WEBVTT - Sail On

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<v Speaker 1>Family Secrets is a production of iHeartRadio.

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<v Speaker 2>Only recently did my father Larry appear in a dream.

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<v Speaker 2>We were together in a small harbor, crowded with sailboats,

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<v Speaker 2>tied one to the other in a web of lines,

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<v Speaker 2>hopping from one deck to the next. Despite their jostling

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<v Speaker 2>by waves, the holes didn't bump. The water sounded alive,

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<v Speaker 2>proud that I would finally take up ocean sailing. My

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<v Speaker 2>father wanted to help me choose the best boat. His

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<v Speaker 2>words of encouragement were brief, but his smile was ripe

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<v Speaker 2>with paternal love. Perhaps the imprint of my parents exists

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<v Speaker 2>in the truthful tale of my genes. The color of

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<v Speaker 2>my hair, my mother's dark brows, my conover wide smile,

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<v Speaker 2>my father's easy laugh, my small muscled body that loves

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<v Speaker 2>to dance a wild streak, as I'm told my mother did.

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<v Speaker 2>And two whatever I experienced as an infant must also

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<v Speaker 2>be within me. The tethered gaze between my mother and me,

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<v Speaker 2>her voice that I surely recognized straight from the womb.

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<v Speaker 2>My father's touch as he stroked the tiny wings of

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<v Speaker 2>my shoulder blades, the smell of my parents, the taste

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<v Speaker 2>of her milk, my primal known world.

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<v Speaker 3>That's Sarah Conover, author of the recent memoir Set Adrift.

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<v Speaker 3>Sarah's is the story of a family tragedy that occurred

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<v Speaker 3>when she was a very young child, so young, in fact,

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<v Speaker 3>that she has no memory of it. She's left with

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<v Speaker 3>a lifetime of questions, of longing, and of the profound

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<v Speaker 3>desire to understand all that has been lost? What can

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<v Speaker 3>we piece together even when the pieces have been shattered

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<v Speaker 3>beyond recognition. I'm Danny Shapiro, and this is family secrets,

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<v Speaker 3>the secrets that are kept from us, the secrets we

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<v Speaker 3>keep from others, and the secrets we keep from ourselves.

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<v Speaker 2>It's kind of a complicated map my childhood. So my

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<v Speaker 2>parents and grandparents vanished on January eighth, nineteen fifty eight.

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<v Speaker 2>My grandfather spent a lot of winters down in the

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<v Speaker 2>tropics sailing. He was one of the most trophied ocean

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<v Speaker 2>racing yachtsmen of his time, commodoer of the Cruising Club

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<v Speaker 2>of America, publisher of Voting Industry, on the board of

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<v Speaker 2>Yachting Magazine, and my father was a contender for the

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<v Speaker 2>Olympic Trials, and they had invited my parents down. My

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<v Speaker 2>grandfather and grandmother to join them. Right after Christmas. January first,

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<v Speaker 2>nineteen fifty eight is when they left the Florida Keys

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<v Speaker 2>headed extensively to Miami, but actually by way of the Bahamas,

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<v Speaker 2>and they ran into the worst unpredicted storm in the

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<v Speaker 2>Miami Weather Bureau's history at that time, where the day

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<v Speaker 2>started out as you know, life breeze is expected, and

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<v Speaker 2>then like within six hours, there were seventy mile an

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<v Speaker 2>hour winds and forty foot waves. Many boats foundered, many

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<v Speaker 2>many and my family's voat was the only one that

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<v Speaker 2>didn't return. And because of my grandfather's renowned in the

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<v Speaker 2>yachting and business worlds, it was probably one of the

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<v Speaker 2>most extensive private searches, private and public searches of the time.

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<v Speaker 2>The Navy, the Coast Guard, the Cuban Navy, all sorts.

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<v Speaker 2>They combed twenty four thousand square miles looking for them,

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<v Speaker 2>truly needle in a haystack, and one of the problems

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<v Speaker 2>was that the weather state stormy for a number of days.

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<v Speaker 2>They were reported missing on a Saturday, and the search

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<v Speaker 2>couldn't start till a Tuesday, and that might have been

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<v Speaker 2>the only window where they could have been saved. They

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<v Speaker 2>were seen by a fishing boat nineteen hours after the

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<v Speaker 2>storm almost capsized five people hanging off the lines what

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<v Speaker 2>are called drogues by the end of the boat sea anchors.

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<v Speaker 2>But the boat that saw them was also foundered. Their

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<v Speaker 2>motor had cut out, so there was a search that

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<v Speaker 2>went on for quite a bit, and the dinghy of

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<v Speaker 2>the boat, the kind of the little lifeboat, washed ashore

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<v Speaker 2>on north of Miami about eighty miles five days later

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<v Speaker 2>or so, and nothing else was found. Pieces were put

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<v Speaker 2>together of maybe what happened, but really, you know, forty

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<v Speaker 2>forty five foot wave, seventy mile an hour winds, it

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<v Speaker 2>tells a lot, and there might have been a mechanical

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<v Speaker 2>fil on the boat. We don't know.

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<v Speaker 3>You were eighteen months old, your sister Eileen was almost three.

