
<v Speaker 1>sets from show sets like they you know, you go

1:37:19.920 --> 1:37:21.640
<v Speaker 1>to the other side where you see the warehouse with

1:37:21.760 --> 1:37:24.400
<v Speaker 1>all of their merch over the years, everything from socks

1:37:24.439 --> 1:37:27.000
<v Speaker 1>to Jersey's T shirts. It's like then then you see

1:37:27.000 --> 1:37:28.720
<v Speaker 1>the other side where they got the studio, they got

1:37:28.800 --> 1:37:31.759
<v Speaker 1>the paperwork everything. It's like, damn, that's the real independent.

1:37:31.760 --> 1:37:34.280
<v Speaker 1>That's the dream right there, the way they got everything.

1:37:34.400 --> 1:37:42.840
<v Speaker 1>It's just it's very let's make some he he be

1:37:42.920 --> 1:37:48.760
<v Speaker 1>wrapping his ass off to be boy you collaborative Silicone

1:37:48.840 --> 1:37:53.120
<v Speaker 1>Valley based company jump Shot Media to create a battle

1:37:53.160 --> 1:37:57.880
<v Speaker 1>Wrap game. Battle Wrap Is that still lit? I don't

1:37:57.920 --> 1:37:59.760
<v Speaker 1>know if it's going, if it's still active right now.

1:37:59.760 --> 1:38:01.400
<v Speaker 1>I think gets another one. I've seen another one that

1:38:01.520 --> 1:38:04.800
<v Speaker 1>Bernard did. Um, but yeah, it was kind of dope.

1:38:04.840 --> 1:38:06.719
<v Speaker 1>It was like, you know, this is the early stages

1:38:06.800 --> 1:38:10.200
<v Speaker 1>of interactive apps type, you know, interactive type of things

1:38:10.280 --> 1:38:12.240
<v Speaker 1>like that. But it's just dope to be a part

1:38:12.320 --> 1:38:14.599
<v Speaker 1>of that. You know, growing up in Houston, I wasn't

1:38:14.600 --> 1:38:16.600
<v Speaker 1>a part of the battle rap scenes. So it was

1:38:16.680 --> 1:38:19.760
<v Speaker 1>like it was something that I was Eventually there's gonna

1:38:19.760 --> 1:38:27.639
<v Speaker 1>be like FaceTime Texas. And you know, some of it though,

1:38:27.840 --> 1:38:31.280
<v Speaker 1>is the doing it, because the in the battle rap,

1:38:31.439 --> 1:38:33.559
<v Speaker 1>you know, it's a performance. Yeah, that face to face

1:38:33.640 --> 1:38:36.360
<v Speaker 1>disrespect in your face in front of all your people,

1:38:36.439 --> 1:38:38.360
<v Speaker 1>that's you know some of that is that because if

1:38:38.400 --> 1:38:41.360
<v Speaker 1>you if I'm just in my room with all my homies.

1:38:41.960 --> 1:38:44.280
<v Speaker 1>You know you're holding your nuts a lot. Yeah, I'm

1:38:44.640 --> 1:38:48.240
<v Speaker 1>really holding you face to face. It's like you might

1:38:48.280 --> 1:38:50.600
<v Speaker 1>steal off only right now. So you know everybody, you

1:38:50.680 --> 1:38:52.679
<v Speaker 1>gotta be ready for all of that, these people with anybody,

1:38:52.680 --> 1:38:54.760
<v Speaker 1>you know. But that'd be what that battle rap is

1:38:54.800 --> 1:38:57.679
<v Speaker 1>all about. But that also is why I never really

1:38:58.200 --> 1:39:02.000
<v Speaker 1>personally got into that lane, because man, somebody talk about

1:39:02.040 --> 1:39:03.880
<v Speaker 1>me like that. Man, I'm gonna be ready to fight.

1:39:07.280 --> 1:39:10.240
<v Speaker 1>I'm saying of it. Of watching it and you shout

1:39:10.240 --> 1:39:12.320
<v Speaker 1>out to my boy to Jack arrest in piece to jacko. Man,

1:39:12.439 --> 1:39:15.439
<v Speaker 1>he really got me on too watching Have you seen

1:39:15.479 --> 1:39:17.240
<v Speaker 1>this battle buon up battles on YouTube? Have you've seen

1:39:17.280 --> 1:39:20.200
<v Speaker 1>this battle You've seen this bat all he went in. Yeah, Yeah,

1:39:20.520 --> 1:39:22.960
<v Speaker 1>we were that's my that's my boy. We actually did,

1:39:23.080 --> 1:39:25.479
<v Speaker 1>uh we man, big rest in peace man, we uh

1:39:25.800 --> 1:39:28.360
<v Speaker 1>we we actually did. We went on tour to Sweden.