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<v Speaker 3>At what point did you have any sense of anything

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<v Speaker 3>about the story of knowing that you have lost your parents.

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<v Speaker 2>It's a funny question because you know, back then with

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<v Speaker 2>doctor stock era, you don't talk to kids about these

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<v Speaker 2>kind of things, right, They can't understand it. Really, adults

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<v Speaker 2>can't understand it either. So my sister, who was older,

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<v Speaker 2>she was the one who was told. My grandmother said

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<v Speaker 2>your parents are dead, and I know, my grandmother must

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<v Speaker 2>have said it a number of times. But this is

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<v Speaker 2>the weird thing about early childhood loss is one of

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<v Speaker 2>the things you mourn is that you just know your

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<v Speaker 2>world vanished, and you don't you don't have those stages

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<v Speaker 2>of recognizing cognitively, Oh, I lost my parents. You know,

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<v Speaker 2>it was almost preverbal and all that, so you don't

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<v Speaker 2>have those stages of grief. There was no in a

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<v Speaker 2>way to recognize it. My sister seemed to. She remembers

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<v Speaker 2>people coming into her room and she was in her

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<v Speaker 2>crib and it was like a big black cloud that

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<v Speaker 2>came over the hole. Everything the world just stopped.

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<v Speaker 3>But after the world stops, it also must go on.

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<v Speaker 3>When Sarah and her sister are orphaned by this mysterious

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<v Speaker 3>boating accident, they're sent to live with their aunt, their

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<v Speaker 3>father's sister, fram and her husband, who have two children

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<v Speaker 3>of their own. But Sarah and Eileen's maternal grandmother puts

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<v Speaker 3>up a fight, a long fight. A custody battle persists

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<v Speaker 3>for ten years, during which Sarah and Eileen are required

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<v Speaker 3>to see their grandmother every other weekend. The atmosphere in

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<v Speaker 3>their aunt's home and their grandmothers could not be more different.

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<v Speaker 2>She was the one who was fighting for custody for

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<v Speaker 2>a decade and filled me with vitriol about the family

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<v Speaker 2>with majority custody. They aren't your real family, Those aren't

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<v Speaker 2>your parents. You're not one of them. My father's sister's family,

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<v Speaker 2>the way they had to respond to the grief was

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<v Speaker 2>fran My father's sister couldn't talk about the accident at all.

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<v Speaker 2>She lost her favorite brother, she lost her hero, her mother,

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<v Speaker 2>her father. She just couldn't talk about it. So there

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<v Speaker 2>was one family that just couldn't talk about it and

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<v Speaker 2>wouldn't despite all the sailing trophies on the India hutch.

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<v Speaker 2>And then the other family, the other one fighting for custody,

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<v Speaker 2>would only talk about it and would say that those

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<v Speaker 2>conivers they killed my daughter.

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<v Speaker 3>You have this phrase in your book that really struck me,

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<v Speaker 3>which was that you were schooled in dissociation and numbness.

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<v Speaker 3>And we've talked a lot about dissociation on this podcast

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<v Speaker 3>as sometimes a healthy defense mechanism degree you know, that

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<v Speaker 3>protects us until we don't need protecting. Obviously, it can

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<v Speaker 3>also be unhealthy. I mean, one of the things that

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<v Speaker 3>also really strikes me is the way that and you

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<v Speaker 3>as so many kids in that era in particular, where

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<v Speaker 3>there was a tragedy in a family or something difficult

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<v Speaker 3>in a family, were left to piece it together for themselves, right,

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<v Speaker 3>And you know, in a way you're dissociating, but at

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<v Speaker 3>the same time you're working overtime to try to piece

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<v Speaker 3>it together between what your grandmother, who you don't really trust,

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<v Speaker 3>is saying to you and what your adoptive parents were

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<v Speaker 3>raising you are saying or not saying to you because

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<v Speaker 3>they don't really want to talk about it, especially Fran.

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<v Speaker 2>Yeah, one of the tragic things is that the family

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<v Speaker 2>that a majority custody was really blown apart, and Fran,

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<v Speaker 2>my mother there just you know, she had four kids

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<v Speaker 2>and she just couldn't give me the attention that my

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<v Speaker 2>grandmother could. And so you know, in certain ways I

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<v Speaker 2>gravitated like this person could give me all the attention

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<v Speaker 2>I need. And my sister and I we would visit

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<v Speaker 2>my grandmother and she was rather an amazing artist and

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<v Speaker 2>had oil paintings that she'd done of my mother and

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<v Speaker 2>had professional photographs of my mother, no conovers, but of

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<v Speaker 2>my mother all over her house in Connecticut. And she

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<v Speaker 2>moved from Fresno to be close to us and to

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<v Speaker 2>try to rest us from the other family. And the

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<v Speaker 2>weird thing was, you know, there were pictures of her

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<v Speaker 2>mother all over the house, but it was that era

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<v Speaker 2>where people didn't smile in photographs, and my sister and

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<v Speaker 2>were like, that's our mother. I mean, you did not

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<v Speaker 2>want to attach to these photographs, and it just it

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<v Speaker 2>just did not really compute that this could be our mother.

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<v Speaker 2>My grandmother was complicated and fascinating too. You know, she

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<v Speaker 2>lost her mother and her sister in the nineteen eighteen flu,

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<v Speaker 2>so she had a tragedy behind her and I think

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<v Speaker 2>her losing her daughter just center over the edge and

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<v Speaker 2>she would do anything to get custody of us.

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<v Speaker 3>Why was she so against your aunt and uncle, who

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<v Speaker 3>became your adoptive parents.

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<v Speaker 2>I think it was existential for her. And she was

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<v Speaker 2>a bit of a kookie character. She was always weirdly

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<v Speaker 2>ended up as a single not weirdly, I think very

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<v Speaker 2>intentionally ended up as a single parent and married in

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<v Speaker 2>the end about five times. And she had sort of

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<v Speaker 2>amazing perseverance and as a single mom, but she would

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<v Speaker 2>divorce whatever guy she got married to pretty fast.

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<v Speaker 3>And your mother was her only child.

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<v Speaker 2>No, she also had a son by a different father,

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<v Speaker 2>and that when she kept her son laying very close

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<v Speaker 2>in ways that you know, I'm sure could be psychologized

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<v Speaker 2>very easily in terms of the Oedipus something. You know,

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<v Speaker 2>he never got his own career. She always supported him.

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<v Speaker 2>He was actually very very smart guy and a great

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<v Speaker 2>flamenco guitar player. She kept him close, and I think

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<v Speaker 2>it was existential for her after losing her daughter that

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<v Speaker 2>she didn't lose him. So in a way, she made

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<v Speaker 2>everybody's life miserable between the two families. And on another hand,

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<v Speaker 2>she taught me to see beauty. In some ways she

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<v Speaker 2>really saved my life. She would set up an easel

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<v Speaker 2>for both my sister and I and a beautiful still

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<v Speaker 2>life on her breakfast table. The weekends we were with

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<v Speaker 2>her and teach us to paint watercolor and oil colors,

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<v Speaker 2>and she played the piano and danced. You know. It

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<v Speaker 2>was she would let us have the run of the

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<v Speaker 2>house and that was pretty fun.

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<v Speaker 3>She also didn't want you to call her grandma right.

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<v Speaker 2>Right, so that was another thing, so she had us

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<v Speaker 2>call me mayor, which means mother in French. We did

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<v Speaker 2>not know that, and it also ironically means the sea

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<v Speaker 2>in French.

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<v Speaker 3>We'll be right back buck. Memory is such a puzzle.

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<v Speaker 3>We need witnesses, especially in circumstances like Sarah's. As she writes,

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<v Speaker 3>orphans not only lose their parents but also the historians

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<v Speaker 3>of their early years. And in Sarah's case, she's on

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<v Speaker 3>the receiving end of contradictory stories from her aunt and

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<v Speaker 3>her grandmother. So pieces of the story of the truth

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<v Speaker 3>come to her over time, like bits of buried treasure.

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<v Speaker 3>She begins to be able to assemble, little by little

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<v Speaker 3>the truths of who she is and where she belongs.

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<v Speaker 2>There's different stages where you can think, oh no, wait

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<v Speaker 2>a minute, wait, I look like her. But when you're little,

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<v Speaker 2>you're just trying to land somewhere. And the whole family,

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<v Speaker 2>everybody was set adrift by this accident, and where do

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<v Speaker 2>I belong? I think orphans have the ability to you know,

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<v Speaker 2>they're kind of a desperate figure, but they also can

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<v Speaker 2>remake themselves. And at some point I just decided that's

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<v Speaker 2>what I'm going to do. I watched the Sound of

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<v Speaker 2>Music probably twenty times, and you know, decided that mountains

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<v Speaker 2>weren't going to be my thing. I just couldn't go

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<v Speaker 2>near the water, and so completely left the whole sailing

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<v Speaker 2>business behind and pretty young, went out to rocky mountains

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<v Speaker 2>and took a mountaineering course. And you know, I was

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<v Speaker 2>probably maybe seventeen or eighteen when I walked across Switzerland

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<v Speaker 2>by myself after having watched the Sound of Music, not

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<v Speaker 2>realizing that that movie was in Austria, thinking it was

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<v Speaker 2>in Switzerland. But I orphaned myself. I orphaned the grief,

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<v Speaker 2>and you know, it seemed okay. I was restless, but

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<v Speaker 2>I also looked around me and I saw alcoholism. You know,

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<v Speaker 2>by the time I was a teenager, my sister, Eileen,

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<v Speaker 2>the other orphan, she had really disengaged from my grandmother,

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<v Speaker 2>and my grandmother had shown me a lot of favoritism

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<v Speaker 2>by then, and so that wasn't really a refuge anymore

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<v Speaker 2>at all. And I didn't I couldn't trust my grandmother

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<v Speaker 2>then either. You know, my father's siblings, except for Friend,

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<v Speaker 2>really dove into alcohol and very troubled lives. And that

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<v Speaker 2>nobody would talk about the elephant in the living room.

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<v Speaker 2>You know, I understand that that generation, the greatest generation.

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<v Speaker 2>They had no tools. Nobody was talking about post traumatic anything.