1:39:28.439 --> 1:39:30.720
<v Speaker 1>We did a festival over there and it was a

1:39:31.800 --> 1:39:35.240
<v Speaker 1>big it was a battle rap going on, like a

1:39:35.280 --> 1:39:38.879
<v Speaker 1>battle rap concert going on. It was like fifteen countries

1:39:38.920 --> 1:39:41.559
<v Speaker 1>here and keep be all over the world. I gotta come,

1:39:44.439 --> 1:39:54.519
<v Speaker 1>I gotta sw Yeah. But that was my first time

1:39:54.880 --> 1:39:57.679
<v Speaker 1>being at a battle rap live in person and seeing

1:39:57.720 --> 1:40:00.120
<v Speaker 1>all of it, meeting these artists, seeing how they see

1:40:00.160 --> 1:40:01.960
<v Speaker 1>the nigas that try to jump asap Rocky did you,

1:40:02.640 --> 1:40:06.160
<v Speaker 1>I don't know it. It was a few years ago

1:40:06.320 --> 1:40:07.960
<v Speaker 1>when we was there. I thought about that that when

1:40:07.960 --> 1:40:09.840
<v Speaker 1>I've seen it, I'm like, damn, I wanted it. Was

1:40:09.920 --> 1:40:11.479
<v Speaker 1>they there on it, but they looked like they was

1:40:11.479 --> 1:40:16.400
<v Speaker 1>a little younger niggas yesterday. The two niggas, two niggas. Yeah,

1:40:16.920 --> 1:40:20.679
<v Speaker 1>I see them today back as the bars Kiden. I said,

1:40:21.000 --> 1:40:24.880
<v Speaker 1>niggas trying to jump that rocket. That in my mind. Yeah,

1:40:24.960 --> 1:40:27.680
<v Speaker 1>but um, you're listening to Paul Wall. We started this

1:40:27.920 --> 1:40:30.040
<v Speaker 1>to pick up our legends and tell people to their

1:40:30.120 --> 1:40:33.000
<v Speaker 1>face that you know your grace and so many people

1:40:33.280 --> 1:40:36.559
<v Speaker 1>are and our culture that they we don't salute our culture.

1:40:36.600 --> 1:40:38.400
<v Speaker 1>And this is what we want to change. You want

1:40:38.439 --> 1:40:41.120
<v Speaker 1>to change the narrative of that. We started drink Champs

1:40:41.640 --> 1:40:43.599
<v Speaker 1>in order for us to give people their flowers. Why

1:40:43.640 --> 1:40:45.479
<v Speaker 1>they can smell them. They thought so when they could

1:40:45.479 --> 1:40:47.320
<v Speaker 1>tell them they drinks where they can drink them, you

1:40:47.360 --> 1:40:48.880
<v Speaker 1>know what I'm saying. And they smoked while they could

1:40:48.880 --> 1:40:50.880
<v Speaker 1>smoke up, you know what I'm saying. And we want

1:40:50.880 --> 1:40:52.960
<v Speaker 1>to tell you, man, you know you've been out here.

1:40:53.240 --> 1:40:55.040
<v Speaker 1>You know, represent the hip hop in the right way,

1:40:55.120 --> 1:40:56.680
<v Speaker 1>playing the game in the right way. And we want

1:40:56.680 --> 1:40:58.559
<v Speaker 1>to tell you we appreciate you. We want to tell

1:40:58.560 --> 1:41:00.639
<v Speaker 1>you salute. We want to tell you, man, keep doing

1:41:00.720 --> 1:41:02.519
<v Speaker 1>your thing. I want to tell you I'm ordering a

1:41:02.600 --> 1:41:06.160
<v Speaker 1>new grill, my son and grill and I'm all all

1:41:06.240 --> 1:41:08.720
<v Speaker 1>three of my sons are grill and um. But man,

1:41:08.840 --> 1:41:11.360
<v Speaker 1>we want to tell you, thank you, Man, I appreciate you. Man.

1:41:11.400 --> 1:41:14.000
<v Speaker 1>It's just drink Champs and man, give your flowers right now.

1:41:19.320 --> 1:41:22.240
<v Speaker 1>Hey man, anybody get anybody called Tony Manning and get

1:41:22.280 --> 1:41:24.880
<v Speaker 1>a grill with a hashtag on whatever, telling drink Chance,

1:41:24.920 --> 1:41:27.000
<v Speaker 1>giving that you drink Chance discount. Man will give you

1:41:27.320 --> 1:41:31.720
<v Speaker 1>attempts in off top. We'll take a picture in the

1:41:31.840 --> 1:41:32.040
<v Speaker 1>drop