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<v Speaker 2>Nobody knew what to do with grief. So I understand

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<v Speaker 2>it now. But you know, I had that group not

0:14:54.680 --> 0:14:57.920
<v Speaker 2>talking about it, and the other group who was so skewed,

0:14:58.120 --> 0:15:02.440
<v Speaker 2>my my grandmother. I just thought, nobody's telling the truth here,

0:15:02.600 --> 0:15:06.760
<v Speaker 2>and I need to know. I need truth. There has

0:15:06.840 --> 0:15:09.880
<v Speaker 2>to be some authenticity. So at a very young age,

0:15:09.920 --> 0:15:13.640
<v Speaker 2>I became, you know, a religious seeker. At first, it

0:15:13.760 --> 0:15:17.840
<v Speaker 2>was through nature. When I was walking through Switzerland, I

0:15:17.920 --> 0:15:20.760
<v Speaker 2>happened to walk into the tent where the great Indian

0:15:20.880 --> 0:15:25.960
<v Speaker 2>saint Christiana Murdy was teaching of all people, and that

0:15:26.240 --> 0:15:30.000
<v Speaker 2>started to open other doors, and I became a religious

0:15:30.000 --> 0:15:33.240
<v Speaker 2>studies major. Fran used to call me the biggest why

0:15:33.320 --> 0:15:35.760
<v Speaker 2>kids she ever met, And I think I've been asking,

0:15:35.920 --> 0:15:37.640
<v Speaker 2>you know, what is the question we've been asking our

0:15:37.680 --> 0:15:41.720
<v Speaker 2>whole lives. One of them is why? Why? And what?

0:15:42.560 --> 0:15:46.000
<v Speaker 2>And are we loved and by whom? And so there

0:15:46.120 --> 0:15:49.440
<v Speaker 2>was a lot of why for me, why and where

0:15:49.680 --> 0:15:54.160
<v Speaker 2>is truth? Where's our foundation? I left home when I

0:15:54.240 --> 0:15:58.920
<v Speaker 2>was seventeen. I graduated early from high school, went out west,

0:16:00.120 --> 0:16:03.760
<v Speaker 2>went to a commune. But you know, along with the

0:16:03.840 --> 0:16:08.440
<v Speaker 2>hippie era, there was a lot of spiritual banqueting around

0:16:08.480 --> 0:16:12.280
<v Speaker 2>as well, and I guess I, you know, religious studies

0:16:12.280 --> 0:16:15.400
<v Speaker 2>certainly gave me a view of it, and I had

0:16:15.400 --> 0:16:18.760
<v Speaker 2>to just keep searching. There was a time when I

0:16:18.880 --> 0:16:22.000
<v Speaker 2>was hiking in Nepal and I was hiking by myself.

0:16:22.000 --> 0:16:25.000
<v Speaker 2>I was trekking in Nepaul and a Tibetan monk came

0:16:25.080 --> 0:16:29.360
<v Speaker 2>in the opposite direction and smiled at me in a

0:16:29.360 --> 0:16:31.880
<v Speaker 2>way that I'd never seen a human being smile in

0:16:31.920 --> 0:16:37.080
<v Speaker 2>my life. And this was right before college, and I

0:16:37.080 --> 0:16:39.880
<v Speaker 2>felt like, Okay, that is my compass, whatever that is,

0:16:39.920 --> 0:16:41.240
<v Speaker 2>that's my compass.

0:16:42.480 --> 0:16:46.160
<v Speaker 3>I can so picture that encounter with the monk on

0:16:46.240 --> 0:16:49.080
<v Speaker 3>the path. I can picture that smile. I really, I

0:16:49.080 --> 0:16:52.640
<v Speaker 3>can just see it. And you know, I wonder. I mean,

0:16:52.680 --> 0:16:55.480
<v Speaker 3>you were, on the one hand, trying to stay ahead

0:16:55.480 --> 0:16:59.800
<v Speaker 3>of what was haunting you as you were making these tracks,

0:17:00.080 --> 0:17:03.880
<v Speaker 3>these trips and searching for something that you weren't sure

0:17:03.920 --> 0:17:08.639
<v Speaker 3>what you were searching for. You quote the Buddhist psychologist

0:17:08.880 --> 0:17:15.480
<v Speaker 3>Tara Brock as saying that trauma is severed belonging, and

0:17:16.000 --> 0:17:18.560
<v Speaker 3>that really really struck me. It struck me as a

0:17:18.600 --> 0:17:24.000
<v Speaker 3>deep truth. And it seems that your sense of belonging

0:17:24.280 --> 0:17:27.360
<v Speaker 3>was ripped away from you as an eighteen month old.

0:17:27.880 --> 0:17:32.720
<v Speaker 3>And if that's your story, then it would seem that

0:17:32.800 --> 0:17:39.600
<v Speaker 3>life becomes to some degree at some point about finding

0:17:40.560 --> 0:17:43.760
<v Speaker 3>a way for that belonging to become a whole.

0:17:44.960 --> 0:17:48.760
<v Speaker 2>Yeah, and I do think that's what you know. Sometimes

0:17:48.800 --> 0:17:50.800
<v Speaker 2>I call it the mother whole, but it could be

0:17:50.920 --> 0:17:54.359
<v Speaker 2>the God hole. It could be what makes this steel whole.

0:17:55.000 --> 0:17:57.800
<v Speaker 2>I think orphans is a noun and a verb. We

0:17:57.880 --> 0:18:01.800
<v Speaker 2>are orphans, but we are also or in others that

0:18:01.920 --> 0:18:04.960
<v Speaker 2>you know as a protective mechanism. And it gets mixed

0:18:05.000 --> 0:18:07.679
<v Speaker 2>up with that horrible thing of you know, independence in

0:18:07.720 --> 0:18:13.400
<v Speaker 2>American culture, but we orphan ourselves from one another. And yes,

0:18:13.600 --> 0:18:18.439
<v Speaker 2>the need for belonging is so fundamental, and I was

0:18:18.520 --> 0:18:22.480
<v Speaker 2>looking for that, whether spiritual nature. I was looking so

0:18:22.720 --> 0:18:26.920
<v Speaker 2>hard for that. I was looking for bedrock. So I

0:18:26.960 --> 0:18:32.200
<v Speaker 2>decided the Gagnes, my eventually adoptive family. I'd already been

0:18:32.200 --> 0:18:34.960
<v Speaker 2>told by my grandmother forever, they're not really your family,

0:18:35.040 --> 0:18:38.000
<v Speaker 2>And you know, your name is Sarah Conover and their Gagne.

0:18:38.119 --> 0:18:41.399
<v Speaker 2>Even though I grew up as a Gagne. I think

0:18:41.480 --> 0:18:46.240
<v Speaker 2>that I just was looking hard and working hard for

0:18:46.359 --> 0:18:49.400
<v Speaker 2>that sense of belonging. What do I belong to? What

0:18:49.760 --> 0:18:51.840
<v Speaker 2>do we all belong to? Which is our bedrock?

0:18:52.640 --> 0:18:54.320
<v Speaker 3>How old were you when you changed your name back

0:18:54.359 --> 0:18:54.840
<v Speaker 3>to Conover.

0:18:55.640 --> 0:18:58.840
<v Speaker 2>Yeah, I was in their early twenties when I moved

0:18:58.840 --> 0:19:01.280
<v Speaker 2>out west. It kind of like, Okay, I'm just gonna

0:19:01.320 --> 0:19:03.800
<v Speaker 2>do the whole thing. I'm going to take my birth name,

0:19:03.840 --> 0:19:07.040
<v Speaker 2>my beautiful birth name back, and I left the Gagnes.

0:19:07.040 --> 0:19:10.119
<v Speaker 2>They're all back on the East Coast and I'm my

0:19:10.240 --> 0:19:13.119
<v Speaker 2>own self here and there we go. I'm going to

0:19:13.240 --> 0:19:16.200
<v Speaker 2>just take that name back and like you know, putting

0:19:16.240 --> 0:19:18.720
<v Speaker 2>them all in a bottle in the sea, like goodbye.

0:19:19.040 --> 0:19:21.159
<v Speaker 2>And of course we can't do that. Of course we

0:19:21.160 --> 0:19:24.680
<v Speaker 2>can't do that. So my biological sister still has the

0:19:24.840 --> 0:19:29.240
<v Speaker 2>last name by wing Gagne, and my other siblings kept

0:19:29.240 --> 0:19:32.040
<v Speaker 2>that name. But they were my I don't call them

0:19:32.040 --> 0:19:32.880
<v Speaker 2>my step siblings.

0:19:32.960 --> 0:19:34.240
<v Speaker 3>Well, and they were your cousins.

0:19:34.520 --> 0:19:39.680
<v Speaker 2>They were my cousins. They were my first cousins. Yeah.

0:19:40.080 --> 0:19:43.280
<v Speaker 3>As often happens, when we open one door, other doors

0:19:43.320 --> 0:19:46.760
<v Speaker 3>open too. Sarah changes her name back to the name

0:19:46.840 --> 0:19:50.520
<v Speaker 3>she was born with, and she also meets her future husband, Doug.

0:19:51.560 --> 0:19:55.840
<v Speaker 3>She's studying to become an aikido, a Japanese martial arts instructor,

0:19:56.160 --> 0:20:01.280
<v Speaker 3>in Boulder, Colorado. Doug is practicing martial arts too. They

0:20:01.280 --> 0:20:05.159
<v Speaker 3>have shared interests and an immediate connection. They get married.

0:20:05.200 --> 0:20:08.159
<v Speaker 3>Within a couple of years, they moved to California to

0:20:08.200 --> 0:20:12.320
<v Speaker 3>start a family. Things seem to be going smoothly for Sarah.

0:20:12.800 --> 0:20:15.920
<v Speaker 3>She feels far from her childhood, which have been defined

0:20:15.960 --> 0:20:21.240
<v Speaker 3>by secrecy, tragedy, and grief, but her grief returns and reverberates,

0:20:21.760 --> 0:20:23.160
<v Speaker 3>because that's what grief does.

0:20:25.000 --> 0:20:27.120
<v Speaker 2>I was still running hard ahead of the grief, I think,

0:20:27.200 --> 0:20:30.879
<v Speaker 2>and numb and pretty excited about a new baby. And

0:20:31.480 --> 0:20:34.040
<v Speaker 2>I think the first big wake up call was that

0:20:34.080 --> 0:20:38.000
<v Speaker 2>when my you know, there's that book bussel Vandercock's The

0:20:38.000 --> 0:20:40.920
<v Speaker 2>Body keeps the Score. I also think the body keeps

0:20:40.960 --> 0:20:45.840
<v Speaker 2>the clock. And at eighteen months. I only put this

0:20:45.920 --> 0:20:49.080
<v Speaker 2>together about six months ago, Danny. Eighteen months is when

0:20:49.119 --> 0:20:50.600
<v Speaker 2>I started not to be able to sleep.

0:20:50.920 --> 0:20:52.520
<v Speaker 3>When your son was eighteen months old.

0:20:52.960 --> 0:20:55.920
<v Speaker 2>Yeah, when he was eighteen months old, that's when sleep

0:20:55.960 --> 0:20:59.159
<v Speaker 2>got very challenging for me. And later on I realized.

0:21:00.280 --> 0:21:03.920
<v Speaker 2>We left California. We left and fran I moved to California.

0:21:03.960 --> 0:21:06.320
<v Speaker 2>We decided all to move there together. You know, I'll

0:21:06.359 --> 0:21:09.440
<v Speaker 2>move there. Let's do it at the same time, her

0:21:09.560 --> 0:21:14.159
<v Speaker 2>second husband had family there. And I put this also

0:21:14.240 --> 0:21:17.399
<v Speaker 2>together about six months ago. Is that when my daughter

0:21:17.480 --> 0:21:21.239
<v Speaker 2>turned eighteen months old, I also left fran behind and

0:21:21.359 --> 0:21:26.000
<v Speaker 2>moved up to Washington State from California. Even though I

0:21:26.160 --> 0:21:30.280
<v Speaker 2>had told people in California, I had said, I finally

0:21:30.280 --> 0:21:33.200
<v Speaker 2>have the mommy I've been looking for. Brand was there

0:21:33.240 --> 0:21:36.400
<v Speaker 2>all the time for us. It was a beautiful thing.

0:21:36.560 --> 0:21:40.359
<v Speaker 2>And yet, and yet I wanted to move back to

0:21:40.400 --> 0:21:42.280
<v Speaker 2>the mountains, my safe place.

0:21:45.400 --> 0:21:49.200
<v Speaker 3>As Sarah enters midlife, she can no longer outrun her grief.

0:21:49.960 --> 0:21:53.280
<v Speaker 3>She sinks into a depression that seems, on the surface

0:21:53.280 --> 0:21:56.119
<v Speaker 3>of things at odds with the beautiful life she has

0:21:56.200 --> 0:21:58.480
<v Speaker 3>created with her family in this beautiful place.

0:22:00.720 --> 0:22:03.000
<v Speaker 2>It's one other thing I wanted to say about orphaning

0:22:03.400 --> 0:22:07.679
<v Speaker 2>being an orphan and orphaning others and orphaning yourself, orphaning

0:22:07.680 --> 0:22:11.160
<v Speaker 2>your own feelings from yourself. I orphaned my grief when

0:22:11.160 --> 0:22:14.160
<v Speaker 2>I looked up you know, secrets. As in family secrets,

0:22:14.240 --> 0:22:17.640
<v Speaker 2>it also means to separate. I really kind of thought

0:22:17.680 --> 0:22:18.200
<v Speaker 2>about that.

0:22:18.760 --> 0:22:21.119
<v Speaker 3>To separate, surely it does that.

0:22:21.840 --> 0:22:23.720
<v Speaker 2>Yeah, and all of this, I mean, there was just

0:22:24.240 --> 0:22:29.560
<v Speaker 2>separation and secretivity everywhere the ocean. Secreted my parents away,

0:22:29.960 --> 0:22:34.200
<v Speaker 2>people secreted their guilt, their grief. We separated ourselves. I mean,

0:22:34.240 --> 0:22:36.919
<v Speaker 2>I think that was the biggest tragedy of this is

0:22:36.960 --> 0:22:40.800
<v Speaker 2>that it didn't bring you know, grief to heal has

0:22:40.840 --> 0:22:45.240
<v Speaker 2>to bring a community together. It blew us apart till recently, really,

0:22:45.840 --> 0:22:48.480
<v Speaker 2>until my book was done and we could kind of

0:22:48.480 --> 0:22:51.680
<v Speaker 2>all see the map of the grief, because grief can

0:22:51.720 --> 0:22:55.359
<v Speaker 2>be horizonless, kind of like the sea, and for my

0:22:55.400 --> 0:22:58.639
<v Speaker 2>sibs to see their pain on the page and my pain,

0:22:59.480 --> 0:23:02.800
<v Speaker 2>we could find finally drop it. But meanwhile we just

0:23:02.840 --> 0:23:06.600
<v Speaker 2>separated from each other and kept orphaning ourselves from one another.

0:23:07.560 --> 0:23:10.639
<v Speaker 3>Well, in the process of writing your book, you do

0:23:10.720 --> 0:23:14.000
<v Speaker 3>a lot of research, but part of the story are

0:23:14.080 --> 0:23:18.360
<v Speaker 3>the interviews that you do with your siblings, with Eileen

0:23:18.480 --> 0:23:22.320
<v Speaker 3>and with your two cousins slash siblings. You grew up

0:23:22.320 --> 0:23:25.880
<v Speaker 3>with them all of your remembered childhood, and you give

0:23:25.960 --> 0:23:29.720
<v Speaker 3>them really space and a chance in your book to

0:23:30.520 --> 0:23:34.160
<v Speaker 3>allow for their own feelings and their own reality, which

0:23:34.200 --> 0:23:37.080
<v Speaker 3>is I would imagine part of what ended up being

0:23:37.080 --> 0:23:39.199
<v Speaker 3>so healing about the book for all of you.

0:23:39.720 --> 0:23:43.120
<v Speaker 2>Yeah, that's one of the things I recommend to everybody's

0:23:43.240 --> 0:23:46.840
<v Speaker 2>interview your siblings and you know those big touchstones in

0:23:46.880 --> 0:23:50.919
<v Speaker 2>your family history. How did they experience it? Because you

0:23:50.920 --> 0:23:54.320
<v Speaker 2>will learn a lot and it just diminishes any self

0:23:54.320 --> 0:23:58.440
<v Speaker 2>involvement because everybody he'll surround you is suffering as well.

0:23:59.160 --> 0:24:01.679
<v Speaker 2>I think it's a really important thing to do. We

0:24:01.720 --> 0:24:04.640
<v Speaker 2>are meaning makers as we go through life. We're story makers,

0:24:04.840 --> 0:24:09.480
<v Speaker 2>and stories can also use us. And the fact that

0:24:09.560 --> 0:24:12.960
<v Speaker 2>this tragedy blew our family apart meant that people were

0:24:12.960 --> 0:24:16.640
<v Speaker 2>making up stories about each other. And if you ask

0:24:16.720 --> 0:24:19.800
<v Speaker 2>any dysfunctional you know, anybody who's not getting along with

0:24:19.840 --> 0:24:22.399
<v Speaker 2>somebody in their family, they have a story about that

0:24:22.440 --> 0:24:26.200
<v Speaker 2>other person. So we had these stories about each other

0:24:26.880 --> 0:24:31.399
<v Speaker 2>that couldn't get underneath the pain. And that's why I

0:24:31.440 --> 0:24:35.439
<v Speaker 2>think interviewing your family so important. But stories can be

0:24:35.520 --> 0:24:39.920
<v Speaker 2>so dangerous. They're important when they work for you, when

0:24:39.920 --> 0:24:42.960
<v Speaker 2>they work for another person. But boy, and we've all

0:24:43.000 --> 0:24:45.399
<v Speaker 2>experienced this thing where somebody tells you just a little

0:24:45.400 --> 0:24:48.720
<v Speaker 2>something about somebody you haven't met. By the time you

0:24:48.760 --> 0:24:53.000
<v Speaker 2>meet that person, it's tainted already. And this is like

0:24:53.080 --> 0:24:57.840
<v Speaker 2>one hundredfold with your family. So it's the unwriting of

0:24:57.920 --> 0:25:00.879
<v Speaker 2>the fictions that we have about each other. And I

0:25:00.960 --> 0:25:04.280
<v Speaker 2>also felt like I had to unwrite my own fiction.

0:25:04.760 --> 0:25:06.800
<v Speaker 2>First I was Sarah Conover, and then I grew up

0:25:06.800 --> 0:25:10.280
<v Speaker 2>as Leslie Gagney, and then I wanted to drop the

0:25:10.359 --> 0:25:14.480
<v Speaker 2>Leslie Gagney because she had had this kind of chaotic childhood,

0:25:15.200 --> 0:25:18.320
<v Speaker 2>and so I became Sarah Conover. But those things are

0:25:18.359 --> 0:25:21.880
<v Speaker 2>all inside you. So all of that for me had

0:25:21.920 --> 0:25:25.320
<v Speaker 2>to get untangled, and I had to unwrite those fictions

0:25:25.359 --> 0:25:30.119
<v Speaker 2>as well.

0:25:30.280 --> 0:25:34.920
<v Speaker 3>Fifty eight years after the accident, after the vanishing, Sarah's

0:25:34.960 --> 0:25:38.000
<v Speaker 3>sister Eileen, has the idea that the family should come

0:25:38.000 --> 0:25:43.160
<v Speaker 3>together for a proper memorial to honor their parents and grandparents.

0:25:46.760 --> 0:25:49.080
<v Speaker 2>I had asked, fran why didn't you have a memorial?

0:25:49.119 --> 0:25:52.000
<v Speaker 2>I mean, they had been finally declared dead by the

0:25:52.040 --> 0:25:56.919
<v Speaker 2>insurance company, and she said, we just thought we'd discovered

0:25:56.920 --> 0:26:00.480
<v Speaker 2>them on a deserted island in the Caribbean. I kind

0:26:00.520 --> 0:26:02.919
<v Speaker 2>of blamed Gilligan's Island for this or something, you know,

0:26:04.200 --> 0:26:08.120
<v Speaker 2>But also that generation didn't have the tools to say, what,

0:26:08.400 --> 0:26:11.080
<v Speaker 2>you know, what are the constellations of grief? You know,

0:26:11.200 --> 0:26:14.520
<v Speaker 2>it's not just sadness, it's all this other stuff. And

0:26:14.760 --> 0:26:18.440
<v Speaker 2>she had to bunker her own grief. So we fifty

0:26:18.440 --> 0:26:21.960
<v Speaker 2>eight years after my sister and I held a memorial

0:26:22.640 --> 0:26:26.240
<v Speaker 2>and it was beautiful, and Fran was there, and my

0:26:26.520 --> 0:26:30.200
<v Speaker 2>cousins slash siblings. I grew up with the two. They

0:26:30.280 --> 0:26:34.119
<v Speaker 2>didn't come out for it, but Fran really stood tall.

0:26:34.920 --> 0:26:38.440
<v Speaker 2>And we had a memorial benchmad saying Pops and Dan,

0:26:39.040 --> 0:26:43.720
<v Speaker 2>Larry and Laurie's sail on and looking at golden gardens

0:26:43.720 --> 0:26:46.960
<v Speaker 2>out on Puget Sound. There just happened to be a

0:26:47.040 --> 0:26:50.560
<v Speaker 2>sailing regatta going on, with the boats, the horns coming

0:26:50.600 --> 0:26:55.000
<v Speaker 2>off the I forget what you call those boats, and

0:26:55.480 --> 0:26:59.359
<v Speaker 2>a beautiful, beautiful day. And it was lovely to hear

0:26:59.600 --> 0:27:02.840
<v Speaker 2>Fran and talk about what a gift we had been

0:27:03.119 --> 0:27:05.119
<v Speaker 2>when she lost her parents, that she was able to

0:27:05.200 --> 0:27:09.240
<v Speaker 2>adopt us and to raise us. And yeah, there was

0:27:09.280 --> 0:27:10.760
<v Speaker 2>finally some closure around that.

0:27:16.080 --> 0:27:19.800
<v Speaker 3>Here's Sarah reading one last passage from her powerful and

0:27:19.880 --> 0:27:21.200
<v Speaker 3>probing memoir.

0:27:26.640 --> 0:27:30.680
<v Speaker 2>Orphan. Every year I passed the moment when the sea

0:27:30.800 --> 0:27:35.360
<v Speaker 2>held and turned you, when exhausted, you surrendered. You lie

0:27:35.400 --> 0:27:38.919
<v Speaker 2>in wool, silks and taffetas heavy with water at the

0:27:38.920 --> 0:27:42.359
<v Speaker 2>bottom of my ceed or trunk. You hang on the wall,

0:27:42.400 --> 0:27:47.160
<v Speaker 2>crooked chipped, waiting to be straightened. How surprised I am

0:27:47.200 --> 0:27:49.679
<v Speaker 2>at your face is growing into my son and daughter.

0:27:51.320 --> 0:27:54.520
<v Speaker 2>Perhaps you are coming back to me now, given back

0:27:54.560 --> 0:27:57.040
<v Speaker 2>by the ocean in the bits left on the sand

0:27:57.960 --> 0:28:01.080
<v Speaker 2>you wash ashore, and I'd pick through the sea, lifting

0:28:01.119 --> 0:28:04.960
<v Speaker 2>shells to my ear and listening, fingering the sea scour

0:28:05.080 --> 0:28:09.359
<v Speaker 2>and colored beach glass, resting the fragile carpses of the

0:28:09.440 --> 0:28:13.440
<v Speaker 2>long dead in my palm. Little nothings to anyone else,

0:28:14.119 --> 0:28:18.439
<v Speaker 2>but we know better. Blood is our private See my

0:28:18.560 --> 0:28:22.919
<v Speaker 2>covenant with the two of you, my parents, remembering you.

0:28:23.680 --> 0:28:25.440
<v Speaker 2>I won't throw anything back.

0:28:39.840 --> 0:28:43.880
<v Speaker 3>Family Secrets is a production of iHeartRadio. Molly's Accurr is

0:28:43.880 --> 0:28:47.040
<v Speaker 3>the story editor and Dylan Fagan is the executive producer.

0:28:48.320 --> 0:28:50.320
<v Speaker 3>If you have a family secret you'd like to share,

0:28:50.720 --> 0:28:53.160
<v Speaker 3>please leave us a voicemail and your story could appear

0:28:53.160 --> 0:28:56.600
<v Speaker 3>on an upcoming episode. Our number is one eight eight

0:28:56.600 --> 0:29:00.800
<v Speaker 3>eight Secret zero. That's the number zero. You can also

0:29:00.920 --> 0:29:05.720
<v Speaker 3>find me on Instagram at Danny Ryder. And if you'd

0:29:05.760 --> 0:29:08.240
<v Speaker 3>like to know more about the story that inspired this podcast,

0:29:08.640 --> 0:29:10.520
<v Speaker 3>check out my memoir Inheritance.

0:29:24.080 --> 0:29:28.320
<v Speaker 1>For more podcasts from iHeartRadio, visit the iHeartRadio app Apple podcasts,

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<v Speaker 1>or wherever you listen to your favorite shows.